# Season 1
# E1 - Oni Slayer
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GX9UQZEX8/oni-slayer)
Translator:
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
***SIGN*** A.D.
***SIGN*** Meiji Year 30
Tokyo
***SIGN*** This is a different Meiji era
***SIGN*** than we know
***SIGN*** Under the flag of Westernization,
***SIGN*** there was a large-scale, organized extermination effort
***SIGN*** aimed at the supernatural, ayakashi, and trickster yokai
**[01:00] A**
Hell yeah, Oni Slayer!
**[01:02] B**
Damn it... He won again.
***SIGN*** They called this
***SIGN*** the Great Purge
**[01:06] Raconteur**
What you have just witnessed, ladies and
gentlemen, is our troupe's main attraction!
**[01:11] Raconteur**
A martial arts show from
our fearsome Oni Slayer!
**[01:14] Raconteur**
How truly exciting! He's so fearsome,
he doesn't even need a metal club!
**[01:18] Raconteur**
Let's give a huge round of applause!
**[01:26] Troupe leader**
Great job out there.
**[01:29] Tsugaru**
Thank you very much, sir.
**[01:31] Tsugaru**
What the hell was that thing anyway?
**[01:33] Troupe leader**
A shokera.
**[01:34] Troupe leader**
There were some stragglers left
in Chichibu after the Great Purge,
**[01:37] Troupe leader**
so I got 'em real cheap.
**[01:39] Tsugaru**
With the authorities watching,
**[01:42] Tsugaru**
I'm surprised you can keep
getting those things.
**[01:44] Troupe leader**
Well, I've got my ways.
**[01:48] Troupe leader**
Hell, our performers may not be the best...
**[01:51] Troupe leader**
But we've got more monsters
than anyone else in Tokyo.
**[01:55] Troupe leader**
Given what I've heard about
the world beyond the sea,
**[01:57] Troupe leader**
we might have the most
entertaining show in the world.
**[02:00] Tsugaru**
Sorry I'm not living
up to your expectations.
**[02:02] Troupe leader**
The hell are you talking about?
You're no performer.
**[02:06] Troupe leader**
You're one of the monsters.
**[02:10] Troupe leader**
The hell do you think
you're doin', you freak?!
**[02:12] Troupe leader**
Get your lazy ass up and onto that stage!
**[02:16] Tsugaru**
He wants to meet with Lord Enma in Hell
**[02:18] Tsugaru**
and try to bribe his way to Paradise.
**[02:21] Tsugaru**
Will it work? Probably not.
**[02:23] Tsugaru**
Oppekepe, oppekepeppo, peppopo.
***SIGN*** This story takes place
***SIGN*** under these social conditions
***SIGN*** It is what one might call
***SIGN*** a farce
***SIGN*** Oni Slayer
***SIGN*** Episode One
**[04:16] Scraps seller**
All right, here's the goods for today.
**[04:18] Woman A**
Outta my way!
**[04:20] Man A**
Hey, I was first!
**[04:21] Man B**
Hey! I'll pay an extra sen!
Gimme that potato!
**[04:25] Woman A**
You bastard! I'm starving way more than you!
**[04:36] Kids**
He's gonna eat us!
**[04:38] Pops**
Here ya go.
**[04:39] Pops**
Got some from the navy.
**[04:42] Pops**
You ain't gonna find it
this cheap anywhere else.
**[04:44] Pops**
You're in luck, pal.
**[04:46] Pops**
It might not be any of my business,
**[04:48] Pops**
but if you've got money to drink,
maybe you should go to the doctor.
**[04:52] Tsugaru**
And why's that?
**[04:53] Pops**
Venereal disease, right?
**[05:11] Rickshaw driver**
Damn it! I overslept!
**[05:12] Man C**
That thing's an ayakashi!
**[05:13] Child A**
Let's kill it already!
**[05:17] Man C**
This damn thing's fightin' back!
**[05:20] Woman B**
Just kill it already!
**[05:23] Man C**
Hey, you!
**[05:24] Man C**
You're an Oni Slayer, ain't ya?
**[05:25] Man C**
Get rid of this monster for us!
**[05:27] Tsugaru**
I hate to break it to you,
but that's just a cat.
**[05:30] Tsugaru**
It ain't no monster or the like.
**[05:32] Child A**
You liar!
**[05:33] Child A**
I've never seen a cat like that before!
**[05:44] Tsugaru**
I'm terribly sorry, but an Oni Slayer
like me can't kill a cat.
**[05:48] Man C**
Oni Slayer, my ass. You're just some phony.
**[05:52] Woman B**
Come on. Don't waste your
time with the likes of him.
**[06:10] Tsugaru**
Talk about a twist of fate...
**[06:20] Tsugaru**
They look great on the outside,
**[06:22] Tsugaru**
but they lack political thought.
**[06:25] Tsugaru**
They don't see the truths of the universe.
**[06:27] Tsugaru**
Sow the seeds of freedom in their hearts.
**[06:37] Tsugaru**
Can I help you?
**[06:40] Tsugaru**
I can't say that I enjoy
being followed around.
**[06:47] Tsugaru**
So what's the deal with the birdcage?
**[06:52] Tsugaru**
Apparently, it's quite important.
**[06:57] Tsugaru**
Oho...
**[07:18] Tsugaru**
Aw... This beer wasn't cheap, ya know?
**[07:39] Raconteur**
Behold these two sets of scarlet lips!
**[07:43] Raconteur**
Who is going to swallow whom?
**[07:58] Aya**
That's quite enough.
**[08:00] Aya**
Oni Slayer, please forgive this rudeness.
**[08:03] Aya**
This only happened because you
suddenly tried to touch the birdcage.
**[08:06] Aya**
Be more cautious in the future.
**[08:07] Tsugaru**
Could you settle on either
apologizing or bossing me around?
**[08:11] Tsugaru**
Otherwise—
**[08:12] Aya**
You're only able to kill when
you're onstage, are you not?
**[08:17] Tsugaru**
Well, it appears that you
know a thing or two about me.
**[08:20] Tsugaru**
So, who are you?
**[08:22] Aya**
I'm rather fond of you.
**[08:24] Aya**
Well played, Oni Slayer. You were
able to keep up with Shizuku.
**[08:35] Aya**
Which means that this trip I made to
Tokyo based on rumors was worth it.
**[08:40] Tsugaru**
That's quite a unique act
you've got goin' there,
**[08:42] Tsugaru**
but you should really talk
to our troupe leader, not me.
**[08:47] Aya**
It appears as though you don't
have much longer to live.
**[08:51] Tsugaru**
What do you mean by that?
**[08:53] Aya**
Even if you continue winning,
you'll die before long.
**[08:56] Aya**
What you're doing is not a performance.
**[08:57] Aya**
At least, it's neither an act nor
an illusion, is it, Oni Slayer?
**[09:02] Aya**
Or should I say Oni Hybrid—
half oni and half human.
**[09:08] Aya**
I have a rather keen eye for these matters,
**[09:10] Aya**
so I can tell just by looking at you.
**[09:13] Aya**
The blood of an oni runs through your veins.
**[09:16] Aya**
The creature that can kill any
monster known to man, the oni.
**[09:25] Aya**
But I must say, you're a rather reckless mix.
**[09:28] Aya**
It must be difficult for you to maintain
your sanity given how shoddily you're made.
**[09:32] Aya**
Even more so since you're using your
powers at the theater every day.
**[09:37] Aya**
You'll be consumed by the
oni and die very soon.
**[09:42] Tsugaru**
No, really. Who are you?
**[09:44] Tsugaru**
Exactly how much do you know?
**[09:47] Tsugaru**
Depending on your answer, we might have
to resume our little dance from earlier.
**[09:51] Aya**
Now, calm yourself.
**[09:52] Aya**
I'm actually here to strike a deal with you.
**[09:55] Tsugaru**
A deal?
**[09:58] Aya**
Fear not. I'll make it worth your while.
**[10:01] Aya**
It's a lovely deal for the both of us.
**[10:05] Aya**
I have the means to extend your life.
**[10:09] Aya**
If you promise to grant my wish,
**[10:13] Aya**
then I shall thank you by
telling you how it can be done.
**[10:24] Aya**
I want you to kill me.
**[10:32] Aya**
My name is Aya Rindo.
**[10:34] Aya**
This is Shizuku Hasei. She is my maid.
**[10:39] Tsugaru**
I thought you were just using
some kinda fancy ventriloquism.
**[10:42] Tsugaru**
You sure don't say much, do you?
**[10:44] Aya**
I'm sure you'll eventually hear her voice.
**[10:47] Tsugaru**
What are you, the Immortal or something?
**[10:50] Aya**
Indeed.
**[10:51] Tsugaru**
Uh?!
**[10:52] Tsugaru**
You mean the one and only
creature of its kind in the world?
**[10:55] Aya**
Indeed.
**[10:56] Tsugaru**
I just thought that was made-up nonsense.
**[10:58] Aya**
It's not nonsense. It's the truth.
**[11:01] Aya**
Also, I am a person. Not a creature.
**[11:03] Tsugaru**
I figured the Immortal would be some
frail geezer, like a hermit.
**[11:08] Aya**
My immortality means I don't even grow old.
**[11:10] Aya**
For 947 years, I've been
14 years and 3 months old.
**[11:15] Tsugaru**
So 900 years and some decades ago...
**[11:18] Tsugaru**
That'd be the Heian period.
**[11:19] Aya**
You are correct.
**[11:20] Tsugaru**
So why do you only have a head?
**[11:23] Tsugaru**
About six months ago,
some fool took the rest of my body.
**[11:28] Tsugaru**
I'd heard that the Immortal could grow
back its whole body if it lost it.
**[11:32] Tsugaru**
So why can't you restore yourself now?
**[11:36] Aya**
The Immortal is helpless
against just one thing...
**[11:39] Tsugaru**
Ah, you mean an oni.
**[11:41] Aya**
Well, aren't you knowledgeable?
**[11:43] Tsugaru**
Prior to becoming a performer,
my work involved something like that.
**[11:47] Tsugaru**
It's true that a wound inflicted
by an oni doesn't heal quickly,
**[11:51] Tsugaru**
and if you were cut by an oni,
you'd typically die.
**[11:55] Tsugaru**
So how...
**[11:56] Aya**
The answer is the darkest place
under the candlestick, Oni Slayer.
**[12:00] Tsugaru**
Ah, I see.
**[12:04] Aya**
Oni can nullify a
monster's regenerative abilities.
**[12:07] Aya**
But if it's an incomplete creature that
is mixed with some other living thing,
**[12:12] Aya**
its powers will also be halved.
**[12:15] Aya**
As a result, you get stuck
with a talking severed head.
**[12:19] Tsugaru**
So the one who attacked
you is also an Oni Hybrid.
**[12:24] Aya**
That is the only explanation.
**[12:26] Aya**
However, the would-be murderer
had their face concealed,
**[12:30] Aya**
and all I saw was their boss
who was ordering them around.
**[12:34] Aya**
He was an elderly man who used
a cane, had a hoarse voice,
**[12:36] Aya**
and was not from this country.
**[12:39] Aya**
He was a foreigner.
**[12:42] Tsugaru**
A cane... a foreigner...
**[12:46] Aya**
Shizuku was gravely injured,
and I was left in this state.
**[12:50] Aya**
Honestly, I'm at my wits' end. Even if
I wanted to try to get my body back,
**[12:53] Aya**
they've gone off yonder, and I can't
do much as just a severed head.
**[12:57] Aya**
Although...
**[12:58] Aya**
Though you may be another Oni Hybrid,
**[13:01] Aya**
you don't seem to be exactly
half human and half oni.
**[13:05] Aya**
Your oni side is far more pronounced,
**[13:07] Aya**
which means you're even
stronger against monsters.
**[13:10] Aya**
Therefore, based on my observations...
**[13:13] Aya**
You can also kill the Immortal.
**[13:17] Raconteur**
We're done for the day!
**[13:20] Troupe Leader**
Hey, you two...
**[13:22] Troupe Leader**
Would one of ya be willin'
to become a severed head?
**[13:24] Tsugaru**
Why don't we go somewhere else?
**[13:26] Two-headed Woman**
What?! No way!
**[13:26] Tsugaru**
If they find you here, they'll definitely
make you part of the show.
**[13:32] Aya**
By the way, Oni Slayer.
**[13:34] Tsugaru**
You mind dropping the bombastic nickname?
**[13:38] Tsugaru**
It's a bit embarrassing.
**[13:39] Aya**
Then what is your name?
**[13:41] Tsugaru**
My name's Tsugaru Shinuchi.
**[13:43] Aya**
Shinuchi? "Headliner"?
You look more like an opening act.
**[13:46] Aya**
Very well. In that case, Tsugaru...
**[13:48] Tsugaru**
Yes, ma'am?
**[13:50] Aya**
It appears as though you want to die,
but you also want to live.
**[13:53] Aya**
Why is that?
**[13:55] Tsugaru**
That's a rather difficult question.
Could you be a bit more specific?
**[13:59] Aya**
The more you use your powers,
the more the oni consumes you,
**[14:02] Aya**
decreasing your hold on your sanity,
and shortening your lifespan.
**[14:06] Aya**
The fact that you nevertheless continue
to perform with that troupe
**[14:10] Aya**
indicates that you are rushing
to your demise.
**[14:12] Aya**
In other words, you want to die.
**[14:16] Aya**
Yet you resisted.
**[14:18] Aya**
Shizuku would've been very
capable of taking your life.
**[14:21] Aya**
And yet, you fought back.
**[14:24] Aya**
Why do you want to live? Why?
**[14:33] Tsugaru**
As you said, if I stay with
the troupe long enough,
**[14:37] Tsugaru**
I'll eventually get consumed by
the oni, go berserk,
**[14:41] Tsugaru**
get shot by some military
police officer and die.
**[14:45] Tsugaru**
And that's perfectly fine.
**[14:46] Tsugaru**
Because that's exactly what I was hoping for.
**[14:50] Tsugaru**
If I'm gonna get consumed by the
oni from using too much of my power,
**[14:54] Tsugaru**
it's most likely gonna happen while I'm
all worked up fighting some monster.
**[14:59] Tsugaru**
Which means I'm gonna be surrounded by
bloodthirsty lowlife, lowbrow customers.
**[15:06] Tsugaru**
The raconteur and troupe leader
who're making a quick buck off of 'em, too.
**[15:10] Tsugaru**
Which would mean
**[15:12] Tsugaru**
that lot would be the first ones I'd attack
after being consumed by the oni.
**[15:16] Tsugaru**
They'll flee as they're thrown
into the throes of chaos,
**[15:19] Tsugaru**
chain-link fences and steel doors be damned!
**[15:22] Tsugaru**
Just how many will I kill before the police
**[15:25] Tsugaru**
reach this little theater
on the outskirts of town?
**[15:28] Tsugaru**
They thought they were safe
as they watched from on high
**[15:32] Tsugaru**
as a bunch of monsters
tried to kill each other...
**[15:35] Tsugaru**
Ah, the fools!
**[15:37] Tsugaru**
They'll get a taste of the same kind of hell
**[15:40] Tsugaru**
that takes place upon that stage.
**[15:44] Tsugaru**
When I realized I was gonna
die soon, I started thinking...
**[15:48] Tsugaru**
"If I'm gonna die, I may
as well have fun doing it.
**[15:51] Tsugaru**
But what would be the most
entertaining way to die?"
**[15:54] Tsugaru**
This would rid the world of some of its
garbage and be an excellent act to watch.
**[16:03] Tsugaru**
That's why I had the
troupe leader take me in.
**[16:06] Tsugaru**
I've been trying to get by the best
I can without getting consumed
**[16:09] Tsugaru**
until we can get more of an audience in.
**[16:12] Tsugaru**
But you said you'd expand my lifespan,
so I guess I'm done with that plan.
**[16:17] Tsugaru**
That's how I truly feel.
**[16:21] Aya**
What a strange fellow.
**[16:22] Aya**
Is your life also just a
part of a joke for you?
**[16:25] Tsugaru**
My performance involves killing
monsters in an entertaining way.
**[16:29] Tsugaru**
So it makes sense that I take myself
out in a similar way, doesn't it?
**[16:34] Tsugaru**
I mean, I'm one of those monsters, too.
**[16:38] Aya**
Oni Slayer...
**[16:40] Aya**
I guess it doesn't matter that you're
part oni. You were born depraved.
**[16:44] Tsugaru**
You flatter me.
**[16:48] Aya**
I implore you again. Will you kill me?
**[16:52] Tsugaru**
It's probably not good to rush to your death.
**[16:55] Aya**
How is this rushing?
If anything, I'm far past due.
**[16:57] Aya**
What's the fun in living to this age
**[16:59] Aya**
when I've been reduced to a severed head?
**[17:02] Aya**
You're the only one I can ask to do this.
**[17:05] Tsugaru**
You think rather highly of me.
**[17:08] Tsugaru**
But I must decline.
**[17:10] Aya**
If you don't kill me,
you'll also die in the near future.
**[17:14] Tsugaru**
You'll be extending my lifespan...
**[17:18] Tsugaru**
But I will not kill you.
**[17:20] Aya**
If that was supposed to
be a joke, then just stop.
**[17:22] Aya**
Since I don't have the rest of my body,
**[17:25] Aya**
I can't physically react to
how bad that joke was.
**[17:27] Tsugaru**
Earlier you said, "Even if I wanted
to try to get my body back,"
**[17:32] Tsugaru**
but that must also mean that if you
were able to get your body back,
**[17:35] Tsugaru**
you'd have a plan to return
to normal, doesn't it?
**[17:38] Aya**
I see. I guess you're not a total idiot.
**[17:43] Aya**
But the one who has my body is too far away.
**[17:45] Tsugaru**
So you *do* know where they are.
**[17:48] Tsugaru**
Where might that be?
**[17:50] Aya**
Europe, I believe.
**[17:53] Tsugaru**
If you have a chance to return to normal,
**[17:56] Tsugaru**
it'd be a shame to die now, wouldn't it?
**[17:58] Tsugaru**
Even if you might fail...
**[18:02] Tsugaru**
Why not try goin' after it?
**[18:06] Tsugaru**
Right? You don't want your
mistress to die, do you?
**[18:10] Shizuku**
I follow the orders I am given.
**[18:12] Shizuku**
If Lady Aya insists on dying,
I will find a way for her to die.
**[18:16] Shizuku**
My feelings matter not.
**[18:19] Tsugaru**
Then you're nothing more than a puppet.
**[18:21] Shizuku**
To be a puppet is my family's way.
**[18:24] Tsugaru**
Way *boring*, you mean.
**[18:29] Aya**
How suspicious.
**[18:31] Aya**
How does encouraging me
to do this benefit you?
**[18:35] Tsugaru**
Oh, see, I'd like to kill
two birds with one stone.
**[18:39] Tsugaru**
It appears as though the fool
that ran off with your body
**[18:42] Tsugaru**
is the same one who took away my humanity.
**[18:46] Tsugaru**
Did his cane happen to have
the letter "M" engraved in it?
**[18:50] Aya**
Yes.
**[18:52] Aya**
His cane did indeed have the
letter "M" engraved in it.
**[18:55] Tsugaru**
He's the one who captured me.
There's no doubt about it.
**[18:59] Tsugaru**
And since you've lived for centuries,
**[19:01] Tsugaru**
I'm sure your intellect's a cut above.
**[19:03] Aya**
Well, I *am* a severed head.
**[19:05] Tsugaru**
You have the brains to find the enemy.
**[19:08] Tsugaru**
I have the body to carry you to him.
**[19:11] Tsugaru**
What do you think? We have the same goal.
**[19:14] Tsugaru**
Why don't we go to Europe together?
**[19:17] Aya**
Shizuku, let me out.
**[19:20] Shizuku**
As you wish, Lady Aya.
**[19:26] Tsugaru**
There's no fun in living life as just
a severed head? Don't be absurd!
**[19:30] Tsugaru**
There's plenty of fun to
be had, even in that state.
**[19:37] Tsugaru**
I will make sure that you
have the time of your life.
**[19:42] Aya**
Surely an Oni Slayer wouldn't
go back on his word.
**[19:45] Tsugaru**
Never.
**[19:47] Aya**
Very well.
**[19:48] Aya**
Let us go to Europe.
**[19:53] Tsugaru**
So how exactly do we extend my lifespan?
**[19:56] Aya**
Oh, you just need to consume a part of me.
**[19:58] Tsugaru**
C-Consume? A part of you?
**[20:00] Aya**
The cells of the Immortal are quite resilient.
**[20:04] Aya**
If you take them into your body,
**[20:06] Aya**
they will boost the immune
system of your human side.
**[20:09] Aya**
You'll be able to slow the process
of turning into an oni.
**[20:12] Tsugaru**
Oho, I see.
**[20:14] Tsugaru**
But when you say "consume"...
**[20:16] Aya**
I have absolutely no intention of letting
you consume my eyes, ears, or brain.
**[20:21] Aya**
We'll be using the parts I can spare.
**[20:24] Tsugaru**
And by that, you mean...
**[20:27] Aya**
Well, the most obvious answer would
be one of my bodily fluids.
**[20:31] Aya**
Like my tears, nasal mucus,
sweat, or perhaps...
**[20:35] Tsugaru**
Your saliva?
**[20:36] Aya**
But I rarely cry or sweat.
**[20:40] Aya**
Would you prefer my nasal
mucus or saliva?
**[20:42] Tsugaru**
Your saliva, please.
**[20:43] Aya**
Very well.
**[20:45] Aya**
Then come accept it.
**[20:47] Tsugaru**
Right now?
**[20:48] Aya**
Yes. We will seal our deal with it.
**[20:50] Tsugaru**
And how should I receive this?
**[20:52] Aya**
Why not directly?
**[20:54] Aya**
There's no need to hold back.
**[20:58] Tsugaru**
Please excuse me.
# E2 - Vampire
Source: [Crunchyroll](https://www.crunchyroll.com/watch/G4VUQ859G/vampire)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
***SIGN*** A.D.
***SIGN*** Eastern France
Givre
***SIGN*** Vague de Folie Mansion
**[00:27] Lord Godard**
Raoul...
**[00:29] Lord Godard**
The hunt is over. Let's head home.
**[00:33] Lord Godard**
What were you looking at?
**[00:35] Raoul**
Mushrooms, Father.
**[00:38] Raoul**
You didn't kill it with the rifle?
**[00:40] Lord Godard**
Well, I couldn't hit it, so
I had no other choice.
**[00:43] Raoul**
Then why did you even bother bringing it?
**[00:46] Lord Godard**
The mayor was kind enough to send it to me.
**[00:48] Lord Godard**
I had to at least try it out.
**[00:53] Lord Godard**
Not to mention, using things like
this makes a good impression.
**[00:57] Lord Godard**
Like we're meeting humanity halfway.
**[00:59] Raoul**
I doubt we're getting
through to them, though.
**[01:02] Raoul**
That hunter attacked
us just the other day.
**[01:04] Raoul**
They've treated us harshly ever
since Count Dracula was taken out.
**[01:08] Lord Godard**
Exactly why making a good
impression is important.
**[01:11] Lord Godard**
We're all going to have to get
along with humanity from now on,
**[01:16] Lord Godard**
whether we like it or not.
**[01:28] Lord Godard**
I'm going to put the rifle away.
**[01:31] Raoul**
Could you get that silver out of our
storage room while you're at it?
**[01:34] Lord Godard**
Silver?
**[01:35] Raoul**
The weapon we took from that hunter.
**[01:39] Raoul**
Why keep something so dangerous in the house?
**[01:41] Raoul**
Part of making a good impression?
**[01:43] Lord Godard**
No.
**[01:45] Lord Godard**
Wouldn't we be safer holding onto it,
**[01:47] Lord Godard**
rather than letting it fall into
another hunter's hands?
**[01:50] Lord Godard**
I've made sure it's locked up,
so Charlotte doesn't play with—
**[01:54] Lord Godard**
What?
**[01:58] Raoul**
What's the matter?
**[02:17] Lord Godard**
Our blood...
**[02:19] Lord Godard**
Raoul, stay behind me. Do not stray!
**[02:22] Raoul**
Wh-Why?
**[02:24] Lord Godard**
Do not leave my side! No matter what!
**[02:27] Lord Godard**
Claude!
**[02:30] Lord Godard**
Claude! Hannah!
**[02:32] Claude**
What's the matter, Father?
**[02:34] Lord Godard**
Claude, are you all right?
**[02:36] Claude**
Did something happen?
**[02:38] Alfred**
What is the matter, my lord?
**[02:41] Lord Godard**
Alfred, it appears we've had an intruder.
**[02:44] Lord Godard**
Did you notice anything?
**[02:45] Alfred**
No, I haven't seen anything.
**[02:49] Alfred**
I was in the office this whole time.
**[02:51] Lord Godard**
Where is Charlotte?
**[02:53] Claude**
She's in the laundry room with Giselle.
**[02:59] Claude**
They've been so loud this whole time.
**[03:04] Claude**
Father!
**[03:13] Raoul**
Father...
**[03:15] Lord Godard**
Stay here.
**[03:27] Lord Godard**
Hannah?
***SIGN*** Vampire
***SIGN*** Episode Two
***SIGN*** "Lady Wife of Lord Godard Murdered
Was This the Work of a Vampire Hunter?"
***SIGN*** "The First Murder Among the Human Allies"
**[05:28] Reporter A**
I'm telling you, this is a warning.
**[05:31] Reporter A**
"We'll do the same to you
if you don't back off."
**[05:33] Reporter B**
If they don't stop being human allies, you mean?
**[05:36] Reporter A**
Yeah, I'm sure there are some
extremist hunters out there
**[05:40] Reporter A**
who hate the thought of
monsters getting rights.
**[05:42] Reporter B**
Rumors say it could be one
of Royce's agents, too.
**[05:44] Reporter A**
Well, I don't know who did it,
but if you ask me, they did nothing wrong.
**[05:48] Annie**
Excuse me!
**[05:50] Annie**
Lord Godard signed a written oath
that he wouldn't drink human blood.
**[05:55] Annie**
That's why he's been given rights—
**[05:56] Reporter A**
You can't trust vampires!
**[05:58] Reporter C**
There he is!
**[06:01] Reporters**
Lord Godard! Lord Godard!
**[06:03] Reporter A**
Lord Godard! I'm with Est News.
**[06:05] Reporter A**
Could you give us your thoughts
about this incident?
**[06:08] Reporter D**
Lord Godard! Look over here!
**[06:11] Lord Godard**
Please stop this. I'm going out
to see the judge right now.
**[06:15] Lord Godard**
Please move.
**[06:16] Lord Godard**
Move!
**[06:18] Annie**
Lord Godard!
**[06:20] Lord Godard**
How old are you?
**[06:22] Annie**
I'm a correspondent with the Epoc News.
**[06:23] Annie**
My name's Annie Kerber, and I'm fourteen.
**[06:26] Annie**
According to the police statement,
**[06:28] Annie**
the investigation of this
murder is still ongoing.
**[06:30] Lord Godard**
Ongoing? That's absurd.
**[06:33] Lord Godard**
They've as good as dropped it.
**[06:35] Lord Godard**
I haven't had a drop of human
blood for over twenty years.
**[06:39] Lord Godard**
My family and I go to church
on Sunday evenings, as well!
**[06:42] Lord Godard**
Do you really think we
deserve this treatment?!
**[06:45] Annie**
Are you saying this is social discrimination
against vampires who are human allies?
**[06:50] Lord Godard**
That's exactly what I'm saying.
**[06:52] Lord Godard**
Make sure you write that
Lord Godard is resentful of
**[06:55] Lord Godard**
how the police have been handling this.
**[06:57] Lord Godard**
*Extremely* resentful.
**[06:59] Annie**
Then how are you planning to
get to the bottom of this?
**[07:02] Lord Godard**
I'm going to hire a detective.
**[07:04] Lord Godard**
I hear there's a duo from the east—
**[07:06] Lord Godard**
Detectives who specialize in monster cases.
**[07:09] Annie**
Monster cases?
**[07:10] Annie**
Do you mean Aya Rindo and Tsugaru Shinuchi?
**[07:14] Lord Godard**
Yes, I believe those were their names.
**[07:21] Annie**
*He's coming... The Cage User is coming here!*
**[07:30] Tsugaru**
Hey there, driver.
**[07:32] Mark**
Yes, boss?
**[07:33] Tsugaru**
Don't you think we're shaking a bit too much?
**[07:36] Mark**
Well, we're on a country road.
**[07:38] Tsugaru**
Yeah, well, all the rattling is hurting
my ass and giving me heartburn.
**[07:43] Tsugaru**
My master here says she's ready to hurl.
**[07:47] Tsugaru**
And believe me, the complaints and insults
**[07:49] Tsugaru**
that come from my master's
mouth are more than enough.
**[07:52] Mark**
We'll be there soon.
**[07:54] Mark**
Besides, you're the one who asked me to hurry.
**[07:58] Tsugaru**
Then if you could *slowly* hurry...
**[08:01] Mark**
You can't be serious!
**[08:03] Aya**
That's enough, Tsugaru.
**[08:04] Tsugaru**
Ah, Master. You seem better.
**[08:06] Aya**
I am not, but if we're
almost there, I'll survive.
**[08:11] Aya**
Not to mention, even if I wanted
to hurl, I have no way of doing so.
**[08:15] Tsugaru**
Welp, you got me there.
**[08:21] Lord Godard**
They proved one of the merfolk
innocent of murder in Norway,
**[08:26] Lord Godard**
and solved a case dealing
with a golem in Belgium.
**[08:30] Lord Godard**
I hear they are very talented detectives.
**[08:32] Raoul**
How so?
**[08:33] Lord Godard**
I'm not sure.
**[08:35] Lord Godard**
The judge has abandoned us, too.
**[08:37] Claude**
Are you sure you can trust them?
**[08:38] Lord Godard**
They're better than the police.
**[08:49] Tsugaru**
Wow, classy.
**[08:52] Mark**
Boss.
**[08:53] Mark**
If I could get that payment now...
**[08:55] Tsugaru**
Payment? For what?
**[08:57] Mark**
The fare for the carriage ride, of course.
**[08:59] Mark**
One way is three francs.
**[09:01] Tsugaru**
That's a bit steep.
**[09:02] Mark**
Well, it *was* a long ride...
**[09:04] Tsugaru**
But that doesn't seem fair, given
how bumpy the ride was.
**[09:07] Mark**
Boss, you're not trying to...
**[09:10] Tsugaru**
I'm not trying to get out of paying you.
**[09:13] Tsugaru**
I just want to return the carriage.
**[09:16] Mark**
Y-You can't return a horse-drawn carriage!
**[09:20] Tsugaru**
Oh? And why is that?
**[09:23] Mark**
I mean...
**[09:24] Mark**
I mean, I already drove you all the way here!
**[09:28] Tsugaru**
I see.
**[09:29] Tsugaru**
Then if you'd be so kind as to drive
us back to where we started...
**[09:33] Tsugaru**
Then I'll have returned it.
**[09:35] Mark**
U-Uh...
**[09:36] Tsugaru**
Come on, now...
**[09:38] Aya**
That's enough, Tsugaru.
**[09:40] Aya**
Driver, think about this rationally.
**[09:43] Aya**
He's trying to cheat you out
of a round-trip fare.
**[09:47] Mark**
B-Boss?
**[09:49] Aya**
Enough, Tsugaru.
Stop troubling the poor driver.
**[09:52] Aya**
He seems to have had enough
misfortune already.
**[09:55] Aya**
He's been sober for a week after his
wife yelled at him about his drinking.
**[09:59] Mark**
H-How do you know about Natalie?
**[10:01] Aya**
Don't act so unsettled.
I could tell from your clothes.
**[10:06] Aya**
Driver, if you don't
demand your payment soon,
**[10:08] Aya**
he's going to try to get out of it again.
**[10:10] Mark**
Uh, r-right.
**[10:12] Mark**
Anyway, boss, that'll be three francs.
**[10:14] Tsugaru**
Could you knock off one franc?
**[10:17] Mark**
Boss...
**[10:19] Mark**
All right, boss. Two francs will be fine.
**[10:23] Mark**
But please, hurry!
**[10:25] Tsugaru**
You see, I don't have any
cash on me right now.
**[10:28] Tsugaru**
You'll have to get the
payment from Lord Godard.
**[10:34] Mark**
L-L-Lord Godard!
**[10:37] Mark**
I need two francs from you.
**[10:38] Lord Godard**
Wh-Who are you?
**[10:40] Tsugaru**
That's our driver, Hattsuan.
**[10:42] Mark**
My name's Mark!
**[10:43] Tsugaru**
Apparently, this is Mark.
**[10:45] Tsugaru**
I'd like him to drive us back, so would
you let him rest here for a bit?
**[10:48] Tsugaru**
He seems to be a bit worked up.
**[10:52] Lord Godard**
Alfred, show him to a room
and get him his payment.
**[10:56] Alfred**
Yes, sir.
**[10:57] Mark**
Th-Thank you, sir.
**[11:00] Mark**
Thank you...
**[11:02] Mark**
Thank you...
**[11:04] Lord Godard**
So, who might you be?
**[11:06] Tsugaru**
It's a pleasure to meet you.
**[11:08] Tsugaru**
I'm the Cage User who came
all the way from Japan.
**[11:12] Tsugaru**
The name's Tsugaru Shinuchi.
**[11:14] Tsugaru**
My name may mean "headliner," but
I'm more of an opening act, at heart.
**[11:19] Tsugaru**
I look forward to working with ya.
**[11:21] Lord Godard**
I am Jean Duchet Godard. And these are...
**[11:24] Lord Godard**
Claude, my eldest,
and Raoul, my second son.
**[11:28] Lord Godard**
I hear that you specialize in monster cases.
**[11:31] Tsugaru**
Indeed, but I am a mere apprentice.
**[11:34] Tsugaru**
My master's the one that
handles all the actual work.
**[11:37] Aya**
I don't recall making you
my apprentice, Tsugaru.
**[11:40] Aya**
You're just my assistant.
**[11:42] Lord Godard**
Er... is this Ms. Aya Rindo?
**[11:45] Aya**
Indeed. I am Aya Rindo.
It's an honor to meet you.
**[11:49] Tsugaru**
Something wrong?
**[11:50] Lord Godard**
Er, no. I just didn't realize the
detective was a lady.
**[11:54] Tsugaru**
Ah, I see. I guess it is hard to tell.
**[11:57] Tsugaru**
I mean, she lacks a chest, after all.
**[12:00] Aya**
Did you say something, Tsugaru?
**[12:01] Tsugaru**
Nope, not a word. My apologies.
**[12:04] Aya**
But that one was quite funny.
**[12:09] Aya**
Shizuku, strike Tsugaru for me later.
**[12:11] Shizuku**
As you wish, Lady Aya.
**[12:14] Aya**
Despite my physical state, I will
have no problem solving this case,
**[12:18] Aya**
so have no fear.
**[12:20] Aya**
I will track down the murderer
who killed your wife.
**[12:24] Lord Godard**
Er, right. I'll be counting on you.
**[12:27] Lord Godard**
First, let us take your
luggage to your rooms.
**[12:30] Lord Godard**
Alfred.
**[12:31] Aya**
Oh, no need. I'll have Shizuku carry them.
**[12:36] Tsugaru**
Uh, hey! Shizuku, you seem
to have forgotten my trunk.
**[12:40] Shizuku**
You can carry your own luggage.
**[12:42] Tsugaru**
S-So cold. And unkind...
**[12:45] Aya**
Shizuku, carry Tsugaru's, as well.
**[12:48] Shizuku**
Yes, Lady Aya.
**[12:54] Lord Godard**
Wh-Who is that maid?
**[12:56] Tsugaru**
Oh, forgot to introduce her.
**[12:58] Tsugaru**
Her name is Shizuku Hasei.
**[13:01] Lord Godard**
Then where is Ms. Aya Rindo?
**[13:02] Tsugaru**
Ah, I was wondering why this
conversation felt weird.
**[13:06] Aya**
Lord Godard, had you not done
any research on us?
**[13:11] Lord Godard**
I had done some basic research, but
couldn't find any specific details.
**[13:15] Aya**
Well, I'm not surprised.
**[13:18] Aya**
I'm sure that those who
have encountered me before
**[13:20] Aya**
thought no one would believe
them if they talked about me.
**[13:24] Aya**
Hey, Tsugaru.
**[13:25] Tsugaru**
Yes'm.
**[13:27] Tsugaru**
*This* is my master.
**[13:37] Aya**
Allow me to properly introduce myself.
My name is Aya Rindo.
**[13:40] Aya**
I am, by occupation, a detective.
**[13:43] Aya**
It's quite fitting, considering
I'm only able to use my head.
**[13:48] Aya**
I'll be happy to answer any
questions you may have.
**[13:51] Raoul**
How are you still alive
when you're only a head?!
**[13:54] Aya**
It's quite simple, really.
**[13:55] Aya**
I'm not dead. Therefore, I'm alive.
**[13:59] Raoul**
Why are you only a head?
**[14:01] Aya**
Unfortunately, I happened to lose the
rest of my body about a year ago.
**[14:05] Aya**
Ever since, I've been
living in this birdcage.
**[14:08] Lord Godard**
How are you able to stay alive?
**[14:10] Aya**
I really do love watching
everyone's reactions
**[14:13] Aya**
when they see me for the first time.
**[14:16] Aya**
Can you tell me how you found the body?
**[14:20] Lord Godard**
That was in the paper, I believe.
**[14:23] Aya**
If you don't mind, please remind me,
with as many details as you can remember.
**[14:30] Aya**
I'm terribly sorry for making you
recall such a traumatic experience.
**[14:34] Lord Godard**
It's all right.
**[14:37] Lord Godard**
I may be accustomed to seeing dead bodies,
**[14:39] Lord Godard**
but I'd never seen a member
of my family killed like that.
**[14:43] Lord Godard**
Before I knew it, I lost my
composure and started to scream.
**[14:48] Aya**
How many people live in this mansion?
**[14:51] Lord Godard**
Excluding my wife, we are a family of four.
**[14:54] Lord Godard**
There's myself.
**[14:55] Lord Godard**
There's Claude and Raoul,
to whom I introduced you earlier.
**[14:58] Lord Godard**
And then there's my youngest,
my daughter, Charlotte.
**[15:01] Lord Godard**
We also have two human servants.
**[15:04] Lord Godard**
A maid named Giselle, and my butler, Alfred.
**[15:08] Lord Godard**
He's served us for over twenty years now.
**[15:11] Aya**
I heard that the slain Madame
Hannah was previously human.
**[15:15] Lord Godard**
Yes.
**[15:20] Tsugaru**
Did she dabble in carpentry?
**[15:22] Lord Godard**
Hannah loved fixing up antiques.
**[15:25] Lord Godard**
The sounds of metal and wooden mallets
resonated through the mansion.
**[15:29] Aya**
Are those swords decorative pieces?
**[15:32] Lord Godard**
No, they are real swords.
There are more in my sons' rooms.
**[15:36] Lord Godard**
Even when we're injured,
we heal in mere seconds,
**[15:39] Lord Godard**
so there's no point in using fake swords.
**[15:43] Aya**
Is the body still there?
**[15:45] Lord Godard**
A vampire's body decays at an accelerated
rate, so we buried her immediately.
**[15:50] Lord Godard**
But we have a camera, so I took a picture of her.
**[15:55] Aya**
The chest wound is just under
ten centimeters in diameter.
**[15:58] Aya**
It appears that it was
indeed caused by a stake.
**[16:02] Aya**
She bled less from the left side
of the wound than the right.
**[16:07] Aya**
I wonder why.
**[16:08] Tsugaru**
Maybe the body was leaning towards the right?
**[16:10] Aya**
Her expression seems be peaceful.
**[16:12] Aya**
There's no sign of struggle.
**[16:14] Aya**
Lord Godard, was Madame Hannah
asleep at the time?
**[16:18] Lord Godard**
Yes. We believe that's why
we didn't hear her scream.
**[16:22] Aya**
We can assume that her death was swift.
**[16:24] Aya**
Which would mean that
**[16:25] Aya**
the murderer pierced her heart
with the stake in a single strike.
**[16:29] Aya**
Could you show me what's
underneath the chair?
**[16:31] Tsugaru**
Sure thing.
**[16:35] Aya**
It seems that she was undeniably
killed in this spot.
**[16:38] Aya**
How is the back of the chair?
**[16:40] Tsugaru**
Not a scratch.
**[16:42] Aya**
So the murder weapon did
not go through the body.
**[16:46] Lord Godard**
Our senses are rather keen.
**[16:48] Lord Godard**
If she was attacked in her sleep,
**[16:50] Lord Godard**
it would have to be the work of a
hunter who could erase their presence.
**[16:54] Tsugaru**
What about the holy water?
**[16:56] Tsugaru**
Was it thrown about after the murder?
**[16:58] Aya**
Probably.
**[17:00] Aya**
Lord Godard, were there any
wounds on her hands or feet?
**[17:03] Lord Godard**
No, her hands and feet were unharmed.
**[17:06] Aya**
A vampire's cells lose their power
some time after death,
**[17:10] Aya**
meaning they won't burn in
reaction to holy water.
**[17:13] Aya**
Which means the holy water was used
immediately after her death.
**[17:16] Aya**
It appears some evidence is still here.
**[17:20] Aya**
Tsugaru. Pick up that bottle.
**[17:24] Tsugaru**
It's very much a normal bottle.
The glass is a bit dusty.
**[17:29] Aya**
Rub it with your sleeve.
**[17:30] Tsugaru**
Sure thing.
**[17:33] Aya**
Did all of the dust come off?
**[17:35] Tsugaru**
It's like some anecdote that just won't end.
**[17:38] Aya**
What was that?
**[17:39] Tsugaru**
It's absolutely unrelenting.
**[17:41] Aya**
You don't have to try to be clever every time.
**[17:43] Aya**
Show me the lid.
**[17:45] Tsugaru**
Hup.
**[17:47] Aya**
Not much, but there's blood on it...
**[17:50] Aya**
The culprit may have touched
it after the murder.
**[17:53] Aya**
Put it down.
**[17:56] Aya**
I heard that the silver stake in your
storage room was taken from a hunter.
**[18:01] Aya**
Did he have it in a case of some sort?
**[18:04] Lord Godard**
No, he was holding it.
**[18:08] Aya**
I had heard that vampires are burnt
when they touch silver or holy water.
**[18:12] Aya**
Do you have any way of avoiding that?
**[18:14] Aya**
For example, wrapping cloth
around anything silver.
**[18:17] Lord Godard**
While that might work... I can't imagine
that any of us would willingly touch silver.
**[18:23] Lord Godard**
I was almost burnt just by putting
my hand close to the stake.
**[18:27] Aya**
And if you're burnt in that way,
your vampire regenerative powers...
**[18:32] Lord Godard**
They do not work, of course.
**[18:33] Lord Godard**
Even a slight burn would
take about a week to heal.
**[18:37] Lord Godard**
That's why I had Alfred take
the stake from the hunter.
**[18:41] Aya**
Who had keys to the storage room?
**[18:44] Lord Godard**
Only Alfred and myself.
**[18:46] Aya**
I see. Thank you very much.
**[18:49] Lord Godard**
Er, were you able to figure anything out?
**[18:52] Aya**
There's just one thing that
fails to make sense,
**[18:55] Aya**
and that's the timeline of this crime.
**[18:57] Aya**
It truly does seem like the murderer
came from outside this mansion.
**[19:02] Aya**
But if we were to assume that was true,
**[19:04] Aya**
certain problems arise.
**[19:07] Aya**
Seven in total.
**[19:08] Lord Godard**
Seven?
**[19:10] Aya**
Tsugaru, lift your finger up.
**[19:11] Tsugaru**
Sure thing.
**[19:12] Aya**
Let's start with the first.
**[19:13] Aya**
Why was there no sign of
Madame Hannah waking up?
**[19:17] Aya**
She was far more sensitive
to sounds and smells than a human,
**[19:20] Aya**
so it's strange that she
didn't notice the attacker.
**[19:23] Aya**
Second. Why did the murderer
specifically infiltrate at night?
**[19:27] Aya**
Even children are aware that a vampire's
power weakens during the day.
**[19:33] Lord Godard**
We make sure to lock up tight during the day,
**[19:35] Lord Godard**
so they must've given up.
**[19:37] Aya**
Even though they were able to twist
open the storage room's lock?
**[19:43] Aya**
Third.
**[19:44] Aya**
Why did the murderer leave the
holy water bottle at the scene?
**[19:49] Aya**
They probably used that coat to avoid
any blood splattering onto them,
**[19:52] Aya**
but it would be so easy to
take the bottle with them.
**[19:55] Aya**
It's unnatural that they left it behind.
**[19:57] Aya**
Fourth.
**[19:58] Aya**
How did the murderer know that
the silver stake was in the storage room?
**[20:03] Aya**
It's also strange that they'd know the
exact location of Madame Hannah's room
**[20:09] Aya**
and when she'd likely be napping.
**[20:11] Aya**
Fifth.
**[20:13] Aya**
Why did the murderer remove the
silver stake after stabbing her
**[20:16] Aya**
and return it to the storage room?
**[20:20] Aya**
Now, I'd like you to pay particular
attention to the sixth problem.
**[20:24] Tsugaru**
Master, we have an issue.
**[20:27] Tsugaru**
I don't have any more
free fingers to hold up.
**[20:29] Aya**
Then just stick out your tongue.
**[20:31] Tsugaru**
Bleh.
**[20:32] Aya**
Now, the sixth...
**[20:33] Tsugaru**
Maffer.
**[20:33] Aya**
What is it?
**[20:35] Tsugaru**
Whaf should we oo abouf the sevenf?
**[20:38] Aya**
Lift up your leg or something.
**[20:43] Lord Godard**
Ms. Rindo.
**[20:44] Aya**
Yes?
**[20:46] Lord Godard**
That doesn't look like a seven...
**[20:48] Aya**
Oh, very well.
**[20:50] Aya**
We'll go over the last two later.
**[20:53] Lord Godard**
Oh, Lottie.
**[20:56] Lord Godard**
These are detectives who came to
investigate what happened here.
**[21:03] Lord Godard**
Lottie!
**[21:05] Aya**
Tsugaru...
**[21:07] Aya**
That's enough.
# E3 - The Immortal and the Oni
Source: [Crunchyroll](https://www.crunchyroll.com/watch/G14U4G7D8/the-immortal-and-the-oni)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
***SIGN*** The Immortal and the Oni
***SIGN*** Episode Three
**[01:54] Lord Godard**
How does everything taste?
**[01:56] Tsugaru**
It's quite delicious.
**[01:59] Tsugaru**
I didn't know what I would've done
if we were served fresh blood.
**[02:03] Tsugaru**
I was gonna try and say my granny's
will forbade me to have any.
**[02:07] Tsugaru**
But you do mainly consume blood?
**[02:10] Lord Godard**
We do.
**[02:11] Lord Godard**
If we don't have blood regularly,
we lose energy.
**[02:16] Lord Godard**
That being said, we no
longer consume human blood.
**[02:21] Lord Godard**
Ms. Rindo, do you not need to eat?
**[02:25] Aya**
Don't mind me.
**[02:26] Aya**
Even if I'd like to eat,
I'm afraid that I cannot.
**[02:29] Aya**
I've put on a few pounds lately, you see.
**[02:32] Tsugaru**
Master, stop.
**[02:34] Tsugaru**
I totally just spit my bread out.
**[02:40] Claude**
Father, can we really
leave this matter to them?
**[02:45] Lord Godard**
It's true that they're a bit odd,
**[02:46] Lord Godard**
but they've been logical
about the investigation.
**[02:49] Claude**
They go beyond "a bit odd."
**[02:52] Raoul**
I don't really think we
can trust them either.
**[02:55] Raoul**
Not to mention, they tried to put
one over on the carriage driver.
**[02:58] Mark**
W-Were you there?
**[03:00] Raoul**
Yeah.
**[03:01] Raoul**
I heard the sound of a carriage,
**[03:03] Raoul**
so I hid nearby, hoping to get
a look at the detectives.
**[03:06] Tsugaru**
On top of the crumbling tower, right?
**[03:08] Raoul**
Y-You saw me?
**[03:13] Raoul**
He's *like* a vampire.
**[03:19] Lord Godard**
Anyway, I believe they
are capable detectives.
**[03:22] Claude**
Capable detectives, huh?
**[03:23] Mark**
Oh, no thank you...
**[03:25] Claude**
If you ask me, they seem
like cheap con artists.
**[03:30] Mark**
Er...
**[03:31] Mark**
By the way, Ms. Severed Head,
how did you know about Natalie earlier?
**[03:36] Aya**
That's quite simple. I could
tell by looking at your clothes.
**[03:40] Claude**
Who's Natalie?
**[03:41] Raoul**
That severed head mentioned that
**[03:43] Raoul**
the driver had stopped drinking
because his wife yelled at him.
**[03:47] Aya**
Your vest...
**[03:48] Aya**
Around the stomach, the color is faded
and the seams are worn.
**[03:52] Aya**
It must get soiled frequently, and your
wife scrubs it clean every time.
**[03:56] Aya**
You have a habit of spilling
food on your clothes.
**[03:59] Aya**
Usually, adults only do that
when they're severely drunk.
**[04:03] Aya**
Your facial hair is unkempt,
but the collar of your shirt is clean,
**[04:07] Aya**
and some of the buttons have been replaced.
**[04:10] Aya**
That suggests your wife
regularly irons and mends it.
**[04:14] Aya**
Your vest appears to have been
last washed about a week ago,
**[04:20] Aya**
but there don't seem to be any
new stains around your stomach.
**[04:23] Aya**
Which would mean that you
haven't had a drink in a week.
**[04:26] Aya**
But why?
**[04:28] Aya**
Because someone sternly
told you to stop drinking.
**[04:31] Aya**
For example, a scrupulous housewife
sick of having to wash
**[04:34] Aya**
her drunken husband's dirty clothes.
**[04:37] Aya**
She seems attentive and rather lovely.
**[04:40] Aya**
You should treasure her.
**[04:41] Mark**
I will...
**[04:43] Claude**
That's amazing.
**[04:45] Claude**
You remind me of that famous
detective from London.
**[04:48] Claude**
I think his name was Charles... No, Cielo...
**[04:50] Shizuku**
Sherlock Holmes.
**[04:52] Claude**
That's it.
**[04:53] Aya**
I'm quite flattered to be compared
to the great Mister Holmes.
**[04:56] Aya**
Though I must say, I'm not
as much of a genius as he is.
**[04:59] Claude**
Have you ever met him?
**[05:00] Aya**
No, I have not met him in person.
**[05:03] Aya**
I hope I never meet him, in fact.
**[05:06] Aya**
I hear he's quite the weirdo.
**[05:09] Aya**
Now then, Lord Godard, there are a few
things I'd like for you to tell me.
**[05:13] Lord Godard**
What might that be?
**[05:14] Aya**
It's about the night Madame
Hannah was murdered.
**[05:17] Aya**
The body was discovered
just past 1:30 AM, correct?
**[05:21] Aya**
Did you have lunch around
midnight that day, as well?
**[05:25] Lord Godard**
Yes, with everyone in the mansion.
**[05:27] Aya**
When did you finish your meal?
**[05:29] Lord Godard**
I believe around 12:30.
**[05:32] Aya**
About an hour before the body was found, then.
**[05:35] Aya**
What did she do after she
was done with her meal?
**[05:39] Lord Godard**
As usual,
**[05:41] Lord Godard**
she said she was going to
rest for a bit in her room.
**[05:46] Lord Godard**
I went up to the study on the second floor,
**[05:48] Lord Godard**
and was chatting with Claude.
**[05:51] Aya**
Did any of you see Madame
Hannah after your meal?
**[05:58] Aya**
So you were with Claude after the meal?
**[06:01] Lord Godard**
Y-Yes. We were talking about
the management of the town.
**[06:06] Lord Godard**
Charlotte tagged along.
She was playing with her dolls.
**[06:11] Lord Godard**
When 1:00 AM came around,
Claude and I left the study together
**[06:15] Lord Godard**
and parted ways in the entry hall.
**[06:19] Lord Godard**
I always go out hunting
on Mondays at that hour.
**[06:23] Lord Godard**
So I went to the storage room
to get my rifle.
**[06:25] Lord Godard**
Nothing seemed amiss there at the time.
**[06:30] Tsugaru**
Which suggests the weapon was taken,
and your wife attacked, after that.
**[06:35] Aya**
So it would seem.
**[06:40] Lord Godard**
Not a minute after I left the mansion,
**[06:42] Lord Godard**
Raoul said that he wanted to go look
at plants, so he tagged along.
**[06:48] Lord Godard**
He was with me the whole time in the forest.
**[06:51] Lord Godard**
I fired my rifle three times, but I failed
to hit my target even once.
**[06:55] Claude**
What? You didn't hit anything then?
**[06:57] Aya**
What do you mean?
**[06:58] Claude**
Well, I heard the three gunshots
go off deep in the forest.
**[07:02] Aya**
Deep in the forest... How curious.
**[07:07] Aya**
By the way, where did you go after
you parted ways with Lord Godard?
**[07:11] Claude**
I returned to my room and was by myself.
**[07:14] Claude**
I left Charlotte with Giselle.
**[07:17] Claude**
She wouldn't shut up about
wanting to sing.
**[07:19] Aya**
Understood. Let's move on.
**[07:21] Aya**
Raoul, what were you doing during the thirty
minutes after you finished eating,
**[07:26] Aya**
but before you went hunting?
**[07:27] Raoul**
Why are you asking me that?
**[07:30] Raoul**
You're questioning us because
you suspect us, is that it?
**[07:33] Lord Godard**
Ms. Rindo, don't tell me you
think one of *us* killed Hannah.
**[07:37] Aya**
Yes, that is what I believe.
**[07:39] Lord Godard**
I-Impossible... That's just absurd.
**[07:42] Aya**
Well, Raoul. Would you care to enlighten me?
**[07:46] Aya**
If you can't tell me, I'll have
to assume that there's quite a reason.
**[07:52] Raoul**
I'm the opposite of my brother.
I was in my room until one.
**[07:56] Raoul**
But I was with my father
when the murder happened,
**[08:00] Raoul**
so I'm not the murderer.
**[08:01] Aya**
But there's a bit of a time gap between
when Lord Godard checked the storage room
**[08:06] Aya**
and when you exited the mansion.
**[08:10] Raoul**
Vampires may be fast, but we can't
commit a murder in a minute.
**[08:14] Aya**
By the way, while you were in
your room, did you hear any noises?
**[08:18] Raoul**
No, not at all.
**[08:19] Aya**
I see. Thank you very much.
Next, Ms. Giselle.
**[08:24] Giselle**
Y-Y-Yes, ma'am?
**[08:25] Aya**
Where did you go, and what did you
do, after lunch ended at 12:30 AM?
**[08:29] Giselle**
I-I cleaned up the kitchen, a-and then
went to the laundry room at 1:00 AM.
**[08:36] Giselle**
That's what I do every day.
**[08:39] Giselle**
On my way, I ran into those two.
**[08:41] Giselle**
Miss Lottie seemed bored, so I sang
her some songs while I did the laundry.
**[08:48] Giselle**
So from 1:00 AM until
the body was discovered,
**[08:51] Giselle**
you were with Miss Charlotte the whole time?
**[08:54] Giselle**
I believe that I went to the bathroom once.
**[08:58] Giselle**
But that only took a minute or two.
Otherwise, I was with Miss Charlotte.
**[09:03] Aya**
I see.
**[09:04] Aya**
Miss Charlotte, is that true?
**[09:07] Charlotte**
Yes.
**[09:08] Aya**
Very good. Thank you.
**[09:11] Aya**
Next, Mr. Alfred.
**[09:14] Aya**
Where did you go, and what did
you do, after the meal?
**[09:17] Alfred**
I went down to the office in the basement
and was adjusting the master's schedule.
**[09:22] Alfred**
Other than that, nothing.
**[09:25] Aya**
Which means you were by
yourself the whole time.
**[09:28] Alfred**
Indeed, that is correct.
**[09:30] Aya**
Did you hear any noise when
you were in that room?
**[09:34] Alfred**
No, not at all.
**[09:35] Aya**
Thank you very much.
**[09:38] Aya**
This means that we've managed to
narrow down the ones without an alibi
**[09:42] Aya**
after 1:00 AM to two people...
**[09:43] Aya**
Mister Alfred and Claude.
**[09:46] Alfred**
I-I would never!
**[09:48] Claude**
Give me a break.
**[09:49] Lord Godard**
Ms. Rindo! There's no way that
Claude would kill his mother.
**[09:54] Lord Godard**
Alfred can't be the killer, either!
**[09:56] Lord Godard**
He's not the sort of human that
would engage in hunting.
**[09:59] Aya**
Lord Godard, I'm fairly certain
I explained this earlier.
**[10:03] Aya**
There are far too many factors that
make it highly implausible
**[10:06] Aya**
that this was done by an outsider.
**[10:09] Lord Godard**
Yes, but...
**[10:17] Giselle**
Miss Charlotte!
**[10:20] Tsugaru**
Thanks for the meal.
**[10:24] Tsugaru**
It's strange that you can sorta
plop animal blood onto a dish like that
**[10:27] Tsugaru**
and have it looking like
some expensive cuisine.
**[10:32] Tsugaru**
The Japanese do say that blood
is thicker than saltwater fish,
**[10:35] Tsugaru**
so it might actually be tasty.
**[10:37] Aya**
It's "thicker than water."
And the phrase involves "koi."
**[10:39] Tsugaru**
Koi? I can't say that I recommend eating
koi. They're very... fishy.
**[10:44] Aya**
Honestly, once you get on a roll,
you never know when to quit.
**[10:47] Aya**
Shizuku, say something.
**[10:49] Shizuku**
Please jump in a pond and
feed yourself to the koi.
**[10:52] Tsugaru**
S-So cold... and unkind.
**[10:56] Tsugaru**
By the way, Master, how goes the investigation?
**[10:59] Aya**
Logical deductions made
based upon the facts
**[11:02] Aya**
have revealed two mutually
contradictory factors.
**[11:05] Aya**
Thus, my scrutiny continues.
**[11:07] Tsugaru**
That was as clear as mud.
**[11:09] Aya**
Exactly, it's as clear as mud to me.
You're keeping up so well!
**[11:13] Tsugaru**
But you talked like you
knew everything earlier.
**[11:16] Aya**
That was mostly to buy us time.
**[11:19] Aya**
Anyway, Shizuku.
**[11:21] Shizuku**
Yes, Lady Aya.
**[11:22] Aya**
I want you to keep an eye on the two servants.
**[11:25] Aya**
Stop them if they try to leave.
**[11:28] Shizuku**
As you wish.
**[11:30] Tsugaru**
Do you think the servants did it?
**[11:32] Aya**
I'd say they're the prime suspects.
**[11:35] Aya**
This murder would've proven
difficult for the others.
**[11:38] Aya**
For Lord Godard, Claude—
**[11:39] Claude**
What's this about me?
**[11:42] Tsugaru**
Well, hello there.
**[11:44] Tsugaru**
Comment allez-vous?
**[11:45] Claude**
I didn't kill my mother, detectives.
**[11:48] Aya**
Oh?
**[11:49] Claude**
You're breaking your necks over nothing.
**[11:51] Aya**
Good sir, my neck is long since broken.
**[11:53] Claude**
Well...
**[11:57] Claude**
There's at least one more neck to break.
**[11:59] Claude**
Father may have signed that pact,
but I'm still a vampire!
**[12:03] Claude**
I can easily snap your neck like a twig.
**[12:07] Tsugaru**
I'll keep that in mind, thanks.
**[12:13] Tsugaru**
Master, are you all right?
**[12:15] Aya**
That was certainly a threat.
**[12:16] Tsugaru**
It sure was. Do you think he's the murderer?
**[12:19] Aya**
It'd be so simple if I could
say without a doubt that he was...
**[12:23] Aya**
But his hands were clean.
**[12:26] Aya**
During our meal, I made sure to pay close
attention to all of the vampires' hands.
**[12:31] Aya**
And all of their hands were pristine.
Not so much as a scratch on them.
**[12:35] Tsugaru**
What exactly does that mean?
**[12:37] Aya**
I guess, for now, we should look for *that*.
**[12:43] Alfred**
Won't you have a seat?
**[12:44] Shizuku**
No, don't mind me.
**[12:49] Giselle**
Have you been an attendant long?
**[12:51] Shizuku**
Ever since I was born.
**[12:53] Giselle**
That must've been very hard.
**[12:55] Shizuku**
From my perspective, you two have it harder.
**[13:00] Alfred**
True. Having to live our lives
at night can prove difficult,
**[13:04] Alfred**
but after twenty years, you get used to it.
**[13:08] Giselle**
I'm still not used to it.
**[13:10] Giselle**
But I've gotten quite skilled at drawing
blood from various animals.
**[13:14] Alfred**
That's a special skill you can
only hone in this household.
**[13:19] Alfred**
It's already 1:00 AM.
**[13:21] Alfred**
I must head to the study.
**[13:23] Shizuku**
You may not.
**[13:24] Shizuku**
Please remain here. I've been
ordered to stay with you both.
**[13:30] Alfred**
But I have work that I must
attend to with the master.
**[13:34] Giselle**
The master actually just headed west
into the forest with Mister Shinuchi.
**[13:38] Alfred**
What? For what reason?
**[13:40] Giselle**
I'm not sure,
**[13:41] Giselle**
but Mister Shinuchi was laughing
about going to look for something.
**[13:46] Alfred**
What is *wrong* with that man?
**[13:49] Alfred**
Oh, I'm terribly sorry for
insulting your master like that.
**[13:52] Shizuku**
Please, go ahead.
**[13:54] Shizuku**
I don't serve the likes of that
lowlife, bastard storyteller wannabe.
**[13:59] Shizuku**
The only one I serve is Lady Aya Rindo.
**[14:05] Aya**
Tsugaru, have you caught a cold?
**[14:07] Tsugaru**
No, I just suddenly felt a chill.
**[14:09] Lord Godard**
Will you be all right? It tends to
be below freezing here at night.
**[14:14] Tsugaru**
Don't worry about me. This ain't nothin'
compared to the winters in Hakodate.
**[14:19] Lord Godard**
Hakodate?
**[14:20] Lord Godard**
Come to think of it,
you mentioned you were from Japan.
**[14:23] Lord Godard**
But I must say, your French is rather good.
**[14:26] Tsugaru**
Well, Master beat it into my brain.
**[14:29] Aya**
I did no such thing. I don't have
the means to beat you, after all.
**[14:33] Tsugaru**
Welp, you've got me there.
**[14:39] Lord Godard**
Ms. Rindo, none of the mansion's
inhabitants are the murderer.
**[14:45] Lord Godard**
The way she was killed was definitely
the work of a vampire hunter.
**[14:48] Lord Godard**
Please investigate in a more logical manner.
**[14:51] Aya**
But I *am* investigating in a logical manner.
**[14:54] Aya**
I'm only paying attention to the obvious.
**[14:57] Lord Godard**
Huh?
**[14:58] Aya**
The site of the hunter attack
is further ahead, is it not?
**[15:02] Aya**
Let us hurry.
**[15:03] Tsugaru**
But you sure do care about your family.
**[15:06] Lord Godard**
I don't wish to lose any more family.
That is all.
**[15:11] Lord Godard**
I've lost so much already.
**[15:13] Tsugaru**
Are you talking about Madame Hannah?
**[15:15] Lord Godard**
Even before I came to this area,
**[15:18] Lord Godard**
I'd lost three members of my family to murder.
**[15:21] Tsugaru**
I see.
**[15:24] Lord Godard**
By the way...
**[15:25] Lord Godard**
Since you're from Japan, you may have heard
about a monster that never dies.
**[15:31] Tsugaru**
Yes, I believe I've heard of
'em. You mean "Fushi"?
**[15:35] Lord Godard**
They're called "Fushi"?
**[15:37] Tsugaru**
In Japanese, that word means "the Immortal."
**[15:41] Tsugaru**
There's only one in the world.
**[15:43] Tsugaru**
They may look human, but they never die,
**[15:47] Tsugaru**
never grow old, never get tired...
**[15:49] Tsugaru**
They're a monster
with a long list of "nevers."
**[15:52] Tsugaru**
I hear they're even around
a thousand years old.
**[15:54] Lord Godard**
According to what my father told me,
**[15:56] Lord Godard**
no matter how badly they are injured,
they will regenerate right on the spot.
**[16:01] Tsugaru**
So I've heard. Hard not to be envious.
**[16:04] Aya**
But you see, there's actually
one way to kill the Immortal.
**[16:08] Aya**
Rather, I should say there's one
kind of creature that can.
**[16:13] Lord Godard**
And what's that?
**[16:15] Aya**
The oni.
**[16:17] Lord Godard**
Oni?
**[16:18] Aya**
In your language, I believe
they're called "diable" or "ogres."
**[16:23] Aya**
In Japan, that word indicates a servant of hell.
**[16:26] Aya**
No monster can withstand the brute
strength produced by an oni's cells.
**[16:32] Aya**
An oni is capable of wounding any creature,
**[16:35] Aya**
no matter how strong its
regenerative powers may be.
**[16:38] Aya**
Therefore, an oni can also kill the Immortal.
**[16:40] Lord Godard**
I see.
**[16:41] Aya**
But amusingly enough,
**[16:43] Aya**
this does not mean that the oni
is the ultimate life form.
**[16:48] Aya**
Oni may have unrivaled brute strength,
but they're not very sturdy.
**[16:51] Aya**
Gunshots or explosions can easily kill them.
**[16:55] Aya**
And most of all, they are
extremely stupid creatures.
**[16:58] Aya**
They were hunted down by humans during
the Great Purge and are now extinct.
**[17:02] Tsugaru**
Not even a single one remains
that's in decent shape.
**[17:06] Tsugaru**
Nothing lasts forever, eh?
**[17:09] Lord Godard**
Ms. Rindo... Could it
be that you're referring
**[17:12] Lord Godard**
to yourselves?
**[17:15] Lord Godard**
The Immortal and the oni.
**[17:17] Tsugaru**
Welp, he's got us, Master.
**[17:19] Aya**
Don't admit it so easily.
**[17:22] Lord Godard**
When you said, "I'm not dead. Therefore,
I'm alive," it made me wonder.
**[17:27] Lord Godard**
But why are you just a severed head—
**[17:29] Aya**
Oh? Is this a surprise attack?
**[17:32] Lord Godard**
Yes. It appears as though
our lantern was too bright.
**[17:37] Lord Godard**
I will not attack humans first.
**[17:40] Lord Godard**
I will, however, strike fear into the
hearts of those who dare defy me.
**[17:45] Lord Godard**
I am still the King of Monsters, after all.
**[18:08] Lord Godard**
Are you the one who killed my wife?
**[18:12] Lord Godard**
No matter. Accept your punishment.
**[18:15] Tsugaru**
Whoa, there! Hold up!
**[18:18] Lord Godard**
Mister Shinuchi.
**[18:19] Lord Godard**
I'm going to kill him here and now.
**[18:21] Lord Godard**
Will you kindly testify on my behalf
that it was self-defense?
**[18:25] Aya**
We must decline. We will not
allow you to kill this man.
**[18:29] Lord Godard**
But why? He tried to take my life.
**[18:32] Lord Godard**
He must've been the one
who killed my wife as well.
**[18:35] Aya**
I'm fairly certain he wasn't.
**[18:38] Aya**
It appears as though this man
just arrived in town today.
**[18:43] Aya**
He has soot on his elbow,
**[18:45] Aya**
likely from resting his arm
against the window of a train.
**[18:49] Aya**
Doesn't he look like he's spent many days
traveling here from the German countryside?
**[18:57] Tsugaru**
The Friedrich-Franz Railway.
The date is three days ago.
**[19:01] Aya**
Mecklenburg...
**[19:03] Aya**
For him to murder your wife in
this mansion three days ago,
**[19:05] Aya**
when he would have been north of
Berlin, is physically impossible.
**[19:09] Aya**
He's not the murderer.
**[19:12] Aya**
Hey, you.
**[19:14] Aya**
Come back here. Don't run.
**[19:16] Josef**
I-I'm sorry! Please spare my life.
**[19:19] Aya**
If you answer my questions, I'll spare you.
**[19:22] Aya**
What's your name?
**[19:24] Josef**
Josef.
**[19:25] Aya**
So you *are* German.
**[19:27] Aya**
All of the vampires here are human allies.
Why did you attack him?
**[19:31] Josef**
To avenge Hugo! This monster killed him.
**[19:35] Lord Godard**
Nonsense. Hugo was the one
who attacked *me*!
**[19:39] Josef**
Silence, monster!
**[19:41] Aya**
So you did know the other hunter.
**[19:43] Aya**
Did you know that Hugo was after Lord Godard?
**[19:47] Josef**
W-We talked about it two weeks ago.
**[19:51] Josef**
I tried to talk him out of it.
**[19:53] Josef**
I said messing with a human ally
was a bad idea.
**[19:55] Josef**
But then he said, fully confident,
**[19:57] Josef**
"Don't worry. I'll be able to slay him for sure."
**[20:00] Josef**
But three days ago, I found out
he messed up, so I rushed here.
**[20:06] Aya**
The last time you talked to Hugo,
he seemed very confident?
**[20:11] Josef**
Yes. He said he'd gained an incredible ally.
**[20:16] Aya**
By the way, Josef, did you know
that Hugo had a silver stake?
**[20:21] Josef**
Silver?
**[20:23] Aya**
You didn't know it was silver?
**[20:26] Josef**
Well, he always kept it in a leather case.
**[20:29] Josef**
No wonder he never showed
it to me, even when I asked.
**[20:33] Aya**
That's enough. Tsugaru, you may release him.
**[20:36] Lord Godard**
Please wait, Ms. Rindo!
**[20:37] Aya**
Well, I'm sure he's learned
his lesson after this,
**[20:41] Aya**
and he doesn't seem to particularly
hate human allies.
**[20:45] Aya**
I'm fairly certain that he
won't try to attack you again.
**[20:47] Aya**
Isn't that right, Josef?
**[20:54] Lord Godard**
I should've punished him more
when I had the chance.
**[20:57] Aya**
Oh, don't be like that.
Let's forgive the poor lad.
**[21:00] Aya**
Because of him, we no longer need
to wander about the forest.
**[21:05] Aya**
Lord Godard, let us return to your mansion.
**[21:08] Aya**
Also, please make sure to gather everyone.
**[21:13] Aya**
Let us put an end to this humorous
and tragic farce of a murder case.
***SIGN*** Farce
***SIGN*** Farce
# E4 - The Headliner Appears
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GJWU2EW3M/the-headliner-appears)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:00] Claude**
What did you just say?
**[00:03] Aya**
Let me repeat myself.
One of you is Madame Hannah's murderer,
**[00:08] Aya**
and that I will prove that to you now.
**[00:11] Claude**
I don't believe you.
**[00:13] Lord Godard**
Claude, let's hear her out.
**[00:16] Lord Godard**
I think we owe her that much.
**[00:21] Aya**
Thank you very much.
**[00:23] Aya**
Now, let us begin.
**[00:26] Aya**
Let us solve the mystery of
who killed Hannah Goddard
**[00:31] Aya**
and how.
***SIGN*** The Headliner Appears
***SIGN*** Episode Four
**[02:04] Aya**
After inspecting the scene of the murder,
**[02:07] Aya**
I was left with seven problems.
**[02:11] Aya**
First, the fact that there was no sign
of Madame Hannah noticing the murderer.
**[02:15] Aya**
Second, the fact that the attack did
not take place during the day
**[02:18] Aya**
when a vampire's powers wane.
**[02:21] Aya**
Third, the fact that a still usable
bottle was left at the scene.
**[02:26] Aya**
Fourth,
**[02:27] Aya**
the fact that the murderer seemed
to know the layout of the mansion.
**[02:31] Aya**
Fifth, the fact that the murderer
left the silver stake in the storage room.
**[02:35] Aya**
All of these actions would've
been unnatural for any outsider.
**[02:40] Aya**
But I'd like to bring the utmost
attention to the sixth problem...
**[02:45] Aya**
It has to do with sound.
**[02:48] Lord Godard**
Sound?
**[02:49] Aya**
At the time of the murder,
**[02:50] Aya**
Claude and Alfred were both close
to Madame Hannah's room,
**[02:55] Aya**
but neither of them heard any
sound from that room.
**[02:59] Claude**
What's so strange about that?
**[03:01] Claude**
It just means the murderer was cautious.
**[03:03] Aya**
Indeed.
**[03:04] Aya**
But if the murderer had driven the
silver spike as hard as they could
**[03:08] Aya**
into Madame Hannah's chest,
**[03:09] Aya**
it should've made a loud noise,
similar to that of hitting a nail.
**[03:13] Aya**
There are four possible
explanations for this.
**[03:16] Aya**
First, that both witnesses are lying.
**[03:19] Aya**
This would indicate that they
colluded in the murder.
**[03:23] Alfred**
B-But I would never—
**[03:25] Aya**
Yes, I am aware of that.
**[03:28] Aya**
Neither of you have alibis.
**[03:31] Aya**
If you had colluded, you would have
worked out fake alibis for each other.
**[03:36] Aya**
Next.
**[03:37] Aya**
There *was* a sound, but not
when they were near her room.
**[03:42] Aya**
Which means that the murder may
have taken place before 1:00 AM.
**[03:46] Lord Godard**
Ms. Rindo...
**[03:47] Lord Godard**
I made certain that there
was nothing amiss in the storage room.
**[03:51] Aya**
Yes, yes.
**[03:53] Aya**
Besides, before 1:00 AM, Raoul and
Alfred were near her room.
**[03:59] Aya**
Next.
**[04:00] Aya**
What if the murderer *did* hit
the stake with a hammer,
**[04:02] Aya**
but placed something in between
so it wouldn't make a sound?
**[04:06] Aya**
But there was plenty of blood
on the murderer's coat.
**[04:10] Aya**
That would be proof that when
they killed her with the stake,
**[04:13] Aya**
there was nothing to get in
the way of the blood splatter.
**[04:17] Aya**
And so, there is only one explanation left.
**[04:21] Aya**
The murderer held the stake in their bare hand,
**[04:23] Aya**
and then used strength alone to drive it
**[04:26] Aya**
into Madame Hannah's chest.
**[04:28] Aya**
That's why no one heard
any noise at any time.
**[04:32] Aya**
So why didn't the murderer use a
hammer to drive the stake in? Alfred?
**[04:38] Alfred**
Y-Yes?
**[04:40] Aya**
Let's say you heard a "clank, clank"
noise from the lord and madame's room.
**[04:45] Aya**
Now, what would you have
thought that sound to be?
**[04:48] Alfred**
I would believe that the madame was
repairing some furniture again.
**[04:54] Aya**
I see. What about you, Claude?
**[04:56] Claude**
I'd think that Mother was tinkering
with some furniture again.
**[05:00] Aya**
Correct. Even if you had heard
the noise of a hammer blow,
**[05:02] Aya**
no one in this mansion
would find that suspicious.
**[05:05] Aya**
Then perhaps the reason the
murderer couldn't use a hammer
**[05:08] Aya**
was because it would break the stake itself.
**[05:12] Aya**
Which would mean that the murder
weapon wasn't the silver stake,
**[05:15] Aya**
but a stake made from something else.
**[05:18] Lord Godard**
What are you talking about, Ms. Rindo?
**[05:20] Lord Godard**
I found that stake in the storage room...
**[05:22] Aya**
What you saw was a silver stake covered
in blood, and Madame Hannah's wound.
**[05:27] Aya**
That's all.
**[05:28] Aya**
It is entirely possible that the
murderer used a separate stake
**[05:32] Aya**
that was around the same size.
**[05:34] Lord Godard**
But...
**[05:35] Lord Godard**
But what would that second stake *be*?
**[05:38] Aya**
A stake frail enough to break if
it were hit by a hammer.
**[05:42] Lord Godard**
There's no way something like
that could kill my wife.
**[05:46] Aya**
Then let us now talk about
our seventh problem.
**[05:50] Aya**
What we have now, ladies and gentlemen,
**[05:52] Aya**
is a simple bottle left
at the scene of the crime.
**[05:55] Aya**
The murderer took it out for some reason
and left it at the scene on purpose.
**[05:59] Claude**
They splashed around holy water, right?
**[06:01] Aya**
Precisely.
**[06:03] Aya**
Now, this is the important part.
**[06:06] Aya**
The bottle was dusty, but wiping
it off did not remove the dust.
**[06:10] Aya**
Which means the outer surface
of the bottle was not dirty.
**[06:15] Aya**
This is our final problem.
**[06:17] Aya**
Why was there dust on the
*inside* of the bottle?
**[06:21] Aya**
If the bottle was full of liquid,
**[06:24] Aya**
it would be impossible for the
inside of the bottle to be dirty.
**[06:28] Aya**
Which means that the bottle
was empty from the start.
**[06:33] Aya**
In order to make it look like
they splashed holy water around,
**[06:36] Aya**
the murderer left an empty
bottle behind at the scene.
**[06:39] Aya**
However, there were definite traces
of holy water on Madame Hannah's body.
**[06:44] Aya**
So where did the holy water come from?
**[06:48] Aya**
Since the victim was a vampire,
**[06:50] Aya**
a lethal weapon made out of
something other than silver,
**[06:54] Aya**
something much weaker,
could be only one thing.
**[06:58] Aya**
Holy water.
**[07:02] Aya**
The murderer froze holy water,
creating a stake made out of ice.
**[07:07] Aya**
They then took that into the mansion,
**[07:10] Aya**
stabbed Madame Hannah with the ice
stake as she slept in her armchair,
**[07:13] Aya**
and killed her.
**[07:15] Aya**
The blood splatter was blocked
by the coat they were wearing,
**[07:17] Aya**
and the erstwhile holy water stake melted
immediately from the high temperature.
**[07:21] Aya**
The melting holy water soaked
her clothes, and caused her skin to burn.
**[07:27] Aya**
After the murder took place,
**[07:28] Aya**
the murderer collected Madame Hannah's
blood in some sort of container.
**[07:32] Aya**
Then they left behind the
coat they no longer needed,
**[07:36] Aya**
and a blood-flecked bottle,
**[07:37] Aya**
to make it look like the murder
had been committed by an outsider,
**[07:40] Aya**
and then left the room.
**[07:42] Aya**
The murderer then waited quietly
until Lord Godard left to go hunting.
**[07:47] Aya**
Then, after Lord Godard
checked the storage room,
**[07:51] Aya**
they broke the lock and snuck inside.
**[07:53] Aya**
They then poured Madame
Hannah's collected blood
**[07:56] Aya**
onto the silver stake to make it look
like the true murder weapon.
**[07:59] Aya**
Then all that was left was to have
Lord Godard witness that awful sight
**[08:03] Aya**
after returning from his hunt.
**[08:06] Aya**
Now, this reduces my deduction
to but a single problem.
**[08:12] Aya**
Why did our murderer use this trick?
**[08:16] Aya**
Tsugaru, do you know?
**[08:17] Tsugaru**
It's just like that soba shop rakugo story.
**[08:19] Tsugaru**
Someone was messing with time.
**[08:21] Aya**
You don't have to try to be clever every time.
**[08:24] Aya**
Regardless, you are correct.
**[08:26] Aya**
The construction of an alibi—
**[08:28] Aya**
That's the only reason the murderer
would do such a thing.
**[08:31] Aya**
Lord Godard thought that
the murder took place
**[08:34] Aya**
while he was hunting from 1:00 AM to 1:30 AM.
**[08:38] Aya**
But if the stake that was in the
storage room was not the murder weapon,
**[08:41] Aya**
it would become possible
for the crime to take place
**[08:44] Aya**
between 12:30 AM—when their
meal ended—and 1:00 AM.
**[08:47] Aya**
From this information, we now have
five conditions the murderer must fulfill.
**[08:52] Aya**
First, they must not have an alibi
**[08:54] Aya**
for the actual time period when the
murder took place, from 12:30 AM to 1:00 AM.
**[08:58] Aya**
Second, they must be someone we originally
thought unable to commit the crime
**[09:02] Aya**
due to their arranged alibi
from 1:00 AM to 1:30 AM.
**[09:05] Aya**
Third, they must have had a few minutes
to freely move around
**[09:08] Aya**
during the latter time period.
**[09:10] Aya**
Fourth, they must be strong enough
**[09:13] Aya**
to stab someone with a thick
stake and break a lock.
**[09:17] Aya**
Fifth, they must be skilled enough
to have committed the murder
**[09:21] Aya**
without being noticed by vampires
with their heightened senses.
**[09:26] Aya**
Let's discuss the first condition.
**[09:28] Aya**
The only ones who do not have
an alibi from 12:30 AM to 1:00 AM
**[09:31] Aya**
are the two servants and Raoul.
**[09:34] Aya**
Of these three, the two that fulfill the
second condition are Giselle and Raoul.
**[09:39] Raoul**
B-But...
**[09:40] Aya**
These two also fulfill the third condition.
**[09:43] Aya**
Raoul came after Lord Godard
a minute after he left.
**[09:49] Aya**
He had plenty of time to go into the
storage room and stage the silver stake.
**[09:53] Aya**
Giselle also testified that she left
Miss Charlotte's side for a few minutes
**[09:58] Aya**
to go to the bathroom.
**[09:59] Aya**
But the only one who has
the abilities required
**[10:03] Aya**
by the fourth and fifth conditions...
**[10:05] Aya**
is Raoul.
**[10:08] Raoul**
Wait a minute! There's no
way I could've done that!
**[10:12] Raoul**
I couldn't stage the stake!
I can't even touch silver!
**[10:15] Aya**
Indeed. There were fingerprints
in the blood on the silver stake.
**[10:20] Aya**
Probably, you reflexively grasped it when you
**[10:23] Aya**
were covering it in Madame Hannah's blood.
**[10:26] Aya**
But if Raoul is truly the murderer,
his hand should be burnt.
**[10:32] Aya**
And yet, his hand is unharmed.
**[10:35] Aya**
On top of that, no one's hands show
any signs of having been burnt.
**[10:41] Raoul**
See?!
**[10:42] Aya**
The deciding factor is a vampire's
regenerative abilities.
**[10:46] Aya**
This was the final trick
in our murderer's scheme.
**[10:52] Aya**
After the body was discovered,
**[10:53] Aya**
he excused himself due to his anxiety.
**[10:56] Aya**
He then took one of the swords
from the wall in his room
**[11:00] Aya**
and cut off his own fingers.
**[11:04] Aya**
This would be unfathomable for a
mere human, but he's a vampire.
**[11:10] Aya**
That is how the murderer was able to destroy
evidence of his burns so quickly.
**[11:24] Aya**
Such an unrefined murderer...
**[11:26] Aya**
I hadn't even finished my explanation,
and yet you decided to out yourself.
**[11:30] Tsugaru**
It's quite all right, Shizuku-san.
**[11:32] Tsugaru**
Please look after Master for me.
**[11:33] Tsugaru**
I'll take care of the lad.
**[11:52] Tsugaru**
Now, now...
**[11:55] Tsugaru**
We can't have you trying
to rough up my master.
**[11:59] Aya**
Raoul set his plan in motion
after last week's attack.
**[12:04] Aya**
He contacted a hunter named Hugo,
**[12:07] Aya**
and told him that he would create an
opportunity for Hugo to attack Lord Godard.
**[12:10] Aya**
Unfortunately, Hugo went along with this.
**[12:13] Aya**
Raoul's plan was to get his silver
stake into the storage room
**[12:18] Aya**
while he held onto the stake's case.
**[12:21] Aya**
I heard that you all go to church.
**[12:25] Aya**
In that case, it must've been easy
to secretly obtain some holy water.
**[12:29] Aya**
He filled the case with holy water,
**[12:32] Aya**
and created an ice stake exactly
the same size as the silver stake.
**[12:38] Aya**
As for his motive, it was probably his
objection to being a human ally,
**[12:43] Aya**
since it appears as though your sons
aren't fond of humans the way you are.
**[12:47] Aya**
If you need proof, I'm sure you'll
find quite a few things in his room.
**[12:52] Aya**
The bottle he used to collect
Madame Hannah's blood,
**[12:55] Aya**
the sword he used to cut off his fingers,
**[12:57] Aya**
the cloth he wrapped his hand with
to hold the ice—
**[13:00] Aya**
Lord Godard?
**[13:02] Aya**
Lord Godard, are you listening?
**[13:05] Lord Godard**
Did Raoul really...
**[13:08] Aya**
He clearly tried to kill me just now.
**[13:11] Aya**
Nothing could be a clearer confession.
**[13:18] Lord Godard**
What...
**[13:21] Lord Godard**
What am I to do?
**[13:24] Aya**
Fear not.
**[13:26] Aya**
Let's just leave this to my assistant.
**[13:28] Aya**
In Japan, we'd say...
this is when the headliner appears.
**[13:34] Raoul**
They're all so damn weak.
**[13:37] Tsugaru**
Oho?
**[13:38] Raoul**
Father just does everything Mother says.
**[13:41] Raoul**
My brother's all talk, too!
**[13:43] Raoul**
But I'm nothing like them!
**[13:46] Tsugaru**
Is that so?
**[13:47] Raoul**
Vampires are meant to be solitary creatures.
**[13:50] Raoul**
So why do we have to stoop to their level?!
**[13:54] Tsugaru**
Dearie me.
**[13:56] Raoul**
That's why I thought if I made it
look like a human killed that woman,
**[14:01] Raoul**
Father would finally come to his senses!
**[14:04] Raoul**
But even that didn't work!
**[14:06] Raoul**
Which means...
**[14:08] Raoul**
this household is standing in my way.
**[14:11] Raoul**
I'll just have to kill all of them.
**[14:16] Tsugaru**
Upsy-daisy!
**[14:26] Tsugaru**
Now, now, now...
**[14:29] Tsugaru**
Come one, come all!
**[14:31] Tsugaru**
Everyone is welcome here!
**[14:34] Raoul**
I'm not healing?
**[14:35] Tsugaru**
What you're about to witness...
**[14:37] Tsugaru**
is a grand, fearsome, goosebump-raising
event that silences crying children.
**[14:42] Tsugaru**
Behold one of the rarest creatures
in the world, the Oni Slayer.
**[14:47] Tsugaru**
I know not of my parents' fate,
but behold my seething flesh!
**[14:52] Tsugaru**
One hit is enough to kill, meaning
it's as one-hit-kill as it can be.
**[14:56] Tsugaru**
In this world, there isn't a
single monster he can't kill.
**[14:59] Tsugaru**
No, no. You can pay *after*
you see the performance.
**[15:10] Tsugaru**
But...
**[15:15] Tsugaru**
That's only if you survive it.
**[15:19] Raoul**
What the hell are you?!
**[15:21] Tsugaru**
Why, I'm going to have you see just that.
**[15:28] Tsugaru**
These blue veins tell a story that involves
the inhuman and the supernatural!
**[15:33] Tsugaru**
And of course it does, because even
if I may seem human, I indeed am not!
**[15:37] Tsugaru**
"Inhuman" may sound a bit rude,
but please, lend me your ears,
**[15:43] Tsugaru**
as I tell you the humiliating tale
of Tsugaru Shinuchi.
**[15:46] Tsugaru**
Away we go!
**[15:58] Tsugaru**
* After the restoration, around*
* the year Meiji 30,*
**[16:03] Tsugaru**
* the powers above declared a massacre.*
* The supernaturals were going to be purged.*
***SIGN*** The Great Purge
**[16:07] Tsugaru**
* The rampant yokai were*
* chased, captured, and purged.*
**[16:11] Tsugaru**
And this purge was carried out by ruffians...
**[16:16] Tsugaru**
who were aptly named the Oni Killers.
**[16:19] Tsugaru**
The ultimate squad, the Oni Killers!
**[16:34] Tsugaru**
Here you see just one of its
treasured newcomers,
**[16:36] Tsugaru**
the one and only Tsugaru Shinuchi.
**[16:40] Tsugaru**
Despite being so far away from home,
he's here to perform this terrible charade.
**[16:50] Lord Godard**
Where could I have gone wrong?
**[16:53] Lord Godard**
I thought we were doing so well.
**[17:00] Raoul**
I... I... I'm not like the others!
**[17:04] Tsugaru**
Everyone who's around your age
says the same exact thing.
**[17:08] Tsugaru**
Which means you're exactly like the others.
**[17:10] Raoul**
No... Because I'm a vampire!
**[17:14] Raoul**
I'm noble... and strong!
**[17:17] Tsugaru**
Strong? I don't know about that.
**[17:21] Tsugaru**
I must say that Count Dracula
had a much harder bite.
**[17:30] Tsugaru**
I've finished my work.
**[17:33] Aya**
Well done.
**[17:34] Tsugaru**
A light workout before breakfast...
**[17:36] Tsugaru**
As it *is* still 3:00 AM.
**[17:40] Aya**
Lord Godard...
**[17:41] Aya**
Our job ends here, though I'm not
sure if it was the best ending.
**[17:48] Lord Godard**
How could this happen?
With Hannah's ideals guiding our family...
**[17:54] Tsugaru**
Humans and monsters can't live in harmony.
**[17:58] Lord Godard**
Huh?
**[17:59] Tsugaru**
This is straight from the horse's mouth,
so there's no doubt about it.
**[18:08] Annie**
Um, who are you waiting for?
**[18:11] Mark**
Some weird guy holding a birdcage.
**[18:13] Annie**
A birdcage?
**[18:14] Annie**
Are you talking about the Cage User?
So he's already here!
**[18:18] Mark**
Of course he's here. He's about to leave.
**[18:21] Annie**
Huh? What about the case? Was it solved?
**[18:27] Annie**
Mister Shinuchi!
**[18:29] Tsugar**
Well, well, hello there.
**[18:31] Tsugar**
What a coincidence, Miss Annie.
How can I help you?
**[18:34] Annie**
Why... I came here to interview you two.
**[18:37] Annie**
How are you doing, Ms. Rindo?
**[18:39] Aya**
Other than the fact that I'm a severed head,
I'm doing quite well.
**[18:43] Annie**
I heard that you solved the
case in a single night,
**[18:46] Annie**
but could you tell me how it wrapped up?
**[18:49] Tsugaru**
My, word travels fast.
**[18:52] Annie**
Well, I work for the great
Epoc News after all.
**[18:54] Tsugaru**
Ms. Shizuku, you heard the lady.
**[18:56] Tsugaru**
Could you start loading our lugga—
**[18:58] Tsugaru**
Wh-What are you doing?! Look out!
**[19:00] Shizuku**
I just remembered Lady Aya's
order from yesterday.
**[19:05] Shizuku**
She wanted me to strike you.
**[19:07] Tsugaru**
You don't need to remember that
when you're holding a trunk!
**[19:11] Tsugaru**
Look after my master for a minute, would you?
**[19:15] Annie**
They really don't get along.
**[19:17] Aya**
They're basically like siblings.
**[19:19] Aya**
By the way, could you ask the butler
how everything turned out in the case?
**[19:24] Aya**
I have a few things to speak
with Lord Godard about.
**[19:27] Annie**
Roger!
**[19:33] Aya**
Is it all right, Lord Godard?
**[19:36] Aya**
Lord Godard?
**[19:37] Lord Godard**
Yes... I know there's no way to
keep this a secret from the world.
**[19:42] Aya**
No, that's not what I meant.
**[19:44] Aya**
Is it all right for you to be outdoors like this?
**[19:47] Lord Godard**
Ah, yes. That's right.
**[19:51] Lord Godard**
The sun will be rising soon.
**[19:53] Aya**
But then nightfall will come once more.
**[19:56] Aya**
There's nothing to regret, Lord Godard.
**[19:59] Aya**
Even if we lose our reputations, we can
retry as many times as we need.
**[20:05] Aya**
We're undying monsters, after all.
**[20:09] Lord Godard**
Right...
**[20:11] Lord Godard**
By the way, what did you
want to speak with me about?
**[20:13] Aya**
Ah, yes. Do you know anyone
who fits this description?
**[20:19] Aya**
A man in his early seventies
with a slender build,
**[20:21] Aya**
sunken eyes and terrible posture.
**[20:23] Aya**
His right leg is a prosthetic,
and he carries a black cane.
**[20:26] Aya**
On the handle, there's an "M"
engraved in gold.
**[20:31] Lord Godard**
That man visited a couple of days ago.
**[20:35] Aya**
You don't say.
**[20:36] Lord Godard**
He didn't tell me his name. He just
asked me to call him "Professor."
**[20:40] Lord Godard**
He then asked me if I'd like
to go to London with him,
**[20:43] Lord Godard**
but I have a family, so I declined.
**[20:48] Lord Godard**
How do you know him?
**[20:50] Aya**
He's the fool who took the rest
of my body and about half of Tsugaru's.
**[20:56] Lord Godard**
Is that why you're...
**[21:01] Annie**
Are you all right, Mister Shinuchi?
**[21:03] Annie**
Your head seems to be bleeding.
**[21:06] Tsugaru**
Oh, don't you worry. I'm used to this.
**[21:08] Mark**
Boss, the dawn's gonna break soon.
We should get goin'.
**[21:11] Tsugaru**
Master, the bumpy road of
terror awaits us once more.
**[21:15] Aya**
Wheedle a consolation fee from
the coachman, if you would.
**[21:19] Tsugaru**
Easily done!
**[21:20] Annie**
Hey, hang on a sec...
**[21:23] Annie**
I'd like a comment from you to sum up the case.
**[21:27] Tsugaru**
Well, Lord Godard said he'd lost family
members three times during his long life.
**[21:33] Tsugaru**
Here he lost his wife, and thought
it would just be the fourth,
**[21:38] Tsugaru**
but then he lost a son as well.
**[21:42] Annie**
It's quite the tragedy.
**[21:44] Tsugaru**
Yup.
**[21:45] Tsugaru**
I'm sure that my lady will try to laugh this
off as a farce, but it's a true tragedy.
**[21:50] Tsugaru**
Really, insult to injury.
**[21:52] Tsugaru**
As we say in Japan, "What happens
twice will happen thrice,"
**[21:57] Tsugaru**
but the Godard incident took things
even further than that.
**[22:00] Tsugaru**
You see...
**[22:02] Tsugaru**
What happens four times will
*go*-d*hard* into a fifth.
**[22:12] Moriarty**
It seems that Arsene Lupin has
appeared at the Opera House.
**[22:16] Moriarty**
Just as he declared in his letter of warning,
**[22:19] Moriarty**
he stole the jewel on the leading
actress's costume and fled.
**[22:24] Carmilla**
Lupin... The phantom thief
everyone's talking about lately?
**[22:27] Moriarty**
"The phantom thief has taken
the Phantom of the Opera,
**[22:30] Moriarty**
and then disappeared into the city night," it says.
**[22:34] Carmilla**
What would you like to do?
**[22:36] Moriarty**
Let it go, of course. We don't have time
to deal with that phantom thief brat.
**[22:41] Moriarty**
At least not right now.
# E5 - The Immortal of London
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GN7UDVMEW/the-immortal-of-london)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:16] Lupin**
Good morning, Erik.
**[00:19] Lupin**
How are you feeling, Erik?
**[00:22] Phantom**
How do you know my real name?
**[00:24] Lupin**
Oh, I know lots of things.
**[00:26] Lupin**
You're from Persia. You were born with
your white hair and disfigured face.
**[00:31] Lupin**
Your singing voice is an unparalleled tenor.
**[00:34] Lupin**
You live 23 floors beneath the Paris Opera.
**[00:37] Lupin**
The nickname you were given
was the Phantom of the Opera.
**[00:40] Phantom**
What is this place?
**[00:42] Lupin**
L'Aiguille Creuse... Though I'm
still working on it.
**[00:47] Phantom**
Why did you kidnap me?
**[00:49] Lupin**
I stole you... along with this ruby.
**[00:52] Lupin**
I can't bear to see this passionate jewel
never be more than some stage prop.
**[00:57] Lupin**
And it's no fun to have a true phantom
living in obscurity beneath an opera house.
**[01:02] Lupin**
They should both belong to me.
**[01:05] Phantom**
Enough chatter. What are you after?
**[01:09] Lupin**
There's a job I'd like to do in London.
**[01:11] Lupin**
But my assistant ran away on me...
so I needed another one.
**[01:16] Phantom**
What are you planning on stealing?
**[01:18] Lupin**
The Penultimate Night.
**[01:21] Phantom**
From Phileas Fogg's mansion? Are you mad?!
**[01:24] Phantom**
That mansion's security is impregnable.
**[01:26] Phantom**
And in London, there's Sherlock Holmes.
**[01:29] Lupin**
And on the continent, there's me.
**[01:32] Phantom**
Arsene Lupin.
**[01:37] Phantom**
Do we even stand a chance?
**[01:38] Lupin**
I wouldn't have invited you here if we didn't.
**[01:40] Lupin**
So, what are you going to do? Go home?
**[01:44] Phantom**
I was stolen, wasn't I?
**[01:45] Phantom**
I'll follow my owner's orders.
***SIGN*** The
Immortal
of
London
***SIGN*** Episode
Five
**[03:32] Annie**
Arsene Lupin, a famous
gentleman thief from France...
***SIGN*** A.D.
***SIGN*** London, England
**[03:38] Annie**
His letter of warning arrived at
Phileas Fogg's mansion.
**[03:44] Newsboy**
Have a great day.
**[03:46] Newsboy**
The phantom thief, Lupin,
is going to appear in London!
**[03:49] Annie**
Famous detectives all around the world
**[03:51] Annie**
are seeking to be the ones
hired to foil Lupin.
**[03:56] Annie**
*I'll bet the Cage User and crew will be, too!*
**[04:01] Horne**
Would you like to place an order?
**[04:03] Tsugaru**
Yes. Oh, but it's not for me.
It's actually for my master.
**[04:07] Horne**
I see.
**[04:09] Horne**
Well... How tall are they?
**[04:13] Tsugaru**
Hm... About three apples high?
**[04:16] Aya**
Tsu-ga-ru...
**[04:21] Shizuku**
The lists of his clients are stored in
alphabetical order in those drawers.
**[04:25] Horne**
Pardon, but who exactly are you talking to?
**[04:44] Tsugaru**
There had to be a smoother way to do that.
**[04:48] Aya**
We're just borrowing it for a couple days.
**[04:50] Aya**
The list should contain—
**[04:52] Tsugaru**
Can I help you?
**[04:54] Holmes**
It's quite a simple matter, really.
**[04:56] Holmes**
I'd like you to return the client list
you took from Horne's shop.
**[04:59] Tsugaru**
Would you be from Scotland Yard, then?
**[05:02] Holmes**
No, no. They are nowhere
near as talented as I am.
**[05:08] Tsugaru**
Shizuku, could you take care
of the master for a bit?
**[05:12] Watson**
I don't think they're just
going to hand it over.
**[05:16] Holmes**
It appears that you're no common thieves.
**[05:20] Holmes**
It's been a while...
**[05:22] Aya**
Oh?
**[05:27] Tsugaru**
Whoopsie. Well, there's trouble.
**[05:34] Elder Bingley**
Hey, we're innocent.
**[05:36] Elder Bingley**
Right?
**[05:36] Younger Bingley**
Yeah.
**[05:38] Holmes**
Get Inspector Lestrade!
He'll be able to vouch—
**[05:41] Nigel**
Every citizen in London knows
Inspector Lestrade's name.
**[05:47] Watson**
All this because *you* wanted
to buy a new walking stick...
**[05:52] Nigel**
You're plenty suspicious for
being around this thing.
**[05:56] Aya**
I had heard that English
gentlemen were kind to women.
**[05:59] Aya**
Calling me "this thing" is rather rude.
**[06:01] Bingley Brothers**
Eek! It's talking!
**[06:03] Aya**
You there. You twins.
**[06:05] Aya**
You were just wailing about the fact
that you're innocent, but you're lying.
**[06:08] Aya**
You were clearly holding
onto a bag stuffed full
**[06:10] Aya**
right until the point you were caught.
**[06:13] Bingley Brothers**
H-How would you know that?
**[06:15] Aya**
The joints of your fingers are quite red.
**[06:17] Aya**
That doesn't happen unless you've been
holding a heavy bag for quite some time.
**[06:21] Aya**
What exactly were you transporting?
Money? Drugs?
**[06:25] Holmes**
Contraband. Ceramic art.
**[06:28] Aya**
How can you tell?
**[06:30] Holmes**
They both have sawdust under their nails.
**[06:33] Aya**
It could have been glass.
**[06:35] Holmes**
One wouldn't put something
that fragile in a bag.
**[06:38] Holmes**
How about it, chaps?
**[06:40] Holmes**
It's pottery, isn't it?
**[06:42] Younger Bingley**
Wow, he got it right!
**[06:43] Younger Bingley**
It was a pot from the East.
**[06:45] Elder Bingley**
Don't tell him that, you idiot!
**[06:46] Nigel**
Cut the yapping.
**[06:49] Watson**
The talking severed head of a girl...
**[06:52] Holmes**
She's clearly undead.
**[06:54] Holmes**
I've read that there was a sole
immortal monster in Japan.
**[06:58] Younger Bingley**
We'd be rich if we sold her to the circus.
**[07:04] Watson**
Hey. You.
**[07:05] Watson**
Lupin's letter of warning has already
been taken up by the papers.
**[07:10] Elder Bingley**
It says he's after Strong Man
Fogg's precious jewel.
**[07:13] Younger Bingley**
And Fogg hired two detectives for the job!
**[07:16] Elder Bingley**
One is Sherlock Holmes, of course.
**[07:19] Nigel**
Honestly...
**[07:19] Younger Bingley**
Who's the other one?
**[07:21] Elder Bingley**
Um... I think the name was Aya.
**[07:24] Elder Bingley**
A detective from Japan?
"The Doghouse User" or something.
**[07:29] Holmes**
It's a pleasure to meet you.
My name is Sherlock Holmes.
**[07:33] Holmes**
This is my dear friend, Watson.
**[07:35] Aya**
Aya Rindo. As you can see, I live
in a bird cage, not a doghouse.
**[07:42] Holmes**
Now, then. There's no point
in wasting any more time here.
**[07:47] Nigel**
Hey! We're changing up our destination!
**[08:05] Carmilla**
You're early, Mister Illusionist.
**[08:10] Aleister**
I'm not an illusionist. I'm a magician.
**[08:13] Carmilla**
Same difference.
**[08:15] Aleister**
They are quite different, thank you.
**[08:21] Carmilla**
Professor...
**[08:29] Annie**
About thirty years ago, Phileas Fogg
did the unthinkable,
**[08:33] Annie**
traveling around the world in eighty
days with his butler, Passepartout.
**[08:37] Annie**
The Fogg mansion, with its
neoclassical architecture...
**[08:39] Coachman**
Scotland Yard! Clear the way!
**[08:42] Guard**
Open the gates!
**[08:51] Reporters**
Why a prisoner transport?
**[08:53] Reporters**
Who's in there?!
**[08:58] Annie**
Oh!
**[08:59] Annie**
Sherlock Holmes!
**[09:03] Annie**
And Doctor Watson!
**[09:06] Annie**
The Cage User and Miss Aya Rindo!
**[09:11] Reporters**
I can't see.
**[09:14] Passepartout**
Welcome, everyone, to Master Fogg's mansion.
**[09:18] Passepartout**
I am the butler, Passepartout.
**[09:21] Lestrade**
I'm Inspector Lestrade.
**[09:22] Lestrade**
Is that bridge the only way in and out?
**[09:25] Passepartout**
Indeed.
**[09:27] Tsugaru**
Lessee, this direction is...
**[09:31] Passepartout**
This is the north building.
**[09:32] Passepartout**
The east and west buildings to
our left and right are both museums.
**[09:38] Passepartout**
Master Fogg purchased this mansion
to display the items he collected
**[09:42] Passepartout**
on his trip around the world.
**[09:44] Lestrade**
Seems like a sturdy build.
**[09:47] Lestrade**
How in the world does Lupin
plan on getting in here?
**[09:54] Lupin**
Hey, Erik.
**[09:57] Phantom**
Lupin. What are you doing?
**[09:59] Lupin**
My after-meal exercises.
**[10:07] Phantom**
I went to check on Fogg's mansion.
**[10:12] Phantom**
As of this morning,
they've closed it to the public,
**[10:14] Phantom**
and increased security.
**[10:16] Lupin**
What about Holmes?
**[10:18] Phantom**
He's there. And there was another group.
**[10:21] Phantom**
A detective called the Cage User.
**[10:23] Phantom**
A woman, they say.
**[10:24] Lupin**
A woman, eh? I'm looking forward to that.
**[10:28] Phantom**
It's all because of that warning you sent.
Why did you send such a thing?
**[10:32] Lupin**
I *am* a gentleman, after all.
**[10:36] Passepartout**
Mister Phileas Fogg.
**[10:43] Fogg**
I apologize for summoning
all of you so suddenly.
**[10:46] Fogg**
Mister Sherlock Holmes, Doctor Watson,
and the Cage User...
**[10:52] Tsugaru**
Tsugaru Shinuchi and...
**[10:54] Aya**
Aya Rindo.
**[10:56] Fogg**
I see. You indeed seem like detectives
who specialize in monsters.
**[11:01] Aya**
Which also means that we
may not be of much use here.
**[11:04] Fogg**
I believe that Arsene Lupin is
as threatening as a monster.
**[11:09] Fogg**
I've also heard that he's gained the
aid of the Phantom of the Opera.
**[11:13] Holmes**
You've made the right choice, but perhaps
hiring two detectives was too much.
**[11:18] Aya**
Indeed. I can handle this case all by myself.
**[11:21] Holmes**
I wonder how useful a
literal talking head could be...
**[11:24] Aya**
The funny thing is that you only
need a brain to do detective work.
**[11:29] Watson**
Holmes, let's hear about the incident.
**[11:34] Holmes**
"Dear Mister Phileas Fogg.
**[11:37] Holmes**
From 11 PM to 11:30 PM on January 19th,
**[11:41] Holmes**
I will be taking the Penultimate
Night that's in your possession,
**[11:46] Holmes**
along with the safe that holds it.
**[11:49] Holmes**
Sincerely, Arsene Lupin."
**[11:52] Aya**
Why on Earth is it "from 11 PM to
11:30 PM"? I would just say 11:30.
**[12:00] Holmes**
By the way, what is this Penultimate Night?
**[12:04] Passepartout**
It is an 80-carat black diamond.
**[12:06] Passepartout**
Because of its rarity,
we do not have it on display.
**[12:10] Passepartout**
It is kept safe in a special
room in the basement.
**[12:14] Holmes**
This mansion has a moat.
There must be other waterways here.
**[12:20] Fogg**
There is one on the south side.
**[12:21] Fogg**
A canal five feet underground
that connects with the River Thames.
**[12:26] Holmes**
How wide is it?
**[12:29] Passepartout**
It is wide enough for
an adult to get through.
**[12:32] Holmes**
Then I'd like for you to close it off.
**[12:34] Passepartout**
As you wish.
**[12:37] Holmes**
To protect the diamond,
you have 20 security personnel,
**[12:40] Holmes**
eighty officers from Scotland Yard,
**[12:42] Holmes**
Watson and myself, the three
members of the Cage User group,
**[12:46] Holmes**
Inspector Lestrade, yourself, and Master Fogg,
for a grand total of 108 people.
**[12:51] Tsugaru**
That number means trouble. How unlucky.
**[12:54] Tsugaru**
Why don't you add or subtract some?
**[12:56] Passepartout**
Apparently, Inspector Ganimard will be
arriving here tomorrow morning from France.
**[13:00] Passepartout**
There will also be two others.
**[13:02] Passepartout**
Royce is sending two agents from
their advisory security department.
**[13:06] Aya**
Royce...
**[13:08] Lupin**
Well, that's going to be trouble.
**[13:11] Phantom**
They're just an insurance
company, aren't they?
**[13:13] Lupin**
They happen to be a giant
insurance organization
**[13:15] Lupin**
that's been around for 200 years.
**[13:18] Lupin**
When a monster appears or a
coup d'état erupts near their clients...
**[13:22] Lupin**
they are professionals who will protect
their clients with everything they have.
**[13:28] Phantom**
What are they like?
**[13:30] Lupin**
They have seven members.
They are numbered in order of ability.
**[13:34] Lupin**
Their ages and nationalities all vary.
**[13:37] Lupin**
Their Number 6, who chased me, was Asian.
**[13:43] Phantom**
So they have nothing in common?
**[13:45] Lupin**
Three things...
**[13:47] Lupin**
They all wear white.
**[13:48] Lupin**
Second, they all have ridiculous codenames.
**[13:52] Phantom**
What's the last one?
**[13:53] Lupin**
They're all insanely strong.
**[13:57] Reynold**
Royce Advisory Security Department
Agent Number 5, Reynold Stingheart.
**[14:02] Fogg**
I'm Phileas Fogg.
**[14:04] Reynold**
No need for a handshake.
It would dirty my glove.
**[14:07] Fatima**
I'm so sorry, I'm so sorry!
**[14:11] Fatima**
I'm Agent Number 7, Fatima Doubledarts.
**[14:14] Fatima**
I'm sorry that my partner is so rude!
**[14:16] Fatima**
I'll shake your hand for the both of us!
**[14:19] Tsugaru**
Are they circus performers or something?
**[14:21] Tsugaru**
I didn't have that sort of
trouble on my schedule.
**[14:24] Aya**
You'd better put it on there.
Those are the sorts we're dealing with.
**[14:27] Reynold**
An immortal and an Oni Hybrid.
**[14:30] Reynold**
Monsters who have blended into human society.
**[14:32] Reynold**
How disgusting.
**[14:34] Fogg**
Now, then... I shall take
you all to see the diamond.
**[14:39] Tsugaru**
Something tells me they're
no ordinary insurance agency.
**[14:42] Aya**
The biggest hindrance in
the insurance business
**[14:44] Aya**
is illogical creatures like ourselves.
**[14:48] Aya**
They're basically fanatical
monster exterminators.
**[14:55] Reynold**
Th-The basement, eh?
**[14:57] Reynold**
I've just remembered something
I have to do. I'm leaving.
**[15:00] Fatima**
Y-You can't! We need to go down.
**[15:05] Fogg**
This mansion originally belonged
to the Temple Church.
**[15:10] Fogg**
Though I've made quite a few renovations,
**[15:13] Fogg**
I haven't really touched the basement.
**[15:15] Fogg**
It's currently where I keep the diamond.
**[15:18] Fogg**
I have no idea what it
was originally used for.
**[15:29] Holmes**
It's enormous.
**[15:30] Fogg**
I call this the reception room. And...
**[15:34] Fogg**
This is where I keep the diamond.
The Chamber of Additional Crimes.
**[16:01] Watson**
This is...
**[16:11] Holmes**
...the Chamber of Additional Crimes.
**[16:13] Watson**
I'd rather not try to imagine what
happened here in the past.
**[16:40] Tsugaru**
So that's the diamond?
**[16:45] Fogg**
This is the Penultimate Night.
**[16:48] Lestrade**
Fantastic. It's no wonder Lupin's
after such a treasure.
**[16:52] Fogg**
Well, it's not a natural diamond.
**[16:55] Lestrade**
I don't think synthetic diamonds
are worth as much, are they?
**[16:59] Aya**
But I see that the safe is pure silver.
**[17:02] Aya**
That's the metal that vampires
and werewolves despise.
**[17:05] Aya**
Mister Fogg, could you kindly explain
the history of that diamond to us?
**[17:10] Fogg**
I obtained it twenty years ago.
**[17:13] Fogg**
My friend from Germany unearthed
it from a fourteenth-century ruin,
**[17:16] Fogg**
and gave it to me, along with the safe.
**[17:18] Holmes**
The fourteenth century?
**[17:20] Holmes**
Preposterous.
**[17:22] Fogg**
I became rather curious about what was inside,
**[17:24] Fogg**
so I devoted myself to figuring out how to
open the complicated contraption.
**[17:28] Fogg**
It became my obsession.
**[17:30] Fogg**
And finally, ten years later...
**[17:33] Fogg**
Inside it was this gem.
**[17:35] Fogg**
According to an expert, it has
a very rare composition.
**[17:39] Fogg**
Along with carbon, there are
also traces of europium.
**[17:44] Fogg**
Then there's this text...
**[17:50] Aya**
Tsugaru.
**[17:57] Aya**
"The dawn is red as blood.
The sunset is purple as a corpse.
**[18:02] Aya**
Do not gaze upon my hideous self
as the moon shines down on me,
**[18:06] Aya**
for there is a wolf inside of me."
**[18:10] Fogg**
Passepartout and I both researched
the origins of this diamond,
**[18:14] Fogg**
and what we found was...
**[18:16] Fogg**
It's called the Penultimate Night.
**[18:19] Passepartout**
It's said that the dwarves
that once lived in Germany
**[18:22] Passepartout**
were exterminated by a
certain tribe of werewolves.
**[18:27] Passepartout**
The desperate dwarves swore
revenge and, in order to tell
**[18:30] Passepartout**
future generations the
location of their enemy,
**[18:33] Passepartout**
they created two pieces with their
characteristic refinement techniques.
**[18:37] Passepartout**
A jewel that would never shatter
**[18:39] Passepartout**
and a safe made of the pure silver
that their enemies hated so much.
**[18:43] Holmes**
I see.
**[18:44] Holmes**
I can see why Lupin is so
interested in this now.
**[18:48] Holmes**
This item is one of a kind.
**[18:51] Holmes**
I will do everything I can to protect it.
**[18:57] Professor**
Victor, if the paper is around,
could you hand it to me?
**[19:01] Victor**
It's all talk about Lupin.
**[19:04] Professor**
The Penultimate Night, eh?
**[19:07] Professor**
How annoying. That little thief keeps
going after the things I want.
**[19:11] Carmilla**
What shall we do?
**[19:15] Professor**
Well, I must go say hello to an old friend.
**[19:22] Jack**
Is something the matter?
**[19:24] Professor**
It appears another old friend
is here from the East.
**[19:30] Fogg**
This steel door requires the
strength of four men to open.
**[19:33] Fogg**
The locks are three detector
locks I specially ordered.
**[19:37] Fogg**
Each one has a different key.
**[19:39] Fogg**
That speaking tube is the only way
to communicate with the outside.
**[19:44] Holmes**
I see. So this is almost perfect.
**[19:47] Passepartout**
Almost, you say?
**[19:50] Holmes**
If I were Lupin, I would look for every
possible way to infiltrate this place.
**[19:54] Holmes**
For example... digging a tunnel.
**[19:58] Passepartout**
It's impossible to dig
to such depths unnoticed.
**[20:02] Holmes**
What's that?
**[20:03] Passepartout**
A vent. We would suffocate
in here without it.
**[20:08] Watson**
Couldn't that serve as a way in, then?
**[20:11] Passepartout**
Quite impossible.
**[20:13] Passepartout**
The vent is so small that a child
might just barely pass through it.
**[20:16] Passepartout**
It's also bent in various ways to keep
infiltrators out, and closed off with a grate.
**[20:22] Holmes**
Then let's consider the fact that
Lupin is a master of disguise.
**[20:26] Holmes**
If Lupin just happened
to be in here with us...
**[20:32] Holmes**
Well, we can call it a day for now.
**[20:35] Holmes**
Let's go, Watson. We must stop by the
walking stick shop on our way home.
**[20:39] Watson**
Ah, that's right.
**[20:41] Fatima**
Do you think it's real?
**[20:43] Reynold**
There's no doubt about it.
**[20:44] Reynold**
We'll do everything according to plan.
Don't mess this up.
**[20:47] Holmes**
I'll see you all tomorrow night.
**[20:50] Fogg**
Yes.
**[20:52] Watson**
What is it?
**[20:53] Holmes**
It's trivial. Don't worry about it.
**[20:59] Tsugaru**
Master, do you have a way
of dealing with Lupin?
**[21:02] Aya**
I've thought of one, but it's so idiotic
that I'm not sure if it'll work.
**[21:07] Tsugaru**
I see. So what's the plan?
**[21:10] Aya**
Your hint is...
**[21:12] Aya**
Goemon Ishikawa.
# E6 - The Phantom Thief and the Detective
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GK9U3DEJ4/the-phantom-thief-and-the-detective)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:00] Tsugaru**
And we're here.
**[00:02] Tsugaru**
Oh?
**[00:03] Tsugaru**
It's unlocked.
**[00:06] Tsugaru**
Oh! Th-They're all gone!
**[00:08] Tsugaru**
The nice towels are all gone...
**[00:12] Tsugaru**
Well, I'll be damned. We've been robbed.
**[00:18] Tsugaru**
The lesson here is that
security is very import—
**[00:22] Aya**
Speak normally!
**[00:25] Old man**
Oh, I don't need any vinegar.
**[00:28] Old man**
Just salt, if you please.
**[00:31] Tsugaru**
Ah! I could go for something to eat.
**[00:35] Shizuku**
We have time before Lupin makes his move.
**[00:37] Shizuku**
What would you like to do?
**[00:39] Aya**
Well, we came all the way to London.
**[00:41] Aya**
I'd love to see Madame Tussaud's wax museum.
**[00:44] Shizuku**
I'll look into it.
**[00:49] Tsugaru**
Master, would you like some, too?
***SIGN*** The
Phantom
Thief
and
the
Detective
***SIGN*** Episode
Six
**[02:34] Fake Holmes**
Hello, Watson.
**[02:36] Watson**
Did I interrupt you?
**[02:38] Fake Holmes**
No, I've already solved it.
**[02:42] Watson**
By the way, don't you need to
figure out a plan for tonight?
**[02:46] Fake Holmes**
He's the one coming to get the diamond.
**[02:48] Fake Holmes**
And there's more security
than I thought there'd be.
**[02:51] Watson**
I thought you were rather
skeptical about the security.
**[02:54] Fake Holmes**
That was yesterday.
**[02:55] Fake Holmes**
Today's another day.
**[02:57] Fake Holmes**
Watson, I'm looking forward to this.
**[03:00] Fake Holmes**
It feels like I'm about to have
an intense chess match
**[03:04] Fake Holmes**
with France's very own Arsene Lupin.
**[03:13] Watson**
Mycroft.
**[03:15] Fake Holmes**
Hello there, Mycroft.
**[03:16] Mycroft**
I stopped by to pass something on...
but who are you?
**[03:21] Fake Holmes**
Have you forgotten your own brother's face?
**[03:24] Mycroft**
You do look quite like him,
but you are not Sherlock.
**[03:27] Watson**
Wh-Why would you say that?!
**[03:29] Mycroft**
Your nails.
**[03:31] Mycroft**
I saw Sherlock three days ago,
and his nails were trimmed.
**[03:36] Fake Holmes**
I see. There's no one who
could verify that fact, though.
**[03:41] Holmes**
I believe I can.
**[03:46] Fake Holmes**
It's a pleasure to meet
you, Sherlock Holmes.
**[03:49] Fake Holmes**
I'm quite honored to meet you.
**[03:51] Holmes**
And you must be Arsene Lupin.
**[03:54] Watson**
What in the world...?
**[04:06] Tsugaru**
After coming all the way to London, do we
really have to go to some wax museum?
**[04:12] Shizuku**
I'm told they have a special exhibit
called the "Chamber of Horrors."
**[04:15] Shizuku**
It features gruesome simulacra of humanity.
**[04:18] Tsugaru**
But I hang out with one of those all the time...
**[04:22] Tsugaru**
Er, I didn't say anything!
Oh, that's Baker Street right there.
**[04:28] Tsugaru**
Master, should we stop by Mister Holmes's place?
**[04:34] Tsugaru**
Are you being pouty, Master?
**[04:38] Parrot**
North-northwest, all clear!
**[04:41] Shizuku**
The lace pattern is different!
**[04:42] Tsugaru**
Oh.
**[04:45] Parrot**
Hello! Hello!
**[04:47] Tsugaru**
Talk about a bird-brained mix-up, huh?
**[04:54] Holmes**
I must say, you're a formidable opponent,
**[04:56] Holmes**
but the safe you're after is under heavy
guard in an underground vault.
**[05:00] Lupin**
So what are your odds
of victory, Mister Detective?
**[05:03] Holmes**
Exceedingly close to one hundred percent.
**[05:05] Lupin**
Hmm.
**[05:10] Lupin**
This is lovely.
**[05:11] Holmes**
Your country's government gave it to me.
**[05:13] Lupin**
Sherlock, what is the most
defining feature of a lock?
**[05:18] Lupin**
That is, what is its essential function?
**[05:20] Holmes**
To keep things shut away?
**[05:23] Lupin**
No, to be opened!
**[05:27] Watson**
The lock...
**[05:28] Lupin**
The detector locks on the Chamber of
Additional Crimes are just three keyholes.
**[05:32] Holmes**
The lock on that safe as well?
**[05:35] Lupin**
That was created with superhuman skill,
so it won't be easy.
**[05:39] Lupin**
But if a human like Fogg was
able to open it, so can I.
**[05:45] Lupin**
Well then, Mister Holmes and Doctor Watson...
**[05:48] Lupin**
I will see you again tonight!
**[05:57] Holmes**
He's as flashy as the rumors say.
**[05:59] Mycroft**
He reminds me of you
when you were younger.
**[06:03] Phantom**
Were you able to talk to Holmes?
**[06:05] Lupin**
We did better than talk. We even had tea.
**[06:07] Lupin**
It was a brilliant success.
I planted two important seeds.
**[06:11] Lupin**
What time is the train?
**[06:13] Phantom**
5:25 at Waterloo Station.
**[06:16] Lupin**
We still have some time.
Why don't we stop somewhere and—
**[06:20] Lupin**
Look out!
**[06:27] Lupin**
Were you hurt?
**[06:28] Shizuku**
Excuse me! Have you seen
a bird cage around here?
**[06:32] Lupin**
A bird cage?
**[06:34] Lupin**
Have we?
**[06:35] Phantom**
No.
**[06:36] Shizuku**
Thank you for your time.
**[06:40] Lupin**
A moment, Miss.
**[06:49] Annie**
What am I going to do?
**[06:51] Annie**
If I'm not able to interview
Mister Holmes or Miss Rindo...
**[06:56] Annie**
Mister Shinuchi?!
**[06:58] Annie**
What happened to your face?
**[07:00] Tsugaru**
Hello, Annie.
**[07:02] Tsugaru**
You're in London, are you?
**[07:05] Tsugaru**
By the way, have you seen my master?
**[07:12] Watson**
The driver was concealing
the right side of his face.
**[07:15] Watson**
He must be the Phantom.
**[07:17] Mycroft**
The one they call the
Phantom of the Opera...
**[07:20] Mycroft**
Old theaters like that are frequently
haunted, aren't they?
**[07:23] Holmes**
They tell ghost stories about
The Theatre Royal, Drury Lane, too.
**[07:28] Holmes**
Oh?
**[07:32] Watson**
I wonder why Lupin went
out of his way to see you.
**[07:36] Holmes**
The only thing that's certain
**[07:38] Holmes**
is that both Lupin and I are under a
rather troublesome curse of our own.
**[07:42] Holmes**
The curse of being a gentleman.
**[07:45] Holmes**
Gentlemen never lie about the
moves they're going to make.
**[07:49] Holmes**
Their pride absolutely will not allow it.
**[07:51] Holmes**
Oh, that poor chap.
**[07:55] Mycroft**
Don't let your guard down, Sherlock.
**[07:57] Mycroft**
I heard that Royce's agents are here.
**[08:00] Holmes**
I met them. They didn't seem very reliable,
**[08:04] Holmes**
but we share an interest
in protecting the diamond.
**[08:08] Mycroft**
You're so clueless.
**[08:10] Mycroft**
Their goal is the eradication of all monsters.
**[08:13] Watson**
What do you mean?
**[08:14] Mycroft**
It's said that the Penultimate Night
is the key to finding werewolves.
**[08:20] Holmes**
Werewolves?
**[08:22] Mycroft**
I'm quite certain the Royce agents will
not actually try to stop Lupin.
**[08:25] Mycroft**
They'll corner Lupin after the crime,
incapacitate him, and steal the diamond.
**[08:30] Mycroft**
And then they'll let Lupin take the fall.
**[08:34] Watson**
But that's...
**[08:36] Holmes**
Then I'll simply steal
the diamond back from them.
**[08:40] Mycroft**
It won't be as easy as you make it sound.
They're powerful.
**[08:44] Holmes**
I have an ace up my sleeve.
**[08:47] Mycroft**
You mean your baritsu, Sherlock?
**[08:49] Mycroft**
But you're not a young man anymore.
**[08:55] Watson**
So Lupin has the Phantom on his side,
**[08:57] Watson**
and we can't trust the two Royce agents.
**[09:01] Holmes**
Doesn't this remind you of when we fought
Professor Moriarty eight years ago?
**[09:07] Watson**
Do you think we can trust that
Japanese detective? The Cage User?
**[09:13] Holmes**
I'm not sure... But they're also monsters.
**[09:16] Holmes**
The Royce agents may seek to
pick them off in the chaos.
**[09:21] Holmes**
Oh, but... the woman is immortal, isn't she?
**[09:26] Aya**
Curse that Tsugaru...
**[09:36] Younger Bingley**
What did we run over?!
**[09:45] Elder Bingley**
Wh-What is that?
**[09:49] Younger Bingley**
Oh...
**[09:51] Younger Bingley**
You're the severed head from yesterday.
**[09:53] Elder Bingley**
What the heck are you doing here?
**[09:55] Aya**
I could ask you the same question.
Weren't you arrested?
**[10:00] Aya**
Say, you two. I'd be ever so
grateful if you'd carry me.
**[10:10] Aya**
Hey... Hey, wait a second.
**[10:12] Aya**
Wait, wait!
**[10:13] Aya**
Wait, wait, wait, wai—
**[10:17] Phantom**
Why do we have to find this bird cage?
**[10:20] Lupin**
Keep a keen eye out for it.
**[10:22] Shizuku**
Could we go back to the
main road one more time?
**[10:24] Phantom**
Sure thing, Miss.
**[10:33] Phantom**
Whoa!
**[10:35] Shizuku**
Go after that car!
**[10:40] Tsugaru**
It's empty.
**[10:42] Annie**
Huh? I really don't want to write an
article saying that Miss Rindo died
**[10:46] Annie**
because her assistant got
her mixed up with a parrot.
**[10:48] Tsugaru**
Again, Master won't die.
**[10:51] Tsugaru**
If we keep wandering,
she'll pop up somewhere—
**[10:54] Aya**
Tsugaru!
**[11:01] Annie**
Miss Shizuku!
**[11:14] Annie**
Pardon me!
**[11:15] Annie**
I'm borrowing this!
**[11:40] Tsugaru**
Welcome back, Master.
**[11:42] Aya**
Took you long enough.
**[11:44] Aya**
You'll be getting punished later.
**[11:45] Annie**
Miss Rindo! I'm so glad you're okay!
**[11:48] Aya**
Well, if isn't our feisty little reporter.
**[11:50] Aya**
So you're in London as well.
**[11:52] Annie**
Yes.
**[11:53] Shizuku**
Lady Aya!
**[11:57] Shizuku**
Thank goodness you're safe!
**[11:59] Shizuku**
I never should have left your side!
Please forgive me!
**[12:02] Aya**
Shizuku, are those two...?
**[12:05] Shizuku**
Yes, they helped me in my search for you.
**[12:09] Shizuku**
Oh, I haven't asked for your names...
**[12:11] Lupin**
No, no. My name is not important.
**[12:16] Lupin**
Female, a bird cage,
and "Lady Aya"?
**[12:19] Lupin**
So you must the Cage User's entourage.
**[12:22] Aya**
I must say, you are dressed quite peculiarly.
**[12:25] Aya**
Mister Sherlock Holmes dresses
just that same way.
**[12:28] Aya**
Shizuku, it appears that you were
riding with Mister Arsene Lupin.
**[12:34] Lupin**
I didn't think you'd be from
the Cage User coterie.
**[12:37] Lupin**
To meet another detective right after Holmes...
**[12:41] Lupin**
What an interesting day.
**[12:42] Phantom**
I think you mean an awful day.
**[12:44] Lupin**
It's a pleasure to meet you, Aya Rindo.
**[12:46] Lupin**
Indeed, I am Arsene Lupin.
**[12:49] Lupin**
This is my subordinate, Erik.
**[12:51] Phantom**
Don't use my real name.
**[12:53] Lupin**
Oh, I apologize. This is the Phantom.
**[12:55] Aya**
The pleasure is all mine.
**[12:57] Lupin**
By the way, are those two your assistants?
**[12:59] Tsugaru**
I'm her apprentice, and this
is her maid, Miss Shizuku.
**[13:02] Lupin**
And what's your name?
**[13:04] Tsugaru**
I am know as the terrifying
Oni Slayer, Tsugaru Shinuchi.
**[13:08] Tsugaru**
It's a pleasure to make your acquaintance.
**[13:10] Lupin**
What exactly is an "Oni Slayer"?
**[13:14] Tsugaru**
It means that I'm
stronger than you, Lupin.
**[13:23] Lupin**
I'd prefer to conserve my energy
since I have to work tonight, but...
**[13:33] Lupin**
I'll play with you a bit.
**[13:34] Tsugaru**
So what do Arsene Lupin and an accountant
counting up money at night have in common?
**[13:42] Tsugaru**
No idea?
**[13:44] Lupin**
What?
**[13:45] Tsugaru**
They're both so darn noisy!
**[13:55] Lupin**
Here comes the real one!
**[14:09] Lupin**
Hmph.
**[14:15] Lupin**
Allow me to give you a warning.
**[14:17] Lupin**
Drop this case, Aya Rindo.
**[14:32] Tsugaru**
I lost.
**[14:33] Aya**
I saw.
**[14:35] Aya**
Now, let us return to the Fogg residence.
**[14:38] Annie**
But Lupin just told you to drop the case.
**[14:40] Aya**
We must prepare for the night's farce.
**[14:53] Holmes**
Goodness... I didn't expect a body search.
**[14:56] Holmes**
Did you bring the extra ammo?
**[14:58] Watson**
I brought around ten rounds.
**[15:00] Holmes**
Splendid. Let me borrow six rounds later.
**[15:03] Holmes**
My barrel will be empty in about three hours.
**[15:06] Watson**
You're planning to use your gun?!
**[15:08] Ganimard**
Mind if I pass through as well?
**[15:10] Holmes**
Those shoes are new but the
soles are already worn.
**[15:14] Holmes**
Does your job involve frequent walking?
**[15:16] Ganimard**
I'm an inspector with the Paris City Police.
**[15:19] Holmes**
You must be Inspector Ganimard.
**[15:20] Holmes**
Do you mind if I find out for certain?
**[15:24] Watson**
Hey!
**[15:25] Ganimard**
Excuse me.
**[15:27] Holmes**
It's a pleasure to meet you,
Inspector Ganimard.
**[15:30] Holmes**
It appears you're an expert on Lupin,
just as the rumors say.
**[15:39] Ganimard**
I'm Inspector Ganimard with the Paris Police.
**[15:42] Fogg**
I've been waiting for you.
**[15:48] Holmes**
Has the Cage User's entourage not arrived yet?
**[15:51] Passepartout**
They were just here.
They asked me to give this to you.
**[15:57] Holmes**
"We'll guard the above-ground areas
so that we won't be in your way.
**[16:01] Holmes**
Please take care of the basement."
**[16:04] Watson**
What areas are they talking about?
**[16:07] Passepartout**
They mentioned the top of the tower.
**[16:10] Holmes**
Very well. I'm sure they have
their own ways of doing things.
**[16:14] Holmes**
Let us confirm our positions.
**[16:16] Holmes**
There will be a total of 111 people
protecting this mansion,
**[16:19] Holmes**
but we should minimize those in
the Chamber of Additional Crimes
**[16:23] Holmes**
to prevent a disguised Lupin
from infiltrating our ranks.
**[16:26] Reynold**
Fatima and I will protect
the above-ground levels.
**[16:29] Reynold**
I can't bear to stay in this
dusty place a second longer.
**[16:32] Holmes**
Is that because it'll be easier
to surround Lupin up there,
**[16:35] Holmes**
after he's stolen the diamond?
**[16:39] Reynold**
Our job is to protect Mister Phileas
Fogg's assets. That is all.
**[16:48] Holmes**
Watson.
**[16:49] Holmes**
Smoke that after our victory.
You'll enjoy it far more.
**[16:54] Watson**
We'd better be able to win this time.
**[16:57] Lestrade**
That means it'll be just the six of us here.
**[17:01] Lestrade**
There are around three hours
until the time named in his letter.
**[17:05] Ganimard**
Best to lock up as soon as possible.
**[17:07] Ganimard**
Close the door.
**[17:09] Lestrade**
Mister Fogg, the diamond?
**[17:11] Fogg**
I checked on it before all of you arrived.
**[17:14] Lestrade**
Then let us pray that it is
still there three hours from now.
**[17:50] Tsugaru**
Now then, Master...
**[17:52] Tsugaru**
The unworthy rakugo performer
Tsugaru Shinuchi
**[17:55] Tsugaru**
will observe this performance
of "The Pot Thief."
**[18:00] Guard**
Hey! Did something jump in?!
**[18:02] Guards**
Go after it! Track it down!
**[18:07] Guard**
It went toward the main gates! Hurry!
**[18:23] Lestrade**
What?!
**[18:25] Lestrade**
They say someone infiltrated
from the north building.
**[18:28] Lestrade**
And a guard's uniform has been stolen!
**[18:33] Watson**
Still about fifty minutes until 11:00, though.
**[18:37] Watson**
Hey, Holmes. Did you hear me?
**[18:44] Watson**
Wha?!
**[18:54] Passepartout**
What have you done?!
**[18:56] Fogg**
What's the meaning of this?!
**[18:58] Lestrade**
There's no way to open the door now.
**[19:00] Lestrade**
Which means we're stuck here!
**[19:03] Holmes**
Not forever, though.
**[19:05] Holmes**
They'll call a skilled locksmith
first thing in the morning.
**[19:09] Watson**
But even if they do, it'll take
five or six hours to open.
**[19:12] Holmes**
We won't die after half a day without food.
**[19:15] Holmes**
What's important here is the fact that, now,
**[19:19] Holmes**
no one can enter this room
between 11:00 and 11:30 PM.
**[19:24] Holmes**
Lupin declared that he could open any lock.
**[19:27] Holmes**
But if there is no lock for him to manipulate,
**[19:30] Holmes**
then not even Lupin can make his way in.
**[19:34] Ganimard**
That is brilliant.
**[19:37] Ganimard**
This makes our defense complete.
**[19:41] Holmes**
Now, Lupin...
**[19:46] Holmes**
What will you do next?
**[20:00] Fogg**
10:55 PM.
**[20:01] Ganimard**
We need to be extremely cautious.
**[20:03] Ganimard**
Mister Holmes, Mister Watson,
please keep your hands on the safe.
**[20:07] Watson**
Understood.
**[20:09] Passepartout**
10:58 PM.
**[20:25] Watson**
Nothing's happening.
**[20:29] Passepartout**
What was that?!
**[20:48] Holmes**
Water!
**[20:51] Lestrade**
They say the outer wall
below the tower was blown up!
**[20:58] Holmes**
He got us.
**[21:00] Holmes**
This is the water from the moat.
Liquid can get through the vent.
**[21:03] Watson**
Even if water gets through, the safe is...
**[21:06] Holmes**
Yes.
**[21:08] Holmes**
But we won't be able to protect
the safe underwater.
**[21:15] Fogg**
How can this be?
# E7 - Free for All
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GMKUXG12W/free-for-all)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:01] Lestrade**
This isn't good. At this rate,
we won't last even 20 minutes.
**[00:03] Lestrade**
We'll all drown!
**[00:05] Ganimard**
No, Lupin is known not to kill.
**[00:08] Holmes**
Mister Fogg, how far below
the surface of the moat
**[00:11] Holmes**
is the floor of the tower's semi-basement?
**[00:14] Fogg**
Hm... The basement is about
six feet below the surface.
**[00:17] Fogg**
The surface of the moat is about four.
**[00:19] Holmes**
Then at worst, the water will stop
right before the ceiling.
**[00:23] Passepartout**
W-We're supposed to stay
in the water for that long?
**[00:26] Holmes**
When Lupin declared that
he could open any lock,
**[00:29] Holmes**
I decided to seal away the locks.
**[00:32] Holmes**
He managed to control my train
of thought with a few simple words.
**[00:37] Reynold**
What do they want us to do?
**[00:39] Officer**
They want you to break through
the wall of the basement.
**[00:42] Fatima**
What should we do, Reynold?
**[00:45] Reynold**
Fatima, you go.
**[00:46] Reynold**
I'm going to keep to the plan.
**[00:48] Fatima**
Understood. I'll go.
**[00:53] Reynold**
Hurry up and get here, Lupin.
**[01:00] Passepartout**
Mister Fogg!
**[01:02] Passepartout**
Hold onto the ceiling decorations!
**[01:05] Passepartout**
Everyone, come to a wall!
**[01:07] Watson**
I can barely see a thing!
**[01:08] Holmes**
Follow my voice! Or the sound of the water—
**[01:11] Holmes**
It's gone quieter.
**[01:13] Watson**
Has the water stopped?
**[01:24] Fogg**
Wh-What the?!
**[01:47] Holmes**
It's gone.
**[01:50] Holmes**
Mister Fogg, if your watch is not
broken, could you tell me the time?
**[02:00] Fogg**
It's 11:30 PM.
***SIGN*** Free for All
***SIGN*** Episode Seven
**[03:38] Ganimard**
That's my eleventh loss.
**[03:44] Watson**
But how did he get the safe?
**[03:47] Passepartout**
It was impossible to get in or out of
the room, and the safe was underwater!
**[03:52] Fatima**
He may not have completely gotten away yet.
**[03:54] Fatima**
As long as the bridge at the
front entrance is blocked,
**[03:57] Fatima**
it's impossible to leave the grounds.
**[04:00] Watson**
For now, let us head to the surface.
**[04:02] Watson**
We need to warm up by the stove.
**[04:27] Holmes**
Mister Ganimard,
**[04:29] Holmes**
may I see your handcuffs?
**[04:31] Ganimard**
Certainly.
**[04:38] Watson**
What are you doing?!
**[04:41] Holmes**
Ladies and gentlemen, allow me to
introduce to you all Arsene Lupin.
**[04:45] Lestrade**
What?!
**[04:47] Ganimard**
Come, now. That's impossible!
**[04:55] Ganimard**
How did you figure it out?
My disguise was perfect.
**[04:58] Holmes**
Your footsteps when we crossed
the bridge were light.
**[05:02] Holmes**
That means your fat belly is fake.
**[05:05] Holmes**
But first, let's talk about the safe.
**[05:07] Watson**
Yes, where did the safe go?
**[05:10] Fatima**
It wasn't taken out of the
hole that I created.
**[05:14] Watson**
True.
**[05:16] Watson**
Through the vent, then?
**[05:18] Watson**
But no adult should've been
able to go through that duct.
**[05:21] Passepartout**
Correct. And it had a metal grate over it!
**[05:25] Holmes**
But it the water pressure tore it loose.
**[05:29] Holmes**
Talented as the Phantom may be,
he cannot get through that duct.
**[05:33] Holmes**
But the purpose of emptying the moat was
not just to confuse our guards.
**[05:38] Holmes**
It also let him send a rope into the room
**[05:40] Holmes**
in a way that would not normally be possible.
**[05:44] Fogg**
But to pull the safe up with the rope,
he'd need to have someone in the room.
**[05:48] Watson**
But you even tugged on Ganimard's moustache!
**[05:51] Holmes**
I did. And that was classic
Lupin strategy, you see...
**[05:54] Holmes**
The reason he showed up
in my room with a disguise
**[05:57] Holmes**
was to make us think that his disguises
could be easily seen through—
**[06:00] Holmes**
mere fake noses and wigs.
**[06:06] Ganimard**
Now, then...
**[06:07] Ganimard**
Who exactly wins in this situation?
**[06:11] Ganimard**
You've caught me...
**[06:18] Ganimard**
But I've stolen the diamond.
**[06:22] Holmes**
I win, of course.
**[06:24] Holmes**
You may have taken the safe, but you
have not obtained the diamond.
**[06:28] Holmes**
One of Mister Fogg's handmaids delivered
it to Baker Street this afternoon.
**[06:32] Watson**
So the diamond is back at Baker Street?
**[06:35] Holmes**
No. As a gentleman, that wouldn't be fair.
**[06:38] Holmes**
I had declared to Lupin that
I would hole up in the basement room
**[06:40] Holmes**
with the diamond, after all.
**[06:42] Watson**
Then where exactly is the diamond?
**[06:44] Holmes**
Your left coat pocket.
**[06:46] Watson**
What?!
**[06:48] Watson**
All I have in here is my tobacco box...
**[06:52] Watson**
It's gone!
**[07:02] Holmes**
To think he could pull that off on the fly...
**[07:09] Lestrade**
Lupin's gone!
**[07:16] Lestrade**
Find Lupin!
**[07:17] Lestrade**
He should still be somewhere in the mansion!
**[07:21] Tsugaru**
Arsene Lupin is apparently
a great thief in France,
**[07:26] Tsugaru**
but in Japan, we have
Nezumi Kozo, Jinnai Kosaki,
**[07:30] Tsugaru**
and the most famous of all, Goemon Ishikawa.
**[07:35] Tsugaru**
There's this crazy story about how
**[07:36] Tsugaru**
Goemon Ishikawa was captured
in Kyoto's Fushimi Castle,
**[07:38] Tsugaru**
and sentenced to be boiled
to death in a cauldron.
**[07:42] Tsugaru**
That's all people ever talked about,
which was no fun for his lackeys.
**[07:46] Tsugaru**
So they decided to steal every
single pot and cauldron throughout Edo,
**[07:51] Tsugaru**
causing all kinds of trouble!
**[07:54] Tsugaru**
Now, the ones most inconvenienced by this
**[07:56] Tsugaru**
were the tofu vendors, who needed
pots to boil their soybeans.
**[07:59] Tsugaru**
Realizing business would
be over at this rate,
**[08:02] Tsugaru**
one old tofu vendor decided to use his head.
**[08:05] Tsugaru**
And what he thought up was...
**[08:08] Phantom**
A smoke bomb?
**[08:10] Phantom**
After all that planning...
**[08:13] Lupin**
Well, what was I supposed to do?
**[08:15] Phantom**
So, where's the diamond?
**[08:20] Lupin**
And where's the safe?
**[08:22] Phantom**
It's pretty heavy.
**[08:26] Lupin**
Ooh.
**[08:28] Lupin**
The Penultimate Night...
**[08:31] Lupin**
and the safe made of pure silver.
**[08:34] Lupin**
Truly, art created by something inhuma—
**[08:38] Aya**
We're here, Tsugaru!
**[08:42] Tsugaru**
The old tofu vendor decided he'd
use his head and catch the thieves.
**[08:46] Tsugaru**
He hid inside his giant cauldron and
planned to stay up all night...
**[08:49] Tsugaru**
But he'd had a few drinks first,
and ended up snoring loudly!
**[08:57] Tsugaru**
Two thieves heave-ho the cauldron outta
there with the old man still in it!
**[09:03] Tsugaru**
Surprised, he poked his head out,
**[09:04] Tsugaru**
and shouted, "Dear, it's an earthquake!"
**[09:07] Tsugaru**
startling the two thieves!
**[09:09] Tsugaru**
Then the old man looked around him and said,
**[09:12] Tsugaru**
"Oh, no! They stole my whole house!"
**[09:15] Tsugaru**
And we call that little tale, "The Pot Thief."
**[09:20] Aya**
Despite your warning, I decided
to stick my neck out for this.
**[09:24] Lupin**
Wh-What are you?
**[09:26] Aya**
I'm Aya Rindo, and I'm a detective
who specializes in monsters.
**[09:29] Lupin**
Aya Rindo? But that's impossible. You—
**[09:33] Aya**
You mistook that Parisian reporter for me.
**[09:37] Aya**
In other words, you assumed that I was
a normal human being with a body.
**[09:41] Aya**
That's why I had Tsugaru go after
you and lose on purpose.
**[09:45] Lupin**
No wonder he didn't put up much of a fight.
**[09:48] Aya**
We had a meeting with
Mister Fogg in the evening,
**[09:51] Aya**
and I requested that he put me in
the safe instead of the diamond.
**[09:55] Lupin**
So you were inside the
safe this whole time.
**[09:58] Aya**
I was holding the door shut with my teeth
that whole time so it wouldn't open.
**[10:02] Aya**
Though I was quite impressed
with you flooding the room.
**[10:06] Lupin**
Well played.
**[10:07] Lupin**
But I haven't lost yet.
**[10:10] Aya**
Do you think you can
prevail against Tsugaru and Shizuku?
**[10:13] Lupin**
You there, with the blue hair.
**[10:14] Lupin**
Oni Slayer, was it?
**[10:17] Lupin**
Well, I have the Phantom of the
Opera on my side.
**[10:19] Lupin**
Don't I, Erik?
**[10:21] Lupin**
Erik!
**[10:23] Lupin**
That bastard!
**[10:28] Reynold**
You've made such a mess.
**[10:30] Lupin**
Yeah, I'm done being a gentleman.
Now some real trouble's shown up.
**[10:34] Tsugaru**
Too true!
**[10:35] Reynold**
One diamond, two monsters,
and one phantom thief, eh?
**[10:40] Reynold**
I prefer things neat and clean.
**[10:41] Reynold**
I'll take you out with a single strike each.
**[10:53] Lupin**
Hey, that one wasn't me!
**[10:55] Lupin**
I don't have any more bombs planted!
**[10:56] Reynold**
Then...
**[10:57] Officer**
The bridge has fallen!
**[10:59] Tsugaru**
The bridge?
**[11:00] Tsugaru**
Without the bridge, we won't be able to...
**[11:03] Lupin**
...leave.
**[11:12] Officer A**
M-Multiple intruders!
**[11:23] Professor (Moriarty)**
Are you ready, Aleister?
**[11:26] Aleister**
Just say the word.
**[11:27] Professor**
Carmilla.
**[11:28] Carmilla**
But of course.
**[11:30] Professor**
Victor.
**[11:31] Victor**
Ready.
**[11:32] Professor**
Jack.
**[11:34] Jack**
No problems here.
**[11:37] Professor**
Now, then... Why don't we get started?
**[11:41] Professor**
The night has only just begun.
**[11:53] Professor**
Now, then...
**[11:54] Professor**
Lupin has the diamond.
**[11:56] Professor**
We've destroyed the bridge, so ambushing
him should be easy enough,
**[12:00] Professor**
but there's no guarantee that
he'll hold onto the diamond.
**[12:03] Professor**
There will probably be a scramble for
it within Royce's encirclement.
**[12:07] Carmilla**
Ooh, I hate those guys!
**[12:09] Professor**
Jack will search the east side
**[12:11] Professor**
while Victor and I will search
the west side for the diamond.
**[12:14] Professor**
You and Aleister will cause a diversion.
**[12:17] Professor**
Any questions?
**[12:19] Aleister**
Would it be all right if we killed
your "old friend," Professor?
**[12:23] Professor**
I have no objections.
**[12:25] Carmilla**
A diversion? That's no fun.
**[12:28] Aleister**
I actually like causing diversions.
I get to put on a show.
**[12:31] Carmilla**
I cannot understand your
interests in the least.
**[12:34] Aleister**
You're the last person in a position
to criticize someone's interests, Carmilla.
**[12:38] Officer B**
Don't move!
**[12:42] Officer B**
Put your hands u—
**[12:50] Carmilla**
How awful. You got blood on my dress.
**[12:54] Aleister**
You're a vampire. A little blood won't hurt you.
**[12:56] Carmilla**
I'm a gourmand!
**[13:00] Carmilla**
We should split up, too.
**[13:02] Carmilla**
I'll take the east building. You take the west.
**[13:05] Aleister**
Roger.
**[13:14] Carmilla**
I should take a moment to refuel.
**[13:18] Carmilla**
Don't be frightened.
**[13:20] Carmilla**
I'll make sure this is worth dying for.
**[13:27] Lupin**
Looks like some new guests have arrived.
**[13:30] Reynold**
I'm not interested in them.
**[13:31] Tsugaru**
Neither am I!
**[13:32] Reynold**
In that case—
**[13:47] Reynold**
Damn it!
**[13:49] Reynold**
You filthy monster! How dare
you step on my coat?!
**[13:53] Tsugaru**
Huh?
**[13:53] Tsugaru**
W-W-W-W-W-Wait! H-Hold it!
Lupin's getting away!
**[14:04] Lupin**
Wait, wait, wait!
**[14:06] Lupin**
I was in the wrong! Let's talk things out!
**[14:08] Reynold**
Hand over the diamond.
**[14:09] Lupin**
The diamond? You mean this?
**[14:17] Reynold**
The hell do you think you're doing?!
**[14:32] Watson**
Is someone roughhousing in here?
**[14:35] Holmes**
Was it Lupin?
**[14:36] Aya**
You're a bit late to the party.
**[14:39] Watson**
Well, well...
**[14:41] Holmes**
Aya Rindo.
**[14:43] Holmes**
I never would've thought
of a Trojan horse strategy.
**[14:46] Aya**
Well, the Royce lad got in the way, you see.
**[14:49] Aya**
He, Lupin, and my assistant went
running into the courtyard, laughing.
**[14:52] Watson**
Laughing?
**[14:54] Aya**
I sent Shizuku after the Phantom.
**[14:56] Aya**
If you want to join in
the fun, you should hurry.
**[14:59] Holmes**
I fear circumstances have changed.
**[15:00] Holmes**
New intruders have appeared
at the front entrance.
**[15:04] Holmes**
An unidentified group of five.
They are not working with Lupin.
**[15:09] Aya**
How do you know?
**[15:10] Holmes**
Because they've already
killed over twenty people.
**[15:13] Holmes**
Let us hurry.
**[15:15] Aya**
Would you mind taking me with you?
**[15:18] Aya**
I've grown interested in these intruders.
**[15:21] Holmes**
I'm terribly sorry, but Ms. Rindo—
**[15:23] Aya**
I'm fairly certain the new
intruders are no ordinary folk.
**[15:27] Aya**
My knowledge may be of use.
**[15:32] Phantom**
That maid...
**[15:37] Fatima**
I know you're there, Phantom of the Opera.
**[15:42] Fatima**
I'm Agent Number 7 from Royce's advisory
security department, Fatima Doubledarts.
**[15:47] Fatima**
If you do not come out,
I will shoot you from here.
**[15:50] Phantom**
Even if you defeat me,
I do not have the diamond.
**[15:52] Fatima**
You are included in our purge list.
**[15:55] Fatima**
The deformed Phantom
**[15:56] Fatima**
who has terrorized the Paris Opera
House for the past twenty years.
**[16:03] Fatima**
Enemies of humanity are enemies of Royce!
**[16:07] Phantom**
Crossbows? I can't say that
I've seen that type before.
**[16:10] Fatima**
They're specialized for taking down monsters.
**[16:13] Fatima**
They can fire bolts continuously.
**[16:34] Fatima**
You're right there.
**[16:42] Watson**
Holmes!
**[16:48] Watson**
Hello? Is anyone still alive here?
**[16:50] Officer C**
H-Help me...
**[16:53] Watson**
Wha—
**[16:57] Holmes**
One should be quiet in a museum.
**[17:01] Aleister**
But this is so much more fun.
**[17:03] Aleister**
The great detective, Holmes...
**[17:06] Aleister**
Doctor Watson...
**[17:10] Aleister**
And what exactly is that behind you?
**[17:12] Aya**
I'm also a great detective.
**[17:15] Watson**
Did you commit this atrocity alone? But how?
**[17:20] Aleister**
With magic.
**[17:22] Holmes**
Now I remember who you are.
**[17:25] Holmes**
You're Aleister Crowley, aren't you?
**[17:27] Aya**
Who's that?
**[17:28] Holmes**
He made the headlines not too long ago.
**[17:32] Holmes**
He's known as a self-proclaimed
researcher of magic and numerology
**[17:35] Holmes**
who went around to various cults in
London and conducted cruel rituals.
**[17:40] Aleister**
I'm currently with a different organization.
**[17:43] Holmes**
You're not its leader?
**[17:46] Aleister**
No, no. I'm nothing more than a lackey.
**[17:48] Holmes**
Are your lot also after the diamond?
**[17:50] Holmes**
I believe Lupin currently has it.
**[17:53] Aleister**
That's quite all right. I'm supposed
to be creating a diversion.
**[17:56] Aleister**
Oh, I've also received
permission to kill you two.
**[17:59] Watson**
Wha—
**[18:00] Aleister**
I'm so happy!
**[18:02] Aleister**
I never thought I'd be able to talk
to the great Holmes about magic.
**[18:06] Aleister**
You're far more noble
than Mathers and Yeats.
**[18:14] Holmes**
I know this scent.
**[18:16] Holmes**
It's a paralyzing agent used by the
indigenous people of the Andaman Islands.
**[18:20] Holmes**
It seems your thumbs work more than
twice as fast as a regular person's.
**[18:25] Holmes**
Meaning, your fingers are your weapon.
**[18:28] Aya**
Quite a cheap illusion.
**[18:31] Aleister**
Aw, you saw through me at first glance.
**[18:33] Aleister**
I'm impressed!
**[18:36] Aleister**
In that case, I guess I'm
going to have to shut you up.
**[18:41] Lestrade**
Is someone there?
**[18:46] Carmilla**
Are you the last one?
**[18:54] Carmilla**
Would you stop putting holes in
my body? I'm quite fond of it.
**[19:03] Lestrade**
A vampire?
**[19:19] Shizuku**
Are you hurt?
**[19:20] Lestrade**
I-I'm fine. Weren't you with the Cage User?
**[19:25] Shizuku**
I'm Shizuku Hasei.
**[19:27] Shizuku**
By the way, have you seen the Phantom?
**[19:30] Lestrade**
N-No...
**[19:31] Shizuku**
Who was that?
**[19:32] Lestrade**
She's one of the intruders,
and I believe she's a vampire.
**[19:35] Carmilla**
Who are you?
**[19:37] Carmilla**
You don't look like you work for Royce...
**[19:39] Carmilla**
What in the world is a Cage User?
**[19:41] Shizuku**
A detective.
**[19:42] Shizuku**
Allow me to ask you the same question.
Have you seen the Pha—
**[19:45] Carmilla**
No, I haven't.
**[19:46] Shizuku**
I see.
**[19:47] Shizuku**
Then if you'll excuse me.
**[19:50] Carmilla**
You really think you can just kick me
aside and then run away?
**[19:53] Shizuku**
I'm terribly sorry, but Lady Aya has
instructed me to pursue the Phantom.
**[19:57] Carmilla**
Lady Aya?
**[19:59] Carmilla**
I see. Well, I've been ordered to
kill anyone who gets in our way.
**[20:03] Carmilla**
So if I happen to run into this Lady Aya...
**[20:07] Carmilla**
Do you mind if I end her?
**[20:10] Shizuku**
Please flee. You'll be in the way.
**[20:12] Lestrade**
But she's a vampire! If you
don't have the proper weapon—
**[20:15] Shizuku**
But I do.
**[20:20] Carmilla**
A naginata?
**[20:54] Lupin**
Hey, now.
**[20:55] Lupin**
If you destroy his courtyard,
Phileas Fogg is going to yell at you.
**[20:58] Reynold**
There's no need to worry.
The mansion is properly insured.
# E8 - The Banquet
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GVWU04MEQ/the-banquet)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
***SIGN*** The Banquet
***SIGN*** Episode Eight
**[01:36] Lupin**
Hey, Blue Hair. Let's call a truce.
**[01:40] Lupin**
We should deal with that pompous
insurance guy first.
**[01:43] Tsugaru**
Great idea. Do you have a plan?
**[01:47] Lupin**
You get to play the decoy.
**[01:49] Lupin**
I'll set up an ambush on the second floor.
**[01:54] Reynold**
The precious diamond is drenched in saliva.
**[01:57] Reynold**
I must disinfect it.
**[01:58] Tsugaru**
Yeah, no one said you're
taking that just yet...
**[02:02] Tsugaru**
So why does your advisory security
department hate monsters so much?
**[02:09] Reynold**
There are those like Fatima who
do this out of a sense of justice,
**[02:12] Reynold**
but it's not like we actually
enjoy dealing with you lot.
**[02:15] Tsugaru**
It sure seems like you do to me!
**[02:18] Reynold**
I'd never touch any of you if I could help it.
**[02:21] Tsugaru**
Oh, I knew someone like you.
**[02:24] Tsugaru**
A real neat freak type. Total penny-pincher.
**[02:27] Tsugaru**
Every time they went out,
they'd stare at the ground,
**[02:30] Tsugaru**
and go on about bugs, garbage, and filth.
**[02:34] Tsugaru**
They just wouldn't shut up.
I didn't know what to do with them.
**[02:39] Tsugaru**
Until one day, that person...
**[02:46] Tsugaru**
got shat on by a bird.
**[02:50] Lupin**
Did that do it?
**[02:51] Tsugaru**
Not sure what people would think
about Lupin committing murder.
**[02:55] Lupin**
Don't you worry. That won't
be enough to kill him.
**[03:09] Fatima**
I know he's here.
**[03:11] Fatima**
Why can't I hear where he is?
**[03:16] Fatima**
Why?
**[03:18] Phantom**
Because I'm the Phantom of the Opera.
**[03:21] Phantom**
Ever since I was sixteen,
**[03:23] Phantom**
I lived at the Opera House.
**[03:26] Phantom**
I built a secret home by the underground lake
twenty-three floors below the surface.
**[03:30] Phantom**
I learned about vocalization and acoustics.
**[03:34] Phantom**
It's impossible to defeat
me in the realm of sound.
**[03:52] Carmilla**
That's really not going to help you in here.
**[04:07] Carmilla**
My, how ill-mannered you are.
**[04:10] Shizuku**
I see no reason to mind my
manners with an enemy.
**[04:17] Shizuku**
Tachikage.
**[04:27] Shizuku**
Matsushima.
**[04:37] Carmilla**
Are those pure silver bullets?
**[04:39] Shizuku**
This is over.
**[04:41] Carmilla**
Actually, your punishment
is just about to begin.
**[04:49] Shizuku**
What did you...
**[04:50] Carmilla**
What did *I* do? Actually, it was you.
**[04:55] Carmilla**
Your hand decided to kiss my lips, remember?
**[05:01] Carmilla**
I have a unique venom.
**[05:04] Carmilla**
If you touch it,
**[05:05] Carmilla**
the venom makes you feel numb
and hot as you fall under my spell.
**[05:09] Carmilla**
I love blood from girls like you.
**[05:13] Carmilla**
But I just had dinner a moment ago...
I'll just have to make you my dessert.
**[05:22] Watson**
Holmes!
**[05:26] Aleister**
Well, that's no good.
**[05:28] Aleister**
There's nothing magical about
killing someone with a gun.
**[05:45] Holmes**
Watson, do you have any more spare bullets?
**[05:48] Watson**
I'm completely out, too. Do you have a plan?
**[05:54] Holmes**
I'll use baritsu.
**[05:58] Aya**
Let's have a little chat, Mister Goatee.
**[06:01] Aleister**
You caught my eye as well.
**[06:04] Aya**
Why do you lot want the Penultimate Night?
**[06:07] Aleister**
They say it's the key to finding werewolves.
**[06:10] Aya**
Finding werewolves? For what purpose?
**[06:13] Aleister**
Our organization is still expanding, you see.
**[06:16] Aleister**
We're looking for more recruits.
**[06:22] Aleister**
More importantly...
**[06:24] Aleister**
Why is the rest of you
below the neck missing?
**[06:27] Aya**
It was stolen recently, you see.
I'm looking for it now.
**[06:30] Aleister**
Oh! Actually, we might have it...
**[06:34] Aya**
What?
**[06:45] Holmes**
All magic requires something in exchange.
**[06:48] Holmes**
That's elementary, my dear Aleister.
**[06:51] Holmes**
Of course, you have the antidote.
**[06:58] Holmes**
But...
**[07:04] Watson**
What just happened?
**[07:13] Holmes**
It's been a while, Professor Moriarty.
**[07:16] Professor**
I haven't seen you since
Reichenbach Falls, Holmes.
**[07:30] Lupin**
Erik!
**[07:31] Lupin**
What the hell are you doing here?
**[07:33] Phantom**
I could ask you the same question.
**[07:43] Reynold**
Fatima, how could you let a
mere phantom get your arm?
**[07:46] Fatima**
I-I'm terribly sorry!
Are you all right, Reynold?
**[07:51] Fatima**
Your head seems to be split open.
**[07:53] Reynold**
I'm perfectly fine!
**[07:54] Reynold**
Let's take care of the trash
and retrieve the diamond.
**[07:56] Fatima**
The diamond?
**[07:59] Tsugaru**
Well, this has turned into an even bigger mess.
**[08:21] Jack**
Found it.
**[08:25] Reynold**
Fatima!
**[08:26] Fatima**
Right!
**[08:39] Reynold**
Fa—
**[08:41] Tsugaru**
Well, now...
**[08:43] Lupin**
We're going to leave now.
**[08:45] Phantom**
But the diamond...
**[08:46] Lupin**
There's no way we're going to
get it back from that monster.
**[08:49] Lupin**
Let's go!
**[08:50] Holmes**
I didn't think you were still alive.
**[08:53] Professor**
I'm personally surprised that the
young lady there is still alive...
**[08:57] Professor**
even if she is an immortal monster.
**[09:00] Aya**
To think I'd run into the person I was
looking for in a place like this...
**[09:04] Holmes**
Do you have history with this man, as well?
**[09:06] Aya**
He happened to run off with
my body about a year ago.
**[09:10] Aya**
I just now found out that
his name was Moriarty...
**[09:14] Aya**
But it all makes sense now...
**[09:15] Aya**
Including that initial belonging
to a man, presumed dead,
**[09:18] Aya**
who headed up a now-extinct
criminal organization.
**[09:21] Professor**
I see. You investigated me using my cane.
**[09:25] Professor**
But you have no means of moving on your own.
**[09:28] Aya**
Unfortunately for you, I have—
**[09:29] Professor**
Two assistants.
**[09:31] Professor**
Judging from the state of that birdcage,
**[09:33] Professor**
the one who carries you is rather careless,
**[09:36] Professor**
and the other is meticulous.
**[09:38] Professor**
One of your surviving attendants, perhaps.
**[09:40] Professor**
The one who carries you must be
a rather talented hired man.
**[09:44] Aya**
Where is my body right now?
**[09:47] Professor**
Within my possession.
**[09:49] Professor**
But I'm afraid I can't return it.
It's a very important sample, you see.
**[09:53] Watson**
So you're the leader of the organization
Aleister was talking about.
**[09:57] Watson**
Why have you come back after eight years?
**[10:00] Holmes**
Are you trying to rebuild
your criminal organization?
**[10:02] Holmes**
This time by collecting monsters?
**[10:04] Professor**
I figured out how to improve it.
**[10:09] Professor**
I casually took on an apprentice,
but he gave me inspiration.
**[10:14] Aya**
An apprentice?
**[10:15] Professor**
A young British man with curly flaxen hair.
**[10:19] Professor**
He said that he wanted a strong body
**[10:21] Professor**
and wanted his body to be
combined with a monster's.
**[10:24] Professor**
He also asked how one conducts
a transplant surgery.
**[10:28] Professor**
A human artificially bestowed
with the powers of a monster...
**[10:32] Professor**
If it could be done, their usefulness
would know no bounds.
**[10:37] Professor**
So, I agreed.
**[10:39] Holmes**
And who is this young man?
**[10:42] Professor**
I'm sure you've all heard of him.
**[10:45] Professor**
He's the man who pulled off the perfect
crime in Whitechapel eleven years ago.
**[10:52] Watson**
You don't mean...
**[10:54] Holmes**
Jack the Ripper.
**[11:02] Tsugaru**
Gorgeous gem, isn't it?
They say it's artificial, though.
**[11:07] Jack**
It's beautiful *because* it's artificial.
**[11:09] Tsugaru**
I'm the fearsome Oni Slayer.
The name's Tsugaru Shinuchi.
**[11:15] Tsugaru**
And you are?
**[11:16] Jack**
My current comrades call me Jack.
**[11:20] Tsugaru**
I do hope you'll take it easy on me!
**[11:34] Tsugaru**
Oh?
**[11:35] Jack**
That was close.
**[11:37] Jack**
Did you use her heart?
**[11:40] Tsugaru**
Well, it happened to be handy, so...
**[11:44] Jack**
You've got an interesting mind.
**[11:52] Jack**
Have I met you before?
**[11:54] Tsugaru**
I can't say. I'm quite the dunce,
so I might have forgotten.
**[12:01] Professor**
We had our eyes on two monsters:
the oni and the Immortal.
**[12:06] Professor**
They're both from Japan.
**[12:08] Professor**
Giving a human the powers of
both the oni and the Immortal...
**[12:12] Professor**
It would create a being that possessed brains,
**[12:14] Professor**
brawn, and regenerative abilities all in one.
**[12:18] Professor**
Jack and I headed to Japan.
**[12:21] Professor**
The oni were about to go extinct,
but I was able to acquire a few of them.
**[12:26] Professor**
I gathered a group of youths—only those
possessed of great physical fortitude—
**[12:31] Professor**
transplanted the oni cells I had extracted
into them, and observed their progress.
**[12:36] Aya**
I highly doubt the youths
you found were volunteers.
**[12:41] Professor**
I'll admit that most of my observations
were made through iron bars.
**[12:46] Professor**
The changes were immediate.
**[12:49] Professor**
Immediately, markings appeared on
the skin along their arteries,
**[12:53] Professor**
the same color as the oni they'd
received their transplant from.
**[12:55] Reynold**
Their hair and eye colors also changed,
**[12:58] Professor**
and their physical abilities skyrocketed.
**[13:01] Professor**
But within a month,
half of them had gone mad.
**[13:05] Professor**
They just had too much oni in them.
**[13:09] Professor**
I infused Jack with just the right amount.
**[13:15] Holmes**
How could you conduct such
an appalling experiment?
**[13:18] Professor**
And then, my oni hybrid was complete.
**[13:21] Professor**
Next, I needed to acquire Japan's one and
only Immortal, even rarer than the oni.
**[13:26] Professor**
As for how that turned out...
**[13:29] Professor**
Well, I'm sure you're already aware.
**[13:32] Aya**
Yes, painfully so.
**[13:35] Aya**
So you used my body for
these surgeries as well.
**[13:38] Professor**
The composition of the Immortal's body
**[13:40] Professor**
was fundamentally different
from other creatures.
**[13:43] Professor**
Just like the oni hybrid, her body
seemed to be artificially created.
**[13:49] Holmes**
Aya Rindo, did someone do
something to you, as well?
**[13:52] Aya**
Yes, well... About 950 years ago.
**[13:55] Watson**
But who?
**[13:57] Aya**
A freak. An absolute freak.
**[14:00] Professor**
My hat is off to that person.
**[14:03] Professor**
I was very eager to find out how your
body worked, but I could not understand it.
**[14:09] Professor**
Still, the Immortal's cells provided
Jack's body with powerful immunity.
**[14:16] Professor**
The unstable oni cells also
settled perfectly after that.
**[14:21] Professor**
Which meant...
**[14:22] Holmes**
You could add other monsters into the mix.
**[14:25] Professor**
In order to make Jack even more powerful,
**[14:27] Professor**
I hunted down a vampire named Ezzelin von
Klatka and mixed in his cells, as well.
**[14:33] Professor**
The results were magnificent!
**[14:35] Professor**
His senses and regenerative
abilities became more powerful,
**[14:38] Professor**
with no accompanying vulnerabilities
to silver, holy water, or sunlight.
**[14:43] Aya**
Well, now I know why you're
after the Penultimate Night.
**[14:48] Aya**
You've gotten a vampire, so a werewolf is next.
**[14:51] Professor**
We're trailblazers, creating the
world's first chimera.
**[14:56] Watson**
So you now have a human in your organization
**[14:58] Watson**
with the immunity of the Immortal,
the physical strength of an oni,
**[15:02] Watson**
and the regenerative abilities of a vampire—
a nigh-invincible monster!
**[15:07] Professor**
Well done, Holmes's assistant.
A very precise summary.
**[15:22] Jack**
Your body's very tough.
**[15:24] Jack**
I can't cut through to the bone!
**[15:25] Tsugaru**
Flattery will get you bloodier.
**[15:28] Jack**
Well, I do love the sight of blood!
**[15:30] Tsugaru**
Then we're going to get along great!
**[15:35] Tsugaru**
Got you!
**[15:46] Jack**
My wounds aren't healing.
**[15:48] Jack**
You really are an oni hybrid, aren't you?
**[15:52] Tsugaru**
Takes one to know one, I guess.
**[15:54] Jack**
That's strange. We confirmed that all
the other test subjects were dead.
**[16:00] Jack**
No, wait...
**[16:02] Jack**
There was one test subject
who escaped after surgery.
**[16:07] Jack**
So you're Number 9.
**[16:09] Jack**
Your hair's blue now, so I didn't recognize you.
**[16:12] Tsugaru**
Ah... You're the assistant
who was with the geezer.
**[16:17] Tsugaru**
Your hair's red now, so I didn't recognize you.
**[16:20] Jack**
I'm shocked.
**[16:21] Jack**
I thought you'd die right away
from having too much oni in you.
**[16:25] Jack**
What are you doing in London?
**[16:27] Tsugaru**
We've been chasing you lot.
**[16:30] Jack**
Chasing us?
**[16:32] Jack**
For what?
**[16:35] Jack**
Revenge? A cure?
**[16:42] Tsugaru**
To perform, actually.
**[16:44] Tsugaru**
We're taking our freakshow overseas!
**[16:49] Jack**
What a frivolous mind.
**[16:52] Jack**
It seems I was wrong.
Your mind is of no use to me.
**[16:57] Jack**
There's no point in lingering here.
**[17:00] Tsugaru**
You're not going to finish me off?
**[17:04] Jack**
You're not even worth that much.
**[17:08] Jack**
I've got a mountain of things to do.
**[17:16] Tsugaru**
Ow...
**[17:32] Carmilla**
Naughty girl.
**[17:51] Carmilla**
You little wench!
**[17:53] Carmilla**
I was trying to be gentle and
that still wasn't enough?!
**[17:56] Shizuku**
You were terrible.
**[17:58] Shizuku**
I don't know how many
centuries you've been alive,
**[18:02] Shizuku**
but I'm used to someone who's far
more experienced than you.
**[18:08] Carmilla**
You really think you can win with that thing?
**[18:11] Shizuku**
Without a doubt.
**[18:13] Carmilla**
Then, this time...
**[18:15] Carmilla**
I'll have to be a little rougher!
**[18:21] Carmilla**
Oh, damn it all!
**[18:26] Professor**
It appears as though Jack
has obtained the diamond.
**[18:30] Professor**
We're done here, so we'll
be taking our leave.
**[18:36] Professor**
Victor, Aleister, let us go.
**[18:39] Victor**
Yes.
**[18:39] Aleister**
Sure.
**[18:41] Holmes**
If you're going to rebuild your organization,
**[18:44] Holmes**
we'll just tear it down again!
**[18:47] Professor**
Ah, I forgot to tell you
our organization's name.
**[18:52] Professor**
We are the Banquet. We look
forward to seeing you again.
**[18:59] Tsugaru**
I'm glad that you and Mister Holmes
seem to be all right, Master.
**[19:03] Watson**
You're an absolute mess. We need
to stop the bleeding immediately.
**[19:06] Tsugaru**
Where's Shizuku?
**[19:07] Shizuku**
I'm right here.
**[19:10] Shizuku**
Lady Aya... I've returned.
**[19:13] Aya**
Welcome back, Shizuku.
**[19:16] Aya**
Are you all right?
**[19:17] Shizuku**
I'm fwine...
**[19:22] Aya**
An aphrodisiac venom...
**[19:23] Aya**
Considering how much it's affected you,
it must've been quite powerful.
**[19:29] Fogg**
Are you the only survivors?
**[19:32] Fogg**
I heard that Reynold was
also gravely injured.
**[19:36] Lestrade**
I received reports that Lupin and the
Phantom couldn't be found on the premises.
**[19:40] Lestrade**
Where could they have gone?
**[19:43] Holmes**
The waterway.
**[19:45] Holmes**
That route opened up once the
water level went down in the moat.
**[19:52] Holmes**
By flooding the basement
with the moat's water,
**[19:55] Holmes**
Lupin also managed to
secure an escape route.
**[19:58] Watson**
Unbelievable.
**[20:01] Holmes**
Lupin is a true phantom thief.
**[20:05] Lestrade**
There's actually one more unfortunate
thing I have to report...
**[20:09] Lestrade**
The safe that should've been
in the sunroom is missing.
**[20:12] Aya**
Geh! I forgot to retrieve it.
**[20:15] Aya**
Did Lupin take that, too?
**[20:18] Holmes**
Looks like we've been utterly defeated.
**[20:20] Tsugaru**
May I have your attention, please?
**[20:24] Tsugaru**
Now, behold!
**[20:27] Carmilla**
Damn that little wench!
**[20:29] Carmilla**
The next time I see her...
**[20:31] Professor**
For now, let us toast.
**[20:33] Professor**
We have won the battle for the diamond.
**[20:37] Professor**
Jack. Well done, my boy.
**[20:42] Professor**
Now, show us the Penultimate Night.
**[21:11] Aya**
What am I going to do with you?
**[21:14] Tsugaru**
I was a pretty rotten kid. I just
couldn't keep my hands to myself.
**[21:18] Tsugaru**
Here you go, Mister Fogg.
You can have this back.
**[21:21] Fogg**
Ah, thank you.
**[21:23] Fogg**
But how could such a small
gem cause so much chaos?
**[21:28] Holmes**
We might find the answer...
**[21:30] Holmes**
If we crack the code.
**[21:33] Passepartout**
You mean the poem that's engraved inside?
**[21:36] Aya**
"The dawn is red as blood.
The sunset is purple as a corpse.
**[21:41] Aya**
Do not gaze upon my hideous self
as the moon shines down on me,
**[21:45] Aya**
for there is a wolf inside of me."
**[21:49] Aya**
I've already cracked that code.
**[21:53] Aya**
Mister Holmes, please hold the
Penultimate Night up to that arc lamp.
**[22:01] Aya**
That diamond also contains europium.
**[22:04] Aya**
That element glows red when
hit with ultraviolet rays.
**[22:14] Aya**
Fangzähnewald.
**[22:17] Watson**
The Forest of Fangs.
**[22:19] Watson**
So that's where the werewolves are.
**[22:21] Tsugaru**
The red-haired fellow was
doing the same thing.
**[22:25] Tsugaru**
They're going to be a pain in the rear.
**[22:27] Tsugaru**
That whole lot's nothing but monsters.
**[22:29] Aya**
Well, you're the renowned
Oni Slayer, are you not?
**[22:32] Aya**
Seems like they'd be right up your alley.
**[22:34] Tsugaru**
Welp, you've got me there.
# E9 - Werewolves
Source: [Crunchyroll](https://www.crunchyroll.com/watch/G31UXZN1D/werewolves)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
***SIGN*** 8 Years Ago
**[00:09] (Flashback) Holgar**
This way!
**[00:10] (Flashback) Heinemann**
Don't let them get away!
**[00:12] (Flashback) Gustav**
Get around them to the west!
We'll herd them to the cliff!
**[00:15] (Flashback) Cnut**
Surround them!
**[00:25] (Flashback) Jutte**
Mother...
**[00:27] (Flashback) Rosa**
It's all right, Jutte. It's okay.
**[00:30] (Flashback) Jutte**
Mother. Mother! That's a cliff over there!
**[00:39] (Flashback) Someone**
Damn it! They got away!
**[00:41] (Flashback) Villager**
Hey! Over here!
**[00:55] (Flashback) Jutte**
I'm sorry, Mother.
**[00:57] (Flashback) Rosa**
It's all right, Jutte. This isn't your fault.
**[01:00] (Flashback) Villagers**
Kill them! Kill them!
**[01:06] (Flashback) Jutte**
Why? Mother, why?
**[01:09] (Flashback) Rosa**
They're all scared.
**[01:11] (Flashback) Jutte**
Of us?
**[01:13] (Flashback) Rosa**
They're scared of the
same exact thing we are.
**[01:16] (Flashback) Rosa**
So this isn't your fault.
**[01:24] (Flashback) Rosa**
Jutte, dear. Listen to me carefully.
**[01:30] (Flashback) Jutte**
No! I don't wanna!
**[01:33] (Flashback) Rosa**
It's all right, Jutte.
It's all right, my dear.
**[01:37] (Flashback) Jutte**
But...
**[01:38] (Flashback) Rosa**
I love you very much.
***SIGN*** Werewolves
***SIGN*** Episode Nine
**[03:34] Tsugaru**
There's wolves there, you say? That's not good.
***SIGN*** Western Germany Schnetar
**[03:37] Tsugaru**
You don't wanna mess with wolves!
**[03:39] Tsugaru**
Flattery just doesn't get
you anywhere with them.
**[03:42] Tsugaru**
Calling out, "Hey there, Mister Wolf!"
isn't gonna make them happy.
**[03:46] Tsugaru**
They'll just snap at you
outta nowhere. What a pain!
**[03:50] Aya**
Shut up.
**[03:51] Tsugaru**
What was that, Master?
**[03:52] Aya**
Shut up!
**[03:53] Tsugaru**
I thought performing a bit of
"Mount Atago" would set the mood.
**[03:57] Aya**
Pretty sure reciting "Mount Atago" while
in the Alps will ruin the mood.
**[04:01] Tsugaru**
Do you really think there's a
village up here in these mountains?
**[04:05] Shizuku**
We should be there any moment.
**[04:07] Tsugaru**
What's this place called again?
Holdyourdwarfs?
**[04:10] Shizuku**
Heulendorf.
**[04:12] Tsugaru**
Translated, it means "Howling Village."
**[04:14] Tsugaru**
Well, that definitely sounds like a
place you'd find werewolves.
**[04:17] Tsugaru**
Do you think Moriarty and
his goons are also headed there?
**[04:20] Tsugaru**
What's their organization called? Blanket?
**[04:23] Shizuku**
Banquet.
**[04:25] Aya**
They might be nearby.
**[04:27] Aya**
You should be on your guard.
Who knows when they'll attack?
**[04:31] Tsugaru**
Yeah, we've got the key and all.
**[04:34] Tsugaru**
Isn't this exciting?
**[04:37] Tsugaru**
I've never met a werewolf.
**[04:40] Tsugaru**
Have you met one, Master?
**[04:41] Aya**
Just once.
**[04:43] Aya**
I believe it was about 150 years ago.
**[04:46] Aya**
Gennai Hiraga wanted to find out what
manner of beast could possibly harm me,
**[04:51] Aya**
so he gathered monsters
from all around the world.
**[04:54] Aya**
There happened to be one
werewolf in that cage, as well.
**[04:58] Aya**
People always refer to
them as terrible beasts,
**[05:00] Aya**
but they're quite intelligent.
**[05:02] Aya**
They understand human languages,
and they're good at concealing themselves.
**[05:05] Aya**
They can also change between three forms freely.
**[05:08] Aya**
A human, a wolf, and a therianthrope.
***SIGN*** Jinro Mangetsutei
***SIGN*** Jinro Mangetsutei
**[05:12] Aya**
In their human forms, they look
more or less like ordinary humans,
**[05:15] Aya**
their physical strength is normal,
and a simple knife can hurt them.
**[05:21] Tsugaru**
You're making it sound like a
knife can't *always* hurt them.
**[05:25] Aya**
Indeed.
**[05:26] Aya**
Once they don their fur,
their physical abilities skyrocket,
**[05:31] Aya**
and their skin becomes so hard that
even bullets cannot penetrate it.
**[05:34] Aya**
When they take their therianthrope
form, their bodies become even bigger.
**[05:37] Aya**
They become as big as bears and
their fangs and claws grow, as well.
**[05:42] Aya**
Oh, yes! And their senses become fearfully keen!
**[05:46] Aya**
They'll detect you if you
attack them from behind,
**[05:48] Aya**
and if you run, they'll chase after you forever!
**[05:50] Tsugaru**
Do they have any weaknesses?
**[05:52] Aya**
Onions, maybe? They're still dogs, after all.
**[05:55] Aya**
But werewolves hardly ever
appear in human villages anyway.
**[05:59] Aya**
I can't lend a helping hand if they
refuse to show themselves.
**[06:01] Tsugaru**
A helping hand, you say?
**[06:03] Aya**
Stop that. I still have a leg up on you in wit.
**[06:06] Tsugaru**
A leg up, you say?
**[06:08] Aya**
Shizuku...
**[06:10] Aya**
He's clearly asking for some punishment.
**[06:12] Tsugaru**
One moment please, Miss Shizuku!
I was just kidding.
**[06:15] Tsugaru**
Ow, ow, ow!
**[06:16] Heinemann**
Louise!
**[06:18] Heinemann**
Louise! Louise!
**[06:23] Tsugaru**
Hello, there.
**[06:27] Heinemann**
What are you doing here?
**[06:29] Tsugaru**
Hiking. We're trying to find
this village called Heulen-something.
**[06:33] Heinemann**
Heulendorf is my village.
**[06:39] Heinemann**
Two Asians... The Cage User.
**[06:43] Heinemann**
Are you two perhaps detectives?
Ones that specialize in monsters?
**[06:48] Tsugaru**
Good for you, Master!
They know about you even here.
**[06:52] Heinemann**
P-Please help me!
**[06:53] Heinemann**
My name is Heinemann, and I'm a doctor.
**[06:55] Heinemann**
Something terrible has happened in
our village. A girl was kidnapped!
**[06:58] Heinemann**
By a werewolf!
**[07:17] Heinemann**
I do apologize.
**[07:18] Heinemann**
We're not used to outsiders around here.
**[07:21] Tsugaru**
Oh, that's quite all right.
**[07:22] Tsugaru**
This is basically the treatment
we get everywhere.
**[07:25] Tsugaru**
What a lovely village.
**[07:27] Heinemann**
It's just rural.
**[07:29] Heinemann**
We don't have a school or any shops.
**[07:32] Heinemann**
There is a giant waterfall
deep in the forest, though.
**[07:35] Tsugaru**
A waterfall!
**[07:36] Tsugaru**
That's great! My two favorite things
are anecdotes and waterfalls!
**[07:40] Tsugaru**
Because they both tend to fall into place.
**[07:42] Aya**
Well, your stories definitely don't.
**[07:45] Aya**
Mister Heinemann, could you tell
us more about this incident?
**[07:54] Heinemann**
Yes. It all started a year ago on
a rainy night just before spring.
**[08:00] Heinemann**
The mayor's granddaughter disappeared
after going to fetch some water.
**[08:05] Heinemann**
Her name was Nadia, and she was only fifteen.
**[08:09] Heinemann**
The next day, we found
her body in the forest.
**[08:12] Heinemann**
Her neck and back were broken,
**[08:13] Heinemann**
her chest was split open,
and her face had been shredded.
**[08:17] Heinemann**
One arm had been ripped off, bone and all,
and she had bite marks all over.
**[08:23] Heinemann**
I've seen many victims of wolf attacks,
but that wasn't normal.
**[08:27] Heinemann**
The only thing that can
kill someone like that...
**[08:30] Aya**
...is a werewolf, you believe.
When did it happen next?
**[08:34] Heinemann**
Four months later.
**[08:36] Heinemann**
The woodcutter's eleven-year-old
daughter, Fine, disappeared,
**[08:41] Heinemann**
and we found her body two days later.
**[08:43] Heinemann**
Her body was also in awful shape.
**[08:46] Heinemann**
Four months after that,
**[08:49] Heinemann**
Rita, the miller's thirteen-year-old
daughter, became the next victim.
**[08:53] Heinemann**
Each incident happened on a rainy night,
**[08:56] Heinemann**
with the girl going missing
after leaving her house,
**[08:58] Heinemann**
then being found in the
forest a few days later.
**[09:03] Heinemann**
The bite marks on their bodies
all matched as well.
**[09:05] Aya**
So they were all done by one culprit.
**[09:07] Heinemann**
Precisely.
**[09:09] Aya**
Were they actually the girls?
**[09:10] Heinemann**
What?
**[09:11] Aya**
The corpses you found. Are you
certain they belonged to those girls?
**[09:15] Heinemann**
Yes, there's no doubt about it.
**[09:17] Heinemann**
Distinguishing features such as
moles and birthmarks all matched.
**[09:21] Aya**
Hmm...
**[09:22] Heinemann**
I've checked around outside
the village countless times,
**[09:25] Heinemann**
but I haven't found the werewolf.
**[09:28] Heinemann**
And then, yesterday...
**[09:34] (Flashback) Gustav**
Louise? Louise!
**[09:36] (Flashback) Louise**
Save me, Papa! Save me!
**[09:39] (Flashback) Deborah**
Louise!
**[09:40] (Flashback) Gustav**
Stay back!
**[09:45] (Flashback) Gustav**
Louise!
**[09:53] Aya**
Did it rain yesterday?
**[09:54] Heinemann**
No, it did not.
**[09:56] Aya**
Well, that's rather bizarre.
**[09:58] Heinemann**
D-Do you think so?
**[10:01] Heinemann**
Louise is a very frail child.
**[10:04] Heinemann**
She's still only twelve and was going
to have her thirteenth birthday soon.
**[10:10] Heinemann**
There are those in our village who say
there's a werewolf hiding among us...
**[10:14] Heinemann**
That they go mad every four months
and target one of the girls.
**[10:18] Heinemann**
And such a thing *has*
happened in our village before.
**[10:21] Aya**
Has it?
**[10:22] Heinemann**
Eight years ago, we found out that a
werewolf was hiding among us.
**[10:27] Heinemann**
We were able to destroy it
before there were any victims, but...
**[10:32] Cnut**
S-Stop, Gustav! You shouldn't be violent.
**[10:34] Gustav**
You transformed and kidnapped Louise!
**[10:37] Gustav**
You did, didn't you, Cnut?!
**[10:39] Cnut**
Of course I didn't. Why would you suspect me?
**[10:41] Gustav**
You're an outsider.
**[10:43] Cnut**
Th-There are outsiders besides me.
**[10:46] Cnut**
Alma, and Doctor Heinemann...
**[10:52] Gustav**
Doctor!
**[10:54] Gustav**
Did you find anything in the northern forest?
**[10:56] Heinemann**
No...
**[10:58] Heinemann**
But I did bring some help.
**[11:01] Gustav**
Help?
**[11:02] Heinemann**
The detectives—
**[11:03] Tsugaru**
Hello, everyone! It's a pleasure
to make your acquaintance!
**[11:07] Tsugaru**
I've traveled here from
Japan in the Far East.
**[11:10] Tsugaru**
I am the wandering comedian, the Cage User,
and my name is Tsugaru Shinuchi.
**[11:15] Tsugaru**
My name may mean "the headliner,"
but I'm a humble man
**[11:18] Tsugaru**
who's merely worthy of being the opening act.
**[11:20] Tsugaru**
And this is my master...
**[11:22] Aya**
I am Aya Rindo,
**[11:24] Aya**
though I have no recollection
of making this fool my apprentice.
**[11:28] Gustav**
Who spoke just now? Was it you?
**[11:32] Aya**
Over here.
**[11:35] Gustav**
What the... What's inside there?
**[11:37] Aya**
If you wish to see, I'll allow it.
Though I don't recommend it.
**[11:41] Aya**
You'll all scream when you see me.
**[11:44] Gustav**
None of us are going to scream!
**[11:46] Gustav**
We can handle a werewolf or any other monster!
**[11:58] Heinemann**
Just what are you?
**[12:00] Aya**
I'm called the Immortal.
**[12:03] Aya**
I seem to have trouble dying.
**[12:05] Cnut**
A-A monster...
**[12:07] Gustav**
Move!
**[12:09] Heinemann**
W-Wait, Gustav! Calm down!
**[12:11] Gustav**
Shut up! Hey, get the hell
out of our village right now!
**[12:15] Aya**
If you really want us to leave, we shall.
**[12:18] Aya**
But, Gustav, if you put down your gun,
**[12:21] Aya**
I believe that I can find the serial
murderer and solve this case.
**[12:28] Aya**
If you're wondering how...
**[12:30] Aya**
I've lived around 900 years longer than you,
**[12:34] Aya**
and detective work can be done
**[12:35] Aya**
even if you happen to be missing
everything but your head.
**[12:39] Aya**
You only need eyes, ears, and a brain.
**[12:44] Aya**
Well? What will it be?
**[12:50] Tsugaru**
She's quite the looker,
but no match for Master.
**[12:54] Tsugaru**
Has she always used a wheelchair?
**[12:56] Heinemann**
Yes.
**[12:57] Heinemann**
She was born with the condition,
and all the local doctors gave up.
**[13:01] Heinemann**
But she was smart enough to
get around regardless.
**[13:04] Gustav**
Please don't talk about
her in the past tense.
**[13:07] Heinemann**
Er, my apologies. I was just...
**[13:10] Aya**
Now, now...
**[13:11] Aya**
Could you start off by showing
me your daughter's room?
**[13:28] Tsugaru**
Well, something very lively
definitely happened in here.
**[13:31] Tsugaru**
So, Master, where did you want to start?
**[13:35] Tsugaru**
Master?
**[13:36] Aya**
Huh? Right...
**[13:39] Aya**
It's a bit dark in here. Could you
open the curtains on the left as well?
**[13:45] Aya**
Madam, did you light this
fireplace yesterday?
**[13:49] Deborah**
N-No... Louise said she didn't need it.
**[13:52] Tsugaru**
Which means... that perhaps
our culprit entered from here.
**[13:57] Tsugaru**
It's a bit cramped for a
person to get through...
**[14:00] Aya**
...but a wolf could jump down.
**[14:04] Aya**
Judging from these pawprints,
**[14:06] Aya**
our culprit isn't very big when
they're in their wolf form.
**[14:10] Tsugaru**
So once they got into the room, they turned
into a werewolf and made this mess.
**[14:15] Gustav**
We already knew that a
werewolf was behind this!
**[14:18] Aya**
Tsugaru, let me see your palm.
**[14:22] Aya**
Mister Heinemann...
**[14:24] Aya**
I'd like to compare the bite marks
here to the ones on the victims.
**[14:28] Aya**
Please bring me a sample.
**[14:30] Aya**
Also, please tell Shizuku, who went
to put our belongings in your home,
**[14:34] Aya**
to bring something the size of a ball
that's all right to get dirty.
**[14:38] Heinemann**
A ball?
**[14:39] Aya**
I mean, something as big as me.
**[14:42] Heinemann**
All right.
**[14:44] Aya**
Madam. When was the last time you were
in this room before it was torn up?
**[14:49] Gustav**
Right after dinner.
**[14:51] Gustav**
I was in the living room.
**[14:52] Aya**
How did your daughter seem?
**[14:55] Deborah**
How? I'd say normal.
**[14:58] Deborah**
She'd gotten herself into bed
and was reading a book.
**[15:02] Aya**
So your daughter was able to get in and
out of her wheelchair without assistance.
**[15:06] Aya**
And what were you doing in the room?
**[15:09] Deborah**
Um... I put her blanket over her,
added water to her pitcher...
**[15:14] Deborah**
And then I shut her curtains.
**[15:17] Aya**
Were her windows locked?
**[15:20] Deborah**
This window was properly locked.
**[15:23] Deborah**
This one is a fixed window.
It wasn't made to open in the first place.
**[15:27] Aya**
Tsugaru, show me the window.
The one that's broken.
**[15:31] Tsugaru**
Sure thing.
**[15:38] Tsugaru**
So they ran away through here.
**[15:41] Aya**
It appears so. Madam?
**[15:43] Aya**
Was there anything missing from this room?
**[15:46] Deborah**
They sure did make a mess...
but nothing's missing, I think.
**[15:52] Aya**
I see. I'm starting to see the big picture.
**[15:55] Shizuku**
Lady Aya.
**[15:57] Aya**
Shizuku, did you manage to get up there?
**[16:00] Shizuku**
Yes.
**[16:01] Aya**
Any sooty footprints up there?
Either a wolf's or a human's?
**[16:06] Shizuku**
There are not.
**[16:08] Aya**
So they did escape through the window...
**[16:10] Aya**
Then try dropping the item through
the hole. You can do that gently.
**[16:22] Tsugaru**
Hey! This is my pillow!
**[16:26] Tsugaru**
Come on now, Miss Shizuku! Why
would you drop this down there?!
**[16:30] Shizuku**
I was told to fetch something
it was all right to get dirty.
**[16:32] Tsugaru**
It's *not* all right to get this dirty!
**[16:34] Tsugaru**
Master, say something!
**[16:38] Aya**
Thank you, Shizuku. You may come down.
**[16:41] Tsugaru**
Why are you thanking her? Honestly...
**[16:45] Heinemann**
Here's something with a bite mark.
**[16:52] Tsugaru**
Definitely the same culprit.
**[16:54] Aya**
Oh, dear.
**[16:55] Tsugaru**
Oh? Did that throw off your theory?
**[16:57] Aya**
I was thinking that it
could be a copycat, but...
**[17:01] Aya**
Gustav, did Louise go out often?
**[17:05] Gustav**
She didn't go out much.
**[17:07] Gustav**
When she did, either I or Deborah
would push her wheelchair.
**[17:11] Gustav**
And she would have people in
her room every now and then.
**[17:14] Gustav**
Why does any of this matter?
**[17:17] Gustav**
What I want to know is who the
hell this insane werewolf is!
**[17:22] Aya**
That's incorrect.
**[17:24] Aya**
The culprit is sane. That I'm certain of.
**[17:27] Heinemann**
But then why did it make this mess?
**[17:30] Aya**
To intentionally create the
impression of insanity, I believe.
**[17:35] Aya**
There's all this blood on this bed, yet
not a single drop on their escape route.
**[17:41] Aya**
Which would mean our culprit had
wrapped Louise up in something.
**[17:46] Aya**
But none of the blankets are
missing from the room.
**[17:50] Aya**
Which would mean that our culprit
brought in a bag to wrap her up in.
**[17:55] Aya**
Do these sound like the actions
of an irrational werewolf?
**[17:58] Gustav**
Why would they go after Louise?!
**[18:00] Gustav**
She hasn't done anything!
**[18:09] Shizuku**
Pardon.
**[18:10] Shizuku**
The lock on the shed is broken.
**[18:13] Gustav**
Y-Yes. About a year ago,
**[18:17] Gustav**
my old hunting rifle was stolen from
there, as well as some ammunition.
**[18:22] Aya**
Did you ever find them?
**[18:23] Gustav**
No.
**[18:24] Gustav**
I'm sure the thief came from
the city and sold them off.
**[18:27] Tsugaru**
A year ago is when these
incidents started happening.
**[18:31] Tsugaru**
Are they related?
**[18:33] Gustav**
No. There's no werewolf
that could shoot a gun.
**[18:37] Aya**
I'll keep that in mind.
**[18:40] Aya**
Now, then... Let's go visit the mayor.
**[18:49] Gustav**
Hey, do you think Louise is still alive?
**[18:52] Aya**
What do you think?
**[18:55] Gustav**
I'm not getting my hopes up.
**[18:56] Gustav**
But maybe, if the culprit isn't insane...
**[19:01] Aya**
In my own estimation...
**[19:02] Aya**
You won't see her alive ever again.
**[19:10] Tsugaru**
Do you know who the culprit is?
**[19:12] Aya**
I have them by the tail.
**[19:16] Holgar**
This village is nothing
more than a feed trough.
**[19:18] Holgar**
For hundreds of years, they've climbed
up the cliff along the waterfall
**[19:23] Holgar**
to eat us whenever they please.
**[19:26] Holgar**
I don't care if you're foreigners or monsters.
**[19:30] Holgar**
Find the werewolf.
**[19:32] Holgar**
There are those who left here
because they were too scared.
**[19:36] Holgar**
At this rate, this village is done for.
**[19:39] Aya**
Do the werewolves live there?
**[19:42] Holgar**
According to legend, their village is
hidden at the waterfall's base.
**[19:48] Holgar**
A village called Wolphinhel.
**[19:50] Aya**
Not the Forest of Fangs?
**[19:54] Holgar**
I see.
**[19:56] Holgar**
So that's what you're after.
You're looking for the werewolves!
**[20:00] Aya**
To be precise, we're after the ones
looking for the werewolves.
**[20:05] Holgar**
That place is forbidden.
**[20:07] Holgar**
And even if you go down there,
it won't do you any good.
**[20:09] Holgar**
You need a key to find them.
**[20:12] Holgar**
A black jewel that the dwarves created...
**[20:16] Holgar**
Why the heck do you have that?!
**[20:18] Aya**
So how exactly do we use this key?
**[20:22] Holgar**
I won't tell you.
**[20:23] Aya**
What's the Forest of Fangs?
It's not the name of the werewolf village?
**[20:28] Holgar**
There is no place called the
Forest of Fangs in this world.
**[20:32] Holgar**
But you must find the Forest of Fangs
to get to the werewolf village.
**[20:37] Aya**
I see.
**[20:38] Aya**
Then how about this?
**[20:40] Aya**
I will name the suspect within two days.
**[20:43] Aya**
If I am able to do that, you will tell
us how to find the werewolf village.
**[20:50] Aya**
What do you think?
**[20:53] Holgar**
Very well. I accept.
**[20:56] Aya**
It appears as though we have an agreement.
**[20:59] Aya**
Then let us talk about the incident.
***SIGN*** Schnetar Station
**[21:11] Station staff**
Welcome to Schnetar Station.
**[21:13] Station staff**
Are you here to see the sights?
**[21:15] Alice**
We're exterminators.
# E10 - Misty Hollow
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUKD977/misty-hollow)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:02] Aya**
The first victim, Nadia, was your
granddaughter, wasn't she?
**[00:06] Aya**
Do you have any idea why she was targeted?
**[00:08] Holgar**
No.
**[00:09] Aya**
All of the victims are
young women. Any idea why?
**[00:14] Holgar**
I assume that the culprit likes young women.
**[00:18] Aya**
But these incidents are too systematic.
**[00:21] Aya**
They happened once every four months,
**[00:23] Aya**
killed in the same weather,
in the same way.
**[00:26] Holgar**
What are you getting at?
**[00:28] Aya**
I'm saying that the culprit may have a
motive other than sating their hunger.
**[00:34] Aya**
But we can set that aside for now.
**[00:37] Aya**
Do you...
**[00:41] Aya**
believe that the culprit
is someone in the village?
***SIGN*** Misty Hollow
***SIGN*** Episode Ten
**[02:17] Holgar**
I do not.
**[02:19] Holgar**
Just as wolves are only
born from other wolves,
**[02:22] Holgar**
werewolves are only born
from other werewolves.
**[02:25] Holgar**
Most of the villagers were born
and raised in this village.
**[02:30] Holgar**
The only possibly suspicious ones would be
the outsiders who've settled here.
**[02:36] Holgar**
Heinemann the doctor.
**[02:38] Holgar**
Cnut the engineer.
**[02:40] Holgar**
Alma the artist.
**[02:43] Holgar**
I tested those three.
**[02:46] Holgar**
Werewolves are monsters that defy reason.
**[02:49] Holgar**
It's difficult to see through them
if they are disguised as humans.
**[02:54] Holgar**
But they are different
from us in several ways.
**[02:58] Holgar**
For example...
**[02:59] Aya**
How keen their senses are.
**[03:01] Holgar**
Correct.
**[03:03] Holgar**
For example, we made them smell
a pungent golden-rayed lily,
**[03:07] Holgar**
or banged pots and pans near their ears.
**[03:10] Holgar**
A werewolf would be startled
into revealing themselves.
**[03:14] Holgar**
But all three of them were fine.
**[03:18] Holgar**
Which means there are no werewolves
amongst the villagers.
**[03:21] Aya**
You seem very knowledgeable
about werewolves.
**[03:25] Holgar**
The greatest weapon werewolves
have is their blood.
**[03:29] Holgar**
They evolve.
**[03:32] Holgar**
They control their lineage.
**[03:34] Holgar**
They are careful about who breeds with whom
in pursuit of producing the strongest child.
**[03:40] Holgar**
They have this all figured out when
they mate and create offspring.
**[03:46] Holgar**
That's how they became so powerful.
**[03:49] Holgar**
Silver and holy water don't
work on the latest generation.
**[03:53] Aya**
And that's the result
of their selective breeding?
**[03:56] Tsugaru**
What should we do, Shizuku-san?
Sounds like silver's not gonna work.
**[04:01] Tsugaru**
Guess there's nothing we can do, then.
**[04:03] Holgar**
That's not true.
**[04:06] Holgar**
You can go after them in their human forms.
**[04:09] Holgar**
You can target their eyes or their mouths.
**[04:12] Holgar**
Or you can set them on fire.
**[04:14] Tsugaru**
Oh, thank goodness.
**[04:15] Tsugaru**
I guess they're a little more
killable than Master here.
**[04:18] Tsugaru**
But eventually, they might
also become resistant to fire.
**[04:22] Tsugaru**
Who knows what will happen
once a Kindsführer is born?
**[04:27] Tsugaru**
Kindsführer?
**[04:29] Holgar**
It's a legend.
**[04:31] Holgar**
The ultimate werewolf that results
from all their selective breeding.
**[04:35] Holgar**
That's what they call it.
**[04:38] Holgar**
A werewolf that's faster, tougher,
smarter, and more powerful.
**[04:45] Holgar**
It is their god.
**[04:48] Aya**
You stated that silver won't work on them.
**[04:50] Aya**
It sounds like you've seen one
it didn't work on yourself.
**[04:54] Holgar**
Well, I did.
**[04:56] Aya**
Is this the incident from eight years ago?
**[04:58] Holgar**
Yes. That mother and child
were also outsiders.
**[05:02] Aya**
Mother and child?
**[05:04] Holgar**
A woman and the daughter she gave birth to.
**[05:08] Holgar**
They had us completely fooled.
**[05:12] Tsugaru**
Mayor, are you sad about
Louise being kidnapped?
**[05:17] Holgar**
Louise was our village's guardian angel.
**[05:21] Holgar**
She's what gave us hope.
**[05:26] Holgar**
If she dies, I don't know what we will do.
**[05:33] Jutte**
Louise!
**[05:34] Aya**
By the way, how did you find
the werewolf eight years ago?
**[05:38] Holgar**
It was Louise. She saw through them.
**[05:47] Cnut**
She never said much, but she
was a mysterious child.
**[05:51] Cnut**
I can't believe Louise was attacked, too.
She was this village's hero.
**[05:56] Aya**
Because she found the
werewolves eight years ago?
**[05:59] Cnut**
Yes.
**[06:00] Aya**
The mayor informed me that you
knew the most about it.
**[06:04] Cnut**
Knew the most about it?
**[06:06] Cnut**
I'm just a victim.
**[06:08] Cnut**
That woman tricked me.
**[06:13] Cnut**
Thirteen years ago...
**[06:16] Cnut**
I found a woman unconscious in the forest.
**[06:19] Cnut**
She had beautiful silver hair.
**[06:22] Cnut**
She was clearly in bad shape, and her
body was covered in terrible wounds.
**[06:26] Cnut**
Her belly was also slightly swollen.
**[06:29] Cnut**
When I asked her what her
name was, she said it was Rosa.
**[06:31] Cnut**
When I asked her where she was from,
she just told me that she ran away from home.
**[06:38] Cnut**
Back then, the other villagers
were more accepting of outsiders.
**[06:41] Cnut**
We had thought that she must've
worked at some mansion
**[06:45] Cnut**
and been fired for having
an affair or something.
**[06:49] Cnut**
Rosa gradually recovered,
**[06:52] Cnut**
and six months later,
she gave birth to a girl.
**[06:55] Cnut**
Her name was Jutte.
**[06:57] Cnut**
Thinking back on it now, there were
a lot of things that were unnatural.
**[07:01] Cnut**
She didn't leave the house much, and we'd
hear howls from the forest more often.
**[07:07] Cnut**
When Rosa was a human, she was a
mild-mannered and intelligent woman.
**[07:12] Tsugaru**
Did you have feelings for her?
**[07:14] Cnut**
Yes, well...
**[07:16] Cnut**
Thankfully, everything came to light
before I made a terrible mistake.
**[07:22] Cnut**
Eight years ago, the day
before the spring festival...
**[07:26] Cnut**
Rosa came running
and defended her daughter.
**[07:30] Cnut**
We took up sticks and knives
**[07:32] Cnut**
and beat the living daylights out of them.
**[07:36] Aya**
I wonder how Louise realized
Jutte's true identity.
**[07:41] Cnut**
She said she was in the forest,
picking flowers, when Rosa appeared
**[07:45] Cnut**
and called out to her, thinking
that Louise was her daughter.
**[07:50] Cnut**
And then she said,
**[07:51] Cnut**
"Even if you smell a pungent flower,
make sure you don't show your ears."
**[07:58] Cnut**
Louise thought that was strange,
so she apparently gave it a try.
**[08:01] Tsugaru**
And you're sure those werewolves are dead?
**[08:05] Cnut**
Of course. I was tasked with identifying
their burnt remains the next day.
**[08:12] Cnut**
I saw the bones of a giant
therianthrope and a small animal.
**[08:18] Aya**
Who do you think is behind the incidents
that are happening right now, Cnut?
**[08:23] Cnut**
They have every right to think
that outsiders are suspicious.
**[08:27] Cnut**
But I'm not the culprit.
**[08:29] Cnut**
I don't think Doctor Heinemann could
do anything like that either.
**[08:33] Cnut**
Which leaves...
**[08:36] Alma**
Stay still for me, okay?
**[08:38] Aya**
Oh, you needn't worry.
I have no way of moving.
**[08:42] Alma**
I think it was about five years ago...
**[08:44] Alma**
I came here to draw the waterfall,
and then just ended up living here.
**[08:48] Alma**
Have you taken in the view? It's amazing.
It was love at first sight.
**[08:52] Aya**
I saw your art at Gustav's place.
You're quite talented.
**[08:57] Alma**
Thanks. I actually come from a family
of artists, and even went to school for it.
**[09:03] Aya**
Do you like drawing girls?
**[09:06] Alma**
Ah...
**[09:07] Alma**
These are the girls who were killed.
**[09:11] Alma**
Their families asked me to do
portraits of them after they passed.
**[09:14] Alma**
Nadia, Fine, Rita...
**[09:18] Aya**
Who do you think is the murderer?
**[09:21] Alma**
I don't think it's any of the villagers.
**[09:23] Alma**
It could just be a violent wolf.
**[09:27] Alma**
I see it every once in a while.
**[09:30] Alma**
It's always early in the morning
or right after the sun goes down.
**[09:33] Alma**
It runs so quickly into the forest...
**[09:36] Alma**
A beautiful golden wolf.
**[09:39] Tsugaru**
Golden? Well, that's definitely rare.
**[09:42] Tsugaru**
Maybe it's the master of the mountain.
**[09:44] Aya**
Or perhaps a werewolf transformed.
**[09:47] Aya**
Are there any other villagers
who have seen this wolf?
**[09:50] Alma**
Don't think so. I mean, I live
on the outskirts of the village.
**[09:55] Aya**
It appears that the villagers
are suspicious of you, Alma.
**[09:58] Alma**
Ah, I figured. Well, that's no good.
**[10:02] Alma**
And what do you think, Aya?
Do you think I'm behind this?
**[10:06] Aya**
I can't say for certain yet,
but I've learned two things.
**[10:12] Aya**
You're lying about coming
from a family of artists,
**[10:14] Aya**
and that you went to school for art.
**[10:17] Aya**
You're holding that charcoal like a pencil.
**[10:21] Aya**
Someone who'd studied art would
hold it with two fingers.
**[10:25] Aya**
You must've learned to draw on your own.
**[10:30] Alma**
I actually don't have a family.
**[10:33] Alma**
I was abandoned by my
parents when I was little.
**[10:36] Alma**
But it's embarrassing to admit it.
**[10:39] Alma**
I'm not lying about how
much I love art, though.
**[10:44] Aya**
Thank you.
**[10:45] Aya**
It's drawn quite nicely.
Don't you think so, Tsugaru?
**[10:48] Tsugaru**
I'll set this drawing on the
altar once you die, Master.
**[10:51] Aya**
I'd love that.
**[10:53] Aya**
Unfortunately, I'm quite immortal.
**[10:57] Alma**
Say, Aya. How does it feel
to not be able to die?
**[11:00] Aya**
It would honestly bore you to death.
**[11:03] Alma**
I see.
**[11:04] Alma**
Then maybe it was a waste to draw you.
**[11:07] Alma**
I think art exists to leave a
record of things that change.
**[11:11] Aya**
Change, you say?
**[11:13] Alma**
Yeah.
**[11:14] Alma**
Louise had been changing a lot lately, too.
**[11:19] Alma**
It was always fun watching her.
**[11:25] Tsugaru**
This is definitely better than Mount Atago.
**[11:33] Tsugaru**
So that's the hollow...
**[11:35] Tsugaru**
Definitely looks like some
monsters live down there.
**[11:39] Aya**
I wonder if those are the
burnt remains of the tower.
**[11:44] Tsugaru**
Hmm...
**[11:47] Tsugaru**
Can't say there's anything
too interesting here.
**[11:50] Shizuku**
He'd mentioned that the werewolf named Rosa
said that she had run away from home...
**[11:54] Shizuku**
I wonder where she came from.
**[11:57] Aya**
Who knows? Perhaps she was
living among humans, or...
**[12:03] Aya**
Perhaps she lived in the werewolf village.
**[12:07] Tsugaru**
Oh?
**[12:08] Aya**
Is something the matter?
**[12:10] Tsugaru**
No, it's nothing.
**[12:21] Aya**
I heard that you examined
the mayor last night.
**[12:24] Heinemann**
Yes.
**[12:25] Heinemann**
On my way home, I ran into Gustav...
And then, the incident happened.
**[12:30] Heinemann**
I heard Louise scream,
but I couldn't do anything.
**[12:35] Heinemann**
Miss Rindo, please solve
this case immediately!
**[12:39] Heinemann**
I'll do anything I can to help!
**[12:42] Aya**
Then I'm going to ask
something rather forward...
**[12:46] Aya**
Gustav and his wife, Deborah...
**[12:48] Aya**
How have they treated Louise up until now?
**[12:52] Heinemann**
What are you getting at?
**[12:53] Aya**
Her wheelchair.
**[12:55] Aya**
The wheels and armrests
were both dirty from use,
**[12:59] Aya**
but the push handle on the back was clean.
**[13:02] Aya**
It appears that she got around the
house mostly without any help.
**[13:07] Aya**
Admirable self-reliance, but if
you look at it another way...
**[13:11] Heinemann**
Are you trying to say that
Louise was being neglected?
**[13:15] Aya**
I wouldn't go that far, but I wonder
if she was hard to approach.
**[13:21] Aya**
She's this village's
guardian angel, isn't she?
**[13:24] Heinemann**
I can't say you're wrong.
**[13:27] Aya**
Did she ever leave her house on her own?
**[13:30] Heinemann**
No. Whenever she went out, someone would...
**[13:33] Heinemann**
Oh, come to think of it, I believe
it was about a year and a half ago...
**[13:37] Heinemann**
Louise disappeared while Gustav and
Deborah were out, and we all panicked.
**[13:44] Heinemann**
We found her safe that evening.
**[13:47] Heinemann**
Her wheelchair got stuck in the mud
by the river, and she couldn't move.
**[13:51] Heinemann**
We asked her how it happened,
**[13:54] Heinemann**
and she said that she was
trying to go to Alma's house.
**[13:59] Heinemann**
You saw a drawing of Louise
at Gustav's house, didn't you?
**[14:02] Heinemann**
She apparently took a liking to it
and wanted to see Alma's other works.
**[14:07] Aya**
Louise must've been so scared at the
riverside that she couldn't even yell.
**[14:11] Aya**
She must've wanted to go home immediately.
**[14:13] Heinemann**
True, she did seem that way.
**[14:16] Heinemann**
She stayed in bed for quite a while after.
**[14:19] Heinemann**
I guess detectives speak as though
they saw it all go down.
**[14:24] Aya**
Yes, when they're things I'm certain of.
**[14:38] Tsugaru**
Couldn't they have made these easier to chew?
**[14:41] Aya**
Oh, things are becoming
much easier to swallow.
**[14:44] Aya**
It's an interesting flavor indeed.
**[14:46] Tsugaru**
This is pretty sweet, if you ask me.
**[14:48] Heinemann**
Oh, goodness!
**[14:49] Aya**
What are you talking about?
**[14:50] Heinemann**
To think you'd come to our little village!
**[14:52] Heinemann**
Please, come in!
**[15:04] All**
Ah.
**[15:17] Alice**
Not afraid to risk your life?
**[15:19] Alice**
You sure got an interesting
way of fighting, Cage User.
**[15:23] Tsugaru**
Once an Edo boy, always an
Edo boy. We're pretty careless.
**[15:26] Shizuku**
If only you had actually been shot.
**[15:28] Tsugaru**
What was that, Miss Shizuku?
**[15:30] Heinemann**
Wh-What the...
**[15:31] Kyle**
I'm terribly sorry, but this is your own
fault for letting this lot into your home.
**[15:37] Kyle**
As I had imagined, you are
quite unsightly, Aya Rindo.
**[15:42] Aya**
Back when I had the rest of my body,
**[15:44] Aya**
I was often told that my beauty was unmatched.
**[15:47] Aya**
You two must be from Royce.
**[15:49] Alice**
Agent Three from the advisory security
department, Alice Rapidshot.
**[15:54] Kyle**
Likewise, Agent Four, Kyle Chaintail.
**[15:58] Aya**
How did you find this place?
**[16:00] Alice**
The great detective who lives
on Baker Street told us.
**[16:03] Aya**
Why, I haven't the foggiest
of who that could be...
**[16:06] Tsugaru**
Master, maybe you shouldn't feel so
competitive towards Mr. Holmes...
**[16:10] Alice**
Kyle, I'm gonna shoot these pieces of shit,
so you take care of the talking head.
**[16:14] Kyle**
All right.
**[16:15] Aya**
How about we both stand down?
**[16:18] Aya**
Nothing good will come of us
trying to kill each other here.
**[16:20] Alice**
Nothing good, but nothing lost, either.
**[16:22] Aya**
Isn't your priority the werewolves?
**[16:25] Tsugaru**
We can actually lead you
to the werewolf village.
**[16:28] Alice**
Are you trying to say that you
have the Penultimate Night?
**[16:31] Alice**
Who the hell cares? We can
just kill you and take—
**[16:33] Tsugaru**
No, no. There's no point in having the
diamond if you don't know how to use it.
**[16:37] Tsugaru**
We made a deal with the mayor,
who said he'd tell us how to use it
**[16:40] Tsugaru**
after we solved his case.
**[16:43] Kyle**
Case?
**[16:44] Aya**
There happens to be a werewolf
committing serial murders.
**[16:47] Aya**
Since I'm already a detective,
it'd make things easier for you
**[16:50] Aya**
if you struck up a deal with me,
**[16:57] Kyle**
Alice, let us retreat.
**[16:59] Alice**
You don't get to decide that.
I'm the boss around here.
**[17:02] Kyle**
You should listen to advice from your elders.
**[17:05] Aya**
Indeed, you should listen to your elders.
**[17:09] Alice**
Damn it!
**[17:10] Alice**
Talking head, when are you
gonna solve the case?
**[17:14] Aya**
I just need a couple more days.
**[17:16] Alice**
That's too long!
The Banquet's going to beat us!
**[17:18] Tsugaru**
Have no fear. They haven't
appeared in this village yet.
**[17:22] Alice**
Yet?
**[17:24] Alice**
Any funny business and I'll shoot you dead.
**[17:27] Aya**
Shoot me? Dead?
**[17:29] Aya**
That might be the funniest joke
I've heard this past century.
**[17:41] Tsugaru**
Thanks for the—
**[17:44] Tsugaru**
You don't have to get so
jealous every single time!
**[17:46] Tsugaru**
This is a medical procedure, after all.
**[17:48] Shizuku**
I am not jealous.
**[17:51] Tsugaru**
So, what's your outlook on this case, Master?
**[17:54] Aya**
What's there to say?
I see what's there to see.
**[17:58] Aya**
There was a very obvious
clue left at the scene.
**[18:01] Tsugaru**
And what was that?
**[18:03] Aya**
The window.
**[18:04] Tsugaru**
The window?
**[18:06] Aya**
The window used in the escape.
**[18:09] Villagers**
Hey, hurry up!
**[18:09] Villagers**
It's Alma's house!
**[18:11] Villagers**
I knew it was her!
**[18:13] Tsugaru**
*Hmm?*
**[18:17] Gustav**
Alma, did something happen?
**[18:19] Gustav**
Answer me!
**[18:21] Tsugaru**
Alma? Hello?
**[18:24] Alma/Nora**
Stay back!
**[18:25] Alma/Nora**
If you get too close... I won't...
be able to hold back again.
**[18:31] Tsugaru**
Hold back what, exactly?
**[18:32] Alma/Nora**
Ever since a year ago...
**[18:36] Alma/Nora**
My throat would hurt and my stomach
would growl every once in a while.
**[18:40] Alma/Nora**
And everyone would look so delicious!
**[18:43] Alma/Nora**
Before I knew it, right in front of me—
**[18:45] Alice**
Move.
**[18:46] Alice**
Everyone, stand back. We'll take care of her.
**[18:48] Alice**
Stay the hell out of our way,
you shitty detectives.
**[18:51] Gustav**
Are you the one who attacked those girls?
**[18:53] Gustav**
Where's my daughter?
**[18:55] Gustav**
Answer me!
**[18:56] Alma/Nora**
I ate her! I kidnapped
and ate her immediately.
**[19:03] Alma/Nora**
She was delicious!
**[19:22] Alice**
What the hell? That was a silver bullet.
**[19:24] Alice**
Do they not work?
**[19:25] Kyle**
It appears as though I'm
better suited for this.
**[19:28] Aya**
Tsugaru.
**[19:29] Tsugaru**
Got it.
**[19:36] Aya**
They're getting away.
**[19:37] Tsugaru**
I know, I know.
**[19:39] Tsugaru**
How strange. You must've
gained weight, Master.
**[19:42] Aya**
How do you propose I gained
weight in this form?
**[19:53] Shizuku**
I'm sure I landed a hit.
**[19:54] Tsugaru**
Looks like silver really doesn't work.
Could you hold onto this, please?
**[19:58] Aya**
I'd appreciate it if you
treated me with more care.
**[20:01] Tsugaru**
All righty, let's give this a shot.
**[20:13] Tsugaru**
Damn, that's hard.
**[20:17] Tsugaru**
Ya bastard!
**[20:29] Tsugaru**
Looks like we're even in strength!
**[20:38] Tsugaru**
Miss Shizuku! Aim for the eyes!
**[20:40] Shizuku**
I know that.
**[21:00] Aya**
Shi—
**[21:14] Tsugaru**
Miss Shizuku!
# E11 - Where the Wolves Dwell
Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU0D7KE/where-the-wolves-dwell)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:02] Regi**
What you've done is a sin!
**[00:04] Rosa**
Running away isn't a sin!
**[00:07] Rosa**
I have no role or obligation!
**[00:11] Regi**
You are a priestess!
**[00:13] Rosa**
I never agreed to become a priestess!
**[00:19] Regi**
You tried to end our bloodline!
**[00:22] Regi**
That is a great sin!
**[00:24] Rosa**
It's not going to end.
**[00:26] Rosa**
I can live anywhere!
**[00:29] Regi**
This village is all we have!
**[00:31] Rosa**
If that's true, then we
should just cease to be!
**[00:36] Rosa**
I—
***SIGN*** Where
the
Wolves
Dwell
***SIGN*** Episode
Eleven
**[02:18] Aya**
That bite mark...
**[02:20] Aya**
It matches the one seen in the other cases.
**[02:23] Tsugaru**
Then that would mean—
**[02:27] Alice**
Shit, shit, shit!
**[02:29] Kyle**
She got away. We searched the
forest but couldn't find her.
**[02:33] Tsugaru**
Good work.
**[02:34] Tsugaru**
By the way, were you shooting
at me or the werewolf here?
**[02:39] Alice**
Hmph.
**[02:40] Holgar**
So it was Alma.
**[02:42] Aya**
It appears as though we
have our culprit.
**[02:45] Aya**
As promised, could you give us information
regarding the Forest of Fangs?
**[02:50] Alice**
Hey, hey! You're not the ones who found her.
**[02:53] Aya**
It'd be lovely if you'd calm down a bit.
**[02:55] Aya**
I haven't forgotten my promise
to lead you two there.
**[02:59] Alice**
Shit.
**[03:01] Holgar**
At dawn,
**[03:03] Holgar**
go stand in the burnt
remains of the watchtower.
**[03:06] Holgar**
Once the sun goes up, hold up the stone,
**[03:08] Holgar**
with the poem pointed towards the sun.
**[03:12] Holgar**
That's all.
**[03:14] Holgar**
The stone will show you the rest.
**[03:26] Kyle**
So...
**[03:27] Kyle**
Which is the Forest of Fangs?
**[03:30] Tsugaru**
Who knows?
**[03:31] Tsugaru**
The mayor said we'd find
out if we stood here.
**[03:46] Alice**
If it turns out to be a lie, it'll
mean y'all are useless to us.
**[03:50] Alice**
Then I'll roast you on the spot.
You hear me? On the spot.
**[03:59] Kyle**
So this is...
**[04:01] Aya**
...the Forest of Fangs.
**[04:17] Tsugaru**
All righty, then.
**[04:19] Tsugaru**
In that case, let's get going...
**[04:22] Tsugaru**
to the werewolf village.
**[04:25] Victor**
They're on the move.
**[04:46] Nora**
You're awake?
**[04:50] Nora**
You're impressive. I didn't think
you'd wake up until morning.
**[04:56] Shizuku**
Um... Where am I?
**[05:00] Nora**
Vera, Kaya, thank you.
I think she's okay now.
**[05:08] Vera**
Geh, she's awake.
**[05:11] Vera**
Wh-What are we gonna do, Nora?
Should we call Gunter?
**[05:15] Nora**
Do not.
**[05:16] Vera**
But I mean... What if she's...
**[05:18] Nora**
Vera, this person isn't the culprit.
**[05:21] Nora**
She has a rifle, which does not fire buckshot.
**[05:25] Kaya**
Good morning. Is everything okay now?
**[05:28] Nora**
It seems so.
**[05:29] Nora**
Thanks, Kaya.
**[05:38] Kaya**
Hello.
**[05:39] Kaya**
Are you okay? They said you came
floating down from upstream.
**[05:43] Kaya**
Nora found you and pulled you out.
**[05:47] Vera**
W-We have your weapon!
**[05:49] Nora**
Your body was frozen, so I had
Kaya and Vera warm you up.
**[05:53] Kaya**
Yes, to go along with our midday nap.
**[05:56] Shizuku**
I don't know how to thank you.
**[06:00] Shizuku**
Did you say midday nap?
**[06:02] Nora**
What you consider night is our midday.
**[06:05] Nora**
That's why it's a midday nap.
**[06:07] Nora**
Be careful.
**[06:09] Nora**
Everyone in this village has
noses and ears far keener than yours.
**[06:14] Nora**
Humans aren't supposed to be here.
**[06:17] Shizuku**
Um... Where am I?
**[06:21] Nora**
Wolphinhel.
**[06:24] Nora**
This is our village.
The village of werewolves.
**[06:30] Shizuku**
Is this your house, Miss Nora?
**[06:33] Nora**
Yes.
**[06:34] Shizuku**
Do you three live together?
**[06:36] Nora**
No, everyone lives alone.
**[06:39] Nora**
No one has a partner in this village.
**[06:41] Shizuku**
I see.
**[06:45] Nora**
Shizuku Hasei... That's not
a name from around here.
**[06:49] Shizuku**
I came from the far east...
From a country named Japan.
**[06:53] Nora**
That oddly-shaped rifle...
It was made out of silver.
**[06:57] Nora**
Why were you carrying it?
**[07:00] Shizuku**
Well...
**[07:02] Vera**
Nora, are you sure she's
not the culprit?
**[07:05] Shizuku**
Um...
**[07:06] Shizuku**
You keep mentioning a culprit.
**[07:09] Shizuku**
May I ask what that's about?
**[07:15] Nora**
Serial murders have been occurring.
Girls from our village are being killed.
**[07:20] Nora**
The murders always happen on rainy days.
**[07:27] Shizuku**
The person I serve is named Aya Rindo.
**[07:31] Shizuku**
Lady Aya is a detective by occupation,
**[07:34] Shizuku**
and specializes in cases
involving inhuman creatures.
**[07:38] Vera**
Detective?
**[07:39] Nora**
They're people who solve
mysteries and cases like these.
**[07:43] Shizuku**
Lady Aya may be able to help all of you.
**[07:47] Nora**
Where is this Lady Aya now?
**[07:49] Shizuku**
She's currently in a human village.
She should arrive here shortl—
**[07:53] Vera**
Here?!
**[07:54] Kaya**
We can't have any more humans showing up.
**[07:57] Kaya**
We won't be able to hide you all.
**[07:58] Shizuku**
No, you don't have to worry. Lady Aya is—
**[08:01] Nora**
Sorry, Shizuku, but we
can't trust a word you say.
**[08:06] Nora**
If you really have nothing
to do with the murders,
**[08:09] Nora**
please leave the village immediately.
**[08:11] Shizuku**
I am not your enemy.
**[08:15] Shizuku**
You drink tea in this village?
**[08:23] Nora**
Why did you put hot water in
the cups? Are you going to drink it?
**[08:27] Shizuku**
It's to warm the inside of the cup.
**[08:30] Nora**
Why do you warm it up?
**[08:32] Shizuku**
So that the temperature of the tea
doesn't go down when you pour it.
**[08:44] Shizuku**
Here you go.
**[08:46] Shizuku**
I wanted to thank you for saving me.
**[08:50] Vera**
There'd better not be poison in here.
**[08:52] Nora**
We were watching, so it's fine.
**[08:55] Kaya**
Chamomile, rosehips, and elderflower?
**[08:59] Kaya**
And... calendula?
**[09:01] Shizuku**
Y-Yes.
**[09:09] Nora**
I think it's good.
**[09:11] Kaya**
It's totally different from our usual tea.
**[09:14] Vera**
Well, at least it's not poisoned.
**[09:18] Shizuku**
Thank you very much.
**[09:20] Shizuku**
Um... If you tell me to leave, I will oblige.
**[09:24] Shizuku**
But before I leave, could you just tell
me what is happening in this village?
**[09:33] Nora**
It started a year ago.
**[09:35] Nora**
There have been three victims so far.
**[09:38] Nora**
The first one was a
14-year-old girl named Romi.
**[09:43] Nora**
She was found in the forest on a rainy day.
**[09:45] Nora**
She had been shot in the face with a shotgun.
**[09:51] Nora**
The second was Etta. She was eleven.
**[09:55] Nora**
She was killed exactly the same
way as Romi four months later.
**[09:59] Nora**
Four months later, 15-year-old
Clarissa, too...
**[10:03] Nora**
They still haven't found the killer.
**[10:06] Kaya**
The Blutkralle searched for the killer
for days, but couldn't track down the scent.
**[10:12] Kaya**
The rain had erased it.
**[10:15] Shizuku**
Blutkralle?
**[10:18] Kaya**
The men of this village.
They protect us.
**[10:24] Shizuku**
Did the three victims
have anything in common?
**[10:27] Nora**
Not really. Just the fact
that they were girls.
**[10:30] Vera**
But didn't they all seem a bit
weird right before they died?
**[10:34] Vera**
Spacing out, seeming nervous?
**[10:36] Shizuku**
There really aren't any
clues about the killer?
**[10:40] Nora**
The only thing we know for
certain is they have a shotgun,
**[10:44] Nora**
they effectively cover
their scent each time,
**[10:47] Nora**
and they're skilled at
catching others by surprise.
**[10:50] Nora**
Because you can't kill us unless
we're in our human forms.
**[10:54] Shizuku**
No one heard the gunshots?
**[10:57] Nora**
We've never heard them.
**[10:59] Nora**
There are probably guns that
don't make sound, aren't there?
**[11:01] Shizuku**
I've never heard of a shotgun
not making any sound.
**[11:07] Shizuku**
You all have a keen sense of smell, right?
**[11:10] Shizuku**
If there were a human in this village,
wouldn't you be able to sniff them out?
**[11:15] Nora**
What are you trying to say?
**[11:18] Shizuku**
Nothing.
**[11:18] Nora**
We're done talking.
**[11:20] Nora**
Now leave our village.
**[11:23] Vera**
How exactly is she supposed to leave, though?
**[11:26] Kaya**
Won't she be caught by the Blutkralle?
**[11:29] Nora**
Right. She'll need to cross a body
of water to cover her scent trail.
**[11:33] Nora**
How about using the eastern lake?
**[11:35] Vera**
Huh? That's on the opposite
side of the village!
**[11:37] Kaya**
We'll be found as we try
to go around the forest.
**[11:40] Nora**
We won't go around.
**[11:42] Kaya**
I'll lie to the Blutkralle and get them
to gather in the western forest.
**[11:50] Shizuku**
Is this the only werewolf
village in the hollow?
**[11:53] Kaya**
Honestly, it might be the only one in Europe.
**[11:56] Shizuku**
You don't go to the human villages?
**[11:58] Vera**
Of course not! They'd kill us.
**[12:01] Kaya**
There are many werewolves who have
fled from human villages.
**[12:04] Kaya**
Nora's one of them. She came
here when she was four.
**[12:08] Kaya**
Not to mention, if we leave the village,
the Blutkralle will drag us back.
**[12:12] Kaya**
We're priestesses.
**[12:14] Shizuku**
Priestesses? The two of you?
**[12:16] Kaya**
Once a girl in the village turns thirteen,
she becomes a priestess.
**[12:19] Kaya**
Some of the priestesses will get
summoned by Granny Regi
**[12:22] Kaya**
and participate in a blood ritual.
**[12:24] Kaya**
Granny Regi is the mayor.
**[12:26] Vera**
Nora's going to be made
a priestess next week.
**[12:31] Vera**
It's the Blutkralle!
**[12:32] Vera**
What the heck? They were
supposed to be in the forest!
**[12:39] Dennis**
Hey, Kaya.
**[12:40] Kaya**
H-Hello, Dennis... and company.
**[12:44] Dennis**
That's a lot of hay. Where are you taking it?
**[12:48] Kaya**
Oh... I thought... I'd make a sofa...
**[12:53] Kaya**
It's stuffing.
**[12:54] Dennis**
I smell something nice... Is that chamomile?
**[12:57] Vera**
Oh, yeah! We just had
some tea at Nora's place.
**[13:00] Kaya**
Well, see you later.
**[13:07] Gunter**
A human!
**[13:17] Gunter**
Get behind her!
**[13:19] Shizuku**
I'll be borrowing this!
**[13:21] Gunter**
Split up and surround her!
**[13:46] Gunter**
It's futile.
**[13:55] Gunter**
There's nothing you can do now.
**[13:59] Gunter**
Kaya, Vera, what's going on here?
**[14:02] Kaya**
You've got the wrong idea, Gunter.
We were just—
**[14:04] Gunter**
I asked you what's going on.
**[14:06] Kaya**
Well, um...
**[14:09] Shizuku**
I came from outside!
**[14:11] Shizuku**
From atop the cliff.
**[14:12] Shizuku**
I heard about the werewolf
village and came to investigate!
**[14:17] Shizuku**
I saw those two piling hay onto that cart,
so I jumped in when they weren't looking.
**[14:22] Shizuku**
I've been hiding ever since.
**[14:25] Gunter**
Those clothes are from this village.
As humans go, you're a poor liar.
**[14:30] Regi**
What's all this commotion?
**[14:37] Regi**
A human... and not a local one, either.
**[14:42] Regi**
What are you doing here?
**[14:44] Kaya**
She's not our enemy! She just
got lost and ended up here.
**[14:48] Regi**
Humans aren't allowed in our village.
**[14:51] Regi**
That's the rule. Kill her.
**[14:55] Vera**
She got washed here by the river!
**[14:57] Vera**
And...
**[14:59] Vera**
And Nora saved her!
**[15:06] Regi**
True... I do smell Nora's
scent on those clothes.
**[15:10] Vera**
W-We said we should kill her immediately,
but Nora said we should wait...
**[15:15] Vera**
That we should hear where she came from.
**[15:19] Regi**
Very well.
**[15:22] Regi**
Let's hear what she has to say.
**[15:30] Gunter**
The sheep's scaffold will
bear the weight of your sins.
**[15:33] Gunter**
Each time you lie or hesitate,
one of the planks will fall.
**[15:38] Gunter**
If the scaffold holds until we finish
questioning you, you're innocent.
**[15:41] Gunter**
If it falls, you're guilty.
**[15:44] Shizuku**
How are you going to determine
if I'm lying or not?
**[15:48] Gunter**
Granny Regi will determine that.
**[15:52] Gunter**
It's been a while since we created
the scaffold. The last time was Rosa.
**[15:57] Shizuku**
Rosa...
**[16:02] Regi**
What is your name?
**[16:04] Shizuku**
Shizuku Hasei.
**[16:05] Regi**
Why did you come to this village?
**[16:08] Shizuku**
I just ended up here coincidentally.
**[16:19] Shizuku**
*Lady Aya...*
**[16:30] Regi**
You're the one who killed
those girls, aren't you?
**[16:34] Shizuku**
N-No!
**[16:37] Vera**
Nora said she wasn't the killer.
**[16:40] Vera**
Something... about her
having a different gun...
**[16:44] Vera**
So she's not the killer.
**[16:46] Regi**
A gun? This human had a gun?
**[16:50] Vera**
Y-Yeah. But Nora said...
**[16:56] Regi**
Why did you have a gun?
**[16:58] Shizuku**
Not to shoot any of you!
**[17:04] Kaya**
She said that she would help us!
**[17:07] Kaya**
That she might be able to find the killer!
**[17:09] Vera**
Y-Yeah! She said that her master
was some, uh... detective,
**[17:13] Vera**
whose job was to solve mysteries!
**[17:16] Gunter**
The killer is the woman up there.
**[17:18] Regi**
And this is a werewolf village.
We don't need the help of a human.
**[17:23] Shizuku**
Lady Aya is not human!
**[17:26] Shizuku**
Lady Aya is a being known as the Immortal!
**[17:29] Shizuku**
She's inhuman like yourselves.
She is on your side!
**[17:33] Shizuku**
She will eventually reach this village.
**[17:36] Villager B**
That was a gunshot!
**[17:38] Villager A**
It came from the western forest!
**[17:40] Villager C**
Blood... I smell blood.
**[17:43] Shizuku**
Nora's not here.
**[17:51] Regi**
Nora!
**[17:59] Regi**
Nora! Nora!
**[18:02] Regi**
Why did it have to be Nora?
**[18:04] Regi**
We were so close...
**[18:07] Gunter**
It's not raining.
**[18:09] Gunter**
We can track the killer's scent.
Bernt, Dennis, can you smell it?
**[18:14] Bernt**
Powder smoke, steel, and shotgun shells...
**[18:16] Bernt**
Then there's Nora's blood and...
something that smells like human blood.
**[18:20] Bernt**
Maybe the killer got hurt, too.
**[18:22] Gunter**
Where's the scent headed?
**[18:24] Bernt**
It stops here.
**[18:25] Gunter**
What? What's going on? Where's the killer?
**[18:29] Regi**
She's right here. It has to be her.
**[18:32] Regi**
She must've killed Nora.
**[18:35] Regi**
It's her!
**[18:36] Gunter**
But Granny Regi, we had her
surrounded the whole time.
**[18:41] Gunter**
She couldn't have killed her.
**[18:43] Kaya**
Shizuku, tell us! What would
a detective do now?
**[18:49] Kaya**
Please, help us.
**[18:56] Shizuku**
I...
**[18:58] Shizuku**
You can leave me bound.
**[19:01] Shizuku**
In exchange, could you do
exactly what I ask you to do?
**[19:05] Gunter**
If you prove to be of no use to us,
we're going to treat you as a criminal.
**[19:10] Shizuku**
That's fine.
**[19:18] Shizuku**
If she were shot here, there would
be a lot more blood splatter.
**[19:23] Shizuku**
She must've been killed somewhere else.
**[19:26] Shizuku**
Her skin is wet.
**[19:29] Shizuku**
Could you touch Nora's clothes?
**[19:32] Gunter**
Bernt, touch them.
**[19:38] Bernt**
They're dry.
**[19:39] Shizuku**
Which means... Nora was in the water somewhere,
**[19:43] Shizuku**
got out, put on her clothes,
**[19:45] Shizuku**
and was shot right after.
**[19:48] Shizuku**
And then... she was carried here?
**[19:51] Bernt**
We would be able to follow the scent of
powder smoke and blood, then.
**[19:54] Bernt**
But the scents end here.
**[19:56] Dennis**
Not to mention, her being carried
here doesn't add up.
**[19:59] Dennis**
The sound of the gunshot came from here.
**[20:02] Bernt**
Gunter, look!
**[20:05] Shizuku**
Could you touch the tree?
**[20:09] Bernt**
It's still a little hot.
**[20:11] Shizuku**
*So there were two shots fired...*
**[20:15] Shizuku**
*And yet... we only heard one gunshot.*
**[20:19] Gunter**
Hey, human.
**[20:20] Gunter**
Did you figure something out?
**[20:25] Shizuku**
No.
**[20:27] Gunter**
You've wasted our time.
**[20:28] Shizuku**
Lady Aya!
**[20:29] Shizuku**
Lady Aya would be able to solve this mystery!
**[20:32] Gunter**
No. We're not going to let
anyone else into our village.
**[20:36] Gunter**
We will kill all intruders.
**[20:41] Tsugaru**
Now, confess your sins.
**[20:44] Tsugaru**
Oh, no! I haven't done anything wrong!
**[20:47] Tsugaru**
I ain't never robbed or killed nobody!
**[20:50] Tsugaru**
The worst I ever done was
I killed and ate a cow once.
**[20:55] Tsugaru**
I felt sorry for that cow.
**[20:57] Tsugaru**
I see. What did the cow taste like?
**[20:59] Tsugaru**
Sorta like my dog—
**[21:08] Kyle**
Alice!
# E12 - Where the River's Flow Changes
Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUN0JXM/where-the-rivers-flow-changes)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:06] Alice**
You piece of shit! Why'd you save me?!
**[00:09] Alice**
Your job is to exterminate, you moron!
**[00:13] Kyle**
I presume he's a member of the Banquet.
**[00:22] Aya**
Hello there, Victor. It's been a while.
**[00:24] Victor**
I figured those insurance guys
might be giving you some trouble.
**[00:28] Aya**
Are you alone for once?
**[00:30] Victor**
Aleister and Carmilla are here as well.
**[00:32] Tsugaru**
Well, you're late. I thought
you'd be here earlier.
**[00:37] Tsugaru**
Anyway, we'll be heading off now.
**[00:39] Tsugaru**
Ow!
**[00:40] Victor**
Do you really think I saved you for free?
**[00:42] Victor**
Tell me where the werewolf village is.
**[00:45] Tsugaru**
You all seem to say the same thing.
**[00:48] Aya**
Well, things are a bit complicated right now.
**[00:50] Aya**
Our original motive was to
fight you all, of course...
**[00:54] Victor**
I think your maid went downriver.
I saw a commotion.
**[00:57] Aya**
Well, that'll speed things up.
**[00:59] Aya**
We'd like some time to meet
back up with Shizuku.
**[01:01] Victor**
Don't worry. Carmilla is with us.
**[01:05] Victor**
We can't do anything during the day.
**[01:08] Aya**
Tsugaru, tell him.
**[01:10] Tsugaru**
It's at the base of the fourth
mountain from the west.
**[01:14] Victor**
Hand over the diamond.
**[01:16] Tsugaru**
Huh?
**[01:17] Victor**
I'll take it as collateral in case
your information is false.
**[01:19] Victor**
If I see you at the werewolf village,
I'll return it.
**[01:22] Tsugaru**
Aren't you the shrewd one?
**[01:25] Tsugaru**
Well, bye now.
**[01:27] Victor**
Hey. You said something
about us showing up late...
**[01:30] Tsugaru**
Did I? A birdbrain like me
forgets things so quickly...
**[01:35] Victor**
You manipulated us to lose the
insurance guys, didn't you?
**[01:38] Tsugaru**
Well, my mouth's all I've got going for me...
***SIGN*** Where the River's
Flow Changes
***SIGN*** Episode
Twelve
**[03:38] Tsugaru**
Master, isn't this Miss Shizuku's nightgown?
**[03:42] Tsugaru**
Oh, over here, too.
**[03:44] Tsugaru**
See? I knew it was Miss Shizuku's.
**[03:47] Vera**
Whoa.
**[03:49] Vera**
*I-It really worked. What should I do?*
**[03:51] Tsugaru**
Well, hello there! Lovely day, isn't it?
**[03:58] Vera**
Blue hair... bird cage... severed head...
**[04:01] Vera**
Whoa, it really is a severed head!
**[04:04] Vera**
Are you Lady Aya?
**[04:06] Aya**
Indeed, I am Lady Aya.
**[04:08] Vera**
Um... I'm Vera. I've been
waiting for you guys.
**[04:13] Vera**
I'll lead you to the village.
**[04:15] Tsugaru**
Village? Um... do you mean
the werewolf village?
**[04:18] Vera**
Yes, Wolphinhel.
**[04:22] Vera**
Here, wear this. It'll mask your smell a little.
**[04:25] Tsugaru**
Who told you we'd be coming?
**[04:29] Vera**
Shizuku. I'll take you to her now.
**[04:41] Kaya**
You...
**[04:43] Shizuku**
Lady Aya?!
**[04:44] Aya**
Hello there, Shizuku. Are you hurt?
**[04:46] Shizuku**
I'm fine. How are you, Lady Aya?
**[04:49] Aya**
I'm perfectly fine, besides missing
everything from the neck down.
**[04:52] Shizuku**
You were actually useful for once.
**[04:55] Tsugaru**
Why, thank you.
**[04:57] Tsugaru**
I'll be waiting for my reward.
**[05:01] Tsugaru**
Ow!
**[05:03] Tsugaru**
Here you go, Miss Shizuku.
**[05:05] Tsugaru**
We managed to find everything,
even your shoes.
**[05:08] Tsugaru**
Pretty impressive, wouldn't you say?
**[05:10] Shizuku**
Where is my underwear?
**[05:11] Tsugaru**
Oh, whoopsie! Guess I forgot.
**[05:15] Aya**
Now, then...
**[05:17] Aya**
We heard most of the details on our way here.
It appears you had quite the time.
**[05:22] Aya**
Tell me the results of your investigation.
**[05:26] Dennis**
I smell something from the prison.
**[05:29] Dennis**
It's a bizarre smell.
**[05:30] Bernt**
Could it be that woman's companions?
But we kept an eye on the forest...
**[05:36] Gunter**
Let's go.
**[05:38] Aya**
Well done. Thank you, Shizuku.
**[05:41] Shizuku**
Of course.
**[05:43] Tsugaru**
Miss Kaya, do you know a werewolf
named Alma? She's an artist.
**[05:48] Kaya**
There's no one by that name here.
**[05:51] Aya**
I figured not. Now, then...
**[05:54] Aya**
Would it be a bad idea for
Shizuku to escape from here?
**[05:57] Vera**
What?!
**[05:57] Kaya**
She can't! The Blutkralle will
come and check. They'll notice.
**[06:01] Aya**
Are these Blutkralle strong?
**[06:04] Kaya**
They are. They're our village's elite.
**[06:07] Aya**
Very well.
**[06:08] Aya**
I'm terribly sorry, Shizuku, but you'll
have to stay in here a while longer.
**[06:12] Aya**
Tsugaru and I will investigate
the scene of the crime.
**[06:14] Tsugaru**
Couldn't we rest a bit longer?
**[06:17] Aya**
They'll notice us soon.
This is a race against time.
**[06:25] Aya**
Tsugaru, do you have any candles?
**[06:27] Tsugaru**
I do have an oil lamp.
**[06:29] Tsugaru**
Are you going to try to scare them with fire?
**[06:31] Aya**
Not exactly...
**[06:35] Tsugaru**
They're after us already.
**[06:37] Aya**
Now, now...
**[06:39] Aya**
Oh? Are we here?
**[06:45] Aya**
Is that the tree that was shot?
**[06:48] Aya**
I see... Tsugaru.
**[06:51] Aya**
Show me the bloodstains.
**[06:56] Aya**
And no other bloodstains in the area...
**[07:00] Aya**
Take me around that stone.
**[07:02] Tsugaru**
This is bad. They're already here.
**[07:05] Tsugaru**
Can you show me the bottom of this stone?
**[07:08] Aya**
Yes, exactly.
**[07:09] Aya**
Shifting a bit with each step...
**[07:11] Aya**
Try touching that spot.
**[07:12] Tsugaru**
No, really. We should...
**[07:16] Aya**
No, more to the right. The spot
that's a slightly different color.
**[07:21] Tsugaru**
Oh?
**[07:24] Gunter**
The smell stops.
**[07:27] Gunter**
Where did they go?
**[07:35] Tsugaru**
Did you know this would be down here, Master?
**[07:37] Aya**
If no one heard gunshots, that means
**[07:39] Aya**
the girls must've been
killed somewhere enclosed.
**[07:43] Aya**
Also, the werewolves couldn't
track the culprit's scent.
**[07:47] Aya**
A place where a gunshot wouldn't be heard,
which the werewolves couldn't detect...
**[07:52] Aya**
It had to be underground.
**[07:56] Tsugaru**
Whose blood is this?
**[07:58] Aya**
We'll have to follow it and find out.
**[08:04] Aya**
The victims were shot and killed here,
then dragged out to the surface.
**[08:09] Aya**
That cloth was probably used to
carry them, and that's the murder weapon.
**[08:14] Aya**
A 20 bore shotgun.
**[08:16] Aya**
A worn old single-shot...
**[08:18] Aya**
Ah...
**[08:20] Aya**
This must be the gun that
was stolen from Gustav.
**[08:23] Tsugaru**
It's Gustav's? What's it doing here?
**[08:26] Aya**
I'm sure we'll find out if we go deeper.
**[08:32] Tsugaru**
Hey, hey, hey, hey...
**[08:47] Aya**
The victim from yesterday
must have died here.
**[08:51] Aya**
The body must've been wet
from soaking in this pond.
**[08:54] Tsugaru**
Seems like the shape of
the bloodstain is different.
**[08:57] Aya**
It comes from shooting someone
in a prone position from above.
**[09:02] Tsugaru**
I see.
**[09:04] Tsugaru**
But the gun was at the entrance.
**[09:06] Aya**
The culprit shot one round into the tree,
**[09:09] Aya**
meaning they brought the
gun along with the body.
**[09:12] Tsugaru**
Why go to so much trouble?
**[09:15] Aya**
Hey, Tsugaru.
**[09:16] Aya**
Shine the light over there.
**[09:23] Aya**
Illuminate the wall.
**[09:27] Tsugaru**
Bewährung... Probation?
**[09:30] Aya**
These are days.
**[09:31] Aya**
Five days in each grouping.
**[09:34] Tsugaru**
There seem to be around 500 days here.
**[09:36] Aya**
Five hundred and fifty.
**[09:38] Aya**
Let's move on.
**[09:50] Villager A**
Louise?
**[09:53] Tsugaru**
Well, hello. It's been a while.
**[09:57] Aya**
There aren't many bloodstains.
She wasn't killed here.
**[10:01] Tsugaru**
I wonder who did it.
**[10:03] Aya**
It appears as though the two
cases are now connected.
**[10:06] Aya**
Look.
**[10:18] Tsugaru**
We're after a werewolf, right? Not a tanuki?
**[10:23] Aya**
Indeed.
**[10:24] Tsugaru**
I just feel like someone's
putting one over on us.
**[10:35] Tsugaru**
Oh, dear.
**[10:39] Aya**
It seemed unlikely that Rosa, who was
severely injured, could have climbed a cliff,
**[10:43] Aya**
so I figured there had to be
a different route somewhere.
**[10:47] Aya**
By the way, Tsugaru,
you're covered in moth scales.
**[10:50] Tsugaru**
Huh?
**[10:52] Tsugaru**
We originally walked about eight
hours to get to the village,
**[10:54] Tsugaru**
but this way was much quicker.
**[10:56] Tsugaru**
Probably less than two hours.
**[10:59] Heinemann**
You two.
**[11:01] Heinemann**
What are you doing here?
**[11:07] Aya**
This body is definitely Louise's, correct?
**[11:10] Heinemann**
Yes, without a doubt, it's Louise's.
**[11:13] Aya**
There's one thing I need to confirm.
**[11:15] Aya**
Then everything will be solved.
**[11:19] Aya**
How did you treat Louise up
until she was four years old?
**[11:22] Gustav**
She was our town's guardian angel.
**[11:25] Gustav**
Everyone took good care of her.
**[11:28] Aya**
Yes, that's how it was after
the werewolves were slain.
**[11:31] Aya**
But how about before she was four years old?
**[11:35] Aya**
A little girl who couldn't walk
was a burden to Heulendorf.
**[11:39] Aya**
Am I wrong?
**[11:41] Deborah**
This is our punishment. It has to be!
**[11:45] Deborah**
This is our punishment!
**[11:46] Gustav**
Deborah...
**[11:48] Deborah**
We tried to abandon our daughter!
**[11:51] Deborah**
Eight years ago, the day
before the festival...
**[11:54] Deborah**
We took advantage of the flower picking
and brought her to the northern forest.
**[11:58] Deborah**
We took her out of her
wheelchair and left her there.
**[12:03] Deborah**
We thought it would make our lives easier!
**[12:07] Deborah**
But that evening, she came back with Jutte!
**[12:10] Deborah**
And then we...
**[12:12] Gustav**
We went to save her!
**[12:14] Gustav**
We apologized to her and
regretted our actions!
**[12:16] Deborah**
But we really did abandon her first!
**[12:19] Deborah**
She pretended not to notice...
But I know she understood what happened.
**[12:24] Aya**
And that was the night Louise
exposed Jutte, wasn't it?
**[12:32] Gustav**
It's the werewolves. This is all their fault.
**[12:36] Aya**
Go give your daughter a proper burial.
**[12:43] Tsugaru**
So Jutte saved Louise,
and Louise exposed Jutte?
**[12:49] Aya**
Correct.
**[12:51] Aya**
Louise likely found out about
Jutte's secret when she saved her.
**[12:55] Tsugaru**
And if Jutte was around,
**[12:57] Tsugaru**
everyone would've found out that
Louise was almost abandoned.
**[13:01] Aya**
Louise was a very smart child.
**[13:03] Aya**
I'm sure she was working desperately
on a strategy to survive.
**[13:07] Aya**
In order to survive, she would
have to prove to everyone
**[13:10] Aya**
in the village that she was useful.
**[13:14] Tsugaru**
Well, this case seems to be quite a mess.
**[13:17] Aya**
No, it's plain and simple.
**[13:20] Aya**
There's only one important clue.
**[13:22] Tsugaru**
And what's that?
**[13:24] Aya**
The window in Louise's room.
**[13:28] Aya**
Now, then... Let's head back to Wolphinhel.
**[13:54] Tsugaru**
Do you still think it's simple?
**[13:57] Aya**
Of course.
**[13:59] Kyle**
If they can come from the other side,
we can head in from this side as well, right?
**[14:03] Alice**
Kyle.
**[14:05] Alice**
Gather everyone from the village.
**[14:21] Carmilla**
It appears my venom works on your kind, too.
**[14:35] Carmilla**
Now... don't go turning into a beast on me.
**[14:40] Carmilla**
I'll lose my appetite.
**[14:44] Vera**
Dennis! There's trouble!
**[14:46] Vera**
Shizuku's gun is gone!
**[14:48] Dennis**
What?
**[14:49] Vera**
I guess it was stolen from Bernt's house!
**[14:51] Vera**
Hurry! I'll stand guard here!
**[14:55] Dennis**
All right.
**[15:00] Vera**
The hell are you doing?!
You're too obvious, you moron!
**[15:03] Tsugaru**
Hello there.
**[15:14] Vera**
H-Here. You need this too, right?
**[15:17] Shizuku**
Vera...
**[15:18] Vera**
I-I'm not doing this for you!
**[15:21] Vera**
I just want to know who the murderer is.
**[15:25] Shizuku**
Truly... thank you very much.
**[15:28] Aya**
I'd like to properly thank you, but I know
you're in a difficult position.
**[15:33] Aya**
Let us conceal ourselves for now.
**[15:35] Tsugaru**
Should we go hide in that hole again?
**[15:37] Aya**
No.
**[15:38] Aya**
We'll look for the right time
to return to the village again.
**[15:41] Tsugaru and Vera**
Huh?
**[15:42] Aya**
There's one last thing we must do.
**[15:45] Aya**
Oh, right, Vera. I'd like to
confirm what Shizuku told us...
**[15:50] Aya**
The villagers here fall asleep in the
morning and wake up at night.
**[15:54] Aya**
Is that correct?
**[15:55] Vera**
Y-Yeah.
**[15:57] Aya**
And most villagers live on
their own. Also correct?
**[16:01] Vera**
Y-Yeah. When we're babies,
everyone in the village helps raise us,
**[16:05] Vera**
but we start living on our
own once we're about five.
**[16:08] Vera**
What about it?
**[16:11] Tsugaru**
What are we going to do about that lot?
**[16:13] Aya**
I'd really prefer if
they didn't get in our way.
**[16:15] Aya**
Tsugaru, can you defeat them?
**[16:16] Vera**
Huh?! Defeat Gunter and the others?!
**[16:19] Vera**
That's impossible! You'll be killed!
**[16:22] Shizuku**
And no one would miss him.
**[16:29] Bjorn**
I-Is it the same killer who killed Nora?
**[16:32] Bernt**
But the way he was killed is different...
**[16:35] Bernt**
They used some chemical
to throw off their scent.
**[16:37] Dennis**
The woman got away!
**[16:39] Gunter**
What?
**[16:40] Dennis**
I only took my eyes off of her briefly.
**[16:43] Dennis**
It looks like Vera helped her.
**[16:46] Gunter**
Bernt!
**[16:49] Bernt**
I definitely smell something.
The western forest.
**[16:52] Bernt**
Several unfamiliar smells as well.
**[16:55] Bernt**
Gunter, what do you want to do?
**[16:57] Gunter**
We'll find the detectives and kill them.
**[16:59] Gunter**
We are the claws of this village.
**[17:01] Gunter**
Don't forget that!
**[17:09] Victor**
Where's Carmilla?
**[17:11] Aleister**
She went off ahead.
**[17:13] Aleister**
She said she wanted to grab a
bite before everything started.
**[17:16] Victor**
Whatever. We should get going, too.
**[17:22] Tsugaru**
One, two, three...
**[17:25] Tsugaru**
Three of them, then.
**[17:31] Tsugaru**
Yup, this place seems good.
**[17:47] Tsugaru**
Hup!
**[17:55] Tsugaru**
One down.
**[17:57] Gunter**
Dennis!
**[18:24] Tsugaru**
That's two.
**[18:35] Tsugaru**
Hup!
**[18:47] Tsugaru**
Up we go!
**[18:54] Tsugaru**
And that's three.
**[19:07] Aya**
It appears the howling has stopped.
**[19:09] Aya**
It looks like Tsugaru succeeded.
**[19:12] Vera**
I mean, they could've just
stopped because they killed him.
**[19:15] Shizuku**
I certainly hope he's dead.
**[19:17] Aya**
All right, let's go.
**[19:24] Aya**
What's the matter?
**[19:25] Vera**
I smell something weird west of the village.
**[19:39] Alice**
We're here, baby!
**[19:44] Alice**
Finish off any of 'em that are still breathing.
**[19:46] Alice**
Aim for their eyes and mouths!
**[19:48] Alice**
Set their homes on fire.
**[19:51] Alice**
Don't let a single one get away.
**[20:06] Heinemann**
God save us...
**[20:12] Girl villager**
Granny Regi! There are intruders
from the north and the south!
**[20:15] Girl villager**
They all smell dangerous!
**[20:19] Girl villager B**
There are humans from the west, too!
Dozens of them!
**[20:22] Regi**
Impossible! How could they even get here?
**[20:28] Regi**
Gather everyone to the square!
As many as you can!
**[20:32] Regi**
We move in a pack.
**[20:35] Regi**
We'll eradicate the ones atop the cliff!
**[20:39] Vera**
Th-This is really bad!
**[20:41] Vera**
There are dozens of voices I don't recognize.
**[20:43] Vera**
I smell a lot of humans.
**[20:45] Aya**
Royce must be here.
**[20:47] Aya**
They've brought everyone from Heulendorf.
**[20:49] Aya**
They must've found the underground tunnel.
**[20:53] Aya**
Shizuku.
**[20:55] Aya**
Go save Kaya. Vera and
I will handle things here.
**[20:59] Shizuku**
No. I will protect you, Lady Aya.
**[21:03] Aya**
I'll be fine.
**[21:05] Aya**
We're outside of the village, so the
fighting won't reach here for a while.
**[21:08] Aya**
And I have a very capable
part-time assistant.
**[21:12] Shizuku**
But...
**[21:13] Aya**
This is an order. Go.
**[21:18] Shizuku**
Yes, ma'am...
**[21:21] Shizuku**
Take good care of her.
**[21:23] Vera**
Kaya is probably in the weaving house.
**[21:25] Vera**
It was her turn today.
**[21:33] Vera**
You're pretty nice, huh, Lady Aya?
**[21:35] Aya**
I know, right? People tell
me that all the time.
**[21:37] Vera**
By the way, what's a "part-time assistant"?
**[21:41] Kyle**
Oh, Banquet. You're here as well.
**[21:46] Victor**
Did you kill them?
**[21:49] Kyle**
So unsightly...
**[21:52] Kyle**
You're so unsightly that
I'm feeling nauseous.
**[21:56] Victor**
You seem rather confident in your strength,
**[21:59] Victor**
but you'll be at a disadvantage
going up against me.
**[22:04] Shizuku**
Miss Kaya?
**[22:11] Shizuku**
Miss Kaya!
**[22:15] Alice**
You know...
**[22:17] Alice**
They weren't a big deal.
**[22:25] Kaya**
Shizuku...
**[22:41] Vera**
Wh-What the heck is this?
**[22:44] Aya**
Everything has been solved.
**[22:47] Aya**
Now, let us go.
# E13 - The Culprit's Name
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GZ7UV1GK1/the-culprits-name)
Translator:
Editor:
Timer:
QC:
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
**[00:02] Alice**
Aleister Crowley!
**[00:07] Crowley**
Well, hello there.
**[00:09] Alice**
Don't go stealin' my prey!
**[00:13] Carmilla**
You're just my type.
**[00:18] Shizuku**
Carmilla!
**[00:20] Carmilla**
Shizuku!
**[00:32] Kyle**
Pointless.
**[00:34] Kyle**
Truly pointless.
**[00:37] Kyle**
Both you and the werewolves are.
**[00:40] Kyle**
You are a locomotive.
**[00:43] Kyle**
I am a wrecker.
**[00:46] Kyle**
Do you understand?
**[00:50] Kyle**
Farewell, you ugly monster!
**[00:58] Tsugaru**
I've come to return the favor from earlier.
**[01:00] Victor**
Be careful. His chains—
**[01:03] Tsugaru**
Oh, I was watching.
He's just like Baiken Shishido.
**[01:24] Kyle**
Alice...
**[01:27] Tsugaru**
By the way, I believe we agreed
that you'd return the diamond.
**[01:31] Victor**
Tightfisted, I see.
**[01:34] Tsugaru**
I have a question for you.
**[01:36] Tsugaru**
About the rest of Master's body...
**[01:39] Tsugaru**
Is it safe?
**[01:43] Victor**
It's safe. The professor's got it locked up.
**[01:46] Victor**
I'm pretty sure it hasn't been cut up.
**[01:51] Victor**
We're done here.
**[01:53] Tsugaru**
Thanks.
**[01:56] Victor**
London.
**[01:57] Victor**
Our base is in London.
**[02:01] Victor**
We'll be waiting for you,
so come get it back.
**[02:13] Alice**
Tch!
**[02:19] Alice**
Tch! Does he have unlimited ammo?
**[02:34] Shizuku**
Ikutsushima!
**[02:47] Carmilla**
Why in the world aren't
you wearing underwear?
**[02:50] Shizuku**
I'd rather not tell you.
**[02:53] Carmilla**
You're fighting to avoid my poison.
**[02:56] Carmilla**
But this poison has a weakness...
**[02:59] Carmilla**
Once you're bitten, you build up a tolerance.
**[03:02] Carmilla**
The second time won't go like the first.
**[03:06] Carmilla**
You're not sure what to do.
**[03:09] Carmilla**
You're not sure if I'm telling the truth.
**[03:32] Carmilla**
Now, then...
**[03:35] Carmilla**
Why don't we give it a try?
**[03:46] Shizuku**
This fight is over.
**[03:48] Carmilla**
Well... I don't know about that.
**[03:56] Carmilla**
We'll have to finish this next time.
**[03:59] Shizuku**
No! I'm ending this here!
**[04:13] Carmilla**
Was everything you said earlier the truth?
**[04:17] Carmilla**
See you soon.
**[04:32] Shizuku**
I'll finish her next time!
**[04:43] Crowley**
Fear not. You won't die immediately.
**[04:47] Alice**
You friggin' fraud...
**[04:49] Crowley**
I'd prefer to be called a magician.
**[05:03] Tsugaru**
Master, are you done with whatever
you wanted to confirm?
**[05:07] Aya**
I am.
**[05:08] Tsugaru**
In that case, let's get right
to explaining the mystery!
**[05:11] Aya**
I'll actually be doing that
with Vera and Shizuku.
**[05:13] Aya**
You have another job to do.
**[05:17] Kaya**
Shizuku...
**[05:19] Shizuku**
Kaya.
**[05:22] Kaya**
The village... Please save them.
**[05:26] Shizuku**
Don't worry.
**[05:28] Shizuku**
We will.
**[05:36] Aya**
That's enough!
**[05:38] Aya**
I've identified the culprit in both the
Heulendorf and Wolphinhel murders.
**[05:42] Aya**
I've come to tell you who it is!
**[05:44] Mob**
What's she talking about?!
***SIGN*** Episode
Thirteen
***SIGN*** The Culprit's
Name
**[05:48] Mob**
What's she doing here?
**[05:49] Aya**
It was all done by one individual.
**[05:53] Aya**
I'm sure you're watching.
**[05:54] Aya**
Please come out.
**[05:56] Aya**
Surely you've achieved your goal by now.
**[06:03] Regi**
I-It can't be!
**[06:05] Aya**
Allow me to introduce you to...
**[06:08] Aya**
Louise of Heulendorf, also known as Nora
from Wolphinhel, and also known as...
**[06:14] Aya**
Jutte.
**[06:21] Gustav**
Wh-What's going on here?!
**[06:23] Aya**
Isn't it obvious? Your daughter
was replaced with an impostor.
**[06:28] Aya**
It happened a year and a half
ago, when she went missing.
**[06:35] Nora**
When did you figure it out?
**[06:37] Aya**
The moment I opened the
door to Louise's room.
**[06:41] Aya**
A werewolf's therianthrope form
couldn't fit through that window,
**[06:45] Aya**
and its human form couldn't
have climbed through it,
**[06:47] Aya**
which means it likely jumped
through in its wolf form.
**[06:50] Aya**
But how could a wolf have
carried the girl away?
**[06:56] Aya**
The state of the chimney was also suspicious.
**[06:59] Aya**
If a wolf had come down through it,
there would have been soot everywhere.
**[07:03] Aya**
Which means no one infiltrated that room.
**[07:06] Aya**
And yet, one girl and one wolf
were unaccounted for.
**[07:10] Aya**
Which meant there was only one
logical explanation...
**[07:13] Aya**
A werewolf had taken Louise's place.
**[07:16] Aya**
The impostor Louise then planned and
staged her own kidnapping.
**[07:21] Aya**
As I went around the village,
**[07:22] Aya**
I learned that the werewolf named
Jutte greatly resembled Louise.
**[07:27] Aya**
I began to wonder if Jutte
might still be alive.
**[07:30] Aya**
Then, that night, a werewolf
appeared in Heulendorf.
**[07:34] Aya**
I knew instantly that the werewolf
was not Alma, but the impostor Louise.
**[07:39] Aya**
Its bites matched those of
the impostor Louise, after all.
**[07:43] Aya**
The real Alma must have been killed
right after we visited her.
**[07:48] Aya**
We found her body underground.
**[07:52] Aya**
Next, I was quite surprised to learn
**[07:55] Aya**
that there were girls being killed
in the werewolf village as well.
**[08:01] Aya**
And then, last night, Nora was also murdered.
**[08:05] Aya**
We found an underground
passage at the murder site.
**[08:10] Aya**
When we followed the trail of blood,
we found an open space.
**[08:14] Aya**
That was where the murder
actually took place.
**[08:18] Aya**
Someone had dipped the victim
into a lake, put clothes on her,
**[08:22] Aya**
shot her dead...
**[08:25] Aya**
and then carried her outside.
**[08:27] Aya**
So just who is this murderer?
**[08:30] Regi**
It's a human! It must be!
**[08:33] Aya**
No, that is the one impossible solution.
**[08:36] Aya**
There was a portion of the passage where
thousands of tineid moths lived,
**[08:40] Aya**
and they gave us quite the welcome.
**[08:43] Aya**
They were attracted by the lamplight.
**[08:46] Aya**
Once we left the cave,
we were covered in scales.
**[08:50] Aya**
But there wasn't a single scale on Nora's
body when it was discovered.
**[08:55] Aya**
There's only one way to avoid being
covered in scales in that narrow cave,
**[09:00] Aya**
and that is to walk through
without any light.
**[09:02] Aya**
The only one capable of doing that
**[09:05] Aya**
would be a werewolf, with its superior
senses of hearing and smell.
**[09:11] Aya**
Thus I concluded that the killer in
both villages had to be a werewolf.
**[09:16] Aya**
And we found one other rather curious
thing in that open space.
**[09:22] Aya**
There were signs that someone lived there.
**[09:25] Aya**
On the wall, there were eighteen months'
worth of tally marks designated "probation."
**[09:31] Aya**
But those carvings only reached
the height of Tsugaru's thighs.
**[09:36] Aya**
The walls of the cave were
quite large and wide...
**[09:40] Aya**
Which meant that there was
a significant possibility that
**[09:42] Aya**
the one staying in the cave could not stand.
**[09:46] Aya**
Someone who couldn't stand, who
disappeared a year and a half ago...
**[09:50] Aya**
There is only one person that could be.
**[09:53] Gustav**
Louise...
**[09:55] Aya**
Precisely. The real Louise.
**[09:59] Aya**
But by the time we found the cave,
she was already gone.
**[10:03] Aya**
Louise and Nora were close in age.
**[10:06] Aya**
I thought that if Nora had been killed in the
underground cave where Louise was staying,
**[10:11] Aya**
then perhaps the one who was
killed yesterday was not Nora,
**[10:13] Aya**
but Louise.
**[10:17] Aya**
The picture then came into focus.
**[10:20] Aya**
Jutte, who was able to escape to the
werewolf village, changed her name to Nora,
**[10:24] Aya**
then later took the place of Louise,
**[10:26] Aya**
and kept going back and forth between
the villages, playing both roles.
**[10:32] Aya**
That would've been possible
between these two villages.
**[10:36] Aya**
There are five reasons why.
**[10:38] Aya**
First, the two villages never
interacted with each other.
**[10:42] Aya**
Second, the underground passage we found
connected the two villages in a much shorter,
**[10:47] Aya**
faster route.
**[10:48] Aya**
If traveled at the pace of a werewolf,
it would likely take just one hour each way.
**[10:53] Aya**
Third, the human villagers
and werewolf villagers
**[10:56] Aya**
were active during
opposite times of day.
**[10:59] Aya**
Fourth, Louise lived her
life isolated from everyone,
**[11:03] Aya**
and Nora lived on her own as well.
**[11:05] Aya**
Fifth, there is an underground
lake in the underground cave.
**[11:09] Aya**
Werewolves have an acute sense of smell,
**[11:12] Aya**
but if they bathed in the lake to
rid themselves of their smell,
**[11:15] Aya**
the others would be none the wiser.
**[11:20] Aya**
And... when we returned to Heulendorf,
Louise's corpse was found.
**[11:26] Aya**
The injury was in the
same location as Nora's.
**[11:29] Aya**
I realized instantly that the
same corpse had been reused.
**[11:34] Aya**
Nora dug up the corpse, then devoured
the flesh above the gunshot wound
**[11:38] Aya**
to make it look like a werewolf attack.
**[11:41] Nora**
I didn't eat her flesh.
**[11:42] Nora**
I just bit her.
**[11:44] Nora**
I'm not that heartless.
**[11:47] Aya**
Oh, I do beg your pardon.
**[11:49] Aya**
Regardless, you tampered with the
corpse and carried it to Heulendorf.
**[11:54] Aya**
It would appear that we passed
by each other a number of times.
**[11:57] Nora**
It got pretty close.
**[11:59] Nora**
I thought you'd noticed me in
the underground passage.
**[12:02] Aya**
And that's why you hid away
Alma's corpse and the shotgun.
**[12:06] Aya**
With the help of my part-time assistant,
Vera, we dug up Nora's grave.
**[12:13] Aya**
The coffin was empty.
**[12:16] Aya**
Now, everything has been solved.
**[12:20] Aya**
The culprit in the Heulendorf
case is the impostor Louise.
**[12:23] Aya**
The culprit in the Wolphinhel case is Nora.
**[12:26] Aya**
They are the same person
and their true identity is...
**[12:29] Aya**
Jutte, who survived for all this time.
**[12:32] Aya**
Thus ends my deduction.
**[12:39] Nora**
Amazing.
**[12:40] Nora**
Shizuku, your master truly is amazing.
**[12:44] Aya**
I'd say you're the amazing one here.
**[12:47] Aya**
The revenge you were able to exact
deserves a round of applause.
**[12:50] Aya**
As do your tenacity,
attentiveness, and boldness.
**[12:54] Aya**
This all began thirteen years ago.
**[12:57] Aya**
A werewolf named Rosa escaped from this
village and fled to Heulendorf.
**[13:03] Aya**
A few months later, she gave birth to Jutte,
**[13:06] Aya**
and they began living their
lives as a human family.
**[13:08] Aya**
But eight years ago, Louise found
out Jutte's true identity.
**[13:13] Aya**
She made her accusation, and the mother
and daughter were burnt to death.
**[13:18] Aya**
But Jutte survived!
**[13:21] Aya**
She escaped to the werewolf village.
**[13:23] Nora**
My mother showed me how to get there.
**[13:26] Nora**
I think the smaller corpse they found was
a fox that happened to be in the tower.
**[13:30] Nora**
Jutte changed her name to Nora and
then began her life as a werewolf.
**[13:35] Nora**
But this was the village that
almost killed her mother.
**[13:37] Nora**
There's no way she could like it.
**[13:39] Nora**
She hated both villages,
**[13:41] Nora**
and formulated a plan to turn
the two villages against each other.
**[13:46] Nora**
First, a year and a half ago,
she switched places with Louise.
**[13:51] Nora**
Nora returned to Heulendorf,
kidnapped Louise,
**[13:54] Nora**
and kept her prisoner
in the underground cave.
**[13:57] Nora**
Louise didn't resist. She said
I had every right to do it.
**[14:02] Nora**
She even said she'd support me in my revenge.
**[14:05] Nora**
Louise was sick of her own village, too.
**[14:08] Nora**
You may not believe me, but...
**[14:12] Aya**
I do believe you.
**[14:14] Aya**
That cave seemed rather cozy for a prison.
**[14:18] Aya**
I even thought it might have been
Louise who thought up the plan.
**[14:23] Nora**
We actually came up with the plan together.
**[14:24] Gustav**
Deborah!
**[14:28] Nora**
We had a strange relationship.
**[14:31] Aya**
And thus, Nora began her double life.
**[14:35] Aya**
It appears that for the first six months,
**[14:36] Aya**
you spent your time trying perfect your
role and gathering information,
**[14:40] Aya**
but then one year ago, you started your murders.
**[14:43] Aya**
You targeted only young girls,
and let hatred grow in each village.
**[14:48] Aya**
And at the end, you faked a
kidnapping to make yourself disappear.
**[14:52] Aya**
Everything looked like it was going smoothly,
**[14:54] Aya**
but the next day, something
unexpected happened.
**[14:57] Aya**
An extremely talented detective
named Aya Rindo appeared.
**[15:03] Aya**
Nora figured that she needed
someone to blame for these crimes,
**[15:07] Aya**
and she chose to sacrifice Alma.
**[15:09] Aya**
She impersonated Alma and
turned into a werewolf,
**[15:11] Aya**
caused a ruckus and ran away again.
**[15:15] Aya**
She returned to Wolphinhel and
saved Shizuku from the river.
**[15:20] Aya**
You placed Shizuku onto a cart and
purposely had the werewolves find her.
**[15:25] Aya**
Once her trial started, you snuck
back into the underground passage.
**[15:29] Aya**
You erased Louise's scent
and then shot her dead.
**[15:32] Aya**
You carried her to the surface, put
your own blood on her to confuse the scent,
**[15:36] Aya**
and then shot the nearby
tree with the shotgun.
**[15:40] Aya**
That was to clear Shizuku
from suspicion, wasn't it?
**[15:44] Nora**
I wanted to thank her for the tea.
**[15:50] Aya**
Now that everyone thought you were dead,
**[15:52] Aya**
you carried Louise's body to Heulendorf
and had the humans find it.
**[15:57] Aya**
You left the cover to the
hidden well open and showed them
**[16:00] Aya**
the way to the werewolf village.
**[16:02] Aya**
And then the two villages clashed.
**[16:06] Nora**
Is your deduction finished?
**[16:08] Aya**
Just as your plan is.
**[16:10] Nora**
You didn't actually reach the ending, then.
**[16:14] Aya**
And what do you mean by that?
**[16:16] Nora**
Goodbye, Granny Regi.
**[16:19] Nora**
I'm leaving this place.
**[16:21] Regi**
Y-You mustn't!
**[16:23] Nora**
Vera, I'm sorry for getting
you caught up in this mess.
**[16:26] Nora**
Apologize to Kaya for me, too.
I actually loved both of you.
**[16:30] Vera**
W-Wait, Nora. Wai...
**[16:40] Regi**
Nora!
**[16:43] Regi**
Please come back! I'll forgive
you for everything you've done!
**[16:49] Regi**
Why are you taking her from us?!
**[16:51] Regi**
She actually came back to us alive!
**[16:55] Regi**
We'd almost reached it! Our final destination!
**[17:00] Regi**
The Kindsführer!
**[17:02] Aya**
Kindsführer?
**[17:05] Aya**
You don't mean...
**[17:10] Nora**
Tsugaru Shinuchi.
**[17:14] Nora**
What are you doing here?
**[17:15] Tsugaru**
My master told me to wait here
and capture you when you came.
**[17:21] Nora**
Unfortunately, Tsugaru...
**[17:24] Nora**
Aya's going to be angry with you.
**[17:27] Nora**
Have you heard of the Kindsführer?
**[17:29] Tsugaru**
The ultimate werewolf, wasn't it?
**[17:32] Nora**
Ever since I started living
in the werewolf village,
**[17:35] Nora**
any time I'd casually jump or run around,
**[17:37] Nora**
everyone would make a big deal about it.
**[17:39] Nora**
It's so stupid.
**[17:40] Nora**
The one who gave birth to me is the
woman they exiled from the village.
**[17:46] Nora**
I have no idea how powerful I am.
**[17:49] Nora**
But...
**[17:50] Nora**
Let me through, or I'm going
to have to kill you, too.
**[17:54] Tsugaru**
Is *that* always the look on your face?
**[17:56] Nora**
What?
**[17:57] Tsugaru**
A monster needs to look like they're having
more fun when they're killing someone.
**[18:01] Tsugaru**
As it stands, you almost look like a human.
**[18:14] Nora**
Gunter and the other Blutkralle failed
**[18:16] Nora**
because they got close to
you without being prepared.
**[18:19] Nora**
Instead, I'm going to carve away at
you little by little with my claws.
**[18:22] Nora**
Until your body looks
like a torn-up old rag.
**[18:25] Tsugaru**
Now, that's more like it. You're starting
to sound like a monster.
**[18:41] (Flashback) Aya**
Onions, maybe? They're still dogs, after all.
**[18:45] Tsugaru**
No matter how powerful a dog may be,
**[18:47] Tsugaru**
they become quite defenseless when they're
shaking the water off their bodies.
**[18:50] Nora**
Tsugaru... You're quite the fool.
**[18:54] Tsugaru**
Why, thank you. Playing the
fool is actually my job.
**[18:58] Tsugaru**
Hello there, Master.
How's the battle going up there?
**[19:02] Aya**
It has stopped.
**[19:03] Aya**
It seems that the folks from Heulendorf
are preparing to head home.
**[19:06] Tsugaru**
So, what should we do with
this naughty little girl?
**[19:10] Aya**
Let her go.
**[19:13] Tsugaru**
Sorry, what?
**[19:14] Aya**
Nora, I apologize.
**[19:16] Aya**
There was an error in my deduction.
**[19:19] Aya**
And they call me an expert on monsters...
**[19:21] Nora**
I am the culprit, though.
**[19:23] Aya**
But your motive wasn't revenge.
**[19:26] Aya**
You were helping the werewolf girls escape.
**[19:29] Aya**
You kidnapped similar-looking girls from
the human village, crushed their faces,
**[19:33] Aya**
and made it look like it was the
werewolf girls who were dead.
**[19:36] Aya**
You sacrificed one so another could escape.
**[19:40] Aya**
If the werewolves are obsessed
with producing strong descendants,
**[19:42] Aya**
the priestesses were the
vessels to see that through.
**[19:45] Aya**
The girls in that village were
being used for optimal breeding.
**[19:49] Aya**
If you are the Kindsführer,
**[19:52] Aya**
I can only imagine the cruel fate that
awaited you when you became a priestess.
**[19:57] Aya**
That's why it was necessary for you to leave
the village before you turned thirteen.
**[20:01] Aya**
You wanted to do everything you
could before your time was up,
**[20:04] Aya**
and you managed to free three
from the village's customs.
**[20:08] Aya**
That was your true motive.
**[20:11] Nora**
But it's true that I killed those humans.
**[20:14] Nora**
So I will accept my punishment.
**[20:16] Aya**
No.
**[20:17] Aya**
The detective made an incorrect deduction.
**[20:19] Aya**
It's natural that the culprit
should be released.
**[20:22] Aya**
Not to mention,
considering my physical predicament,
**[20:25] Aya**
I find myself sympathizing
with women in cages.
**[20:29] Nora**
Thank you.
**[20:35] Aya**
Where will you go now?
**[20:38] Nora**
I want to go...
**[20:40] Nora**
somewhere fun.
**[20:42] Tsugaru**
You should travel around for a while.
**[20:44] Tsugaru**
There are plenty of monstrous
people out there.
**[20:48] Nora**
Like you?
**[20:49] Tsugaru**
I'm nothing more than an opening act.
**[20:53] Nora**
Goodbye, Shizuku.
**[20:55] Nora**
If we meet again, show me how to make tea.
**[20:59] Shizuku**
I will.
**[21:12] Aya**
Good grief, that was a mess.
**[21:14] Aya**
My deduction was wrong
*and* we let the culprit escape.
**[21:18] Aya**
That was the worst night I've had since
I lost the rest of my body.
**[21:23] Tsugaru**
Master, can I ask you something?
**[21:25] Aya**
Hm?
**[21:26] Tsugaru**
It took you quite a while to make
your deduction this time.
**[21:29] Tsugaru**
Were you trying to
teach them all a lesson?
**[21:34] Tsugaru**
Well, not that it really matters to me.
**[21:38] Tsugaru**
The human village and the werewolf village...
I wonder what's going to happen to them now?
**[21:42] Aya**
Nothing's going to change.
**[21:45] Tsugaru**
You make it sound like you've already seen it.
**[21:47] Aya**
Well, I have seen quite a bit.
**[21:51] Aya**
Now, then... What shall we do about our fight?
**[21:55] Tsugaru**
Victor mentioned that
your body is in London.
**[21:59] Tsugaru**
Let's head back and regroup.
**[22:01] Tsugaru**
Oh, right. I heard this in the
town at the base of the mountain...
**[22:04] Tsugaru**
Apparently mountain climbers around
here have a certain thing they like to yell...
**[22:08] Aya**
I see. Well, give it a try.
**[22:14] Tsugaru**
Yahoo!
**[22:18] Tsugaru**
Yahoo!