E9 - The Day of the Disaster
Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
[00:00] CLERK
Welcome.
[00:03] CLERK
You didn't need your
rice balls warmed up, did you?
[00:06] KOUYA
Oh, um, no. Thanks again.
[00:13] KOUYA
Haruka-kun?
[00:16] HARUKA
It's been a while.
[00:24] KOUYA
Haruka-kun... How did you find me?
[00:29] HARUKA
I found a business card at your place.
[00:31] KOUYA
A business card?
[00:33] KOUYA
Wait, how'd you get into my apartment?
[00:35] HARUKA
The door was unlocked.
[00:37] KOUYA
What? Seriously?
[00:38] HARUKA
In any case, the address on
Kikuchi-san's business card led me here.
[00:44] HARUKA
But since it was getting dark,
I planned to visit tomorrow.
[00:48] HARUKA
And while looking for a place to stay,
I saw you entering the supermarket.
[00:54] HARUKA
I didn't think we'd meet like this,
so I was pretty surprised.
[01:00] KOUYA
Yup. I was surprised, too.
[01:03] HARUKA
Kota and his dad are worried since
you haven't responded to their messages.
[01:08] KOUYA
A-Ah, yeah. I'm sorry.
[01:11] KOUYA
I just wanted to cool off a bit alone.
[01:14] HARUKA
Oh, I wasn't criticizing you or anything.
[01:18] HARUKA
Sorry.
[01:19] KOUYA
You have nothing to apologize for...
[01:22] KOUYA
Sorry.
[01:26] HARUKA
And you?
[01:29] HARUKA
Why'd you come here?
[01:33] KOUYA
There's... something I have to do.
[01:37] HARUKA
How long will it take?
[01:39] KOUYA
Huh?
[01:40] HARUKA
This thing you have to do.
Is it gonna be a while still?
[01:44] KOUYA
Well, uh, even I don't know
how long it'll take.
[01:50] KOUYA
I'm not sure what the schedule looks like.
[01:54] HARUKA
I see.
[01:56] KOUYA
Yeah, sorry. I know you came all the
way out here, but you should go home.
[02:03] HARUKA
Okay, got it.
[02:05] HARUKA
I'll stay with you.
[02:06] KOUYA
What?
[02:07] HARUKA
I'll stay with you until you finish
whatever it is you have to do.
[02:12] KOUYA
What?
[02:13] SIGN
Sanriku Coast
[02:13] SIGN
Inn of Tranquility
[02:14] KOUYA
So, today, you'll be joining me for
everything I want to do! Yeah!
[02:21] HARUKA
Uh, that's not what I meant.
[02:24] KOUYA
Don't be like that.
[02:26] KOUYA
We'll probably be waiting all day today, too.
[02:29] HARUKA
Waiting?
[02:31] KOUYA
Since you're here, I want you
to tour the area with me.
[02:36] KOUYA
Okay?
[02:38] HARUKA
I guess.
[02:40] SIGN
Beach House
[02:40] KOUYA
All right.
[02:41] SIGN
Fruits
of the
[02:41] SIGN
Sea
[02:41] SIGN
Banquet Center
[02:41] SIGN
Open
[02:41] KOUYA
This is our first stop.
[02:44] FEMALE EMPLOYEE
Have as much as you want.
[02:47] KOUYA
Man, the seafood here is exquisite.
[02:51] HARUKA
This isn't really breakfast food.
[02:53] KOUYA
It isn't?
[02:54] KOUYA
Look, it's already done.
[02:56] HARUKA
Hey, wait.
[02:57] KOUYA
If you don't eat 'em quick, they'll burn.
[03:00] HARUKA
Uh, right.
[03:01] HARUKA
Thanks for the food.
[03:06] HARUKA
It's good.
[03:07] KOUYA
Okay, let's keep going.
[03:10] KOUYA
Here.
[03:11] KOUYA
Here.
[03:12] KOUYA
Here.
[03:16] KOUYA
Okay, next.
[03:19] KOUYA
Man, Haruka-kun, you sure ate a lot.
[03:23] HARUKA
Try not to make it a bumpy ride.
[03:27] KOUYA
Roger that.
[03:29] KOUYA
Let's check out a few places
to help with digestion.
[03:51] SIGN
Making smiles forever...
[03:51] SIGN
Sanriku Railway
[03:51] SIGN
Abalone Fishing
[03:51] SIGN
Kippin Abalone Sea
[03:53] SIGN
Sakari
[03:53] SIGN
Driver only
[04:07] SIGN
Sanriku Rest Stop
[04:08] KOUYA
Here.
[04:09] HARUKA
Persimmon ice cream?
[04:10] KOUYA
It's soft serve made from
Sanriku koeda gaki.
[04:13] HARUKA
But I still have scallops in my stomach.
[04:16] KOUYA
It'll help with digestion. Try it.
[04:22] HARUKA
It's good.
[04:24] HARUKA
Thanks, Kouya.
[04:29] KOUYA
Wow, I didn't know they had this here.
[04:31] SIGN
Course Information
[04:31] SIGN
Distance
[04:31] SIGN
Max Width
[04:31] SIGN
Corners
[04:31] SIGN
Grid Slots
[04:31] SIGN
Shortcuts
[04:31] SIGN
Chicane
[04:31] SIGN
D Slope
[04:31] SIGN
Triple Hairpin
[04:31] SIGN
Crank
[04:31] SIGN
S Tunnel
[04:32] HARUKA
Yeah.
[04:32] KOUYA
Well, anyway, I guess
you really do love driving.
[04:40] HARUKA
Yeah, I guess.
[04:41] KOUYA
You are who you are because
you're always thinking about driving.
[04:50] HARUKA
Are you saying you don't think about it?
[04:56] KOUYA
About what?
[04:57] HARUKA
Taking pictures.
[05:01] KOUYA
What?
[05:03] HARUKA
I realized I might not actually know
anything about you after all.
[05:11] KOUYA
What are you saying?
[05:13] HARUKA
I think I let myself get carried away.
[05:18] HARUKA
You couldn't take pictures of people,
but after taking that picture of me,
[05:22] HARUKA
you could photograph people again.
[05:27] HARUKA
So I thought you'd be okay
if you just had me, but then...
[05:35] HARUKA
you up and left.
[05:37] KOUYA
That's because...
[05:39] HARUKA
So I decided I would ask you.
[05:45] HARUKA
Are you really okay right now?
[05:49] HARUKA
Do you think about taking pictures?
[05:53] HARUKA
Can you still take pictures of people?
[06:06] SIGN
Kikuchi-kun
[06:06] SIGN
Incoming call...
[06:09] KOUYA
Sorry, one second.
[06:14] KOUYA
I see.
[06:15] KOUYA
Okay. I'll try waiting a little longer.
[06:19] KOUYA
No, I expected the family to say that. Yeah.
[06:26] KOUYA
Thanks. I appreciate it. Bye.
[06:29] HARUKA
Was it about what you have to do?
[06:31] KOUYA
Oh, um, yeah. That was Kikuchi-kun.
I met him a long time ago.
[06:37] HARUKA
Is it gonna be a while still?
[06:39] KOUYA
Yeah.
[06:42] HARUKA
In that case...
[06:44] HARUKA
Wanna go drive go-karts?
[06:48] KOUYA
Quit it, Haruka-kun.
[06:50] KOUYA
Stop trying to goad me.
You can just go on ahead.
[06:54] KOUYA
Dangerous driving! Yellow flag!
[06:56] HARUKA
Sorry, but there aren't any officials here.
[07:03] HARUKA
Hey, wanna race?
[07:05] KOUYA
Against you?
[07:07] HARUKA
We'll bet on it. Loser has to
do one thing for the winner.
[07:12] KOUYA
That's not something a racer should say.
[07:16] KOUYA
I'm bound to lose, anyway.
[07:19] HARUKA
You don't know that.
[07:21] KOUYA
Oh, I do.
[07:23] HARUKA
I'll give you a three-lap handicap.
[07:25] KOUYA
What? Really?
[07:29] KOUYA
I can totally beat you
with a three-lap head start.
[07:39] KOUYA
I lost.
[07:41] HARUKA
Okay. Now you have to do whatever I say.
[07:45] KOUYA
Fine, fine. Bring it on.
[07:51] HARUKA
Take a picture of me.
[07:54] HARUKA
You can take pictures of people now, right?
[08:00] HARUKA
I see. Fine.
[08:03] HARUKA
Then I'll choose something else.
[08:05] KOUYA
What?
[08:08] HARUKA
Tell me the real reason you stopped
being able to take pictures of people.
[08:14] HARUKA
It wasn't because of the criticism.
[08:18] HARUKA
Am I right?
[08:24] HARUKA
When I found the business card at your place,
I flicked through your photos, too.
[08:30] HARUKA
Your portfolios.
The folders organized by date.
[08:37] HARUKA
After the day of the earthquake...
[08:40] HARUKA
After that photo of the girl,
the pictures of people stopped.
[08:46] HARUKA
But you didn't publish that
photo or get criticized for it
[08:50] HARUKA
until two months after the earthquake.
[08:53] HARUKA
So the criticism wasn't the real reason
you couldn't photograph people anymore.
[09:02] HARUKA
What really happened?
[09:05] HARUKA
Tell me.
[09:07] HARUKA
I don't want to hurt you
by thinking I know you anymore.
[09:26] HARUKA
Tell me.
[09:28] HARUKA
Why couldn't you take
pictures of people anymore?
SIGN The Day of the Disaster
[09:35] SIGN
12 Years Earlier
[09:36] SAEKO
What?
[09:37] SAEKO
You're staying there another week?
[09:37] SIGN
South
Ward
[09:37] SIGN
Assembly
Hall
[09:39] KOUYA
I'm sorry it's so sudden, Sae-chan.
[09:41] KOUYA
I'd like to take some photos of the
coast, including the fishermen.
[09:45] SIGN
This episode contains depictions of an earthquake disaster. Viewer discretion is advised.
[09:47] SAEKO
And go to parties, too, huh?
[09:49] KOUYA
I wasn't in a position to say no.
[09:52] SAEKO
Well, it's been a while
since you were in Tohoku.
[09:56] SAEKO
How's Kikuchi-kun?
[09:57] KOUYA
He's great.
[10:00] KOUYA
He's become totally dependable now as
part of the local young adults' association.
[10:04] KOUYA
Sae-chan, thanks for all your support.
Sorry for making so much work for you.
[10:10] SAEKO
Bring me back something good.
[10:12] KOUYA
You can count on it.
[10:30] SHOUZOU
How you doing, cameraman?
[10:34] KOUYA
Shouzou-san.
[10:37] KOUYA
Like I told you before,
I'm a photographer, not a cameraman.
[10:43] KOUYA
I take photographs, not videos.
[10:48] KOUYA
Not that it matters either way.
[10:51] SHOUZOU
So, how are things?
[10:53] KOUYA
Fine, thankfully.
I'm allowed to go where I want.
[10:57] KOUYA
I heard from Kikuchi-kun that
you put in a good word for me.
[11:04] KOUYA
This is a nice town.
[11:06] SHOUZOU
Oh, yeah?
[11:07] KOUYA
Yeah. Everyone's so lively.
[11:11] SHOUZOU
Used to be.
[11:13] KOUYA
What?
[11:14] SHOUZOU
All the youngsters are moving
to Sendai and Tokyo.
[11:19] SHOUZOU
With only the elderly left behind,
the city starts to get old, too.
[11:23] SHOUZOU
It's the fate of all rural towns.
[11:27] SHOUZOU
It'll happen here eventually, too.
[11:33] KOUYA
Would you like to see the photos I took?
[11:35] SHOUZOU
Huh?
[11:36] KOUYA
Press this button,
and it'll display the next photo.
[11:41] SHOUZOU
Huh.
[11:42] KOUYA
Not bad, right?
[11:44] SHOUZOU
Singing your own praises?
[11:46] KOUYA
I had good subjects.
[11:49] SHOUZOU
Satoshi is always complaining
that everything's too much work.
[11:56] SHOUZOU
I'm surprised Aki-chan
doesn't get discouraged.
[11:59] SHOUZOU
She's still our idol.
[12:03] SHOUZOU
Makoto's real motivated,
considering how young he is.
[12:06] SHOUZOU
He worked the hardest
to prepare for the party.
[12:12] SHOUZOU
Nice photos.
[12:15] KOUYA
Thank you.
[12:21] SHOUZOU
Momo, get over here.
[12:23] SHOUZOU
Have him take your picture.
[12:32] SHOUZOU
No, with this.
[12:36] SHOUZOU
Get a nice picture with
me and my granddaughter.
[12:44] SHOUZOU
No, not like that.
[12:48] SHOUZOU
Get in the picture, photographer.
[12:57] KOUYA
Okay.
[13:26] KIKUCHI
No!
[13:27] KOUYA
But there are people down there!
[13:29] KIKUCHI
If you go down there now,
you'll be in danger, too!
[13:50] KOUYA
No...
[13:57] KOUYA
Run.
[14:00] KOUYA
Run.
[14:02] KOUYA
Run!
[14:44] KOUYA
After that, I couldn't take
pictures of people anymore.
[14:54] KOUYA
A total of 340 people dead,
and 5,592 homes destroyed.
[15:00] KOUYA
The events of that one hour changed
the fate of this city and its people.
[15:09] KOUYA
Ten years later, 79 people are still missing.
[15:17] KOUYA
That disaster still hasn't ended.
[15:22] KOUYA
Those eyes...
[15:25] KOUYA
That child's eyes begging for help
are seared into my memory.
[15:35] KOUYA
Every time I look through
the viewfinder, I see them.
[15:42] KOUYA
They keep asking me...
[15:46] KOUYA
"Why didn't you save me?"
[16:00] KOUYA
Transportation services were shut down,
and I couldn't get back to Tokyo,
[16:04] KOUYA
so I stayed to help rebuild the town.
[16:09] KOUYA
In spare moments, I took
photos of the disaster area.
[16:14] KOUYA
Strangely, I can take
pictures of landscapes.
[16:18] KOUYA
I can take pictures of large crowds, too.
[16:22] KOUYA
But when I try to take pictures of
individual people, my finger shakes.
[16:32] KOUYA
Then I returned to Tokyo and
published all the photos I'd taken.
[16:34] SIGN
Living Together
[16:34] SIGN
Living Together
[16:38] SIGN
Living Together
[16:39] KOUYA
That photo was among them.
[16:44] KOUYA
And, well, people had a lot to say about it.
[16:47] HARUKA
But that wasn't your fault at all.
[16:52] KOUYA
"Saigon Execution."
[16:56] KOUYA
It's a photo that was taken in
Saigon during the war there.
[16:59] KOUYA
It captured the moment a police officer
shot a prisoner dead in the street.
[17:06] KOUYA
It was taken by Eddie Adams.
[17:09] KOUYA
The photo inspired anti-war
movements around the world,
[17:15] KOUYA
and won the Pulitzer that year.
[17:19] KOUYA
But Adams rejected the award.
[17:23] KOUYA
He said later...
[17:28] KOUYA
that he regretted publishing that photo.
[17:33] HARUKA
Why?
[17:37] KOUYA
Let's get some sleep.
[17:39] KOUYA
It's already pretty late.
[18:01] KOUYA
Good morning.
[18:03] KOUYA
Shall we go?
[18:07] HARUKA
A hospital? Is someone unwell?
[18:10] KOUYA
Shouzou-san. He doesn't have long left.
[18:15] KOUYA
Sometime after the earthquake, he fell ill.
[18:19] KOUYA
He was in and out of the hospital.
[18:23] KOUYA
I visited him each time,
but his family put a stop to it,
[18:28] KOUYA
and they haven't let me see him in a while...
[18:31] KOUYA
because of that photo.
[18:35] HARUKA
Is that why you came here?
That's what you have to do?
[18:40] KOUYA
Yeah.
[18:41] HARUKA
I didn't get to ask yesterday,
but why'd you decide to publish that photo?
[18:49] KOUYA
Because I thought I should.
[18:54] KOUYA
It's what Shouzou-san wanted, too.
[18:57] KOUYA
He wanted future generations
to know about this tragedy.
[19:01] HARUKA
I see.
[19:03] KOUYA
Or maybe that makes
it sound nicer than it is.
[19:06] KOUYA
I mean, it's true, but still.
[19:10] KOUYA
The truth is, I guess I wanted to be saved.
[19:16] KOUYA
I thought it might remove my curse.
[19:21] KOUYA
But I think it just made it worse.
[19:24] HARUKA
Do you regret it?
[19:27] KOUYA
Returning to what I said yesterday,
why did Eddie Adams regret taking that photo?
[19:34] KOUYA
There's more to that prisoner who was shot
despite putting up no resistance.
[19:39] KOUYA
He'd killed a bunch of
police officers and soldiers.
[19:45] KOUYA
Of course, that doesn't make it okay
to execute someone without a trial.
[19:49] KOUYA
But knowing that changes
your impression of the photo.
[19:55] KOUYA
That's how photographs work.
They only capture that one moment.
[20:01] KOUYA
They don't tell the viewer what happened
before or after I pressed the shutter.
[20:08] KOUYA
From the moment I picked up a camera,
I've always told myself that.
[20:14] KOUYA
But...
[20:15] KOUYA
Even if I only captured part of the truth,
[20:20] KOUYA
that photo is a record of that girl's life.
[20:25] KOUYA
My circumstances are irrelevant.
[20:32] KOUYA
I'm glad it happened this way.
[20:46] KOUYA
Shouzou-san.
[20:48] RELATIVE A
You left Momo to die. You abandoned her.
[20:50] RELATIVE C
Isn't there something
you should say to us first?
[20:53] KIKUCHI
I told you, Madoka-san didn't—
[20:56] HARUKA
He didn't abandon her!
[21:01] HARUKA
Kouya hasn't abandoned her.
[21:03] HARUKA
He hasn't cast aside anyone's life.
[21:08] HARUKA
He's been carrying them
with him this whole time.
[21:14] KOUYA
Haruka-kun...
[21:15] RELATIVE C
T-Talk is cheap.
[21:25] KOUYA
It's been a while.
[21:29] SHOUZOU
How you doing?
[21:32] KOUYA
Fine, thankfully.
[21:35] SHOUZOU
I see. Sorry you got
dragged into all of this.
[21:40] KOUYA
Not at all. I chose to publish that photo.
[21:46] KOUYA
You don't need to worry about it.
[21:50] SHOUZOU
You still at it?
[21:54] KOUYA
I'm managing.
[22:01] KOUYA
This is...
[22:14] SHOUZOU
Nice photo.
[22:20] KOUYA
I had good subjects.
[22:25] SHOUZOU
Keep taking lots of pictures, photographer.
[22:37] KOUYA
I will.
[22:40] KOUYA
I will.
[22:43] KOUYA
I will.
[22:49] SIGN
Ofunato
[22:49] SIGN
Funeral Hall
[23:02] KOUYA
Thanks for waiting.
[23:04] HARUKA
It's fine.
[23:08] HARUKA
I don't mind.
[23:15] KOUYA
I see.
[23:17] HARUKA
Let's go home.
[23:20] KOUYA
Yeah.
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