E2.1 - My Paradise
Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
SIGN Doing construction in work clothes?!
SIGN Narration by Honizumi Rina
[00:02] nar
Today, we're donning helmets and shovels!
[00:06] nar
Where are we?!
[00:07] nar
What is about to happen?
SIGN Kirameki ☆ Unforent's "Rinne x Reincarnation"
SIGN A girls' trip to Tajimi, the stage of
Let's Make a Mug Too
SIGN For some reason we're all doing heavy labor?!
SIGN Keep digging for clay, the vital component of pottery
[00:48] wom
Guys, take a look around.
[00:50] ser
Wow, where are we?!
[00:53] hon
This is an open-air pit where the clay
used for making pottery is mined.
SIGN Plays Kukuri Mika Serizawa Yū
SIGN Plays Naruse Naoko Wakai Yūki
SIGN Plays Toyokawa Himeno Tanaka Minami
SIGN Plays Aoki Touko Honizumi Rina
[01:01] wak
This is amazing.
SIGN Open air pit
SIGN A place where the base resource for pottery is mined
[01:04] nar
That's right. We're in Mizunami City,
SIGN Tajimi City
SIGN Mizunami City
[01:06] nar
in the Tounou region
where Tajimi City is.
[01:09] nar
We're here today to learn about the
vital element of pottery: the clay.
[01:13] hon
This is Mizuno-san.
He'll be our teacher today.
[01:15] all
Nice to meet you!
[01:16] miz
Nice to meet you.
[01:17] txt
Mizuno Kenichi-san
[01:19] hon
Thank you so much.
[01:20] hon
So the clay here is the raw
material for making pottery?
[01:24] miz
That's right.
[01:25] ser
So, like this here?
[01:28] miz
That's correct.
[01:29] ser
So this raw material here—
[01:31] ser
I've done some homework.
[01:32] all
Wow!
[01:33] all
It's a study group!
[01:33] miz
So this is called "potter's clay."
SIGN Frog Eye
Clay
[01:34] all
Wow! Amazing!
SIGN Potter's Clay
SIGN When the particles in the clay get wet from
rain etc, it looks like frogs' eyes
[01:36] miz
In Japanese, it's called "frog eye clay."
[01:38] miz
When it rains, it looks like
frog eyes are looking at you.
[01:45] ser
I just imagined it, and now
I see frogs everywhere.
[01:48] wak
Please stop. I can't!
SIGN Potter's clay is mainly mined in the Tokai region.
[01:51] nar
Potter's clay is mainly
mined in the Tokai region,
SIGN Frog Eye Clay
[01:55] nar
and it's a high quality clay
that's widely used for pottery.
[02:01] wak
That's so interesting. I'll remember that.
[02:04] hon
Then let's get digging!
[02:08] hon
But...
[02:10] tan
How should we dig here?
[02:12] tan
Could you show us how it's done?
[02:13] hon
Thank you!
[02:16] hon
Wow, it takes
quite a lot of strength!
[02:18] ser
Ah, I see.
[02:19] hon
So you use your foot.
[02:20] miz
That's right.
[02:21] hon
Let's give it a try!
[02:21] tan
Let's go!
[02:23] hon
And... go!
[02:25] hon
Oh, that's hard!
[02:26] wak
But...
[02:27] tan
It's hard.
[02:29] tan
This is hard work!
[02:32] nar
It's hard work, and really tiring!
[02:35] nar
But then!
[02:37] wom
Oh, wow!
[02:38] wom
Look at that!
[02:43] wom
Amazing!
[02:48] nar
Even carrying the material softened
by the heavy machine is exhausting.
[02:52] nar
It's really hard work.
[02:56] hon
Did you have a workout routine or something?
[02:58] ser
You mean us?
[03:02] wak
Every day, in the middle
of summer, about five kilometers.
[03:05] ser
They made us run five kilometers.
[03:07] hon
That's quite a lot.
[03:08] ser
Voice acting lessons.
[03:10] wak
Then voice training, dance, end.
[03:13] ser
We did that for about
ten days at a camp.
[03:16] tan
That's exactly what I had.
[03:18] ser
We had an audition, but
how is it done normally?
[03:22] ser
Do you do this kind of training yourself?
[03:24] hon
So there are training schools,
that's where I first went.
[03:27] hon
And I wasn't signed with a company,
so I barely got any work.
[03:32] hon
I was seriously so broke, and you
know those sweet buns they have
[03:35] hon
at the convenience store or super market?
[03:39] hon
The ones that are like
98 yen for the big ones?
[03:42] wom
Yeah.
[03:42] hon
I honestly lived off of one for like three days.
[03:46] hon
I was so broke.
[03:47] ser
That's the kind of stuff I wanted to hear!
[03:49] hon
Literally poor.
[03:49] wak
You poor thing!
[03:52] hon
How's this amount? Is it enough?
[03:55] miz
Not enough.
[03:56] tan
It's not enough!
[03:58] wak
I thought we had a good amount.
[03:59] tan
This isn't enough?
[04:00] miz
It's not enough, that'll
get you maybe this much.
[04:04] wak
Oh, I see. From this, you only take—
[04:05] miz
The good clay out.
[04:07] hon
Oh, right. Not all of it is usable.
[04:08] wak
The good stuff.
[04:09] tan
That means this is maybe not
even enough for one person.
[04:12] hon
So when we were making mugs and stuff,
[04:14] hon
that huge pile of clay must have come from
a ridiculous amount of material.
[04:19] ser
Oh right.
[04:20] wak
That makes you feel so grateful.
[04:21] all
Yeah, true.
[04:23] nar
After seeing how hard it is,
[04:25] nar
we're on our way to see world-class
pottery here in Mizunami City.
[04:30] nar
And that is...
[04:32] tan
That's huge!
[04:33] wak
Really huge! HUGE!
[04:35] tan
It's there, there!
[04:36] hon
See there?
[04:39] ser
So big!
SIGN World's Biggest Mino Ware Komainu
SIGN Height: 3.3 m, clay used: 15 tons, made in 1990
[04:45] nar
Here are the world's biggest
komainu statues, at 3.3 meters high.
[04:52] nar
Additionally, there's one
more thing close by.
[04:55] nar
Another ultimate thing!
[04:57] nar
Can you believe it? A
5.4-meter-high tea jar!
SIGN World's Biggest Tea Jar "Jar of Plenty"
SIGN Height: 5.4 m, Diameter: 4 m, clay used: 32 tons, made in 1999
[05:02] nar
Both of these works are joint
efforts of the people of Mizunami.
[05:07] tan
This really is the world's biggest.
[05:10] tan
Yeah, they even have two!
[05:11] ser
That's amazing.
[05:11] wak
It's so close by, too.
[05:13] wak
This jar, huh?
[05:14] ser
This isn't just biggest in Japan,
it's the world's biggest, right?
[05:16] hon
Yeah.
[05:17] ser
Makes you feel proud, huh?
[05:19] ser
Pottery's also limitless
when it comes to size, huh?
[05:23] ser
Limitless!
[05:25] hon
What's with the sudden smug face?
SIGN Tajimi Station
SIGN Eihouji
SIGN Honmachi Oribe Street
[05:29] nar
Now that we saw Yuu's smug face,
we're off to a certain kiln.
[05:33] tan
Wait, that's!
SIGN We visit the model for the Oribe Academy's Pottery club!
[05:34] wak
Are we here?!
[05:36] tan
I know this place!
[05:38] wak
Oh, right!
[05:39] hon
You're right.
[05:40] hon
Let's go closer.
[05:42] wak
This makes me so happy.
[05:43] ser
Let's go!
[05:43] wak
This is where we always come!
[05:45] hon
Yeah, right?
SIGN Suigetsugama
[05:48] nar
Suigetsugama is the model for the
exterior of the anime's club room.
[05:55] mik
Yes! This is the club room
for the pottery club!
[05:58] him
How is it this fancy?!
[05:59] wak
This is where Mika and Touko are like "sorry."
[06:01] ser
Where they make up!
[06:02] wak
Where she's apologizing!
[06:04] hon
I remember, it was here at the entrance!
[06:07] ser
And I was like this.
[06:08] wak
Yeah, exactly like that!
[06:09] hon
And when I open the door,
I'm like "Mika-chan."
[06:09] tan
Yeah, totally!
[06:11] ser
I'm sulking here.
[06:12] hon
And then I'm like, "We have sweets."
[06:16] wak
Oh, yeah. And then Mika's like, "I'll have some!"
[06:22] nar
And the actual scene from
the anime was like this:
[06:24] Mik
I already finished it. The new design.
[06:28] tou
That's cute!
[06:30] Mik
I'm sorry.
[06:33] tou
I'm sorry, too.
[06:37] tou
There are some sweets.
[06:39] Mik
I'll have some!
[06:43] nar
And there was this exchange in
front of the club room, too.
[06:47] Him
Then I humbly request a test sitting!
[06:51] Nao
I shall do my best.
[06:56] Nao
Here I go.
[07:09] Him
That makes sense.
[07:11] Mik
Yeah.
[07:12] Him
In some ways, it was
exactly what I expected.
[07:14] Him
So, next!
[07:15] Him
Kukuri-chan, would you do the honors?
[07:17] Mik
I will!
[07:18] Him
Please start with this kind.
[07:20] Mik
Here I go.
[07:24] Mik
Oh, this one is better.
Just perfect for my butt.
[07:29] hon
Since we were already here, we recreated it!
[07:32] Tan
Then I humbly request a test sitting!
[07:35] wak
I shall do my best.
[07:39] wak
Here I go.
[07:42] wak
Crack!
[07:53] Tan
That makes sense.
[07:54] Ser
Yeah.
[07:56] Tan
In some ways, it was
exactly what I expected.
[07:58] Tan
So, next!
[07:59] Tan
Kukuri-chan, would you do the honors?
[08:00] Ser
I will!
[08:01] Tan
Please start with this kind.
[08:04] Ser
Here I go.
[08:10] Ser
Oh, this one is better.
Just perfect for my butt.
[08:16] hon
Excuse us. Hello!
[08:18] nar
On the inside, though, it's completely
different from the club room.
SIGN Hand spun pottery wheel
SIGN You use a stick to manually turn the wheel
[08:24] hon
There's a pottery wheel that you
manually turn with a stick...
[08:27] wak
Oh, so that's how that works!
SIGN Making flower patterns with your finger tips
[08:29] nar
...or pottery where you use your fingers
instead of a brush to decorate.
[08:32] nar
They make pottery here according
to the traditional methods.
[08:37] hon
This is so nice.
[08:38] guy
It's only been dried a little.
[08:40] nar
We really got in touch with
the history of pottery today!
SIGN Next episode: Encounter with the
works of a living national treasure
[08:46] nar
Next time, we encounter the works
of a living national treasure!
[08:50] nar
We get inspired after we
see the best of the best!
[08:53] all
Amazing!
[08:56] wak
You can study that in so many ways.
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