# E4 - The Headliner Appears

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GJWU2EW3M/the-headliner-appears)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[00:03] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me repeat myself.<br>&nbsp;&nbsp;&nbsp;&nbsp;One of you is Madame Hannah's murderer,<br>**[00:08] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that I will prove that to you now.<br>**[00:11] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe you.<br>**[00:13] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude, let's hear her out.<br>**[00:16] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we owe her that much.<br>**[00:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[00:23] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let us begin.<br>**[00:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us solve the mystery of<br>&nbsp;&nbsp;&nbsp;&nbsp; who killed Hannah Goddard<br>**[00:31] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and how.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Headliner Appears
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode Four
<br>**[02:04] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;After inspecting the scene of the murder,<br>**[02:07] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was left with seven problems.<br>**[02:11] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, the fact that there was no sign<br>&nbsp;&nbsp;&nbsp;&nbsp;of Madame Hannah noticing the murderer.<br>**[02:15] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second, the fact that the attack did<br>&nbsp;&nbsp;&nbsp;&nbsp; not take place during the day<br>**[02:18] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;when a vampire's powers wane.<br>**[02:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third, the fact that a still usable<br>&nbsp;&nbsp;&nbsp;&nbsp;bottle was left at the scene.<br>**[02:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fourth,<br>**[02:27] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that the murderer seemed<br>&nbsp;&nbsp;&nbsp;&nbsp;to know the layout of the mansion.<br>**[02:31] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifth, the fact that the murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;left the silver stake in the storage room.<br>**[02:35] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of these actions would've<br>&nbsp;&nbsp;&nbsp;&nbsp;been unnatural for any outsider.<br>**[02:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd like to bring the utmost<br>&nbsp;&nbsp;&nbsp;&nbsp;attention to the sixth problem...<br>**[02:45] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to do with sound.<br>**[02:48] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sound?<br>**[02:49] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time of the murder,<br>**[02:50] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude and Alfred were both close<br>&nbsp;&nbsp;&nbsp;&nbsp;to Madame Hannah's room,<br>**[02:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but neither of them heard any<br>&nbsp;&nbsp;&nbsp;&nbsp;sound from that room.<br>**[02:59] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so strange about that?<br>**[03:01] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just means the murderer was cautious.<br>**[03:03] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[03:04] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the murderer had driven the<br>&nbsp;&nbsp;&nbsp;&nbsp;silver spike as hard as they could<br>**[03:08] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;into Madame Hannah's chest,<br>**[03:09] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;it should've made a loud noise,<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to that of hitting a nail.<br>**[03:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are four possible<br>&nbsp;&nbsp;&nbsp;&nbsp;explanations for this.<br>**[03:16] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, that both witnesses are lying.<br>**[03:19] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This would indicate that they<br>&nbsp;&nbsp;&nbsp;&nbsp;colluded in the murder.<br>**[03:23] Alfred**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But I would never—<br>**[03:25] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am aware of that.<br>**[03:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither of you have alibis.<br>**[03:31] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had colluded, you would have<br>&nbsp;&nbsp;&nbsp;&nbsp;worked out fake alibis for each other.<br>**[03:36] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next.<br>**[03:37] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There *was* a sound, but not <br>
&nbsp;&nbsp;&nbsp;&nbsp;when they were near her room.<br>**[03:42] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the murder may<br>&nbsp;&nbsp;&nbsp;&nbsp;have taken place before 1:00 AM.<br>**[03:46] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Rindo...<br>**[03:47] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made certain that there<br>&nbsp;&nbsp;&nbsp;&nbsp;was nothing amiss in the storage room.<br>**[03:51] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes.<br>**[03:53] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, before 1:00 AM, Raoul and<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfred were near her room.<br>**[03:59] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next.<br>**[04:00] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if the murderer *did* hit <br>
&nbsp;&nbsp;&nbsp;&nbsp;the stake with a hammer,<br>**[04:02] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but placed something in between<br>&nbsp;&nbsp;&nbsp;&nbsp;so it wouldn't make a sound?<br>**[04:06] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was plenty of blood<br>&nbsp;&nbsp;&nbsp;&nbsp;on the murderer's coat.<br>**[04:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be proof that when<br>&nbsp;&nbsp;&nbsp;&nbsp;they killed her with the stake,<br>**[04:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was nothing to get in<br>&nbsp;&nbsp;&nbsp;&nbsp;the way of the blood splatter.<br>**[04:17] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, there is only one explanation left.<br>**[04:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer held the stake in their bare hand,<br>**[04:23] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then used strength alone to drive it<br>**[04:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;into Madame Hannah's chest.<br>**[04:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why no one heard<br>&nbsp;&nbsp;&nbsp;&nbsp;any noise at any time.<br>**[04:32] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why didn't the murderer use a<br>&nbsp;&nbsp;&nbsp;&nbsp;hammer to drive the stake in? Alfred?<br>**[04:38] Alfred**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[04:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say you heard a "clank, clank"<br>&nbsp;&nbsp;&nbsp;&nbsp;noise from the lord and madame's room.<br>**[04:45] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, what would you have<br>&nbsp;&nbsp;&nbsp;&nbsp;thought that sound to be?<br>**[04:48] Alfred**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would believe that the madame was<br>&nbsp;&nbsp;&nbsp;&nbsp;repairing some furniture again.<br>**[04:54] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. What about you, Claude?<br>**[04:56] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd think that Mother was tinkering<br>&nbsp;&nbsp;&nbsp;&nbsp;with some furniture again.<br>**[05:00] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct. Even if you had heard<br>&nbsp;&nbsp;&nbsp;&nbsp;the noise of a hammer blow,<br>**[05:02] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;no one in this mansion<br>&nbsp;&nbsp;&nbsp;&nbsp;would find that suspicious.<br>**[05:05] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then perhaps the reason the<br>&nbsp;&nbsp;&nbsp;&nbsp;murderer couldn't use a hammer<br>**[05:08] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;was because it would break the stake itself.<br>**[05:12] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that the murder<br>&nbsp;&nbsp;&nbsp;&nbsp; weapon wasn't the silver stake,<br>**[05:15] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but a stake made from something else.<br>**[05:18] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Ms. Rindo?<br>**[05:20] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found that stake in the storage room...<br>**[05:22] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you saw was a silver stake covered<br>&nbsp;&nbsp;&nbsp;&nbsp;in blood, and Madame Hannah's wound.<br>**[05:27] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[05:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is entirely possible that the<br>&nbsp;&nbsp;&nbsp;&nbsp;murderer used a separate stake<br>**[05:32] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was around the same size.<br>**[05:34] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[05:35] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what would that second stake *be*?<br>**[05:38] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A stake frail enough to break if<br>&nbsp;&nbsp;&nbsp;&nbsp;it were hit by a hammer.<br>**[05:42] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way something like<br>&nbsp;&nbsp;&nbsp;&nbsp;that could kill my wife.<br>**[05:46] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let us now talk about<br>&nbsp;&nbsp;&nbsp;&nbsp;our seventh problem.<br>**[05:50] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we have now, ladies and gentlemen,<br>**[05:52] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a simple bottle left<br>&nbsp;&nbsp;&nbsp;&nbsp;at the scene of the crime.<br>**[05:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer took it out for some reason<br>&nbsp;&nbsp;&nbsp;&nbsp;and left it at the scene on purpose.<br>**[05:59] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;They splashed around holy water, right?<br>**[06:01] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precisely.<br>**[06:03] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, this is the important part.<br>**[06:06] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bottle was dusty, but wiping<br>&nbsp;&nbsp;&nbsp;&nbsp;it off did not remove the dust.<br>**[06:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the outer surface<br>&nbsp;&nbsp;&nbsp;&nbsp;of the bottle was not dirty.<br>**[06:15] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our final problem.<br>**[06:17] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why was there dust on the <br>
&nbsp;&nbsp;&nbsp;&nbsp;*inside* of the bottle?<br>**[06:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the bottle was full of liquid,<br>**[06:24] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be impossible for the<br>&nbsp;&nbsp;&nbsp;&nbsp;inside of the bottle to be dirty.<br>**[06:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the bottle<br>&nbsp;&nbsp;&nbsp;&nbsp;was empty from the start.<br>**[06:33] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to make it look like<br>&nbsp;&nbsp;&nbsp;&nbsp;they splashed holy water around,<br>**[06:36] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the murderer left an empty<br>&nbsp;&nbsp;&nbsp;&nbsp;bottle behind at the scene.<br>**[06:39] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there were definite traces<br>&nbsp;&nbsp;&nbsp;&nbsp;of holy water on Madame Hannah's body.<br>**[06:44] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So where did the holy water come from?<br>**[06:48] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the victim was a vampire,<br>**[06:50] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;a lethal weapon made out of<br>&nbsp;&nbsp;&nbsp;&nbsp;something other than silver,<br>**[06:54] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;something much weaker,<br>&nbsp;&nbsp;&nbsp;&nbsp;could be only one thing.<br>**[06:58] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy water.<br>**[07:02] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer froze holy water,<br>&nbsp;&nbsp;&nbsp;&nbsp;creating a stake made out of ice.<br>**[07:07] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They then took that into the mansion,<br>**[07:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;stabbed Madame Hannah with the ice<br>&nbsp;&nbsp;&nbsp;&nbsp;stake as she slept in her armchair,<br>**[07:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and killed her.<br>**[07:15] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blood splatter was blocked<br>&nbsp;&nbsp;&nbsp;&nbsp;by the coat they were wearing,<br>**[07:17] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the erstwhile holy water stake melted<br>&nbsp;&nbsp;&nbsp;&nbsp;immediately from the high temperature.<br>**[07:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The melting holy water soaked<br>&nbsp;&nbsp;&nbsp;&nbsp;her clothes, and caused her skin to burn.<br>**[07:27] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the murder took place,<br>**[07:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the murderer collected Madame Hannah's<br>&nbsp;&nbsp;&nbsp;&nbsp;blood in some sort of container.<br>**[07:32] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then they left behind the<br>&nbsp;&nbsp;&nbsp;&nbsp;coat they no longer needed,<br>**[07:36] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a blood-flecked bottle,<br>**[07:37] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make it look like the murder<br>&nbsp;&nbsp;&nbsp;&nbsp;had been committed by an outsider,<br>**[07:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then left the room.<br>**[07:42] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer then waited quietly<br>&nbsp;&nbsp;&nbsp;&nbsp;until Lord Godard left to go hunting.<br>**[07:47] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, after Lord Godard<br>&nbsp;&nbsp;&nbsp;&nbsp; checked the storage room,<br>**[07:51] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;they broke the lock and snuck inside.<br>**[07:53] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They then poured Madame<br>&nbsp;&nbsp;&nbsp;&nbsp;Hannah's collected blood<br>**[07:56] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;onto the silver stake to make it look<br>&nbsp;&nbsp;&nbsp;&nbsp;like the true murder weapon.<br>**[07:59] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then all that was left was to have<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard witness that awful sight<br>**[08:03] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;after returning from his hunt.<br>**[08:06] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, this reduces my deduction<br>&nbsp;&nbsp;&nbsp;&nbsp; to but a single problem.<br>**[08:12] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did our murderer use this trick?<br>**[08:16] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsugaru, do you know?<br>**[08:17] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like that soba shop rakugo story.<br>**[08:19] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone was messing with time.<br>**[08:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to try to be clever every time.<br>**[08:24] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless, you are correct.<br>**[08:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The construction of an alibi—<br>**[08:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only reason the murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;would do such a thing.<br>**[08:31] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard thought that<br>&nbsp;&nbsp;&nbsp;&nbsp;the murder took place<br>**[08:34] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;while he was hunting from 1:00 AM to 1:30 AM.<br>**[08:38] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the stake that was in the<br>&nbsp;&nbsp;&nbsp;&nbsp;storage room was not the murder weapon,<br>**[08:41] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would become possible<br>&nbsp;&nbsp;&nbsp;&nbsp;for the crime to take place<br>**[08:44] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;between 12:30 AM—when their<br>&nbsp;&nbsp;&nbsp;&nbsp;meal ended—and 1:00 AM.<br>**[08:47] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;From this information, we now have<br>&nbsp;&nbsp;&nbsp;&nbsp;five conditions the murderer must fulfill.<br>**[08:52] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, they must not have an alibi<br>**[08:54] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the actual time period when the<br>&nbsp;&nbsp;&nbsp;&nbsp;murder took place, from 12:30 AM to 1:00 AM.<br>**[08:58] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second, they must be someone we originally<br>&nbsp;&nbsp;&nbsp;&nbsp;thought unable to commit the crime<br>**[09:02] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;due to their arranged alibi<br>&nbsp;&nbsp;&nbsp;&nbsp;from 1:00 AM to 1:30 AM.<br>**[09:05] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third, they must have had a few minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;to freely move around<br>**[09:08] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;during the latter time period.<br>**[09:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fourth, they must be strong enough<br>**[09:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;to stab someone with a thick<br>&nbsp;&nbsp;&nbsp;&nbsp;stake and break a lock.<br>**[09:17] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifth, they must be skilled enough<br>&nbsp;&nbsp;&nbsp;&nbsp; to have committed the murder<br>**[09:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;without being noticed by vampires<br>&nbsp;&nbsp;&nbsp;&nbsp;with their heightened senses.<br>**[09:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's discuss the first condition.<br>**[09:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only ones who do not have<br>&nbsp;&nbsp;&nbsp;&nbsp;an alibi from 12:30 AM to 1:00 AM<br>**[09:31] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;are the two servants and Raoul.<br>**[09:34] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of these three, the two that fulfill the<br>&nbsp;&nbsp;&nbsp;&nbsp;second condition are Giselle and Raoul.<br>**[09:39] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[09:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;These two also fulfill the third condition.<br>**[09:43] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raoul came after Lord Godard<br>&nbsp;&nbsp;&nbsp;&nbsp;a minute after he left.<br>**[09:49] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had plenty of time to go into the<br>&nbsp;&nbsp;&nbsp;&nbsp;storage room and stage the silver stake.<br>**[09:53] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giselle also testified that she left<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Charlotte's side for a few minutes<br>**[09:58] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;to go to the bathroom.<br>**[09:59] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the only one who has<br>&nbsp;&nbsp;&nbsp;&nbsp;the abilities required<br>**[10:03] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the fourth and fifth conditions...<br>**[10:05] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Raoul.<br>**[10:08] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute! There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;way I could've done that!<br>**[10:12] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't stage the stake!<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even touch silver!<br>**[10:15] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. There were fingerprints<br>&nbsp;&nbsp;&nbsp;&nbsp;in the blood on the silver stake.<br>**[10:20] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably, you reflexively grasped it when you<br>**[10:23] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;were covering it in Madame Hannah's blood.<br>**[10:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if Raoul is truly the murderer,<br>&nbsp;&nbsp;&nbsp;&nbsp;his hand should be burnt.<br>**[10:32] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, his hand is unharmed.<br>**[10:35] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of that, no one's hands show<br>&nbsp;&nbsp;&nbsp;&nbsp;any signs of having been burnt.<br>**[10:41] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?!<br>**[10:42] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deciding factor is a vampire's<br>&nbsp;&nbsp;&nbsp;&nbsp;regenerative abilities.<br>**[10:46] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the final trick<br>&nbsp;&nbsp;&nbsp;&nbsp;in our murderer's scheme.<br>**[10:52] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the body was discovered,<br>**[10:53] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;he excused himself due to his anxiety.<br>**[10:56] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He then took one of the swords<br>&nbsp;&nbsp;&nbsp;&nbsp;from the wall in his room<br>**[11:00] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and cut off his own fingers.<br>**[11:04] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This would be unfathomable for a<br>&nbsp;&nbsp;&nbsp;&nbsp;mere human, but he's a vampire.<br>**[11:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is how the murderer was able to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp; evidence of his burns so quickly.<br>**[11:24] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such an unrefined murderer...<br>**[11:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't even finished my explanation,<br>&nbsp;&nbsp;&nbsp;&nbsp; and yet you decided to out yourself.<br>**[11:30] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite all right, Shizuku-san.<br>**[11:32] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please look after Master for me.<br>**[11:33] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take care of the lad.<br>**[11:52] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now...<br>**[11:55] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't have you trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to rough up my master.<br>**[11:59] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raoul set his plan in motion<br>&nbsp;&nbsp;&nbsp;&nbsp;after last week's attack.<br>**[12:04] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He contacted a hunter named Hugo,<br>**[12:07] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and told him that he would create an<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunity for Hugo to attack Lord Godard.<br>**[12:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, Hugo went along with this.<br>**[12:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raoul's plan was to get his silver<br>&nbsp;&nbsp;&nbsp;&nbsp;stake into the storage room<br>**[12:18] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;while he held onto the stake's case.<br>**[12:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that you all go to church.<br>**[12:25] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, it must've been easy<br>&nbsp;&nbsp;&nbsp;&nbsp;to secretly obtain some holy water.<br>**[12:29] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He filled the case with holy water,<br>**[12:32] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and created an ice stake exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;the same size as the silver stake.<br>**[12:38] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for his motive, it was probably his<br>&nbsp;&nbsp;&nbsp;&nbsp;objection to being a human ally,<br>**[12:43] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;since it appears as though your sons<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't fond of humans the way you are.<br>**[12:47] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need proof, I'm sure you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;find quite a few things in his room.<br>**[12:52] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bottle he used to collect<br>&nbsp;&nbsp;&nbsp;&nbsp;Madame Hannah's blood,<br>**[12:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the sword he used to cut off his fingers,<br>**[12:57] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the cloth he wrapped his hand with<br>&nbsp;&nbsp;&nbsp;&nbsp;to hold the ice—<br>**[13:00] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard?<br>**[13:02] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard, are you listening?<br>**[13:05] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Raoul really...<br>**[13:08] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He clearly tried to kill me just now.<br>**[13:11] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing could be a clearer confession.<br>**[13:18] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...<br>**[13:21] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I to do?<br>**[13:24] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fear not.<br>**[13:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just leave this to my assistant.<br>**[13:28] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Japan, we'd say...<br>&nbsp;&nbsp;&nbsp;&nbsp;this is when the headliner appears.<br>**[13:34] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all so damn weak.<br>**[13:37] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oho?<br>**[13:38] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father just does everything Mother says.<br>**[13:41] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;My brother's all talk, too!<br>**[13:43] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm nothing like them!<br>**[13:46] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[13:47] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampires are meant to be solitary creatures.<br>**[13:50] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why do we have to stoop to their level?!<br>**[13:54] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dearie me.<br>**[13:56] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I thought if I made it<br>&nbsp;&nbsp;&nbsp;&nbsp;look like a human killed that woman,<br>**[14:01] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father would finally come to his senses!<br>**[14:04] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even that didn't work!<br>**[14:06] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...<br>**[14:08] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;this household is standing in my way.<br>**[14:11] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just have to kill all of them.<br>**[14:16] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upsy-daisy!<br>**[14:26] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, now...<br>**[14:29] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come one, come all!<br>**[14:31] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone is welcome here!<br>**[14:34] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not healing?<br>**[14:35] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're about to witness...<br>**[14:37] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a grand, fearsome, goosebump-raising<br>&nbsp;&nbsp;&nbsp;&nbsp;event that silences crying children.<br>**[14:42] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behold one of the rarest creatures<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world, the Oni Slayer.<br>**[14:47] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know not of my parents' fate,<br>&nbsp;&nbsp;&nbsp;&nbsp;but behold my seething flesh!<br>**[14:52] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;One hit is enough to kill, meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;it's as one-hit-kill as it can be.<br>**[14:56] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world, there isn't a<br>&nbsp;&nbsp;&nbsp;&nbsp;single monster he can't kill.<br>**[14:59] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no. You can pay *after* <br>
&nbsp;&nbsp;&nbsp;&nbsp;you see the performance.<br>**[15:10] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[15:15] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's only if you survive it.<br>**[15:19] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you?!<br>**[15:21] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, I'm going to have you see just that.<br>**[15:28] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;These blue veins tell a story that involves<br>&nbsp;&nbsp;&nbsp;&nbsp;the inhuman and the supernatural!<br>**[15:33] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;And of course it does, because even<br>&nbsp;&nbsp;&nbsp;&nbsp;if I may seem human, I indeed am not!<br>**[15:37] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Inhuman" may sound a bit rude,<br>&nbsp;&nbsp;&nbsp;&nbsp;but please, lend me your ears,<br>**[15:43] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;as I tell you the humiliating tale<br>&nbsp;&nbsp;&nbsp;&nbsp;of Tsugaru Shinuchi.<br>**[15:46] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Away we go!<br>**[15:58] Tsugaru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After the restoration, around*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the year Meiji 30,*<br>**[16:03] Tsugaru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the powers above declared a massacre.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;The supernaturals were going to be purged.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Great Purge
<br>**[16:07] Tsugaru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The rampant yokai were*<br>*&nbsp;&nbsp;&nbsp;&nbsp;chased, captured, and purged.*<br>**[16:11] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this purge was carried out by ruffians...<br>**[16:16] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;who were aptly named the Oni Killers.<br>**[16:19] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ultimate squad, the Oni Killers!<br>**[16:34] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you see just one of its<br>&nbsp;&nbsp;&nbsp;&nbsp;treasured newcomers,<br>**[16:36] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one and only Tsugaru Shinuchi.<br>**[16:40] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite being so far away from home,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's here to perform this terrible charade.<br>**[16:50] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could I have gone wrong?<br>**[16:53] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we were doing so well.<br>**[17:00] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I... I'm not like the others!<br>**[17:04] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone who's around your age<br>&nbsp;&nbsp;&nbsp;&nbsp;says the same exact thing.<br>**[17:08] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means you're exactly like the others.<br>**[17:10] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... Because I'm a vampire!<br>**[17:14] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm noble... and strong!<br>**[17:17] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strong? I don't know about that.<br>**[17:21] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say that Count Dracula<br>&nbsp;&nbsp;&nbsp;&nbsp;had a much harder bite.<br>**[17:30] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished my work.<br>**[17:33] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done.<br>**[17:34] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;A light workout before breakfast...<br>**[17:36] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it *is* still 3:00 AM.<br>**[17:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard...<br>**[17:41] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job ends here, though I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;sure if it was the best ending.<br>**[17:48] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could this happen?<br>&nbsp;&nbsp;&nbsp;&nbsp;With Hannah's ideals guiding our family...<br>**[17:54] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humans and monsters can't live in harmony.<br>**[17:58] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:59] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is straight from the horse's mouth,<br>&nbsp;&nbsp;&nbsp;&nbsp; so there's no doubt about it.<br>**[18:08] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, who are you waiting for?<br>**[18:11] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some weird guy holding a birdcage.<br>**[18:13] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;A birdcage?<br>**[18:14] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking about the Cage User?<br>&nbsp;&nbsp;&nbsp;&nbsp; So he's already here!<br>**[18:18] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course he's here. He's about to leave.<br>**[18:21] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What about the case? Was it solved?<br>**[18:27] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Shinuchi!<br>**[18:29] Tsugar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, hello there.<br>**[18:31] Tsugar**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a coincidence, Miss Annie.<br>&nbsp;&nbsp;&nbsp;&nbsp; How can I help you?<br>**[18:34] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why... I came here to interview you two.<br>**[18:37] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you doing, Ms. Rindo?<br>**[18:39] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other than the fact that I'm a severed head,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing quite well.<br>**[18:43] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that you solved the<br>&nbsp;&nbsp;&nbsp;&nbsp;case in a single night,<br>**[18:46] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;but could you tell me how it wrapped up?<br>**[18:49] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, word travels fast.<br>**[18:52] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I work for the great<br>&nbsp;&nbsp;&nbsp;&nbsp;Epoc News after all.<br>**[18:54] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Shizuku, you heard the lady.<br>**[18:56] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you start loading our lugga—<br>**[18:58] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you doing?! Look out!<br>**[19:00] Shizuku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just remembered Lady Aya's<br>&nbsp;&nbsp;&nbsp;&nbsp;order from yesterday.<br>**[19:05] Shizuku**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wanted me to strike you.<br>**[19:07] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to remember that<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're holding a trunk!<br>**[19:11] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look after my master for a minute, would you?<br>**[19:15] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;They really don't get along.<br>**[19:17] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're basically like siblings.<br>**[19:19] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, could you ask the butler<br>&nbsp;&nbsp;&nbsp;&nbsp;how everything turned out in the case?<br>**[19:24] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a few things to speak<br>&nbsp;&nbsp;&nbsp;&nbsp;with Lord Godard about.<br>**[19:27] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[19:33] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right, Lord Godard?<br>**[19:36] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard?<br>**[19:37] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... I know there's no way to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep this a secret from the world.<br>**[19:42] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I meant.<br>**[19:44] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right for you to be outdoors like this?<br>**[19:47] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes. That's right.<br>**[19:51] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sun will be rising soon.<br>**[19:53] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then nightfall will come once more.<br>**[19:56] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to regret, Lord Godard.<br>**[19:59] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we lose our reputations, we can<br>&nbsp;&nbsp;&nbsp;&nbsp; retry as many times as we need.<br>**[20:05] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're undying monsters, after all.<br>**[20:09] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[20:11] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what did you<br>&nbsp;&nbsp;&nbsp;&nbsp;want to speak with me about?<br>**[20:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes. Do you know anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who fits this description?<br>**[20:19] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man in his early seventies<br>&nbsp;&nbsp;&nbsp;&nbsp;with a slender build,<br>**[20:21] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;sunken eyes and terrible posture.<br>**[20:23] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;His right leg is a prosthetic,<br>&nbsp;&nbsp;&nbsp;&nbsp;and he carries a black cane.<br>**[20:26] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the handle, there's an "M"<br>&nbsp;&nbsp;&nbsp;&nbsp; engraved in gold.<br>**[20:31] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man visited a couple of days ago.<br>**[20:35] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[20:36] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't tell me his name. He just<br>&nbsp;&nbsp;&nbsp;&nbsp;asked me to call him "Professor."<br>**[20:40] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;He then asked me if I'd like<br>&nbsp;&nbsp;&nbsp;&nbsp;to go to London with him,<br>**[20:43] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have a family, so I declined.<br>**[20:48] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know him?<br>**[20:50] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the fool who took the rest<br>&nbsp;&nbsp;&nbsp;&nbsp;of my body and about half of Tsugaru's.<br>**[20:56] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you're...<br>**[21:01] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, Mister Shinuchi?<br>**[21:03] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your head seems to be bleeding.<br>**[21:06] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't you worry. I'm used to this.<br>**[21:08] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, the dawn's gonna break soon.<br>&nbsp;&nbsp;&nbsp;&nbsp; We should get goin'.<br>**[21:11] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, the bumpy road of<br>&nbsp;&nbsp;&nbsp;&nbsp;terror awaits us once more.<br>**[21:15] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wheedle a consolation fee from<br>&nbsp;&nbsp;&nbsp;&nbsp;the coachman, if you would.<br>**[21:19] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Easily done!<br>**[21:20] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hang on a sec...<br>**[21:23] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a comment from you to sum up the case.<br>**[21:27] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Lord Godard said he'd lost family<br>&nbsp;&nbsp;&nbsp;&nbsp; members three times during his long life.<br>**[21:33] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here he lost his wife, and thought<br>&nbsp;&nbsp;&nbsp;&nbsp;it would just be the fourth,<br>**[21:38] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then he lost a son as well.<br>**[21:42] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite the tragedy.<br>**[21:44] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[21:45] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that my lady will try to laugh this<br>&nbsp;&nbsp;&nbsp;&nbsp;off as a farce, but it's a true tragedy.<br>**[21:50] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, insult to injury.<br>**[21:52] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;As we say in Japan, "What happens<br>&nbsp;&nbsp;&nbsp;&nbsp;twice will happen thrice,"<br>**[21:57] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the Godard incident took things<br>&nbsp;&nbsp;&nbsp;&nbsp;even further than that.<br>**[22:00] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see...<br>**[22:02] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens four times will <br>
&nbsp;&nbsp;&nbsp;&nbsp;*go*-d*hard* into a fifth.<br>**[22:12] Moriarty**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that Arsene Lupin has<br>&nbsp;&nbsp;&nbsp;&nbsp;appeared at the Opera House.<br>**[22:16] Moriarty**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as he declared in his letter of warning,<br>**[22:19] Moriarty**<br>&nbsp;&nbsp;&nbsp;&nbsp;he stole the jewel on the leading<br>&nbsp;&nbsp;&nbsp;&nbsp;actress's costume and fled.<br>**[22:24] Carmilla**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lupin... The phantom thief<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone's talking about lately?<br>**[22:27] Moriarty**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The phantom thief has taken<br>&nbsp;&nbsp;&nbsp;&nbsp;the Phantom of the Opera,<br>**[22:30] Moriarty**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then disappeared into the city night," it says.<br>**[22:34] Carmilla**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like to do?<br>**[22:36] Moriarty**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let it go, of course. We don't have time<br>&nbsp;&nbsp;&nbsp;&nbsp;to deal with that phantom thief brat.<br>**[22:41] Moriarty**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least not right now.<br>