# E2 - Vampire

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G4VUQ859G/vampire)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A.D.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eastern France<br>
&nbsp;&nbsp;&nbsp;&nbsp;Givre
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Vague de Folie Mansion
<br>**[00:27] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raoul...<br>**[00:29] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hunt is over. Let's head home.<br>**[00:33] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you looking at?<br>**[00:35] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushrooms, Father.<br>**[00:38] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't kill it with the rifle?<br>**[00:40] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I couldn't hit it, so<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no other choice.<br>**[00:43] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why did you even bother bringing it?<br>**[00:46] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mayor was kind enough to send it to me.<br>**[00:48] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to at least try it out.<br>**[00:53] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, using things like<br>&nbsp;&nbsp;&nbsp;&nbsp;this makes a good impression.<br>**[00:57] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like we're meeting humanity halfway.<br>**[00:59] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt we're getting<br>&nbsp;&nbsp;&nbsp;&nbsp;through to them, though.<br>**[01:02] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;That hunter attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;us just the other day.<br>**[01:04] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've treated us harshly ever<br>&nbsp;&nbsp;&nbsp;&nbsp;since Count Dracula was taken out.<br>**[01:08] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly why making a good<br>&nbsp;&nbsp;&nbsp;&nbsp;impression is important.<br>**[01:11] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going to have to get<br>&nbsp;&nbsp;&nbsp;&nbsp;along with humanity from now on,<br>**[01:16] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;whether we like it or not.<br>**[01:28] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to put the rifle away.<br>**[01:31] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you get that silver out of our<br>&nbsp;&nbsp;&nbsp;&nbsp;storage room while you're at it?<br>**[01:34] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silver?<br>**[01:35] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weapon we took from that hunter.<br>**[01:39] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why keep something so dangerous in the house?<br>**[01:41] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Part of making a good impression?<br>**[01:43] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[01:45] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't we be safer holding onto it,<br>**[01:47] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than letting it fall into<br>&nbsp;&nbsp;&nbsp;&nbsp;another hunter's hands?<br>**[01:50] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made sure it's locked up,<br>&nbsp;&nbsp;&nbsp;&nbsp;so Charlotte doesn't play with—<br>**[01:54] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:58] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[02:17] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our blood...<br>**[02:19] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raoul, stay behind me. Do not stray!<br>**[02:22] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why?<br>**[02:24] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not leave my side! No matter what!<br>**[02:27] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude!<br>**[02:30] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude! Hannah!<br>**[02:32] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Father?<br>**[02:34] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude, are you all right?<br>**[02:36] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[02:38] Alfred**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the matter, my lord?<br>**[02:41] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfred, it appears we've had an intruder.<br>**[02:44] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you notice anything?<br>**[02:45] Alfred**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I haven't seen anything.<br>**[02:49] Alfred**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was in the office this whole time.<br>**[02:51] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Charlotte?<br>**[02:53] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's in the laundry room with Giselle.<br>**[02:59] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been so loud this whole time.<br>**[03:04] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father!<br>**[03:13] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father...<br>**[03:15] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay here.<br>**[03:27] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hannah?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Vampire
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode Two
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Lady Wife of Lord Godard Murdered<br>
&nbsp;&nbsp;&nbsp;&nbsp;Was This the Work of a Vampire Hunter?"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"The First Murder Among the Human Allies"
<br>**[05:28] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, this is a warning.<br>**[05:31] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We'll do the same to you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you don't back off."<br>**[05:33] Reporter B**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they don't stop being human allies, you mean?<br>**[05:36] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm sure there are some<br>&nbsp;&nbsp;&nbsp;&nbsp;extremist hunters out there<br>**[05:40] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;who hate the thought of<br>&nbsp;&nbsp;&nbsp;&nbsp;monsters getting rights.<br>**[05:42] Reporter B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumors say it could be one<br>&nbsp;&nbsp;&nbsp;&nbsp;of Royce's agents, too.<br>**[05:44] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't know who did it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you ask me, they did nothing wrong.<br>**[05:48] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[05:50] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard signed a written oath<br>&nbsp;&nbsp;&nbsp;&nbsp;that he wouldn't drink human blood.<br>**[05:55] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he's been given rights—<br>**[05:56] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't trust vampires!<br>**[05:58] Reporter C**<br>&nbsp;&nbsp;&nbsp;&nbsp;There he is!<br>**[06:01] Reporters**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard! Lord Godard!<br>**[06:03] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard! I'm with Est News.<br>**[06:05] Reporter A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you give us your thoughts<br>&nbsp;&nbsp;&nbsp;&nbsp;about this incident?<br>**[06:08] Reporter D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard! Look over here!<br>**[06:11] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop this. I'm going out<br>&nbsp;&nbsp;&nbsp;&nbsp;to see the judge right now.<br>**[06:15] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please move.<br>**[06:16] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move!<br>**[06:18] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard!<br>**[06:20] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;How old are you?<br>**[06:22] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a correspondent with the Epoc News.<br>**[06:23] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name's Annie Kerber, and I'm fourteen.<br>**[06:26] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the police statement,<br>**[06:28] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;the investigation of this<br>&nbsp;&nbsp;&nbsp;&nbsp;murder is still ongoing.<br>**[06:30] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ongoing? That's absurd.<br>**[06:33] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've as good as dropped it.<br>**[06:35] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't had a drop of human<br>&nbsp;&nbsp;&nbsp;&nbsp;blood for over twenty years.<br>**[06:39] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family and I go to church<br>&nbsp;&nbsp;&nbsp;&nbsp;on Sunday evenings, as well!<br>**[06:42] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think we<br>&nbsp;&nbsp;&nbsp;&nbsp;deserve this treatment?!<br>**[06:45] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying this is social discrimination<br>&nbsp;&nbsp;&nbsp;&nbsp;against vampires who are human allies?<br>**[06:50] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's exactly what I'm saying.<br>**[06:52] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you write that<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard is resentful of<br>**[06:55] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;how the police have been handling this.<br>**[06:57] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Extremely* resentful.<br>**[06:59] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how are you planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;get to the bottom of this?<br>**[07:02] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to hire a detective.<br>**[07:04] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear there's a duo from the east—<br>**[07:06] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Detectives who specialize in monster cases.<br>**[07:09] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Monster cases?<br>**[07:10] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean Aya Rindo and Tsugaru Shinuchi?<br>**[07:14] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I believe those were their names.<br>**[07:21] Annie**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's coming... The Cage User is coming here!*<br>**[07:30] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, driver.<br>**[07:32] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, boss?<br>**[07:33] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think we're shaking a bit too much?<br>**[07:36] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we're on a country road.<br>**[07:38] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, all the rattling is hurting<br>&nbsp;&nbsp;&nbsp;&nbsp;my ass and giving me heartburn.<br>**[07:43] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;My master here says she's ready to hurl.<br>**[07:47] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;And believe me, the complaints and insults<br>**[07:49] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;that come from my master's<br>&nbsp;&nbsp;&nbsp;&nbsp;mouth are more than enough.<br>**[07:52] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be there soon.<br>**[07:54] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, you're the one who asked me to hurry.<br>**[07:58] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if you could *slowly* hurry...<br>**[08:01] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious!<br>**[08:03] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough, Tsugaru.<br>**[08:04] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Master. You seem better.<br>**[08:06] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not, but if we're<br>&nbsp;&nbsp;&nbsp;&nbsp;almost there, I'll survive.<br>**[08:11] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, even if I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurl, I have no way of doing so.<br>**[08:15] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welp, you got me there.<br>**[08:21] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;They proved one of the merfolk<br>&nbsp;&nbsp;&nbsp;&nbsp;innocent of murder in Norway,<br>**[08:26] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;and solved a case dealing<br>&nbsp;&nbsp;&nbsp;&nbsp;with a golem in Belgium.<br>**[08:30] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear they are very talented detectives.<br>**[08:32] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;How so?<br>**[08:33] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure.<br>**[08:35] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;The judge has abandoned us, too.<br>**[08:37] Claude**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you can trust them?<br>**[08:38] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're better than the police.<br>**[08:49] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, classy.<br>**[08:52] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss.<br>**[08:53] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could get that payment now...<br>**[08:55] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Payment? For what?<br>**[08:57] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fare for the carriage ride, of course.<br>**[08:59] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;One way is three francs.<br>**[09:01] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a bit steep.<br>**[09:02] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it *was* a long ride...<br>**[09:04] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't seem fair, given<br>&nbsp;&nbsp;&nbsp;&nbsp;how bumpy the ride was.<br>**[09:07] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, you're not trying to...<br>**[09:10] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not trying to get out of paying you.<br>**[09:13] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to return the carriage.<br>**[09:16] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You can't return a horse-drawn carriage!<br>**[09:20] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? And why is that?<br>**[09:23] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean...<br>**[09:24] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I already drove you all the way here!<br>**[09:28] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:29] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if you'd be so kind as to drive<br>&nbsp;&nbsp;&nbsp;&nbsp;us back to where we started...<br>**[09:33] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll have returned it.<br>**[09:35] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh...<br>**[09:36] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now...<br>**[09:38] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough, Tsugaru.<br>**[09:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, think about this rationally.<br>**[09:43] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's trying to cheat you out<br>&nbsp;&nbsp;&nbsp;&nbsp;of a round-trip fare.<br>**[09:47] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Boss?<br>**[09:49] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough, Tsugaru.<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop troubling the poor driver.<br>**[09:52] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to have had enough<br>&nbsp;&nbsp;&nbsp;&nbsp;misfortune already.<br>**[09:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been sober for a week after his<br>&nbsp;&nbsp;&nbsp;&nbsp;wife yelled at him about his drinking.<br>**[09:59] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How do you know about Natalie?<br>**[10:01] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't act so unsettled.<br>&nbsp;&nbsp;&nbsp;&nbsp;I could tell from your clothes.<br>**[10:06] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, if you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;demand your payment soon,<br>**[10:08] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's going to try to get out of it again.<br>**[10:10] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, r-right.<br>**[10:12] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, boss, that'll be three francs.<br>**[10:14] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you knock off one franc?<br>**[10:17] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss...<br>**[10:19] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, boss. Two francs will be fine.<br>**[10:23] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;But please, hurry!<br>**[10:25] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;cash on me right now.<br>**[10:28] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have to get the<br>&nbsp;&nbsp;&nbsp;&nbsp;payment from Lord Godard.<br>**[10:34] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-L-Lord Godard!<br>**[10:37] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need two francs from you.<br>**[10:38] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you?<br>**[10:40] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our driver, Hattsuan.<br>**[10:42] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name's Mark!<br>**[10:43] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, this is Mark.<br>**[10:45] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like him to drive us back, so would<br>&nbsp;&nbsp;&nbsp;&nbsp;you let him rest here for a bit?<br>**[10:48] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to be a bit worked up.<br>**[10:52] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfred, show him to a room<br>&nbsp;&nbsp;&nbsp;&nbsp; and get him his payment.<br>**[10:56] Alfred**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[10:57] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you, sir.<br>**[11:00] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you...<br>**[11:02] Mark**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you...<br>**[11:04] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who might you be?<br>**[11:06] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you.<br>**[11:08] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the Cage User who came<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way from Japan.<br>**[11:12] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Tsugaru Shinuchi.<br>**[11:14] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name may mean "headliner," but<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm more of an opening act, at heart.<br>**[11:19] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to working with ya.<br>**[11:21] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Jean Duchet Godard. And these are...<br>**[11:24] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude, my eldest,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Raoul, my second son.<br>**[11:28] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that you specialize in monster cases.<br>**[11:31] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, but I am a mere apprentice.<br>**[11:34] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;My master's the one that<br>&nbsp;&nbsp;&nbsp;&nbsp; handles all the actual work.<br>**[11:37] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't recall making you<br>&nbsp;&nbsp;&nbsp;&nbsp; my apprentice, Tsugaru.<br>**[11:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just my assistant.<br>**[11:42] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er... is this Ms. Aya Rindo?<br>**[11:45] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. I am Aya Rindo.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an honor to meet you.<br>**[11:49] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something wrong?<br>**[11:50] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no. I just didn't realize the<br>&nbsp;&nbsp;&nbsp;&nbsp;detective was a lady.<br>**[11:54] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see. I guess it is hard to tell.<br>**[11:57] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, she lacks a chest, after all.<br>**[12:00] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something, Tsugaru?<br>**[12:01] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, not a word. My apologies.<br>**[12:04] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that one was quite funny.<br>**[12:09] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shizuku, strike Tsugaru for me later.<br>**[12:11] Shizuku**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish, Lady Aya.<br>**[12:14] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite my physical state, I will<br>&nbsp;&nbsp;&nbsp;&nbsp;have no problem solving this case,<br>**[12:18] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so have no fear.<br>**[12:20] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will track down the murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;who killed your wife.<br>**[12:24] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, right. I'll be counting on you.<br>**[12:27] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, let us take your<br>&nbsp;&nbsp;&nbsp;&nbsp;luggage to your rooms.<br>**[12:30] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfred.<br>**[12:31] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no need. I'll have Shizuku carry them.<br>**[12:36] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, hey! Shizuku, you seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to have forgotten my trunk.<br>**[12:40] Shizuku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can carry your own luggage.<br>**[12:42] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So cold. And unkind...<br>**[12:45] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shizuku, carry Tsugaru's, as well.<br>**[12:48] Shizuku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Lady Aya.<br>**[12:54] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who is that maid?<br>**[12:56] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, forgot to introduce her.<br>**[12:58] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is Shizuku Hasei.<br>**[13:01] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then where is Ms. Aya Rindo?<br>**[13:02] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I was wondering why this<br>&nbsp;&nbsp;&nbsp;&nbsp;conversation felt weird.<br>**[13:06] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard, had you not done<br>&nbsp;&nbsp;&nbsp;&nbsp;any research on us?<br>**[13:11] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had done some basic research, but<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't find any specific details.<br>**[13:15] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm not surprised.<br>**[13:18] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that those who<br>&nbsp;&nbsp;&nbsp;&nbsp;have encountered me before<br>**[13:20] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;thought no one would believe<br>&nbsp;&nbsp;&nbsp;&nbsp;them if they talked about me.<br>**[13:24] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tsugaru.<br>**[13:25] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes'm.<br>**[13:27] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This* is my master.<br>**[13:37] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to properly introduce myself.<br>&nbsp;&nbsp;&nbsp;&nbsp; My name is Aya Rindo.<br>**[13:40] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am, by occupation, a detective.<br>**[13:43] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite fitting, considering<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm only able to use my head.<br>**[13:48] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be happy to answer any<br>&nbsp;&nbsp;&nbsp;&nbsp;questions you may have.<br>**[13:51] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you still alive<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're only a head?!<br>**[13:54] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite simple, really.<br>**[13:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead. Therefore, I'm alive.<br>**[13:59] Raoul**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you only a head?<br>**[14:01] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I happened to lose the<br>&nbsp;&nbsp;&nbsp;&nbsp;rest of my body about a year ago.<br>**[14:05] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since, I've been<br>&nbsp;&nbsp;&nbsp;&nbsp;living in this birdcage.<br>**[14:08] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you able to stay alive?<br>**[14:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really do love watching<br>&nbsp;&nbsp;&nbsp;&nbsp; everyone's reactions<br>**[14:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;when they see me for the first time.<br>**[14:16] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell me how you found the body?<br>**[14:20] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was in the paper, I believe.<br>**[14:23] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind, please remind me,<br>&nbsp;&nbsp;&nbsp;&nbsp;with as many details as you can remember.<br>**[14:30] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry for making you<br>&nbsp;&nbsp;&nbsp;&nbsp;recall such a traumatic experience.<br>**[14:34] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[14:37] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be accustomed to seeing dead bodies,<br>**[14:39] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd never seen a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of my family killed like that.<br>**[14:43] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I knew it, I lost my<br>&nbsp;&nbsp;&nbsp;&nbsp;composure and started to scream.<br>**[14:48] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many people live in this mansion?<br>**[14:51] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excluding my wife, we are a family of four.<br>**[14:54] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's myself.<br>**[14:55] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's Claude and Raoul,<br>&nbsp;&nbsp;&nbsp;&nbsp;to whom I introduced you earlier.<br>**[14:58] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then there's my youngest,<br>&nbsp;&nbsp;&nbsp;&nbsp;my daughter, Charlotte.<br>**[15:01] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;We also have two human servants.<br>**[15:04] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;A maid named Giselle, and my butler, Alfred.<br>**[15:08] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's served us for over twenty years now.<br>**[15:11] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that the slain Madame<br>&nbsp;&nbsp;&nbsp;&nbsp;Hannah was previously human.<br>**[15:15] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[15:20] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she dabble in carpentry?<br>**[15:22] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hannah loved fixing up antiques.<br>**[15:25] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sounds of metal and wooden mallets<br>&nbsp;&nbsp;&nbsp;&nbsp;resonated through the mansion.<br>**[15:29] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are those swords decorative pieces?<br>**[15:32] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they are real swords.<br>&nbsp;&nbsp;&nbsp;&nbsp;There are more in my sons' rooms.<br>**[15:36] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even when we're injured,<br>&nbsp;&nbsp;&nbsp;&nbsp;we heal in mere seconds,<br>**[15:39] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's no point in using fake swords.<br>**[15:43] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the body still there?<br>**[15:45] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vampire's body decays at an accelerated<br>&nbsp;&nbsp;&nbsp;&nbsp;rate, so we buried her immediately.<br>**[15:50] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have a camera, so I took a picture of her.<br>**[15:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chest wound is just under<br>&nbsp;&nbsp;&nbsp;&nbsp; ten centimeters in diameter.<br>**[15:58] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that it was<br>&nbsp;&nbsp;&nbsp;&nbsp;indeed caused by a stake.<br>**[16:02] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She bled less from the left side<br>&nbsp;&nbsp;&nbsp;&nbsp; of the wound than the right.<br>**[16:07] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder why.<br>**[16:08] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe the body was leaning towards the right?<br>**[16:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her expression seems be peaceful.<br>**[16:12] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no sign of struggle.<br>**[16:14] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard, was Madame Hannah<br>&nbsp;&nbsp;&nbsp;&nbsp;asleep at the time?<br>**[16:18] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We believe that's why<br>&nbsp;&nbsp;&nbsp;&nbsp;we didn't hear her scream.<br>**[16:22] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can assume that her death was swift.<br>**[16:24] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that<br>**[16:25] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the murderer pierced her heart<br>&nbsp;&nbsp;&nbsp;&nbsp;with the stake in a single strike.<br>**[16:29] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you show me what's<br>&nbsp;&nbsp;&nbsp;&nbsp;underneath the chair?<br>**[16:31] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[16:35] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that she was undeniably<br>&nbsp;&nbsp;&nbsp;&nbsp;killed in this spot.<br>**[16:38] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is the back of the chair?<br>**[16:40] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a scratch.<br>**[16:42] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the murder weapon did<br>&nbsp;&nbsp;&nbsp;&nbsp;not go through the body.<br>**[16:46] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our senses are rather keen.<br>**[16:48] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she was attacked in her sleep,<br>**[16:50] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would have to be the work of a<br>&nbsp;&nbsp;&nbsp;&nbsp;hunter who could erase their presence.<br>**[16:54] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the holy water?<br>**[16:56] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it thrown about after the murder?<br>**[16:58] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[17:00] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Godard, were there any<br>&nbsp;&nbsp;&nbsp;&nbsp;wounds on her hands or feet?<br>**[17:03] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, her hands and feet were unharmed.<br>**[17:06] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vampire's cells lose their power<br>&nbsp;&nbsp;&nbsp;&nbsp;some time after death,<br>**[17:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;meaning they won't burn in<br>&nbsp;&nbsp;&nbsp;&nbsp;reaction to holy water.<br>**[17:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the holy water was used<br>&nbsp;&nbsp;&nbsp;&nbsp;immediately after her death.<br>**[17:16] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears some evidence is still here.<br>**[17:20] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsugaru. Pick up that bottle.<br>**[17:24] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's very much a normal bottle.<br>&nbsp;&nbsp;&nbsp;&nbsp;The glass is a bit dusty.<br>**[17:29] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rub it with your sleeve.<br>**[17:30] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[17:33] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did all of the dust come off?<br>**[17:35] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like some anecdote that just won't end.<br>**[17:38] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[17:39] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's absolutely unrelenting.<br>**[17:41] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to try to be clever every time.<br>**[17:43] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me the lid.<br>**[17:45] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hup.<br>**[17:47] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not much, but there's blood on it...<br>**[17:50] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit may have touched<br>&nbsp;&nbsp;&nbsp;&nbsp; it after the murder.<br>**[17:53] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put it down.<br>**[17:56] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that the silver stake in your<br>&nbsp;&nbsp;&nbsp;&nbsp;storage room was taken from a hunter.<br>**[18:01] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he have it in a case of some sort?<br>**[18:04] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he was holding it.<br>**[18:08] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had heard that vampires are burnt<br>&nbsp;&nbsp;&nbsp;&nbsp;when they touch silver or holy water.<br>**[18:12] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any way of avoiding that?<br>**[18:14] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, wrapping cloth<br>&nbsp;&nbsp;&nbsp;&nbsp;around anything silver.<br>**[18:17] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;While that might work... I can't imagine<br>&nbsp;&nbsp;&nbsp;&nbsp;that any of us would willingly touch silver.<br>**[18:23] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was almost burnt just by putting<br>&nbsp;&nbsp;&nbsp;&nbsp;my hand close to the stake.<br>**[18:27] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you're burnt in that way,<br>&nbsp;&nbsp;&nbsp;&nbsp;your vampire regenerative powers...<br>**[18:32] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do not work, of course.<br>**[18:33] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even a slight burn would<br>&nbsp;&nbsp;&nbsp;&nbsp;take about a week to heal.<br>**[18:37] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I had Alfred take<br>&nbsp;&nbsp;&nbsp;&nbsp;the stake from the hunter.<br>**[18:41] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who had keys to the storage room?<br>**[18:44] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only Alfred and myself.<br>**[18:46] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Thank you very much.<br>**[18:49] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, were you able to figure anything out?<br>**[18:52] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just one thing that<br>&nbsp;&nbsp;&nbsp;&nbsp;fails to make sense,<br>**[18:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's the timeline of this crime.<br>**[18:57] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It truly does seem like the murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;came from outside this mansion.<br>**[19:02] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we were to assume that was true,<br>**[19:04] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;certain problems arise.<br>**[19:07] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven in total.<br>**[19:08] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven?<br>**[19:10] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsugaru, lift your finger up.<br>**[19:11] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[19:12] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's start with the first.<br>**[19:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why was there no sign of<br>&nbsp;&nbsp;&nbsp;&nbsp;Madame Hannah waking up?<br>**[19:17] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was far more sensitive<br>&nbsp;&nbsp;&nbsp;&nbsp;to sounds and smells than a human,<br>**[19:20] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's strange that she<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't notice the attacker.<br>**[19:23] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second. Why did the murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;specifically infiltrate at night?<br>**[19:27] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even children are aware that a vampire's<br>&nbsp;&nbsp;&nbsp;&nbsp;power weakens during the day.<br>**[19:33] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;We make sure to lock up tight during the day,<br>**[19:35] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they must've given up.<br>**[19:37] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though they were able to twist<br>&nbsp;&nbsp;&nbsp;&nbsp;open the storage room's lock?<br>**[19:43] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third.<br>**[19:44] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did the murderer leave the<br>&nbsp;&nbsp;&nbsp;&nbsp;holy water bottle at the scene?<br>**[19:49] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably used that coat to avoid<br>&nbsp;&nbsp;&nbsp;&nbsp;any blood splattering onto them,<br>**[19:52] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it would be so easy to<br>&nbsp;&nbsp;&nbsp;&nbsp; take the bottle with them.<br>**[19:55] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unnatural that they left it behind.<br>**[19:57] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fourth.<br>**[19:58] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did the murderer know that<br>&nbsp;&nbsp;&nbsp;&nbsp;the silver stake was in the storage room?<br>**[20:03] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also strange that they'd know the<br>&nbsp;&nbsp;&nbsp;&nbsp;exact location of Madame Hannah's room<br>**[20:09] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when she'd likely be napping.<br>**[20:11] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifth.<br>**[20:13] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did the murderer remove the<br>&nbsp;&nbsp;&nbsp;&nbsp;silver stake after stabbing her<br>**[20:16] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and return it to the storage room?<br>**[20:20] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I'd like you to pay particular<br>&nbsp;&nbsp;&nbsp;&nbsp;attention to the sixth problem.<br>**[20:24] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, we have an issue.<br>**[20:27] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any more<br>&nbsp;&nbsp;&nbsp;&nbsp;free fingers to hold up.<br>**[20:29] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then just stick out your tongue.<br>**[20:31] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bleh.<br>**[20:32] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, the sixth...<br>**[20:33] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maffer.<br>**[20:33] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:35] Tsugaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whaf should we oo abouf the sevenf?<br>**[20:38] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lift up your leg or something.<br>**[20:43] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Rindo.<br>**[20:44] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[20:46] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't look like a seven...<br>**[20:48] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, very well.<br>**[20:50] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll go over the last two later.<br>**[20:53] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Lottie.<br>**[20:56] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are detectives who came to<br>&nbsp;&nbsp;&nbsp;&nbsp;investigate what happened here.<br>**[21:03] Lord Godard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lottie!<br>**[21:05] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsugaru...<br>**[21:07] Aya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough.<br>