# E6 - Let's Do Better Than Last Time!

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY3KQ15NY/lets-do-better-than-last-time)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>**[00:02] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've definitely got to add all<br>&nbsp;&nbsp;&nbsp;&nbsp;the coloring and sound effects<br>**[00:04] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;we had to skip last time.<br>**[00:05] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely. We definitely do!<br>**[00:07] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;A story, too! I want it to be<br>&nbsp;&nbsp;&nbsp;&nbsp;even better than last time!<br>**[00:10] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even better!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;96 days until the culture festival  Let's double what we did last time  Not double!!  Synopsis: Robot VS Monster  Title: TBD  Setting: Shibahama High School   15-20 minute runtime  "All Digital Animation"   Now using Bit Winsoft across the board!!
<br>**[00:12] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're going to have dialog,<br>&nbsp;&nbsp;&nbsp;&nbsp;that means we need voice actors, right?<br>**[00:14] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll need to hold auditions.<br>**[00:15] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd wait until the storyboard<br>&nbsp;&nbsp;&nbsp;&nbsp;is done to worry about that.<br>**[00:18] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about backgrounds?<br>**[00:19] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Colored this time. Naturally, I'll—<br>**[00:21] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;The art club actually wants<br>&nbsp;&nbsp;&nbsp;&nbsp;to help us out this time.<br>**[00:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said our work<br>**[00:26] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;made an impression on them at the<br>&nbsp;&nbsp;&nbsp;&nbsp;budget committee, much like the robot club.<br>**[00:30] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, that's pretty cool.<br>**[00:32] k**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they realize they<br>&nbsp;&nbsp;&nbsp;&nbsp;can get something out of it.<br>**[00:34] k**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as Asakusa finishes the storyboards,<br>**[00:36] k**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll meet with them to<br>&nbsp;&nbsp;&nbsp;&nbsp;hash out the backgrounds.<br>**[00:38] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;A meeting...<br>**[00:40] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to need to explain<br>&nbsp;&nbsp;&nbsp;&nbsp;to them what kind of art we need.<br>**[00:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I can't tell people what to do...<br>**[00:47] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you also can't draw the backgrounds<br>&nbsp;&nbsp;&nbsp;&nbsp;for every cut on your own, can you?<br>**[00:51] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;No groaning, moaning, or excuses.<br>**[00:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one other hurdle to deal with.<br>**[00:57] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robot club has requested that an<br>&nbsp;&nbsp;&nbsp;&nbsp;opening sequence be included.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Greatest, Strongest Robot Song
<br>**[01:02] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;The song is already in the works, apparently.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lots of Nutrition!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Allgrapes<br>
&nbsp;&nbsp;&nbsp;&nbsp;Natural Sweetness
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bright Day<br>
&nbsp;&nbsp;&nbsp;&nbsp;Milk
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bright Day<br>
&nbsp;&nbsp;&nbsp;&nbsp;Milk
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Egg Biscuits
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cola
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recommended for<br>
&nbsp;&nbsp;&nbsp;&nbsp; 7 months and up
<br>**[01:05] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll discuss it in more detail<br>&nbsp;&nbsp;&nbsp;&nbsp;once the demo track is ready.<br>**[01:08] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the music during the actual film?<br>**[01:10] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it should be epic!<br>**[01:15] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you handle that, Mizusaki?<br>**[01:17] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never done it before.<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Asakusa?<br>**[01:20] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had a chance to try before.<br>**[01:25] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask around to see if<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone I know writes music.<br>**[01:28] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got three times the amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of time for production...<br>**[01:32] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;But will our club activity<br>&nbsp;&nbsp;&nbsp;&nbsp;time be enough, Mizusaki?<br>**[01:34] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! I've gotta work at home, too!<br>**[01:37] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Animating designs with so many<br>&nbsp;&nbsp;&nbsp;&nbsp;lines is a ton of work, y'know.<br>**[01:41] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say you're not a real animator<br>&nbsp;&nbsp;&nbsp;&nbsp;until you can do 500 pieces of art a month,<br>**[01:45] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for anime, you need to be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to draw the necessary amount of art<br>**[01:48] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the required standard of quality,<br>**[01:50] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is nothing like randomly dashing<br>&nbsp;&nbsp;&nbsp;&nbsp;off 500 doodles of whatever you want!<br>**[01:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;How difficult is it, exactly?<br>**[01:57] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine having to draw 500 rough drafts<br>&nbsp;&nbsp;&nbsp;&nbsp;while wearing gloves and handcuffs,<br>**[02:03] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if you're even 0.02 millimeters<br>&nbsp;&nbsp;&nbsp;&nbsp;off from frame to frame, you end up in hell.<br>**[02:07] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even before that, imagine having<br>&nbsp;&nbsp;&nbsp;&nbsp;to uniformly draw ten pieces of art<br>**[02:10] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;that accurately move a millimeter at a time,<br>&nbsp;&nbsp;&nbsp;&nbsp;while wearing armor, or you starve.<br>**[02:14] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having to draw three pieces<br>&nbsp;&nbsp;&nbsp;&nbsp;of art, every hour,<br>**[02:16] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;with so many lines, while thinking<br>&nbsp;&nbsp;&nbsp;&nbsp; about how it moves?<br>**[02:18] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's basically a curse!<br>**[02:18] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Producing anime while in<br>&nbsp;&nbsp;&nbsp;&nbsp;high school is impossible!<br>**[02:22] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the entire premise of this club is invalid.<br>**[02:27] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things coming along<br>&nbsp;&nbsp;&nbsp;&nbsp; for you, Asakusa?<br>**[02:30] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;So far, so good!<br>**[02:31] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure that can't be the case<br>&nbsp;&nbsp;&nbsp;&nbsp;since we're having to adjust the schedule<br>**[02:34] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;based on your progress with the storyboards.<br>**[02:36] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mizusaki, do you have any suggestions<br>&nbsp;&nbsp;&nbsp;&nbsp;for how we can improve our efficiency?<br>**[02:39] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it'd definitely be faster if<br>&nbsp;&nbsp;&nbsp;&nbsp;we had a computer in the club room.<br>**[02:44] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, we can handle the finishing<br>&nbsp;&nbsp;&nbsp;&nbsp;touches and the photography here.<br>**[02:47] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having to use the PC room every time<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to make slight adjustments<br>**[02:49] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;definitely eats up time.<br>**[02:53] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading out.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 6        Let's Do Better Than Last Time!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keep
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hands
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Off
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keep Your Hands Off Eizouken!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keep Your Hands Off Eizouken!
<br>**[04:29] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamori never came back, huh?<br>**[04:31] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine she went home.<br>**[04:33] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Main<br>&nbsp;&nbsp;&nbsp;&nbsp;Gate<br>**[04:38] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get something to eat.<br>**[04:40] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamori is inviting us out to eat?<br>**[04:45] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is this place?<br>**[04:46] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it look like a shoe store?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;R<br>
&nbsp;&nbsp;&nbsp;&nbsp;a<br>
&nbsp;&nbsp;&nbsp;&nbsp;m<br>
&nbsp;&nbsp;&nbsp;&nbsp;e<br>
&nbsp;&nbsp;&nbsp;&nbsp;n
<br>**[04:48] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can smell gasoline. Is this a good idea?<br>**[04:50] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few fumes never killed anybody.<br>**[04:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my treat.<br>**[04:56] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whuzzat?!<br>**[04:56] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:57] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, hold on! This is<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamori we're talking about!<br>**[04:59] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing is scarier than a<br>&nbsp;&nbsp;&nbsp;&nbsp;free meal from the yakuza!<br>**[05:01] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[05:03] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just got ulterior motives.<br>**[05:04] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the scary part!<br>**[05:06] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think of it as an advance<br>&nbsp;&nbsp;&nbsp;&nbsp;on your overtime.<br>**[05:09] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we're going to have<br>&nbsp;&nbsp;&nbsp;&nbsp;to work on this project<br>**[05:11] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of club hours to finish it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pickled
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Garlic
<br>**[05:13] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's more considerate than I would've figured.<br>**[05:15] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hardly. I'm only doing the obvious thing.<br>**[05:17] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be expected to work it off, eventually.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bamboo Shoots
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seaweed & Salt
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Roasted Pork
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ramen
<br>**[05:24] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kake ramen!<br>**[05:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Red pepper, please.<br>**[05:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get a soft-boiled egg in mine?<br>&nbsp;&nbsp;&nbsp;&nbsp;With extra wakame!<br>**[05:27] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;And firm noodles?<br>**[05:28] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing!<br>**[05:29] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Asakusa, have you made any<br>&nbsp;&nbsp;&nbsp;&nbsp;progress with the storyboards?<br>**[05:33] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Es perfecto!<br>**[05:35] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time is before school is open.<br>**[05:37] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll save us the trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;of drawing people.<br>**[05:38] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good idea.<br>**[05:40] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Generally speaking, it's the<br>&nbsp;&nbsp;&nbsp;&nbsp;same layout as Shibahama High.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Brrrmm...  Brrrmm...
<br>**[05:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are eerie movements underground.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Whoosh...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The water shoots up!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Splash
<br>**[05:47] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a sudden spray of water!<br>**[05:49] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we have the base.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Computer Room  Crane  Hydraulic Pistons  Hatch
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Observation Tower<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;War Room<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Rabbit<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Pump<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Water Tank<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Catapult
<br>**[05:51] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first and second floor<br>&nbsp;&nbsp;&nbsp;&nbsp;are directly connected!<br>**[05:54] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks good.<br>**[05:56] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;For various reasons, the robot<br>&nbsp;&nbsp;&nbsp;&nbsp; is now eight meters tall.<br>**[05:59] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a fair bit bigger.<br>**[06:01] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll need to confer with the robot club.<br>**[06:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're alerted to the monster's appearance!<br>**[06:14] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been reports about<br>&nbsp;&nbsp;&nbsp;&nbsp;vibrations being detected underground.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Darker than the last cut<br>
&nbsp;&nbsp;&nbsp;&nbsp;      (but power is still on)<br>
&nbsp;&nbsp;&nbsp;&nbsp;       Monitor is lit brightly
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wall
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rotating emergency light
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Voice on the Radio:<br>
&nbsp;&nbsp;&nbsp;&nbsp;"It's a monster.<br>
&nbsp;&nbsp;&nbsp;&nbsp; A crab-type monster<br>
&nbsp;&nbsp;&nbsp;&nbsp; has appeared!"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Captain:<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Move out!<br>
&nbsp;&nbsp;&nbsp;&nbsp; Everyone, to your positions!"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A1 (In Shadow) <br>
&nbsp;&nbsp;&nbsp;&nbsp; A2 (Normal)
<br>**[06:30] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robot is being mobilized!<br>**[06:34] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The team rushes to their positions!<br>**[06:39] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Off go the bolts!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Underwater
<br>**[06:43] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gate opens!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom of Gate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Outer Wall (Bright)
<br>**[06:50] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light up the rails!<br>**[06:52] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the various machines come<br>&nbsp;&nbsp;&nbsp;&nbsp;alive in a dizzying fashion!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Preparing Launch
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Launching
<br>**[06:57] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It launches!<br>**[06:58] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ejected from the catapult!<br>**[07:00] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It encounters the crabtle underground<br>&nbsp;&nbsp;&nbsp;&nbsp; before the creature escapes,<br>**[07:02] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once it re-appears on the<br>&nbsp;&nbsp;&nbsp;&nbsp;school grounds, they battle!<br>**[07:05] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robot wins! The end!<br>**[07:06] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[07:08] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;The others will be a bit longer.<br>**[07:09] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and eat.<br>**[07:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Appreciate it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SHIBA8 is lit up <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Explosion SE: Pow! <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Struck by the cavitation,<br>
&nbsp;&nbsp;&nbsp;&nbsp; SHIBA8 is blasted back <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; SE: Bang!
<br>**[07:12] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to eat!<br>**[07:14] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;These action scenes are extremely...<br>&nbsp;&nbsp;&nbsp;&nbsp;broad, to put it lightly.<br>**[07:18] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all up here.<br>**[07:20] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it needs to be on the damn page!<br>**[07:23] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is this "perfecto"?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to be specific!<br>**[07:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not good at action, okay?!<br>**[07:27] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been drawing a bit of action myself.<br>**[07:32] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;The arm shakes from the impact of the blow!<br>**[07:34] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;It pulls a leg back to avoid<br>&nbsp;&nbsp;&nbsp;&nbsp;from getting too close.<br>**[07:36] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cool!<br>**[07:38] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, the arm is knocked back<br>&nbsp;&nbsp;&nbsp;&nbsp;from the recoil of an attack!<br>**[07:42] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;The movements leading into a charge...<br>**[07:45] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wind-up for a punch...<br>**[07:47] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you're trying to show a powerful hit,<br>**[07:49] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to include these little movements!<br>**[07:52] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's some high-quality acting.<br>**[07:55] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we let Mizusaki<br>&nbsp;&nbsp;&nbsp;&nbsp;choreograph the action scenes?<br>**[07:58] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;No objections.<br>**[07:59] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your kake ramen.<br>**[08:01] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, the red pepper ramen's<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna take a little bit longer.<br>**[08:04] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to eat!<br>**[08:06] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask, what're we<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna do about sound effects?<br>**[08:08] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're really important.<br>**[08:11] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. What should we do?<br>**[08:16] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I can look into<br>&nbsp;&nbsp;&nbsp;&nbsp;using royalty-free ones.<br>**[08:19] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;That reminds me, I've made<br>&nbsp;&nbsp;&nbsp;&nbsp;arrangements for a computer.<br>**[08:22] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much was it?<br>**[08:23] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirty-two thousand yen.<br>**[08:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a thuggishly low price!<br>**[08:27] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked to the information<br>&nbsp;&nbsp;&nbsp;&nbsp;service research group.<br>**[08:30] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, every time they<br>&nbsp;&nbsp;&nbsp;&nbsp;put together a new PC,<br>**[08:33] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;they dispose of the old one,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how powerful it was.<br>**[08:37] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like when they tear down new buildings<br>**[08:38] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;just to throw up newer ones.<br>**[08:40] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the software and other stuff?<br>**[08:41] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already taken care of.<br>**[08:43] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is?!<br>**[08:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure about this, Kanamori?<br>**[08:47] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not gonna get raided later, are we?<br>**[08:50] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you put a sock in it already,<br>&nbsp;&nbsp;&nbsp;&nbsp; you cowardly raccoon dog?<br>**[08:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the software... the school<br>&nbsp;&nbsp;&nbsp;&nbsp;already had paid for the licenses.<br>**[08:58] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's... basically free.<br>**[09:07] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. One red pepper ramen.<br>**[09:09] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess this is part of why she's so tall.<br>**[09:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her ramen's gonna get cold.<br>**[09:13] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm ready to start<br>&nbsp;&nbsp;&nbsp;&nbsp;drawing when I get home!<br>**[09:15] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're doing this on PC, there's a<br>&nbsp;&nbsp;&nbsp;&nbsp; tablet at home I can animate on.<br>**[09:19] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure you won't get caught?<br>**[09:20] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easy to hide stuff when you're in bed!<br>**[09:23] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be animating at home and on the train!<br>**[09:25] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our goal this time is to complete this anime!<br>**[09:28] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Completion isn't our goal,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a predetermined outcome!<br>**[09:35] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not starting production,<br>&nbsp;&nbsp;&nbsp;&nbsp;we've already started!<br>**[09:39] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a terrifying way to eat.<br>**[09:42] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the food! Check, please!<br>**[09:45] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll be 2,450 yen!<br>**[09:47] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Separate tickets, please.<br>**[09:49] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I make it a point to never<br>&nbsp;&nbsp;&nbsp;&nbsp;carry more than 1,000 yen.<br>**[09:52] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay you back for the ramen later.<br>**[09:54] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Student Council
<br>**[09:57] Sakaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robot club explained what's up.<br>**[09:59] Sakaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The student council has to<br>&nbsp;&nbsp;&nbsp;&nbsp;track the flow of money.<br>**[10:02] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, are you going to tax us?<br>**[10:04] Sakaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a simple check to make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure it's not being misused.<br>**[10:08] Sakaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a lot of crazy clubs,<br>&nbsp;&nbsp;&nbsp;&nbsp;like yours, and it keeps us busy.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Akihabara Culture Group & Fermented Foods Advocacy Club: Odor complaints  Drone Photography Club: Invasion of privacy Messenger Pigeon Club: Forgery of school documents Carbohydrates Revolution Lab: Dangerous protest activities Sound Club: Ignored order to vacate Lure Appreciation Club: Prohibited deals Neue Deutsche Härte Club: Noise complaints Saw Table Tennis: Destruction of equipment Man-Faced Fish Investigation Lab: Incitement of other students Exterior Club: Excessive spending on renovations
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Messenger Pigeon Club: Forgery of school documents
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Carbohydrates Revolution Lab: Dangerous protest activities
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Sound Club: Ignored order to vacate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Lure Appreciation Club: Prohibited deals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Neue Deutsche Härte Club: Noise complaints
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Saw Table Tennis: Destruction of equipment
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sound
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Storage Building 3
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sliding Door
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Music Room
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sound Club 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Audio Room
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sound Club 3
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Broadcast Room
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sound Club 4
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sound Club
<br>**[10:34] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[10:39] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sound-proof door, huh?<br>**[10:46] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you knock it off?!<br>**[10:48] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you supposed to be?<br>**[10:49] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm with the film club.<br>**[10:51] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Film club? No, thanks.<br>**[10:57] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't exactly need<br>&nbsp;&nbsp;&nbsp;&nbsp;your thanks, as it turns out.<br>**[10:59] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[11:01] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it up...<br>**[11:02] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[11:04] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just barge in here!<br>**[11:07] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bit cold, isn't it?<br>**[11:09] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly do you want?<br>**[11:11] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here on behalf of the student council.<br>**[11:14] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;occupying four club rooms,<br>**[11:17] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;on top of ignoring orders to vacate them.<br>**[11:21] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[11:27] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is crazy!<br>**[11:30] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got here fast.<br>**[11:31] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place is totally amazing!<br>**[11:35] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This room has every sound<br>&nbsp;&nbsp;&nbsp;&nbsp;effect you can imagine!<br>**[11:39] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;And how much do those cost to use?<br>**[11:42] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are free libraries,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ones for professionals<br>**[11:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;that cost hundreds of thousands of yen...<br>**[11:45] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;For movies, they tend to be custom made.<br>**[11:48] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This room alone might be<br>&nbsp;&nbsp;&nbsp;&nbsp;worth over five million yen!<br>**[11:53] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's sell it all!<br>**[11:55] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The library isn't for sale, not for<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever dirty money you're after!<br>**[11:59] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking at an audio collection!<br>**[12:01] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A museum of sound, indexed by<br>&nbsp;&nbsp;&nbsp;&nbsp;location, time, and recorder!<br>**[12:04] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could search the entire world and<br>&nbsp;&nbsp;&nbsp;&nbsp;not find something this valuable!<br>**[12:09] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[12:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, look at these 72 different<br>&nbsp;&nbsp;&nbsp;&nbsp;recordings of Kegon Falls!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kegon Falls: Clear Skies, Rain, Snow, Cloudy
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;72 Variants
<br>**[12:14] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, when you're indicating<br>&nbsp;&nbsp;&nbsp;&nbsp;the season in anime...<br>**[12:17] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have cicadas in summer,<br>**[12:19] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;bell crickets in fall,<br>**[12:21] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;and dogs howling at night in winter.<br>**[12:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a lot of variety, right?<br>**[12:27] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But here we've got 72 different<br>&nbsp;&nbsp;&nbsp;&nbsp;takes on the sounds of Kegon Falls!<br>**[12:31] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's every different type of weather<br>&nbsp;&nbsp;&nbsp;&nbsp;condition multiplied times three plus alpha!<br>**[12:34] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget the four seasons, we're talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about seventy-two times of year!<br>**[12:38] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to find a massive<br>&nbsp;&nbsp;&nbsp;&nbsp;record like that anywhere else!<br>**[12:40] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, what she said.<br>**[12:42] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, if you understand, get out of here!<br>**[12:44] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I call school security!<br>**[12:47] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still don't seem to<br>&nbsp;&nbsp;&nbsp;&nbsp;understand your situation.<br>**[12:50] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't try and threaten me, if I were you!<br>**[12:53] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm recording this entire conversation!<br>**[12:55] K**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You still don't seem to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;understand your situation.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SEARCH WARRANT
<br>**[13:00] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here to enact legitimate<br>&nbsp;&nbsp;&nbsp;&nbsp;school council business.<br>**[13:05] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You can't trick me like<br>&nbsp;&nbsp;&nbsp;&nbsp;you can everybody else!<br>**[13:09] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone knows that anarchists,<br>&nbsp;&nbsp;&nbsp;&nbsp;street gangs, the yakuza,<br>**[13:11] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;violent criminals, and the<br>&nbsp;&nbsp;&nbsp;&nbsp;eizouken are public enemies!<br>**[13:14] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if you try to stick me up<br>&nbsp;&nbsp;&nbsp;&nbsp;and damage my precious sounds—<br>**[13:17] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has nothing to do with anarchy,<br>&nbsp;&nbsp;&nbsp;&nbsp;bureaucracy, or anything else.<br>**[13:20] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bottom line is you're squatting<br>&nbsp;&nbsp;&nbsp;&nbsp; here against the rules.<br>**[13:23] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Read the damn thing!<br>**[13:26] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am done!<br>**[13:28] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I give up! You can have the building back.<br>**[13:31] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But do you realize how long it<br>&nbsp;&nbsp;&nbsp;&nbsp; took me to move this stuff in here?<br>**[13:34] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you want me to clear out in a rush?<br>&nbsp;&nbsp;&nbsp;&nbsp; When there's four whole rooms?!<br>**[13:37] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not happening, especially considering<br>&nbsp;&nbsp;&nbsp;&nbsp; I don't have a budget.<br>**[13:40] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, there's another four rooms like this?!<br>**[13:42] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole reason I joined<br>&nbsp;&nbsp;&nbsp;&nbsp;was the sound library,<br>**[13:44] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm the only club member...<br>**[13:45] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now I'm supposed to clear<br>&nbsp;&nbsp;&nbsp;&nbsp;out right after joining?<br>**[13:48] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you, could you<br>&nbsp;&nbsp;&nbsp;&nbsp;pretend you didn't see me?<br>**[13:51] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either that, or loan me some cash?<br>**[13:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You expect a loan when your club's got no budget<br>**[13:56] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is on the verge of<br>&nbsp;&nbsp;&nbsp;&nbsp;being dissolved? Damn, you're dumb.<br>**[13:58] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! I won't let them dissolve the club!<br>**[14:01] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not seeing any other<br>&nbsp;&nbsp;&nbsp;&nbsp;outcomes for you right now.<br>**[14:04] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[14:05] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste!<br>**[14:07] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;When there's all this great stuff...<br>**[14:09] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanwhile, listen to our audio situation!<br>**[14:40] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop those sound effects right now!<br>**[14:45] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what we're actually dealing with.<br>**[14:55] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, make it stop!<br>**[15:01] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got basically no sound effect files.<br>**[15:04] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even if we were to take<br>&nbsp;&nbsp;&nbsp;&nbsp;all of these files in,<br>**[15:07] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;we wouldn't be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;digitize them quickly enough.<br>**[15:10] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it?<br>**[15:11] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're willing to loan the<br>&nbsp;&nbsp;&nbsp;&nbsp;sound club our two stories<br>**[15:14] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;and one basement's worth of storage.<br>**[15:16] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll also guarantee your independence<br>&nbsp;&nbsp;&nbsp;&nbsp;and continued existence.<br>**[15:18] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;In exchange, we'll be granted<br>&nbsp;&nbsp;&nbsp;&nbsp;free use of your sound library.<br>**[15:24] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can digitize and sell<br>**[15:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;the sound club's library in<br>&nbsp;&nbsp;&nbsp;&nbsp;order to secure your own funds,<br>**[15:28] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we'll take a service fee.<br>**[15:31] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;One other thing... I'd like you to<br>&nbsp;&nbsp;&nbsp;&nbsp;be an audio advisor on our projects.<br>**[15:36] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it'll keep the club from being dissolved,<br>&nbsp;&nbsp;&nbsp;&nbsp; and won't cost me anything...<br>**[15:40] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, agreed.<br>**[15:42] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a deal, then.<br>**[15:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! We just scored all<br>&nbsp;&nbsp;&nbsp;&nbsp;the sound effects we need!<br>**[15:47] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll need to empty this place<br>&nbsp;&nbsp;&nbsp;&nbsp;out and move everything today.<br>**[15:50] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I can't manage that! I've got<br>&nbsp;&nbsp;&nbsp;&nbsp;my hands full with existing business!<br>**[15:55] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be able to manage next month...<br>**[15:56] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose that'll have to do.<br>**[15:59] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;But make it some time this month.<br>**[16:02] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, understood.<br>**[16:04] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about we get a formal handshake?<br>**[16:06] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I can report it to the student council.<br>**[16:08] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?<br>**[16:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Asakusa. Nice to meet you.<br>**[16:13] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Doumeki.<br>**[16:15] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doumeki? How do you write that?<br>**[16:17] Doumeki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kanji for "hundred-eyed demon."<br>**[16:19] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow! That's cool!<br>**[16:21] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah, I'm taking the shot. Look this way.<br>**[16:23] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;And click.<br>**[16:27] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamori! Good morning.<br>**[16:29] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things progressing?<br>**[16:33] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Straight to that, huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>**[16:42] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asakusa?<br>**[16:43] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;G'mornin!<br>**[16:45] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you come in from up there?<br>**[16:46] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found a route into the club from the forest<br>**[16:48] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;that passes through the sound<br>&nbsp;&nbsp;&nbsp;&nbsp;club's building three days ago!<br>**[16:50] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's today's storyboards!<br>**[16:52] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you already finished this much?<br>**[16:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're still fast when you get going.<br>**[16:57] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going exploring until<br>&nbsp;&nbsp;&nbsp;&nbsp;first period starts!<br>**[17:01] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asakusa has this ability to draw an<br>&nbsp;&nbsp;&nbsp;&nbsp;incredible amount once she gets going,<br>**[17:04] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she spends too much<br>&nbsp;&nbsp;&nbsp;&nbsp;time not drawing otherwise.<br>**[17:07] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do the storyboards look, Mizusaki?<br>**[17:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a big clang, and then a rumble...<br>**[17:14] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;And boom...<br>**[17:20] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four days of delays, and then<br>&nbsp;&nbsp;&nbsp;&nbsp;three days' worth of progress.<br>**[17:30] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asakusa's motivation switch...<br>**[17:36] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, lemme introduce you.<br>**[17:38] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the club president, Okamoto.<br>**[17:40] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;And working on this is gonna be...<br>**[17:42] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nakamura and Kubo.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both second-years.<br>**[17:45] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Nakamura.<br>**[17:47] Kubo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kubo. It's nice to meet you.<br>**[17:50] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hello there! It's nice to meet you!<br>**[17:52] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's begin, then. Asakusa?<br>**[17:55] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[17:57] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, um...<br>**[17:58] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the storyboard.<br>&nbsp;&nbsp;&nbsp;&nbsp;We've also got the data for you.<br>**[18:03] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This scene takes place at around 6:00 AM,<br>**[18:05] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the light would be coming<br>&nbsp;&nbsp;&nbsp;&nbsp;from this direction.<br>**[18:07] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What're these holes?<br>**[18:10] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, those are for pegs.<br>**[18:12] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What pegs?<br>**[18:14] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well, um...<br>**[18:17] Kubo**<br>&nbsp;&nbsp;&nbsp;&nbsp;They hold the animation paper in<br>&nbsp;&nbsp;&nbsp;&nbsp;place when animation is being drawn.<br>**[18:21] Kubo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also on the layouts, so you<br>&nbsp;&nbsp;&nbsp;&nbsp; can use them to make sure<br>**[18:24] Kubo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the animation and backgrounds line up correctly.<br>**[18:31] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll be fastened to them too,<br>**[18:33] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please be sure to note the peg<br>&nbsp;&nbsp;&nbsp;&nbsp;locations in the backgrounds.<br>**[18:35] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What color is this car? And the model?<br>**[18:38] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, the car is going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a cel, so we'll be drawing that.<br>**[18:41] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything you see that's yellow will be on a cel.<br>**[18:43] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cel? What's that?<br>**[18:45] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not actually a cel in this case...<br>**[18:50] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, considering the type of material...<br>**[18:52] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why's there no students around?<br>**[18:55] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't a buncha people running<br>&nbsp;&nbsp;&nbsp;&nbsp;around be more of an anime thing?<br>**[18:58] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I'd know, but...<br>**[19:00] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, having additional people<br>&nbsp;&nbsp;&nbsp;&nbsp;makes it more difficult to draw.<br>**[19:04] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why it's going to take<br>&nbsp;&nbsp;&nbsp;&nbsp;place so early in the day.<br>**[19:06] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but don'tcha think it'd be weird<br>&nbsp;&nbsp;&nbsp;&nbsp;if there wasn't a night watchman around, y'know?<br>**[19:14] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry? Did I say something funny?<br>**[19:18] Okamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind me!<br>**[19:20] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you thinking for this one?<br>**[19:21] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... W-Well...<br>**[19:23] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like this?<br>**[19:24] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Yes.<br>**[19:26] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just need something similar<br>&nbsp;&nbsp;&nbsp;&nbsp;in atmosphere. I'll leave the details to you.<br>**[19:30] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since it's going to need to match the cel,<br>**[19:32] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure you keep these lines intact—<br>**[19:33] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[19:35] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is this building?<br>**[19:37] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[19:40] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>**[19:44] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back!<br>**[19:45] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where's Asakusa?<br>**[19:49] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;She needed to oxygenate her depleted brain.<br>**[19:58] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obsidian!<br>**[20:00] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the soil here was brought<br>&nbsp;&nbsp;&nbsp;&nbsp;in from the residential area,<br>**[20:03] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;that means there might be more<br>&nbsp;&nbsp;&nbsp;&nbsp;obsidian over on that mountain...<br>**[20:06] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the school grounds are<br>&nbsp;&nbsp;&nbsp;&nbsp;reclaimed land from a lake.<br>**[20:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;A groundhopper! They're so round and cute!<br>**[20:13] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Groundhopper goes in the creature log.<br>**[20:16] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll mark the boat remains and tires<br>&nbsp;&nbsp;&nbsp;&nbsp;as not being able to be removed.<br>**[20:20] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the geological log,<br>&nbsp;&nbsp;&nbsp;&nbsp;I found some obsidian.<br>**[20:22] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soil is mostly clay, but with lots of stones.<br>**[20:28] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a logic to all things.<br>**[20:31] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;A monster-fighting robot...<br>**[20:33] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. Is this really what we should go with?<br>**[20:36] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trying to avoid thinking about it,<br>**[20:38] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;but shouldn't it be able to fold<br>&nbsp;&nbsp;&nbsp;&nbsp;its arms? And look directly up?<br>**[20:42] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does the pilot stay safe?<br>&nbsp;&nbsp;&nbsp;&nbsp;Would they be protected in this thing?<br>**[20:47] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having trouble breathing.<br>&nbsp;&nbsp;&nbsp;&nbsp;What if people criticize it?<br>**[20:52] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we really have a robot like this?<br>**[20:54] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, giant robots are like a<br>&nbsp;&nbsp;&nbsp;&nbsp;collection of lies in the first place!<br>**[20:57] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[21:03] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's ditch the giant robot anime!<br>**[21:04] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dumbass!<br>**[21:05] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the one thing we can't do!<br>**[21:07] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop rocking the boat.<br>**[21:09] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't come up with a robot<br>&nbsp;&nbsp;&nbsp;&nbsp;premise that can satisfy everybody!<br>**[21:13] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Your art is already amazing.<br>**[21:16] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;People who can't draw always say that!<br>**[21:19] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're more cynical than I figured.<br>**[21:21] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you worry.<br>**[21:22] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got an alternative in mind.<br>**[21:24] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behold!<br>**[21:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this tiny thing?<br>**[21:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 480 26 l 411 24 410 8 477 10<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1) Press down the pedal
<br>**[21:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 482 7 l 482 27 546 27 544 9<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2) Twist the seat
<br>**[21:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 552 8 l 552 28 624 26 624 10<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3) Squeeze the lever
<br>**[21:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 566 81 l 588 127 638 130 624 81<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;4) As it goes down,<br>
&nbsp;&nbsp;&nbsp;&nbsp; they fold over
<br>**[21:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 450 177 l 481 178 489 228 453 222<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hunting<br>
&nbsp;&nbsp;&nbsp;&nbsp; Mode<br>
&nbsp;&nbsp;&nbsp;&nbsp; (High <br>
&nbsp;&nbsp;&nbsp;&nbsp;Speed)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Normal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Both
<br>**[21:25] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 137 125 l 138 144 266 141 264 122<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Buggy (Electric Powered Model)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Track control levers
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Accelerator
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Brake
<br>**[21:27] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vehicle that's going to take down<br>&nbsp;&nbsp;&nbsp;&nbsp;the monster instead of the robot!<br>**[21:29] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a buggy!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taser Gun (Multi-Probe)  Panel pressed  Elected
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Electric flow
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exterior   Generator & Converter   Cable length is 35 meters   Not very portable,  but has high output!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 368 123 l 370 141 448 141 448 121
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Buggy (Electric<br>
&nbsp;&nbsp;&nbsp;&nbsp; Powered Model)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Track control levers
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Accelerator
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Break
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tail light
<br>**[21:38] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's perfect!<br>**[21:39] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Completely unacceptable!<br>**[21:41] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We all agreed to this after trampling through<br>**[21:42] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;those contradictions in that<br>&nbsp;&nbsp;&nbsp;&nbsp;pain-in-the-neck meeting!<br>**[21:46] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the audience can be really harsh.<br>**[21:48] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we cut corners, the robot<br>&nbsp;&nbsp;&nbsp;&nbsp;police will catch on fast.<br>**[21:51] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pilot can't see behind them.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no space for an engine.<br>**[21:54] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;And how do they escape if there's an emergency?<br>**[21:56] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giant robots carry a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of responsibility, after all.<br>**[21:58] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;And working on a robot anime means<br>&nbsp;&nbsp;&nbsp;&nbsp;having to commit all kinds of crimes.<br>**[22:02] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kind of doomed either way.<br>**[22:05] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;An imperfect giant robot...<br>**[22:07] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is my only option being doomed<br>&nbsp;&nbsp;&nbsp;&nbsp;to settle for what we've got?<br>**[22:10] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when are you slick enough to<br>&nbsp;&nbsp;&nbsp;&nbsp;satisfy everybody with your art, anyway?<br>**[22:14] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what the heck am I supposed to do?!<br>**[22:16] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just draw, and stop worrying<br>&nbsp;&nbsp;&nbsp;&nbsp;about anyone else.<br>**[22:19] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dear Kanamori, if I were that bold,<br>&nbsp;&nbsp;&nbsp;&nbsp;we wouldn't be having this discussion.<br>**[22:21] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can be quite foolish!<br>**[22:23] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to slap you silly?<br>**[22:24] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen here. This project is only in<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble if you think it's in trouble.<br>**[22:28] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's got nothing to do with anyone else.<br>**[22:31] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your only choice here is<br>&nbsp;&nbsp;&nbsp;&nbsp;to draw the kind of robot<br>**[22:33] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you would be satisfied with!<br>**[22:37] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone is working their hardest<br>&nbsp;&nbsp;&nbsp;&nbsp;to follow your directions.<br>**[22:40] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because we all believe you've<br>&nbsp;&nbsp;&nbsp;&nbsp;imagined something incredible.<br>**[22:44] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be particular about<br>&nbsp;&nbsp;&nbsp;&nbsp;the final product as long<br>**[22:46] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;as it's done in time for the culture festival.<br>**[22:48] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the finished product<br>&nbsp;&nbsp;&nbsp;&nbsp;is some boring piece of crap,<br>**[22:52] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's your responsibility!<br>**[22:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're the director!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>**[23:09] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she back?<br>**[23:13] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changing just the interior, huh?<br>**[23:15] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is amazing.<br>**[23:16] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's the trick, huh?<br>**[23:18] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm resuming my expedition!<br>**[23:20] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behold my blade, the Lightning Flash!<br>**[23:23] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess Asakusa's motivation<br>&nbsp;&nbsp;&nbsp;&nbsp;switch is pretty random.<br>**[23:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Random enough that we should let her run free.<br>**[24:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Illustration by Eri Kinoshita
<br>