# RoOT - Route of OddTaxi -

The hardened veteran detective Rena and bright-eyed rookie Sato take on a menial investigation. The job goes well until a thug named Dobu steals their evidence. Disheartened, they take a job looking into the life of a taxi driver named Odokawa in hopes of redeeming themselves. They wind up in the middle of a missing girl case, with gangsters, aspiring students, and surprises around every corner.

# Season 1

# E1 - This Is the Ibusuki Detective Agency

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G31UX4NVX/this-is-the-ibusuki-detective-agency)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:33] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[00:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Seriously?<br>**[00:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sato.<br>**[00:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[00:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san.<br>**[00:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing hanging around here?<br>**[00:48] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won two bonus drinks<br>&nbsp;&nbsp;&nbsp;&nbsp;in a row for four total.<br>**[00:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you buying so many when we<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be able to use the bathroom?<br>**[00:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I couldn't drink this many regardless.<br>**[00:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, there's no bathroom?<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a convenience store?<br>**[00:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. It's just bars and love hotels.<br>**[01:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. What are you doing?<br>**[01:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hot!<br>**[01:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's hot.<br>**[01:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'm surprised a big-time banker<br>&nbsp;&nbsp;&nbsp;&nbsp;would visit an out-of-the-way place like this.<br>**[01:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This whole area's got a shady history.<br>**[01:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few people even turned up dead<br>&nbsp;&nbsp;&nbsp;&nbsp;since the trouble with land sharks.<br>**[01:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to his wife, he frequently<br>&nbsp;&nbsp;&nbsp;&nbsp;meets a woman around here<br>**[01:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;because he works at the branch nearby.<br>**[01:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to film evidence<br>&nbsp;&nbsp;&nbsp;&nbsp;of them entering the love hotel,<br>**[01:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;spending the night, and coming<br>&nbsp;&nbsp;&nbsp;&nbsp;out together in the morning.<br>**[01:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't it possible that<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll arrive separately?<br>**[01:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. We'll need to keep the camera<br>&nbsp;&nbsp;&nbsp;&nbsp;recording for at least an hour for insurance.<br>**[01:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why?<br>**[01:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If their stay is short, they might<br>&nbsp;&nbsp;&nbsp;&nbsp;not have gotten intimate.<br>**[01:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not gonna happen.<br>**[01:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we have two<br>&nbsp;&nbsp;&nbsp;&nbsp;options in situations like these.<br>**[01:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can keep filming from the car,<br>&nbsp;&nbsp;&nbsp;&nbsp;or we can wait for them in the lounge.<br>**[02:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you can.<br>**[02:05] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never been in one of<br>&nbsp;&nbsp;&nbsp;&nbsp;those establishments before.<br>**[02:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's not my problem.<br>**[02:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look this way.<br>**[02:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out.<br>**[02:16] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[02:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing in particular.<br>**[02:22] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be doing "nothing."<br>**[02:24] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;A couple like you must be up to something.<br>**[02:27] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a deal or something?<br>**[02:30] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not hiding syringes<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything like that, are you?<br>**[02:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd this come from?<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll leave, okay?<br>**[02:37] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait. You in the back.<br>**[02:38] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that? Is that a camera?<br>**[02:41] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not secretly<br>&nbsp;&nbsp;&nbsp;&nbsp;photographing people, are you?<br>**[02:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we're just capturing memories.<br>**[02:47] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then show me what you've got on there.<br>**[02:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, uh… we're bound by confidentiality.<br>**[02:52] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't show me,<br>&nbsp;&nbsp;&nbsp;&nbsp;that means you're guilty!<br>**[02:54] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, out of the car.<br>**[02:56] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[02:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[03:00] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me.<br>**[03:01] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't.<br>**[03:02] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're just capturing memories,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no problem.<br>**[03:03] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't show you.<br>**[03:04] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me, dammit.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just show me the damn pictures.<br>**[03:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san, help me.<br>**[03:06] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me.<br>**[03:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really can't.<br>**[03:08] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?<br>**[03:09] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you filming an authoritarian cop<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can post the video online, huh?<br>**[03:13] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[03:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, man. It's your first day.<br>**[03:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you even trying? Depending<br>&nbsp;&nbsp;&nbsp;&nbsp;on how your training period goes…<br>**[03:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I was practicing taking pictures...<br>**[03:35] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing around here is stray cats.<br>**[03:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I managed to get<br>&nbsp;&nbsp;&nbsp;&nbsp;a proper private eye kind of photo.<br>**[03:41] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;A young woman entering a sketchy multi-use<br>&nbsp;&nbsp;&nbsp;&nbsp;building wearing a hat and sunglasses.<br>**[03:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gotta be a celebrity.<br>**[03:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the purview of paparazzi,<br>&nbsp;&nbsp;&nbsp;&nbsp;not private eyes.<br>**[03:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're definitely asleep.<br>**[03:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though it's a weekday,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're staying overnight.<br>**[03:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We missed our best shot because of you.<br>**[04:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better at least get<br>&nbsp;&nbsp;&nbsp;&nbsp;a picture of them leaving.<br>**[04:04] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think I'd be questioned<br>&nbsp;&nbsp;&nbsp;&nbsp;by the police on my first day.<br>**[04:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we call it quits for today?<br>**[04:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you interview with our agency?<br>**[04:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's cool.<br>**[04:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I grew up watching anime.<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Detective What's-His-Name.<br>**[04:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all?<br>**[04:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I thought it'd make me<br>&nbsp;&nbsp;&nbsp;&nbsp;popular with the ladies, too.<br>**[04:24] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I didn't think<br>&nbsp;&nbsp;&nbsp;&nbsp;this job would be so drab.<br>**[04:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought detectives did cool stuff.<br>**[04:33] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't detectives—<br>**[04:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what?<br>**[04:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, hurry, hurry.<br>**[04:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back up, backup, back up.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, hurry, hurry.<br>**[04:40] Banker**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know it's not like that.<br>**[04:43] Affair Partner**<br>&nbsp;&nbsp;&nbsp;&nbsp;When can I see you next?<br>**[04:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap. They're leaving.<br>**[04:45] Banker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next?<br>**[04:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going after them!<br>**[04:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[05:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it. We got them.<br>**[05:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell if you're lucky or not.<br>**[05:10] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[05:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. We got the evidence.<br>**[05:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll write up a report<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as I get home.<br>**[05:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. You can't take that out of the office,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you'll have to write it there.<br>**[05:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is huge for my first day.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't sit still!<br>**[05:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a toast. Would you like<br>&nbsp;&nbsp;&nbsp;&nbsp;coffee or soda? I'll go buy some.<br>**[05:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are those my options?<br>**[05:40] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, this is Ibusuki. Please respond.<br>**[05:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry, boss. Were you asleep?*<br>**[05:46] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. It's you, Rena.<br>**[05:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We just finished.*<br>**[05:50] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get the pictures?<br>**[05:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, just now.*<br>**[05:55] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's he doing?<br>**[05:58] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sato, was it?<br>**[06:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His instincts are miserable, <br>
&nbsp;&nbsp;&nbsp;&nbsp;but he seems lucky.*<br>**[06:04] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's a relief.<br>**[06:19] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? Lucky me.<br>**[06:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[06:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry. I keep<br>&nbsp;&nbsp;&nbsp;&nbsp;winning free drinks today.<br>**[06:33] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't recognize you.<br>**[06:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a pretty nice camera<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got there.<br>**[06:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes.<br>**[06:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you a reporter for?<br>**[06:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I don't work for a magazine.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a private eye.<br>**[06:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what are you investigating?<br>**[06:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a duty to confidentiality.<br>**[06:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I won't tell anyone.<br>**[06:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I doubt it has<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to do with you.<br>**[06:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was asked to investigate a banker's affair.<br>**[07:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? That's great!<br>**[07:05] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, stop! There isn't anything on here.<br>**[07:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[07:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, why should I give you<br>&nbsp;&nbsp;&nbsp;&nbsp;my camera, anyway?<br>**[07:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the banker hire you?<br>**[07:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have a legitimate<br>&nbsp;&nbsp;&nbsp;&nbsp;reason, let's hear it—<br>**[07:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was never doing this<br>&nbsp;&nbsp;&nbsp;&nbsp;for a legitimate reason.<br>**[07:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pictures are on this.<br>**[07:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? They're on this thing?<br>**[07:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our generation is physical, you know?<br>**[07:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My agency just provided me<br>&nbsp;&nbsp;&nbsp;&nbsp;with that. Hey, wait.<br>**[07:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't made any copies<br>&nbsp;&nbsp;&nbsp;&nbsp;or sent these anywhere, have you?<br>**[07:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I had.<br>**[08:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what'll happen<br>&nbsp;&nbsp;&nbsp;&nbsp;if I find out you have later, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamabiko
<br>**[08:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow. It's definitely not broken.<br>**[08:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's broken.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;amabiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;mabiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;biko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ko
<br>**[08:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not broken.<br>**[08:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.<br>**[08:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.<br>**[08:29] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[08:33] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get you a beer—no, an oolong tea?<br>**[08:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, please.<br>**[08:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. There weren't any other<br>&nbsp;&nbsp;&nbsp;&nbsp;shops around, so we had to come here.<br>**[08:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry about this.<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't have a shred of tact.<br>**[08:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We appreciate you opening your shop for us.<br>**[08:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. You can't drink.<br>**[08:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you can.<br>**[08:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know my age, anyway?<br>**[09:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're 19, right? The boss told me.<br>**[09:04] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even kids as young as you<br>&nbsp;&nbsp;&nbsp;&nbsp;work as private eyes, huh?<br>**[09:08] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so exciting, isn't it?<br>&nbsp;&nbsp;&nbsp;&nbsp;To be suddenly attacked by a thug.<br>**[09:13] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love that sort of thing.<br>**[09:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a rookie who just started today.<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call him a private eye yet.<br>**[09:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't give personal information<br>&nbsp;&nbsp;&nbsp;&nbsp;out to people you just met.<br>**[09:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not an amateur.<br>**[09:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think you were hired?<br>**[09:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably my interview.<br>**[09:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty confident about what I said.<br>**[09:33] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:35] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a written test, right?<br>**[09:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, the 50 two-choice questions?<br>**[09:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got all of them wrong.<br>**[09:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were hired because the boss said<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd never seen anything like it.<br>**[09:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some self-awareness.<br>**[09:54] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Mr. Unreliable Detective,<br>**[09:57] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;have you ever been hired<br>&nbsp;&nbsp;&nbsp;&nbsp;to investigate anything really crazy?<br>**[10:00] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a murder, or something<br>&nbsp;&nbsp;&nbsp;&nbsp;else you'd see in a movie.<br>**[10:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a duty of confidentiality.<br>**[10:05] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shucks. I thought I'd get<br>&nbsp;&nbsp;&nbsp;&nbsp;to hear some juicy gossip.<br>**[10:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have any stories like that?<br>**[10:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are *you* asking, too?<br>**[10:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[10:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, is there anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you're curious about?<br>**[10:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like someone or something<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd like to have investigated.<br>**[10:22] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call me Taeko.<br>**[10:25] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if I should say this, but a few<br>&nbsp;&nbsp;&nbsp;&nbsp;of my regulars are curious people.<br>**[10:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your regulars?<br>**[10:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean this place is surprisingly popular?<br>**[10:36] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't, I would've<br>&nbsp;&nbsp;&nbsp;&nbsp;closed shop a long time ago.<br>**[10:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[10:40] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the shops around here have been closing.<br>&nbsp;&nbsp;&nbsp;&nbsp;The neighborhood keeps shrinking.<br>**[10:45] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But some people just keep coming.<br>**[10:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, which regular are you most curious about?<br>**[10:52] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure how to describe him.<br>**[10:57] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to know what he spends his<br>&nbsp;&nbsp;&nbsp;&nbsp; time doing. How does he see the world?<br>**[11:03] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's just such an odd person.<br>**[11:05] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's a regular, why not ask him yourself?<br>**[11:07] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the thing. I wish I could, but I can't.<br>**[11:11] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just between us, I feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a hidden side to him.<br>**[11:16] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never wants to talk about his past.<br>**[11:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like we said, we're private eyes.<br>**[11:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you tell us more about him,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll investigate whatever you want.<br>**[11:35] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san. His given name is Hiroshi.<br>**[11:41] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Born year of the tiger, so I think he's 41.<br>**[11:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa Hiroshi.<br>&nbsp;&nbsp;&nbsp;&nbsp;Year of the tiger, 41 years old.<br>**[11:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to repeat it.<br>**[11:48] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[11:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Odokawa Hiroshi  41, Single  Taxi Driver
<br>**[11:57] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot!<br>**[12:05] Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just forget it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ibusuki Detective Agency
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Confidential   Free Consultations
<br>**[12:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd just look at these…<br>**[12:07] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait—<br>**[12:10] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call us if anything else comes up!<br>**[12:15] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry. I screwed up.<br>**[12:27] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you weren't ready to lead.<br>**[12:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. It's my fault.<br>**[12:33] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll make up for it<br>&nbsp;&nbsp;&nbsp;&nbsp;on the next job.<br>**[12:36] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that background check into<br>&nbsp;&nbsp;&nbsp;&nbsp;what's-his-name sounds perfect for training.<br>**[12:43] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'll call it even.<br>**[12:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[13:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here he comes.<br>**[13:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;At a glance, he seems like your typical<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly creepy but ordinary middle-aged guy.<br>**[13:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're contradicting yourself, but yeah.<br>**[14:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He lives a totally boring, ordinary life.<br>**[14:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. But the client<br>&nbsp;&nbsp;&nbsp;&nbsp;might still find it remarkable.<br>**[14:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're back.<br>**[14:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work out there.<br>**[14:32] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back.<br>**[14:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job's going smoothly.<br>**[14:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you still mad, boss?<br>**[14:42] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. A new job came in.<br>**[14:45] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather, an acquaintance's daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't been home in two days.<br>**[14:48] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't get in touch with her, either.<br>**[14:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A runaway?<br>**[14:51] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she'd be back home soon.<br>**[14:55] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just a high school student.<br>**[14:57] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something might've happened to her.<br>**[14:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Then we should start<br>&nbsp;&nbsp;&nbsp;&nbsp;looking for her right away,<br>**[15:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of wasting time on<br>&nbsp;&nbsp;&nbsp;&nbsp;this taxi driver's biography.<br>**[15:05] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do your own job.<br>**[15:12] Talent B**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. I'm still single.<br>**[15:14] Talent A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a girlfriend.<br>**[15:15] Talent B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shut up.<br>**[15:16] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're looking for one.<br>**[15:17] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, how's your relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;with your daughter?<br>**[15:23] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened out there today?<br>**[15:25] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't your usual straightforward self.<br>**[15:28] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;The producer said they'd never<br>&nbsp;&nbsp;&nbsp;&nbsp;seen you so quiet before.<br>**[15:32] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they'd come to check on—<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, say hello later.<br>**[15:38] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? How about something sweet?<br>**[15:40] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. What were those idols called?<br>**[15:42] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those young girls brought you a gift.<br>**[15:47] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with you?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in a terrible mood.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[15:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does he have a chronic illness?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[16:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go check it out.<br>**[16:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really an investigation?<br>**[16:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you alone?<br>**[16:12] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simple.<br>**[16:14] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got nothing to hide,<br>&nbsp;&nbsp;&nbsp;&nbsp; open your door.<br>**[16:34] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;This dash cam allows you to film<br>&nbsp;&nbsp;&nbsp;&nbsp;the inside of your vehicle, doesn't it?<br>**[16:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[16:39] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you store your recordings?<br>**[16:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About two weeks.<br>**[16:44] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll be on here, then.<br>**[16:47] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:48] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;That missing high school<br>&nbsp;&nbsp;&nbsp;&nbsp;girl got in your car.<br>**[16:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My car?<br>**[16:54] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking your data. This is a seizure.<br>**[16:59] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything comes up,<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect your cooperation again.<br>**[17:01] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go to the police, though.<br>**[17:07] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, ma'am.<br>**[17:10] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[17:11] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[17:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko-san was right. He doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;seem like an ordinary taxi driver.<br>**[17:21] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[17:22] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back.<br>**[17:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back.<br>**[17:24] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any developments in the missing<br>&nbsp;&nbsp;&nbsp;&nbsp;high school girl case?<br>**[17:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all over the news.<br>**[17:29] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, because her life's in danger.<br>**[17:31] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The media started<br>&nbsp;&nbsp;&nbsp;&nbsp;receiving information today.<br>**[17:35] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just after 1 AM two days ago on the 4th,<br>**[17:38] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;after doing some shopping at a<br>&nbsp;&nbsp;&nbsp;&nbsp;convenience store, she got in a taxi.<br>**[17:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have they identified the taxi?<br>**[17:45] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently the clerk remembered the number.<br>**[17:48] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? After seeing it only once and briefly?<br>**[17:50] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It happened to be their birthday, 1022.<br>**[17:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:56] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[18:08] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A high school girl has gone missing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in Nerima City, Tokyo.*<br>**[18:13] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She has been unreachable*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since she left her home late at night*<br>**[18:16] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*two days ago on the 4th of this month.*<br>**[18:18] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The next morning, her family…*<br>**[18:21] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We, the Homosapiens, just received*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the results of Round 1 of the N-1.*<br>**[18:25] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And would you believe it? We passed!*<br>**[18:27] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course we did.*<br>**[18:28] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even amateurs could make it past Round 1.*<br>**[18:30] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where do you think the finish line is?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Equator Sauna
<br>**[18:31] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But last year, we failed in Round 2.*<br>**[18:34] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After ten years in the business...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Equator Sauna
<br>**[18:51] Voice**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who is it?*<br>**[18:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We work for Ibusuki.<br>**[19:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[19:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[19:08] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look young. Have a seat.<br>**[19:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.<br>**[19:17] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[19:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need a remote monitoring<br>&nbsp;&nbsp;&nbsp;&nbsp;dash cam and GPS installed.<br>**[19:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Hold on. That's totally illegal.<br>**[19:29] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where?<br>**[19:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;His car. This is the dash cam.<br>**[19:40] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a common model.<br>**[19:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll install it, won't you?<br>**[19:43] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you pay for it.<br>**[19:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be paid tomorrow.<br>**[19:47] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;No can do. Equator operates 24 hours<br>&nbsp;&nbsp;&nbsp;&nbsp;a day, but that's just the sauna.<br>**[19:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long will it take?<br>**[19:54] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm busy. Give me three days.<br>**[19:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make it one.<br>**[20:00] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;1.5 days, or pay a rush late night surcharge.<br>**[20:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much?<br>**[20:05] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;550,000. And I'll need your help, too.<br>**[20:13] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty old car.<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't need all these tools.<br>**[20:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long will it take?<br>**[20:31] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;About seven or eight minutes.<br>**[20:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven or eight minutes?<br>**[20:35] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hungry?<br>**[20:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[20:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, all good.<br>**[21:04] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should do it.<br>**[21:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I'll go buy you something.<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay put and be good.<br>**[21:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap, crap, crap.<br>**[21:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa's coming, Odokawa's<br>&nbsp;&nbsp;&nbsp;&nbsp;coming, Odokawa's coming!<br>**[21:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap, crap, crap!<br>**[21:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, hurry, hurry!<br>**[21:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was he really talking to someone?<br>**[21:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He even ominously told them<br>&nbsp;&nbsp;&nbsp;&nbsp;to “stay put and be good.”<br>**[21:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I could imagine him kidnapping<br>&nbsp;&nbsp;&nbsp;&nbsp;and holding someone as cute as her<br>**[21:48] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;if she happened to get in his taxi.<br>**[21:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may be involved, but kidnapping<br>&nbsp;&nbsp;&nbsp;&nbsp; and false imprisonment?<br>**[21:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you're right. I guess not.<br>**[22:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you call her cute?<br>**[22:04] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I say that?<br>**[22:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, didn't you just say that?<br>**[22:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you definitely did.<br>**[22:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[22:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her photo hasn't appeared on the news yet.<br>**[22:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you say that?<br>**[22:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say that.<br>**[22:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you did.<br>**[22:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Really?<br>**[22:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[22:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I caught a glimpse of the boss' documents.<br>**[22:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it.<br>**[22:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were out in the open on his desk.<br>**[22:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[22:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[22:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd they go?<br>**[22:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go through his stuff.<br>**[22:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.<br>**[22:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't.<br>**[22:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait.<br>**[22:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this Buddha.<br>**[22:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tada! A Buddha.<br>**[22:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute.<br>**[22:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya?<br>**[22:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Yuki.<br>**[22:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:00] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have we met?<br>**[23:02] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you end the investigation?<br>**[23:04] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumor is he's done a lot of gray work.<br>**[23:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably never paid<br>&nbsp;&nbsp;&nbsp;&nbsp;for his mistakes before.<br>**[23:08] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should stay away from them.<br>**[23:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're cute, too, Rena-san.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>**[23:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[23:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I won't work for you.<br>

# E2 - Fancy Merch

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUKV988/fancy-merch)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:21] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. I nearly stepped on a frog.<br>**[00:24] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frogs are cute.<br>**[00:25] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like their hands.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're like maple leaves.<br>**[00:28] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are good.<br>**[00:30] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new fall flavor is pretty all right.<br>**[00:34] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai, did you know?<br>**[00:35] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The syrup we eat is supposedly fake.<br>**[00:38] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[00:40] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't that stuff come<br>&nbsp;&nbsp;&nbsp;&nbsp;from trees? Maples, right?<br>**[00:43] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Apparently most of the stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;they sell at the supermarket is fake.<br>**[00:47] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[00:49] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of sad that you can't be fooled<br>&nbsp;&nbsp;&nbsp;&nbsp;because you've had the real thing.<br>**[00:56] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Yuki's family is rich.<br>&nbsp;&nbsp;&nbsp;&nbsp;They've had the real stuff.<br>**[00:59] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you guys eat caviar<br>&nbsp;&nbsp;&nbsp;&nbsp;and steak all the time.<br>**[01:02] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't.<br>**[01:03] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take tons of classes, too, right?<br>**[01:05] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like dance and voice training.<br>**[01:08] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds rough. Plus, you<br>&nbsp;&nbsp;&nbsp;&nbsp;run track on top of that.<br>**[01:12] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky. I bet you get to meet boys<br>&nbsp;&nbsp;&nbsp;&nbsp;from other schools when you take lessons.<br>**[01:16] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[01:18] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but your dad<br>&nbsp;&nbsp;&nbsp;&nbsp;lives in Tokyo, right?<br>**[01:20] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're winning at life.<br>**[01:22] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can sleep over all you want, too.<br>**[01:24] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mom's too strict for that.<br>**[01:27] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I hardly ever see my dad.<br>**[01:31] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's all go to Tokyo together sometime.<br>**[01:33] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds nice.<br>**[01:34] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can go look for real maple syrup,<br>&nbsp;&nbsp;&nbsp;&nbsp;get fancy ice cream,<br>**[01:38] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;and eat pancakes at a cafe.<br>**[01:40] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds nice.<br>**[01:40] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[01:44] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go once Rena-san sets<br>&nbsp;&nbsp;&nbsp;&nbsp;a new personal record.<br>**[01:47] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so disciplined, Yuki.<br>**[01:49] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be a reward.<br>**[01:51] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I learn to jump like you?<br>**[01:55] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easy. Boing!<br>**[01:58] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a frog?<br>**[02:01] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, quit it! I nearly<br>&nbsp;&nbsp;&nbsp;&nbsp;stepped on one earlier!<br>**[02:06] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Just wait. I'll contact you.<br>**[02:10] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry about today. Bye!<br>**[02:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I know you're busy.<br>**[02:15] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[02:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that your boyfriend?<br>**[02:16] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, a customer.<br>**[02:18] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a big spender, but he<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't know when to shut up.<br>**[02:21] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to entertain me, but still.<br>**[02:24] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always feel like it would've been better<br>&nbsp;&nbsp;&nbsp;&nbsp;if he'd kept his mouth shut, y'know?<br>**[02:27] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just now, he said he'd blow up<br>&nbsp;&nbsp;&nbsp;&nbsp;my phone if I didn't respond.<br>**[02:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you haven't changed, Kanon.<br>**[02:31] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's my job,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's a pain in the butt.<br>**[02:34] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what'd you want to discuss?<br>**[02:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember Mitsuya Yuki from<br>&nbsp;&nbsp;&nbsp;&nbsp;our high school track team?<br>**[02:40] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. Mitsuya Yuki. Is that right?<br>**[02:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:46] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, *that* Yuki!<br>**[02:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I can't believe you forgot.<br>**[02:50] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't forget!<br>**[02:52] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just been busy with my own<br>&nbsp;&nbsp;&nbsp;&nbsp; stuff since coming to Tokyo.<br>**[02:56] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time to worry about people<br>&nbsp;&nbsp;&nbsp;&nbsp;who aren't a threat to my existence.<br>**[03:00] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;On Sale December 25th 2021<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Supernatural Love Phenomenon"<br>
&nbsp;&nbsp;&nbsp;&nbsp;Release Event
<br>**[03:02] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Step right up.<br>**[03:02] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, thanks!<br>**[03:04] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we go.<br>**[03:05] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I get pose number two?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss<br>
&nbsp;&nbsp;&nbsp;&nbsp; Random Can Badges<br>
&nbsp;&nbsp;&nbsp;&nbsp;500 Yen/Play (Max. 10)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss<br>
&nbsp;&nbsp;&nbsp;&nbsp;Supernatural Love Phenomenon CD
<br>**[03:06] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one? Sure.<br>**[03:07] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[03:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we go. Say cheese.<br>**[03:10] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[03:11] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[03:13] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next person.<br>**[03:14] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buy a CD now and receive a Polaroid voucher!<br>**[03:18] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still have time!<br>**[03:22] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're never going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be popular, Ichimura-san.<br>**[03:25] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as we're wearing masks,<br>&nbsp;&nbsp;&nbsp;&nbsp;we won't get fans like Nikaido-san.<br>**[03:29] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't get fans<br>&nbsp;&nbsp;&nbsp;&nbsp;even if I removed mine.<br>**[03:32] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You desperately need more<br>&nbsp;&nbsp;&nbsp;&nbsp;self-esteem, Ichimura-san.<br>**[03:35] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to perform unmasked,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is where I ended up.<br>**[03:39] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, it'd be crazy <br>
&nbsp;&nbsp;&nbsp;&nbsp;if I *had* any self-esteem.<br>**[03:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. I've never experienced<br>&nbsp;&nbsp;&nbsp;&nbsp;anything like this.<br>**[03:45] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that different<br>&nbsp;&nbsp;&nbsp;&nbsp;from the nightlife business.<br>**[03:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we go talk to them?<br>**[03:54] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I help you?<br>**[03:55] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, we're huge fans of Mystery Kiss.<br>**[03:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right.<br>**[04:01] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:02] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes.<br>**[04:02] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad. We don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have many female fans.<br>**[04:06] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say people who make it<br>&nbsp;&nbsp;&nbsp;&nbsp;are loved by men and women alike.<br>**[04:08] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Mitsuya-san?<br>**[04:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[04:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're my favorite, Mitsuya-san.<br>**[04:17] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[04:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I love you.<br>**[04:20] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Thanks!<br>**[04:22] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you like about me?<br>**[04:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your dancing, of course, but you've<br>&nbsp;&nbsp;&nbsp;&nbsp;got this brilliant aura about you.<br>**[04:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's ever told me that before.<br>**[04:35] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can sense all that when<br>&nbsp;&nbsp;&nbsp;&nbsp;you're wearing a mask? Crazy.<br>**[04:38] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[04:39] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't you think I'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;more popular than those two?<br>**[04:42] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:42] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery.<br>**[04:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery.<br>**[04:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Mitsuya-san.<br>**[04:46] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[04:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't remember me?<br>**[04:51] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Have we met?<br>**[04:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but today's event<br>&nbsp;&nbsp;&nbsp;&nbsp;is ending soon.<br>**[04:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[04:58] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Rena. I hope<br>&nbsp;&nbsp;&nbsp;&nbsp;we meet again someday. Bye!<br>**[05:02] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be waiting.<br>**[05:05] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:06] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:11] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even girls like them can become idols, huh?<br>**[05:13] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't seem like they're<br>&nbsp;&nbsp;&nbsp;&nbsp;very popular, though.<br>**[05:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently they get a fair bit of attention.<br>**[05:19] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what was up with that Mitsuya Yuki?<br>&nbsp;&nbsp;&nbsp;&nbsp;Was she an impostor?<br>**[05:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or a stranger with the same name.<br>**[05:24] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the same age and name?<br>**[05:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:28] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. I think it's just a stage name.<br>**[05:33] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'd tell more people about it<br>&nbsp;&nbsp;&nbsp;&nbsp;if she became an idol.<br>**[05:37] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, she never seemed like<br>&nbsp;&nbsp;&nbsp;&nbsp;the type to go into the business.<br>**[05:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Kanon. I appreciate it.<br>**[05:47] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. The only thing more important to me<br>&nbsp;&nbsp;&nbsp;&nbsp;than work is a request from you, Rena.<br>**[05:52] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should just work at my place.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd make good money.<br>**[05:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[05:58] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Thanks for waiting.<br>**[06:00] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[06:00] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[06:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you tell me?<br>**[06:05] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I knew this would happen.<br>**[06:09] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never imagined she was<br>&nbsp;&nbsp;&nbsp;&nbsp;your junior from high school.<br>**[06:14] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, all the more reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to stay out of this.<br>**[06:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you let me work an important<br>&nbsp;&nbsp;&nbsp;&nbsp; case after all the work I've done?<br>**[06:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, you two. Cut it out.<br>**[06:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not doing this job to look<br>&nbsp;&nbsp;&nbsp;&nbsp;after that hopeless newbie.<br>**[06:36] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[06:37] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you.<br>**[06:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you kept up your<br>&nbsp;&nbsp;&nbsp;&nbsp; investigation of Odokawa?<br>**[06:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried questioning his neighbors, but<br>&nbsp;&nbsp;&nbsp;&nbsp;no one would talk to me. I got nothing.<br>**[06:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, most of these homes<br>&nbsp;&nbsp;&nbsp;&nbsp;are empty. Nobody lives there.<br>**[06:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're right.<br>**[06:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides that, he hasn't done anything<br>&nbsp;&nbsp;&nbsp;&nbsp;unusual. He's back to his ordinary life.<br>**[07:03] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He mostly operates along set routes.<br>**[07:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[07:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He follows these trend-chasing<br>&nbsp;&nbsp;&nbsp;&nbsp;routes through downtown areas<br>**[07:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in front of TV stations.<br>**[07:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Rena-san, how was your junior?<br>**[07:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was someone else.<br>**[07:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. If the missing person were<br>&nbsp;&nbsp;&nbsp;&nbsp;a famous idol, it'd be a bigger story.<br>**[07:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you were so pissy with<br>&nbsp;&nbsp;&nbsp;&nbsp; the boss. You scared me.<br>**[07:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get confused<br>&nbsp;&nbsp;&nbsp;&nbsp;because she's wearing a mask?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki
<br>**[07:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, masked idols sure is a novel concept.<br>**[07:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she's cute.<br>**[07:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This center girl's cute.<br>**[07:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. Nikaido Rui, huh?<br>**[08:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shit. I get why those nerds<br>&nbsp;&nbsp;&nbsp;&nbsp;obsess over them. She's really cute.<br>**[08:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget, someone's gone missing.<br>**[08:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait.<br>**[08:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're cute, too, Rena-san.<br>**[08:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not right. That was rude of me.<br>**[08:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I put it?<br>**[08:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in no way inferior to them.<br>**[08:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:33] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? No, wait. Personally,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're exactly my...<br>**[08:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[08:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;To gather information.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're coming with me.<br>**[08:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am?<br>**[08:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, on Odokawa.<br>**[08:48] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right! Odokawa. Right.<br>**[08:50] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[08:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be back!<br>**[08:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, could you stop sexually harassing me?<br>**[08:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[08:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! Not the jewels!<br>**[08:59] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I remember him.<br>**[09:02] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used to note down passengers'<br>&nbsp;&nbsp;&nbsp;&nbsp;traits. I saw his notes once.<br>**[09:08] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was some kind of shareholder meeting,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we had to handle a ton of passengers.<br>**[09:13] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;His report that day just said<br>&nbsp;&nbsp;&nbsp;&nbsp;monkey, monkey, monkey.<br>**[09:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Monkey?<br>**[09:17] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might've been a gibbon in there, too.<br>**[09:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gibbon?<br>**[09:19] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know humans and monkeys are similar,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it gave me the creeps.<br>**[09:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is creepy. Maybe he was<br>&nbsp;&nbsp;&nbsp;&nbsp; under a lot of stress?<br>**[09:27] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like he's always been odd.<br>**[09:29] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't recognize people's faces<br>&nbsp;&nbsp;&nbsp;&nbsp;or something. He's crazy.<br>**[09:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he did his job properly?<br>**[09:34] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess. Rumor is he's done<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of gray work.<br>**[09:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of work?<br>**[09:41] Driver A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, gray work. Don't tell anyone I told you.<br>**[09:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her?<br>**[09:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. May we speak with you?<br>**[09:56] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not selling. Shoo, shoo!<br>**[10:01] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what's going on these days.<br>**[10:03] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weird people have been hanging around.<br>**[10:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Around where?<br>**[10:08] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, in that building. The blue one.<br>**[10:11] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harada Building 3, I think.<br>**[10:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[10:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait.<br>**[10:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[10:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a few questions.<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we have a moment of your time?<br>**[10:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're researching neighborhood<br>&nbsp;&nbsp;&nbsp;&nbsp;connections at the college.<br>**[10:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're asking people for their stories<br>&nbsp;&nbsp;&nbsp;&nbsp;and about the local history.<br>**[10:49] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that guy Dobu beat up.<br>**[10:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu? You saw that?<br>**[10:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why didn't you help me?<br>**[10:57] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should stay away from them.<br>**[10:59] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what'd you want to know?<br>**[11:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We heard there's a strange<br>&nbsp;&nbsp;&nbsp;&nbsp;taxi driver who lives in the area.<br>**[11:06] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, him? Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;the other day...<br>**[11:12] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want the rest,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll cost you at least a hundred yen.<br>**[11:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? You're so greedy.<br>**[11:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[11:22] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;The day you were beat up,<br>**[11:24] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw a girl getting out of that taxi<br>&nbsp;&nbsp;&nbsp;&nbsp;driver's car in the middle of the night.<br>**[11:28] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was real pretty. She was<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding her face, but I could tell.<br>**[11:33] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got good eyes.<br>**[11:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. I got a picture of her.<br>**[11:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why didn't you say so?<br>**[11:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I definitely did! You just weren't listening.<br>**[11:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I'm not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a taxi, though.<br>**[11:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was this her?<br>**[11:58] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, the girl...<br>**[12:06] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;She never came out of that building.<br>**[12:10] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was there anything else unusual?<br>**[12:13] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, nobody goes in or out<br>&nbsp;&nbsp;&nbsp;&nbsp;of that building at night.<br>**[12:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the data?<br>**[12:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Dobu. The pictures are<br>&nbsp;&nbsp;&nbsp;&nbsp;on the computer that Dobu guy took.<br>**[12:22] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, sometimes there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a huge car parked out front.<br>**[12:27] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely not an honest citizen's car.<br>**[12:35] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:37] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you.<br>**[12:39] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is one of those things<br>&nbsp;&nbsp;&nbsp;&nbsp;that are popular now, right?<br>**[12:42] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of paperweight or yokan.<br>**[12:44] Homeless**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's gold in these, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they sell for a lot?<br>**[12:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, where did you find that?<br>**[12:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, where did you find that?<br>**[12:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're with Ibusuki.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like you to restore some data.<br>**[12:59] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Leave it in that drawer.*<br>**[13:01] Sekido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Depending on the contents,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it could cost you.*<br>**[13:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko-san, you've got a keen nose.<br>**[13:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This taxi driver might be holding<br>&nbsp;&nbsp;&nbsp;&nbsp;a high school girl captive.<br>**[13:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko-san, what do you think?<br>**[13:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would Odokawa-san do something like that?<br>**[13:18] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what I had in mind<br>&nbsp;&nbsp;&nbsp;&nbsp;when I asked you to investigate him.<br>**[13:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither did we when we took the job.<br>**[13:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't found conclusive evidence yet.<br>**[13:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's been in touch with a police officer.<br>**[13:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible Odokawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is caught up in the case somehow.<br>**[13:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything else you know?<br>**[13:41] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he doesn't wash clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;that don't directly touch his skin.<br>**[13:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we know Odokawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is an eccentric man.<br>**[13:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll put together a report on that,<br>&nbsp;&nbsp;&nbsp;&nbsp;so give us some more time.<br>**[13:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Taeko-san, I've been wondering.<br>**[14:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san's taxi may have been<br>&nbsp;&nbsp;&nbsp;&nbsp;parked outside a certain building<br>**[14:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;the day the girl went missing.<br>**[14:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harada Building 3.<br>**[14:09] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[14:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that ring any bells?<br>**[14:14] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been about 15 years.<br>**[14:18] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few major businesses tried to redevelop<br>&nbsp;&nbsp;&nbsp;&nbsp;the neighborhood. The fighting was intense.<br>**[14:24] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The land sharks came to my place, too.<br>**[14:34] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of their subsidiary fronts moved in.<br>**[14:37] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They ended up taking<br>&nbsp;&nbsp;&nbsp;&nbsp;over the whole building.<br>**[14:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is Harada Building 3.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Harada Building 3
<br>**[14:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cram school, an English school,<br>&nbsp;&nbsp;&nbsp;&nbsp;a dance school, a yoga studio,<br>**[14:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even a capoeira school. What a mess.<br>**[14:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this place have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with Odokawa?<br>**[14:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;takes a taxi to cram school?<br>**[14:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[15:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's Gray Dog?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gray Dog, Inc.
<br>**[15:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a talent agency.<br>**[15:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;A talent agency?<br>**[15:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want? I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't work for you.<br>**[15:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun, let's go for a drive.<br>**[15:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing. You'll pay<br>&nbsp;&nbsp;&nbsp;&nbsp;your fare, won't you?<br>**[15:33] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to see you again, Dobu-san.<br>**[15:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano. I see you've still got<br>&nbsp;&nbsp;&nbsp;&nbsp;a crowd of groupies.<br>**[15:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to get in?<br>**[15:44] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike someone I know,<br>&nbsp;&nbsp;&nbsp;&nbsp;my popularity has grown.<br>**[15:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing that's grown to make up for<br>&nbsp;&nbsp;&nbsp;&nbsp;your lack of substance is your shamelessness.<br>**[15:54] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you two! Cut it out.<br>**[15:59] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what happened with Odokawa?<br>**[16:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I paid him a visit, but I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;not satisfied with the results.<br>**[16:09] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;No leads?<br>**[16:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even reached out to<br>&nbsp;&nbsp;&nbsp;&nbsp;the police, but nothing yet.<br>**[16:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, isn't the bigger problem<br>&nbsp;&nbsp;&nbsp;&nbsp;that Yano might be involved?<br>**[16:24] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long has it been?<br>**[16:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;About 20 minutes.<br>**[16:35] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you got out of prison.<br>**[16:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tenth anniversary of my uncle's death<br>&nbsp;&nbsp;&nbsp;&nbsp;was the other day, so five or six years.<br>**[16:43] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think it's time you got<br>&nbsp;&nbsp;&nbsp;&nbsp;used to the way the world is now?<br>**[16:51] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't use this anymore.<br>**[16:54] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We use this now.<br>**[16:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not changing my ways.<br>**[16:59] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too old.<br>**[17:03] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be a lone wolf forever.<br>**[17:07] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;My underlings are at your disposal, you know.<br>**[17:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about me, boss. How's your health?<br>**[17:17] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing better.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's thanks to the sauna.<br>**[17:23] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared of change, which is why I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking of leaving things up to you boys.<br>**[17:34] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an announcement to make.<br>**[17:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Taichi Kabasawa, will capture<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu by the end of the year!<br>**[17:40] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For those of you who don't know who Dobu is,<br>**[17:42] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if he's a thug or yakuza member,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the police are after him.<br>**[17:48] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a matter of fact, I know people<br>&nbsp;&nbsp;&nbsp;&nbsp;who were beaten half to death by Dobu.<br>**[17:53] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put off finding a job <br>
&nbsp;&nbsp;&nbsp;&nbsp;and my schoolwork to catch him!*<br>**[17:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What will I do once I catch him?*<br>**[17:56] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He'll apologize. I'll make him apologize.*<br>**[17:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize?<br>**[17:59] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll upload a video of him <br>
&nbsp;&nbsp;&nbsp;&nbsp;on his knees. I'll rehabilitate him.*<br>**[18:01] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice.<br>**[18:01] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the law can't punish him, then I will!*<br>**[18:04] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:05] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No,* we *will. Including you, <br>
&nbsp;&nbsp;&nbsp;&nbsp;person watching this video.*<br>**[18:07] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Together, we'll catch Dobu!*<br>**[18:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did this boring crap go viral?<br>**[18:09] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm Meisei University <br>
&nbsp;&nbsp;&nbsp;&nbsp;student Taichi Kabasawa!*<br>**[18:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Don't you think it's amazing?<br>**[18:11] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he'd catch Dobu.<br>**[18:12] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't run. I won't hide. <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll stand in the line of fire.*<br>**[18:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably never paid<br>&nbsp;&nbsp;&nbsp;&nbsp;for his mistakes before.<br>**[18:14] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I'm accepting any <br>
&nbsp;&nbsp;&nbsp;&nbsp;and all information. Help me.*<br>**[18:16] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[18:17] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crimes must be punished. <br>
&nbsp;&nbsp;&nbsp;&nbsp;Together we shall defeat evil!*<br>**[18:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this Dobu-san really that famous?<br>**[18:18] Client**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[18:20] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Justice will win!*<br>**[18:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently he's committed<br>&nbsp;&nbsp;&nbsp;&nbsp;every evil act under the sun.<br>**[18:26] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[18:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no idea someone so dangerous<br>&nbsp;&nbsp;&nbsp;&nbsp;picked a fight with me.<br>**[18:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should you be bragging about that?<br>**[18:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was a big shot like him doing<br>&nbsp;&nbsp;&nbsp;&nbsp;wandering around there, anyway?<br>**[18:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Dobu?<br>**[18:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And send me the link<br>&nbsp;&nbsp;&nbsp;&nbsp;to Kabasawa's video.<br>**[18:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make an appointment.<br>**[18:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? An appointment?<br>**[18:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't meet with someone like him.<br>**[18:46] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. I heard you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;have been visiting Sekido.<br>**[18:52] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never approved that.<br>**[18:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[18:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you so.<br>**[18:58] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding the high school girl is my job.<br>**[19:01] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your job is running a background<br>&nbsp;&nbsp;&nbsp;&nbsp;check on that taxi driver.<br>**[19:05] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Private eyes don't find fault<br>&nbsp;&nbsp;&nbsp;&nbsp;with or judge people.<br>**[19:10] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need for us<br>&nbsp;&nbsp;&nbsp;&nbsp;to put ourselves in danger.<br>**[19:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger? What do you mean, danger?<br>**[19:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to Mitsuya-san—<br>&nbsp;&nbsp;&nbsp;&nbsp;to Yuki after that?<br>**[19:23] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They canceled the investigation.<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, they heard from her.<br>**[19:28] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want you to leave this<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki business alone. Got it?<br>**[19:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! That totally opened my cut.<br>**[19:39] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that thing your favorite?<br>**[19:41] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:42] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always touching it.<br>**[19:44] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I? I never noticed.<br>**[19:47] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cute.<br>**[19:49] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[19:50] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the first time<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone's called it cute.<br>**[19:53] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put something ugly on it<br>&nbsp;&nbsp;&nbsp;&nbsp;so no one would steal it.<br>**[19:57] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But maybe I've grown attached to it.<br>**[19:59] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then could I have that keychain<br>&nbsp;&nbsp;&nbsp;&nbsp;when you graduate?<br>**[20:07] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you've already got everything, Yuki.<br>**[20:14] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else was I supposed to do?<br>**[20:16] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why'd you end the investigation?<br>**[20:19] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he said he heard from her.<br>**[20:23] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't trust anything that manager says.<br>**[20:26] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;She would've told us<br>&nbsp;&nbsp;&nbsp;&nbsp;if she wanted to move out.<br>**[20:30] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she heard about your past.<br>**[20:36] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really think so?<br>**[20:39] Donraku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At least once, every man should go home*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and earnestly face his wife and kids.*<br>**[20:45] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not like he brings home the bacon.*<br>**[20:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feet.<br>**[20:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[20:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait! You need to be careful with that.<br>**[21:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing? What is that?<br>**[21:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that creepy thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that emits uniquely evil vibes?<br>**[21:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you?<br>**[21:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who bought that weird<br>&nbsp;&nbsp;&nbsp;&nbsp;keychain from a homeless person.<br>**[21:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Are you saying that's not weird?<br>**[21:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my lucky treasure boat eraser.<br>**[21:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad bought it for me in grade school<br>&nbsp;&nbsp;&nbsp;&nbsp;when he went to China.<br>**[21:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds fishy to me.<br>**[21:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rare things started coming my way<br>&nbsp;&nbsp;&nbsp;&nbsp;since I acquired it.<br>**[21:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[21:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a La Sagrada Familia eraser<br>&nbsp;&nbsp;&nbsp;&nbsp;and a Leaning Tower of Pisa eraser.<br>**[21:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just erasers?<br>**[21:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, collecting erasers<br>&nbsp;&nbsp;&nbsp;&nbsp;was all the rage.<br>**[21:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were really competitive about it.<br>**[21:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked for an eraser rarer<br>&nbsp;&nbsp;&nbsp;&nbsp;than my friend's dodo eraser.<br>**[21:49] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was it?<br>**[21:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's only Donraku eraser.<br>**[21:53] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku?<br>**[21:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked to my dad<br>&nbsp;&nbsp;&nbsp;&nbsp;and bid on an online auction.<br>**[21:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went back and forth for a while,<br>&nbsp;&nbsp;&nbsp;&nbsp;until suddenly they bid 100,000 yen.<br>**[22:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I dropped out.<br>**[22:03] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kids are bidding 100,000 yen on erasers?<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the world coming to?<br>**[22:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously. I'm glad I didn't buy it.<br>**[22:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you got a 50-50 right for once.<br>**[22:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I always choose wrong.<br>**[22:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know that.<br>**[22:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way to know at the time<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're making the right choice or not.<br>**[22:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;True. In that case, every wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;choice I've made until now<br>**[22:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;could turn into successes by the time I die.<br>**[22:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Optimistic, aren't you?<br>**[22:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was Donraku that much of a celebrity?<br>**[22:36] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was handsome when he was younger.<br>&nbsp;&nbsp;&nbsp;&nbsp;Had a wild side, though.<br>**[22:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too young to know, huh?<br>**[22:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[22:41] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I watched his show every week.<br>**[22:43] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same.<br>**[22:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I laughed so hard it made my stomach hurt.<br>**[22:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;These days it's like a talk show<br>&nbsp;&nbsp;&nbsp;&nbsp;with a prominent rakugo storyteller.<br>**[22:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mom got really mad at me.<br>**[22:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said, "Why's my ugly idiot<br>&nbsp;&nbsp;&nbsp;&nbsp;son watching this low-brow crap?"<br>**[22:57] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugly idiot? You're kidding, right?<br>**[22:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Donraku-san.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:01] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turns out he was just an ordinary old man.<br>**[23:03] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love is...<br>**[23:04] Odakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen to you?<br>**[23:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We all have high hopes for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa-sama.<br>**[23:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, driver?<br>**[23:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've seen her before.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>**[23:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I say no?<br>**[23:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you.<br>

# E3 - Love Thy Neighbor

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU0G7N9/love-thy-neighbor)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digging Deeper
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Largest Ever Carry-Over of 1 Billion Yen
<br>**[00:02] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incredible!<br>**[00:04] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon we'll be announcing<br>&nbsp;&nbsp;&nbsp;&nbsp;the winning numbers.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digging Deeper
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Carry-Over Finally Hits
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1 Billion Yen!
<br>**[00:06] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all looking forward<br>&nbsp;&nbsp;&nbsp;&nbsp;to the end of the year.<br>**[00:09] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't feel real, does it?<br>**[00:11] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;But somebody is going to win all of this.<br>**[00:14] Talent A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I keep thinking, "What if I win?"<br>**[00:17] Talent A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to add a sauna to my bathroom.<br>**[00:21] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, sir?<br>**[00:22] Talent B**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're giving it to him, we should<br>&nbsp;&nbsp;&nbsp;&nbsp;offer that N-1 prize money instead.<br>**[00:28] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's everyone so desperate for money?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digging Deeper
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Largest Ever Carry-Over of 1 Billion Yen
<br>**[00:32] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really that important? How disgraceful.<br>**[00:34] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are more important things in life.<br>**[00:38] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you watching TV. Yeah, you.<br>**[00:41] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you're filming me, cameraman.<br>**[00:43] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You right there.<br>**[00:46] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, hug the people next to you. Love them.<br>**[00:52] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be wasting your time<br>&nbsp;&nbsp;&nbsp;&nbsp;watching dumb crap like this.<br>**[00:56] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you idiots to look<br>&nbsp;&nbsp;&nbsp;&nbsp;at the people right next to you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Digging Deeper
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Largest Ever Carry-Over of 1 Billion Yen
<br>**[01:00] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up, the weather. Sakurai-san, save us.<br>**[01:08] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get the car.<br>**[01:09] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[01:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Donraku-san.<br>**[01:17] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for looking out for Yuki.<br>**[01:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. I'm just worried<br>&nbsp;&nbsp;&nbsp;&nbsp;about where she is.<br>**[01:27] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm worried, too.<br>**[01:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually a private eye.<br>**[01:39] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hired my boss Ibusuki, didn't you?<br>**[01:47] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I asked an old acquaintance for help.<br>**[01:50] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't seem to get rid<br>&nbsp;&nbsp;&nbsp;&nbsp;of each other, y'know?<br>**[01:52] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it reached your agency through him.<br>**[01:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[01:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you receive any threatening<br>&nbsp;&nbsp;&nbsp;&nbsp;phone calls or ransom demands?<br>**[02:03] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already told the police this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but no, nothing like that.<br>**[02:07] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I thought that might be it, too.<br>**[02:11] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe someone found out<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's my daughter.<br>**[02:16] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a lot of enemies, you see.<br>**[02:18] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure there are people<br>&nbsp;&nbsp;&nbsp;&nbsp;who hate me all over.<br>**[02:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what about Yuki?<br>**[02:22] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently she ran away from home<br>&nbsp;&nbsp;&nbsp;&nbsp;and said not to look for her.<br>**[02:28] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then my wife canceled the search.<br>**[02:33] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not convinced, though.<br>**[02:36] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't believe it until I see her face.<br>**[02:40] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how kids are these days?<br>**[02:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think Yuki's that kind of girl.<br>**[02:48] Mc**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Another celebrity was caught cheating.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;What do you think, sir?*<br>**[02:54] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You know what I think? Who cares?*<br>**[02:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better not be slacking off again.<br>**[03:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[03:03] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another bill for you.<br>**[03:04] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[03:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure did everything I could<br>&nbsp;&nbsp;&nbsp;&nbsp;for my first job.<br>**[03:11] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me realize everyone's got a history.<br>&nbsp;&nbsp;&nbsp;&nbsp;A life. Even ordinary taxi drivers.<br>**[03:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do with this information?<br>**[03:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the illegal stuff?<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we retrieve it?<br>**[03:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa could be involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in a criminal case.<br>**[03:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't leave things the way they are.<br>**[03:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We already looked into that.<br>**[03:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was just a regular middle-aged guy.<br>**[03:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, he drives dozens<br>&nbsp;&nbsp;&nbsp;&nbsp;of passengers a day.<br>**[03:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that odd if one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;went missing.<br>**[03:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one passenger was<br>&nbsp;&nbsp;&nbsp;&nbsp;my junior in high school,<br>**[03:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she might've gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;mixed up in something.<br>**[03:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't know your high school junior.<br>**[03:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[03:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this agency, you're my junior.<br>**[03:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I shouldn't care about you, either.<br>**[03:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do the rest of this yourself.<br>**[04:00] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ibu, one of your young 'uns<br>&nbsp;&nbsp;&nbsp;&nbsp;went to see Don-chan.<br>**[04:08] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told her not to.<br>**[04:11] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't put her up to it?<br>**[04:15] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl's her junior from back home.<br>**[04:18] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she gets into something,<br>&nbsp;&nbsp;&nbsp;&nbsp;she acts indiscriminately.<br>**[04:25] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[04:31] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no good.<br>**[04:35] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please just leave her alone.<br>**[04:39] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything happens to her,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll be forced to act.<br>**[04:45] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why hasn't the girl been found yet, anyway?<br>**[04:50] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't make sense.<br>**[04:52] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;This shouldn't be that difficult.<br>**[04:55] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[04:58] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, actually...<br>**[05:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;After aggressively haggling over his fare,<br>**[05:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;that chatty passenger said he was<br>&nbsp;&nbsp;&nbsp;&nbsp;going to buy lottery tickets<br>**[05:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so he could buy up some idol group's CDs.<br>**[05:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made up a random number on the spot,<br>**[05:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he rushed right over to buy a ticket.<br>**[05:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was like, "Seriously? You still had money?"<br>**[05:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you listening?<br>**[05:43] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love is both a painful and beautiful thing.<br>**[05:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dude, don't. Did something happen to you?<br>**[06:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just a little girl.<br>**[06:02] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still only 18.<br>**[06:04] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;So far we've only exchanged messages,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we get along great.<br>**[06:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to meet up soon.<br>**[06:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's too busy to meet, right?<br>**[06:14] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you're trying to say.<br>**[06:15] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think she doesn't exist, don't you?<br>**[06:18] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's really real.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san!!  Good luck at work
<br>**[06:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you're not being tricked?<br>**[06:30] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[06:39] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you jealous?<br>**[06:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[06:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think about it. You said so yourself.<br>**[06:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no demand for us<br>&nbsp;&nbsp;&nbsp;&nbsp;in the marriage marketplace.<br>**[06:47] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, it's the feeling—<br>**[06:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've never even met her.<br>&nbsp;&nbsp;&nbsp;&nbsp;How can there be any feeling?<br>**[06:51] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look.<br>**[06:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see your profile.<br>**[06:54] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[06:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it.<br>**[06:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit it.<br>**[06:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it.<br>**[06:58] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my personal information.<br>**[06:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kakihana Eiji<br>
&nbsp;&nbsp;&nbsp;&nbsp;Occupation: IT Worker<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 20,000,000 yen<br>
&nbsp;&nbsp;&nbsp;&nbsp;Education: College
<br>**[07:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;These specs you lied about<br>&nbsp;&nbsp;&nbsp;&nbsp;way outshine any kind of feeling.<br>**[07:06] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[07:08] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, I wanna dream.<br>**[07:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ibusuki?<br>**[07:14] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy who used to help us out<br>&nbsp;&nbsp;&nbsp;&nbsp;runs a detective agency now.<br>**[07:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, some youngster<br>&nbsp;&nbsp;&nbsp;&nbsp;was sniffing around your territory.<br>**[07:26] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was he one of Ibusuki's guys?<br>**[07:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dunno, but I gave him a beating.<br>**[07:34] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, you've gotta<br>&nbsp;&nbsp;&nbsp;&nbsp;learn to use your head.<br>**[07:45] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is true, I'll have<br>&nbsp;&nbsp;&nbsp;&nbsp;to offer compensation.<br>**[07:52] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don-chan will be dragged into this, too.<br>**[07:56] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you say, Dobu?<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you clean up my mess again?<br>**[08:04] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you.<br>**[08:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to protect Yano?<br>**[08:12] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not protect him.<br>**[08:14] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you to let me settle this.<br>**[08:19] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing this for your sake, too.<br>**[08:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa-sama?<br>**[08:24] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Rena-chan?<br>**[08:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[08:28] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bought this car and condo, too.<br>**[08:33] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now that I have them,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kind of disappointed.<br>**[08:37] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I spent too much.<br>**[08:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. You're trying to make<br>&nbsp;&nbsp;&nbsp;&nbsp;the world a better place.<br>**[08:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You deserve this level of luxury.<br>**[08:47] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.<br>**[08:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I can't drink.<br>**[08:52] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're 19, right?<br>**[08:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Right, of course.<br>**[08:57] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supposed to be a model citizen.<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't be acting like this.<br>**[09:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the police are no help at all, we all<br>&nbsp;&nbsp;&nbsp;&nbsp;have high hopes for you, Kabasawa-sama.<br>**[09:05] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can count on me.<br>**[09:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm hoping<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll get my laptop back.<br>**[09:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got lots of important data saved on it.<br>**[09:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where does Dobu normally hang out?<br>**[09:54] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently you picked up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the missing high school girl from Nerima.*<br>**[09:57] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I handed over my dash cam data*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the police a while ago.*<br>**[10:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a request.*<br>**[10:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's that?*<br>**[10:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I need you to keep your mouth shut.*<br>**[10:06] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Daimon already told me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to keep my mouth shut.*<br>**[10:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not just the police. Don't tell anybody.*<br>**[10:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't tell anybody? Like who?*<br>**[10:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody.*<br>**[10:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tell 'em you lost your dash cam data.*<br>**[10:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, what do you want help with?*<br>**[10:23] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If anyone shows up looking*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for your dash cam data,*<br>**[10:27] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want you to let me know.*<br>**[10:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And if I refuse?*<br>**[10:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll kill you.*<br>**[10:43] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me handle the laptop.<br>**[10:47] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll get it back once I catch Dobu.<br>**[10:52] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, what do you want to do after this?<br>**[10:57] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna come to my place?<br>**[10:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You piece of shit.<br>**[10:58] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What was that?<br>**[10:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know...<br>**[11:02] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I want to be spoiled by<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who sees me as Kabasawa Taichi.<br>**[11:08] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone calls me a hero, but<br>&nbsp;&nbsp;&nbsp;&nbsp;men who fight need breaks, too.<br>**[11:16] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today let's forget about everything<br>&nbsp;&nbsp;&nbsp;&nbsp;and have fun, Rena-chan.<br>**[11:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, when do you think you'll take down Dobu?<br>**[11:22] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said let's forget about Dobu today.<br>**[11:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and become a real hero.<br>**[11:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know you're<br>&nbsp;&nbsp;&nbsp;&nbsp;getting more haters recently?<br>**[11:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kabasawa isn't a hero.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's just desperate for recognition."<br>**[11:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He's scared of Dobu. Just a one-hit wonder."<br>**[11:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He's sleeping with his female followers."<br>**[11:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, that last one might be true.<br>**[11:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was frustrated that I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;tell them they're wrong.<br>**[11:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after seeing how<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been acting recently...<br>**[11:50] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[11:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know anything about me.<br>**[11:57] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I stirred up a sensation<br>&nbsp;&nbsp;&nbsp;&nbsp;and put myself in harm's way.<br>**[12:04] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask to be deified, okay?<br>**[12:06] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know what the pressure is like.<br>**[12:10] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's terrifying.<br>**[12:12] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't project your fantasies onto me.<br>**[12:15] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got to dream, too, didn't you?<br>**[12:18] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you have to thank for that, huh?<br>**[12:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap.<br>**[12:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello, Rena-san?*<br>**[12:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?<br>**[12:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what happened to Taeko-san's<br>&nbsp;&nbsp;&nbsp;&nbsp;report? It's weirdly dry.<br>**[12:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What have you been doing with Kabasawa?*<br>**[12:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you slacking off again?<br>**[12:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dobu was in Odokawa's car.*<br>**[12:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why?<br>**[12:58] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but Dobu demanded Odokawa's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;cooperation and threatened to kill him.*<br>**[13:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait. The dash cam caught all of that?<br>**[13:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should call the police.<br>**[13:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are we going to tell the police?*<br>**[13:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're filming him without his knowledge.*<br>**[13:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. Did you use my computer<br>&nbsp;&nbsp;&nbsp;&nbsp;without my permission?<br>**[13:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But you left it open.*<br>**[13:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope Dobu hits you again.<br>**[13:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme a break, here!<br>**[13:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'm going to follow Dobu.<br>**[13:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?*<br>**[13:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to get my data back<br>&nbsp;&nbsp;&nbsp;&nbsp;and solve this mystery.<br>**[13:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;With my photos, we might be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;find your high school junior.<br>**[13:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be able to give the banker's<br>&nbsp;&nbsp;&nbsp;&nbsp;wife her evidence, too!<br>**[13:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[13:39] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll steal my laptop*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back while he's sleeping.*<br>**[13:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you stupid?*<br>**[13:42] Rena**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's no way you'll make it out*<br>*&nbsp;&nbsp;&nbsp;&nbsp;unscathed if you go alone.*<br>**[13:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me to handle it myself, though.<br>**[13:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's not what I meant!*<br>**[13:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of you, I'm eating<br>&nbsp;&nbsp;&nbsp;&nbsp;yakiniku by myself.<br>**[13:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why are you having yakiniku?*<br>**[13:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I'm in the middle of following him.<br>**[13:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't make any decisions by yourself.<br>**[14:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try to solve anything, either.<br>**[14:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Limit yourself to just watching him.<br>**[14:06] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Got it. But you know, I had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more than two choices this time.*<br>**[14:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I chose from out of at least ten. Bye!*<br>**[14:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten...? Hey, wait!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I've snuck into Dobu's hideout!
<br>**[15:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow!<br>**[15:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go!<br>**[15:11] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow!<br>**[15:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mercy! I'm sorry!<br>**[15:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, I'm sorry!<br>**[15:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:18] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, my boss is trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;construct a building here.<br>**[15:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know all his henchmen.<br>**[15:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, all the construction<br>&nbsp;&nbsp;&nbsp;&nbsp;workers are his guys, too.<br>**[15:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what that means, don't you?<br>**[15:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, there's joy in creating<br>&nbsp;&nbsp;&nbsp;&nbsp;something with your friends?<br>**[15:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow!<br>**[15:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[15:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to be direct with me. I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;good at reading between the lines.<br>**[15:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scream all you want.<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's coming to help you.<br>**[16:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got the solvents I need to<br>&nbsp;&nbsp;&nbsp;&nbsp; dissolve your corpse right here.<br>**[16:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I bury you, they'll never find anything.<br>**[16:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. I've only lived 24 years.<br>**[16:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think your life's just<br>&nbsp;&nbsp;&nbsp;&nbsp;getting started, huh?<br>**[16:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do. I finally got a job recently.<br>**[16:19] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's boring right now, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hoping things will pick up.<br>**[16:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So for now, I'm being patient<br>&nbsp;&nbsp;&nbsp;&nbsp;and working really hard.<br>**[16:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you follow me?<br>**[16:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence.<br>**[16:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who put you up to it?<br>**[16:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This happens to me all the time.<br>**[16:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I run into my teachers from school<br>&nbsp;&nbsp;&nbsp;&nbsp;when I go traveling.<br>**[16:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really. I'm serious.<br>**[16:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. I've got one question for you.<br>**[16:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[16:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a simple, two-choice question.<br>**[16:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two choices...<br>**[16:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you prefer your right finger<br>&nbsp;&nbsp;&nbsp;&nbsp;or your left finger?<br>**[17:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've got ten.<br>**[17:07] Phone**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't answer the phone right now—*<br>**[17:13] Phone**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't answer the phone right now.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Please call again later.*<br>**[17:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. A background check on Odokawa, huh?<br>**[17:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you should be following *him*.<br>**[17:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to see you while watching him<br>&nbsp;&nbsp;&nbsp;&nbsp;and wondered how you were doing.<br>**[17:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terribly, obviously.<br>**[17:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[17:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. What do you mean, you saw me?<br>**[17:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh...<br>**[17:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the camera. It's the camera<br>&nbsp;&nbsp;&nbsp;&nbsp;in Odokawa's car, isn't it?<br>**[17:48] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called a dash cam.<br>**[17:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't give a shit.<br>**[17:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how come you can see what's on that?<br>**[18:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow!<br>**[18:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't invoke your duty of<br>&nbsp;&nbsp;&nbsp;&nbsp; confidentiality when it suits you.<br>**[18:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you working with Odokawa, too?<br>**[18:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, working with him?!<br>**[18:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't *you* working with him?!<br>**[18:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, fine. Then you're<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna help me, too.<br>**[18:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[18:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything but that, please!<br>**[18:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's your girl, huh?<br>**[18:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well... I'm not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;what she thinks, but...<br>**[18:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Personally, I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;it's out of the question...<br>**[18:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not gonna go to the cops<br>&nbsp;&nbsp;&nbsp;&nbsp;if she doesn't hear from you,<br>**[18:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you don't have a GPS up your ass, right?<br>**[18:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, she doesn't care<br>&nbsp;&nbsp;&nbsp;&nbsp;about me at all. Sadly.<br>**[18:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, her name's in your<br>&nbsp;&nbsp;&nbsp;&nbsp;contacts without honorifics.<br>**[18:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to tell you everything<br>&nbsp;&nbsp;&nbsp;&nbsp;I know about Odokawa.<br>**[19:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already investigated that thoroughly.<br>**[19:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:05] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already know plenty.<br>**[19:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[19:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want help with?<br>**[19:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Driver?<br>**[19:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've seen her before.<br>**[19:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever. Let's get moving.<br>**[19:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;She keeps her face hidden.<br>**[19:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you recognize her face, you must've<br>&nbsp;&nbsp;&nbsp;&nbsp;come to her concert before she debuted.<br>**[19:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she a singer or something?<br>**[19:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not it, then.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never been to a concert.<br>**[19:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? Are you tired?<br>**[19:52] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Nikaido-san coming?<br>**[19:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later.<br>**[19:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she do something?<br>**[19:59] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't keep up with her ambition.<br>**[20:05] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can work at your own pace, Ichimura.<br>**[20:09] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's incredible. I bet she'd<br>&nbsp;&nbsp;&nbsp;&nbsp;kill someone just to get ahead.<br>**[20:14] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She probably already has, honestly.<br>**[20:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[20:23] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm not suited to this job.<br>**[20:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya's already inside.<br>**[20:32] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like her.<br>&nbsp;&nbsp;&nbsp;&nbsp;I liked things better before.<br>**[20:39] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you looking at?<br>**[20:41] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head towards the Kamimeguro<br>&nbsp;&nbsp;&nbsp;&nbsp;intersection next.<br>**[20:43] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a building nearby.<br>**[20:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamimeguro?<br>**[20:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking about how I once drove<br>&nbsp;&nbsp;&nbsp;&nbsp;a girl around that other girl's age there.<br>**[20:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? When?<br>**[20:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About two weeks ago, I think.<br>&nbsp;&nbsp;&nbsp;&nbsp;She must've been from your agency.<br>**[21:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you remember,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it must've been someone else.<br>**[21:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was a young girl taking a pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;long trip in the middle of the night.<br>**[21:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but she<br>&nbsp;&nbsp;&nbsp;&nbsp;called herself an idol.<br>**[21:12] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure it wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the girl we just dropped off?<br>**[21:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's a calico cat.<br>**[21:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[21:23] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure you dropped off<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl at this office?<br>**[21:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Driver.<br>**[21:33] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this car have a recording device?<br>**[21:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[21:38] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes you see them in the news.<br>**[21:41] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, in stories about robberies.<br>**[21:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've got one.<br>**[21:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any chance I could get your data?<br>**[21:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You finally picked up.<br>**[21:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd you wander off to?<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't answering your phone.<br>**[22:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry.*<br>**[22:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss is hiding something.<br>**[22:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was with some shady people yesterday.<br>**[22:05] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[22:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're awfully low-energy today.<br>**[22:11] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm at the hospital right now.*<br>**[22:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why? Did Dobu do something to you?<br>**[22:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, no. Actually, I lost him <br>
&nbsp;&nbsp;&nbsp;&nbsp;while I was tailing him.*<br>**[22:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why?<br>**[22:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I fell down the stairs and broke my pinkie.*<br>**[22:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liar.<br>**[22:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've found the taxi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya took that day.<br>**[22:35] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[22:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently the driver remembers her.<br>**[22:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[22:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Yuki now?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think Donraku-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is hiding something?<br>**[23:03] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're partners, Rena. Buddies!<br>**[23:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something definitely happened to you.<br>**[23:06] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You tell me the truth, got it?<br>**[23:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where they practice.<br>**[23:10] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, do you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;want to get married?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>

# E4 - All Kinds of Dads

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUN1J7Q/all-kinds-of-dads)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shofutei Donraku
<br>**[00:05] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have always been<br>&nbsp;&nbsp;&nbsp;&nbsp;shady rumors about him.<br>**[00:09] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're mostly true, too.<br>**[00:13] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first he only asked them for favors<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect his daughter and me,<br>**[00:18] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the more involved he got<br>&nbsp;&nbsp;&nbsp;&nbsp;with them, the weirder things got.<br>**[00:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weird how?<br>**[00:26] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he felt pressured<br>&nbsp;&nbsp;&nbsp;&nbsp;to do it for his art,<br>**[00:31] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he'd get drunk and wild all the time<br>&nbsp;&nbsp;&nbsp;&nbsp;and end up hurting regular people.<br>**[00:36] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd settle matters like that for him.<br>**[00:39] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They killed a tabloid article about<br>&nbsp;&nbsp;&nbsp;&nbsp;him having a child with his mistress.<br>**[00:43] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's all the stuff I don't know.<br>**[00:47] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a period of time, he relied<br>&nbsp;&nbsp;&nbsp;&nbsp;on them for everything.<br>**[00:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you and Yuki-san<br>&nbsp;&nbsp;&nbsp;&nbsp;moved back in with your parents?<br>**[00:54] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was running away. For Yuki's sake, too.<br>**[00:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Yuki now?<br>**[01:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard from her since then?<br>**[01:05] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Donraku told me not to tell anyone.<br>**[01:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think he's hiding something?<br>**[01:15] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[01:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I take a look around Yuki-san's room?<br>**[01:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be able to find some clues.<br>**[01:33] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police took a bunch of things<br>&nbsp;&nbsp;&nbsp;&nbsp;when this all started.<br>**[01:36] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing's been returned yet.<br>**[01:57] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't tell Ibusuki-san about this.<br>**[01:59] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In exchange, please don't tell<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku that I talked to you.<br>**[02:10] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Yuki's number.<br>**[02:13] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're her friend, they<br>&nbsp;&nbsp;&nbsp;&nbsp;might not find you suspicious.<br>**[02:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? That's all?!*<br>**[02:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you sure you're a detective?*<br>**[02:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm watching him, just like you told me to.<br>**[02:48] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't done anything<br>&nbsp;&nbsp;&nbsp;&nbsp;out of the ordinary yet.<br>**[03:17] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A high school girl has been missing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for roughly ten days.*<br>**[03:22] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since this morning, the MPD*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has been speaking to a taxi driver*<br>**[03:25] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who may know something about the situation.*<br>**[03:28] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The missing person is an 18-year-old high*<br>*&nbsp;&nbsp;&nbsp;&nbsp;school girl from Nerima Ward in Tokyo.*<br>**[03:30] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unsettling, isn't it?<br>**[03:34] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;According to the investigation, the high*<br>*&nbsp;&nbsp;&nbsp;&nbsp;school girl was last seen ten days ago,*<br>**[03:38] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;entering a taxi in Nerima Ward*<br>*&nbsp;&nbsp;&nbsp;&nbsp;before she went missing...*<br>**[03:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think they're talking about Odokawa?<br>**[03:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down.<br>**[03:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until recently, you were acting like<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd done everything you possibly could.<br>**[03:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the attitude?<br>**[03:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you weren't furious, too.<br>**[03:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. Does that mean you're<br>&nbsp;&nbsp;&nbsp;&nbsp;okay with helping me?<br>**[04:03] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[04:05] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're partners, Rena. Buddies! Best buds!<br>**[04:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there. Good boy.<br>**[04:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Dobu kidnapped a famous<br>&nbsp;&nbsp;&nbsp;&nbsp;high school girl to ransom her,<br>**[04:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;colluded with police to hide the evidence,<br>&nbsp;&nbsp;&nbsp;&nbsp;and stole a taxi driver's dash cam.<br>**[04:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The taxi driver got dragged into it<br>&nbsp;&nbsp;&nbsp;&nbsp;because he knows something,<br>**[04:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now he's being threatened.<br>**[04:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what?<br>**[04:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or else Odokawa and Dobu are actually<br>&nbsp;&nbsp;&nbsp;&nbsp;working together, and it's the police who—<br>**[04:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we stop talking about Dobu-san?<br>**[04:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's quite the change in attitude.<br>**[04:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something definitely happened to you.<br>**[04:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody falls down the stairs<br>&nbsp;&nbsp;&nbsp;&nbsp;and breaks just one finger.<br>**[04:55] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[04:56] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I'm here about the missing person.<br>**[04:59] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I called the office.<br>**[05:01] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we've been waiting for you!<br>**[05:03] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, come in.<br>**[05:06] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-chan.<br>**[05:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[05:08] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right this way.<br>**[05:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kobayashi Tome
<br>**[05:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you tell me sooner<br>&nbsp;&nbsp;&nbsp;&nbsp;that we have a database like this?<br>**[05:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you just now.<br>**[05:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have access to it<br>&nbsp;&nbsp;&nbsp;&nbsp;through the boss' old job.<br>**[05:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[05:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The major offices have their own,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we have to use whatever we can.<br>**[05:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is. Kobayashi Tome, 84 years old.<br>**[05:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She lives right by the client.<br>**[05:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[05:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's always hardest to see<br>&nbsp;&nbsp;&nbsp;&nbsp;what's right under your nose.<br>**[05:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope we can find everyone this easily.<br>**[05:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we get paid to do this? Easy money.<br>**[05:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish class reunions were<br>&nbsp;&nbsp;&nbsp;&nbsp;the only thing we worked on.<br>**[05:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to end your<br>&nbsp;&nbsp;&nbsp;&nbsp;training period right now?<br>**[05:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding people is a real job, okay?<br>**[06:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I see something?<br>**[06:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a lot of people<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't find in there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya
<br>**[06:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's her name? Mitsuya something.<br>**[06:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki. Only other people show up<br>&nbsp;&nbsp;&nbsp;&nbsp;when you search for her.<br>**[06:19] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;did she answer her phone?<br>**[06:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. I've just been getting voicemail.<br>**[06:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right. Mitsuya Yuki.<br>**[06:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;81 years old, 51 years old...<br>**[06:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? It's ringing.<br>**[06:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it. I thought now would be—<br>**[06:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki?<br>**[06:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this?<br>**[06:52] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;This information will cost you.<br>**[06:54] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took a lot of time to restore it, too.<br>**[06:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The contents?<br>**[06:57] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all on here.<br>**[06:59] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were you, I wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;go snooping through phones.<br>**[07:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you show me who Yuki called<br>&nbsp;&nbsp;&nbsp;&nbsp;the day she went missing?<br>**[07:06] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui
<br>**[07:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got a bunch of calls<br>&nbsp;&nbsp;&nbsp;&nbsp;from the same person.<br>**[07:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the middle of the night, too. Who is she?<br>**[07:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! She's an idol from that website<br>&nbsp;&nbsp;&nbsp;&nbsp;we looked at the other day.<br>**[07:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were they called?<br>**[07:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss?<br>**[07:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this is that girl<br>&nbsp;&nbsp;&nbsp;&nbsp;you got really excited about.<br>**[07:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui.<br>**[07:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, tell me how right I was.<br>**[07:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Does that mean their member<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki is our Yuki?<br>**[07:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you met her, right? And it wasn't her.<br>**[07:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's fishy.<br>**[07:43] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while since this<br>&nbsp;&nbsp;&nbsp;&nbsp;phone's owner went missing, right?<br>**[07:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, which means there's no way she's okay.<br>**[07:50] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Pay up.<br>**[08:00] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon. You gotta trust me.<br>**[08:05] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I'm sorry for doubting you.<br>**[08:09] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you tell me the truth, got it?<br>**[08:11] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, I don't know.<br>**[08:15] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never said a word about your business.<br>**[08:20] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;If something happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't know" isn't gonna cut it.<br>**[08:25] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;My own guys are looking everywhere for<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl right now, but we can't find her.<br>**[08:31] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's about to debut, y'know?<br>&nbsp;&nbsp;&nbsp;&nbsp;We ain't happy about this, either.<br>**[08:38] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you suddenly so<br>&nbsp;&nbsp;&nbsp;&nbsp;interested in her, anyway?<br>**[08:42] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little girl idol groups aren't for us.<br>**[08:46] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shouldn't be involved in business<br>&nbsp;&nbsp;&nbsp;&nbsp;that's likely to cause trouble.<br>**[08:52] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm worried about her because<br>&nbsp;&nbsp;&nbsp;&nbsp; she's my friend's daughter.<br>**[09:03] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, um, about the girl—<br>**[09:07] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sekiguchi, did I ask you a question?<br>**[09:15] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano, even if you're not involved, try doing<br>&nbsp;&nbsp;&nbsp;&nbsp;anything that makes you look suspicious.<br>**[09:24] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be tripped up by the cops<br>&nbsp;&nbsp;&nbsp;&nbsp;and other groups.<br>**[09:32] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I'll be careful.<br>**[09:40] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanwhile, Dobu still thinks<br>&nbsp;&nbsp;&nbsp;&nbsp;he can rely on brawn<br>**[09:43] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is talking about some crackpot<br>&nbsp;&nbsp;&nbsp;&nbsp;job that'll make him a billion yen.<br>**[09:47] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used to do so well back then.<br>**[09:51] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to us?<br>**[09:55] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A billion?<br>**[09:59] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful what you say<br>&nbsp;&nbsp;&nbsp;&nbsp;about other people's work, boss.<br>**[10:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you suddenly so<br>&nbsp;&nbsp;&nbsp;&nbsp;interested in Odokawa?<br>**[10:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't rule it out as a possibility.<br>**[10:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no evidence of that.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a false accusation.<br>**[10:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't even know if it's Odokawa<br>&nbsp;&nbsp;&nbsp;&nbsp;the police are questioning.<br>**[10:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where are we going?<br>**[10:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. This is where they practice.<br>**[10:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? This stinks of overtime.<br>**[10:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you'd help me.<br>**[10:32] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! Thanks for waiting!<br>**[10:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready for overtime.<br>**[10:37] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you. I'm Kanon.<br>**[10:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Sato.<br>**[10:39] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[10:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[10:41] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too.<br>**[10:42] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Sato. Nice to meet you.<br>**[10:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit it.<br>**[10:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cool, huh?<br>**[10:48] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's pretty cool.<br>**[10:50] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try touching it.<br>**[10:52] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[10:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard.<br>**[10:55] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. It's so hard.<br>**[10:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrapped it myself.<br>**[10:58] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[11:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san, how'd you figure this out?<br>**[11:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just looked for someplace a small<br>&nbsp;&nbsp;&nbsp;&nbsp;agency's three-woman idol group<br>**[11:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;could practice together.<br>**[11:11] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[11:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't made their mainstream<br>&nbsp;&nbsp;&nbsp;&nbsp;debut yet, so privacy isn't that important.<br>**[11:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, they probably still need<br>&nbsp;&nbsp;&nbsp;&nbsp;to come up with choreography<br>**[11:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;and will need to use the space frequently,<br>**[11:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it has to offer either discounts<br>&nbsp;&nbsp;&nbsp;&nbsp;or reasonable prices.<br>**[11:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, it should be either along their<br>&nbsp;&nbsp;&nbsp;&nbsp;agency's transit line, or easy to reach by taxi.<br>**[11:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're totally a detective.<br>**[11:32] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Totally a detective.<br>**[11:35] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ew, no.<br>**[11:38] Dance Instructor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work, everyone.<br>**[11:40] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[11:42] Dance Instructor**<br>&nbsp;&nbsp;&nbsp;&nbsp;When are we meeting next week?<br>**[11:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you see them?<br>**[11:46] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, totally.<br>**[11:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other two are surprisingly cute, too.<br>**[11:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on Shimura. I've got Mitsuya.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on Nikaido.<br>**[11:50] Dance Instructor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll make your train, right?<br>**[11:51] Mystery Kiss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:52] Dance Instructor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, good night.<br>**[11:53] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're leaving, right?<br>**[11:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's go.<br>**[11:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you.<br>**[11:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that.<br>**[12:08] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, please.<br>**[12:10] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any seat you prefer?<br>**[12:12] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;911.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I might be able to get her<br>
&nbsp;&nbsp;&nbsp;&nbsp;real name at reception.
<br>**[12:14] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;911. Got it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I might be able to get her<br>
&nbsp;&nbsp;&nbsp;&nbsp;real name at reception.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui lives in a luxury high-rise apartment!
<br>**[12:27] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[12:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui lives in a luxury high-rise apartment!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;She entered a restaurant with a middle-aged man.
<br>**[12:39] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I help you?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;She entered a restaurant with a middle-aged man.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bet he's her sugar daddy.
<br>**[12:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:42] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you could fill in this form—<br>**[12:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm good. Sorry.<br>**[12:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm good. Excuse me.<br>**[12:51] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you meeting someone?<br>**[12:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[13:02] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. I wasn't expecting<br>&nbsp;&nbsp;&nbsp;&nbsp;to get to eat at a place like this.<br>**[13:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how's it look?<br>**[13:07] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, that's her sugar daddy.<br>**[13:10] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at how unenthusiastic she is.<br>**[13:17] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[13:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I get another glass, please?<br>**[13:25] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[13:33] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, uh, I got you something.<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you like it.<br>**[13:39] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. Thanks.<br>**[13:46] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, when are you the happiest?<br>**[13:52] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm in the bath.<br>**[13:54] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the bath at your house<br>&nbsp;&nbsp;&nbsp;&nbsp;as amazing as I think it is?<br>**[13:57] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you stretch your legs out?<br>**[13:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uh, yeah.<br>**[14:01] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its got jets and stuff. Of course it does.<br>**[14:02] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[14:03] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you watch TV from the bath, too?<br>**[14:04] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[14:07] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the water come out of a lion's head?<br>**[14:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lion?<br>**[14:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho. So that's Ichimura Shiho.<br>**[14:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't figure out what she's after.<br>**[14:18] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just money, right?<br>**[14:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't it risky for an idol<br>&nbsp;&nbsp;&nbsp;&nbsp;to use her real name?<br>**[14:25] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they've all got side gigs.<br>**[14:27] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet only a handful of girls<br>&nbsp;&nbsp;&nbsp;&nbsp;make enough just off performing.<br>**[14:30] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some girls who play in bands<br>&nbsp;&nbsp;&nbsp;&nbsp;at my place also work as entertainers.<br>**[14:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She could at least use a fake name.<br>**[14:37] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they making her do it on purpose?<br>**[14:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;To create something to blackmail her with.<br>**[14:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question is, who's making her do it?<br>**[14:45] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a man?<br>**[14:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or her agency.<br>**[14:49] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her agency?<br>**[14:58] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, do you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;want to get married?<br>**[15:02] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's always been<br>&nbsp;&nbsp;&nbsp;&nbsp;my dream to get married.<br>**[15:06] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the sooner I can, the better.<br>**[15:09] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being surprised with an<br>&nbsp;&nbsp;&nbsp;&nbsp;engagement ring would be amazing.<br>**[15:13] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ring.<br>**[15:14] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:17] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, would you—<br>**[15:21] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look at this.<br>**[15:23] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says he won one billion yen.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think it's true?<br>**[15:27] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;One billion yen, huh? Wow.<br>**[15:29] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even I have that much.<br>**[15:34] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a Nikaido Rui fan, huh?<br>**[15:58] Clerk**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you getting married or engaged?<br>**[16:01] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, uh...<br>**[16:05] Clerk**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to see the back?<br>**[16:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko-san wants to see you, Rena-san.<br>**[16:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much have you been drinking on your own?<br>**[16:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just don't understand<br>&nbsp;&nbsp;&nbsp;&nbsp;how I feel, Rena-san.<br>**[16:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm not more considerate.<br>**[16:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel sick.<br>**[16:46] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[16:56] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pull yourself together.<br>**[17:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is Ichimura Shiho<br>&nbsp;&nbsp;&nbsp;&nbsp;meeting Odokawa's friend?<br>**[17:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san? He was there yesterday, too.<br>**[17:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[17:19] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he was there yesterday.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a regular there.<br>**[17:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was complaining about<br>&nbsp;&nbsp;&nbsp;&nbsp;how expensive rings are.<br>**[17:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it? Why do you<br>&nbsp;&nbsp;&nbsp;&nbsp;even bother going there?<br>**[17:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then share more of your information with—<br>**[17:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[17:37] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be back.<br>**[17:38] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[17:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later!<br>**[17:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why do you think an active<br>&nbsp;&nbsp;&nbsp;&nbsp;idol would have a sugar daddy?<br>**[17:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible that she needs the money?<br>**[17:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanon said the same thing. It's possible...<br>**[17:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that Ichimura girl<br>&nbsp;&nbsp;&nbsp;&nbsp;seemed unhappy to be there.<br>**[18:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone must be making her do it.<br>**[18:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I definitely don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki would allow it to happen.<br>**[18:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Mitsuya Yuki found out about it<br>&nbsp;&nbsp;&nbsp;&nbsp;and was killed when she tried to quit?<br>**[18:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killed? Don't say stuff like that.<br>**[18:19] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[18:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be that she just wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;be alone and left the country.<br>**[18:24] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she always been that kind of person?<br>**[18:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or else someone is keeping her quiet,<br>&nbsp;&nbsp;&nbsp;&nbsp;or she's being held captive somewhere.<br>**[18:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. A lot of time has passed<br>&nbsp;&nbsp;&nbsp;&nbsp;already. That can't be...<br>**[18:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's alive. She's definitely alive.<br>**[18:44] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna stop by Taeko's place tonight?<br>**[18:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. I'm working tonight.<br>**[18:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't.<br>**[18:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not? Taeko said she<br>&nbsp;&nbsp;&nbsp;&nbsp;misses seeing your face.<br>**[19:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening, Kakihana?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I had fun the other day! Good luck at work
<br>**[19:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[19:16] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, good to see you again.<br>**[19:17] Loan Shark B**<br>&nbsp;&nbsp;&nbsp;&nbsp;How're you doing?<br>**[19:19] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, great.<br>**[19:20] Loan Shark A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[19:20] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to see you.<br>**[19:21] Loan Shark A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is 50 enough?<br>**[19:22] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[19:23] Loan Shark A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You good?<br>**[19:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cold tonight.<br>**[19:40] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My wallet's feeling a bit drafty, too.<br>**[19:43] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give 'em a kick in the ass.<br>**[19:46] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;My girls are working hard, you know.<br>**[19:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't I win the lottery or something?<br>**[19:58] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[20:01] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you heard?<br>**[20:06] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's talking about it online.<br>**[20:08] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're talking about.<br>**[20:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently one of our oldest fans<br>&nbsp;&nbsp;&nbsp;&nbsp;won a billion yen in the lottery.<br>**[20:16] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me more about that.<br>**[20:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm going crazy<br>&nbsp;&nbsp;&nbsp;&nbsp;from looking at too many cats.<br>**[20:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough. These definitely<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't the right cat.<br>**[20:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think I'm starting to see it.<br>**[20:27] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena, you got a second?<br>**[20:28] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[20:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning!<br>**[20:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:34] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think I wouldn't notice?<br>**[20:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[20:41] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll never survive unless you<br>&nbsp;&nbsp;&nbsp;&nbsp;work on your shadowing skills.<br>**[20:47] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand how you feel after all<br>&nbsp;&nbsp;&nbsp;&nbsp;you've seen over the past few days.<br>**[20:53] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you take a little vacation?<br>**[20:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[20:58] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't, I'm firing you.<br>**[21:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that your decision, boss?<br>**[21:05] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I quit.<br>**[21:11] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[21:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sato and I are quitting.<br>**[21:13] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not Sato.<br>**[21:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[21:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[21:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of today, I no longer work for you.<br>**[21:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have nothing to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with my future investigations.<br>**[21:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But until I find my footing,<br>**[21:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to keep using my desk,<br>&nbsp;&nbsp;&nbsp;&nbsp;computer, and other equipment.<br>**[21:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay whatever it costs.<br>**[21:41] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I don't understand.<br>**[21:42] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[21:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you understood.<br>**[21:45] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do whatever you want,<br>&nbsp;&nbsp;&nbsp;&nbsp;but in exchange, I can't protect you.<br>**[21:50] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got that?<br>**[21:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:56] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's actually real.<br>**[21:58] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, this is Imai-kun's place?<br>**[22:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[22:01] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Detectives are amazing.<br>&nbsp;&nbsp;&nbsp;&nbsp;They know everything.<br>**[22:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like he made everything public,<br>&nbsp;&nbsp;&nbsp;&nbsp;including the fact that he won a billion yen.<br>**[22:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might just be an idiot.<br>**[22:10] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's check it out.<br>**[22:13] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we trying to find out about Imai?<br>**[22:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought he might know<br>&nbsp;&nbsp;&nbsp;&nbsp;something about Yuki.<br>**[22:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's one of Mystery Kiss' oldest fans.<br>**[22:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, the driver I was investigating<br>&nbsp;&nbsp;&nbsp;&nbsp;frequently looks for passengers around here,<br>**[22:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;so he's probably given him a ride.<br>**[22:30] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here?<br>**[22:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this it?<br>**[22:35] Barker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? You two are really cute.<br>**[22:37] Barker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You interested in our place?<br>**[22:39] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little, I guess?<br>**[22:40] Barker B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know. You need money, don't you?<br>**[22:43] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there an Imai-san here?<br>**[22:45] Barker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He's working today.<br>**[22:47] Barker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna see him?<br>**[22:48] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we?<br>**[22:50] Barker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show them inside.<br>**[22:53] Barker B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch your step.<br>**[22:54] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[22:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did Mitsuya-san learn that day?<br>**[23:02] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won *one billion* yen!<br>**[23:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;My only clues are the calls from Nikaido.<br>**[23:06] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every encounter and parting<br>&nbsp;&nbsp;&nbsp;&nbsp;of ways is inevitable.<br>**[23:09] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a huge Rui-tan fan.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>**[23:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never given you a ride, have I?<br>

# E5 - 22:00PM in Tokyo

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GZ7UVEGDW/2200pm-in-tokyo)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[00:09] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your first day or something?<br>**[00:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm new here.<br>**[00:12] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Excuse me.<br>**[00:16] Boy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san. Rena-san.<br>**[00:16] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're out of damp towels. Are you all right?<br>**[00:18] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, whoa. Are you okay?<br>**[00:19] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're soaking wet.<br>**[00:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Excuse me.<br>**[00:22] Guest**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait.<br>**[00:26] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy's a regular,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he loves new people.<br>**[00:30] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena, are you okay?<br>**[00:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm totally fine. I'm just<br>&nbsp;&nbsp;&nbsp;&nbsp;struggling to get used to it.<br>**[00:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can take it one step<br>&nbsp;&nbsp;&nbsp;&nbsp;at a time. Take it slow.<br>**[00:38] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cast are our treasure. Our idols.<br>**[00:42] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Apparently Imai-san is<br>&nbsp;&nbsp;&nbsp;&nbsp;a hardcore idol fan, despite how he seems.<br>**[00:45] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other day, he even went to a photo event.<br>**[00:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you must really love Mystery Kiss.<br>**[00:51] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. Actually...<br>**[00:55] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a huge Rui-tan fan.<br>**[00:58] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[00:59] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been a fan longer than anyone else.<br>**[01:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[01:01] Boy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san. Rena-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's asking for you.<br>**[01:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:04] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Already, huh? You gotta get more fans.<br>**[01:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[01:09] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got this.<br>**[01:10] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best.<br>**[01:11] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go get 'em.<br>**[01:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not cut out for this.<br>**[01:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you know that, then<br>&nbsp;&nbsp;&nbsp;&nbsp;what are you doing there?<br>**[01:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? I got a job right away.<br>**[01:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were looking for your junior.<br>**[01:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am. A huge Mystery Kiss fan works there.<br>**[01:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I could get some<br>&nbsp;&nbsp;&nbsp;&nbsp;information out of him.<br>**[01:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I have to pay all my own expenses.<br>**[01:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so.<br>**[01:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't like it, then stop helping me.<br>**[01:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you do, then leave me alone.<br>**[01:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you say something<br>&nbsp;&nbsp;&nbsp;&nbsp;so extreme and sad?<br>**[01:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the police, the yakuza, our boss,<br>**[02:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a big-name entertainer<br>&nbsp;&nbsp;&nbsp;&nbsp;are involved in this mess.<br>**[02:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you expect?<br>**[02:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you worried about my safety?<br>**[02:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not careful, you could end up dead.<br>**[02:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not even your job anymore.<br>**[02:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I can quit now, either.<br>**[02:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I can't believe<br>&nbsp;&nbsp;&nbsp;&nbsp;he fired you out of nowhere.<br>**[02:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss is probably in a tight spot, too.<br>**[02:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he set me free.<br>**[02:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, are you doing okay at work?<br>**[02:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine for now.<br>**[02:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I just blew half<br>&nbsp;&nbsp;&nbsp;&nbsp;my first paycheck on that.<br>**[02:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place is way too expensive.<br>**[02:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you can pay me the other half directly.<br>**[02:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get you a refill.<br>**[02:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait.<br>**[02:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I tried coming up with a theory.<br>**[02:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to try so hard<br>&nbsp;&nbsp;&nbsp;&nbsp;to act like a detective.<br>**[02:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just listen.<br>**[02:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;On October 4th, the day<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san went missing,<br>**[02:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;she definitely got into Odokawa's taxi.<br>**[03:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That taxi headed to Harada Building 3.<br>**[03:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you still only know where<br>&nbsp;&nbsp;&nbsp;&nbsp; she was until the convenience store—<br>**[03:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Mystery Kiss' agency<br>&nbsp;&nbsp;&nbsp;&nbsp;is inside that building.<br>**[03:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The building is currently<br>&nbsp;&nbsp;&nbsp;&nbsp;owned by the yakuza.<br>**[03:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on these facts, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;these three groups are suspicious.<br>**[03:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question is, which of them found<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki's existence a nuisance, and why.<br>**[03:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. What did Mitsuya-san witness<br>&nbsp;&nbsp;&nbsp;&nbsp;and learn that day?<br>**[03:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we still haven't found<br>&nbsp;&nbsp;&nbsp;&nbsp;any evidence, that means<br>**[03:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're not dealing with a crime of passion<br>&nbsp;&nbsp;&nbsp;&nbsp;or repeat offender, but a premeditated crime.<br>**[03:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone with a grudge against<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki herself or Donraku-san,<br>**[03:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;or someone involved with the criminal<br>&nbsp;&nbsp;&nbsp;&nbsp;organization the boss met with.<br>**[03:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think it's Odokawa?<br>**[03:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Have you been listening?<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't make sense.<br>**[03:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we can limit ourselves to either<br>&nbsp;&nbsp;&nbsp;&nbsp;the agency or the criminal organization.<br>**[03:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should look into Odokawa more.<br>**[04:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you *want* it to be Odokawa.<br>**[04:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure Dobu didn't do anything to you?<br>**[04:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No? I mean, Odokawa's suspicious, right?<br>**[04:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did Rena-san join this agency?<br>**[04:26] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you haven't heard?<br>**[04:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she doesn't talk about herself much.<br>**[04:35] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how she seems,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's actually been through a lot.<br>**[04:37] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's probably reluctant to open up about it.<br>**[04:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;True.<br>**[04:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's quick-witted. I bet she<br>&nbsp;&nbsp;&nbsp;&nbsp;studied really hard in school.<br>**[04:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must've been way above average.<br>**[04:49] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She dropped out of high school.<br>**[04:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why?<br>**[04:54] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask her yourself.<br>**[04:57] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on. Don't tease me<br>&nbsp;&nbsp;&nbsp;&nbsp;with partial information.<br>**[05:02] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. You wanna try<br>&nbsp;&nbsp;&nbsp;&nbsp;getting someone together?<br>**[05:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[05:08] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really don't listen, do you?<br>**[05:12] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you about it when you started.<br>**[05:15] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking about romantic engineering.<br>**[05:18] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting people to meet<br>&nbsp;&nbsp;&nbsp;&nbsp; or couples back together.<br>**[05:20] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making couples break up, reuniting them.<br>**[05:22] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All as if it's a coincidence.<br>**[05:24] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Romantic engineering?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something we do?<br>**[05:28] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long time ago, I once helped a big name<br>&nbsp;&nbsp;&nbsp;&nbsp;entertainer get together with someone.<br>**[05:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's kind of scary, like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;manipulating people's lives.<br>**[05:39] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In our world, every encounter<br>&nbsp;&nbsp;&nbsp;&nbsp;and parting of ways is inevitable.<br>**[05:45] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone might be controlling you, too.<br>**[05:56] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Let's go.<br>**[05:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You almost had me for a second there.<br>**[06:04] Cabaret Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imai-san, good morning!<br>**[06:05] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[06:06] Cabaret Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking handsome again today!<br>**[06:07] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. You're looking cute, too!<br>**[06:09] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do this, huh? Let's do this.<br>**[06:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[06:17] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[06:18] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how was your trial<br>&nbsp;&nbsp;&nbsp;&nbsp;employment experience?<br>**[06:21] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feel like continuing to work here?<br>**[06:23] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, it's not often that we get<br>&nbsp;&nbsp;&nbsp;&nbsp;people who could start right away.<br>**[06:27] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Personally, I think it'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;great if you could stay.<br>**[06:30] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe if you told us about<br>&nbsp;&nbsp;&nbsp;&nbsp;the billion yen you won.<br>**[06:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Kanon-chan, how<br>&nbsp;&nbsp;&nbsp;&nbsp;do you know about that?<br>**[06:38] Cabaret Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imai-san.<br>**[06:38] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone knows.<br>**[06:40] Cabaret Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imai-san, I'm looking forward<br>&nbsp;&nbsp;&nbsp;&nbsp;to another day with you.<br>**[06:41] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same.<br>**[06:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think it was risky<br>&nbsp;&nbsp;&nbsp;&nbsp;to post about it online?<br>**[06:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;People figured out where you work.<br>**[06:50] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is *that* why everyone's <br>
&nbsp;&nbsp;&nbsp;&nbsp;been so nice to me recently?!<br>**[06:55] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, is that why you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;started working here? For the cash?<br>**[06:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to spend the money on?<br>**[07:01] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to invest all of it<br>&nbsp;&nbsp;&nbsp;&nbsp;into Mystery Kiss.<br>**[07:04] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? All of it?!<br>**[07:06] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Rui-tan saw<br>&nbsp;&nbsp;&nbsp;&nbsp;my post. It went viral.<br>**[07:10] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the other members<br>&nbsp;&nbsp;&nbsp;&nbsp;liked my post. Ichi-something...<br>**[07:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura?<br>**[07:14] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I just want Rui-tan to notice me.<br>**[07:17] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just a regular guy,<br>**[07:19] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I thought I finally had<br>&nbsp;&nbsp;&nbsp;&nbsp;a chance to get her attention.<br>**[07:21] Boy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Imai-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking forward to another day.<br>**[07:23] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same.<br>**[07:24] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you win?<br>**[07:26] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Is there a reason other than luck?<br>**[07:29] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[07:31] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're meant for the entertainment business.<br>**[07:34] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But maybe it wasn't just luck.<br>**[07:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The driver of the taxi<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to get in that day—<br>**[07:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you want to see the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who made you lucky?<br>**[07:44] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[07:46] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're scaring me, Rena-chan.<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know how to find him?<br>**[07:48] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl is amazing. She's a detective.<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're childhood friends.<br>**[07:52] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;She left the boonies in Saitama<br>&nbsp;&nbsp;&nbsp;&nbsp;and went right to being a detective.<br>**[07:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanon, careful what you say.<br>**[07:56] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the problem? Imai-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't seem like a bad guy.<br>**[07:59] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imai-kun, you say?<br>**[08:01] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, hold on. A detective?<br>**[08:03] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you investigating me?<br>**[08:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. But I do know about that taxi driver.<br>**[08:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Odokawa.<br>**[08:10] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been wanting to thank him,<br>**[08:12] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I took that taxi on a whim,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd given up on the idea.<br>**[08:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how you can see him.<br>**[08:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in exchange, could you<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me about Mystery Kiss?<br>**[08:20] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course! Ask me anything.<br>**[08:23] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how can I see that Odokawa-san again?<br>**[08:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san, hello.<br>**[08:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sato, can you check the computer for me?*<br>**[08:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where is Odokawa's taxi now?*<br>**[08:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Around this time, he's either driving<br>&nbsp;&nbsp;&nbsp;&nbsp;around the intersection at 3-chome<br>**[08:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;or waiting for passengers<br>&nbsp;&nbsp;&nbsp;&nbsp;around the Sansan Building.<br>**[09:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yup. He's in front of the Sansan Building.<br>**[09:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got it.*<br>**[09:05] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. Where are you right now, Rena-san?<br>**[09:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Huh?<br>**[09:11] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently Imai-kun has been watching<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss since their first concert.<br>**[09:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's fate. I just happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to attend their concert.<br>**[09:19] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it was a year ago.<br>**[09:21] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rui-tan was already<br>&nbsp;&nbsp;&nbsp;&nbsp;on another level back then.<br>**[09:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[09:25] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were five of us<br>&nbsp;&nbsp;&nbsp;&nbsp;in the audience, and Rui-tan...<br>**[09:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what was Mitsuya Yuki like?<br>**[09:31] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was especially good at dancing.<br>**[09:33] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seemed athletic.<br>**[09:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rui-tan's good at dancing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she's a good singer, too—<br>**[09:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any video or<br>&nbsp;&nbsp;&nbsp;&nbsp; photos of her from back then?<br>**[09:43] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I wanna see!<br>**[09:44] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure do.<br>**[09:46] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's so cute!<br>**[09:46] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cute!<br>**[09:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, super cute.<br>**[09:49] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this one. Ah, she's so cute!<br>**[09:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, next, next.<br>**[09:53] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is so cute.<br>**[09:53] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you take too many pictures!<br>**[09:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Mitsuya Yuki?<br>**[09:56] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I've only ever taken<br>&nbsp;&nbsp;&nbsp;&nbsp;Polaroids with Rui-tan.<br>**[10:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know any Mitsuya Yuki fans?<br>**[10:04] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm clearly the only one who's<br>&nbsp;&nbsp;&nbsp;&nbsp;been following them forever,<br>**[10:08] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they only recently started<br>&nbsp;&nbsp;&nbsp;&nbsp;getting media attention<br>**[10:11] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;because they're making their major debut.<br>**[10:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt there's any photos of her.<br>**[10:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that even possible?<br>**[10:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must at least be selfies or something.<br>**[10:19] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;they did a stream.<br>**[10:23] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The members chatted<br>&nbsp;&nbsp;&nbsp;&nbsp;and answered fan questions.<br>**[10:26] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting around 9 PM, Rui-tan—<br>**[10:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then has Mitsuya Yuki been<br>&nbsp;&nbsp;&nbsp;&nbsp;acting strange recently?<br>**[10:32] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea.<br>**[10:36] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from Rui-tan, I feel like their<br>&nbsp;&nbsp;&nbsp;&nbsp;dancing's not as good as it used to be.<br>**[10:40] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I can see why<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd feel discouraged.<br>**[10:42] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have to wear masks<br>&nbsp;&nbsp;&nbsp;&nbsp;when they're finally debuting.<br>**[10:44] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[10:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible Mitsuya Yuki<br>&nbsp;&nbsp;&nbsp;&nbsp;was replaced at some point?<br>**[10:49] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I really only<br>&nbsp;&nbsp;&nbsp;&nbsp;pay attention to Rui-tan.<br>**[10:53] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too much attention.<br>**[10:55] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. There's<br>&nbsp;&nbsp;&nbsp;&nbsp;an open audition coming up.<br>**[10:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss will be attending as guests.<br>**[11:00] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? We should audition.<br>**[11:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would we do that?<br>**[11:04] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of frustrating, don't you think?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm definitely cuter than them.<br>**[11:08] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd support you. You'd<br>&nbsp;&nbsp;&nbsp;&nbsp;totally make it to the final.<br>**[11:11] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[11:12] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:26] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really here.<br>**[11:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you're the idol fan.<br>**[11:32] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss.<br>**[11:33] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember me?!<br>**[11:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad I got to see you again.<br>**[11:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[11:40] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to thank you.<br>**[11:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did I do?<br>**[11:43] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually won the lottery using<br>&nbsp;&nbsp;&nbsp;&nbsp;those numbers you gave me.<br>**[11:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's amazing.<br>**[11:52] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not much of a reaction!<br>**[11:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I picked those numbers at random.<br>**[11:56] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just haven't heard how much I won.<br>**[11:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won one billion yen!<br>**[12:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[12:03] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really!<br>**[12:05] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't claimed my winnings yet,<br>**[12:07] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've checked it about a hundred times.<br>**[12:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, you shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be spreading that around.<br>**[12:11] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my first time telling<br>&nbsp;&nbsp;&nbsp;&nbsp;someone in real life.<br>**[12:14] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to tell you.<br>**[12:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, in real life?<br>**[12:18] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told people online, but that's online.<br>**[12:22] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to tell someone.<br>**[12:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you can buy Mystery Kiss CDs.<br>**[12:27] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. I've been keeping<br>&nbsp;&nbsp;&nbsp;&nbsp;my winning ticket on me<br>**[12:32] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can claim my winnings right<br>&nbsp;&nbsp;&nbsp;&nbsp;when their CD comes out.<br>**[12:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better not lose that.<br>**[12:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Odokawa-sama,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to thank you.<br>**[12:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to do that.<br>**[12:42] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no way! I've gotta do something!<br>**[12:44] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there anything you need money for?<br>**[12:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not particularly.<br>**[12:48] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, maybe your family or someone<br>&nbsp;&nbsp;&nbsp;&nbsp;you care about is in trouble?<br>**[12:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[12:55] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you just not feel desire?!<br>**[12:57] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Odokawa-sama,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you free right now?<br>**[13:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I'm right<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of work.<br>**[13:03] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay you whatever you'd make today.<br>**[13:06] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>**[13:09] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[13:11] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is VIP Odokawa-sama.<br>**[13:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is already paid for,<br>&nbsp;&nbsp;&nbsp;&nbsp;so order whatever you'd like.<br>**[13:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Wow.<br>**[13:18] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cool!<br>**[13:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, what would you like to drink?<br>**[13:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I've got to drive...<br>**[13:25] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay if we drink?<br>**[13:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[13:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, go ahead.<br>**[13:32] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Can we get<br>&nbsp;&nbsp;&nbsp;&nbsp;something bubbly, then?<br>**[13:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[13:39] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[13:43] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever driven any famous people?<br>**[13:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's personal information.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't share that.<br>**[13:51] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, you're no fun.<br>**[13:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about girls our age?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you drive them a lot?<br>**[13:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, rarely.<br>**[14:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do frequently get requests for pick ups<br>&nbsp;&nbsp;&nbsp;&nbsp;and drop offs in this area, though.<br>**[14:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember all your passengers?<br>**[14:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell them apart.<br>&nbsp;&nbsp;&nbsp;&nbsp;Girls your age all look the same to me.<br>**[14:14] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But we're totally different.<br>**[14:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never given you a ride, have I?<br>**[14:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, well, I work nights around here.<br>**[14:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've gotten a ride<br>&nbsp;&nbsp;&nbsp;&nbsp;with you before. Why?<br>**[14:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rabbits aren't uncommon,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're a Polish rabbit.<br>**[14:33] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Odo-chan?<br>**[14:36] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the type of guy who<br>&nbsp;&nbsp;&nbsp;&nbsp;uses avant-garde pickup lines?<br>**[14:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, sorry. I don't belong here.<br>**[14:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about this girl?<br>**[14:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A black cat.<br>**[14:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? No, I mean, have you<br>&nbsp;&nbsp;&nbsp;&nbsp;given her a ride before?<br>**[14:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too?<br>**[14:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's my friend.<br>**[14:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to ask out of nowhere.<br>**[15:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I gave a black cat a ride,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it wasn't her.<br>**[15:13] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, uh, why don't we have a toast?<br>**[15:19] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got something to say, then say it.<br>**[15:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked into Rena-san's background.<br>**[15:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's in the company's database.<br>**[15:29] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't use that for personal matters.<br>**[15:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thoughtlessly looked out of pure<br>&nbsp;&nbsp;&nbsp;&nbsp;curiosity, and now I regret it.<br>**[15:38] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That database gets used<br>&nbsp;&nbsp;&nbsp;&nbsp;for all kinds of credit checks.<br>**[15:44] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;People with criminal records,<br>&nbsp;&nbsp;&nbsp;&nbsp;people who have caused accidents.<br>**[15:48] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who's experienced<br>&nbsp;&nbsp;&nbsp;&nbsp;twists and turns in life.<br>**[15:51] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those kinds of people<br>&nbsp;&nbsp;&nbsp;&nbsp;are more likely to end up on it.<br>**[15:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her parents died when she was young.<br>**[16:00] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She went through a lot as a kid.<br>**[16:04] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it the silver lining,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she was too young to remember.<br>**[16:10] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She grew up in orphanages after that.<br>**[16:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why she became a detective?<br>**[16:17] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she was just looking<br>&nbsp;&nbsp;&nbsp;&nbsp;for someplace to work.<br>**[16:22] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone introduced her to me.<br>**[16:24] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I'm also happy to hire people<br>&nbsp;&nbsp;&nbsp;&nbsp;like you who casually get into the business.<br>**[16:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[16:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since starting this job, I've learned<br>&nbsp;&nbsp;&nbsp;&nbsp;the world can be pretty unfair.<br>**[16:37] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena said the same thing.<br>**[16:40] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said that made her glad<br>&nbsp;&nbsp;&nbsp;&nbsp;she became a private eye.<br>**[16:43] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how she seems,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's got a strong sense of justice.<br>**[16:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's *exactly* how she seems.<br>**[16:51] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san.<br>**[16:52] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know you're in there, Kakihana-san.<br>**[16:55] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kakihana. You need to<br>&nbsp;&nbsp;&nbsp;&nbsp;pay back what you borrowed.<br>**[16:57] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't your parents teach you that?!<br>**[17:01] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not here.<br>**[17:03] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I know you're busy with work.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I know you're busy with work.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll wait forever, so don't<br>
&nbsp;&nbsp;&nbsp;&nbsp; strain yourself.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll wait forever, so don't<br>
&nbsp;&nbsp;&nbsp;&nbsp; strain yourself.
<br>**[17:27] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I just finished. Where are you?<br>**[17:32] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:51] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell did you do to our girl?<br>**[17:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. This is a misunderstanding.<br>**[17:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll pay off my debt soon.<br>**[18:01] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Debt? Misunderstanding?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[18:06] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think you could screw around<br>&nbsp;&nbsp;&nbsp;&nbsp;with her and get away with it?<br>**[18:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got it all wrong.<br>**[18:10] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan and I have<br>&nbsp;&nbsp;&nbsp;&nbsp;a serious platonic relationship.<br>**[18:15] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a girl with a future.<br>**[18:18] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you owe us compensation for damages.<br>**[18:22] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make twenty million a year, don't you?<br>**[18:25] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I boosted my numbers a bit.<br>**[18:29] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lie to me.<br>**[18:31] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a pretty nice suit you're wearing.<br>**[18:34] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took out a loan to buy this.<br>**[18:36] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Loan this, debt that.<br>**[18:38] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were rich.<br>**[18:40] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in the cleaning business.<br>**[18:42] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cleaning business? So what?<br>**[18:47] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't use your job as an excuse!<br>**[18:49] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[18:52] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your profile is full of lies.<br>**[18:55] Sekgicuhi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[18:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. Anything but that.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for Shiho-chan—<br>**[19:03] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;An engagement ring?<br>**[19:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[19:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;An open audition.<br>**[19:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I can see that.<br>**[19:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;We made it to the final round.<br>**[19:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Who did?<br>**[19:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me and Kanon.<br>**[19:24] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[19:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your voice down.<br>**[19:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;When?<br>**[19:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I submitted a karaoke recording<br>&nbsp;&nbsp;&nbsp;&nbsp;and video the other day.<br>**[19:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a group name?<br>**[19:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell you.<br>**[19:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that's lame! I mean, uh...<br>**[19:36] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any songs?<br>**[19:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they gave us a song to sing.<br>**[19:39] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanon and I are practicing like crazy.<br>**[19:42] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it. Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;auditioning to become idols?<br>**[19:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to join this agency<br>&nbsp;&nbsp;&nbsp;&nbsp;and investigate them.<br>**[19:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late for honest methods.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been stuck at an impasse for a while.<br>**[19:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;My only clue is the calls from Nikaido.<br>**[19:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm running out of time.<br>**[19:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[20:01] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could've asked me for advice.<br>**[20:04] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;About working at the cabaret club, too.<br>**[20:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? *That's* your problem?<br>**[20:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, it's been<br>&nbsp;&nbsp;&nbsp;&nbsp;bothering me for a while,<br>**[20:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you talk and act<br>&nbsp;&nbsp;&nbsp;&nbsp;like you're my boyfriend.<br>**[20:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not my boyfriend.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something worse than that.<br>**[20:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The preachy old men who come to the agency<br>&nbsp;&nbsp;&nbsp;&nbsp;to ask if I should be doing this job.<br>**[20:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's how they feel,<br>&nbsp;&nbsp;&nbsp;&nbsp;they shouldn't be there.<br>**[20:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? That's... It's not on purpose.<br>**[20:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you're just too self-conscious.<br>**[20:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not like I'm your<br>&nbsp;&nbsp;&nbsp;&nbsp;girlfriend or anything,<br>**[20:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;so why do you criticize what I do?<br>**[20:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just acting on my own judgment.<br>**[20:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san, are you sure you're not<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to reclaim your lost youth?<br>**[20:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because you didn't graduate<br>&nbsp;&nbsp;&nbsp;&nbsp;from high school or college...<br>**[20:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now you're discriminating<br>&nbsp;&nbsp;&nbsp;&nbsp;based on my academic history.<br>**[20:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I meant.<br>**[20:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the meal.<br>**[20:54] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[20:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[21:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Home.<br>**[21:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there's something else<br>&nbsp;&nbsp;&nbsp;&nbsp;that's been bothering me.<br>**[21:07] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[21:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you told anyone about Odokawa?<br>**[21:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? No. Of course not.<br>**[21:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your last chance.<br>**[21:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko-san told me.<br>**[21:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said you repeatedly said how sorry<br>&nbsp;&nbsp;&nbsp;&nbsp;you were for what you did to Odokawa.<br>**[21:30] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Taeko-san.<br>**[21:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is, Dobu-san threatened me,<br>**[21:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;and said something bad might<br>&nbsp;&nbsp;&nbsp;&nbsp;happen to you if I defied him.<br>**[21:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to protect you, so...<br>**[21:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, it sounds like you're trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;spin this like you did something heroic,<br>**[21:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this only happened because you went<br>&nbsp;&nbsp;&nbsp;&nbsp;off to find Dobu's hideout on your own!<br>**[21:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was going well up until that point.<br>**[22:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, he told you to frame<br>&nbsp;&nbsp;&nbsp;&nbsp;an innocent man. Am I wrong?<br>**[22:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, when I told Dobu-san—I mean, Dobu—<br>&nbsp;&nbsp;&nbsp;&nbsp;that we were investigating Odokawa-san,<br>**[22:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;he told me to keep him informed<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep an eye on him.<br>**[22:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did all of this for you, Rena-san.<br>**[22:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you have to strike that jackpot?<br>**[22:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[22:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspected it before, but you really suck.<br>**[22:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always act like nothing's your fault.<br>**[22:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's written all over your face<br>&nbsp;&nbsp;&nbsp;&nbsp;that you grew up pampered.<br>**[22:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's— You don't know that, Rena-san!<br>**[22:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not taking that from someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who never had a proper adolescence!<br>**[22:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that you'd understand,<br>&nbsp;&nbsp;&nbsp;&nbsp;since you don't have parents.<br>**[22:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you that?<br>**[22:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Mitsuya a stage name?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:00] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[23:01] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're only trying to promote Nikaido-san.<br>**[23:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna rob a bank.<br>**[23:04] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you kidnap her?<br>**[23:06] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[23:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan!<br>**[23:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll sell it to you.<br>**[23:11] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much?<br>**[23:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;One billion yen.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>**[23:12] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a problem.<br>

# E6 - It's Tough Being an Idol

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GD9UV3ME4/its-tough-being-an-idol)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:15] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut!<br>**[00:16] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, cut. That was good.<br>**[00:17] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll do the parking lot scene next.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll resume in 20 minutes.<br>**[00:20] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, everyone, Nikaido-sama brought<br>&nbsp;&nbsp;&nbsp;&nbsp;us some sweet buns. Thank you!<br>**[00:25] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[00:27] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were fantastic, Rui-chan.<br>&nbsp;&nbsp;&nbsp;&nbsp;That felt really real.<br>**[00:31] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep up the good work.<br>**[00:33] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[00:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Director.<br>**[00:36] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[00:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were great.<br>**[00:39] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to do this?<br>**[00:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[00:42] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[00:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, don't do this now.<br>**[00:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who said you couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;make it on singing and dancing alone.<br>**[00:50] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gonna get cast in bit parts to start.<br>**[00:52] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I mean why does it have to be this role?<br>**[00:57] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;There weren't any other options.<br>**[01:00] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We couldn't say no after<br>&nbsp;&nbsp;&nbsp;&nbsp;they made a role just for you.<br>**[01:03] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, thank you very much.<br>**[01:05] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with you? Don't get so upset.<br>**[01:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're judging that audition tonight.<br>**[01:11] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be friendly. I'm counting on you, okay?<br>**[01:13] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[01:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[01:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[01:30] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[01:33] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two in Mystery Kiss?<br>**[01:35] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[01:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This actually isn't the first time.<br>**[01:39] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've met before.<br>**[01:43] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you were at the release event.<br>**[01:45] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that why?<br>**[01:47] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like we have any other female fans.<br>**[01:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy to be<br>&nbsp;&nbsp;&nbsp;&nbsp;standing onstage with you.<br>**[01:51] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I'm impressed you<br>&nbsp;&nbsp;&nbsp;&nbsp;made it to the final ten.<br>**[01:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a coincidence.<br>&nbsp;&nbsp;&nbsp;&nbsp;How was your audition?<br>**[02:01] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think there were about a hundred people.<br>**[02:03] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hundred?<br>**[02:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the three of you were chosen?<br>**[02:10] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The three of us were chosen.<br>**[02:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess people who survive<br>&nbsp;&nbsp;&nbsp;&nbsp;are a different breed.<br>**[02:15] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[02:17] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[02:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:18] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;They make us wear masks.<br>**[02:21] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're only trying to promote Nikaido-san.<br>**[02:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[02:24] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Because... I don't know.<br>**[02:28] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably the agency's strategy, right?<br>**[02:32] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two okay with that?<br>**[02:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Good morning,<br>&nbsp;&nbsp;&nbsp;&nbsp;good morning, good morning.<br>**[02:37] Idols**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[02:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[02:46] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? We're all<br>&nbsp;&nbsp;&nbsp;&nbsp;sharing a greenroom?<br>**[02:50] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a lot of people. We can't help it.<br>**[02:52] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want my own room.<br>**[02:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's full of equipment and costumes.<br>**[02:57] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then install a partition here. Now.<br>**[03:00] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[03:08] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Nikaido, hey.<br>**[03:12] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's got a cute face, but...<br>**[03:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san, what is Nikaido-san like?<br>**[03:20] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you just saw.<br>&nbsp;&nbsp;&nbsp;&nbsp;Strong-willed and hates to lose.<br>**[03:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could talk to her.<br>**[03:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. Not even I feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;I can casually talk to her.<br>**[03:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been even more on edge since it was<br>&nbsp;&nbsp;&nbsp;&nbsp;decided we'd make our major debut.<br>**[03:38] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss is kind of impressive, though.<br>**[03:41] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only had five fans to start, right?<br>**[03:43] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:46] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. There was a time like that.<br>**[03:50] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was tough.<br>**[03:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Mitsuya a stage name?<br>**[03:58] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:59] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have this high school junior we haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;been able to get in touch with recently.<br>**[04:03] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're looking for her.<br>**[04:04] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is Mitsuya Yuki.<br>**[04:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kanon.<br>**[04:07] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:08] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a coincidence.<br>**[04:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your junior an idol, too?<br>**[04:18] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. You must be worried.<br>**[04:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, so could you let me know<br>&nbsp;&nbsp;&nbsp;&nbsp;if you know anything?<br>**[04:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. I'll let you know<br>&nbsp;&nbsp;&nbsp;&nbsp;if anything comes up.<br>**[04:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. Do you mind?<br>**[04:32] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. Look at this.<br>**[04:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking, I'm looking.<br>**[04:35] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't I look amazing?<br>**[04:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[04:37] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could totally debut.<br>**[04:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you be quiet for a second?<br>**[04:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? We have a problem.<br>**[04:49] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena, I think you're wearing that backwards.<br>**[04:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right.<br>**[04:56] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pull yourself together. This isn't like you.<br>**[04:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[05:00] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading back out there.<br>**[05:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[05:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where Mitsuya Yuki is?<br>**[05:19] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Probably still in the green room.<br>**[05:24] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real one.<br>**[05:35] Underling**<br>&nbsp;&nbsp;&nbsp;&nbsp;Greenroom?<br>**[05:36] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I see your ticket?<br>**[05:37] Underling**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the greenroom?<br>**[05:37] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greenroom isn't open to the public.<br>**[05:39] Underling**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you where the greenroom is.<br>**[05:40] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, if I could see some ID...<br>**[05:42] Underling**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're useless.<br>**[05:46] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;She suddenly disappeared.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't find her anywhere.<br>**[05:49] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes girls cancel last minute.<br>**[05:52] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't wait any longer, so you're<br>&nbsp;&nbsp;&nbsp;&nbsp;disqualified due to an absence.<br>**[05:57] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on next, Mystery Kiss.<br>**[05:59] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[06:02] Kanon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Where have you been?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was worried about you.*<br>**[06:04] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We failed the audition, y'know!*<br>**[06:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of there. Go somewhere safe.<br>**[06:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not your home. Somewhere around people.<br>**[06:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call you later.<br>**[06:38] Fan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that?<br>**[06:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap, crap, crap.<br>**[06:44] Fan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out.<br>**[06:48] Fan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Whoa!<br>**[06:55] Fan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rui-tan! Rui-tan!<br>**[06:56] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting, everyone! Here we go!<br>**[07:02] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready, and...<br>**[08:20] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell are you?<br>**[08:22] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you doing there?<br>**[08:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you audition?<br>**[08:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks again, Odokawa-san.<br>**[08:39] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you take us<br>&nbsp;&nbsp;&nbsp;&nbsp;to Shibaura Wharf in a hurry?<br>**[08:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[08:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, have you considered my request<br>&nbsp;&nbsp;&nbsp;&nbsp;to hand over your dash cam data?<br>**[08:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[09:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[09:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll sell it to you.<br>**[09:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For one billion yen.<br>**[09:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of price<br>&nbsp;&nbsp;&nbsp;&nbsp;a child would come up with.<br>**[09:28] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't this seem like not enough profit?<br>**[09:31] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this all we make from concerts?<br>**[09:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;They weren't the only ones performing today.<br>**[09:36] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's she here?<br>**[09:41] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't want to run<br>&nbsp;&nbsp;&nbsp;&nbsp;badger games anymore,<br>**[09:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she's here to talk to Yano-san.<br>**[09:47] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's busy right now.<br>**[09:50] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, I've got some bad news.<br>**[09:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I talk to him for a few minutes?<br>**[09:54] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news?<br>**[09:55] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan.<br>**[09:56] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about the dash cam.<br>**[09:57] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Shiho-chan?<br>**[10:00] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not you, is it?<br>**[10:03] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[10:04] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan!<br>**[10:06] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being tricked, right?<br>**[10:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll protect you from these guys!<br>**[10:14] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually pretty strong.<br>**[10:17] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've mastered every martial art there is,<br>&nbsp;&nbsp;&nbsp;&nbsp;from sumo for kids to whatever-jiujitsu.<br>**[10:26] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get the wrong idea, mister.<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, I can't even.<br>**[10:31] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't we have fun together?<br>**[10:32] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ate lots of good food together.<br>**[10:34] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spending time with you was painful.<br>**[10:37] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want to quit<br>&nbsp;&nbsp;&nbsp;&nbsp;running badger games.<br>**[10:39] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not the kind of girl who says that!<br>**[10:42] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, you're a liar!<br>**[10:44] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the liar, you bum! You're broke!<br>**[10:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura.<br>**[10:50] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! Why would you say that?!<br>**[10:56] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, what, what?<br>**[10:57] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe you! You're lying!<br>**[10:58] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's your bad news?<br>**[11:02] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about the dash cam data.<br>**[11:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone else offered to buy it.<br>**[11:10] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to get that dash cam data soon.<br>**[11:12] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been able to sleep since then.<br>**[11:15] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I keep expecting my doorbell to ring.<br>**[11:18] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you do something about this?!<br>**[11:19] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit your whining!<br>**[11:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss is doing great right now!<br>**[11:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're about to make their major debut!<br>**[11:32] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys are doin' pretty good these days?<br>**[11:34] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then ain't it about time my favor was repaid?<br>**[11:40] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do with him?<br>**[11:42] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do? What should we do?!<br>**[11:45] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just like him, too.<br>**[11:47] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lacking in caution.<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit asking about our next move.<br>**[11:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how was Yamamoto?<br>**[11:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed flustered.<br>**[12:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wanted to know who was trying to buy it.<br>**[12:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want some?<br>**[12:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you going to do next?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard from Kakihana-san in a week.  Do you know where he is?
<br>**[12:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna rob a bank.<br>**[12:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Sorry, I wasn't listening.<br>**[12:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to rob a bank.<br>**[12:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you stupid? How, in this day and age?<br>**[12:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be precise, I'm going to rob someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who's at the bank to make a withdrawal.<br>**[12:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to help me.<br>**[12:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'm not helping you.<br>**[12:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just listen.<br>**[12:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It takes a week or two to get<br>&nbsp;&nbsp;&nbsp;&nbsp;enough cash for a large withdrawal.<br>**[12:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're supposed to contact me<br>&nbsp;&nbsp;&nbsp;&nbsp;when that happens.<br>**[12:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll let me know who's receiving<br>&nbsp;&nbsp;&nbsp;&nbsp;how much cash on what day at what time.<br>**[12:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know that?<br>**[12:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lottery tickets can only be redeemed<br>&nbsp;&nbsp;&nbsp;&nbsp;at an exchange bank.<br>**[12:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who wins a large amount<br>&nbsp;&nbsp;&nbsp;&nbsp;has to visit that branch,<br>**[12:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've bribed one of their bank employees.<br>**[12:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's basically like I won the lottery.<br>**[13:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an awfully roundabout<br>&nbsp;&nbsp;&nbsp;&nbsp;way of doing things.<br>**[13:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just have the bank<br>&nbsp;&nbsp;&nbsp;&nbsp;employee withdraw the cash?<br>**[13:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it.<br>**[13:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would make the employee a victim.<br>**[13:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I make them an accomplice, then no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;what happens, it'll work out for me.<br>**[13:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the day of the withdrawal approaches,<br>**[13:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;guys like me will swarm around<br>&nbsp;&nbsp;&nbsp;&nbsp;that bank employee.<br>**[13:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we'll beat 'em all and take the cash.<br>**[13:33] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be in any danger.<br>**[13:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you have to do is put the cash in<br>&nbsp;&nbsp;&nbsp;&nbsp;your car once I've taken it to a safe place.<br>**[13:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll ditch the main car then.<br>**[13:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I will disappear with the cash.<br>**[13:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think about it too hard.<br>**[13:59] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're asking for donations.<br>**[14:00] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[14:03] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're drinking again,<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you? You gotta quit.<br>**[14:03] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[14:07] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Children eat for free.<br>**[14:09] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[14:10] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're asking for donations, please.<br>**[14:11] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[14:13] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's warm.<br>**[14:17] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[14:22] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I told you not to come here.<br>**[14:26] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you doing this?<br>**[14:28] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't have enough staff.<br>**[14:30] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not talking about the pork broth.<br>**[14:32] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to retire and focus on this.<br>**[14:39] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't forget everything you've done for me.<br>**[14:42] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're awfully hasty, aren't you?<br>**[14:48] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, about that dirty-as-sin heaping<br>&nbsp;&nbsp;&nbsp;&nbsp;pile of cash you can't spend...<br>**[14:54] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to put it like that.<br>**[14:56] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The billion yen Dobu-san's got his eye on.<br>**[14:59] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already found it.<br>**[15:03] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police are watching me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything.<br>**[15:06] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why this is an opportunity.<br>**[15:09] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let you do this.<br>**[15:12] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna bring you some<br>&nbsp;&nbsp;&nbsp;&nbsp;sparkling clean money.<br>**[15:16] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot!<br>**[15:18] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing this for the world!<br>&nbsp;&nbsp;&nbsp;&nbsp;For the people!<br>**[15:26] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't found an NPO just to launder money!<br>**[15:31] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't matter to me either way.<br>**[15:35] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're determined to retire,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you'll definitely need money.<br>**[15:40] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need money to help people, too.<br>**[15:42] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're gonna steal some<br>&nbsp;&nbsp;&nbsp;&nbsp;from an honest man?<br>**[15:45] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm gonna protect an honest citizen.<br>**[15:49] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been yapping about it on social media.<br>**[15:52] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we left him alone,<br>&nbsp;&nbsp;&nbsp;&nbsp;someone worse would prey on him.<br>**[15:56] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't finished cleaning up<br>&nbsp;&nbsp;&nbsp;&nbsp;your mess, you know.<br>**[16:01] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a time when I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;about making you an executive.<br>**[16:06] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must be going senile.<br>**[16:16] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you kidnap Don-chan's daughter?<br>**[16:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl my friend met through a dating site,<br>**[16:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the girl who was with a talent agency<br>&nbsp;&nbsp;&nbsp;&nbsp;guy named Yamamoto are the same person.<br>**[16:38] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My spring's finally on the horizon, though.<br>**[16:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? Why do I have to be your bodyguard?<br>**[16:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who proposed<br>&nbsp;&nbsp;&nbsp;&nbsp;I transport a billion yen.<br>**[16:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are hardly equal.<br>**[16:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where's your friend?<br>**[16:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the wharf.<br>**[16:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. You don't mean<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano's place, do you?<br>**[17:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it is, there's nothing I can do.<br>**[17:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't Yano your junior?<br>**[17:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one obsessed with hierarchies<br>&nbsp;&nbsp;&nbsp;&nbsp;and pledges made over sake cups.<br>**[17:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;resolve this by talking.<br>**[17:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an unspoken rule that we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;interfere with each other's business.<br>**[17:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't save Kakihana,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not helping you rob a bank.<br>**[17:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't that mean Yano<br>&nbsp;&nbsp;&nbsp;&nbsp;is interfering with your job?<br>**[17:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think you're so witty, don't you?<br>**[17:34] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[18:08] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it isn't Dobu-san.<br>**[18:11] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>**[18:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cold out here. Let me inside.<br>**[18:18] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is he?<br>**[18:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A taxi driver.<br>**[18:23] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your underling?<br>**[18:26] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've fallen far, Dobu.<br>**[18:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're out here runnin' badger games,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could say the same of you.<br>**[18:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, taxi driver. I'm gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;chuck this guy into the sea.<br>**[18:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your friend and get<br>&nbsp;&nbsp;&nbsp;&nbsp;outta here in the meantime.<br>**[20:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[21:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa...<br>**[21:15] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get to go home?<br>**[21:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's go home.<br>**[21:22] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so pathetic.<br>**[21:24] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you know what he said?<br>**[21:26] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I've always been pathetic.<br>**[21:33] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly, I felt better.<br>**[21:36] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's my hero.<br>**[21:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is this Odokawa person now?<br>**[21:44] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he still had something to do.<br>**[21:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san, do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;where you were being held captive?<br>**[21:53] Kaikhana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not sure. Seemed like<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of warehouse.<br>**[21:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see any young girls<br>&nbsp;&nbsp;&nbsp;&nbsp;around Ichimura Shiho's age?<br>**[22:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was holding you captive?<br>**[22:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;This big bear of a man wearing glasses.<br>**[22:13] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was wearing a black track suit.<br>**[22:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember anything else?<br>**[22:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they say anything?<br>**[22:24] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were talking about some dash cam data.<br>**[22:28] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they really needed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get their hands on it.<br>**[22:31] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san, should we call the police?<br>**[22:34] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, it's kind of embarrassing.<br>**[22:37] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I'm tired.<br>**[22:43] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Around 8:30AM on the 24th,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Breaking From Location of Found Body
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Abandoned? Police Rush to Identify Body
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minato City, Shibaura Wharf
<br>**[22:45] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;the body of a woman wrapped in a blue tarp<br>**[22:49] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;was found at 3-chome Shibaura<br>&nbsp;&nbsp;&nbsp;&nbsp;Wharf in Minato City, Tokyo.<br>**[22:52] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Tokyo Bay Police Station<br>&nbsp;&nbsp;&nbsp;&nbsp;is working to confirm her identity<br>**[22:56] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;while investigating this<br>&nbsp;&nbsp;&nbsp;&nbsp;as a case of an abandoned body.<br>**[22:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll catch whoever did it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:01] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be Mitsuya.<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya's back for revenge.<br>**[23:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bet you wish you were<br>&nbsp;&nbsp;&nbsp;&nbsp;getting a cut now, huh?<br>**[23:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to see the pictures you took<br>&nbsp;&nbsp;&nbsp;&nbsp;on your first day of work.<br>**[23:07] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of your damn business, you bastards!<br>**[23:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you know how I feel?<br>**[23:11] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you doing all this for my daughter?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>

# E7 - The Price of Regret

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GQJUG35MD/the-price-of-regret)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're screwed.<br>**[00:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down.<br>**[00:06] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're still the only ones<br>&nbsp;&nbsp;&nbsp;&nbsp;who know what happened.<br>**[00:08] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be fine.<br>**[00:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You call this fine?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why are the cops here?<br>**[00:15] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be Mitsuya.<br>**[00:17] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya's back for revenge.<br>**[00:20] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your voice down.<br>**[00:22] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've reported it then.<br>**[00:32] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido.<br>**[00:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Mitsuya-san?<br>**[00:50] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why didn't you audition the other day?*<br>**[00:52] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was looking forward to your performance.*<br>**[00:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suddenly felt ill. Maybe I was nervous.<br>**[01:00] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I actually wanted your advice on something.*<br>**[01:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;My advice?<br>**[01:06] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My manager told me to go*<br>*&nbsp;&nbsp;&nbsp;&nbsp;make some money tonight.*<br>**[01:12] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He said Ichimura-san's doing it, too.*<br>**[01:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[01:16] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently she gets paid*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to eat with old men.*<br>**[01:20] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Does your agency make you do*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that kind of thing?*<br>**[01:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not with an agency, but if mine<br>&nbsp;&nbsp;&nbsp;&nbsp;told me to do that, I'd quit right away.<br>**[01:29] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right? After all, I joined*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this agency to become an idol.*<br>**[01:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. No one wants to do that.<br>**[01:36] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's weird, though. Nikaido-san's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the only who doesn't have to do it.*<br>**[01:42] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Anyway, what happened with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;your junior you mentioned after that?*<br>**[01:47] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not much.<br>**[01:49] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I told Nikaido-san about her.*<br>**[01:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:53] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her reaction was obviously strange.*<br>**[01:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strange how?<br>**[01:59] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess you could say she seemed flustered.*<br>**[02:01] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In any case, it was weird.*<br>**[02:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weird?<br>**[02:05] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And lately our agency's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;been acting weird, too.*<br>**[02:08] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They told us not to talk to anyone.*<br>**[02:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you telling me this?<br>**[02:15] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just came to Tokyo.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't have anyone to turn to.*<br>**[02:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That must be disheartening.<br>**[02:22] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What do you do for work, Rena-chan?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;You're not part of an agency, right?*<br>**[02:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working another job right now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Part-time at a cabaret club.<br>**[02:32] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh. Really?*<br>**[02:35] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Around 8:30AM on the 24th, the body*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of a woman wrapped in a tarp*<br>**[02:39] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;was found at Shibaura Wharf*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in Tokyo's Minato City, Kaigan 3-chome.*<br>**[02:44] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Tokyo Bay Police Station*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is working to confirm her identity*<br>**[02:48] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;while investigating this*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as a case of an abandoned body.*<br>**[02:51] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The body was discovered near*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Shibaura Wharf station, and—*<br>**[03:05] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;...while investigating this*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as a case of an abandoned body.*<br>**[03:08] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The body was discovered near*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Shibaura Wharf station,*<br>**[03:11] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the area was temporarily in an uproar.*<br>**[03:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san.<br>**[03:14] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san called me this morning.<br>**[03:16] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Mitsuya? Wait, what?<br>**[03:19] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of Mystery Kiss.<br>**[03:21] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[03:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said Nikaido-san and<br>&nbsp;&nbsp;&nbsp;&nbsp;her agency were acting weird.<br>**[03:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like they're starting to slip up.<br>**[03:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki had all those incoming<br>&nbsp;&nbsp;&nbsp;&nbsp;calls from Nikaido Rui.<br>**[03:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to see the pictures you<br>&nbsp;&nbsp;&nbsp;&nbsp;took on your first day of work.<br>**[03:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu has those.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way to get them now.<br>**[03:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who wants those pictures?<br>**[03:41] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do.<br>**[03:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the guy who cheated.<br>&nbsp;&nbsp;&nbsp;&nbsp;And what does he do for work?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Niji Bank Staff Entrance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nijiiro Bank
<br>**[04:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please return my laptop<br>&nbsp;&nbsp;&nbsp;&nbsp;with the affair photos already.<br>**[04:18] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're one persistent bastard, aren't you?<br>**[04:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your laptop broke.<br>**[04:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just kidding.*<br>**[04:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time for that right now.<br>**[04:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again.<br>**[04:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll blow up your phone.<br>**[04:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're a real pain in the ass.*<br>**[04:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done with that laptop.<br>**[04:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll return it to the banker later.*<br>**[04:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can negotiate with him.*<br>**[04:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return it? But it's my—<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, my company's laptop.<br>**[04:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;And later? When and where is that?<br>**[04:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shut up. I'm busy!*<br>**[04:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you!<br>**[04:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? Hey, wait! Dobu-san—*<br>**[04:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You suck at this. See?<br>**[05:05] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mind?<br>**[05:17] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations on winning the lottery.<br>**[05:20] Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Niji Bank
<br>**[05:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[05:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did well. Now hurry up.<br>**[05:27] Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was worried they'd check<br>&nbsp;&nbsp;&nbsp;&nbsp;the fake notes. Right?<br>**[05:32] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to be all right? They're not<br>&nbsp;&nbsp;&nbsp;&nbsp;going to retaliate later, are they?<br>**[05:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be fine. Once they lose the<br>&nbsp;&nbsp;&nbsp;&nbsp;contest, they'll leave this town.<br>**[05:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, hurry up.<br>**[05:41] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[05:46] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what about the pictures?<br>**[05:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get paid once I check the contents.<br>**[05:53] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send you the location later.<br>**[05:55] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it went well.<br>**[06:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, yeah.<br>**[06:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[06:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bet you wish you were<br>&nbsp;&nbsp;&nbsp;&nbsp;getting a cut now, huh?<br>**[06:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't need that. But you're<br>&nbsp;&nbsp;&nbsp;&nbsp; gonna pay your taxi fare.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Niji Bank
<br>**[06:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Sato! Sato!<br>**[06:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san.<br>**[06:46] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd they say?<br>**[06:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That banker just left.<br>**[06:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Then—<br>**[06:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he can't have gone far.<br>**[06:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[07:03] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. Excuse me.<br>**[07:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[07:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Wrong person.<br>**[07:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? I'll be right there.<br>**[07:29] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tire... the tire...<br>**[07:43] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?!<br>**[07:44] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?! The police?!<br>**[07:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't care about your affair!<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone might've been killed!<br>**[07:51] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be grateful your wife<br>&nbsp;&nbsp;&nbsp;&nbsp;won't find out you're cheating!<br>**[07:52] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? She won't? Really?!<br>**[07:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That depends on you.<br>**[07:57] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Who are you guys?<br>**[08:00] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand.<br>**[08:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The suspect in another case might be<br>&nbsp;&nbsp;&nbsp;&nbsp;in the photographic evidence of your affair.<br>**[08:07] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that have to do with me?<br>**[08:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you weigh a person's life,<br>&nbsp;&nbsp;&nbsp;&nbsp;an affair, and one billion yen<br>**[08:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;against each other on your scales?<br>**[08:15] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But you can't weigh three things<br>&nbsp;&nbsp;&nbsp;&nbsp;against each other on a pair of scales.<br>**[08:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy's joking around.<br>**[08:21] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm being serious.<br>**[08:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think you're worth that much, huh?!<br>**[08:25] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get the wrong idea!<br>**[08:27] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not getting paid one billion yen.<br>**[08:29] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they'll get arrested, anyway.<br>**[08:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So will *you* for doing this.<br>**[08:34] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just come here to threaten me?<br>**[08:37] Kanemaru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just like Dobu.<br>**[08:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Dobu?! We're not like Dobu!<br>**[08:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we are.<br>**[08:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;we all commit a little evil.<br>**[08:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you regret your actions. So do I.<br>**[08:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And trying to make up for it<br>&nbsp;&nbsp;&nbsp;&nbsp;can't be a bad thing.<br>**[09:06] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm really sorry.<br>**[09:14] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's on! Nice.<br>**[09:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it! Found it. I found it.<br>**[09:26] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait.<br>**[09:30] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui.<br>**[09:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew she came to the office<br>&nbsp;&nbsp;&nbsp;&nbsp;the night of the incident.<br>**[09:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where was Mitsuya Yuki-san at this time?<br>**[09:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on her call history, Nikaido invited<br>&nbsp;&nbsp;&nbsp;&nbsp;her to the agency, so she was there, too?<br>**[09:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She saw something here and<br>&nbsp;&nbsp;&nbsp;&nbsp;got caught up in some trouble.<br>**[09:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means Odokawa gave Yuki-san a ride<br>&nbsp;&nbsp;&nbsp;&nbsp;and dropped her off at the office?<br>**[09:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go see Nikaido.<br>**[09:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go talk to Odokawa.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Studio
<br>**[10:07] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you need something?<br>**[10:10] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that girl from the other day.<br>**[10:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here about Yuki—Mitsuya Yuki.<br>**[10:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is she now?<br>**[10:19] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just left.<br>**[10:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking about the *real* Mitsuya Yuki.<br>**[10:24] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real Yuki?<br>**[10:26] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. She suddenly disappeared.<br>**[10:30] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our manager doesn't know what to do,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he replaced her with another girl.<br>**[10:33] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't her mother submit<br>&nbsp;&nbsp;&nbsp;&nbsp;a missing persons report?<br>**[10:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She rescinded it right away.<br>**[10:39] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard she contacted them.<br>**[10:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[10:43] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;She asked them not to look for her.<br>**[10:45] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she realized her father<br>&nbsp;&nbsp;&nbsp;&nbsp;had yakuza connections.<br>**[10:49] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't have kept working<br>&nbsp;&nbsp;&nbsp;&nbsp;as an idol after that.<br>**[10:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think her dad would've accepted that?<br>**[10:56] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. But it's her father who feels<br>&nbsp;&nbsp;&nbsp;&nbsp;guilty about what he's done, right?<br>**[11:00] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't.<br>**[11:03] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't accepted it, so he hired<br>&nbsp;&nbsp;&nbsp;&nbsp;a detective to find his daughter,<br>**[11:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's still missing.<br>**[11:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a detective, aren't you?<br>**[11:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Formerly. Not anymore.<br>**[11:14] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why are you doing this?<br>**[11:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she was my junior in high school.<br>**[11:19] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all?<br>**[11:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you be so calm<br>&nbsp;&nbsp;&nbsp;&nbsp;when someone is missing?<br>**[11:25] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might've gotten caught up in a crime.<br>**[11:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I'll cooperate.<br>**[11:29] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already cooperating with the police.<br>**[11:31] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what?<br>**[11:35] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plenty of girls go missing<br>&nbsp;&nbsp;&nbsp;&nbsp;due to poor mental health.<br>**[11:39] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, it's weird that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're so fired up about it<br>**[11:42] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you went<br>&nbsp;&nbsp;&nbsp;&nbsp;to the same high school.<br>**[11:44] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's holding me back and<br>&nbsp;&nbsp;&nbsp;&nbsp;causing huge problems for me.<br>**[11:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;All kinds of people are under<br>&nbsp;&nbsp;&nbsp;&nbsp;suspicion because of this.<br>**[11:52] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. Well, you go on<br>&nbsp;&nbsp;&nbsp;&nbsp;holding other people back.<br>**[12:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to be the same way.<br>**[12:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand what it's like to<br>&nbsp;&nbsp;&nbsp;&nbsp;wish someone would just go away.<br>**[12:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She could do everything, including track.<br>**[12:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only was I less talented than her,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she even worked hard in secret.<br>**[12:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watching Yuki threw my own<br>&nbsp;&nbsp;&nbsp;&nbsp;failures back in my face.<br>**[12:25] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you know how I feel?<br>**[12:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the night of October 4th,<br>&nbsp;&nbsp;&nbsp;&nbsp;you were at Mystery Kiss' agency office.<br>**[12:31] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What proof do you have?<br>**[12:32] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last call Yuki received was from you.<br>**[12:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I have this photo.<br>**[12:38] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay? So what if I was at my own agency?<br>**[12:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came up with some pretext<br>**[12:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;to invite Mitsuya Yuki to the agency<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of the night.<br>**[12:47] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[12:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You killed her.<br>**[12:53] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a huge leap. Are you stupid?<br>**[12:56] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, it's not that easy to kill someone.<br>**[12:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it must've been on impulse.<br>**[13:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You suspected your agency was<br>&nbsp;&nbsp;&nbsp;&nbsp;backed by someone shady, didn't you?<br>**[13:05] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The yakuza disposed of the body.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Yuki hasn't been found.<br>**[13:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were truly smart and calm,<br>&nbsp;&nbsp;&nbsp;&nbsp;you wouldn't have killed her.<br>**[13:17] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if *you* were smarter and calmer, <br>
&nbsp;&nbsp;&nbsp;&nbsp;then you wouldn't have done this.<br>**[13:22] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;This pretending to be a detective<br>&nbsp;&nbsp;&nbsp;&nbsp;or pretending to be an idol.<br>**[13:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. That bastard.<br>**[13:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me to a doctor, Odokawa.<br>**[13:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an unlicensed doctor<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm well-acquainted with.<br>**[13:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up. Put me in your taxi.<br>**[14:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should go to a normal hospital.<br>&nbsp;&nbsp;&nbsp;&nbsp;Receive proper treatment.<br>**[14:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. The car. What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;going to do with it?<br>**[14:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to return the money to its owner.<br>**[14:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It finally caught up to you.<br>**[14:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what they call retribution.<br>**[14:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is goodbye for you and me.<br>**[14:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't screw with me, Odokawa.<br>**[14:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Dobu-san, hang in there! Hey!<br>**[14:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[14:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you have to go and get shot?<br>**[14:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot of people have it out for me.<br>**[14:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what they call retribution.<br>**[15:00] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Odokawa do this to you?<br>**[15:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's just a taxi driver who<br>&nbsp;&nbsp;&nbsp;&nbsp;gave a passenger a ride.<br>**[15:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and call the cops.<br>**[15:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, there's no telling<br>&nbsp;&nbsp;&nbsp;&nbsp;what Yano will do to him.<br>**[15:22] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What?<br>**[15:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Stay with me!<br>**[15:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey, Dobu-san! Dobu-san!<br>**[15:35] Golfer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice shot.<br>**[15:38] Golfer**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on the green.<br>**[15:39] Golfer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice one.<br>**[15:41] Golfer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice.<br>**[15:44] Subordinate**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[15:45] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[16:02] Golfer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you okay?<br>**[16:03] Golfer**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened? Hey.<br>**[16:05] Male Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Before dawn on the 25th, three male*<br>*&nbsp;&nbsp;&nbsp;&nbsp;members of an anti-social organization*<br>**[16:08] Male Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;nearly stole roughly one billion yen*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in lottery winnings.*<br>**[16:09] Female Announcer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Representative Kuroda Shigeru was transported <br>
&nbsp;&nbsp;&nbsp;&nbsp;by emergency services to the hospital,*<br>**[16:10] Male Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This morning before dawn,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the police arrested a 27-year-old*<br>**[16:12] Female Announcer 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;*where he is receiving treatment for...*<br>**[16:13] Male Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and 33-year-old unemployed man*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fleeing from the scene of the crime.*<br>**[16:13] Female Announcer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to the MPD, suspect Kyohei <br>
&nbsp;&nbsp;&nbsp;&nbsp;was shot with a firearm in a parking lot.*<br>**[16:15] Female Announcer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Illegally acquired funds were <br>
&nbsp;&nbsp;&nbsp;&nbsp;being supplied to the NPO...*<br>**[16:15] Male Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Due to severe blood loss, a 39-year-old man*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thought be to connected to the same case...*<br>**[16:17] Female Announcer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The police have been waiting <br>
&nbsp;&nbsp;&nbsp;&nbsp;for Kuroda to recover to...*<br>**[16:19] Female Announcer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Until now, he's supported <br>
&nbsp;&nbsp;&nbsp;&nbsp;over 5,000 children*<br>**[16:21] Female Announcer 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;*orphaned by traffic accidents <br>
&nbsp;&nbsp;&nbsp;&nbsp;or without living relatives...*<br>**[16:23] Female Reporter**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the case of the unidentified body*<br>*&nbsp;&nbsp;&nbsp;&nbsp;found near Shibaura Wharf,*<br>**[16:25] Female Reporter**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the MPD is investigating a connection*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the missing Nerima high school girl*<br>**[16:30] Female Reporter**<br>*&nbsp;&nbsp;&nbsp;&nbsp;due to similarities*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in appearance and clothes—*<br>**[16:36] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[16:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The day she disappeared,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki-san received a bunch of calls<br>**[16:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;from another girl in her group<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of the night.<br>**[16:47] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. She said her friend<br>&nbsp;&nbsp;&nbsp;&nbsp;invited her out before she left.<br>**[16:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where was she invited to?<br>**[16:54] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[16:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl is the leader<br>&nbsp;&nbsp;&nbsp;&nbsp;of the group Yuki was in.<br>**[17:01] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that night, that leader...<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido entered the agency's office.<br>**[17:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Nikaido Rui. Do you recognize her?<br>**[17:18] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Yuki do something<br>&nbsp;&nbsp;&nbsp;&nbsp;to make this girl hate her?<br>**[17:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she did, what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to her is unforgivable.<br>**[17:28] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll catch whoever did it.<br>**[17:32] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you doing all this for my daughter?<br>**[17:40] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man named Yano has been telling me<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep quiet about this.<br>**[17:49] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Don't look for your daughter. If you tell<br>&nbsp;&nbsp;&nbsp;&nbsp;the police, I'll expose your husband's past."<br>**[17:56] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, he promised<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell me where Yuki was<br>**[18:00] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I rescinded the missing person's report.<br>**[18:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano?<br>**[18:03] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A potential executive<br>&nbsp;&nbsp;&nbsp;&nbsp;of a criminal organization.<br>**[18:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't he want you to talk?<br>**[18:12] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;My husband Donraku was<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be named a tomena.<br>**[18:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomena?<br>**[18:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san, you don't know what that is?<br>**[18:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means no one else will take his name.<br>**[18:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the highest rank someone can achieve.<br>**[18:26] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki was overjoyed by the news, too.<br>**[18:29] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So at first, we thought Yuki ran away<br>**[18:32] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;because she was shocked<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn about Donraku's past.<br>**[18:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Yano tell you that?<br>**[18:42] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was there anything else<br>&nbsp;&nbsp;&nbsp;&nbsp;unusual about that day?<br>**[18:47] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the same as always.<br>**[18:49] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;On weekdays, she came home<br>&nbsp;&nbsp;&nbsp;&nbsp;around eight at night.<br>**[18:52] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku was home for once, so<br>&nbsp;&nbsp;&nbsp;&nbsp;the three of us had dinner at home.<br>**[18:58] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We talked about trivial things,<br>**[19:01] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;like the trouble Yuki caused when<br>&nbsp;&nbsp;&nbsp;&nbsp;she was little by bringing frogs home.<br>**[19:09] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[19:11] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be right there.<br>**[19:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Ma'am?<br>**[19:34] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The body found at Shibaura Wharf <br>
&nbsp;&nbsp;&nbsp;&nbsp;has been identified.*<br>**[19:38] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The deceased is Nerima City resident <br>
&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki-san,18 years old.*<br>**[19:43] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for all the trouble we've caused.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto Fuyuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sergio Takagi
<br>**[19:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been unable to conceal our shock<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ichimura
<br>**[19:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;since we learned that<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya was found dead.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto Fuyuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sergio Takagi
<br>**[19:56] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;In October, Mitsuya Yuki's<br>&nbsp;&nbsp;&nbsp;&nbsp;mother contacted us<br>**[20:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell us that her daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;hadn't returned home.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui
<br>**[20:04] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did everything we could to help look<br>&nbsp;&nbsp;&nbsp;&nbsp;for her, but failed to locate her.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ichim
<br>**[20:07] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then who's this Mitsuya Yuki<br>&nbsp;&nbsp;&nbsp;&nbsp;sitting up there?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nikaido Rui
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto Fuyuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sergio Takagi
<br>**[20:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had another girl stand in for<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki so the group could debut.<br>**[20:13] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard the police are<br>&nbsp;&nbsp;&nbsp;&nbsp;investigating this case as a murder.<br>**[20:17] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea what happened to her?<br>**[20:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she was underpaid<br>&nbsp;&nbsp;&nbsp;&nbsp;before the group debuted.<br>**[20:28] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe she promoted herself<br>&nbsp;&nbsp;&nbsp;&nbsp;on social media<br>**[20:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;and may have been close with fans as well.<br>**[20:33] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean she was killed by a fan?<br>**[20:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm just saying that's a possibility.<br>**[20:38] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We take responsibility for failing to protect<br>&nbsp;&nbsp;&nbsp;&nbsp;her privacy and provide adequate security.<br>**[20:46] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot regret what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;more than we already do.<br>**[20:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We also can't bear to face<br>&nbsp;&nbsp;&nbsp;&nbsp; Shofutei Donraku-san<br>**[20:58] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;who entrusted his daughter to our agency.<br>**[21:01] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has Donraku-san said anything about this?<br>**[21:03] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do the other members feel?<br>**[21:05] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does Donraku-san know<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki was replaced?<br>**[21:07] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The body found at Shibaura Wharf*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has been identified.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss Member  Mitsuya Yuki-san (18 years old)
<br>**[21:11] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The deceased is Nerima City resident*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki-san, 18 years old.*<br>**[21:17] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mitsuya Yuki-san was a member <br>
&nbsp;&nbsp;&nbsp;&nbsp;of idol group Mystery Kiss.*<br>**[21:20] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry. Donraku<br>&nbsp;&nbsp;&nbsp;&nbsp;is currently out right now.<br>**[21:21] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fans have been shocked by <br>
&nbsp;&nbsp;&nbsp;&nbsp;the sudden news of her death.*<br>**[21:24] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I please ask you to<br>&nbsp;&nbsp;&nbsp;&nbsp;leave for today? Excuse me.<br>**[21:27] Media**<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku-san! Donraku-san!<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we get a comment?<br>**[21:32] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[21:36] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I know<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an irresponsible parent.<br>**[21:42] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But honestly, I wish I could kill her killer.<br>**[21:46] Media**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this related to your<br>&nbsp;&nbsp;&nbsp;&nbsp;past criminal associations?<br>**[21:49] Media**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will this affect your tomena naming?<br>**[21:50] Media**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you have to say<br>&nbsp;&nbsp;&nbsp;&nbsp;when your daughter was killed?<br>**[21:54] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of your damn business, you bastards!<br>**[21:55] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing?!<br>**[21:57] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on! Get out of here, bastards!<br>**[22:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san, everyone's worried about you.<br>**[22:13] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;We brought you those<br>&nbsp;&nbsp;&nbsp;&nbsp;salmon roe rice balls you like.<br>**[22:19] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[22:20] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-chan.<br>**[22:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.<br>**[22:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry the place is a mess.<br>**[22:23] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[22:24] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you're okay, but...<br>**[22:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dark in here.<br>**[22:27] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give us a second.<br>**[22:31] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some.<br>**[22:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[22:32] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[22:33] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Rena-san, when are you<br>&nbsp;&nbsp;&nbsp;&nbsp;coming back to work?<br>**[22:35] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ask her that right now.<br>**[22:38] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the boss were here...<br>**[22:40] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[22:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd be like a family, you know?<br>**[22:43] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean? Oh, please.<br>**[22:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine the boss were here.<br>&nbsp;&nbsp;&nbsp;&nbsp;The four of us would be a family.<br>**[22:52] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's not so bad.<br>**[22:54] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it good?<br>**[22:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so good. What's with this salmon roe?<br>**[22:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki's working hard, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't say that to her.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:02] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Yuki? Are you okay?!<br>**[23:03] Boy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Are you okay?<br>**[23:04] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[23:05] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want anything to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with this stuff anymore.<br>**[23:06] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really didn't do it!<br>**[23:08] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya called me.<br>**[23:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What is this?<br>**[23:10] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're doing this without<br>&nbsp;&nbsp;&nbsp;&nbsp;the higher ups' knowledge.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>**[23:12] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're screwed if they find out.<br>

# E8 - The Trajectory of a Fall

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G50UZV0ME/the-trajectory-of-a-fall)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:14] Girl A**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I heard they're only having*<br>*&nbsp;&nbsp;&nbsp;&nbsp;one person compete in the long jump.*<br>**[00:16] Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? Then it's gotta be Rena-senpai.*<br>**[00:17] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's been practicing every morning lately.*<br>**[00:19] Girl C**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, it could be Yuki. Have you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;seen her recent numbers?*<br>**[00:22] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But she's still a first-year.*<br>**[00:23] (Flashback) Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[00:25] (Flashback) Advisor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gather round, track team!<br>**[00:31] (Flashback) Advisor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've chosen our lineup, so take a look.<br>**[00:34] (Flashback) Advisor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This next meet will be the third-years' last.<br>**[00:37] (Flashback) Advisor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you're not competing, make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you cheer on the rest of the team.<br>**[00:40] (Flashback) Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[00:50] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why? We're both<br>&nbsp;&nbsp;&nbsp;&nbsp;signed up for the relay.<br>**[00:54] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we supposed to start<br>&nbsp;&nbsp;&nbsp;&nbsp;practicing our baton pass now?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Running Long Jump<br>
&nbsp;&nbsp;&nbsp;&nbsp; Year 2 Year 1 Mitsuya Yuki
<br>**[00:57] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not a team player.<br>**[01:00] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, are all the third-years signed up?<br>**[01:10] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Rena?<br>**[01:14] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't accept it.<br>**[01:16] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you talk to the teacher?<br>**[01:20] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said I was disrupting the team's harmony.<br>**[01:23] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that's awful.<br>**[01:25] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you're doing is focusing on your own<br>&nbsp;&nbsp;&nbsp;&nbsp;training since we have a meet coming up.<br>**[01:29] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She refused to listen<br>&nbsp;&nbsp;&nbsp;&nbsp;to anything I had to say.<br>**[01:34] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to do well.<br>**[01:37] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean for college?<br>**[01:39] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exemptions from school fees can be huge.<br>**[01:44] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you try talking to Yuki?<br>**[01:46] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki's training hard, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't say that to her.<br>**[01:58] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I know. Yes. Yes.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Supernatural Love <br>
&nbsp;&nbsp;&nbsp;&nbsp;Phenomenon
<br>**[02:02] Employee A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Countless times. Yes.<br>**[02:03] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-One moment, please! Yes.<br>**[02:06] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Yes. Yes. Yes.<br>**[02:09] Employee B**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Seems like<br>&nbsp;&nbsp;&nbsp;&nbsp;we've got a poor signal.<br>**[02:11] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, give me a break. Are you done?<br>**[02:12] Employee B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me? Huh? Hello? Hello?<br>**[02:13] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, bye. Bye. Yes. Yes.<br>**[02:16] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Yes. Yes. Thank you.<br>**[02:17] Employee B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we have a poor signal?<br>**[02:21] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good afternoon, everyone.<br>**[02:24] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go. Here. Here.<br>**[02:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[02:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put together a concert set list.<br>**[02:31] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't expect us to sing<br>&nbsp;&nbsp;&nbsp;&nbsp;under these circumstances.<br>**[02:34] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't you stopping this?<br>**[02:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. Tickets are selling like crazy.<br>**[02:40] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[02:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you two leave us for a second?<br>**[02:56] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;This can't be good.<br>**[02:59] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally learned the<br>&nbsp;&nbsp;&nbsp;&nbsp;choreography and song, too.<br>**[03:01] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said we'd only be wearing masks<br>&nbsp;&nbsp;&nbsp;&nbsp;until Mitsuya-san came back, anyway.<br>**[03:07] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking, why don't we<br>&nbsp;&nbsp;&nbsp;&nbsp;start over at another agency?<br>**[03:13] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want anything to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with this stuff anymore.<br>**[03:16] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. Let's talk downstairs.<br>**[03:20] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those girls we met the other day...<br>**[03:22] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I trusted you then.<br>**[03:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it. That's why you<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't call the police.<br>**[03:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who else is there?<br>**[03:37] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would I know?<br>**[03:39] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who said it.<br>**[03:42] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[03:45] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I said I wish they were dead,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that was just a slip of the tongue.<br>**[03:53] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really didn't do it!<br>**[03:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that. You have no reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to lie to me, Nikaido.<br>**[04:01] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you stop looking at me like that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you know everything about me.<br>**[04:06] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you show up then, anyway?<br>**[04:11] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya called me.<br>**[04:18] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[04:20] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, hello.*<br>**[04:21] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you calling so late?<br>**[04:23] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nikaido-san asked me to come to the office.*<br>**[04:28] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm scared.*<br>**[04:31] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido did?<br>**[04:33] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. I hope I'm just overthinking it.*<br>**[04:37] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Could you come, too, Yamamoto-san?*<br>**[04:42] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you now?<br>**[04:44] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm on my way there in a taxi.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll be there in about 20 minutes.*<br>**[04:50] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I'll be right there.<br>**[04:57] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why are you sitting in the dark?<br>**[05:04] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't scare me like that, Nikaido.<br>**[05:08] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:12] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? What's wrong?<br>**[05:18] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Mitsuya?<br>**[05:23] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[05:26] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you...<br>**[05:34] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait! How could you do this now?!<br>**[05:38] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're screwed if people find out about this.<br>**[05:41] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me think for a second.<br>**[05:49] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we're good. We're all good.<br>**[05:54] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know someone who will do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;for the right price. No, wait...<br>**[05:59] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did anyone see you come here?<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you take the train?<br>**[06:03] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I shouldn't have taken a taxi.<br>**[06:08] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I walked.<br>**[06:14] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to hire a professional.<br>**[06:45] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[06:48] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano-san, what should we do?<br>**[06:51] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give up, man.<br>**[06:56] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously can't with this.<br>**[07:00] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like she was bludgeoned<br>&nbsp;&nbsp;&nbsp;&nbsp;by a pissed off Nikaido,<br>**[07:10] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;then strangled by Yamamoto.<br>**[07:15] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Never murder no matter how fat<br>&nbsp;&nbsp;&nbsp;&nbsp;the stacks" is the boss' roots.<br>**[07:20] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it's my rule.<br>**[07:22] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you played fast and loose,<br>&nbsp;&nbsp;&nbsp;&nbsp;now you went and screwed the pooch.<br>**[07:28] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;To me, that's how it looks.<br>**[07:31] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you. Spread that tarp over there.<br>**[07:37] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[07:40] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna move her. Hurry up.<br>**[07:43] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[07:51] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[08:12] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, hurry.<br>**[08:22] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, where are we going?<br>**[08:24] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out to sea, then towards Kawasaki.<br>**[08:26] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Land routes are too dangerous.<br>**[08:28] (Flashback) Yamamato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? We're going to toss her into the sea?<br>**[08:30] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'd come floating back<br>&nbsp;&nbsp;&nbsp;&nbsp;up right away, idiot.<br>**[08:35] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna melt her.<br>**[08:38] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't that construction site<br>&nbsp;&nbsp;&nbsp;&nbsp;be a better place to hide her?<br>**[08:41] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our last resort.<br>**[08:45] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last resort?<br>**[08:47] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one ever resorts to using a last resort.<br>**[08:52] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That land belongs to the group, idiot.<br>**[08:55] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're doing this without<br>&nbsp;&nbsp;&nbsp;&nbsp;the higher ups' knowledge.<br>**[08:56] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're screwed if they find out.<br>**[09:05] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up or the sun will come up.<br>**[09:28] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Push that side. We'll dump her.<br>**[09:35] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's dump her.<br>**[09:40] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[09:44] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable. Yano-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;could you handle the engine?<br>**[09:48] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:52] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:59] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiots! What are you doing?!<br>**[10:08] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Nikaido, um...<br>**[11:13] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[11:31] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Yuki?<br>**[11:32] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki! Are you okay?!<br>**[11:34] (Flashback) Boy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Are you okay?<br>**[11:35] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone get a teacher!<br>**[11:35] (Flashback) Boy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[11:36] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki? What's wrong?<br>**[11:38] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Yuki!<br>**[11:39] (Flashback) Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad.<br>**[11:40] (Flashback) Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? Yuki? Yuki?<br>**[11:42] (Flashback) Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? Yuki!<br>**[12:07] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[12:11] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came to see me?<br>**[12:12] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:14] (Flashback) Student A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki-chan, we're gonna go.<br>**[12:16] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[12:16] (Flashback) Student B**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll visit again before you move.<br>**[12:17] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. Bye. Thanks.<br>**[12:18] (Flashback) Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[12:19] (Flashback) Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[12:20] (Flashback) Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care.<br>**[12:23] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to see you again.<br>**[12:24] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to see you.<br>**[12:28] (Flashback) Student A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed she showed her face here.<br>**[12:30] (Flashback) Student B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? Talk about shameless.<br>**[12:33] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki, you're moving?<br>**[12:35] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm transferring schools.<br>**[12:38] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:40] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not your fault, Rena-san.<br>**[12:42] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was always planning to move in<br>&nbsp;&nbsp;&nbsp;&nbsp;with my father who lives in Tokyo.<br>**[12:48] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So, how are you doing?<br>**[12:53] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot better. See?<br>**[13:01] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san, I heard you were suspended.<br>**[13:08] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry that happened because of me.<br>**[13:11] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, uh...<br>**[13:14] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokyo, huh? Lucky. I'd love to go hang out.<br>**[13:17] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanon-san, you're thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;of Harajuku, aren't you?<br>**[13:20] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father's house is in Nerima.<br>**[13:22] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that different from here.<br>**[13:24] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! When are you moving?<br>**[13:28] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as I'm out of the hospital.<br>**[13:30] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:34] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Rena. Yuki said she wanted to see you.<br>**[13:40] (Flashback) Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:42] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we'd regret not seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;each other before we parted ways.<br>**[13:48] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[13:51] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still like you, Rena-san, so...<br>**[13:56] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what about me?<br>**[13:58] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanon-san, you'll forget<br>&nbsp;&nbsp;&nbsp;&nbsp;about me before long.<br>**[14:02] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you? You know that's not true.<br>**[14:05] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hang out in Tokyo<br>&nbsp;&nbsp;&nbsp;&nbsp;together sometime, okay?<br>**[14:08] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agreed!<br>**[14:12] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Rena?<br>**[14:16] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. That keychain.<br>**[14:27] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I'll treasure it.<br>**[14:36] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so cute.<br>**[14:40] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san? I hope you're not crying.<br>**[14:44] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll make it harder to see you again.<br>**[14:48] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[14:53] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[14:55] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-chan, thank you so much<br>&nbsp;&nbsp;&nbsp;&nbsp;for coming today.<br>**[15:00] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just going to invite family, but<br>&nbsp;&nbsp;&nbsp;&nbsp;we wanted to make an exception for you.<br>**[15:05] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Yuki is happy, too.<br>**[15:08] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all that you've done.<br>**[15:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I couldn't do anything to help.<br>**[15:16] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true at all. You kept<br>&nbsp;&nbsp;&nbsp;&nbsp;searching for her until the end.<br>**[15:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two all right?<br>**[15:27] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:30] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm relieved Yuki finally came back to us.<br>**[15:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[15:38] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-chan, you can come talk<br>&nbsp;&nbsp;&nbsp;&nbsp;to us anytime you're hurting.<br>**[15:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I did a terrible thing to Yuki-san.<br>**[15:57] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[16:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who injured her<br>&nbsp;&nbsp;&nbsp;&nbsp;on the stairs in high school.<br>**[16:17] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's in the past.<br>**[16:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I liked Yuki.<br>**[16:26] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was so brilliant, it frustrated me.<br>**[16:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still don't understand what<br>&nbsp;&nbsp;&nbsp;&nbsp;I did then or why I did it.<br>**[16:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It eats away at me so much<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to do.<br>**[16:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I hope you'll come!<br>**[17:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pick you up. Okay, thank you!<br>**[17:26] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[17:29] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto-san.<br>**[17:36] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Nikaido-san.<br>**[17:40] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know why we're here, don't you?<br>**[17:42] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're under arrest for the murder<br>&nbsp;&nbsp;&nbsp;&nbsp;of Mitsuya Yuki on December 24th<br>**[17:45] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and abandoning her body.<br>**[17:52] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Wait, what do you mean?<br>**[17:54] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the 30th, police arrested Mystery Kiss*<br>*&nbsp;&nbsp;&nbsp;&nbsp;member and suspect Nikaido Rui*<br>**[18:00] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;who was voluntarily undergoing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;questioning for the murder*<br>**[18:04] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;of fellow group member Mitsuya*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki-san and abandoning her body.*<br>**[18:10] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The suspect is denying some of the charges.*<br>**[18:14] [SONG] Sign Bottom Blue**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspect Yamamoto<br>**[18:14] [SONG] Sign Bottom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Group manager, suspected of abandoning and <br>
&nbsp;&nbsp;&nbsp;&nbsp;mutilating a corpse with suspect Nikaido Rui<br>**[18:14] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The police have also arrested the group's<br>
&nbsp;&nbsp;&nbsp;&nbsp; manager Yamamoto Fuyuki,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What?
<br>**[18:14] [SONG] Sign Top Right**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspected of Murdering Idol<br>**[18:14] [SONG] Sign Top Right**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fellow Group Member Arrested<br>**[18:19] [SONG] Sign Bottom Blue**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspect Yano Haruhito (27)<br>**[18:19] [SONG] Sign Bottom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arrested & detained for one billion yen robbery → Rearrested<br>
&nbsp;&nbsp;&nbsp;&nbsp;Under investigation for involvement in criminal organization<br>**[18:19] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and rearrested self-proclaimed company <br>
&nbsp;&nbsp;&nbsp;&nbsp;managers Yano Haruhito and Sekiguchi Togo,*<br>**[18:25] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who were previously arrested and <br>
&nbsp;&nbsp;&nbsp;&nbsp;detained on separate robbery charges,*<br>**[18:25] [SONG] Sign Bottom Blue**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspect Sekiguchi Togo (33)<br>**[18:25] [SONG] Sign Bottom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arrested & detained for one billion yen robbery → Rearrested<br>
&nbsp;&nbsp;&nbsp;&nbsp;Under investigation for involvement in criminal organization<br>**[18:30] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*this time for abandoning<br>
&nbsp;&nbsp;&nbsp;&nbsp; and mutilating a corpse.*<br>**[18:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to try disguising myself.<br>**[18:33] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, do it. What?<br>**[18:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[18:37] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. Feels like it's been a while, huh?<br>**[18:42] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've let me know you were coming.<br>**[18:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. The Yuki stuff has calmed down<br>&nbsp;&nbsp;&nbsp;&nbsp;for now, so I came to tidy up.<br>**[18:52] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the future? Have you<br>&nbsp;&nbsp;&nbsp;&nbsp;already decided what you're going to do?<br>**[18:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[19:00] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so secretive.<br>**[19:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been learning on the job<br>&nbsp;&nbsp;&nbsp;&nbsp;for a while now,<br>**[19:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I figured I'd do some<br>&nbsp;&nbsp;&nbsp;&nbsp;classroom learning for a while.<br>**[19:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What classroom learning?<br>**[19:11] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to college?<br>**[19:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll start by getting my<br>&nbsp;&nbsp;&nbsp;&nbsp;secondary school certificate.<br>**[19:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll study the law properly.<br>**[19:19] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about an online program?<br>**[19:22] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you can keep working while you study.<br>**[19:25] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what my second cousin's<br>&nbsp;&nbsp;&nbsp;&nbsp;husband's sister's friend did,<br>**[19:29] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she makes tons of money now.<br>**[19:33] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you do that while<br>&nbsp;&nbsp;&nbsp;&nbsp;you come back to work for us?<br>**[19:37] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding a new investigator would be<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of work. Right, boss?<br>**[19:41] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about? We've got me.<br>**[19:43] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, you? Where?<br>**[19:44] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to their investigation,*<br>**[19:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! I'm already right here, aren't I?<br>**[19:45] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*police found signs that Mitsuya-san <br>
&nbsp;&nbsp;&nbsp;&nbsp;was struck on the head with a blunt object*<br>**[19:46] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just joined recently.<br>**[19:49] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and strangled with something like a cable.*<br>**[19:53] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Also, there was no weapon*<br>*&nbsp;&nbsp;&nbsp;&nbsp;found at the crime scene.*<br>**[19:58] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Based on the method used,*<br>**[20:00] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the police believe the culprit held*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a strong grudge against Mitsuya-san*<br>**[20:03] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and are currently*<br>*&nbsp;&nbsp;&nbsp;&nbsp;questioning multiple people*<br>**[20:06] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;who may have had interpersonal*<br>*&nbsp;&nbsp;&nbsp;&nbsp;issues with the victim.*<br>**[20:09] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to you today?<br>**[20:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for suddenly asking to meet.<br>**[20:13] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's totally fine. It's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;I have anything else to do.<br>**[20:16] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's been arrested.<br>&nbsp;&nbsp;&nbsp;&nbsp;My schedule's wide open.<br>**[20:21] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.<br>**[20:23] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, really?<br>**[20:27] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my support.<br>**[20:29] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so awkward.<br>**[20:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I'm famous for something weird.<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see the news?<br>**[20:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Sorry I didn't notice.<br>**[20:42] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Now I don't have to wear a mask.<br>**[20:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured out a bunch of things<br>&nbsp;&nbsp;&nbsp;&nbsp;because you called me the other day.<br>**[20:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to thank you for that today.<br>**[20:55] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? You mean about Nikaido-san?<br>**[20:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It made me realize there are<br>&nbsp;&nbsp;&nbsp;&nbsp;unimaginably scary things out there.<br>**[21:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wadagaki-san, what are you going to do?<br>**[21:09] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've actually been recruited<br>&nbsp;&nbsp;&nbsp;&nbsp;by another agency.<br>**[21:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another agency? You're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep being an idol?<br>**[21:14] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let that bring me down.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the reason I came to Tokyo.<br>**[21:20] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't go home until<br>&nbsp;&nbsp;&nbsp;&nbsp;I've accomplished something.<br>**[21:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[21:25] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I haven't been paid yet.<br>**[21:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even get in touch<br>&nbsp;&nbsp;&nbsp;&nbsp;with the company president.<br>**[21:31] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotten caught in the crossfire.<br>**[21:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crossfire?<br>**[21:34] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[21:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and Ichimura-san must've been asked<br>&nbsp;&nbsp;&nbsp;&nbsp;what you were doing the day of the incident.<br>**[21:44] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. This again?<br>**[21:47] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police asked me too,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was a normal day for me.<br>**[21:50] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to my dance lesson,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then I went home.<br>**[21:53] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you ask?<br>**[21:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your dance lesson, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Ichimura-san?<br>**[21:58] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Probably<br>&nbsp;&nbsp;&nbsp;&nbsp;doing her sugar daddy job.<br>**[22:02] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that was the reason.<br>**[22:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What caused Nikaido-san<br>&nbsp;&nbsp;&nbsp;&nbsp;and Mitsuya-san's disagreement?<br>**[22:09] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido-san had a harsh personality.<br>**[22:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a reason to do that?<br>**[22:14] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's gotten into you?<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I'm being interrogated.<br>**[22:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you?<br>**[22:21] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to move onto<br>&nbsp;&nbsp;&nbsp;&nbsp;my next step, so could you not?<br>**[22:34] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[22:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wadagaki-san?<br>**[22:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wadagaki-san?<br>**[22:55] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sato?<br>**[22:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just left. Be careful.<br>**[22:59] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought if I became an idol<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be able to meet my dad.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:02] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad is a storyteller.<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Donraku.<br>**[23:05] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're so unmotivated,<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't you just quit?<br>**[23:06] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been forced to bend to her every whim.<br>**[23:08] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go as far as I can with this team.<br>**[23:11] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what you promised.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>**[23:12] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta do whatever it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to make your dreams come true.<br>

# E9 - I Am a Cat

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GWDU8J27K/i-am-a-cat)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm late today.<br>**[00:16] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still homeless, huh?<br>**[00:27] Donraku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This nation really will fall*<br>*&nbsp;&nbsp;&nbsp;&nbsp;due to incompetent politicians.*<br>**[00:32] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Those damn nepo-baby Diet members—*<br>**[00:37] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom, I've been wondering.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you turn off the TV?<br>**[00:42] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we're gonna eat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, sit up straight.<br>**[00:50] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always turn off the TV<br>&nbsp;&nbsp;&nbsp;&nbsp;when Donraku comes on.<br>**[00:56] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;We promised not to talk about that anymore.<br>**[00:59] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used to have tons of pictures of him up.<br>**[01:02] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you gonna hide it?<br>**[01:04] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might see him in Tokyo.<br>**[01:06] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying this for your sake.<br>**[01:09] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you grow up, someday you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;understand, whether you like it or not.<br>**[01:17] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me. Is the<br>&nbsp;&nbsp;&nbsp;&nbsp;audition in this building?<br>**[01:21] (Flashback) Applicant A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno. Look it up yourself, why don't you?<br>**[01:26] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you auditioning today?<br>**[01:27] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uh, yes.<br>**[01:30] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let's go together.<br>**[01:39] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for earlier.<br>**[01:41] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's totally fine. That map<br>&nbsp;&nbsp;&nbsp;&nbsp;was impossible to understand.<br>**[01:45] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I just came to Tokyo yesterday.<br>**[01:49] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Wow.<br>**[01:51] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must've made it<br>&nbsp;&nbsp;&nbsp;&nbsp;even harder to understand.<br>**[01:53] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you from?<br>**[01:54] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oita.<br>**[01:56] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why your backpack's so big?<br>**[01:58] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even packed everything I need.<br>**[02:01] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Really?<br>**[02:03] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't bring anything?<br>**[02:05] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I didn't notice.<br>**[02:11] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem so calm. You're not nervous at all.<br>**[02:18] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually just noticed<br>&nbsp;&nbsp;&nbsp;&nbsp;since you mentioned it,<br>**[02:21] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I seem to have forgotten my bag<br>&nbsp;&nbsp;&nbsp;&nbsp; at home because I was so nervous.<br>**[02:30] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Seriously?<br>**[02:33] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Mitsuya Yuki. Nice to meet you.<br>**[02:36] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought if I became an idol<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be able to meet my dad.<br>**[02:39] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a nice dream.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it'll come true.<br>**[02:45] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you audition, Mitsuya-san?<br>**[02:48] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think my reason's a bit like yours.<br>**[02:51] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like my father, I wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;make people laugh and cry.<br>**[02:56] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to get a job in entertainment<br>&nbsp;&nbsp;&nbsp;&nbsp;that would let me move people's hearts.<br>**[03:01] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing! Your dad's an entertainer?<br>**[03:04] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but I didn't tell him I'm auditioning.<br>**[03:07] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father said he'd introduce me<br>&nbsp;&nbsp;&nbsp;&nbsp;to some people in the business he knows,<br>**[03:11] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then I wouldn't be<br>&nbsp;&nbsp;&nbsp;&nbsp;doing it myself, you know?<br>**[03:14] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds like a wasted opportunity.<br>**[03:16] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[03:18] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want people to say I only<br>&nbsp;&nbsp;&nbsp;&nbsp;got the job because of my father.<br>**[03:21] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He honed his art all on his own.<br>**[03:26] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[03:27] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kind of jealous.<br>**[03:30] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. I shouldn't have said all that.<br>**[03:32] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Forget what I said.<br>**[03:35] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's totally fine. I'm used to it.<br>**[03:41] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be great if we both passed the audition.<br>**[03:46] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had the same thought!<br>**[03:48] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:19] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I know this was sudden!<br>**[04:21] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[04:23] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was glad to hear from you, Mitsuya-san.<br>**[04:27] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, listen...<br>**[04:29] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[04:30] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a call after that.<br>**[04:32] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:33] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They called me in for a final screening.<br>**[04:36] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's great!<br>**[04:38] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to tell you in person.<br>**[04:43] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Sakura-chan?<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get your results yet?<br>**[04:45] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing.<br>**[04:48] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you still have a chance.<br>**[04:49] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:50] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're still deciding.<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't tell me anything else.<br>**[04:55] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm sure you'd pass another audition.<br>**[04:59] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm broke, so I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;even go back home now.<br>**[05:05] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it comes to it, I'll ask<br>&nbsp;&nbsp;&nbsp;&nbsp;my father if he has any ideas.<br>**[05:09] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does your dad do?<br>**[05:12] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Sorry.<br>**[05:15] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to hide it.<br>**[05:17] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's embarrassing.<br>**[05:20] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why? You should hold your head high.<br>**[05:23] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You passed the audition on your own merits.<br>**[05:27] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad is a storyteller.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know about rakugo?<br>**[05:31] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:32] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's on TV a lot.<br>**[05:35] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had a reputation for casually<br>&nbsp;&nbsp;&nbsp;&nbsp;saying things that upset people,<br>**[05:38] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was a little embarrassed about it.<br>**[05:41] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you know him. His name is Donraku.<br>**[05:47] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...High School, Saitama...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Running Long Jump - Final Group 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya Yuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Donraku
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Donraku TV
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Donraku child
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...has commitment issues and previously<br>
&nbsp;&nbsp;&nbsp;&nbsp; acknowledged affairs in the past.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...influential rakugo storyteller Master Shofutei Donraku.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Previously divorced...? A deep dive!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...children also storytellers?  Rakugo storyteller Shofutei Donraku-san...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...results of our investigation <br>
&nbsp;&nbsp;&nbsp;&nbsp;revealed their identities...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;secret lovechild
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Donraku
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;secret lovechild
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...Master Shofutei Donraku has multiple secret children...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"I don't need to apologize!"<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Cheating and infidelity.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Living Room Advisor – Shofutei...<br>
&nbsp;&nbsp;&nbsp;&nbsp;...denies numerous allegations.
<br>**[06:21] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Mom?<br>**[06:24] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A letter arrived for you.*<br>**[06:27] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It said it was from a place*<br>*&nbsp;&nbsp;&nbsp;&nbsp;called Gray Dog Agency.*<br>**[06:30] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It finally arrived.<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be the audition results.<br>**[06:34] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know that.*<br>**[06:36] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[06:37] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I opened it right away.*<br>**[06:39] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[06:45] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom?<br>**[06:47] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"After a fair and impartial review,*<br>**[06:49] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;we regret to inform you that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you did not pass the audition."*<br>**[06:52] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"The judges hope to see you try again should*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the opportunity present itself," apparently.*<br>**[07:00] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? That's it?<br>**[07:03] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right?*<br>**[07:04] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought there must be some mistake, so*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I called them, but they wouldn't talk to me.*<br>**[07:08] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You should be able to pass*<br>*&nbsp;&nbsp;&nbsp;&nbsp;any audition you go out for.*<br>**[07:12] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You only live once.*<br>**[07:14] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You gotta do whatever it takes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to make your dreams come true.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Idol project "Mystery Kiss" <br>
&nbsp;&nbsp;&nbsp;&nbsp;debut & debut concert announced!
<br>**[07:37] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did I fail?!<br>**[07:38] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Who are you?<br>**[07:39] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Wadagaki. Wadagaki Sakura.<br>**[07:42] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We met at the audition.<br>**[07:43] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[07:45] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I get in?<br>**[07:47] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, you know, we're a small agency that<br>&nbsp;&nbsp;&nbsp;&nbsp;was just established. We're short-staffed.<br>**[07:53] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three girls is the most we can look after.<br>**[07:56] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakura-chan?<br>**[07:58] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I wasn't chosen to be one of them,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'd like to know why!<br>**[08:04] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember the exact reason. Sorry.<br>**[08:09] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san.<br>**[08:10] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:11] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Mitsuya-san?<br>**[08:12] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya?<br>**[08:13] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[08:14] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Let's go.<br>**[08:17] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I remember now.<br>**[08:21] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the runner-up behind Mitsuya.<br>**[08:25] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were so close.<br>&nbsp;&nbsp;&nbsp;&nbsp;If only you had a bit more charm.<br>**[08:28] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know. We're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;hold another audition.<br>**[08:31] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you practice until then?<br>**[08:34] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be in touch. Thanks.<br>**[08:38] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get going.<br>**[08:52] (Flashback) Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a 15-minute break, and then we'll<br>&nbsp;&nbsp;&nbsp;&nbsp;check your formation on the next pass.<br>**[08:57] (Flashback) All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[08:58] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl was kind of crazy.<br>**[09:00] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[09:01] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was so desperate to know why she failed.<br>**[09:04] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Of course she was desperate.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's crazy about that?<br>**[09:08] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, your dancing is sloppy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're not getting any better.<br>**[09:13] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even want to do this?<br>**[09:16] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;My house is too cramped<br>&nbsp;&nbsp;&nbsp;&nbsp;to practice on my own.<br>**[09:18] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really? That must be so hard for you.<br>**[09:22] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're full of excuses. That other girl<br>&nbsp;&nbsp;&nbsp;&nbsp;was way more motivated than you.<br>**[09:25] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on.<br>**[09:27] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really worth getting worked up about?<br>**[09:29] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're so unmotivated,<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't you just quit?<br>**[09:31] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, my family's actually really poor.<br>**[09:35] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need the money, so I'm not quitting.<br>**[09:37] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit it, you two.<br>**[09:39] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you talk about auditioning, but<br>&nbsp;&nbsp;&nbsp;&nbsp;you've known the manager for a long time.<br>**[09:46] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds super shady to me.<br>**[09:48] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on. The three of us<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to be a team.<br>**[09:52] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try to work together, okay?<br>**[09:53] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should I? I don't have time for that.<br>**[09:57] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trying to this whole time.<br>**[09:59] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been forced to bend to her every whim.<br>**[10:01] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe, but we're going to have to<br>&nbsp;&nbsp;&nbsp;&nbsp;work together like this for a while.<br>**[10:05] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too soft. Someone needs<br>&nbsp;&nbsp;&nbsp;&nbsp;to give it to her straight.<br>**[10:15] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. Then you should go solo, Nikaido-san.<br>**[10:19] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go as far as I can with this team.<br>**[10:23] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's selfish,<br>**[10:26] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I understand how both of you feel,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I want to respect that.<br>**[10:35] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your deal?<br>**[10:38] (Flashback) Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything comes up,<br>&nbsp;&nbsp;&nbsp;&nbsp;let me know by call or text.<br>**[10:40] (Flashback) Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[10:42] (Flashback) Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[10:43] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[10:51] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[10:53] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:55] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about earlier.<br>**[10:56] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido-san, you eat this stuff, too?<br>**[10:59] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is special.<br>**[11:02] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[11:03] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you two want to become idols?<br>**[11:09] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have my own room at home.<br>**[11:12] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bathtub's the only place<br>&nbsp;&nbsp;&nbsp;&nbsp;I can call my own.<br>**[11:15] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to move to a place with a huge tub.<br>**[11:18] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I want to be rich.<br>**[11:22] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, I see.<br>**[11:25] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be able to afford a big tub<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're barely managing the choreography.<br>**[11:29] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you at least wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;hold me or Mitsuya-san back.<br>**[11:33] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[11:35] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're struggling with the B part, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you a trick to doing it.<br>**[11:41] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, I think.<br>**[11:44] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Mitsuya-san?<br>**[11:47] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why an idol?<br>**[11:48] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:52] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;From watching my dad, I think.<br>**[11:57] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;God, just how much of a good girl are you?<br>**[12:00] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think?<br>**[12:01] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't many girls like you these days.<br>**[12:04] (Flashback) Cameraman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's try smiling more now.<br>**[12:07] (Flashback) Cameraman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice. Could you come forward?<br>**[12:12] (Flashback) Cameraman**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl's got a powerful aura.<br>**[12:15] (Flashback) Cameraman**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gonna be big.<br>**[12:18] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know Nikaido is a winner, too.<br>**[12:21] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, since her previous agency—<br>**[12:23] (Flashback) Cameraman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, not her. This girl.<br>**[12:28] (Flashback) Cameraman**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Mitsuya girl.<br>**[12:31] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah.<br>**[12:33] (Flashback) Cameraman**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like she's on another level.<br>**[12:37] (Flashback) Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I told you before, Yamamoto-chan...<br>**[12:40] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:41] (Flashback) Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like Mitsuya-san was born<br>&nbsp;&nbsp;&nbsp;&nbsp;with something different.<br>**[12:47] (Flashback) Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gonna turn into something incredible.<br>**[12:49] (Flashback) President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds good to me.<br>**[12:51] (Flashback) President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido's talented. As long as she<br>&nbsp;&nbsp;&nbsp;&nbsp;supports her, they'll make a good team.<br>**[12:56] (Flashback) President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning. Good to see you again.<br>**[12:58] (Flashback) All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[12:59] (Flashback) President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[13:00] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A debut tour?<br>**[13:03] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I worked really hard for this.<br>**[13:05] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;the choreography down yet.<br>**[13:09] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[13:11] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[13:13] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um...<br>**[13:19] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the artist photo we're gonna go with.<br>**[13:23] (Flashback) President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be direct with them, Yamamoto-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya is going to be the center.<br>**[13:27] (Flashback) President**<br>&nbsp;&nbsp;&nbsp;&nbsp;You girls back her up<br>&nbsp;&nbsp;&nbsp;&nbsp;and make Mystery Kiss big.<br>**[13:29] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAIN A Photo<br>**[13:32] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[13:34] (Flashback) Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's book all the domes. All of them!<br>**[13:44] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the meaning of this?<br>**[13:48] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but the situation has changed.<br>**[13:51] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what you promised!<br>**[13:53] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me explain it to you sometime.<br>**[14:07] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home!<br>**[14:10] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you be so selfish?<br>**[14:12] (Flashback) Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm discussing it with you<br>&nbsp;&nbsp;&nbsp;&nbsp;right now, aren't I?<br>**[14:14] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, are you home?<br>**[14:17] (Flashback) Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Yuki's ready to meet them.<br>**[14:20] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a difficult time for Yuki.<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't do that.<br>**[14:25] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, if people find out about<br>&nbsp;&nbsp;&nbsp;&nbsp;your relationships from that time—oh?<br>**[14:32] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki?<br>**[14:37] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say something if you're home.<br>**[14:51] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're one of the top ten most<br>&nbsp;&nbsp;&nbsp;&nbsp;streamed artists in Japan right now.<br>**[14:55] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's incredible.<br>**[14:57] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of the incident,<br>&nbsp;&nbsp;&nbsp;&nbsp;not because of our talent.<br>**[15:00] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, have you given any thought to the future?<br>**[15:04] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I came here today with the intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of signing on with your agency.<br>**[15:09] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, too.<br>**[15:10] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually put together a plan for your<br>&nbsp;&nbsp;&nbsp;&nbsp;future activities and upcoming schedule.<br>**[15:16] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[15:17] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, I'm not ready yet emotionally—<br>**[15:19] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're currently negotiating<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to keep your name.<br>**[15:22] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be either the New Mystery Kiss or this.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kiss Miss
<br>**[15:27] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Ugh, no way.<br>**[15:30] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I certainly hope we can!<br>**[15:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, would I continue using<br>&nbsp;&nbsp;&nbsp;&nbsp;the same stage name?<br>**[15:36] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You mean Mitsuya Yuki?<br>**[15:40] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[15:41] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about that.<br>**[15:45] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then could I get an advance on my rent?<br>**[15:51] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[15:53] Sakurai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to working with you.<br>**[15:56] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[15:57] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's strange, isn't it?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lost Cat!
<br>**[15:59] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody paid attention to us before.*<br>**[16:03] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm glad things turned out this way.<br>**[16:07] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You are? I didn't like it before,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but now I want to wear a mask again.*<br>**[16:14] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd rather appear on TV*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without being recognized.*<br>**[16:18] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Lately I feel like all kinds of people*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are watching me, and it's scary.*<br>**[16:22] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that what it means to be an idol?<br>**[16:27] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You mentioned wanting to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;keep using Mitsuya-san's name.*<br>**[16:35] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't I?<br>**[16:36] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You were serious? Isn't that kind of crazy?*<br>**[16:43] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Time to eat.<br>**[17:12] Narration**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At first glance, they seemed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be enjoying brilliant careers*<br>**[17:15] Narration**<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the entertainment industry,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but on the inside...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;On the inside—
<br>**[17:20] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized something.<br>**[17:22] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We couldn't stay here and keep<br>&nbsp;&nbsp;&nbsp;&nbsp;allowing ourselves to be exploited.<br>**[17:27] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we took our masks off.<br>**[17:32] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want people to see our real faces.<br>**[17:35] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a difficult time.<br>**[17:37] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd become an idol, but<br>&nbsp;&nbsp;&nbsp;&nbsp;not only was I forced to wear a mask,<br>**[17:41] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to get dinner every night<br>&nbsp;&nbsp;&nbsp;&nbsp;with a strange man my father's age.<br>**[17:47] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was paid to do it.<br>**[17:50] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[17:54] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad abandoned my mom a long time ago.<br>**[17:58] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never met my real father.<br>**[18:02] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I decided to become an idol.<br>**[18:09] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're watching this, Dad, contact me.<br>**[18:13] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew they'd be on their guard.<br>**[18:16] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you were questioned?<br>**[18:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made it through that fine,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I heard something interesting.<br>**[18:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few stray cats have died<br>&nbsp;&nbsp;&nbsp;&nbsp;around that apartment.<br>**[18:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you looking at?<br>**[18:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The video we took that day.<br>**[18:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch the office.<br>**[18:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lights are on.<br>**[18:36] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then they go out.<br>**[18:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Wait a minute.<br>**[18:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What are you doing?<br>**[18:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found it.<br>**[18:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you always have to be so loud?<br>**[18:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is before Nikaido entered the office.<br>**[18:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;23:47. 23:21.<br>**[18:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're right.<br>**[18:58] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? One moment, please.<br>**[18:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...<br>**[18:59] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does it mean?<br>**[19:01] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-chan, phone for you. It's Donraku-san.<br>**[19:22] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Sakura-chan?<br>**[19:25] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san, why are you here?<br>**[19:28] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[19:32] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anywhere to stay right now.<br>**[19:35] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Do you want to stay at my place, then?<br>**[19:40] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a really nice person.<br>**[19:43] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm flat broke.<br>**[19:45] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured I'd be lucky<br>&nbsp;&nbsp;&nbsp;&nbsp;if I could spend one night here.<br>**[19:49] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was pouring earlier, you know?<br>**[19:51] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I jumped into a taxi.<br>**[19:54] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think I'd be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to get in so easily.<br>**[19:58] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have a home?<br>**[20:00] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not right now, so I'm prepared<br>&nbsp;&nbsp;&nbsp;&nbsp;to live anywhere.<br>**[20:05] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We exchanged contact information.<br>&nbsp;&nbsp;&nbsp;&nbsp;You could've called me anytime.<br>**[20:11] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here<br>&nbsp;&nbsp;&nbsp;&nbsp;at this hour, Mitsuya-san?<br>**[20:14] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[20:14] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not work, is it?<br>**[20:19] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido-san asked me to come.<br>**[20:21] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido?<br>**[20:23] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a girl in my group.<br>**[20:25] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. Why?<br>**[20:28] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably because I might become the center.<br>**[20:32] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The center?<br>**[20:34] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:35] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido-san's been doing this a long time,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I think she assumed it would be her.<br>**[20:42] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so you stole the best position from her.<br>**[20:47] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't take anything from her.<br>**[20:50] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really get it either,<br>**[20:52] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's people like the producer<br>&nbsp;&nbsp;&nbsp;&nbsp;who make those decisions.<br>**[20:57] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hoping we can talk it out<br>&nbsp;&nbsp;&nbsp;&nbsp;and resolve any misunderstandings.<br>**[21:00] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really a misunderstanding?<br>**[21:04] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you're here, though.<br>**[21:07] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt anxious on my way here.<br>**[21:12] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since we met, for some reason<br>&nbsp;&nbsp;&nbsp;&nbsp;I've felt strangely at ease when I'm with you.<br>**[21:23] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[21:26] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Nikaido-san will get here soon.<br>**[21:58] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was supposed to become you.<br>**[22:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello? Is this Wadagaki Sakura-san's phone?*<br>**[22:23] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this?<br>**[22:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm Yamamoto of Gray Dog, Inc.*<br>**[22:30] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to discuss something with you.*<br>**[22:33] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto-san? I don't know <br>
&nbsp;&nbsp;&nbsp;&nbsp;what you're talking about.<br>**[22:39] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? That's odd. <br>
&nbsp;&nbsp;&nbsp;&nbsp;Didn't you audition with us?*<br>**[22:43] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did you join another agency after that?*<br>**[22:47] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? No, nothing like that.<br>**[22:50] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you haven't changed your mind, I'd like <br>
&nbsp;&nbsp;&nbsp;&nbsp;to meet with you in person and talk again.*<br>**[22:58] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[22:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really quitting?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>**[23:01] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's claiming to be his<br>&nbsp;&nbsp;&nbsp;&nbsp;18-year-old biological child.<br>**[23:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember who you<br>&nbsp;&nbsp;&nbsp;&nbsp;drove on October 4th?<br>**[23:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone else killed Yuki.<br>**[23:09] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad!<br>**[23:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
<br>

# E10 - Children Are the Clamp

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U2NJX0/children-are-the-clamp)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you receive these messages?<br>**[00:05] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just yesterday.<br>**[00:07] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's claiming to be his<br>&nbsp;&nbsp;&nbsp;&nbsp;18-year-old biological child.<br>**[00:10] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a threat.<br>**[00:11] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wants to meet in person to confirm their<br>&nbsp;&nbsp;&nbsp;&nbsp;relationship, or she'll ruin the performance.<br>**[00:17] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scary.<br>**[00:18] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've experienced weird messages<br>&nbsp;&nbsp;&nbsp;&nbsp;and unhinged fans before,<br>**[00:23] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this isn't a good time for that.<br>**[00:26] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need the police or a lawyer.<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't do anything for you.<br>**[00:30] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've received a ton<br>&nbsp;&nbsp;&nbsp;&nbsp;of nonsensical messages.<br>**[00:34] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police think it's some kind of prank<br>&nbsp;&nbsp;&nbsp;&nbsp;and won't do anything about it.<br>**[00:38] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing they can do if it's<br>&nbsp;&nbsp;&nbsp;&nbsp;just threats to ruin the show.<br>**[00:44] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since Yuki's death, I've been receiving<br>&nbsp;&nbsp;&nbsp;&nbsp;more messages slandering me.<br>**[00:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The entertainment industry sounds rough.<br>**[00:51] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;But thankfully, we've been getting more<br>&nbsp;&nbsp;&nbsp;&nbsp;supportive and encouraging messages as well.<br>**[00:56] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;People have always sent me their thoughts<br>&nbsp;&nbsp;&nbsp;&nbsp;on my shows or new rakugo scripts.<br>**[01:03] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is no joke.<br>**[01:06] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess the silver lining is that I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;the first thing about computers.<br>**[01:11] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most I do is occasionally<br>&nbsp;&nbsp;&nbsp;&nbsp;check my own videos.<br>**[01:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You mean you don't write<br>&nbsp;&nbsp;&nbsp;&nbsp;your own posts on social media?<br>**[01:16] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy writes all of them.<br>**[01:18] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:19] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we spend so much time together,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can guess what he'd say.<br>**[01:22] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I really got into it, it'd get out of hand.<br>**[01:27] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, sometimes you get flamed pretty—<br>**[01:29] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough about that.<br>**[01:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any idea who it might be?<br>**[01:33] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell my wife.<br>**[01:36] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to put anymore<br>&nbsp;&nbsp;&nbsp;&nbsp;emotional strain on her.<br>**[01:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know who it is?<br>**[01:42] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;A secret lovechild.<br>**[01:44] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a secret anymore, though.<br>**[01:47] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I only have one child<br>&nbsp;&nbsp;&nbsp;&nbsp;outside my marriage.<br>**[01:53] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man who grew up a long time ago.<br>**[02:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[02:13] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is this happening?<br>**[02:16] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not my fault, right?<br>**[02:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[02:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Odokawa-san's...<br>**[02:30] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;My place has been empty.<br>**[02:33] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you're out of the hospital,<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to stop by for drinks.<br>**[02:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.<br>**[02:39] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Rena-chan?<br>**[02:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, who are you?<br>**[02:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rabbit from Imai-san's cabaret club.<br>**[02:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you called me a Polish.<br>**[02:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[02:53] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember who you<br>&nbsp;&nbsp;&nbsp;&nbsp;drove on October 4th?<br>**[02:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl from Mystery Kiss. The black cat.<br>**[03:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this her?<br>**[03:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. It doesn't match up<br>&nbsp;&nbsp;&nbsp;&nbsp;with people's faces.<br>**[03:08] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you not remember Wadagaki Sakura's face?<br>**[03:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-chan, that's enough. I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want to cause him anymore trouble.<br>**[03:18] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if Odokawa-san is the only witness—<br>**[03:21] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'll protect Odokawa-sama.<br>**[03:25] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe him for getting my billion yen back.<br>**[03:28] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can count on me. Okay?<br>**[03:30] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what I've investigated...<br>**[03:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I summarized everything<br>&nbsp;&nbsp;&nbsp;&nbsp;I know about Yuki.<br>**[03:34] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[03:40] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this right here.<br>**[03:43] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? It went out.<br>**[03:44] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're trying to say someone entered<br>&nbsp;&nbsp;&nbsp;&nbsp;the office before them, right?<br>**[03:46] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:48] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can certainly see a silhouette, but...<br>**[03:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the news.<br>**[03:52] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say something might've<br>&nbsp;&nbsp;&nbsp;&nbsp;happened before Nikaido arrived.<br>**[03:57] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean someone else might've killed her.<br>**[04:00] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;This backs up the time Nikaido gave, huh?<br>**[04:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't Nikaido Rui saying the same thing?<br>**[04:07] Nakamine**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's got nerves of steel.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's never changed her story.<br>**[04:11] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;She hasn't committed murder. Am I wrong?<br>**[04:13] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abandoning a body is still a crime.<br>**[04:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone else killed Yuki.<br>**[04:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's the messages Donraku-san received<br>&nbsp;&nbsp;&nbsp;&nbsp;and Odokawa-san's testimony.<br>**[04:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should be on the dash<br>&nbsp;&nbsp;&nbsp;&nbsp;cam data you collected, too.<br>**[04:31] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wadagaki Sakura said on TV<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's looking for her father.<br>**[04:36] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, do you really think this<br>&nbsp;&nbsp;&nbsp;&nbsp;is something you can figure out?<br>**[04:40] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That driver has visual agnosia, doesn't he?<br>**[04:45] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That casts doubt on his eyewitness testimony.<br>**[04:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we've brought you evidence.<br>**[04:52] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[04:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're getting nowhere. Let's go, Rena-san.<br>**[04:57] Fujiki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've already got plenty of evidence,<br>&nbsp;&nbsp;&nbsp;&nbsp;so take this with you.<br>**[05:01] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, you don't have to come with me.<br>**[05:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone were trying to kill me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd already be dead.<br>**[05:09] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll hire a bodyguard for you<br>&nbsp;&nbsp;&nbsp;&nbsp;for as long as I can afford it.<br>**[05:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to work with a bodyguard.<br>**[05:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate everything you've done,<br>&nbsp;&nbsp;&nbsp;&nbsp;but leave me alone.<br>**[05:33] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will she really come?<br>**[05:35] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's worth a shot.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll be waiting at this plaza on  January 10th. -Donraku
<br>**[05:43] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sick?<br>**[05:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have a bad feeling about this?<br>**[05:47] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember that analysis we asked<br>&nbsp;&nbsp;&nbsp;&nbsp;Sekido-san to run the other day?<br>**[05:51] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;On Wadagaki's cat food.<br>**[05:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. The one full of fertilizer?<br>**[05:56] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that.<br>**[05:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I licked a little while I was on a stakeout.<br>**[06:03] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[06:04] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I ate it.<br>**[06:07] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad!<br>**[06:08] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's here.<br>**[06:09] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:10] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wadagaki.<br>**[06:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad.<br>**[06:15] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not him.<br>**[06:17] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wadagaki-san.<br>**[06:19] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-chan? What are you doing here?<br>**[06:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to stop you.<br>**[06:25] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop me? From doing what?<br>**[06:27] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not too late to turn back.<br>**[06:31] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's my dad? Where's Donraku-san?<br>**[06:34] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to meet him once.<br>**[06:37] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't remember you.<br>**[06:39] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I've heard he<br>&nbsp;&nbsp;&nbsp;&nbsp;has kids all over the place.<br>**[06:44] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Donraku's only daughter was Yuki.<br>**[06:51] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has he forgotten about me?<br>**[06:54] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't forget about you.<br>**[06:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Wadagaki-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have parents, either.<br>**[07:06] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've managed somehow. You could still—<br>**[07:09] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not even an idol. You're nothing.<br>**[07:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to do whatever it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to make my dream come true.<br>**[07:15] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;It already came true.<br>**[07:17] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. I need to make sure.<br>**[07:20] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're okay with killing people?<br>**[07:23] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what my mom said, though.<br>**[07:27] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I'd make a good idol.<br>**[07:31] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:34] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay out of my way.<br>**[07:39] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out!<br>**[07:41] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Sato! Sato!<br>**[07:48] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[07:50] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up, hurry up!<br>**[07:58] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Wait!<br>**[08:08] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Mom?<br>**[08:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd get to see Dad,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it didn't work out.<br>**[08:15] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dad?*<br>**[08:17] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't my dad Donraku-san?<br>&nbsp;&nbsp;&nbsp;&nbsp;The rakugo storyteller.<br>**[08:21] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally got in touch with him.<br>**[08:24] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There you go again.*<br>**[08:27] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;More importantly,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I saw you on TV again today.*<br>**[08:30] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You should go back to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;wearing the purple outfit.*<br>**[08:34] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand you don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk about it, but...<br>**[08:38] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want to hear about Donraku.*<br>**[08:42] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it.<br>**[08:43] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Have you forgotten?*<br>**[08:45] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been saying that for your sake,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so why are you digging up the past now?*<br>**[08:49] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:51] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your dad left us because he admired Donraku.*<br>**[08:57] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Seeing Donraku reminded you of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;your father. It's hard for me, too.*<br>**[09:02] Mom**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You understand that, don't you?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;He left me to take care of you by myself.*<br>**[09:10] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey Mom, that can't be right!<br>**[09:13] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Enough! No more of this talk.*<br>**[09:15] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why do you think I let you go to Tokyo?*<br>**[09:17] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It certainly wasn't to look for your father!*<br>**[09:21] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I entrusted all my dreams to you.*<br>**[09:26] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm disappointed.*<br>**[09:38] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I transferred to a bigger agency.<br>**[09:44] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Things are going so well,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's almost scary.<br>**[09:47] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I hounded the manager<br>&nbsp;&nbsp;&nbsp;&nbsp;after I failed an audition.<br>**[09:52] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking about it now makes me laugh.<br>**[09:55] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was frustrated, though.<br>**[09:58] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they hadn't become famous after that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I would've been content.<br>**[10:02] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I heard they'd be making their<br>&nbsp;&nbsp;&nbsp;&nbsp;major debut, I couldn't sit still anymore.<br>**[10:08] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, everything's going well.<br>**[10:12] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I headed out to do was find the taxi<br>&nbsp;&nbsp;&nbsp;&nbsp;I rode in then, but I think I found it.<br>**[10:19] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a total coincidence.<br>&nbsp;&nbsp;&nbsp;&nbsp;I must be lucky after all.<br>**[10:24] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's going my way.<br>**[10:27] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you said, I'm gonna do whatever it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to make my dream come true.<br>**[10:36] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. This road is closed to traffic.<br>**[10:36] [SONG] Sign Right Red**<br>&nbsp;&nbsp;&nbsp;&nbsp;Closed to Traffic<br>**[10:36] [SONG] Sign Left Red**<br>&nbsp;&nbsp;&nbsp;&nbsp;Detour<br>**[10:41] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[10:41] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time, no see.<br>**[10:43] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where have you been?<br>**[10:44] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, in the hospital? I've got a bad back.<br>**[10:51] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still owe us a lot of money.<br>**[10:54] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay you this week.<br>**[10:58] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[10:58] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[11:00] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll pay you back<br>&nbsp;&nbsp;&nbsp;&nbsp;by the end of the month.<br>**[11:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[11:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[11:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It suddenly started raining that day, too.<br>**[11:37] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hopped into the first taxi I saw.<br>**[11:41] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't remember me?<br>**[11:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[11:48] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. I just thought you'd<br>&nbsp;&nbsp;&nbsp;&nbsp; freak out a little more.<br>**[11:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where to?<br>**[11:58] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's fine.<br>**[11:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Here's fine"?<br>**[12:01] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, here's fine.<br>**[12:04] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The city's full of cameras, you know?<br>**[12:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cameras?<br>**[12:14] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the guy with the money?<br>**[12:16] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll be here soon. Yup.<br>**[12:17] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut your face.<br>**[12:18] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not making any sense.<br>**[12:19] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I've got is my good luck.<br>**[12:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? I'm lucky, too.<br>**[12:25] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's my luck against your luck.<br>**[12:30] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa, I gotta ask you for a—<br>**[12:38] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Hey, wait!<br>**[12:40] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When he saw his taxi driver friend*<br>*&nbsp;&nbsp;&nbsp;&nbsp;being attacked by a suspicious person,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Letter of Appreciation<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kakihana Eiji-dono
<br>**[12:43] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*he risked his life to defend—*<br>**[12:47] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice work.<br>**[12:49] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came today because<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm quitting the agency soon.<br>**[12:56] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all there. Are you<br>&nbsp;&nbsp;&nbsp;&nbsp;paying for this yourself?<br>**[13:01] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for everything you've done.<br>**[13:04] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'd like to dispose of the GPS<br>&nbsp;&nbsp;&nbsp;&nbsp;and stuff you installed for me before.<br>**[13:09] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, crap. I forgot about that.<br>**[13:12] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already took care of it.<br>**[13:14] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you turned it in<br>&nbsp;&nbsp;&nbsp;&nbsp;to the police as evidence.<br>**[13:18] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting reamed from all directions<br>&nbsp;&nbsp;&nbsp;&nbsp;because of you two.<br>**[13:22] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry.<br>**[13:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[13:26] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, did you look through<br>&nbsp;&nbsp;&nbsp;&nbsp;all the data I gave you before?<br>**[13:30] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the dead high school girl's phone.<br>**[13:33] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I thought it would be too painful.<br>**[13:37] Sekido**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's something you've<br>&nbsp;&nbsp;&nbsp;&nbsp;gotta do before you quit.<br>**[13:40] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:51] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's stubborn, isn't he?<br>**[13:53] Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never listens to me.<br>**[13:56] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really not going to do it?<br>**[14:00] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the naming really that big a deal?<br>**[14:04] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just reaping what I sowed.<br>**[14:09] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt the world will forgive me.<br>**[14:15] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares about the world?<br>**[14:17] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should do what you want.<br>**[14:21] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Yuki would be sad to hear that.<br>**[14:25] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got too many things I can't say.<br>**[14:29] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;In public I act like I say whatever I want,<br>**[14:33] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I had too many secrets<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want Yuki to know.<br>**[14:38] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could've talked to her more<br>&nbsp;&nbsp;&nbsp;&nbsp;while she was still alive.<br>**[14:45] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the data that was on Yuki's phone.<br>**[14:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you could wait to decide<br>&nbsp;&nbsp;&nbsp;&nbsp;until after you've seen it.<br>**[15:30] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can you see me?*<br>**[15:44] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can you see me?*<br>**[15:48] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wow, what a personal question.*<br>**[15:58] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My family is... kind of complicated.*<br>**[16:04] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My dad is a distinguished man, and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my mom basically raised me on her own.*<br>**[16:11] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That makes her pretty great, too.*<br>**[16:15] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since coming to Tokyo, I've had more*<br>*&nbsp;&nbsp;&nbsp;&nbsp;opportunities to spend time with him.*<br>**[16:20] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I really wish we could all live together.*<br>**[16:25] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's always been distance*<br>*&nbsp;&nbsp;&nbsp;&nbsp;between us and my dad,*<br>**[16:30] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and my mom and I used to fight*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about it all the time.*<br>**[16:35] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Once, my mom was so angry that she only*<br>*&nbsp;&nbsp;&nbsp;&nbsp;put rice and pickled plums in my lunch.*<br>**[16:45] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My dad's experienced a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of twists along his road, but...*<br>**[16:56] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've seen how he keeps*<br>*&nbsp;&nbsp;&nbsp;&nbsp;plugging along despite it.*<br>**[17:03] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now I wish I could see*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the same sights he does,*<br>**[17:11] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I'd be happy if he worked even harder*<br>**[17:15] Mitsuya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to show our family even*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more incredible sights.*<br>**[17:27] Ibusuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever feel like coming back,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'd love to have you.<br>**[17:35] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm off.<br>**[17:36] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[17:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rena-san!<br>**[17:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're quitting? For real?<br>**[17:50] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real, yeah.<br>**[17:53] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I ever see you again?<br>**[17:57] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Are you interested in rakugo?<br>**[18:02] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shofutei Hiraku
<br>**[18:03] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we're sitting next to each other! Nice!<br>**[18:07] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, because I bought the tickets together.<br>**[18:08] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm late.<br>**[18:10] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to finish up and make it here.<br>**[18:12] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[18:13] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? It's not just us today?<br>**[18:14] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I was originally supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to go with just Rena-chan.<br>**[18:15] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[18:19] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you. You're so cute!<br>**[18:20] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, looks like everyone's here.<br>**[18:23] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we?<br>**[18:25] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll sit—<br>**[18:26] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oof.<br>**[18:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Rena-san.<br>**[18:29] Rena**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our seats are great.<br>**[18:30] Otani**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shofutei<br>
&nbsp;&nbsp;&nbsp;&nbsp;Hiraku
<br>**[18:36] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;All day and night, the news has been<br>&nbsp;&nbsp;&nbsp;&nbsp;digging into my family matters,<br>**[18:41] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I didn't think anyone would show up today.<br>**[18:45] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if this many of you have gathered here,<br>**[18:47] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it's like they say. Another man's<br>&nbsp;&nbsp;&nbsp;&nbsp;misfortune is like honey.<br>**[18:53] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like a lot of people<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to see Donraku squirm.<br>**[18:59] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. I'm not Donraku anymore.<br>**[19:03] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been given the great<br>&nbsp;&nbsp;&nbsp;&nbsp;name of Shofutei Hiraku.<br>**[19:08] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes me the third.<br>**[19:10] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been named a tomena of my school.<br>**[19:12] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A tomena is the biggest name within<br>&nbsp;&nbsp;&nbsp;&nbsp;a school. The final destination.<br>**[19:17] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So all that's left is for the name to die.<br>**[19:20] Fan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Hiraku!<br>**[19:21] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[19:22] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It used to be that out of "drink,<br>&nbsp;&nbsp;&nbsp;&nbsp;play, buy," I used to do all three.<br>**[19:31] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of that, people would tease me<br>**[19:35] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;by saying the characters in my<br>&nbsp;&nbsp;&nbsp;&nbsp;name meant I fall into my drink.<br>**[19:40] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now, I'm clean. I'm all clean.<br>**[19:43] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot of people used to say my<br>&nbsp;&nbsp;&nbsp;&nbsp;drinking would get me into trouble.<br>**[19:50] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;People say all kinds of things,<br>&nbsp;&nbsp;&nbsp;&nbsp;like alcohol is an addiction,<br>**[19:52] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the best medicine,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll take years off your life.<br>**[19:55] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when it becomes a bad habit,<br>&nbsp;&nbsp;&nbsp;&nbsp;it destroys everything around you.<br>**[20:00] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There used to be a man named Kumagoro.<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a skilled carpenter.<br>**[20:05] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a good person<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as he didn't drink.<br>**[20:10] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;One day he headed out to a funeral<br>&nbsp;&nbsp;&nbsp;&nbsp;at a temple in Sanya.<br>**[20:14] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Typically they don't<br>&nbsp;&nbsp;&nbsp;&nbsp;serve alcohol at funerals,<br>**[20:16] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but accommodating temples will<br>&nbsp;&nbsp;&nbsp;&nbsp;serve alcohol and call it "hannyato."<br>**[20:21] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had too much of the stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;and got good and drunk.<br>**[20:25] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feeling magnanimous, he decided<br>&nbsp;&nbsp;&nbsp;&nbsp;to head out to Yoshiwara,<br>**[20:32] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;where he got to know a working girl.<br>**[20:35] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had a wife and kid at home,<br>&nbsp;&nbsp;&nbsp;&nbsp;so naturally, it led to nonstop fighting.<br>**[20:40] (Flashback) Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you settle down and come back?<br>**[20:44] (Flashback) Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can get remarried.<br>**[20:47] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a difficult time for her, too.<br>**[20:49] (Flashback) Yuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I'm actually dealing<br>&nbsp;&nbsp;&nbsp;&nbsp;with something right now.<br>**[20:52] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Yuki. Were we too loud?<br>**[20:54] (Flashback) Yuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I'm just going out for a walk.<br>**[20:56] (Flashback) Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this hour? You'll turn into a delinquent.<br>**[20:59] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're one to talk.<br>**[21:02] (Flashback) Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you got me there.<br>**[21:03] (Flashback) Yuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My friend said she has<br>&nbsp;&nbsp;&nbsp;&nbsp;something important to discuss.<br>**[21:05] (Flashback) Yuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be right back.<br>**[21:07] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful!<br>**[21:08] (Flashback) Yuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[21:09] (Flashback) Kumiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just act like her father<br>&nbsp;&nbsp;&nbsp;&nbsp;out of nowhere.<br>**[21:11] (Flashback) Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to put it like that.<br>**[21:12] (Flashback) Yuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[21:13] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all the selfish crap I've done,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in no position to say this,<br>**[21:19] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you want, I'd like the three of us<br>&nbsp;&nbsp;&nbsp;&nbsp;to live together again like family.<br>**[21:28] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you.<br>**[21:36] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious? Really?<br>**[21:42] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I couldn't ask for better.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd given up on you.<br>**[21:50] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kame-chan, Dad's gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;come back home for you.<br>**[21:57] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The three of us can live together again.<br>**[22:00] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say children are the clamp that<br>&nbsp;&nbsp;&nbsp;&nbsp;holds a couple together, but I guess it's true.<br>**[22:07] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm a clamp?<br>**[22:10] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it now. That's why you said<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll hit me on the head with a hammer.<br>**[22:24] Proctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's time. Please set<br>&nbsp;&nbsp;&nbsp;&nbsp;your writing implements down.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This show is a work of fiction.
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