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E1 - This Is the Ibusuki Detective Agency

Source: Crunchyroll
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
[00:33] Sato
    What?
[00:38] Sato
    What? Seriously?
[00:42] Rena
    Sato.
[00:43] Sato
    Ow!
[00:45] Sato
    Rena-san.
[00:46] Rena
    What are you doing hanging around here?
[00:48] Sato
    I won two bonus drinks
    in a row for four total.
[00:52] Rena
    Why are you buying so many when we
    won't be able to use the bathroom?
[00:54] Sato
    Oh, I couldn't drink this many regardless.
[00:57] Sato
    Wait, there's no bathroom?
    Not even a convenience store?
[00:59] Rena
    Nothing. It's just bars and love hotels.
[01:03] Rena
    Come on. What are you doing?
[01:09] Sato
    Hot!
[01:10] Sato
    That's hot.
[01:13] Sato
    Anyway, I'm surprised a big-time banker
    would visit an out-of-the-way place like this.
[01:18] Rena
    This whole area's got a shady history.
[01:20] Rena
    A few people even turned up dead
    since the trouble with land sharks.
[01:22] Sato
    What?
[01:24] Rena
    According to his wife, he frequently
    meets a woman around here
[01:28] Rena
    because he works at the branch nearby.
[01:30] Rena
    We're going to film evidence
    of them entering the love hotel,
[01:34] Rena
    spending the night, and coming
    out together in the morning.
[01:39] Sato
    But isn't it possible that
    they'll arrive separately?
[01:42] Rena
    Well, yeah. We'll need to keep the camera
    recording for at least an hour for insurance.
[01:47] Sato
    What? Why?
[01:50] Rena
    If their stay is short, they might
    not have gotten intimate.
[01:54] Sato
    That's not gonna happen.
[01:55] Rena
    In any case, we have two
    options in situations like these.
[01:59] Rena
    We can keep filming from the car,
    or we can wait for them in the lounge.
[02:04] Rena
    Well, you can.
[02:05] Sato
    I've never been in one of
    those establishments before.
[02:11] Rena
    Yeah, that's not my problem.
[02:12] Sato
    Look this way.
[02:13] Rena
    Cut it out.
[02:16] Big Daimon
    What are you doing here?
[02:19] Rena
    Nothing in particular.
[02:22] Big Daimon
    You can't be doing "nothing."
[02:24] Big Daimon
    A couple like you must be up to something.
[02:27] Big Daimon
    Is this a deal or something?
[02:30] Big Daimon
    You're not hiding syringes
    or anything like that, are you?
[02:33] Rena
    Where'd this come from?
    We'll leave, okay?
[02:37] Big Daimon
    Hey, wait. You in the back.
[02:38] Big Daimon
    What is that? Is that a camera?
[02:41] Big Daimon
    You're not secretly
    photographing people, are you?
[02:43] Sato
    No, we're just capturing memories.
[02:47] Big Daimon
    Then show me what you've got on there.
[02:49] Sato
    Actually, uh… we're bound by confidentiality.
[02:52] Big Daimon
    If you can't show me,
    that means you're guilty!
[02:54] Big Daimon
    You, out of the car.
[02:56] Big Daimon
    Come on!
[02:59] Sato
    Ow!
[03:00] Big Daimon
    Show me.
[03:01] Sato
    I can't.
[03:02] Big Daimon
    If you're just capturing memories,
    there's no problem.
[03:03] Sato
    I can't show you.
[03:04] Big Daimon
    Show me, dammit.
    Just show me the damn pictures.
[03:06] Sato
    Rena-san, help me.
[03:06] Big Daimon
    Show me.
[03:07] Sato
    I really can't.
[03:08] Big Daimon
    Hey, what are you doing?
[03:09] Big Daimon
    Are you filming an authoritarian cop
    so you can post the video online, huh?
[03:13] Big Daimon
    Hey.
[03:19] Rena
    Come on, man. It's your first day.
[03:25] Rena
    Are you even trying? Depending
    on how your training period goes…
[03:31] Sato
    While I was practicing taking pictures...
[03:35] Rena
    The only thing around here is stray cats.
[03:37] Sato
    Actually, I managed to get
    a proper private eye kind of photo.
[03:41] Sato
    A young woman entering a sketchy multi-use
    building wearing a hat and sunglasses.
[03:46] Sato
    She's gotta be a celebrity.
[03:48] Rena
    That's the purview of paparazzi,
    not private eyes.
[03:54] Sato
    They're definitely asleep.
[03:56] Sato
    Even though it's a weekday,
    they're staying overnight.
[03:58] Rena
    We missed our best shot because of you.
[04:01] Rena
    You'd better at least get
    a picture of them leaving.
[04:04] Sato
    I didn't think I'd be questioned
    by the police on my first day.
[04:10] Sato
    Why don't we call it quits for today?
[04:12] Rena
    Why did you interview with our agency?
[04:14] Sato
    Because it's cool.
[04:16] Sato
    I grew up watching anime.
    You know, Detective What's-His-Name.
[04:20] Rena
    That's all?
[04:22] Sato
    No. I thought it'd make me
    popular with the ladies, too.
[04:24] Sato
    Honestly, I didn't think
    this job would be so drab.
[04:28] Sato
    I thought detectives did cool stuff.
[04:33] Sato
    Aren't detectives—
[04:34] Sato
    Wait, what?
[04:35] Sato
    Hurry, hurry, hurry.
[04:38] Rena
    Back up, backup, back up.
    Hurry, hurry, hurry.
[04:40] Banker
    You know it's not like that.
[04:43] Affair Partner
    When can I see you next?
[04:45] Rena
    Crap. They're leaving.
[04:45] Banker
    Next?
[04:47] Sato
    I'm going after them!
[04:50] Sato
    Crap!
[05:02] Sato
    We did it. We got them.
[05:05] Rena
    I can't tell if you're lucky or not.
[05:10] Rena
    Here.
[05:14] Rena
    Let's go. We got the evidence.
[05:18] Sato
    I'll write up a report
    as soon as I get home.
[05:20] Rena
    No. You can't take that out of the office,
    so you'll have to write it there.
[05:25] Sato
    This is huge for my first day.
    I can't sit still!
[05:30] Sato
    Let's have a toast. Would you like
    coffee or soda? I'll go buy some.
[05:33] Rena
    Why are those my options?
[05:40] Ibusuki
    Hello, this is Ibusuki. Please respond.
[05:42] Rena
    Sorry, boss. Were you asleep?
[05:46] Ibusuki
    Oh. It's you, Rena.
[05:49] Rena
    We just finished.
[05:50] Ibusuki
    Did you get the pictures?
[05:53] Rena
    Yes, just now.
[05:55] Ibusuki
    How's he doing?
[05:58] Ibusuki
    Sato, was it?
[06:00] Rena
    His instincts are miserable,
    but he seems lucky.

[06:04] Ibusuki
    I see. That's a relief.
[06:19] Sato
    What?
[06:20] Sato
    Seriously? Lucky me.
[06:23] Dobu
    Hey.
[06:30] Sato
    Oh, I'm sorry. I keep
    winning free drinks today.
[06:33] Dobu
    I don't recognize you.
[06:35] Sato
    What?
[06:36] Dobu
    That's a pretty nice camera
    you've got there.
[06:38] Sato
    Oh, yes.
[06:40] Dobu
    Who are you a reporter for?
[06:43] Sato
    Actually, I don't work for a magazine.
    I'm a private eye.
[06:46] Dobu
    Then what are you investigating?
[06:49] Sato
    I have a duty to confidentiality.
[06:51] Dobu
    Don't worry. I won't tell anyone.
[06:54] Sato
    Actually, I doubt it has
    anything to do with you.
[06:58] Sato
    I was asked to investigate a banker's affair.
[07:01] Dobu
    Yeah? That's great!
[07:05] Sato
    No, stop! There isn't anything on here.
[07:08] Dobu
    Oh, yeah?
[07:09] Sato
    Yes.
[07:12] Sato
    In fact, why should I give you
    my camera, anyway?
[07:16] Sato
    Did the banker hire you?
[07:17] Sato
    If you have a legitimate
    reason, let's hear it—
[07:24] Dobu
    I was never doing this
    for a legitimate reason.
[07:28] Sato
    The pictures are on this.
[07:31] Dobu
    What? They're on this thing?
[07:46] Dobu
    Our generation is physical, you know?
[07:50] Sato
    My agency just provided me
    with that. Hey, wait.
[07:55] Dobu
    You haven't made any copies
    or sent these anywhere, have you?
[07:59] Sato
    I wish I had.
[08:02] Dobu
    You know what'll happen
    if I find out you have later, right?
SIGN    Yamabiko
[08:12] Sato
    Ow, ow, ow. It's definitely not broken.
[08:14] Rena
    It's broken.
SIGN    amabiko
SIGN    mabiko
SIGN    biko
SIGN    ko
[08:15] Sato
    Not broken.
[08:16] Rena
    Excuse us.
[08:17] Sato
    Excuse us.
[08:29] Taeko
    Here you are.
[08:33] Taeko
    Can I get you a beer—no, an oolong tea?
[08:36] Rena
    Yes, please.
[08:37] Sato
    Thank you. There weren't any other
    shops around, so we had to come here.
[08:43] Rena
    I'm really sorry about this.
    He doesn't have a shred of tact.
[08:48] Rena
    We appreciate you opening your shop for us.
[08:53] Sato
    Oh, right. You can't drink.
[08:56] Rena
    I'm surprised you can.
[08:59] Rena
    How do you know my age, anyway?
[09:02] Sato
    You're 19, right? The boss told me.
[09:04] Taeko
    Even kids as young as you
    work as private eyes, huh?
[09:08] Taeko
    It's so exciting, isn't it?
    To be suddenly attacked by a thug.
[09:13] Taeko
    I love that sort of thing.
[09:15] Rena
    He's a rookie who just started today.
    I wouldn't call him a private eye yet.
[09:20] Rena
    And don't give personal information
    out to people you just met.
[09:23] Rena
    You're not an amateur.
[09:25] Rena
    Why do you think you were hired?
[09:28] Sato
    Probably my interview.
[09:30] Sato
    I'm pretty confident about what I said.
[09:33] Sato
    Thank you.
[09:35] Rena
    There was a written test, right?
[09:37] Sato
    Yeah, the 50 two-choice questions?
[09:39] Rena
    You got all of them wrong.
[09:44] Rena
    You were hired because the boss said
    he'd never seen anything like it.
[09:50] Rena
    Have some self-awareness.
[09:54] Taeko
    Well, Mr. Unreliable Detective,
[09:57] Taeko
    have you ever been hired
    to investigate anything really crazy?
[10:00] Taeko
    Like a murder, or something
    else you'd see in a movie.
[10:03] Rena
    We have a duty of confidentiality.
[10:05] Taeko
    Well, shucks. I thought I'd get
    to hear some juicy gossip.
[10:08] Sato
    You don't have any stories like that?
[10:09] Rena
    Why are you asking, too?
[10:12] Sato
    U-Um...
[10:15] Sato
    Ma'am, is there anything
    you're curious about?
[10:18] Sato
    Like someone or something
    you'd like to have investigated.
[10:22] Taeko
    Call me Taeko.
[10:25] Taeko
    I'm not sure if I should say this, but a few
    of my regulars are curious people.
[10:32] Sato
    Your regulars?
[10:34] Sato
    You mean this place is surprisingly popular?
[10:36] Taeko
    If it weren't, I would've
    closed shop a long time ago.
[10:39] Sato
    Oh, right.
[10:40] Taeko
    All the shops around here have been closing.
    The neighborhood keeps shrinking.
[10:45] Taeko
    But some people just keep coming.
[10:48] Rena
    So, which regular are you most curious about?
[10:52] Taeko
    I'm not sure how to describe him.
[10:57] Taeko
    I'd like to know what he spends his
     time doing. How does he see the world?
[11:03] Taeko
    He's just such an odd person.
[11:05] Sato
    If he's a regular, why not ask him yourself?
[11:07] Taeko
    That's the thing. I wish I could, but I can't.
[11:11] Taeko
    Just between us, I feel like
    there's a hidden side to him.
[11:16] Taeko
    He never wants to talk about his past.
[11:24] Rena
    Like we said, we're private eyes.
[11:30] Rena
    If you tell us more about him,
    we'll investigate whatever you want.
[11:35] Taeko
    Odokawa-san. His given name is Hiroshi.
[11:41] Taeko
    Born year of the tiger, so I think he's 41.
[11:45] Sato
    Odokawa Hiroshi.
    Year of the tiger, 41 years old.
[11:46] Rena
    You don't need to repeat it.
[11:48] Taeko
    Here.
[11:48] Rena
    Thank you.
SIGN    Odokawa Hiroshi 41, Single Taxi Driver
[11:57] Sekiguchi
    Idiot!
[12:05] Wife
    Just forget it.
SIGN    Ibusuki Detective Agency
SIGN    Confidential Free Consultations
[12:06] Rena
    If you'd just look at these…
[12:07] Otani
    No, wait—
[12:10] Otani
    Call us if anything else comes up!
[12:15] Otani
    What?
[12:24] Rena
    I'm really sorry. I screwed up.
[12:27] Ibusuki
    I guess you weren't ready to lead.
[12:30] Sato
    I'm sorry. It's my fault.
[12:33] Sato
    I promise I'll make up for it
    on the next job.
[12:36] Ibusuki
    Well, that background check into
    what's-his-name sounds perfect for training.
[12:43] Ibusuki
    Then we'll call it even.
[12:47] Sato
    Yes, sir.
[13:17] Sato
    Here he comes.
[13:20] Sato
    At a glance, he seems like your typical
    slightly creepy but ordinary middle-aged guy.
[13:25] Rena
    You're contradicting yourself, but yeah.
[14:17] Sato
    He lives a totally boring, ordinary life.
[14:21] Rena
    Well, yeah. But the client
    might still find it remarkable.
[14:30] Sato
    We're back.
[14:31] Rena
    Good work out there.
[14:32] Otani
    Welcome back.
[14:34] Sato
    The job's going smoothly.
[14:39] Sato
    Huh? Are you still mad, boss?
[14:42] Ibusuki
    No. A new job came in.
[14:45] Ibusuki
    Rather, an acquaintance's daughter
    hasn't been home in two days.
[14:48] Ibusuki
    He can't get in touch with her, either.
[14:49] Sato
    What? A runaway?
[14:51] Ibusuki
    She said she'd be back home soon.
[14:55] Ibusuki
    She's just a high school student.
[14:57] Ibusuki
    Something might've happened to her.
[14:59] Sato
    What? Then we should start
    looking for her right away,
[15:02] Sato
    instead of wasting time on
    this taxi driver's biography.
[15:05] Ibusuki
    Do your own job.
[15:12] Talent B
    That's right. I'm still single.
[15:14] Talent A
    Not even a girlfriend.
[15:15] Talent B
    Oh, shut up.
[15:16] Mc
    So you're looking for one.
[15:17] Mc
    Sir, how's your relationship
    with your daughter?
[15:23] Manager
    What happened out there today?
[15:25] Manager
    You weren't your usual straightforward self.
[15:28] Manager
    The producer said they'd never
    seen you so quiet before.
[15:32] Manager
    They said they'd come to check on—
    I mean, say hello later.
[15:38] Manager
    What's wrong? How about something sweet?
[15:40] Manager
    Here. What were those idols called?
[15:42] Manager
    Those young girls brought you a gift.
[15:47] Manager
    What's wrong with you?
    You're in a terrible mood.
SIGN    Goriki Clinic
[15:53] Rena
    Does he have a chronic illness?
SIGN    Goriki Clinic
[16:00] Rena
    Go check it out.
[16:07] Odokawa
    Is this really an investigation?
[16:10] Odokawa
    Why are you alone?
[16:12] Big Daimon
    It's simple.
[16:14] Big Daimon
    If you've got nothing to hide,
     open your door.
[16:34] Big Daimon
    This dash cam allows you to film
    the inside of your vehicle, doesn't it?
[16:38] Odokawa
    That's right.
[16:39] Big Daimon
    How long do you store your recordings?
[16:40] Odokawa
    About two weeks.
[16:44] Big Daimon
    She'll be on here, then.
[16:47] Big Daimon
    What?
[16:48] Big Daimon
    That missing high school
    girl got in your car.
[16:52] Odokawa
    My car?
[16:54] Big Daimon
    I'm taking your data. This is a seizure.
[16:59] Big Daimon
    If anything comes up,
    I expect your cooperation again.
[17:01] Big Daimon
    Don't go to the police, though.
[17:07] Big Daimon
    Hello, ma'am.
[17:10] Woman
    Hello.
[17:11] Big Daimon
    Hello.
[17:14] Sato
    Taeko-san was right. He doesn't
    seem like an ordinary taxi driver.
[17:21] Ibusuki
    I'm back.
[17:22] Otani
    Welcome back.
[17:23] Rena
    Welcome back.
[17:24] Sato
    Any developments in the missing
    high school girl case?
[17:26] Sato
    It's all over the news.
[17:29] Ibusuki
    Yeah, because her life's in danger.
[17:31] Ibusuki
    The media started
    receiving information today.
[17:35] Ibusuki
    Just after 1 AM two days ago on the 4th,
[17:38] Ibusuki
    after doing some shopping at a
    convenience store, she got in a taxi.
[17:42] Rena
    Have they identified the taxi?
[17:45] Ibusuki
    Apparently the clerk remembered the number.
[17:48] Sato
    Huh? After seeing it only once and briefly?
[17:50] Ibusuki
    It happened to be their birthday, 1022.
[17:55] Sato
    What?
[17:56] Otani
    Wow.
[18:08] Announcer
    A high school girl has gone missing
    in Nerima City, Tokyo.
[18:13] Announcer
    She has been unreachable
    since she left her home late at night
[18:16] Announcer
    two days ago on the 4th of this month.
[18:18] Announcer
    The next morning, her family…
[18:21] Shibagaki
    We, the Homosapiens, just received
    the results of Round 1 of the N-1.
[18:25] Baba
    And would you believe it? We passed!
[18:27] Shibagaki
    Of course we did.
[18:28] Shibagaki
    Even amateurs could make it past Round 1.
[18:30] Shibagaki
    Where do you think the finish line is?
SIGN    Equator Sauna
[18:31] Baba
    But last year, we failed in Round 2.
[18:34] Shibagaki
    After ten years in the business...
SIGN    Equator Sauna
[18:51] Voice
    Who is it?
[18:52] Rena
    We work for Ibusuki.
[19:02] Sato
    Hello.
[19:06] Sato
    Hello.
[19:08] Sekido
    You look young. Have a seat.
[19:12] Rena
    Excuse us.
[19:17] Sekido
    So?
[19:20] Rena
    We need a remote monitoring
    dash cam and GPS installed.
[19:25] Sato
    What? Hold on. That's totally illegal.
[19:29] Sekido
    Where?
[19:31] Rena
    His car. This is the dash cam.
[19:40] Sekido
    It's a common model.
[19:41] Rena
    You'll install it, won't you?
[19:43] Sekido
    If you pay for it.
[19:46] Rena
    You'll be paid tomorrow.
[19:47] Sekido
    No can do. Equator operates 24 hours
    a day, but that's just the sauna.
[19:53] Rena
    How long will it take?
[19:54] Sekido
    I'm busy. Give me three days.
[19:58] Rena
    Make it one.
[20:00] Sekido
    1.5 days, or pay a rush late night surcharge.
[20:05] Rena
    How much?
[20:05] Sekido
    550,000. And I'll need your help, too.
[20:13] Sekido
    Pretty old car.
    Didn't need all these tools.
[20:26] Rena
    How long will it take?
[20:31] Sekido
    About seven or eight minutes.
[20:33] Rena
    Seven or eight minutes?
[20:35] Sekido
    Yeah.
[20:46] Odokawa
    What is it?
[20:48] Odokawa
    Are you hungry?
[20:51] Odokawa
    Hold on.
[20:58] Rena
    Okay, all good.
[21:04] Sekido
    That should do it.
[21:08] Odokawa
    Fine. I'll go buy you something.
    Stay put and be good.
[21:20] Sato
    Crap, crap, crap.
[21:22] Sato
    Odokawa's coming, Odokawa's
    coming, Odokawa's coming!
[21:26] Sato
    Crap, crap, crap!
[21:27] Sato
    Hurry, hurry, hurry!
[21:33] Rena
    Was he really talking to someone?
[21:36] Sato
    Yeah. He even ominously told them
    to “stay put and be good.”
[21:42] Sato
    Anyway, I could imagine him kidnapping
    and holding someone as cute as her
[21:48] Sato
    if she happened to get in his taxi.
[21:51] Rena
    He may be involved, but kidnapping
     and false imprisonment?
[21:56] Sato
    No, you're right. I guess not.
[22:00] Rena
    Did you call her cute?
[22:04] Sato
    Did I say that?
[22:06] Rena
    Yeah, didn't you just say that?
[22:11] Rena
    No, you definitely did.
[22:13] Sato
    What?
[22:13] Rena
    Her photo hasn't appeared on the news yet.
[22:16] Rena
    Why'd you say that?
[22:17] Sato
    I didn't say that.
[22:18] Rena
    No, you did.
[22:21] Sato
    What? Really?
[22:23] Rena
    Yeah.
[22:28] Sato
    I caught a glimpse of the boss' documents.
[22:30] Rena
    I knew it.
[22:31] Sato
    They were out in the open on his desk.
[22:35] Sato
    Hold on.
[22:37] Rena
    Hey.
[22:38] Sato
    Where'd they go?
[22:39] Rena
    Don't go through his stuff.
[22:40] Sato
    This is it.
[22:42] Rena
    Don't.
[22:43] Sato
    Wait, wait, wait.
[22:45] Sato
    Look at this Buddha.
[22:46] Sato
    Tada! A Buddha.
[22:49] Rena
    Wait a minute.
[22:54] Rena
    Mitsuya?
[22:56] Rena
    This is Yuki.
[22:59] Rena
    Mitsuya-san.
SIGN    Next Time
[23:00] Wadagaki
    Have we met?
[23:02] Donraku
    Why'd you end the investigation?
[23:04] Driver A
    Rumor is he's done a lot of gray work.
[23:06] Rena
    He's probably never paid
    for his mistakes before.
[23:08] Homeless
    You should stay away from them.
[23:10] Sato
    You're cute, too, Rena-san.
SIGN    This show is a work of fiction.
[23:11] Rena
    What?
[23:12] Odokawa
    I told you, I won't work for you.