# E6.5 - Recap

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GQJUGE98W/recap)<br>
Translator:<br>
Editor:<br>
Timer:<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;August 2016
<br>**[00:05] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My name's Hashiba Kyoya,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I'm 28 years old.*<br>**[00:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The kind of soon-to-be-middle-aged bachelor*<br>**[00:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that you can find just about anywhere.*<br>**[00:14] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you might expect, I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no girlfriend, and no money.*<br>**[00:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now I don't even have a job...*<br>**[00:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means I can't pay rent anymore,*<br>**[00:25] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;forcing me to pay for an express bus ticket*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the last of my cash.*<br>**[00:28] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And here I find myself,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back at my parents' house.*<br>**[00:32] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I tried my hand at everything I could,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and none of it amounted to anything.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;September 2016
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We wish you luck in your future endeavors.
<br>**[01:03] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[01:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe I landed<br>&nbsp;&nbsp;&nbsp;&nbsp;a gig at SucceedSoft.<br>**[01:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better work hard! This is a big chance!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Group 2
<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome, Hashiba Kyoya-san.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the head of SucceedSoft's<br>&nbsp;&nbsp;&nbsp;&nbsp;second development group, Kawasegawa.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to have you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;November 2016
<br>**[01:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, can I have a word?<br>**[01:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something I need to tell you all.<br>**[01:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Platinum project...<br>**[01:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been frozen, as decided<br>&nbsp;&nbsp;&nbsp;&nbsp;by a meeting of the board of directors.<br>**[01:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! What happened?<br>**[01:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could have done more.<br>**[02:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[02:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Again...*<br>**[02:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It happened again.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notice of Acceptance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya-sama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We are contacting you to let you know you passed<br>
&nbsp;&nbsp;&nbsp;&nbsp; the entrance exam to Oonaka University of the Arts<br>
&nbsp;&nbsp;&nbsp;&nbsp; Visual Arts program that you took in 2004.
<br>**[02:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I had chosen this instead...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>**[02:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I would've met*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation.*<br>**[02:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We could've worked together,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inspired each other...*<br>**[02:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And...*<br>**[02:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then...*<br>**[02:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell difference does it make?!<br>**[02:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late.<br>**[02:41] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan!<br>**[02:43] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan.<br>**[02:48] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally. Were you so excited<br>&nbsp;&nbsp;&nbsp;&nbsp;you passed out, or something?<br>**[02:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on... are you being sarcastic or—<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... since when are you into cosplay?<br>**[02:58] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you talking about?<br>**[03:01] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Dad wanted to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted for your celebratory dinner.<br>**[03:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celebrating?<br>**[03:08] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were freaking out<br>&nbsp;&nbsp;&nbsp;&nbsp;about getting in before.<br>**[03:11] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I got into Oonaka Arts!"<br>**[03:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a decade ago.<br>**[03:17] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan, what are you talking about?<br>**[03:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I could ask you...<br>**[03:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, did you borrow some of my books?<br>**[03:30] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure didn't.<br>**[03:31] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always get mad when I do.<br>**[03:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't we get rid of this CRT?<br>**[03:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should use my smartphone to—<br>**[03:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A flip phone?!<br>**[03:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;2006?!<br>**[03:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Once time passes, it never comes back."*<br>**[04:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"There are no second chances in life."*<br>**[04:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I always believed that...*<br>**[04:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, what I am experiencing*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art, Visual Arts Department
<br>**[04:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is the world from ten years ago that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been dying to go back to.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art
<br>**[05:53] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how it happened,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I've reverted ten years into the past.*<br>**[06:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[06:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Share House Kitayama.<br>**[06:06] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go first, then.<br>**[06:08] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kogure Nanako!<br>**[06:10] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm originally from Shiga Prefecture!<br>**[06:12] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can call me Nanako!<br>**[06:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[06:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess: it was art school<br>&nbsp;&nbsp;&nbsp;&nbsp;or a life of crime—<br>**[06:20] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a talent<br>&nbsp;&nbsp;&nbsp;&nbsp;for being a pain in the ass<br>**[06:22] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I've only known you<br>&nbsp;&nbsp;&nbsp;&nbsp;for, like, 30 seconds.<br>**[06:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's not make fun of her, then.*<br>**[06:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Rokuonji Tsurayuki...<br>**[06:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll keep it casual, too.<br>**[06:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go next!<br>**[06:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hashiba Kyoya.<br>**[06:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[06:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can just call me Kyoya too—<br>**[06:41] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Kyoya,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to clarify something...<br>**[06:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's that?<br>**[06:46] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you explain the sequence of events<br>&nbsp;&nbsp;&nbsp;&nbsp;between yesterday and today in detail?<br>**[06:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already did, though!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence! And, well...<br>**[06:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you coincidentally spent the night<br>&nbsp;&nbsp;&nbsp;&nbsp;with a girl you just met...<br>**[06:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before giving her a little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;of the milky splash?<br>**[07:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it was just a—<br>**[07:05] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable!<br>**[07:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be interesting, I think.<br>**[07:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves me!<br>**[07:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Shino Aki.<br>**[07:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from Fukuoka, in Kyushu...<br>&nbsp;&nbsp;&nbsp;&nbsp;a town called Itoshima.<br>**[07:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki's kind of a<br>&nbsp;&nbsp;&nbsp;&nbsp;masculine name, isn't it?<br>**[07:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[07:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, that ain't it, though.<br>**[07:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shino's my family name, and Aki's my name.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S<br>
&nbsp;&nbsp;&nbsp;&nbsp;H<br>
&nbsp;&nbsp;&nbsp;&nbsp;I
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N<br>
&nbsp;&nbsp;&nbsp;&nbsp;O
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;K<br>
&nbsp;&nbsp;&nbsp;&nbsp;I
<br>**[07:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm Shino Aki!<br>**[07:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'all can call me Aki, too.<br>**[07:35] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Shinoaki, though?<br>**[07:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like the sound of Shinoaki.<br>**[07:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki it is.<br>**[07:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are y'all not gonna listen to me?!<br>**[07:44] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>**[07:46] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if she's asleep already.*<br>**[07:50] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki? Are you awake?<br>**[08:09] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino... is Shinoaki.<br>**[08:13] (Flashback) Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are all trying to find what we can do.<br>**[08:19] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's what she wants to do, then.<br>**[08:24] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking of having the short<br>&nbsp;&nbsp;&nbsp;&nbsp;take place at a train station.<br>**[08:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a train station?<br>**[08:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it's the type of place<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone is familiar with,<br>**[08:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a lot of obvious shorthand<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll help people understand the setting.<br>**[08:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think it'd be well-suited to a story<br>&nbsp;&nbsp;&nbsp;&nbsp;that wraps up in three minutes.<br>**[08:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[08:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds interesting! I think it'll work.<br>**[08:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like it, too.<br>**[08:43] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see it screened!<br>**[08:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Tsurayuki?<br>**[08:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get a half-hour?<br>**[08:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[08:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote up a plot for the<br>&nbsp;&nbsp;&nbsp;&nbsp;setup you described.<br>**[08:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was what you were after.<br>**[08:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This is exactly what I meant!<br>**[09:01] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to the script—<br>**[09:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[09:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a second?<br>**[09:07] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[09:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something from my idea notebook.<br>**[09:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this—<br>**[09:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the exact same thing.<br>**[09:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your idea, and what I had<br>&nbsp;&nbsp;&nbsp;&nbsp;written down in my notes.<br>**[09:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I didn't see—<br>**[09:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[09:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually had it locked up.<br>**[09:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't possibly have seen it.<br>**[09:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you still managed to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with the same idea,<br>**[09:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you read my mind.<br>**[09:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It honestly felt like you took<br>&nbsp;&nbsp;&nbsp;&nbsp;something right out of my head.<br>**[09:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to.<br>**[09:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was scary, man, if I'm being honest.<br>**[09:44] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Does that mean I essentially stole the idea*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from Tsurayuki's future self?*<br>**[09:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, is it just a coincidence?<br>**[09:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is there something else going on here?<br>**[09:58] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Production's always got something<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, huh?<br>**[10:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard your group's got<br>&nbsp;&nbsp;&nbsp;&nbsp;some creative differences.<br>**[10:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh... Yes.<br>**[10:09] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A script isn't a finished product.<br>**[10:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the point was to just have<br>&nbsp;&nbsp;&nbsp;&nbsp;people read something, and that's all,<br>**[10:13] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be better done as prose.<br>**[10:15] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the script stage,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can still go either way.<br>**[10:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're doing isn't just<br>&nbsp;&nbsp;&nbsp;&nbsp;a matter of subtraction.<br>**[10:24] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the production side stops trying,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that means the whole project is doomed.<br>**[10:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how important it is.<br>**[10:30] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one piece of advice for you.<br>**[10:33] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone involved in the<br>&nbsp;&nbsp;&nbsp;&nbsp;filmmaking process is a creator.<br>**[10:37] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And no one outranks anyone else.<br>**[10:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera that Tsurayuki-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;borrowed isn't a video camera.<br>**[10:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that can't be...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O Digital Single Lens Reflex Camera<br>
&nbsp;&nbsp;&nbsp;&nbsp;    Digital Video Camera
<br>**[10:50] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I marked the wrong one.<br>**[10:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I can't believe<br>&nbsp;&nbsp;&nbsp;&nbsp;it turned out like this...<br>**[10:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, everyone makes mistakes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not much we can do.<br>**[10:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. There's nothing we can do.<br>**[11:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is there... nothing?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If there's no camera, then we can't film.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no actors, we can't record a performance.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no key art, we don't need to draw anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If the writer is missing, we shouldn't bother writing anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's not enough budget, we'll throw something together.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It is what it is. Nothing we can do about it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped.
<br>**[11:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Didn't I spend my life ten years in the future*<br>**[11:08] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;repeating that excuse,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and regretting it every time?*<br>**[11:11] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Make excuses... and kick it all down the road,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without actually achieving anything?*<br>**[11:15] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Put a hold on everything for ten years,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and see how that turns out?*<br>**[11:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No!*<br>**[11:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not out of options!<br>**[11:26] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>**[11:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa's team came in first place...*<br>**[11:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which was kind of expected.*<br>**[11:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But we came in third...*<br>**[11:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's some fairly high praise.*<br>**[11:40] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But if we had been able to film things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the way we originally intended...*<br>**[11:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet we would've been better received.*<br>**[11:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is *so* damn frustrating!<br>**[11:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell, man?!<br>**[11:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had *no* idea what you were doing <br>
&nbsp;&nbsp;&nbsp;&nbsp;when we were shooting,<br>**[11:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turned into a proper story,<br>&nbsp;&nbsp;&nbsp;&nbsp;with a proper ending and everything!<br>**[11:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really something, man! You did great!<br>**[12:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if my script...<br>**[12:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the first one, but the one<br>&nbsp;&nbsp;&nbsp;&nbsp;I redid with your input...<br>**[12:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had been able to use it properly,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've turned out great!<br>**[12:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe even better than what we turned in...<br>**[12:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[12:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bitter, too!<br>**[12:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, that was seriously amazing!<br>**[12:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just doing what I was told,<br>**[12:24] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm kinda... No, I'm seriously impressed!<br>**[12:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I can act well<br>&nbsp;&nbsp;&nbsp;&nbsp;in a normal film too, so...<br>**[12:33] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm sure that'd... y'know...<br>**[12:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever! I'm just gonna say it!<br>**[12:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I can put on a really<br>&nbsp;&nbsp;&nbsp;&nbsp;good performance!<br>**[12:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to get to act the normal way!<br>**[12:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[12:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You play kinda dirty, huh?<br>**[12:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you get all fired up,<br>&nbsp;&nbsp;&nbsp;&nbsp;with your eyes flashing.<br>**[12:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the shoot...<br>&nbsp;&nbsp;&nbsp;&nbsp;And during the screening...<br>**[12:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was full of butterflies the whole time!<br>**[13:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I'm locking up. If you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;review things, do it somewhere else.<br>**[13:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or...<br>**[13:08] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you discussing your next goal?<br>**[13:10] Roommates**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[13:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy is not...<br>**[13:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya isn't...<br>**[13:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun ain't...<br>**[13:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...gonna show me up!<br>**[13:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping one day my eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;would light up like yours do.<br>**[13:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it just don't seem to wanna happen.<br>**[13:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I—<br>**[13:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was thinking...<br>**[13:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should give up on art.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that'd be easier.<br>**[13:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't!<br>**[13:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do that!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't stop being an artist!<br>**[13:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[13:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I...<br>**[13:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your art was always there for me.*<br>**[13:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[13:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love your art, Shinoaki.<br>**[14:03] Shino**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From all the way in the future...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've loved it.*<br>**[14:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't serious<br>&nbsp;&nbsp;&nbsp;&nbsp;about being an actor, then.<br>**[14:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want this, don't you? To be a singer.<br>**[14:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought it was strange.<br>**[14:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that you could perform in bits,<br>**[14:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was no feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;of intentionality behind it.<br>**[14:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It always felt superficial.<br>**[14:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that!<br>**[14:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It actually is.<br>**[14:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you weren't serious about acting.<br>**[14:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can claim otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the proof is in the performance.<br>**[14:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can project your voice so well,<br>**[14:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must mean you've been practicing in one<br>&nbsp;&nbsp;&nbsp;&nbsp;way or another since you were little, right?<br>**[14:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why would you try to act,<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of following your passion?<br>**[14:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[14:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're scared<br>&nbsp;&nbsp;&nbsp;&nbsp;of taking it seriously, right?<br>**[14:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you start taking something you've<br>&nbsp;&nbsp;&nbsp;&nbsp;always cared about seriously, and fail?<br>**[14:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would refute everything you stand for.<br>**[14:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were afraid of committing.<br>**[15:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So instead, because you got<br>&nbsp;&nbsp;&nbsp;&nbsp;compliments before, you turned to acting,<br>**[15:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lied about wanting to be an actress.<br>**[15:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Just stop talking!<br>**[15:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?!<br>**[15:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've loved singing, grown up around music,<br>**[15:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;but have always been tone deaf.<br>**[15:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could do something about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have by now!<br>**[15:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you haven't.<br>**[15:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of a gift.<br>**[15:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop running away, and get serious!<br>**[15:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can seriously chase after,<br>**[15:32] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;why wouldn't you make it<br>&nbsp;&nbsp;&nbsp;&nbsp;your weapon of choice?!<br>**[15:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead you flit off to acting because<br>&nbsp;&nbsp;&nbsp;&nbsp;someone gave you some casual compliments!<br>**[15:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't ever move anyone!<br>**[15:41] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was time you paid me back.<br>**[15:43] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna come work on our game?<br>**[15:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[15:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't... not right now.<br>**[15:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems you've got a full plate, huh?<br>**[15:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[15:55] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, the offer's still on the table, all right?<br>**[15:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I'm here, you can have these.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chasing The Morning Sun
<br>**[16:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should give you an idea what we're doing.<br>**[16:03] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch ya next time.<br>**[16:05] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I brushed against*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the freckles that I hated so...*<br>**[16:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Life goes on and I heave*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a little sigh for you.*<br>**[16:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's heavy, the love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I once shared with you...*<br>**[16:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it dissolved like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was just a sugar cube.*<br>**[16:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now the little pain sitting in my heart...*<br>**[16:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Has shrunken a bit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it really does hurt me now.*<br>**[16:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this... my voice?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. It's what your singing<br>&nbsp;&nbsp;&nbsp;&nbsp;can ultimately sound like.<br>**[16:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was adjust it.<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your singing has incredible potential!<br>**[16:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wanted you to know.<br>**[16:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to get better at singing.<br>**[16:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll study for real, practice for real,<br>**[16:48] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let people hear what<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do when I'm serious.<br>**[16:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll be able to do it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I be able to go that far?<br>**[16:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you can.<br>**[16:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to trust you, Kyoya!<br>**[17:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So help me figure out singing! Please?<br>**[17:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to be doing all the work.<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll do whatever I can to help you.<br>**[17:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>**[17:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make sure to enjoy the finale<br>&nbsp;&nbsp;&nbsp;&nbsp;of the school festival's concert!<br>**[17:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I rush past you with a heart that's run dry*<br>**[17:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, but there's nothing else I can do*<br>**[17:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because even sharing your pain*<br>**[17:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is something you want to keep from me*<br>**[18:02] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To not ruin what we had,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't look back*<br>**[18:08] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I turned away and took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my leave on the lonely rail*<br>**[18:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[18:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it, right, Kyoya?*<br>**[18:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no reason to be scared!*<br>**[18:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[18:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I'm...*<br>**[18:21] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[18:22] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your new video broke ten thousand views!<br>**[18:26] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only uploaded it yesterday.<br>**[18:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seeji<br>
&nbsp;&nbsp;&nbsp;&nbsp;This made me feel better!! You're only to going to get better from here<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fujiwara<br>
&nbsp;&nbsp;&nbsp;&nbsp;Too amazing... the way you seem to sing in a totally different way, depending on the song... Love it<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saito<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>**[18:29] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already sung in front<br>&nbsp;&nbsp;&nbsp;&nbsp;of thousands of people...<br>**[18:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking;*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rua<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ahhhh! So good! I love it!<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Omurice<br>
&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I never thought you would sing this song... (°°∀°°)<br>
&nbsp;&nbsp;&nbsp;&nbsp;It was just too cool!<br>
&nbsp;&nbsp;&nbsp;&nbsp; Thank you!
<br>**[18:32] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me, it doesn't make any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense to be afraid of a few hundred.<br>**[18:34] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[18:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[18:40] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I'm sure they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;all become fans of yours.<br>**[18:43] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You were there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I was there, and everyone else*<br>**[18:48] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Had seemed to disappear*<br>**[18:51] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know the world's not so simple that hard work*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is enough to get you where you want to be...*<br>**[18:56] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I tried to create*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the beauty of a fleeting dream*<br>**[18:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But!*<br>**[18:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want my feelings to reach them!*<br>**[19:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad at all.<br>**[19:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Nanako can do<br>&nbsp;&nbsp;&nbsp;&nbsp;when she's serious.<br>**[19:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ran a finger across my scars*<br>**[19:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What kind of trick<br>&nbsp;&nbsp;&nbsp;&nbsp;did you use this time?<br>**[19:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that is why I will be*<br>**[19:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it a trick...<br>**[19:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[19:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The videos we uploaded got<br>&nbsp;&nbsp;&nbsp;&nbsp;a bigger response than I anticipated.<br>**[19:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[19:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Granted, there were negative comments, too.*<br>**[19:18] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[19:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But Nanako's voice drew in a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more people than it turned away.*<br>**[19:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako didn't run away.*<br>**[19:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;○ Poor enunciation on H-sounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Abdominals<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;○Dotted rhythm<br>
&nbsp;&nbsp;&nbsp;&nbsp;      Syncopation process<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Wrong pitch?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mind the distinctions in articulation!
<br>**[19:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She kept an open mind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about even the harshest criticisms...*<br>**[19:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking*<br>**[19:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And incorporated the advice she got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into the next video she uploaded.*<br>**[19:31] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[19:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the internet, artists and fans collaborate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to make music through feedback.*<br>**[19:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[19:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in ten years, when this they dub*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this kind of thing "user generated content"...*<br>**[19:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako will have gained wings of song.*<br>**[19:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The first time I heard this voice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it captured my heart.*<br>**[19:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wasn't sure why, but now I understand.*<br>**[19:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's nice to meet you, N@NA.*<br>**[20:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all...<br>**[20:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going to make...<br>**[20:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a game?<br>**[20:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, the kind you play on a console?<br>**[20:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we're going to make is a doujin game,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're usually played on PCs.<br>**[20:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're going to be making a novel game,<br>**[20:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;which uses text and images<br>&nbsp;&nbsp;&nbsp;&nbsp;for a sort of picture show.<br>**[20:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, we won't need a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of technical expertise, plus...<br>**[20:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you!<br>**[20:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm going to write the script?<br>**[20:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[20:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki can do the illustrations.<br>**[20:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Nanako will handle the background music.<br>**[20:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! Sounds like fun!<br>**[20:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've hardly composed anything before.<br>**[20:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you how, along with how<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the equipment involved.<br>**[20:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be the director,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll be there to back you all up.<br>**[20:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to drag you all into my business!<br>**[20:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry none.<br>**[20:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I've never seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki grateful before!<br>**[20:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm deducting my gratitude toward you.<br>**[20:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! You should give me extra, in fact!<br>**[21:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, the other day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the strangest-looking folks.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[21:04] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was over in the school parking lot.<br>**[21:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This big old black car pulls up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and out comes a big fella in a black suit,<br>**[21:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this cute gal in a fur coat!<br>**[21:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, Tsurayuki, what's gotten into...<br>**[21:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, sorry, but I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to make myself scarce for today!<br>**[21:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why?!<br>**[21:30] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this was the place!<br>**[21:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee...<br>**[21:32] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun! It's been ages!<br>**[21:35] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I missed you so much!<br>**[21:37] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we smooch now,<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate our reunion?<br>**[21:40] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Tsu-kun!<br>**[21:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a...<br>**[21:49] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you all.<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Jisshoji Sayuri.<br>**[21:53] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Rokuonji Tsurayuki-san's...<br>**[21:56] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée!<br>**[21:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;F... F... F...<br>**[22:01] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée?!<br>