# E6 - Honeysuckle

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRZJ80QK6/honeysuckle)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:21] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seven days ago, on December 10th,*<br>**[00:24] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the body of a popular actor of the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Senba-za troupe, Tachibanaya Otojirou,*<br>**[00:27] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was discovered at his home.*<br>**[00:30] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Beside him, lay a "living doll,"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;its mouth stained with blood.*<br>**[00:34] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A doll known as "Kinginka."*<br>**[00:38] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Recently, Otojirou has visited the doll*<br>*&nbsp;&nbsp;&nbsp;&nbsp;museum "Kugutsukan" nearly every day*<br>**[00:43] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to view the doll Kinginka on display.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kikunyuusha                 Milk<br>
&nbsp;&nbsp;&nbsp;&nbsp; Newspapers
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Milk Newspapers Kikunyuusha
<br>**[00:46] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are many witnesses to his visits.*<br>**[00:53] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to rumors, this Kinginka,*<br>**[00:56] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;bound by Otojirou's love for her,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;gained a living spirit,*<br>**[01:02] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and, in the dead of night,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when the lights of Asakusa sleep,*<br>**[01:05] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she roams the city.*<br>**[01:10] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The world today overflows*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the irrational and the absurd.*<br>**[01:13] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Here, a deep attachment was formed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;between a human and a doll,*<br>**[01:17] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and this eerie lover's suicide*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has captured the public eye.*<br>**[01:26] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san!<br>**[01:28] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[01:29] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please...<br>**[01:31] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, help me... Yoshii-sama!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Woodpecker Detective's Office
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Poem 6 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Honeysuckle
<br>**[03:12] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[03:15] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Causing you so much trouble like this...<br>**[03:17] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. There's no need to worry about that.<br>**[03:20] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has something happened?<br>**[03:22] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems lately you haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;been coming here to work.<br>**[03:25] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, it's about that incident...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Asakusa Daily News
<br>**[03:31] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Man-eating Doll, Kinginka"?<br>**[03:39] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly.<br>**[03:41] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rumors of the masses are<br>&nbsp;&nbsp;&nbsp;&nbsp; ridiculous, don't you think?<br>**[03:44] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying a doll killed a real, live human...<br>**[03:47] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, the culprit already<br>&nbsp;&nbsp;&nbsp;&nbsp;turned himself in, hasn't he?<br>**[03:50] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I recall, he was a younger<br>&nbsp;&nbsp;&nbsp;&nbsp; member of the same troupe<br>**[03:52] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;as the murdered actor, Otojiro—<br>**[03:54] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[03:55] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjaku-sama would never kill anyone!<br>**[03:59] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kiku-san?<br>**[04:02] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who killed Otojirou-san was Kinginka.<br>**[04:06] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjaku-sama would never...<br>**[04:10] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be... the actor they arrested...<br>**[04:14] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... My beloved...<br>**[04:17] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuuki Senjaku-sama.<br>**[04:20] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[04:21] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please prove that Senjaku-sama is innocent!<br>**[04:24] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But...<br>**[04:25] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was Kinginka who killed Otojirou-san.<br>**[04:28] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, the doll is still<br>&nbsp;&nbsp;&nbsp;&nbsp;missing from Kugutsukan,<br>**[04:32] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;walking the streets.<br>**[04:34] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if we can catch Kinginka, then...<br>**[04:37] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the only way to save Senjaku-sama...<br>**[04:45] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:46] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I shall—<br>**[04:47] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll help you!<br>**[04:49] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ishikawa-kun!<br>**[04:51] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you...<br>**[04:52] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the thing is,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little short on cash...<br>**[04:55] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I could earn myself<br>&nbsp;&nbsp;&nbsp;&nbsp;a little spending money.<br>**[04:58] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a poet, Ishikawa Takuboku.<br>**[05:01] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've waited on us here quite a few times.<br>**[05:04] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:05] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be frank with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm running a detective's agency,<br>**[05:09] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've managed to solve<br>&nbsp;&nbsp;&nbsp;&nbsp;quite a few difficult cases.<br>**[05:13] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;My!<br>**[05:13] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'm more than willing<br>&nbsp;&nbsp;&nbsp;&nbsp;to lend my talents here,<br>**[05:17] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but not for free.<br>**[05:19] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, how much would I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay for you to...<br>**[05:21] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop right there, Ishikawa-kun.<br>**[05:23] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cut in on this business,<br>**[05:25] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you intend to take payment, too?<br>**[05:31] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do apologize. To think<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd help pay, too, Yoshii-kun.<br>**[05:35] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since Kyousuke-san cut ties with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;he won't lend me even a tiny bit.<br>**[05:39] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite a problem.<br>**[05:40] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, you're quite the schemer, aren't you?<br>**[05:44] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[05:45] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's obvious that Kinginka's "walking"<br>&nbsp;&nbsp;&nbsp;&nbsp;must be someone playing tricks.<br>**[05:49] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A doll couldn't possibly<br>&nbsp;&nbsp;&nbsp;&nbsp;have killed Otojirou.<br>**[05:53] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the person behind Kinginka's<br>&nbsp;&nbsp;&nbsp;&nbsp;"walking" is exposed<br>**[05:56] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it's shown to be simply a trick,<br>**[05:58] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;then she won't be able to deny the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that her beloved is the killer anymore.<br>**[06:02] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you gently approach<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san in her sorrow...<br>**[06:07] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay double.<br>**[06:08] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:08] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everything works out, I'll pay double!<br>**[06:23] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunately, there don't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be any police or curious onlookers.<br>**[06:27] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait just a moment.<br>**[06:29] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we really going in there?<br>**[06:30] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you want to reveal who's<br>&nbsp;&nbsp;&nbsp;&nbsp;behind Kinginka, don't you?<br>**[06:42] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, this is where Otojirou and<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinginka were found collapsed...<br>**[06:46] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly. This place is creepy.<br>**[06:50] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, they haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;found the murder weapon, have they?<br>**[06:53] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[06:54] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say Senjaku testified that<br>&nbsp;&nbsp;&nbsp;&nbsp;he threw it in the Sumida River.<br>**[07:02] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[07:04] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems Otojirou had quite<br>&nbsp;&nbsp;&nbsp;&nbsp;the obsession with dolls.<br>**[07:08] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He fell in love with Kinginka."<br>**[07:10] Takbuoku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This makes that seem possible.<br>**[07:12] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're done here!<br>**[07:13] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's move on.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Man-eating Doll Kinginka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Living Dolls On Display
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kugutsukan
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Man-eating Doll Kinginka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Living Doll Kinginka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Man-eating Doll  Kinginka On Display
<br>**[07:26] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you scared?<br>**[07:29] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just dolls.<br>**[07:34] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is quite the elaborate design.<br>**[07:37] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose it would be all right<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a little frightened of this.<br>**[07:43] Tokuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once they've gone this far with it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you just have to laugh, don't you?<br>**[07:46] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Let's go.<br>**[07:50] Man 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;She tore out a man's throat,<br>**[07:52] Man 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they put her back<br>&nbsp;&nbsp;&nbsp;&nbsp;on display just as she was...<br>**[07:54] Man 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's horrific!<br>**[07:56] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems our main objective is next.<br>**[08:09] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Are you all right?<br>**[08:11] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. I'm fine.<br>**[08:14] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what I saw really was...<br>**[08:18] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person's fainted.<br>**[08:19] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carry them out!<br>**[08:21] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dear, dear. It seems we had<br>&nbsp;&nbsp;&nbsp;&nbsp;someone quite sensitive here.<br>**[08:25] manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, children, ladies, those<br>&nbsp;&nbsp;&nbsp;&nbsp;weak of heart, please stand back!<br>**[08:31] manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every evening, every night, she walks,<br>**[08:33] manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;haunting men and tearing at their throats!<br>**[08:35] manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behold, the terrifying Kinginka!<br>**[08:42] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to be the manager here...<br>**[08:47] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was worth seeing, don't you think?<br>**[08:50] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, it was all<br>&nbsp;&nbsp;&nbsp;&nbsp;just tricks for children.<br>**[08:53] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's get to work.<br>**[08:59] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be doing very well.<br>**[09:02] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other doll exhibits are going dark,<br>**[09:05] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;but business is thriving here.<br>**[09:06] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say that. It's all<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to that man-eating doll.<br>**[09:11] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;With business so profitable, the manager<br>&nbsp;&nbsp;&nbsp;&nbsp;must have increased salaries, right?<br>**[09:17] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;The opposite.<br>**[09:19] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's only working on his own appeal.<br>**[09:21] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;By which you mean?<br>**[09:22] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd noticed he got rid of his beard,<br>**[09:24] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;and every night he chases us all out.<br>**[09:27] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;He lives here, you see.<br>**[09:29] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately, at night, he makes sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that everyone who works here leaves.<br>**[09:34] doorman**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's gotta be bringing a woman in.<br>**[09:38] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:43] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad. Seems there was no need<br>&nbsp;&nbsp;&nbsp;&nbsp;for you in this, Ishikawa-kun.<br>**[09:47] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;By which you mean?<br>**[09:48] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one behind the "walking Kinginka" is...<br>**[09:50] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;the manager of the Kugutsukan!<br>**[09:52] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Why do you say that?<br>**[09:54] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't figured it out?<br>**[09:56] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it that turned<br>&nbsp;&nbsp;&nbsp;&nbsp;this uproar into a profit?<br>**[09:59] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be...<br>**[10:01] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;the manager of the Kugutsukan!<br>**[10:02] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[10:03] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Kugutsukan is failing,<br>&nbsp;&nbsp;&nbsp;&nbsp;so to bring more customers in,<br>**[10:08] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;that man becomes Kinginka<br>&nbsp;&nbsp;&nbsp;&nbsp;and wanders the streets.<br>**[10:14] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, he has a motive,<br>**[10:16] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but deciding he's the one behind<br>&nbsp;&nbsp;&nbsp;&nbsp;everything just because of that seems...<br>**[10:18] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you notice the manager<br>&nbsp;&nbsp;&nbsp;&nbsp;has a scar on his chin?<br>**[10:22] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it, he might have...<br>**[10:25] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's likely that he was in a hurry<br>&nbsp;&nbsp;&nbsp;&nbsp;to shave off his beard<br>**[10:28] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;so he could pretend to be Kinginka.<br>**[10:31] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[10:32] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can catch him coming out<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Kugutsukan<br>**[10:35] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;dressed as Kinginka tonight, then...<br>**[10:39] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, seems I underestimated you!<br>**[10:41] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it will be simple,<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you help me catch him,<br>**[10:45] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be inclined to give you<br>&nbsp;&nbsp;&nbsp;&nbsp;a little something.<br>**[10:50] Nomura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[10:51] Nomura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be in a very good mood.<br>**[10:53] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is, Yoshii-kun might be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;win the heart of the girl he likes!<br>**[10:57] Nomura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl he likes? You don't mean...<br>**[11:00] Sakutarou**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean... Kiku-san?<br>**[11:02] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's exactly what I mean.<br>**[11:04] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san... wait for me.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a little longer!<br>**[11:08] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lover's suicide between<br>&nbsp;&nbsp;&nbsp;&nbsp;a human and a doll...<br>**[11:10] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite a fascinating subject, isn't it?<br>**[11:13] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inhuman love. It is a type of love<br>&nbsp;&nbsp;&nbsp;&nbsp;that exists in this world.<br>**[11:18] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a moment?<br>**[11:19] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel bad because it's cold outside,<br>**[11:21] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I was wondering<br>&nbsp;&nbsp;&nbsp;&nbsp;if you'd run an errand for me.<br>**[11:25] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;An errand?<br>**[11:26] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might even help with your story.<br>**[11:43] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! Is Yokoyama Kiku-san here?<br>**[11:58] middle-aged woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san.<br>**[11:59] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[12:00] middle-aged woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Hirai Tarou-san gave this<br>&nbsp;&nbsp;&nbsp;&nbsp;to me just now...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kiku-dono
<br>**[12:05] middle-aged woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he was on an errand for<br>&nbsp;&nbsp;&nbsp;&nbsp; someone named Ishikawa-sensei?<br>**[12:08] middle-aged woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? And at this<br>&nbsp;&nbsp;&nbsp;&nbsp; hour of the night...<br>**[12:11] middle-aged woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather not have any trouble.<br>**[12:19] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Three A.M.<br>**[12:21] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to the Kugutsukan.<br>**[12:23] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will tell you who killed Otojirou.<br>**[12:27] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ishikawa Takuboku."<br>**[13:02] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the manager has already left.<br>**[13:05] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[13:06] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a problem.<br>**[13:08] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;When he comes back dressed as<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinginka, we can catch him then.<br>**[13:12] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:14] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, can't we wait inside?<br>**[13:16] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like it might snow.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Woodpecker <br>
&nbsp;&nbsp;&nbsp;&nbsp;Detective's <br>
&nbsp;&nbsp;&nbsp;&nbsp;Office
<br>**[13:33] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as I thought.<br>**[13:35] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ishikawa-kun.<br>**[13:36] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found makeup and fake blood.<br>**[13:38] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manager really is<br>&nbsp;&nbsp;&nbsp;&nbsp; dressing as Kinginka and—<br>**[13:41] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[13:44] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just this puppet is so handsome.<br>**[13:47] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?<br>**[13:48] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He looks a little like me, doesn't he?<br>**[13:50] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, you...<br>**[13:52] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're only going to fool around,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need your help.<br>**[13:57] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's back.<br>**[13:58] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[14:00] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a person's shadow at the window.<br>**[14:11] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange.<br>**[14:12] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe, after Otojirou,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinginka is after our blood...<br>**[14:19] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being creepy!<br>**[14:21] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, it was Senjaku<br>&nbsp;&nbsp;&nbsp;&nbsp;who killed Otojirou. Not Kinginka.<br>**[14:26] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still think that?<br>**[14:29] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:30] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[14:31] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The root cause of all of this was the<br>&nbsp;&nbsp;&nbsp;&nbsp;murdered Otojirou's sexual disposition.<br>**[14:36] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A deviant lover of dolls.*<br>**[14:39] Takuboku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A fetish for artificially*<br>*&nbsp;&nbsp;&nbsp;&nbsp;created human bodies.*<br>**[14:43] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He had a particular fondness for Kinginka.*<br>**[14:46] Takuboku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even going to the Kugutsukan*<br>*&nbsp;&nbsp;&nbsp;&nbsp;daily couldn't satisfy him.*<br>**[14:49] Takuboku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He began arranging trysts*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with her at his home.*<br>**[14:53] Takuboku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Otojirou probably ordered Senjaku to bring*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kinginka to his house every night,*<br>**[15:00] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and paid the manager some sum of money.*<br>**[15:04] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is, I once saw Kinginka like that.*<br>**[15:09] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, that means that Senjaku was<br>&nbsp;&nbsp;&nbsp;&nbsp;at the scene of the murder, doesn't it?<br>**[15:13] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And his motive?<br>**[15:14] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What motive did Senjaku<br>&nbsp;&nbsp;&nbsp;&nbsp;have to kill Otojirou?<br>**[15:17] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[15:19] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, Senjaku's confessed!<br>**[15:22] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[15:23] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjaku has confessed<br>&nbsp;&nbsp;&nbsp;&nbsp;to a murder he did not commit.<br>**[15:27] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would he do that?<br>**[15:28] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural to think he's<br>&nbsp;&nbsp;&nbsp;&nbsp;covering for the real killer.<br>**[15:31] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one person Senjaku<br>&nbsp;&nbsp;&nbsp;&nbsp;would go so far to protect.<br>**[15:36] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't mean...<br>**[15:38] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[15:39] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who killed Otojirou was...<br>**[15:42] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yokoyama Kiku-san.<br>**[15:44] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... What are you saying?<br>**[15:48] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were talking about motives.<br>**[15:50] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san doesn't have one either, does she?<br>**[15:52] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san's...<br>**[15:53] Takbuoku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her left eye...<br>**[15:57] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a false eye, isn't it?<br>**[15:58] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;And... what of it?<br>**[16:01] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Otojirou, who had an abnormal<br>&nbsp;&nbsp;&nbsp;&nbsp;fixation on man-made bodies,<br>**[16:05] Takbuoku**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you think Kiku-san, with her<br>&nbsp;&nbsp;&nbsp;&nbsp;glass eye, would be the perfect woman?<br>**[16:11] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That night, amid the heavy snow...<br>**[16:13] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otojirou asked Senjaku to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinginka as he always did,<br>**[16:17] Takuboku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and, off-setting the timing,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;called Kiku-san to him...*<br>**[16:41] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is how the events<br>&nbsp;&nbsp;&nbsp;&nbsp;of this case unfolded.<br>**[16:45] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;That can't be...<br>**[16:47] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san would never...<br>**[16:50] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all just guesswork on your part!<br>**[16:51] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Kiku-san wants is to be<br>&nbsp;&nbsp;&nbsp;&nbsp;in this world with Senjaku.<br>**[16:56] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to prove Senjaku's innocence<br>**[16:58] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;without the true killer—<br>&nbsp;&nbsp;&nbsp;&nbsp;herself—being caught,<br>**[17:00] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter the cost, it was<br>&nbsp;&nbsp;&nbsp;&nbsp;absolutely necessary!<br>**[17:10] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone had to be sacrificed.<br>**[17:13] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kiku-san...<br>**[17:18] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that's... the weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;that killed Otojirou. Correct?<br>**[17:26] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she killed us here,<br>&nbsp;&nbsp;&nbsp;&nbsp;she could frame the manager,<br>**[17:29] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had dressed as Kinginka<br>&nbsp;&nbsp;&nbsp;&nbsp;to wander the streets, for everything.<br>**[17:35] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that's what you<br>&nbsp;&nbsp;&nbsp;&nbsp;must have thought, but<br>**[17:37] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;instead, you only ended up<br>&nbsp;&nbsp;&nbsp;&nbsp;proving your own guilt.<br>**[17:43] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san...<br>**[17:45] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as Yoshii-kun said,<br>**[17:47] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is all just the results<br>&nbsp;&nbsp;&nbsp;&nbsp;of my guesswork.<br>**[17:50] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no evidence of your crime.<br>**[18:01] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[18:03] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you've atoned for your crime,<br>**[18:06] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be able to start over.<br>**[18:08] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will wait for you, no matter how long—<br>**[18:10] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[18:16] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[18:18] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I keep you two from talking...<br>**[18:22] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... just want to be with<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjaku-sama... the two of us...<br>**[18:27] Kiku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can have a life together...<br>**[18:29] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do something!<br>**[18:30] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:31] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's your client, right? Do something!<br>**[18:34] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the client here!<br>**[18:35] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! I don't want to die!<br>**[18:36] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither do I!<br>**[18:38] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, you're always—<br>**[18:41] Kyousuke**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the police!<br>**[18:42] Kyousuke**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's there?<br>**[19:07] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you even had it right<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way to the part<br>**[19:10] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;about the manager<br>&nbsp;&nbsp;&nbsp;&nbsp;dressing as Kinginka...<br>**[19:15] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too bad, Yoshii-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;Things didn't go the way you'd hoped.<br>**[19:21] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiku-san isn't the only woman out there.<br>**[19:23] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! That's the spirit!<br>**[19:25] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, should I take you to the foot<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Twelve-stories with me sometime?<br>**[19:28] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'd like that.<br>**[19:31] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it,<br>**[19:32] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;who do you think called out,<br>&nbsp;&nbsp;&nbsp;&nbsp;"This is the police"?<br>**[19:36] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't have asked<br>&nbsp;&nbsp;&nbsp;&nbsp;someone for that, would you?<br>**[19:39] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[19:40] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly. What took him so long?<br>**[19:46] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you hiding here?<br>**[19:52] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[19:54] Kyousuke**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, there's a lot that goes on,<br>&nbsp;&nbsp;&nbsp;&nbsp;you see, between adults...<br>**[19:59] Kyousuke**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you? Why are you here?<br>**[20:02] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a look at the letter<br>&nbsp;&nbsp;&nbsp;&nbsp;Ishikawa-sensei entrusted me with.<br>**[20:06] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I couldn't contain my curiosity,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up coming to see.<br>**[20:10] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that was fun!<br>**[20:12] Hirai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was worth enduring my<br>&nbsp;&nbsp;&nbsp;&nbsp;sleepiness and the cold!<br>**[20:20] Bokusui**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"The mountains have died...*<br>**[20:23] Bokusui**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sea, too, dies, and there is no sound.*<br>**[20:26] Bokusui**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I was young,*<br>**[20:28] Bokusui**<br>&nbsp;&nbsp;&nbsp;&nbsp;*all the world was love."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The mountains have died.  The sea, too, dies, and there is no sound.  When I was young, all the world was love.
<br>**[20:33] Sakutarou**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did he write?<br>**[20:36] Nomura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That it's hard to cut off<br>&nbsp;&nbsp;&nbsp;&nbsp;his feelings for Kiku-san.<br>**[20:39] Sakutaoru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he knew what happened,<br>**[20:41] Sakutaoru**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would make him even more<br>&nbsp;&nbsp;&nbsp;&nbsp;depressed, wouldn't it?<br>**[20:45] Nomura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we are talking about him.<br>**[20:47] Nomura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somewhere on his journey, under<br>&nbsp;&nbsp;&nbsp;&nbsp;a distant sky, he'll find a new love.<br>**[20:52] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To Ishikawa-kun,*<br>**[20:55] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hear that even after Senjaku was released,*<br>**[20:57] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;he insisted that he was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the one who killed Otojirou.*<br>**[21:04] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The bond between him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and Kiku-san must be far stronger*<br>**[21:09] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;*than I could ever imagine.*<br>**[21:12] Yoshii**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which means that there never was any room*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for me to try to get between them.*<br>**[21:24] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In misery...<br>**[21:26] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;even the phrase 'it's you'<br>**[21:28] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to be whispered<br>**[21:30] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world grieves<br>**[21:32] Yoshii**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the end of love."<br>**[21:53] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"P.S.*<br>**[21:56] Takuboku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the language of flowers, the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;honeysuckle, also known as kinginka,*<br>**[22:00] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is 'bonds of love.' A devoted love."*<br>**[22:09] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Somehow feeling*<br>**[22:10] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the desire to try to write something*<br>**[22:12] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I reach for a pen*<br>**[22:16] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Flowers in a vase*<br>**[22:18] Takuboku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A fresh, new morning."*<br>**[23:38] Sakutarou**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I'll follow in Wakayama-kun's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;footsteps and go on a trip.*<br>**[23:40] Nomura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, Shikoku might be nice.*<br>**[23:42] Sakutarou**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But someone's gone ahead of me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: "Gentleman Thief"
<br>**[23:43] Nomura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now, that reward of 500 yen.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Should we go get it?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Illustration: Saki Kaoru
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