19 - Last Order (The End)
Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
[00:30] ---
Having spent a dramatic, as well\nas acrobatic summer vacation,\n
[00:33] ---
I, Kamijo Toma, did not do a single bit\n
[00:35] ---
of my summer vacation homework.\n
[00:37] ---
Nonetheless, I posed as Zapper's boyfriend\n
[00:40] ---
and got into a fight with a sorcerer,\n
[00:43] ---
but something I never expected \n
[00:44] ---
happened on August 31st,\njust after midnight.\n
[00:47] ---
That's when he had a certain encounter.\n
[01:02] ---
"A Certain Magical Index"\n
[01:07] ---
*Some day-to-day is a parallel world *
[01:10] ---
*A masterpiece of thousands of timelines, *
[01:13] ---
*no two of which are the same, *
[01:14] ---
*interwoven into a new time and space *
[01:18] ---
*The tip of a pen scribbling out a script on blank paper freezes *
[01:24] ---
*Strive for originality, since you're going down this road anyway
[01:30] ---
(Believe) Race along (far away)
[01:36] ---
(Feel) Kick off from the ground (kick the ground) *
[01:44] ---
*The sensation of living your life ablaze for something *
[01:51] ---
*is sure to be power enough to rival anyone *
[01:57] ---
*I likely know what happiness is at this moment (when I believed it) *
[02:02] ---
*This feeling marks a new page for me (I can go to the next stage) *
[02:10] ---
*It's only my thing *
[02:21] ---
"#19 Last Order (The End)"\n
[02:51] ---
Ever since my fight with that Kamijo guy,\n
[02:54] ---
it seems that I am no longer\nthe strongest guy in Academy City.\n
[02:59] ---
Despite the fact that I'm still a Level 5,\n
[03:03] ---
and that there's been no change in my ability,\n
[03:08] ---
no matter how many times I prove myself,\n
[03:10] ---
these fools can't peel off\nthe label that's been stuck to me.\n
[03:20] ---
Exactly what about me has changed?\n
[03:29] ---
There's something different, huh?\n
[03:32] ---
Something really has changed. \n
[03:35] ---
--But what has changed? What could that be?
[03:37] ---
--I am, after all, still a girl, --But what has changed? What could that be?
[03:41] ---
--so if you don't embrace any feelings, that comes as a shock to me!
[03:44] ---
--Think I'll reflect all that pointless noise away. --so if you don't embrace any feelings, that comes as a shock to me!
[04:30] ---
Huh? What's this tiny walking blanket saying?\n
[04:35] ---
Oh, whoops.\n
[04:37] ---
Wow, what do you know?\nFor you to be so completely unresponsive\n
[04:41] ---
is actually rather refreshing, you might say.\n
[04:43] ---
But for someone who's ignoring me out of spite,\n
[04:45] ---
your walking pace is normal enough.\n
[04:47] ---
Could you be the ultimate space cadet?\n
[04:50] ---
That's what Misaka Misaka says,\ntilting her head to the side.\n
[04:53] ---
This is bullcrap.\n
[04:55] ---
Misaka Misaka has been trying vehemently\n
[04:57] ---
to assert her own existence.\nAre you flatly denying it?\n
[05:00] ---
Huh?\n
[05:04] ---
Wait, did you say Misaka?\n
[05:06] ---
Oh, Misaka's existence has\nfinally been acknowledged! Yay!\n
[05:10] ---
Misaka Misaka congratulates herself!\n
[05:13] ---
Hey...\n
[05:14] ---
Take off that blanket and show me your face.\n
[05:20] ---
Wait, telling a girl to take off her clothes\n
[05:23] ---
in the middle of the road\nis a bit bold, even crazy, to ask.\n
[05:38] ---
Huh?\n
[05:50] ---
Misaka's serial number is 20001,\n
[05:54] ---
and was built as the final lot of the Sisters,\n
[05:58] ---
but her code has all but become Last Order,\n
[06:00] ---
and though she was supposed to\nbe used in the experiment,\n
[06:02] ---
Misaka Misaka has a bone to pick.\n
[06:06] ---
Oh, you don't say.\n
[06:07] ---
But, the experiment was canceled,\n
[06:10] ---
and being released from the incubator early,\n
[06:12] ---
all tiny and compact, Misaka Misaka is--\n
[06:16] ---
Hey, are you listening?\n
[06:18] ---
What do you want me to do about it?\n
[06:20] ---
You've got connections with the researchers,\n
[06:23] ---
so Misaka Misaka was thinking\nmaybe you could contact them for her.\n
[06:28] ---
Ask someone else.\n
[06:29] ---
Yay! A straight, immediate refusal!\n
[06:32] ---
That's what Misaka Misaka shouts in desperation.\n
[06:38] ---
But there's no where else for her to go,\n
[06:40] ---
so Misaka Misaka can't afford to give up.\n
[06:47] ---
Thanks for all of your help!\n
[06:49] ---
Is what Misaka Misaka says,\nearly-birding the worm!\n
[06:51] ---
Misaka Misaka asks which one is your apartment?\n
[06:56] ---
Number 304.\n
[07:01] ---
Pardon the intrusion!\nMisaka Misaka displays her manners.\n
[07:05] ---
Hey, what do you want?\n
[07:10] ---
That seemed to be\nsomeone else's apartment entirely!\n
[07:13] ---
Misaka Misaka is angry!\n
[07:16] ---
This time, tell me for real\nwhich apartment number is yours,\n
[07:18] ---
is what Misaka Misaka asks.\n
[07:20] ---
Number 307.\n
[07:25] ---
Pardon the intrusion!\n
[07:27] ---
We didn't order any delivery.\n
[07:32] ---
How can you be so mean?\nThat's what Misaka Misaka asks, slouching.\n
[07:42] ---
Hey, what happened here?\n
[07:45] ---
Whoa, what an awful thing to happen.\nMisaka Misaka is speechless.\n
[08:00] ---
This is bullcrap.\n
[08:07] ---
Um, are you sure you don't\nwant to contact Antiskill or Judgment,\n
[08:13] ---
Misaka Misaka asks, sticking her nose in.\n
[08:16] ---
What are you going to do? It might\nbe safer to sleep on the streets\n
[08:20] ---
than it would be to stay here.\n
[08:22] ---
Hmm, even so, Misaka\nthinks she'd rather stay here,\n
[08:26] ---
which Misaka Misaka entreats earnestly.\n
[08:29] ---
Huh? Why?\n
[08:32] ---
Because she'd rather be with someone.\nThat's what Misaka Misaka says...\n
[08:40] ---
Suit yourself.\n
[08:47] ---
She should warn you right now, \n
[08:49] ---
sneaking into bed with her is\nout of the question, says Misaka--\n
[08:52] ---
Go to sleep!\n
[09:06] ---
"People's faces shorely do reveal\ntheir honest expressions, huh?"\n
[09:10] ---
Misaka Misaka says, using a Kyoto accent.\n
[09:16] ---
Are you still here?\n
[09:18] ---
Good morning! Or rather,\nit's "good afternoon" time already.\n
[09:22] ---
She's hungry, so could you cook something?\nMisaka Misaka asks,\n
[09:27] ---
happy raised up to the 30th power.\n
[09:30] ---
Hey, she doesn't think the kitchen is that way.\n
[09:34] ---
Do I look like the sort of\nperson who would do that?\n
[09:37] ---
She was hoping for an apron-wearing,\ndomestic-looking Accelerator,\n
[09:41] ---
to catch her by surprise.\nMisaka Misaka grumbles.\n
[09:46] ---
Hey, wait!\n
[09:49] ---
Is that your natural hair color?\nMisaka Misaka wants to know.\n
[09:55] ---
I'm not sure how it all works, myself,\n
[09:58] ---
but the body's pigmentation \n
[09:59] ---
is supposed to protect it from ultraviolet rays.\n
[10:02] ---
Since I reflect all those\nunwanted ultraviolet rays anyway,\n
[10:06] ---
my body doesn't need to have any pigmentation.\n
[10:09] ---
Oh? So there is a kind of logic to it.\nMisaka Misaka is surprised.\n
[10:16] ---
--Good grief.\n--Wonder what she should get.\n
[10:20] ---
There's pizza, and hamburgers,\nand spaghetti, and even curry.\n
[10:25] ---
Is that...\n
[10:26] ---
...Amai Ao?\n
[10:32] ---
That bastard. What is he doing here?\n
[10:35] ---
What are you looking at?\nMisaka Misaka wants to know.\n
[10:39] ---
Remember what your most\nimportant objective is right now!\n
[10:42] ---
Eh? It's getting something to eat.\nMisaka Misaka responds promptly.\n
[11:07] ---
Thank you for waiting.\n
[11:11] ---
This is the first time\nshe's ever had a hot meal.\n
[11:15] ---
Misaka Misaka brims with glee.\n
[11:18] ---
This is bullcrap.\n
[11:22] ---
What's wrong? Aren't you eating?\n
[11:24] ---
She'd like to offer thanks for the food.\n
[11:27] ---
Misaka Misaka expresses her hope.\n
[11:31] ---
Oh, okay. Feel free.\n
[11:34] ---
Thank you for this food!\n
[11:42] ---
It's off-the-charts delicious! \n
[11:43] ---
Misaka Misaka offers her opinion.\n
[11:46] ---
Huh? This stuff is a cavalcade\nof thawed-out freeze-dried junk.\n
[11:51] ---
What's good is good, and\neating food together with someone\n
[11:54] ---
somehow makes it feel so\nmuch different. Misaka Misaka tries\n
[11:57] ---
explaining her spiritual philosophy.\n
[11:59] ---
I can't believe the kind of nerve you've got.\n
[12:02] ---
It's not like you don't\nknow what I did to you all, right?\n
[12:07] ---
Misaka has a brainwave\nlink to all the other Misakas,\n
[12:10] ---
so of course she knows,\nsays Misaka Misaka.\n
[12:14] ---
Then how can you be so calm?\n
[12:17] ---
Misaka asserts that she had\nthe worth of Misaka told to her.\n
[12:21] ---
Huh?\n
[12:23] ---
Even if one of the individual Misaka units dies,\n
[12:26] ---
it's not possible for the\nMisaka Network to be eliminated.\n
[12:29] ---
However, the life of each\nMisaka unit also has worth.\n
[12:33] ---
There's only one of you in the whole world, right?
[12:39] ---
She was told that there\nare people who shed tears\n
[12:41] ---
when one of the Misakas dies. \n
[12:44] ---
That's why Misaka doesn't die anymore.\n
[12:47] ---
Not even a single one\nof us can die for others anymore.\n
[12:50] ---
That's what Misaka Misaka thinks.\n
[12:55] ---
If it weren't for you,\n
[12:56] ---
the experiment wouldn't have been devised,\n
[12:59] ---
and souls wouldn't have\nbeen put into the lifeless Misakas,\n
[13:02] ---
so Misaka Misaka is grateful.\n
[13:05] ---
You're grateful?
[13:07] ---
What do you mean?\nIt doesn't change the fact\n
[13:09] ---
that I enjoyed killing all of you, right?\n
[13:13] ---
That's not true.\n
[13:15] ---
That's what Misaka Misaka has concluded.\n
[13:19] ---
You didn't really want to\ngo through with the experiment.\n
[13:22] ---
That's what Misaka Misaka guesses.\n
[13:25] ---
Exactly how are you\nspinning things to be able to say that?\n
[13:29] ---
As long as the experiment would go on,\n
[13:31] ---
I didn't care a single bit about your lives.\n
[13:34] ---
That's all there was to it, you know.\n
[13:36] ---
You spoke to Misaka\nmany times during the experiment.\n
[13:41] ---
So, what was the point of that?\n
[13:44] ---
Misaka Misaka is asking the obvious question.\n
[13:48] ---
What are you running away like that for?\n
[13:50] ---
Beguilingly shaking your ass like that.\nIs that an invitation?\n
[13:55] ---
Well, far be it from me to\nsay anything about someone\n
[13:57] ---
working side by side with me in\nan experiment to make me stronger,\n
[14:01] ---
but I'm impressed that you're\nso calm, under the circumstances.\n
[14:05] ---
Sheesh, I thought I might\nbe able to kill a little time here,\n
[14:09] ---
but this is hopeless.\nI just can't hold a conversation with you.\n
[14:14] ---
They were all weird conversations\nto have, by Misaka Misaka's analysis.\n
[14:19] ---
The communication principle\nof wanting to speak to someone\n
[14:23] ---
is grounded in the desire to make contact;\n
[14:26] ---
if you just wanted to facilitate\nthe success of the experiment,\n
[14:29] ---
there wouldn't be any need to converse,\nreasons Misaka Misaka.\n
[14:34] ---
How does all that trash talk\nlead to me wanting to make "contact"?\n
[14:38] ---
Yes, that's the second weird thing about it.\n
[14:41] ---
Misaka Misaka says so, raising two fingers.\n
[14:45] ---
All of the words you said were incorrigible,\n
[14:48] ---
and they were all abusive toward Misaka.\n
[14:51] ---
That makes them something other \n
[14:52] ---
than being grounded in wanting to make contact.\n
[14:55] ---
However, supposing you were to deny it,\n
[14:57] ---
and you said those\nthings because you wanted to...\n
[15:01] ---
Everything that you said\nwas said before the experiment,\n
[15:03] ---
which is to say, before the battle started.\n
[15:06] ---
That's what Misaka Misaka recalls.\n
[15:09] ---
It was like you were trying to menace Misaka,\n
[15:12] ---
like you were trying to get Misaka\nto say she was sick of fighting.\n
[15:15] ---
Misaka Misaka says so.\n
[15:18] ---
The Misakas couldn't pick up on your signals.\n
[15:22] ---
What if Misaka said she didn't want to fight?\n
[15:27] ---
Misaka Misaka talks about the ending choice.\n
[15:35] ---
I can't take you anymore.\n
[15:45] ---
Hey...\n
[15:50] ---
Misaka’s physical condition is still incomplete.\n
[15:54] ---
Normally, she wouldn't have\nbeen taken out of the incubator yet.\n
[16:00] ---
Misaka Misaka gives out a sigh.\n
[16:03] ---
Up to now, she has been able to\nget by, so she thought she'd be okay,\n
[16:07] ---
Misaka Misaka...\n
[16:11] ---
Hey...\n
[16:16] ---
Huh? Are you going somewhere?\n
[16:20] ---
Misaka Misaka wants to know...\n
[16:23] ---
There's still some food left...\n
[16:26] ---
Yeah, I've lost my appetite.\n
[16:29] ---
Oh... she wanted to say\n"that was delicious," too...\n
[16:34] ---
Misaka Misaka says with a sigh...\n
[16:40] ---
Oh, yeah?\n
[16:42] ---
That's a shame.\n
[17:15] ---
What brings me to this place?\n
[17:32] ---
Yo.\n
[17:34] ---
Oh, welcome back.\n
[17:36] ---
You don't have to break the door down.\n
[17:38] ---
Your ID is still good for ninety days.\n
[17:42] ---
It's already done.\n
[17:44] ---
Right.\n
[17:46] ---
Having fun spending your whole\nday in this room, going over data?\n
[17:50] ---
It's not that fun. If possible,\nI'd even like to have your help.\n
[17:56] ---
Hah, no way.\n
[17:58] ---
Say, Yoshikawa, \n
[18:00] ---
where is the manual for\nadjusting the Sisters units?\n
[18:05] ---
I also need to borrow some\nof your conditioning equipment.\n
[18:08] ---
Don't ask why.\n
[18:11] ---
Consider it an outstanding contract fee\nfor freezing the experiment.\n
[18:15] ---
What's going on? I just noticed\nit couple of hours ago.\n
[18:19] ---
I was just about to start purging\nthe bugs in their personality data.\n
[18:24] ---
How do you know about it?\n
[18:26] ---
Huh?\n
[18:27] ---
Strictly speaking, it should be called a virus.\n
[18:31] ---
Wait. What are you talking about?\n
[18:36] ---
I never explained to you about the special unit\n
[18:40] ---
we call Last Order, did I?\n
[18:42] ---
That one's... special?\n
[18:46] ---
Yes, "that one."\n
[18:48] ---
She was never created for\nuse in the experiment to begin with.\n
[18:52] ---
You're saying, they weren't\nall created to be killed by me?\n
[18:57] ---
Yes, I am. But I wonder,\nhow many battles would it have taken\n
[19:00] ---
before the experiment came to a conclusion.\n
[19:04] ---
Exactly 20,000, right?\n
[19:07] ---
Misaka's serial number is 20001,\n
[19:10] ---
and was built as the final lot of the Sisters.\n
[19:15] ---
Yes, she was a unit that the\nexperiment scenario didn't call for.\n
[19:20] ---
Last Order is the "control tower"\nfor the Misaka Network.\n
[19:23] ---
As such, she was held to an\nincomplete developmental state.\n
[19:28] ---
After the experiment ended,\nshe was still kept in secrecy,\n
[19:32] ---
but someone overwrote the code\nin her head with an illegal program.\n
[19:37] ---
Her escape from here was an attempt to prevent it.\n
[19:41] ---
That was seven days ago.\n
[19:43] ---
The virus that I've isolated is set to trigger\n
[19:46] ---
at midnight tonight, September 1st.\n
[19:49] ---
If it does start to activate, it will run rampant,\n
[19:52] ---
spreading through the entire Misaka Network,\n
[19:54] ---
and infecting all the Sisters.\nIf that happens, there's no stopping it.\n
[19:58] ---
So, what does this virus contain?\n
[20:01] ---
Quite possibly an\nindiscriminate attack on humanity.\n
[20:06] ---
Ha, that's intriguing.\n
[20:08] ---
Are warmongers or defense\nindustries the culprits?\n
[20:12] ---
Amai Ao.\n
[20:17] ---
One of the former Radio Noise Project researchers.\n
[20:20] ---
No one understands the\nSisters' personality data better.\n
[20:25] ---
I happened to see him earlier.\n
[20:27] ---
You what?\n
[20:29] ---
If that's true, how do we\nstop the virus inside her head?\n
[20:34] ---
I'm looking into that now. \n
[20:36] ---
But if I can't find a solution before time is up...\n
[20:41] ---
You mean, that kid...\n
[20:43] ---
Yes. We'll have no choice but to dispose of her.\n
[20:46] ---
I am working to ensure that that doesn't happen.
[20:49] ---
Of course, there is something that you can do.
[20:52] ---
Ha, I'm the one who has killed 10,000 Sisters.\n
[20:57] ---
And you want such a fiend to save who?
[21:00] ---
I will answer by saying that we're\nthe ones who directed you to do it.\n
[21:05] ---
If we had been able to find\nsome way to advance you to Level 6\n
[21:07] ---
without having to resort to using the Sisters,\n
[21:12] ---
you wouldn't have had to kill anyone.\n
[21:15] ---
You want me to trust and\nfollow you over that one statement?\n
[21:19] ---
If you don't want to, I won't force you.\n
[21:22] ---
Right now, there are two things you can do:\n
[21:24] ---
One, you can solve the\nproblem by tracking down Amai Ao\n
[21:27] ---
and getting him to give up how the virus works;\n
[21:31] ---
the other one is to secure Last Order, with the virus,\n
[21:34] ---
before it activates,\nand return her to her incubator.\n
[21:41] ---
You appear to be familiar with both of them.\n
[21:44] ---
I don't need to go on any further.\n
[21:47] ---
Here's the data and material on both of them.\n
[21:50] ---
Choose whichever one you like.\n
[21:53] ---
But then, I know you're bigger\non destroying than on protecting.\n
[21:59] ---
Well, you're right about that.\n
[22:01] ---
Anyone can see which\none of those I should take.\n
[22:37] ---
*Hey, do you hear that? *
[22:40] ---
*You're wandering through memories *
[22:43] ---
*Hey, if you can live your lives *
[22:46] ---
*believing in your own hearts, *
[22:50] ---
*then even though *
[22:53] ---
*you may live in different worlds, *
[22:58] ---
*as long as you have something to preserve... *
[23:05] ---
*For whose sake is the helping hand that you extend? *
[23:11] ---
*The mana of thousands of lives released *
[23:17] ---
*Their motions and their gazes *
[23:23] ---
*are heart wrenching *
[23:29] ---
*I won't let go *
[23:55] ---
"Preview"\n
[23:55] ---
"Preview"\nOnly a short time remains before the virus triggers.\n
[23:57] ---
Desperate measures surface\nwithin Accelerator's mind.\n
[24:00] ---
Can he work a miracle\nas he fights against destiny?\n
[24:03] ---
Next time, "Virus Code."\n
[24:05] ---
When science and magic cross\npaths, the story begins.\n
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