# E18 - Sanosuke & Nishiki Paintings

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUNGWJ8/sanosuke--nishiki-paintings)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sanosuke Sagara, age 19.*<br>**[00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BAD<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Born in 1860 as the oldest son<br>
&nbsp;&nbsp;&nbsp;&nbsp;of a farmer in Shinshu.*<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Basically ran away from home to join<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Sekiho Army at the age of nine.*<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Considers and admires their Captain,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sozo Sagara as his master.*<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the group was given<br>
&nbsp;&nbsp;&nbsp;&nbsp;the disgraceful title*<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of fake Imperial Army,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and Sozo was beheaded.*<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That led to the collapse<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the Sekiho Army.*<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He then moved to Tokyo, where he<br>
&nbsp;&nbsp;&nbsp;&nbsp;became a fighter for hire called Zanza.*<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He became infamous<br>
&nbsp;&nbsp;&nbsp;&nbsp;in underground society,*<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but he then faced defeat<br>
&nbsp;&nbsp;&nbsp;&nbsp;from the rurouni Kenshin Himura.*<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since his defeat,<br>
&nbsp;&nbsp;&nbsp;&nbsp;he often heads over to Kamiya Dojo,*<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and he is currently leading<br>
&nbsp;&nbsp;&nbsp;&nbsp;a leisurely life as a vagabond.*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;EPISODE 18:<br>
&nbsp;&nbsp;&nbsp;&nbsp;SANOSUKE &<br>
&nbsp;&nbsp;&nbsp;&nbsp;NISHIKI PAINTINGS<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BEEF HOT-POT AND SAKE<br>
&nbsp;&nbsp;&nbsp;&nbsp;AKABEKO RESTAURANT<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nishiki paintings?<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a new shipment today.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's drawn by a popular artist,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it sells out quickly.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I just can't leave work<br>&nbsp;&nbsp;&nbsp;&nbsp;at all today.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you want me to go buy it for you.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Can I ask that of you?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can ask Yahiko—<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working, too, you idiot!<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh! This is why vagabonds are...<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well.<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I can run errands for you.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do give me free meals<br>&nbsp;&nbsp;&nbsp;&nbsp;all the time, after all.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They aren't free meals.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything you've eaten 'til now<br>&nbsp;&nbsp;&nbsp;&nbsp;is still on a tab.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about the details.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what art<br>&nbsp;&nbsp;&nbsp;&nbsp;from which artist do you want?<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Swordsman Hachiro Iba"<br>&nbsp;&nbsp;&nbsp;&nbsp;by Tsunan Tsukioka!<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the handsome swordsman,<br>&nbsp;&nbsp;&nbsp;&nbsp;the most popular of the Bakumatsu Era.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One-Arm Iba-Hachi," huh?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. It's nothing.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should clearly say what you<br>&nbsp;&nbsp;&nbsp;&nbsp;want to say. Got that, little girl?<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So two copies of Iba-Hachi<br>&nbsp;&nbsp;&nbsp;&nbsp;by Tsunan Tsukioka, yeah?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotta hand it to Sano.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's really the man.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really. Now only<br>&nbsp;&nbsp;&nbsp;&nbsp;if he would pay up properly.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, you know,<br>&nbsp;&nbsp;&nbsp;&nbsp;a mellowed-out Sano is great and all,<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but how he used to be<br>&nbsp;&nbsp;&nbsp;&nbsp;was pretty awesome, too.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Zanza!<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He would be smiling, but he wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;satisfied at the bottom of his heart.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was like a bomb<br>&nbsp;&nbsp;&nbsp;&nbsp;that was about to go off.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was always glaring.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nishiki paintings.*<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Back during the Edo period,<br>
&nbsp;&nbsp;&nbsp;&nbsp;actors and scenery were the convention.*<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But once the Meiji Era rolled around,<br>
&nbsp;&nbsp;&nbsp;&nbsp;many other things were drawn as well,*<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*making it more generalized<br>
&nbsp;&nbsp;&nbsp;&nbsp;in pop culture.*<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the modern day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;they serve as important references*<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that convey Meiji culture and customs.*<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sano?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, both of you.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nishiki paintings, that is?<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unusual, that it is.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps one of a beautiful lady?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps an erotic one?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tae at Akabeko asked me to get one.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ain't for me.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister, you got two more copies<br>&nbsp;&nbsp;&nbsp;&nbsp;of Tsunan Tsukioka's Iba-Hachi?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HACHIRO HIDESATO IBA<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in luck, sir.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are the last two I've got.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsunan's art is really popular,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they sell out real quick.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two total 10 sen.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I don't have any money.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you lend me some?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HIJIKATA<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said,<br>&nbsp;&nbsp;&nbsp;&nbsp;you call 'em all Nishiki paintings,<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBAZU-NO-IKE<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOKOZUNA<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there sure are many kinds.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like there are<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot from the Bakumatsu Era<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Revolution, too, that there are.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A CERTAIN SAIGO AND HIS DOG<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Those of Revolutionary<br>&nbsp;&nbsp;&nbsp;&nbsp;warriors and Imperial Army folks<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sell well as souvenirs from Tokyo.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shogunate guys like Iba-Hachi<br>&nbsp;&nbsp;&nbsp;&nbsp;are popular among the Edo locals.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBAZU-NO-IKE<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEKIHO ARMY CAPTAIN<br>
&nbsp;&nbsp;&nbsp;&nbsp;SOZO SAGARA<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sano?<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SOZO<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Sagara.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that? It's also drawn by Tsunan,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that one just doesn't sell at all.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEKIHO ARMY CAPTAIN<br>
&nbsp;&nbsp;&nbsp;&nbsp;SOZO SAGARA<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he always draws that guy, even though<br>&nbsp;&nbsp;&nbsp;&nbsp;he's the boss of the fake Imperial Army.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsunan Tsukioka...<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukioka...<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this guy?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this Tsunan guy at?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sano!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The next town over<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Dobuita Nagaya!<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that guy sure hates people,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you most likely<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be able to see him even if you go.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I will.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way he'd refuse to see me.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;TSUKIOKA<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Tsukioka. Mr. Tsukioka.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're not around, Mr. Tsukioka?<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you're in there,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ex-Sekiho Army associate member,<br>&nbsp;&nbsp;&nbsp;&nbsp;Katsuhiro Tsukioka!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEKIHO ARMY CAPTAIN<br>
&nbsp;&nbsp;&nbsp;&nbsp;SOZO SAGARA<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you really did draw this.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanosuke?<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you...<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was obvious when I saw this.<br>&nbsp;&nbsp;&nbsp;&nbsp;Right next to the captain...<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's your old self, as well as me.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no other guy out there<br>&nbsp;&nbsp;&nbsp;&nbsp;that would draw this.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the artist Tsunan Tsukioka was also<br>&nbsp;&nbsp;&nbsp;&nbsp;a surviving member of the Sekiho Army.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go home, Miss Kaoru.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sano was acting very strangely,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we decided to follow him,<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there aren't any real issues on hand.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as that one word "bad" shows,<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sekiho Army<br>&nbsp;&nbsp;&nbsp;&nbsp;is a special memory for Sano.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outsiders are unwanted<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world of memories, that they are.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think you'd end up an artist.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you always were skillful.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it be hard-to-handle guns<br>&nbsp;&nbsp;&nbsp;&nbsp;or blending gunpowder,<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you handled things so easily.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, what exactly do you do nowadays?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. Just an old vagabond.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having fun in my own way.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you are having a fun life.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't experienced any fun at all<br>&nbsp;&nbsp;&nbsp;&nbsp;in the past 10 years.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spent the last 10 years<br>&nbsp;&nbsp;&nbsp;&nbsp;holding a grudge against those<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that tarnished the name of Captain Sagara<br>&nbsp;&nbsp;&nbsp;&nbsp;and us in the Sekiho Army.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotten even more glum<br>&nbsp;&nbsp;&nbsp;&nbsp;than 10 years ago.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still don't have any friends at all?<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, well,<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that feeling all too well.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think I'd reunite with you on<br>&nbsp;&nbsp;&nbsp;&nbsp;the day when I finished all preparations.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe this is the guidance<br>&nbsp;&nbsp;&nbsp;&nbsp;of our captain from up in heaven.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Katsu?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanosuke, why don't you and I<br>&nbsp;&nbsp;&nbsp;&nbsp;recreate the Sekiho Army once again?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's crush the Revolutionary government<br>&nbsp;&nbsp;&nbsp;&nbsp;that framed us<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring to reality the new era<br>&nbsp;&nbsp;&nbsp;&nbsp;that Captain Sagara sought.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;RUROUNI KENSHIN<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Katsu, what are you planning?<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ask what, but there is only one thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Sekiho Army seeks.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new era with true equality<br>&nbsp;&nbsp;&nbsp;&nbsp;for the four classes<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that our captain dreamed of.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna crush the Meiji government<br>&nbsp;&nbsp;&nbsp;&nbsp;that's in the way.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you don't remember<br>&nbsp;&nbsp;&nbsp;&nbsp;the recent Seinan War<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'cause you were drawing the whole time.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kagoshima, where Saigo raised his troops,<br>&nbsp;&nbsp;&nbsp;&nbsp;was at the edge of Japan.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much you fight down there,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's all in vain.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My target is the center of Japan.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By that, I mean this prefecture of Tokyo.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Home Ministry<br>&nbsp;&nbsp;&nbsp;&nbsp;oversees all domestic affairs.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First off, we completely<br>&nbsp;&nbsp;&nbsp;&nbsp;shut its operation down.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to crush the army, navy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the treasury at the same time as well,<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't do all of that alone.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alone?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't trust anyone else.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been proceeding<br>&nbsp;&nbsp;&nbsp;&nbsp;with all of that by myself.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I'm alone,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've still got these.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at them, Sano.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made it with the knowledge of firearms<br>&nbsp;&nbsp;&nbsp;&nbsp;I gained in the Sekiho Army.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're bombs.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was cautious about not letting these<br>&nbsp;&nbsp;&nbsp;&nbsp;get traced back to me.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took me ten years to make these.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty confident about them.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They explode and ignite fires,<br>&nbsp;&nbsp;&nbsp;&nbsp;so are efficient incendiary bombs.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will use these to blow up<br>&nbsp;&nbsp;&nbsp;&nbsp;all the ministries one after another<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to whittle away the centralized power,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then all the dissatisfied samurais<br>&nbsp;&nbsp;&nbsp;&nbsp;and farmers all over the country<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will naturally start rioting.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The current government<br>&nbsp;&nbsp;&nbsp;&nbsp;is exhausted from the Seinan War,<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they won't stand a chance.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From there, I just need to wait for the<br>&nbsp;&nbsp;&nbsp;&nbsp;avalanche that will collapse everything.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And afterwards, I will construct an era<br>&nbsp;&nbsp;&nbsp;&nbsp;where the four classes are truly equal<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and clear the names<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Sekiho Army and its captain.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will execute my plan tomorrow...<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sunday night,<br>&nbsp;&nbsp;&nbsp;&nbsp;when it will be the least populated.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sano, I don't mean to force this upon you.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I will go through it alone<br>&nbsp;&nbsp;&nbsp;&nbsp;if I have to,<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a former member of the Sekiho Army.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to think about it<br>&nbsp;&nbsp;&nbsp;&nbsp;until sunset tomorrow<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and give me an answer then.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's impossible.*<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if they're exhausted<br>
&nbsp;&nbsp;&nbsp;&nbsp;from the Seinan War,*<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the Meiji government isn't so weak*<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that it would waver<br>
&nbsp;&nbsp;&nbsp;&nbsp;from some explosions and sporadic riots.*<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the past 10 years,<br>
&nbsp;&nbsp;&nbsp;&nbsp;he's only been thinking*<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*about clearing the name of the Sekiho Army<br>
&nbsp;&nbsp;&nbsp;&nbsp;and our captain all by himself.*<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He can't see the present.*<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten years, huh?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already spring,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the wind sure is cold.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sano?<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain...<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, it's fixed.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you're dealing with guns,<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure to call for someone.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take them out without permission.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you hit this well<br>&nbsp;&nbsp;&nbsp;&nbsp;with a warped barrel?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's some skill.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm weak at swordsmanship<br>&nbsp;&nbsp;&nbsp;&nbsp;and physical strength,<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can at least do this.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How promising.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't need to do that.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Katsuhiro, you guys should study hard.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Study, you say?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The days of swords and guns will end soon.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next era will be that<br>&nbsp;&nbsp;&nbsp;&nbsp;of wits and knowledge.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are your days.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meet more people,<br>&nbsp;&nbsp;&nbsp;&nbsp;and broaden your horizons.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm letting you guys tag along<br>&nbsp;&nbsp;&nbsp;&nbsp;for that reason.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we... to protect you, Captain...<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend on surviving<br>&nbsp;&nbsp;&nbsp;&nbsp;by using you guys as my shields.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Katsuhiro, you and Sanosuke<br>&nbsp;&nbsp;&nbsp;&nbsp;need to protect each other.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help each other, and head into the future.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When times change,<br>&nbsp;&nbsp;&nbsp;&nbsp;so will the Sekiho Army.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys will create the new Sekiho Army.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's a bit<br>&nbsp;&nbsp;&nbsp;&nbsp;too difficult right now.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But someday you will understand<br>&nbsp;&nbsp;&nbsp;&nbsp;what I am talking about.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We... I could not protect you after all.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I couldn't get used<br>&nbsp;&nbsp;&nbsp;&nbsp;to the new era, either.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But just you watch, Captain.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My battle that I have poured<br>&nbsp;&nbsp;&nbsp;&nbsp;10 years into, my Sekiho Army...<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;KAMIYA KASSHIN<br>
&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL OF KENDO<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsunan Tsukioka was an old friend<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours, Sano, that he was?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are some awkward<br>&nbsp;&nbsp;&nbsp;&nbsp;surprised faces you got there.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's not necessarily true,<br>&nbsp;&nbsp;&nbsp;&nbsp;that it isn't. Right, Miss Kaoru?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Kenshin!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, to celebrate our reunion,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought about a big ol' party.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you let me use the dojo tonight?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind that, but where are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to get the money for a big old party?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gonna leech off us again,<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say no after all!<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely not!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, there's nothin' to worry about.<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave the money bit to me.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm countin' on ya.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Invite Tae and the little girl, too.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd be happy about it.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strange.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's strange, all too strange!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe Sanosuke is sick somewhere? Right?<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Calm down, that you should.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is spring, after all...<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SAKE<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let's get to it.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So by "leave the money bit to me,"<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you meant you were going<br>&nbsp;&nbsp;&nbsp;&nbsp;to leech off Mr. Tsunan.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a big deal. Right?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm feeling sorry<br>&nbsp;&nbsp;&nbsp;&nbsp;that we're tagging along for all this.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a big deal.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if that's the case...<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's here.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I...<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right now. Right?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're okay with it, Mr. Sano, we—<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Yoita loved gambling,<br>&nbsp;&nbsp;&nbsp;&nbsp;kids smiling, and women...<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so when you feel up to it,<br>&nbsp;&nbsp;&nbsp;&nbsp;please go visit his grave.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She already did.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Sano, what kind of party is this?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You treating us? This is a first.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about the details!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just drink and make some noise<br>&nbsp;&nbsp;&nbsp;&nbsp;'til you collapse!<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I didn't know that Mr. Tsunan<br>&nbsp;&nbsp;&nbsp;&nbsp;was a childhood friend of Mr. Sano!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of kid was Mr. Sano?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that different.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reckless, heading into things<br>&nbsp;&nbsp;&nbsp;&nbsp;without putting much thought into it.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that's so like Mr. Sano.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And once he riots, he gets out of hand.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's quite an explosive guy.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just as I thought!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll hang you, damn it!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When push came to shove,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was a reliable guy.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be a family heirloom!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you so much.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need for thanks.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should get yourself drawn, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Sano.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, thanks.<br>&nbsp;&nbsp;&nbsp;&nbsp;He drew me tons when I was a kid.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I usually had a wound,<br>&nbsp;&nbsp;&nbsp;&nbsp;a lump, or a bruise.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How pathetic.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was because you were<br>&nbsp;&nbsp;&nbsp;&nbsp;running around all the time.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so Mr. Sano.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then what about Mr. Himura?<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I—<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. He can draw you.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a game during a drinking party.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oro...<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know Sanosuke?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a friend, that he is.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It all started with a slight scuffle.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you were a rurouni.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you doing previously?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was over towards the west, that I was.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoto?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you one of the Revolutionary warriors?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, that I was.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I've drawn<br>&nbsp;&nbsp;&nbsp;&nbsp;an Imperialist who's right in front of me.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Former, that is.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am just a rurouni now, that I am.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that really so?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, a man with no face?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I draw what I see.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't see this man.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't see the face behind that smile,<br>&nbsp;&nbsp;&nbsp;&nbsp;what lies beyond that scar.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, as long as we have this,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can tell it's me, that you can.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Sano, thanks for the meal!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You show yourself at our place next time!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'll do that.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys be careful on your way home.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fully aware, Mr. Sano.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you again tomorrow!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's about time to head out.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your last supper.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you enjoyed it<br>&nbsp;&nbsp;&nbsp;&nbsp;to your heart's content.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't a party I held<br>&nbsp;&nbsp;&nbsp;&nbsp;for a reason like that.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both Akabeko and missie<br>&nbsp;&nbsp;&nbsp;&nbsp;gave me quite a bit of food.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is like saying thanks.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SAKE<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shu and Ginji were...<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know, while I was at it.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have any fun?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph. Not at all.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? You seemed to be talkin'<br>&nbsp;&nbsp;&nbsp;&nbsp;quite a bit.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really all right, Sanosuke?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot. I don't got<br>&nbsp;&nbsp;&nbsp;&nbsp;that stingy a personality.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you chose the Sekiho Army<br>&nbsp;&nbsp;&nbsp;&nbsp;over the present<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something I thank you for<br>&nbsp;&nbsp;&nbsp;&nbsp;from the bottom of my heart.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we dilly-dally, the sun will rise.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, guys.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't ask you to understand.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Sekiho Army<br>&nbsp;&nbsp;&nbsp;&nbsp;really is special to me.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenshin, the next time I see you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be a felon for a grievous crime.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't mind at all if you slay me<br>&nbsp;&nbsp;&nbsp;&nbsp;with that sakabato.<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NEXT EPISODE<br>
&nbsp;&nbsp;&nbsp;&nbsp;TSUNAN & NISHIKI PAINTINGS<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next episode,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Tsunan & Nishiki Paintings."*<br>