# Movie

# M0 - Yes, No, or Maybe?

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GD9UVNMNW/yes-no-or-maybe)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] Com**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Man, the future really is here, isn't it?*<br>**[00:04] Com**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That was today's look into the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;wild world of home appliances.*<br>**[00:07] Com**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow we'll look at the secrets*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the sponge gourd*<br>**[00:09] Com**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everyone seems to be talking about.*<br>**[00:11] Com**<br>&nbsp;&nbsp;&nbsp;&nbsp;*See you then.*<br>**[00:13] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's it for tonight's* Evening File.**<br>**[00:16] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll see you tomorrow.*<br>**[00:24] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great work, everyone!<br>**[00:26] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great work.<br>**[00:26] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san, I'm so sorry!<br>**[00:29] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;That news flash script<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave you was a page short!<br>**[00:32] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all right.<br>**[00:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;The show still went on just fine.<br>**[00:36] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just surprised me, is all.<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't hear my voice crack?<br>**[00:39] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all! You sounded great, as usual!<br>**[00:41] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then all's well that ends well.<br>**[00:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow.<br>**[00:44] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow!<br>**[00:48] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;These stupid assholes don't have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a goddamned clue what they're doin'!*<br>**[00:52] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This studio's staffed with incompetents.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yes, No, or Maybe?
<br>**[01:06] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's tomorrow's on-location script<br>&nbsp;&nbsp;&nbsp;&nbsp;and subject dossier.<br>**[01:08] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry it's so late.<br>**[01:10] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[01:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[01:13] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* better *be sorry!*<br>**[01:14] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You're always handin' your crappy*<br>*&nbsp;&nbsp;&nbsp;&nbsp;scripts in at the last minute!*<br>**[01:17] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Incompetent!*<br>**[01:18] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm interviewing an animator, then?<br>**[01:21] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he's doing the new <br>
&nbsp;&nbsp;&nbsp;&nbsp;opening for *The News*.<br>**[01:24] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not sure why we need to<br>&nbsp;&nbsp;&nbsp;&nbsp;do a story on it, personally...<br>**[01:27] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all hands on deck for<br>&nbsp;&nbsp;&nbsp;&nbsp;the show's renewal, I suppose.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Asuo Keiichi is reinventing the nightly news.
<br>**[01:31] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our producer, Shitara-san, really does<br>&nbsp;&nbsp;&nbsp;&nbsp;like arranging things, doesn't he?<br>**[01:34] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;The interviewee's a great guy,<br>&nbsp;&nbsp;&nbsp;&nbsp;though. No worries.<br>**[01:37] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad to hear it.<br>**[01:52] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Newscaster" is a curious occupation.*<br>**[01:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're on TV, so you're a bit like a celebrity,*<br>**[02:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but status-wise, you're a cog in a machine.*<br>**[02:03] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You can collect a good paycheck*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without selling yourself constantly,*<br>**[02:07] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but as long as you're on TV,*<br>**[02:09] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;you have to refrain from activities*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that might turn the viewers against you.*<br>**[02:15] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, look...*<br>**[02:17] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I wanna thumb through the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;trashy mags at the convenience store,*<br>**[02:20] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;or buy just 100 grams of pre-prepared meals*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the department store grocery,*<br>**[02:23] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;or clap back at a taxi driver*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who's mouthing off at me.*<br>**[02:28] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I had to always keep on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my newscaster face,*<br>**[02:31] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*holding back on all those little things...*<br>**[02:34] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd suffocate and die.*<br>**[02:37] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I spend time as this almost*<br>*&nbsp;&nbsp;&nbsp;&nbsp;sus-looking character*<br>**[02:42] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to let out all the stress*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Kunieda Kei" can't.*<br>**[02:48] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The brief minutes I spend like this*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are a precious breath of fresh air.*<br>**[02:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm droolin' here!<br>**[02:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to dig in!<br>**[03:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;So good!<br>**[03:05] Cas**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Good evening. I'm News*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Network Broadcaster Aidawara.*<br>**[03:08] Cas**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A quick report on the shark*<br>*&nbsp;&nbsp;&nbsp;&nbsp;found in Yodogawa, Osaka.*<br>**[03:11] Cas**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We have a reporter on scene.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Okehazama-san, over to you.*<br>**[03:13] Cas**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is Okehazama here in Yodogawa.*<br>**[03:20] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better review that stuff, I guess.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki Ushio<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Recent Works<br>
&nbsp;&nbsp;&nbsp;&nbsp;ITORY, "Mineral Water Born in the Mountains" <br>
&nbsp;&nbsp;&nbsp;&nbsp;ITORY, "Tea Craft"<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shishin Food Products, "SIO Ramen" <br>
&nbsp;&nbsp;&nbsp;&nbsp;Kanai Pharmaceuticals, "E4 Premium Eyedrops"<br>
&nbsp;&nbsp;&nbsp;&nbsp;KB Cosmetics, "FAKE" Brand ads<br>
&nbsp;&nbsp;&nbsp;&nbsp;bv, "More Family Connections" series
<br>**[03:23] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki Ushio, huh?<br>**[03:32] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's one of these?<br>**[03:35] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move the model an inch, film it,<br>&nbsp;&nbsp;&nbsp;&nbsp;then move it another inch...<br>**[03:39] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of weirdo likes doing that stuff?<br>**[03:42] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Tsuzuki Ushio, 27 years old."*<br>**[03:45] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Same age as me, huh?*<br>**[03:46] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Began making original stop-motion pieces*<br>*&nbsp;&nbsp;&nbsp;&nbsp;while attending art school.*<br>**[03:51] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Streaming sites catapulted him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to worldwide attention.*<br>**[03:54] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;His animated short depicting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a bird's life from hatching to death*<br>**[03:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*racked up over ten million views."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki Ushio at Awards Ceremony
<br>**[04:03] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prettyboy, huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;He is openly bisexual.
<br>**[04:08] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if he falls for me?<br>**[04:17] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda Kei.<br>**[04:18] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you keep up the masquerade another day?<br>**[04:26] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought this place looked familiar...*<br>**[04:28] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's my neighborhood.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saito Contractors
<br>**[04:32] Sign**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Wow, I wonder if we shop*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the same stores...*<br>**[04:39] Dir**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first floor is his<br>&nbsp;&nbsp;&nbsp;&nbsp;studio-slash-workshop.<br>**[04:41] Dir**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second floor is where he lives.<br>**[04:42] Dir**<br>&nbsp;&nbsp;&nbsp;&nbsp;The front door is this way.<br>**[04:48] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think he's asleep?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki
<br>**[04:55] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[04:57] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Tsuzuki-san.<br>**[04:59] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're very sorry to wake you.<br>**[05:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This jerk!*<br>**[05:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was tomorrow.<br>**[05:02] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Who does he think he's fooling*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with that yawning act?*<br>**[05:05] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! Didn't they call you yesterday?<br>**[05:06] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We freakin'* told you *when <br>
&nbsp;&nbsp;&nbsp;&nbsp;the interview was scheduled!*<br>**[05:08] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have time to wash up and change?<br>**[05:08] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if you're not gonna have tea prepared,*<br>**[05:10] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*at least be waitin' like a proper adult!*<br>**[05:10] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll get some exterior shots.<br>**[05:13] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right if Kunieda waits inside?<br>**[05:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[05:17] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this is Kunieda.<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll be handling the interview.<br>**[05:21] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's our secondary newscaster <br>
&nbsp;&nbsp;&nbsp;&nbsp;for *Evening File*.<br>**[05:24] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pleasure. I'm Kunieda Kei.<br>**[05:27] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a great interview.<br>**[05:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[05:30] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best to make it good, so—<br>**[05:32] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just do whatever.<br>**[05:34] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you've got better things to do.<br>**[05:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a lot of time<br>&nbsp;&nbsp;&nbsp;&nbsp;for cameras, either.<br>**[05:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm on a deadline, after all.<br>**[05:41] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, right! "Great guy," my ass!*<br>**[05:53] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right that I put my things there?<br>**[05:57] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[06:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you handle all the work yourself?<br>**[06:02] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No money for assistants.<br>**[06:05] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, I'll bet!*<br>**[06:07] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must be hard.<br>**[06:08] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, I'm grateful just to be able<br>&nbsp;&nbsp;&nbsp;&nbsp; to make a living doing it.<br>**[06:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting paid for my hobby, more or less.<br>**[06:16] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Good on you for getting it!*<br>**[06:18] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Creators are always up their asses*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about how important they are...*<br>**[06:22] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki-san, are you ready?<br>**[06:25] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to get some footage<br>&nbsp;&nbsp;&nbsp;&nbsp;of you in the studio, first.<br>**[06:28] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[06:29] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything you don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;on-camera, feel free to hide it.<br>**[06:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not.<br>**[06:35] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, hey... he can be kinda chill, too.*<br>**[06:38] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He should do that more oft—*<br>**[06:41] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot!<br>**[06:42] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[06:43] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Darn it...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese Pronunciation Inflection Dictionary
<br>**[06:45] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, I'm sorry!<br>**[06:46] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[06:47] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san... I'm so sorry.<br>**[06:49] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, it's nothing.<br>**[06:50] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn klutz!*<br>**[06:52] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't hurt?<br>**[06:54] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... I'm so sorry.<br>**[06:58] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[07:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... nothing—<br>**[07:02] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get rolling!<br>**[07:04] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure!<br>**[07:06] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Crap! The nightly roundtable*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is about to start!*<br>**[07:09] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How could I have forgotten to tape it?*<br>**[07:13] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Asuo-san is moderating,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I can't afford to—*<br>**[07:20] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close!<br>**[07:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, crap!<br>**[07:25] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness... it's intact.<br>**[07:27] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[07:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard...<br>**[07:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just leap out into the road,<br>**[07:32] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your first concern is your damned food?!<br>**[07:35] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, please. You're unscathed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;enough to bitch about it...*<br>**[07:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You're not going anywhere!<br>**[07:40] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go, you—<br>**[07:46] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[07:48] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsuzuki... Ushio?*<br>**[07:53] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't worry.*<br>**[07:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He won't know you're Kunieda Kei.*<br>**[07:56] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your problem, anyway?<br>**[07:59] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, help me get my bike up!<br>**[08:02] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hand hurts and feels stiff.<br>**[08:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you bent the frame...<br>**[08:07] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much do you want?<br>**[08:10] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the bike and<br>&nbsp;&nbsp;&nbsp;&nbsp;the treatment for your hand.<br>**[08:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hundred thousand? Two hundred thousand?<br>&nbsp;&nbsp;&nbsp;&nbsp;Name your price.<br>**[08:15] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can cover it.<br>**[08:17] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I'm in a hurry!<br>**[08:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in a hurry, so you can<br>&nbsp;&nbsp;&nbsp;&nbsp;just ignore the light?<br>**[08:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ignore the light.<br>**[08:24] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was green!<br>**[08:27] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;There're no cameras set up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and no other witnesses.<br>**[08:30] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's your word against mine.<br>**[08:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just let me pay to fix—<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! That hurt me, too, dumbass!<br>**[08:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made me use my injured hand...<br>**[08:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with you?!<br>**[08:44] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who in the world raised you?!<br>**[08:46] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wasn't "I'm sorry" the first<br>&nbsp;&nbsp;&nbsp;&nbsp;thing outta your mouth?!<br>**[08:50] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only trash can't manage<br>&nbsp;&nbsp;&nbsp;&nbsp;a simple "thanks" or "sorry"!<br>**[08:55] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;My bad.<br>**[08:56] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You little...<br>**[08:57] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll wallop you with my good hand this time!<br>**[09:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Darn it...<br>**[09:02] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. Help me walk the bike, would you?<br>**[09:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My foot hurts, too.<br>**[09:07] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine...<br>**[09:18] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see your bag.<br>**[09:22] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gyudon at Sudo-tei is pretty great, huh?<br>**[09:26] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The... broth, sauce,<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever you'd call it...<br>**[09:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been different lately, right?<br>**[09:30] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear you.<br>**[09:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;They changed the ratio of sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;and soy sauce slightly.<br>**[09:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[09:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you eat it in?<br>**[09:38] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take-out only.<br>**[09:40] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sometimes eat in,<br>&nbsp;&nbsp;&nbsp;&nbsp;but their beer is the worst.<br>**[09:46] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beer is the same everywhere.<br>**[09:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hard disagree!<br>**[09:49] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head's totally run down<br>&nbsp;&nbsp;&nbsp;&nbsp;by the time it reaches the table.<br>**[09:53] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if the pourer sucks at<br>&nbsp;&nbsp;&nbsp;&nbsp;his job or the server is slow or what...<br>**[09:59] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feelings on yakitori?<br>**[10:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Positive.<br>**[10:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanmi-ya behind the post office<br>&nbsp;&nbsp;&nbsp;&nbsp;has the good stuff.<br>**[10:06] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they do take-out?<br>**[10:07] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heck yeah, they do!<br>**[10:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cold!<br>**[10:16] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bye.<br>**[10:17] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, hang on!<br>**[10:19] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now?<br>**[10:20] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not done yet!<br>**[10:22] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, why aren't you asking?<br>**[10:25] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what?<br>**[10:26] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;About all the stuff I have lying around...<br>**[10:28] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you curious about who I really am?<br>**[10:31] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I already know, stupid!*<br>**[10:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;No interest.<br>**[10:34] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it's about interest...<br>**[10:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, well.<br>**[10:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I make videos.<br>**[10:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I create everything by hand.<br>**[10:43] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I just got a big contract which<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in the middle of planning out.<br>**[10:47] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm even getting TV interviews about it.<br>**[10:51] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A disabled left hand is really<br>&nbsp;&nbsp;&nbsp;&nbsp;going to set me back.<br>**[10:54] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you should take some responsibility<br>&nbsp;&nbsp;&nbsp;&nbsp;and help me for a while.<br>**[10:58] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[10:59] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really in a position to refuse?<br>**[11:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already told you I'd pay!<br>**[11:02] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get yourself a part-timer or something!<br>**[11:04] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always money, money, money...<br>**[11:06] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you feel ashamed of yourself?<br>**[11:08] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell no!<br>**[11:10] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get this straight.<br>**[11:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a millionaire or anything!<br>**[11:14] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working my ass off all the damn time,<br>**[11:17] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to make as much money as I can!<br>**[11:19] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wanna use that money<br>&nbsp;&nbsp;&nbsp;&nbsp;to take responsibility!<br>**[11:21] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you think that's wrong, huh?!<br>**[11:23] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not one bit ashamed!<br>**[11:29] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now?<br>**[11:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you've got a point!<br>**[11:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a pretty convincing person, you know.<br>**[11:37] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't expect me to celebrate.<br>**[11:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your name?<br>**[11:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your name.<br>**[11:43] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Tsuzuki.<br>**[11:46] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't think that far ahead...*<br>**[11:48] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A name... just make up a name...*<br>**[11:51] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If he's "Tsuzuki..."*<br>**[11:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Owari.<br>**[11:55] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, Owari?<br>**[11:58] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki, continuation... and Owari, ending...<br>**[11:59] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're kind of close. Or maybe not, huh?<br>**[12:03] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your first name?<br>**[12:04] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you care?<br>**[12:06] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, fair enough.<br>**[12:08] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow night, come by for two hours.<br>**[12:11] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can pick the time yourself.<br>**[12:14] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear what I said?<br>**[12:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, the job isn't hard.<br>**[12:19] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait just a damn minute!*<br>**[12:20] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an interesting guy.<br>**[12:23] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a shame to let things end like this.<br>**[12:25] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, let's end it!*<br>**[12:27] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I named myself "ending" for a reason, dude!*<br>**[12:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay you a bit, too.<br>**[12:31] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much?<br>**[12:32] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about a bowl of gyudon per day?<br>**[12:36] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheap-ass...<br>**[12:39] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow.<br>**[12:40] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will not.<br>**[12:42] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ain't comin', got it?<br>**[12:45] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ain't, got it?<br>**[12:48] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ain't comin'!<br>**[12:50] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way in hell am I comin'!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki
<br>**[12:54] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[12:57] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left my gyudon here last night.<br>**[13:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ate it.<br>**[13:03] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thief!<br>**[13:08] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this stuff?<br>**[13:09] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm making an animation for<br>&nbsp;&nbsp;&nbsp;&nbsp;the opening of a news program.<br>**[13:14] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tell me somethin' I don't know!*<br>**[13:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to create a scene like<br>&nbsp;&nbsp;&nbsp;&nbsp;the Shibuya Scramble Crossing.<br>**[13:21] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a masochist.<br>**[13:22] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to paint them.<br>**[13:24] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell no!<br>**[13:25] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just paint them however<br>&nbsp;&nbsp;&nbsp;&nbsp;you think looks best.<br>**[13:29] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I can paint their faces green?<br>**[13:31] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do what you like, within reason.<br>**[13:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it's done, you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to brag about it.<br>**[13:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm the one who painted that!"<br>**[13:38] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who'd brag about that?<br>**[13:40] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm already on TV plenty!*<br>**[13:42] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, my hand hurts...<br>**[13:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said it was a strain.<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll take two or three weeks to heal!<br>**[13:49] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dunno what'll happen<br>&nbsp;&nbsp;&nbsp;&nbsp;if I miss my deadline...<br>**[13:52] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The client's a TV station, after all...<br>**[13:54] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be blacklisted from the industry!<br>**[13:57] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might even get fined<br>&nbsp;&nbsp;&nbsp;&nbsp;for breach of contract!<br>**[14:01] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine! I'm doin' it, already!<br>**[14:08] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm not taking revisions.<br>**[14:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'm impressed.<br>**[14:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took it more seriously than I expected.<br>**[14:15] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A person's personality<br>&nbsp;&nbsp;&nbsp;&nbsp;comes out in their work.<br>**[14:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than they ever realize.<br>**[14:22] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a fast learner,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're smart, and you're quick.<br>**[14:27] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But despite your insistence,<br>&nbsp;&nbsp;&nbsp;&nbsp;you did a proper coloring job.<br>**[14:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're surprisingly honest. Timid, even.<br>**[14:33] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said to do it "within reason"!<br>**[14:36] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you still did it correctly.<br>**[14:39] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an honest guy, for better or worse.<br>**[14:42] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the way you act,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you'd be more of a troll.<br>**[14:46] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep up the good work!<br>**[14:47] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He pisses me off!*<br>**[14:49] Owa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Don't act like you know me!*<br>*&nbsp;&nbsp;&nbsp;&nbsp;We only met yesterday!*<br>**[14:53] Owa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And his certainty about it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;pisses me off even more!*<br>**[14:56] Owa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You ain't even seen through*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my disguise, loser!*<br>**[14:58] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda Kei.<br>**[15:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a newscaster... ever heard of him?<br>**[15:03] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he trying to set me up?*<br>**[15:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had an interview with him recently.<br>**[15:08] Ow**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[15:10] Ow**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously, what's he playing at?*<br>**[15:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was rude to him.<br>**[15:15] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a separate TV interview before him.<br>**[15:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A newscaster around the same age came by.<br>**[15:22] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was all smiles at first.<br>**[15:25] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I left for a second,<br>&nbsp;&nbsp;&nbsp;&nbsp;he started shouting insults at the PA,<br>**[15:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even kicked him really hard...<br>**[15:32] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I got back, he was all smiles again.<br>**[15:36] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could feel my skin crawl in disgust.<br>**[15:40] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me remember the people who<br>&nbsp;&nbsp;&nbsp;&nbsp;treated me like vermin when I started out<br>**[15:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;who suddenly changed their tune<br>&nbsp;&nbsp;&nbsp;&nbsp;the moment I made a name for myself.<br>**[15:53] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized I still held a grudge,<br>**[15:56] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I was so annoyed at my own<br>&nbsp;&nbsp;&nbsp;&nbsp;pettiness that I couldn't work.<br>**[16:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to sleep in a huff,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then Kunieda-san came by.<br>**[16:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was convinced he'd be abusing<br>&nbsp;&nbsp;&nbsp;&nbsp;his underlings in private, too.<br>**[16:09] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was brusque with him.<br>**[16:11] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a PA knocked over his bag,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kunieda-san smiled at him.<br>**[16:17] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He even asked if he was okay!<br>**[16:20] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;With that well-worn, dog-eared<br>&nbsp;&nbsp;&nbsp;&nbsp;inflection guide in his hand...<br>**[16:23] Owa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You bought that act, huh?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Wow, what a simpleton!*<br>**[16:26] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he actually works really hard.<br>**[16:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I treated him badly due to<br>&nbsp;&nbsp;&nbsp;&nbsp;my own foolish prejudice.<br>**[16:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supposed to see him again,<br>**[16:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not sure he'll<br>&nbsp;&nbsp;&nbsp;&nbsp;forgive me if I apologize.<br>**[16:39] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're such an asshole.<br>**[16:41] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the only reason you<br>&nbsp;&nbsp;&nbsp;&nbsp;apologize is to be forgiven,<br>**[16:43] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't bother.<br>**[16:45] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means you're not really serious.<br>**[16:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprisingly sound advice<br>&nbsp;&nbsp;&nbsp;&nbsp;from a scoundrel like you.<br>**[16:51] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[16:52] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, though.<br>**[16:54] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should apologize, regardless.<br>**[16:57] Loc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, cut! We're all clear.<br>**[17:00] Pa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great work!<br>**[17:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:01] Pa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[17:03] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was rude to you before.<br>**[17:06] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had my reasons, but I shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have taken it out on you.<br>**[17:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, I'm sorry.<br>**[17:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Check it out! He really apologized!*<br>**[17:15] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, I wasn't offended...<br>**[17:18] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[17:19] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[17:20] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good!<br>**[17:22] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A friend of mine said I should apologize.<br>**[17:25] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really?<br>**[17:26] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Friend"? Is he talkin' about me?!*<br>**[17:29] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As if! I ain't your friend, bub!*<br>**[17:31] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just met recently.<br>**[17:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a bit odd, of course..<br>**[17:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got such a foul mouth...<br>**[17:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm sure you'd die before you<br>&nbsp;&nbsp;&nbsp;&nbsp;said some of the things he does.<br>**[17:42] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think so?<br>**[17:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You bastard!*<br>**[17:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, do you have that<br>&nbsp;&nbsp;&nbsp;&nbsp;inflection dictionary with you today?<br>**[17:49] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I don't need it for location work,<br>**[17:52] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's a bit of a lucky charm.<br>**[17:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm nervous before a live show,<br>&nbsp;&nbsp;&nbsp;&nbsp;I like to flip through it.<br>**[18:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you're nervous, it's important<br>&nbsp;&nbsp;&nbsp;&nbsp;to find comfort in routine.<br>**[18:03] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your voice is very soothing.<br>**[18:07] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so soft and rich,<br>**[18:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're articulate without being slow.<br>**[18:13] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you'd have to<br>&nbsp;&nbsp;&nbsp;&nbsp;study daily to achieve that.<br>**[18:16] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid I still have a lot to learn.<br>**[18:18] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So do I.<br>**[18:21] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything I create is a long series<br>&nbsp;&nbsp;&nbsp;&nbsp;of "If only I'd done this or that."<br>**[18:27] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm frustrated over<br>&nbsp;&nbsp;&nbsp;&nbsp;how one project turned out,<br>**[18:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the only way to clear my head<br>&nbsp;&nbsp;&nbsp;&nbsp;is to start a new project.<br>**[18:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a great story.<br>**[18:35] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have let it out<br>&nbsp;&nbsp;&nbsp;&nbsp;while the cameras were rolling.<br>**[18:39] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heck no.<br>**[18:58] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[18:59] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I'm so engrossed in my work,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't hear the doorbell.<br>**[19:04] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems a little careless...<br>**[19:46] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's the alien, anyway?<br>**[19:47] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;An Earthling from the future.<br>**[19:50] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A descendant of humanity<br>**[19:51] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;after they moved to other planets<br>&nbsp;&nbsp;&nbsp;&nbsp;when Earth was destroyed.<br>**[19:55] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's all alone now.<br>**[19:58] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sight of how many people used<br>&nbsp;&nbsp;&nbsp;&nbsp;to be on Earth brings him to tears.<br>**[20:04] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's dark.<br>**[20:07] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Creative types do tend towards the dour.<br>**[20:11] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This guy? Dour?*<br>**[20:14] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They want to do another shoot here tomorrow.<br>**[20:17] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I can't do any work today.<br>**[20:20] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it annoy you, having to bow<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone else's schedule,<br>**[20:23] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;letting in cameras<br>&nbsp;&nbsp;&nbsp;&nbsp;and interrupting your work?<br>**[20:28] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's inconvenient for them, too.<br>**[20:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carrying all that heavy equipment around...<br>**[20:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I like seeing Kunieda-san.<br>**[20:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always thought I was a pretty quiet guy,<br>**[20:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something about him<br>&nbsp;&nbsp;&nbsp;&nbsp;just gets the words flowing.<br>**[20:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's good at listening...<br>&nbsp;&nbsp;&nbsp;&nbsp;or asking questions, I guess.<br>**[20:50] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Owari, do you have a girlfriend?<br>**[20:53] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Girls are annoying.<br>**[20:56] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boyfriend, then?<br>**[20:57] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Double no!<br>**[20:59] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of person<br>&nbsp;&nbsp;&nbsp;&nbsp;hates both men and women?<br>**[21:02] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you mostly just<br>&nbsp;&nbsp;&nbsp;&nbsp;in love with yourself?<br>**[21:07] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back off!<br>**[21:09] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch out!<br>**[21:11] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You almost hit the set!<br>**[21:13] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[21:18] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Run your stupid mouth all you like!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki
<br>**[21:22] Sign**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You still haven't even*<br>*&nbsp;&nbsp;&nbsp;&nbsp;realized who I really am!*<br>**[21:31] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for taking time out of<br>&nbsp;&nbsp;&nbsp;&nbsp; your schedules, both of you.<br>**[21:36] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[21:37] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why do I need to have dinner <br>
&nbsp;&nbsp;&nbsp;&nbsp;with this jerk* now*?!*<br>**[21:41] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Dammit... if the invitation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hadn't been from my producer,*<br>**[21:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd have turned it down flat!*<br>**[21:44] Set**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ushio-kun. Are things going smoothly?<br>**[21:47] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could come to see it<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself, Shitara-san.<br>**[21:51] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I prefer to wait for the finished product.<br>**[21:53] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you won't have any complaints<br>&nbsp;&nbsp;&nbsp;&nbsp;after waiting that long.<br>**[21:57] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I'm a fan of yours.<br>**[22:00] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I have free rein on this<br>&nbsp;&nbsp;&nbsp;&nbsp;project, so I'm not worried.<br>**[22:04] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid that just makes me<br>&nbsp;&nbsp;&nbsp;&nbsp;even more nervous!<br>**[22:09] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of, Kunieda-san...<br>**[22:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What made you want to be a newscaster?<br>**[22:14] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite sudden...<br>**[22:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I've been wondering that for a while.<br>**[22:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just couldn't find the right time to ask.<br>**[22:23] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't actually want to at first, right?<br>**[22:26] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew that, sir?<br>**[22:28] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone knows it.<br>**[22:30] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone around the station, at least.<br>**[22:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't want to?<br>**[22:38] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I originally took the test<br>&nbsp;&nbsp;&nbsp;&nbsp;for a regular staff position.<br>**[22:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the final interview<br>&nbsp;&nbsp;&nbsp;&nbsp;with the president,<br>**[22:45] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;he suddenly asked if I might<br>&nbsp;&nbsp;&nbsp;&nbsp; try reading the news...<br>**[22:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He saw talent in you, I suppose.<br>**[22:51] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder.<br>**[22:53] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I asked him why,<br>&nbsp;&nbsp;&nbsp;&nbsp;he said I had "good nasals."<br>**[23:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nasals?<br>**[23:02] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that when he says a hard "g,"<br>**[23:05] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;he sounds it a little through the nose.<br>**[23:07] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How, exactly?<br>**[23:09] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of like an "ng" sound,<br>&nbsp;&nbsp;&nbsp;&nbsp;though that's a bit exaggerated.<br>**[23:13] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Forget" becomes "for-nget"<br>&nbsp;&nbsp;&nbsp;&nbsp;and "vulgar" becomes "vul-ngar".<br>**[23:17] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are nasals.<br>**[23:19] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the "g" comes at the start of a word,<br>&nbsp;&nbsp;&nbsp;&nbsp;you just pronounce it normally.<br>**[23:25] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like "garage" or "gold".<br>**[23:27] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though there's a little more<br>&nbsp;&nbsp;&nbsp;&nbsp;to it, of course...<br>**[23:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does any of that really matter?<br>**[23:33] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Voices that fail to master the nasal consonant<br>&nbsp;&nbsp;&nbsp;&nbsp;are a little harder on the ears.<br>**[23:36] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be surprised what<br>&nbsp;&nbsp;&nbsp;&nbsp;a difference it makes.<br>**[23:40] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, now...<br>**[23:44] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me a minute.<br>**[23:45] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and eat without me.<br>**[23:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san?<br>**[23:50] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[23:50] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you say no when they<br>&nbsp;&nbsp;&nbsp;&nbsp;asked you to read the news?<br>**[23:55] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought fate was trying to<br>&nbsp;&nbsp;&nbsp;&nbsp; tell me something, I suppose.<br>**[23:58] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[23:59] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not really get that<br>&nbsp;&nbsp;&nbsp;&nbsp;whole "nasals" thing,<br>**[24:03] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I do think your voice<br>&nbsp;&nbsp;&nbsp;&nbsp;is very easy on the ears.<br>**[24:07] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just that you have a nice voice.<br>**[24:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose there's a lot of technique<br>&nbsp;&nbsp;&nbsp;&nbsp;involved that a layman wouldn't understand.<br>**[24:15] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are amazing.<br>**[24:18] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing, really...<br>**[24:21] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's with this guy?!*<br>**[24:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Quit starin' at me like that!*<br>**[24:28] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You never look at Owari that way...*<br>**[24:32] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, what am I thinking?!*<br>**[24:34] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san?<br>**[24:36] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[24:37] Kuni**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, er...<br>**[24:39] Kuni**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I might ask, how have<br>&nbsp;&nbsp;&nbsp;&nbsp;things been with your friend?<br>**[24:43] Kuni**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the one you mentioned before...<br>**[24:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, him...<br>**[24:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he's mad at me.<br>**[24:50] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said something to him...<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean anything by it,<br>**[24:53] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think it set him off.<br>**[24:55] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[24:56] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll be fine, though.<br>**[24:59] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How can you be so flippant about it?!*<br>**[25:01] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Try and give a crap!*<br>**[25:03] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call him my friend, but...<br>**[25:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really only know his<br>&nbsp;&nbsp;&nbsp;&nbsp;last name and cell number.<br>**[25:08] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last name he gave sounded fake,<br>**[25:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when I ask more,<br>&nbsp;&nbsp;&nbsp;&nbsp;he gets mad or ignores me.<br>**[25:14] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure he doesn't want to tell me.<br>**[25:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just barges in,<br>&nbsp;&nbsp;&nbsp;&nbsp;hangs around, then leaves,<br>**[25:25] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;like a stray cat... I never<br>&nbsp;&nbsp;&nbsp;&nbsp;know what he's thinking.<br>**[25:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's strange, really...<br>**[25:31] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I prefer to work alone.<br>**[25:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, I thought I did.<br>**[25:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when he's at my place, hanging out,<br>**[25:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;flipping through a manga,<br>&nbsp;&nbsp;&nbsp;&nbsp;watching TV, muttering to himself...<br>**[25:47] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not even thinking about it,<br>**[25:50] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but working while I listen<br>&nbsp;&nbsp;&nbsp;&nbsp;to him feels nice...<br>**[25:55] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's calming.<br>**[26:09] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just ate, but I'm still hungry...<br>**[26:20] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[26:21] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry about before.*<br>**[26:23] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't forgive you.<br>**[26:25] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, but I still need to apologize.*<br>**[26:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you taught me.*<br>**[26:31] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're *really* pissing me off now.<br>**[26:32] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Want to stop by for some yakitori?*<br>**[26:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bought some from<br>&nbsp;&nbsp;&nbsp;&nbsp;the place I mentioned earlier.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tanmi-ya
<br>**[26:39] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a good meal earlier,<br>**[26:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm already hungry again.<br>**[26:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do you say?*<br>**[26:49] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[26:51] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's eat!<br>**[26:54] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crap! I can't eat like this...*<br>**[26:58] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's the matter? Are you still mad?<br>**[27:01] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you watching me eat.<br>**[27:04] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[27:05] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I've got bad teeth.<br>**[27:08] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's why I'm always wearing a mask.<br>**[27:09] Shio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were afraid of getting sick.<br>**[27:11] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's part of it, too!<br>**[27:13] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't peek, okay?<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll hurt my feelings.<br>**[27:25] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Owari...<br>**[27:27] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Lemme eat in peace.<br>**[27:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your teeth bother you,<br>&nbsp;&nbsp;&nbsp;&nbsp; you can get them fixed.<br>**[27:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though apparently, it hurts.<br>**[27:36] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[27:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[27:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If money's an issue, I'll lend you some.<br>**[27:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, wait... You said you had money...<br>**[27:44] Wa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, stupid?<br>**[27:46] Wa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lend money to someone you barely know.<br>**[27:49] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not just "someone," though.<br>**[27:53] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy to lend you money,<br>&nbsp;&nbsp;&nbsp;&nbsp;because I don't care if you pay it back.<br>**[27:58] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not taking your money.<br>**[27:59] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're just gonna wear a mask<br>&nbsp;&nbsp;&nbsp;&nbsp;for the rest of your life?<br>**[28:08] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[28:09] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to wear a mask <br>
&nbsp;&nbsp;&nbsp;&nbsp;for the *rest of my life*!<br>**[28:13] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a problem with that?<br>**[28:15] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that *offend* you somehow?!<br>**[28:20] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm leaving.<br>**[28:21] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Wait!<br>**[28:24] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go! Don't touch me!<br>**[28:28] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you chill out?!<br>**[28:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd all that come from?<br>**[28:32] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just decided I wanted to leave.<br>**[28:34] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a problem?<br>**[28:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem, exactly... <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'm just asking *why*.<br>**[28:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really worth getting angry about?<br>**[28:40] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[28:42] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up!<br>**[28:44] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Owari!<br>**[28:46] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[28:47] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, shut up!<br>**[28:50] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Owari isn't my name!*<br>**[28:55] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I'm not "Kunieda-san," either...*<br>**[28:58] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know who I am anymore.*<br>**[29:00] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why? When did it all get so weird?*<br>**[29:05] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I hadn't met you that night...*<br>**[29:09] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is all your fault!*<br>**[29:11] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[29:14] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault.<br>**[29:15] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll accept that.<br>**[29:17] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't make it right unless<br>&nbsp;&nbsp;&nbsp;&nbsp;you tell me what I did wrong!<br>**[29:23] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have that little trust in me?<br>**[29:27] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just tell me how you really feel?<br>**[29:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I matter so little to you, why did<br>&nbsp;&nbsp;&nbsp;&nbsp;you keep coming to see me?<br>**[29:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I dragged you into this at first.<br>**[29:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you kept coming after that!<br>**[29:40] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even when there was no more work to do...<br>**[29:42] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were enjoying it. Was I wrong?<br>**[29:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I enjoyed it!<br>**[29:47] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... liked it.<br>**[29:52] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't now?<br>**[29:54] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[29:56] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My head's full of things<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought about before.<br>**[30:00] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all your fault. It's all your fault!<br>**[30:04] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain it to me, then.<br>**[30:07] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[30:08] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain!<br>**[30:09] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?!<br>**[30:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I want to know!<br>**[30:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to really understand you!<br>**[30:22] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His eyes are so beautiful...*<br>**[30:44] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell's wrong with you?! Pervert!<br>**[30:47] Owa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You disgust me! Asshole!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Conference Room
<br>**[31:03] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[31:11] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asuo-san's in the hospital?*<br>**[31:12] Chief**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Early-stage stomach cancer.*<br>**[31:14] Chief**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fortunately, it's entirely treatable,*<br>**[31:18] (Flashback) Chief**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he'll need to focus<br>&nbsp;&nbsp;&nbsp;&nbsp;on recovery for a while.<br>**[31:21] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, we'd like you to pinch hit for him <br>
&nbsp;&nbsp;&nbsp;&nbsp;as moderator of *The News*.<br>**[31:29] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no replacement for<br>&nbsp;&nbsp;&nbsp;&nbsp; Asuo Keiichi at our station.<br>**[31:32] Shi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;His name recognition,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;his talent, his grace...*<br>**[31:35] Shi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Everyone I could choose*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is lacking something.*<br>**[31:37] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I've decided to wager on your potential.<br>**[31:42] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you!<br>**[31:42] Shi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The first broadcast*<br>*&nbsp;&nbsp;&nbsp;&nbsp;will be a special project.*<br>**[31:45] Shi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A debate between the heads*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the ruling and opposition parties.*<br>**[31:48] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-kun. You've never met<br>&nbsp;&nbsp;&nbsp;&nbsp;a prime minister, have you?<br>**[31:52] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky you.<br>**[31:53] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stupid asshole!<br>**[31:55] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask for any of this...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Flush
<br>**[31:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm grateful to have<br>&nbsp;&nbsp;&nbsp;&nbsp;that just thrown at me?<br>**[32:00] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just a month before broadcast,<br>**[32:03] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we don't have time to waste.<br>**[32:05] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to get right to work.<br>**[32:07] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means no more<br>&nbsp;&nbsp;&nbsp;&nbsp;interviews with Tsuzuki-kun.<br>**[32:11] (Flashback) Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can send someone else to do it.<br>**[32:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's my last tie to him cut.*<br>**[32:15] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't have to think about him anymore.*<br>**[32:18] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's a relief, at least.*<br>**[32:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why'd he have to freakin' kiss me?!*<br>**[32:24] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It makes no damn sense!*<br>**[32:26] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Plus it's been a whole day,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and he hasn't even called!*<br>**[32:29] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I might even forgive him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if he apologized a hundred times...*<br>**[32:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Say something already!*<br>**[32:35] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*These freaking people...*<br>**[32:39] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good day, everyone.<br>**[32:40] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm your moderator, Kunieda Kei.<br>**[32:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, we're...<br>**[32:45] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, we're... what were we doing again?<br>**[33:06] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have an announcement to make.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Newscaster Kunieda Graduates!
<br>**[33:08] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I, Kunieda, have officially <br>
&nbsp;&nbsp;&nbsp;&nbsp;graduated from* Evening File*.<br>**[33:14] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To everyone who's watched me <br>
&nbsp;&nbsp;&nbsp;&nbsp;these past two years,*<br>**[33:16] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;*thank you for coming along for the ride.*<br>**[33:19] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't wait to see you again <br>
&nbsp;&nbsp;&nbsp;&nbsp;in primetime for* The News*.<br>**[33:27] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations, Kunieda-kun!<br>**[33:29] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw your last show from the monitors.<br>**[33:31] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bouquet is a great match!<br>**[33:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, thank you.<br>**[33:35] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not looking well...<br>**[33:37] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we've been working you<br>&nbsp;&nbsp;&nbsp;&nbsp;hard with those meetings.<br>**[33:42] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's enough to wear out even a young man.<br>**[33:47] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't you go collapsing on us, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Asuo Keiichi is reinventing the nightly news.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll be filling in!
<br>**[33:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meeting after meeting...*<br>**[33:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rehearsal, studying the news...*<br>**[34:01] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I haven't had time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for my nightly walks lately.*<br>**[34:04] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right... I don't even have a vase.*<br>**[34:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san?<br>**[34:14] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[34:16] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vase...<br>**[34:17] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a vase?<br>**[34:19] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;They gave me these flowers...<br>&nbsp;&nbsp;&nbsp;&nbsp;I graduated today.<br>**[34:23] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't have a vase at home.<br>**[34:25] Uchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vase?<br>**[34:27] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... n-nothing.<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget I said anything, please.<br>**[34:30] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, r-right!<br>**[34:32] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had a big change in schedule,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I haven't been by.<br>**[34:35] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so very sorry!<br>**[34:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san...<br>**[34:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to stop by my place?<br>**[34:40] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have a vase.<br>**[34:44] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You finished the filming and the editing?<br>**[34:47] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[34:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shitara-san just needs to look at it,<br>**[34:51] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll do a few tweaks on my computer.<br>**[34:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[34:56] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess congratulations...<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't quite in order yet?<br>**[35:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you the one<br>&nbsp;&nbsp;&nbsp;&nbsp;deserving congratulations?<br>**[35:03] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got chosen as the new host,<br>&nbsp;&nbsp;&nbsp;&nbsp;right? It's incredible.<br>**[35:06] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels a little strange that the news<br>&nbsp;&nbsp;&nbsp;&nbsp;show I've watched since I was a kid<br>**[35:09] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be hosted by someone I know.<br>**[35:11] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You start tomorrow, right? Nervous?<br>**[35:13] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little...<br>**[35:15] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm sure they wouldn't have chosen you<br>&nbsp;&nbsp;&nbsp;&nbsp;unless they knew you could do it.<br>**[35:19] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate that.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what they all say...<br>**[35:24] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Superficially, I've always*<br>*&nbsp;&nbsp;&nbsp;&nbsp;gotten along with everyone...*<br>**[35:29] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Always smiling, never getting mad*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or yelling at anyone.*<br>**[35:33] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's exhausting to speak from the heart,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or to hear other people do it.*<br>**[35:37] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But if I tell him that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I really am scared as hell...*<br>**[35:42] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What would he do?*<br>**[35:44] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Is now the time to remove*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the mask of Kunieda Kei,*<br>**[35:49] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tied on so tightly by so many lies?*<br>**[35:51] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is now the time to tell him everything?*<br>**[35:55] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Everything I've kept from him...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Or about Owari, at last...*<br>**[36:00] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This might be my last chance.*<br>**[36:03] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[36:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[36:06] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I called you by, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually a little busy right now.<br>**[36:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to change than I thought.<br>**[36:13] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to work it all out by tomorrow.<br>**[36:15] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mind if I focus on work?<br>**[36:18] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can stay as long as you like.<br>**[36:31] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reading the news and hosting a roundtable<br>**[36:34] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;are totally different levels of difficulty.<br>**[36:37] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to know the content by heart,<br>**[36:39] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;control the flow while keeping things light,<br>**[36:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;insert little comments<br>&nbsp;&nbsp;&nbsp;&nbsp;to fill a gap in conversation,<br>**[36:46] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;and remain visible<br>&nbsp;&nbsp;&nbsp;&nbsp;without stealing the show...<br>**[36:50] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;And my first show will be<br>&nbsp;&nbsp;&nbsp;&nbsp;an interparty debate.<br>**[36:53] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playing traffic cop to people scrambling<br>&nbsp;&nbsp;&nbsp;&nbsp;for every scrap of airtime.<br>**[36:58] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds nice to say it was<br>&nbsp;&nbsp;&nbsp;&nbsp;a flash of inspiration to choose me,<br>**[37:02] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was really just a whim.<br>**[37:05] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a profession you have to win<br>&nbsp;&nbsp;&nbsp;&nbsp;thousands of competitions to get ahead...<br>**[37:10] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I am just a substitute,<br>**[37:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I landed the hosting job<br>&nbsp;&nbsp;&nbsp;&nbsp;of the station's flagship show.<br>**[37:14] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've worked so hard, trying to beat<br>&nbsp;&nbsp;&nbsp;&nbsp;out people who went for this job<br>**[37:18] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;because they wanted it...<br>**[37:20] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was always...<br>**[37:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was... Always...<br>**[37:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san?<br>**[37:32] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's 6 AM.<br>**[37:38] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to be a bother.<br>**[37:40] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, maybe I should have woken you up.<br>**[37:44] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want some coffee?<br>**[37:45] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'd better head home.<br>**[37:55] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait...*<br>**[37:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was the studio always this big?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 1  Special Event<br>
&nbsp;&nbsp;&nbsp;&nbsp; Live Studio Debate
<br>**[38:08] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Forty minutes to showtime.*<br>**[38:10] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[38:12] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I mic you up?<br>**[38:16] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please, no...*<br>**[38:17] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san?<br>**[38:19] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[38:20] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I go to the restroom<br>&nbsp;&nbsp;&nbsp;&nbsp;one more time first?<br>**[38:22] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, of course!<br>**[38:44] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't run away.<br>**[38:47] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm scared.*<br>**[38:48] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No! I can't do this!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki
<br>**[38:59] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[39:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was wondering what you'd been up to.*<br>**[39:04] Ushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I made my deadline,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I've got some time again.*<br>**[39:07] Ushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's about to go live, so park*<br>*&nbsp;&nbsp;&nbsp;&nbsp;yourself in front of the TV!*<br>**[39:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please help me.<br>**[39:15] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sure thing.*<br>**[39:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll come save you right away.*<br>**[39:18] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where are you?*<br>**[39:21] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This again?<br>**[39:23] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always like this.<br>**[39:25] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put up those walls and never<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me anything important.<br>**[39:30] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just...<br>**[39:32] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's just, you're the one person*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I want to understand me...*<br>**[39:36] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I also don't want you to know...*<br>**[39:40] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's okay.*<br>**[39:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look... the man I love once told me<br>**[39:44] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that when you're nervous,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can find comfort in routine.<br>**[39:49] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe you should try that, too.*<br>**[39:52] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyway, be sure to watch the show!*<br>**[39:55] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with him?<br>**[39:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm suffering here, and<br>&nbsp;&nbsp;&nbsp;&nbsp;he's spouting off nonsense...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese Pronunciation Inflection Dictionary
<br>**[40:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Find comfort in routine...*<br>**[40:32] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[40:34] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[40:44] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... he *did* know.<br>**[40:46] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san, excuse me...<br>**[40:48] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your microphone...<br>**[40:51] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Go ahead.<br>**[40:53] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Interparty Debate Special
<br>**[40:57] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn...*<br>**[40:58] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Drawing his stupid doodles*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in a guy's work material...*<br>**[41:01] Kei**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll give him a real piece*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of my mind when this is over!*<br>**[41:05] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we're about to roll!<br>**[41:07] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five seconds to live!<br>**[41:09] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four, three...<br>**[41:35] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hate to admit it, but I wanna see him...*<br>**[41:44] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening.<br>**[41:45] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first episode of <br>
&nbsp;&nbsp;&nbsp;&nbsp;the all-new *The News*.<br>**[41:50] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be your host today, Kunieda Kei.<br>**[42:20] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which are you?<br>**[42:23] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san or Owari?<br>**[42:29] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Half of each, I guess...<br>**[42:31] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[42:34] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late.<br>**[42:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was waiting so long, I fell asleep.<br>**[42:38] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you expect?<br>**[42:40] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had our show post-mortem<br>&nbsp;&nbsp;&nbsp;&nbsp;and preparations for tomorrow...<br>**[42:43] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was busy, okay?<br>**[42:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's funny to hear that voice<br>&nbsp;&nbsp;&nbsp;&nbsp;coming from that face.<br>**[42:49] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lay off!<br>**[42:50] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you realize it?<br>**[42:53] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What the hell's wrong with you?!"<br>**[42:55] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Pervert! You disgust me! Asshole!"<br>**[42:59] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Throwing that back in my face, huh?<br>**[43:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[43:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess I am, a little...<br>**[43:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mind went blank when<br>&nbsp;&nbsp;&nbsp;&nbsp; you slapped me, I think.<br>**[43:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of that, I heard your<br>&nbsp;&nbsp;&nbsp;&nbsp;voice more clearly than usual.<br>**[43:14] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The nasals.<br>**[43:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you said "g" in "wrong"<br>&nbsp;&nbsp;&nbsp;&nbsp;and "disgust" were a little different.<br>**[43:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally realized what<br>&nbsp;&nbsp;&nbsp;&nbsp;Shitara-san was talking about.<br>**[43:23] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the possibility was in<br>&nbsp;&nbsp;&nbsp;&nbsp;my mind, it all fell into place.<br>**[43:28] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to wonder why I didn't see it earlier.<br>**[43:32] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was so obviously you.<br>**[43:35] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not mad?<br>**[43:37] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would I be?<br>**[43:38] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lied to you for so long...<br>**[43:40] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'd asked if you were the same person<br>**[43:42] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'd said no,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would have been a lie.<br>**[43:45] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you just didn't tell me, right?<br>**[43:47] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're fine with that?<br>**[43:49] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why shouldn't I be?<br>**[43:52] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's wrong... it's mean!<br>**[43:55] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be disappointed in me.<br>**[43:56] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not, though.<br>**[43:58] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lie!<br>**[44:00] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you I don't mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;so why are you mad?<br>**[44:04] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...<br>**[44:05] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me happy, actually.<br>**[44:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The prince-like Kunieda-san,<br>**[44:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the major asshole Owari...<br>**[44:16] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was falling for both of them,<br>**[44:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so this really simplifies things.<br>**[44:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't fall for both!<br>**[44:24] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's interesting.<br>**[44:26] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know everyone has a public<br>&nbsp;&nbsp;&nbsp;&nbsp;and private face...<br>**[44:28] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've never seen anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;take it to such extremes.<br>**[44:31] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't treat me like a lab experiment!<br>**[44:34] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kei.<br>**[44:35] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep being like that. Even if it's strange...<br>**[44:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't show your true face<br>**[44:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;to anyone but me.<br>**[44:44] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never would... I'd be finished!<br>**[44:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I take that to mean<br>&nbsp;&nbsp;&nbsp;&nbsp;you've fallen for me?<br>**[44:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe... half.<br>**[44:57] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Half from each face?<br>**[44:58] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that add up to...<br>**[45:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entirely?<br>**[45:03] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, just half!<br>**[45:05] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were half into both<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda-san and Owari, too...<br>**[45:10] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so silly.<br>**[45:15] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me, it adds up to double.<br>**[45:29] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now?<br>**[45:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you have nice teeth.<br>**[45:33] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I do—<br>**[45:39] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[45:47] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait! I don't want to!<br>**[45:49] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little late for that!<br>**[45:51] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[45:52] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... I don't want it inside!<br>**[45:55] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not fair. You already got yours...<br>**[45:58] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Tsuzuki-san...<br>**[46:01] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuzuki-san... I don't want this.<br>**[46:03] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared...<br>**[46:06] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are a nasty little creature...<br>**[46:12] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[46:14] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to beat that out of you.<br>**[46:17] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said I was fine the way I was.<br>**[46:19] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not literally all the time!<br>**[46:21] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really delight in tormenting me?<br>**[46:23] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who—<br>**[46:25] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said no!<br>**[46:26] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've half-convinced me.<br>**[46:29] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'll only put it in halfway.<br>**[46:31] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not much of a difference!<br>**[46:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[46:34] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you, so shut your mouth.<br>**[46:36] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want this!<br>**[46:37] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, it hurts! It hurts!<br>**[46:41] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[46:42] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[46:46] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't fool me again!<br>**[46:49] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pain is real, though!<br>**[46:51] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll hurt more if you struggle.<br>**[46:53] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breathe... slow and deep...<br>**[46:59] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you in halfway yet?<br>**[47:01] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet...<br>**[47:05] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No...<br>**[47:08] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kei... Kei!<br>**[47:12] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I can't stop myself.<br>**[47:24] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Liar... You said... only halfway...<br>**[47:27] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... you put the whole thing in...<br>**[47:30] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you got me...<br>**[47:33] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm just swept away<br>&nbsp;&nbsp;&nbsp;&nbsp;by your beauty...<br>**[47:36] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, stow it!<br>**[47:38] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take it slow.<br>**[47:44] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap. This sucks...<br>**[47:48] Ushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I remember this, I won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to go anywhere else...<br>**[47:54] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stupid...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Show Ratings<br>
&nbsp;&nbsp;&nbsp;&nbsp; The News
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Revamp First Episode <br>
&nbsp;&nbsp;&nbsp;&nbsp;Average Rating: <br>
&nbsp;&nbsp;&nbsp;&nbsp;23.5%<br>
&nbsp;&nbsp;&nbsp;&nbsp;Celebrate! High ratings!<br>
&nbsp;&nbsp;&nbsp;&nbsp;We took our timeslot!
<br>**[48:06] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunieda!<br>**[48:08] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[48:10] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for you.<br>**[48:12] Shi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, putting him on now.<br>**[48:18] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[48:19] Asu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Good morning. Great work last night.*<br>**[48:22] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Asuo-san?<br>**[48:24] Asu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry to burden you with all that.*<br>**[48:26] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not at all...<br>**[48:28] Asu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You kept the show going smoothly.*<br>**[48:31] Asu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you go next, Kunieda.*<br>**[48:34] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate that.<br>**[48:36] Asu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got high hopes.*<br>**[48:38] Asu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course, I would've done it better.*<br>**[48:41] Asu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd planned to take it easy for a while,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've changed my mind.<br>**[48:46] Asu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm coming back as soon as I can.<br>**[48:50] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be happy to see you then, Asuo-san.<br>**[52:28] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sports is up next.<br>**[52:30] Kei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minagawa-san, over to you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Locker Room
<br>**[52:33] Mina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[52:34] Mina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's talk about baseball!<br>**[52:35] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Minagawa Tatsuki, will interview<br>&nbsp;&nbsp;&nbsp;&nbsp;the player who brought his team to victory<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minagawa Tatsuki
<br>**[52:40] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a come-from-behind home run!<br>**[52:44] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an exclusive interview with *The News*!<br>**[52:47] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't want to miss it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The End
<br>