# E10 - The Young Lady of Paige Workshop

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GX9UQ020V/the-young-lady-of-paige-workshop)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] (Flashback) Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will likely be the only year I get<br>&nbsp;&nbsp;&nbsp;&nbsp;to compete with Anne in the Exhibition.<br>**[00:06] (Flashback) Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm lucky enough to have been here<br>&nbsp;&nbsp;&nbsp;&nbsp;for Anne's last chance.<br>**[00:11] (Flashback) Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last chance?<br>**[00:13] (Flashback) Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[00:15] (Flashback) Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she doesn't become<br>&nbsp;&nbsp;&nbsp;&nbsp;a silver sugar master this year...<br>**[00:19] (Flashback) Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;then she may not ever be able to.<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know how far I can go, but…*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all right*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even alone, I'll be fine, but…*<br>**[00:46] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You know, the truth is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that no one is alone*<br>**[00:53] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Things like happiness,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;loneliness, and even anxiety…*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We are born to savor all those things*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A single spoonful of sparkles*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Transforms everything into smiles*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That could be what I secretly wished for…*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That miracle*<br>**[01:25] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're each searching for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;our most precious treasures*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what our journey is for*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know how far I can go, but...*<br>**[01:46] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Each moment that passes before me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shall be spun from hope*<br>**[01:59] mixing artisan C**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's it going over there?<br>**[02:00] mixing artisan C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! It's time to trade positions!<br>**[02:03] mixing artisan A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[02:04] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[02:11] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's huge and there's so many artisans!<br>**[02:14] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:19] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[02:20] skimming apprentice artisan A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring the heat of the fire down! Down!<br>**[02:22] fire minding artisan A**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[02:24] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there isn't a single woman here.<br>**[02:27] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Women are transgressors<br>&nbsp;&nbsp;&nbsp;&nbsp;who turned their backs on the will of God.<br>**[02:30] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why they are not allowed to make<br>&nbsp;&nbsp;&nbsp;&nbsp;the sacred food, sugar confections.<br>**[02:35] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transgressors?<br>**[02:36] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;When God created a woman and a man,<br>&nbsp;&nbsp;&nbsp;&nbsp;the wish was for them to rule over the earth.<br>**[02:42] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the human woman<br>&nbsp;&nbsp;&nbsp;&nbsp;fell in love with the king of the fairies,<br>**[02:45] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up vowing to serve him.<br>**[02:48] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who cleansed us<br>&nbsp;&nbsp;&nbsp;&nbsp;of that woman's crime...<br>**[02:50] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;and freed humanity from the fairies...<br>**[02:52] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;creating a world in alignment<br>&nbsp;&nbsp;&nbsp;&nbsp;with God's wishes...<br>**[02:54] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;was Ancestor King Cedric.<br>**[02:58] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you skipped out<br>&nbsp;&nbsp;&nbsp;&nbsp;on the church's rest-day school.<br>**[03:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[03:04] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's only a story.<br>**[03:07] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among artisans, it's remained the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;that women shouldn't meddle in this work,<br>**[03:13] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think it's just that this work is<br>&nbsp;&nbsp;&nbsp;&nbsp;physically more difficult for women.<br>**[03:22] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you've finally come, Hingley.<br>**[03:31] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jonas.*<br>**[03:33] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, your lot just doesn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to pass information along, you see...<br>**[03:36] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Radcliffe.<br>**[03:39] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you still don't mind<br>&nbsp;&nbsp;&nbsp;&nbsp;your words as you should.<br>**[03:42] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Radcliffe?*<br>**[03:43] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then, this man is the master here...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Marcus Radcliffe?*<br>**[03:47] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your own fault for not informing<br>&nbsp;&nbsp;&nbsp;&nbsp;the Silver Sugar Viscount<br>**[03:49] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you change residences.<br>**[03:51] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not my problem. Give me some work.<br>**[03:53] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need silver sugar.<br>**[03:56] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have you oversee the refinement<br>&nbsp;&nbsp;&nbsp;&nbsp;of the silver sugar in its entirety,<br>**[04:00] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;together with Elliott Collins.<br>**[04:02] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elliott?<br>**[04:04] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't he acting as the head of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Paige workshop right now?<br>**[04:08] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's late after going out without leave.<br>**[04:10] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That louse...<br>**[04:11] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get started first!<br>**[04:14] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're Anne Halford?<br>**[04:16] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[04:17] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the head of the Radcliffe<br>&nbsp;&nbsp;&nbsp;&nbsp;Workshop, Marcus Radcliffe.<br>**[04:21] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you've taken quite good<br>&nbsp;&nbsp;&nbsp;&nbsp;care of my nephew, Jonas.<br>**[04:27] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that you wish<br>&nbsp;&nbsp;&nbsp;&nbsp;to participate in the Exhibition,<br>**[04:30] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if your work isn't equivalent<br>&nbsp;&nbsp;&nbsp;&nbsp;to that of the other artisans,<br>**[04:33] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will not receive any sugar apples.<br>**[04:35] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do the work properly.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I have come here.<br>**[04:38] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;The quantity of silver sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;we are processing is different here.<br>**[04:42] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;The heavy stone mortars,<br>&nbsp;&nbsp;&nbsp;&nbsp;the ladles and paddles...<br>**[04:45] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you move them as a man can?<br>**[04:47] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I can.<br>**[04:49] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pluck alone won't get the work done.<br>**[04:52] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not be a hindrance.<br>&nbsp;&nbsp;&nbsp;&nbsp;Be useful. That is all.<br>**[04:56] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[04:58] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jonas, make sure to keep your wits about you.<br>**[05:00] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Keith, she is a powerful opponent.<br>**[05:03] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand, Uncle.<br>**[05:05] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;If at this year's Exhibition,<br>&nbsp;&nbsp;&nbsp;&nbsp;you fall behind this girl again,<br>**[05:09] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;know that the only candidate for<br>&nbsp;&nbsp;&nbsp;&nbsp;the next head of the workshop will be Keith.<br>**[05:12] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[05:13] Marcus**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do well.<br>**[05:17] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to have quite<br>&nbsp;&nbsp;&nbsp;&nbsp;a few difficulties of your own.<br>**[05:19] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask for your opinion.<br>**[05:21] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I will go and work now.<br>**[05:23] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you like.<br>&nbsp;&nbsp;&nbsp;&nbsp;My uncle said it was all right.<br>**[05:27] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I will.<br>**[05:28] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Anne!<br>**[05:30] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kat!<br>**[05:32] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm joining the workers.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please direct me as to what to do.<br>**[05:34] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:35] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[05:37] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking good there.<br>**[05:38] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easier to move around like this!<br>**[05:41] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're shorthanded on the big cauldron.<br>**[05:43] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go.<br>**[05:44] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[05:46] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, here we go!<br>**[05:48] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;You work in the background.<br>**[05:49] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you doing?!<br>**[05:50] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go...<br>**[05:50] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wagons will be leaving soon.<br>**[05:52] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get on one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;and help harvest the sugar apples.<br>**[05:57] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? With this guy?<br>**[05:58] Benjamin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is it?<br>**[06:00] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got work to do! Let's go!<br>**[06:02] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who do not work should not eat!<br>**[06:04] Benjamin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sithril, you sure are a hard worker.<br>**[06:07] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's *Mithril*!<br>**[06:09] Mithril**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't fall asleep!<br>**[06:10] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Change out!<br>**[06:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming in!<br>**[06:20] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's really hot!<br>**[06:22] skimming artisan B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[06:23] skimming artisan B**<br>&nbsp;&nbsp;&nbsp;&nbsp;A woman's not gonna be able to move that!<br>**[06:26] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be fine!<br>**[06:32] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[06:33] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Women shouldn't interfere! You're in the way!<br>**[06:37] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now, girls shouldn't be up here.<br>**[06:42] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you fell and scarred your face,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be terrible.<br>**[06:46] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[06:47] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to say, then I suppose<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the ally of all women.<br>**[06:53] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you come have tea with me sometime?<br>**[06:56] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[06:57] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're finally here, huh? Elliott?<br>**[07:01] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your eye is just as good as ever, huh?<br>**[07:03] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is Elliott Collins?*<br>**[07:06] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's the silver sugar master who's standing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in for the master of the Paige Workshop?*<br>**[07:10] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there. You aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;a sugar artisan, are you?<br>**[07:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Yes, I am.<br>**[07:15] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Elliott!<br>**[07:17] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you bring a woman who<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't an artisan here? Get to work!<br>**[07:21] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, before that, apologize for being late!<br>**[07:23] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being rude. This is the young lady<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Paige Workshop, you know?<br>**[07:28] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? The Paige Workshop's...<br>**[07:31] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Glen Paige's daughter, Bridget.<br>**[07:35] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why are you here?<br>**[07:37] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's my fiancée. And she's come to visit me.<br>**[07:40] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I haven't. I'm here<br>&nbsp;&nbsp;&nbsp;&nbsp;to help around the kitchen.<br>**[07:44] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are other ladies here<br>&nbsp;&nbsp;&nbsp;&nbsp;other than me, aren't there?<br>**[07:47] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's all just for show.<br>**[07:49] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's actually here to cheer me on<br>&nbsp;&nbsp;&nbsp;&nbsp;as I work my hardest!<br>**[07:53] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't worked at all yet.<br>**[07:55] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why are you just standing around?<br>**[07:57] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Right, sir!<br>**[08:10] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys...<br>**[08:14] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the meaning of those faces?<br>**[08:17] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let anyone work who's<br>&nbsp;&nbsp;&nbsp;&nbsp; willing to do the work!<br>**[08:42] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could let her do some work<br>&nbsp;&nbsp;&nbsp;&nbsp;that's a little more ladylike.<br>**[08:47] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work that's ladylike?<br>**[08:49] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, cleaning or<br>&nbsp;&nbsp;&nbsp;&nbsp;serving tea... or chatting with me.<br>**[08:53] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chatting with you is not a job.<br>**[08:55] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, she's a genuine artisan.<br>**[08:58] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been acknowledged as an artisan?<br>**[09:01] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though she's a woman?<br>**[09:06] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that dumb<br>&nbsp;&nbsp;&nbsp;&nbsp;is irrelevant in this day and age.<br>**[09:08] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's obvious that it's impossible,<br>**[09:11] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's still working<br>&nbsp;&nbsp;&nbsp;&nbsp;so feverishly. It's laughable.<br>**[09:13] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elliott, I'm going into town for a bit.<br>**[09:16] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Then, I'll go too!<br>**[09:18] Kat**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I are having a meeting, starting now.<br>**[09:21] Elliott**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[09:23] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kat has given me this chance.*<br>**[09:26] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I can't do this,*<br>**[09:27] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then I won't get any sugar apples!*<br>**[09:31] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will make silver sugar...*<br>**[09:33] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so that I can create my piece!*<br>**[09:41] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[09:42] artisan A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:43] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[09:44] artisan B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. Thanks.<br>**[09:51] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[09:52] artisan C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get an extra-large serving?<br>**[09:54] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. The portions are predetermined.<br>**[09:56] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. This is all you get.<br>**[09:59] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, please.<br>**[10:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I have some, please?<br>**[10:14] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a girl.<br>**[10:16] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you dress yourself like that?<br>**[10:19] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, may I have some food?<br>**[10:20] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rule is one plate per person.<br>**[10:23] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have companions.<br>**[10:24] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like enough for them, too, please.<br>**[10:28] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[10:30] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give her what she asked for.<br>**[10:31] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keith.<br>**[10:41] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will have some food.<br>**[10:43] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. O-Of course.<br>**[10:47] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[10:49] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[10:52] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[10:54] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[10:55] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going back to our room.<br>**[10:57] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Thank you, Keith.<br>**[10:59] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very welcome.<br>**[11:01] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe.<br>**[11:36] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[11:38] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jonas?<br>**[11:39] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only came because my uncle told me to.<br>**[11:42] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said that the sugar apples from<br>&nbsp;&nbsp;&nbsp;&nbsp;today's harvest are in the storehouse.<br>**[11:46] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to enter the Exhibition, then...<br>**[11:48] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's letting me have some?<br>**[11:50] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now I've told you, all right?<br>**[11:54] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe, I'll be right back!<br>**[12:01] (Flashback) Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[12:03] (Flashback) Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she doesn't become<br>&nbsp;&nbsp;&nbsp;&nbsp;a silver sugar master this year...<br>**[12:07] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then she may not ever be able to.*<br>**[12:14] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I'll be able to make silver sugar.<br>**[12:17] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad.<br>**[12:51] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe, aren't I heavy?<br>**[12:54] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. You are a scarecrow, after all.<br>**[12:58] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying? That's so mean...<br>**[13:33] (Flashback) Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to be away from me?<br>**[13:37] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose the one who didn't want us<br>&nbsp;&nbsp;&nbsp;&nbsp;to be separated was me.<br>**[13:57] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awful.<br>**[14:01] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think she makes you<br>&nbsp;&nbsp;&nbsp;&nbsp;work this late at night.<br>**[14:07] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[14:08] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, by chance, you don't like<br>&nbsp;&nbsp;&nbsp;&nbsp;being made to serve that girl,<br>**[14:12] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could buy you from her.<br>**[14:15] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't make you work late<br>&nbsp;&nbsp;&nbsp;&nbsp;at night like this.<br>**[14:19] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I wouldn't ever order you to do anything.<br>**[14:22] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you live in a nice room<br>&nbsp;&nbsp;&nbsp;&nbsp;and give you lots of sugar confections.<br>**[14:27] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I will buy you and...<br>**[14:32] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;You plan to keep me as a pet?<br>**[14:33] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:37] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your assistance is unwanted, human.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;6 Days Later
<br>**[14:44] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long is it gonna take you<br>&nbsp;&nbsp;&nbsp;&nbsp;to skim that scum off?<br>**[14:47] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we don't skim it all off,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will make the sugar bitter.<br>**[14:49] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough already!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and boil the next batch!<br>**[14:54] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gonna get mixed in with stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;from another cauldron later anyway,<br>**[14:57] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's no point!<br>**[14:59] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if the quality<br>&nbsp;&nbsp;&nbsp;&nbsp;lowers little by little like this...<br>**[15:05] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;then when it's all combined<br>&nbsp;&nbsp;&nbsp;&nbsp;together, it will be truly awful.<br>**[15:07] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just pipe down.<br>**[15:08] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, this year's silver sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;is all gonna be mass produced anyway.<br>**[15:12] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one cares about the quality!<br>**[15:15] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case? No one cares?<br>**[15:19] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, will next year's sugar confections<br>&nbsp;&nbsp;&nbsp;&nbsp;be made from this "no one cares" silver sugar?<br>**[15:25] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will all the people who buy<br>&nbsp;&nbsp;&nbsp;&nbsp;sugar confections next year...<br>**[15:28] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;be buying confections of inferior quality?<br>**[15:31] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though it may be something<br>&nbsp;&nbsp;&nbsp;&nbsp;they only buy once in their lifetimes,<br>**[15:33] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;something incredibly precious?<br>**[15:37] Jonas**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to say all that.<br>**[15:39] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;If keeping quiet meant that I could make<br>&nbsp;&nbsp;&nbsp;&nbsp;good silver sugar, then that's what I'd do!<br>**[15:43] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not approve of this.<br>**[15:45] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making sugar confections with that mindset...<br>**[15:48] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just wrong!<br>**[15:49] Sammy**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[15:51] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne.<br>**[15:53] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for your break, isn't it?<br>**[15:54] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[16:02] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down.<br>**[16:04] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones overseeing everything<br>&nbsp;&nbsp;&nbsp;&nbsp;are Mister Hingley and Mister Collins.<br>**[16:07] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;They know that doing things<br>&nbsp;&nbsp;&nbsp;&nbsp;that way isn't good.<br>**[16:10] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orders will come through soon.<br>**[16:12] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[16:14] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:16] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. We are talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about Kat after all.<br>**[16:19] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like such an idiot.<br>**[16:22] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;You’ve just used up all<br>&nbsp;&nbsp;&nbsp;&nbsp; your patience, that’s all.<br>**[16:24] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[16:25] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. You're doing a good job.<br>**[16:28] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why Mister Radcliffe<br>&nbsp;&nbsp;&nbsp;&nbsp;gave you sugar apples.<br>**[16:31] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is that going? Have you<br>&nbsp;&nbsp;&nbsp;&nbsp;finished processing your allotment?<br>**[16:36] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Last night.<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to process four barrels' worth.<br>**[16:40] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's finally time to<br>&nbsp;&nbsp;&nbsp;&nbsp;start crafting your piece, isn't it?<br>**[16:44] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between you and I, who will<br>&nbsp;&nbsp;&nbsp;&nbsp; make the better piece?<br>**[16:48] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really amazing, Keith.<br>**[16:50] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been able to think<br>&nbsp;&nbsp;&nbsp;&nbsp;about my piece at all yet.<br>**[16:54] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to make, isn't there?<br>**[16:57] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, there is, but...<br>**[17:02] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I ask? Why did you want<br>&nbsp;&nbsp;&nbsp;&nbsp;to have Challe as your model?<br>**[17:06] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[17:08] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;because the royal family tends to<br>&nbsp;&nbsp;&nbsp;&nbsp;favor sugar confections with a fairy motif.<br>**[17:15] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you visit the head temple of the kingdom's<br>&nbsp;&nbsp;&nbsp;&nbsp;religion, the Church of Saint Lewiston Bell,<br>**[17:19] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a book about the royal<br>&nbsp;&nbsp;&nbsp;&nbsp;family and sugar confections.<br>**[17:22] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[17:24] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's beautiful.<br>**[17:26] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's amazing. Challe's<br>&nbsp;&nbsp;&nbsp;&nbsp;essence really comes through.<br>**[17:31] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challe's hair, his eyelashes, his eyes...<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to craft them so delicately here.<br>**[17:38] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just know it's going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a truly wonderful sugar confection.<br>**[17:41] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Hearing you say that<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me very happy.<br>**[17:49] Anne; internal**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I had made it, would the results*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have been this good?*<br>**[17:54] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now that I've seen something like this...*<br>**[17:58] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What could I make that would...*<br>**[18:02] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... Challe?<br>**[18:06] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:08] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Bridget?<br>**[18:10] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to call you out here like this.<br>**[18:12] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't serving that girl, Anne, are you?<br>**[18:16] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in spite of that, I...<br>**[18:18] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough. Forget it happened.<br>**[18:20] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Please, listen!<br>**[18:26] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[18:34] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a fiancé that my family<br>&nbsp;&nbsp;&nbsp;&nbsp;decided upon for me.<br>**[18:38] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't in love with anyone.<br>**[18:40] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't even understand<br>&nbsp;&nbsp;&nbsp;&nbsp;what love was, really, so it didn't bother me.<br>**[18:44] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the other day, when I saw you...<br>**[18:47] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;my heart raced so fast<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know what to do.<br>**[18:50] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you. I truly love you!<br>**[18:57] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne? Is something wrong?<br>**[18:59] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's nothing!<br>**[19:01] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should go. If we stay away from<br>&nbsp;&nbsp;&nbsp;&nbsp;our work for too long, Kat will yell at us.<br>**[19:04] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that.<br>**[19:06] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really do have your freedom,<br>**[19:09] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you can do whatever you like<br>&nbsp;&nbsp;&nbsp;&nbsp;of your own will, right?<br>**[19:12] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What of it? Are you saying<br>&nbsp;&nbsp;&nbsp;&nbsp;we should just kiss, then?<br>**[19:16] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were human, would you have<br>&nbsp;&nbsp;&nbsp;&nbsp;used this method?<br>**[19:20] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:22] Anne; internal**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why were Challe and Miss Bridget...*<br>**[19:26] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had been talking to Keith Powell<br>&nbsp;&nbsp;&nbsp;&nbsp;or Alph Hingley, would you have done this?<br>**[19:30] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I wouldn't. I would be too embarrassed.<br>**[19:35] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that you're not<br>&nbsp;&nbsp;&nbsp;&nbsp;embarrassed now because I am a fairy.<br>**[19:39] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:39] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no different from buying<br>&nbsp;&nbsp;&nbsp;&nbsp;a companion fairy for you.<br>**[19:42] Bridget**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have it all wrong.<br>**[19:44] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want me, then steal<br>&nbsp;&nbsp;&nbsp;&nbsp;my wing and give me an order.<br>**[19:47] Challe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Command me to love you.<br>**[19:53] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anne, what's wrong?<br>**[19:55] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[19:59] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:01] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. We're running!<br>**[20:03] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[20:28] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly! What was that all of a sudden?<br>**[20:31] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're about to start work.<br>**[20:32] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to run so you can leave<br>&nbsp;&nbsp;&nbsp;&nbsp;all your worries behind first.<br>**[20:36] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need someone to listen,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do that much for you.<br>**[20:40] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus on your work. Make something good.<br>**[20:43] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then compete with me.<br>**[20:45] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right?<br>**[20:46] Anne**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:47] Keith**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Young Lady of the Paige Workshop
<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is it just like the dreams we dream at night?*<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do we give names to our other dreams because,*<br>**[21:26] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Just as our night dreams*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are forgotten upon waking,*<br>**[21:30] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If they aren't held dear,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;they will disappear?*<br>**[21:37] ---**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, it's because they aren't things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that only special people can see*<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That day*<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I reached out again and again*<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I failed to catch that shining fruit, and yet*<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll reach out once more*<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I make my wishes come true myself*<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just know it will make you smile*<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why I'm able to say I'm not giving up*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That Which Should Be Made
<br>