6 - Rudra Strikes Back

Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
[00:07] K
    You know,
[00:08] K
    I just don't get what Funasaka-san's saying.
[00:12] K
    Does he really have to get mad,
    just because I put my underwear
[00:15] K
    on top of that weird fish-animal?
[00:18] K
    I figured it would be rude to put
    them on the desk or the chair!
[00:22] K
    It's...
[00:24] R
    It's?
[00:31] K
    A giant monster...
[00:32] R
    That's a hologram... Right?
[00:34] S
    If it were real, everyone would be screaming.
[00:36] R
    Is it an ad for something?
[00:50] S
    The way it just moved...
[01:05] S
    Uh, what is that an ad for?
[01:08] R
    You're an idiot sometimes,
    aren't you, Kuroki-kun?
[01:19] Intro
    In the future,
[01:21] Intro
    when something happens beyond
    the normal police's capacity,
[01:24] Intro
    they turn to the power of the ACTIVE project.
[01:28] Intro
    This is the story of Japan's ACTIVE,
    the Third Mobile Assault Unit.
SIGN    File 6: Rudra Strikes Back
[02:51] Gu
    I'm in front of the old Shinjuku city hall,
    where an explosion occurred yesterday.
[02:56] Gu
    Police say what happened last night was
    a combination of audio equipment,
SIGN    Unit 8
[03:00] Gu
    several dozen 3-D projectors,
    as well as explosive devices.
[03:04] Gu
    No one's claimed credit,
    and the goal is unknown.
[03:07] Gu
    The old city hall was already being dismantled,
[03:07] E
    It's amazing, no matter how
    many times I see it.
[03:10] E
    Giant monsters are one of Japan's
    biggest contributions
[03:10] Gu
    so miraculously, no one was injured.
[03:13] E
    to world culture.
[03:14] M
    You're very knowledgeable, Emilia-chan.
[03:16] F
    All right, goodbye.
[03:18] F
    Boss,
[03:19] F
    the Shinjuku PS is requesting
    aid for its investigation.
[03:23] F
    Witnesses report that a Willwear
    assembled the projectors.
[03:27] R
    All right.
[03:28] R
    After something this big, we need
    to arrest the responsible parties!
[03:32] F
    No, that's impossible.
[03:35] F
    The crime's prime suspect is already dead,
    according to the Shinjuku PS.
[03:40] R
    They know who it was?
[03:41] F
    So it seems.
[03:43] S
    Is the man behind it—
[03:45] R
    Huh? Was today trash day?
[03:47] S
    No. Funasaka-san...
[03:49] F
    Yes?
[03:50] S
    Was the prime suspect
[03:52] S
    the movie director Kadoyama Hiromitsu?
[03:55] F
    Oh? How did you know?
[03:57] S
    The Kadoyama Growl.
[03:59] Gu
    Kadoyama Growl?
[04:01] S
    When the monster roared, it moved
    in a very unique way, right?
[04:05] M
    Oh, you mean this?
[04:07] S
    These motions are something
[04:09] S
    Director Kadoyama incorporated from kabuki.
[04:12] K
    Are you a giant monster fan?
[04:15] S
    I don't know much about them.
[04:17] S
    I just know a bit about Director Kadoyama.
[04:21] E
    That's right...
[04:22] E
    Hiromitsu Kadoyama was the last
    maestro of giant monster movies
[04:26] E
    of the Heisei period.
[04:29] S
    I am certain
[04:30] S
    that Director Kadoyama created that hologram.
[04:33] S
    But his being behind this must be some mistake.
[04:37] F
    But the police were sent production
    notes by Director Kadoyama
[04:41] F
    that could be interpreted as a claim of credit.
[04:44] F
    The delivery date was set in advance.
[04:46] R
    So he shipped them before he died?
[04:48] R
    What did the notes say?
[04:50] F
    "Rudra, the giant monster, will burn
    the land of my revenge to ash."
[04:55] M
    That's pretty nuts.
[04:58] S
    No, it must be some mistake!
[05:00] F
    But he was arrested before his death.
[05:06] S
    Chief, may I get permission to
    cooperate with the investigation?
[05:10] R
    As a civilian?
[05:12] R
    What do we do in these cases, again?
[05:13] K
    The law's been changed, so it's no problem.
[05:16] H
    That's right.
[05:18] H
    If we want to be sure,
    we should also send Emilia-chan.
[05:21] H
    We'll say it's part of her training.
SIGN    Kadoyama
[05:25] Gu
    Kadoyama-san lived alone and had no relatives.
[05:28] Gu
    We just started the paperwork to turn
    this house over to the government.
[05:33] Gu
    He wasn't the kind of guy to...
[05:35] K
    No, that's what we're looking into.
[05:38] K
    Was there anything different
[05:39] K
    or strange about him?
[05:42] Gu
    Let me see...
[05:44] E
    Sena-san, I found a work contract.
[05:44] Background
    He was very active just before his death.
[05:47] E
    It's for a New Zealand CG studio.
[05:48] ---
    I can't say much about his
    activities outside, though...
[05:50] E
    And then a German...
[05:51] S
    3-D projection mapping?
[05:52] ---
    What do you mean by "outside"?
[05:54] E
    He paid for the whole amount himself
[05:54] ---
    Well, his work, I suppose.
[05:56] ---
    He was away from the house all the time.
[05:56] E
    to make several minutes of footage.
[05:59] ---
    He didn't seem to me like the kind
    of guy that people would dislike...
SIGN    Project R
[06:01] E
    Project R?
[06:04] ---
    Still, this house has quite an old-fashioned
    design... Or maybe I should say "retro."
[06:04] E
    Looks like a scenario document.
[06:09] ---
    Yes...
SIGN    Great Monster
    
    Rudra
[06:12] S
    "Great Monster Rudra."
[06:14] S
    Before his death,
[06:16] S
    Director Kadoyama was dealing with
    former Minister of Economics Mouri Takerou.
[06:22] S
    He wanted him to fund a movie project.
[06:25] H
    Come to think of it,
[06:26] H
    the Economics Ministry just
    started a support program...
SIGN    Kadoyama Hiromitsu
[06:29] S
    It was a typical government
    project in the same vein
[06:32] S
    as the Cool Japan program decades
    ago, which sought to make
[06:35] S
    Japan's "coolness" known overseas.
[06:37] E
    But many individuals and companies
    applied, and no one was approved.
[06:42] E
    The only one awarded funding was
[06:44] E
    a projection-mapping project
    to support restorations,
[06:47] E
    run by a company associated
    with Minister Mouri.
[06:50] H
    The project they tried after Orochi was fixed?
[06:53] H
    I heard that didn't go so well.
[06:55] S
    It seems that two-thirds of the money
    went back into his pockets.
[06:59] K
    That happens a lot, but it's still horrible.
SIGN    Kadoyama Hiromitsu
[07:02] S
    A year before his death, Kadoyama-san
[07:04] S
    was told that he had six months to live.
[07:07] S
    He planned for this to be his
    last, and greatest, work.
[07:11] S
    But Minister Mouri's treatment
    of him was terrible.
SIGN    Minister of Economics and Industry
[07:14] Gu
    At least read it.
[07:17] Gu
    It's a giant monster movie, but not
    like any that have been made before.
[07:20] Gu
    It's a new—
[07:21] Gu
    I told you already,
[07:23] Gu
    we can't trust a freelancer.
[07:26] Gu
    Make your request through this company.
[07:30] Gu
    Please, Mouri-san...
[07:32] Gu
    You yelled at the company I introduced you to.
[07:36] Gu
    But they wanted sixty percent of the budget
[07:39] Gu
    for their own profit. That's crazy.
[07:41] Gu
    It's not crazy!
[07:43] Gu
    Every company wants to make a profit.
[07:46] Gu
    You're not taking that budget for yourself—
[07:48] Gu
    Leave! You're wasting my time!
[07:52] Gu
    Mouri-san, what's wrong with it?
[07:55] Gu
    I got a trustworthy company to support me.
[07:58] Gu
    I will decide whether
[08:00] Gu
    it's trustworthy or not, fool.
[08:02] Gu
    That's the problem with people into sci-fi and—
[08:05] Gu
    What did you say, you ass?!
[08:06] Gu
    Got a problem, old man?
[08:07] Gu
    Arrest him! Arrest him!
[08:09] Gu
    Stop!
[08:10] Gu
    Let me go!
[08:11] Gu
    Mouri!
[08:15] Gu
    In the end, not only was his request denied,
[08:18] Gu
    but the basic idea was stolen and used
    for a restoration-support event.
[08:23] H
    So it was ripped off?!
SIGN    Project R
[08:25] S
    The idea was.
[08:26] S
    The actual event was garbage.
[08:28] S
    He said in his diary that it made him angry.
[08:31] M
    Was that his motive?
[08:32] M
    Revenge on Tokyo for stealing his work?
[08:35] H
    Then he'd target the former minister directly.
[08:38] M
    That's true...
SIGN    Professor: The real destruction is yet to come.
[08:41] E
    "The real destruction is yet to come."
[08:46] E
    In the scenario that Director
    Kadoyama wrote himself,
[08:49] E
    a biologist looks at the destroyed
    city hall and says this:
[08:54] E
    "The real destruction is yet to come.
[08:57] E
    A destruction sufficient to crush a great city."
[09:00] E
    And three days later,
    this is what the scenario says.
[09:04] E
    "Commander! Rudra appeared again!"
[09:07] M
    Where?
[09:08] H
    Where?
[09:09] E
    The data in the scenario ends there.
[09:13] K
    It ends?
SIGN    Soldier: Commander! Commander: Where?! Continued in Other File
[09:14] E
    It seems he kept the climax
    in another, top-secret file.
[09:19] Gu
    If his real revenge is just about to begin...
[09:23] F
    Bad news, everyone.
[09:26] R
    What is it, Funasaka-san?
[09:28] F
    We've found where the explosives
    at the old city hall came from.
[09:33] F
    The brand name is "Image Master."
[09:35] Gu
    Those got into Japan?!
[09:37] F
    I'm told the mafia smuggled them in
[09:39] F
    and hid them in an abandoned building
    in the quicksand district.
[09:42] K
    So they were stolen?
[09:44] F
    Yes, last month.
[09:46] F
    And the real problem is the amount.
[09:48] F
    The last explosion used 0.2 tons.
[09:52] F
    But 400 tons were stolen!
[09:55] R
    Two thousand times the last one?
[09:56] Gu
    If they were all used...
[09:59] S
    Tokyo would be annihilated.
[10:03] K
    Let's go talk to the film crew!
[10:05] K
    There might be a hint to the next location!
[10:07] E
    Impossible.
[10:07] K
    Why?
[10:08] E
    If this follows the scenario, the real
    explosion takes place in two days.
[10:12] E
    We can't reach the staff scattered
    around the world that quickly.
[10:17] R
    Assuming he's out for revenge,
[10:19] R
    we can check places associated
    with Mouri Takerou,
[10:21] R
    like his hometown or election district.
[10:26] S
    Nagoya!
[10:27] S
    He said he was going home
    to prepare for the next election.
[10:31] R
    Asami-chan is already in Nagoya,
[10:33] R
    looking for projectors and explosives.
[10:35] R
    If she finds anything, she'll call us at once.
SIGN    Kazari Asami
[10:39] A
    This is Unit 9, Oscar VI.
[10:41] Gu
    That was fast!
[10:42] A
    I've engaged an unidentified
    Willwear in combat.
[10:45] K
    There really was someone behind this!
[10:46] R
    Oscar VI, can you send video?
[10:48] A
    I'll try.
[10:51] K
    That's the one from the suicide bombing!
[10:53] H
    What is that? It's disgusting!
[10:56] F
    The person inside is way too flexible.
[10:59] K
    Be careful, Oscar VI!
[11:01] K
    He's tough!
[11:02] A
    No problem.
[11:03] A
    Fingers!
[11:04] All
    Yes, Brain!
[11:06] A
    You're under arrest!
[11:07] Gu
    You're under arrest!
[11:12] A
    Judgment of Justice!
[11:14] A
    Perfect Charge: Digamma!
[11:21] E
    Didn't she just hit her own subordinates, too?
[11:25] K
    Poor guys.
[11:26] Gu
    Kyoukai-kun, are you there?
[11:28] Gu
    What is it, Kyoukai-sama?
[11:30] Gu
    Something about the Willwear was
    bothering me, so I looked into it.
[11:35] Gu
    And I was right.
[11:38] R
    A robot?
[11:39] K
    That explains it!
[11:41] Gu
    I think this
[11:42] Gu
    might have been developed
    by the Carupanuba Junta.
[11:45] Gu
    Yes...
[11:46] Gu
    It's entered the production stage, hasn't it?
[11:50] Gu
    Kyoukai-sama!
[11:54] A
    Don't worry.
[11:55] A
    All our members are safe.
[11:57] A
    And we also found a trailer that contained
    a fog machine and 3-D projectors.
[12:04] A
    But it caught fire and burned
    before we could secure it.
[12:06] K
    They covered up the evidence?
[12:08] K
    Probably.
[12:09] K
    Great, what do we do now?
[12:12] R
    I'll leave you to decide.
[12:14] K
    Roger.
[12:16] R
    We'll have them keep
    searching Aichi Prefecture.
[12:20] R
    For now, Sena-kun...
[12:21] S
    Yes?
[12:22] R
    Tell me where to find the best
    restaurants in Nagoya!
[12:25] ---
    Huh?
[12:26] H
    Because...
[12:27] F
    We're almost at Nagoya.
[12:37] Gi
    Hey, hey, hey, hey, hey!
[12:39] Gi
    Eat this so you can work
    your aes off tomorrow,
[12:42] Gi**
    you scumwad dks!
[12:44] All**
    Thank you, ma'am!
[12:46] S
    I'm sorry, everyone.
[12:48] S
    I asked her, and she said
    to have you eat here.
[12:50] F
    But you have both doteni and Ise udon.
[12:53] F
    That's plenty.
[12:54] E
    I wish Unit 9 could have joined us...
[12:58] K
    Even if it was to solve the case,
[13:00] K
    they let everything get way out of hand.
[13:03] S
    More letters of apology?
[13:04] F
    Still, it's just like you to prioritize
    the hiring of immigrants.
[13:09] S
    No, that's not what I'm doing at all.
[13:11] H
    You're so humble!
[13:13] Gu
    Stop sitting around, CEO Bnerface!
[13:17] All
    Yes, ma'am!
[13:18] All
    Scumbags!
[13:20] ---
    Glry h*le!
[13:23] S
    But I'm glad we managed to stop Rudra
    from causing problems here.
[13:27] M
    It's rare for you to be so attached to something.
[13:31] S
    I may be the person I am
[13:33] S
    because of Kadoyama-san.
[13:36] M
    What happened?
[13:37] S
    Right after I joined the force,
[13:39] S
    I was in Division 5's anti-gang task force.
[13:41] K
    What, you're proud of that?
[13:44] S
    I went after the son of a certain
    powerful figure too hard,
[13:48] S
    so they pulled strings to get me transferred.
[13:52] S
    I was sent to Unit 8.
[13:54] R
    Yeah, I heard the stories.
[13:56] S
    I'm sorry to say this,
    but I was sulking over that.
[14:00] S
    And then,
[14:01] S
    I happened to visit Kadoyama-san's
    studio during an investigation.
[14:06] Gu
    Oh, you're the detective who's
    here over the drug case?
[14:11] S
    I'm sorry.
[14:13] S
    We're aware this place has nothing to do
    with the case, but I must be sure.
SIGN    Fragile
    
    Don't Touch
[14:18] Gu
    It's fine.
[14:19] S
    These buildings are so well-made, though.
[14:23] S
    And this, too.
[14:24] Gu
    Do you know what they're made from?
[14:27] S
    Plaster or something?
[14:29] Gu
    They're actually wafers from a
    place called Altea, in Setogaya.
[14:34] S
    Wafers?
[14:35] Gu
    Yes, the candy.
[14:37] Gu
    We tried many different things,
[14:40] Gu
    and these break the best.
[14:42] ---
    Oh...
[14:43] Gu
    Are you disappointed that we use
    something so old-fashioned?
[14:46] S
    Oh, no.
[14:47] Gu
    Director, the set's finished.
[14:49] Gu
    Watch if you like.
[14:51] S
    Okay.
SIGN    Kadoyama Team
[14:52] Gu
    Ready... Action!
[14:54] Gu
    Rolling!
[15:04] Gu
    And cut!
[15:05] Gu
    Cut!
[15:05] ---
    Cut!
[15:06] Gu
    Douse the fires!
[15:07] K
    I was amazed at how much punch it had.
[15:10] Gu
    They tell me that these days, it's old-fashioned.
[15:14] S
    Then, why?
[15:15] Gu
    I went to see a movie by one
    of the younger generation.
[15:19] Gu
    The kids there seemed strangely disinterested.
[15:23] Gu
    The CG people had worked really hard,
[15:26] Gu
    but the kids didn't care.
[15:28] Gu
    So I asked if they didn't like it.
[15:32] Gu
    And one of the kids said that it looked cheap.
[15:37] Gu
    I thought they'd worked hard,
[15:39] Gu
    but even if I cared, the customers didn't.
[15:43] Gu
    Yes...
[15:43] Gu
    You can't just try to satisfy yourself.
[15:46] Gu
    So I made my decision.
[15:49] Gu
    If I don't have any money,
[15:50] Gu
    I'd rather use old-fashioned special
    effects than some lousy CG.
[15:55] S
    I understand.
[15:56] Gu
    The old ways have their own advantages.
[15:59] Gu
    I believe that if you don't cut corners,
    the audience can tell how you feel.
[16:02] S
    How you feel?
[16:06] S
    If you sulk, you lose.
[16:08] S
    The world's full of things that aren't fair.
[16:11] S
    But that doesn't mean you can
    shut down, or that it's over for you.
[16:15] S
    I'll be 74 this year,
[16:17] S
    and I want to make a movie that combines
    CG and old-fashioned special effects.
[16:21] S
    Please do. Make something amazing.
[16:24] Gu
    I will! Something that'll amaze everyone!
[16:31] S
    That's what helped me get over everything
    and accept the transfer to Section 8.
[16:35] K
    You quit in the end, though.
[16:36] S
    That's all right because I'm
    satisfied with my life.
[16:39] M
    Now, now...
[16:40] S
    So I owe Kadoyama-san a lot.
[16:42] R
    Why would such a good person do this?
[16:44] S
    No.
[16:46] S
    I think someone is using him.
[16:50] S
    If you sulk, you lose.
[16:52] S
    If you stop just because things
    aren't fair, it's all over, he said.
[16:55] S
    He wouldn't...
[16:57] S
    I want to apprehend whoever is
    doing this, and learn the truth.
[17:01] S
    So that I can keep believing in
    the man who kept me going.
[17:05] F
    Thanks.
[17:06] F
    No explosives were found in
    Minister Mouri's hometown.
[17:11] R
    Then Nagoya wasn't the target?
[17:13] E
    There is a chance you're right.
[17:16] E
    I found a video taken before
    Director Kadoyama's death.
[17:20] Gu
    Skyscrapers these days
[17:22] Gu
    don't really work with giant monsters.
[17:24] Gu
    They're too tall.
[17:26] E
    Would someone like that
[17:27] E
    choose the area in front of Nagoya
    Station for a giant monster attack?
[17:33] M
    It's true, you wouldn't be able
    to see the monster at all.
[17:37] E
    So I looked into it,
[17:38] E
    and Minister Mouri was born in Nagoya,
[17:41] E
    but grew up mostly in Bunkyou Ward.
[17:43] E
    He only ran from Nagoya for
    internal political reasons.
[17:47] E
    Isn't Bunkyou Ward...
[17:49] R
    Yes, a priority redevelopment area.
[17:52] F
    Many small-story buildings in that area
[17:54] F
    are perfect for a monster attack.
[17:56] K
    So this was a decoy?
[17:59] R
    We're heading back to Tokyo.
[18:01] R
    Everyone, get ready!
[18:02] All
    Right!
[18:07] H
    They found explosives in the ward.
[18:10] H
    But only some of them.
[18:13] H
    The evacuation's complete in
    a one-kilometer radius.
SIGN    Let's Bring in the Showa Special Ward
    
    Oppose the City Plan!
[18:16] Gu
    If Image Master bombs are used,
SIGN    Governor Inagi Must Resign!!
[18:19] Gu
    we'll need more than that.
[18:21] R
    Someone has to get there first... and...
[18:25] R
    Kuroki-kun!
[18:26] E
    He can't go. That would be drunk Willwearing.
[18:29] F
    He was drinking at a fast pace...
[18:32] S
    If they're following the scenario,
    Rudra will appear at midnight.
[18:36] S
    Kyoukai-san, any options for us?
[18:38] Gu
    If we fill the sky with chaff, we might
    be able to stop the detonation.
[18:41] S
    But where can we get all that chaff?
[18:44] Gu
    The Unified SDF should keep a stock
[18:46] Gu
    at the Fuchuuhon-machi factory.
[18:49] S
    The Unified SDF...
[18:50] Gi
    He blew off our meeting two
    and a half months ago!
[18:53] F
    Yes.
[18:54] F
    I understand how you feel.
[18:57] Gi
    He answers my messages at a 4.3% rate.
[19:01] F
    I am very sorry.
[19:03] Gi
    He went to Nagoya without even telling me.
[19:05] Gi
    And if he hates the USDF so much, he shouldn't be asking for help!
[19:09] F
    You are absolutely right, yes.
[19:12] F
    But we need your help to protect
    the lives of our citizens!
[19:17] Gi
    I understand.
[19:18] F
    Thank you!
[19:20] Gi
    Funasaka-san, could you give a
    message to Souichirou for me?
[19:23] F
    Ah, of course.
[19:25] Gi
    Tell him this will cost him.
[19:45] Gu
    Rudra has appeared in Bunkyou Ward.
[19:47] Gi
    Where's Oscar I?
SIGN    Nagoya
[19:48] Gu
    Maintaining planned altitude and speed.
[19:51] Gi
    Roger.
[19:52] Gi
    Let's get ready, too.
[19:56] S
    I won't let you
[19:57] S
    use Kadoyama-san's Rudra for this anymore.
[20:01] Gu
    Ultra-long-range sniper rifle
[20:03] Gu
    Shiden Seisou Custom ready to launch!
[20:06] Gi
    Launch!
[20:08] Gi
    Souichirou,
[20:10] Gi
    I look forward to your thanking me.
[20:14] S
    There it is.
[20:17] S
    Oscar I, I'm sending data on the firing point.
[20:20] S
    The flight structure is unstable,
[20:22] S
    so be careful when you use it.
[20:24] S
    Roger!
[20:29] Gi
    We're above Bunkyou Ward.
[20:30] Gi
    The monster has appeared again.
[20:32] Gi
    Police say that evacuation is complete.
[20:39] H
    It's firing its beam!
[20:41] R
    Oscar I!
[20:41] S
    Kadoyama-san...
[20:49] Gi
    Rudra has fired its beam!
[20:51] Gi
    The city has turned into a sea of flame!
[20:55] Gi
    Or... it hasn't?
[20:59] Gi
    It's Unit 8!
[21:00] Gi
    Unit 8 did it!
[21:02] Gi
    Our sources tell us they've deployed
[21:05] Gi
    a jamming material, which stopped
    the remote detonation.
[21:09] Gi
    Which means...
[21:10] Gi
    My broadcast cut out?
[21:13] Gi
    If that's the case, I'm sorry, everyone!
[21:19] S
    I'm glad Rudra didn't have to destroy the city.
[21:23] S
    Kadoyama-san, everyone will
    know how you felt—
[21:29] S
    You!
[21:36] S
    H-How?
[21:41] S
    Wired detonators?
[21:42] K
    Yeah.
[21:43] K
    We discovered them from the recovered
    explosives and Willwear.
[21:46] S
    I see.
[21:47] K
    And at the police conference
    today, it was decided that
[21:51] K
    your savior, Kadoyama-san, wasn't involved.
[21:54] K
    They said his footage was probably just used.
[21:58] K
    Jirou says there's a chance he's involved.
[22:02] S
    Hachijou?
[22:03] K
    Yeah.
[22:04] K
    He probably used Kadoyama-san's
    work for his games.
[22:09] S
    Games?
[22:10] S
    Then I will never forgive him!
[22:13] S
    I will catch him!
[22:18] Gu
    I never thought
[22:20] Gu
    I'd be able to play a game in this country.
SIGN    Next Episode Preview
[23:55] Gu
    Ohakonyapachininko.
SIGN    File 7: Absolute Peeping Declaration
[23:56] Gu
    What's that, Souichirou?
[23:58] Gu
    Miho, you're not supposed
    to be in the next episode.
[24:00] Gu
    That's right!
[24:01] Gu
    It's the swimsuit episode, and I'm not in it?!
[24:04] Gu
    But I'll watch over you, even if I have to leave
    my body and do it from the spirit world.