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E2

Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
SIGN    Rinshi!!
SIGN    Ekoda-chan
SIGN    "In Between Morning and Night"
[00:07] Ekoda
    Pluck.
[00:09] Ekoda
    There's a theory that children are more
    likely to survive plane crashes than adults.
[00:16] Boyfriend
    Uh-huh. Uh-huh. I know, I hear you.
[00:20] Ekoda
    Apparently, their bodies are more supple,
    their muscles more relaxed.
[00:24] Ekoda
    Which means there's less chance
    an impact will do serious damage.
[00:27] Ekoda
    Or so they say.
[00:28] Boyfriend
    Did you grow your hair out?
[00:30] Boyfriend
    Huh? I told you, you should.
[00:33] Boyfriend
    Chiyoko, I'm positive you'd
    look better with long hair.
[00:36] Ekoda
    If you just relax and hold still...
[00:40] Ekoda
    something like this won't hurt... one bit.
[00:45] Boyfriend
    Of course I'm not cheating on you.
[00:47] Ekoda
    And won't do much damage.
[00:54] Ekoda
    Caution
[01:02] Ekoda
    So long...
[01:05] Ekoda
    All I've been doing is waiting.
[01:07] Ekoda
    Should I give up and find a new path?
[01:11] Ekoda
    But if I give up now, all the time
    I've spent waiting will be for nothing.
[01:12] Ekoda
    Caution
[01:16] Ekoda
    It doesn't matter how long it takes.
[01:18] Ekoda
    One day, after I've won this war of attrition,
[01:20] Ekoda
    my triumph will prove
    that all this was worth it.
[01:24] Ekoda
    As long as I keep believing that...
[01:26] Boyfriend
    You know I love you.
[01:33] Boyfriend
    And I won't cheat on you, okay?
[01:37] Ekoda
    Chiyoko... I wish she wasn't in the picture.
[01:40] Ekoda
    No, he's the real problem here.
[01:46] Ekoda
    Thing is, if I start telling myself that,
[01:48] Ekoda
    it renders hanging on
    as long as I have meaningless.
[01:51] Boyfriend
    Okay. I'll call you again later.
[01:53] Boyfriend
    Yeah. See you.
[02:03] Ekoda
    You wanna do it again?
[02:07] Boyfriend
    I've got an early start tomorrow, so nah.
[02:10] Ekoda
    Okay.
[02:20] Ekoda
    If I face toward him,
    it feels like I'm begging...
[02:24] Ekoda
    But if I face away, it looks like I'm sulking.
[02:29] Ekoda
    Lying like this feels like some kind of
    desperate compromise, and that's pathetic.
[02:35] Ekoda
    But... if I'm gonna be
    totally honest with myself...
[03:32] Narrator
    They say that ten different people
    produce ten different versions.
SIGN    Ten Versions
SIGN    Ten People
[03:37] Narrator
    But what if there were new Ekoda-chans?
SIGN    Sugii
    Gisaburo
SIGN    Takahashi
    Ryosuke
SIGN    Daichi Akitaro
SIGN    Mochizuki
    Tomomi
SIGN    Misawa Shin
SIGN    Takahashi Takeo
SIGN    Yonetani
    Yoshitomo
SIGN    Kobayashi
     Osamu
SIGN    Kojima
    Masayuki
SIGN    Shigino Akira
SIGN    Nagahama Hiroshi
SIGN    Morimoto Koji
[03:43] Narrator
    12 women, 12 versions?!
SIGN    12 Women
SIGN    12 Versions!?
[03:45] Narrator
    Over the course of the next 12 episodes of the anime "Rinshi!! Ekoda-chan,"
    we'll be checking in with the directors of each episode, and the voice
    actress portraying Ekoda-chan!!
[03:46] Narrator
    Over the course of the next 12 episodes
    of the anime "Rinshi!! Ekoda-chan,"
[03:49] Narrator
    we'll be checking in with
    the directors of each episode,
[03:52] Narrator
    and the voice actress
    portraying Ekoda-chan.
[03:54] Narrator
    This week, we unveil the director
    of Episode 2: Sugii Gisaburo,
SIGN    Director
SIGN    Sugii Gisaburo
[03:59] Narrator
    and Ekoda-chan's VA: Park Romi-san!
SIGN    Playing Ekoda-chan
SIGN    Park Romi
SIGN    Episode 2's Director
SIGN    Sugii Gisaburo
SIGN    Episode 2's Ekoda-chan
SIGN    Park Romi
[04:02] Narrator
    What does it mean to be a woman?
    And just who is Ekoda-chan?
[04:06] Narrator
    They'll even talk about the
    depth of the original manga!
[04:09] Narrator
    "Rinshi!! Ekoda-chan" special feature:
    The Director and Ekoda-chan's Naked Chat!
SIGN    Rinshi!! Ekoda-Chan
SIGN    The Director and Ekoda -chan's
SIGN    The Director and Ekoda -chan's
SIGN    The Director and Ekoda -chan's
SIGN    The Director and Ekoda -chan's
SIGN    The Director and Ekoda -chan's
SIGN    Naked Chat
SIGN    Naked Chat
SIGN    Naked Chat
[04:15] Narrator
    We're baring all for you!
SIGN    Sugii
    Gisaburo
SIGN    Sugii
    Gisaburo
SIGN    What went through your head when you were
    approached about working on the anime adaptation?
SIGN    Rinshi!!
    Ekoda-Chan:
    The Director
    and
    Ekoda-chan's
    Naked
    Chat
SIGN    Sugii Gisaburo x Park Romi
[04:18] Sugii
    To be honest, well...
SIGN    Episode 2's Director
    Sugii Gisaburo
SIGN    Episode 2's Ekoda-san
    Park Romi
[04:20] Sugii
    The Ekoda-chan manga wasn't even on my radar,
[04:26] Sugii
    so when Kataoka-san contacted me about
    directing, he brought along the first volume.
SIGN    Project/Production
    Manager
    Kataoka Yoshiro
[04:30] Sugii
    And as I was flipping through,
[04:33] Sugii
    I couldn't help asking: "Why do you
    want me for this adaptation?"
[04:40] Sugii
    I didn't really understand why.
[04:42] Sugii
    So I asked him directly:
[04:46] Sugii
    "Kataoka-san, why'd you choose me for this?"
[04:48] Sugii
    And he says to me, "Well, Ekoda-chan here..."
[04:54] Sugii
    "The protagonist. I want to show
    how she lives, as a woman."
[05:00] Sugii
    "And I think you're the best
    person to do that, Sugii-san."
[05:05] Sugii
    So I agreed, even though I didn't
    really understand what he meant.
[05:08] Sugii
    That was how the
    conversation went, wasn't it?
[05:11] Sugii
    I honestly had no idea
    why you wanted me for this.
[05:14] Sugii
    Well, we'd actually worked
    together once before.
SIGN    Why did you choose Park Romi for the lead role?
[05:20] Sugii
    On a show which had Maruyama-san as
     producer. I call him Marutan.
[05:26] Sugii
    And whenever he's involved,
    he takes the reins.
[05:28] Sugii
    So I didn't really have much input.
[05:32] Sugii
    For the most part,
    I let Maruyama-san handle things.
[05:36] Sugii
    But seeing you working with him made me
    want to work with you. That was it.
[05:42] Romi
    Really?
[05:43] Sugii
    For a really long time, I kept thinking:
[05:45] Sugii
    "If the opportunity arises,
    I'd like to work with Park-san."
[05:49] Sugii
    And I happened to be working
    with Maruyama-san again recently...
[05:52] Sugii
    And I told him, "Well, if I do this,
     I'd like to get Park-san."
[05:55] Sugii
    And his response was, "Hey, great idea!"
[05:57] Romi
    Really? Wow!
[05:59] Romi
    That's great to hear.
[06:01] Sugii
    That was where it began.
[06:02] Sugii
    So if I'm being totally honest,
[06:05] Sugii
    in order for me to actually direct this...
[06:09] Sugii
    I was having a really hard time settling
    on how I wanted to approach it.
[06:13] Sugii
    So... and this is just my gut
    talking, but Ekoda-chan...
[06:19] Sugii
    Even putting aside how much
    I wanted to work with you...
[06:23] Sugii
    Something about her...
[06:25] Sugii
    I feel like you and her
    have something in common.
[06:30] Sugii
    I just get that feeling, for some reason.
[06:32] Romi
    Well, I wasn't really familiar
    with Ekoda-chan beforehand,
SIGN    What went through your head when
    Director Sugii offered you the role?
[06:37] Romi
    but when we first worked
    together on a project,
[06:43] Romi
    I really loved it.
[06:45] Romi
    And I was really glad I'd gotten
    the chance to work on it.
[06:51] Romi
    So when you contacted me about Ekoda-chan,
[06:55] Romi
    I was positive it was going to be
    just as interesting as the time before,
[06:59] Romi
    and I think the first thing I saw
    were the storyboards, right?
[07:03] Romi
    And those were already so, so interesting!
[07:06] Sugii
    I see.
[07:07] Romi
    I mean...
[07:08] Romi
    a scene where she's plucking her eyebrows
    and lining the hairs up on a tissue...
[07:12] Sugii
    And that's how it starts.
[07:13] Romi
    Right! But I found it really compelling.
[07:17] Romi
    So after that, I went and read the manga...
[07:22] Romi
    And I was like, "Huh?"
[07:23] Romi
    "It has a story like this...
    and it's told in four-panel strips?"
[07:28] Sugii
    Right?
[07:29] Romi
    It was a real shock.
[07:32] Romi
    And honestly, I was super impressed.
[07:36] Romi
    And the more I read,
    the more interesting I found it,
[07:39] Romi
    and I was really struck by
    how candid Ekoda-chan was.
[07:44] Sugii
    She's an admirable woman.
[07:46] Romi
    Right.
SIGN    Rinshi!!
    Ekoda-Chan:
    The Director
    and
    Ekoda-chan's
    Naked
    Chat
SIGN    Behind the scenes stories
    from Episode 2 of the
    "Rinshi!! Ekoda-chan" anime
SIGN    Sugii
    Gisaburo
SIGN    Sugii
    Gisaburo
SIGN    Rinshi!!
    Ekoda-Chan:
    The Director
    and
    Ekoda-chan's
    Naked
    Chat
SIGN    Sugii Gisaburo x Park Romi
[07:52] Sugii
    I was having such trouble
    figuring out how to approach it,
SIGN    Regarding the screenplay for
    Episode 2 of "Rinshi!! Ekoda-chan"
[07:56] Sugii
    but I happened to be in
    contact with Okada Mari-san.
[07:58] Romi
    Right.
[07:59] Sugii
    She's a writer who does
    a ton of work for anime,
[08:02] Sugii
    and I asked her to write the screenplay.
[08:04] Romi
    Right.
[08:07] Sugii
    We didn't have many meetings.
[08:09] Sugii
    And I thought an Ekoda-chan
    monologue would work well.
[08:13] Sugii
    I told her that all it really needed to do
    was show things from her point of view.
[08:19] Sugii
    So then, once the script was written...
[08:21] Sugii
    Well, how should I put it?
[08:24] Sugii
    "How on earth did you pull this off?"
[08:27] Sugii
    It does such a good job of
    adapting the source material,
[08:31] Sugii
    but it makes the episode self-contained.
[08:35] Sugii
    And I think if you haven't read
    the original Ekoda-chan manga,
[08:42] Sugii
    you might not appreciate
    just how deep it can get.
[08:48] Sugii
    So what I was worried about is...
SIGN    Director Sugii's concerns about adapting
    "Rinshi!! Ekoda-chan" into an anime
[08:51] Sugii
    Why does Ekoda-chan, y'know,
    fall for such a free-wheeling guy?
[08:56] Sugii
    I mean, she's waiting for Maa-kun to choose her.
    And she's been waiting a long time.
[09:00] Romi
    Right.
[09:01] Sugii
    I thought the biggest question was,
    "Why would she wait so long for him?"
[09:08] Sugii
    With men and women... well...
[09:12] Sugii
    It's strange how, sometimes,
    no matter how clueless the guy is,
[09:15] Sugii
    there are times where they have this...
[09:19] Sugii
    How do I put it? There's a particular
    type of kindness they show at times,
[09:23] Sugii
    and women sometimes
    subconsciously latch onto that.
[09:27] Sugii
    Maa-kun doesn't realize he's doing it.
    Even when he's talking to Chiyoko.
[09:31] Sugii
    So, as she's listening to Maa-kun
    talking to this other woman,
[09:36] Sugii
    and he's being all sweet and loving
    and showing that kindness...
[09:41] Sugii
    Ekoda-chan instinctively realizes...
[09:45] Sugii
    That's what she's attracted to.
    She wouldn't wait for him otherwise.
[09:48] Sugii
    I mean, he has another woman.
[09:48] Romi
    Right.
[09:51] Romi
    I guess the way she doesn't directly
    confront him about it, but also kinda does.
SIGN    What they have in common with Ekoda-chan
[09:58] Romi
    It's like, she's sorta giving in, but at the
    same time, she isn't at all, y'know?
[10:02] Romi
    I think that right there is
    pretty much what defines her.
[10:06] Romi
    When I think about it from my perspective...
[10:09] Romi
    There'll be times when I think
    I'm doing something unexpected,
[10:13] Romi
    but I'm just being totally predictable.
[10:15] Romi
    So I think, maybe in those ways,
     I'm kinda similar to Ekoda-chan.
[10:22] Romi
    Like, the way she wasn't crying, but
    a bead of sweat rolled down into her eye...
[10:27] Romi
    There's something about that moment
    that gets to the heart of her character.
[10:33] Romi
    I honestly wasn't sure
    what to do in that scene.
[10:36] Romi
    I mean, if you get sweat in your eye, it stings,
[10:39] Romi
    so I thought to myself,
    "How much should I emphasize that?"
[10:43] Romi
    "How strong should her reaction be?"
[10:46] Romi
    You know how, in that scene,
    Ekoda-chan's trying to act tough,
[10:51] Romi
    but you can just tell
    how she's actually feeling?
[10:53] Romi
    I think that kind of thing
    is what I relate to the most.
SIGN    On how complicated it is to try to depict a character
    as multifaceted as Ekoda-chan
[10:58] Sugii
    The thing about the character of Ekoda
[11:01] Sugii
    is that we want to bring
    across how cute she is.
[11:06] Sugii
    But in the monologue, it'd be bizarre
    for her to talk about herself in a way
[11:11] Sugii
    that suggests she finds herself cute, right?
[11:13] Sugii
    I mean, in a conversation,
    how you act can highlight that aspect,
[11:17] Sugii
    but here, she's talking to herself.
[11:18] Romi
    Right.
[11:19] Sugii
    So today, we got you to do take after take,
[11:22] Sugii
    which I can only apologize for...
[11:23] Romi
    No, no, it's fine!
[11:25] Sugii
    But when I realized how much difference
[11:26] Sugii
    the fact she's talking to herself
    made to the scene...
[11:31] Sugii
    Sorry, I should've said something sooner.
[11:32] Romi
    Oh, no, it's totally fine.
[11:35] Romi
    The way the various scene
    breaks interact is so interesting,
[11:39] Romi
    and because of that, I leaned toward
    reflecting that in the different takes.
[11:43] Romi
    And when you were talking to me about
     the essence of Ekoda-chan's character,
[11:48] Romi
    I wasn't expecting this rough,
    fuzzily-drawn appearance.
[11:54] Romi
    And there was part of me that
    wondered if that's how it should look.
[11:59] Romi
    I kinda wanted to do
    a more serious Ekoda-chan...
[12:03] Romi
    And I couldn't shake that impression.
[12:07] Romi
    So I was approaching it like,
    "Here's how a woman would really act."
[12:10] Romi
    And I think maybe because of that,
[12:11] Romi
    the takes were heavier than necessary.
[12:12] Sugii
    Oh, no, it worked well.
SIGN    Sugii's approach to recording voice-overs
[12:13] Sugii
    Fundamentally, after
    a certain point in my career,
[12:19] Sugii
    I stopped making specific
    demands of the cast.
[12:23] Sugii
    I like how, if you don't say anything,
[12:27] Sugii
    the actors will read the script themselves,
    and come up with their own take on it.
[12:30] Sugii
    And if the animation side
    makes too many demands,
[12:34] Sugii
    those demands will be treated like rules,
    so they can't add their own personal touches.
[12:39] Sugii
    And ever since I realized that...
[12:42] Sugii
    And maybe this makes it sound
    like I just don't want to give direction,
[12:46] Sugii
    but I tend to leave it to the actors.
[12:48] Sugii
    And I think that's for the best.
SIGN    After the break,
    we'll ponder Ekoda-chan's life!!
[12:53] Sugii
    I just realized something.
[12:57] Sugii
    This is kind of a tough story to adapt.
SIGN    The Director and
     Ekoda -chan's
    Naked Chat
SIGN    Rinshi!! Ekoda-chan
SIGN    Episode 2's Director
SIGN    Sugii Gisaburo
SIGN    Episode 2's Ekoda-chan
SIGN    Park Romi
SIGN    Rinshi!!
    Ekoda-Chan:
    The Director
    and
    Ekoda-chan's
    Naked
    Chat
[13:06] Narrator
    It's one surprise after another!
[13:08] Narrator
    Director Sugii and Park Romi-san
[13:10] Narrator
    both admitted they were unsure
    about their approach in the first half.
[13:14] Narrator
    In the second half,
    we drill down further,
[13:16] Narrator
    and examine Ekoda-chan's outlook on life.
SIGN    Ekoda-chan's
     Outlook on Life
SIGN    Sugii
    Gisaburo
SIGN    What sex means to Ekoda-chan
SIGN    Rinshi!!
    Ekoda-Chan:
    The Director
    and
    Ekoda-chan's
    Naked
    Chat
SIGN    Sugii Gisaburo x Park Romi
SIGN    Sugii
    Gisaburo
[13:25] Sugii
    The way people treat sex
    throughout their lives...
[13:30] Sugii
    Their values, and their opinions on it...
[13:34] Sugii
    I mean, Ekoda-chan
    sleeps around, doesn't she?
[13:36] Kataoka
    Right. She does.
[13:38] Sugii
    And that's... What's the right word?
[13:42] Sugii
    I think it's terrific.
[13:44] Sugii
    How, in spite of that, you
    don't view her as lascivious.
[13:48] Sugii
    And it's not like she has
     a warped perspective.
[13:51] Sugii
    I think it's because, for
    women, it's sort of like...
[13:55] Sugii
    Sex and, I guess, your outlook on life, maybe?
[13:59] Sugii
    I mean, like, your identity...
    They're completely separate.
[14:02] Sugii
    And that...
[14:06] Sugii
    That's a kind of controversial
    way to look at sex.
[14:10] Kataoka
    It's revolutionary.
[14:11] Sugii
    Yeah. There was that Cuckoo movie...
[14:15] Both
    "One Flew Over the Cuckoo's Nest"?
[14:16] Sugii
    Yes, "One Flew Over the
    Cuckoo's Nest." That's it.
[14:19] Sugii
    There's a part where the
     protagonist's with this woman,
[14:21] Sugii
    and in the same mental hospital,
    there's this other guy...
[14:25] Sugii
    And he offers to let his girl
    sleep with this virgin.
[14:31] Sugii
    When I saw that movie, I thought
    the protagonist was remarkable.
[14:37] Sugii
    That really opened my eyes
    to the reality behind sex.
[14:43] Sugii
    I mean, for the sake of this
    man who hasn't had sex before...
[14:46] Sugii
    he literally asks his girl,
    "Hey, could you sleep with this guy?"
[14:52] Sugii
    At the time, I thought, "Any man
    who can do that is amazing."
[14:58] Sugii
    And to me, that's similar
    to Ekoda-chan's situation.
[15:02] Sugii
    And it's why I think she's terrific. As a woman.
[15:08] Sugii
    I mean, Maa-kun's just your average guy.
[15:10] Romi
    Right.
[15:11] Sugii
    So it means Ekoda-chan's
    situation isn't out of the ordinary.
[15:15] Sugii
    It's not like she's found Mr. Right.
[15:19] Kataoka
    Yeah.
[15:20] Sugii
    She's just in love with a loser.
[15:23] Sugii
    And you know, sometimes, sex
    is treated as something liberating.
[15:28] Sugii
    This isn't like that.
[15:29] Romi
    So true.
[15:30] Sugii
    It's just a normal part of life.
[15:33] Sugii
    And I think Ekoda-chan's way
    of life... y'know, her lifestyle...
[15:40] Sugii
    I think it might just be a societal thing.
[15:43] Sugii
    This might be the future of how
    men and women interact, you know?
[15:48] Sugii
    I mean, I get the impression that, for women,
[15:52] Sugii
    they don't get all pretentious
    over sex, you know?
[15:56] Sugii
    All this, "What exactly is a man?"
    "What exactly is a woman?"
[15:59] Sugii
    And, "What is sex, anyway?"
[16:02] Sugii
    All of that gets addressed.
    That's what makes this work so amazing.
[16:08] Romi
    I think so, too.
SIGN    What did you think of Ekoda-chan's lifestyle?
[16:10] Romi
    I mean, it's really
    understandable, for one thing,
[16:12] Romi
    and well, it's sorta...
    really cool, as well, y'know?
[16:17] Romi
    And... how should I phrase this?
[16:20] Romi
    There are things it touches on, like
    how women can be motivated by emotion,
[16:25] Romi
    but she's just... She's good
    at keeping it together.
[16:28] Romi
    I mean, she has her problems
    and plenty of heartache, sure,
[16:32] Romi
    but it's like, she has this inner strength,
[16:35] Romi
    which makes you feel like
    it's not dragging her down.
[16:38] Romi
    It's amazing. On a human level, it's impressive.
[16:40] Kataoka
    It's truly remarkable.
[16:42] Kataoka
    I mean, I get the feeling that women
    often get told they have to be strong...
[16:49] Kataoka
    I think that might be what
    Sugii-san noticed in her.
[16:51] Kataoka
    Park-san, you give off that same strong vibe.
[16:54] Sugii
    I think so.
[16:55] Ekoda
    But Ekoda is weak, too!
[16:57] Both
    Oh, you've got a point.
[16:59] Sugii
    When her feelings get hurt...
[16:59] Romi
    Right, exactly.
[17:01] Sugii
    But it usually only comes
    out when she's alone.
[17:03] Sugii
    She'll get frustrated and do this...
[17:04] Romi
    That's right.
[17:06] Romi
    We have that in common!
[17:09] Romi
    I think, for me, personally,
    ever since I was young,
[17:14] Romi
    when it comes to stuff like men,
    and women, and aging...
[17:18] Romi
    I never really let it bother me.
[17:19] Romi
    I suppose it's the "Hey,
    we're all the same" thing.
[17:23] Romi
    So when it comes to that, I think...
[17:27] Romi
    that's one thing I have in common with her.
[17:30] Romi
    As time goes on, the story
    sometimes gets complicated,
[17:35] Romi
    but I think her character
    is very progressive.
[17:39] Kataoka
    Right.
SIGN    Rinshi!!
    Ekoda-Chan:
    The Director
    and
    Ekoda-chan's
    Naked
    Chat
SIGN    "Rinshi!! Ekoda-chan"
    and its depths
SIGN    Sugii
    Gisaburo
SIGN    Director Sugii's interpretation of Ekoda-chan
SIGN    Sugii
    Gisaburo
SIGN    Rinshi!!
    Ekoda-Chan:
    The Director
    and
    Ekoda-chan's
    Naked
    Chat
SIGN    Sugii Gisaburo x Park Romi
[17:45] Sugii
    Back during the planning phase,
    it was honestly...
[17:49] Sugii
    It felt like it'd be a real challenge.
[17:51] Sugii
    "Has there ever been a show like this?"
[17:53] Sugii
    So, in that sense, at first,
    as a character designer...
[17:58] Sugii
    I thought about going
    for a more realistic, raw look.
[18:04] Sugii
    You know, make it as realistic as I could,
    in spite of it being a short-form show.
[18:09] Sugii
    But then, Takinami-san's art...
[18:13] Sugii
    When I took a proper look at it,
    it's got this strong pop aesthetic.
[18:16] Romi
    You're right.
[18:17] Sugii
    There are elements of Andy Warhol in there.
[18:21] Sugii
    She has a very pop art look about her.
[18:25] Sugii
    And because of that,
    I thought a more realistic style...
[18:30] Sugii
    I started thinking it wouldn't
    be very funny like that,
[18:32] Sugii
    so I veered away from
    that idea partway through.
[18:36] Sugii
    But when it came to your acting, I didn't
    want it to be exaggerated or "animefied."
[18:45] Sugii
    I wanted a more natural performance.
[18:49] Sugii
    I get the feeling that, as a director,
[18:52] Sugii
    I've never had a project like this where I've
    been so unsure which direction to go in.
[18:56] Sugii
    And I honestly didn't know exactly what I was
    aiming for, even while I was working on it.
SIGN    Your thoughts going into the recording session
[19:01] Romi
    Well, I was thinking how rare it was
[19:03] Romi
    to have more staff present than actors.
[19:05] Sugii
    Right.
[19:07] Romi
    So something about that whole
    setup was a bit intimidating,
[19:11] Romi
    but the picture I had in my head was...
    I didn't want to make it overly colorful.
[19:15] Romi
    And I figured that's how I'd approach it.
[19:18] Romi
    So I went for a much,
    much starker delivery.
[19:22] Romi
    And that maybe made my interpretation
    more pensive than was ideal.
[19:26] Romi
    So, after getting some feedback,
    and doing a few different takes,
[19:30] Romi
    I think the tone changed
    a bit as we went along.
[19:33] Sugii
    I think, just looking at the lines and
    the storyboards for this episode...
[19:41] Sugii
    There's a real, for want of
    a better word, literary feel to it.
[19:43] Romi
    Yeah, I agree.
[19:44] Sugii
    Which probably explains why
    you voiced her the way you did.
[19:47] Sugii
    But even so,
[19:50] Sugii
    considering how "pop"
    the source material is,
[19:53] Sugii
    it needed an air of lightness to it, too.
[19:55] Sugii
    And I realize asking, "Could you make it
    lighter?" when talking about plane crashes
[19:59] Sugii
    sounds kind of unreasonable.
[20:00] Romi
    Oh, no, no...
[20:02] Sugii
    But I never realized just how hard
[20:02] Romi
    I didn't think it was that odd.
[20:04] Sugii
    doing a monologue could be.
SIGN    Your thoughts after the recording session
[20:06] Romi
    The fact that it's such
    a short piece of animation,
[20:10] Romi
    but there are so many people there, thinking,
    "What should we do about Ekoda-chan?"
[20:14] Romi
    "What should we do with this project?"
[20:17] Romi
    Being able to work in an environment
    like that was really wonderful.
[20:22] Romi
    I'm the kind of actress
    who wants to do lots of takes,
[20:27] Romi
    so the thought of our time coming
    to an end so quickly made me sad.
[20:30] Romi
    I just wanted to keep doing
    two, maybe three takes.
[20:33] Romi
    And I was really appreciative
    that I got the chance to do
[20:36] Romi
    a few different readings of the lines.
[20:40] Romi
    It feels like, compared to works with bigger
    casts, or stories on a much larger scale,
[20:47] Romi
    this is so much more intimate, yeah.
[20:48] Sugii
    It is.
[20:49] Romi
    So I wanted to have more of a back-and-forth
    with the staff on my approach to the role.
[20:56] Romi
    And because of that, I think
[20:58] Romi
    it's a performance I'll always remember.
[21:02] Sugii
    That makes sense.
[21:04] Sugii
    And I let you handle
    all the finishing touches.
[21:07] Romi
    "If you wanna give me some
    direction, just let me know!"
[21:09] Romi
    "I'll do it! Seriously, I'll do whatever!"
[21:11] Romi
    I mean, usually, when recording...
[21:12] Sugii
    It's your role, though.
[21:13] Sugii
    And when you have an actress
    as good as you are, Park-san...
[21:16] Park
    I'm not that good!
[21:17] Sugii
    I honestly started wondering,
    "Should we really be doing so many takes?"
[21:21] Romi
    I wouldn't say that.
[21:21] Sugii
    It felt like maybe we were splitting hairs.
[21:23] Sugii
    But, in spite of that, I had a really
    strong image of where to take it.
[21:27] Sugii
    But I didn't want to say, "Do it like this,"
     and ask for another take.
[21:32] Sugii
    So even though I felt like
    you were finding it difficult...
[21:36] Sugii
    I mean, that's a first for me.
[21:38] Sugii
    A lot of the time, you don't want too much
    forethought going into production.
[21:41] Sugii
    In animation, you need
    to make snap decisions.
[21:46] Sugii
    No matter what issues you encounter, you
    need to resolve them as quickly as possible.
[21:50] Sugii
    It's a bad idea to keep the
    actors waiting, for instance,
[21:52] Sugii
    or indeed, any of the other staff...
[21:55] Sugii
    Making short work of plotting out the
    best path is meant to be the director's job.
[22:00] Sugii
    But today? I wasn't able
    to make snap decisions.
[22:04] Romi
    For the first time?
[22:05] Sugii
    For the first time.
[22:06] Romi
    I got to be the first!
[22:10] Narrator
    And that brings today's
    discussion to a close.
SIGN    Next Episode Preview
[22:14] Narrator
    Next time on "The Director
    and Ekoda-chan's Naked Chat,"
SIGN    Director
SIGN    Ekoda-chan's
     VA
[22:17] Narrator
    an unexpected character
    design choice has
[22:20] Narrator
    the actress playing Ekoda-chan
     in Episode 3 reeling!
SIGN    Ekoda-chan's
     VA
SIGN    Director
[22:23] Narrator
    What on earth was the director thinking?
SIGN    Director
SIGN    Ekoda-chan's
     VA
[22:26] Narrator
    Look forward to it!
SIGN    Rinshi!! Ekoda-chan
SIGN    The Director and Ekoda -chan's
SIGN    Naked Chat
SIGN    Rinshi!! Ekoda-chan
SIGN    Until she's ready
SIGN    Rinshi!! Ekoda-chan
    Until she's ready
SIGN    Ekoda-chan
SIGN    Eyes
SIGN    Tweezers
SIGN    Smartphone
SIGN    Rinshi!! Ekoda-chan