# E2 - Fancy Merch

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUKV988/fancy-merch)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:21] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. I nearly stepped on a frog.<br>**[00:24] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frogs are cute.<br>**[00:25] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like their hands.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're like maple leaves.<br>**[00:28] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are good.<br>**[00:30] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new fall flavor is pretty all right.<br>**[00:34] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai, did you know?<br>**[00:35] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The syrup we eat is supposedly fake.<br>**[00:38] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[00:40] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't that stuff come<br>&nbsp;&nbsp;&nbsp;&nbsp;from trees? Maples, right?<br>**[00:43] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Apparently most of the stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;they sell at the supermarket is fake.<br>**[00:47] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[00:49] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of sad that you can't be fooled<br>&nbsp;&nbsp;&nbsp;&nbsp;because you've had the real thing.<br>**[00:56] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Yuki's family is rich.<br>&nbsp;&nbsp;&nbsp;&nbsp;They've had the real stuff.<br>**[00:59] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you guys eat caviar<br>&nbsp;&nbsp;&nbsp;&nbsp;and steak all the time.<br>**[01:02] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't.<br>**[01:03] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take tons of classes, too, right?<br>**[01:05] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like dance and voice training.<br>**[01:08] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds rough. Plus, you<br>&nbsp;&nbsp;&nbsp;&nbsp;run track on top of that.<br>**[01:12] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky. I bet you get to meet boys<br>&nbsp;&nbsp;&nbsp;&nbsp;from other schools when you take lessons.<br>**[01:16] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[01:18] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but your dad<br>&nbsp;&nbsp;&nbsp;&nbsp;lives in Tokyo, right?<br>**[01:20] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're winning at life.<br>**[01:22] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can sleep over all you want, too.<br>**[01:24] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mom's too strict for that.<br>**[01:27] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I hardly ever see my dad.<br>**[01:31] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's all go to Tokyo together sometime.<br>**[01:33] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds nice.<br>**[01:34] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can go look for real maple syrup,<br>&nbsp;&nbsp;&nbsp;&nbsp;get fancy ice cream,<br>**[01:38] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;and eat pancakes at a cafe.<br>**[01:40] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds nice.<br>**[01:40] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[01:44] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go once Rena-san sets<br>&nbsp;&nbsp;&nbsp;&nbsp;a new personal record.<br>**[01:47] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so disciplined, Yuki.<br>**[01:49] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be a reward.<br>**[01:51] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I learn to jump like you?<br>**[01:55] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easy. Boing!<br>**[01:58] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a frog?<br>**[02:01] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, quit it! I nearly<br>&nbsp;&nbsp;&nbsp;&nbsp;stepped on one earlier!<br>**[02:06] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Just wait. I'll contact you.<br>**[02:10] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry about today. Bye!<br>**[02:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I know you're busy.<br>**[02:15] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[02:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that your boyfriend?<br>**[02:16] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, a customer.<br>**[02:18] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a big spender, but he<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't know when to shut up.<br>**[02:21] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to entertain me, but still.<br>**[02:24] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always feel like it would've been better<br>&nbsp;&nbsp;&nbsp;&nbsp;if he'd kept his mouth shut, y'know?<br>**[02:27] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just now, he said he'd blow up<br>&nbsp;&nbsp;&nbsp;&nbsp;my phone if I didn't respond.<br>**[02:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you haven't changed, Kanon.<br>**[02:31] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's my job,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's a pain in the butt.<br>**[02:34] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what'd you want to discuss?<br>**[02:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember Mitsuya Yuki from<br>&nbsp;&nbsp;&nbsp;&nbsp;our high school track team?<br>**[02:40] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. Mitsuya Yuki. Is that right?<br>**[02:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:46] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, *that* Yuki!<br>**[02:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I can't believe you forgot.<br>**[02:50] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't forget!<br>**[02:52] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just been busy with my own<br>&nbsp;&nbsp;&nbsp;&nbsp; stuff since coming to Tokyo.<br>**[02:56] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time to worry about people<br>&nbsp;&nbsp;&nbsp;&nbsp;who aren't a threat to my existence.<br>**[03:00] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;On Sale December 25th 2021<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Supernatural Love Phenomenon"<br>
&nbsp;&nbsp;&nbsp;&nbsp;Release Event
<br>**[03:02] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Step right up.<br>**[03:02] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, thanks!<br>**[03:04] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we go.<br>**[03:05] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I get pose number two?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss<br>
&nbsp;&nbsp;&nbsp;&nbsp; Random Can Badges<br>
&nbsp;&nbsp;&nbsp;&nbsp;500 Yen/Play (Max. 10)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss<br>
&nbsp;&nbsp;&nbsp;&nbsp;Supernatural Love Phenomenon CD
<br>**[03:06] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one? Sure.<br>**[03:07] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[03:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we go. Say cheese.<br>**[03:10] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[03:11] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[03:13] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next person.<br>**[03:14] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buy a CD now and receive a Polaroid voucher!<br>**[03:18] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still have time!<br>**[03:22] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're never going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be popular, Ichimura-san.<br>**[03:25] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as we're wearing masks,<br>&nbsp;&nbsp;&nbsp;&nbsp;we won't get fans like Nikaido-san.<br>**[03:29] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't get fans<br>&nbsp;&nbsp;&nbsp;&nbsp;even if I removed mine.<br>**[03:32] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You desperately need more<br>&nbsp;&nbsp;&nbsp;&nbsp;self-esteem, Ichimura-san.<br>**[03:35] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to perform unmasked,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is where I ended up.<br>**[03:39] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, it'd be crazy <br>
&nbsp;&nbsp;&nbsp;&nbsp;if I *had* any self-esteem.<br>**[03:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. I've never experienced<br>&nbsp;&nbsp;&nbsp;&nbsp;anything like this.<br>**[03:45] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that different<br>&nbsp;&nbsp;&nbsp;&nbsp;from the nightlife business.<br>**[03:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we go talk to them?<br>**[03:54] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I help you?<br>**[03:55] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, we're huge fans of Mystery Kiss.<br>**[03:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right.<br>**[04:01] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:02] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes.<br>**[04:02] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad. We don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have many female fans.<br>**[04:06] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say people who make it<br>&nbsp;&nbsp;&nbsp;&nbsp;are loved by men and women alike.<br>**[04:08] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Mitsuya-san?<br>**[04:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[04:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're my favorite, Mitsuya-san.<br>**[04:17] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[04:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I love you.<br>**[04:20] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Thanks!<br>**[04:22] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you like about me?<br>**[04:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your dancing, of course, but you've<br>&nbsp;&nbsp;&nbsp;&nbsp;got this brilliant aura about you.<br>**[04:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's ever told me that before.<br>**[04:35] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can sense all that when<br>&nbsp;&nbsp;&nbsp;&nbsp;you're wearing a mask? Crazy.<br>**[04:38] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[04:39] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't you think I'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;more popular than those two?<br>**[04:42] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:42] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery.<br>**[04:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery.<br>**[04:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Mitsuya-san.<br>**[04:46] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[04:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't remember me?<br>**[04:51] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Have we met?<br>**[04:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but today's event<br>&nbsp;&nbsp;&nbsp;&nbsp;is ending soon.<br>**[04:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[04:58] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Rena. I hope<br>&nbsp;&nbsp;&nbsp;&nbsp;we meet again someday. Bye!<br>**[05:02] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be waiting.<br>**[05:05] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:06] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:11] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even girls like them can become idols, huh?<br>**[05:13] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't seem like they're<br>&nbsp;&nbsp;&nbsp;&nbsp;very popular, though.<br>**[05:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently they get a fair bit of attention.<br>**[05:19] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what was up with that Mitsuya Yuki?<br>&nbsp;&nbsp;&nbsp;&nbsp;Was she an impostor?<br>**[05:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or a stranger with the same name.<br>**[05:24] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the same age and name?<br>**[05:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:28] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. I think it's just a stage name.<br>**[05:33] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'd tell more people about it<br>&nbsp;&nbsp;&nbsp;&nbsp;if she became an idol.<br>**[05:37] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, she never seemed like<br>&nbsp;&nbsp;&nbsp;&nbsp;the type to go into the business.<br>**[05:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Kanon. I appreciate it.<br>**[05:47] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. The only thing more important to me<br>&nbsp;&nbsp;&nbsp;&nbsp;than work is a request from you, Rena.<br>**[05:52] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should just work at my place.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd make good money.<br>**[05:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[05:58] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Thanks for waiting.<br>**[06:00] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[06:00] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[06:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you tell me?<br>**[06:05] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I knew this would happen.<br>**[06:09] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never imagined she was<br>&nbsp;&nbsp;&nbsp;&nbsp;your junior from high school.<br>**[06:14] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, all the more reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to stay out of this.<br>**[06:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you let me work an important<br>&nbsp;&nbsp;&nbsp;&nbsp; case after all the work I've done?<br>**[06:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, you two. Cut it out.<br>**[06:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not doing this job to look<br>&nbsp;&nbsp;&nbsp;&nbsp;after that hopeless newbie.<br>**[06:36] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[06:37] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you.<br>**[06:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you kept up your<br>&nbsp;&nbsp;&nbsp;&nbsp; investigation of Odokawa?<br>**[06:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried questioning his neighbors, but<br>&nbsp;&nbsp;&nbsp;&nbsp;no one would talk to me. I got nothing.<br>**[06:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, most of these homes<br>&nbsp;&nbsp;&nbsp;&nbsp;are empty. Nobody lives there.<br>**[06:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're right.<br>**[06:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides that, he hasn't done anything<br>&nbsp;&nbsp;&nbsp;&nbsp;unusual. He's back to his ordinary life.<br>**[07:03] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He mostly operates along set routes.<br>**[07:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[07:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He follows these trend-chasing<br>&nbsp;&nbsp;&nbsp;&nbsp;routes through downtown areas<br>**[07:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in front of TV stations.<br>**[07:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Rena-san, how was your junior?<br>**[07:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was someone else.<br>**[07:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. If the missing person were<br>&nbsp;&nbsp;&nbsp;&nbsp;a famous idol, it'd be a bigger story.<br>**[07:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you were so pissy with<br>&nbsp;&nbsp;&nbsp;&nbsp; the boss. You scared me.<br>**[07:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get confused<br>&nbsp;&nbsp;&nbsp;&nbsp;because she's wearing a mask?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki
<br>**[07:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, masked idols sure is a novel concept.<br>**[07:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she's cute.<br>**[07:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This center girl's cute.<br>**[07:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. Nikaido Rui, huh?<br>**[08:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shit. I get why those nerds<br>&nbsp;&nbsp;&nbsp;&nbsp;obsess over them. She's really cute.<br>**[08:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget, someone's gone missing.<br>**[08:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait.<br>**[08:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're cute, too, Rena-san.<br>**[08:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not right. That was rude of me.<br>**[08:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I put it?<br>**[08:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in no way inferior to them.<br>**[08:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:33] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? No, wait. Personally,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're exactly my...<br>**[08:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[08:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;To gather information.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're coming with me.<br>**[08:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am?<br>**[08:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, on Odokawa.<br>**[08:48] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right! Odokawa. Right.<br>**[08:50] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[08:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be back!<br>**[08:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, could you stop sexually harassing me?<br>**[08:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[08:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! Not the jewels!<br>**[08:59] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I remember him.<br>**[09:02] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used to note down passengers'<br>&nbsp;&nbsp;&nbsp;&nbsp;traits. I saw his notes once.<br>**[09:08] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was some kind of shareholder meeting,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we had to handle a ton of passengers.<br>**[09:13] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;His report that day just said<br>&nbsp;&nbsp;&nbsp;&nbsp;monkey, monkey, monkey.<br>**[09:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Monkey?<br>**[09:17] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might've been a gibbon in there, too.<br>**[09:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gibbon?<br>**[09:19] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know humans and monkeys are similar,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it gave me the creeps.<br>**[09:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is creepy. Maybe he was<br>&nbsp;&nbsp;&nbsp;&nbsp; under a lot of stress?<br>**[09:27] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like he's always been odd.<br>**[09:29] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't recognize people's faces<br>&nbsp;&nbsp;&nbsp;&nbsp;or something. He's crazy.<br>**[09:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he did his job properly?<br>**[09:34] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess. Rumor is he's done<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of gray work.<br>**[09:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of work?<br>**[09:41] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, gray work. Don't tell anyone I told you.<br>**[09:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her?<br>**[09:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. May we speak with you?<br>**[09:56] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not selling. Shoo, shoo!<br>**[10:01] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what's going on these days.<br>**[10:03] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weird people have been hanging around.<br>**[10:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Around where?<br>**[10:08] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, in that building. The blue one.<br>**[10:11] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harada Building 3, I think.<br>**[10:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[10:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait.<br>**[10:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[10:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a few questions.<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we have a moment of your time?<br>**[10:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're researching neighborhood<br>&nbsp;&nbsp;&nbsp;&nbsp;connections at the college.<br>**[10:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're asking people for their stories<br>&nbsp;&nbsp;&nbsp;&nbsp;and about the local history.<br>**[10:49] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that guy Dobu beat up.<br>**[10:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu? You saw that?<br>**[10:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why didn't you help me?<br>**[10:57] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should stay away from them.<br>**[10:59] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what'd you want to know?<br>**[11:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We heard there's a strange<br>&nbsp;&nbsp;&nbsp;&nbsp;taxi driver who lives in the area.<br>**[11:06] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, him? Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;the other day...<br>**[11:12] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want the rest,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll cost you at least a hundred yen.<br>**[11:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? You're so greedy.<br>**[11:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[11:22] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;The day you were beat up,<br>**[11:24] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw a girl getting out of that taxi<br>&nbsp;&nbsp;&nbsp;&nbsp;driver's car in the middle of the night.<br>**[11:28] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was real pretty. She was<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding her face, but I could tell.<br>**[11:33] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got good eyes.<br>**[11:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. I got a picture of her.<br>**[11:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why didn't you say so?<br>**[11:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I definitely did! You just weren't listening.<br>**[11:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I'm not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a taxi, though.<br>**[11:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was this her?<br>**[11:58] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, the girl...<br>**[12:06] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;She never came out of that building.<br>**[12:10] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was there anything else unusual?<br>**[12:13] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, nobody goes in or out<br>&nbsp;&nbsp;&nbsp;&nbsp;of that building at night.<br>**[12:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the data?<br>**[12:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Dobu. The pictures are<br>&nbsp;&nbsp;&nbsp;&nbsp;on the computer that Dobu guy took.<br>**[12:22] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, sometimes there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a huge car parked out front.<br>**[12:27] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely not an honest citizen's car.<br>**[12:35] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:37] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you.<br>**[12:39] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is one of those things<br>&nbsp;&nbsp;&nbsp;&nbsp;that are popular now, right?<br>**[12:42] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of paperweight or yokan.<br>**[12:44] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's gold in these, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they sell for a lot?<br>**[12:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, where did you find that?<br>**[12:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, where did you find that?<br>**[12:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're with Ibusuki.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like you to restore some data.<br>**[12:59] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Leave it in that drawer.*<br>**[13:01] Sekido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Depending on the contents,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it could cost you.*<br>**[13:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko-san, you've got a keen nose.<br>**[13:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This taxi driver might be holding<br>&nbsp;&nbsp;&nbsp;&nbsp;a high school girl captive.<br>**[13:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko-san, what do you think?<br>**[13:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would Odokawa-san do something like that?<br>**[13:18] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what I had in mind<br>&nbsp;&nbsp;&nbsp;&nbsp;when I asked you to investigate him.<br>**[13:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither did we when we took the job.<br>**[13:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't found conclusive evidence yet.<br>**[13:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's been in touch with a police officer.<br>**[13:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible Odokawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is caught up in the case somehow.<br>**[13:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything else you know?<br>**[13:41] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he doesn't wash clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;that don't directly touch his skin.<br>**[13:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we know Odokawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is an eccentric man.<br>**[13:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll put together a report on that,<br>&nbsp;&nbsp;&nbsp;&nbsp;so give us some more time.<br>**[13:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Taeko-san, I've been wondering.<br>**[14:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san's taxi may have been<br>&nbsp;&nbsp;&nbsp;&nbsp;parked outside a certain building<br>**[14:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;the day the girl went missing.<br>**[14:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harada Building 3.<br>**[14:09] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[14:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that ring any bells?<br>**[14:14] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been about 15 years.<br>**[14:18] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few major businesses tried to redevelop<br>&nbsp;&nbsp;&nbsp;&nbsp;the neighborhood. The fighting was intense.<br>**[14:24] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The land sharks came to my place, too.<br>**[14:34] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of their subsidiary fronts moved in.<br>**[14:37] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They ended up taking<br>&nbsp;&nbsp;&nbsp;&nbsp;over the whole building.<br>**[14:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is Harada Building 3.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Harada Building 3
<br>**[14:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cram school, an English school,<br>&nbsp;&nbsp;&nbsp;&nbsp;a dance school, a yoga studio,<br>**[14:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even a capoeira school. What a mess.<br>**[14:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this place have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with Odokawa?<br>**[14:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;takes a taxi to cram school?<br>**[14:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[15:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's Gray Dog?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gray Dog, Inc.
<br>**[15:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a talent agency.<br>**[15:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;A talent agency?<br>**[15:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want? I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't work for you.<br>**[15:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun, let's go for a drive.<br>**[15:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing. You'll pay<br>&nbsp;&nbsp;&nbsp;&nbsp;your fare, won't you?<br>**[15:33] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to see you again, Dobu-san.<br>**[15:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano. I see you've still got<br>&nbsp;&nbsp;&nbsp;&nbsp;a crowd of groupies.<br>**[15:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to get in?<br>**[15:44] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike someone I know,<br>&nbsp;&nbsp;&nbsp;&nbsp;my popularity has grown.<br>**[15:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing that's grown to make up for<br>&nbsp;&nbsp;&nbsp;&nbsp;your lack of substance is your shamelessness.<br>**[15:54] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you two! Cut it out.<br>**[15:59] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what happened with Odokawa?<br>**[16:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I paid him a visit, but I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;not satisfied with the results.<br>**[16:09] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;No leads?<br>**[16:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even reached out to<br>&nbsp;&nbsp;&nbsp;&nbsp;the police, but nothing yet.<br>**[16:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, isn't the bigger problem<br>&nbsp;&nbsp;&nbsp;&nbsp;that Yano might be involved?<br>**[16:24] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long has it been?<br>**[16:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;About 20 minutes.<br>**[16:35] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you got out of prison.<br>**[16:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tenth anniversary of my uncle's death<br>&nbsp;&nbsp;&nbsp;&nbsp;was the other day, so five or six years.<br>**[16:43] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think it's time you got<br>&nbsp;&nbsp;&nbsp;&nbsp;used to the way the world is now?<br>**[16:51] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't use this anymore.<br>**[16:54] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We use this now.<br>**[16:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not changing my ways.<br>**[16:59] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too old.<br>**[17:03] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be a lone wolf forever.<br>**[17:07] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;My underlings are at your disposal, you know.<br>**[17:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about me, boss. How's your health?<br>**[17:17] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing better.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's thanks to the sauna.<br>**[17:23] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared of change, which is why I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking of leaving things up to you boys.<br>**[17:34] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an announcement to make.<br>**[17:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Taichi Kabasawa, will capture<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu by the end of the year!<br>**[17:40] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For those of you who don't know who Dobu is,<br>**[17:42] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if he's a thug or yakuza member,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the police are after him.<br>**[17:48] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a matter of fact, I know people<br>&nbsp;&nbsp;&nbsp;&nbsp;who were beaten half to death by Dobu.<br>**[17:53] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put off finding a job <br>
&nbsp;&nbsp;&nbsp;&nbsp;and my schoolwork to catch him!*<br>**[17:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What will I do once I catch him?*<br>**[17:56] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He'll apologize. I'll make him apologize.*<br>**[17:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize?<br>**[17:59] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll upload a video of him <br>
&nbsp;&nbsp;&nbsp;&nbsp;on his knees. I'll rehabilitate him.*<br>**[18:01] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice.<br>**[18:01] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the law can't punish him, then I will!*<br>**[18:04] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:05] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No,* we *will. Including you, <br>
&nbsp;&nbsp;&nbsp;&nbsp;person watching this video.*<br>**[18:07] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Together, we'll catch Dobu!*<br>**[18:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did this boring crap go viral?<br>**[18:09] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm Meisei University <br>
&nbsp;&nbsp;&nbsp;&nbsp;student Taichi Kabasawa!*<br>**[18:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Don't you think it's amazing?<br>**[18:11] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he'd catch Dobu.<br>**[18:12] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't run. I won't hide. <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll stand in the line of fire.*<br>**[18:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably never paid<br>&nbsp;&nbsp;&nbsp;&nbsp;for his mistakes before.<br>**[18:14] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I'm accepting any <br>
&nbsp;&nbsp;&nbsp;&nbsp;and all information. Help me.*<br>**[18:16] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[18:17] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crimes must be punished. <br>
&nbsp;&nbsp;&nbsp;&nbsp;Together we shall defeat evil!*<br>**[18:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this Dobu-san really that famous?<br>**[18:18] Client**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[18:20] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Justice will win!*<br>**[18:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently he's committed<br>&nbsp;&nbsp;&nbsp;&nbsp;every evil act under the sun.<br>**[18:26] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[18:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no idea someone so dangerous<br>&nbsp;&nbsp;&nbsp;&nbsp;picked a fight with me.<br>**[18:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should you be bragging about that?<br>**[18:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was a big shot like him doing<br>&nbsp;&nbsp;&nbsp;&nbsp;wandering around there, anyway?<br>**[18:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Dobu?<br>**[18:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And send me the link<br>&nbsp;&nbsp;&nbsp;&nbsp;to Kabasawa's video.<br>**[18:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make an appointment.<br>**[18:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? An appointment?<br>**[18:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't meet with someone like him.<br>**[18:46] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. I heard you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;have been visiting Sekido.<br>**[18:52] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never approved that.<br>**[18:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[18:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you so.<br>**[18:58] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding the high school girl is my job.<br>**[19:01] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your job is running a background<br>&nbsp;&nbsp;&nbsp;&nbsp;check on that taxi driver.<br>**[19:05] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Private eyes don't find fault<br>&nbsp;&nbsp;&nbsp;&nbsp;with or judge people.<br>**[19:10] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need for us<br>&nbsp;&nbsp;&nbsp;&nbsp;to put ourselves in danger.<br>**[19:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger? What do you mean, danger?<br>**[19:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to Mitsuya-san—<br>&nbsp;&nbsp;&nbsp;&nbsp;to Yuki after that?<br>**[19:23] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They canceled the investigation.<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, they heard from her.<br>**[19:28] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want you to leave this<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki business alone. Got it?<br>**[19:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! That totally opened my cut.<br>**[19:39] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that thing your favorite?<br>**[19:41] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:42] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always touching it.<br>**[19:44] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I? I never noticed.<br>**[19:47] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cute.<br>**[19:49] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[19:50] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the first time<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone's called it cute.<br>**[19:53] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put something ugly on it<br>&nbsp;&nbsp;&nbsp;&nbsp;so no one would steal it.<br>**[19:57] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But maybe I've grown attached to it.<br>**[19:59] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then could I have that keychain<br>&nbsp;&nbsp;&nbsp;&nbsp;when you graduate?<br>**[20:07] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you've already got everything, Yuki.<br>**[20:14] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else was I supposed to do?<br>**[20:16] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why'd you end the investigation?<br>**[20:19] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he said he heard from her.<br>**[20:23] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't trust anything that manager says.<br>**[20:26] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;She would've told us<br>&nbsp;&nbsp;&nbsp;&nbsp;if she wanted to move out.<br>**[20:30] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she heard about your past.<br>**[20:36] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really think so?<br>**[20:39] Donraku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At least once, every man should go home*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and earnestly face his wife and kids.*<br>**[20:45] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not like he brings home the bacon.*<br>**[20:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feet.<br>**[20:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[20:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait! You need to be careful with that.<br>**[21:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing? What is that?<br>**[21:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that creepy thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that emits uniquely evil vibes?<br>**[21:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you?<br>**[21:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who bought that weird<br>&nbsp;&nbsp;&nbsp;&nbsp;keychain from a homeless person.<br>**[21:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Are you saying that's not weird?<br>**[21:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my lucky treasure boat eraser.<br>**[21:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad bought it for me in grade school<br>&nbsp;&nbsp;&nbsp;&nbsp;when he went to China.<br>**[21:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds fishy to me.<br>**[21:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rare things started coming my way<br>&nbsp;&nbsp;&nbsp;&nbsp;since I acquired it.<br>**[21:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[21:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a La Sagrada Familia eraser<br>&nbsp;&nbsp;&nbsp;&nbsp;and a Leaning Tower of Pisa eraser.<br>**[21:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just erasers?<br>**[21:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, collecting erasers<br>&nbsp;&nbsp;&nbsp;&nbsp;was all the rage.<br>**[21:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were really competitive about it.<br>**[21:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked for an eraser rarer<br>&nbsp;&nbsp;&nbsp;&nbsp;than my friend's dodo eraser.<br>**[21:49] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was it?<br>**[21:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's only Donraku eraser.<br>**[21:53] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku?<br>**[21:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked to my dad<br>&nbsp;&nbsp;&nbsp;&nbsp;and bid on an online auction.<br>**[21:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went back and forth for a while,<br>&nbsp;&nbsp;&nbsp;&nbsp;until suddenly they bid 100,000 yen.<br>**[22:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I dropped out.<br>**[22:03] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kids are bidding 100,000 yen on erasers?<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the world coming to?<br>**[22:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously. I'm glad I didn't buy it.<br>**[22:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you got a 50-50 right for once.<br>**[22:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I always choose wrong.<br>**[22:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know that.<br>**[22:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way to know at the time<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're making the right choice or not.<br>**[22:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;True. In that case, every wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;choice I've made until now<br>**[22:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;could turn into successes by the time I die.<br>**[22:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Optimistic, aren't you?<br>**[22:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was Donraku that much of a celebrity?<br>**[22:36] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was handsome when he was younger.<br>&nbsp;&nbsp;&nbsp;&nbsp;Had a wild side, though.<br>**[22:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too young to know, huh?<br>**[22:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[22:41] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I watched his show every week.<br>**[22:43] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same.<br>**[22:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I laughed so hard it made my stomach hurt.<br>**[22:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;These days it's like a talk show<br>&nbsp;&nbsp;&nbsp;&nbsp;with a prominent rakugo storyteller.<br>**[22:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mom got really mad at me.<br>**[22:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said, "Why's my ugly idiot<br>&nbsp;&nbsp;&nbsp;&nbsp;son watching this low-brow crap?"<br>**[22:57] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugly idiot? You're kidding, right?<br>**[22:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Donraku-san.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:01] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turns out he was just an ordinary old man.<br>**[23:03] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love is...<br>**[23:04] Odakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen to you?<br>**[23:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We all have high hopes for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa-sama.<br>**[23:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, driver?<br>**[23:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've seen her before.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>**[23:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I say no?<br>**[23:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you.<br>