# E9 - The Radcliffe Workshop

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G9DUE343V/the-radcliffe-workshop)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know how far I can go, but…*<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all right*<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even alone, I'll be fine, but…*<br>**[00:21] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You know, the truth is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that no one is alone*<br>**[00:28] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Things like happiness,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;loneliness, and even anxiety…*<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We are born to savor all those things*<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A single spoonful of sparkles*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Transforms everything into smiles*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That could be what I secretly wished for…*<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That miracle*<br>**[01:00] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're each searching for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;our most precious treasures*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what our journey is for*<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know how far I can go, but...*<br>**[01:21] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Each moment that passes before me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shall be spun from hope*<br>**[01:43] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey! Challe fenn Challe!<br>**[01:46] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like it when a girl<br>&nbsp;&nbsp;&nbsp;&nbsp;has her hair neatly tied back?<br>**[01:50] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you like it when<br>&nbsp;&nbsp;&nbsp;&nbsp;their hair isn't tied back?<br>**[01:54] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Challe fenn Challe!<br>**[01:56] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can say anything! Just say something!<br>**[01:59] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk too much.<br>**[02:00] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! I said you could say anything, <br>
&nbsp;&nbsp;&nbsp;&nbsp;but I didn't mean *anything*!<br>**[02:04] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give the question a serious answer!<br>**[02:05] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no obligation to give such<br>&nbsp;&nbsp;&nbsp;&nbsp;a ridiculous question a serious answer.<br>**[02:09] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you two! It's Lewiston!<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't seen it in a while!<br>**[02:14] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me remember<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened a year ago.<br>**[02:17] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I entered the Exhibition<br>&nbsp;&nbsp;&nbsp;&nbsp;and we went to Philax...<br>**[02:21] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw Mama's spirit off on Pull Soul Day...<br>**[02:29] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Scarecrow?<br>**[02:30] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:31] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a fever or something?<br>**[02:33] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's... It's nothing.<br>**[02:35] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Challe is still calling me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Scarecrow, as usual.*<br>**[02:38] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's a little kinder*<br>*&nbsp;&nbsp;&nbsp;&nbsp;than he used to be, but...*<br>**[02:42] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still...*<br>**[02:44] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right now, the fact that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he stays by my side is enough.*<br>**[02:50] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[02:54] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you looking,<br>&nbsp;&nbsp;&nbsp;&nbsp;making your horse walk that way? You dolt!<br>**[02:58] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:58] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[03:00] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Kat...<br>**[03:01] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Benjamin?<br>**[03:02] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you forget that I taught you<br>&nbsp;&nbsp;&nbsp;&nbsp;not to call me "mister"?<br>**[03:05] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;You birdbrain!<br>**[03:06] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry.<br>**[03:08] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly.<br>**[03:09] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're reunited after a year,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is how you say hello?<br>**[03:13] Benjamin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see!<br>**[03:14] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is a cat who dislikes the cold<br>&nbsp;&nbsp;&nbsp;&nbsp;wandering around Lewiston in the fall?<br>**[03:19] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Readying for your hibernation?<br>**[03:21] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Kat?<br>**[03:22] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Challe*! You little...<br>**[03:24] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, really, why are you here in Lewiston?<br>**[03:28] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have an errand here or something?<br>**[03:30] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;This year is special!<br>**[03:33] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I didn't come now, I wouldn't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to do business next year, would I?<br>**[03:36] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:38] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be that you don't know?<br>**[03:40] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Know what?<br>**[03:43] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, what a bunch of petty tightwads.<br>**[03:48] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a place I go to<br>&nbsp;&nbsp;&nbsp;&nbsp;all the time. Follow me.<br>**[03:52] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It's been a while, hasn't it?<br>**[03:54] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never imagined that<br>&nbsp;&nbsp;&nbsp;&nbsp;you all knew each other.<br>**[03:57] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how I appear,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm good at looking after people.<br>**[04:01] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what have you been<br>&nbsp;&nbsp;&nbsp;&nbsp;doing this past year, miss?<br>**[04:04] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your work going well?<br>**[04:06] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[04:07] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;After wintering in Lewiston,<br>**[04:09] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;we went around visiting little towns<br>&nbsp;&nbsp;&nbsp;&nbsp;and villages to sell sugar confections.<br>**[04:14] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so? You've been working hard.<br>**[04:17] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you come back so that you<br>&nbsp;&nbsp;&nbsp;&nbsp;can enter the Exhibition?<br>**[04:19] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:20] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it is that time of year, isn't it?<br>**[04:22] male customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proprietress!<br>**[04:23] proprietress**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be right there!<br>**[04:27] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Kat.<br>**[04:28] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is this...<br>**[04:31] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since last winter, you've gone<br>&nbsp;&nbsp;&nbsp;&nbsp;around to a lot of places, right?<br>**[04:35] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw sugar apple trees<br>&nbsp;&nbsp;&nbsp;&nbsp;along the way, didn't you?<br>**[04:38] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you notice anything?<br>**[04:43] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everywhere we went,<br>&nbsp;&nbsp;&nbsp;&nbsp;on every sugar apple tree we saw...<br>**[04:46] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;the flowers had set poorly.<br>**[04:49] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that the harvest this year<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a lot less than usual.<br>**[04:53] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[04:54] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;This year, the sugar apple crop<br>&nbsp;&nbsp;&nbsp;&nbsp;is unbelievably bad.<br>**[04:58] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, as in average years, everyone harvested<br>&nbsp;&nbsp;&nbsp;&nbsp;their own however they wanted to...<br>**[05:02] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would likely lead to conflicts<br>&nbsp;&nbsp;&nbsp;&nbsp;between factions.<br>**[05:05] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;To try to avert potential chaos, that dimwitted<br>&nbsp;&nbsp;&nbsp;&nbsp;reprobate came up with an agreement.<br>**[05:10] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reprobate?<br>**[05:11] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hugh Mercury!<br>**[05:12] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That dimwitted reprobate<br>&nbsp;&nbsp;&nbsp;&nbsp;of a silver sugar viscount!<br>**[05:15] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>**[05:17] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what was the agreement?<br>**[05:20] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;This year, the harvest and refinement of<br>&nbsp;&nbsp;&nbsp;&nbsp;sugar apples by individuals is forbidden.<br>**[05:26] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forbidden?<br>**[05:28] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;This year, all of the sugar apples<br>&nbsp;&nbsp;&nbsp;&nbsp;throughout the kingdom<br>**[05:32] Kate**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be harvested in the name of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Silver Sugar Viscount, then refined.<br>**[05:36] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only those sugar artisans<br>&nbsp;&nbsp;&nbsp;&nbsp;who participate in the process<br>**[05:39] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be allotted silver sugar commensurate<br>&nbsp;&nbsp;&nbsp;&nbsp;with their labor. That's the edict.<br>**[05:43] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, to secure ourselves some<br>&nbsp;&nbsp;&nbsp;&nbsp;silver sugar, we have to ask Hugh for it?<br>**[05:48] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't that simple.<br>**[05:50] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the one who decided it, but the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who has a monopoly on this work...<br>**[05:55] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the Radcliffe school.<br>**[05:58] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Radcliffe workshops<br>&nbsp;&nbsp;&nbsp;&nbsp;in every corner of the kingdom<br>**[06:02] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;have already gathered up all the sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;apples harvested in their areas.<br>**[06:06] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both the Paige school and Mercury school...<br>**[06:08] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;are gathering in their workshops<br>&nbsp;&nbsp;&nbsp;&nbsp;to help with the refining process.<br>**[06:12] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no other way to obtain silver sugar.<br>**[06:16] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I hadn't heard anything about this.<br>**[06:19] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you hadn't.<br>**[06:21] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That dimwitted reprobate's orders<br>&nbsp;&nbsp;&nbsp;&nbsp;mean that even wanderers like us...<br>**[06:25] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;should have been informed by<br>&nbsp;&nbsp;&nbsp;&nbsp;artisans of the Radcliffe school.<br>**[06:30] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;They deliberately failed<br>&nbsp;&nbsp;&nbsp;&nbsp;to inform us, it seems.<br>**[06:33] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everywhere she went,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was harassed by them.<br>**[06:36] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it wasn't simply once or twice<br>&nbsp;&nbsp;&nbsp;&nbsp;that they told her to get out of town.<br>**[06:41] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I called them petty tightwads.<br>**[06:45] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I've heard rumors of the creator<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the former Duke of Philax's<br>&nbsp;&nbsp;&nbsp;&nbsp;sugar confection, one Anne Halford.<br>**[06:50] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no wonder some people are jealous.<br>**[06:53] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically, they're ostracizing you.<br>**[06:57] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kat, if I want to enter the Sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;Confectionary Exhibition, what should I do?<br>**[07:02] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[07:03] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Participants need to have silver sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;they've refined themselves, right?<br>**[07:07] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't enter without it!<br>**[07:09] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, they didn't tell you about<br>&nbsp;&nbsp;&nbsp;&nbsp;that either? Of course not.<br>**[07:14] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who wish to enter the Exhibition<br>**[07:16] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;must temporarily reside at<br>&nbsp;&nbsp;&nbsp;&nbsp;the main Radcliffe workshop. It's the rule.<br>**[07:21] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, they'll be allotted sugar apples.<br>**[07:23] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll refine silver sugar from them<br>&nbsp;&nbsp;&nbsp;&nbsp;that they can use to make their pieces.<br>**[07:27] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's on the condition that they also<br>&nbsp;&nbsp;&nbsp;&nbsp;assist in the joint refining process.<br>**[07:32] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't time.<br>**[07:33] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. The only time you'll have<br>&nbsp;&nbsp;&nbsp;&nbsp;to work for yourself is at night.<br>**[07:37] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why everyone who wanted to enter<br>**[07:39] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;arrived at the main workshop<br>&nbsp;&nbsp;&nbsp;&nbsp;over two weeks ago.<br>**[07:42] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This was going to be the year that I made*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a sugar confection worthy of the festivities...*<br>**[07:46] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and became a Silver Sugar Master. But now...*<br>**[07:51] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't let something like this stop me!*<br>**[07:56] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that I must go to<br>&nbsp;&nbsp;&nbsp;&nbsp;the main Radcliffe workshop.<br>**[08:01] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think? Will both of you...<br>**[08:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;will you come with me?<br>**[08:05] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne, if you're going, I'd follow you<br>&nbsp;&nbsp;&nbsp;&nbsp;to the depths of the underworld!<br>**[08:09] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will go with you.<br>**[08:10] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leaving a fool on her own will<br>&nbsp;&nbsp;&nbsp;&nbsp;never lead to anything good.<br>**[08:17] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then. Let's go.<br>**[08:19] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you the way.<br>**[08:21] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's all.<br>**[08:23] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're an artisan, then prevail over<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever comes your way on your own.<br>**[08:28] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[08:30] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I suppose we'll have you lead the way.<br>**[08:33] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Kat.<br>**[08:33] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you! Stop calling me "Mister Cat"!<br>**[08:42] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the grounds within these walls<br>&nbsp;&nbsp;&nbsp;&nbsp;belong to the main workshop?<br>**[08:46] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's *incredible*!<br>**[08:50] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, if you'd just sign this<br>&nbsp;&nbsp;&nbsp;&nbsp;on that desk over there.<br>**[08:53] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. I'll be joining the work too.<br>**[08:56] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Of course. And your name is...<br>**[08:59] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Anne?<br>**[09:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jonas.<br>**[09:04] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know him?<br>**[09:05] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's, well...<br>**[09:06] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Jonas!<br>**[09:09] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rude to keep people waiting!<br>**[09:11] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[09:13] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one in charge of<br>&nbsp;&nbsp;&nbsp;&nbsp;reception here, Sammy Jones.<br>**[09:16] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Silver Sugar Master Alph Hingley,<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you? I've heard of you.<br>**[09:20] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I need is your signature here.<br>**[09:22] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you to your room.<br>**[09:25] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about me.<br>**[09:26] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deal with the person<br>&nbsp;&nbsp;&nbsp;&nbsp;standing here behind me instead.<br>**[09:30] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who are you?<br>**[09:32] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've also come to participate<br>&nbsp;&nbsp;&nbsp;&nbsp;in refining the silver sugar.<br>**[09:35] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I intend to enter<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sugar Confectionary Exhibition.<br>**[09:39] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What*? A woman entering?<br>**[09:41] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know the type.<br>**[09:43] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;People who can't make<br>&nbsp;&nbsp;&nbsp;&nbsp;a decent sugar confection<br>**[09:45] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;and still declare themselves sugar artisans.<br>**[09:47] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;We couldn't possibly let a woman<br>&nbsp;&nbsp;&nbsp;&nbsp;like that into the workshop.<br>**[09:51] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a sugar artisan.<br>**[09:53] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is someone who has<br>&nbsp;&nbsp;&nbsp;&nbsp;formally acknowledged my skills.<br>**[09:56] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who? Your mom?<br>**[09:59] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;The former Duke of Philax.<br>**[10:04] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Anne Halford? I've heard of you.<br>**[10:07] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say you set Jonas up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Exhibition last year.<br>**[10:10] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:11] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;And on top of that, I've heard that you<br>&nbsp;&nbsp;&nbsp;&nbsp;seduced the Silver Sugar Viscount.<br>**[10:15] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Duke of Philax, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows what you did to earn his favor?<br>**[10:18] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[10:19] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, regardless of who you may be,<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't be allowed inside.<br>**[10:23] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?!<br>**[10:25] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a companion fairy<br>&nbsp;&nbsp;&nbsp;&nbsp;with you, don't you?<br>**[10:28] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only people involved in the work<br>**[10:30] SAmmy**<br>&nbsp;&nbsp;&nbsp;&nbsp;and labor fairies are allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;in the workshop. That's the rule.<br>**[10:34] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to work in this workshop,<br>**[10:35] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;first go and sell that fairy!<br>**[10:37] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe isn't a companion fairy!<br>**[10:39] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the rules!<br>**[10:39] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, go away! Go on!<br>**[10:41] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clean yourself up and come try again!<br>**[10:45] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough unseemly behavior, Sammy.<br>**[10:49] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith, I was only...<br>**[10:51] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will tarnish the name<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Radcliffe Workshop.<br>**[10:55] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be quiet before I become displeased.<br>**[11:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[11:18] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;My associate spoke very rudely.<br>**[11:20] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive him.<br>**[11:24] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith Powell, sugar artisan.<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleased to meet you.<br>**[11:29] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! The pleasure is mine! I'm Anne Halford.<br>**[11:32] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Powell!<br>**[11:34] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know you were affiliated<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Radcliffe school.<br>**[11:36] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to see you again, Mister Hingley.<br>**[11:39] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith, this woman has<br>&nbsp;&nbsp;&nbsp;&nbsp;a companion fairy with her.<br>**[11:43] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't allow them inside.<br>**[11:45] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are the rules.<br>**[11:45] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't a companion fairy! <br>
&nbsp;&nbsp;&nbsp;&nbsp;He's a *warrior* fairy!<br>**[11:50] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[11:52] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing.<br>**[11:54] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen such a beautiful fairy.<br>**[12:00] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Anne. You don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to relinquish him, do you?<br>**[12:04] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't serve me.<br>**[12:07] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a dear friend. It's only that<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to be away from him.<br>**[12:12] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, there is a way<br>&nbsp;&nbsp;&nbsp;&nbsp;you can enter the workshop together.<br>**[12:17] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;This year, I'm planning to enter<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sugar Confectionary Exhibition.<br>**[12:21] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to create a piece<br>&nbsp;&nbsp;&nbsp;&nbsp;using him as my model.<br>**[12:26] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your model?<br>**[12:27] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that purpose,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to borrow him when necessary.<br>**[12:30] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would consent to that,<br>&nbsp;&nbsp;&nbsp;&nbsp;then he would be allowed to come in.<br>**[12:34] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Borrow? He isn't some<br>&nbsp;&nbsp;&nbsp;&nbsp;belonging of mine, he's...<br>**[12:37] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will work. Show us the papers.<br>**[12:39] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe?<br>**[12:40] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do this trivial thing.<br>**[12:43] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to be away from me?<br>**[13:00] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[13:04] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where the artisans sleep.<br>**[13:07] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;The regular artisans<br>&nbsp;&nbsp;&nbsp;&nbsp;stay together in one large room.<br>**[13:09] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Private rooms are for silver sugar masters,<br>**[13:11] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;or for those of an equivalent skill level,<br>&nbsp;&nbsp;&nbsp;&nbsp;as determined by the master of the school.<br>**[13:18] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne, this will be your room.<br>**[13:20] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I have a private room, too?<br>**[13:23] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't allow a lady to sleep<br>&nbsp;&nbsp;&nbsp;&nbsp;in the large room with everyone else.<br>**[13:29] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my room, so if you<br>&nbsp;&nbsp;&nbsp;&nbsp;need anything, please let me know.<br>**[13:33] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bed!<br>**[13:38] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[13:39] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking about how<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith has a private room too.<br>**[13:42] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must find his skills worthy of it.<br>**[13:44] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Jonas is different though!<br>&nbsp;&nbsp;&nbsp;&nbsp;In spite of how arrogant he is!<br>**[13:48] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Keith seems to be<br>&nbsp;&nbsp;&nbsp;&nbsp;an acquaintance of Kat's, too.<br>**[13:50] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder who he could be.<br>**[14:00] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh dear.<br>**[14:02] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a lot like a squirrel.<br>**[14:04] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;A squirrel? That's so much<br>&nbsp;&nbsp;&nbsp;&nbsp;cuter than a scarecrow!<br>**[14:07] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no calmness to you.<br>**[14:08] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look exactly like a squirrel<br>&nbsp;&nbsp;&nbsp;&nbsp;darting around looking for food.<br>**[14:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *knew* it. That is what you meant.<br>**[14:14] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hair.*<br>**[14:16] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Would I look more grown up if I left it down?*<br>**[14:19] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder which way Challe likes better.*<br>**[14:22] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to break<br>&nbsp;&nbsp;&nbsp;&nbsp;the mirror by force of will?<br>**[14:25] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was only trying to see<br>&nbsp;&nbsp;&nbsp;&nbsp;if my hair looked all right.<br>**[14:32] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks as it always does. No problems here.<br>**[14:38] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Challe?<br>**[14:40] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe, would tied back hair be...<br>**[14:44] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hair?<br>**[14:47] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing! Never mind!<br>**[14:49] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be off now!<br>**[14:56] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking the same things<br>&nbsp;&nbsp;&nbsp;&nbsp;as Mithril Lid Pod now.<br>**[15:00] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting today, I have to work<br>&nbsp;&nbsp;&nbsp;&nbsp;as hard as I possibly can.<br>**[15:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[15:09] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne. Good morning.<br>**[15:11] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Keith.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you starting work now, too?<br>**[15:15] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a shift today.<br>**[15:16] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once every seven days,<br>&nbsp;&nbsp;&nbsp;&nbsp;we each receive a day off in turns.<br>**[15:20] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I was hoping to borrow Challe.<br>**[15:22] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith, Challe can't be lent or borrowed.<br>**[15:26] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe is your dear friend, isn't he?<br>**[15:30] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I phrased that poorly.<br>**[15:32] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. More importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to say thank you for yesterday.<br>**[15:35] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really saved me.<br>&nbsp;&nbsp;&nbsp;&nbsp;But why are you treating me so kindly?<br>**[15:40] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne, you are an artisan who has been<br>&nbsp;&nbsp;&nbsp;&nbsp;acknowledged by the former Duke of Philax.<br>**[15:44] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no reason to be mean to you.<br>**[15:46] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[15:48] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;our circumstances are a lot alike, you and I.<br>**[15:51] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our circumstances?<br>**[15:53] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne, Emma Halford is your mother, isn't she?<br>**[15:57] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've heard of her?<br>**[16:00] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was perhaps four or five<br>&nbsp;&nbsp;&nbsp;&nbsp;years old, I met Madame Halford.<br>**[16:06] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was surprised that a female<br>&nbsp;&nbsp;&nbsp;&nbsp;silver sugar master existed.<br>**[16:13] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You met Mama?<br>**[16:16] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father is Edward Powell.<br>**[16:19] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a silver sugar master,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like your mother.<br>**[16:22] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edward Powell?<br>**[16:26] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;The previous Silver Sugar Viscount?<br>**[16:29] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[16:30] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I had many opportunities<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet silver sugar masters.<br>**[16:34] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also how I met Mister Hingley.<br>**[16:36] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mother told me.<br>**[16:38] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a wonderful Silver Sugar Viscount<br>&nbsp;&nbsp;&nbsp;&nbsp;who served for over twenty years.<br>**[16:43] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I remember rightly, about<br>&nbsp;&nbsp;&nbsp;&nbsp;six months before Mama passed away...<br>**[16:47] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. He died of an illness.<br>**[16:50] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't know if he was wonderful or not.<br>**[16:54] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;When my father was the Silver Sugar Viscount,<br>**[16:56] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a year like this one,<br>&nbsp;&nbsp;&nbsp;&nbsp;where the sugar apple harvest was dismal.<br>**[17:00] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it caused a lot of chaos.<br>**[17:03] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father always regretted that.<br>**[17:05] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your father came from<br>&nbsp;&nbsp;&nbsp;&nbsp;the Paige school, didn't he?<br>**[17:09] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you with the Radcliffe school?<br>**[17:11] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I joined the Paige school,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd get special treatment as Powell's son.<br>**[17:16] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hated the idea of that.<br>**[17:19] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, I'd be treated as just another artisan.<br>**[17:23] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I thought, at least.<br>**[17:25] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't seem much different.<br>**[17:27] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I respected my father, but the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;was uncomfortably restrictive, too.<br>**[17:32] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And while my father was alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't enter the Exhibition.<br>**[17:36] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[17:37] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if I received the Royal Medal,<br>&nbsp;&nbsp;&nbsp;&nbsp;all those critics would gossip,<br>**[17:41] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying that because I was<br>&nbsp;&nbsp;&nbsp;&nbsp;the Silver Sugar Viscount's son,<br>**[17:44] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;the royal family thought of me favorably.<br>**[17:47] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I didn't receive it,<br>**[17:48] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd gossip about me failing in spite of<br>&nbsp;&nbsp;&nbsp;&nbsp;being the Silver Sugar Viscount's son.<br>**[17:51] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't participate for the sake of<br>&nbsp;&nbsp;&nbsp;&nbsp;my father's reputation.<br>**[17:55] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that ended last year.<br>**[17:58] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that the mourning period has ended,<br>&nbsp;&nbsp;&nbsp;&nbsp;this year, I can enter the Exhibition.<br>**[18:05] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I was thinking of working<br>&nbsp;&nbsp;&nbsp;&nbsp;on my piece today.<br>**[18:09] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Challe in your room?<br>**[18:10] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Yes.<br>**[18:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask him, I think he will help you.<br>**[18:15] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[18:16] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, Anne, do your best out there.<br>**[18:21] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Keith isn't letting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;his circumstances stop him.*<br>**[18:26] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't either.*<br>**[18:27] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't let him beat me!*<br>**[18:35] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to ask this of you<br>&nbsp;&nbsp;&nbsp;&nbsp;so early in the morning.<br>**[18:37] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made a promise. I'll do anything.<br>**[18:40] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I do a handstand?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or should I take my clothes off?<br>**[18:43] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;State your orders quickly, boy.<br>**[18:46] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I don't appear<br>&nbsp;&nbsp;&nbsp;&nbsp;all that different in age, but all right.<br>**[18:50] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll stand by the window<br>&nbsp;&nbsp;&nbsp;&nbsp;over there, that will be enough.<br>**[18:54] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I simply want to study your air<br>&nbsp;&nbsp;&nbsp;&nbsp;and appearance, that's all.<br>**[18:58] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things must be hard for Anne.<br>**[18:59] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of us have already refined<br>&nbsp;&nbsp;&nbsp;&nbsp;the silver sugar we need for the Exhibition.<br>**[19:04] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since she's had a late start,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's only starting on it now, right?<br>**[19:06] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to the fact that<br>**[19:08] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;your fellows didn't inform her<br>&nbsp;&nbsp;&nbsp;&nbsp;of the unusual circumstances this year.<br>**[19:11] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you glad about that?<br>**[19:14] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't tell her?<br>**[19:16] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, every single one of them...<br>**[19:19] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such cowardly behavior is disgraceful.<br>**[19:21] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate it.<br>**[19:24] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm glad that Anne is entering<br>&nbsp;&nbsp;&nbsp;&nbsp;the Exhibition this year.<br>**[19:29] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;The artisans gathered here<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be any competition for me, you see.<br>**[19:34] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a rumor that the Royal Medal<br>&nbsp;&nbsp;&nbsp;&nbsp;will go to Sammy this year,<br>**[19:38] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you ask me,<br>&nbsp;&nbsp;&nbsp;&nbsp;he isn't even worth a mention.<br>**[19:41] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jonas is capable of creating good pieces,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's missing a crucial element.<br>**[19:46] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Anne is participating,<br>&nbsp;&nbsp;&nbsp;&nbsp;then this feels more worth doing.<br>**[19:49] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I've been wanting<br>&nbsp;&nbsp;&nbsp;&nbsp;an opponent of equal skill.<br>**[19:52] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And...<br>**[19:54] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;this will likely be the only year I get to<br>&nbsp;&nbsp;&nbsp;&nbsp; compete with Anne in the Exhibition.<br>**[19:59] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm lucky enough to have been here<br>&nbsp;&nbsp;&nbsp;&nbsp;for Anne's last chance.<br>**[20:05] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last chance?<br>**[20:06] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[20:08] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she doesn't become<br>&nbsp;&nbsp;&nbsp;&nbsp;a silver sugar master this year...<br>**[20:12] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;then she may not ever be able to.<br>**[20:17] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne drew too much attention to herself.<br>**[20:19] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the events of last year's Exhibition,<br>**[20:21] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;and those with the former Duke of Philax,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's become the object of much jealousy.<br>**[20:25] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everyone were able to secure sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;apples themselves, as in an average year,<br>**[20:30] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne would have encountered<br>&nbsp;&nbsp;&nbsp;&nbsp;some obstruction in obtaining them.<br>**[20:33] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why this was actually<br>&nbsp;&nbsp;&nbsp;&nbsp;a stroke of good fortune.<br>**[20:35] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if she participates in the joint work,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll be able to procure some.<br>**[20:40] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But things won't work out<br>&nbsp;&nbsp;&nbsp;&nbsp;this way in the future.<br>**[20:42] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll never be able to obtain sugar apples.<br>**[20:46] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't tell Anne about this.<br>**[20:50] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want her to feel<br>&nbsp;&nbsp;&nbsp;&nbsp;any additional pressure.<br>**[20:53] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to compete with her fairly.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Radcliffe Workshop
<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is it just like the dreams we dream at night?*<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do we give names to our other dreams because,*<br>**[21:26] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Just as our night dreams*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are forgotten upon waking,*<br>**[21:30] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If they aren't held dear,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;they will disappear?*<br>**[21:37] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, it's because they aren't things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that only special people can see*<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That day*<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I reached out again and again*<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I failed to catch that shining fruit, and yet*<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll reach out once more*<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I make my wishes come true myself*<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just know it will make you smile*<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why I'm able to say I'm not giving up*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Young Lady of the Paige Workshop
<br>