# E14 - Embarking on a Challenge Once Again

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUNG3VJ/embarking-on-a-challenge-once-again)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wake up, Mithril Lid Pod!<br>**[00:04] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is it?<br>**[00:06] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw him! Yesterday, I saw Challe!<br>**[00:10] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What did you say?!<br>**[00:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when I told Challe that I'd be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;save him if I'm successful in my work here,<br>**[00:16] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;he said he'd wait for me!<br>**[00:17] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did? That's so great!<br>**[00:20] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially since he seems like he'd say,<br>&nbsp;&nbsp;&nbsp;&nbsp;"No one asked for your help. Get out."<br>**[00:26] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe being a companion to<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl is really grueling.<br>**[00:29] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be that he's being made to do <br>
&nbsp;&nbsp;&nbsp;&nbsp;*unbelievable* things that we can't even imagine.<br>**[00:33] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What kind of unbelievable things?<br>**[00:35] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's go, Anne!<br>**[00:38] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll rebuild this place<br>&nbsp;&nbsp;&nbsp;&nbsp;as fast as we can and set that guy free!<br>**[00:43] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[02:22] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[02:23] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:25] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's a fairy, too!<br>**[02:27] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with you?<br>**[02:28] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come out! I haven't really<br>&nbsp;&nbsp;&nbsp;&nbsp;seen teeny ones like you!<br>**[02:32] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on! It's all right!<br>**[02:33] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that, Nadir.<br>**[02:34] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see everyone's all here!<br>**[02:40] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elliott, who are they?<br>**[02:42] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll introduce you.<br>**[02:44] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne Halford. Starting today, she'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;working for us as our Head of Artisans.<br>**[02:50] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;And...<br>**[02:54] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is her helper, Mithril Lid Pod.<br>**[02:58] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;Halford? Isn't that the artisan who made<br>**[03:01] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;a sugar confection<br>&nbsp;&nbsp;&nbsp;&nbsp;for the former Duke of Philax?<br>**[03:03] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with this year's Royal Medal,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's a silver sugar master!<br>**[03:08] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;A silver sugar master?<br>**[03:10] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would someone so amazing<br>&nbsp;&nbsp;&nbsp;&nbsp;work here? And a girl at that?<br>**[03:17] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Mister Glen aware of this?<br>**[03:19] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:20] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I have no objections.<br>**[03:22] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you. I'm King.<br>**[03:25] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;King?<br>**[03:27] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've forgotten my real name.<br>**[03:29] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. It's nice to meet you.<br>**[03:34] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that for?<br>**[03:36] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;A handshake?<br>**[03:37] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, right. A handshake. There, a handshake!<br>**[03:44] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Nadir. Hey, come on out.<br>**[03:48] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[03:50] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wise decision, little fairy.<br>**[03:53] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Valentine.<br>**[03:54] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very pleased to meet you.<br>**[03:56] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pleased to meet you, too.<br>**[03:58] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Orland's here, too!<br>**[04:03] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, these five are our artisans.<br>**[04:06] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're counting on you, Miss Head of Artisans!<br>**[04:14] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, well then...<br>**[04:18] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh dear. I have no grasp on exactly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what I've taken responsibility for here.*<br>**[04:23] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-For now, if you could continue<br>&nbsp;&nbsp;&nbsp;&nbsp;your work from yesterday, please.<br>**[04:26] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing!<br>**[04:27] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will do.<br>**[04:29] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[04:36] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne, what should I do?<br>**[04:38] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Can I leave the cleaning to you?<br>**[04:41] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[04:44] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What I need to do most is get*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a sense of the current situation!*<br>**[04:49] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wow, he's incredibly good.*<br>**[04:52] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Langston, what sort of commission<br>&nbsp;&nbsp;&nbsp;&nbsp;are you working on right now?<br>**[04:59] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so polite with me.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to call me "mister."<br>**[05:06] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:07] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is that?<br>**[05:09] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an order from a shop owner.<br>**[05:11] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it's to celebrate<br>&nbsp;&nbsp;&nbsp;&nbsp;their son's birthday.<br>**[05:14] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their son likes horses?<br>**[05:16] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. I offered several ideas<br>&nbsp;&nbsp;&nbsp;&nbsp;and was told that horses were good.<br>**[05:21] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they say why?<br>**[05:23] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there some reason I should have asked?<br>**[05:25] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easier to make something better, even<br>&nbsp;&nbsp;&nbsp;&nbsp;just comparing horses to horses, right?<br>**[05:30] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fawning on customers and creating what<br>&nbsp;&nbsp;&nbsp;&nbsp;they tell you doesn't make it good, does it?<br>**[05:36] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artisans use all their skills to<br>&nbsp;&nbsp;&nbsp;&nbsp;make what they want to make.<br>**[05:39] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they don't, they won't<br>&nbsp;&nbsp;&nbsp;&nbsp;create anything good.<br>**[05:43] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Living up to the customer's wishes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;isn't the obvious thing to do?*<br>**[05:53] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;How lovely. The color is wonderful.<br>**[05:56] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-A-Aren't you a little too close?<br>**[05:58] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:59] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm so sorry!<br>**[06:02] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you have Anne<br>&nbsp;&nbsp;&nbsp;&nbsp;dress in men's clothes?<br>**[06:04] King**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will throttle you.<br>**[06:06] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Could it be that he's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;uncomfortable around women?*<br>**[06:10] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[06:11] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[06:12] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished maintenance on the tools.<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do next?<br>**[06:15] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... Are there any orders?<br>**[06:18] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. There are only two.<br>**[06:20] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, will you help<br>&nbsp;&nbsp;&nbsp;&nbsp;one of them with their work?<br>**[06:24] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't do that. It's their work, you see.<br>**[06:27] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it would be faster that way.<br>**[06:30] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;One shouldn't interfere with another's work.<br>**[06:33] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:34] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in a workshop, isn't it natural<br>&nbsp;&nbsp;&nbsp;&nbsp;for everyone to help with the work?<br>**[06:38] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:39] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is what I'm saying somehow strange?*<br>**[06:42] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, do you each complete the work<br>&nbsp;&nbsp;&nbsp;&nbsp;assigned to you solely on your own?<br>**[06:46] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, because we're artisans.<br>**[06:49] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;We take responsibility for<br>&nbsp;&nbsp;&nbsp;&nbsp;the work we do, correct?<br>**[06:51] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what does the Head of Artisans do?<br>**[06:54] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manage the silver sugar,<br>&nbsp;&nbsp;&nbsp;&nbsp;deal with clients, and...<br>**[06:57] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;ascertain whether the sugar confections<br>&nbsp;&nbsp;&nbsp;&nbsp;produced will shame the Paige Workshop.<br>**[07:05] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ascertain whether...?<br>**[07:07] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot issue pieces<br>&nbsp;&nbsp;&nbsp;&nbsp;which will tarnish the workshop's name.<br>**[07:10] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you think it's bad,<br>&nbsp;&nbsp;&nbsp;&nbsp;you indicate corrections.<br>**[07:14] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tremendous responsibility.<br>**[07:16] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you think that the piece won't be<br>&nbsp;&nbsp;&nbsp;&nbsp;an embarrassment, you show it to Mister Glen.<br>**[07:20] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will receive the seal of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Paige school's Main Workshop.<br>**[07:24] Orland**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the Head of Artisans' job.<br>**[07:28] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's very different from other*<br>*&nbsp;&nbsp;&nbsp;&nbsp;workshops and from the way I do things.*<br>**[07:34] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[07:36] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Anne Halford.<br>**[07:39] Daana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. I'm Daana. This is Hal.<br>**[07:45] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two look just alike! Are you siblings?<br>**[07:49] Daana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:50] Daana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently we were born from<br>&nbsp;&nbsp;&nbsp;&nbsp;the same tree at the same time.<br>**[07:54] Daana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In human terms, we would be<br>&nbsp;&nbsp;&nbsp;&nbsp;something like twins.<br>**[07:57] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? So, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;twins among fairies, too?<br>**[08:01] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you had dinner yet?<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, would you like to join me?<br>**[08:05] Daana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we couldn't!<br>&nbsp;&nbsp;&nbsp;&nbsp;This table is for artisans and family.<br>**[08:09] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we live in the same house,<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you and Hal basically family?<br>**[08:13] Daana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not at all! We are fairies, after all.<br>**[08:16] Daana**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll excuse us.<br>**[08:20] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a shame!<br>**[08:24] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they turned you down.<br>**[08:25] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Collins.<br>**[08:26] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was your commemoration-worthy<br>&nbsp;&nbsp;&nbsp;&nbsp;first day as Head of Artisans?<br>**[08:30] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to hear your opinions.<br>**[08:34] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned a lot of things about this place.<br>**[08:37] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;The artisans make<br>&nbsp;&nbsp;&nbsp;&nbsp;what the artisans want to make.<br>**[08:40] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;They each take complete responsibility<br>&nbsp;&nbsp;&nbsp;&nbsp;for their work and complete it alone.<br>**[08:43] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those have been the Paige school's<br>&nbsp;&nbsp;&nbsp;&nbsp;convictions for 300 years.<br>**[08:46] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Glen has made sure that, if nothing else,<br>&nbsp;&nbsp;&nbsp;&nbsp;those have been drilled into the artisans.<br>**[08:49] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think they are perfectly ideal, but...<br>**[08:53] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;But?<br>**[08:54] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you could say<br>&nbsp;&nbsp;&nbsp;&nbsp;something about it nags at me.<br>**[08:58] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm the one who piled hopes on you<br>&nbsp;&nbsp;&nbsp;&nbsp;and brought you here.<br>**[09:02] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a moment?<br>**[09:05] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[09:07] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Promissory notes.<br>**[09:08] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? They're debts?<br>**[09:10] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. Roughly 10,000 cress worth,<br>&nbsp;&nbsp;&nbsp;&nbsp;with this land as collateral.<br>**[09:13] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Ten thousand cress?!<br>**[09:15] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things have been tight since<br>&nbsp;&nbsp;&nbsp;&nbsp;the last master of the school's time.<br>**[09:18] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can't repay it within the year,<br>&nbsp;&nbsp;&nbsp;&nbsp;half of this place will be taken away.<br>**[09:22] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have the means to repay it?<br>**[09:23] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[09:25] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I went to try to<br>&nbsp;&nbsp;&nbsp;&nbsp;negotiate again today.<br>**[09:28] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but keep this a secret<br>&nbsp;&nbsp;&nbsp;&nbsp;from Mister Glen, all right?<br>**[09:31] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't know?<br>**[09:33] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;He knows about the debt, of course.<br>**[09:35] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he doesn't know that we're<br>&nbsp;&nbsp;&nbsp;&nbsp;in a bind about the repayment.<br>**[09:38] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lenders are worried about the future of<br>&nbsp;&nbsp;&nbsp;&nbsp;the workshop given Mister Glen's illness.<br>**[09:43] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's...<br>**[09:45] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mentioned earlier that<br>&nbsp;&nbsp;&nbsp;&nbsp;something was nagging you.<br>**[09:48] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:50] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is, I have<br>&nbsp;&nbsp;&nbsp;&nbsp;some thoughts about things, too.<br>**[09:52] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:54] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't want to turn our<br>&nbsp;&nbsp;&nbsp;&nbsp;backs on Mister Glen,<br>**[09:57] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something has gone wrong here.<br>**[09:59] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've given a lot of thought<br>&nbsp;&nbsp;&nbsp;&nbsp;to things, in my own way,<br>**[10:02] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't figure out what's wrong.<br>**[10:04] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll handle the debt somehow.<br>**[10:07] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne, you do things the way you think is right,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like the first silver sugar master.<br>**[10:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean? Why do you keep<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about the first silver sugar master?<br>**[10:19] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could at least<br>&nbsp;&nbsp;&nbsp;&nbsp;take your meals with the others.<br>**[10:22] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to. I prefer<br>&nbsp;&nbsp;&nbsp;&nbsp;to be alone with you.<br>**[10:26] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, your expression seems lonely.<br>**[10:30] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not lonely.<br>**[10:38] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold me.<br>**[10:46] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carry me to bed.<br>**[10:52] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lay me down, gently.<br>**[10:54] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stroke my hair.<br>**[10:57] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay with me until I fall asleep.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't go see that girl.<br>**[11:03] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stay by my side. Only mine.<br>**[11:44] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much you stare,<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing interesting will happen.<br>**[11:52] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You scared me!<br>**[11:55] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You snuck out again? Won't Bridget<br>&nbsp;&nbsp;&nbsp;&nbsp;make you do unbelievable things?<br>**[11:59] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable?<br>**[12:00] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Mithril Lid Pod said...<br>**[12:03] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take his ridiculous imaginings as fact.<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a normal woman.<br>**[12:08] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really not being made<br>&nbsp;&nbsp;&nbsp;&nbsp;to do upsetting things?<br>**[12:10] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not.<br>**[12:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad.<br>**[12:15] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to work hard, so just wait a while.<br>**[12:27] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[12:29] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[12:30] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something about these pieces?<br>**[12:33] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:34] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orland's clearly expresses<br>&nbsp;&nbsp;&nbsp;&nbsp;a sense of power and vigor.<br>**[12:39] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a little hard to approach<br>&nbsp;&nbsp;&nbsp;&nbsp;and he can be taciturn,<br>**[12:42] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;but his passion for sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;confections comes through clearly.<br>**[12:46] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;King, the one who made this,<br>&nbsp;&nbsp;&nbsp;&nbsp;seems like a very sincere person.<br>**[12:50] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's also awkward and<br>&nbsp;&nbsp;&nbsp;&nbsp;uncomfortable speaking with women,<br>**[12:53] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the things he creates<br>&nbsp;&nbsp;&nbsp;&nbsp;are so very romantic!<br>**[12:58] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think it's beautiful?<br>**[13:01] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both so good.<br>**[13:04] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, we only have<br>&nbsp;&nbsp;&nbsp;&nbsp;these two commissions.<br>**[13:07] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why has business declined this far?<br>**[13:11] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[13:14] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[13:16] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe!<br>**[13:18] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I begged you not to meet with her!<br>**[13:22] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wasn't a request. It was an order.<br>**[13:25] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I have no intention of obeying.<br>**[13:27] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and punish me.<br>**[13:29] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't consider my feelings?<br>**[13:32] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are my master.<br>**[13:35] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as it is not necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to consider my feelings,<br>**[13:38] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is not necessary for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to consider your feelings.<br>**[13:43] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just not... No one,<br>&nbsp;&nbsp;&nbsp;&nbsp;no one will consider my feelings, then.<br>**[13:51] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[13:54] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will be punished!<br>**[13:56] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[13:57] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't, Anne!<br>**[13:58] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't want you to be punished!<br>**[14:03] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;That meddler.<br>**[14:14] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[14:20] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only I know about this place.<br>**[14:23] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's gone! Challe's wing!<br>**[14:27] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what you're looking for,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Glen has it.<br>**[14:32] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:33] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does father have it?<br>**[14:35] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bridget.<br>**[14:37] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone placed the wing by my pillow.<br>**[14:42] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a good opportunity.<br>**[14:43] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will look after the wing from now on.<br>**[14:47] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must be what the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who placed the wing there wants.<br>**[14:51] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?<br>**[14:52] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said that it would be<br>&nbsp;&nbsp;&nbsp;&nbsp;all right until I got married!<br>**[14:54] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ways are intolerable.<br>**[14:57] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Locking the fairy in your room.<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting no one but yourself interact with him.<br>**[15:02] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like you're obsessed.<br>**[15:07] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bridget, be sensible.<br>**[15:10] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whose daughter are you?<br>**[15:13] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care!<br>**[15:18] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, you are my master?<br>**[15:20] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. And so, I give you an order.<br>**[15:23] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interact with her in moderation.<br>**[15:26] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to respond<br>&nbsp;&nbsp;&nbsp;&nbsp;to her every demand.<br>**[15:29] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't do anything that would hurt her.<br>**[15:31] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Glen, Challe is...<br>**[15:33] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decide what happens to him.<br>**[15:36] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you got your wing back?!<br>**[15:40] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's just that Mister Glen has it now.<br>**[15:43] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can walk around freely now, right?<br>**[15:45] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must have been so torturous,<br>**[15:46] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;having that woman do those things<br>&nbsp;&nbsp;&nbsp;&nbsp;and even those things to you!<br>**[15:50] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop your imaginings.<br>**[15:51] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then. There's a guest coming by,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm going to go now.<br>**[15:54] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[15:57] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been quite some<br>&nbsp;&nbsp;&nbsp;&nbsp;time, Mister Radcliffe.<br>**[16:01] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mister Radcliffe and Keith?*<br>**[16:03] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad that you're doing better<br>&nbsp;&nbsp;&nbsp;&nbsp;than rumors would have you.<br>**[16:06] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the new silver sugar master, as well.<br>**[16:11] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have high hopes for our Head of Artisans.<br>**[16:14] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the fact that you've<br>&nbsp;&nbsp;&nbsp;&nbsp;brought her in at this point in time,<br>**[16:17] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assume you'll be participating in the<br>&nbsp;&nbsp;&nbsp;&nbsp;selection for the Holy Beginnings Festival?<br>**[16:22] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Selection?*<br>**[16:23] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not. My father rejected it.<br>**[16:26] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:27] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I did suspect that would be the case.<br>**[16:31] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. I brought Powell's son with me.<br>**[16:34] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Keith Powell.<br>**[16:36] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard rumors of you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, you've become a good artisan.<br>**[16:40] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I...<br>**[16:43] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[16:45] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to feel badly about.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are free to do as you like.<br>**[16:49] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Keith?*<br>**[16:52] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was surprised to see you, Keith!<br>**[16:54] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Radcliffe suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;announced that we were coming here.<br>**[16:57] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I had been wondering about you.<br>**[17:00] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not having any<br>&nbsp;&nbsp;&nbsp;&nbsp;sort of trouble, are you?<br>**[17:02] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are things with Challe all right?<br>**[17:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we're managing.<br>**[17:05] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about all of you? How are Kat and Jonas?<br>**[17:09] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Hingley has returned to his own shop.<br>**[17:12] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[17:14] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems that Jonas<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't returned to his hometown.<br>**[17:16] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one has been able to<br>&nbsp;&nbsp;&nbsp;&nbsp;get in touch with him.<br>**[17:19] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:21] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right!<br>**[17:22] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith, what is this "selection" for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy Beginnings Festival you were talking about?<br>**[17:26] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every year for the Holy Beginnings Festival,<br>&nbsp;&nbsp;&nbsp;&nbsp;in celebration of the coming year,<br>**[17:29] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;they set out sugar confections in<br>&nbsp;&nbsp;&nbsp;&nbsp;the Church of Saint Lewiston Bell, don't they?<br>**[17:33] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sample models of those<br>&nbsp;&nbsp;&nbsp;&nbsp;are created in advance...<br>**[17:35] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they decide which workshop<br>&nbsp;&nbsp;&nbsp;&nbsp;to entrust the work to.<br>**[17:38] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[17:40] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a great honor to be chosen.<br>**[17:43] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you deliver the pieces successfully,<br>**[17:44] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;the kingdom's religion pays 10,000 cress.<br>**[17:47] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[17:48] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of which, that school becomes<br>&nbsp;&nbsp;&nbsp;&nbsp;popular and lots of commissions come in.<br>**[17:53] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you have a guest?<br>**[17:55] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boyfriend?<br>**[17:57] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that.<br>**[17:58] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It isn't like that! Please, don't say<br>&nbsp;&nbsp;&nbsp;&nbsp;such awful things to Keith!<br>**[18:01] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind.<br>**[18:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:07] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Keith Powell from the Radcliffe Workshop.<br>**[18:10] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! You're Powell?<br>**[18:13] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you? Well, please spend<br>&nbsp;&nbsp;&nbsp;&nbsp;as much time as you like here.<br>**[18:16] Valentine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[18:17] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...<br>**[18:20] Nadir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Bye, then!<br>**[18:23] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did they rush off?<br>**[18:26] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;They couldn't do otherwise.<br>&nbsp;&nbsp;&nbsp;&nbsp;To them, I'm a traitor.<br>**[18:30] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;A traitor?<br>**[18:32] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;When my father was with the Paige Workshop,<br>&nbsp;&nbsp;&nbsp;&nbsp;he became the Silver Sugar Viscount.<br>**[18:36] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;It brought vigor to this place.<br>**[18:39] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, when my father died, they<br>&nbsp;&nbsp;&nbsp;&nbsp;thought I would join the Paige Workshop, too,<br>**[18:46] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I chose the Radcliffe Workshop.<br>**[18:49] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I did, a rumor went around, saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Powell has given up on the Paige Workshop."<br>**[18:55] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;It caused artisans affiliated with<br>&nbsp;&nbsp;&nbsp;&nbsp;this place to go to other schools all at once.<br>**[19:02] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like that happened?<br>**[19:04] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it wasn't that I'd given up<br>&nbsp;&nbsp;&nbsp;&nbsp;on the Paige Workshop.<br>**[19:09] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to be affected<br>&nbsp;&nbsp;&nbsp;&nbsp;by my father's influence.<br>**[19:12] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I resisted the idea of<br>&nbsp;&nbsp;&nbsp;&nbsp;following in my father's footsteps<br>**[19:15] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;and joining this school, that's all.<br>**[19:18] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I endured it while my<br>&nbsp;&nbsp;&nbsp;&nbsp;father held his position.<br>**[19:21] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I hated the idea of being called<br>&nbsp;&nbsp;&nbsp;&nbsp;Edward Powell's son even after his death.<br>**[19:27] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Keith. I have a name, too.<br>**[19:31] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[19:35] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't your fault that this workshop<br>&nbsp;&nbsp;&nbsp;&nbsp;has ended up this way, Keith.<br>**[19:39] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone here understands that.<br>**[19:41] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that their feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't quite caught up yet, that's all.<br>**[19:44] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once things have calmed down,<br>&nbsp;&nbsp;&nbsp;&nbsp;all their ill feelings will disappear.<br>**[19:51] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Anne.<br>**[19:55] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If this place is rebuilt, then*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Keith's sense of self-condemnation*<br>**[19:59] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the artisans'*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ill-feelings might all disappear.*<br>**[20:03] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to rebuild it.*<br>**[20:05] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith!<br>**[20:06] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going!<br>**[20:07] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[20:09] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leaving already?<br>**[20:11] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Mister Radcliffe<br>&nbsp;&nbsp;&nbsp;&nbsp;is feeling pressured.<br>**[20:13] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only half a month left<br>&nbsp;&nbsp;&nbsp;&nbsp;until the selection, after all.<br>**[20:16] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;The selection...<br>**[20:18] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! That's it!<br>**[20:21] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:22] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Keith!<br>**[20:24] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I don't know what I've done...<br>**[20:28] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will say you're very welcome.<br>**[20:31] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's it. If we win the selection,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;then we'll become more popular,*<br>**[20:34] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and we'll get 10,000 cress, too.*<br>**[20:37] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The things that Mister Collins said,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the things that keep nagging at me...*<br>**[20:41] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it could be that...*<br>**[20:44] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a request.<br>**[20:45] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the Paige Workshop to participate<br>&nbsp;&nbsp;&nbsp;&nbsp;in this year's festival selection.<br>**[20:49] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we do, then perhaps<br>&nbsp;&nbsp;&nbsp;&nbsp;this workshop will, just like the old days—<br>**[20:52] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[20:53] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:55] Glen**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will not participate.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Embarking on a Challenge Once Again
<br>**[21:01] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sugar Confections in the Service of Others
<br>