E3 - Let's Accomplish Something!

Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
[00:01] Tsubame
    How's it look?
[00:02] Midori
    A little crooked on the right.
[00:04] Midori
    Too far.
[00:05] Midori
    There! Perfect!
[00:07] Midori
    Now that is quite the sight.
[00:18] Tsubame
    It looks good!
[00:21] Midori
    Studio...
[00:22] Both
    Eizouken!
SIGN    Film
SIGN    Film
[00:26] Midori
    What if we had the logo walk by at the
    beginning of every project, like this?
[00:30] Tsubame
    I love it!
[00:32] Kanamori
    We don't even have a project yet.
[00:35] Tsubame
    Oh, there you are, Kanamori—
[00:38] Kanamori
    Didn't I tell you two not
    to get ahead of yourselves?
[00:40] Tsubame
    But since we've got a meeting place—
SIGN    Film
[00:42] Kanamori
    It just looks like a random
    sign that says "film."
[00:44] Midori
    A good design is about paying attention
    to the minute details that—
[00:47] Kanamori
    More importantly...
[00:48] Kanamori
    We need to fix up the building
    and then get to some actual work.
[00:52] Kanamori
    Because otherwise, our little
    group is going to be broken up.
[00:55] Midori
    Hang on! The eizouken
     only just came together!
[00:59] Kanamori
    Do you think we have
     all the time in the world?
[01:01] Kanamori
    After a certain someone
    spilled the beans about our
[01:04] Kanamori
    anime production to a teacher?
[01:06] Midori
    No way... I thought you
    convinced him to back down!
[01:09] Kanamori
    Are you getting enough
    oxygen to your brain?
[01:13] Kanamori
    My arguments were all just to get
    him to back off for the time being.
[01:16] Kanamori
    If he thinks about it calmly,
    he'll realize that we don't have a case.
[01:20] Kanamori
    My point being, if you don't
    want to take that sign down,
SIGN    Film
[01:24] Kanamori
    we need to accomplish something.
SIGN    Film
SIGN    Episode 3 Let's Accomplish Something!
SIGN    Keep
SIGN    Your
SIGN    Hands
SIGN    Off
SIGN    Keep Your Hands Off Eizouken!
SIGN    Keep Your Hands Off Eizouken!
[03:02] Midori
    It's time to begin the briefing
    for our repairs of the club room.
[03:05] Midori
    A lack of suitable seriousness
    will not be tolerated!
[03:08] Tsubame
    Okay!
[03:09] Midori
    Kanamori, if you could get us started.
[03:11] Kanamori
    The phrase "pure profit" speaks to the
[03:14] Kanamori
    long-held dream of doing business
    without any initial costs,
[03:18] Kanamori
    but in reality, doing anything without
    incurring costs is next to impossible!
[03:23] Kanamori
    We've been able to obtain an animation desk
    and fans from the school for free,
[03:28] Kanamori
    but even those aren't usable
    without additional elbow grease.
[03:30] Kanamori
    The greatest example of which
    is this decrepit club room!
[03:33] ---
    To wit: if we do not repair the
    holes in the walls and roof,
[03:37] ---
    our crucial equipment runs
    the risk of water damage—
[03:40] Midori
    That's a alpine black swallowtail!
[03:42] Midori
    Catch it!
[03:43] Tsubame
    Wow, a butterfly!
[03:43] Midori
    Butterfly, flutter butter fly fly!
[03:49] Kanamori
    I have to say, the two of you are doing
    an incredible job of staying serious.
[03:53] Midori
    Uh... at this point I'd like
    to remind you all that we,
[03:56] Midori
    previously, came upon the
    sizable sum of 30,000 yen!
[03:59] Tsubame
    We did!
[04:01] Midori
    The footage of my fall from the second floor
[04:03] Midori
    managed to sell for 30,000
    as accident footage.
[04:06] Midori
    And if you'll look here, this is
    all that remains of those 30,000.
[04:10] Midori
    It has been nearly exhausted in
    service of the roof and wall repairs.
[04:13] Midori
    A moment of silence for our
    late comrade, the 30,000 yen!
[04:16] Tsubame
    Silence!
[04:18] Kanamori
    Dearly departed 30,000 yen,
    please send a large group
[04:20] Kanamori
    of your comrades to my pocket.
[04:23] Tsubame
    I guess 30,000 yen is a lot of money?
[04:25] Tsubame
    That's about as much as I got for
    allowance when I was in third grade.
[04:29] Midori
    Raccoon dog!
[04:31] Midori
    Row row woof, it's a raccoon dog!
[04:32] Tsubame
    It's a sign!
[04:33] Tsubame
    Asakusa, we should start
    a festival! It'd be great!
[04:33] Midori
    Row row woof, it's a raccoon dog!
[04:36] Kanamori
    Get serious!
[04:39] Kanamori
    We are finishing these repairs today!
[04:42] Kanamori
    Any idiot who wastes further time
[04:45] Kanamori
    will be punished without mercy,
     so keep that in mind!
[04:49] Both
    R-Roger that.
SIGN    Film
[04:52] Midori
    Well, I'll handle the external holes,
    so the inside's all yours, Kanamori.
[04:56] Kanamori
    Please take this seriously, Asakusa.
[04:58] Midori
    But of course!
[05:02] Kanamori
    I have my doubts about that.
[05:07] Tsubame
    You say that, but Asakusa is pretty cool.
[05:11] Kanamori
    Gross. What brought that on? And how, exactly?
[05:14] Kanamori
    I have a big problem with people who
    start a conversation by praising someone.
[05:20] Tsubame
    That sounds like you!
[05:22] Tsubame
    But repairing the walls
    seems like a lot of work.
[05:24] Tsubame
    Isn't it impressive that
    she volunteered to do it?
[05:27] Kanamori
    She's only doing it because she wants to.
[05:30] Kanamori
    Asakusa is self-interested in that way.
[05:32] Tsubame
    You mean she enjoys helping people?
[05:34] Kanamori
    She isn't considering the fact
    that the work might be difficult.
[05:38] Kanamori
    Getting to play with a drill is fun to her,
     and that gets her motivated.
[05:41] Tsubame
    So it's more like our interests aligned!
[05:43] Kanamori
    That what she's like.
[05:45] Kanamori
    Think about grade school.
    One student always rushed to
[05:47] Kanamori
    the broom closet when clean-up time came.
[05:49] Kanamori
    They didn't really want to help clean.
[05:51] Kanamori
    They wanted to play with
    the coolest-looking broom.
[05:53] Tsubame
    That's a great example!
[06:03] Midori
    I guess there wouldn't be any
    motor noise, since space is a vacuum.
[06:06] Midori
    The effects make for a stronger impact,
[06:07] Midori
    but I think I'll deliberately
    go with muted sound.
[06:12] Midori
    There!
[06:13] Midori
    Would liquid paint float off
    before actually drying in space?
[06:21] Midori
    That calls for electrostatic powder coating!
[06:25] Midori
    Hang on...
[06:26] Midori
    In a vacuum with no gravity, wouldn't the
    ship develop an electric charge?
[06:30] Midori
    Will a regular electrostatic charge be
    enough for the powder to coat properly?
[06:33] Midori
    Ah, who cares, it's my fantasy!
[06:35] Midori
    No big deal if it's a little
    bit more convenient for me.
[06:38] Midori
    That just leaves applying the heat.
[06:44] Kanamori
    Care to explain why you're doodling and
     wearing a worn-out bucket on your head?
[06:48] Midori
    Uh, well...
[06:49] Midori
    I was just imagining what it'd be like
    to train to repair a spaceship.
[06:52] Tsubame
    A spaceship?! That sounds like a ton of fun!
[06:55] Kanamori
    I figured as much.
[06:57] Kanamori
    The walls can wait for now, so could
    you at least take care of the roof?
SIGN    Film
[07:03] Kanamori
    What do you have your bag?
[07:05] Midori
    It's a manned maneuvering unit!
[07:10] Tsubame
    I'm going, too!
[07:18] Tsubame
    There we go.
[07:32] Tsubame
    This is so high up! Awesome!
[07:42] Tsubame
    Wow, the hole is huge up close.
[07:48] Kanamori
    It's set. Do you think you'll
    be able to close the hole?
[07:51] Midori
    It's just sticking another
    panel over it! Piece of cake!
[07:54] Kanamori
    No accidents, please.
[07:57] Tsubame
    Let's commence the mission
    to repair the spaceship.
[08:00] Midori
    I copy!
[08:01] Midori
    Ta-dah!
SIGN    Club Room Ship Layout
     Eizouken
SIGN    Mess Hall
SIGN    Rear Hatch
SIGN    Observation Room
    Not the bridge.
SIGN    Captain's
     cabin
SIGN    Beds
SIGN    Extra-large rangefinder
    Not engines.
SIGN    Antenna, not
    aerodynamic wings
SIGN    The lens changes state from liquid
     to solid instantaneously,
     extending the range
     of the telescope
SIGN    Ship's Hull
    Since it's a medium-sized
     space-faring vessel, it can't
     fly in high atmospheric pressure
     or high gravity, and it also can't
     withstand atmospheric entry.
     Designed with typical vertical
    orientation, but because gravity
     control is a pricier option, it'll
     be operated in zero gravity.
SIGN    A ramen bowl developed with the
     intent of making ramen slurpable
     even in zero gravity.
SIGN    The scientific community spent 10 years
    and 12 billion dollars to develop this bowl
    which rectifies the issue. (79,8000 yen)
[08:02] Midori
    The Eizouken's Club Room Ship!
[08:04] Midori
    The hull! Since it's a medium-sized
     space-faring vessel,
[08:07] Midori
    it can't fly in high atmospheric
    pressure or high gravity,
[08:09] Midori
    and it also can't withstand
    atmospheric entry.
[08:11] Midori
    It uses typical vertical orientation,
[08:12] Midori
    but since gravity control is a pricier option,
[08:16] Midori
    it'll be operated in zero gravity.
[08:17] Midori
    Classical design!
[08:19] Midori
    It has a bulbous bow like you'd see in a
    maritime vessel for wave resistance,
[08:22] Midori
    but since that's pointless in space,
    we'll stick the radar in there!
[08:25] Midori
    The frame is made of a special material
[08:27] Midori
    that can transmit electrical
     and optical signals,
[08:29] Midori
    which eliminates the need for various cables!
[08:31] Midori
    By altering this material, you can create
[08:32] Midori
    optical and electric circuits inside of
    the frame that function like computers!
[08:36] Midori
    This is the part of the vessel that
    needs the most advanced technology!
[08:40] Midori
    And to allow for the slurping of
    ramen in zero gravity, there is—
[08:42] Kanamori
    Enough!
[08:45] Midori
    The hole must've been caused by a debris impact.
[08:48] Tsubame
    It's pretty long.
[08:50] Midori
    The impact must've been at a shallow angle.
[08:52] Midori
    We'll use a hydraulic cutter
    to remove the warped parts.
[08:55] Midori
    And here's the Pistol Grip Power Tool,
    PGT, which needs no introduction!
[08:59] Tsubame
    I've never heard of it before.
[09:01] Midori
    Well, it's a battery-powered
    driving tool that's been
[09:04] Midori
    used since the first mission
    for the space telescope's—
[09:09] Midori
    Debris! Take cover! Now!
[09:27] Tsubame
    No way! It's hailing!
[09:28] Midori
    Yeowch!
[09:39] Midori
    The sudden rush of debris made the
    club room ship's emergency lock engage!
[09:43] Tsubame
    This is bad! I have to go to the bathroom!
[09:46] Midori
    We don't have much oxygen left.
[09:55] Tsubame
    Hey!
[09:57] Midori
    Mayday, mayday! Please respond!
[09:59] Kanamori
    Yeah, yeah, this is the command room!
[10:02] Kanamori
    Is it an incident or an accident?
[10:03] Midori
    An accident! The ladder fell down,
    and we're stuck up here!
[10:06] Midori
    Requesting assistance!
[10:07] Tsubame
    I need oxygen—I mean, to use the bathroom!
[10:10] Kanamori
    What in the world are they doing?
[10:15] Tsubame
    Kanamori, I have to go!
[10:17] Kanamori
    That assistance is going to take a second.
[10:20] Kanamori
    I've got a bit of situation down here, too.
[10:23] Midori
    Help me!
[10:25] Midori
    We're down to the air in our suits!
[10:27] Tsubame
    Please! We're gonna die!
[10:30] Kanamori
    Good grief.
[10:31] Midori
    M-Mizusaki, calm down! Take deep breaths!
[10:39] Midori
    We're doomed!
[10:48] Kanamori
    I'm not sure why, but please
    release the emergency lock.
[10:52] Kanamori
    We've got two astronauts on the
    verge of bladder rupture. Over.
[10:57] Kanamori
    Or alternatively...
[11:13] Kanamori
    All right, the ladder is up! Now get down here!
[11:18] Midori
    K-Kanamori...
[11:23] Midori
    The bathroom emergency is taken care—
[11:24] Kanamori
    How'd you get down?
[11:26] Midori
    We slid down the gutter pipe—
[11:27] Kanamori
    I ended up having to smash through a wall.
[11:30] Kanamori
    That's extra labor and expenses,
    which I assure you will come at a cost.
[11:36] Kanamori
    This rescue costs a week's worth of
    bottled milk from the Ongyoku Bathhouse.
[11:40] Midori
    S-Seven hundred yen, huh...
[11:42] Kanamori
    Fourteen hundred yen, actually.
    I intend to drink two a day.
SIGN    Film
[11:48] Midori
    All right!
[11:49] Midori
    Now to make a name for ourselves,
    so we can get promoted to club status!
[11:51] Tsubame
    How are we going to do that?
[11:53] Kanamori
    Well, we're the film club, so the
    smart thing to do would be to
[11:56] Kanamori
    produce something high quality
    to make our case to the school.
[11:58] Fujimoto
    Heavy...
[12:00] Fujimoto
    So heavy.
[12:03] Fujimoto
    And here I thought being a club advisor
    would be good for my circulation,
[12:07] Fujimoto
    but my beard feels heavy, as usual.
[12:09] Fujimoto
    Oh, and here.
SIGN    Budget Deliberation Committee
[12:12] Fujimoto
    The seasonal budgets for clubs and associations
[12:14] Fujimoto
    are based on the presentations given here.
[12:18] Fujimoto
    Well, good luck with that.
[12:20] Kanamori
    Let's announce a project
    at that with our presentation.
[12:23] Kanamori
    If we succeed, we'll have
    made a name for ourselves,
[12:25] Kanamori
    gotten promoted to a club,
    and secured a budget!
[12:28] Kanamori
    It'll be three birds with one stone!
[12:30] Kanamori
    It's time to go on the attack!
[12:32] Both
    Yeah!
[12:37] Kanamori
    It's essentially a place to announce
    plans to the student council and teachers.
SIGN    Shibahama Food
SIGN    Today's
     special
[12:41] Lunch lady
    Here's your beef bowl!
[12:42] Midori
    I'll take a shoyu ramen with
    with extra seaweed and nori!
[12:46] Kanamori
    The format has each team make their
    presentation in the gymnasium,
[12:50] Kanamori
    which is then the basis for
    their budget during that period.
[12:54] Lunch lady
    Here's your shoyu ramen with
    extra seaweed and nori!
[12:57] Kanamori
    Two bottles of milk, seven croquettes,
    and one red bean bun with smooth paste.
[13:02] Midori
    Wait, we've gotta go up in front of a crowd?
[13:03] Kanamori
    That's right.
[13:06] Kanamori
    Each group has ten minutes
    to make their presentation.
[13:08] Kanamori
    Our film production association is
    going to be requesting 60,000 yen.
[13:13] Kanamori
    That's the maximum amount an
    "association" can ask for.
[13:16] Tsubame
    So the anime should be about five minutes long?
[13:18] Midori
    We'll have to start with a
    script and some storyboards.
[13:20] Kanamori
    Quality isn't our prime concern here.
[13:22] Kanamori
    We need to make a big impact
     with the least effort possible.
[13:25] Kanamori
    Our goal is to overwhelm the
    committee and secure funding,
[13:28] Kanamori
    along with a promotion to club status.
[13:31] Tsubame
    Aw, I wanna take the time to make something good.
[13:34] Kanamori
    Easily said, but we only
    have 55 days to finish it.
[13:38] Kanamori
    If we go for 12 frames a second,
[13:40] Kanamori
    a five minute film means you'd
    need to produce 3600 drawings.
[13:42] Kanamori
    Factor in additional work beyond animation,
[13:44] Kanamori
    and the two of you would need to work
    50 days in a row non-stop, without sleep.
[13:50] Kanamori
    That being the case, we need
    to begin as soon as possible.
[13:53] Midori
    Let's... make the runtime...
    three minutes, then.
[13:57] Tsubame
    We can't get started if we don't have
    any idea what the story is, though.
[14:01] Midori
    I've got a bunch of ideas
    stockpiled over at my place.
[14:14] Midori
    End seat is first come, first serve!
[14:17] Tsubame
    Well, I get to sit on the end on the way back!
[14:19] Midori
    This is my trip home anyway,
    so no rematch for you!
[14:22] Tsubame
    Dang it!
SIGN    In Association with Tsubame Mizusaki
[14:35] Kanamori
    Huh.
[14:41] Midori
    I think the car's been hijacked
    by ads starring you, Mizusaki.
[14:45] Kanamori
    They definitely give off a
    different impression.
[14:49] Fans
    Can we shake your hand?
[14:50] Tsubame
    Of course.
[14:51] Fans
    Thank you so much!
[14:54] Tsubame
    You're very welcome.
[14:55] Kanamori
    She's switched into popular model mode.
[14:55] Fans
    We're big fans! Please, keep up the great work!
SIGN    Shibahama South Building
[15:00] Tsubame
    This place is pretty neat!
[15:05] Midori
    M'home.
[15:10] Midori
    Gimme one sec.
[15:18] Midori
    Here we go.
[15:30] Kanamori
    Well, that's certainly detailed.
[15:32] Tsubame
    I looks like it'd be a lot of work to draw.
[15:44] Kanamori
    Let's avoid anything too complicated.
SIGN    Exit
[15:59] Kanamori
    I like this one. It's relatively simple.
[16:02] Midori
    It's basically just a stack of cubes, after all.
[16:07] Kanamori
    Are we fine with using this for the location?
[16:10] Tsubame
    I like it! So, what's going to happen here?
[16:13] Kanamori
    We just need the animation.
[16:22] Midori
    Tank coming through!
[16:25] Midori
    Compact frame!
[16:28] Midori
    Two main guns!
[16:31] Midori
    And it comes with flashy
    hydropneumatic suspension!
[16:35] Tsubame
    Is that flashy?
[16:36] Kanamori
    To her? Most likely.
[16:38] Midori
    Ta-dah! The personal defense tank!
SIGN    APFSDS
    Armor-piercing
     fin-stabilized
     discarding sabot
SIGN    HEAT
    High-explosive
     anti-tank
     ammunition
SIGN    Armor-Piercing
     Round
SIGN    Gun-launched
     anti-tank missile
SIGN    A trusty, fully-equipped vehicle
    which provides consistent
    support for our adventures!
SIGN    Uses an odd caliber
    of 16.873cm.
     Has both rifled and
     smoothbore barrels.
    Length 300mm.
SIGN    Able to jump up
     to 1m vertically
SIGN    High-end
    hydropneumatic
     suspension makes
     low riders you'd
     see in the streets
     seem like kids' stuff.
SIGN    Continuous tracks result in
     zero relative speed with
     the point of contact, which is cool!
SIGN    Reaches speeds of 190 kmph,
     even on rough terrain.
[16:41] Midori
    An older design that resembles a rice cake.
[16:44] Midori
    It's cool how using continuous tracks
[16:45] Midori
    results in zero relative speed
    difference with the point of contact!
[16:49] Midori
    It can hit 190 km/h,
     even over rough terrain!
[16:52] Midori
    A trusty, fully-equipped vehicle which provides
    consistent support for our adventures!
[17:02] Midori
    The turret knocks the entire
    turret rig backwards
[17:04] Midori
    to eject the shell casing,
    after which it sits back up!
[17:21] Kanamori
    The sound's a bit out of sync.
[17:24] Midori
    That's detail in the sound effects.
[17:25] Midori
    Light travels faster than sound, y'know.
[17:28] Midori
    Think about light—
[17:28] Kanamori
    Okay, enough.
[17:30] Kanamori
    This is great and all, but can
     you draw it, Mizusaki?
[17:33] Tsubame
    Well, I've never done effects
[17:36] Tsubame
    like smoke and fire before,
    so I'd have to try first.
[17:39] Tsubame
    But the kind of animation
    I want to make is more like...
[17:50] Tsubame
    Sliding down an incline—
[17:53] Tsubame
    And falling!
[17:55] Kanamori
    Too plain.
[17:59] Tsubame
    You know that some animation
    puts a focus on realism, right?
[18:02] Tsubame
    It can be really ordinary, everyday actions...
[18:05] Tsubame
    But when animated, it looks really amazing!
[18:08] Kanamori
    Isn't there something more efficient?
[18:10] Kanamori
    Some kind of animation spectacle that
[18:11] Kanamori
    would be impressive to anyone who's watching?
[18:14] Tsubame
    To me, this is the most
    spectacular animation there is!
[18:18] Kanamori
    It'd cost too much for how plain it is!
[18:20] Kanamori
    You can even use limited animation, but please,
[18:23] Kanamori
    make something that's more flashy!
[18:27] Tsubame
    Animation is supposed to be about motion,
[18:29] Tsubame
    and animators are supposed
    to make stuff move!
[18:32] ---
    —make stuff move!
[18:35] Tsubame
    Y'know, some professional
    animators will pick up a sword
[18:39] Tsubame
    and swing it around while working.
SIGN    Summer Anime Special
SIGN    How It's Made!
SIGN    Part 3: Attention to Detail in Animation
[18:52] Tsubame
    What kind of poses happen when
    you've got a sword on your hip?
[18:56] Tsubame
    How does it look when you unsheathe it?
[18:58] Tsubame
    How do the wrinkles bunch up
     when you move in a hakama?
[19:00] Tsubame
    They work while studying all
    those details, not just imagining them!
[19:06] Tsubame
    Being an animator is like being an actor!
[19:09] Tsubame
    But you portray more than just people...
[19:11] Tsubame
    The movement of dogs and cats,
    the ocean, the weather...
[19:14] Tsubame
    Cars, planes, all of that
    is the animators acting!
[19:19] Tsubame
    I want to draw realistic,
    lifelike acting with my own hands!
[19:23] Tsubame
    I don't just want to make anime,
    I want to make animation!
[19:25] ---
    —to make animation!
[19:29] Kanamori
    It won't matter how flashy
    the subject matter is
[19:31] Kanamori
    if the final product has
    less motion than a picture book.
[19:34] Kanamori
    That won't make a good impression
    with the review committee.
[19:37] Kanamori
    Technical experience
    is valuable, but more than that,
[19:39] Kanamori
    hurting the artist's motivation seems unwise.
[19:42] Kanamori
    Fair enough. Let's combine the tank
    with what you're trying to do, Mizusaki.
[19:48] Midori
    How about a schoolgirl with a
    sword fighting a tank?!
[19:53] Midori
    You can put the focus on realistic
    acting with the girl's animation!
[19:57] Tsubame
    Oh... okay.
[19:59] Midori
    And we can balance that by
    making the parts with the tank
[20:02] Midori
    and the explosions as over-the-top as we can.
[20:07] Tsubame
    Sounds good to me!
[20:32] Tsubame
    Should the sword be a katana?
[20:34] Midori
    How about a machete?
[20:36] Midori
    It's a bit more realistic for combat,
[20:37] Midori
    and you see them in action movies all the time,
[20:40] Midori
    but not too much in anime, I think!
[20:43] Tsubame
    I like the realism! Let's go with that!
[20:50] Tsubame
    Her hair should be able to flutter in the wind.
[20:57] Midori
    So cool!
[20:58] Kanamori
    Maybe I'm missing something, but how's
    she going to be able to fight a tank?
[21:04] Midori
    What if we give her an oxygen tank and mask?
[21:06] ---
    Huh?
[21:07] Midori
    The world she's on has low gravity!
[21:09] Midori
    Which means the atmosphere is thin,
    and you need the mask to breathe!
[21:13] Midori
    But in exchange, since she came
    from a world with stronger gravity,
[21:15] Midori
    she can jump around all over
    the place, really quickly!
[21:19] Midori
    Since you won't have to worry about the face,
[21:20] Midori
    you can put your focus on the action!
[21:22] Midori
    Faces take quite a bit of time, after all.
[21:25] Tsubame
    I wanted to draw expressions, too.
[21:27] Midori
    Then how about simplifying
    things for the long shots,
[21:29] Midori
    but then you go for detail
    during the close ups?
[21:33] Tsubame
    Yeah! That should work!
[21:36] Tsubame
    Okay! Let's do that!
[21:38] Midori
    You're getting fired up!
[21:40] Kanamori
    I can't believe that animation
    paper costs so much,
[21:43] Kanamori
    when the only thing
    special about it is the holes.
[21:44] Kanamori
    Wouldn't punching holes in
    regular paper be good enough?
[21:48] Kanamori
    Hello... a hole puncher for animation pegs?
[21:51] Kanamori
    It's the exact three holes needed...
    this'll cover its own cost in no time.
[22:03] Midori
    So one thing we can do to make things
    look flashy without extra work
[22:06] Midori
    is draw one explosion,
[22:09] Midori
    and then copy it, to make it
    look like a string of blasts.
[22:14] Kanamoto
    I see.
[22:16] Tsubame
    Oh, there's that thing where you build up
     tension during a big attack...
[22:19] Tsubame
    Cut between the tank, the girl,
     the tank, and the girl,
[22:21] Tsubame
    enough that it starts to seem repetitive!
[22:26] Midori
    Ta-dah! A vast world!
[22:29] Midori
    A girl in a gas mask!
[22:30] Midori
    And her foe...
[22:52] Tsubame
    Wouldn't it be easy to shoot
    someone who's jumping around?
[22:55] Midori
    We can give her a cable gun, then.
[22:59] Midori
    And then, while firing
    the cable, she climbs up a wall!
[23:03] Midori
    All to get in the blind spot of the tank,
[23:05] Midori
    since its turret can't aim high enough!
[23:13] Midori
    But then!
[23:21] Midori
    Will it all work out in the end?!
[23:26] ---
    Dun dun...
SIGN    Illustration by: Tsukumizu