E6 - Let's Do Better Than Last Time!
Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
SIGN Film
[00:02] A
We've definitely got to add all
the coloring and sound effects
[00:04] A
we had to skip last time.
[00:05] M
Definitely. We definitely do!
[00:07] A
A story, too! I want it to be
even better than last time!
[00:10] M
Even better!
SIGN 96 days until the culture festival Let's double what we did last time Not double!! Synopsis: Robot VS Monster Title: TBD Setting: Shibahama High School 15-20 minute runtime "All Digital Animation" Now using Bit Winsoft across the board!!
[00:12] M
If we're going to have dialog,
that means we need voice actors, right?
[00:14] M
We'll need to hold auditions.
[00:15] K
I'd wait until the storyboard
is done to worry about that.
[00:18] M
What about backgrounds?
[00:19] A
Colored this time. Naturally, I'll—
[00:21] K
The art club actually wants
to help us out this time.
[00:25] K
They said our work
[00:26] K
made an impression on them at the
budget committee, much like the robot club.
[00:30] M
Huh, that's pretty cool.
[00:32] k
I'm sure they realize they
can get something out of it.
[00:34] k
As soon as Asakusa finishes the storyboards,
[00:36] k
we'll meet with them to
hash out the backgrounds.
[00:38] M
A meeting...
[00:40] K
You're going to need to explain
to them what kind of art we need.
[00:44] A
I-I can't tell people what to do...
[00:47] K
Well, you also can't draw the backgrounds
for every cut on your own, can you?
[00:51] K
No groaning, moaning, or excuses.
[00:54] K
There's one other hurdle to deal with.
[00:57] K
The robot club has requested that an
opening sequence be included.
SIGN Greatest, Strongest Robot Song
[01:02] K
The song is already in the works, apparently.
SIGN Lots of Nutrition!
Allgrapes
Natural Sweetness
SIGN Bright Day
Milk
SIGN Bright Day
Milk
SIGN Egg Biscuits
SIGN A
SIGN Cola
SIGN Recommended for
7 months and up
[01:05] K
We'll discuss it in more detail
once the demo track is ready.
[01:08] A
What about the music during the actual film?
[01:10] M
I think it should be epic!
[01:15] A
Could you handle that, Mizusaki?
[01:17] M
Never done it before.
What about you, Asakusa?
[01:20] A
I've never had a chance to try before.
[01:25] M
I'll ask around to see if
anyone I know writes music.
[01:28] K
We've got three times the amount
of time for production...
[01:32] K
But will our club activity
time be enough, Mizusaki?
[01:34] M
No way! I've gotta work at home, too!
[01:37] M
Animating designs with so many
lines is a ton of work, y'know.
[01:41] M
They say you're not a real animator
until you can do 500 pieces of art a month,
[01:45] M
but for anime, you need to be able
to draw the necessary amount of art
[01:48] M
at the required standard of quality,
[01:50] M
which is nothing like randomly dashing
off 500 doodles of whatever you want!
[01:54] K
How difficult is it, exactly?
[01:57] M
Imagine having to draw 500 rough drafts
while wearing gloves and handcuffs,
[02:03] M
and if you're even 0.02 millimeters
off from frame to frame, you end up in hell.
[02:07] M
But even before that, imagine having
to uniformly draw ten pieces of art
[02:10] M
that accurately move a millimeter at a time,
while wearing armor, or you starve.
[02:14] M
Having to draw three pieces
of art, every hour,
[02:16] M
with so many lines, while thinking
about how it moves?
[02:18] M
It's basically a curse!
[02:18] M
Producing anime while in
high school is impossible!
[02:22] K
So the entire premise of this club is invalid.
[02:27] K
How are things coming along
for you, Asakusa?
[02:30] A
So far, so good!
[02:31] K
I'm pretty sure that can't be the case
since we're having to adjust the schedule
[02:34] K
based on your progress with the storyboards.
[02:36] K
Mizusaki, do you have any suggestions
for how we can improve our efficiency?
[02:39] M
Well, it'd definitely be faster if
we had a computer in the club room.
[02:44] M
That way, we can handle the finishing
touches and the photography here.
[02:47] A
Having to use the PC room every time
we need to make slight adjustments
[02:49] A
definitely eats up time.
[02:53] K
I'm heading out.
SIGN Episode 6 Let's Do Better Than Last Time!
SIGN Keep
SIGN Your
SIGN Hands
SIGN Off
SIGN Keep Your Hands Off Eizouken!
SIGN Keep Your Hands Off Eizouken!
[04:29] M
Kanamori never came back, huh?
[04:31] A
I imagine she went home.
[04:33] A
Main
Gate
[04:38] K
Let's get something to eat.
[04:40] M
Kanamori is inviting us out to eat?
[04:45] M
Wh-What is this place?
[04:46] K
Does it look like a shoe store?
SIGN R
a
m
e
n
[04:48] A
I can smell gasoline. Is this a good idea?
[04:50] K
A few fumes never killed anybody.
[04:54] K
This is my treat.
[04:56] A
Whuzzat?!
[04:56] M
Really?
[04:57] A
Whoa, hold on! This is
Kanamori we're talking about!
[04:59] A
Nothing is scarier than a
free meal from the yakuza!
[05:01] K
It's fine.
[05:03] K
I've just got ulterior motives.
[05:04] A
That's the scary part!
[05:06] K
Think of it as an advance
on your overtime.
[05:09] K
Since we're going to have
to work on this project
[05:11] K
outside of club hours to finish it.
SIGN Pickled
SIGN Garlic
[05:13] M
That's more considerate than I would've figured.
[05:15] K
Hardly. I'm only doing the obvious thing.
[05:17] K
You'll be expected to work it off, eventually.
SIGN Bamboo Shoots
SIGN Seaweed & Salt
SIGN Roasted Pork
SIGN Ramen
[05:24] M
Kake ramen!
[05:25] K
Red pepper, please.
[05:25] A
Can I get a soft-boiled egg in mine?
With extra wakame!
[05:27] A
And firm noodles?
[05:28] Server
Sure thing!
[05:29] K
So, Asakusa, have you made any
progress with the storyboards?
[05:33] A
Es perfecto!
[05:35] A
The time is before school is open.
[05:37] A
That'll save us the trouble
of drawing people.
[05:38] K
Good idea.
[05:40] A
Generally speaking, it's the
same layout as Shibahama High.
SIGN Brrrmm... Brrrmm...
[05:44] A
There are eerie movements underground.
SIGN Whoosh...
SIGN The water shoots up!
SIGN Splash
[05:47] A
There's a sudden spray of water!
[05:49] A
Here we have the base.
SIGN Computer Room Crane Hydraulic Pistons Hatch
SIGN Observation Tower
War Room
Rabbit
Pump
Water Tank
Catapult
[05:51] A
The first and second floor
are directly connected!
[05:54] M
Looks good.
[05:56] A
For various reasons, the robot
is now eight meters tall.
[05:59] K
That's a fair bit bigger.
[06:01] K
We'll need to confer with the robot club.
[06:11] A
They're alerted to the monster's appearance!
[06:14] A
There have been reports about
vibrations being detected underground.
SIGN Darker than the last cut
(but power is still on)
Monitor is lit brightly
SIGN Wall
SIGN Rotating emergency light
SIGN Voice on the Radio:
"It's a monster.
A crab-type monster
has appeared!"
SIGN Captain:
"Move out!
Everyone, to your positions!"
SIGN A1 (In Shadow)
A2 (Normal)
[06:30] A
The robot is being mobilized!
[06:34] A
The team rushes to their positions!
[06:39] A
Off go the bolts!
SIGN Underwater
[06:43] A
The gate opens!
SIGN Bottom of Gate
SIGN Outer Wall (Bright)
[06:50] A
Light up the rails!
[06:52] A
All the various machines come
alive in a dizzying fashion!
SIGN Preparing Launch
SIGN Launching
[06:57] A
It launches!
[06:58] A
Ejected from the catapult!
[07:00] A
It encounters the crabtle underground
before the creature escapes,
[07:02] A
but once it re-appears on the
school grounds, they battle!
[07:05] A
The robot wins! The end!
[07:06] Server
Here you go.
[07:08] Server
The others will be a bit longer.
[07:09] M
Go ahead and eat.
[07:11] A
Appreciate it.
SIGN SHIBA8 is lit up
Explosion SE: Pow!
Struck by the cavitation,
SHIBA8 is blasted back
SE: Bang!
[07:12] A
Time to eat!
[07:14] K
These action scenes are extremely...
broad, to put it lightly.
[07:18] A
That's all up here.
[07:20] K
Well, it needs to be on the damn page!
[07:23] K
How is this "perfecto"?!
You're supposed to be specific!
[07:25] A
I'm not good at action, okay?!
[07:27] M
I've been drawing a bit of action myself.
[07:32] M
The arm shakes from the impact of the blow!
[07:34] M
It pulls a leg back to avoid
from getting too close.
[07:36] A
That's cool!
[07:38] M
And then, the arm is knocked back
from the recoil of an attack!
[07:42] M
The movements leading into a charge...
[07:45] M
The wind-up for a punch...
[07:47] M
When you're trying to show a powerful hit,
[07:49] M
you need to include these little movements!
[07:52] A
That's some high-quality acting.
[07:55] K
Why don't we let Mizusaki
choreograph the action scenes?
[07:58] A
No objections.
[07:59] Server
Here's your kake ramen.
[08:01] Server
Sorry, the red pepper ramen's
gonna take a little bit longer.
[08:04] M
Time to eat!
[08:06] A
I wanted to ask, what're we
gonna do about sound effects?
[08:08] A
They're really important.
[08:11] M
Good question. What should we do?
[08:16] M
For now, I can look into
using royalty-free ones.
[08:19] K
That reminds me, I've made
arrangements for a computer.
[08:22] M
How much was it?
[08:23] K
Thirty-two thousand yen.
[08:25] A
That is a thuggishly low price!
[08:27] K
I talked to the information
service research group.
[08:30] K
Apparently, every time they
put together a new PC,
[08:33] K
they dispose of the old one,
no matter how powerful it was.
[08:37] A
Like when they tear down new buildings
[08:38] A
just to throw up newer ones.
[08:40] M
What about the software and other stuff?
[08:41] K
It's already taken care of.
[08:43] A
It is?!
[08:44] A
You sure about this, Kanamori?
[08:47] A
We're not gonna get raided later, are we?
[08:50] K
Would you put a sock in it already,
you cowardly raccoon dog?
[08:54] K
For the software... the school
already had paid for the licenses.
[08:58] K
So it's... basically free.
[09:07] Server
Here you are. One red pepper ramen.
[09:09] M
I guess this is part of why she's so tall.
[09:11] A
Her ramen's gonna get cold.
[09:13] M
Okay, I'm ready to start
drawing when I get home!
[09:15] M
If we're doing this on PC, there's a
tablet at home I can animate on.
[09:19] A
You sure you won't get caught?
[09:20] M
It's easy to hide stuff when you're in bed!
[09:23] M
I'm gonna be animating at home and on the train!
[09:25] M
Our goal this time is to complete this anime!
[09:28] K
Completion isn't our goal,
it's a predetermined outcome!
[09:35] K
We're not starting production,
we've already started!
[09:39] A
That is a terrifying way to eat.
[09:42] K
Thank you for the food! Check, please!
[09:45] Server
That'll be 2,450 yen!
[09:47] K
Separate tickets, please.
[09:49] K
I make it a point to never
carry more than 1,000 yen.
[09:52] K
I'll pay you back for the ramen later.
[09:54] A
What the heck?!
SIGN Student Council
[09:57] Sakaki
The robot club explained what's up.
[09:59] Sakaki
The student council has to
track the flow of money.
[10:02] K
Why, are you going to tax us?
[10:04] Sakaki
It's just a simple check to make
sure it's not being misused.
[10:08] Sakaki
We've got a lot of crazy clubs,
like yours, and it keeps us busy.
SIGN Akihabara Culture Group & Fermented Foods Advocacy Club: Odor complaints Drone Photography Club: Invasion of privacy Messenger Pigeon Club: Forgery of school documents Carbohydrates Revolution Lab: Dangerous protest activities Sound Club: Ignored order to vacate Lure Appreciation Club: Prohibited deals Neue Deutsche Härte Club: Noise complaints Saw Table Tennis: Destruction of equipment Man-Faced Fish Investigation Lab: Incitement of other students Exterior Club: Excessive spending on renovations
SIGN Messenger Pigeon Club: Forgery of school documents
SIGN Carbohydrates Revolution Lab: Dangerous protest activities
SIGN • Sound Club: Ignored order to vacate
SIGN • Lure Appreciation Club: Prohibited deals
SIGN • Neue Deutsche Härte Club: Noise complaints
SIGN • Saw Table Tennis: Destruction of equipment
SIGN Sound
SIGN Storage Building 3
SIGN Sliding Door
SIGN Music Room
SIGN Sound Club 2
SIGN Audio Room
SIGN Sound Club 3
SIGN Broadcast Room
SIGN Sound Club 4
SIGN Sound Club
[10:34] K
Excuse me.
[10:39] K
A sound-proof door, huh?
[10:46] Doumeki
Would you knock it off?!
[10:48] Doumeki
Who are you supposed to be?
[10:49] K
I'm with the film club.
[10:51] Doumeki
Film club? No, thanks.
[10:57] K
I don't exactly need
your thanks, as it turns out.
[10:59] Doumeki
Wh-What?!
[11:01] K
Give it up...
[11:02] Doumeki
Hey!
[11:04] Doumeki
Don't just barge in here!
[11:07] K
A bit cold, isn't it?
[11:09] Doumeki
What exactly do you want?
[11:11] K
I'm here on behalf of the student council.
[11:14] K
It seems you've been
occupying four club rooms,
[11:17] K
on top of ignoring orders to vacate them.
[11:21] A
Wow!
[11:22] ---
Whoa!
[11:27] A
This is crazy!
[11:30] K
You got here fast.
[11:31] A
This place is totally amazing!
[11:35] A
This room has every sound
effect you can imagine!
[11:39] K
And how much do those cost to use?
[11:42] A
There are free libraries,
and ones for professionals
[11:44] A
that cost hundreds of thousands of yen...
[11:45] A
For movies, they tend to be custom made.
[11:48] A
This room alone might be
worth over five million yen!
[11:53] K
All right, let's sell it all!
[11:55] Doumeki
The library isn't for sale, not for
whatever dirty money you're after!
[11:59] Doumeki
You're looking at an audio collection!
[12:01] Doumeki
A museum of sound, indexed by
location, time, and recorder!
[12:04] Doumeki
You could search the entire world and
not find something this valuable!
[12:09] A
That's right!
[12:11] A
For example, look at these 72 different
recordings of Kegon Falls!
SIGN Kegon Falls: Clear Skies, Rain, Snow, Cloudy
SIGN 72 Variants
[12:14] A
Normally, when you're indicating
the season in anime...
[12:17] A
You have cicadas in summer,
[12:19] A
bell crickets in fall,
[12:21] A
and dogs howling at night in winter.
[12:25] A
Not a lot of variety, right?
[12:27] A
But here we've got 72 different
takes on the sounds of Kegon Falls!
[12:31] A
That's every different type of weather
condition multiplied times three plus alpha!
[12:34] A
Forget the four seasons, we're talking
about seventy-two times of year!
[12:38] A
You're not going to find a massive
record like that anywhere else!
[12:40] Doumeki
Yeah, what she said.
[12:42] Doumeki
Now, if you understand, get out of here!
[12:44] Doumeki
Before I call school security!
[12:47] K
You still don't seem to
understand your situation.
[12:50] Doumeki
I wouldn't try and threaten me, if I were you!
[12:53] Doumeki
I'm recording this entire conversation!
[12:55] K
You still don't seem to
understand your situation.
SIGN SEARCH WARRANT
[13:00] K
We're here to enact legitimate
school council business.
[13:05] Doumeki
Y-You can't trick me like
you can everybody else!
[13:09] Doumeki
Everyone knows that anarchists,
street gangs, the yakuza,
[13:11] Doumeki
violent criminals, and the
eizouken are public enemies!
[13:14] Doumeki
So if you try to stick me up
and damage my precious sounds—
[13:17] K
This has nothing to do with anarchy,
bureaucracy, or anything else.
[13:20] K
The bottom line is you're squatting
here against the rules.
[13:23] K
Read the damn thing!
[13:26] Doumeki
I am done!
[13:28] Doumeki
I give up! You can have the building back.
[13:31] Doumeki
But do you realize how long it
took me to move this stuff in here?
[13:34] Doumeki
And you want me to clear out in a rush?
When there's four whole rooms?!
[13:37] Doumeki
That's not happening, especially considering
I don't have a budget.
[13:40] A
Wait, there's another four rooms like this?!
[13:42] Doumeki
The whole reason I joined
was the sound library,
[13:44] Doumeki
but I'm the only club member...
[13:45] Doumeki
And now I'm supposed to clear
out right after joining?
[13:48] Doumeki
I'm begging you, could you
pretend you didn't see me?
[13:51] Doumeki
Either that, or loan me some cash?
[13:54] K
You expect a loan when your club's got no budget
[13:56] K
and is on the verge of
being dissolved? Damn, you're dumb.
[13:58] Doumeki
What?! I won't let them dissolve the club!
[14:01] K
I'm not seeing any other
outcomes for you right now.
[14:04] A
Yeah...
[14:05] A
What a waste!
[14:07] A
When there's all this great stuff...
[14:09] A
Meanwhile, listen to our audio situation!
[14:40] Doumeki
Stop those sound effects right now!
[14:45] A
This is what we're actually dealing with.
[14:55] Doumeki
Please, make it stop!
[15:01] A
We've got basically no sound effect files.
[15:04] K
And even if we were to take
all of these files in,
[15:07] K
we wouldn't be able to
digitize them quickly enough.
[15:10] K
How about it?
[15:11] K
We're willing to loan the
sound club our two stories
[15:14] K
and one basement's worth of storage.
[15:16] K
We'll also guarantee your independence
and continued existence.
[15:18] K
In exchange, we'll be granted
free use of your sound library.
[15:24] K
You can digitize and sell
[15:25] K
the sound club's library in
order to secure your own funds,
[15:28] K
and we'll take a service fee.
[15:31] K
One other thing... I'd like you to
be an audio advisor on our projects.
[15:36] Doumeki
If it'll keep the club from being dissolved,
and won't cost me anything...
[15:40] Doumeki
O-Okay, agreed.
[15:42] K
We have a deal, then.
[15:44] A
Yes! We just scored all
the sound effects we need!
[15:47] K
You'll need to empty this place
out and move everything today.
[15:50] Doumeki
Whoa, I can't manage that! I've got
my hands full with existing business!
[15:55] Doumeki
I should be able to manage next month...
[15:56] K
I suppose that'll have to do.
[15:59] K
But make it some time this month.
[16:02] Doumeki
Right, understood.
[16:04] K
How about we get a formal handshake?
[16:06] K
So I can report it to the student council.
[16:08] A
Who, me?
[16:11] A
The name's Asakusa. Nice to meet you.
[16:13] Doumeki
I'm Doumeki.
[16:15] A
Doumeki? How do you write that?
[16:17] Doumeki
The kanji for "hundred-eyed demon."
[16:19] A
Oh, wow! That's cool!
[16:21] K
Yeah, yeah, I'm taking the shot. Look this way.
[16:23] K
And click.
[16:27] M
Kanamori! Good morning.
[16:29] K
How are things progressing?
[16:33] M
Straight to that, huh?
SIGN Film
[16:42] K
Asakusa?
[16:43] A
G'mornin!
[16:45] M
How'd you come in from up there?
[16:46] A
I found a route into the club from the forest
[16:48] A
that passes through the sound
club's building three days ago!
[16:50] A
Here's today's storyboards!
[16:52] M
Wait, you already finished this much?
[16:54] K
I see you're still fast when you get going.
[16:57] A
I'm going exploring until
first period starts!
[17:01] K
Asakusa has this ability to draw an
incredible amount once she gets going,
[17:04] K
but she spends too much
time not drawing otherwise.
[17:07] K
How do the storyboards look, Mizusaki?
[17:11] A
There's a big clang, and then a rumble...
[17:14] A
And boom...
[17:20] K
Four days of delays, and then
three days' worth of progress.
[17:30] K
Asakusa's motivation switch...
[17:36] Okamoto
Okay, lemme introduce you.
[17:38] Okamoto
I'm the club president, Okamoto.
[17:40] Okamoto
And working on this is gonna be...
[17:42] Okamoto
Nakamura and Kubo.
They're both second-years.
[17:45] Nakamura
I'm Nakamura.
[17:47] Kubo
I'm Kubo. It's nice to meet you.
[17:50] A
H-Hello there! It's nice to meet you!
[17:52] K
Let's begin, then. Asakusa?
[17:55] A
R-Right!
[17:57] A
Uh, um...
[17:58] K
Here's the storyboard.
We've also got the data for you.
[18:03] A
This scene takes place at around 6:00 AM,
[18:05] A
so the light would be coming
from this direction.
[18:07] Nakamura
Huh? What're these holes?
[18:10] A
Oh, those are for pegs.
[18:12] Nakamura
What pegs?
[18:14] A
Uh, well, um...
[18:17] Kubo
They hold the animation paper in
place when animation is being drawn.
[18:21] Kubo
It's also on the layouts, so you
can use them to make sure
[18:24] Kubo
the animation and backgrounds line up correctly.
[18:31] A
They'll be fastened to them too,
[18:33] A
so please be sure to note the peg
locations in the backgrounds.
[18:35] Nakamura
What color is this car? And the model?
[18:38] A
Uh, the car is going to be
a cel, so we'll be drawing that.
[18:41] A
Anything you see that's yellow will be on a cel.
[18:43] Nakamura
A cel? What's that?
[18:45] A
Well, it's not actually a cel in this case...
[18:50] A
So, considering the type of material...
[18:52] Okamoto
Hey, why's there no students around?
[18:55] Okamoto
Wouldn't a buncha people running
around be more of an anime thing?
[18:58] Okamoto
Not that I'd know, but...
[19:00] A
W-Well, having additional people
makes it more difficult to draw.
[19:04] A
That's why it's going to take
place so early in the day.
[19:06] Okamoto
Yeah, but don'tcha think it'd be weird
if there wasn't a night watchman around, y'know?
[19:14] Okamoto
Oh, sorry? Did I say something funny?
[19:18] Okamoto
Never mind me!
[19:20] Nakamura
What were you thinking for this one?
[19:21] A
Uh... W-Well...
[19:23] N
Something like this?
[19:24] A
Oh, right. Yes.
[19:26] A
You just need something similar
in atmosphere. I'll leave the details to you.
[19:30] A
But since it's going to need to match the cel,
[19:32] A
make sure you keep these lines intact—
[19:33] Nakamura
Okay.
[19:35] Nakamura
So, where is this building?
[19:37] A
R-Right...
[19:40] A
Wait, what?
SIGN Film
[19:44] M
Welcome back!
[19:45] M
Huh? Where's Asakusa?
[19:49] K
She needed to oxygenate her depleted brain.
[19:58] A
Obsidian!
[20:00] A
If the soil here was brought
in from the residential area,
[20:03] A
that means there might be more
obsidian over on that mountain...
[20:06] A
Since the school grounds are
reclaimed land from a lake.
[20:11] A
A groundhopper! They're so round and cute!
[20:13] A
Groundhopper goes in the creature log.
[20:16] A
I'll mark the boat remains and tires
as not being able to be removed.
[20:20] A
As for the geological log,
I found some obsidian.
[20:22] A
Soil is mostly clay, but with lots of stones.
[20:28] A
There's a logic to all things.
[20:31] A
A monster-fighting robot...
[20:33] A
Wait. Is this really what we should go with?
[20:36] A
I've been trying to avoid thinking about it,
[20:38] A
but shouldn't it be able to fold
its arms? And look directly up?
[20:42] A
How does the pilot stay safe?
Would they be protected in this thing?
[20:47] A
I'm having trouble breathing.
What if people criticize it?
[20:52] A
Should we really have a robot like this?
[20:54] A
Not to mention, giant robots are like a
collection of lies in the first place!
[20:57] A
In that case...
[21:03] A
Let's ditch the giant robot anime!
[21:04] K
Dumbass!
[21:05] K
That's the one thing we can't do!
[21:07] K
Stop rocking the boat.
[21:09] A
But I can't come up with a robot
premise that can satisfy everybody!
[21:13] K
It's fine. Your art is already amazing.
[21:16] A
People who can't draw always say that!
[21:19] K
You're more cynical than I figured.
[21:21] A
Don't you worry.
[21:22] A
I've got an alternative in mind.
[21:24] A
Behold!
[21:25] K
What's this tiny thing?
[21:25] A
m 480 26 l 411 24 410 8 477 10
SIGN 1) Press down the pedal
[21:25] A
m 482 7 l 482 27 546 27 544 9
SIGN 2) Twist the seat
[21:25] A
m 552 8 l 552 28 624 26 624 10
SIGN 3) Squeeze the lever
[21:25] A
m 566 81 l 588 127 638 130 624 81
SIGN 4) As it goes down,
they fold over
[21:25] A
m 450 177 l 481 178 489 228 453 222
SIGN Hunting
Mode
(High
Speed)
SIGN Normal
SIGN Both
[21:25] A
m 137 125 l 138 144 266 141 264 122
SIGN Buggy (Electric Powered Model)
SIGN Track control levers
SIGN Accelerator
SIGN Brake
[21:27] A
A vehicle that's going to take down
the monster instead of the robot!
[21:29] A
It's a buggy!
SIGN Taser Gun (Multi-Probe) Panel pressed Elected
SIGN Electric flow
SIGN Exterior Generator & Converter Cable length is 35 meters Not very portable, but has high output!
SIGN m 368 123 l 370 141 448 141 448 121
SIGN Buggy (Electric
Powered Model)
SIGN Track control levers
SIGN Accelerator
SIGN Break
SIGN Tail light
[21:38] A
It's perfect!
[21:39] K
Completely unacceptable!
[21:41] K
We all agreed to this after trampling through
[21:42] K
those contradictions in that
pain-in-the-neck meeting!
[21:46] A
But the audience can be really harsh.
[21:48] A
If we cut corners, the robot
police will catch on fast.
[21:51] A
The pilot can't see behind them.
There's no space for an engine.
[21:54] A
And how do they escape if there's an emergency?
[21:56] M
Giant robots carry a lot
of responsibility, after all.
[21:58] M
And working on a robot anime means
having to commit all kinds of crimes.
[22:02] M
You're kind of doomed either way.
[22:05] M
An imperfect giant robot...
[22:07] M
Is my only option being doomed
to settle for what we've got?
[22:10] K
Since when are you slick enough to
satisfy everybody with your art, anyway?
[22:14] A
Well, what the heck am I supposed to do?!
[22:16] K
Just draw, and stop worrying
about anyone else.
[22:19] A
My dear Kanamori, if I were that bold,
we wouldn't be having this discussion.
[22:21] A
You can be quite foolish!
[22:23] K
You want me to slap you silly?
[22:24] K
Listen here. This project is only in
trouble if you think it's in trouble.
[22:28] K
It's got nothing to do with anyone else.
[22:31] K
Your only choice here is
to draw the kind of robot
[22:33] K
that you would be satisfied with!
[22:37] K
Everyone is working their hardest
to follow your directions.
[22:40] K
That's because we all believe you've
imagined something incredible.
[22:44] K
I won't be particular about
the final product as long
[22:46] K
as it's done in time for the culture festival.
[22:48] K
But if the finished product
is some boring piece of crap,
[22:52] K
then that's your responsibility!
[22:54] K
Because you're the director!
SIGN Film
[23:09] M
Is she back?
[23:13] K
Changing just the interior, huh?
[23:15] M
This is amazing.
[23:16] M
So that's the trick, huh?
[23:18] A
I'm resuming my expedition!
[23:20] A
Behold my blade, the Lightning Flash!
[23:23] M
I guess Asakusa's motivation
switch is pretty random.
[23:25] K
Random enough that we should let her run free.
[24:55] ---
SIGN Illustration by Eri Kinoshita
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