# The Human Crazy University

Satake Hirofumi's just your ordinary guy...on death row for killing his fiancée with an odd luck of surviving dangerous situations. As he awaits execution, a research institute studying miraculous phenomena, Human Crazy University, has taken interest in the immortal. Now a subject of their research, he shares his memories and sheds light on a much bigger conspiracy with his fiancée's murder.

# Season 1

# E1 - Death Row Inmate Satake Hirofumi

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G31UX1WVZ/death-row-inmate-satake-hirofumi)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Satake Hirofumi.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[00:07] Judge**<br>&nbsp;&nbsp;&nbsp;&nbsp;The court has found<br>&nbsp;&nbsp;&nbsp;&nbsp;the defendant, Satake Hirofumi…<br>**[00:10] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm an ordinary, run-of-the-mill...*<br>**[00:13] Judge**<br>&nbsp;&nbsp;&nbsp;&nbsp;The defendant, Satake Hirofumi,<br>&nbsp;&nbsp;&nbsp;&nbsp;is hereby sentenced to death.<br>**[00:17] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...death row inmate.*<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ruthless,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Cruel<br>
&nbsp;&nbsp;&nbsp;&nbsp;Man<br>
&nbsp;&nbsp;&nbsp;&nbsp;Who<br>
&nbsp;&nbsp;&nbsp;&nbsp;Slaughtered<br>
&nbsp;&nbsp;&nbsp;&nbsp;His<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fiancée
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death-Row Inmate<br>
&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kadota Kenji
<br>**[01:56] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that should be good.<br>**[01:59] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kadota-san, I'm finished over here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shimoda Tadashi
<br>**[02:02] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, very good.<br>**[02:05] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda?<br>**[02:06] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry.<br>**[02:11] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never witnessed an execution...<br>**[02:15] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has it been a year or so<br>&nbsp;&nbsp;&nbsp;&nbsp;since you were assigned here?<br>**[02:20] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:21] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is where they carry out executions.<br>**[02:24] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are seven execution<br>&nbsp;&nbsp;&nbsp;&nbsp;chambers in this country.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sapporo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sendai
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokyo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nagoya
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hiroshima
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fukuoka
<br>**[02:28] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is one of them.<br>**[02:30] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where capital<br>&nbsp;&nbsp;&nbsp;&nbsp;punishment is administered.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nagoya
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nagoya
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka
<br>**[02:35] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, why were we told<br>&nbsp;&nbsp;&nbsp;&nbsp;to clean up this place out of the blue?<br>**[02:41] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows?<br>**[02:43] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they're trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to cut down on janitors.<br>**[02:49] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A death row inmate's life is peaceful*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and quiet on the surface.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Red Demon
<br>**[02:54] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's no penal labor,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so there's a lot of free time.*<br>**[02:57] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To kill time, death row*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inmates take up new hobbies.*<br>**[03:03] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Reading books, composing haiku...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some even get religious.*<br>**[03:12] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shimoda-san...*<br>**[03:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The book you recommended was so good.<br>**[03:18] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[03:19] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love the part where the<br>&nbsp;&nbsp;&nbsp;&nbsp;red-haired punk goes nuts!<br>**[03:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt refreshed reading that scene as well.<br>**[03:27] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told my sister about the book too,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she got hooked.<br>**[03:31] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't seem to put it down.<br>**[03:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how she feels.<br>**[03:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad she liked it too.<br>**[03:39] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:40] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Red Demon series will continue,<br>&nbsp;&nbsp;&nbsp;&nbsp; so just hang in there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Red Demon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Series Continues!
<br>**[03:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next volume...<br>**[03:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll get to read it?<br>**[03:51] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, well...<br>**[03:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san, thank you very much.<br>**[03:57] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that about?<br>**[03:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I came here, I had no time for books.<br>**[04:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I never knew about this<br>&nbsp;&nbsp;&nbsp;&nbsp;amazing world of reading.<br>**[04:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all thanks to you<br>&nbsp;&nbsp;&nbsp;&nbsp;recommending that I read.<br>**[04:11] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. It was nothing.<br>**[04:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so grateful that I got<br>&nbsp;&nbsp;&nbsp;&nbsp;to experience this at the end of my life.<br>**[04:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That reminds me. I have a question.<br>**[04:24] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[04:25] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as it's not classified, I'll answer.<br>**[04:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about my last meal.<br>**[04:31] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the US, death row inmates can request<br>&nbsp;&nbsp;&nbsp;&nbsp;what they want to eat for their last meals.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Last Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Last Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Last Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Last Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Last Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Last Meal
<br>**[04:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we do that in Japan?<br>**[04:42] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard we used to do that in Japan too.<br>**[04:46] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not anymore.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 533 53 l 582 51 593 111 591 166 576 191 540 190 526 123
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What<br>
&nbsp;&nbsp;&nbsp;&nbsp; do you<br>
&nbsp;&nbsp;&nbsp;&nbsp; want to<br>
&nbsp;&nbsp;&nbsp;&nbsp; eat for<br>
&nbsp;&nbsp;&nbsp;&nbsp; your last<br>
&nbsp;&nbsp;&nbsp;&nbsp; meal?
<br>**[04:48] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we ask for a request,*<br>**[04:50] Shimoda/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that tips off the inmate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that their execution is approaching.*<br>**[04:50] Sign (Right)**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 431 35 l 466 36 463 191 433 191<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Does<br>
&nbsp;&nbsp;&nbsp;&nbsp; that mean…
<br>**[04:51] Sign (Left)**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 60 78 l 107 78 105 266 66 264<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll<br>
&nbsp;&nbsp;&nbsp;&nbsp;be<br>
&nbsp;&nbsp;&nbsp;&nbsp; exe-<br>
&nbsp;&nbsp;&nbsp;&nbsp;cuted<br>
&nbsp;&nbsp;&nbsp;&nbsp; soon?!
<br>**[04:52] Shimoda/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's a risk that they'll*<br>*&nbsp;&nbsp;&nbsp;&nbsp;take their own life out of fear.*<br>**[04:56] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[04:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[05:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's too bad.<br>**[05:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love fish. In particular,<br>&nbsp;&nbsp;&nbsp;&nbsp;sea bream sashimi is my favorite food.<br>**[05:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But due to a certain circumstance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't eat it anymore.<br>**[05:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could request a last meal,<br>**[05:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've wanted to eat my fill of that.<br>**[05:16] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake...<br>**[05:17] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda, the warden is asking for you.<br>**[05:21] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. See you later, Satake.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Warden's Office
<br>**[05:30] Shimida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[05:32] Warden**<br>&nbsp;&nbsp;&nbsp;&nbsp;An execution will be<br>&nbsp;&nbsp;&nbsp;&nbsp;carried out on the 25th.<br>**[05:37] Warden**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda, your role is to hold<br>&nbsp;&nbsp;&nbsp;&nbsp;onto the rope that will hang the inmate.<br>**[05:42] Warden**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got that?<br>**[05:44] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes. I understand.<br>**[05:48] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Warden.<br>**[05:50] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;This execution is for...<br>**[05:53] Warden**<br>&nbsp;&nbsp;&nbsp;&nbsp;For number 134.<br>**[05:55] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[05:56] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 134 is...<br>**[05:59] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi?!<br>**[06:03] Warden**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;D<br>
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<br>**[06:12] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kadota-san...<br>**[06:14] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your role?<br>**[06:17] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hold onto the rope<br>&nbsp;&nbsp;&nbsp;&nbsp;that hangs the inmate so it doesn't sway.<br>**[06:23] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in charge of pressing a button.<br>**[06:27] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the three buttons?<br>**[06:31] Kadota/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There are three buttons that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;can operate the trap door.*<br>**[06:34] Kadota/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;One of the buttons is randomly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;assigned to open the trap door.*<br>**[06:39] Kadota/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Three executioners press*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the buttons at the same time,*<br>**[06:43] Kadota/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;making it impossible to identify*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who actually took the inmate's life.*<br>**[06:48] Kadota/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This lessens the psychological*<br>*&nbsp;&nbsp;&nbsp;&nbsp;burden on the executioners.*<br>**[06:51] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still have to press a button.<br>**[06:56] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;My heart is heavy.<br>**[06:58] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Helping execute someone...<br>**[07:01] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared.<br>**[07:03] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be all right.<br>**[07:04] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here for you.<br>**[07:06] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to have gotten close to Satake.<br>**[07:10] Shimota**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[07:11] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing against it.<br>**[07:13] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you saw Satake's record, right?<br>**[07:17] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;He abused his fiancée daily,<br>**[07:21] Kadota/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;suspected that she was cheating<br>&nbsp;&nbsp;&nbsp;&nbsp;on him with a friend,<br>**[07:25] Kadota/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;stabbed them both to death, and started a fire.<br>**[07:28] Kadota/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;He deserves the death penalty.<br>**[07:31] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's an atrocious criminal,<br>&nbsp;&nbsp;&nbsp;&nbsp;and deserves no sympathy.<br>**[07:35] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's a really good guy in front of me.<br>**[07:39] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death row inmates are assigned no penal labor.<br>**[07:42] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;The death penalty is their punishment,<br>**[07:45] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the only way to atone for their crimes.<br>**[07:48] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Executing the penalty correctly<br>&nbsp;&nbsp;&nbsp;&nbsp;so that they can atone for their crimes...<br>**[07:52] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;As prison guards, that's our<br>&nbsp;&nbsp;&nbsp;&nbsp; role in seeing justice done.<br>**[07:56] Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I wrong?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;D<br>
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<br>**[08:01] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The execution is announced*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the death row inmate*<br>**[08:04] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*at 9:00 AM on the day of the execution.*<br>**[08:07] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It used to be announced the day before,*<br>**[08:11] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but many inmates took their own lives*<br>*&nbsp;&nbsp;&nbsp;&nbsp;out of fear of the death penalty.*<br>**[08:16] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So now, they notify on the day of.*<br>**[08:19] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had let my guard down because my life*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as a death row inmate was so peaceful.*<br>**[08:24] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I assumed that 9:00 AM*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would come and go as usual,*<br>**[08:28] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I would read books*<br>*&nbsp;&nbsp;&nbsp;&nbsp;all day long as usual...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Red Demon
<br>**[08:33] Prison Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 134, Satake Hirofumi, step out.<br>**[08:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Me?<br>**[08:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it... my execution?<br>**[08:47] Prison Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chaplain's Room
<br>**[08:51] Prison Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a room where the inmate can collect<br>&nbsp;&nbsp;&nbsp;&nbsp; himself and spend his last hours in peace.<br>**[08:57] Prison Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are free to help yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;to the food on the table.<br>**[09:00] Prison Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can smoke, or use<br>&nbsp;&nbsp;&nbsp;&nbsp;this time to write a will.<br>**[09:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could this be...?<br>**[09:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san, thank you very much.<br>**[09:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good.<br>**[09:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's very tasty.<br>**[09:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san...<br>**[09:35] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah?<br>**[09:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sea bream was very good.<br>**[09:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forget our time<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about novels.<br>**[09:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... I don't want this!<br>**[10:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to die!<br>**[10:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[10:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it, please!<br>**[10:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop!<br>**[10:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared!<br>**[10:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me!<br>**[10:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy!<br>**[10:22] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[10:25] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[10:32] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh? Is this me?*<br>**[10:36] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why?*<br>**[10:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[10:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should not move too suddenly.<br>**[10:51] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sustained some serious<br>&nbsp;&nbsp;&nbsp;&nbsp;damage to your neck.<br>**[10:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My neck?<br>**[10:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A motorcycle accident...<br>**[11:00] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A motorcycle?<br>**[11:02] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It was in your documentation.<br>**[11:05] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few years ago,<br>**[11:07] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you got caught in a trap set<br>&nbsp;&nbsp;&nbsp;&nbsp;by a guy who was attempting indiscriminate murders.<br>**[11:12] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone strung a piece of plastic<br>&nbsp;&nbsp;&nbsp;&nbsp;rope painted in black across the road,<br>**[11:16] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;right at the height of someone's<br>&nbsp;&nbsp;&nbsp;&nbsp;throat who's on a motorcycle.<br>**[11:22] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got caught in it<br>&nbsp;&nbsp;&nbsp;&nbsp;and suffered a severe injury.<br>**[11:27] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a miracle you didn't die.<br>**[11:30] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am impressed.<br>**[11:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your neck is incredibly strong.<br>**[11:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[11:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why this time...<br>**[11:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This time"?<br>**[11:44] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You survived the death penalty.<br>**[11:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?<br>**[11:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you state your full name?<br>**[11:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My full name?<br>**[11:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I'm...<br>**[12:03] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your name is Satake Hirofumi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[12:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake… Hirofumi…<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi?
<br>**[12:08] Chibi-Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Let's see...<br>**[12:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[12:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Satake Hirofumi…<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[12:14] Chibi-Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;memory
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;memory
<br>**[12:17] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be experiencing a memory impairment.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;memory
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;memory
<br>**[12:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural.<br>**[12:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mentioned the death penalty.<br>**[12:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[12:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as I said.<br>**[12:28] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a death row inmate.<br>**[12:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death row inmate? Me?<br>**[12:35] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Technically, a *former* death row inmate.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Re-Execution
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Release
<br>**[12:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, they're working out<br>&nbsp;&nbsp;&nbsp;&nbsp;how to handle your case.<br>**[12:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came back from your<br>&nbsp;&nbsp;&nbsp;&nbsp;execution alive, after all.<br>**[12:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Came back"? What?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death Penalty
<br>**[12:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The death penalty is a punishment<br>&nbsp;&nbsp;&nbsp;&nbsp;that enforces death.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A punishment that enforces death
<br>**[12:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The punishment was enforced,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you died once.<br>**[12:59] Chibi Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy!<br>**[13:02] Chibi Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dead.<br>**[13:03] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The judicial power to execute<br>&nbsp;&nbsp;&nbsp;&nbsp;you is exhausted at this point,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Judiciary
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Power to Execute
<br>**[13:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;so logically speaking,<br>**[13:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not possible to execute you again<br>&nbsp;&nbsp;&nbsp;&nbsp;after you've come back to life.<br>**[13:11] Chibi Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[13:17] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, you're a former death row inmate,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Former Death-Row Inmate
<br>**[13:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;although various lawyers may have<br>&nbsp;&nbsp;&nbsp;&nbsp; different opinions about that.<br>**[13:27] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, this is almost unprecedented.<br>**[13:33] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear it's giving the higher-ups<br>&nbsp;&nbsp;&nbsp;&nbsp;quite the headache.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What to do...
<br>**[13:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really possible to come back<br>&nbsp;&nbsp;&nbsp;&nbsp;from an execution?<br>**[13:44] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said *almost* unprecedented.<br>**[13:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's happened before.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Meiji 4
<br>**[13:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1871, in Sekitetsu Prefecture,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitetsu Prefecture
<br>**[13:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is now the Chuyo and Toyo regions<br>&nbsp;&nbsp;&nbsp;&nbsp;of the current Ehime Prefecture,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;(Ehime Prefecture, Chuyo and Toyo regions)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tanaka Tosaku (31)
<br>**[13:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;a 31-year-old death row inmate named<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanaka Tosaku was executed by hanging.<br>**[14:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;His death was confirmed, and his body<br>&nbsp;&nbsp;&nbsp;&nbsp;was on its way to his relative's house...<br>**[14:16] (Flashback) Carrier 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did you hear that?<br>**[14:18] (Flashback) Carrier 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[14:26] (Flashback) Carrier 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eek!<br>**[14:27] (Flashback) Carrier 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;He came back to life!<br>**[14:29] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is called the Sekitetsu Death Row<br>&nbsp;&nbsp;&nbsp;&nbsp;Inmate Resurrection Incident.<br>**[14:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what happened to this Tosaku after?<br>**[14:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was sentenced to death,<br>**[14:41] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;not because he committed<br>&nbsp;&nbsp;&nbsp;&nbsp;a capital crime like murder,<br>**[14:43] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;but because he torched a building<br>&nbsp;&nbsp;&nbsp;&nbsp;during a riot against the Meiji government.<br>**[14:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;They ruled that there were grounds for mercy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and he was cleared of his charges.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;  He came back to life<br>
&nbsp;&nbsp;&nbsp;&nbsp; after being executed.<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;  No further discussion<br>
&nbsp;&nbsp;&nbsp;&nbsp; necessary.<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;  Immediately return<br>
&nbsp;&nbsp;&nbsp;&nbsp; to your permanent<br>
&nbsp;&nbsp;&nbsp;&nbsp; residence.
<br>**[14:55] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in your case, you *are* guilty of murder.<br>**[15:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dead man coming back to life...<br>**[15:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to believe.<br>**[15:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidents where the dead return to life are<br>&nbsp;&nbsp;&nbsp;&nbsp; reported all over the world, even now.<br>**[15:12] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Ukraine, an 83-year-old woman's death<br>**[15:15] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;was confirmed by<br>&nbsp;&nbsp;&nbsp;&nbsp;the ambulance crew and the police,<br>**[15:19] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she regained consciousness<br>&nbsp;&nbsp;&nbsp;&nbsp;ten hours later.<br>**[15:24] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Venezuela, a 33-year-old man died<br>&nbsp;&nbsp;&nbsp;&nbsp;in a car crash on a highway.<br>**[15:30] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But during the autopsy, he sprang back up<br>&nbsp;&nbsp;&nbsp;&nbsp;from the pain of being cut.<br>**[15:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's even a case reported<br>&nbsp;&nbsp;&nbsp;&nbsp;of a corpse left in the morgue for three days<br>**[15:43] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;coming back to life.<br>**[15:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never knew it was so common.<br>**[15:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, whether these stories are<br>&nbsp;&nbsp;&nbsp;&nbsp;true or not is debatable.<br>**[15:54] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with Tosaku's execution,<br>**[15:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;that happened in the Meiji era, when they didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have a lot of experience with the gallows,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Back in those days, the execution process was<br>
&nbsp;&nbsp;&nbsp;&nbsp;"weigh down for three minutes and release<br>
&nbsp;&nbsp;&nbsp;&nbsp; the rope upon symptoms of death.
<br>**[16:00] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they didn't have reliable techniques<br>&nbsp;&nbsp;&nbsp;&nbsp;for determining death.<br>**[16:05] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You surviving a contemporary Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;execution is an absolute anomaly.<br>**[16:08] Chibi-Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[16:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how did I survive?<br>**[16:15] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gallows is designed to cause an instant death<br>&nbsp;&nbsp;&nbsp;&nbsp;by cervical fracture from the fall, not from suffocation.<br>**[16:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, sometimes those who have very<br>&nbsp;&nbsp;&nbsp;&nbsp; strong necks, like you do, survive the fall.<br>**[16:35] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why the body is left for 15 to 30 minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;after the execution to cause suffocation.<br>**[16:43] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, a coroner confirms the death,<br>**[16:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the body is released from the rope.<br>**[16:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, this is enough to cause certain death.<br>**[16:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the truth is,<br>**[16:59] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were already dead from a different cause,<br>&nbsp;&nbsp;&nbsp;&nbsp;not cervical fracture or suffocation.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cervical Fracture
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suffocation
<br>**[17:02] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 85 75 l 183 122 184 128 82 80<br>**[17:02] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 82 125 l 184 76 189 80 85 130<br>**[17:02] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 441 74 l 602 122 599 125 436 78<br>**[17:02] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 436 123 l 599 75 604 80 438 127<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dead
<br>**[17:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had sea bream sashimi right<br>&nbsp;&nbsp;&nbsp;&nbsp;before the execution.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anaphylactic Shock
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exposure to allergens resulting in life-threatening,<br>
&nbsp;&nbsp;&nbsp;&nbsp; acute allergic reactions throughout the body
<br>**[17:11] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you went into anaphylactic shock<br>&nbsp;&nbsp;&nbsp;&nbsp;because of it.<br>**[17:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... right.<br>**[17:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I remember.<br>**[17:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could die from eating fish.<br>**[17:24] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[17:25] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have developed an allergy<br>&nbsp;&nbsp;&nbsp;&nbsp;to the fish parasite, Anisakis.<br>**[17:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anisakis is a nematode that lives in fish.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anisakis
<br>**[17:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the food.<br>**[17:36] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can also live in humans,<br>**[17:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;and occasionally, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;people who have allergic reactions.<br>**[17:44] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anisakis exists in almost all fish,<br>&nbsp;&nbsp;&nbsp;&nbsp;so once you develop this allergy,<br>**[17:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;every time you eat fish,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a risk of anaphylactic shock.<br>**[17:59] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, you couldn't eat fish<br>&nbsp;&nbsp;&nbsp;&nbsp;after this incident.<br>**[18:05] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite that, you ate sea bream<br>&nbsp;&nbsp;&nbsp;&nbsp;sashimi right before the execution,<br>**[18:10] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you went into anaphylactic<br>&nbsp;&nbsp;&nbsp;&nbsp;shock during the execution.<br>**[18:14] (Flashback) Coroner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death is confirmed.<br>**[18:16] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, the coroner mistook it as death.<br>**[18:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you were released from the rope<br>&nbsp;&nbsp;&nbsp;&nbsp;before you had suffocated,<br>**[18:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a state of death from anaphylactic shock.<br>**[18:29] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or rather, in a state of *apparent* death.<br>**[18:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you miraculously came back to life.<br>**[18:38] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;With anaphylactic shock,<br>**[18:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it's severe, there's a<br>&nbsp;&nbsp;&nbsp;&nbsp; slim chance of recovery.<br>**[18:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your resurrection must be<br>&nbsp;&nbsp;&nbsp;&nbsp;the product of that slight chance.<br>**[18:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something that crazy even possible?!<br>**[18:54] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, no.<br>**[18:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it has indeed happened.<br>**[19:00] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, Satake-san,<br>**[19:03] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you may not remember this right now,<br>**[19:07] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;but your whole life's been<br>&nbsp;&nbsp;&nbsp;&nbsp;one such crazy event after another.<br>**[19:13] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you don't believe me.<br>**[19:17] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm...<br>**[19:19] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;So far, you've contracted various diseases<br>&nbsp;&nbsp;&nbsp;&nbsp;from all over the world and survived.<br>**[19:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Infectious diseases, parasites, poisons…<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Infectious Disease
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Parasites
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Poisons
<br>**[19:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... Let me give you some examples.<br>**[19:35] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smallpox, anthrax,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Smallpox
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anthrax
<br>**[19:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crimean-Congo Hemorrhagic Fever,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Crimean-Congo Hemorrhagic Fever
<br>**[19:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;SFTS Virus, Streptococcus, B virus,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SFTS Virus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Streptococcus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Crimean-Congo Hemorrhagic Fever
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;B Virus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bird Flu
<br>**[19:44] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;bird-flu, Echinococcus, venom<br>&nbsp;&nbsp;&nbsp;&nbsp;of the king cobra, Guinea worm…<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Crimean-Congo Hemorrhagic Fever
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Echinococcus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Venom of the King Cobra
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bird Flu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Echinococcus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Guinea Worm
<br>**[19:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, hold on!<br>**[19:49] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter? I'm still on page one.<br>**[19:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one could possibly survive all that!<br>**[19:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not an expert,<br>**[19:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;but smallpox and anthrax<br>&nbsp;&nbsp;&nbsp;&nbsp;are deadly, aren't they?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Smallpox
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anthrax
<br>**[20:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;All those other names you brought up<br>&nbsp;&nbsp;&nbsp;&nbsp;sounded scary as hell too.<br>**[20:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are indeed scary.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Smallpox
<br>**[20:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply calculating the survival<br>&nbsp;&nbsp;&nbsp;&nbsp;rate of all of these diseases,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anthrax
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Crimean-Congo Hemorrhagic Fever
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SFTS Virus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Streptococcus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;B Virus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bird Flu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Echinococcus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Venom of the King Cobra
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Guinea Worm
<br>**[20:16] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;the number is below 0.2%.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Survival Rate Below 0.2%
<br>**[20:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So low!<br>**[20:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget "low."<br>**[20:23] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a miracle.<br>**[20:25] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And setting aside the diseases,<br>**[20:27] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been involved in<br>&nbsp;&nbsp;&nbsp;&nbsp; crazy amounts of trouble,<br>**[20:30] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;accidents, and incidents,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you survived everything.<br>**[20:35] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The motorcycle accident I mentioned earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing compared to the other stuff.<br>**[20:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?<br>**[20:41] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Undead Man." That's your nickname.<br>**[20:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a celebrity<br>&nbsp;&nbsp;&nbsp;&nbsp;in our industry, you know?<br>**[20:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man who won't die.<br>**[20:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said, "industry"?<br>**[20:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, your existence is a miracle.<br>**[21:01] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's a bug.<br>**[21:04] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world created by God,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're a crazy bug in the system.<br>**[21:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to research someone like you.<br>**[21:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you a doctor?<br>**[21:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly are you?<br>**[21:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this isn't an infirmary<br>&nbsp;&nbsp;&nbsp;&nbsp;in the detention center, is it?<br>**[21:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[21:24] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I haven't introduced myself yet.<br>**[21:29] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may call me Professor.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Professor
<br>**[21:34] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is the Human Defect Research Center,<br>**[21:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;where we study crazy and absurd phenomena<br>&nbsp;&nbsp;&nbsp;&nbsp;reported from all over the world.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Human Defect Research Center
<br>**[21:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;They call us the Human Crazy University!<br>**[21:48] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[21:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Human Crazy"...<br>**[21:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san...<br>**[21:54] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until they figure out how to handle<br>&nbsp;&nbsp;&nbsp;&nbsp;your case, please let me study you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A<br>
&nbsp;&nbsp;&nbsp;&nbsp;Lucky<br>
&nbsp;&nbsp;&nbsp;&nbsp;Coin<br>
&nbsp;&nbsp;&nbsp;&nbsp; That<br>
&nbsp;&nbsp;&nbsp;&nbsp; Leads<br>
&nbsp;&nbsp;&nbsp;&nbsp; to<br>
&nbsp;&nbsp;&nbsp;&nbsp; Death
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lives Perish<br>
&nbsp;&nbsp;&nbsp;&nbsp;Adrift for 48 Days
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[23:32] Satake & Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! Yay! Yay!<br>**[23:36] Satake & Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! Yay! Yay!<br>

# E2 - A Lucky Coin That Leads to Death: Lives Perish Adrift for 48 Days

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUK7Z8Z/a-lucky-coin-that-leads-to-death-lives-perish-adrift-for-48-days)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then I bumped into him<br>&nbsp;&nbsp;&nbsp;&nbsp;in my neighborhood the other day!<br>**[00:09] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, what a coincidence!<br>**[00:12] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that friend is a backpacker?<br>**[00:15] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Satake Hirofumi.*<br>**[00:15] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[00:17] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like we kept in touch,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was surprised.<br>**[00:17] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm an ordinary, run-of-the-mill salaryman.*<br>**[00:22] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Hirofumi.<br>**[00:24] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your business trip starts tomorrow, right?<br>**[00:26] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[00:28] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The project itself is finished, but the<br>&nbsp;&nbsp;&nbsp;&nbsp; client invited me to go on a cruise.<br>**[00:34] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice, huh?<br>**[00:35] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cruise?<br>**[00:37] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;With your bad luck, that worries me.<br>**[00:39] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if your ship sinks?<br>**[00:41] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say that.<br>**[00:44] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[00:45] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? What's this?<br>**[00:48] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this...<br>**[00:49] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lucky charm.<br>**[00:51] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made it into a pendant.<br>**[00:54] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please come back safely... Hirofumi.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A<br>
&nbsp;&nbsp;&nbsp;&nbsp;Lucky<br>
&nbsp;&nbsp;&nbsp;&nbsp;Coin<br>
&nbsp;&nbsp;&nbsp;&nbsp; That<br>
&nbsp;&nbsp;&nbsp;&nbsp; Leads<br>
&nbsp;&nbsp;&nbsp;&nbsp; to<br>
&nbsp;&nbsp;&nbsp;&nbsp; Death
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lives Perish<br>
&nbsp;&nbsp;&nbsp;&nbsp;Adrift for 48 Days
<br>**[02:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san...<br>**[02:33] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's your memory?<br>**[02:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like my brain is fogged up.<br>**[02:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I remember is my name, and...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[02:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;the moment of my execution.<br>**[02:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to rush.<br>**[02:55] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your time recovering your memories.<br>**[02:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[02:59] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have borrowed some of your belongings.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Grasshopper's Legs
<br>**[03:02] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope they help to trigger your memories.<br>**[03:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are... some strange things.<br>**[03:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[03:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was I thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;before I lost my memories?<br>**[03:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else...<br>**[03:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[03:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch!<br>**[03:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[03:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why did I become<br>&nbsp;&nbsp;&nbsp;&nbsp;a death row inmate again?<br>**[03:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You presumed that your fiancée<br>&nbsp;&nbsp;&nbsp;&nbsp;and her friend were having an affair.<br>**[03:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;So supposedly, you stabbed<br>&nbsp;&nbsp;&nbsp;&nbsp;them both and set them on fire.<br>**[03:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[03:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then... I must have...<br>**[03:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san?<br>**[03:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I remembered something.<br>**[03:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[03:51] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[03:57] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does it feel, Satake-san?<br>**[03:59] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nice, right?<br>**[04:01] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's perfect.<br>**[04:03] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His name is Kito Joji.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>**[04:06] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A rich guy who has business*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the trading company I work for.*<br>**[04:11] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's a loyal customer who has*<br>*&nbsp;&nbsp;&nbsp;&nbsp;our company import rare ingredients*<br>**[04:14] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;from all over the world,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;then buys them up at high prices.*<br>**[04:19] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would usually prefer to visit a site<br>&nbsp;&nbsp;&nbsp;&nbsp;and procure the goods myself.<br>**[04:25] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your company always procures<br>&nbsp;&nbsp;&nbsp;&nbsp;quality goods, which has been great.<br>**[04:30] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you enjoy your time today<br>&nbsp;&nbsp;&nbsp;&nbsp;to commemorate the closing of our deal.<br>**[04:31] Satake/Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Closing the Deal!
<br>**[04:36] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[04:38] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[04:39] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, what is that pendant?<br>**[04:42] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this?<br>**[04:43] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my lucky charm.<br>**[04:45] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually... Well,<br>&nbsp;&nbsp;&nbsp;&nbsp;my girlfriend made it for me—<br>**[04:49] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should put that away.<br>**[04:51] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[04:52] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come now, quickly.<br>**[04:53] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, okay...<br>**[04:56] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why—<br>**[04:57] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's pulling!<br>**[04:59] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah!<br>**[05:05] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be a big one!<br>**[05:08] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there, Satake-san!<br>**[05:13] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go!<br>**[05:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There!<br>**[05:18] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[05:22] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never caught anything this big.<br>**[05:24] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;How wonderful!<br>**[05:26] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that we've caught our main dish,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's have some dinner.<br>**[05:35] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, wow!<br>**[05:37] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're such a good cook, Kito-san.<br>**[05:41] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must show my respect to the lives<br>&nbsp;&nbsp;&nbsp;&nbsp;that were sacrificed to be our food.<br>**[05:45] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my policy<br>&nbsp;&nbsp;&nbsp;&nbsp;as a seeker of gourmet dishes.<br>**[05:50] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is my bare minimum.<br>**[05:52] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[05:56] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[05:57] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the fish!<br>**[06:07] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, please help yourself.<br>**[06:10] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, thank you...<br>**[06:12] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[06:13] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot. I can't eat fish...<br>**[06:17] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[06:19] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you happen not to like fish?<br>**[06:22] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I...<br>**[06:25] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[06:26] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got something interesting for you.<br>**[06:28] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something interesting?<br>**[06:31] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow...<br>**[06:34] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What exactly are these?<br>**[06:37] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're yumushi.<br>**[06:38] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yumu...?<br>**[06:40] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a marine invertebrate<br>&nbsp;&nbsp;&nbsp;&nbsp;that lives in tidelands.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yumushi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Marine Invertebrate
<br>**[06:44] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called ruttsu in Hokkaido,<br>&nbsp;&nbsp;&nbsp;&nbsp;and iimara in Kyushu.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ruttsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Iimara
<br>**[06:50] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I don't know how to put it,<br>**[06:54] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks magnificent...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Magnificent
<br>**[06:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, you know... like *male*...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;° This image has nothing to do with yumushi
<br>**[06:59] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called the penis fish in English!<br>**[07:01] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So literal!<br>**[07:02] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called gaebul in Korean.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Korean
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gaebul
<br>**[07:04] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means "dog's genitals."<br>**[07:06] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't they have been more subtle?<br>**[07:08] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe just a little...<br>**[07:10] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought them because they make<br>&nbsp;&nbsp;&nbsp;&nbsp;good bait for black porgies.<br>**[07:15] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they're tasty as well.<br>**[07:17] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You can eat them?!<br>**[07:19] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san...<br>**[07:21] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eating means taking a life into your own.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eating
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Life
<br>**[07:25] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It also means learning about a culture.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Culture
<br>**[07:28] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:29] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Respecting life...<br>**[07:32] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Respecting our great ancestors<br>&nbsp;&nbsp;&nbsp;&nbsp;who cultivated food culture...<br>**[07:38] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eating is an act of showing<br>&nbsp;&nbsp;&nbsp;&nbsp;utmost respect for all of that.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eating
<br>**[07:44] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure I get what you mean...<br>**[07:46] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we eat.<br>**[07:48] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the spirit of the exotic food hunter!<br>**[07:53] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[07:55] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the dick!<br>**[08:02] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to look at.<br>**[08:04] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Satake-san, have some!<br>**[08:07] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh...<br>**[08:09] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[08:10] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[08:10] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[08:12] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[08:13] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the penis!<br>**[08:20] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's crunchy and sweet!<br>**[08:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tastes like fancy shellfish.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's surprisingly good!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;° It's also tasty grilled!
<br>**[08:35] (Flashback) Satake/Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[08:38] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your stories are fascinating, Kito-san.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gate of Hell
<br>**[08:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Gate of Hell and a patty<br>&nbsp;&nbsp;&nbsp;&nbsp;made entirely of mosquitoes...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;100% Mosquito Patty
<br>**[08:45] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no,<br>**[08:47] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;as an explorer of uncharted lands<br>&nbsp;&nbsp;&nbsp;&nbsp;and exotic foods, I'm still a novice.<br>**[08:53] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;To me, your stories<br>&nbsp;&nbsp;&nbsp;&nbsp;are also quite intriguing.<br>**[08:58] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[09:00] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were all horrible experiences.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Diseases
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Infectious Diseases
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Poisons
<br>**[09:03] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're rare experiences for sure.<br>**[09:06] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may have a natural aptitude<br>&nbsp;&nbsp;&nbsp;&nbsp;for exotic food hunting.<br>**[09:12] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be interested<br>&nbsp;&nbsp;&nbsp;&nbsp; in coming along with me?<br>**[09:17] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, you were awfully concerned<br>&nbsp;&nbsp;&nbsp;&nbsp;about my pendant this afternoon.<br>**[09:21] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why was that?<br>**[09:23] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize.<br>**[09:25] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was very rude of me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sparkle
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Agh...
<br>**[09:27] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That pendant was glinting in the light,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that had me worried.<br>**[09:33] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Glinting in the light?<br>**[09:35] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And how does that...<br>**[09:36] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[09:37] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! What's going on...<br>**[09:39] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could this be...<br>**[09:40] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san! Come out! Quickly!<br>**[09:42] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Huh?<br>**[09:43] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:45] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening...?<br>**[09:48] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water? The boat's flooding?<br>**[09:49] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[09:50] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There!<br>**[09:52] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what crashed into us!<br>**[09:54] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... w-whale?!<br>**[09:57] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap! It's coming our way again!<br>**[10:00] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold onto something!<br>**[10:01] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What?!<br>**[10:10] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, our yacht is sinking!<br>**[10:13] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bring out a lifeboat!<br>**[10:14] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay!<br>**[10:19] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get on, quickly!<br>**[10:26] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never expected a whale...<br>**[10:28] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did it hit us?<br>**[10:31] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whales are marine animals,<br>**[10:34] (Flashback) Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;but since they are mammals,<br>**[10:36] (Flashback) Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;they have to come up to the surface for air.<br>**[10:40] (Flashback) Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when they do,<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes, they hit a ship.<br>**[10:44] (Flashback) Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number of whales is increasing<br>&nbsp;&nbsp;&nbsp;&nbsp;in recent years due to the whaling ban.<br>**[10:49] (Flashback) Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reports of crashes are also increasing.<br>**[10:53] (Flashback) Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;But most of them are<br>&nbsp;&nbsp;&nbsp;&nbsp;with large ships like tankers.<br>**[10:57] (Flashback) Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a whale to crash into<br>&nbsp;&nbsp;&nbsp;&nbsp;a small yacht like ours...<br>**[11:01] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What luck.<br>**[11:03] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck...<br>**[11:04] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be my fault.<br>**[11:08] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[11:09] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Steven Callahan was also cast adrift<br>&nbsp;&nbsp;&nbsp;&nbsp;at sea because of a whale.<br>**[11:13] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Steven Callahan?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Steven Callahan
<br>**[11:16] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Steven Callahan.*<br>**[11:18] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He is an American author,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;naval architect, and inventor.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Author
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Naval Architect
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Inventor
<br>**[11:23] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He became famous for his book, <br>
&nbsp;&nbsp;&nbsp;&nbsp;*Adrift: Seventy-six Days Lost at Sea*.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Adrift: Seventy-six Days Lost at Sea"
<br>**[11:30] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He set out to make a trip around the world*<br>**[11:34] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*on the *Napoleon Solo*, a ship he made himself.*<br>**[11:37] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;During his voyage, a whale crashed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into his ship, and it sank.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BAM
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BAM
<br>**[11:42] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After being adrift at sea*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for 76 days, he made it back.*<br>**[11:50] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Taking advantage of his experience,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1\pos(185,35)}Life of Pi*<br>
&nbsp;&nbsp;&nbsp;&nbsp;received four Academy Awards,<br>
&nbsp;&nbsp;&nbsp;&nbsp;including Best Director
<br>**[11:53] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*he served as a consultant on the film* Life<br>
&nbsp;&nbsp;&nbsp;&nbsp; of Pi*, regarding life aboard a raft.*<br>**[12:03] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this Callahan was adrift for 76 days?<br>**[12:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about us?<br>**[12:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how long we'll be adrift.<br>**[12:12] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Callahan returned alive all by himself.<br>**[12:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have each other.<br>**[12:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be fine if we work together.<br>**[12:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes...<br>**[12:22] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luckily, this boat has<br>&nbsp;&nbsp;&nbsp;&nbsp;some water and provisions.<br>**[12:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, we'll ride this out together!<br>**[12:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[12:33] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:36] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:36] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Few Days Later
<br>**[12:42] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a normal, healthy state,*<br>**[12:46] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;a person can survive*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for 25 days without food.*<br>**[12:51] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, without water,*<br>**[12:55] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*one can only expect to live for ten days.*<br>**[12:58] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Water...<br>**[13:02] (Flashback) Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;To survive at sea for an<br>&nbsp;&nbsp;&nbsp;&nbsp; extended period of time,<br>**[13:06] (Flashback) Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;the top priority is procuring water.<br>**[13:10] (Flashback) Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;Steven Callahan created<br>&nbsp;&nbsp;&nbsp;&nbsp;a solar-heat-powered seawater distiller<br>**[13:15] (Flashback) Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;and an impromptu rainwater collector<br>**[13:18] (Flashback) Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;to produce about 500 ml<br>&nbsp;&nbsp;&nbsp;&nbsp;of drinking water every day.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;500 ml a day
<br>**[13:25] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Water…<br>**[13:29] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, look.<br>**[13:31] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a lot over here...<br>**[13:37] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Water…<br>**[13:40] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[13:42] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[13:44] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go of me!<br>**[13:45] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water! I'm drinking water!<br>**[13:47] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a hold of yourself!<br>**[13:47] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a lot here!<br>**[13:48] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Satake-san!<br>**[13:51] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't drink seawater!<br>**[13:53] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll die!<br>**[13:55] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The most important rule in*<br>*&nbsp;&nbsp;&nbsp;&nbsp;surviving at sea is, "Never drink seawater."*<br>**[14:03] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In 1944, in order*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to improve the survival rate*<br>**[14:07] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of pilots who had fallen in the sea,*<br>**[14:12] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nazi Germany conducted*<br>*&nbsp;&nbsp;&nbsp;&nbsp;unethical human experiments*<br>**[14:16] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that explored ways to make seawater drinkable.*<br>**[14:21] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They were called the seawater experiments.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seawater Experiments
<br>**[14:26] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Nazis coerced over 90 subjects*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to consume only seawater.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Comparison of Salinity in Human Body and Seawater
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seawater
<br>**[14:35] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The salinity of human bodily fluid is 0.9%.*<br>**[14:40] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Drinking seawater, which has 3.5% salinity,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;raises the salinity of bodily fluid.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seawater
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seawater
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Salinity Raised!
<br>**[14:49] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The body requires water to dilute it,*<br>**[14:53] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as a result, the subjects suffered*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from severe dehydration.*<br>**[14:59] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the experiment was continued,*<br>**[15:02] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and precious lives were lost due to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mental disorders and other grave aftereffects.*<br>**[15:12] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[15:15] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kito-san...<br>**[15:17] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was I doing?<br>**[15:19] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad you came to your senses.<br>**[15:23] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking at the sea,<br>&nbsp;&nbsp;&nbsp;&nbsp;it felt like I could drink it...<br>**[15:26] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[15:28] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while since we drank<br>&nbsp;&nbsp;&nbsp;&nbsp;the last of the potable water.<br>**[15:33] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't blame you.<br>**[15:34] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[15:36] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sharks?!<br>**[15:39] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[15:41] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go away!<br>**[15:42] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[15:42] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[15:44] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous to fling that around!<br>**[15:46] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay calm!<br>**[15:48] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the sea, there are fish*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that can harm humans,*<br>**[15:51] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*such as sharks and swordfish.*<br>**[15:55] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In 2019, there were 140 incidents*<br>**[15:58] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of casualties caused by sharks worldwide.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Worldwide Shark Casualties in 2019
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;cases
<br>**[16:02] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Among them, only two were fatal*<br>*&nbsp;&nbsp;&nbsp;&nbsp;casualties caused by unprovoked attacks.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chomp!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fatalities from <br>
&nbsp;&nbsp;&nbsp;&nbsp;Unprovoked Attacks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;cases
<br>**[16:12] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unlike in the movies,*<br>**[16:14] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it is rare for wild animals*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to aggressively attack humans.*<br>**[16:19] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Therefore, what we truly need*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to watch out for are not sharks...*<br>**[16:23] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave me alone!<br>**[16:24] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, calm down!<br>**[16:25] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[16:29] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hole!<br>**[16:29] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a hole!<br>**[16:31] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...but panic in the human mind.*<br>**[16:35] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boat!<br>**[16:36] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's sinking!<br>**[16:37] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's sinking!<br>**[16:38] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boat!<br>**[16:38] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, calm down!<br>**[16:40] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must close the hole!<br>**[16:49] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much, Satake-san.<br>**[16:52] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel so useless now that<br>&nbsp;&nbsp;&nbsp;&nbsp;I've hit my limit...<br>**[16:56] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, please, no.<br>**[16:59] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all my fault.*<br>**[17:00] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kito-san stayed calm*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and was trying to persuade me.*<br>**[17:04] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I hadn't panicked and thrashed around,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this wouldn't have happened.*<br>**[17:10] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We patched up the hole,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but air is still leaking out of the boat.*<br>**[17:15] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's just a matter of time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;before this lifeboat sinks.*<br>**[17:18] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do we do?*<br>**[17:20] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At this rate, we're...*<br>**[17:22] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hm?*<br>**[17:23] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[17:25] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see a ship!<br>**[17:26] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san, a ship!<br>**[17:28] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get help.<br>**[17:29] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please hang in there!<br>**[17:32] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey!<br>**[17:35] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here, help us!<br>**[17:37] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey!<br>**[17:42] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[17:44] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you kidding me?!<br>**[17:45] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Please notice!<br>**[17:47] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go!<br>**[17:49] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey!<br>**[17:52] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man, what do I do?<br>**[17:55] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know!<br>**[18:00] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Please notice!<br>**[18:03] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[18:06] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had a good haul again today.<br>**[18:08] (Flashback) Fisherman 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ready to go home and relax.<br>**[18:11] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? What's that?<br>**[18:15] (Flashback) Fisherman 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;the setting sun reflecting off the water.<br>**[18:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey!<br>**[18:20] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there's someone there!<br>**[18:22] (Flashback) Fisherman 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:24] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it!<br>**[18:25] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ship is on its way!<br>**[18:27] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They noticed me!<br>**[18:28] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san, we're going to be all right!<br>**[18:32] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad...<br>**[18:35] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[18:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come quickly!<br>**[18:38] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[18:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[18:39] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't swing the pendant around!<br>**[18:51] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[18:53] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[18:55] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[18:56] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine!<br>**[18:57] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Satake-san... he fell in the sea!<br>**[19:02] (Flashback) Fisherman 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a pain...<br>**[19:07] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;This can't be true...<br>**[19:11] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What just happened?<br>**[19:14] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what struck you in the neck?<br>**[19:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fish called a datsu.<br>**[19:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;In English, it's called a garfish.<br>**[19:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They feed on small fish,<br>**[19:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they hunt them<br>&nbsp;&nbsp;&nbsp;&nbsp;by darting at them<br>**[19:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;at 60 kilometers per hour<br>&nbsp;&nbsp;&nbsp;&nbsp; when they glint in the sun.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sparkle
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Agh...
<br>**[19:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san told me to put the pendant away<br>&nbsp;&nbsp;&nbsp;&nbsp;because we were in garfish waters.<br>**[19:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, there are reports<br>&nbsp;&nbsp;&nbsp;&nbsp;worldwide of deaths caused<br>**[19:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;by garfish lunging at flashing lights<br>&nbsp;&nbsp;&nbsp;&nbsp;they've mistaken for food.<br>**[19:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They not only stab you, but they spin to<br>&nbsp;&nbsp;&nbsp;&nbsp;dig in deeper, so the wounds are hard to treat.<br>**[19:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a miracle you survived.<br>**[19:52] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't pull it out!<br>**[19:54] (Flashback) Fisherman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll bleed to death!<br>**[19:56] (Flashback) Fisherman 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know!<br>**[19:57] (Flashback) Fisherman 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ambulance is here!<br>**[19:58] (Flashback) Fisherman 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there!<br>**[20:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I survived thanks to the fishermen,<br>&nbsp;&nbsp;&nbsp;&nbsp;who knew exactly what to do.<br>**[20:11] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're awake.<br>**[20:14] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are we?<br>**[20:15] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in a hospital.<br>**[20:17] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luckily, there's no damage<br>&nbsp;&nbsp;&nbsp;&nbsp;to your major arteries or trachea,<br>**[20:21] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the fish was removed in surgery.<br>**[20:24] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad you're okay.<br>**[20:27] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Kito-san.<br>**[20:29] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to survive after being<br>&nbsp;&nbsp;&nbsp;&nbsp;impaled in the neck...<br>**[20:33] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your vitality amazes me.<br>**[20:36] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew my hunch was right.<br>**[20:40] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have what it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to be an exotic food hunter!<br>**[20:45] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you heal,<br>**[20:47] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't we start by touring Latin America?<br>**[20:52] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll think about it.<br>**[20:53] (Flashback) Nurse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san, the doctor's ready for you.<br>**[20:56] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I've been called.<br>**[20:59] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should get going.<br>**[21:00] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[21:03] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi!<br>**[21:05] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[21:07] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad you're okay.<br>**[21:10] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot!<br>**[21:12] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea how worried I was?!<br>**[21:19] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[21:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, hearing it directly from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;it sounds absolutely insane.<br>**[21:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I have more crazy experiences like this?<br>**[21:28] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what your record says.<br>**[21:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, look at the time.<br>**[21:34] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be tired,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's pick it up another day.<br>**[21:38] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san...<br>**[21:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to<br>&nbsp;&nbsp;&nbsp;&nbsp;your memories coming back.<br>**[21:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking forward, huh?<br>**[21:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared to remember them...<br>**[21:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But unless I do, I can't atone for my crime.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The<br>
&nbsp;&nbsp;&nbsp;&nbsp;Flame<br>
&nbsp;&nbsp;&nbsp;&nbsp;of<br>
&nbsp;&nbsp;&nbsp;&nbsp;Purgatory<br>
&nbsp;&nbsp;&nbsp;&nbsp;That<br>
&nbsp;&nbsp;&nbsp;&nbsp; Burns<br>
&nbsp;&nbsp;&nbsp;&nbsp; Heinous<br>
&nbsp;&nbsp;&nbsp;&nbsp; Detectives
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Torture Sommelier<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ijuin Shigeo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 3
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>

# E3 - The Flame of Purgatory That Burns Heinous Detectives: Tortur Sommelier Ijuin Shigeo

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU0K4NG/the-flame-of-purgatory-that-burns-heinous-detectives-tortur-sommelier-ijuin-shigeo)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Ijuin Shigeo.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ijuin Shigeo
<br>**[00:05] Taoka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taoka Joichi
<br>**[00:07] Taoka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[00:08] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taoka Joichi, you know this lady,<br>**[00:12] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suganuma Yuki-san. Correct?<br>**[00:18] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about her, Okamura Ami-san?<br>**[00:22] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suzuki Yoshie-san?<br>**[00:25] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saito Manami-san?<br>**[00:28] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stalked numerous women,<br>**[00:31] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sadistically assaulted them,<br>&nbsp;&nbsp;&nbsp;&nbsp;tormented them, and killed them.<br>**[00:38] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you?<br>**[00:41] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel guilt for<br>&nbsp;&nbsp;&nbsp;&nbsp;what you've done to them?<br>**[00:45] Taoka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all those bitches' fault!<br>**[00:47] Taoka**<br>&nbsp;&nbsp;&nbsp;&nbsp;They insulted me.<br>**[00:50] Taoka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I killed them.<br>**[00:52] Taoka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I didn't do anything wrong!<br>**[00:58] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[01:00] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In this society, there are*<br>*&nbsp;&nbsp;&nbsp;&nbsp;irredeemable scumbags*<br>**[01:05] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and rotten abominations like him.*<br>**[01:08] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your voice irritates me.<br>**[01:10] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, you piece of trash!<br>**[01:18] Taoka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hurts...<br>**[01:19] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My mission is to give these*<br>*&nbsp;&nbsp;&nbsp;&nbsp;abominations punishment outside*<br>**[01:22] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the boundaries of law,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in line with the severity of their crimes.*<br>**[01:26] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*People call me the "Torture Sommelier."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Torture Sommelier
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Torture Sommelier
<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 3
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The<br>
&nbsp;&nbsp;&nbsp;&nbsp;Flame<br>
&nbsp;&nbsp;&nbsp;&nbsp;of<br>
&nbsp;&nbsp;&nbsp;&nbsp;Purgatory<br>
&nbsp;&nbsp;&nbsp;&nbsp;That<br>
&nbsp;&nbsp;&nbsp;&nbsp; Burns<br>
&nbsp;&nbsp;&nbsp;&nbsp; Heinous<br>
&nbsp;&nbsp;&nbsp;&nbsp; Detectives
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Torture Sommelier<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ijuin Shigeo
<br>**[03:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Professor.<br>**[03:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking maybe they should hurry up<br>&nbsp;&nbsp;&nbsp;&nbsp;and execute me one more time.<br>**[03:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this coming from?<br>**[03:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I committed a crime horrible enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to deserve the death penalty.<br>**[03:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I should receive<br>&nbsp;&nbsp;&nbsp;&nbsp;a punishment that fits that crime.<br>**[03:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't be here<br>&nbsp;&nbsp;&nbsp;&nbsp;chatting it up with you, should I?<br>**[03:25] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ask you this.<br>**[03:27] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have your memories returned?<br>**[03:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They... have not yet.<br>**[03:33] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, you still have time.<br>**[03:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take our time<br>&nbsp;&nbsp;&nbsp;&nbsp;on getting your memories back.<br>**[03:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you were to receive your punishment,<br>**[03:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you are aware<br>&nbsp;&nbsp;&nbsp;&nbsp;of the weight of your action,<br>**[03:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;the victims can't rest in peace.<br>**[03:49] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having said that,<br>**[03:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are those who think<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing of the crimes they've<br>**[03:54] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;committed and prey on others,<br>&nbsp;&nbsp;&nbsp;&nbsp;even with their memories intact.<br>**[03:59] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which reminds me...<br>&nbsp;&nbsp;&nbsp;&nbsp;here's an urban legend.<br>**[04:03] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's someone out there<br>&nbsp;&nbsp;&nbsp;&nbsp;who deals pain and death<br>**[04:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;to those who've evaded the law<br>&nbsp;&nbsp;&nbsp;&nbsp;by torturing them as befits their crime.<br>**[04:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torture?<br>**[04:16] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, obviously we should take this<br>&nbsp;&nbsp;&nbsp;&nbsp;with a grain of salt.<br>**[04:19] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone like that did exist,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be cathartic, if you ask me.<br>**[04:24] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, you can't deny that<br>&nbsp;&nbsp;&nbsp;&nbsp;it is a distorted sense of justice.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>**[04:29] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the targets<br>&nbsp;&nbsp;&nbsp;&nbsp;are heinous criminals,<br>**[04:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;what they're doing is<br>&nbsp;&nbsp;&nbsp;&nbsp;serial murder.<br>**[04:35] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san?<br>**[04:36] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you remember something?<br>**[04:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torture...<br>**[04:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so hot.<br>**[04:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making sales rounds<br>&nbsp;&nbsp;&nbsp;&nbsp;on a day like this is rough.<br>**[04:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say, "Clear your mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;and even fire will feel cool."<br>**[04:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll give it a try.<br>**[04:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how the hell would I do that?!<br>**[04:59] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[05:00] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Rukawa-kun.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rukawa Takao
<br>**[05:02] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is chamomile tea.<br>**[05:04] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will help you relax.<br>**[05:06] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:09] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamagishi Teppei-san...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamagishi Teppei
<br>**[05:12] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of place this is?<br>**[05:16] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course.<br>**[05:18] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you contract me for a job,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no turning back.<br>**[05:24] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be living in the shadows<br>&nbsp;&nbsp;&nbsp;&nbsp;for the rest of your life.<br>**[05:28] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you prepared for that?<br>**[05:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gosh, I am way too hot.<br>**[05:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stop at a coffee shop<br>&nbsp;&nbsp;&nbsp;&nbsp;and get something cold to drink.<br>**[05:41] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi-san...<br>**[05:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[05:44] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to ask you a few questions.<br>**[05:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police?<br>**[05:49] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what I'm signing up for.<br>**[05:52] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He took everything from me.<br>**[05:58] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please! Give him...<br>**[06:02] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give him...<br>**[06:04] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the hell that he deserves!<br>**[06:09] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't take up too much of your time.<br>**[06:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. No problem.<br>**[06:14] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your cooperation.<br>**[06:16] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you to the precinct.<br>**[06:23] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the guy.<br>**[06:26] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is he?<br>**[06:29] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man...<br>**[06:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you many times already!<br>**[06:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything about that!<br>**[06:36] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still,<br>**[06:37] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the shop manager of the jewelry store<br>**[06:40] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was attacked says he saw<br>&nbsp;&nbsp;&nbsp;&nbsp;a guy who looked exactly like you.<br>**[06:42] Satkae**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not me!<br>**[06:44] Satkae**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never robbed a jewelry store before!<br>**[06:47] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you refuse to cooperate...<br>**[06:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what are you...<br>**[06:53] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who did it, Satake Hirofumi!<br>**[06:58] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's an active police officer.<br>**[07:01] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Aobayashi Takao.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aobayashi Takao
<br>**[07:05] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's my former boss.<br>**[07:08] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your former boss?<br>**[07:10] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...<br>**[07:11] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to be a police officer.<br>**[07:15] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aobayashi's reputation among the police<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing but excellent.<br>**[07:20] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He arrested many atrocious criminals<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Letter of Commendation
<br>**[07:23] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and received commendations<br>&nbsp;&nbsp;&nbsp;&nbsp;for his achievements.<br>**[07:27] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[07:29] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the perp because<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you you are!<br>**[07:31] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confess already, you trash!<br>**[07:35] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;His achievements are all made up.<br>**[07:37] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Made up?<br>**[07:39] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:40] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He simply picks up whoever is<br>&nbsp;&nbsp;&nbsp;&nbsp;at the crime scene,<br>**[07:44] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;brings them back for questioning,<br>&nbsp;&nbsp;&nbsp;&nbsp;and interrogates them.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Interrogation Room
<br>**[07:50] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the interrogation room is his den.<br>**[07:54] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's lawless in there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese Criminal Justice System
<br>**[07:58] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the Japanese criminal justice system,*<br>**[08:01] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the interrogation of a suspect during*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an investigation is typically*<br>**[08:07] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;conducted behind closed doors*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without a lawyer or any contact with the outside.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Closed Room
<br>**[08:13] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Although Aobayashi's case is extreme,*<br>**[08:16] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;cases of illegal or wrongful interrogations*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by investigating officers have been reported.*<br>**[08:26] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Such excessive interrogations*<br>*&nbsp;&nbsp;&nbsp;&nbsp;led to wrongful convictions*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;  Fukawa Case (1967)<br>
&nbsp;&nbsp;&nbsp;&nbsp;Two received a life sentence for a murder-robbery in Ibaraki Prefecture.<br>
&nbsp;&nbsp;&nbsp;&nbsp; In 2011, they were exonerated in the retrial.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;  Ashikaga Murder Case (1990)<br>
&nbsp;&nbsp;&nbsp;&nbsp;The suspect received a life sentence for a murder and illegal disposal of a girl's corpse in Tochigi Prefecture.<br>
&nbsp;&nbsp;&nbsp;&nbsp; In 2010, he was exonerated in the retrial.
<br>**[08:30] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;like the Fukawa case*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the Ashikaga murder case.*<br>**[08:35] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Recognizing that there could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be wrongful convictions,*<br>**[08:38] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;amendments were made to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Code of Criminal Procedure in 2016.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;— Amendments to the Code of Criminal Procedure —
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;— Amendments to the Code of Criminal Procedure —
<br>**[08:42] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It became mandatory to produce video recordings of the entirety of interrogations of those in custody*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cases Judged by Lay Judges
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Investigations Initiated by Public Prosecutors
<br>**[08:48] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;for any case tried before lay judges*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or investigated by public prosecutors.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mandatory Video Recording of Suspect's Interrogation
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Promulgated in June 2019
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Promulgated in June 2019
<br>**[08:54] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It came into effect in June 2019.*<br>**[08:54] Chibi Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[08:57] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But less than 3% of all criminal cases*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are subject to the recording law,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cases Subject to Recording<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Mandatory Recording of the Whole Interrogation)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Less than 3% of All Cases
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Less than 3% of All Cases
<br>**[09:03] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and there's a long way to go*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to achieving transparency in interrogation.*<br>**[09:08] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Interrogations get out of control*<br>**[09:09] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;due to the strong sense of justice and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;responsibility instilled in police officers,*<br>**[09:12] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;who are charged with protecting the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;safety and peace of this country.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Justice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Responsibility
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Responsibility
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Responsibility
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<br>**[09:16] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We must keep in mind that their mission*<br>*&nbsp;&nbsp;&nbsp;&nbsp;weighs heavily on their shoulders.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Interrogation Room
<br>**[09:26] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not done yet.<br>**[09:33] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who said you could fall asleep?!<br>**[09:39] Yamagishi/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;He tortures suspects<br>&nbsp;&nbsp;&nbsp;&nbsp;to force confessions out of them.<br>**[09:44] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think such transgressions<br>&nbsp;&nbsp;&nbsp;&nbsp; happen in this country...<br>**[09:47] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aobayashi exploited his position<br>&nbsp;&nbsp;&nbsp;&nbsp;as an officer to repeat his evil deeds.<br>**[09:54] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Covering up crimes for bribes.<br>**[09:57] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Illegal diversion of seized drugs.<br>**[10:00] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sexual abuse of undocumented women.<br>**[10:05] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And human trafficking to top it all off.<br>**[10:08] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Many people died while suffering the<br>&nbsp;&nbsp;&nbsp;&nbsp;torture he passes off as interrogation,<br>**[10:14] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the yakuza help him cover it up,<br>**[10:17] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for him covering up their crimes.<br>**[10:20] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abusing his power to do whatever he wants...<br>**[10:23] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me sick to my stomach.<br>**[10:25] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried to blow the whistle on<br>&nbsp;&nbsp;&nbsp;&nbsp;him after I learned about this.<br>**[10:30] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chief of Police
<br>**[10:32] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?!<br>**[10:33] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you'll let<br>&nbsp;&nbsp;&nbsp;&nbsp;Aobayashi break the law?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Three Principles, Five Virtues
<br>**[10:36] (Flashback) Chief**<br>&nbsp;&nbsp;&nbsp;&nbsp;But do you have any proof?<br>**[10:40] (Flashback) Chief**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you're just delusional?<br>**[10:44] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious!<br>**[10:46] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police were on Aobayashi's side.<br>**[10:49] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Admitting to his illegal actions would also<br>&nbsp;&nbsp;&nbsp;&nbsp;mean the top brass would be held accountable.<br>**[10:55] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To save face,<br>**[10:58] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;they forced me to retire for a "delusional disorder."<br>**[11:06] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my sympathies.<br>**[11:08] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wasn't all...<br>**[11:11] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wasn't the end of it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chief of Police
<br>**[11:14] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what you say, I won't give up!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Three Principles, Five Virtues
<br>**[11:18] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should not be happening!<br>**[11:22] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me.<br>**[11:23] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a job for you.<br>**[11:25] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I don't care if anyone dies.<br>**[11:28] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torch it.<br>**[11:31] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[11:31] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[11:34] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[11:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[11:37] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[11:39] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do?<br>**[11:41] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an awful lot of sirens today...<br>**[11:43] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[11:46] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... No way!<br>**[11:49] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... My home!<br>**[11:51] (Flashback) Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey!<br>**[11:52] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're safe!<br>**[11:53] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened here?<br>**[11:54] (Flashback) Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's Masao!<br>**[11:56] (Flashback) Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our boy's still in there!<br>**[11:58] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[11:59] (Flashback) Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to kill yourself?!<br>**[11:59] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Masao!<br>**[12:02] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My son's in there!<br>**[12:03] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go!<br>**[12:04] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Masao! Masao!<br>**[12:05] (Flashback) Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Masao!<br>**[12:11] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They found the charred remains of my son,<br>&nbsp;&nbsp;&nbsp;&nbsp;who had just turned three.<br>**[12:16] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grief took my wife soon after.<br>**[12:20] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's still a detective,<br>&nbsp;&nbsp;&nbsp;&nbsp;like nothing happened!<br>**[12:26] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you!<br>**[12:28] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ijuin-san, please bring him to justice!<br>**[12:36] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please raise your head.<br>**[12:38] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will humbly accept this job offer.<br>**[12:42] Yamagishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you... so much.<br>**[12:45] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It is outrageous for a police officer,*<br>**[12:48] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who's supposed to be the keeper of the law,*<br>**[12:50] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to abuse his power and unleash terror.*<br>**[12:54] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I will multiply the pain*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and anger of the victims a trillionfold,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pain
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Trillionfold
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Trillionfold
<br>**[13:01] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;turning it into agony and carving it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into the wretch!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Interrogation Room
<br>**[13:09] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're tenacious.<br>**[13:11] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, you can have one more—<br>**[13:16] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsk. Aren't you lucky?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fire Hydrant
<br>**[13:19] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[13:20] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you.<br>**[13:22] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are going fine.<br>**[13:24] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that guy Satake is quite stubborn.<br>**[13:30] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure thing.<br>**[13:31] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you deposit<br>&nbsp;&nbsp;&nbsp;&nbsp;the money in my account.<br>**[13:36] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if I'd make any mistakes.<br>**[13:38] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave everything to me.<br>**[13:40] Young Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aobayashi-san!<br>**[13:41] Young Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;We caught the perp<br>&nbsp;&nbsp;&nbsp;&nbsp;on that jewelry store case.<br>**[13:44] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:56] Yakuza 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[13:57] Yakuza 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[13:58] Yakuza 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Aobayashi. Sir.<br>**[14:00] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you two.<br>**[14:01] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for taking care of this.<br>**[14:06] Yakuza 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem, sir.<br>**[14:08] Yakuza 1 And 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready, go!<br>**[14:12] Yakuza 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did he do?<br>**[14:14] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Robbed a jewelry store.<br>**[14:15] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they caught the actual perp<br>&nbsp;&nbsp;&nbsp;&nbsp;before this guy fessed up.<br>**[14:21] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have him blabbering<br>&nbsp;&nbsp;&nbsp;&nbsp;on about what happened.<br>**[14:25] Yakuza 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you need the usual cleanup.<br>**[14:27] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[14:29] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is illegal dumping.<br>**[14:31] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the heck are you?<br>**[14:33] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a garbage collector.<br>**[14:35] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to collect waste.<br>**[14:38] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your services aren't needed right now.<br>**[14:40] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in the middle of<br>&nbsp;&nbsp;&nbsp;&nbsp;an investigation, so buzz off.<br>**[14:42] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's so much trash here.<br>**[14:45] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should be disposed of correctly.<br>**[14:47] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you disobeying the police?!<br>**[14:49] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:51] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Who the hell are you?!<br>**[14:54] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do?<br>**[14:55] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?!<br>**[14:57] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said,<br>**[14:58] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an underground trash collector.<br>**[15:02] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dispose of society's garbage. Like you.<br>**[15:05] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll burn real well, I'm sure.<br>**[15:09] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rukawa-kun...<br>**[15:10] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do with<br>&nbsp;&nbsp;&nbsp;&nbsp;the punks we caught with him?<br>**[15:13] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been disposed of, no problem!<br>**[15:15] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what of the man who was injured?<br>**[15:17] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's being treated in the other room.<br>**[15:19] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luckily, it's not life-threatening.<br>**[15:22] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;A job goes so smoothly<br>&nbsp;&nbsp;&nbsp;&nbsp;when I have a competent assistant.<br>**[15:26] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[15:27] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all thanks to your guidance.<br>**[15:30] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[15:31] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He woke up.<br>**[15:33] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's going on?!<br>**[15:37] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chains?<br>**[15:39] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the last break you'll ever take.<br>**[15:41] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you rested well.<br>**[15:43] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you are?!<br>**[15:45] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think that you'll get away with...<br>**[15:47] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you kindly shut up?<br>**[15:50] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I find the voices of scumbags aggravating.<br>**[15:53] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us confirm.<br>**[15:55] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aobayashi Takao,<br>**[15:57] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you feel remorse for the people<br>&nbsp;&nbsp;&nbsp;&nbsp;who were wrongfully convicted,<br>**[16:01] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the people who were hurt<br>&nbsp;&nbsp;&nbsp;&nbsp;or who lost their lives because of you?<br>**[16:08] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you say something?<br>**[16:10] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei, your hand...<br>**[16:12] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Excuse me.<br>**[16:16] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[16:17] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a detective!<br>**[16:19] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I say they're guilty, they are!<br>**[16:21] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I say they aren't, they're not!<br>**[16:22] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how it works!<br>**[16:24] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares if they're innocent or not?!<br>**[16:27] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I—<br>**[16:31] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a revolting rationalization.<br>**[16:35] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rukawa! Are you ready?!<br>**[16:36] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sensei!<br>**[16:42] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you—<br>**[16:44] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll know soon enough.<br>**[16:46] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although when you do,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be too late for you.<br>**[16:53] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hot!<br>**[16:56] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a punishment used in<br>&nbsp;&nbsp;&nbsp;&nbsp;ancient China called the hot pillar.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;H<br>
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;H<br>
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<br>**[17:00] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you enjoy it.<br>**[17:04] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The hot pillar is one of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the punishments recorded*<br>**[17:08] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;in ancient Chinese texts,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and it is done primarily in one of two ways:*<br>**[17:13] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One is to tie the criminal to a copper rod,*<br>**[17:18] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and heat up the rod with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a raging fire to roast the criminal.*<br>**[17:23] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The other is to pass an oiled*<br>*&nbsp;&nbsp;&nbsp;&nbsp;copper rod over a raging fire,*<br>**[17:27] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and have the criminal walk on it barefooted.*<br>**[17:34] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They'd be let go if they*<br>*&nbsp;&nbsp;&nbsp;&nbsp;could reach the other side,*<br>**[17:38] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so criminals walked with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;desperate looks on their faces.*<br>**[17:43] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The last king of the Yin Dynasty, Zhou,*<br>**[17:46] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and his concubine, Daji,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;enjoyed watching it as a spectacle.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;King Zhou
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Daji
<br>**[17:54] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agh! It's hot!<br>**[17:56] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fatty meat of abominations<br>&nbsp;&nbsp;&nbsp;&nbsp; grills up so nicely.<br>**[18:01] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So hot!<br>**[18:03] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you treat me,<br>&nbsp;&nbsp;&nbsp;&nbsp;a police officer, like this!<br>**[18:05] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll throw you all in jail!<br>**[18:08] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you still have the strength to squawk.<br>**[18:12] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which reminds me...<br>**[18:14] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used to torture suspects<br>&nbsp;&nbsp;&nbsp;&nbsp;during interrogation, correct?<br>**[18:17] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei, here you go.<br>**[18:20] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a special favor,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you how a pro does it.<br>**[18:28] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, these hot tongs<br>**[18:30] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;are more painful when used<br>&nbsp;&nbsp;&nbsp;&nbsp;to burn the flesh from the inside,<br>**[18:34] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than searing it from the outside.<br>**[18:38] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me...<br>**[18:39] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you begging for your life?<br>**[18:41] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then do you swear to admit your fault<br>**[18:45] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;and apologize sincerely<br>&nbsp;&nbsp;&nbsp;&nbsp;to those you killed?<br>**[18:50] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear! I swear it!<br>**[18:52] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize!<br>**[18:56] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rukawa-kun, what do you think?<br>**[18:58] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see.<br>**[19:00] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think he's guilty,<br>&nbsp;&nbsp;&nbsp;&nbsp;then he's guilty, Sensei.<br>**[19:04] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[19:06] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let us continue.<br>**[19:09] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But please...<br>**[19:12] Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some mercy...<br>**[19:14] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mercy?<br>**[19:16] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you done to the<br>&nbsp;&nbsp;&nbsp;&nbsp;people who asked for mercy, eh?!<br>**[19:22] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suffer to your bare bones for the<br>&nbsp;&nbsp;&nbsp;&nbsp;sake of Masao-kun, who you burned alive.<br>**[19:28] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think that you can die so easily.<br>**[19:37] (Flashback) Boss Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aobayashi, good job catching the perp!<br>**[19:41] (Flashback) Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[19:42] (Flashback) Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bend over backward<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sake of justice!<br>**[19:46] (Flashback) Aobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The basis of an investigation<br>&nbsp;&nbsp;&nbsp;&nbsp; is in the stakeout.<br>**[19:49] (Flashback) Bad Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, this is for you...<br>**[19:54] Aobayashi/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, why did I become a cop?*<br>**[20:02] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not even halfway through, but he croaked.<br>**[20:06] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;This type of scumbag has little backbone.<br>**[20:09] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so disrespectful of him to leave<br>&nbsp;&nbsp;&nbsp;&nbsp; your lecture halfway through.<br>**[20:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where... am I?<br>**[20:21] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh good.<br>**[20:23] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You woke up.<br>**[20:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you are?<br>**[20:27] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try to talk yet.<br>**[20:28] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing for you to worry about.<br>**[20:31] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's been taken care of.<br>**[20:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait, what do you mean...<br>**[20:36] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe we'll ever meet again.<br>**[20:39] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you lose your way<br>&nbsp;&nbsp;&nbsp;&nbsp;and become an abomination, that is.<br>**[20:48] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei, Yamagishi-san sends his gratitude.<br>**[20:53] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:55] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope this helped ease his soul,<br>&nbsp;&nbsp;&nbsp;&nbsp; even if just a little.<br>**[20:59] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blade of damnation powered<br>&nbsp;&nbsp;&nbsp;&nbsp;by the resentment of the innocent:<br>**[21:03] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is me, the Torture Sommelier.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Torture Sommelier
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Torture Sommelier
<br>**[21:08] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I turn away from the law to pass judgment.*<br>**[21:12] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*People would call me crazy.*<br>**[21:14] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it is true that there are souls*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that can only be saved through revenge.*<br>**[21:21] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I can dry the tears of those*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who are crushed by despair,*<br>**[21:27] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I will happily walk*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the darkness of madness.*<br>**[21:33] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must have been terrible.<br>**[21:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else is new?<br>**[21:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Torture Sommelier, Ijuin...<br>**[21:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps human crazies attract each other?<br>**[21:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I can't get enough of this.<br>**[21:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is everything all right, Professor?<br>**[21:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[21:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for sharing such<br>&nbsp;&nbsp;&nbsp;&nbsp;an interesting story.<br>**[21:56] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thirsty for more.<br>**[23:32] Sign (Vertical)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hedonistic<br>
&nbsp;&nbsp;&nbsp;&nbsp;Stalker's<br>
&nbsp;&nbsp;&nbsp;&nbsp;Murder<br>
&nbsp;&nbsp;&nbsp;&nbsp; Impulse<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death<br>
&nbsp;&nbsp;&nbsp;&nbsp;Awaits<br>
&nbsp;&nbsp;&nbsp;&nbsp;Wherever<br>
&nbsp;&nbsp;&nbsp;&nbsp;She<br>
&nbsp;&nbsp;&nbsp;&nbsp; Goes
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death Row Inmate's Girlfriend<br>
&nbsp;&nbsp;&nbsp;&nbsp;Negishi Chie
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 4
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>

# E4 - Death Row Inmate’s Girlfriend Negishi Chie

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUNXG7J/death-row-inmates-girlfriend-negishi-chie)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:11] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Negishi Chie.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Negishi Chie
<br>**[00:14] Chie/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm an ordinary, run-of-the-mill*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Japanese backpacker.*<br>**[00:19] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please...*<br>**[00:20] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Walk past me.*<br>**[00:55] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 4
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death<br>
&nbsp;&nbsp;&nbsp;&nbsp;Awaits<br>
&nbsp;&nbsp;&nbsp;&nbsp;Wherever<br>
&nbsp;&nbsp;&nbsp;&nbsp;She<br>
&nbsp;&nbsp;&nbsp;&nbsp; Goes
<br>**[02:04] Sign (Vertical)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hedonistic<br>
&nbsp;&nbsp;&nbsp;&nbsp;Stalker's<br>
&nbsp;&nbsp;&nbsp;&nbsp;Murder<br>
&nbsp;&nbsp;&nbsp;&nbsp; Impulse<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death Row Inmate's Girlfriend<br>
&nbsp;&nbsp;&nbsp;&nbsp;Negishi Chie
<br>**[02:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your lucky charm, was it?<br>**[02:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this coin?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's cheap
<br>**[02:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was actually just a cheap thing I bought<br>&nbsp;&nbsp;&nbsp;&nbsp;at a souvenir store overseas.<br>**[02:16] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to your story,<br>&nbsp;&nbsp;&nbsp;&nbsp;it sounds more like a cursed item.<br>**[02:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?!<br>**[02:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to this coin, I got to...<br>**[02:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch!<br>**[02:25] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san?<br>**[02:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[02:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[02:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to this coin, I got to meet her.<br>**[02:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And...<br>**[02:34] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You presumed that your fiancée*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and her friend were having an affair.*<br>**[02:41] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So supposedly, you stabbed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;them both and set them on fire.*<br>**[02:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yah! Hah! Hup! There!<br>**[02:53] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;A foreigner?!<br>**[02:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Yeah, sure.<br>**[02:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am from Japan.<br>**[02:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is anything the—<br>**[03:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[03:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shoot, wait!<br>**[03:06] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[03:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[03:09] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this yours?<br>**[03:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, yes, it is...<br>**[03:17] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you by any chance from Japan?<br>**[03:23] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're here for work?<br>**[03:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[03:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I work at a trading company.<br>**[03:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I travel overseas often.<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, all the time.<br>**[03:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you here on a trip?<br>**[03:34] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:35] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Traveling around the world<br>&nbsp;&nbsp;&nbsp;&nbsp;has been my dream since childhood.<br>**[03:40] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now, I'm living that dream.<br>**[03:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[03:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;My social media account.<br>**[03:46] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I post things as I travel.<br>**[03:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, nice photos!<br>**[03:51] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Samgyupsal, Korean grilled<br>&nbsp;&nbsp;&nbsp;&nbsp;pork belly, was so yummy.<br>**[03:54] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the Great Wall of China<br>&nbsp;&nbsp;&nbsp;&nbsp;was such a sight.<br>**[03:58] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and everyone I met<br>&nbsp;&nbsp;&nbsp;&nbsp;in Vietnam was so nice to me.<br>**[04:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like your trip is a blast.<br>**[04:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[04:07] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, it's nothing.<br>**[04:09] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish it was only good things...<br>**[04:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[04:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can keep it if you want.<br>**[04:20] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? For me?<br>**[04:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was told that it's a lucky coin.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lucky coins
<br>**[04:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;To wish for your safety in your travel...<br>**[04:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it too pretentious of me?<br>**[04:31] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure? Thank you.<br>**[04:34] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll treasure it.<br>**[04:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure...<br>**[04:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, I haven't introduced myself.<br>**[04:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Satake Hirofumi.<br>**[04:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have lots of hobbies, but I've always<br>&nbsp;&nbsp;&nbsp;&nbsp; liked collecting oil lighters...<br>**[04:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what am I saying?!<br>**[04:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you like, would you like<br>&nbsp;&nbsp;&nbsp;&nbsp;to go get something to eat—<br>**[04:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Everything okay?<br>**[04:58] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry!<br>**[04:59] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please excuse me!<br>**[05:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least tell me your name...<br>**[05:07] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be joking, right?<br>**[05:09] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[05:12] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, Sagrada Familia was that impressive?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Couple of Weeks Ago
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Couple of Weeks Ago
<br>**[05:15] Traveler**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it was amazing!<br>**[05:17] Traveler**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't wait to see it finished.<br>**[05:19] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cool.<br>**[05:20] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to check it out.<br>**[05:22] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Likes
<br>**[05:24] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice!<br>**[05:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got likes already.<br>**[05:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi!<br>**[05:30] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you Japanese?<br>**[05:31] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:33] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ohayo gozaimasu!<br>**[05:36] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's night time, so now you'd say, "Konbanwa."<br>**[05:39] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Japanese is difficult.<br>**[05:42] Chie/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I met Jack Spacey at a bed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and breakfast in Cambodia.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jack Spacey
<br>**[05:50] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan is fantastic.<br>**[05:52] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese food, culture, and most of all,<br>**[05:55] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;the spirituality of the Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;people are all wonderful.<br>**[05:59] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spirit of "mottainai"<br>&nbsp;&nbsp;&nbsp;&nbsp;should be shared universally.<br>**[06:05] Chie/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Jack was a Japanophile, and as*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a Japanese person, that kind of felt good.*<br>**[06:11] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to travel around Europe.<br>**[06:15] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you join me?<br>**[06:17] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Traveling with someone can be fun too.<br>**[06:19] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but I already have a travel plan.<br>**[06:22] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad.<br>**[06:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure we'll see each other again<br>&nbsp;&nbsp;&nbsp;&nbsp;on our travels sometime.<br>**[06:29] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right after that, I left Cambodia.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thailand
<br>**[06:35] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, where should I go next?<br>**[06:40] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[06:42] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack!<br>**[06:43] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[06:45] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I was going to ask!<br>**[06:48] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be destiny!<br>**[06:56] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Jack, I thought you<br>&nbsp;&nbsp;&nbsp;&nbsp;were going to Europe.<br>**[06:59] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about that.<br>**[07:00] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you go to the Ayutthaya historical park?<br>**[07:02] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wat Lokayasutharam is<br>&nbsp;&nbsp;&nbsp;&nbsp;a huge reclining Buddha,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wat Lokayasutharam
<br>**[07:06] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is about 28 meters long...<br>**[07:10] Child**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotcha!<br>**[07:12] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, Jack!<br>**[07:15] Child**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go! What are you—<br>**[07:18] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humph!<br>**[07:18] Child**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! It hurts!<br>**[07:21] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack! That's enough!<br>**[07:24] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you on about, Chie?<br>**[07:26] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't let anyone underestimate<br>&nbsp;&nbsp;&nbsp;&nbsp;you abroad, even a child.<br>**[07:30] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just kidding.<br>**[07:31] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only meant to teach him a lesson.<br>**[07:34] Chie/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I started to fear the abnormal behavior*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he'd exhibit every now and then.*<br>**[07:41] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, I'm going to throw up.<br>**[07:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had too much to drink.<br>**[07:47] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your room.<br>**[07:49] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you get in bed—<br>**[07:53] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Jack?!<br>**[07:55] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;There! Take that!<br>**[07:55] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Stop it, Jack!<br>**[07:57] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[07:58] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think you can treat<br>&nbsp;&nbsp;&nbsp;&nbsp;me like shit?!<br>**[08:00] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cry! Cry for help, you bitch!<br>**[08:03] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you doing this, Jack?!<br>**[08:04] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love hearing women scream.<br>**[08:15] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this!<br>**[08:17] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hot!<br>**[08:20] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[08:21] Chie/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Catching him off guard,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I ran out of his room,*<br>**[08:24] Chie/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;left the country that day,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and fled to Turkey.*<br>**[08:28] Jack/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chie, please forgive me.*<br>**[08:31] Jack/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was drunk.*<br>**[08:32] Jack/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd never do such a thing again.*<br>**[08:36] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Very well.*<br>**[08:38] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll forget about that night.*<br>**[08:40] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But please do not contact me ever again.*<br>**[08:43] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Goodbye.*<br>**[08:47] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was the end of him.*<br>**[08:51] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or so I thought.*<br>**[08:59] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Chie.<br>**[09:01] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:03] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a coincidence.<br>**[09:04] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this really must be destiny.<br>**[09:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why are you here?<br>**[09:10] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me say it again!<br>**[09:12] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's destiny!<br>**[09:14] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You enjoyed authentic<br>&nbsp;&nbsp;&nbsp;&nbsp;kebab yesterday, right?<br>**[09:17] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me buy you my favorite<br>&nbsp;&nbsp;&nbsp;&nbsp;Turkish ice cream today.<br>**[09:22] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Chie, come on...<br>**[09:24] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[09:26] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a stalker!<br>**[09:27] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me, please!<br>**[09:29] Turkish Man 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? A stalker?<br>**[09:31] Turkish Man 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is he?<br>**[09:35] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of my way!<br>**[09:38] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did he know that I was in Turkey?<br>**[09:41] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I stopped contacting him after—<br>**[09:43] Jack**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You enjoyed authentic*<br>*&nbsp;&nbsp;&nbsp;&nbsp;kebab yesterday, right?*<br>**[09:47] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I enjoyed authentic kebab today!
<br>**[09:49] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was sloppy.*<br>**[09:52] Chie/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Jack was using my own*<br>*&nbsp;&nbsp;&nbsp;&nbsp;social media posts to locate me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boarding my plane now
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Posting
<br>**[09:58] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hope this fools him.*<br>**[10:02] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And this is going to be my last post.*<br>**[10:06] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was one of my joys during my trip...*<br>**[10:10] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With the adoption of smart phones,*<br>**[10:12] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the number of social networking service*<br>*&nbsp;&nbsp;&nbsp;&nbsp;users is on the rise.*<br>**[10:18] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, because of its*<br>*&nbsp;&nbsp;&nbsp;&nbsp;simplicity and convenience,*<br>**[10:23] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*personal information is now more exposed,*<br>**[10:25] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and there are those who abuse it.*<br>**[10:28] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From faint traces left*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on the posted photos or casual posts,*<br>**[10:32] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;someone can identify where you live*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or your movement patterns.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I had lunch with my friends at the <br>
&nbsp;&nbsp;&nbsp;&nbsp;new pasta place in my neighborhood!
<br>**[10:37] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There have even been cases of people's homes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;being exposed through the reflections in their eyes.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Address  Minato Ward, Tokyo~~
<br>**[10:45] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*These acts are called digital stalking.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digital Stalking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digital Stalking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digital Stalking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digital Stalking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digital Stalking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digital Stalking
<br>**[10:49] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are three things to watch out for:*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3 Things to Watch Out For
<br>**[10:52] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;First, choose who receives*<br>*&nbsp;&nbsp;&nbsp;&nbsp;information you disclose.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1. Choose who receives information you disclose
<br>**[10:52] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2. Do not carelessly post about the weather or the places you frequent,<br>
&nbsp;&nbsp;&nbsp;&nbsp;which can be used to deduce location and behavior patterns
<br>**[10:56] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Second, do not carelessly post about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the weather or the places you frequent,*<br>**[10:57] Chibi Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;This café is next to my house!<br>**[11:00] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which can be used to deduce*<br>*&nbsp;&nbsp;&nbsp;&nbsp;location and behavior patterns.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3. Make sure there's nothing that could lead to your personal information
<br>**[11:04] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Three, when posting photos and video clips,*<br>**[11:05] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check!<br>**[11:08] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure there's nothing that could lead<br>&nbsp;&nbsp;&nbsp;&nbsp;to your personal information in them.<br>**[11:15] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To enjoy social media safely,*<br>**[11:18] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you must remember these three things.*<br>**[11:23] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[11:23] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[11:26] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[11:26] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[11:34] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How did he know that I was here?*<br>**[11:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;He couldn't have followed me this far.<br>**[11:50] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ran away in a hurry, so I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;get to say goodbye to that man.<br>**[11:59] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:10] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew we were destined to be together.<br>**[12:21] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[12:22] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many people?<br>**[12:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just me.<br>**[12:26] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the foreigner from earlier?!<br>**[12:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, are you...<br>**[12:33] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize.<br>**[12:34] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me show you to your table.<br>**[12:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with him?<br>**[12:37] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't mind him.<br>**[12:39] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a strange rumor going<br>&nbsp;&nbsp;&nbsp;&nbsp; around in his hometown,<br>**[12:43] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;and because of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's scared of foreigners.<br>**[12:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck?<br>**[12:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever...<br>**[12:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[12:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the lady from this afternoon.<br>**[12:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a boyfriend, huh?<br>**[13:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad.<br>**[13:04] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish it was only good things...<br>**[13:18] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... g-gun?!<br>**[13:20] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie, simply tormenting you is no fun.<br>**[13:24] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;So let us play a game.<br>**[13:27] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;A game?<br>**[13:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will give you one minute.<br>**[13:31] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go and hide in the building.<br>**[13:35] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you manage to hide<br>&nbsp;&nbsp;&nbsp;&nbsp;from me for an hour, you win.<br>**[13:40] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you go.<br>**[13:42] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand.<br>**[13:43] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you—<br>**[13:45] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;The game starts now.<br>**[13:48] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me hear your wonderful scream.<br>**[13:51] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, two, three, four...<br>**[14:00] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sixty.<br>**[14:05] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie-chan! Let's play!<br>**[14:13] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why did it come to this?!*<br>**[14:17] Chie/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please... walk past me.*<br>**[14:32] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are...<br>**[14:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eek! Phew, I'm glad.<br>**[14:37] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why are you here?<br>**[14:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw you earlier...<br>**[14:43] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Isn't this...<br>**[14:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got worried, so I came to check it out.<br>**[14:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[15:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what?!<br>**[15:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?!<br>**[15:05] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie?<br>**[15:07] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you there?<br>**[15:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Chie?<br>**[15:11] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run! You'll get killed!<br>**[15:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch!<br>**[15:15] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found you!<br>**[15:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[15:19] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go where?!<br>**[15:20] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-This is the third floor!<br>**[15:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I don't want to die!<br>**[15:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[15:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[15:34] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I g-guess so...<br>**[15:36] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you jumped off.<br>**[15:39] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie! Where are you?<br>**[15:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's run!<br>**[15:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah!<br>**[15:51] Cook**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now!<br>**[15:52] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[15:55] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost got assigned to a foreigner.<br>**[15:59] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to be careful...<br>**[16:02] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch...<br>**[16:03] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the heck?!<br>**[16:05] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[16:07] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[16:08] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, don't run inside—<br>**[16:12] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foreigners?!<br>**[16:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you!<br>**[16:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a bit too rude.<br>**[16:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, where are you touching?!<br>**[16:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack!<br>**[16:26] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie.<br>**[16:27] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Checkmate.<br>**[16:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a fun game.<br>**[16:32] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you.<br>**[16:33] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to<br>&nbsp;&nbsp;&nbsp;&nbsp;get killed, go to the back—<br>**[16:35] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care!<br>**[16:37] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... My dick!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;° Image is for illustration purposes only
<br>**[16:41] Jack/Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your dick?<br>**[16:42] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes.<br>**[16:44] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[16:45] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;He believes in this crazy<br>&nbsp;&nbsp;&nbsp;&nbsp;rumor going around in rural areas<br>**[16:48] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;that claims shaking hands<br>&nbsp;&nbsp;&nbsp;&nbsp;with foreigners makes you lose your dick.<br>**[16:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your dick?!<br>**[16:55] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a rumor!<br>**[16:57] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist, I'll show you!<br>**[16:59] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[17:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You idiot!<br>**[17:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't flash in a place like this!<br>**[17:02] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look!<br>**[17:03] Server 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dick is gone!<br>**[17:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[17:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding!<br>**[17:09] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;His p-penis is buried...<br>**[17:12] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside his body?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;° Image is for illustration purposes only
<br>**[17:14] Server 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?!<br>**[17:15] Customer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth...<br>**[17:16] Customer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a disease?<br>**[17:18] Customer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Spooky...<br>**[17:20] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable.<br>**[17:23] Customer 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[17:24] Customer 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[17:25] Customers 4;5;6**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gone!<br>**[17:27] Customer 6**<br>&nbsp;&nbsp;&nbsp;&nbsp;My little buddy!<br>**[17:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, m-mine too?!<br>**[17:33] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;My big magnum!<br>**[17:40] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[17:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-O-O-Oh man, what should I do?!<br>**[17:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my Excalibur!<br>**[17:48] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;My magnum is lost!<br>**[17:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What should I do?<br>**[17:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do I do?<br>**[17:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[18:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please help!<br>**[18:02] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out already!<br>**[18:04] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop showing that to me!<br>**[18:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's right there!<br>**[18:10] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, stupid?!<br>**[18:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;° Image is not relevant
<br>**[18:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[18:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's here.<br>**[18:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so relieved.<br>**[18:19] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez. For a second, I thought you were cool.<br>**[18:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! Yay!<br>**[18:23] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please put that away!<br>**[18:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[18:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what's going on?<br>**[18:29] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, now's the time to run!<br>**[18:31] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;My penis!<br>**[18:31] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[18:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold up!<br>**[18:33] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;My penis!<br>**[18:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My balls are still stuck up inside.<br>**[18:39] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Grand Canyon!<br>**[18:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're laughing too hard.<br>**[18:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[18:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's so like you to encounter<br>**[18:51] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;genital retraction syndrome<br>&nbsp;&nbsp;&nbsp;&nbsp;at an intense moment like that.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Genital Retraction Syndrome
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Genital Retraction Syndrome
<br>**[18:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what that was?<br>**[18:58] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a type of mass hysteria,<br>&nbsp;&nbsp;&nbsp;&nbsp;also known as "penis panic."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Penis Panic
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Penis Panic
<br>**[19:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mass hysteria?<br>**[19:04] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This disorder is unique<br>&nbsp;&nbsp;&nbsp;&nbsp;in that the hallucination is contagious.<br>**[19:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hallucination...<br>**[19:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, mine looked<br>&nbsp;&nbsp;&nbsp;&nbsp;like it was totally gone,<br>**[19:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;and so was that server's...<br>**[19:18] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cases of penis panic have been<br>&nbsp;&nbsp;&nbsp;&nbsp;reported all around the world.<br>**[19:22] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1976, in Isan,<br>&nbsp;&nbsp;&nbsp;&nbsp;the northeast region of Thailand,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Isan
<br>**[19:28] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;350 men believed that their genitals were gone,<br>&nbsp;&nbsp;&nbsp;&nbsp;and many of them were hospitalized.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sudan
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sudan
<br>**[19:38] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, in Sudan in 2003,<br>**[19:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;a rumor that you'd lose your<br>&nbsp;&nbsp;&nbsp;&nbsp;genitals if you shook hands<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Genitals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Genitals
<br>**[19:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a foreigner was spread via email.<br>**[19:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And a person who did firmly<br>&nbsp;&nbsp;&nbsp;&nbsp;shake hands with a foreigner<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Image
<br>**[19:54] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;felt the sensation that he lost his penis and<br>&nbsp;&nbsp;&nbsp;&nbsp;was brought to a hospital for a panic attack.<br>**[20:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A foreigner...<br>**[20:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That server was saying<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that too.<br>**[20:07] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cause of the disorder<br>&nbsp;&nbsp;&nbsp;&nbsp;is still unidentified.<br>**[20:11] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely, it's a phenomenon caused<br>&nbsp;&nbsp;&nbsp;&nbsp;by a complex combination<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cultural Background
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cultural Background
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mental State
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mental State
<br>**[20:15] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;of cultural background,<br>&nbsp;&nbsp;&nbsp;&nbsp;mental state, and various other elements.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Various
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Various
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Elements
<br>**[20:19] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that catches you<br>
&nbsp;&nbsp;&nbsp;&nbsp; with your *pants down*!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pants Down
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pants Down
<br>**[20:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shut up.<br>**[20:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, are you going back to Japan?<br>**[20:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my assignment here is done.<br>**[20:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I'll be on another<br>&nbsp;&nbsp;&nbsp;&nbsp;overseas business trip soon.<br>**[20:37] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, travel safely.<br>**[20:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi-san, you'll continue to travel<br>&nbsp;&nbsp;&nbsp;&nbsp;after everything that's happened?<br>**[20:43] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm still a bit scared.<br>**[20:46] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this has been a dream<br>&nbsp;&nbsp;&nbsp;&nbsp;since my childhood.<br>**[20:50] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let something like this stop me!<br>**[20:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're strong.<br>**[20:54] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also have *this* now.<br>**[20:57] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be all right.<br>**[20:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[21:01] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san. Thank you for everything.<br>**[21:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No problem.<br>**[21:06] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can continue my trip like this<br>&nbsp;&nbsp;&nbsp;&nbsp;because you saved my life.<br>**[21:12] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye.<br>**[21:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care.<br>**[21:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[21:24] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[21:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;When your travel is over<br>&nbsp;&nbsp;&nbsp;&nbsp;and you come back to Japan,<br>**[21:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you like to go to dinner with me?<br>**[21:34] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I'd love to!<br>**[23:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I forget something so important?<br>**[23:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie...<br>**[23:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why can't I remember?<br>**[23:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did I kill Chie?<br>**[23:23] Prison Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi, step out.<br>**[23:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out? Where am I going?<br>**[23:29] Prison Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being transferred.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Closed Room at 10,000 Meters in the Air<br>
&nbsp;&nbsp;&nbsp;&nbsp; Dive of Death!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Flying Casket
<br>**[23:32] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my sweetie... You're so beautiful!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 5
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E5 - Closed Room at 10,000 Meters in the Air: Dive of Death! Flying Casket

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GZ7UVK29Q/closed-room-at-10000-meters-in-the-air-dive-of-death-flying-casket)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Satake Hirofumi.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[00:09] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm an ordinary, run-of-the-mill*<br>*&nbsp;&nbsp;&nbsp;&nbsp;death row inmate who is being transferred.*<br>**[00:15] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This transfer is actually a surprise<br>&nbsp;&nbsp;&nbsp;&nbsp;for me too, so I'm a bit confused.<br>**[00:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[00:23] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was initially determined<br>&nbsp;&nbsp;&nbsp;&nbsp;that you would be under our care<br>**[00:28] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;until they knew what to do with you.<br>**[00:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the police suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;found fault with our security.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Confidential<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Regarding Satake Hirofumi's Special Transfer
<br>**[00:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now you're being transferred<br>&nbsp;&nbsp;&nbsp;&nbsp;to a more secure facility.<br>**[00:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[00:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no need for you to come along.<br>**[00:51] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[00:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I have said many times before,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're a precious specimen.<br>**[00:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, if I tag along,<br>**[00:59] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a good chance that we<br>&nbsp;&nbsp;&nbsp;&nbsp;might experience something crazy.<br>**[01:03] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like... maybe being hijacked?<br>**[01:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't even joke about that stuff.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 5
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Closed Room at 10,000 Meters in the Air<br>
&nbsp;&nbsp;&nbsp;&nbsp; Dive of Death!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Flying Casket
<br>**[02:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, did you know?<br>**[02:49] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last row in the cabin is<br>&nbsp;&nbsp;&nbsp;&nbsp;commonly known as prisoner's class.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Prisoner's Class
<br>**[02:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;When suspects are being transferred,<br>**[02:59] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;they usually use these seats so that they're<br>&nbsp;&nbsp;&nbsp;&nbsp;out of sight for regular passengers.<br>**[03:05] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[03:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you nervous?<br>**[03:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault for<br>&nbsp;&nbsp;&nbsp;&nbsp;spooking me before the flight.<br>**[03:11] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're nervous, take this as a charm.<br>**[03:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... are you sure?<br>**[03:18] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was yours to begin with.<br>**[03:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But please don't tell<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone I gave it back to you.<br>**[03:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[03:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you don't need to worry about hijackings.<br>**[03:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like it was 20 years ago.<br>**[03:33] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake...<br>**[03:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[03:36] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while.<br>**[03:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, you're...<br>**[03:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san?!<br>**[03:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[03:46] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda was closest to you<br>&nbsp;&nbsp;&nbsp;&nbsp;while you were incarcerated.<br>**[03:51] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;The brass decided that<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda accompanying you would<br>**[03:53] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;be most beneficial for your mental care.<br>**[03:55] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, he insisted.<br>**[03:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did?<br>**[04:01] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[04:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy to see you again.<br>**[04:10] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[04:11] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I heard you're<br>&nbsp;&nbsp;&nbsp;&nbsp;suffering from memory loss.<br>**[04:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some memories have returned,<br>&nbsp;&nbsp;&nbsp;&nbsp;but there are still holes.<br>**[04:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but I remembered you right away.<br>**[04:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You surprised me though, since I had<br>&nbsp;&nbsp;&nbsp;&nbsp;never seen you out of uniform.<br>**[04:28] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you would have forgotten about me.<br>**[04:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:32] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, I gotta use the restroom.<br>**[04:38] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shimoda-san doesn't look too well.*<br>**[04:41] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he the prison guard<br>&nbsp;&nbsp;&nbsp;&nbsp;who witnessed your execution?<br>**[04:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa?!<br>**[04:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is.<br>**[04:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's fishy here.<br>**[04:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the epitome of fishiness yourself!<br>**[04:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might be young, but Shimoda-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is an exemplary prison guard.<br>**[05:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you become a prison guard?<br>**[05:05] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[05:08] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sister was involved in an accident<br>&nbsp;&nbsp;&nbsp;&nbsp;and lost her ability to walk.<br>**[05:14] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;A speeding motorcycle<br>&nbsp;&nbsp;&nbsp;&nbsp;crashed into the sidewalk.<br>**[05:19] (Flashback) Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry!<br>**[05:23] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sorry" isn't going to cut it!<br>**[05:26] (Flashback) Sakura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tadashi, stop!<br>**[05:32] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakura...<br>**[05:37] (Flashback) Sakura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please raise your head.<br>**[05:42] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sister forgave the guy.<br>**[05:46] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeing that made me think<br>&nbsp;&nbsp;&nbsp;&nbsp;about crime and atonement.<br>**[05:52] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I became a prison guard.<br>**[05:56] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;In both good and bad ways,<br>&nbsp;&nbsp;&nbsp;&nbsp;this job makes you face people's crimes.<br>**[06:02] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san? Is everything okay?<br>**[06:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's nothing.<br>**[06:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were saying something?<br>**[06:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something about 20 years ago?<br>**[06:13] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that it was possible to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;hazardous materials on board before.<br>**[06:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You must be kidding.<br>**[06:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's consider "Airport A."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Airport
<br>**[06:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Airport A had a grave flaw in its security.<br>**[06:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, after you get off the plane,<br>**[06:35] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you go outside after you pick up your<br>&nbsp;&nbsp;&nbsp;&nbsp;checked luggage from the baggage claim area.<br>**[06:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;To re-enter, you'd have to go through<br>&nbsp;&nbsp;&nbsp;&nbsp;security again from the departure area.<br>**[06:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Airport
<br>**[06:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at Airport A,<br>**[06:49] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a staff stairwell between<br>&nbsp;&nbsp;&nbsp;&nbsp;the arrivals area and baggage claim<br>**[06:55] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;that led to the departure area.<br>**[06:58] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, the door<br>&nbsp;&nbsp;&nbsp;&nbsp;to these stairs wasn't locked,<br>**[07:02] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there were no guards,<br>&nbsp;&nbsp;&nbsp;&nbsp;or even surveillance cameras.<br>**[07:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone could get in, then.<br>**[07:10] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly. Now listen.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Airport
<br>**[07:13] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you picked up checked luggage<br>**[07:17] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had hazardous material<br>&nbsp;&nbsp;&nbsp;&nbsp;in it at Airport A,<br>**[07:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could go against the flow of passengers<br>&nbsp;&nbsp;&nbsp;&nbsp;to reach the staff-only stairs.<br>**[07:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you could bypass the security<br>&nbsp;&nbsp;&nbsp;&nbsp;check to enter the departure area.<br>**[07:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you'd use a ticket to another<br>&nbsp;&nbsp;&nbsp;&nbsp;airport you had already purchased<br>**[07:38] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get on the plane with your luggage.<br>**[07:41] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how you'd bring<br>&nbsp;&nbsp;&nbsp;&nbsp;hazardous materials on board.<br>**[07:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! That's really bad!<br>**[07:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, so something could be on this plane too?<br>**[07:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to worry.<br>&nbsp;&nbsp;&nbsp;&nbsp; Security has improved since then.<br>**[07:56] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this day and age, it's nearly<br>&nbsp;&nbsp;&nbsp;&nbsp;impossible to hijack an airplane.<br>**[08:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good to hear.<br>**[08:03] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[08:05] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found something strange.<br>**[08:08] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something strange?<br>**[08:12] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;So where is this strange thing?<br>**[08:14] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right there. Can't you see?<br>**[08:17] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see anything...<br>**[08:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it is not impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring a weapon onto an aircraft.<br>**[08:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not making sense.<br>**[08:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm stating a fact.<br>**[08:33] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just look around us.<br>**[08:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;All police officers in street clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;accompanying you today are carrying guns.<br>**[08:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course they are.<br>**[08:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the police.<br>**[08:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Wh-What?!<br>**[08:55] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda!<br>**[08:57] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>**[08:59] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[09:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A... g-g-g-gun?!<br>**[09:04] Passenger 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, he has a gun!<br>**[09:07] Passenger 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, are we being hijacked?<br>**[09:09] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you out of your mind?!<br>**[09:11] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Step back!<br>**[09:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stop! H-Help me!<br>**[09:15] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me!<br>**[09:16] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come inside. Or else...<br>**[09:20] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on!<br>**[09:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop!<br>**[09:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to die!<br>**[09:33] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it...<br>**[09:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shimoda-san, why are you doing this?<br>**[09:45] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I hate you, obviously. Why else?<br>**[09:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hate me?<br>**[09:52] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always hated you.<br>**[09:55] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dirty criminal!<br>**[09:57] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally you were executed,<br>&nbsp;&nbsp;&nbsp;&nbsp;but somehow you survived.<br>**[10:01] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I will mete out justice!<br>**[10:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lying!<br>**[10:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not that type of person.<br>**[10:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were always kind to me.<br>**[10:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even at the end, you gave me—<br>**[10:14] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[10:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san...<br>**[10:19] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you looking at me like that?!<br>**[10:21] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a death row inmate.<br>**[10:23] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a murderer!<br>**[10:25] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to hate me!<br>**[10:26] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come kill me!<br>**[10:28] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, I...<br>**[10:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[10:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't possibly do that.<br>**[10:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think of you as a friend, Shimoda-san.<br>**[10:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go!<br>**[10:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just for a second, please!<br>**[10:50] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to stay still!<br>**[10:51] Proffesor**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I, when something so exciting<br>&nbsp;&nbsp;&nbsp;&nbsp;is happening right in front of me?!<br>**[10:55] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[10:56] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it.<br>**[10:58] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what do we do?<br>**[10:59] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we go in?<br>**[11:00] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he has Satake.<br>**[11:05] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been wondering about this<br>&nbsp;&nbsp;&nbsp;&nbsp; since you were in detention.<br>**[11:08] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really a death row inmate?<br>**[11:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Err...<br>**[11:12] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd have cussed me out even once,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have pulled the trigger.<br>**[11:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you doing this?<br>**[11:19] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was asked by the family<br>&nbsp;&nbsp;&nbsp;&nbsp;of the person you killed.<br>**[11:27] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[11:27] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[11:30] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[11:30] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[11:33] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trap you inside the<br>&nbsp;&nbsp;&nbsp;&nbsp;airplane so you can't escape,<br>**[11:36] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;take a gun from a police officer<br>&nbsp;&nbsp;&nbsp;&nbsp;and kill you with it.<br>**[11:39] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I said no.<br>**[11:41] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be doomed if I did that.<br>**[11:45] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[11:48] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeing the amount of money, I was tempted.<br>**[11:52] (Flashback) Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;With this money, you can get better<br>&nbsp;&nbsp;&nbsp;&nbsp;treatment for your sister, don't you think?<br>**[11:58] (Flashback) Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the latest surgical techniques,<br>&nbsp;&nbsp;&nbsp;&nbsp; she might walk again.<br>**[12:04] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[12:06] (Flashback) Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san, this is justice.<br>**[12:10] (Flashback) Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you, please avenge my loss!<br>**[12:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did it for your sister...<br>**[12:21] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever I say, it's only an excuse.<br>**[12:25] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've failed as a prison guard.<br>**[12:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true! That’s not...<br>**[12:32] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Satake.<br>**[12:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it, Shimoda-san!<br>**[12:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[12:39] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[12:43] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go!<br>**[12:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not!<br>**[12:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't right!<br>**[12:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't protect someone<br>&nbsp;&nbsp;&nbsp;&nbsp;by sacrificing yourself!<br>**[12:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your sister wouldn't want that—<br>**[12:52] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop, Hirofumi!<br>**[12:54] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! You must reconsider!<br>**[12:58] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake?<br>**[12:59] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Satake?<br>**[13:01] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there!<br>**[13:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shimoda-san...<br>**[13:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in no place to preach at you.<br>**[13:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a death row inmate, after all.<br>**[13:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you, you're different.<br>**[13:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you can start over.<br>**[13:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg you.<br>**[13:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please live. For your sister.<br>**[13:23] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake...<br>**[13:31] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's going on?!<br>**[13:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[13:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san?!<br>**[13:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[13:42] Announcement/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Passengers, please stay seated, stay calm,*<br>**[13:44] Announcement/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and follow the flight crew's instructions.*<br>**[13:48] Passenger 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?!<br>**[13:50] Passenger 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to be okay?<br>**[13:51] Passenger 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to crash?!<br>**[13:53] Flight Crew**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone! Please stay seated!<br>**[13:55] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let's calm down, everyone!<br>**[13:58] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad.<br>**[14:00] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crash aside, no one's listening<br>&nbsp;&nbsp;&nbsp;&nbsp;to instructions because of the panic.<br>**[14:04] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, no one's<br>&nbsp;&nbsp;&nbsp;&nbsp;getting out of this alive.<br>**[14:07] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[14:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're making an emergency landing,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Brace Position Recommended by the <br>
&nbsp;&nbsp;&nbsp;&nbsp;International Civil Aviation Organization
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Or
<br>**[14:13] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to remain seated<br>&nbsp;&nbsp;&nbsp;&nbsp;in the correct posture.<br>**[14:15] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, you may sustain<br>&nbsp;&nbsp;&nbsp;&nbsp;life-threatening injuries from the impact.<br>**[14:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way things are going...<br>**[14:23] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1989,<br>**[14:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;a British passenger aircraft made<br>&nbsp;&nbsp;&nbsp;&nbsp;an emergency landing due to engine trouble.<br>**[14:30] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shock of the landing<br>&nbsp;&nbsp;&nbsp;&nbsp;killed 47 passengers.<br>**[14:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;After this tragic accident,<br>**[14:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;British authorities re-examined the posture<br>&nbsp;&nbsp;&nbsp;&nbsp;to be taken during emergency landings.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1. Place your head in advance against the surface it will most likely strike upon landing<br>
&nbsp;&nbsp;&nbsp;&nbsp; (such as the wall or the seat in front of you)
<br>**[14:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;One,<br>**[14:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;place your head in advance against the<br>&nbsp;&nbsp;&nbsp;&nbsp;surface it will most likely strike upon landing.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2. Bend forward
<br>**[14:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two, bend forward.<br>**[14:55] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three, place your feet flat on the floor.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3. Place your feet flat on the floor
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1. Place your head in advance against<br>
&nbsp;&nbsp;&nbsp;&nbsp; the surface it will most likely strike<br>
&nbsp;&nbsp;&nbsp;&nbsp; upon landing (such as the wall<br>
&nbsp;&nbsp;&nbsp;&nbsp; or the seat in front of you)<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;2. Bend forward<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;3. Place your feet flat on the floor
<br>**[15:00] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;By taking this posture,<br>&nbsp;&nbsp;&nbsp;&nbsp;your survival rate goes up dramatically.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SURVIVAL RATE UP
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SURVIVAL RATE UP
<br>**[15:05] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two years later,<br>**[15:07] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;when Scandinavian Airlines Flight 751<br>&nbsp;&nbsp;&nbsp;&nbsp;made an emergency landing in 1991,<br>**[15:14] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;while the plane was wrecked,<br>&nbsp;&nbsp;&nbsp;&nbsp;all 129 occupants<br>**[15:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;assumed this posture and survived the crash.<br>**[15:26] Elderly Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me... Please help me.<br>**[15:29] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't be sad when I'm gone.<br>**[15:32] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you.<br>**[15:33] Child**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared, Mommy.<br>**[15:35] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, we'll be okay.<br>**[15:38] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me that this explosion<br>&nbsp;&nbsp;&nbsp;&nbsp;is Shimoda's work...<br>**[15:42] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't do this!<br>**[15:45] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh... What should we do?<br>**[15:47] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The passengers are in danger.<br>**[15:49] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it come to this?<br>**[15:51] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[15:56] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Satake!<br>**[16:00] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Calm down!<br>**[16:02] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please listen to the instructions!<br>**[16:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-All of you, listen to me!<br>**[16:07] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Satake?!<br>**[16:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You all need to... to shut up!<br>**[16:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I'm the one who put<br>&nbsp;&nbsp;&nbsp;&nbsp;the b-b-b-bomb on this airplane!<br>**[16:20] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[16:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to d-die, then do as I say!<br>**[16:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sit down!<br>**[16:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up and listen to the instructions!<br>**[16:29] Passenger 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:29] Passenger 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't the other guy have the gun earlier?<br>**[16:31] Passenger 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[16:35] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone!<br>**[16:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This man is an evil death row inmate!<br>**[16:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at his handcuffs!<br>**[16:43] Passenger 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's true!<br>**[16:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't do what he says,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll all get killed.<br>**[16:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's sit down.<br>**[16:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we need to assume the brace position.<br>**[16:55] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone!<br>**[16:57] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;As humiliating as this is, we have no choice<br>&nbsp;&nbsp;&nbsp;&nbsp;but to do as the inmate says.<br>**[17:00] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sit down!<br>**[17:02] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[17:04] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now's the time to tell them<br>&nbsp;&nbsp;&nbsp;&nbsp;about the brace position.<br>**[17:07] Flight Attendant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...<br>**[17:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine.<br>**[17:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, quickly!<br>**[17:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And follow the instructions of<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Flight Attendant here.<br>**[17:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But be calm about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't get hurt!<br>**[17:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there!<br>**[17:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to what I'm saying!<br>**[17:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, don't cry!<br>**[17:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, please don't cry! Boogedy-boo!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Balance Theory
<br>**[17:26] Professor**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There is a social psychology term*<br>*&nbsp;&nbsp;&nbsp;&nbsp;called "balance theory."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Balance Theory
<br>**[17:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to this theory,*<br>**[17:33] Professor**<br>*&nbsp;&nbsp;&nbsp;&nbsp;people tend to come together more*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when they have a common enemy.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Enemy
<br>**[17:39] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this was your plan.<br>**[17:42] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You scared me when<br>&nbsp;&nbsp;&nbsp;&nbsp;you pulled the gun on me.<br>**[17:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so softhearted,<br>&nbsp;&nbsp;&nbsp;&nbsp;volunteering to be the bad guy.<br>**[17:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not too far from the truth.<br>**[17:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it was a good idea.<br>**[17:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was a salaryman,<br>**[17:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed our bond was stronger<br>&nbsp;&nbsp;&nbsp;&nbsp;when we were all working for a horrible boss.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;U<br>
&nbsp;&nbsp;&nbsp;&nbsp;N<br>
&nbsp;&nbsp;&nbsp;&nbsp;I<br>
&nbsp;&nbsp;&nbsp;&nbsp;T<br>
&nbsp;&nbsp;&nbsp;&nbsp;Y
<br>**[18:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, we should sit down—<br>**[18:07] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this noise?!<br>**[18:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from the wall!<br>**[18:13] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Whoa!<br>**[18:19] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Cold!*<br>**[18:20] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So cold! Why is it so cold?!*<br>**[18:25] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[18:27] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake!<br>**[18:34] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm f-feeling faint...*<br>**[18:36] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We were at an altitude of 10,000 meters.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ALTITUDE
<br>**[18:41] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At this height, there isn't enough*<br>*&nbsp;&nbsp;&nbsp;&nbsp;oxygen for the human body.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oxygen
<br>**[18:45] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This causes hypoxia,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;impairing your consciousness.*<br>**[18:50] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Falling from a height of 10,000 meters,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you reach a speed of 300 kilometers per hour.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;300km per hour
<br>**[18:57] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You have about three minutes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;until you hit the ground.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3 Minutes
<br>**[19:01] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I-I have to stay conscious!*<br>**[19:03] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't die here...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;STRATOSPHERE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MESOSPHERE
<br>**[19:07] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you fall down to 6,700 meters,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the oxygen level gradually rises.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;TROPOSPHERE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;EXOSPHERE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ALMOST NONE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;VERY LOW
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;OXYGEN LEVEL
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THERMOSPHERE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;GETTING HIGHER
<br>**[19:13] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So if you're lucky, you regain consciousness.*<br>**[19:20] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By increasing air resistance,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minor Air Resistance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;per hour
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Major Air Resistance
<br>**[19:22] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;you can slow yourself down*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to 200 kilometers per hour.*<br>**[19:26] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the passenger seat won't be enough*<br>**[19:28] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to absorb the shock of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;falling from that height.*<br>**[19:33] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is not good...*<br>**[19:34] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to do something, or I'll die!*<br>**[19:36] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What am I going to do?!*<br>**[19:40] (Flashback) Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you pick up checked<br>&nbsp;&nbsp;&nbsp;&nbsp;luggage at Airport A,<br>**[19:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could go against the flow of passengers...<br>**[19:45] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go against...*<br>**[19:46] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Countercurrent!*<br>**[19:47] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Law of Action and Reaction!*<br>**[19:50] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've heard that even*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in a falling elevator,*<br>**[19:51] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;you can save yourself by jumping*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the moment of collision.*<br>**[19:55] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know!*<br>**[19:56] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll kick the seat and jump off!*<br>**[20:01] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When you face certain doom,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an epiphany hits like a miracle!*<br>**[20:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyah!<br>**[20:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:10] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, jumping off*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a falling passenger seat is not too effective.*<br>**[20:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[20:25] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like all the passengers survived.<br>**[20:28] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a miracle, after such a huge explosion.<br>**[20:31] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;No it's not!<br>**[20:33] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake...<br>**[20:34] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;He tried to protect me.<br>**[20:36] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an idiot...<br>**[20:38] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way,<br>**[20:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;this criminal act of yours was at<br>&nbsp;&nbsp;&nbsp;&nbsp;the request of the victim's family, correct?<br>**[20:45] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but how did you know?<br>**[20:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then something doesn't add up.<br>**[20:51] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The news of Satake-san's execution ending in<br>&nbsp;&nbsp;&nbsp;&nbsp;failure has not been disclosed to the public.<br>**[20:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even to the victim's family.<br>**[21:00] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right.<br>**[21:02] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A failed execution could<br>&nbsp;&nbsp;&nbsp;&nbsp; damage judicial authority.<br>**[21:08] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tightly guarded secret.<br>**[21:12] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sudden transfer...<br>**[21:15] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;An assassination request by a mysterious<br>&nbsp;&nbsp;&nbsp;&nbsp;party who claims to be the victim's family...<br>**[21:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the bombing of the airplane.<br>**[21:22] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plot thickens, if I may say so!<br>**[21:29] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so happy about?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BREAKING
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOTOBUKI AIRLINES PLANE CRASH<br>
&nbsp;&nbsp;&nbsp;&nbsp;ONE PASSENGER MISSING
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BREAKING
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOTOBUKI AIRLINES 101 EMERGENCY LANDING IN MEXICAN WATERS
<br>**[21:35] Announcer/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kotobuki Airlines Flight 101 made*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an emergency landing in Mexican waters,*<br>**[21:39] Announcer/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and while the aircraft*<br>*&nbsp;&nbsp;&nbsp;&nbsp;suffered grave damage,*<br>**[21:41] Announcer/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;its 205 passengers and crew*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have been confirmed safe.*<br>**[21:46] Announcer/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, one passenger is still missing,*<br>**[21:50] Announcer/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the Japan Coast Guard*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is continuing its search.*<br>**[21:53] Announcer/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For our next story,*<br>**[21:56] Announcer/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;annual giant tuna lifting festivals*<br>*&nbsp;&nbsp;&nbsp;&nbsp;took place throughout the country...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;They Took Young Lives<br>
&nbsp;&nbsp;&nbsp;&nbsp;The Mafia's Bullets
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Last Moment of <br>
&nbsp;&nbsp;&nbsp;&nbsp;the Doomed Death Row Inmate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Last Moment of <br>
&nbsp;&nbsp;&nbsp;&nbsp;the Doomed Death Row Inmate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 6
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>

# E6 - They Took Young Lives: The Mafia's Bullets: The Last Moment of the Doomed Death Row Inmate

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GD9UVKQ7Z/they-took-young-lives-the-mafias-bullets-the-last-moment-of-the-doomed-death-row-inmate)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san!<br>**[00:05] Plateau/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Thomas Plateau.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thomas Plateau
<br>**[00:08] Plateau/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been driving a school bus*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in a rural town in Mexico for 20 years.*<br>**[00:25] Plateau/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The weather is nice and warm*<br>*&nbsp;&nbsp;&nbsp;&nbsp;around these parts,*<br>**[00:29] Plateau/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it is far from safe.*<br>**[00:32] Plateau/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It would be nothing out of the ordinary to see*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a criminal driving a car like that one just now.*<br>**[00:38] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here.<br>**[00:39] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get off the bus quickly.<br>**[00:40] Plateau/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My job is to protect these children.*<br>**[00:44] Plateau/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I stay vigilant to do just that.*<br>**[00:48] Boy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye, mister!<br>**[00:50] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow!<br>**[00:52] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful on your way home.<br>**[00:53] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 6
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Last Moment of <br>
&nbsp;&nbsp;&nbsp;&nbsp;the Doomed Death Row Inmate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Last Moment of <br>
&nbsp;&nbsp;&nbsp;&nbsp;the Doomed Death Row Inmate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;They Took Young Lives<br>
&nbsp;&nbsp;&nbsp;&nbsp;The Mafia's Bullets
<br>**[02:32] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[02:37] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh no!<br>**[02:40] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! Are you all right?<br>**[02:46] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Hey!<br>**[02:48] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like he's still alive.<br>**[02:52] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what should I do?<br>**[02:54] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't just leave him here.<br>**[02:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie?<br>**[03:00] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi, why?<br>**[03:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you crying, Chie?<br>**[03:07] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[03:10] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you kill me?<br>**[03:20] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you awake?<br>**[03:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Where am I?<br>**[03:26] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my house.<br>**[03:28] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's incredible that you<br>&nbsp;&nbsp;&nbsp;&nbsp;survived those injuries.<br>**[03:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, what's going on?<br>**[03:33] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were lying on the street like<br>&nbsp;&nbsp;&nbsp;&nbsp; a rag someone had thrown out.<br>**[03:39] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to you?<br>**[03:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Airplane. Fell. From the sky.<br>**[03:51] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:09] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A person certified by Guinness World Records*<br>**[04:13] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to have fallen from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a height of 10,160 meters*<br>**[04:16] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*without a parachute and have survived is*<br>**[04:19] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the former Serbian flight attendant,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Vesna Vulović.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Vesna Vulović
<br>**[04:26] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On January 26th, 1972,*<br>**[04:30] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the airplane she was on disintegrated*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in midair due to a bomb exploding,*<br>**[04:34] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Vulović was thrown into the air.*<br>**[04:39] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;How did she cheat death*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from certain doom?*<br>**[04:44] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Not all details are clear,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it's thought that*<br>**[04:48] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the debris from the airplane surrounded her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to form a protective capsule,*<br>**[04:54] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the branches and tree trunks*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the forest area she fell into,*<br>**[04:59] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;along with the slope of the land,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;helped soften the blow.*<br>**[05:06] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was gravely injured, but recovered,*<br>**[05:09] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and continued to work*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for the airline afterwards.*<br>**[05:16] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fell from a plane, and then I found you?<br>**[05:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:23] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you're still confused.<br>**[05:26] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay in bed.<br>**[05:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not kidding.<br>**[05:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to believe—<br>**[05:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My bones are broken.<br>**[05:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm alive.<br>**[05:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I be, though?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Few Months Later
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Few Months Later
<br>**[05:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch!<br>**[05:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:31] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an imitation<br>&nbsp;&nbsp;&nbsp;&nbsp;for self-defense purposes. A fake.<br>**[06:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:37] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate guns.<br>**[06:39] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I don't at least pretend to be armed,<br>**[06:42] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be easy prey for the local mafia.<br>**[06:45] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;They truly are a deplorable bunch.<br>**[06:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>**[06:50] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be hungry.<br>**[06:52] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's eat.<br>**[06:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[07:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[07:04] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tacos.<br>**[07:05] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most recognizable<br>&nbsp;&nbsp;&nbsp;&nbsp;of Mexican dishes, wouldn't you say?<br>**[07:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tacos...<br>**[07:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real deal.<br>**[07:16] Plateu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[07:18] Plateu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tacos aren't that unusual to you, are they?<br>**[07:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no.<br>**[07:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking about my<br>&nbsp;&nbsp;&nbsp;&nbsp;friend who would have loved these.<br>**[07:25] Plateu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look a bit better.<br>**[07:28] Plateu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your resilience is unbelievable.<br>**[07:33] Plateu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with my sloppy treatment,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've recovered enough to walk now.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Plateau's Sloppy Treatment
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Plateau's Sloppy Treatment
<br>**[07:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[07:39] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't say the same<br>&nbsp;&nbsp;&nbsp;&nbsp;about that head of yours, though.<br>**[07:43] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't possibly believe<br>&nbsp;&nbsp;&nbsp;&nbsp;that you fell from the sky.<br>**[07:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's true.<br>**[07:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe it myself.<br>**[07:51] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I thought you were<br>&nbsp;&nbsp;&nbsp;&nbsp;a member of the mafia who got lynched.<br>**[07:57] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you'd never expect to see<br>&nbsp;&nbsp;&nbsp;&nbsp;an Asian mafia member,<br>**[08:00] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;let alone one that's got such a goofy face.<br>**[08:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My face is goofy?<br>**[08:05] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate the mafia more than<br>&nbsp;&nbsp;&nbsp;&nbsp;anything in the world.<br>**[08:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always say that.<br>**[08:14] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the cancer<br>&nbsp;&nbsp;&nbsp;&nbsp;that plagues this country.<br>**[08:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... you're not going to ask me...<br>**[08:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;about what I tried to do?<br>**[08:25] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want me to?<br>**[08:28] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it makes you feel better<br>&nbsp;&nbsp;&nbsp;&nbsp;to let it all out, then you should.<br>**[08:32] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind either way.<br>**[08:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anymore...<br>**[08:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I should be alive or not.<br>**[08:45] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those words shouldn't come from someone<br>**[08:48] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;who made a miraculous comeback<br>&nbsp;&nbsp;&nbsp;&nbsp;from the verge of death.<br>**[08:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have come back from<br>&nbsp;&nbsp;&nbsp;&nbsp;the verge of death many times.<br>**[08:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I survived being hung too.<br>**[08:58] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was impaled in the neck by a fish,<br>&nbsp;&nbsp;&nbsp;&nbsp;tortured by a police officer,<br>**[09:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;and survived the fall after being<br>&nbsp;&nbsp;&nbsp;&nbsp; sucked out of an airplane.<br>**[09:06] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you seriously gone bonkers?<br>**[09:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed someone important to me...<br>**[09:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[09:18] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably?<br>**[09:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My memories are hazy,<br>**[09:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all I remember of her<br>&nbsp;&nbsp;&nbsp;&nbsp;is seeing her smiling and crying.<br>**[09:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have committed a crime<br>&nbsp;&nbsp;&nbsp;&nbsp;I can never make up for.<br>**[09:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have the right to live?<br>**[09:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared of death.<br>**[09:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But living is also tough.<br>**[09:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't know what I should do.<br>**[09:47] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;A crime you can't make up for, huh?<br>**[09:50] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a stupid guy who also<br>&nbsp;&nbsp;&nbsp;&nbsp;committed a crime like that.<br>**[09:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:57] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a member of the American mafia.<br>**[10:02] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had a wife who was<br>&nbsp;&nbsp;&nbsp;&nbsp;a former prostitute, and a son.<br>**[10:06] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boy was still a baby, but he was<br>&nbsp;&nbsp;&nbsp;&nbsp;the son of two good-for-nothings.<br>**[10:11] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;His future was not bright.<br>**[10:14] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy didn't love his wife or his son.<br>**[10:22] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He worked his way up in the organization,<br>**[10:25] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;and somehow became well-known in the mafia.<br>**[10:29] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abandoning his family, he continued to commit<br>&nbsp;&nbsp;&nbsp;&nbsp; crimes for money and his selfish desires.<br>**[10:34] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never once thought about<br>&nbsp;&nbsp;&nbsp;&nbsp;the consequences of his actions...<br>**[10:43] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What the...<br>**[10:44] Plateau/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hostile syndicate had<br>&nbsp;&nbsp;&nbsp;&nbsp;decided to take revenge.<br>**[10:48] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rebecca! Where are you?<br>**[10:51] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[10:52] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[10:53] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the kid?<br>**[10:54] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Daniel?<br>**[10:57] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey...<br>**[10:58] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rebecca?<br>**[11:01] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a joke?<br>**[11:03] (Flashback) Young Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;D... Daniel!<br>**[11:16] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy cried<br>&nbsp;&nbsp;&nbsp;&nbsp;for the first time in his life.<br>**[11:19] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd thought he didn't love his family...<br>**[11:25] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he was wrong.<br>**[11:27] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just didn't recognize it.<br>**[11:31] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because of his foolishness,<br>&nbsp;&nbsp;&nbsp;&nbsp;he lost his loved ones.<br>**[11:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he doing now?<br>**[11:43] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He left his mafia, and left the States like<br>&nbsp;&nbsp;&nbsp;&nbsp;he was running away from something.<br>**[11:48] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he still lives...<br>**[11:50] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disgracefully.<br>**[11:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[11:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is... Is he—<br>**[11:57] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, if you don't have a problem walking,<br>**[12:01] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can no longer feed you for free.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Food
<br>**[12:04] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to ask you to work<br>&nbsp;&nbsp;&nbsp;&nbsp;for your treatments and food so far.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Treatments
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I can't breathe...
<br>**[12:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[12:10] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll work you to the bone starting tomorrow.<br>**[12:14] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that you won't even have time<br>&nbsp;&nbsp;&nbsp;&nbsp;to think of doing anything stupid.<br>**[12:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:19] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:22] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:22] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:56] Child 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Satake, good morning!<br>**[12:58] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning!<br>**[13:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[13:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll get going soon,<br>&nbsp;&nbsp;&nbsp;&nbsp;so go wait inside, okay?<br>**[13:05] Child 1; 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[13:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san, everyone's here.<br>**[13:11] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[13:12] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's be on our way, then.<br>**[13:22] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting the hang of it.<br>**[13:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I try.<br>**[13:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the beginning, I wasn't sure<br>&nbsp;&nbsp;&nbsp;&nbsp;how it was going to turn out.<br>**[13:30] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;This job is wonderful, isn't it?<br>**[13:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:34] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being with children gives me energy.<br>**[13:37] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me want to move forward.<br>**[13:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forward...<br>**[13:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san...<br>**[13:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for everything you've done for me.<br>**[13:47] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this coming from?<br>**[13:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if I can move forward yet,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Treatment
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Food
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I can't breathe...
<br>**[13:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;but after I work off what I owe<br>&nbsp;&nbsp;&nbsp;&nbsp;you for my food and care,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Treatment
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Food
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I can't breathe...
<br>**[13:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try and go back to Japan.<br>**[14:00] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[14:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go to the police—<br>**[14:04] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't do that.<br>**[14:06] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to tell them<br>&nbsp;&nbsp;&nbsp;&nbsp;that you fell from the sky again?<br>**[14:08] Chibi Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blah, blah, blah...<br>**[14:10] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be shot dead<br>&nbsp;&nbsp;&nbsp;&nbsp;as a border jumper on the spot.<br>**[14:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's true.<br>**[14:17] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little far from here,<br>**[14:18] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you could go to the Embassy of Japan<br>&nbsp;&nbsp;&nbsp;&nbsp; in Mexico City, and—<br>**[14:21] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[14:22] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;That car...<br>**[14:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something wrong?<br>**[14:26] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot. I let them gain on us.<br>**[14:36] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out.<br>**[14:43] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[14:44] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch these children!<br>**[14:46] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[14:46] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, old man!<br>**[14:48] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you!<br>**[14:49] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it.<br>**[14:50] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our merchandise.<br>**[14:52] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get in!<br>**[14:55] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move, and stay quiet.<br>**[14:57] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you do anything stupid!<br>**[15:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Plateau-san, what should we do?<br>**[15:07] Child 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared!<br>**[15:09] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy!<br>**[15:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san?!<br>**[15:17] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to worry.<br>**[15:20] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll get you all home safely.<br>**[15:24] Child 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[15:25] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[15:27] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my job, you see.<br>**[15:30] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in fact, Mister Satake here<br>&nbsp;&nbsp;&nbsp;&nbsp;is a Japanese ninja!<br>**[15:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[15:37] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can even survive<br>&nbsp;&nbsp;&nbsp;&nbsp;falling out of an airplane!<br>**[15:39] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Are you truly a ninja?<br>**[15:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I'm...<br>**[15:44] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake...<br>**[15:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... yes!<br>**[15:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I can't keep it a secret anymore!<br>**[15:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an immortal ninja!<br>**[15:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't die no matter what happens to me!<br>**[15:58] Child 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so cool!<br>**[16:00] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;So everyone, please trust us<br>&nbsp;&nbsp;&nbsp;&nbsp;and be good, okay?<br>**[16:05] Children**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[16:07] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[16:11] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[16:12] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there an opening somewhere?<br>**[16:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san...<br>**[16:16] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake, did you find anything?<br>**[16:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No good.<br>**[16:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all locked.<br>**[16:22] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're running out of time.<br>**[16:23] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to escape.<br>**[16:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a kidnapping, right?<br>**[16:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll ask for ransom and such,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we should have more time.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pay us 5 quadrillion<br>
&nbsp;&nbsp;&nbsp;&nbsp; yen!!
<br>**[16:32] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be so in peaceful Japan.<br>**[16:35] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the parents of these kids<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have such financial luxury.<br>**[16:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's the point<br>&nbsp;&nbsp;&nbsp;&nbsp;of abducting these children?<br>**[16:45] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I detect a faint scent of the ocean.<br>**[16:47] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must be near a port.<br>**[16:50] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once night falls, these kids<br>&nbsp;&nbsp;&nbsp;&nbsp;will be put on a boat and shipped off.<br>**[16:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shipped off?!<br>**[16:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this is human trafficking.<br>**[17:01] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In modern society,*<br>**[17:03] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;human trafficking is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a criminal act in nearly all countries.*<br>**[17:08] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, there seems to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no end to this type of crime.*<br>**[17:13] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;While it's nearly impossible to grasp*<br>*&nbsp;&nbsp;&nbsp;&nbsp;accurate numbers of human trafficking victims,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 through 2014<br>
&nbsp;&nbsp;&nbsp;&nbsp;Victims of Human Trafficking across 106 Countries
<br>**[17:19] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*between 2012 and 2014,*<br>**[17:22] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;there were 63,251 confirmed victims*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of human trafficking across 106 countries.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;63,251 People
<br>**[17:31] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Most of the victims were abducted*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for sexual exploitation and forced labor,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sexual Exploitation
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sexual Exploitation
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Forced Labor
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Forced Labor
<br>**[17:37] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but reports say some are forced*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to endure fake marriage,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fake Marriage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Forced Marriage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Forced Marriage
<br>**[17:41] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*forced marriage, and even organ trafficking.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Organ Trafficking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Organ Trafficking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bye-bye...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Organs
<br>**[17:49] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely for their organs, or to be<br>&nbsp;&nbsp;&nbsp;&nbsp;made into playthings if they're lucky.<br>**[17:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... Please tell me you're kidding.<br>**[17:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we only have until nightfall.<br>**[18:02] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;That window seems to be our only chance.<br>**[18:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be careful, Plateau-san.<br>**[18:16] Child 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there, mister!<br>**[18:18] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do it!<br>**[18:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[18:26] Child 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did it!<br>**[18:28] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister, you're awesome!<br>**[18:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san, any lookouts?<br>**[18:42] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;None.<br>**[18:43] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get out of here, everyone.<br>**[18:49] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't panic. Follow me calmly.<br>**[18:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san did this?<br>**[18:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[19:03] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, now what?<br>**[19:06] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are too many children.*<br>**[19:08] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's only a matter of time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;before they find us.*<br>**[19:13] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Satake...<br>**[19:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[19:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-We will be okay!<br>**[19:23] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a grip, Satake Hirofumi!*<br>**[19:26] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There must be something we can do.*<br>**[19:29] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There!*<br>**[19:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san. I see a school bus there.<br>**[19:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we use it to get away?<br>**[19:36] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they'll see us—<br>**[19:39] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[19:40] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be a way.<br>**[19:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[19:43] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:44] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a radio on the bus.<br>**[19:45] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go and use it to contact the police.<br>**[19:49] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave the kids to you.<br>**[19:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[19:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be careful.<br>**[19:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, come this way.<br>**[20:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san, quickly...<br>**[20:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[20:13] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, mister!<br>**[20:15] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that noise?<br>**[20:17] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came from this way!<br>**[20:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap! Everyone, run—<br>**[20:21] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you get out?!<br>**[20:22] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you're messing with?<br>**[20:24] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll kill you!<br>**[20:25] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I told you they're our merchandise.<br>**[20:27] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[20:29] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just kidnap more.<br>**[20:31] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a homicidal maniac.<br>**[20:36] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you die!<br>**[20:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Plateau-san?!<br>**[20:50] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's this old man?<br>**[20:51] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of my way!<br>**[20:59] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn it!<br>**[21:02] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't point that at the kids.<br>**[21:06] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could hurt them!<br>**[21:08] Kidnapper 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What a monster!<br>**[21:11] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police!<br>**[21:12] Kidnapper 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get out of here!<br>**[21:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san!<br>**[21:19] Child 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister!<br>**[21:20] Child 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't die!<br>**[21:23] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to cry.<br>**[21:25] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm proud that I was able to protect you.<br>**[21:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san!<br>**[21:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay with us!<br>**[21:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't die!<br>**[21:35] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally, I was able to<br>&nbsp;&nbsp;&nbsp;&nbsp;protect something precious to me.<br>**[21:43] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rebecca...<br>**[21:45] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daniel...<br>**[21:47] Plateau**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be with you soon.<br>**[21:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The World's Dumbest Robbers
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Idiotic Duo in the Slums
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Idiotic Duo in the Slums
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 7
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[23:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[23:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plateau-san, you're incredible!<br>

# E7 - An Idiotic Duo in the Slums: The World's Dumbest Robbers

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GQJUGJVWZ/an-idiotic-duo-in-the-slums-the-worlds-dumbest-robbers)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Satake Hirofumi.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[00:12] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm an ordinary, run-of-the-mill former*<br>*&nbsp;&nbsp;&nbsp;&nbsp;salaryman and death row inmate,*<br>**[00:17] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and currently a homeless illegal alien.*<br>**[00:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why has it come to this?<br>**[00:24] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's only been a day*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since the kidnapping incident.*<br>**[00:29] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After Plateau-san died,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the children were taken in by the police.*<br>**[00:35] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since I was in the country unlawfully,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't be found by the police,*<br>**[00:40] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I left quietly.*<br>**[00:43] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not being able to say goodbye to the kids*<br>**[00:46] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and not being able to say my farewells*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to Plateau-san was truly regrettable.*<br>**[00:51] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye, everyone.<br>**[00:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Plateau-san, thank you for everything.*<br>**[01:19] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 7
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Idiotic Duo in the Slums
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Idiotic Duo in the Slums
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The World's Dumbest Robbers
<br>**[02:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my first time here,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it really is a beautiful place.<br>**[02:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have enjoyed the resort<br>&nbsp;&nbsp;&nbsp;&nbsp;if I were here under different circumstances.<br>**[02:43] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After I left the warehouse area,*<br>**[02:46] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I arrived in Acapulco, a famous resort city.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The United States
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mexico
<br>**[02:50] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Embassy of Japan is in the capital, Mexico*<br>*&nbsp;&nbsp;&nbsp;&nbsp;City, which is at least 300 kilometers away.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mexico City
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Acapulco
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;More than 300km
<br>**[02:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much do I have on me?<br>**[03:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[03:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if I can reach Mexico City,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll try and go as far as I can.<br>**[03:15] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[03:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[03:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[03:19] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counterfeit bills are going<br>&nbsp;&nbsp;&nbsp;&nbsp;around here these days.<br>**[03:22] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I see your wallet please?<br>**[03:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[03:28] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. Thank you.<br>**[03:30] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may go now.<br>**[03:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Hey, hey, hey!<br>**[03:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me my money back—<br>**[03:38] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be grateful we didn't kill you.<br>**[03:40] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? What do you have there?<br>**[03:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't have this!<br>**[03:45] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:46] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really defying us in *this* city?<br>**[03:50] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got balls.<br>**[03:53] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this for real?!*<br>**[03:55] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought Acapulco was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a peaceful resort town!*<br>**[03:59] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Acapulco is a resort town in Guerrero, Mexico.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Guerrero
<br>**[04:05] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Its ties with Japan go back to 1613,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when the Keicho Mission to Europe,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1613 AD
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keicho Mission to Europe<br>
&nbsp;&nbsp;&nbsp;&nbsp;Hasekura Tsunenaga
<br>**[04:09] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*led by Date domain retainer Hasekura Tsunenaga,*<br>**[04:14] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*stopped there on their way to Rome.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mexico City
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rome
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sendai, Miyagi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Acapulco
<br>**[04:18] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It is now a sister city to Sendai City in Miyagi Prefecture.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sister Cities
<br>**[04:22] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, mafia conflicts have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;worsened since the 2000s,*<br>**[04:26] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the city became drastically less safe.*<br>**[04:29] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There was a gruesome incident where 15 headless*<br>*&nbsp;&nbsp;&nbsp;&nbsp;bodies were found by a shopping center,*<br>**[04:38] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and in 2012, it had the second-highest*<br>*&nbsp;&nbsp;&nbsp;&nbsp;homicide rate in the world.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2012 AD
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Homicide Rate in Major Cities
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<br>**[04:44] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It came to be called "the murder capital."*<br>**[04:49] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The biggest cause of the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;deterioration in public safety was*<br>**[04:52] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;thought to be corruption in the police force,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;which had essentially ceased to function.*<br>**[04:58] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The military took the matter seriously*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and started investigating,*<br>**[05:02] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which led to warrants for the arrest of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;two top administrators for murder.*<br>**[05:09] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph!<br>**[05:10] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we'll let you go for now.<br>**[05:13] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ever think of talking back to us!<br>**[05:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[05:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do now?<br>**[05:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This area looks really sketchy.<br>**[05:38] Old Prostitute**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, mister!<br>**[05:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[05:42] Old Prostitute**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about tonight?<br>**[05:44] Old Prostitute**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make it cheap!<br>**[05:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, thank you!<br>**[05:51] Old Prostitute**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go! Mister!<br>**[05:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Gunshots?!<br>**[06:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go back to Japan.<br>**[06:04] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san's whereabouts are still unknown.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;D<br>
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<br>**[06:08] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't found a body either.<br>**[06:10] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you actually think he could be alive?<br>**[06:14] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;He fell 10,000 meters.<br>**[06:17] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has survived so many situations<br>**[06:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;that definitely would have killed other people.<br>**[06:24] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw it with your own eyes.<br>**[06:35] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[06:37] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;To tell you the truth, I have a<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling that he could be alive.<br>**[06:41] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to look for Satake?<br>**[06:43] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously!<br>**[06:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the best specimen I could ever want.<br>**[06:49] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let him get away.<br>**[06:55] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[06:57] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what do you want from me?<br>**[07:01] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to know more<br>&nbsp;&nbsp;&nbsp;&nbsp;about what's happening around him.<br>**[07:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The explosion on the plane we were on...<br>**[07:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it was set off intentionally.<br>**[07:14] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you suspect the victim's family,<br>&nbsp;&nbsp;&nbsp;&nbsp;who asked me to hijack the plane?<br>**[07:19] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, someone is trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to assassinate Satake-san.<br>**[07:25] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that explosion could have been<br>&nbsp;&nbsp;&nbsp;&nbsp;a backup plan in case I failed.<br>**[07:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda-san,<br>**[07:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;could you tell me about the guy<br>&nbsp;&nbsp;&nbsp;&nbsp;who called himself the victim's relative?<br>**[07:39] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[07:41] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll cooperate as much as I can.<br>**[07:43] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm worried about Satake too.<br>**[07:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[07:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't sleep a wink.<br>**[08:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starving.<br>**[08:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tasty Hot or Cold!
<br>**[08:20] Andre/Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, yo, yo, yo!<br>**[08:22] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do you want?!<br>**[08:24] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a robbery!<br>**[08:25] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give us the money in the cash register!<br>**[08:27] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or I'll shoot you in the head!<br>**[08:29] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh no, a r-robbery?!*<br>**[08:31] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, you two looking for money?<br>**[08:35] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[08:36] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm telling you to give it to us!<br>**[08:38] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry, but there's<br>&nbsp;&nbsp;&nbsp;&nbsp;no money in the cash register.<br>**[08:43] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why not?!<br>**[08:45] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just opened the store,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I haven't sold anything yet.<br>**[08:50] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if you want to rob me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should come back a little later.<br>**[08:55] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, come on, there's no way they would—*<br>**[08:59] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[09:00] Andre/ Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right!<br>**[09:02] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They bought it?!*<br>**[09:03] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;When should we come back to rob you?<br>**[09:05] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[09:07] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you come back around 6:30 PM,<br>**[09:09] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have sold plenty of things,<br>&nbsp;&nbsp;&nbsp;&nbsp;and there should be tons of money.<br>**[09:13] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should come back around then.<br>**[09:15] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's good to know!<br>**[09:18] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for telling us, man.<br>**[09:20] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll come back at 6:30!<br>**[09:22] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, watch out for the cars.<br>**[09:25] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be back at 6:30, don't forget!<br>**[09:27] Andre/Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:31] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, is this the police?<br>**[09:33] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was robbed.<br>**[09:35] Officer 3/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?! We'll be right there.*<br>**[09:36] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, it's fine.<br>**[09:38] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll be back at 6:30,<br>&nbsp;&nbsp;&nbsp;&nbsp;so could you come around then?<br>**[09:43] Officer 3/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh?*<br>**[09:44] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, that'd be my reaction too.*<br>**[09:47] Officer 3/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I doubt that they'd really...*<br>**[09:50] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They probably will.*<br>**[09:51] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They're dumb.*<br>**[10:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I fell asleep.<br>**[10:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys said they'd come back at 6:30.<br>**[10:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I mean, there's no way they'd—<br>**[10:17] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here, man!<br>**[10:18] Migue**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give us the money!<br>**[10:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They came?!<br>**[10:24] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are the police here?<br>**[10:26] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what you told us!<br>**[10:27] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold up, you petty thieves!<br>**[10:30] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Dumb criminals like these two*<br>*&nbsp;&nbsp;&nbsp;&nbsp;really do exist in great number.*<br>**[10:36] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In 2013, a robber*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in Connecticut, USA...*<br>**[10:41] (Flashback) Bank Teller**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[10:42] (Flashback) Robber 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll rob you in ten minutes,<br>**[10:45] (Flashback) Robber 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;so put 100,000 in a bag<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave it on the lobby floor!<br>**[10:49] (Flashback) Bank Teller**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[10:50] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He made a call to the bank.*<br>**[10:52] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Naturally, the bank called the police.*<br>**[10:56] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When the robber came to pick up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the bag, he was arrested.*<br>**[11:00] (Flashback) Robber 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are the police here?!<br>**[11:02] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With another robbery in Iowa in 2009...*<br>**[11:07] (Flashback) Robber 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! I forgot my mask!<br>**[11:09] (Flashback) Robber 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;No worries! I got something!<br>**[11:12] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They smeared their faces with permanent*<br>*&nbsp;&nbsp;&nbsp;&nbsp;marker instead of wearing masks.*<br>**[11:18] (Flashback) Robber 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is perfect!<br>**[11:20] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, the ink didn't come off,*<br>**[11:23] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so the police were able to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;easily identify and arrest them.*<br>**[11:28] (Flashback) Robber 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did they know?<br>**[11:30] (Flashback) Robber 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me.<br>**[11:34] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you!<br>**[11:35] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;A couple of suspicious<br>&nbsp;&nbsp;&nbsp;&nbsp;guys just came this way.<br>**[11:37] Officer 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which way did they go?<br>**[11:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, well...<br>**[11:40] Officer 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell us immediately!<br>**[11:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way.<br>**[11:48] Officer 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, huh?<br>**[11:49] Officer 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold up, dumb robbers!<br>**[11:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[11:53] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you!<br>**[11:57] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The robbers from earlier!*<br>**[11:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[12:01] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for helping us!<br>**[12:04] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was so scared!<br>**[12:06] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police are super terrifying!<br>**[12:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[12:13] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:16] Miguel/Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:16] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where you live?<br>**[12:23] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[12:24] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't introduced ourselves yet.<br>**[12:26] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Andre.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Andre
<br>**[12:28] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Miguel.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miguel
<br>**[12:29] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you, Satake, bro.<br>**[12:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro?<br>**[12:33] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to our place, bro.<br>**[12:36] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dump, but at least it's got a roof.<br>**[12:38] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats being outside.<br>**[12:40] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we'd welcome you, bro.<br>**[12:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I...<br>**[12:44] Resident 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome home, you two.<br>**[12:45] Resident 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do we have here?<br>**[12:47] Resident 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guest of yours is a guest of ours.<br>**[12:50] Resident 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make yourself at home, our Asian visitor.<br>**[12:52] Stake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, actually...<br>**[12:54] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, bro?<br>**[12:56] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being cautious, right?<br>**[12:57] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not safe around here.<br>**[13:01] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the slums are safer than you'd think.<br>**[13:04] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's where the poor<br>&nbsp;&nbsp;&nbsp;&nbsp;stick together to survive.<br>**[13:08] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to help each other,<br>&nbsp;&nbsp;&nbsp;&nbsp;or we'll all go down.<br>**[13:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:12] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it is true that outsiders will be<br>&nbsp;&nbsp;&nbsp;&nbsp; neither safe nor welcome here.<br>**[13:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[13:21] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;But bro, you're fine!<br>**[13:22] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're part of our family now.<br>**[13:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you.<br>**[13:26] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, please.<br>**[13:27] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the ones who should be thanking you.<br>**[13:29] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You helped us total strangers.<br>**[13:32] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't thank you enough.<br>**[13:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was partially because of a personal grudge.<br>**[13:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, you should stop<br>&nbsp;&nbsp;&nbsp;&nbsp;doing such dangerous things.<br>**[13:44] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dangerous?<br>**[13:46] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did we do?<br>**[13:47] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must mean that time we fought with<br>&nbsp;&nbsp;&nbsp;&nbsp;a dog over food we found on the streets.<br>**[13:53] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that?<br>**[13:56] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was kind of dangerous.<br>**[13:58] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cried because you almost got bitten.<br>**[14:01] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! N-No, that's not true!<br>**[14:03] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something got in my eye, that's all!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dust
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<br>**[14:06] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the one who peed your pants!<br>**[14:09] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;So not true!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Water
<br>**[14:11] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only spilled the water I had!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Water
<br>**[14:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you guys even doing?<br>**[14:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was talking about robbing places.<br>**[14:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't do that, and more importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;you two aren't cut out for it.<br>**[14:24] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you meant that?<br>**[14:26] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was a good plan.<br>**[14:29] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Totally.<br>**[14:30] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;What went wrong?<br>**[14:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seriously don't get it?<br>**[14:33] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back, Andre-san, Miguel-san.<br>**[14:36] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Maria-san!<br>**[14:38] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a friend of yours?<br>**[14:41] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our bro, Satake.<br>**[14:43] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;He saved our lives.<br>**[14:45] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right, bro?<br>**[14:48] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro?<br>**[14:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie?<br>**[14:53] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[14:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, you just remind me<br>&nbsp;&nbsp;&nbsp;&nbsp;of someone I know.<br>**[14:59] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[15:00] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Maria.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maria
<br>**[15:02] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, have some if you'd like.<br>**[15:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bread?!<br>**[15:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I?<br>**[15:07] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[15:08] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria-san sometimes donates food<br>&nbsp;&nbsp;&nbsp;&nbsp;to people in the slums.<br>**[15:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What an angel.<br>**[15:13] Chibi Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's some bread!<br>**[15:15] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[15:17] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;We owe a lot to everyone here.<br>**[15:20] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Maria!<br>**[15:22] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Kevin. I'm coming.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kevin
<br>**[15:25] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. See you later.<br>**[15:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did she mean about<br>&nbsp;&nbsp;&nbsp;&nbsp; owing a lot to the people here?<br>**[15:33] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't repeat this, but those<br>&nbsp;&nbsp;&nbsp;&nbsp; two are running away.<br>**[15:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running away? From what?<br>**[15:40] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably from the mafia, I'm sure.<br>**[15:43] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that rare in this city.<br>**[15:45] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lots of us have shady pasts.<br>**[15:47] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;By giving food away like that,<br>**[15:50] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;at least they don't have to worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about someone betraying them.<br>**[15:54] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a wise way for an outsider<br>&nbsp;&nbsp;&nbsp;&nbsp;to survive in the slum.<br>**[16:00] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I started living with Andre and Miguel*<br>**[16:03] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and worked to save up money*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to travel to Mexico City.*<br>**[16:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There we go.<br>**[16:11] Old Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi, dear...<br>**[16:13] Old Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does it look?<br>**[16:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should take care of the leaks, ma'am.<br>**[16:18] Old Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Hirofumi.<br>**[16:20] Old Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have money to pay you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but take these with you.<br>**[16:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tortillas!<br>**[16:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, ma'am!<br>**[16:27] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, bro!<br>**[16:33] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too nice, doing these<br>&nbsp;&nbsp;&nbsp;&nbsp; jobs that don't pay.<br>**[16:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;People here take care of me.<br>**[16:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I haven't saved up any money...<br>**[16:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;When will I get back to Japan?<br>**[16:47] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you miss Japan?<br>**[16:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so.<br>**[16:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't all roses,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I do want to go back.<br>**[16:56] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Miguel.<br>**[16:57] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you wanna take our bro to that place?<br>**[17:00] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place?<br>**[17:01] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It's a perfect time of the year!<br>**[17:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where are we going?<br>**[17:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's scary being out at night.<br>**[17:12] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, you've got us.<br>**[17:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A flower?<br>**[17:20] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here.<br>**[17:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What the heck?!<br>**[17:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cherry blossoms?<br>**[17:31] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[17:32] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mexican cherry blossoms. Jacaranda.<br>**[17:35] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Japanese guy planted this tree.<br>**[17:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[17:40] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In 1912,*<br>**[17:42] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;three thousand cherry blossom trees*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were planted in Washington, DC,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1912 AD
<br>**[17:44] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;as a symbol of the friendship*<br>*&nbsp;&nbsp;&nbsp;&nbsp;between the US and Japan.*<br>**[17:49] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In reaction to that, in 1930,*<br>**[17:51] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mexico talked to Japan about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;planting cherry blossoms*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1930 AD
<br>**[17:55] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;in Mexico City to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;commemorate their friendship.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mexico City
<br>**[17:59] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Matsumoto Tatsugoro,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a landscape designer who immigrated*<br>**[18:04] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to Mexico from Japan,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was chosen as an advisor.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Matsumoto Tatsugoro
<br>**[18:07] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, since Japanese cherry blossoms*<br>*&nbsp;&nbsp;&nbsp;&nbsp;do not thrive in Mexico's climate,*<br>**[18:12] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tatsugoro suggested planting jacaranda,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a tropical plant native to Brazil.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jacaranda
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jacaranda
<br>**[18:18] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Currently, people can enjoy beautiful*<br>*&nbsp;&nbsp;&nbsp;&nbsp;jacaranda blossoms in many cities in Mexico.*<br>**[18:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, you two.<br>**[18:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mexican cherry blossoms are beautiful.<br>**[18:38] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we do that thing?<br>**[18:40] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good idea.<br>**[18:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That thing"?<br>**[18:43] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear all Japanese people do it.<br>**[18:45] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got tortillas from<br>&nbsp;&nbsp;&nbsp;&nbsp;that old abuela, so it's perfect.<br>**[18:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean cherry blossom viewing?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cherry Blossom Viewing
<br>**[18:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's illegal to drink<br>&nbsp;&nbsp;&nbsp;&nbsp;in public in Mexico, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No drinking in public spaces<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;or on the street
<br>**[18:55] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so uptight, undocumented immigrant.<br>**[18:58] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just this one time won't hurt.<br>**[19:04] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious, bro?<br>**[19:06] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta be kidding me!<br>**[19:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Believe me, it's true!<br>**[19:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dick was... gone!<br>**[19:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a surprise for sure.<br>**[19:16] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, you're such a funny guy!<br>**[19:18] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, why don't you just stay here forever?<br>**[19:22] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly! Stay with us forever.<br>**[19:25] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you go back to Japan,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll get arrested, right?<br>**[19:31] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said before, a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of us here have shady pasts.<br>**[19:36] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, I'm sure you'll do just fine here.<br>**[19:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might not be a bad idea.<br>**[19:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two are dumb, but nice.<br>**[19:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone in the slum is good to me.<br>**[19:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I would get arrested if I went back to Japan.<br>**[19:53] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[19:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I am going back.<br>**[19:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promised someone who helped me<br>&nbsp;&nbsp;&nbsp;&nbsp;out when I first got here that I would.<br>**[20:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's something I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to find out for myself.<br>**[20:10] Andre/Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boo!<br>**[20:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[20:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I need to save up some money quickly—<br>**[20:15] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help!<br>**[20:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What was that?!<br>**[20:19] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Maria-san!<br>**[20:21] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin, too!<br>**[20:24] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;They finally got caught.<br>**[20:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean by the mafia?<br>**[20:28] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! You bastards!<br>**[20:30] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your hands off Maria!<br>**[20:32] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Let me go!<br>**[20:34] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me, Kevin!<br>**[20:37] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me, Hirofumi!<br>**[20:42] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro?!<br>**[20:43] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[20:45] Mafia**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck?<br>**[20:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyah!<br>**[20:48] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who the heck are you?<br>**[20:51] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin!<br>**[20:52] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria...<br>**[20:53] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you—<br>**[20:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[20:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two need to run away!<br>**[20:58] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mess with us!<br>**[21:02] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look what you did.<br>**[21:04] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going anywhere.<br>**[21:06] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[21:07] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[21:08] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this one away too!<br>**[21:09] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop!<br>**[21:10] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who the hell you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you got in our way...<br>**[21:17] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do we do?<br>**[21:19] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know, what *do* we do?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Atrocious Punishment<br>
&nbsp;&nbsp;&nbsp;&nbsp;Personalities Destroyed by Drugs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Atrocious Punishment<br>
&nbsp;&nbsp;&nbsp;&nbsp;Personalities Destroyed by Drugs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 8<br>
&nbsp;&nbsp;&nbsp;&nbsp;Beasts That Feed on Love
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[22:56] Old Prostitute**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up! Mister!<br>**[22:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Let it go!<br>**[23:01] Old Prostitute**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be sorry!<br>**[23:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... can't breathe...<br>**[23:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, stop this!<br>**[23:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is too cruel!<br>**[23:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you have to kill each other?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Please pardon our technical difficulties
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We will take precautions so that something this crazy] doesn't happen again in the future
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We hope you look forward to the next episode
<br>**[23:37] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University<br>

# E8 - Beasts That Feeds on Love: Atrocious Punishment: Personalities Destroyed by Drugs

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G50UZPXGZ/beasts-that-feeds-on-love-atrocious-punishment-personalities-destroyed-by-drugs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
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<br>**[00:02] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Shimoda Tadashi.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shimoda Tadashi
<br>**[00:05] Shimoda/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm an ordinary, run-of-the-mill*<br>*&nbsp;&nbsp;&nbsp;&nbsp;criminal and former prison guard.*<br>**[00:13] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you find anything?<br>**[00:14] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the person who requested you<br>&nbsp;&nbsp;&nbsp;&nbsp;to assassinate Satake-san...<br>**[00:18] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can assume that he belongs<br>&nbsp;&nbsp;&nbsp;&nbsp;to some type of organization.<br>**[00:26] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean he's part<br>&nbsp;&nbsp;&nbsp;&nbsp;of a criminal organization?<br>**[00:29] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't be sure.<br>**[00:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's difficult to plan<br>&nbsp;&nbsp;&nbsp;&nbsp;a major incident by yourself<br>**[00:34] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;like bombing an airplane.<br>**[00:37] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[00:38] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why would a criminal<br>&nbsp;&nbsp;&nbsp;&nbsp;organization go after Satake?<br>**[00:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here today to figure that out.<br>**[00:47] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are...<br>**[00:50] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clackers?<br>**[00:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[00:53] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were invented in the United States,<br>&nbsp;&nbsp;&nbsp;&nbsp; where they're also called clankers.<br>**[01:05] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[01:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This toy...<br>**[01:08] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;is really fun once you get into it.<br>**[01:10] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what?!<br>**[01:11] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why do you have two?!<br>**[01:14] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, I'm only kidding.<br>**[01:18] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on what you told me,<br>**[01:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I narrowed down the possibilities for<br>&nbsp;&nbsp;&nbsp;&nbsp; this mysterious client's identity.<br>**[01:24] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite a few.<br>**[01:26] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you do this<br>&nbsp;&nbsp;&nbsp;&nbsp;based on what little information I had?<br>**[01:30] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have my ways.<br>**[01:33] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please look through them.<br>**[01:35] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[01:39] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Satake...*<br>**[01:41] Shimoda/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you truly alive?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;D<br>
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<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 8
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Atrocious Punishment<br>
&nbsp;&nbsp;&nbsp;&nbsp;Personalities Destroyed by Drugs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Atrocious Punishment<br>
&nbsp;&nbsp;&nbsp;&nbsp;Personalities Destroyed by Drugs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Beasts That Feed on Love
<br>**[03:22] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin...<br>**[03:23] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be fine.<br>**[03:24] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a boat waiting for us at the dock!<br>**[03:25] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take that boat out of this place!<br>**[03:29] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found them!<br>**[03:30] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[03:32] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're done playing tag.<br>**[03:34] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you've been a pain.<br>**[03:36] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[03:38] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch them!<br>**[03:40] Andre/Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boo!<br>**[03:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[03:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I need to save up some money quickly—<br>**[03:46] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help!<br>**[03:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What was that?!<br>**[03:50] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you swiped a lot.<br>**[03:52] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a fool.<br>**[03:55] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the?!<br>**[03:57] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who the heck are you?<br>**[04:00] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin!<br>**[04:01] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria...<br>**[04:02] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you, and what are you—<br>**[04:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[04:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, both of you!<br>**[04:07] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mess with us!<br>**[04:15] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Run...*<br>**[04:18] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please run away, Chie...*<br>**[04:21] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[04:24] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, wake up!<br>**[04:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[04:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What?<br>**[04:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[04:33] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you.<br>**[04:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[04:34] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[04:36] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you show up there?<br>**[04:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There? Um...<br>**[04:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was a bit tipsy.<br>**[04:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't had a drink in years, so...<br>**[04:54] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are Asian people stupid?<br>**[04:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, where are we?<br>**[05:02] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;An execution ground.<br>**[05:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say what?!<br>**[05:22] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss...<br>**[05:23] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as arranged, we shoved<br>&nbsp;&nbsp;&nbsp;&nbsp; them into the shack.<br>**[05:27] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[05:29] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll make an example out of them.<br>**[05:30] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show them hell.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kenzo Majeed
<br>**[05:35] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the mafia,*<br>**[05:36] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the bond among its members*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is extremely strong,*<br>**[05:39] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so investigating their*<br>*&nbsp;&nbsp;&nbsp;&nbsp;crimes can be very difficult.*<br>**[05:43] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reason for this strong bond*<br>**[05:45] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is the gruesome executions that make*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an example out of any traitor.*<br>**[05:53] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;One of their most famous execution*<br>*&nbsp;&nbsp;&nbsp;&nbsp;techniques is the Colombian necktie.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Colombian Necktie
<br>**[05:58] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In this execution, the victim's throat is cut*<br>**[06:00] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and then their tongue is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;pulled out through that wound.*<br>**[06:03] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Its gruesomeness plants fear*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the mafia's members*<br>**[06:06] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and strengthens their*<br>*&nbsp;&nbsp;&nbsp;&nbsp;loyalty to the organization.*<br>**[06:12] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've hit a snag, though...<br>**[06:14] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:15] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we captured them,<br>&nbsp;&nbsp;&nbsp;&nbsp;a strange Asian man got in our way.<br>**[06:20] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you caught him?<br>**[06:21] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:22] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's in the shack with them.<br>**[06:28] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's...<br>**[06:33] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no good.<br>**[06:34] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all locked.<br>**[06:35] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[06:36] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin...<br>**[06:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So this is an execution ground?<br>**[06:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will happen to us?<br>**[06:43] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows?<br>**[06:45] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing good, that's for sure.<br>**[06:49] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We gotta get out of here.<br>**[06:51] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's rest a little bit.<br>**[06:53] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been exhausted since yesterday.<br>**[06:55] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Kevin. Sit.<br>**[06:58] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[07:00] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look for a spot<br>&nbsp;&nbsp;&nbsp;&nbsp;we can wriggle out of.<br>**[07:02] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[07:05] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Satake-san, right?<br>**[07:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes.<br>**[07:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gave me some bread a while ago.<br>**[07:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for that.<br>**[07:15] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the ones who should be thanking you.<br>**[07:18] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were trying to help us, right?<br>**[07:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I ended up getting caught.<br>**[07:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I couldn't be of use.<br>**[07:26] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got you involved in this!<br>**[07:28] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[07:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm sorry...<br>**[07:31] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we are!<br>**[07:36] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we doing at a time like this?<br>**[07:40] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;So funny.<br>**[07:57] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Boss?<br>**[07:59] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:00] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we proceed with<br>&nbsp;&nbsp;&nbsp;&nbsp;the execution as planned?<br>**[08:04] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Execution?<br>**[08:06] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[08:07] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:08] Majeed/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. Why should I hesitate?*<br>**[08:13] Majeed/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just need to make sure that he's dead.*<br>**[08:21] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss?<br>**[08:24] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proceed with preparations as planned.<br>**[08:26] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[08:28] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[08:29] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could at least save Maria...<br>**[08:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You truly care about her.<br>**[08:37] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking her to hell with me<br>&nbsp;&nbsp;&nbsp;&nbsp; isn't caring, is it?<br>**[08:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it shows on her face.<br>**[08:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being with you must bring her<br>&nbsp;&nbsp;&nbsp;&nbsp;more happiness than anything.<br>**[08:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had a bright smile<br>&nbsp;&nbsp;&nbsp;&nbsp;when I met her in the slum, too.<br>**[08:54] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?<br>**[08:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry.<br>**[08:58] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're both far removed from happiness.<br>**[09:02] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're residents of a world full of shit.<br>**[09:05] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I stole money.<br>**[09:07] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we went somewhere else that's not here,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we'd find that "happiness" you speak of.<br>**[09:14] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, though.<br>**[09:16] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your eyes, she looked happy, huh?<br>**[09:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin-san...<br>**[09:22] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, so who's Chie?<br>**[09:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[09:25] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been repeating<br>&nbsp;&nbsp;&nbsp;&nbsp;that name in your sleep.<br>**[09:28] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chie, I want to eat your home cooking!"<br>**[09:31] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chie, I want you to clean<br>&nbsp;&nbsp;&nbsp;&nbsp;my ear as I lie on your lap!"<br>**[09:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... said that?!<br>**[09:38] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of woman is she?<br>**[09:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but my memories are hazy.<br>**[09:46] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have amnesia?<br>**[09:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think she was a little like Maria-san.<br>**[09:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her smile, her voice...<br>**[09:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;How kind she is.<br>**[09:57] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not like you, Kevin-san.<br>**[10:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of me, Chie is...<br>**[10:09] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to get some rest.<br>**[10:10] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Three Days Later
<br>**[10:25] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome—<br>**[10:26] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[10:27] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[10:28] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here as customers today.<br>**[10:30] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Customers?<br>**[10:31] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you show your faces here?!<br>**[10:34] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we supposed to wear masks?<br>**[10:37] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't wear any last time we were here.<br>**[10:42] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;I meant that it's pretty bold of you<br>&nbsp;&nbsp;&nbsp;&nbsp;to show up at a store you tried to rob.<br>**[10:46] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't worry about that.<br>**[10:48] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't rob you again.<br>**[10:50] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We promised our bro.<br>**[10:52] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we can't find him anywhere.<br>**[10:55] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been three days.<br>**[10:58] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think he's still alive?<br>**[11:00] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria-san and Kevin stole<br>&nbsp;&nbsp;&nbsp;&nbsp;money from the mafia, right?<br>**[11:04] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;And our bro got himself involved in it.<br>**[11:07] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt he's okay.<br>**[11:11] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that they're being held<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shack by the beach.<br>**[11:16] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[11:17] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How do you know that?!<br>**[11:20] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lackeys keeping watch come<br>&nbsp;&nbsp;&nbsp;&nbsp;here often to buy groceries.<br>**[11:25] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;They mentioned it<br>&nbsp;&nbsp;&nbsp;&nbsp;while they were here.<br>**[11:29] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were here earlier too.<br>**[11:30] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's them.<br>**[11:36] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we get on that truck, we might<br>&nbsp;&nbsp;&nbsp;&nbsp; be able to go find our bro.<br>**[11:39] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that means going up against the mafia...<br>**[11:46] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, they're leaving!<br>**[11:48] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do? What do we do?<br>**[11:49] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, officer!<br>**[11:51] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the robbers from the other day.<br>**[11:53] Andre/Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:54] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please catch them!<br>**[11:56] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard!<br>**[11:59] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got no choice!<br>**[12:00] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[12:01] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[12:04] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap...<br>**[12:07] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did they go?<br>**[12:09] Officer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;There!<br>**[12:10] Officer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[12:12] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! We did it, Andre!<br>**[12:14] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:15] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. We're coming for you, Satake, bro!<br>**[12:22] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:22] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:25] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:25] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:36] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria...<br>**[12:39] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's been three days*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since we got locked up in here.*<br>**[12:42] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;No water, let alone food, has been given to us.<br>**[12:46] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they planning on starving us to death?<br>**[12:56] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we stop?<br>**[12:57] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we here?<br>**[13:07] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time.<br>**[13:08] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get started.<br>**[13:10] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[13:15] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[13:17] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but what is that?<br>**[13:20] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you never seen this before?<br>**[13:22] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a drug that<br>&nbsp;&nbsp;&nbsp;&nbsp;makes you lose your mind.<br>**[13:27] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:28] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a special-order item<br>&nbsp;&nbsp;&nbsp;&nbsp;from Southeast Asia.<br>**[13:31] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once it gets into your system,<br>&nbsp;&nbsp;&nbsp;&nbsp;you lose your mind,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rationality
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rationality
<br>**[13:34] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you turn into a monster<br>&nbsp;&nbsp;&nbsp;&nbsp;who thinks only of satisfying your desires.<br>**[13:38] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Monster...<br>**[13:40] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't been given any water<br>&nbsp;&nbsp;&nbsp;&nbsp;or food for the last three days.<br>**[13:44] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their hunger is at its peak.<br>**[13:46] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we give them that drug.<br>**[13:50] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think will happen?<br>**[13:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's this?<br>**[14:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin-san!<br>**[14:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria-san!<br>**[14:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?<br>**[14:07] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I can't breathe...<br>**[14:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin-san?<br>**[14:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's wrong?!<br>**[14:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;M... Maria-san?!<br>**[14:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening to you?<br>**[14:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Stop it!<br>**[14:49] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, we are nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;but beasts underneath the surface.<br>**[14:53] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;To keep hunger at bay,<br>&nbsp;&nbsp;&nbsp;&nbsp;you would eat even those you love.<br>**[14:58] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;How sad is that?<br>**[15:00] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cannibalism...<br>**[15:01] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a certain country in Southeast Asia,*<br>**[15:04] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there's a gruesome punishment*<br>**[15:07] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in which drugged men and women kill each other.*<br>**[15:09] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It dates back to a lynching*<br>**[15:11] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;by the mafia in a 19th century*<br>*&nbsp;&nbsp;&nbsp;&nbsp;European opium den.*<br>**[15:16] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The mafia drugged traitors with opium so that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;they lost their sanity, then toyed with them.*<br>**[15:23] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Through colonizers,*<br>**[15:24] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;this practice was passed down*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the mafias in Southeast Asia,*<br>**[15:30] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and this punishment caught on.*<br>**[15:36] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[15:37] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entertaining, right?<br>**[15:38] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes...<br>**[15:40] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't sound too convinced.<br>**[15:43] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to join them?<br>**[15:46] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No way, boss!<br>**[15:49] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right?<br>**[15:50] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah!<br>**[15:52] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't something<br>&nbsp;&nbsp;&nbsp;&nbsp;you get to see every day!<br>**[16:00] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[16:01] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, boss?<br>**[16:03] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[16:03] Mafia 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;The drug doesn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be working on the Asian.<br>**[16:08] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come on, Kevin-san!*<br>**[16:08] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might have a high tolerance.<br>**[16:11] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe he's been in and out of hospitals,<br>&nbsp;&nbsp;&nbsp;&nbsp; taking all sorts of drugs.<br>**[16:15] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, it's only a matter of time.<br>**[16:19] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?!<br>**[16:21] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our bro is in danger!<br>**[16:23] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's there?!<br>**[16:30] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;In there, huh?<br>**[16:35] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come out, assholes!<br>**[16:39] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be my imagination.<br>**[16:41] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[16:42] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing!<br>**[16:51] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close.<br>**[16:53] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we gotta save Bro quickly.<br>**[16:55] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[16:56] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[16:58] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, we're no match for all those men.<br>**[17:01] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you just going to hang our bro out to dry?!<br>**[17:04] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I said!<br>**[17:05] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you did, idiot!<br>**[17:07] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Idiot"?! Only idiots call people idiots!<br>**[17:09] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna go, idiot?<br>**[17:10] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, idiot!<br>**[17:11] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch! Come on! Aw! Idiot!<br>**[17:15] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me say something, idiot!<br>**[17:17] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! I-I-Idiot!<br>**[17:19] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, idiot!<br>**[17:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Please stop!<br>**[17:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, stop this!<br>**[17:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is too cruel!<br>**[17:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you have to kill each other?!<br>**[17:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's so strong...<br>**[17:47] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it time for our grand finale, eh, Asian?<br>**[17:51] Majeed/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was a surprise that you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;didn't die in that accident,*<br>**[17:55] Majeed/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I got lucky finding you in my territory.*<br>**[17:59] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me laugh seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;him trying so hard to survive.<br>**[18:03] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you want to bet on how<br>&nbsp;&nbsp;&nbsp;&nbsp;much longer the Asian can hold on?<br>**[18:08] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't he...<br>**[18:09] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;more concerned with<br>&nbsp;&nbsp;&nbsp;&nbsp;the Asian than the thieves?<br>**[18:13] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[18:15] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[18:16] Mafia 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[18:17] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[18:18] Mafia 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I heard people arguing.<br>**[18:21] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the biggest idiot in Acapulco!<br>**[18:24] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're the biggest idiot in Mexico!<br>**[18:27] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're the biggest<br>&nbsp;&nbsp;&nbsp;&nbsp;idiot in Latin America!<br>**[18:30] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?!<br>**[18:32] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You heard me!<br>**[18:34] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:35] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this truck... moving?<br>**[18:38] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria-san...<br>**[18:51] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria...<br>**[18:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria-san!<br>**[18:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Snap out of it!<br>**[19:01] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria!<br>**[19:02] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm your man!<br>**[19:05] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go flirting with some other guy!<br>**[19:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin-san!<br>**[19:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Andre! Miguel!<br>**[19:21] Andre/Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bro!<br>**[19:24] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[19:26] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[19:27] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get to the shack, now!<br>**[19:28] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let them get away!<br>**[19:30] Mafias**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[19:32] Majeed/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If they get away somehow...*<br>**[19:36] Majeed/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit!*<br>**[19:39] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're coming for us!<br>**[19:41] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[19:42] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's run away!<br>**[19:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[19:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to take them with us!<br>**[19:46] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:46] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at Maria-san!<br>**[19:48] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's totally gone insane!<br>**[19:50] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't possibly bring them!<br>**[19:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[19:53] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, stupid Asian!<br>**[19:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:57] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It lifted me up a little to hear<br>&nbsp;&nbsp;&nbsp;&nbsp;that Maria was happy to be with me.<br>**[20:03] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[20:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[20:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with us—<br>**[20:10] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro?!<br>**[20:11] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carry him!<br>**[20:12] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[20:26] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin...<br>**[20:34] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maria.<br>**[20:38] Maria**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you.<br>**[20:41] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:44] Kevin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you too.<br>**[20:49] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let that Asian<br>&nbsp;&nbsp;&nbsp;&nbsp;get away, no matter what!<br>**[20:53] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or else, I'll be...<br>**[21:08] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the guy!<br>**[21:13] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy told me to kill Satake.<br>**[21:17] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This man...<br>**[21:19] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Kenzo Majeed.<br>**[21:21] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Majeed?<br>**[21:22] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not Japanese?<br>**[21:24] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a Japanese Mexican.<br>**[21:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's known to be especially brutal<br>&nbsp;&nbsp;&nbsp;&nbsp;even for the Mexican Mafia.<br>**[21:33] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why would he go after Satake-san?<br>**[21:43] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's blend into the crowd!<br>**[21:45] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[21:53] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exotic foods are calling out to me!<br>**[21:56] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now! Let's itadaki*amigo*!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exotic Food Hunter,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Doomsday Lightning Strike<br>
&nbsp;&nbsp;&nbsp;&nbsp;       That Claims a Friend!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Doomsday Lightning Strike<br>
&nbsp;&nbsp;&nbsp;&nbsp;       That Claims a Friend!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 9
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[23:32] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fool!<br>**[23:33] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fool!<br>**[23:34] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fool!<br>**[23:35] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fool!<br>**[23:36] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fool, fool, fool, fool, fool, fool, fool!<br>**[23:38] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Loof!<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E9 - Exotic Food Hunter Kito Joji: The Doomsday Lightning Strike That Claims a Friend!

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GWDU8XE07/exotic-food-hunter-kito-joji-the-doomsday-lightning-strike-that-claims-a-friend)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hustle and bustle of people,<br>**[00:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;appetizing scents from food stalls...<br>**[00:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magnificent.<br>**[00:11] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Kito Joji.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>**[00:14] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm an exotic food hunter who pursues cuisine,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the root of all life.*<br>**[00:19] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Exotic food is at the height*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of unorthodox food culture.*<br>**[00:24] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have consumed a myriad*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of exotic foods so far.*<br>**[00:29] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had a roasted whole camel*<br>*&nbsp;&nbsp;&nbsp;&nbsp;while in the Sahara.*<br>**[00:33] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the *camel*!<br>**[00:36] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camel's hump is greasy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not too bad!<br>**[00:40] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had the heart of a cobra in Vietnam.*<br>**[00:43] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the *snake*!<br>**[00:47] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;My energy has doubled!<br>&nbsp;&nbsp;&nbsp;&nbsp;What a bloody taste!<br>**[00:51] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had a megabat in Indonesia.*<br>**[00:54] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the *bat*!<br>**[00:58] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unexpectedly juicy...<br>**[01:01] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's super gamy!<br>**[01:04] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But delicious!<br>**[01:06] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, the pursuit of exotic food*<br>*&nbsp;&nbsp;&nbsp;&nbsp;always comes with a risk.*<br>**[01:10] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In fact, I have wandered between life*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and death many times.*<br>**[01:14] (Flashback) Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have hantavirus pulmonary syndrome.<br>**[01:18] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Argh...*<br>**[01:19] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was it the sewer rat I had?*<br>**[01:22] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But I will never give up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the pursuit of exotic food.*<br>**[01:26] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Eating means receiving life from another.*<br>**[01:30] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Therefore, it's only right*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I risk my life for it.*<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 9
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Doomsday Lightning Strike<br>
&nbsp;&nbsp;&nbsp;&nbsp;       That Claims a Friend!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Doomsday Lightning Strike<br>
&nbsp;&nbsp;&nbsp;&nbsp;       That Claims a Friend!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exotic Food Hunter
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>**[03:11] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have what it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to be an exotic food hunter!<br>**[03:17] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you heal, why don't we<br>&nbsp;&nbsp;&nbsp;&nbsp;start by touring Latin America?<br>**[03:23] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll think about it.<br>**[03:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like it was only yesterday when<br>&nbsp;&nbsp;&nbsp;&nbsp;we were adrift at sea together, Satake-san.<br>**[03:34] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Truth to be told, I wish<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have come here with you.<br>**[03:40] Andre/Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there!<br>**[03:45] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nostalgia doesn't suit an exotic food hunter.<br>**[03:48] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Food culture here in Mexico<br>&nbsp;&nbsp;&nbsp;&nbsp;is so steeped in tradition and history<br>**[03:50] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;that it's now registered on UNESCO's<br>&nbsp;&nbsp;&nbsp;&nbsp;Intangible Cultural Heritage list.<br>**[03:55] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;My heart swells at the thought!<br>**[03:57] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ready for tonight's exotic dinner!<br>**[04:02] Clerk**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's deep-fried gusanos de maguey.<br>**[04:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[04:06] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gusano de maguey are the worms<br>&nbsp;&nbsp;&nbsp;&nbsp;that live on the agave plant called a maguey.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maguey <br>
&nbsp;&nbsp;&nbsp;&nbsp;(Agave Family)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gusano<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Butterfly Caterpillar)
<br>**[04:14] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some may be put off by its looks.<br>**[04:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to me, worms are<br>&nbsp;&nbsp;&nbsp;&nbsp; nothing to be afraid of!<br>**[04:22] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the *caterpillars*!<br>**[04:28] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crunchy and aromatic!<br>**[04:31] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a little sweetness too.<br>**[04:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not bad!<br>**[04:35] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There are over 500 types*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of edible insects in Mexico.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 types!
<br>**[04:41] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Insects are high in nutrients,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and they are precious ingredients*<br>**[04:45] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that supplement a lack*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of food due to poverty.*<br>**[04:49] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say some Mexicans have mixed<br>&nbsp;&nbsp;&nbsp;&nbsp;feelings about eating insects,<br>**[04:57] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I believe this aspect of their food<br>&nbsp;&nbsp;&nbsp;&nbsp;culture is something to be proud of!<br>**[05:01] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they still after us?<br>**[05:03] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see them.<br>**[05:04] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think we lost them?<br>**[05:05] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope so...<br>**[05:08] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Bro?<br>**[05:11] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're awak—<br>**[05:13] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the drug!<br>**[05:14] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kicked in *now*?!<br>**[05:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Authentic habanero salsa!<br>**[05:20] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spicy!<br>**[05:24] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But good.<br>**[05:26] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that hot countries<br>&nbsp;&nbsp;&nbsp;&nbsp;have extra-spicy foods.<br>**[05:29] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweating from eating hot<br>&nbsp;&nbsp;&nbsp;&nbsp;food can help regulate body temperature.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Body Temperature
<br>**[05:34] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it makes sense.<br>**[05:36] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is today's main dish!<br>**[05:42] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the highlight of exotic<br>&nbsp;&nbsp;&nbsp;&nbsp;Mexican food: iguana soup!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Iguana Soup
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Iguana Soup
<br>**[05:47] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's still got its original shape!<br>**[05:51] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In Latin America, iguana meat*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has been consumed since ancient times.*<br>**[05:57] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's low in fat and nutritious,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and it's even supposed to combat cold symptoms.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Low Fat
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nutritious
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Combats Cold Symptoms
<br>**[06:02] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In 2006, an iguana farm*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was built in Chiapas, Mexico.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Iguana Farm
<br>**[06:08] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Currently, 27,000 iguanas*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are being raised at the farm,*<br>**[06:12] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and many are sold as food.*<br>**[06:17] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is visually striking.<br>**[06:20] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not enough to make me falter.<br>**[06:24] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;With gratitude for the animals<br>&nbsp;&nbsp;&nbsp;&nbsp;who nourish me...<br>**[06:29] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the *iguana*!<br>**[06:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The skin is chewy and firm!<br>**[06:37] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lots of collagen!<br>**[06:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The meat tastes like chicken...<br>**[06:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it stinks!<br>**[06:46] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this funky smell of reptile?<br>**[06:49] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the chef not cook it properly?<br>**[06:52] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But stink like this is no match<br>&nbsp;&nbsp;&nbsp;&nbsp;for the exotic food hunter, Kito Joji!<br>**[06:58] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just one measly lizard!<br>**[07:00] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll finish it off nice and clean!<br>**[07:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... hun...<br>**[07:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hungry!<br>**[07:11] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on?!<br>**[07:14] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love eating, but I don't love being eaten!<br>**[07:28] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I almost became exotic food myself.<br>**[07:31] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[07:33] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, Satake Bro?<br>**[07:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Satake"?<br>**[07:36] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:38] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:41] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! You're kidding me!<br>**[07:44] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...<br>**[08:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kevin-san, Maria-san...<br>**[08:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[08:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a lot more.<br>**[08:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[08:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just for the food, but also<br>&nbsp;&nbsp;&nbsp;&nbsp;for such a nice hotel room.<br>**[08:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is you and me we're taking about.<br>**[08:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got lost at sea and almost<br>&nbsp;&nbsp;&nbsp;&nbsp;perished together, remember?<br>**[08:23] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is unbelievable.<br>**[08:25] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;To see you actually alive...<br>**[08:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do people think I'm dead?<br>**[08:31] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes,<br>**[08:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;the press reported that your<br>&nbsp;&nbsp;&nbsp;&nbsp;death sentence was carried out.<br>**[08:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[08:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was shocked to hear<br>&nbsp;&nbsp;&nbsp;&nbsp;the news of you being arrested.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;K<br>
&nbsp;&nbsp;&nbsp;&nbsp;I<br>
&nbsp;&nbsp;&nbsp;&nbsp;T<br>
&nbsp;&nbsp;&nbsp;&nbsp;O
<br>**[08:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it must be some sort of mistake.<br>**[08:47] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still not convinced that you<br>&nbsp;&nbsp;&nbsp;&nbsp;are capable of committing murder.<br>**[08:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[08:59] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[09:01] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our bro couldn't hurt a fly.<br>**[09:04] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[09:05] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is nice to a fault.<br>**[09:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two...<br>**[09:09] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Living in this town, we've seen<br>&nbsp;&nbsp;&nbsp;&nbsp;murderers' faces plenty of times.<br>**[09:14] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our bro looks nothing like them.<br>**[09:18] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, he's got such a goofy face.<br>**[09:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, you two.<br>**[09:25] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:26] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you happy because<br>&nbsp;&nbsp;&nbsp;&nbsp;I called your face goofy?<br>**[09:34] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[09:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cup of coffee after your meal.<br>**[09:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[09:39] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mister Kito.<br>**[09:41] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I order room service?<br>**[09:43] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go to a spa!<br>**[09:46] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten that we just met?<br>**[09:51] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, Satake-san, what's this<br>&nbsp;&nbsp;&nbsp;&nbsp;favor you want to ask of me?<br>**[09:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm planning to go back to Japan.<br>**[09:58] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Japan?!<br>**[10:00] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you do, you might be executed again.<br>**[10:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I know that.<br>**[10:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still want to go home.<br>**[10:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you please... lend me a hand?<br>**[10:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[10:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will help you.<br>**[10:19] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunately, I have connections.<br>**[10:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do?!<br>**[10:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[10:25] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really leaving?<br>**[10:27] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll miss you.<br>**[10:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, you two.<br>**[10:33] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if that's what you want, bro...<br>**[10:36] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't say no to that.<br>**[10:40] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;In exchange, I'd like for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to accompany me on my trip.<br>**[10:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? B-But why?<br>**[10:49] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you remember?<br>**[10:51] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We promised to travel Latin America together.<br>**[10:58] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[10:58] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University!<br>**[11:01] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[11:01] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University!<br>**[11:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! It's beautiful.<br>**[11:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Caribbean Sea.<br>**[11:10] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the pirates in the 17th<br>&nbsp;&nbsp;&nbsp;&nbsp;century enjoy the same view?<br>**[11:16] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm in the Caribbean Sea,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;accompanying Kito-san.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Caribbean Sea
<br>**[11:20] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm entering the country illegally,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since I have no passport.*<br>**[11:23] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't know how he did it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but rich people sure can make things happen.*<br>**[11:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope Andre and Miguel are doing okay...<br>**[11:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had a problem<br>&nbsp;&nbsp;&nbsp;&nbsp;with the mafia, didn't they?<br>**[11:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, as long as they're at that hotel,<br>&nbsp;&nbsp;&nbsp;&nbsp;they should be all right.<br>**[11:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mafia...<br>**[11:41] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san?<br>**[11:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's nothing.<br>**[11:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, where are we headed?<br>**[11:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking for more exotic food?<br>**[11:50] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another side<br>&nbsp;&nbsp;&nbsp;&nbsp;to the exotic food hunter Kito Joji.<br>**[11:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon?<br>**[11:57] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;They call me the Hidden Land Hunter, Kito Joji!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hidden Land Hunter<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hidden Land Hunter<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>**[12:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please face forward when you're driving.<br>**[12:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can be dangerous.<br>**[12:06] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[12:10] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've devoted my entire life to two dreams.<br>**[12:15] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is to try all the world's exotic foods.<br>**[12:19] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another is to visit the hidden<br>&nbsp;&nbsp;&nbsp;&nbsp;lands this planet has to offer,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hidden
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hidden
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lands
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lands
<br>**[12:24] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;and see the sights myself.<br>**[12:28] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;On this planet we call home,<br>**[12:30] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are many romantic sights<br>&nbsp;&nbsp;&nbsp;&nbsp;yet to be explored.<br>**[12:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm enchanted by their magnificence.<br>**[12:40] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exotic foods are the symbol of food culture,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exotic Food
<br>**[12:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;and hidden lands are the art of nature.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hidden Lands
<br>**[12:46] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to fully explore these two things<br>&nbsp;&nbsp;&nbsp;&nbsp;and appreciate this whole planet.<br>**[12:50] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my reason to live!<br>**[12:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-That's... something.<br>**[12:57] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have any?<br>**[12:59] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reasons to live? Dreams?<br>**[13:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reasons to live...<br>**[13:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is!<br>**[13:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[13:07] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in Venezuela!<br>**[13:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It looks rather... sketchy.<br>**[13:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caracas, the capital of Venezuela,<br>&nbsp;&nbsp;&nbsp;&nbsp;is known for a certain thing.<br>**[13:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain thing?<br>**[13:23] Punk 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[13:25] Punk 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Japanese, aren't you?<br>**[13:27] Punk 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese people have money.<br>**[13:29] Punk 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to die,<br>&nbsp;&nbsp;&nbsp;&nbsp;then leave all your money here.<br>**[13:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[13:34] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san...<br>**[13:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's run!<br>**[13:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what?!<br>**[13:37] Punk 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop, you bastards!<br>**[13:40] Punk 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to give us your money!<br>**[13:43] Punk 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to die?<br>**[13:46] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[13:47] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[13:50] Punk 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did they go?<br>**[13:51] Punk 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find them!<br>**[13:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is wrong with this place?!<br>**[13:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been mugged<br>&nbsp;&nbsp;&nbsp;&nbsp;within minutes of getting here!<br>**[14:00] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caracas is famous for being<br>&nbsp;&nbsp;&nbsp;&nbsp;the least safe place in the world.<br>**[14:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The worst kind of famous.<br>**[14:06] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The per-capita murder rate is one hundred<br>&nbsp;&nbsp;&nbsp;&nbsp; times greater than Tokyo's!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;100 Times
<br>**[14:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this happen to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the hidden land you were talking about?<br>**[14:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's rare enough.<br>**[14:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, no.<br>**[14:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our destination is much further away.<br>**[14:21] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guide I arranged is waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;for us, so let's hurry.<br>**[14:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... W-Wait for me!<br>**[14:30] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow,<br>**[14:31] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe there are Japanese people<br>
&nbsp;&nbsp;&nbsp;&nbsp; reckless enough to go *there*.<br>**[14:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place is worth risking my life.<br>**[14:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Life?!<br>**[14:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, would you mind telling<br>&nbsp;&nbsp;&nbsp;&nbsp;me where we're going?<br>**[14:45] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are heading toward the Catatumbo region.<br>**[14:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Catatumbo"?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Catatumbo?
<br>**[14:52] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll see when we get there.<br>**[14:57] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here.<br>**[14:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the hidden land?<br>**[15:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so dark, I can't see a thing.<br>**[15:04] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what we want to see, darker is better.<br>**[15:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[15:09] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[15:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[15:11] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The clouds are gathering in the sky.<br>**[15:13] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell's own show begins.<br>**[15:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell's own show?!<br>**[15:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[15:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Lightning?<br>**[15:24] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Beautiful...<br>**[15:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really happening?<br>**[15:33] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Catatumbo has the Guinness World Record*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for highest concentration of lightning bolts.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lake Maracaibo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Catatumbo River
<br>**[15:39] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Seeing 280 lightning flashes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;per hour is very common,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;About 280      <br>
&nbsp;&nbsp;&nbsp;&nbsp;Flashes per Hour
<br>**[15:46] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the unique feature*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of having very quiet thunder.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Discreet Thunder
<br>**[15:52] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to recent studies,*<br>**[15:54] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;methane produced*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the marshes near the mouth*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Methane
<br>**[15:57] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the Catatumbo River might be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;responsible for this phenomenon.*<br>**[16:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an incredible number of lightning bolts...<br>**[16:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's strange that we hear<br>&nbsp;&nbsp;&nbsp;&nbsp;relatively little thunder.<br>**[16:11] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to block the view,<br>**[16:14] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;so supposedly, we see more<br>&nbsp;&nbsp;&nbsp;&nbsp;of the lightning than we can hear.<br>**[16:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they don't really know the truth.<br>**[16:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[16:26] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally, you have a nice<br>&nbsp;&nbsp;&nbsp;&nbsp;look on your face, Satake-san.<br>**[16:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[16:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have gone through<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot in Acapulco.<br>**[16:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You looked very depressed to me.<br>**[16:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you bring me here to cheer me up?<br>**[16:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are trying to go back<br>&nbsp;&nbsp;&nbsp;&nbsp;to Japan to meet your fate.<br>**[16:48] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;A person like that shouldn't look so miserable.<br>**[16:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[16:56] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not much else I can do.<br>**[17:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is the meaning of life for you.<br>**[17:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:06] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it magnificent?<br>**[17:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking...<br>**[17:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;about what the meaning of my life is.<br>**[17:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have faced death many times,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I have survived every time.<br>**[17:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it only means that I didn't die.<br>**[17:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I ever tried to truly live?<br>**[17:31] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met someone who tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to save his sister by sacrificing himself.<br>**[17:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met a man who overcame his past<br>&nbsp;&nbsp;&nbsp;&nbsp;and became a protector of children.<br>**[17:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met people who risked their lives<br>&nbsp;&nbsp;&nbsp;&nbsp;to be true to their love.<br>**[17:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meeting those people made me realize<br>&nbsp;&nbsp;&nbsp;&nbsp;that I must live a life I can be proud of.<br>**[17:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I have to go back to Japan<br>&nbsp;&nbsp;&nbsp;&nbsp;and take responsibility for what I did.<br>**[17:59] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's the meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;of your life right now?<br>**[18:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your exceptional vitality...<br>**[18:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the guts to face adversity!<br>**[18:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:13] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you had what it takes to be an<br>&nbsp;&nbsp;&nbsp;&nbsp;exotic food hunter and a hidden land hunter!<br>**[18:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why?!<br>**[18:20] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;After everything is settled, let's pursue<br>&nbsp;&nbsp;&nbsp;&nbsp;the beauty of the Earth and its food!<br>**[18:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way...<br>**[18:28] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to break up the party.<br>**[18:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the meaning of this?!<br>**[18:35] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese people don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;to suspect others, so you're easy prey.<br>**[18:41] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave all the money you have.<br>**[18:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;As expected from the most<br>&nbsp;&nbsp;&nbsp;&nbsp;dangerous city in the world.<br>**[18:47] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose it's not surprising<br>&nbsp;&nbsp;&nbsp;&nbsp;to see a travel guide act this way.<br>**[18:52] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lightning show seems to be over as well.<br>**[18:55] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your tip.<br>**[18:56] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it.<br>**[18:57] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this everything you have?<br>**[19:00] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:01] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[19:03] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you die!<br>**[19:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[19:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got the money!<br>**[19:06] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who said I wouldn't kill you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you handed over the money?<br>**[19:12] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[19:13] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go, Japanese!<br>**[19:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop your gun!<br>**[19:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out!<br>**[19:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:25] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Satake-san?<br>**[19:28] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way...<br>**[19:30] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[19:37] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness! You're awake!<br>**[19:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[19:42] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the hospital.<br>**[19:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were hit by lightning,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you almost died.<br>**[19:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lightning...<br>**[19:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what happened to the guide?<br>**[19:53] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;He died.<br>**[19:55] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was hit directly by the<br>&nbsp;&nbsp;&nbsp;&nbsp;lightning and killed instantly.<br>**[19:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[20:01] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;While it's tragic, he deserved it.<br>**[20:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take it personally.<br>**[20:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[20:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why was I saved?<br>**[20:10] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely, it's thanks to this.<br>**[20:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;My pendant...<br>**[20:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the electricity flowed<br>&nbsp;&nbsp;&nbsp;&nbsp;into this pendant, your body took less damage.<br>**[20:24] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In 2009, a 14-year-old girl in Essex,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;England was hit by a lightning strike.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Essex
<br>**[20:31] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was unconscious for a while,*<br>**[20:34] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but she survived with only some burns*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and damage to her eardrums.*<br>**[20:40] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It is assumed that her injuries were not*<br>**[20:43] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;life-threatening even though*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the lightning struck her*<br>**[20:45] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;because the electricity went through*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the earphones of her music player,*<br>**[20:50] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the damage was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;redirected out of her body.*<br>**[20:54] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Wearing something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that can conduct electricity*<br>**[20:58] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*like this may save you from lightning,*<br>**[21:01] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but when you encounter lightning strikes,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you should always evacuate to somewhere safe.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Safe Places to Evacuate during Lightning Strikes<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;• Reinforced Concrete Buildings<br>
&nbsp;&nbsp;&nbsp;&nbsp;• Cars (But Not Convertibles)<br>
&nbsp;&nbsp;&nbsp;&nbsp;• Inside Buses and Trains
<br>**[21:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously...<br>**[21:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this thing bring good luck or bad luck?<br>**[21:14] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad that you woke up<br>&nbsp;&nbsp;&nbsp;&nbsp;before my secretary got here.<br>**[21:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to prepare for your return to Japan.<br>**[21:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san, you have a secretary?<br>**[21:25] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:26] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hired her recently to take care of<br>**[21:29] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;the miscellaneous tasks<br>&nbsp;&nbsp;&nbsp;&nbsp;that come with my travels.<br>**[21:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what is this person like?<br>**[21:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;She used to be a backpacker,<br>**[21:37] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she has a lot of experience traveling overseas.<br>**[21:40] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a tough woman.<br>**[21:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of which...<br>**[21:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san, please stop being so reckless.<br>**[21:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[21:48] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my job to clean up your mess...<br>**[21:53] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[21:59] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memories Rekindled<br>
&nbsp;&nbsp;&nbsp;&nbsp; by the Brimstone of Hell
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memories Rekindled<br>
&nbsp;&nbsp;&nbsp;&nbsp; by the Brimstone of Hell
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nowhere to Run<br>
&nbsp;&nbsp;&nbsp;&nbsp;A Burning Hospital
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 10
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[23:32] Satake/Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E10 - Nowhere to Run: A Burning Hospital -Memories Rekindled in the Brimstone of Hell

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U29411/nowhere-to-run-a-burning-hospital--memories-rekindled-in-the-brimstone-of-hell)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:08] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Satake Hirofumi.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[00:11] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm an ordinary, run-of-the-mill...*<br>**[00:15] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*run-of-the-mill...*<br>**[00:17] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;man who was reunited*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with a person I presumably killed.*<br>**[00:22] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi?<br>**[00:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ch-Chie...<br>**[00:30] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi-san!<br>**[00:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ch-Chie!<br>**[00:54] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 10
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memories Rekindled<br>
&nbsp;&nbsp;&nbsp;&nbsp; by the Brimstone of Hell
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nowhere to Run<br>
&nbsp;&nbsp;&nbsp;&nbsp;A Burning Hospital
<br>**[02:08] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is Chie, right?*<br>**[02:10] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But why?*<br>**[02:12] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought I killed her.*<br>**[02:15] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why I was executed.*<br>**[02:19] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't understand.*<br>**[02:21] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My head is going to explode.*<br>**[02:25] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I don't care.*<br>**[02:28] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chie is alive.*<br>**[02:30] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm glad.*<br>**[02:32] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So glad...*<br>**[02:33] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met Negishi-san in Arizona, USA.<br>**[02:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arizona?<br>**[02:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;At Horseshoe Bend,<br>&nbsp;&nbsp;&nbsp;&nbsp;near Grand Canyon National Park.<br>**[02:45] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Horseshoe Bend is a scenic spot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;carved by the Colorado river.*<br>**[02:51] Kito/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The river meanders and creates*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a horseshoe shape, hence its name.*<br>**[03:00] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[03:01] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks just like a horseshoe.<br>**[03:04] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoever named this place is highly observant!<br>**[03:08] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow,<br>**[03:09] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get that it's to preserve the view<br>&nbsp;&nbsp;&nbsp;&nbsp;and conserve the natural environment,<br>**[03:12] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's scary without a fence.<br>**[03:15] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The golden balls of my family jewels<br>&nbsp;&nbsp;&nbsp;&nbsp;tighten up when I look down...<br>**[03:19] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[03:28] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[03:30] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go! Leave me alone!<br>**[03:32] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fool!<br>**[03:33] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you violate this magnificent land<br>**[03:36] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;over the silly sentiment<br>&nbsp;&nbsp;&nbsp;&nbsp;of a selfish human being!<br>**[03:39] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say "silly"?<br>**[03:42] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back off!<br>**[03:44] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[03:45] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm so sorry!<br>**[03:47] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have I done?<br>**[03:51] (Flashback) Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna fall!<br>**[03:56] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;She told me she had lost someone important.<br>**[04:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone important...<br>**[04:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san?<br>**[04:10] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just remembered that<br>&nbsp;&nbsp;&nbsp;&nbsp;I have matters to attend to.<br>**[04:12] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[04:17] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I will leave those two alone.<br>**[04:21] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly,<br>**[04:23] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;my mission is to eat my fill<br>&nbsp;&nbsp;&nbsp;&nbsp;of this country's exotic foods!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exotic Food Hunter
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exotic Food Hunter
<br>**[04:30] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for *Venezuela*!<br>**[04:36] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way, please.<br>**[04:39] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[04:43] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard that you mete out punishment<br>**[04:47] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;to devils who've escaped the law's judgment.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kambayashi Yoshie
<br>**[04:50] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's correct.<br>**[04:51] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd like to hear your story before deciding<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not I take on your case.<br>**[04:59] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the man who killed my son.<br>**[05:04] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi...<br>**[05:06] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the man who's responsible<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Satake incident?<br>**[05:13] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Satake incident.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Satake Incident
<br>**[05:15] Injuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi, a man who worked*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for a trading company in Tokyo,*<br>**[05:19] Injuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*stabbed his fiancée, Negishi Chie,*<br>**[05:22] Injuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and her friend, Kambayashi Osamu,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at his house.*<br>**[05:27] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die!<br>**[05:31] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His motive was jealousy, assuming that*<br>**[05:34] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;his fiancée was having an affair*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Kambayashi.*<br>**[05:37] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Satake repeatedly stabbed them,*<br>**[05:41] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;doused their bodies in gasoline,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;set them ablaze, and ran.*<br>**[05:46] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the police caught him right away,*<br>**[05:50] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and he was sentenced to death.*<br>**[05:55] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you may know,<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake was a death row inmate.<br>**[05:59] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And his sentence was already carried out.<br>**[06:04] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can imagine your pain, but...<br>**[06:08] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake is alive.<br>**[06:12] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man is still alive.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;D<br>
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death Row Inmate Satake Executed
<br>**[06:23] (Flashback) Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Osamu, it's done.<br>**[06:26] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay for us to stay quiet about this?<br>**[06:29] (Flashback) Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the point.<br>**[06:30] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we'll be lying to the public.<br>**[06:34] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake's still alive.<br>**[06:36] (Flashback) Kadota**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda! We don't know who's listening!<br>**[06:40] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry...<br>**[06:44] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I wasn't sure I should believe it.<br>**[06:48] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I must have misheard,<br>&nbsp;&nbsp;&nbsp;&nbsp;or maybe it was a bad joke.<br>**[06:51] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[06:53] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;This article...<br>**[06:55] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shimoda Tadashi.<br>**[06:57] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is a former prison guard<br>&nbsp;&nbsp;&nbsp;&nbsp;who was in charge of Satake,<br>**[07:00] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he's the man<br>&nbsp;&nbsp;&nbsp;&nbsp;who said Satake wasn't dead.<br>**[07:04] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I read this article,<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew what Shimoda said was true.<br>**[07:11] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize that might not<br>&nbsp;&nbsp;&nbsp;&nbsp; be convincing on its own.<br>**[07:16] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my son has been gruesomely murdered!<br>**[07:22] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;If his murderer is still alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;then he must experience the same...<br>**[07:29] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;no, even greater pain<br>&nbsp;&nbsp;&nbsp;&nbsp;than my son endured!<br>**[07:33] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll accept no less!<br>**[07:37] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[07:38] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the person who took my son's life<br>&nbsp;&nbsp;&nbsp;&nbsp;escaped from the state's punishment,<br>**[07:43] Yoshie**<br>&nbsp;&nbsp;&nbsp;&nbsp;then please strike him with<br>&nbsp;&nbsp;&nbsp;&nbsp; the hammer of justice!<br>**[07:54] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kambayashi-san has left.<br>**[07:59] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rukawa-kun. What do you think?<br>**[08:01] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to accept that someone can<br>&nbsp;&nbsp;&nbsp;&nbsp; actually survive the death penalty.<br>**[08:07] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel the same.<br>**[08:08] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;But seeing Satake's records,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to think it could be possible.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boards a fishing boat after becoming unable to pay debts. Pneumonia caused from too much nose picking. Nail biting leads to sepsis. Bitten by fire ants. Cracks neck, leading to cerebral apoplexy. Reported for anal sunbathing therapy. Attacked by shark. Impaled in the neck by garfish. Bilharzia infection Marburg disease. Massive burns from tree resin exposure. Severe bike injury. Monkey B virus infection. Hantavirus infection.l Bitten by king cobra. Yellow fever. Brown bear attack. Impaled in head by metal pipe. Lower body crushed by vehicle. Cockroach infestation in brain. Caught in explosion. Escaped execution?
<br>**[08:16] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure this all can simply be<br>&nbsp;&nbsp;&nbsp;&nbsp;brushed aside with, "He's very lucky."<br>**[08:22] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of which, he was there and badly<br>&nbsp;&nbsp;&nbsp;&nbsp;beaten when we tortured that heinous detective.<br>**[08:28] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't look like a bad person to me then.<br>**[08:34] (Flashback) Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe we'll ever meet again.<br>**[08:37] (Flashback) Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you lose your way<br>&nbsp;&nbsp;&nbsp;&nbsp;and become an abomination, that is.<br>**[08:47] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this mean he did lose his way?<br>**[08:51] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like to do about this case?<br>**[08:53] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what the truth is,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the pain of that lady is real.<br>**[08:58] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, all I can do is to act according<br>&nbsp;&nbsp;&nbsp;&nbsp;to my principles as the Torture Sommelier.<br>**[09:05] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's investigate this further.<br>**[09:08] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll decide what to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with this case after that.<br>**[09:11] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood, Sensei.<br>**[09:15] Ijuin**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Cheating death and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;trampling on a mother's love...*<br>**[09:17] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what an abomination does.*<br>**[09:20] Ijuin**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Try as he may to flee*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the depths of purgatory...*<br>**[09:23] Ijuin**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He won't escape from the eyes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the Torture Sommelier.*<br>**[09:29] Server**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Caracas specialty, one capybara steak.<br>**[09:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[09:33] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is cooked capybara,<br>&nbsp;&nbsp;&nbsp;&nbsp;the largest rodent in the world.<br>**[09:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;They really do eat those adorable animals.<br>**[09:44] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But!<br>**[09:45] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best courtesy I can show is to be<br>&nbsp;&nbsp;&nbsp;&nbsp;grateful for the life that nourishes me!<br>**[09:51] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the *capybara*!<br>**[09:57] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;So good!<br>**[09:58] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It stinks, but it tastes like pork.<br>**[10:01] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;And look at the portion size! It's so filling!<br>**[10:06] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum, yum, yummy!<br>**[10:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[10:31] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi?<br>**[10:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's me, Chie.<br>**[10:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you recognize me?<br>**[10:40] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is you, Hirofumi.<br>**[10:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I'm dreaming.<br>**[10:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not a dream.<br>**[10:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy you're alive.<br>**[10:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy...<br>**[10:53] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:55] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you still have that pendant.<br>**[11:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure.<br>**[11:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't lose it.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my precious lucky charm.<br>**[11:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's going on?<br>**[11:14] Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[11:15] Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;The medicine is this way!<br>**[11:19] Man 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cool!<br>**[11:20] Man 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rumor that this hospital<br>&nbsp;&nbsp;&nbsp;&nbsp;has tons of inventory was true!<br>**[11:24] Man 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sell these products,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we'll be super rich!<br>**[11:29] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Venezuela suffers from serious*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shortages of medical supplies.*<br>**[11:35] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;While they have the largest*<br>*&nbsp;&nbsp;&nbsp;&nbsp;crude oil reserves in the world,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Venezuela
<br>**[11:39] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;they have relied on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;income from exporting oil*<br>**[11:43] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and neglected other industries.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hyperinflation
<br>**[11:46] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This has led to political turmoil and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;economic crises since the 2010s.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shortage of Everyday Commodities
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Among the Least Safe Countries
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rampant Corruption
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mass Unemployment
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Financial Collapse
<br>**[11:52] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The problem is especially*<br>*&nbsp;&nbsp;&nbsp;&nbsp;severe in the medical field.*<br>**[11:55] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The government owes foreign pharmaceutical*<br>*&nbsp;&nbsp;&nbsp;&nbsp;companies over 500 billion in yen,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Over 500 Billion in Yen Owed
<br>**[12:03] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so Venezuela is not able to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;purchase any more medicine.*<br>**[12:08] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's why there are medicine*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shortages in this country.*<br>**[12:12] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Many patients have lost their lives who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;could have been saved otherwise.*<br>**[12:22] Doctor 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;You! What are you doing?!<br>**[12:24] Doctor 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are for our patients!<br>**[12:26] Doctor 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give them back!<br>**[12:27] Man 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, you quack!<br>**[12:38] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is going on?!<br>**[12:44] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My goodness!<br>**[12:47] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi-san! Satake-san!<br>**[12:52] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:52] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:55] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[13:00] Doctor 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't panic!<br>**[13:02] Doctor 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evacuate calmly!<br>**[13:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is happening?<br>**[13:06] Doctor 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Medicine robbery gang.<br>**[13:09] Doctor 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;They detonated something on the ground floor.<br>**[13:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Detonated?!<br>**[13:14] Doctor 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fire will be here soon.<br>**[13:16] Doctor 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please evacuate quickly!<br>**[13:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's run, Chie!<br>**[13:19] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[13:28] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[13:31] Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help... me...<br>**[13:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but please go on without me.<br>**[13:38] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi!<br>**[13:42] Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone...<br>**[13:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Are you all right?<br>**[13:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt?<br>**[13:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're one of the thieves.<br>**[13:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[13:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get out of here.<br>**[14:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So heavy...<br>**[14:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie! Why didn't you run away?<br>**[14:06] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my line.<br>**[14:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry.<br>**[14:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[14:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to be kidding me!<br>**[14:21] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't inhale the smoke!<br>**[14:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[14:26] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what do we do now?*<br>**[14:30] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The leading cause*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of death in fire is not burns,*<br>**[14:34] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but carbon monoxide poisoning.*<br>**[14:37] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once carbon monoxide gets into your body,*<br>**[14:40] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it reduces your supply*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of life-sustaining oxygen,*<br>**[14:44] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and causes severe damage*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to your brain and other organs.*<br>**[14:49] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Early symptoms are headache,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;nausea, and blurred vision.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Headache
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nausea
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Blurred Vision
<br>**[14:55] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When it gets worse,*<br>**[14:56] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it can cause convulsions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and loss of consciousness,*<br>**[15:00] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and may eventually lead to death.*<br>**[15:03] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since carbon monoxide*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is odorless and colorless,*<br>**[15:07] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;you can get poisoned*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without being aware of it.*<br>**[15:10] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why it's crucial to lower your head*<br>**[15:14] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and leave the area, so as*<br>*&nbsp;&nbsp;&nbsp;&nbsp;not to breathe in the smoke.*<br>**[15:20] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi-san!<br>**[15:22] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[15:23] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have they not evacuated yet?<br>**[15:25] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are they?<br>**[15:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Negishi Chie
<br>**[15:30] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi-san!<br>**[15:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[15:33] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you right now?<br>**[15:35] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Inside the hospital.*<br>**[15:36] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside the hospital.<br>**[15:37] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;The exit is blocked off.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kito-san
<br>**[15:39] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh no...*<br>**[15:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[15:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san!<br>**[15:45] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are heading toward the roof.<br>**[15:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell the fire department<br>&nbsp;&nbsp;&nbsp;&nbsp;to extend the ladder<br>**[15:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to the roof!*<br>**[15:51] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The roof? Understood.<br>**[15:54] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be careful.<br>**[15:58] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to the roof?<br>**[16:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every floor is filled with fire and smoke.<br>**[16:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to take the stairs.<br>**[16:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[16:07] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[16:09] Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave me.<br>**[16:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[16:12] Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will only slow you down.<br>**[16:15] Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave the dead weight and go.<br>**[16:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that!<br>**[16:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of this is your fault to begin with.<br>**[16:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you die a selfish death.<br>**[16:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired of watching people die!<br>**[16:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, stand up.<br>**[16:37] Firefighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladder to the roof?<br>**[16:40] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. They should be there soon.<br>**[16:44] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this fire?<br>**[16:45] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if they can make it.<br>**[16:47] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, I'm begging you!<br>**[16:49] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a ladder to them!<br>**[16:57] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm getting dizzy.*<br>**[17:00] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it...*<br>**[17:02] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi, hang in there.<br>**[17:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie...<br>**[17:07] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. I can't die here.*<br>**[17:12] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Until I find out what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;happened between me and Chie,*<br>**[17:15] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will not die, no matter what!*<br>**[17:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there... Is there a ladder?<br>**[17:26] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi, over there!<br>**[17:28] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[17:29] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did great!<br>**[17:30] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[17:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take him first!<br>**[17:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's injured.<br>**[17:39] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two join us now!<br>**[17:41] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie, you go first—<br>**[17:47] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, what happened?!<br>**[17:49] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no good!<br>**[17:50] Fire Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't get any closer!<br>**[17:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... No way...<br>**[17:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the end?<br>**[18:01] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi...<br>**[18:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my fault for wasting time.<br>**[18:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind.<br>**[18:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[18:10] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was happy.<br>**[18:12] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't changed a bit.<br>**[18:15] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just leave someone behind<br>&nbsp;&nbsp;&nbsp;&nbsp;if they're hurt, even if they're a robber.<br>**[18:20] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because that's who you are that I...<br>**[18:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie...<br>**[18:26] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[18:28] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?<br>**[18:29] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robber's hand grenade?<br>**[18:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's dangerous!<br>**[18:38] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi, do you trust me?<br>**[18:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to—<br>**[18:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have complete faith in you, always.<br>**[18:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ch-Chie?!<br>**[18:59] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Duck!<br>**[19:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fire disappeared!<br>**[19:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fire will return soon enough.<br>**[19:09] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[19:12] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There is a method of firefighting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that uses explosive blasts.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Firefighting With Explosives
<br>**[19:19] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since an blast will instantly extinguish*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fires over a broad area,*<br>**[19:25] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;explosives are used to deal with large areas*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on fire, such as forests or oil fields.*<br>**[19:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But run where?<br>**[19:36] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's jump, Hirofumi!<br>**[19:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Jump?!<br>**[19:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is the roof<br>&nbsp;&nbsp;&nbsp;&nbsp;of a five-story building--<br>**[19:45] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This has happened before...*<br>**[19:53] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now I remember...*<br>**[19:56] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remember everything!*<br>**[20:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're insane.<br>**[20:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think I'm engaged to?<br>**[20:19] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi, I've missed you so much!<br>**[20:22] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you!<br>**[20:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too, Chie.<br>**[20:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;D<br>
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<br>**[20:36] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're going?<br>**[20:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:38] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I have all the information I need.<br>**[20:42] Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might not be my place to say this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but please take care of Satake.<br>**[20:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you can count on me.<br>**[20:59] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do not move.<br>**[21:02] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon my manners,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I must ask you some questions.<br>**[21:06] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He didn't make any noise whatsoever.*<br>**[21:09] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How can I help you?<br>**[21:12] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You visited Shimoda Tadashi, who is<br>**[21:16] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;incarcerated for hijacking<br>&nbsp;&nbsp;&nbsp;&nbsp;the airplane, correct?<br>**[21:20] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:22] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have received information which indicates<br>&nbsp;&nbsp;&nbsp;&nbsp; that Satake Hirofumi might be alive.<br>**[21:29] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know anything about...<br>**[21:37] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[21:39] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy.<br>**[21:41] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect you<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay me a visit, Ijuin-san.<br>**[21:47] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know my name?<br>**[21:50] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm on my way to go see Satake-san.<br>**[21:56] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to join me?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Reunion of Tragedy
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Day a Death Row<br>
&nbsp;&nbsp;&nbsp;&nbsp; Inmate Was Born
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 11
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[23:32] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi...<br>**[23:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[23:35] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi...<br>**[23:36] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[23:37] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi!<br>**[23:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>

# E11 - The Reunion of Tragedy

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G0DUNPDZE/the-reunion-of-tragedy)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My name is Tan—*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tan
<br>**[00:07] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oops! Right now, just call me "Professor."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Professor
<br>**[00:10] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm an ordinary, run-of-the-mill,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;human craziness researcher.*<br>**[00:18] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Oh.<br>**[00:21] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thank you for your call, Ijuin-san.*<br>**[00:25] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I doubt your words, but I'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;do some more investigating before I go to see him.<br>**[00:32] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care.<br>**[00:40] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right, then.*<br>**[00:42] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm coming, Satake-san.*<br>**[01:08] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 11
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Day a Death Row Inmate Was Born
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Reunion of Tragedy
<br>**[02:22] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should do it.<br>**[02:23] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[02:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[02:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been so helpful.<br>**[02:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem.<br>**[02:29] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exotic food and hidden land hunting are<br>&nbsp;&nbsp;&nbsp;&nbsp; dangerous, so this is a piece of cake.<br>**[02:34] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I must say, you two are rather reckless.<br>**[02:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you jumped<br>&nbsp;&nbsp;&nbsp;&nbsp;from one building to another.<br>**[02:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've done something similar before.<br>**[02:47] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Hirofumi?<br>**[02:50] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi?<br>**[02:52] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san, is it your memory?<br>**[02:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san, Chie.<br>**[03:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember everything now.<br>**[03:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why I received a death sentence.<br>**[03:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why people think I killed Chie.<br>**[03:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He set everything up to frame me.<br>**[03:15] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I...<br>**[03:19] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm off!<br>**[03:22] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi!<br>**[03:23] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You forgot your lunch.<br>**[03:26] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie, thanks.<br>**[03:28] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a high school<br>&nbsp;&nbsp;&nbsp;&nbsp;reunion tonight, right?<br>**[03:31] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:32] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try not to stay out too late.<br>**[03:34] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about that and have fun.<br>**[03:37] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no cheating on me, please!<br>**[03:40] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you take me for?<br>**[03:42] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silly you.<br>**[03:43] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck with your work.<br>**[03:45] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[03:46] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takachinari<br>
&nbsp;&nbsp;&nbsp;&nbsp;High<br>
&nbsp;&nbsp;&nbsp;&nbsp;School<br>
&nbsp;&nbsp;&nbsp;&nbsp;Reunion
<br>**[03:54] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?!<br>**[03:55] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your fiancé?<br>**[03:58] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's kind of dull looking.<br>**[04:00] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like he's always low on the totem pole.<br>**[04:04] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I can't say you're wrong,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's a really nice guy.<br>**[04:09] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie, you should try and find a better guy.<br>**[04:13] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like... Kambayashi-kun.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kambayashi Osamu
<br>**[04:18] Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear the company he started<br>&nbsp;&nbsp;&nbsp;&nbsp;is going public on the stock market.<br>**[04:21] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that's amazing.<br>**[04:24] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you give him a try?<br>**[04:25] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kambayashi-kun!<br>**[04:27] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie wants to talk to you!<br>**[04:29] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, come on, Nanae!<br>**[04:32] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't...<br>**[04:33] (Flashback) Kambayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi? Are you Negishi Chie?<br>**[04:36] (Flashback) Kambayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while.<br>**[04:38] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, indeed.<br>**[04:39] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been awhile.<br>**[04:42] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is supposedly the last<br>&nbsp;&nbsp;&nbsp;&nbsp;footage of Negishi Chie and<br>**[04:46] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kambayashi Osamu, who were<br>&nbsp;&nbsp;&nbsp;&nbsp;the victims of the Satake incident.<br>**[04:50] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't the police have it already?<br>**[04:54] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;A part of it seems to<br>&nbsp;&nbsp;&nbsp;&nbsp;have been erased by someone.<br>**[04:58] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is, most certainly, their last moments.<br>**[05:03] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And restoring this was a piece of cake for you?<br>**[05:07] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive, as always.<br>**[05:10] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thanks.*<br>**[05:12] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I drank too much because<br>&nbsp;&nbsp;&nbsp;&nbsp;I got excited about the reunion.<br>**[05:16] (Flashback) Kambayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too.<br>**[05:18] (Flashback) Kambayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw that my first love was<br>&nbsp;&nbsp;&nbsp;&nbsp;as beautiful as I remembered.<br>**[05:22] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[05:24] (Flashback) Kambayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi, the truth is, I...<br>**[05:28] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie, go get him!<br>**[05:32] (Flashback) Nanae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:39] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm flattered, but I'm also sorry.<br>**[05:42] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;My heart belongs to someone else.<br>**[05:46] (Flashback) Kambayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's too bad.<br>**[05:49] (Flashback) Kambayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he like?<br>**[05:50] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's—<br>**[05:51] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's me!<br>**[05:57] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kambayashi-kun!<br>**[06:02] (Flashback) Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You...<br>**[06:04] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I missed you... honey.<br>**[06:09] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home.<br>**[06:12] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got home early.<br>**[06:14] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was the reunion?<br>**[06:16] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? She's not back yet?<br>**[06:20] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch...<br>**[06:25] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[06:30] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[06:31] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wake up!<br>**[06:33] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This isn't—<br>**[06:35] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back, Satake-kun.<br>**[06:37] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you?!<br>**[06:39] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't remember me?<br>**[06:41] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not cool.<br>**[06:43] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;We lost our magnums together, remember?<br>**[06:49] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Chie's stalker!<br>**[06:51] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not very nice.<br>**[06:53] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;My feelings for Chie are nothing but pure.<br>**[06:57] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do you want?!<br>**[06:59] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I want?<br>**[07:06] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge, of course!<br>**[07:09] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came to k-kill me?<br>**[07:13] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you think simply<br>&nbsp;&nbsp;&nbsp;&nbsp;killing you would satisfy me?<br>**[07:16] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you a taste<br>&nbsp;&nbsp;&nbsp;&nbsp;of the worst possible despair.<br>**[07:21] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[07:22] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do to her?<br>**[07:27] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, she's safe... for now.<br>**[07:31] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what will happen to her is up to you.<br>**[07:35] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[07:38] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy...<br>**[07:40] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack Spacey.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jack Spacey
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Son of the boss of an international<br>
&nbsp;&nbsp;&nbsp;&nbsp; crime syndicate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Psychopathic Killer
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Sadist
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Stalker
<br>**[07:42] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the son of the boss<br>&nbsp;&nbsp;&nbsp;&nbsp;of an international crime syndicate.<br>**[07:45] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;An extreme sadist,<br>**[07:47] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's a bona fide scumbag who has<br>&nbsp;&nbsp;&nbsp;&nbsp;done all sorts of abominable, evil deeds.<br>**[07:54] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[07:56] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the plot.<br>**[07:58] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi is a heinous murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;who suspected his lover's infidelity,<br>**[08:02] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;stabbed an innocent man and woman to death,<br>&nbsp;&nbsp;&nbsp;&nbsp;then lit their bodies on fire.<br>**[08:08] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;This woman is a body double for Chie,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this guy is the adulterous lover.<br>**[08:13] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of that should earn you the<br>&nbsp;&nbsp;&nbsp;&nbsp;death penalty even in Japan, right?<br>**[08:17] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you're a murderer,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be cursed,<br>**[08:21] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;despised, and hated by everyone.<br>**[08:24] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll die like the pathetic piece of shit you are!<br>**[08:28] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this the best revenge ever?<br>**[08:33] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'd do anything like that!<br>**[08:36] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, aren't you intimidating.<br>**[08:38] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you should think<br>&nbsp;&nbsp;&nbsp;&nbsp;hard before you speak.<br>**[08:42] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[08:43] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away from Chie!<br>**[08:46] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love that reaction, Satake.<br>**[08:49] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I'll let you choose.<br>**[08:53] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a generous guy.<br>**[08:57] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want to do?<br>**[08:58] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this knife, and your life<br>&nbsp;&nbsp;&nbsp;&nbsp;as the murderer Satake Hirofumi starts.<br>**[09:04] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or your life will be over, I guess.<br>**[09:11] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you won't take it.<br>**[09:13] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone would choose their own life<br>&nbsp;&nbsp;&nbsp;&nbsp;over anyone else's.<br>**[09:23] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't have a lot of time.<br>**[09:27] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to decide now.<br>**[09:31] (Flashback) Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-kun?<br>**[09:38] (Flashback) Onlooker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!<br>**[09:40] (Flashback) Onlooker 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call the fire department!<br>**[09:43] (Flashback) Onlooker 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that guy is holding a knife!<br>**[09:47] (Flashback) Onlooker 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Call the police!<br>**[09:48] (Flashback) Onlooker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[10:01] Godai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going, sir?<br>**[10:03] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found someone who should be punished.<br>**[10:06] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rukawa-kun...<br>**[10:07] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let Kambayashi-san know<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm taking her case.<br>**[10:10] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, understood.<br>**[10:13] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And tell her that I will show that<br>&nbsp;&nbsp;&nbsp;&nbsp;abomination what true hell looks like.<br>**[10:23] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes...<br>**[10:25] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Laying hands on the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;innocent for his pleasure,*<br>**[10:30] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;not to mention framing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;someone else for it...*<br>**[10:33] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It is outrageous.*<br>**[10:36] Ijuin/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As I see it, he has no right to live.*<br>**[10:40] Ijuin/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I, the Torture Sommelier, shall crush his*<br>*&nbsp;&nbsp;&nbsp;&nbsp;rotten body with the hammer of judgment!*<br>**[10:50] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's... no way.<br>**[10:52] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi, I'm sorry.<br>**[10:55] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was helpless.<br>**[10:59] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to go through so much.<br>**[11:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to apologize.<br>**[11:04] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm alive... and so are you.<br>**[11:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that means we can<br>&nbsp;&nbsp;&nbsp;&nbsp;do something about this.<br>**[11:10] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[11:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You being alive proves that I'm innocent.<br>**[11:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;With our testimonies,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can expose Jack's evil deeds.<br>**[11:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you help me, Chie?<br>**[11:26] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[11:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help too.<br>**[11:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san, I appreciate the sentiment,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is dangerous.<br>**[11:34] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san...<br>**[11:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I revere is life itself.<br>**[11:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we have life, we can appreciate<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden lands and exotic foods.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hidden Lands
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exotic Food
<br>**[11:44] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't forgive those<br>&nbsp;&nbsp;&nbsp;&nbsp;who trample on those lives!<br>**[11:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[11:50] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's settled, then.<br>**[11:51] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, let's go through the process<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to return to Japan!<br>**[11:57] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[11:57] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:00] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human Crazy University.<br>**[12:00] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:17] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... You are...<br>**[12:20] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there.<br>**[12:21] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are your injuries?<br>**[12:23] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You came to visit me?<br>**[12:25] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not hurt too bad.<br>**[12:27] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should recover soon—<br>**[12:27] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good to hear!<br>**[12:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you die, I can't kill you.<br>**[12:32] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:33] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna tell me what this is all about?<br>**[12:37] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Listen!<br>**[12:38] Majeed**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry that I didn't report<br>&nbsp;&nbsp;&nbsp;&nbsp;that he was still alive—<br>**[12:52] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-kun!<br>**[12:58] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, manager.<br>**[12:59] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take these.<br>**[13:01] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put them on Boss Kito's tab, will you?<br>**[13:04] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm utterly speechless.<br>**[13:06] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you keep coming here?<br>**[13:09] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? We're practically regulars!<br>**[13:13] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room service is awesome,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's too fancy for us.<br>**[13:17] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;The food here suits our palates better.<br>**[13:21] Store Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, police?<br>**[13:23] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call the police, man!<br>**[13:25] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of the police,<br>**[13:27] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;we first met our bro, Satake,<br>&nbsp;&nbsp;&nbsp;&nbsp;because we robbed this place.<br>**[13:31] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what he's doing right now.<br>**[13:35] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet he's having a brush with death again.<br>**[13:37] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;No doubt.<br>**[13:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[13:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This "Satake" you mentioned...<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you mean Satake Hirofumi?<br>**[13:48] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell are you?<br>**[13:55] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you sleep well?<br>**[13:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I haven't slept this well in a while.<br>**[14:02] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here.<br>**[14:03] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[14:04] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's have breakfast<br>&nbsp;&nbsp;&nbsp;&nbsp;before the last battle.<br>**[14:07] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all-you-can-eat!<br>**[14:10] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the *buffet*!<br>**[14:12] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's full of energy.<br>**[14:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been so good to me.<br>**[14:17] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too.<br>**[14:18] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to pay him back sometime.<br>**[14:18] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take this! And that! And this!<br>**[14:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you met Kito-san in Arizona.<br>**[14:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have gone through a lot after that.<br>**[14:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[14:29] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[14:31] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had it way worse.<br>**[14:33] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I managed to escape from Jack.<br>**[14:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did?<br>**[14:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing.<br>**[14:40] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[14:41] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was sheer luck.<br>**[14:42] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe someone's weird luck rubbed off on me.<br>**[14:46] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by the time I ran away from Jack,<br>**[14:49] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;your death sentence had<br>&nbsp;&nbsp;&nbsp;&nbsp;already been carried out.<br>**[14:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I was in the detention center,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking about you.<br>**[15:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no way he was<br>&nbsp;&nbsp;&nbsp;&nbsp;going to keep that promise.<br>**[15:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I had to tell someone<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were alive.<br>**[15:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;D<br>
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<br>**[15:12] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shimoda-san!<br>**[15:14] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I must tell you.<br>**[15:15] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Satake?<br>**[15:17] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I—<br>**[15:22] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That guy!*<br>**[15:30] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really liked the novel you<br>&nbsp;&nbsp;&nbsp;&nbsp;recommended the other day.<br>**[15:34] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?!<br>**[15:35] (Flashback) Shimoda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what you thought<br>&nbsp;&nbsp;&nbsp;&nbsp;next time I see you.<br>**[15:41] (Flashback) Henchman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say anything stupid.<br>**[15:42] (Flashback) Henchman 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand?<br>**[15:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack is more powerful than we imagined.<br>**[15:57] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be all right.<br>**[15:59] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have each other now.<br>**[16:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie...<br>**[16:03] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't eat quick, you two, it'll be gone!<br>**[16:14] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't fight on an empty stomach.<br>**[16:17] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait here while I go get some for us.<br>**[16:19] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Thank you for the breakfast?<br>**[16:23] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kidding!<br>**[16:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a dream come true for me.<br>**[16:32] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, look at all these desserts!<br>**[16:36] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;But should I be eating these for breakfast?<br>**[16:40] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cream puffs!<br>**[16:42] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love these.<br>**[16:46] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;They look tasty.<br>**[16:49] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you get me some too?<br>**[16:54] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Chie.<br>**[16:56] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while.<br>**[17:03] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, Chie, you shouldn't waste food.<br>**[17:08] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You love cream puffs, don't you?<br>**[17:14] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi...<br>**[17:20] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie! Chie! Where are you?<br>**[17:23] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[17:24] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san! Did you find her?<br>**[17:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[17:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked the hotel employees too.<br>**[17:30] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she wouldn't go outside<br>&nbsp;&nbsp;&nbsp;&nbsp;without telling us.<br>**[17:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did she go?<br>**[17:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Negishi Chie<br>
&nbsp;&nbsp;&nbsp;&nbsp; Video Call<br>
&nbsp;&nbsp;&nbsp;&nbsp; Incoming
<br>**[17:40] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Negishi-san!<br>**[17:42] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;A video call?<br>**[17:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[17:49] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[17:50] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, Undead Man.*<br>**[17:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;This voice...<br>**[17:54] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I missed you.*<br>**[17:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack?!<br>**[17:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding me.<br>**[17:58] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I'm not kidding.*<br>**[18:01] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's my line.<br>**[18:04] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding me.<br>**[18:06] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you die?<br>**[18:09] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You survived a death sentence,<br>**[18:10] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;falling out of an airplane,<br>&nbsp;&nbsp;&nbsp;&nbsp;a mafia execution...<br>**[18:15] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I admire your tenacity.*<br>**[18:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is your problem?!<br>**[18:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to kill me,<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't you do it yourself?<br>**[18:22] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chie has nothing to do with this!*<br>**[18:24] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You silly.<br>**[18:26] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wouldn't be fun at all.<br>**[18:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you.<br>**[18:30] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I admire you.*<br>**[18:33] Jack**<br>*&nbsp;&nbsp;&nbsp;&nbsp;First, I tried to get my revenge by*<br>*&nbsp;&nbsp;&nbsp;&nbsp;using an evil detective to kill you.*<br>**[18:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy...<br>**[18:40] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But somehow you survived.*<br>**[18:44] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when I heard that stupid<br>&nbsp;&nbsp;&nbsp;&nbsp;Majeed failed to kill you,<br>**[18:48] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt not just anger<br>&nbsp;&nbsp;&nbsp;&nbsp;but also joy!<br>**[18:52] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't die!<br>**[18:54] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Satake Hirofumi for you!<br>**[18:57] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;**My *Satake Hirofumi!*<br>**[18:59] Jack**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At some point, my interest had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shifted from Chie to you.*<br>**[19:04] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe this is another<br>&nbsp;&nbsp;&nbsp;&nbsp;form of love, you know?<br>**[19:09] Jack**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just love seeing the desperate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;struggle of people on the verge of death.*<br>**[19:15] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Undead Man.<br>**[19:16] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suffer more!<br>**[19:18] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entertain me more!<br>**[19:20] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;More, more, more, more!<br>**[19:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy is absolutely crazy.<br>**[19:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's play a game.*<br>**[19:31] Jack**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Find Chie, who's been hidden somewhere*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in this town, by sundown.*<br>**[19:36] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you can find her, you win.*<br>**[19:39] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you can't, then...*<br>**[19:41] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't need to tell you what happens.*<br>**[19:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[19:45] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wish you the best of luck.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Call Ended
<br>**[19:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[19:48] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have much time left.<br>**[19:50] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's find Negishi-san quickly.<br>**[19:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how?!<br>**[19:54] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a breath.<br>**[19:55] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That video call was from somewhere high up.<br>**[19:59] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;A skyscraper...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Skyscraper
<br>**[20:01] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Caracas...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Caracas
<br>**[20:03] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes, the Tower of David!<br>**[20:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[20:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called the highest slum in the world.<br>**[20:11] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Tower of David:*<br>**[20:13] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the official name is Centro*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Financiero Confinanzas.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Centro<br>
&nbsp;&nbsp;&nbsp;&nbsp; Financiero<br>
&nbsp;&nbsp;&nbsp;&nbsp; Confinanzas
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Venezuela
<br>**[20:18] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's a skyscraper located in Caracas,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the capital of Venezuela,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Caracas
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Caracas
<br>**[20:22] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it's 190 meters tall.*<br>**[20:25] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But because of the economic crisis in 1994*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;AD
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Economic Crisis
<br>**[20:30] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the following bank failure,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;its construction came to a halt.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bank Failure
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bank Failure
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Halted
<br>**[20:34] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was abandoned before it was completed,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and squatters started to live there,*<br>**[20:39] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*turning the building into a slum.*<br>**[20:41] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At one point, 700 families and a*<br>*&nbsp;&nbsp;&nbsp;&nbsp;total of 2,500 people lived there.*<br>**[20:46] Professor/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To improve living conditions,*<br>**[20:49] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;they made water*<br>*&nbsp;&nbsp;&nbsp;&nbsp;available up to the 22nd floor,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Water
<br>**[20:52] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and they operated*<br>*&nbsp;&nbsp;&nbsp;&nbsp;facilities like barber shops,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Barber Shops
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cafeterias
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fitness Clubs
<br>**[20:55] Professor/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;cafeterias, and fitness*<br>*&nbsp;&nbsp;&nbsp;&nbsp;clubs inside the building.*<br>**[21:04] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is.<br>**[21:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[21:07] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry.<br>**[21:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on tight!<br>**[21:11] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[21:13] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;That truck crashed into us on purpose!<br>**[21:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?<br>**[21:31] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[21:33] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's run to the alley over there!<br>**[21:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[21:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was up with that truck?<br>**[21:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could have been killed.<br>**[21:42] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Satake-san, take a look at that poster.<br>**[21:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth...<br>**[21:50] Resident 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;He went over there!<br>**[21:52] Resident 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill that guy, and I'll be rich!<br>**[21:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is what Jack meant by "a game."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Former Death Row Inmate<br>
&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Ordinary,<br>
&nbsp;&nbsp;&nbsp;&nbsp; Run-of-the-Mill Guy
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 12
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>

# E12 - An Ordinary, Run-of-the-Mill Guy: Former Death Row Inmate, Satake Hirofumi

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GEVUZMX01/an-ordinary-run-of-the-mill-guy-former-death-row-inmate-satake-hirofumi)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Chaser 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is he?<br>**[00:03] Chaser 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find him!<br>**[00:04] Chaser 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't get away from us!<br>**[00:07] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Satake Hirofumi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[00:09] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an ordinary, run-of-the-mill guy who's<br>&nbsp;&nbsp;&nbsp;&nbsp;facing the biggest danger of his life!<br>**[00:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is being ordinary, do you think?<br>**[00:19] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:20] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, now is not the time<br>&nbsp;&nbsp;&nbsp;&nbsp;to be distracting ourselves.<br>**[00:23] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must hurry.<br>**[00:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[00:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to go rescue Chie.<br>**[00:30] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san?<br>**[00:31] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that *I* don't have <br>
&nbsp;&nbsp;&nbsp;&nbsp;a bounty on my head.<br>**[00:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Whoa!<br>**[00:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake went that way!<br>**[00:41] Chaser 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[00:42] Chaser 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[00:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[00:43] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow me!<br>**[00:47] Chasers**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way!<br>**[00:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san...<br>**[00:55] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Satake-san, best of luck to you.*<br>**[00:57] Chaser 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[00:59] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[01:00] Chaser 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the Japanese guy who<br>&nbsp;&nbsp;&nbsp;&nbsp;was with Satake earlier.<br>**[01:03] Chaser 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw you.<br>**[01:05] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I...<br>**[01:08] Chaser 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[01:10] Chaser 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you lie to us?!<br>**[01:12] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh no...*<br>**[01:14] Kito/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this the end for me?*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 12
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Ordinary,<br>
&nbsp;&nbsp;&nbsp;&nbsp; Run-of-the-Mill Guy
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Former Death Row Inmate<br>
&nbsp;&nbsp;&nbsp;&nbsp;Satake Hirofumi
<br>**[02:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I must get over there...<br>**[02:54] Chaser 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;There he is!<br>**[02:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[02:56] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They found me already?!<br>**[03:00] Chaser 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it right there, bounty!<br>**[03:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll eventually catch up to me.<br>**[03:05] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[03:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:08] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Andre? Miguel?!<br>**[03:10] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get in!<br>**[03:15] Chaser 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[03:18] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't changed at all.<br>**[03:19] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;We knew you'd be cheating death again.<br>**[03:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You two... But why?<br>**[03:25] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy brought us here.<br>**[03:28] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy?<br>**[03:29] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[03:30] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while, Satake-san.<br>**[03:32] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd be alive.<br>**[03:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Professor?!<br>**[03:37] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my research sample for you.<br>**[03:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I please dissect your brain sometime?<br>**[03:42] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely not!<br>**[03:43] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your timing is good.<br>**[03:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take me to the Tower of David!<br>**[03:48] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[03:49] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guys chasing after you seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be coming from that direction.<br>**[03:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[03:57] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like you've gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;involved in something exciting.<br>**[04:01] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[04:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you... whoa!<br>**[04:06] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[04:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[04:08] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go, idiot!<br>**[04:10] Chaser 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you let go, idiot!<br>**[04:12] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's calling me idiot? You let go! Idiot!<br>**[04:14] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow, ow, ow!<br>**[04:16] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna split in two!<br>**[04:20] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, m-man!<br>**[04:22] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[04:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys!<br>**[04:27] Chaser 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay quiet!<br>**[04:30] Chaser 6**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Now I'm rich!<br>**[04:32] Chaser 7**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice work!<br>**[04:35] Chaser 6**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh shit! Eyes on the road!<br>**[04:36] Chaser 7**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch...<br>**[04:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[04:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I here?<br>**[04:59] Chaser 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truck's totaled!<br>**[05:01] Chaser 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did he go?<br>**[05:03] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[05:13] Chaser 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mess with us!<br>**[05:15] Chaser 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll force Satake's whereabouts out of you!<br>**[05:20] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see if you can talk to me<br>&nbsp;&nbsp;&nbsp;&nbsp;that way after you've learned who I am.<br>**[05:25] Chaser 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:26] Chaser 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the heck are you?<br>**[05:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;A seeker of food and<br>&nbsp;&nbsp;&nbsp;&nbsp;mysteries throughout the world...<br>**[05:32] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the exotic food and<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden land hunter, Kito Joji!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kito Joji
<br>**[05:39] Chaser 1;2;3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?!<br>**[05:42] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, mister!<br>**[05:43] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro got caught!<br>**[05:44] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn back!<br>**[05:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not possible.<br>**[05:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're being chased.<br>**[05:49] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, check that out!<br>**[05:50] Chaser 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold up, Japanese!<br>**[05:52] Chaser 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you hide Satake?!<br>**[05:55] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not get caught!<br>**[05:57] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, my body!<br>**[05:59] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;At light speed!<br>**[06:05] Satake/I**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The video call came*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from high up in the building.*<br>**[06:10] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That must be where Chie is.*<br>**[06:13] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I need to get higher.*<br>**[06:17] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh no, they're here...*<br>**[06:21] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love it.<br>**[06:23] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, run!<br>**[06:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi!<br>**[06:28] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;As expected from Satake-kun.<br>**[06:30] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;He scurries quick, like a roach.<br>**[06:33] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's plenty entertaining as it is,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it could use a little more oomph.<br>**[06:39] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we introduce a new player?<br>**[06:46] Chaser 10**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's apparently going up!<br>**[06:49] Chaser 9**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let's head this way!<br>**[06:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, they caught up with me!<br>**[06:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hide...<br>**[06:56] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see him.<br>**[06:57] Chaser 9**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look harder!<br>**[07:00] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please, walk past me!*<br>**[07:02] Chaser 10**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we look in another room?<br>**[07:04] Chaser 9**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[07:06] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Th-that was close.*<br>**[07:08] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, y'all!<br>**[07:10] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna have to ask you<br>&nbsp;&nbsp;&nbsp;&nbsp;to follow my orders from now on.<br>**[07:18] Chaser 9**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do you want?<br>**[07:20] Chaser 9**<br>&nbsp;&nbsp;&nbsp;&nbsp;You trying to hog the bounty for yourself?<br>**[07:22] Chaser 9**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're—<br>**[07:28] Chaser 8; 10**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy shit!<br>**[07:31] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wh-Wh-Wh-Wh-What did he just do?!*<br>**[07:34] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you didn't hear me.<br>**[07:36] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have a death wish, I'll oblige you.<br>**[07:40] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are y-you...<br>**[07:41] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jose Claudio of the Claudio family,<br>&nbsp;&nbsp;&nbsp;&nbsp; by any chance?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jose Claudio
<br>**[07:47] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll obey!<br>**[07:48] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll obey your orders!<br>**[07:49] Chaser 10**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no one stupid enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to oppose the mafia in this country!<br>**[07:54] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good boy.<br>**[07:56] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, Jack.<br>**[07:58] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here on out, we can take over, yes?<br>**[08:02] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sure,*<br>**[08:02] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll pay you handsomely.<br>**[08:04] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in return...<br>**[08:06] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't kill him too quick, right?<br>**[08:09] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;No worries.<br>**[08:10] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slow is my specialty.<br>**[08:12] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all people, we get Jose the Head Hunter.<br>**[08:15] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposedly, he cut off the heads<br>**[08:17] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;of everyone who opposed him<br>&nbsp;&nbsp;&nbsp;&nbsp;with that machete when he became the boss.<br>**[08:23] Chaser 8**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if we resist him, that's how we end up, huh?<br>**[08:28] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[08:30] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll search the other room, yeah?<br>**[08:33] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Break a leg, everyone!<br>**[08:39] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding!<br>**[08:41] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you, Satake-san!<br>**[08:46] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, playing tag, are we?<br>**[08:50] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, run! Run for your life!<br>**[08:57] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Jose, you're such an entertainer!<br>**[09:01] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just barely missing his vitals!<br>**[09:05] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a professional!<br>**[09:07] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Jack!<br>**[09:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what happens to me.<br>**[09:10] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please stop hurting Hirofumi!<br>**[09:13] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a beautiful bond you two share, Chie.<br>**[09:16] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it looks like we're<br>&nbsp;&nbsp;&nbsp;&nbsp;approaching the finale.<br>**[09:22] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, everybody!<br>**[09:24] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;The party's in full swing,<br>**[09:27] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's time to close it out<br>&nbsp;&nbsp;&nbsp;&nbsp;with Jose Claudio's amputation show!<br>**[09:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Amputation?!<br>**[09:37] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, everyone, what would you prefer?<br>**[09:42] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;A foot? An arm? Or...<br>**[09:47] Underlings**<br>&nbsp;&nbsp;&nbsp;&nbsp;His head!<br>**[09:48] Underlings**<br>&nbsp;&nbsp;&nbsp;&nbsp;His head, his head, his head!<br>**[09:54] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[09:56] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear your request!<br>**[10:00] Underlings**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[10:02] Underlings**<br>&nbsp;&nbsp;&nbsp;&nbsp;His head, his head, his head!<br>**[10:04] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the end of him!<br>**[10:09] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[10:16] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What just happened?!<br>**[10:18] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi!<br>**[10:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;The floor gave way?<br>**[10:29] Jose**<br>&nbsp;&nbsp;&nbsp;&nbsp;The show isn't over yet!<br>**[10:38] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good...<br>**[10:39] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:01] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, a hanging can kill you after all!<br>**[11:04] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suffering your death penalty again<br>&nbsp;&nbsp;&nbsp;&nbsp;is just like you, Satake!<br>**[11:09] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wake up, Hirofumi!<br>**[11:12] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't die!<br>**[11:13] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's useless, Chie!<br>**[11:16] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's finally dead!<br>**[11:18] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I win!<br>**[11:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't win.<br>**[11:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something?<br>**[11:33] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may talk and act big,<br>**[11:35] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're nothing but a pathetic coward<br>**[11:38] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;who can only act big<br>&nbsp;&nbsp;&nbsp;&nbsp;toward the defenseless!<br>**[11:40] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at Hirofumi!<br>**[11:43] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may be powerless,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he risked his life to save me!<br>**[11:48] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's nothing like you!<br>**[11:50] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't lose!<br>**[11:52] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;To a coward and weakling like you—<br>**[11:58] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't run your mouth like that.<br>**[12:01] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like I need to punish you later.<br>**[12:07] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me.<br>**[12:09] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring me the helicopter.<br>**[12:14] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:17] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Human Crazy University<br>**[12:23] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;That game wasn't too bad.<br>**[12:29] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is it?<br>**[12:31] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they doing?<br>**[12:35] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that noise?<br>**[12:36] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind?<br>**[12:40] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, a groan?<br>**[12:44] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it?!<br>**[12:47] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack!<br>**[12:54] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give Chie back to me!<br>**[13:00] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to be dead!<br>**[13:07] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a monster!<br>**[13:17] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi?<br>**[13:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Chie.<br>**[13:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[13:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am *I* all right?<br>**[13:27] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who's all beaten up.<br>**[13:29] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm glad you're alive.<br>**[13:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have bad luck, but when it comes<br>&nbsp;&nbsp;&nbsp;&nbsp;to the people in my life, I'm blessed.<br>**[13:42] Satake/I**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this it for me?*<br>**[13:47] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hirofumi!*<br>**[13:49] (Flashback) Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't die just yet!<br>**[14:00] (Flashback) Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't die, Japanese!<br>**[14:02] (Flashback) Carlos**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't repaid you yet.<br>**[14:05] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the one who rescued me.<br>**[14:08] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're from...<br>**[14:13] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satake-san!<br>**[14:13] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[14:15] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[14:16] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negishi-san!<br>**[14:17] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone!<br>**[14:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all okay!<br>**[14:23] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over, huh?<br>**[14:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:27] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out!<br>**[14:35] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[14:41] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that makes us even.<br>**[14:43] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll invite you to play<br>&nbsp;&nbsp;&nbsp;&nbsp;another game soon, Satake.<br>**[14:48] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye-bye!<br>**[14:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie! Chie!<br>**[14:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie!<br>**[14:59] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late!<br>**[15:01] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What took you so long?!<br>**[15:03] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our discussion took<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit longer than it should.<br>**[15:07] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:08] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing is more important<br>&nbsp;&nbsp;&nbsp;&nbsp;than my orders, you hear?<br>**[15:11] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me back to the base now, you scum—<br>**[15:15] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you—<br>**[15:16] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you please stop spewing<br>&nbsp;&nbsp;&nbsp;&nbsp; your fetid breath in here?<br>**[15:20] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather not pollute the air in here.<br>**[15:23] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The discussion got quite heated.<br>**[15:28] (Flashback) Jack'S Father**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do whatever you want with my son!<br>**[15:31] (Flashback) Jack'S Father**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's in Caracas right now!<br>**[15:33] (Flashback) Jack'S Father**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please, spare me!<br>**[15:38] (Flashback) Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Selling out your own child<br>&nbsp;&nbsp;&nbsp;&nbsp;to save your life?<br>**[15:41] (Flashback) Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like father, like son, I suppose.<br>**[15:46] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[15:48] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you all!<br>**[15:50] Jack**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha... He disappeared?!<br>**[15:56] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up already.<br>**[15:58] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where you're going<br>&nbsp;&nbsp;&nbsp;&nbsp;is not your base, but hell.<br>**[16:03] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die in pain as you repent for your sins.<br>**[16:12] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it seems that we were indeed too late.<br>**[16:17] Ijuin**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I wouldn't say that.<br>**[16:21] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chie...<br>**[16:22] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it come to this?<br>**[16:25] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Hirofumi?<br>**[16:29] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm okay.<br>**[16:31] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not hurt at all.<br>**[16:32] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:33] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how?<br>**[16:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got shot in the chest, didn't you?<br>**[16:37] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did.<br>**[16:39] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[16:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cream puff?!<br>**[16:46] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hell no!<br>**[16:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't possibly stop a<br>&nbsp;&nbsp;&nbsp;&nbsp;bullet with a cream puff!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I agree
<br>**[16:50] Cream Puff**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree.<br>**[16:52] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be so sure.<br>**[16:54] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Custard cream contains cornstarch,<br>&nbsp;&nbsp;&nbsp;&nbsp;making it a dilatant fluid.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dilatancy
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dilatant Fluid
<br>**[16:59] Cream Puff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dilatancy.<br>**[17:01] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dilatant fluid?<br>**[17:03] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its normal state is fluid,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Separate particles in fluid
<br>**[17:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when it's met with<br>&nbsp;&nbsp;&nbsp;&nbsp;a sudden force, it becomes solid.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;When pressured, particles are instantly aligned
<br>**[17:14] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the US, they're using this principle<br>**[17:16] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;to develop a ballistic vest with<br>&nbsp;&nbsp;&nbsp;&nbsp;bulletproof fiber soaked in dilatant fluid.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Soaking in~
<br>**[17:23] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it's impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop a bullet with the<br>**[17:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of custard cream inside a cream puff.<br>**[17:29] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a bug.<br>**[17:31] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as expected from Satake-san's fiancée.<br>**[17:39] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is Hirofumi's bad luck rubbing off on me?<br>**[17:48] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirofumi?<br>**[17:50] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[17:52] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[18:01] Rukawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next stop, hell!<br>**[18:13] Andre**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget about us<br>&nbsp;&nbsp;&nbsp;&nbsp;after you're back in Japan, Bro!<br>**[18:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I won't.<br>**[18:20] Miguel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go blossom viewing again sometime, Bro!<br>**[18:23] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's a promise.<br>**[18:25] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, I'll show you<br>&nbsp;&nbsp;&nbsp;&nbsp;the cherry blossoms in Japan.<br>**[18:29] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then, I should get going soon.<br>**[18:32] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going back to Japan?<br>**[18:36] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I'm in Latin America,<br>**[18:39] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will continue to enjoy more<br>&nbsp;&nbsp;&nbsp;&nbsp;exotic food and hidden lands.<br>**[18:44] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never change.<br>**[18:46] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but what about<br>&nbsp;&nbsp;&nbsp;&nbsp;your plane tickets and such?<br>**[18:49] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't worry about that.<br>**[18:51] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm used to taking care of that myself.<br>**[18:55] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Negishi-san.<br>**[18:57] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm giving you a break for a while.<br>**[19:01] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:03] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should spend time with him for now.<br>**[19:08] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;The winners in life are<br>&nbsp;&nbsp;&nbsp;&nbsp;the ones who enjoy it.<br>**[19:11] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please make up the time you didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;get to spend with Satake-san.<br>**[19:16] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kito-san... Thank you.<br>**[19:21] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I almost forgot.<br>**[19:24] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to find this on the ground.<br>**[19:27] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is important to you, isn't it?<br>**[19:29] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's an important amulet.<br>**[19:35] Kito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then, thank you for *Latin America*!<br>**[19:43] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Ijuin-san?<br>**[19:46] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regarding the subject we discussed,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to come observe in person.<br>**[19:54] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's finally over.<br>**[19:57] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:59] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm still concerned about Jack.<br>**[20:02] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;He got away.<br>**[20:03] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That shouldn't be a problem.<br>**[20:06] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will never trouble you ever again.<br>**[20:10] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know?<br>**[20:12] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[20:14] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;something you don't have to know.<br>**[20:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who exactly are you<br>&nbsp;&nbsp;&nbsp;&nbsp;and what did you want after all?<br>**[20:23] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been telling you from the beginning.<br>**[20:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to research<br>&nbsp;&nbsp;&nbsp;&nbsp;someone special like you.<br>**[20:34] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not special at all.<br>**[20:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot of people have helped me,<br>**[20:40] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;encouraged me, and supported me,<br>**[20:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's how I've survived.<br>**[20:48] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it.<br>**[20:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just an ordinary, run-of-the-mill guy.<br>**[21:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry!<br>**[21:01] Original Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry.<br>**[21:03] Original Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't looking...<br>**[21:04] Original Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please excuse me.<br>**[21:06] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all, I believe.<br>**[21:08] Original Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[21:10] Original Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[21:13] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, you two?<br>**[21:14] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man looked exactly like you.<br>**[21:18] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Really?<br>**[21:20] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't just mean a similar face.<br>**[21:22] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were identical!<br>**[21:24] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like he was your doppelgänger!<br>**[21:26] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;That much?<br>**[21:27] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;His voice and stuff were<br>&nbsp;&nbsp;&nbsp;&nbsp; totally different, though.<br>**[21:30] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say that if you see<br>&nbsp;&nbsp;&nbsp;&nbsp;your doppelgänger, you die.<br>**[21:37] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop!<br>**[21:42] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want to do when you get home?<br>**[21:44] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;For starters, I'd love to<br>&nbsp;&nbsp;&nbsp;&nbsp;eat your home cooking!<br>**[21:49] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[21:51] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm excited!<br>**[21:53] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and I want to sleep on your lap,<br>**[21:55] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can clean my ears.<br>**[21:57] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, fine.<br>**[22:00] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, and then...<br>**[22:02] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, stop it, you!<br>**[22:06] Chie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we should take turns!<br>**[22:07] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[22:09] Satake**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do anything!<br>