# 19 - Last Order (The End)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having spent a dramatic, as well\nas acrobatic summer vacation,\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, did not do a single bit\n<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of my summer vacation homework.\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless, I posed as Zapper's boyfriend\n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and got into a fight with a sorcerer,\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something I never expected \n<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;happened on August 31st,\njust after midnight.\n<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when he had a certain encounter.\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Some day-to-day is a parallel world *<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A masterpiece of thousands of timelines, *<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no two of which are the same,  *<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*interwoven into a new time and space *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tip of a pen scribbling out a script on blank paper freezes *<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Strive for originality, since you're going down this road anyway *<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Believe) Race along (far away) *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Feel) Kick off from the ground (kick the ground) *<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sensation of living your life ablaze for something *<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is sure to be power enough to rival anyone *<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I likely know what happiness is at this moment (when I believed it) *<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This feeling marks a new page for me (I can go to the next stage) *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#19 Last Order (The End)"\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since my fight with that Kamijo guy,\n<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems that I am no longer\nthe strongest guy in Academy City.\n<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite the fact that I'm still a Level 5,\n<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that there's been no change in my ability,\n<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how many times I prove myself,\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;these fools can't peel off\nthe label that's been stuck to me.\n<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly what about me has changed?\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something different, huh?\n<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something really has changed. \n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But *what* has changed? What could that be?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I am, after all, still a girl, --But *what* has changed? What could that be?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--so if you don't embrace *any* feelings, that comes as a shock to me!<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Think I'll reflect all that pointless noise away. --so if you don't embrace *any* feelings, that comes as a shock to me!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's this tiny walking blanket saying?\n<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoops.\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, what do you know?\nFor you to be so completely unresponsive\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is actually rather refreshing, you might say.\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for someone who's ignoring me out of spite,\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your walking pace is normal enough.\n<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you be the ultimate space cadet?\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka says,\ntilting her head to the side.\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.\n<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka has been trying vehemently\n<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to assert her own existence.\nAre you flatly denying it?\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, did you say Misaka?\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Misaka's existence has\nfinally been acknowledged! Yay!\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka congratulates herself!\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take off that blanket and show me your face.\n<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, telling a girl to take off her clothes\n<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of the road\nis a bit bold, even crazy, to ask.\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's serial number is 20001,\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was built as the final lot of the Sisters,\n<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her code has all but become Last Order,\n<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and though she was supposed to\nbe used in the experiment,\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka has a bone to pick.\n<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't say.\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, the experiment was canceled,\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and being released from the incubator early,\n<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all tiny and compact, Misaka Misaka is--\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you listening?\n<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want me to do about it?\n<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got connections with the researchers,\n<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Misaka Misaka was thinking\nmaybe you could contact them for her.\n<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask someone else.\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! A straight, immediate refusal!\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka shouts in desperation.\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no where else for her to go,\n<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Misaka Misaka can't afford to give up.\n<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for all of your help!\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is what Misaka Misaka says,\nearly-birding the worm!\n<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka asks which one is your apartment?\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 304.\n<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon the intrusion!\nMisaka Misaka displays her manners.\n<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do you want?\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That seemed to be\nsomeone else's apartment entirely!\n<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka is angry!\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, tell me for real\nwhich apartment number is yours,\n<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what Misaka Misaka asks.\n<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 307.\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon the intrusion!\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't order any delivery.\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you be so mean?\nThat's what Misaka Misaka asks, slouching.\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what happened here?\n<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, what an awful thing to happen.\nMisaka Misaka is speechless.\n<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, are you sure you don't\nwant to contact Antiskill or Judgment,\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka asks, sticking her nose in.\n<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do? It might\nbe safer to sleep on the streets\n<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than it would be to stay here.\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, even so, Misaka\nthinks she'd rather stay here,\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which Misaka Misaka entreats earnestly.\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why?\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she'd rather be with someone.\nThat's what Misaka Misaka says...\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suit yourself.\n<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She should warn you right now, \n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sneaking into bed with her is\nout of the question, says Misaka--\n<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to sleep!\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"People's faces shorely do reveal\ntheir honest expressions, huh?"\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says, using a Kyoto accent.\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still here?\n<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning! Or rather,\nit's "good afternoon" time already.\n<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's hungry, so could you cook something?\nMisaka Misaka asks,\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;happy raised up to the 30th power.\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, she doesn't think the kitchen is that way.\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look like the sort of\nperson who would do that?\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was hoping for an apron-wearing,\ndomestic-looking Accelerator,\n<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to catch her by surprise.\nMisaka Misaka grumbles.\n<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that your natural hair color?\nMisaka Misaka wants to know.\n<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure how it all works, myself,\n<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the body's pigmentation \n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is supposed to protect it from ultraviolet rays.\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I reflect all those\nunwanted ultraviolet rays anyway,\n<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my body doesn't need to have any pigmentation.\n<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? So there is a kind of logic to it.\nMisaka Misaka is surprised.\n<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Good grief.\n--Wonder what she should get.\n<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's pizza, and hamburgers,\nand spaghetti, and even curry.\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...\n<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Amai Ao?\n<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard. What is he doing here?\n<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you looking at?\nMisaka Misaka wants to know.\n<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember what your most\nimportant objective is right now!\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? It's getting something to eat.\nMisaka Misaka responds promptly.\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.\n<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time\nshe's ever had a hot meal.\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka brims with glee.\n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.\n<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Aren't you eating?\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'd like to offer thanks for the food.\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka expresses her hope.\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay. Feel free.\n<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for this food!\n<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's off-the-charts delicious! \n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka offers her opinion.\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This stuff is a cavalcade\nof thawed-out freeze-dried junk.\n<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's good is good, and\neating food together with someone\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;somehow makes it feel so\nmuch different. Misaka Misaka tries\n<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explaining her spiritual philosophy.\n<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe the kind of nerve you've got.\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you don't\nknow what I did to you all, right?\n<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka has a brainwave\nlink to all the other Misakas,\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so of course she knows,\nsays Misaka Misaka.\n<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how can you be so calm?\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka asserts that she had\nthe worth of Misaka told to her.\n<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if one of the individual Misaka units dies,\n<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not possible for the\nMisaka Network to be eliminated.\n<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the life of each\nMisaka unit also has worth.\n<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one of *you* in the whole world, right?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was told that there\nare people who shed tears\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when one of the Misakas dies. \n<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Misaka doesn't die anymore.\n<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a single one\nof us can die for others anymore.\n<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka thinks.\n<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for you,\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiment wouldn't have been devised,\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and souls wouldn't have\nbeen put into the lifeless Misakas,\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Misaka Misaka is grateful.\n<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're *grateful*?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?\nIt doesn't change the fact\n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I enjoyed killing all of you, right?\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka has concluded.\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't really want to\ngo through with the experiment.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka guesses.\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly how are you\nspinning things to be able to say that?\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the experiment would go on,\n<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't care a single bit about your lives.\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there was to it, you know.\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You spoke to Misaka\nmany times during the experiment.\n<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what was the point of that?\n<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka is asking the obvious question.\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you running away like that for?\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beguilingly shaking your ass like that.\nIs that an invitation?\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, far be it from me to\nsay anything about someone\n<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;working side by side with me in\nan experiment to make me stronger,\n<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm impressed that you're\nso calm, under the circumstances.\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, I thought I might\nbe able to kill a little time here,\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is hopeless.\nI just can't hold a conversation with you.\n<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were all weird conversations\nto have, by Misaka Misaka's analysis.\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The communication principle\nof wanting to speak to someone\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is grounded in the desire to make contact;\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you just wanted to facilitate\nthe success of the experiment,\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there wouldn't be any need to converse,\nreasons Misaka Misaka.\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does all that trash talk\nlead to me wanting to make "contact"?\n<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's the second weird thing about it.\n<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says so, raising two fingers.\n<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the words you said were incorrigible,\n<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they were all abusive toward Misaka.\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes them something other \n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than being grounded in wanting to make contact.\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, supposing you were to deny it,\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you said those\nthings because you wanted to...\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything that you said\nwas said before the experiment,\n<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, before the battle started.\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka recalls.\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was like you were trying to menace Misaka,\n<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you were trying to get Misaka\nto say she was sick of fighting.\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says so.\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misakas couldn't pick up on your signals.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if Misaka said she didn't want to fight?\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka talks about the ending choice.\n<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't take you anymore.\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka’s physical condition is still incomplete.\n<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, she wouldn't have\nbeen taken out of the incubator yet.\n<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka gives out a sigh.\n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up to now, she has been able to\nget by, so she thought she'd be okay,\n<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka...\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you going somewhere?\n<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka wants to know...\n<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still some food left...\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've lost my appetite.\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... she wanted to say\n"that was delicious," too...\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says with a sigh...\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?\n<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a shame.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brings me to this place?\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, welcome back.\n<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to break the door down.\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ID is still good for ninety days.\n<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already done.\n<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having fun spending your whole\nday in this room, going over data?\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that fun. If possible,\nI'd even like to have your help.\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hah, no way.\n<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Yoshikawa, \n<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where is the manual for\nadjusting the Sisters units?\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also need to borrow some\nof your conditioning equipment.\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ask why.\n<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider it an outstanding contract fee\nfor freezing the experiment.\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? I just noticed\nit couple of hours ago.\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just about to start purging\nthe bugs in their personality data.\n<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know about it?\n<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strictly speaking, it should be called a virus.\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. What are you talking about?\n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never explained to you about the special unit\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we call Last Order, did I?\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one's... special?\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, "that one."\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was never created for\nuse in the experiment to begin with.\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying, they weren't\nall created to be killed by me?\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am. But I wonder,\nhow many battles would it have taken\n<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the experiment came to a conclusion.\n<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly 20,000, right?\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's serial number is 20001,\n<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was built as the final lot of the Sisters.\n<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she was a unit that the\nexperiment scenario didn't call for.\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order is the "control tower"\nfor the Misaka Network.\n<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, she was held to an\nincomplete developmental state.\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the experiment ended,\nshe was still kept in secrecy,\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but someone overwrote the code\nin her head with an illegal program.\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her escape from here was an attempt to prevent it.\n<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was seven days ago.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The virus that I've isolated is set to trigger\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at midnight tonight, September 1st.\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it does start to activate, it will run rampant,\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading through the entire Misaka Network,\n<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and infecting all the Sisters.\nIf that happens, there's no stopping it.\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what does this virus contain?\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite possibly an\nindiscriminate attack on humanity.\n<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, that's intriguing.\n<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are warmongers or defense\nindustries the culprits?\n<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amai Ao.\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the former Radio Noise Project researchers.\n<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one understands the\nSisters' personality data better.\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to see him earlier.\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You what?\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, how do we\nstop the virus inside her head?\n<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking into that now. \n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I can't find a solution before time is up...\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that kid...\n<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We'll have no choice but to dispose of her.\n<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* working to ensure that that doesn't happen.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, there is something that *you* can do.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, I'm the one who has killed 10,000 Sisters.\n<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you want such a fiend to save *who*?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will answer by saying that we're\nthe ones who directed you to do it.\n<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had been able to find\nsome way to advance you to Level 6\n<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having to resort to using the Sisters,\n<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you wouldn't have had to kill anyone.\n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to trust and\nfollow you over that one statement?\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to, I won't force you.\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, there are two things you can do:\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, you can solve the\nproblem by tracking down Amai Ao\n<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting him to give up how the virus works;\n<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the other one is to secure Last Order, with the virus,\n<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before it activates,\nand return her to her incubator.\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You appear to be familiar with both of them.\n<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to go on any further.\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the data and material on both of them.\n<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Choose whichever one you like.\n<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I know you're bigger\non destroying than on protecting.\n<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're right about that.\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone can see which\none of those I should take.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nOnly a short time remains before the virus triggers.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Desperate measures surface\nwithin Accelerator's mind.\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can he work a miracle\nas he fights against destiny?\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Virus Code."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>