# Remake Our Life!

Kyoya Hashiba, is a video game director. However, his company goes bankrupt and his project shelved, so he goes back to his family home. As he falls asleep wondering what it might've been like if he chose a different path, he somehow wakes up ten years ago when he was just about to enter college! This time, he chooses the path he didn't originally choose and gets to experience the art college life he dreamed of.

# Season 1

# E1 - Nothing Was Working Out

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GJWU2JJV8/nothing-was-working-out)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;August 2016
<br>**[00:20] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can't sleep.*<br>**[00:26] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh? What's this?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SucceedSoft Official Stream
<br>**[00:30] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 253 225 l 264 262 377 227 362 189<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We'll be starting soon.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your patience
<br>**[00:32] Hostess**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thank you all for waiting!*<br>**[00:34] Hostess**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's finally time for SucceedSoft's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;big new announcement!*<br>**[00:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What big new announcement?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;hype levels: low
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;time for another succeed sequel lol
<br>**[00:43] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess I remember an announcement*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about an announcement.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;go back to making eroge
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it's Judgment Day
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;the audience has already given up hope, huh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;hurry it up already
<br>**[00:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I understand where they're coming from.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Get out of here beardo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Here we goooo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;imma lol if it's an eroge
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;as long as it's good
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'd be glad for a new title even if it's a social game
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it's still in development, so I bet stuff is still undecided
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;short version: it's another sequel
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;get the beard guy off camera
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sumi-pyon looks adorbs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is it!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's a brand new game!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eroge! Eroge!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;wait so when's it coming out??? lol
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;well Q3 ends in September, that's probably when their next big title comes out
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;lol if it's a remake
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;i've got faith in the devs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it's been 30 years already...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SucceedSoft
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;30th Anniversary Project
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;here we go
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>**[01:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you kidding me?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For real?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;lol they're re-assembling the platinum gen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;they're actually serious
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Theme Song
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;even getting one platinum would be awesome, so three is huge
<br>**[01:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi, N@NA,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and Akishima Shino?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;huh????????
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;wow, I'm actually looking forward to this
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;herewegoherewegoherewego
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoooooa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N@NA-samahhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;shino da god is here
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is what I've been waiting for
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;succeed's getting serious lol
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;they're getting the gen's biggest together lmao
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;this is actually a really big deal
<br>**[01:11] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They're all-stars*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the Platinum Generation!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I started crying the minute I saw Kawagoe Kyouchi's name
<br>**[01:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What kind of budget are they dealing with?*<br>**[01:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reaction has to be crazy...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Succeed's new game
<br>**[01:24] Search Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't.<br>**[01:28] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I always loved things like video games,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;light novels, and anime.*<br>**[01:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to try working in the industry,*<br>**[01:36] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I quit the office job I had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and joined a bishoujo game developer...*<br>**[01:40] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Where the workplace was more*<br>*&nbsp;&nbsp;&nbsp;&nbsp;terrible than I had ever imagined,*<br>**[01:43] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;we released games that didn't sell,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and ultimately shut down.*<br>**[01:50] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My name's Hashiba Kyoya,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I'm 28 years old.*<br>**[01:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The kind of soon-to-be-middle-aged bachelor*<br>**[01:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that you can find just about anywhere.*<br>**[01:58] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you might expect, I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no girlfriend, and no money.*<br>**[02:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now I don't even have a job...*<br>**[02:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means I can't pay rent anymore,*<br>**[02:17] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;forcing me to pay for an express bus ticket*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the last of my cash.*<br>**[02:21] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And here I find myself here,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back at my parents' house.*<br>**[02:25] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Directing, video editing,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;image editing, art assistant,*<br>**[02:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sub-scenario writing, logo design...*<br>**[02:33] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I tried my hand at everything I could,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and none of it amounted to anything.*<br>**[02:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What was the point of it all?*<br>**[02:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Akishima Shino is so amazing.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;huh????????
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;shino da god is here
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoooooa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;wow, I'm actually looking forward to this
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is what I've been waiting for
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Theme Song
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;they're getting the gen's biggest together lmao
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;succeed's getting serious lol
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;this is actually a really big deal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>**[03:23] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[03:23] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Onii-chan? You doing okay?*<br>**[03:26] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[03:27] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[03:28] Miyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, I was going through my stuff*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I found something of yours.*<br>**[03:32] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought I'd drop it off later.*<br>**[03:34] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something of mine? What?<br>**[03:36] Miyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The letter from when*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you got into art school.*<br>**[03:38] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're proud of it, right?*<br>**[03:41] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll see you later, then.*<br>**[03:50] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Art school, huh?<br>**[03:55] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I got into two schools,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I wasn't sure which to attend.*<br>**[04:01] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;One was the economics department*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of a regular university.*<br>**[04:04] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The other was the visual arts*<br>*&nbsp;&nbsp;&nbsp;&nbsp;program of an art school.*<br>**[04:09] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My admiration for creatives lead me to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;take the entrance exam on a lark...*<br>**[04:14] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I passed somehow.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notice of Acceptance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exam ID:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Name: Hashiba Kyoya
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This letter is to notify you of your acceptance<br>
&nbsp;&nbsp;&nbsp;&nbsp;into the academic programs listed below for<br>
&nbsp;&nbsp;&nbsp;&nbsp; the exam that you took in 2004.
<br>**[04:16] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I didn't attend.*<br>**[04:18] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't have the confidence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to try a creative career,*<br>**[04:20] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and regular college work seemed easier.*<br>**[04:27] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wonder what would've happened*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if I had gone to art school instead.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>**[04:32] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are all the same age as me.*<br>**[04:36] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I had gone to art school instead,*<br>**[04:39] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;maybe I would've become*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a creator, like them.*<br>**[04:42] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wonder if I could wake up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and be back in time...*<br>**[04:46] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then I'd change things.*<br>**[04:51] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan?<br>**[04:53] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan...<br>**[04:55] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan!<br>**[05:00] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it kill you to knock—<br>**[05:03] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[05:11] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya.<br>**[05:12] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome, by the way.<br>**[05:17] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it doesn't work that way.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notice of Acceptance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya-sama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We are contacting you to let you know you passed<br>
&nbsp;&nbsp;&nbsp;&nbsp; the entrance exam to Oonaka University of the Arts<br>
&nbsp;&nbsp;&nbsp;&nbsp; Visual Arts program that you took in 2004.
<br>**[05:28] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing I can do now.<br>**[05:34] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd better look for a job.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;September 2016
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We wish you luck in your future endeavors.
<br>**[06:24] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[06:33] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry!<br>**[06:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I seriously look that suicidal?<br>**[06:42] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... you looked kinda lonely, maybe?<br>**[06:50] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said kind of lonely—<br>**[06:52] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry!<br>**[06:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[06:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I remembered what I was worried about,<br>&nbsp;&nbsp;&nbsp;&nbsp;I got pissed off all of a sudden.<br>**[07:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be pretty serious.<br>**[07:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me about it!<br>**[07:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had staff run out on us<br>&nbsp;&nbsp;&nbsp;&nbsp;at a critical juncture.<br>**[07:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They ran off?<br>**[07:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I work at a company<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes games, right?<br>**[07:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I guess it's not really<br>&nbsp;&nbsp;&nbsp;&nbsp;unheard of in this industry.<br>**[07:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the odds that<br>&nbsp;&nbsp;&nbsp;&nbsp;I just stumble across someone<br>**[07:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;who can direct, edit images and video,<br>**[07:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has a general knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;of web development...<br>**[07:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since I'm asking, maybe they<br>&nbsp;&nbsp;&nbsp;&nbsp;could hook me up with an illustrator.<br>**[07:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[07:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds like me.<br>**[07:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does?<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it does, anyway.<br>**[07:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe I landed<br>&nbsp;&nbsp;&nbsp;&nbsp;a gig at SucceedSoft.<br>**[08:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better work hard! This is a big chance!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Group 2
<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome, Hashiba Kyoya-san.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the head of SucceedSoft's<br>&nbsp;&nbsp;&nbsp;&nbsp;second development group, Kawasegawa.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to have you.<br>**[08:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! I'm very glad to be working here!<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's the team head?*<br>**[08:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But she's only about my age...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or even younger.*<br>**[08:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Amazing.*<br>**[08:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go ahead and explain<br>&nbsp;&nbsp;&nbsp;&nbsp;what you'll need to get started.<br>**[08:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Materials Room
<br>**[08:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the room where we've put<br>&nbsp;&nbsp;&nbsp;&nbsp;the reference material for our new title.<br>**[08:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're short-staffed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can see what that's led to.<br>**[08:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize you for sticking you<br>&nbsp;&nbsp;&nbsp;&nbsp;with basic chores for your first job, but...<br>**[08:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you.<br>**[08:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have expected too much, I guess.<br>**[08:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just be grateful to even have a job.<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Data
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shopping District By Station
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tea Set
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Camera
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Park Play Sets
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Heroine 1 Accessory
<br>**[09:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, isn't this...<br>**[09:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should probably be like this.<br>**[09:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this like this...<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's change how this is organized.<br>**[09:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The filers were previously labeled<br>&nbsp;&nbsp;&nbsp;&nbsp; only with numbers.<br>**[09:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I labeled each type of file<br>&nbsp;&nbsp;&nbsp;&nbsp; with a letter of the alphabet,<br>**[09:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a number to distinguish them.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Characters
<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made digital copies of anything<br>&nbsp;&nbsp;&nbsp;&nbsp;we didn't need hard copies of,<br>**[09:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and filed the hard copies on the shelves.<br>**[09:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made sure to label the toys<br>&nbsp;&nbsp;&nbsp;&nbsp;and figurines too,<br>**[09:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so now we can keep track of it all via PC.<br>**[09:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... what do you think?<br>**[09:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I have to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not what I expected.<br>**[10:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relax, though.<br>**[10:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You exceeded those expectations.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;October 2016
<br>**[10:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can delay the deadline by a week,<br>**[10:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in exchange I'd like to see whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;you have now, even if it's still rough.<br>**[10:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way we can get things rolling<br>&nbsp;&nbsp;&nbsp;&nbsp;for the backgrounds.<br>**[10:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for your next set of specs,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting them ready by tonight is...<br>**[10:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, it's going to have to<br>&nbsp;&nbsp;&nbsp;&nbsp;wait until tomorrow.<br>**[10:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll excuse me.<br>**[10:36] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks so much, Hashiba-san.<br>**[10:38] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it is, but that artist tends<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose their temper with me really fast.<br>**[10:42] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your softball approach is a huge help.<br>**[10:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem at all.<br>**[10:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make sure to have the text<br>&nbsp;&nbsp;&nbsp;&nbsp;specifications ready for them.<br>**[10:49] Coworker 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san! About that tutorial video<br>&nbsp;&nbsp;&nbsp;&nbsp;for that item we talked about yesterday...<br>**[10:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry! I've got it!<br>**[10:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure it's ready to check<br>&nbsp;&nbsp;&nbsp;&nbsp;at tomorrow's morning meeting.<br>**[10:59] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[11:00] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have time to edit this image later?<br>**[11:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! I'll have it ready by tonight.<br>**[11:07] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun, I could use a hand...<br>**[11:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it, I'll figure it out!<br>**[11:11] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba, sorry, do you have a second?<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[11:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never thought someone assuming I was<br>&nbsp;&nbsp;&nbsp;&nbsp;jumping off an overpass would be so fortunate.<br>**[11:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad we had that misunderstanding, too.<br>**[11:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It still kind of hurts my feelings, though.<br>**[11:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I am really sorry about that!<br>**[11:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a lot of worries back then.<br>**[11:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was feeling really fed up,<br>&nbsp;&nbsp;&nbsp;&nbsp;which was when you saw me.<br>**[11:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of a mess<br>&nbsp;&nbsp;&nbsp;&nbsp;at our company, y'know.<br>**[11:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Howso?<br>**[11:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The team working on a social game<br>&nbsp;&nbsp;&nbsp;&nbsp;is calling us "budget parasites."<br>**[11:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they try to screw<br>&nbsp;&nbsp;&nbsp;&nbsp;with our development as a result.<br>**[11:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't this a big anniversary project?<br>**[11:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they do that?<br>**[12:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not everyone feels like celebrating.<br>**[12:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not caring about the anniversary<br>&nbsp;&nbsp;&nbsp;&nbsp;means they think it's all a waste.<br>**[12:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I want to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;this project is a success.<br>**[12:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to waste a chance to work<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Platinum Generation.<br>**[12:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really care about it, huh?<br>**[12:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having you on board has been a huge help.<br>**[12:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[12:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. This is<br>&nbsp;&nbsp;&nbsp;&nbsp;a special project for me, too.<br>**[12:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like Akishima Shino's art, huh?<br>**[12:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sooner you become<br>&nbsp;&nbsp;&nbsp;&nbsp;a permanent employee, the better.<br>**[12:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are my prospects, on that front?<br>**[12:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's part of the contract.<br>**[12:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;After six months, you'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;considered for the position.<br>**[12:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I better work hard, then!<br>**[12:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you want to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Gen soon, too.<br>**[13:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;November 2016
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask, but would we be able to get additional time?
<br>**[13:15] Coworker 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't gotten any<br>&nbsp;&nbsp;&nbsp;&nbsp;more of the script yet.<br>**[13:18] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having nothing show up<br>&nbsp;&nbsp;&nbsp;&nbsp;for a whole month isn't normal, right?<br>**[13:22] Coworker 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what the chief thinks.<br>**[13:24] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been out a lot lately.<br>**[13:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, can I have a word?<br>**[13:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something I need to tell you all.<br>**[13:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Platinum project...<br>**[13:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been frozen, as decided<br>&nbsp;&nbsp;&nbsp;&nbsp;by a meeting of the board of directors.<br>**[13:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! What happened?<br>**[14:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could have done more.<br>**[14:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[14:08] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that work, and for what?<br>**[14:10] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's gonna happen to our team?<br>**[14:10] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Management only cares<br>&nbsp;&nbsp;&nbsp;&nbsp;about the social game, anyway.<br>**[14:12] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we gonna be split up?<br>**[14:13] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, this kills my motivation.<br>**[14:14] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I'm drinking myself silly tonight.<br>**[14:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Again...*<br>**[14:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It happened again.*<br>**[14:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The team was laid off*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and my contract was canceled.*<br>**[15:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What did I do wrong?*<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I had chosen this instead...*<br>**[15:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd be pouring my heart into creating,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;brainstorming with my friends,*<br>**[15:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*thinking, then creating something new...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>**[15:21] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I would've met*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation.*<br>**[15:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We could've worked together,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inspired each other...*<br>**[15:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And...*<br>**[15:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then...*<br>**[15:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell difference does it make?!<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late.<br>**[15:44] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan?<br>**[15:46] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan!<br>**[15:48] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan.<br>**[15:52] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally. Were you so excited<br>&nbsp;&nbsp;&nbsp;&nbsp;you passed out, or something?<br>**[15:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on... are you being sarcastic or—<br>**[15:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... since when are you into cosplay?<br>**[16:03] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you talking about?<br>**[16:05] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Dad wanted to to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted for your celebratory dinner.<br>**[16:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celebrating?<br>**[16:12] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were freaking out<br>&nbsp;&nbsp;&nbsp;&nbsp;about getting in before.<br>**[16:15] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I got into Oonaka Arts!"<br>**[16:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a decade ago.<br>**[16:21] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan, what are you talking about?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I could ask you...<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, did you borrow some of my books?<br>**[16:35] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure didn't.<br>**[16:36] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always get mad when I do.<br>**[16:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... there's only the first seven <br>
&nbsp;&nbsp;&nbsp;&nbsp;volumes of *The Familiar of Zero*.<br>**[16:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, *Haganai*, *Asterisk*, <br>
&nbsp;&nbsp;&nbsp;&nbsp;and *No Game, No Life* are missing.<br>**[16:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't we get rid of this CRT?<br>**[16:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And...<br>**[16:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a PreS2? What happened to the PreS3?<br>**[16:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should use my smartphone to—<br>**[17:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A flip phone?!<br>**[17:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;2006?!<br>**[17:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Once time passes, it never comes back."*<br>**[17:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"There are no second chances in life."*<br>**[17:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I always believed that...*<br>**[17:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, what I am experiencing*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art, Visual Arts Department
<br>**[17:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is the world from ten years ago that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been dying to go back to.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;April 2006
<br>**[19:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how it happened,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I've reverted ten years into the past.*<br>**[19:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's when I was choosing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what university to attend.*<br>**[19:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where I was pondering my own future,*<br>**[19:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;instead of pondering*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the nature of the world.*<br>**[19:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope this is the right way?<br>**[19:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichisuka Higashi... Ichisuka Higashi?<br>**[19:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take this right, then.<br>**[20:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Back then, I chose the ordinary path*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because I wasn't sure of my own potential.*<br>**[20:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As a result, I had some*<br>*&nbsp;&nbsp;&nbsp;&nbsp;seriously bitter experiences.*<br>**[20:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is why, when I found myself back in time,*<br>**[20:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there was only really one option.*<br>**[20:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[20:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Share House Kitayama.<br>**[20:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?<br>**[20:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I the first one here?<br>**[20:42] Mover**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Akashika Movers!<br>**[20:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[20:45] Mover**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Akashika Movers
<br>**[20:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's start putting stuff away.<br>**[21:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest can wait until tomorrow.<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My Dad asked me to make one promise:*<br>**[21:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since your diet can become lopsided*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when you're living on your own,*<br>**[21:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to eat plenty of fermented foods,*<br>**[21:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;whether it comes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from lactic acid or from natto.*<br>**[21:28] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I really should have bought a sports*<br>*&nbsp;&nbsp;&nbsp;&nbsp;drink when I picked this up.*<br>**[21:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm an art student now.*<br>**[21:41] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll get to work together with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino, Kawagoe Kyouichi, and N@NA...*<br>**[21:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then... I'll finally...*<br>**[21:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Finally...*<br>**[22:02] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun?<br>**[22:04] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun...<br>**[22:06] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun.<br>**[22:08] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun!<br>**[22:11] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun...<br>**[22:13] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you dozing off for, Hashiba-kun?<br>**[22:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-President?!<br>**[22:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I back at my old job?!<br>**[22:19] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop daydreaming!<br>**[22:21] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;The CG illustrations still aren't finished <br>
&nbsp;&nbsp;&nbsp;&nbsp;for *Pretty Booty*, Hashiba-kun!<br>**[22:25] Goons**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's that damn president?!<br>**[22:28] Goons**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Prez, hope you're ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay what you owe... with interest.<br>**[22:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hang on, this has to be a mistake!<br>**[22:36] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut!<br>**[22:38] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no good, Hashiba-kun!<br>**[22:40] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to run from<br>&nbsp;&nbsp;&nbsp;&nbsp;the debt collectors, Hashiba-kun!<br>**[22:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;President?<br>**[22:43] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life isn't like a movie!<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no second takes, Hashiba-kun!<br>**[22:49] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's try this again.<br>**[22:52] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take two, get ready...<br>**[22:54] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there won't be a third, Hashiba-kun!<br>**[22:56] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, run into the light!<br>&nbsp;&nbsp;&nbsp;&nbsp;The future is up to you, Hashiba-kun!<br>**[23:05] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scene 5, Cut 12, ready...<br>**[23:08] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Action!<br>**[23:10] Goons**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's that damn president?!<br>**[23:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't let it end here!*<br>**[23:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No way is that happening!*<br>**[23:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What a nasty nightmare.*<br>**[23:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where have I seen this before?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Description
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Situation: A girl is sleeping in front of the protagonist.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Clothing: Her pajama top has partially slid off her shoulder,<br>
&nbsp;&nbsp;&nbsp;&nbsp; with some of her bosom exposed.
<br>**[23:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, right, it was in an eroge we made.*<br>**[23:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess I haven't woken up yet.*<br>**[24:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it morning already?<br>**[24:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cute...<br>**[24:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[24:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirsty...<br>**[24:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I...<br>**[24:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;already... started on that.<br>**[24:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing beats yogurt in the morning!<br>**[24:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I agree.<br>**[24:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, hang on, who are you?<br>**[24:56] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, I better introduce myself.<br>**[25:03] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[25:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was on the second floor!<br>**[25:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you okay in there?!<br>**[25:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're coming in!<br>**[25:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a sec!<br>**[25:13] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? What happ—<br>**[25:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not what it looks like!<br>**[25:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I woke up, she was<br>&nbsp;&nbsp;&nbsp;&nbsp;sleeping next to me, and—<br>**[25:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since my futon's not here yet, I borrowed his.<br>**[25:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, that's why?<br>**[25:38] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go first, then.<br>**[25:41] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Nanako Kogure!<br>**[25:43] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm originally from Shiga Prefecture!<br>**[25:45] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can call me Nanako!<br>**[25:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[25:49] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She seems kinda popular,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;maybe a bit of a gyaru.*<br>**[25:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess: it was art school<br>&nbsp;&nbsp;&nbsp;&nbsp;or a life of crime—<br>**[25:56] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a talent<br>&nbsp;&nbsp;&nbsp;&nbsp;for being a pain in the ass<br>**[25:58] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I've only known you<br>&nbsp;&nbsp;&nbsp;&nbsp;for, like, 30 seconds.<br>**[26:01] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's not make fun of her, then.*<br>**[26:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Tsurayuki Rokuonji...<br>**[26:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll keep it casual, too.<br>**[26:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a cool family name!<br>**[26:13] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like pretentious.<br>**[26:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What difference does my family name make?<br>**[26:17] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so you're the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;who can make fun of people?<br>**[26:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go next!<br>**[26:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kyoya Hashiba.<br>**[26:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[26:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can just call me Kyoya too—<br>**[26:27] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Kyoya,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to clarify something...<br>**[26:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's that?<br>**[26:32] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you explain the sequence of events<br>&nbsp;&nbsp;&nbsp;&nbsp;between yesterday and today in detail?<br>**[26:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already did, though!<br>**[26:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence!<br>&nbsp;&nbsp;&nbsp;&nbsp;A series of unfortunate coincidences!<br>**[26:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, well...<br>**[26:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you coincidentally spent the night<br>&nbsp;&nbsp;&nbsp;&nbsp;with a girl you just met...<br>**[26:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before giving her a little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;of the milky splash?<br>**[26:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it was just a—<br>**[26:54] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable!<br>**[26:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be interesting, I think.<br>**[27:02] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves me!<br>**[27:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Shino Aki.<br>**[27:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from Fukuoka, in Kyushu...<br>&nbsp;&nbsp;&nbsp;&nbsp;a town called Itoshima.<br>**[27:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki's kind of a<br>&nbsp;&nbsp;&nbsp;&nbsp;masculine name, isn't it?<br>**[27:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[27:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, that ain't it though.<br>**[27:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shino's my family name, and Aki's my name.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S<br>
&nbsp;&nbsp;&nbsp;&nbsp;H<br>
&nbsp;&nbsp;&nbsp;&nbsp;I
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N<br>
&nbsp;&nbsp;&nbsp;&nbsp;O
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;K<br>
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<br>**[27:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm Shino Aki!<br>**[27:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'all can call me Aki, too.<br>**[27:27] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Shinoaki, though?<br>**[27:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like the sound of Shinoaki.<br>**[27:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki it is.<br>**[27:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are y'all not gonna listen to me?!<br>**[27:37] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Share House<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kitayama
<br>**[27:41] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And that was how the four of us*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ended up together in this share house.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya Shino Aki Rokuonji Tsurayuki Kogure Nanako
<br>**[27:47] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The second floor's rooms were*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for me and Shinoaki,*<br>**[27:49] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the bottom floor's being*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for Tsurayuki and Nanako.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Household Chores<br>
&nbsp;&nbsp;&nbsp;&nbsp;           Mon       Tue      Wed      Thu       Fri        Sat      Sun<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kyoya      Cleaning  Errands  Trash    Cleaning  Cleaning   Errands  Trash<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki  Cleaning  Cleaning  Errands  Trash    Cleaning  Cleaning  Errands<br>
&nbsp;&nbsp;&nbsp;&nbsp;Nanako    Trash     Cleaning  Cleaning  Errands  Trash    Cleaning  Cleaning<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki   Errands   Trash    Cleaning  Cleaning  Errands  Trash    Cleaning
<br>**[27:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We split up the chores along these lines.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chore Schedule<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kyoya       General household stuff<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki  Taking the trash out, brute force labor<br>
&nbsp;&nbsp;&nbsp;&nbsp;Nanako     Cleaning, occasionally cooking<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki    Helping everyone else
<br>**[27:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't go into all the specifics... <br>
&nbsp;&nbsp;&nbsp;&nbsp;but it was kind of a mess.*<br>**[28:07] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to say...*<br>**[28:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what kinda stuff is in Shiga?<br>**[28:08] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Being around two girls,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and both of them being so cute...*<br>**[28:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's Lake Biwa...<br>**[28:12] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like something out of a dream.*<br>**[28:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lake Biwa?<br>**[28:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else?<br>**[28:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other than that...<br>**[28:18] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And considering what's already happened,*<br>**[28:20] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I should be careful about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;anyone getting the wrong idea.*<br>**[28:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine that, all of us<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Visual Arts program...<br>**[28:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty wild coincidence, right?<br>**[28:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems great to me. We can<br>&nbsp;&nbsp;&nbsp;&nbsp;share notes on class, and stuff.<br>**[28:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, man, is this really Osaka?<br>**[28:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more rural than it is back home.<br>**[28:43] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Osaka, but on the border<br>&nbsp;&nbsp;&nbsp;&nbsp;between prefectures.<br>**[28:45] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear there used to be signs warning<br>&nbsp;&nbsp;&nbsp;&nbsp;about pit vipers until recently.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Caution<br>
&nbsp;&nbsp;&nbsp;&nbsp;Pit Vipers!!
<br>**[28:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should go home after all.<br>**[28:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna let some<br>&nbsp;&nbsp;&nbsp;&nbsp;snakes intimidate you...<br>**[28:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this is really gonna freak you out.<br>**[28:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oonaka Arts' signature landmark...<br>&nbsp;&nbsp;&nbsp;&nbsp;the Art Hill.<br>**[29:03] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right... I forgot all about it.<br>**[29:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda looks like the zone before<br>&nbsp;&nbsp;&nbsp;&nbsp;the final boss fulla tough enemies.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Visual Arts Program
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Heisei 18 (2006)<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of the Arts Visual Arts Program<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;New Student Guidance
<br>**[29:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lotta new students<br>&nbsp;&nbsp;&nbsp;&nbsp;from the look of things.<br>**[29:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A whole bunch.<br>**[29:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hundred... maybe more?<br>**[29:31] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[29:32] Prof**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the new students could be seated<br>&nbsp;&nbsp;&nbsp;&nbsp;in accordance to the numbered seats.<br>**[29:39] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he says.<br>**[29:40] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you all later, then.<br>**[29:46] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this 33?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Brute Strength
<br>**[29:51] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[29:52] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, cool. Pardon me, then.<br>**[29:56] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm finally at art school!<br>**[29:59] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Hikawa Genkiro!<br>**[30:01] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You write it with the "genki"<br>&nbsp;&nbsp;&nbsp;&nbsp;from "How you doing?!"<br>**[30:04] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the same "ro" as Ichiro<br>&nbsp;&nbsp;&nbsp;&nbsp;and Jiro! Genkiro!<br>**[30:06] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you!<br>**[30:07] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[30:08] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hashiba Kyoya. Likewise.<br>**[30:11] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Hashiba, did you play any sports?<br>**[30:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in particular, no.<br>**[30:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just watched baseball on TV, really.<br>**[30:19] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baseball, huh? Chibalotti<br>&nbsp;&nbsp;&nbsp;&nbsp;did great last year!<br>**[30:23] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;And man, at last year's Koshien,<br>&nbsp;&nbsp;&nbsp;&nbsp;Koma-komai's Mii-kun was awesome!<br>**[30:27] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, right... that would've*<br>*&nbsp;&nbsp;&nbsp;&nbsp;been ten years ago, huh?*<br>**[30:31] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess the prince of towel's big showcase*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is gonna be summer of this year...*<br>**[30:34] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You a fan of any players, Hashiba?<br>**[30:37] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[30:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe Oodani?<br>**[30:41] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oodani? Doesn't ring any bells.<br>**[30:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, he's a two-way player.<br>**[30:47] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is?<br>**[30:48] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[30:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, uh, ever think about that neat saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;"He who chases two hares, won't catch one"?<br>**[30:55] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Crap, I need to choose*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my words more carefully.*<br>**[30:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, we have the advising<br>&nbsp;&nbsp;&nbsp;&nbsp;assistant professor Kano here,<br>**[31:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has a word for all of our new students.<br>**[31:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there! Nice to meet you everybody!<br>**[31:09] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Assistant Professor Kano.<br>**[31:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to art school!<br>**[31:14] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our teacher?<br>**[31:15] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems kinda young.<br>**[31:18] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, to start out with,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take an informal survey.<br>**[31:23] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, first of all, everyone wants<br>&nbsp;&nbsp;&nbsp;&nbsp;to direct movies, raise your hand!<br>**[31:29] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next, who wants to be a screenwriter?<br>**[31:33] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone want to be an animator?<br>**[31:36] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Game creators?<br>**[31:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's plenty of others, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Filming, recording, effects, editing...<br>**[31:42] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;All kinds of different careers!<br>**[31:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see...<br>**[31:50] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you all need to listen up!<br>**[31:55] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, we had 135 graduates<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Visual Arts program last year.<br>**[32:00] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many of them do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;landed the job they were after,<br>**[32:05] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the time of their admission?<br>**[32:07] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, blondie.<br>**[32:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh...<br>**[32:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forty-two, maybe?<br>**[32:22] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bzzt! Wrong.<br>**[32:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even that many would be like a dream, huh?<br>**[32:29] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct answer is... eight of them.<br>**[32:34] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that less than you expected?<br>**[32:36] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even that is better<br>&nbsp;&nbsp;&nbsp;&nbsp;than the previous year.<br>**[32:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's change subjects, for a sec,<br>&nbsp;&nbsp;&nbsp;&nbsp;and talk about money.<br>**[32:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;People get hungry, they get tired,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they have to use the bathroom.<br>**[32:50] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need clothes to wear,<br>&nbsp;&nbsp;&nbsp;&nbsp;and homes to live in.<br>**[32:53] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking bare necessities.<br>**[32:54] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because everybody needs them,<br>&nbsp;&nbsp;&nbsp;&nbsp; they cost money.<br>**[32:58] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... how about movies,<br>&nbsp;&nbsp;&nbsp;&nbsp;anime, and video games?<br>**[33:02] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entertainment only becomes important<br>&nbsp;&nbsp;&nbsp;&nbsp;once you've got your needs met.<br>**[33:08] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it's low priority.<br>&nbsp;&nbsp;&nbsp;&nbsp;Useless, you could even say.<br>**[33:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you all, who have come to a university<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn to make those things...<br>**[33:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that goes all<br>&nbsp;&nbsp;&nbsp;&nbsp;the way past eccentricity...<br>**[33:18] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And into stupidity.<br>**[33:21] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, if you're good enough at being stupid?<br>&nbsp;&nbsp;&nbsp;&nbsp;You can make money off of it.<br>**[33:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what you need to seek out.<br>**[33:26] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to be stupid anyway,<br>&nbsp;&nbsp;&nbsp;&nbsp;do it in a way that no one else can touch.<br>**[33:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to seeing that happen.<br>**[33:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all!<br>**[33:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"It's not gonna be easy," in other words.*<br>**[33:46] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, these*<br>*&nbsp;&nbsp;&nbsp;&nbsp;industries are not exactly expansive.*<br>**[33:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whether it's movies, anime, or games...*<br>**[33:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's only a tiny fraction of people*<br>**[33:57] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;whose names get big enough*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to become popular.*<br>**[34:00] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if the people from this generation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were known as "Platinum,"*<br>**[34:04] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it doesn't mean that every single one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of them shone bright.*<br>**[34:07] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I should know, considering*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the future I came from.*<br>**[34:12] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But there's no sense in getting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;depressed at the start.*<br>**[34:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Gotta focus on getting things done.*<br>**[34:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, you dropped your student ID.<br>**[34:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?<br>**[34:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Chief?!<br>**[34:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what? I'm not in any<br>&nbsp;&nbsp;&nbsp;&nbsp;clubs or anything yet.<br>**[34:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[34:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... wait...<br>**[34:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you hand my ID over, please?<br>**[34:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[34:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[34:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh, so she was in the same program.*<br>**[35:07] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I might've been in the same room*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as the Platinum Trio today!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Two Weeks Later
<br>**[35:16] AD**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scene 16, Cut 1...<br>**[35:18] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready... action!<br>**[35:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, our Visual Arts classes began.*<br>**[35:25] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That said, it's not like we got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;right into making movies.*<br>**[35:29] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We observed the older students' shoots...*<br>**[35:31] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And stuffed our heads full*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of knowledge about the field.*<br>**[35:39] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of kaiju beats the superhero?!<br>**[35:41] Suit Monster**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, heat of the moment...<br>**[35:43] Directors**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freshmen, that was<br>&nbsp;&nbsp;&nbsp;&nbsp;an example of what not to do.<br>**[35:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Considering we were learning English verbs*<br>**[35:49] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and secondary functions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just a few months ago...*<br>**[35:53] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's gonna take a while before things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like "the 180-degree rule" sink in.*<br>**[35:59] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Although in my case,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was 28 years old a month ago.*<br>**[36:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got it all wrong!<br>**[36:06] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's one exception, though.*<br>**[36:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not positioned well.<br>**[36:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it another pause<br>&nbsp;&nbsp;&nbsp;&nbsp;before stepping into the scene.<br>**[36:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Camera, don't try and chase him down<br>&nbsp;&nbsp;&nbsp;&nbsp;with a pan. Pull out and hold.<br>**[36:17] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa was already*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the center of the action.*<br>**[36:22] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Although she's a little*<br>*&nbsp;&nbsp;&nbsp;&nbsp;imposingly serious at times.*<br>**[36:27] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the chief for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's on another level.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Screenplay Writing Theory
<br>**[36:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Compared to that, here I am...*<br>**[36:42] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;wondering if I can really reach the level*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the Platinum Generation like this.*<br>**[36:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, wake up!<br>**[36:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a little bit more...<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wiped out from working all night.<br>**[37:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In spite of everything I said,*<br>**[37:02] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Share House Kitayama residents*<br>*&nbsp;&nbsp;&nbsp;&nbsp;seem to be taking things easy.*<br>**[37:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you wanted to be nice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you could say they're relaxed.*<br>**[37:09] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you didn't, you could say they*<br>*&nbsp;&nbsp;&nbsp;&nbsp;don't seem motivated for class at all.*<br>**[37:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is kind of a relief, to be honest.*<br>**[37:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If everyone around me was like Kawasegawa...*<br>**[37:20] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I might've been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;afraid to attend class.*<br>**[37:27] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, when it comes to writing a script,<br>**[37:30] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are ten elements you need<br>&nbsp;&nbsp;&nbsp;&nbsp;for things to come together.<br>**[37:32] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet you only see<br>&nbsp;&nbsp;&nbsp;&nbsp;eight here on the board.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Screenplay Writing Theory<br>
&nbsp;&nbsp;&nbsp;&nbsp;The Ten Points of Screenplay Writing
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Progress  Fate  Treasure  Resolution<br>
&nbsp;&nbsp;&nbsp;&nbsp;Resonance  Climax  Conclusion  Themes
<br>**[37:36] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems kind of weird when<br>&nbsp;&nbsp;&nbsp;&nbsp;there's supposed to be ten, right?<br>**[37:40] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm gonna ask you all<br>&nbsp;&nbsp;&nbsp;&nbsp;what the remaining two are.<br>**[37:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously?! I have no clue!*<br>**[37:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any ideas?<br>**[37:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[37:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, someone's fired up. And you are?<br>**[37:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa Eiko.<br>**[37:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is one of the missing<br>&nbsp;&nbsp;&nbsp;&nbsp;elements "complications"?<br>**[37:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Complications" refers<br>&nbsp;&nbsp;&nbsp;&nbsp;to unpredictable turns in the story,<br>**[38:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;which tend to lead into<br>&nbsp;&nbsp;&nbsp;&nbsp;the protagonist or hero failing.<br>**[38:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, no matter how<br>&nbsp;&nbsp;&nbsp;&nbsp;amazing an individual is,<br>**[38:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're less interesting<br>&nbsp;&nbsp;&nbsp;&nbsp;without some kind of flaw.<br>**[38:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having those faults come to the fore<br>&nbsp;&nbsp;&nbsp;&nbsp;during a story, and overcoming them,<br>**[38:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;creates interesting drama.<br>**[38:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct you are. Perfect answer.<br>**[38:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She really is something.*<br>**[38:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell me what the other one is, too?<br>**[38:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd hate to hog all the<br>&nbsp;&nbsp;&nbsp;&nbsp;attention. I think...<br>**[38:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to pass it off to the guy<br>&nbsp;&nbsp;&nbsp;&nbsp;who's snoring loudly behind me.<br>**[38:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an interesting one,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-kun. And mean.<br>**[38:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, sir.<br>**[38:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since you went ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;and gave up the spotlight...<br>**[38:51] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have sleepyhead here answer.<br>**[38:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone call for me?<br>**[38:57] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The professor did! He wants you<br>&nbsp;&nbsp;&nbsp;&nbsp;to name the missing element!<br>**[39:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Missing what?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ten Points of Screenplay Writing
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Complications
<br>**[39:10] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Don't you know?<br>**[39:13] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't, then pay more attention to—<br>**[39:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A foil.<br>**[39:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who becomes the protagonist's<br>&nbsp;&nbsp;&nbsp;&nbsp;"enemy" in the story, in other words.<br>**[39:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can be an individual,<br>&nbsp;&nbsp;&nbsp;&nbsp;or an organization...<br>**[39:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of the other nine<br>&nbsp;&nbsp;&nbsp;&nbsp;principles you've got...<br>**[39:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A simple way of putting it would be<br>&nbsp;&nbsp;&nbsp;&nbsp;"whoever steals the treasure."<br>**[39:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something to help maintain tension<br>&nbsp;&nbsp;&nbsp;&nbsp;until the climax of the story.<br>**[39:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure it's a pretty important element.<br>**[39:39] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[39:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're quite the complication yourself.<br>**[39:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're right. Well done.<br>**[39:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, sir.<br>**[39:55] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I take back what I said. Looks like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to relax, after all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pork<br>
&nbsp;&nbsp;&nbsp;&nbsp;Katsu<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mincemeat<br>
&nbsp;&nbsp;&nbsp;&nbsp;Katsu<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fried<br>
&nbsp;&nbsp;&nbsp;&nbsp;Chicken<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Katsudon<br>
&nbsp;&nbsp;&nbsp;&nbsp;with<br>
&nbsp;&nbsp;&nbsp;&nbsp; Sauce
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Croquette<br>
&nbsp;&nbsp;&nbsp;&nbsp; Meal
<br>**[40:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't a big deal...<br>**[40:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just recited something<br>&nbsp;&nbsp;&nbsp;&nbsp;I read in a book once.<br>**[40:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see how that earns any praise.<br>**[40:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that scary-looking teacher<br>&nbsp;&nbsp;&nbsp;&nbsp;flat-out praised you.<br>**[40:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Learn to take a compliment!<br>**[40:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was just being nice to the freshman.<br>**[40:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start taking that kind of thing seriously,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll never get anywhere.<br>**[40:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Nanako. We've got<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual Arts Theory for third period, right?<br>**[40:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[40:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you two later.<br>**[40:35] Shio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun's really something.<br>**[40:38] Shio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get any of the jargon stuff,<br>**[40:42] Shio**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm barely able to keep up.<br>**[40:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here.<br>**[40:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That said...*<br>**[40:49] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought my extra ten years*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would be an advantage.*<br>**[40:53] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That it'd make a big difference compared*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to all the other students.*<br>**[40:58] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if it didn't amount to much,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I did actually work in entertainment.*<br>**[41:02] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was supposed to give me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some kind of advantage.*<br>**[41:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what I actually found out*<br>**[41:07] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is that my fundamental*<br>*&nbsp;&nbsp;&nbsp;&nbsp;knowledge is severely lacking.*<br>**[41:11] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A handful of sub-par experiences*<br>*&nbsp;&nbsp;&nbsp;&nbsp;isn't enough to equal knowledge or talent.*<br>**[41:16] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It feels like I'm learning*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that the hard way.*<br>**[41:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? You look real worried.<br>**[41:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, no...<br>**[41:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing serious. Not really.<br>**[41:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you say so...<br>**[41:38] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, why did Shinoaki...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;apply to an arts school, anyway?*<br>**[41:43] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was paying close attention*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in photography class, but...*<br>**[41:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe she wants to be a photographer?*<br>**[41:54] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hikawa?<br>**[41:55] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo!<br>**[41:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you dressed like that?<br>**[41:58] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, it's my club uniform!<br>**[42:01] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... uniform?<br>**[42:03] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell yeah! There's only a handful<br>&nbsp;&nbsp;&nbsp;&nbsp;of them in the whole world...<br>**[42:05] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ninja club!<br>**[42:07] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Society for the Study<br>&nbsp;&nbsp;&nbsp;&nbsp;of Ninjutsu! I joined.<br>**[42:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I've heard of that, actually.<br>**[42:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Japan, I think Oonaka Arts has the only one.<br>**[42:15] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Nice and exclusive, know what I mean?<br>**[42:18] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, one of the older<br>&nbsp;&nbsp;&nbsp;&nbsp;kunoichi girls is super hot.<br>**[42:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet that's why he joined.*<br>**[42:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure are having fun, huh, Hikawa-kun?<br>**[42:27] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell yeah! You two should check<br>&nbsp;&nbsp;&nbsp;&nbsp;out some extracurricular stuff, too.<br>**[42:31] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's seriously fun!<br>**[42:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these the club rooms?<br>**[42:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like it.<br>**[42:45] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody's home, though.<br>**[42:50] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey!<br>**[42:52] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up here, you two!<br>**[42:55] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys freshmen?<br>**[42:57] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yes.<br>**[42:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are.<br>**[43:00] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it! That settles things, then.<br>**[43:05] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 2006 freshman mixer<br>&nbsp;&nbsp;&nbsp;&nbsp;is now officially underway!<br>**[43:11] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[43:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't even decide on a club<br>&nbsp;&nbsp;&nbsp;&nbsp;to join... Is this okay?<br>**[43:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure it is.<br>**[43:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;They never asked us if we were in one!<br>**[43:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;True enough.<br>**[43:53] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Shinoaki...<br>**[43:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want to do?<br>**[44:29] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're awake?<br>**[44:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[44:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry!<br>**[44:36] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Don't worry about it.<br>**[44:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been busy non-stop<br>&nbsp;&nbsp;&nbsp;&nbsp;since the entrance ceremony, after all.<br>**[44:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty sharp, Kyoya-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to believe we're the same age.<br>**[44:59] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really think so?<br>**[45:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! You pay a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of attention to everybody.<br>**[45:04] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're calmer'n most<br>&nbsp;&nbsp;&nbsp;&nbsp;20-year-olds I know.<br>**[45:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But sometimes you look like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;tired from thinking too hard.<br>**[45:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;At lunch today, you looked real worried.<br>**[45:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing serious, though. I mean it.<br>**[45:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[45:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit trying to brush me off and talk!<br>**[45:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might feel better that way.<br>**[45:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, today... seeing Tsurayuki in class...<br>**[45:36] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me realize how little I can do.<br>**[45:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... it's not just him.<br>**[45:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody at this school has something<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes them special.<br>**[45:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've got nothing. So...<br>**[45:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking... about how little I can do.<br>**[45:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it had me worrying a lot.<br>**[46:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That surprises me, because<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured you could do anything.<br>**[46:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't, though.<br>**[46:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can cook<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep yourself fed, right?<br>**[46:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[46:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do laundry, clean the house,<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep things nice, right?<br>**[46:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do that.<br>**[46:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can make plans<br>&nbsp;&nbsp;&nbsp;&nbsp;and actually stick to them, right?<br>**[46:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That too.<br>**[46:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do any of that.<br>**[46:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm jealous of people<br>&nbsp;&nbsp;&nbsp;&nbsp;who can, if I'm being honest.<br>**[46:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun probably feels the same way.<br>**[46:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's bound to be stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;he's jealous of you for.<br>**[46:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are all trying to find what we can do.<br>**[46:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I bet even the people<br>&nbsp;&nbsp;&nbsp;&nbsp;you think are amazing<br>**[46:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;are just as worried as you are.<br>**[47:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there.<br>**[47:11] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki... listen...<br>**[47:16] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[47:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I better do my best, too, huh?<br>**[47:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What can I do?*<br>**[47:32] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're home.<br>**[47:34] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they're both at work.<br>**[47:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna head to bed, then.<br>**[47:40] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[47:43] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our next report...*<br>**[47:44] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A man was reported for causing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a scene in Dotonbori.*<br>**[47:48] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm exhausted for today.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll work on my assignment tomorrow.*<br>**[47:50] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When approached for a...*<br>**[47:52] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think I'll take a bath.*<br>**[47:56] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I forgot to hand it to her.*<br>**[48:02] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if she's asleep already.*<br>**[48:07] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki? Are you awake?<br>**[48:32] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino... is Shinoaki.<br>**[48:37] (Flashback) Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are all trying to find what we can do.<br>**[48:43] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's what she wants to do, then.<br>**[48:50] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I need to find something, too.*<br>**[48:55] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do I want to do?*<br>**[49:00] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And what is it that I can do?*<br>

# E2 - Ten Years Back in Time

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUK052N/ten-years-back-in-time)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun! Why in the heck did you do it?!<br>**[00:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, okay?<br>**[00:04] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hungry, and there was<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing else that looked good.<br>**[00:07] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that make it okay<br>&nbsp;&nbsp;&nbsp;&nbsp;to eat other people's stuff?!<br>**[00:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, I do feel bad!<br>**[00:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I went ahead and got<br>&nbsp;&nbsp;&nbsp;&nbsp;you some Sukiyamon! See?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sukiyamon<br>
&nbsp;&nbsp;&nbsp;&nbsp;Soy Flavor
<br>**[00:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is is soy sauce-flavored!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Umakatoyo
<br>**[00:19] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umakatoyo is tonkotsu-flavored!<br>**[00:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They ain't the same thing!<br>**[00:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get the big deal.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both instant ramen.<br>**[00:24] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Starting this spring,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;along with enrolling in art school,*<br>**[00:26] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can be the same kinda food,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that don't make them the same food!<br>**[00:26] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've started living in this share house*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with some of my classmates.*<br>**[00:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;In general terms, they're the same thing!<br>**[00:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are not!<br>**[00:31] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's two guys and two girls, which you think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would be the ideal roommate setup, and yet...*<br>**[00:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are!<br>**[00:33] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want mine back!<br>**[00:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad!<br>**[00:36] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the whole argument!<br>**[00:40] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, seriously,<br>&nbsp;&nbsp;&nbsp;&nbsp;eating someone else's food<br>**[00:43] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the one of the worst<br>&nbsp;&nbsp;&nbsp;&nbsp;things a roommate can do!<br>**[00:47] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Why'd everyone go so quiet?<br>**[00:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well, Nanako... Your clothes...<br>**[00:54] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My clothes?<br>**[01:02] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit looking!<br>**[01:05] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot I was in the middle of changing!<br>**[01:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell of a puncher, isn't she?<br>**[01:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whatever reason, I ended up traveling*<br>**[01:14] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;ten years into the past*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with my memories intact.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Do not eat other people's food!
<br>**[01:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's what you might call a "time leap."*<br>**[01:20] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My second attempt attempt*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at college has so far been colored*<br>**[01:22] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;with instant ramen's flavor and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;painful hits to the solar plexus,*<br>**[01:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*along with hope and anxiety.*<br>**[01:28] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It won't be long before*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we start creating for real.*<br>**[01:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't help but wonder what awaits us.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Comprehensive Exercise
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Direction<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Technicals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Performance<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Production
<br>**[03:10] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to filmmaking,<br>&nbsp;&nbsp;&nbsp;&nbsp;these four areas are going to be crucial.<br>**[03:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to form groups of four,<br>&nbsp;&nbsp;&nbsp;&nbsp;with each person handling one area.<br>**[03:24] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The project is to be three minutes long.<br>**[03:26] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I mean that seriously,<br>**[03:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;because once you've all turned<br>&nbsp;&nbsp;&nbsp;&nbsp;in your shorts, we'll be screening them.<br>**[03:31] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's gonna see?<br>**[03:33] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better make sure it turns out good!<br>**[03:36] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally, regarding the theme of the<br>&nbsp;&nbsp;&nbsp;&nbsp;short films I want you all to make...<br>**[03:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Time" is kinda broad as far as themes go.<br>**[03:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So broad it's hard to know<br>&nbsp;&nbsp;&nbsp;&nbsp;where to drill down.<br>**[03:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's a three-minute<br>&nbsp;&nbsp;&nbsp;&nbsp;limit on our runtime, too.<br>**[03:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That teacher isn't trying to make this easy!<br>**[03:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good thing we were able to<br>&nbsp;&nbsp;&nbsp;&nbsp;pick out our team so quickly, though.<br>**[03:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Kitayama, featuring the roommates<br>&nbsp;&nbsp;&nbsp;&nbsp;from Share House Kitayama...<br>**[04:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda on the nose, huh?<br>**[04:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're directing. Shinoaki's handling<br>&nbsp;&nbsp;&nbsp;&nbsp; the technical side.<br>**[04:07] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako's performing, and I'm production...<br>**[04:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I wanna do the script, but don't care<br>&nbsp;&nbsp;&nbsp;&nbsp;about the performance side of things.<br>**[04:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, Kyoya!<br>**[04:19] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think we'd end up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the same part time job, too.<br>**[04:22] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me about it.<br>**[04:24] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manager gave me a funny look<br>**[04:26] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he noticed we had the same<br>&nbsp;&nbsp;&nbsp;&nbsp;address on our applications.<br>**[04:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[04:30] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about it.<br>**[04:31] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, hand that over. I'll put it on this shelf.<br>**[04:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Nanako...<br>**[04:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you enroll in art school?<br>**[04:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something you want to do?<br>**[04:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't any real reason.<br>**[04:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe because I was sick of Lake Biwa?<br>**[05:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The big lake from where you live?<br>**[05:02] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:03] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was in grade school,<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to think it was the ocean.<br>**[05:09] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Listen, it's seriously huge!<br>**[05:12] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would've thought it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the ocean at that age, too!<br>**[05:19] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, there's really nothing else to it...<br>**[05:22] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, there are towns and stores,<br>**[05:25] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can find most things<br>&nbsp;&nbsp;&nbsp;&nbsp;you need there.<br>**[05:27] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think if I had never left home,<br>**[05:29] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've never learned<br>&nbsp;&nbsp;&nbsp;&nbsp;what the ocean was really like.<br>**[05:44] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of time just passing by<br>&nbsp;&nbsp;&nbsp;&nbsp;in a place like that scared me.<br>**[05:49] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;And before I knew it, here I was.<br>**[05:53] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's embarrassing to admit, but it's<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of like I'm here to find myself.<br>**[05:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I get what you mean.<br>**[06:17] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The doors are closing. Please stand clear.*<br>**[06:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you here for a similar reason?<br>**[06:40] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[06:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me.<br>**[06:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This goes up here.<br>**[06:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Nanako...<br>**[06:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, it got caught on something.<br>**[06:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, gimme one second...<br>**[06:57] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one?<br>**[07:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, never mind.<br>**[07:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost done...<br>**[07:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I might be trying to act like I did*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I was younger,*<br>**[07:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I'm still 28 mentally.*<br>**[07:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Nanako...<br>**[07:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... thank you.<br>**[07:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sweat.<br>**[07:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Let's finish up.<br>**[07:21] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I don't need to explain how*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was in no hurry to finish up.*<br>**[07:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get those hands moving, Kyoya.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Application<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Team Name: Team Kitayama<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Members<br>
&nbsp;&nbsp;&nbsp;&nbsp;Direction: Tsurayuki Rokuonji<br>
&nbsp;&nbsp;&nbsp;&nbsp;Production: Hashiba Kyoya<br>
&nbsp;&nbsp;&nbsp;&nbsp;Technicals: Shino Aki<br>
&nbsp;&nbsp;&nbsp;&nbsp;Performance: Nanako<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Description:
<br>**[07:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to fill this in, later, then?<br>**[07:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. We're still not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;what we're doing.<br>**[07:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no telling when inspiration<br>&nbsp;&nbsp;&nbsp;&nbsp;will strike, after all.<br>**[07:48] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure to keep your antennae up.<br>**[07:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[07:51] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has anything interesting happened<br>&nbsp;&nbsp;&nbsp;&nbsp;lately that you could use?<br>**[07:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately?<br>**[08:02] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it sure looks like something has.<br>**[08:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no idea.<br>**[08:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no, nothing really!<br>**[08:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-If you'll excuse me!<br>**[08:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'd better figure this out soon.*<br>**[08:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home...<br>**[08:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, you'll catch a cold.<br>**[08:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't eat another bite...<br>**[08:34] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Time to finish eating.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Important<br>
&nbsp;&nbsp;&nbsp;&nbsp; Part
<br>**[08:46] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Kyoya-kun.<br>**[08:56] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a real nice dream.<br>**[08:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a bunch of Itoshima oysters to eat.<br>**[09:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to interrupt your meal.<br>**[09:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Shinoaki,<br>&nbsp;&nbsp;&nbsp;&nbsp;why'd you enroll in art school?<br>**[09:11] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything,<br>**[09:14] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I wanted to find something I could do.<br>**[09:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I ended up here.<br>**[09:19] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you choose art school?<br>**[09:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:22] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never been real good at studying,<br>&nbsp;&nbsp;&nbsp;&nbsp;even in elementary school.<br>**[09:26] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd even miss the train a lot.<br>**[09:29] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can imagine that.*<br>**[09:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it was in the country, missing the<br>&nbsp;&nbsp;&nbsp;&nbsp; train meant waiting for a whole half hour.<br>**[09:36] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The folks from the station<br>&nbsp;&nbsp;&nbsp;&nbsp;even got to know me.<br>**[09:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[10:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I have an idea<br>&nbsp;&nbsp;&nbsp;&nbsp;that goes with our theme!<br>**[10:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking of having the short<br>&nbsp;&nbsp;&nbsp;&nbsp;take place at a train station.<br>**[10:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a train station?<br>**[10:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it's the type of place<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone is familiar with,<br>**[10:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a lot of obvious shorthand<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll help people understand the setting.<br>**[10:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think it'd be well-suited to a story<br>&nbsp;&nbsp;&nbsp;&nbsp;that wraps up in three minutes.<br>**[10:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a point!<br>**[10:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody uses the train.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Station
<br>**[10:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since stations tend to stay intact<br>&nbsp;&nbsp;&nbsp;&nbsp;for long periods of time,<br>**[10:27] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;they work well for depicting<br>&nbsp;&nbsp;&nbsp;&nbsp;the passage of time.<br>**[10:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My idea is to use that to depict<br>&nbsp;&nbsp;&nbsp;&nbsp;the life of one woman<br>**[10:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;over the course of three minutes.<br>**[10:36] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought it might be good to have her<br>&nbsp;&nbsp;&nbsp;&nbsp;life progress in tune with the time of day.<br>**[10:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[10:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds interesting! I think it'll work.<br>**[10:45] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like it, too.<br>**[10:47] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see it screened!<br>**[10:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Tsurayuki?<br>**[10:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get a half-hour?<br>**[10:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what that's about.<br>**[10:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno.<br>**[11:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[11:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote up a plot for the<br>&nbsp;&nbsp;&nbsp;&nbsp;setup you described.<br>**[11:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was what you were after.<br>**[11:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This is exactly what I meant!<br>**[11:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really something, Tsurayuki-kun!<br>**[11:20] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were able to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with something so quick!<br>**[11:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's better than<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured you could manage!<br>**[11:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I didn't come up with the idea myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I figured I should do this much.<br>**[11:30] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That settles it, then!<br>**[11:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No objections!<br>**[11:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm looking forward to the script—<br>**[11:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[11:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a second?<br>**[11:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Tsurayuki?<br>**[11:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[11:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something from my idea notebook.<br>**[11:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this—<br>**[11:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the exact same thing.<br>**[12:01] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your idea, and what I had<br>&nbsp;&nbsp;&nbsp;&nbsp;written down in my notes.<br>**[12:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I didn't see—<br>**[12:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[12:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually had it locked up.<br>**[12:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't possibly have seen it.<br>**[12:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you still managed to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with the same idea,<br>**[12:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you read my mind.<br>**[12:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It honestly felt like you took<br>&nbsp;&nbsp;&nbsp;&nbsp;something right out of my head.<br>**[12:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I rushed<br>&nbsp;&nbsp;&nbsp;&nbsp;to write down the outline.<br>**[12:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to.<br>**[12:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was scary, man, if I'm being honest.<br>**[12:35] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, how exactly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;did I come up with that idea?*<br>**[12:40] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I remember now... It was from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a collection of short stories.*<br>**[12:44] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A story about a woman's life, depicted against*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the background of a train station.*<br>**[12:49] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think the impression it left me with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is what had me imagine something similar.*<br>**[12:54] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I didn't read that book*<br>*&nbsp;&nbsp;&nbsp;&nbsp;until some point in the future.*<br>**[13:00] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Does that mean I essentially stole the idea*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from Tsurayuki's future self?*<br>**[13:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, is it just a coincidence?<br>**[13:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is there something else going on here?<br>**[13:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Kyoya? Which one is it?<br>**[13:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it couldn't be...<br>**[13:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to be a coincidence.<br>**[13:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not out of the question<br>&nbsp;&nbsp;&nbsp;&nbsp;for different people to have the same idea.<br>**[13:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a point.<br>**[13:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta be honest, I was kind of glad.<br>**[13:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[13:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A train station makes for an easy setting,<br>**[13:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;both in terms of the possibility space<br>&nbsp;&nbsp;&nbsp;&nbsp;for characters' behavior,<br>**[13:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the things that can happen to them.<br>**[13:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something that you pick up<br>&nbsp;&nbsp;&nbsp;&nbsp;from learning about screenwriting.<br>**[13:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if anybody here at school<br>&nbsp;&nbsp;&nbsp;&nbsp;realized that, I sure didn't notice.<br>**[14:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I was thinking about just<br>&nbsp;&nbsp;&nbsp;&nbsp;doing the bare minimum for the project,<br>**[14:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and focusing on my individual studies.<br>**[14:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I get the feeling we could make<br>&nbsp;&nbsp;&nbsp;&nbsp;something good together, Kyoya.<br>**[14:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give the teachers<br>&nbsp;&nbsp;&nbsp;&nbsp;a real shock with our project!<br>**[14:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The girl_
<br>**[15:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, you want to make some cuts?!<br>**[15:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;As things stand, we're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;end up going over three  minutes,<br>**[15:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was hoping you could<br>&nbsp;&nbsp;&nbsp;&nbsp;rewrite the script.<br>**[15:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I submitted the script we have<br>&nbsp;&nbsp;&nbsp;&nbsp;after already rewriting it a bunch,<br>**[15:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I thought it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the best version of that story!<br>**[15:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing in it<br>&nbsp;&nbsp;&nbsp;&nbsp;that can be cut for time!<br>**[15:19] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[15:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, you can adjust the storyboards<br>&nbsp;&nbsp;&nbsp;&nbsp;to make sure everything fits, right?<br>**[15:27] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me think...<br>**[15:29] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should be doable, but...<br>**[15:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if we pick up the pace with your lines,<br>**[15:33] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can cram them in within<br>&nbsp;&nbsp;&nbsp;&nbsp;the time limit, right?<br>**[15:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we, though?<br>**[15:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I'd have to try...<br>**[15:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm talking about!<br>**[15:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should at least try first!<br>**[15:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[15:48] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's a hard time limit*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on this assignment.*<br>**[15:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how good the short turns out,*<br>**[15:52] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;if we go past that limit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we'll be worse off for it.*<br>**[15:55] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But is that good enough a reason*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to convince Tsurayuki?*<br>**[16:00] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right now, this is probably*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the best I can do.*<br>**[16:03] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an assignment, after all, so we need<br>&nbsp;&nbsp;&nbsp;&nbsp;to follow the rules if we want the credit.<br>**[16:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[16:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Fine. I'll make the cuts.<br>**[16:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki...<br>**[16:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your approach when it comes<br>&nbsp;&nbsp;&nbsp;&nbsp;to making something good, Kyoya?<br>**[16:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about lame.<br>**[16:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki is such a perfectionist!<br>**[16:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's running long, we should<br>&nbsp;&nbsp;&nbsp;&nbsp;just make the cuts!<br>**[16:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let it bug you too much.<br>**[16:45] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, the young lady stepping on me...<br>**[16:50] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to refrain from the impulse<br>&nbsp;&nbsp;&nbsp;&nbsp;to savor this sensation,<br>**[16:54] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ask for your help instead.<br>**[16:56] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have any sympathy for your senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;who's run out of money from home,<br>**[17:00] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is slowly starving to death...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fine Art Study Group
<br>**[17:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the place?<br>**[17:06] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, thank you.<br>**[17:10] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a huge relief.<br>**[17:12] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I was able to make it back,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to the three of you.<br>**[17:17] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, freshmen—<br>**[17:19] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're ours!<br>**[17:21] Sugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice one, Prez!<br>**[17:22] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we can avert<br>&nbsp;&nbsp;&nbsp;&nbsp;a third year of budget cuts!<br>**[17:27] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be able to survive another year!<br>**[17:29] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am seriously so sorry!<br>**[17:32] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the whole snare.<br>**[17:34] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a big deal, so please, stop bowing!<br>**[17:36] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're going to join the club, right?!<br>**[17:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a different matter altogether.<br>**[17:41] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use after all.<br>**[17:42] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! We're going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;in real trouble without new members.<br>**[17:46] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we at least get permission<br>&nbsp;&nbsp;&nbsp;&nbsp;to use your name?<br>**[17:48] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Hashy?!<br>**[17:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with weird nicknames for me!<br>**[17:53] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really have time<br>&nbsp;&nbsp;&nbsp;&nbsp;for a circle, anyway.<br>**[17:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about joining.<br>**[17:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, me too, as long as it's<br>&nbsp;&nbsp;&nbsp;&nbsp;for a trial period.<br>**[18:01] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[18:02] Art Club**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray! Hooray!<br>**[18:04] Art Club**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[18:06] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fine Art Study Group<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Now Recruiting Members
<br>**[18:09] FLyer sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kiryu Takashi, in my fifth year<br>&nbsp;&nbsp;&nbsp;&nbsp;of the photography program.<br>**[18:13] FLyer sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have any questions<br>&nbsp;&nbsp;&nbsp;&nbsp;about taking pictures, I'm your man.<br>**[18:16] FLyer sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make time.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Location Release Form
<br>**[18:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya...<br>**[18:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, chief...<br>**[18:40] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, Kawasegawa-san.<br>**[18:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your team going to be filming<br>&nbsp;&nbsp;&nbsp;&nbsp;at the station, too?<br>**[18:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... yeah. Yours, too?<br>**[18:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to outdo us.<br>**[18:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what<br>&nbsp;&nbsp;&nbsp;&nbsp;you're putting together,<br>**[18:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;my team intends to get<br>&nbsp;&nbsp;&nbsp;&nbsp;the highest marks.<br>**[18:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;O...kay.<br>**[19:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think we're competing<br>&nbsp;&nbsp;&nbsp;&nbsp;at the same level.<br>**[19:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we're not.<br>**[19:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're trying to make something good—<br>**[19:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let me ask you...<br>**[19:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the concept of your short?<br>**[19:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the most important element of it?<br>**[19:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you going to use<br>&nbsp;&nbsp;&nbsp;&nbsp;the three-minute runtime?<br>**[19:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're handling production,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you should have some idea, right?<br>**[19:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[19:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate filmmaking.<br>**[19:26] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the location release form.<br>**[19:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a seat, and I'll see about<br>&nbsp;&nbsp;&nbsp;&nbsp;getting that stamped for you.<br>**[19:30] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[19:36] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about—<br>**[19:39] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Production's always got something<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, huh?<br>**[19:42] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard your group's got<br>&nbsp;&nbsp;&nbsp;&nbsp;some creative differences.<br>**[19:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh... Yes.<br>**[19:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[19:52] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The script of a movie<br>&nbsp;&nbsp;&nbsp;&nbsp;that came out the other day.<br>**[19:55] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's had great reception, and seems likely<br>&nbsp;&nbsp;&nbsp;&nbsp;to win a few some awards.<br>**[19:59] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no one seems to like the actual movie.<br>**[20:03] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The director and cast probably<br>&nbsp;&nbsp;&nbsp;&nbsp;did whatever they wanted.<br>**[20:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The runtime ended up too long,<br>&nbsp;&nbsp;&nbsp;&nbsp;ruining the tempo,<br>**[20:08] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wasting the strengths of the story.<br>**[20:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This really is hard, isn't it?<br>**[20:12] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A script isn't a finished product.<br>**[20:15] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the point was to just have<br>&nbsp;&nbsp;&nbsp;&nbsp;people read something, and that's all,<br>**[20:17] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be better done as prose.<br>**[20:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the script stage,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can still go either way.<br>**[20:22] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're doing isn't just<br>&nbsp;&nbsp;&nbsp;&nbsp;a matter of subtraction.<br>**[20:27] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the production side stops trying,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that means the whole project is doomed.<br>**[20:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how important it is.<br>**[20:33] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're handling production,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you should have some idea, right?<br>**[20:37] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate filmmaking.<br>**[20:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one piece of advice for you.<br>**[20:42] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone involved in the<br>&nbsp;&nbsp;&nbsp;&nbsp;filmmaking process is a creator.<br>**[20:47] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And no one outranks anyone else.<br>**[20:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much!<br>**[20:58] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Whether it's ten years in the past*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or the future, time is limited either way.*<br>**[21:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why didn't I realize that sooner?*<br>**[21:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have to make sure I have no regrets,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or nothing will change at all!*<br>**[21:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki! Tsurayuki!<br>**[21:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What is it?<br>**[21:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Tsurayuki!<br>**[21:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brought this on?!<br>**[21:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What's up?<br>**[21:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[21:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to talk this over again!<br>**[21:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please, can we make some time for it?<br>**[21:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already decided. Just do what you want.<br>**[21:32] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true! We haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;even gotten started yet!<br>**[21:35] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, Tsurayuki!<br>**[21:37] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't filmed anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;or started an edit yet,<br>**[21:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's too soon to give up!<br>**[21:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[21:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to talk this through as much<br>&nbsp;&nbsp;&nbsp;&nbsp;as we can, until the last minute,<br>**[21:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can decide what we can do<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll have the best result!<br>**[21:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll worry about time later!<br>**[21:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist... I'm in, then.<br>**[21:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Let's do this!<br>**[22:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great weather today.<br>**[22:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We picked a day where it was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be clear.<br>**[22:16] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was planning involved.<br>**[22:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was hard work getting everything<br>&nbsp;&nbsp;&nbsp;&nbsp;to fit into three minutes too, y'know?<br>**[22:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[22:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make this good.<br>**[22:24] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[22:27] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... This is...<br>**[22:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[22:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera that Tsurayuki-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;borrowed isn't a video camera.<br>**[22:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that can't be...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O Digital Single Lens Reflex Camera<br>
&nbsp;&nbsp;&nbsp;&nbsp;    Digital Video Camera
<br>**[22:42] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I marked the wrong one.<br>**[22:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just go get the right one?<br>**[22:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't. It'd take too long.<br>**[22:48] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[22:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I can't believe<br>&nbsp;&nbsp;&nbsp;&nbsp;it turned out like this...<br>**[22:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, everyone makes mistakes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not much we can do.<br>**[22:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. There's nothing we can do.<br>**[23:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is there... nothing?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If there's no camera, then we can't film.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no actors, we can't record a performance.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no key art, we don't need to draw anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If the writer is missing, we shouldn't bother writing anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's not enough budget, we'll throw something together.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It is what it is. Nothing we can do about it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped.
<br>**[23:03] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Didn't I spend my life ten years in the future*<br>**[23:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;repeating that excuse,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and regretting it every time?*<br>**[23:09] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And now, when I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the chance to do it all over...*<br>**[23:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Am I going to just do it again?*<br>**[23:15] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Make excuses... and kick it all down the road,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without actually achieving anything?*<br>**[23:19] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Put a hold on everything for ten years,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and see how that turns out?*<br>**[23:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No!*<br>**[23:27] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not out of options!<br>**[23:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>

# E3 - Just Who Am I?

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU053P1/just-who-am-i)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's finally time for the screening...<br>**[00:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how our short turned out.<br>**[00:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kinda nervous.<br>**[00:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I barely managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to finish editing in time,<br>**[00:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so none of you got a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to get a look at it.<br>**[00:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't sweat it.<br>**[00:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've come this far. I'm ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to trust you to the end, Kyoya.<br>**[00:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously!<br>**[00:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it wasn't for you, we might<br>&nbsp;&nbsp;&nbsp;&nbsp;not've had anything to turn in!<br>**[00:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I bet it's gonna be okay!<br>**[00:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, attention!<br>**[00:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to start screening the shorts you<br>&nbsp;&nbsp;&nbsp;&nbsp;produced for the first comprehensive exercise.<br>**[00:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you know, this screening<br>&nbsp;&nbsp;&nbsp;&nbsp;is an actual part of your course work.<br>**[00:41] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, once something's<br>&nbsp;&nbsp;&nbsp;&nbsp;become an artistic project...<br>**[00:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It needs to be ready for audience appraisal.<br>**[00:48] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone here is a creator,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're also spectators here<br>**[00:51] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;expecting to see something worthwhile.<br>**[00:53] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's funny, go ahead and laugh,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can applaud at the end.<br>**[00:57] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the opposite also applies.<br>**[01:00] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because your friends made it...<br>&nbsp;&nbsp;&nbsp;&nbsp;Because they tried their hardest...<br>**[01:04] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can stow all of that pitiful nonsense.<br>**[01:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect your sincere reactions<br>&nbsp;&nbsp;&nbsp;&nbsp;as students in a visual arts program.<br>**[01:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In other words, if it's not good,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;there'll be no response.*<br>**[01:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The theater will be frozen over,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and you'll be finished.*<br>**[01:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[01:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna win.<br>**[01:27] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;1\an8}The screenings will now begin.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Completed<br>
&nbsp;&nbsp;&nbsp;&nbsp;Comprehensive<br>
&nbsp;&nbsp;&nbsp;&nbsp;Exercise<br>
&nbsp;&nbsp;&nbsp;&nbsp; Screening
<br>**[03:02] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was awesome! I'm touched!<br>**[03:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa's team did an amazing job.*<br>**[03:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in trouble.<br>**[03:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;would have a silent film.<br>**[03:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was amazing even without<br>&nbsp;&nbsp;&nbsp;&nbsp;any sound or dialogue.<br>**[03:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could really tell<br>&nbsp;&nbsp;&nbsp;&nbsp;how the protagonist felt.<br>**[03:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was real pretty looking, too.<br>**[03:22] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In terms of how much of a refined,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;finalized product it is...*<br>**[03:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their project blows ours out of the water.*<br>**[03:26] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next is Team Kitayama's short film.<br>**[03:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man...<br>**[03:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ours takes place at a train station, too...<br>**[03:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks are gonna compare them, huh?<br>**[03:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We did everything we possibly could. So...*<br>**[03:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Team Kitayama Film
<br>**[04:02] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Photos?<br>**[04:03] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know using stills was an option.<br>**[04:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is...*<br>**[04:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This was the only thing I could think of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when we found out about the camera.*<br>**[04:20] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>**[04:23] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's gotten into you, Kyoya-kun?<br>**[04:25] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Figure something out"?<br>**[04:27] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I know I'm the one who screwed up...<br>**[04:29] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how are we doing anything<br>&nbsp;&nbsp;&nbsp;&nbsp;with this equipment?!<br>**[04:32] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to be making a film,<br>&nbsp;&nbsp;&nbsp;&nbsp;not taking still pictures!<br>**[04:35] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We can do this.<br>**[04:36] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be crazy! Just let it go!<br>**[04:38] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to give it another crack<br>&nbsp;&nbsp;&nbsp;&nbsp;when the next project...<br>**[04:41] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do this.<br>**[04:43] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know we can. Trust me.<br>**[04:46] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make sure all<br>&nbsp;&nbsp;&nbsp;&nbsp;of your hard work pays off.<br>**[04:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's right... I've gotten*<br>*&nbsp;&nbsp;&nbsp;&nbsp;through spots like this already.*<br>**[04:55] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've cooked up a promotional movie*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with next to no assets before.*<br>**[04:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What did I do? I used After Affex,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Promiere, Photoshot...*<br>**[05:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The school should have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;access to all of them.*<br>**[05:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not letting their efforts be wasted!*<br>**[05:13] (Flashback) Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kiryu here...<br>**[05:16] (Flashback) Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's Hashy! Are you ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to join the club?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;All Comers Welcome<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fine Art Study Group<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Now Recruiting Members
<br>**[05:19] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it! I'll join, so...<br>**[05:22] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to teach me how<br>&nbsp;&nbsp;&nbsp;&nbsp;to take good stills!<br>**[05:28] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Does it fit with our concept?<br>**[05:30] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! It oughta work great.<br>**[05:33] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what Kiryu-san said,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to need 100 shots per cut.<br>**[05:37] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hundred?!<br>**[05:38] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. So we're going to be shooting<br>&nbsp;&nbsp;&nbsp;&nbsp;with the camera in a fixed position.<br>**[05:42] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do, then?<br>**[05:44] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry.<br>**[05:45] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the clapperboard cues you,<br>&nbsp;&nbsp;&nbsp;&nbsp; give it a few seconds,<br>**[05:47] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then act it out like you would<br>&nbsp;&nbsp;&nbsp;&nbsp;if we were filming things.<br>**[05:49] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will that work?<br>**[05:51] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should.<br>**[05:52] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll pick the best options available<br>&nbsp;&nbsp;&nbsp;&nbsp;from out of the pictures that get taken.<br>**[05:57] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, got it!<br>**[05:59] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna be dubbing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the dialogue later?<br>**[06:01] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:03] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, we're going to need to adjust the script<br>&nbsp;&nbsp;&nbsp;&nbsp;based on how long the cuts run.<br>**[06:06] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cool.<br>**[06:07] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry so much...<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not gonna pitch a fit again.<br>**[06:12] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[06:14] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[06:14] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[06:16] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the composition to be the kind of thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that only works with still photography.<br>**[06:21] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how hard that'll be, but you're<br>&nbsp;&nbsp;&nbsp;&nbsp;the only person who can handle it.<br>**[06:25] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you up to it?<br>**[06:27] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'll try!<br>**[06:29] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna get you what you need!<br>**[06:31] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;One last thing, does anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;have a digital camera on them?<br>**[06:34] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one.<br>**[06:36] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the picture quality's pretty bad.<br>**[06:38] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay.<br>**[06:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right. This should do it.*<br>**[06:43] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks again, Nanako.<br>**[06:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The 15 seconds of video we took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Nanako's digital camera...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;As<br>
&nbsp;&nbsp;&nbsp;&nbsp;it<br>
&nbsp;&nbsp;&nbsp;&nbsp;ever<br>
&nbsp;&nbsp;&nbsp;&nbsp;was
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I<br>
&nbsp;&nbsp;&nbsp;&nbsp;wait<br>
&nbsp;&nbsp;&nbsp;&nbsp;for<br>
&nbsp;&nbsp;&nbsp;&nbsp;you
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;as<br>
&nbsp;&nbsp;&nbsp;&nbsp;my<br>
&nbsp;&nbsp;&nbsp;&nbsp;black<br>
&nbsp;&nbsp;&nbsp;&nbsp; hair
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;flutters <br>
&nbsp;&nbsp;&nbsp;&nbsp;in<br>
&nbsp;&nbsp;&nbsp;&nbsp;the<br>
&nbsp;&nbsp;&nbsp;&nbsp;wind
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;until the<br>
&nbsp;&nbsp;&nbsp;&nbsp;day the frost<br>
&nbsp;&nbsp;&nbsp;&nbsp;covers the<br>
&nbsp;&nbsp;&nbsp;&nbsp; ground
<br>**[06:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We then take the still shots in order*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to put the story together.*<br>**[07:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We only have three minutes.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in that time...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And<br>
&nbsp;&nbsp;&nbsp;&nbsp;as<br>
&nbsp;&nbsp;&nbsp;&nbsp;the<br>
&nbsp;&nbsp;&nbsp;&nbsp;white
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;of<br>
&nbsp;&nbsp;&nbsp;&nbsp;old<br>
&nbsp;&nbsp;&nbsp;&nbsp;age<br>
&nbsp;&nbsp;&nbsp;&nbsp;mingles
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;with<br>
&nbsp;&nbsp;&nbsp;&nbsp;my<br>
&nbsp;&nbsp;&nbsp;&nbsp;black<br>
&nbsp;&nbsp;&nbsp;&nbsp;hair,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I find<br>
&nbsp;&nbsp;&nbsp;&nbsp;that<br>
&nbsp;&nbsp;&nbsp;&nbsp;my<br>
&nbsp;&nbsp;&nbsp;&nbsp;ardor
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;for you<br>
&nbsp;&nbsp;&nbsp;&nbsp;has grown<br>
&nbsp;&nbsp;&nbsp;&nbsp;no less<br>
&nbsp;&nbsp;&nbsp;&nbsp;brilliant
<br>**[08:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was it no good?*<br>**[08:13] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy crap, Team Kitayama!<br>**[08:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way...<br>**[08:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it me, or are we getting more applause?<br>**[08:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great!<br>**[08:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive.<br>**[08:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa's team came in first place...*<br>**[08:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which was kind of expected.*<br>**[08:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But we came in third...*<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's some fairly high praise.*<br>**[08:45] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But if we had been able to film things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the way we originally intended...*<br>**[08:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet we would've been better received.*<br>**[08:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen... I know you might have some issues<br>&nbsp;&nbsp;&nbsp;&nbsp;with how the edit turned out, but—<br>**[08:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is *so* damn frustrating!<br>**[09:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell, man?!<br>**[09:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had *no* idea what you were doing <br>
&nbsp;&nbsp;&nbsp;&nbsp;when we were shooting,<br>**[09:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turned into a proper story,<br>&nbsp;&nbsp;&nbsp;&nbsp;with a proper ending and everything!<br>**[09:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really something, man! You did great!<br>**[09:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if my script...<br>**[09:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the first one, but the one<br>&nbsp;&nbsp;&nbsp;&nbsp;I redid with your input...<br>**[09:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had been able to use it properly,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've turned out great!<br>**[09:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe even better than what we turned in...<br>**[09:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[09:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bitter, too!<br>**[09:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, that was seriously amazing!<br>**[09:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be able to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with an idea like that...<br>**[09:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just doing what I was told,<br>**[09:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm kinda... No, I'm seriously impressed!<br>**[09:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I can act well<br>&nbsp;&nbsp;&nbsp;&nbsp;in a normal film too, so...<br>**[09:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm sure that'd... y'know...<br>**[09:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever! I'm just gonna say it!<br>**[09:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I can put on a really<br>&nbsp;&nbsp;&nbsp;&nbsp;good performance!<br>**[09:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to get to act the normal way!<br>**[10:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[10:02] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You play kinda dirty, huh?<br>**[10:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're usually so quiet...<br>**[10:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you get all fired up,<br>&nbsp;&nbsp;&nbsp;&nbsp;with your eyes flashing.<br>**[10:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the shoot...<br>&nbsp;&nbsp;&nbsp;&nbsp;And during the screening...<br>**[10:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was full of butterflies the whole time!<br>**[10:20] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I'm locking up. If you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;review things, do it somewhere else.<br>**[10:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or...<br>**[10:27] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you discussing your next goal?<br>**[10:29] Roommates**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[10:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy is not...<br>**[10:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya isn't...<br>**[10:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun ain't...<br>**[10:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...gonna show me up!<br>**[10:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's great to hear.<br>**[10:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to have another assignment<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting after vacation is over.<br>**[10:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see if you can get some payback.<br>**[10:46] Roomates**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[10:48] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good answer!<br>**[10:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we need to review what went wrong.<br>**[10:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And let's skip my screw-up<br>&nbsp;&nbsp;&nbsp;&nbsp;with the equipment.<br>**[10:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is obviously going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be the first thing we discuss.<br>**[10:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna keep the runtime and other stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;in mind when I do the storyboard next time.<br>**[11:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for the script, too.<br>**[11:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm gonna put on a performance<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll blow Kyoya's mind!<br>**[11:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like fun!<br>**[11:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation that I looked up to,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and wanted to get close to...*<br>**[11:15] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I've been able to make them*<br>*&nbsp;&nbsp;&nbsp;&nbsp;feel the heat, even a little...*<br>**[11:21] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then this remake of mine*<br>*&nbsp;&nbsp;&nbsp;&nbsp;might be going well, after all.*<br>**[11:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't buy it!<br>**[11:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wasn't Hashiba's team given first place?<br>**[11:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty simple, really.<br>**[11:33] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What they turned in was a little too<br>&nbsp;&nbsp;&nbsp;&nbsp;unorthodox for a school assignment.<br>**[11:37] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, I get the feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;it wasn't intentional.<br>**[11:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd guess they had an issue<br>&nbsp;&nbsp;&nbsp;&nbsp;when requisitioning their equipment.<br>**[11:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[11:46] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That film wasn't completely thought through.<br>**[11:49] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, I might have<br>&nbsp;&nbsp;&nbsp;&nbsp;an interesting bunch in this class.<br>**[11:54] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they really did come up with that footage<br>&nbsp;&nbsp;&nbsp;&nbsp;to work around some kind of trouble in production,<br>**[11:58] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it speaks to an incredible amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of problem-solving potential in Hashiba Kyoya.<br>**[12:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right...<br>**[12:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that, for the second semester,<br>**[12:09] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you working with Hashiba's team.<br>**[12:13] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're interested in him, aren't you?<br>**[12:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose.<br>**[12:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course, only in his talent as a producer.<br>**[12:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what else would I have meant?<br>**[12:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the worst sister!<br>**[12:34] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief...<br>**[12:37] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That little sister of mine is adorable,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how old she gets.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka Film<br>
&nbsp;&nbsp;&nbsp;&nbsp;Festival<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Best Picture Award<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa Misaki
<br>**[12:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're heading home!<br>**[12:47] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work today!<br>**[12:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for coming in today.<br>**[12:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And sorry you had to cover<br>&nbsp;&nbsp;&nbsp;&nbsp;a shift out of the blue.<br>**[12:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. You worked hard too, Nanako.<br>**[13:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, listen...<br>**[13:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have... some free time... today?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Karaoke
<br>**[13:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I haven't been to a karaoke*<br>*&nbsp;&nbsp;&nbsp;&nbsp;booth in a long time.*<br>**[13:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like karaoke?<br>**[13:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep! I love it.<br>**[13:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's more like<br>&nbsp;&nbsp;&nbsp;&nbsp;I love music and singing!<br>**[13:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[13:37] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brushed against<br>&nbsp;&nbsp;&nbsp;&nbsp;the freckles that I hated so...<br>**[13:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's impressive volume!*<br>**[13:39] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life goes on and I heave<br>&nbsp;&nbsp;&nbsp;&nbsp;a little sigh for you.<br>**[13:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And her voice...*<br>**[13:42] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's heavy, the love<br>&nbsp;&nbsp;&nbsp;&nbsp;that I once shared with you...<br>**[13:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like it's resonating in my...*<br>**[13:45] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it dissolved like<br>&nbsp;&nbsp;&nbsp;&nbsp;it was just a sugar cube.<br>**[13:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chest?*<br>**[13:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, is she actually pretty terrible?*<br>**[13:48] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now the little pain sitting in my heart...<br>**[13:51] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has shrunken a bit,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it really does hurt me now.<br>**[13:54] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those silly horoscopes...<br>**[14:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels great to really sing<br>&nbsp;&nbsp;&nbsp;&nbsp;after such a long time!<br>**[14:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry... I'm pretty bad, huh?<br>**[14:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well...<br>**[14:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandma does traditional<br>&nbsp;&nbsp;&nbsp;&nbsp;minyo folk music back home.<br>**[14:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I learned it at a young age, but...<br>**[14:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just no good!<br>**[14:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't seem to fix my tone deafness.<br>**[14:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I wanted to ask you a favor, Kyoya...<br>**[14:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is it?<br>**[14:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm singing by myself,<br>**[14:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know what<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to work on.<br>**[14:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, every now and again,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you come to karaoke with me...<br>**[14:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And listen to my singing?<br>**[14:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No?<br>**[14:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, if you'd like my help.<br>**[14:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?! Awesome!<br>**[14:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Kyoya!<br>**[15:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason, it's really easy<br>&nbsp;&nbsp;&nbsp;&nbsp;to sing in front of you!<br>**[15:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fun!<br>**[15:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Nanako...<br>**[15:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[15:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just thought of something.<br>**[15:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you've practiced,<br>&nbsp;&nbsp;&nbsp;&nbsp;and got some confidence,<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe we can upload your singing online.<br>**[15:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Online?<br>**[15:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll record you singing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and put it on a video site.<br>**[15:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bunch of people will hear you—<br>**[15:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no, no way can I do that!<br>**[15:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already crappy enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to get trashed on top of it!<br>**[15:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's why I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;after you get better...<br>**[15:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Absolutely not!<br>**[15:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the internet is the whole world!<br>**[15:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you imagine how embarrassing it is<br>**[15:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;to go on there practically<br>&nbsp;&nbsp;&nbsp;&nbsp;begging for attention?!<br>**[15:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then why don't we do it<br>&nbsp;&nbsp;&nbsp;&nbsp;when there's a Japan-only video site?<br>**[15:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only for Japan?<br>**[15:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there such a thing?<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[15:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, it will be sometime around the end*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of this year or the beginning of next.*<br>**[16:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... do you think about that, though?<br>**[16:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that wouldn't be as bad.<br>**[16:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that settles it!<br>**[16:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's practice with that as your goal!<br>**[16:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Don't pick my goals for me!<br>**[16:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...<br>**[16:23] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's celebrate<br>&nbsp;&nbsp;&nbsp;&nbsp;the end of the semester,<br>**[16:26] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the increased budget of the fine arts<br>&nbsp;&nbsp;&nbsp;&nbsp;club thanks to our new members.<br>**[16:31] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[16:33] Group**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[16:41] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do the official<br>&nbsp;&nbsp;&nbsp;&nbsp;introductions this time.<br>**[16:45] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kiryu Takashi, in my fifth year<br>&nbsp;&nbsp;&nbsp;&nbsp;of the photography program.<br>**[16:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much for your help, by the way.<br>**[16:50] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem!<br>**[16:52] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially considering our club<br>&nbsp;&nbsp;&nbsp;&nbsp;managed to survive thanks to you!<br>**[16:55] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right! Plus, you<br>&nbsp;&nbsp;&nbsp;&nbsp;brought us some cute girls.<br>**[17:01] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hiyama Yurika. I'm in my<br>&nbsp;&nbsp;&nbsp;&nbsp;third year of industrial arts.<br>**[17:04] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sculpt and make stuff like that.<br>**[17:07] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Down the hill he fells, the darling acorn!<br>**[17:13] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Into the lake he falls, oh me oh my!<br>**[17:22] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Sugimoto Mikio, and I'm in my<br>&nbsp;&nbsp;&nbsp;&nbsp;second year of the music program.<br>**[17:25] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure.<br>**[17:26] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how he looks,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's actually got a lot of skill.<br>**[17:29] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your attention, please!<br>**[17:32] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to express my joy<br>&nbsp;&nbsp;&nbsp;&nbsp;for today... through dance.<br>**[17:35] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pose to symbolize reception.<br>**[17:37] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;One symbolizing hope for the future!<br>**[17:39] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pose for affection! A pose for courtship!<br>**[17:39] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Kakihara Sho. He's in his<br>&nbsp;&nbsp;&nbsp;&nbsp;third year of theater arts study.<br>**[17:42] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Note the toes here! See?<br>&nbsp;&nbsp;&nbsp;&nbsp;See how they point?!<br>**[17:43] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's majoring in dance.<br>**[17:46] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, the Bacchanalia dance!<br>**[17:49] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we've all been waiting for!<br>**[17:51] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it comes! The fine<br>&nbsp;&nbsp;&nbsp;&nbsp;arts club specialty...<br>**[17:54] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The eruption of Vesuvius!<br>**[18:00] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the tragedy of Pompeii all over again!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Higashiyama Bridge
<br>**[18:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got work today,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll see you two later.<br>**[18:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get dinner ready.<br>**[18:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[18:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure was a lotta fun with<br>&nbsp;&nbsp;&nbsp;&nbsp;all our senpai back there, huh?<br>**[18:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all so eccentric...<br>&nbsp;&nbsp;&nbsp;&nbsp;but also really talented.<br>**[18:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[18:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[18:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that I draw, don't you?<br>**[18:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You noticed?<br>**[18:39] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was trying to keep it quiet.<br>**[18:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't I lock the dang door?<br>**[18:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for prying—<br>**[18:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, don't go apologizing!<br>&nbsp;&nbsp;&nbsp;&nbsp;I shoulda been more careful.<br>**[18:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, do you remember...<br>**[18:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I said how folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are looking for what they can do?<br>**[19:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything, like the rest of y'all.<br>**[19:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm always messing up,<br>&nbsp;&nbsp;&nbsp;&nbsp;even just doing daily stuff.<br>**[19:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad at school, can't do<br>&nbsp;&nbsp;&nbsp;&nbsp;athletic stuff, either...<br>**[19:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's one thing...<br>&nbsp;&nbsp;&nbsp;&nbsp;one thing I like doing.<br>**[19:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making art?<br>**[19:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it just don't seem to come together.<br>**[19:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can have fun drawing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but can't do much more than that.<br>**[19:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've won some awards,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that ain't enough to make a living.<br>**[19:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought if I went<br>&nbsp;&nbsp;&nbsp;&nbsp;to school for visual arts,<br>**[19:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might get a job in TV or something.<br>**[19:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I enrolled in art school.<br>**[19:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I didn't have the guts<br>&nbsp;&nbsp;&nbsp;&nbsp;to try the fine arts program.<br>**[19:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supposed to like drawing...<br>&nbsp;&nbsp;&nbsp;&nbsp;but can't enjoy doing it seriously.<br>**[19:53] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no confidence, either.<br>**[19:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I was keeping it a secret.<br>**[19:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping one day my eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;would light up like yours do.<br>**[20:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it just don't seem to wanna happen.<br>**[20:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I—<br>**[20:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was thinking...<br>**[20:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should give up on art.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that'd be easier.<br>**[20:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't!<br>**[20:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do that!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't stop being an artist!<br>**[20:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[20:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I...<br>**[20:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your art was always there for me.*<br>**[20:41] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[20:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love your art, Shinoaki.<br>**[20:51] Shino**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From all the way in the future...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've loved it.*<br>**[20:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said something during the shoot...<br>**[20:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted me to do it... because you thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the only one who could handle it.<br>**[21:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I did.<br>**[21:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That made me happy. I was real flustered.<br>**[21:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought, what kinda person<br>&nbsp;&nbsp;&nbsp;&nbsp;thinks that about me?<br>**[21:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm real curious now.<br>**[21:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I've made up my mind!<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting now, you're my goal, Kyoya-kun!<br>**[21:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna study lots, and become<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who can create<br>**[21:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;the kinda worlds you wanna see!<br>**[21:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have some kinda goal, too?<br>**[21:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I do.<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't tell you about it yet.<br>**[21:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's a real shame.<br>**[21:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I'll just have to work hard<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you'll tell me someday, huh?<br>**[21:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My goal...*<br>**[21:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;One example might be having you say*<br>*&nbsp;&nbsp;&nbsp;&nbsp;those things to me ten years from now.*<br>**[21:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The remake of my life... has just begun.*<br>

# E4 - Consider What You Can Do

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUN2WQP/consider-what-you-can-do)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Heading into the second semester,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we began work on our next project.*<br>**[00:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The script, storyboard, and location*<br>*&nbsp;&nbsp;&nbsp;&nbsp;scouting all went smoothly,*<br>**[00:09] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which left us with just the matter*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of actually filming things. And then...*<br>**[00:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just don't get it!<br>**[00:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't understand at all!<br>**[00:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There can't be any dialog here!<br>**[00:16] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;A collision of different opinions!<br>**[00:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got it backwards!<br>&nbsp;&nbsp;&nbsp;&nbsp;There absolutely needs to be dialog here!<br>**[00:19] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that's youth for you!<br>**[00:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't even understand what I'm saying!<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to start filming,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I should probably step in.<br>**[00:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shinoaki! You're gonna need to wake up.<br>**[00:41] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We starting now?<br>**[00:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, we should.<br>**[00:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time to get ready.<br>**[00:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, we're gonna start<br>&nbsp;&nbsp;&nbsp;&nbsp;shoo...ting... soon...<br>**[00:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ready? Lines all memorized?<br>**[00:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it!<br>**[00:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all up here, so I'm ready when you are!<br>**[01:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great. I can tell you're motivated.<br>**[01:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah! I'm trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to become an actress.<br>**[01:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with you, Kyoya?<br>**[01:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's nothing.<br>**[01:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna check on Tsurayuki and Kawasegawa.<br>**[01:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you two figured things out yet?<br>**[01:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, listen to this!<br>**[01:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;After we finally agreed<br>&nbsp;&nbsp;&nbsp;&nbsp;to the cuts to the script,<br>**[01:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;now she's talking about how<br>&nbsp;&nbsp;&nbsp;&nbsp;there might be more in the edit!<br>**[01:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously!<br>**[01:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filming is about collecting material!<br>&nbsp;&nbsp;&nbsp;&nbsp;The final product is made in editing,<br>**[01:26] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sometimes you make<br>&nbsp;&nbsp;&nbsp;&nbsp;judgment calls in that process!<br>**[01:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's the case, do you really need<br>&nbsp;&nbsp;&nbsp;&nbsp;to throw it in my face like an insult?!<br>**[01:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't say something now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're just gonna complain later!<br>**[01:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, we're running on limited time here.<br>**[01:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try and film what we can now, okay?<br>**[01:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so. I really shouldn't be <br>
&nbsp;&nbsp;&nbsp;&nbsp;wasting my time arguing with *him.*<br>**[01:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, hold up, I'm not through—<br>**[03:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't sit right.<br>**[03:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still mad about<br>&nbsp;&nbsp;&nbsp;&nbsp;your wardrobe malfunction?<br>**[03:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that!<br>**[03:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was talking about our<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment for the shoot.<br>**[03:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The equipment?<br>**[03:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;First-year students aren't allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to requisition equipment for multiple days.<br>**[03:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our shoot was scheduled<br>&nbsp;&nbsp;&nbsp;&nbsp;for three days and two nights.<br>**[03:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did something, didn't you?<br>**[03:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually need your help<br>&nbsp;&nbsp;&nbsp;&nbsp;with something related to that.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O<br>
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No Crossing
<br>**[03:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry!<br>**[04:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're actually filming up ahead,<br>**[04:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;so could you wait for a moment, please?<br>**[04:05] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[04:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a pedestrian<br>&nbsp;&nbsp;&nbsp;&nbsp;coming through. Is he clear?<br>**[04:10] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All clear.*<br>**[04:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the wait. Go right on through.<br>**[04:15] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Much obliged.<br>**[04:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your cooperation!<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd be a huge help, Kawasegawa—<br>**[04:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you hadn't!<br>**[04:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third-years are able to borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment for a week at most.<br>**[04:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you volunteered to help some of them<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for access to their gear<br>**[04:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;on days when they wouldn't be using it.<br>**[04:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is technically against the rules, yeah.<br>**[04:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly! If our professor finds out—<br>**[04:38] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she's gonna be real pissed.<br>**[04:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... kid?<br>**[04:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you come from, little girl?<br>**[04:48] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really wanna cop<br>&nbsp;&nbsp;&nbsp;&nbsp;that attitude with a senpai, kid?<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Senpai?<br>**[04:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, I had heard there were some first-years<br>**[04:57] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;willing to bust their humps for no reward,<br>**[05:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's the real deal?<br>&nbsp;&nbsp;&nbsp;&nbsp;Makes sense, I guess.<br>**[05:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... would you be willing<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep quiet about it?<br>**[05:05] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You owe me.<br>**[05:08] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Tomioka Keiko.<br>**[05:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep this under my hat,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm gonna collect some day.<br>**[05:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya around!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of the Arts
<br>**[05:22] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was the film by Team Kitayama Plus.*<br>**[05:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did real good, Nanako!<br>**[05:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks! But I still feel kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;embarrassed about it.<br>**[05:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seemed to like it, Kawasegawa.<br>**[05:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's off.<br>**[05:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It never quite got past feeling scripted.<br>**[05:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was put together well enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that was all.<br>**[05:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing to elevate it.<br>**[05:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you're overthinking it.<br>**[05:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came together really well,<br>&nbsp;&nbsp;&nbsp;&nbsp;and people seemed to like it.<br>**[05:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're right.<br>**[05:55] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This will be the final film <br>
&nbsp;&nbsp;&nbsp;&nbsp;of the screening.*<br>**[06:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is this?*<br>**[06:15] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's totally different. The acting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is on a completely different level.*<br>**[06:23] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;That last one was good, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the acting here is way better.<br>**[06:26] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously. It makes the other one<br>&nbsp;&nbsp;&nbsp;&nbsp;seem like a school play.<br>**[06:29] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last team's acting<br>&nbsp;&nbsp;&nbsp;&nbsp;held the whole thing back.<br>**[06:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the first place film this time...<br>**[06:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;was produced by Team Kitayama Plus.<br>**[06:41] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did a good job. Congratulations.<br>**[06:43] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, they won?<br>**[06:45] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;In terms of acting, it was<br>&nbsp;&nbsp;&nbsp;&nbsp; like a 10-to-1 disadvantage...<br>**[06:47] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That concludes class for today.<br>**[06:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Professor!<br>**[06:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't the ranking kind of weird back there?<br>**[06:55] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[06:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the last film was clearly just...<br>**[06:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The acting was so much better!<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough to blow everything else—<br>**[07:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual media is a comprehensive art form.<br>**[07:04] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if one actor's performance<br>&nbsp;&nbsp;&nbsp;&nbsp;is particularly well done,<br>**[07:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't automatically<br>&nbsp;&nbsp;&nbsp;&nbsp;add points for other areas.<br>**[07:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[07:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, can you tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;the fundamental reason<br>**[07:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;that film had such a strong impact, Kogure?<br>**[07:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Technical acting ability. Experience.<br>&nbsp;&nbsp;&nbsp;&nbsp;Appearance. Voice quality.<br>**[07:24] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acting is the result of a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of different factors.<br>**[07:26] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was a more simple<br>&nbsp;&nbsp;&nbsp;&nbsp;deciding factor this time around.<br>**[07:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were serious.<br>**[07:34] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Karaoke
<br>**[07:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work, everyone!<br>**[07:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to all of you, we were<br>&nbsp;&nbsp;&nbsp;&nbsp;able to put together a great film.<br>**[07:49] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, here we go! Cheers!<br>**[07:52] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[07:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filming at the beach sure was hot, huh?<br>**[07:56] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! But the project came together great!<br>**[07:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say that scene was all about<br>&nbsp;&nbsp;&nbsp;&nbsp;the quality of my script!<br>**[08:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though your lines kept getting cut?<br>**[08:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure about that?<br>**[08:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[08:09] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect first place, though!<br>**[08:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she going to be okay?<br>**[08:12] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, how was a team<br>&nbsp;&nbsp;&nbsp;&nbsp;with me on it gonna do that well?<br>**[08:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's pretty clearly faking her cheer.<br>**[08:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks to me like she's trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to avoid dealing with something.<br>**[08:19] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me about it!<br>**[08:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she just needs some space.<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should clear up with time.<br>**[08:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time, huh?<br>**[08:27] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Nanako, you're up!<br>**[08:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I shouldn't...<br>**[08:32] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you should! Just belt one out!<br>**[08:34] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll feel great!<br>**[08:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I, Kyoya?<br>**[08:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were bound to hear it<br>&nbsp;&nbsp;&nbsp;&nbsp;at some point, anyway.<br>**[08:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a question of when.<br>**[08:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're right. Okay...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Karaoke
<br>**[09:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about how terrible that was!<br>**[09:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, your voice really rings out!<br>**[09:17] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell, yeah! It carries even better than mine!<br>**[09:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably because of that minyo folk<br>&nbsp;&nbsp;&nbsp;&nbsp;singing you did when you were little, right?<br>**[09:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was pretty impressive!<br>**[09:24] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so...<br>**[09:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who wants to go next?<br>**[09:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa?<br>**[09:31] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gonna sing next?<br>**[09:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't serious<br>&nbsp;&nbsp;&nbsp;&nbsp;about being an actor, then.<br>**[09:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want this, don't you? To be a singer.<br>**[09:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you say that?<br>**[09:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought it was strange.<br>**[09:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that you could perform in bits,<br>**[09:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was no feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;of intentionality behind it.<br>**[09:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It always felt superficial.<br>**[09:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes sense. And explains why it<br>&nbsp;&nbsp;&nbsp;&nbsp;never stopped feeling artificial, too.<br>**[10:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that!<br>**[10:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It actually is.<br>**[10:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you weren't serious about acting.<br>**[10:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can claim otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the proof is in the performance.<br>**[10:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can project your voice so well,<br>**[10:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must mean you've been practicing in one<br>&nbsp;&nbsp;&nbsp;&nbsp;way or another since you were little, right?<br>**[10:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why would you try to act,<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of following your passion?<br>**[10:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[10:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're scared<br>&nbsp;&nbsp;&nbsp;&nbsp;of taking it seriously, right?<br>**[10:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you start taking something you've<br>&nbsp;&nbsp;&nbsp;&nbsp;always cared about seriously, and fail?<br>**[10:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would refute everything you stand for.<br>**[10:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were afraid of committing.<br>**[10:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So instead, because you got<br>&nbsp;&nbsp;&nbsp;&nbsp;compliments before, you turned to acting,<br>**[10:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lied about wanting to be an actress.<br>**[10:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Just stop talking!<br>**[10:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?!<br>**[10:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've loved singing, grown up around music,<br>**[10:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;but have always been tone deaf.<br>**[10:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could do something about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have by now!<br>**[10:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you haven't.<br>**[10:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why did you join<br>&nbsp;&nbsp;&nbsp;&nbsp;the visual arts program?<br>**[11:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've gone straight for music.<br>**[11:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might not've been<br>&nbsp;&nbsp;&nbsp;&nbsp;able to fix it at home,<br>**[11:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but things could be different<br>&nbsp;&nbsp;&nbsp;&nbsp;at a proper school.<br>**[11:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did you give up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the most crucial moment?<br>**[11:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako's been practicing, though.<br>**[11:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We come here all the time—<br>**[11:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But has she taken actual singing lessons?<br>**[11:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do you have the right<br>&nbsp;&nbsp;&nbsp;&nbsp;knowledge to help her?<br>**[11:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[11:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that counts as practice.<br>**[11:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just been pretending<br>&nbsp;&nbsp;&nbsp;&nbsp;to put in some effort.<br>**[11:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of a gift.<br>**[11:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop running away, and get serious!<br>**[11:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can seriously chase after,<br>**[11:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;why wouldn't you make it<br>&nbsp;&nbsp;&nbsp;&nbsp;your weapon of choice?!<br>**[11:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead you flit off to acting because<br>&nbsp;&nbsp;&nbsp;&nbsp;someone gave you some casual compliments!<br>**[11:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't ever move anyone!<br>**[11:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[11:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hit me.<br>**[11:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize what I've said deserves it.<br>**[11:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going.<br>**[12:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[12:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't follow me!<br>**[12:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should go, too.<br>**[12:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa...<br>**[12:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Nanako wants, I'll quit the team.<br>**[12:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for causing so much trouble.<br>**[12:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[12:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I don't feel like talking right now.<br>**[12:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't work, huh?<br>**[12:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It felt like I had no ground to stand on.<br>**[12:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Queen Kawasegawa had to go<br>&nbsp;&nbsp;&nbsp;&nbsp;and make a mess of things.<br>**[12:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I want Nanako to sing, too, though.<br>**[12:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[12:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, that's what she<br>&nbsp;&nbsp;&nbsp;&nbsp;really cares about, right?<br>**[12:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only reason what<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-san said hit her so hard.<br>**[12:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she was going to have to deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with it sooner or later.<br>**[13:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better for her to wrestle with it now<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of looking back when it's too late.<br>**[13:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess...<br>**[13:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;She should figure out what<br>&nbsp;&nbsp;&nbsp;&nbsp;she really wants, try it,<br>**[13:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if it doesn't work out... the sooner<br>&nbsp;&nbsp;&nbsp;&nbsp;she can hang it up, the better.<br>**[13:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I gotta get to work...<br>**[13:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? You seem tired.<br>**[13:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had back-to-back shifts lately.<br>**[13:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna get plenty of sleep<br>&nbsp;&nbsp;&nbsp;&nbsp;when I come home.<br>**[13:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You be careful, now.<br>**[13:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[13:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you want to talk about?<br>**[13:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is about quitting<br>&nbsp;&nbsp;&nbsp;&nbsp;the team, I don't accept.<br>**[13:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I genuinely feel bad<br>&nbsp;&nbsp;&nbsp;&nbsp;about what I said to Nanako.<br>**[13:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I've made trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;for you as a result.<br>**[13:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been no trouble for me,<br>**[13:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I think you said something<br>&nbsp;&nbsp;&nbsp;&nbsp;that Nanako needed to hear.<br>**[13:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's still depressed, isn't she?<br>**[13:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her problem to work through.<br>**[13:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't take it personally, Kawasegawa.<br>**[14:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was jealous of her.<br>**[14:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jealous of Nanako?<br>**[14:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[14:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a talent that really shines,<br>**[14:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has been working on it<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since she was little.<br>**[14:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she was pretending to not care<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, so I got angry.<br>**[14:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's got such an expressive voice,<br>&nbsp;&nbsp;&nbsp;&nbsp;one that can enchant so many people.<br>**[14:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's cute and glamorous.<br>**[14:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really made me realize that girls like her<br>&nbsp;&nbsp;&nbsp;&nbsp;are the ones that become stars.<br>**[14:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm worried...<br>**[14:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be okay.<br>**[14:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako isn't going to let this stop her.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll figure something out.<br>**[14:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have an idea?<br>**[14:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. But I know how<br>&nbsp;&nbsp;&nbsp;&nbsp;passionate she is about singing.<br>**[14:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can just remind her of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she'll be set.<br>**[14:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's weird. There's no real basis<br>&nbsp;&nbsp;&nbsp;&nbsp;to what you just said,<br>**[14:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something about it<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me want to believe you.<br>**[14:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You think?<br>**[14:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hello there.<br>**[14:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you headed to class?<br>**[14:59] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, we've got preparations<br>&nbsp;&nbsp;&nbsp;&nbsp;for the school festival's concert.<br>**[15:02] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on the production committee.<br>**[15:04] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, we need to hurry!<br>**[15:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The school festival...<br>**[15:07] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, you don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;about the school festival?!<br>**[15:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, that's why I was asking...<br>**[15:13] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to enlighten you!<br>**[15:15] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the school's founding 40 years ago,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Entrance
<br>**[15:16] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;nearly its entire 8,000-strong<br>&nbsp;&nbsp;&nbsp;&nbsp;student body has participated<br>**[15:19] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a massive annual celebration<br>&nbsp;&nbsp;&nbsp;&nbsp;that lasts over three days,<br>**[15:22] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;with visitor numbers estimated<br>&nbsp;&nbsp;&nbsp;&nbsp; in the tens of thousands!<br>**[15:26] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the Oonaka Arts School Festival!<br>**[15:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[15:30] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And naturally, the Fine Arts Club<br>&nbsp;&nbsp;&nbsp;&nbsp;will be participating, too!<br>**[15:33] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet in the face of such an<br>&nbsp;&nbsp;&nbsp;&nbsp; honored tradition, you seem to have no idea—<br>**[15:38] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you get off lecturing people after<br>&nbsp;&nbsp;&nbsp;&nbsp;what you used that honored tradition for?!<br>**[15:42] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I am not allowed to talk
<br>**[15:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... what happened, exactly?<br>**[15:52] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our club has always taken a classroom,<br>&nbsp;&nbsp;&nbsp;&nbsp;and run an art exhibition there.<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you doing it again this year—<br>**[15:58] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;That *was* the plan!<br>**[16:00] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this idiot submitted<br>&nbsp;&nbsp;&nbsp;&nbsp;a crazy idea instead!<br>**[16:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you ask to do?<br>**[16:06] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A maid café.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:08] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always dreamed of it, you know?!<br>**[16:10] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having cute girls dressed up like maids.<br>**[16:13] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then getting pictures of us<br>&nbsp;&nbsp;&nbsp;&nbsp;having a fun conversation—<br>**[16:16] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not allowed to talk!<br>**[16:18] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[16:20] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're past the deadline for changing plans,<br>**[16:22] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;so now I have to figure out how<br>&nbsp;&nbsp;&nbsp;&nbsp;to recruit enough people.<br>**[16:24] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want our star girl to have pink hair!<br>**[16:28] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like this is awakening<br>&nbsp;&nbsp;&nbsp;&nbsp;something inside of me!<br>**[16:30] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you get off making demands?!<br>**[16:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something I wanted to ask you all.<br>**[16:38] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A tiny pink-haired—<br>**[16:40] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pink hair, huh?<br>**[16:42] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got plenty of students<br>&nbsp;&nbsp;&nbsp;&nbsp;like that, though.<br>**[16:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[16:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I think she said her name was Tomioka.<br>**[16:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko, right.<br>**[16:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! And she had a Kansai<br>&nbsp;&nbsp;&nbsp;&nbsp;accent, just like that...<br>**[16:56] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.<br>**[16:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomioka...senpai?!<br>**[17:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just call me Keiko.<br>**[17:02] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashy! Who is this pink-haired little darling?!<br>**[17:05] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upsy-daisy...<br>**[17:08] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I ain't been by the art club in a bit.<br>**[17:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does Hiroe-chan still come around?<br>**[17:12] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hiroe-senpai, you mean?<br>**[17:15] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;She graduated two years ago.<br>**[17:17] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[17:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kid's finally graduated, huh?<br>**[17:22] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but did you need something?<br>**[17:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, now that you mention it...<br>**[17:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost forgot what I came here for.<br>**[17:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was time you paid me back.<br>**[17:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna come work on our game?<br>**[17:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A game?<br>**[17:36] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hallucigenia Soft?! They're one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the big name dojin circles!<br>**[17:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. And I was wondering if you'd wanna<br>&nbsp;&nbsp;&nbsp;&nbsp;come on and direct something for us.<br>**[17:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why me?<br>**[17:46] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked some of the kids<br>&nbsp;&nbsp;&nbsp;&nbsp;working on the shoot,<br>**[17:48] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they said you've got some slick moves<br>&nbsp;&nbsp;&nbsp;&nbsp;in the production department.<br>**[17:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about that...<br>**[17:54] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit trying to be modest!<br>**[17:56] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how about it? Wanna give a shot?<br>**[17:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I could work on games again...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;give my dream another shot.*<br>**[18:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[18:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[18:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't... not right now.<br>**[18:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems you've got a full plate, huh?<br>**[18:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, the offer's still on the table, all right?<br>**[18:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still owe me one, after all.<br>**[18:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it.<br>**[18:22] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I'm here, you can have these.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chasing The Morning Sun
<br>**[18:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should give you an idea what we're doing.<br>**[18:28] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch ya next time.<br>**[18:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, I don't have what it takes.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>**[18:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not to go after what I want seriously.*<br>**[18:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Amazing.*<br>**[18:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Their quality is on par*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with commercial companies.*<br>**[18:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They actually got CONOCO-san to record this.*<br>**[18:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We never had that kind of budget.*<br>**[18:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the singer that we did hire for our game*<br>**[18:53] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;had to be adjusted a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the mix to be presentable.*<br>**[18:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And since we didn't have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the money to hire someone,*<br>**[19:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ended up having to do it.*<br>**[19:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I still remember spending the night*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the office for that.*<br>**[19:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, this might just be it!*<br>**[19:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako... Nanako?<br>**[19:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I didn't feel like talking. Sorry.<br>**[19:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need a minute, please.<br>**[19:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[19:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything right now.<br>**[19:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all been smashed completely...<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's nothing left.<br>**[19:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing to say to anyone...<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't want to talk.<br>**[19:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But you do still have something.<br>**[19:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that is very important, Nanako.<br>**[19:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm not leaving until you hear me out.<br>**[19:45] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I brushed against*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the freckles that I hated so...*<br>**[19:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Life goes on and I heave*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a little sigh for you.*<br>**[19:51] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's heavy, the love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I once shared with you...*<br>**[19:53] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it dissolved like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was just a sugar cube.*<br>**[19:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now the little pain sitting in my heart...*<br>**[19:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Has shrunken a bit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it really does hurt me now.*<br>**[20:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this... my voice?<br>**[20:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. It's what your singing<br>&nbsp;&nbsp;&nbsp;&nbsp;can ultimately sound like.<br>**[20:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was adjust it.<br>**[20:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adjust?<br>**[20:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I adjusted the tone just<br>&nbsp;&nbsp;&nbsp;&nbsp;a little bit. Nothing else.<br>**[20:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I can say for sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is your singing.<br>**[20:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I needed you to hear it.<br>**[20:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your singing has incredible potential!<br>**[20:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wanted you to know.<br>**[20:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry! Should I have not brought it up?<br>**[20:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kyoya.<br>**[20:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I've been singing for so long,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I never liked the way it sounded.<br>**[20:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could never get the right pitch,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it wouldn't sound like I wanted it to.<br>**[20:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought I could try acting,<br>&nbsp;&nbsp;&nbsp;&nbsp;where I could at least use my voice.<br>**[21:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that wasn't the right way, was it?<br>**[21:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think now I understand what Kawasegawa<br>&nbsp;&nbsp;&nbsp;&nbsp;and the professor were saying.<br>**[21:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't hope to beat people<br>&nbsp;&nbsp;&nbsp;&nbsp;who are really taking it seriously.<br>**[21:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's no way my<br>&nbsp;&nbsp;&nbsp;&nbsp;acting can move people.<br>**[21:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to get better at singing.<br>**[21:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll study for real, practice for real,<br>**[21:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let people hear what<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do when I'm serious.<br>**[21:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to sing a lot of amazing songs,<br>&nbsp;&nbsp;&nbsp;&nbsp;and touch people's hearts.<br>**[21:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll be able to do it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I be able to go that far?<br>**[21:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you can.<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an idea! Will you try it<br>&nbsp;&nbsp;&nbsp;&nbsp;with me, Nanako?<br>**[21:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry!<br>**[21:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to trust you, Kyoya!<br>**[21:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So help me figure out singing! Please?<br>**[21:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to be doing all the work.<br>**[21:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll do whatever I can to help you.<br>**[22:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>

# E5 - Reveal Your Feelings

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GZ7UVPX5V/reveal-your-feelings)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be delivered tomorrow, then?<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, thank you very much.<br>**[00:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that takes care of the orders.<br>**[00:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[00:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you want?<br>**[00:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only three days until<br>&nbsp;&nbsp;&nbsp;&nbsp;the school festival, huh...<br>**[00:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time sure does fly, doesn't it?<br>**[00:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does.<br>**[00:21] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm going to figure <br>
&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>**[00:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nanako started practicing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;singing seriously after that.*<br>**[00:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With the help of Sugimoto-senpai,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the music program...*<br>**[00:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's been re-learning pitch*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and vocalization from the basics,*<br>**[00:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;building the stamina*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it takes to sing... and...*<br>**[00:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. This is where it starts.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Guide Desk
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yakisoba
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takoyaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Okonomiyaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;400 yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Menu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Coffee
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anmitsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tapioca
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Teahouse
<br>**[02:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time really does fly.<br>**[02:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kyoya...<br>**[02:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll really be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to sing if I keep this up?<br>**[02:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it's not that<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like the practice!<br>**[02:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I can tell it's helping!<br>**[02:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But still...<br>**[02:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wondering, what exactly will be<br>&nbsp;&nbsp;&nbsp;&nbsp;the result of all this hard work?<br>**[02:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, like a goal?<br>**[02:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm not really sure<br>&nbsp;&nbsp;&nbsp;&nbsp;what mine is anymore.<br>**[02:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep doing this, isn't it?<br>**[02:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should!<br>**[02:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've finally found something<br>&nbsp;&nbsp;&nbsp;&nbsp;you can get serious about.<br>**[02:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a waste if you didn't keep going.<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I only got a taste<br>&nbsp;&nbsp;&nbsp;&nbsp;of how serious you are,<br>**[02:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was enough to move me!<br>**[03:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[03:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you care so much<br>&nbsp;&nbsp;&nbsp;&nbsp;about what I do, Kyoya?<br>**[03:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I heard your singing, Nanako!<br>**[03:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd have that effect on anybody!<br>**[03:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're really not sure what you want,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help you find a goal...<br>**[03:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do everything I can to help.<br>**[03:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until you're satisfied,<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I'll figure something out!<br>**[03:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kyoya!<br>**[03:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so grateful.<br>**[03:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had a friend who'd<br>&nbsp;&nbsp;&nbsp;&nbsp;go this far for me before.<br>**[03:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, s-sorry!<br>**[03:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was just...<br>**[03:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I honestly just felt grateful,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up, sorta...<br>**[03:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how it is, right?<br>**[03:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;People get all worked up<br>&nbsp;&nbsp;&nbsp;&nbsp;at school festivals!<br>**[03:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Anyway, don't get the wrong idea!<br>**[04:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, thanks. I feel better now.<br>**[04:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[04:07] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nanako, Shinoaki,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, and Kawasegawa...*<br>**[04:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are a lot of amazing people around me.*<br>**[04:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They're all struggling to create something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;amazing in spite of their own troubles.*<br>**[04:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I was sent here*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from ten years in the future*<br>**[04:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to help them make it happen.*<br>**[04:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of impressive.<br>**[04:39] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, tell me about it!<br>**[04:41] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Oonaka University of Arts School Festival*<br>*&nbsp;&nbsp;&nbsp;&nbsp;takes place over three days,*<br>**[04:46] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and is a famous*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and storied event in Kansai.*<br>**[04:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's all the typical concessions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;stands you'd expect,*<br>**[04:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;along with art exhibitions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and independent film screenings.*<br>**[04:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along with serious music performances.*<br>**[04:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It brings in visitors from all over.*<br>**[05:01] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Then I shall present this to you!"<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Red Forest
<br>**[05:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A period play?<br>**[05:04] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm gonna be acting in it, too!<br>**[05:07] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta come check it out! See ya!<br>**[05:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how our setup is going.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Café
<br>**[05:15] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome home, Master!<br>**[05:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm back?<br>**[05:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Quit staring!<br>**[05:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's embarrassing.<br>**[05:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[05:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Howzzat? Pretty sweet, right?<br>**[05:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san?! What are you doing here?<br>**[05:33] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard there weren't enough people, so...<br>**[05:37] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatcha think? Am I one hell<br>&nbsp;&nbsp;&nbsp;&nbsp;of a loli maid, or what?<br>**[05:39] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're perfect!<br>**[05:42] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then... guess you owe me double now.<br>**[05:46] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maids here are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be super cute!<br>**[05:49] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually came here instead<br>&nbsp;&nbsp;&nbsp;&nbsp;of checking out the movies.<br>**[05:52] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty well thought-out, considering that<br>&nbsp;&nbsp;&nbsp;&nbsp; students are running things.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Order of Admission Ticket
<br>**[05:56] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I order now?<br>**[05:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get your order, please?<br>**[06:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A milkshake with extra cuteness,<br>&nbsp;&nbsp;&nbsp;&nbsp;and a bittersweet love coffee float.<br>**[06:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will that complete your order?<br>**[06:07] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be really tasty!<br>**[06:10] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan, make sure to eat up<br>&nbsp;&nbsp;&nbsp;&nbsp;my love before it gets cold!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>**[06:20] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry that you ended up having to cook<br>&nbsp;&nbsp;&nbsp;&nbsp; and handle all of the orders.<br>**[06:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[06:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sugimoto-san and Kakihara-san are on<br>&nbsp;&nbsp;&nbsp;&nbsp; the committee that's running the concert.<br>**[06:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to do what I can.<br>**[06:35] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe learn a lesson from—<br>**[06:37] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good... Very good...<br>**[06:40] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work, damn you!<br>**[06:42] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! My art—<br>**[06:44] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is this art, you dirty old man?!<br>**[06:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a little flour on your cheek.<br>**[06:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th... Thanks...<br>**[07:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very welcome.<br>**[07:03] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In spite of it all, the maid café*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was a huge success.*<br>**[07:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We ended up working all day,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;two days in a row,*<br>**[07:09] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;without a chance to check out*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the rest of the festival.*<br>**[07:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home...<br>**[07:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what happened to you guys?<br>**[07:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome home.<br>**[07:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so tired.<br>**[07:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is being a maid heavy labor, or something?<br>**[07:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were basically packed all day.<br>**[07:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is good, but it didn't<br>&nbsp;&nbsp;&nbsp;&nbsp; leave us much time to rest.<br>**[07:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And tomorrow's the last day.<br>**[07:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This feels more like overtime<br>&nbsp;&nbsp;&nbsp;&nbsp;at work than a festival.<br>**[07:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. But considering we hit<br>&nbsp;&nbsp;&nbsp;&nbsp;our sales goal in just two days,<br>**[07:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll talk to our senpais and ask<br>&nbsp;&nbsp;&nbsp;&nbsp;about closing early tomorrow.<br>**[07:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do!<br>**[07:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should come and check it out, Tsurayuki.<br>**[07:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a bigger deal<br>&nbsp;&nbsp;&nbsp;&nbsp;than I thought, and pretty fun.<br>**[07:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, man! It's gotta be boring,<br>&nbsp;&nbsp;&nbsp;&nbsp;working all the time.<br>**[07:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You owe yourself a change of pace.<br>**[07:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not feeling bad enough<br>&nbsp;&nbsp;&nbsp;&nbsp;that I need a change.<br>**[08:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I definitely have to check this out.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The First Film Directed by Inugiri Waichi<br>
&nbsp;&nbsp;&nbsp;&nbsp;Banquet of Sadists
<br>**[08:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And maybe I'll check out the ex-gangster<br>&nbsp;&nbsp;&nbsp;&nbsp;Kogure-chan's maid look while I'm—<br>**[08:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am *not* an ex-gangster!<br>**[08:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to quit it with the jokes!<br>**[08:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, if you want to come, just admit it!<br>**[08:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not going to kill you<br>&nbsp;&nbsp;&nbsp;&nbsp;to be honest, is it?<br>**[08:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wrong! I have a totally<br>&nbsp;&nbsp;&nbsp;&nbsp;different motivation here!<br>**[08:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, you don't get to ever see me<br>&nbsp;&nbsp;&nbsp;&nbsp;dressed up like a maid, then!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Final Day
<br>**[08:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid café... this is it.<br>**[08:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa?<br>**[08:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came to the festival?<br>**[08:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably think<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't fit in, don't you?<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say that.<br>**[08:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just didn't think you'd come by<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you had a reason.<br>**[08:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I understand<br>&nbsp;&nbsp;&nbsp;&nbsp;your image of me now.<br>**[08:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that you're wrong, but still...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The first film directed by Inugiri Waichi<br>
&nbsp;&nbsp;&nbsp;&nbsp;Banquet of Sadists
<br>**[08:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd drop by,<br>&nbsp;&nbsp;&nbsp;&nbsp;since I came to see this.<br>**[08:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus... well...<br>**[08:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to apologize to her.<br>**[09:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Nanako?<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you need to.<br>**[09:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[09:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she's starting<br>&nbsp;&nbsp;&nbsp;&nbsp;to take singing seriously now.<br>**[09:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you said to her was the trigger.<br>**[09:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it was a waste of effort to come here?<br>**[09:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since you're here already,<br>&nbsp;&nbsp;&nbsp;&nbsp;you might as well—<br>**[09:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why on earth would I?<br>**[09:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no interest in moe-moe pancakes—<br>**[09:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Er, anyway, the movie<br>&nbsp;&nbsp;&nbsp;&nbsp;is starting soon. I need to get going.<br>**[09:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa!<br>**[09:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should listen to Nanako sing someday.<br>**[09:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Especially if she's<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten serious about it.<br>**[09:47] Actor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasuke! I bear you no grudge,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you will die here!<br>**[09:55] Sasuke**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you, Eisai...<br>**[10:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder where Hikawa-kun is.<br>**[10:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he would be performing, but...<br>**[10:04] Gen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And thus, Sasuke died in the street,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;exhausted and wounded.*<br>**[10:08] Gen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And only the great tree*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where he finally fell*<br>**[10:11] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*stood to mark his passing!*<br>**[10:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, look!<br>**[10:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the fine arts program for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all pretty serious stuff.<br>**[10:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is impressive.*<br>**[10:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The composition is well thought-out...*<br>**[10:44] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The sense of atmosphere is delicate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the point of transparency...*<br>**[10:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It'd make a good match for Shinoaki's art.*<br>**[10:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who made it?*<br>**[10:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yamashina Kazu?*<br>**[10:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where have I heard that name before?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamashina Kazu<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Untitled<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;4th Year, Fine Arts Program
<br>**[10:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait... I feel dizzy...*<br>**[11:04] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[11:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, what's wrong?<br>**[11:07] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun! Kyoya-kun?!<br>**[11:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up? Already closed?<br>**[11:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad for you!<br>**[11:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You missed out on all<br>&nbsp;&nbsp;&nbsp;&nbsp;those moe-moe kyun girls.<br>**[11:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to settle for you, then.<br>**[11:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's rude!<br>**[11:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, you feeling okay?<br>**[11:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been working non-stop...<br>&nbsp;&nbsp;&nbsp;&nbsp;must have been real tired.<br>**[11:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shinoaki?!<br>**[11:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[11:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just sit still.<br>**[11:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is kinda embarrassing,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let me just say it.<br>**[12:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, you're real grown up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and can do anything.<br>**[12:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's amazing.<br>**[12:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was really glad about what<br>&nbsp;&nbsp;&nbsp;&nbsp;you said, back then, too.<br>**[12:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how I can't stop,<br>&nbsp;&nbsp;&nbsp;&nbsp;and how you love my art.<br>**[12:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[12:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki?<br>**[12:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[12:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[12:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're calling for me?<br>**[12:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The closing act didn't show?!<br>**[12:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did this happen?<br>**[12:46] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were double-booked.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aurora Clarity
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miracle Portrait
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seraffi 1st Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Prince of Purrsia
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Secret Guest
<br>**[12:48] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;We expected Mori Shogo<br>&nbsp;&nbsp;&nbsp;&nbsp;to be among the guests.<br>**[12:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Isn't that...<br>**[12:52] Hikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the kind of artist you'd get<br>&nbsp;&nbsp;&nbsp;&nbsp;at most school festivals.<br>**[12:55] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:56] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we were lucky enough to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;to him before he went on hiatus.<br>**[13:00] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got word of him accepting, too.<br>**[13:03] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now we're hearing that he'll be a no-show.<br>**[13:06] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently it's at the same time as<br>&nbsp;&nbsp;&nbsp;&nbsp;the filming of some music program for TV.<br>**[13:11] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since he was going to be a secret guest,<br>**[13:13] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;they say to just put someone else on!<br>**[13:16] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[13:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[13:21] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure you just gotta put<br>&nbsp;&nbsp;&nbsp;&nbsp;someone else on, instead.<br>**[13:25] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that easy! Who could<br>&nbsp;&nbsp;&nbsp;&nbsp;we get, this close to showtime?<br>**[13:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you, dense?<br>**[13:31] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a freakin' art school.<br>**[13:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's crawling with people who wanna sing.<br>**[13:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen...<br>**[13:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sup?<br>**[13:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about having Nanako sing?<br>**[13:49] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was Prince of Purrsia!<br>**[13:52] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, after a fifteen-minute intermission,<br>&nbsp;&nbsp;&nbsp;&nbsp;our secret guest will be up!<br>**[13:57] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have to stick around<br>&nbsp;&nbsp;&nbsp;&nbsp;to see who it is!<br>**[14:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kyoya, you're joking, right?<br>**[14:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not.<br>**[14:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who can do this.<br>**[14:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's use the fact that you never<br>&nbsp;&nbsp;&nbsp;&nbsp;publicized who it was to our advantage.<br>**[14:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A backing band with an unknown singer...<br>**[14:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would explain why<br>&nbsp;&nbsp;&nbsp;&nbsp;it was listed as a secret.<br>**[14:16] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[14:17] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Nanako can pull it off.<br>**[14:19] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still rough around the edges,<br>**[14:21] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her voice has a power to resonate<br>&nbsp;&nbsp;&nbsp;&nbsp;directly with the listener's heart.<br>**[14:25] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hasn't been long,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've been teaching her right.<br>**[14:29] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if this fails, it could<br>&nbsp;&nbsp;&nbsp;&nbsp;ruin the entire show.<br>**[14:34] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's going to do this,<br>&nbsp;&nbsp;&nbsp;&nbsp;she needs to be prepared.<br>**[14:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I understand.<br>**[14:40] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go talk to the backing band.<br>**[14:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has turned into a whole thing, huh?<br>**[14:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I can't...<br>**[14:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako?<br>**[14:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Singing in front of people, all of a sudden?<br>&nbsp;&nbsp;&nbsp;&nbsp;And in the place of a pro?<br>**[14:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I can manage that.<br>**[15:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, it's okay. I know you can—<br>**[15:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see it.<br>**[15:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone saying how terrible I am...<br>&nbsp;&nbsp;&nbsp;&nbsp;Laughing about me even showing up.<br>**[15:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared. I'm too scared!<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[15:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bring her back, I promise!<br>**[15:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, man!<br>**[15:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buy time until we get back! Please!<br>**[15:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buy time? Us?<br>**[15:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When opportunities appear, they always seem*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like they're going to be impossible at first.*<br>**[15:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My extra ten years of experience*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have taught me that.*<br>**[15:33] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know how bitter it feels think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about "If I had only..."*<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want that for you, Nanako!*<br>**[15:44] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;the replacement act ran away?!<br>**[15:47] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only ten minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;left in the intermission!<br>**[15:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Nanako will show,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she will sing.<br>**[15:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl... is not the kind of person<br>&nbsp;&nbsp;&nbsp;&nbsp;to let pressure keep her from performing.<br>**[16:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guarantee you.<br>**[16:01] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does your guarantee help?<br>**[16:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep the crowd warm in the meantime.<br>**[16:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The visual arts first-year,<br>&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji Tsurayuki is, in reality...<br>**[16:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A traveling clown.<br>**[16:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew where I had been practicing, huh?<br>**[16:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[16:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand in my head.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a big chance.<br>**[16:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A way to confront everything<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been putting off all along.<br>**[16:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... confronting it<br>&nbsp;&nbsp;&nbsp;&nbsp;means potentially losing.<br>**[16:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I lose this time...<br>&nbsp;&nbsp;&nbsp;&nbsp;If I lose when I'm serious, then...<br>**[16:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. You won't lose, Nanako.<br>**[16:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! How can you be so sure, Kyoya?!<br>**[16:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you've practiced so much.<br>**[16:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[16:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter how much you practice...<br>&nbsp;&nbsp;&nbsp;&nbsp;an actual performance is different.<br>**[16:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't sing in front of people.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in front of a crowd of hundreds...<br>**[17:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of that many people judging me...<br>**[17:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's terrifying.<br>**[17:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm seriously terrified.<br>**[17:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like it was before.<br>**[17:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's going to go, "That was bad, but kind<br>&nbsp;&nbsp;&nbsp;&nbsp; of impressive," or, "You're almost there."<br>**[17:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuses won't cut it.<br>**[17:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so scared about it, I feel<br>&nbsp;&nbsp;&nbsp;&nbsp;like I'm going to fall apart.<br>**[17:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're scared because you're serious.<br>**[17:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're taking singing seriously.<br>**[17:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, I said I would figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out to help you.<br>**[17:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! How can you be so sure, Kyoya?!<br>**[17:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of this.<br>**[17:49] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that is something!<br>**[17:52] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, everyone, let's have<br>&nbsp;&nbsp;&nbsp;&nbsp;a round of applause!<br>**[17:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crap, I'm out of tricks...*<br>**[17:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kyoya, how long is this supposed to take?*<br>**[18:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki!<br>**[18:07] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that has been a few magic tricks<br>&nbsp;&nbsp;&nbsp;&nbsp;by a first-year who decided to pop in!<br>**[18:11] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up is the performance by our<br>&nbsp;&nbsp;&nbsp;&nbsp;secret guest you've all been waiting for!<br>**[18:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't run again, okay?<br>**[18:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I would!<br>**[18:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna get a hundred times<br>&nbsp;&nbsp;&nbsp;&nbsp;the applause you pulled off.<br>**[18:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm rooting for you!<br>**[18:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch me from the crowd, okay?<br>**[18:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[18:39] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here's our guest!<br>**[18:54] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A maid?<br>**[18:55] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a performance art thing?<br>**[19:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't really supposed to be singing<br>&nbsp;&nbsp;&nbsp;&nbsp;here today, but some things came up.<br>**[19:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'd have to be stupid<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn down a chance like this, so...<br>**[19:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make sure to enjoy the finale<br>&nbsp;&nbsp;&nbsp;&nbsp;of the school festival's concert!<br>**[19:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I rush past you with a heart that's run dry*<br>**[19:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, but there's nothing else I can do*<br>**[19:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because even sharing your pain*<br>**[19:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is something you want to keep from me*<br>**[20:06] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To not ruin what we had,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't look back*<br>**[20:12] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I turned away and took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my leave on the lonely rail*<br>**[20:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[20:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it, right, Kyoya?*<br>**[20:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no reason to be scared!*<br>**[20:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[20:24] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I'm...*<br>**[20:25] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[20:26] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your new video broke ten thousand views!<br>**[20:30] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only uploaded it yesterday.<br>**[20:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seeji<br>
&nbsp;&nbsp;&nbsp;&nbsp;This made me feel better!! You're only to going to get better from here<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fujiwara<br>
&nbsp;&nbsp;&nbsp;&nbsp;Too amazing... the way you seem to sing in a totally different way, depending on the song... Love it<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saito<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>**[20:33] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already sung in front<br>&nbsp;&nbsp;&nbsp;&nbsp;of thousands of people...<br>**[20:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking;*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rua<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ahhhh! So good! I love it!<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Omurice<br>
&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I never thought you would sing this song... (°°∀°°)<br>
&nbsp;&nbsp;&nbsp;&nbsp;It was just too cool!<br>
&nbsp;&nbsp;&nbsp;&nbsp; Thank you!
<br>**[20:36] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me, it doesn't make any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense to be afraid of a few hundred.<br>**[20:38] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[20:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[20:44] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I'm sure they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;all become fans of yours.<br>**[20:47] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You were there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I was there, and everyone else*<br>**[20:52] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[20:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Had seemed to disappear*<br>**[20:55] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know the world's not so simple that hard work*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is enough to get you where you want to be...*<br>**[21:00] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I tried to create*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the beauty of a fleeting dream*<br>**[21:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But!*<br>**[21:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want my feelings to reach them!*<br>**[21:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad at all.<br>**[21:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Nanako can do<br>&nbsp;&nbsp;&nbsp;&nbsp;when she's serious.<br>**[21:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ran a finger across my scars*<br>**[21:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What kind of trick<br>&nbsp;&nbsp;&nbsp;&nbsp;did you use this time?<br>**[21:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that is why I will be*<br>**[21:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it a trick...<br>**[21:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The videos we uploaded got<br>&nbsp;&nbsp;&nbsp;&nbsp;a bigger response than I anticipated.<br>**[21:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[21:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Granted, there were negative comments, too.*<br>**[21:22] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[21:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But Nanako's voice drew in a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more people than it turned away.*<br>**[21:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako didn't run away.*<br>**[21:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;○ Poor enunciation on H-sounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Abdominals<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;○Dotted rhythm<br>
&nbsp;&nbsp;&nbsp;&nbsp;      Syncopation process<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Wrong pitch?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mind the distinctions in articulation!
<br>**[21:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She kept an open mind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about even the harshest criticisms...*<br>**[21:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking*<br>**[21:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And incorporated the advice she got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into the next video she uploaded.*<br>**[21:35] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[21:38] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the internet, artists and fans collaborate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to make music through feedback.*<br>**[21:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[21:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in ten years, when this they dub*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this kind of thing "user generated content"...*<br>**[21:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako will have gained wings of song.*<br>**[21:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The first time I heard this voice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it captured my heart.*<br>**[21:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wasn't sure why, but now I understand.*<br>**[22:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's nice to meet you, N@NA.*<br>**[22:06] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that completes the program<br>&nbsp;&nbsp;&nbsp;&nbsp;for our music festival!<br>**[22:11] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye everyone, and thanks for coming!<br>**[22:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, I did it! I managed to sing!<br>**[22:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where is he?<br>**[22:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work out there.<br>**[22:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya's still in the seats, probably.<br>**[22:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[22:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to thank him! Gotta find him first!<br>**[22:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[22:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to drag you away <br>
&nbsp;&nbsp;&nbsp;&nbsp;from Nanako's encore...<br>**[22:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. But are you okay?<br>**[22:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought maybe the crowd got to you.<br>**[22:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm feeling better now.<br>**[22:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The school festival's over, huh?<br>**[22:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[22:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[22:56] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking how we're <br>
&nbsp;&nbsp;&nbsp;&nbsp;about the same height, like this.<br>**[23:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. Now that you mention it...<br>**[23:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda... got carried away there.<br>**[23:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, kinda?<br>**[23:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's because of the festival?<br>**[23:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... really it?<br>

# E6 - We'll Figure It Out

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GD9UV2W0E/well-figure-it-out)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fell asleep?<br>**[00:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shinoaki?!<br>**[00:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess the sun's up.<br>**[00:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;G'morning.<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, good morning.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;        Photography<br>
&nbsp;&nbsp;&nbsp;&nbsp;      Collection<br>
&nbsp;&nbsp;&nbsp;&nbsp;    by<br>
&nbsp;&nbsp;&nbsp;&nbsp;  Kuwa<br>
&nbsp;&nbsp;&nbsp;&nbsp; Mei
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Empty Space
<br>**[00:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you came to check out reference material,<br>&nbsp;&nbsp;&nbsp;&nbsp; and then fell asleep.<br>**[00:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for falling asleep like that.<br>**[00:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think I've got the right idea<br>&nbsp;&nbsp;&nbsp;&nbsp;for what I wanna draw next!<br>**[00:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good. I guess you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be getting back to work...<br>**[00:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[00:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This... is confirmed now, right?*<br>**[00:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[00:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breakfast is ready, so get your butt—<br>**[00:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. Pretty bold, aren't you?<br>**[00:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, it's not that, we were just—<br>**[00:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, get a move on! Tsurayuki's waiting!<br>**[01:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you reckon she's mad about?<br>**[01:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, the professor mentioned<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd been missing class lately.<br>**[01:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've been packing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shifts at work lately.<br>**[01:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure you weren't just skipping class?<br>**[01:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, like you? Stupid.<br>**[01:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rude to call people stupid, stupid!<br>**[01:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what it was? I was worried<br>&nbsp;&nbsp;&nbsp;&nbsp;you weren't feeling too good.<br>**[01:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, that's not it at all.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the picture of health.<br>**[01:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[01:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be going to class more<br>&nbsp;&nbsp;&nbsp;&nbsp;regularly starting next week.<br>**[01:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell the prof not to worry.<br>**[01:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Sure.<br>**[01:46] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But in the following week,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki didn't show up for class.*<br>**[01:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading out!<br>**[01:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go of me already!<br>**[01:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure as heck ain't!<br>**[02:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on, you two?<br>**[02:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I was fine, but she<br>&nbsp;&nbsp;&nbsp;&nbsp;won't shut up about getting rest!<br>**[02:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;How in tarnation are you fine?!<br>**[02:07] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been under th' weather<br>&nbsp;&nbsp;&nbsp;&nbsp; all the time lately!<br>**[02:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *just* threw up in the bathroom!<br>**[02:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just ate too much yesterday!<br>**[02:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it's nothing,<br>&nbsp;&nbsp;&nbsp;&nbsp;just stop worry...ing...<br>**[02:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki!<br>**[02:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun!<br>**[02:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Hang in there, Tsurayuki!<br>**[02:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? I told you, it was nothing.<br>**[02:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How exactly is sleep deprivation<br>&nbsp;&nbsp;&nbsp;&nbsp;and burnout from work nothing?<br>**[02:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctor said you needed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get plenty of bed rest!<br>**[02:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to not do any work that involves<br>&nbsp;&nbsp;&nbsp;&nbsp;physical activity for the foreseeable future.<br>**[02:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for dragging you out here.<br>**[02:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry any more, though.<br>**[02:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, what are you so on edge about?<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's weird. You're working<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself to death.<br>**[03:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's none of your business.<br>**[03:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not? Tell me the reason.<br>**[03:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to help!<br>**[03:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the hell are you gonna do that?!<br>**[03:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for yelling, man.<br>**[03:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look... I'm fighting with my parents.<br>**[03:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been paying my tuition myself.<br>**[03:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I come from a long line of doctors,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they want me to be one, too.<br>**[03:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ran out because I didn't want to do that.<br>**[03:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that kind of background,<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't get a scholarship.<br>**[03:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I took on as much work as I could.<br>**[03:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess if I have to ditch class for work,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm putting the cart in front of the horse.<br>**[03:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to rebel against my<br>&nbsp;&nbsp;&nbsp;&nbsp;parents for this long, but...<br>**[03:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think my little struggle for independence<br>&nbsp;&nbsp;&nbsp;&nbsp;has gone as far as it can.<br>**[03:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't pay my tuition, and can't work,<br>&nbsp;&nbsp;&nbsp;&nbsp; then I can't do anything.<br>**[03:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing left.<br>**[03:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just no way.<br>**[04:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no way?*<br>**[04:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There* has *to be!*<br>**[04:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know there has to be something! Think!*<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something.<br>**[04:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A way for you to make money on your own.<br>**[04:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are seriously something, man!<br>**[04:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever we think something<br>&nbsp;&nbsp;&nbsp;&nbsp;is a lost cause, you flip it around...<br>**[04:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And somehow manage to pull it off.<br>**[04:33] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm telling you...<br>**[04:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That this is no joke, all right?<br>**[04:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dealing with something I don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;other people messing with right now!<br>**[04:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say this is possible,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you realize that?!<br>**[04:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[04:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like it!<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not just tossing out a theory here.<br>**[04:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a plan.<br>**[05:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You actually have an idea?<br>**[05:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[05:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll figure it out.<br>&nbsp;&nbsp;&nbsp;&nbsp;We really will, damn it!<br>**[06:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all...<br>**[06:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going to make...<br>**[06:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a game?<br>**[06:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[06:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, the kind you play on a console?<br>**[06:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we're going to make is a doujin game,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're usually played on PCs.<br>**[07:02] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doujin game?<br>**[07:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[07:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like games made by businesses<br>&nbsp;&nbsp;&nbsp;&nbsp;and distributed to retailers.<br>**[07:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Individuals work together to make them...<br>&nbsp;&nbsp;&nbsp;&nbsp;And then sell them at direct market events.<br>**[07:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it, like indie music.<br>**[07:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're going to be making a novel game,<br>**[07:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;which uses text and images<br>&nbsp;&nbsp;&nbsp;&nbsp;for a sort of picture show.<br>**[07:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, we won't need a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of technical expertise, plus...<br>**[07:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you!<br>**[07:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm going to write the script?<br>**[07:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[07:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki can do the illustrations.<br>**[07:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Nanako will handle the background music.<br>**[07:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! Sounds like fun!<br>**[07:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've hardly composed anything before.<br>**[07:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you how, along with how<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the equipment involved.<br>**[07:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be the director,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll be there to back you all up.<br>**[07:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having you manage everything<br>&nbsp;&nbsp;&nbsp;&nbsp;is a big relief, Kyoya-kun!<br>**[07:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if Kyoya-kun's in charge,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's reassuring.<br>**[07:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to drag you all into my business!<br>**[08:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry none.<br>**[08:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I've never seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki grateful before!<br>**[08:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm deducting my gratitude toward you.<br>**[08:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! You should give me extra, in fact!<br>**[08:13] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatcha need?<br>**[08:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You decided to finally help our circle out?<br>**[08:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Not exactly...<br>**[08:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask you about something important.<br>**[08:23] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, you seem pretty serious.<br>**[08:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get into some kinda trouble, kid?<br>**[08:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or didja mess around with the wrong gal?<br>**[08:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to earn some money!<br>**[08:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme the details.<br>**[08:43] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get ya...<br>**[08:46] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That does seem like you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;needta put a rush on it.<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Tuition is due by May,<br>&nbsp;&nbsp;&nbsp;&nbsp;so before then...<br>**[08:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making money offa doujin<br>&nbsp;&nbsp;&nbsp;&nbsp;games ain't easy, though.<br>**[08:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You kids might be talented,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the trick to selling this kinda stuff<br>**[09:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is having a big name attached.<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. That's what I'm asking<br>&nbsp;&nbsp;&nbsp;&nbsp;to borrow from you.<br>**[09:08] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I getcha.<br>**[09:10] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna put your game out<br>&nbsp;&nbsp;&nbsp;&nbsp;as a new release from Hallucigenia Soft?<br>**[09:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize how presumptuous this is.<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... it's the only solution I can think of.<br>**[09:22] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. You can use our name.<br>**[09:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?! Thank you so much!<br>**[09:28] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in exchange...<br>**[09:31] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some stipulations.<br>**[09:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do?<br>**[09:35] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It has to be something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that will sell well, huh?*<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's a simple request, but a tough one.*<br>**[09:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's ten years in the past, so the urban*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fantasy trend has just about run its course.*<br>**[09:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What came after that?*<br>**[09:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It has to be easy to understand, simple to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;conceive of, but steadfastly popular.*<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A school story?<br>**[09:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is...<br>**[09:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right! I need to explain that part, too.*<br>**[10:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, school stories are...<br>**[10:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stories that take place<br>&nbsp;&nbsp;&nbsp;&nbsp;in and surrounding a school.<br>**[10:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's super literal?<br>&nbsp;&nbsp;&nbsp;&nbsp;Still not sure I get it.<br>**[10:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't there be like,<br>&nbsp;&nbsp;&nbsp;&nbsp;monsters and stuff, too?<br>**[10:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that would be<br>&nbsp;&nbsp;&nbsp;&nbsp;a good idea at this stage.<br>**[10:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be certain, but there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a good chance it wouldn't sell.<br>**[10:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's a question of popularity.<br>**[10:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I guess I get it.<br>**[10:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, most games with school stories<br>&nbsp;&nbsp;&nbsp;&nbsp;tend to focus on romance.<br>**[10:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Romance?!<br>**[10:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[10:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Totally fine!<br>**[10:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue, by all means.<br>**[10:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are also sexy scenes where—<br>**[10:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sex?!<br>**[10:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is there a problem?<br>**[10:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[10:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're talking about like...<br>&nbsp;&nbsp;&nbsp;&nbsp;actual scenes where people do it, right?<br>**[10:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am. That's a part of it.<br>**[11:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest with you, I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;any of that kind of experience.<br>**[11:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kind as in...<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I-It's fine!<br>**[11:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are professional writers who deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with that kind of material without any experience.<br>**[11:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean it?!<br>**[11:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! So, don't worry.<br>**[11:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[11:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what am I gonna do?<br>**[11:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I think we should make a school story.<br>**[11:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, question!<br>**[11:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[11:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never played games like that before.<br>**[11:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm not really sure what one's like.<br>**[11:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, me neither.<br>**[11:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to try one?<br>**[11:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some installed on this laptop.<br>**[11:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, we'll go check it out.<br>**[11:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[11:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[11:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is that?!<br>**[11:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[12:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That cute girl showed up...<br>**[12:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then there was all that stuff,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they did something crazy!<br>**[12:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was so shocked and embarrassed!<br>**[12:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, that hurts!<br>**[12:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck was that?! Seriously!<br>**[12:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really get what was going on,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the game seems fun.<br>**[12:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[12:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was way more extreme than "fun"!<br>**[12:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, you stupid pervert!<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what's wrong with you!<br>**[12:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This isn't going to be easy...*<br>**[12:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I can't give up.*<br>**[12:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm the only one who can help Tsurayuki.*<br>**[12:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba!<br>**[12:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Care to join me for lunch?<br>**[12:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I've got to meet somebody!<br>**[12:49] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;about this guy anyway, Hashy?<br>**[12:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to see his work<br>&nbsp;&nbsp;&nbsp;&nbsp; at the school festival.<br>**[12:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought he'd be perfect...<br>**[12:56] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed you remember<br>&nbsp;&nbsp;&nbsp;&nbsp; something like that.<br>**[12:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, what I really remember is his name*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from ten years in the future.*<br>**[13:04] Yamashina**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the club president,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamashina. Nice to meet you.<br>**[13:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hashiba.<br>**[13:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get right to the point.<br>**[13:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to handle the backgrounds<br>&nbsp;&nbsp;&nbsp;&nbsp;for our doujin game.<br>**[13:14] Yamashina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds great.<br>**[13:15] Yamashina**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do character art, so my work<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't get a lot of attention.<br>**[13:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That settles that! Next is equipment!*<br>**[13:25] Clerk**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[13:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard they opened<br>&nbsp;&nbsp;&nbsp;&nbsp;a big Yodobushi in Umeda,<br>**[13:30] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you want actual parts,<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing beats Ponbashi.<br>**[13:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed at how much we bought.<br>**[13:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when you're making a game,<br>**[13:38] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it pays to make sure you've got beefy hardware.<br>**[13:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise...<br>**[13:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[13:45] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a load of that.<br>**[13:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She definitely stands out, doesn't she?<br>**[13:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You figure some li'l princess is out<br>&nbsp;&nbsp;&nbsp;&nbsp;buying doujinshi in secret?<br>**[13:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt it. Anyway, Keiko-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't you have more shopping?<br>**[13:57] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good point! Let's get a move on.<br>**[14:05] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[14:07] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't realize that Rokuonji<br>&nbsp;&nbsp;&nbsp;&nbsp;was in that kind of situation.<br>**[14:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, which is why we're all<br>&nbsp;&nbsp;&nbsp;&nbsp;working together to support him.<br>**[14:13] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are? This isn't any kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of shady work, is it?<br>**[14:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, don't worry!<br>**[14:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what she'd say if I told her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we're working on a doujin game.*<br>**[14:23] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you might do something like<br>&nbsp;&nbsp;&nbsp;&nbsp;borrow the name of a famous circle<br>**[14:27] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;to try and sell a doujin game<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're making.<br>**[14:31] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[14:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Sensei, where did you hear about that?<br>**[14:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doncha know that honesty's the best policy?<br>**[14:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Keiko-san?!<br>**[14:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the two of you have worked<br>&nbsp;&nbsp;&nbsp;&nbsp;on games together before?<br>**[14:49] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I'm retired, though.<br>**[14:52] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanou-chan was a big help back in the day!<br>**[14:55] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if her student's in trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure it's the least I could do to help!<br>**[14:59] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that it? Because I thought you were<br>&nbsp;&nbsp;&nbsp;&nbsp;interested in turning a profit.<br>**[15:03] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the cash<br>&nbsp;&nbsp;&nbsp;&nbsp;is a separate issue altogether!<br>**[15:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll choose to believe in<br>&nbsp;&nbsp;&nbsp;&nbsp;the more admirable motivation.<br>**[15:09] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Keiko's explained what's<br>&nbsp;&nbsp;&nbsp;&nbsp;going on with your game dev,<br>**[15:13] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't let it interfere<br>&nbsp;&nbsp;&nbsp;&nbsp;too much with your studies.<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, then?<br>**[15:18] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every aspect of production<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to aid in your education.<br>**[15:22] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it'll be a good experience.<br>**[15:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's it coming along, anyway?<br>**[15:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smooth sailing so far?<br>**[15:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well... sure.<br>**[15:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it!<br>**[15:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[15:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been playing that game<br>&nbsp;&nbsp;&nbsp;&nbsp;you lent me as a sample.<br>**[15:47] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of those girls, for no reason<br>&nbsp;&nbsp;&nbsp;&nbsp;and with no impetus,<br>**[15:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;are in love with me<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as the game begins!<br>**[15:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with that?!<br>**[15:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how it goes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to understand.<br>**[15:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, but even if I'm willing to accept that,<br>**[16:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's with their speech?!<br>**[16:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Takumi-kun, I hope you had<br>&nbsp;&nbsp;&nbsp;&nbsp;a meowy good day at work!"<br>**[16:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who talks like that?!<br>**[16:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just how these things go...<br>**[16:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[16:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nanako?!<br>**[16:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it.<br>**[16:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how composing<br>&nbsp;&nbsp;&nbsp;&nbsp;on a computer works.<br>**[16:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on there?<br>**[16:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead of a musical score,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are these weird bars.<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it might be confusing at first,<br>**[16:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once you get used to it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's easier! Okay?<br>**[16:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure?<br>**[16:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun!<br>**[16:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Art for games is tough, huh?<br>**[16:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>**[16:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... Please, refer to the<br>&nbsp;&nbsp;&nbsp;&nbsp;sample art I gave you! Okay?<br>**[16:46] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is about the furthest possible*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thing from smooth sailing.*<br>**[16:54] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Control the centrifugal force<br>&nbsp;&nbsp;&nbsp;&nbsp;by keeping your left wrist steady.<br>**[16:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I got hardly any sleep last night.*<br>**[17:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki?<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>**[17:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little sleepy...<br>**[17:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than a little! Be careful—<br>**[17:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako?!<br>**[17:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dozed off...<br>**[17:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, let me wipe that off!<br>**[17:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Kyoya? Everything going okay?<br>**[17:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one not doing okay!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you even making?!<br>**[17:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you're right. My bad.<br>**[17:38] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;That group over there!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you all doing?!<br>**[17:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[17:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on?<br>**[17:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've all been half-asleep through<br>&nbsp;&nbsp;&nbsp;&nbsp;both your general education and arts classes.<br>**[17:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry... there's a good reason.<br>**[17:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet there is. I'd really<br>&nbsp;&nbsp;&nbsp;&nbsp;let you have it, otherwise.<br>**[17:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[17:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[18:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That is rough.<br>**[18:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you keep it quiet, though?<br>**[18:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not the kind of thing you<br>&nbsp;&nbsp;&nbsp;&nbsp;want to spread around.<br>**[18:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[18:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What can I do to help?<br>**[18:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you need, right?<br>**[18:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything I can contribute,<br>&nbsp;&nbsp;&nbsp;&nbsp; just let me know.<br>**[18:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks! I really appreciate it!<br>**[18:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first thing that comes to mind...<br>**[18:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are issues with the<br>&nbsp;&nbsp;&nbsp;&nbsp;script and art direction...<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's also the progress on the opening...<br>**[18:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm catching a bus.<br>**[18:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Thanks for offering your advice.<br>**[18:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around.<br>**[18:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[18:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a competent worker,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're smart enough,<br>**[18:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it seems to me like<br>&nbsp;&nbsp;&nbsp;&nbsp;you might be overdoing it.<br>**[18:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you... really okay?<br>**[18:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's not a problem.<br>**[18:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay... if you say so.<br>**[19:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right...<br>**[19:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, check this section for me.<br>**[19:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[19:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the writing might<br>&nbsp;&nbsp;&nbsp;&nbsp;be a little stiff, still.<br>**[19:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still? I thought I had fixed that,<br>&nbsp;&nbsp;&nbsp;&nbsp; for the most part.<br>**[19:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering the genre,<br>&nbsp;&nbsp;&nbsp;&nbsp;it needs to be a bit more loose.<br>**[19:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also think there might be too<br>&nbsp;&nbsp;&nbsp;&nbsp;much narration, relatively speaking.<br>**[19:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to increase<br>&nbsp;&nbsp;&nbsp;&nbsp;the amount of dialogue.<br>**[19:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?!<br>**[19:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if you say so. I'll get on that, then.<br>**[19:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I appreciate it.<br>**[19:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dinner's ready!<br>**[19:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[19:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki?<br>**[19:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'll be along in a sec.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you want to delete?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delete
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you want to delete?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delete
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
<br>**[20:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, the other day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the strangest-looking folks.<br>**[20:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did?<br>**[20:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was over in the school parking lot.<br>**[20:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This big old black car pulls up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and out comes a big fella in a black suit,<br>**[20:29] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this cute gal in a fur coat!<br>**[20:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if they're students.<br>**[20:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck? Sounds like a yakuza princess.<br>**[20:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've seen the same people.<br>**[20:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki... was this girl<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing a white beret?<br>**[20:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she was.<br>**[20:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-With short hair?<br>**[20:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And a sorta, general vibe<br>&nbsp;&nbsp;&nbsp;&nbsp;of being a rich girl?<br>**[20:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you notice that?!<br>**[21:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, Tsurayuki, what's gotten into...<br>**[21:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, sorry, but I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to make myself scarce for today!<br>**[21:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why?!<br>**[21:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain when I get back!<br>**[21:21] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this was the place!<br>**[21:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her!<br>**[21:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sayuri-nee...<br>**[21:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun! It's been ages!<br>**[21:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I missed you so much!<br>**[21:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Get off! Seriously, Sayuri-nee, let me go!<br>**[21:34] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, though?<br>**[21:36] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we smooch now,<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate our reunion?<br>**[21:40] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Tsu-kun!<br>**[21:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a...<br>**[21:48] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you all.<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Jisshoji Sayuri.<br>**[21:53] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Rokuonji Tsurayuki-san's...<br>**[21:56] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée!<br>**[21:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;F... F... F...<br>**[22:00] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée?!<br>

# E6.5 - Recap

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GQJUGE98W/recap)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;August 2016
<br>**[00:05] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My name's Hashiba Kyoya,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I'm 28 years old.*<br>**[00:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The kind of soon-to-be-middle-aged bachelor*<br>**[00:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that you can find just about anywhere.*<br>**[00:14] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you might expect, I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no girlfriend, and no money.*<br>**[00:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now I don't even have a job...*<br>**[00:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means I can't pay rent anymore,*<br>**[00:25] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;forcing me to pay for an express bus ticket*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the last of my cash.*<br>**[00:28] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And here I find myself,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back at my parents' house.*<br>**[00:32] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I tried my hand at everything I could,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and none of it amounted to anything.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;September 2016
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We wish you luck in your future endeavors.
<br>**[01:03] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[01:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe I landed<br>&nbsp;&nbsp;&nbsp;&nbsp;a gig at SucceedSoft.<br>**[01:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better work hard! This is a big chance!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Group 2
<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome, Hashiba Kyoya-san.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the head of SucceedSoft's<br>&nbsp;&nbsp;&nbsp;&nbsp;second development group, Kawasegawa.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to have you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;November 2016
<br>**[01:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, can I have a word?<br>**[01:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something I need to tell you all.<br>**[01:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Platinum project...<br>**[01:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been frozen, as decided<br>&nbsp;&nbsp;&nbsp;&nbsp;by a meeting of the board of directors.<br>**[01:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! What happened?<br>**[01:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could have done more.<br>**[02:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[02:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Again...*<br>**[02:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It happened again.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notice of Acceptance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya-sama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We are contacting you to let you know you passed<br>
&nbsp;&nbsp;&nbsp;&nbsp; the entrance exam to Oonaka University of the Arts<br>
&nbsp;&nbsp;&nbsp;&nbsp; Visual Arts program that you took in 2004.
<br>**[02:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I had chosen this instead...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>**[02:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I would've met*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation.*<br>**[02:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We could've worked together,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inspired each other...*<br>**[02:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And...*<br>**[02:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then...*<br>**[02:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell difference does it make?!<br>**[02:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late.<br>**[02:41] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan!<br>**[02:43] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan.<br>**[02:48] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally. Were you so excited<br>&nbsp;&nbsp;&nbsp;&nbsp;you passed out, or something?<br>**[02:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on... are you being sarcastic or—<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... since when are you into cosplay?<br>**[02:58] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you talking about?<br>**[03:01] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Dad wanted to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted for your celebratory dinner.<br>**[03:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celebrating?<br>**[03:08] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were freaking out<br>&nbsp;&nbsp;&nbsp;&nbsp;about getting in before.<br>**[03:11] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I got into Oonaka Arts!"<br>**[03:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a decade ago.<br>**[03:17] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan, what are you talking about?<br>**[03:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I could ask you...<br>**[03:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, did you borrow some of my books?<br>**[03:30] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure didn't.<br>**[03:31] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always get mad when I do.<br>**[03:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't we get rid of this CRT?<br>**[03:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should use my smartphone to—<br>**[03:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A flip phone?!<br>**[03:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;2006?!<br>**[03:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Once time passes, it never comes back."*<br>**[04:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"There are no second chances in life."*<br>**[04:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I always believed that...*<br>**[04:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, what I am experiencing*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art, Visual Arts Department
<br>**[04:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is the world from ten years ago that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been dying to go back to.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art
<br>**[05:53] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how it happened,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I've reverted ten years into the past.*<br>**[06:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[06:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Share House Kitayama.<br>**[06:06] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go first, then.<br>**[06:08] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kogure Nanako!<br>**[06:10] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm originally from Shiga Prefecture!<br>**[06:12] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can call me Nanako!<br>**[06:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[06:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess: it was art school<br>&nbsp;&nbsp;&nbsp;&nbsp;or a life of crime—<br>**[06:20] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a talent<br>&nbsp;&nbsp;&nbsp;&nbsp;for being a pain in the ass<br>**[06:22] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I've only known you<br>&nbsp;&nbsp;&nbsp;&nbsp;for, like, 30 seconds.<br>**[06:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's not make fun of her, then.*<br>**[06:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Rokuonji Tsurayuki...<br>**[06:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll keep it casual, too.<br>**[06:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go next!<br>**[06:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hashiba Kyoya.<br>**[06:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[06:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can just call me Kyoya too—<br>**[06:41] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Kyoya,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to clarify something...<br>**[06:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's that?<br>**[06:46] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you explain the sequence of events<br>&nbsp;&nbsp;&nbsp;&nbsp;between yesterday and today in detail?<br>**[06:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already did, though!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence! And, well...<br>**[06:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you coincidentally spent the night<br>&nbsp;&nbsp;&nbsp;&nbsp;with a girl you just met...<br>**[06:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before giving her a little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;of the milky splash?<br>**[07:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it was just a—<br>**[07:05] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable!<br>**[07:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be interesting, I think.<br>**[07:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves me!<br>**[07:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Shino Aki.<br>**[07:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from Fukuoka, in Kyushu...<br>&nbsp;&nbsp;&nbsp;&nbsp;a town called Itoshima.<br>**[07:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki's kind of a<br>&nbsp;&nbsp;&nbsp;&nbsp;masculine name, isn't it?<br>**[07:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[07:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, that ain't it, though.<br>**[07:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shino's my family name, and Aki's my name.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S<br>
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<br>**[07:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm Shino Aki!<br>**[07:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'all can call me Aki, too.<br>**[07:35] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Shinoaki, though?<br>**[07:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like the sound of Shinoaki.<br>**[07:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki it is.<br>**[07:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are y'all not gonna listen to me?!<br>**[07:44] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>**[07:46] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if she's asleep already.*<br>**[07:50] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki? Are you awake?<br>**[08:09] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino... is Shinoaki.<br>**[08:13] (Flashback) Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are all trying to find what we can do.<br>**[08:19] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's what she wants to do, then.<br>**[08:24] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking of having the short<br>&nbsp;&nbsp;&nbsp;&nbsp;take place at a train station.<br>**[08:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a train station?<br>**[08:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it's the type of place<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone is familiar with,<br>**[08:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a lot of obvious shorthand<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll help people understand the setting.<br>**[08:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think it'd be well-suited to a story<br>&nbsp;&nbsp;&nbsp;&nbsp;that wraps up in three minutes.<br>**[08:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[08:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds interesting! I think it'll work.<br>**[08:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like it, too.<br>**[08:43] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see it screened!<br>**[08:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Tsurayuki?<br>**[08:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get a half-hour?<br>**[08:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[08:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote up a plot for the<br>&nbsp;&nbsp;&nbsp;&nbsp;setup you described.<br>**[08:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was what you were after.<br>**[08:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This is exactly what I meant!<br>**[09:01] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to the script—<br>**[09:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[09:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a second?<br>**[09:07] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[09:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something from my idea notebook.<br>**[09:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this—<br>**[09:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the exact same thing.<br>**[09:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your idea, and what I had<br>&nbsp;&nbsp;&nbsp;&nbsp;written down in my notes.<br>**[09:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I didn't see—<br>**[09:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[09:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually had it locked up.<br>**[09:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't possibly have seen it.<br>**[09:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you still managed to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with the same idea,<br>**[09:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you read my mind.<br>**[09:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It honestly felt like you took<br>&nbsp;&nbsp;&nbsp;&nbsp;something right out of my head.<br>**[09:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to.<br>**[09:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was scary, man, if I'm being honest.<br>**[09:44] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Does that mean I essentially stole the idea*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from Tsurayuki's future self?*<br>**[09:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, is it just a coincidence?<br>**[09:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is there something else going on here?<br>**[09:58] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Production's always got something<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, huh?<br>**[10:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard your group's got<br>&nbsp;&nbsp;&nbsp;&nbsp;some creative differences.<br>**[10:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh... Yes.<br>**[10:09] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A script isn't a finished product.<br>**[10:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the point was to just have<br>&nbsp;&nbsp;&nbsp;&nbsp;people read something, and that's all,<br>**[10:13] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be better done as prose.<br>**[10:15] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the script stage,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can still go either way.<br>**[10:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're doing isn't just<br>&nbsp;&nbsp;&nbsp;&nbsp;a matter of subtraction.<br>**[10:24] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the production side stops trying,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that means the whole project is doomed.<br>**[10:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how important it is.<br>**[10:30] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one piece of advice for you.<br>**[10:33] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone involved in the<br>&nbsp;&nbsp;&nbsp;&nbsp;filmmaking process is a creator.<br>**[10:37] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And no one outranks anyone else.<br>**[10:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera that Tsurayuki-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;borrowed isn't a video camera.<br>**[10:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that can't be...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O Digital Single Lens Reflex Camera<br>
&nbsp;&nbsp;&nbsp;&nbsp;    Digital Video Camera
<br>**[10:50] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I marked the wrong one.<br>**[10:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I can't believe<br>&nbsp;&nbsp;&nbsp;&nbsp;it turned out like this...<br>**[10:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, everyone makes mistakes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not much we can do.<br>**[10:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. There's nothing we can do.<br>**[11:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is there... nothing?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If there's no camera, then we can't film.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no actors, we can't record a performance.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no key art, we don't need to draw anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If the writer is missing, we shouldn't bother writing anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's not enough budget, we'll throw something together.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It is what it is. Nothing we can do about it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped.
<br>**[11:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Didn't I spend my life ten years in the future*<br>**[11:08] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;repeating that excuse,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and regretting it every time?*<br>**[11:11] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Make excuses... and kick it all down the road,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without actually achieving anything?*<br>**[11:15] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Put a hold on everything for ten years,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and see how that turns out?*<br>**[11:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No!*<br>**[11:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not out of options!<br>**[11:26] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>**[11:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa's team came in first place...*<br>**[11:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which was kind of expected.*<br>**[11:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But we came in third...*<br>**[11:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's some fairly high praise.*<br>**[11:40] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But if we had been able to film things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the way we originally intended...*<br>**[11:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet we would've been better received.*<br>**[11:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is *so* damn frustrating!<br>**[11:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell, man?!<br>**[11:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had *no* idea what you were doing <br>
&nbsp;&nbsp;&nbsp;&nbsp;when we were shooting,<br>**[11:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turned into a proper story,<br>&nbsp;&nbsp;&nbsp;&nbsp;with a proper ending and everything!<br>**[11:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really something, man! You did great!<br>**[12:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if my script...<br>**[12:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the first one, but the one<br>&nbsp;&nbsp;&nbsp;&nbsp;I redid with your input...<br>**[12:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had been able to use it properly,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've turned out great!<br>**[12:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe even better than what we turned in...<br>**[12:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[12:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bitter, too!<br>**[12:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, that was seriously amazing!<br>**[12:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just doing what I was told,<br>**[12:24] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm kinda... No, I'm seriously impressed!<br>**[12:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I can act well<br>&nbsp;&nbsp;&nbsp;&nbsp;in a normal film too, so...<br>**[12:33] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm sure that'd... y'know...<br>**[12:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever! I'm just gonna say it!<br>**[12:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I can put on a really<br>&nbsp;&nbsp;&nbsp;&nbsp;good performance!<br>**[12:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to get to act the normal way!<br>**[12:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[12:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You play kinda dirty, huh?<br>**[12:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you get all fired up,<br>&nbsp;&nbsp;&nbsp;&nbsp;with your eyes flashing.<br>**[12:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the shoot...<br>&nbsp;&nbsp;&nbsp;&nbsp;And during the screening...<br>**[12:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was full of butterflies the whole time!<br>**[13:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I'm locking up. If you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;review things, do it somewhere else.<br>**[13:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or...<br>**[13:08] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you discussing your next goal?<br>**[13:10] Roommates**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[13:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy is not...<br>**[13:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya isn't...<br>**[13:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun ain't...<br>**[13:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...gonna show me up!<br>**[13:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping one day my eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;would light up like yours do.<br>**[13:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it just don't seem to wanna happen.<br>**[13:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I—<br>**[13:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was thinking...<br>**[13:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should give up on art.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that'd be easier.<br>**[13:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't!<br>**[13:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do that!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't stop being an artist!<br>**[13:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[13:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I...<br>**[13:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your art was always there for me.*<br>**[13:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[13:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love your art, Shinoaki.<br>**[14:03] Shino**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From all the way in the future...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've loved it.*<br>**[14:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't serious<br>&nbsp;&nbsp;&nbsp;&nbsp;about being an actor, then.<br>**[14:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want this, don't you? To be a singer.<br>**[14:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought it was strange.<br>**[14:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that you could perform in bits,<br>**[14:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was no feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;of intentionality behind it.<br>**[14:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It always felt superficial.<br>**[14:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that!<br>**[14:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It actually is.<br>**[14:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you weren't serious about acting.<br>**[14:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can claim otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the proof is in the performance.<br>**[14:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can project your voice so well,<br>**[14:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must mean you've been practicing in one<br>&nbsp;&nbsp;&nbsp;&nbsp;way or another since you were little, right?<br>**[14:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why would you try to act,<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of following your passion?<br>**[14:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[14:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're scared<br>&nbsp;&nbsp;&nbsp;&nbsp;of taking it seriously, right?<br>**[14:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you start taking something you've<br>&nbsp;&nbsp;&nbsp;&nbsp;always cared about seriously, and fail?<br>**[14:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would refute everything you stand for.<br>**[14:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were afraid of committing.<br>**[15:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So instead, because you got<br>&nbsp;&nbsp;&nbsp;&nbsp;compliments before, you turned to acting,<br>**[15:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lied about wanting to be an actress.<br>**[15:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Just stop talking!<br>**[15:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?!<br>**[15:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've loved singing, grown up around music,<br>**[15:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;but have always been tone deaf.<br>**[15:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could do something about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have by now!<br>**[15:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you haven't.<br>**[15:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of a gift.<br>**[15:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop running away, and get serious!<br>**[15:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can seriously chase after,<br>**[15:32] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;why wouldn't you make it<br>&nbsp;&nbsp;&nbsp;&nbsp;your weapon of choice?!<br>**[15:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead you flit off to acting because<br>&nbsp;&nbsp;&nbsp;&nbsp;someone gave you some casual compliments!<br>**[15:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't ever move anyone!<br>**[15:41] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was time you paid me back.<br>**[15:43] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna come work on our game?<br>**[15:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[15:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't... not right now.<br>**[15:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems you've got a full plate, huh?<br>**[15:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[15:55] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, the offer's still on the table, all right?<br>**[15:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I'm here, you can have these.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chasing The Morning Sun
<br>**[16:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should give you an idea what we're doing.<br>**[16:03] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch ya next time.<br>**[16:05] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I brushed against*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the freckles that I hated so...*<br>**[16:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Life goes on and I heave*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a little sigh for you.*<br>**[16:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's heavy, the love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I once shared with you...*<br>**[16:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it dissolved like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was just a sugar cube.*<br>**[16:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now the little pain sitting in my heart...*<br>**[16:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Has shrunken a bit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it really does hurt me now.*<br>**[16:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this... my voice?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. It's what your singing<br>&nbsp;&nbsp;&nbsp;&nbsp;can ultimately sound like.<br>**[16:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was adjust it.<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your singing has incredible potential!<br>**[16:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wanted you to know.<br>**[16:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to get better at singing.<br>**[16:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll study for real, practice for real,<br>**[16:48] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let people hear what<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do when I'm serious.<br>**[16:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll be able to do it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I be able to go that far?<br>**[16:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you can.<br>**[16:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to trust you, Kyoya!<br>**[17:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So help me figure out singing! Please?<br>**[17:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to be doing all the work.<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll do whatever I can to help you.<br>**[17:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>**[17:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make sure to enjoy the finale<br>&nbsp;&nbsp;&nbsp;&nbsp;of the school festival's concert!<br>**[17:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I rush past you with a heart that's run dry*<br>**[17:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, but there's nothing else I can do*<br>**[17:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because even sharing your pain*<br>**[17:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is something you want to keep from me*<br>**[18:02] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To not ruin what we had,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't look back*<br>**[18:08] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I turned away and took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my leave on the lonely rail*<br>**[18:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[18:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it, right, Kyoya?*<br>**[18:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no reason to be scared!*<br>**[18:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[18:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I'm...*<br>**[18:21] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[18:22] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your new video broke ten thousand views!<br>**[18:26] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only uploaded it yesterday.<br>**[18:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seeji<br>
&nbsp;&nbsp;&nbsp;&nbsp;This made me feel better!! You're only to going to get better from here<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fujiwara<br>
&nbsp;&nbsp;&nbsp;&nbsp;Too amazing... the way you seem to sing in a totally different way, depending on the song... Love it<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saito<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>**[18:29] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already sung in front<br>&nbsp;&nbsp;&nbsp;&nbsp;of thousands of people...<br>**[18:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking;*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rua<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ahhhh! So good! I love it!<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Omurice<br>
&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I never thought you would sing this song... (°°∀°°)<br>
&nbsp;&nbsp;&nbsp;&nbsp;It was just too cool!<br>
&nbsp;&nbsp;&nbsp;&nbsp; Thank you!
<br>**[18:32] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me, it doesn't make any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense to be afraid of a few hundred.<br>**[18:34] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[18:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[18:40] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I'm sure they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;all become fans of yours.<br>**[18:43] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You were there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I was there, and everyone else*<br>**[18:48] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Had seemed to disappear*<br>**[18:51] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know the world's not so simple that hard work*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is enough to get you where you want to be...*<br>**[18:56] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I tried to create*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the beauty of a fleeting dream*<br>**[18:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But!*<br>**[18:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want my feelings to reach them!*<br>**[19:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad at all.<br>**[19:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Nanako can do<br>&nbsp;&nbsp;&nbsp;&nbsp;when she's serious.<br>**[19:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ran a finger across my scars*<br>**[19:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What kind of trick<br>&nbsp;&nbsp;&nbsp;&nbsp;did you use this time?<br>**[19:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that is why I will be*<br>**[19:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it a trick...<br>**[19:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[19:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The videos we uploaded got<br>&nbsp;&nbsp;&nbsp;&nbsp;a bigger response than I anticipated.<br>**[19:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[19:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Granted, there were negative comments, too.*<br>**[19:18] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[19:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But Nanako's voice drew in a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more people than it turned away.*<br>**[19:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako didn't run away.*<br>**[19:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;○ Poor enunciation on H-sounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Abdominals<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;○Dotted rhythm<br>
&nbsp;&nbsp;&nbsp;&nbsp;      Syncopation process<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Wrong pitch?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mind the distinctions in articulation!
<br>**[19:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She kept an open mind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about even the harshest criticisms...*<br>**[19:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking*<br>**[19:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And incorporated the advice she got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into the next video she uploaded.*<br>**[19:31] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[19:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the internet, artists and fans collaborate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to make music through feedback.*<br>**[19:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[19:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in ten years, when this they dub*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this kind of thing "user generated content"...*<br>**[19:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako will have gained wings of song.*<br>**[19:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The first time I heard this voice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it captured my heart.*<br>**[19:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wasn't sure why, but now I understand.*<br>**[19:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's nice to meet you, N@NA.*<br>**[20:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all...<br>**[20:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going to make...<br>**[20:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a game?<br>**[20:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, the kind you play on a console?<br>**[20:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we're going to make is a doujin game,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're usually played on PCs.<br>**[20:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're going to be making a novel game,<br>**[20:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;which uses text and images<br>&nbsp;&nbsp;&nbsp;&nbsp;for a sort of picture show.<br>**[20:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, we won't need a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of technical expertise, plus...<br>**[20:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you!<br>**[20:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm going to write the script?<br>**[20:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[20:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki can do the illustrations.<br>**[20:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Nanako will handle the background music.<br>**[20:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! Sounds like fun!<br>**[20:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've hardly composed anything before.<br>**[20:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you how, along with how<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the equipment involved.<br>**[20:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be the director,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll be there to back you all up.<br>**[20:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to drag you all into my business!<br>**[20:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry none.<br>**[20:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I've never seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki grateful before!<br>**[20:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm deducting my gratitude toward you.<br>**[20:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! You should give me extra, in fact!<br>**[21:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, the other day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the strangest-looking folks.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[21:04] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was over in the school parking lot.<br>**[21:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This big old black car pulls up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and out comes a big fella in a black suit,<br>**[21:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this cute gal in a fur coat!<br>**[21:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, Tsurayuki, what's gotten into...<br>**[21:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, sorry, but I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to make myself scarce for today!<br>**[21:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why?!<br>**[21:30] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this was the place!<br>**[21:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee...<br>**[21:32] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun! It's been ages!<br>**[21:35] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I missed you so much!<br>**[21:37] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we smooch now,<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate our reunion?<br>**[21:40] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Tsu-kun!<br>**[21:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a...<br>**[21:49] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you all.<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Jisshoji Sayuri.<br>**[21:53] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Rokuonji Tsurayuki-san's...<br>**[21:56] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée!<br>**[21:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;F... F... F...<br>**[22:01] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée?!<br>

# E7 - Tackling Awkward Situations

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G50UZE433/tackling-awkward-situations)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why exactly is Sayuri-nee sitting at the table<br>&nbsp;&nbsp;&nbsp;&nbsp;like it's the most natural thing in the world?<br>**[00:07] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's fine, Tsu-kun!<br>**[00:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she said she wanted to eat with us.<br>**[00:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning her away would be kinda... y'know?<br>**[00:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Tsurayuki-kun!<br>**[00:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ought to be grateful to her!<br>**[00:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you've all sold out for food, huh?<br>**[00:28] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun!<br>**[00:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. Say, "Ah!"<br>**[00:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not happening!<br>**[00:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsurayuki's fiancée has suddenly shown up.*<br>**[00:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I used to feed you<br>&nbsp;&nbsp;&nbsp;&nbsp;like this all the time!<br>**[00:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They're apparently childhood friends*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who promised to get married.*<br>**[00:37] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, say, "Ah!"<br>**[00:40] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-san seems intent*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on winning Tsurayuki over,*<br>**[00:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and ideally, bringing him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back home with her.*<br>**[00:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun!<br>**[00:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, say, "Ah!"<br>**[00:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why, "Ah"?<br>**[00:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[00:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to get some vegetables, too!<br>**[01:00] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, say, "Ah!"<br>**[01:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be having fun, Kyoya.<br>**[01:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same thing about you.<br>**[02:41] Sportos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move up, move up!<br>**[02:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee lived next door,<br>**[02:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we've known each other<br>&nbsp;&nbsp;&nbsp;&nbsp;since nursery school.<br>**[02:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever my parents or siblings<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't pay attention to me,<br>**[02:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was always there to take care of me.<br>**[02:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was really little, I used to<br>&nbsp;&nbsp;&nbsp;&nbsp;think she was my actual older sister.<br>**[03:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's your fiancée, right?<br>**[03:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something our parents decided<br>&nbsp;&nbsp;&nbsp;&nbsp;without asking me. And it's stupid.<br>**[03:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love Sayuri-nee as a person,<br>**[03:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not anything more than that.<br>**[03:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I ran.<br>**[03:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to reject her outright,<br>&nbsp;&nbsp;&nbsp;&nbsp;and hurt her feelings.<br>**[03:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel bad for the rest of you, too.<br>**[03:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were really getting rolling,<br>&nbsp;&nbsp;&nbsp;&nbsp;and now this happens.<br>**[03:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell her to keep away from<br>&nbsp;&nbsp;&nbsp;&nbsp;the house as much as possible.<br>**[03:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't worry about it.<br>**[03:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, she keeps bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;fancy ingredients by every time,<br>**[03:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;which keeps both Shinoaki<br>&nbsp;&nbsp;&nbsp;&nbsp;and Nanako in a good mood.<br>**[03:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I said that, but...*<br>**[03:44] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-san visited*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the share house pretty regularly,*<br>**[03:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and eventually every day.*<br>**[03:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And by the time we had gotten used to it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was time for winter vacation,*<br>**[03:54] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which gave us more time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to devote to game development.*<br>**[03:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, could you check this?<br>**[03:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did so many rewrites I didn't know<br>&nbsp;&nbsp;&nbsp;&nbsp; what I was looking at anymore.<br>**[04:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I scrapped it and redid it from scratch.<br>**[04:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, the *whole* thing?!<br>**[04:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what I came up with,<br>&nbsp;&nbsp;&nbsp;&nbsp;after considering the style of bishoujo games.<br>**[04:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it work?<br>**[04:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is amazing, Tsurayuki!<br>**[04:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pacing of the dialog,<br>&nbsp;&nbsp;&nbsp;&nbsp;the balance of the monologues...<br>**[04:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you could do it. This is perfect.<br>**[04:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. This script will work.<br>**[04:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do this!<br>**[04:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness...<br>**[04:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can get some real sleep!<br>**[04:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that takes care of the script.<br>**[04:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamashina-san's been sending<br>&nbsp;&nbsp;&nbsp;&nbsp;in the backgrounds on time,<br>**[04:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that just leaves...<br>**[04:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, help!<br>**[04:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't think I can do this.<br>&nbsp;&nbsp;&nbsp;&nbsp;Composing something out of the blue...<br>**[05:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[05:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A melody came to mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I stuck it in there...<br>**[05:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nowhere near good enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to be music, though.<br>**[05:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already did it.<br>**[05:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, is that good enough?<br>**[05:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about arrangements<br>&nbsp;&nbsp;&nbsp;&nbsp;or coming up with a longer version?<br>**[05:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. That's what<br>&nbsp;&nbsp;&nbsp;&nbsp;the music software is for.<br>**[05:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we have a good melody,<br>**[05:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can come up with a few<br>&nbsp;&nbsp;&nbsp;&nbsp;loops to make it longer,<br>**[05:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and changing the arrangement<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be hard at all.<br>**[05:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so relieved.<br>**[05:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Na... Nanako?<br>**[05:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't. Just let me recharge a little.<br>**[05:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Uh, Nanako, I don't know if...*<br>**[05:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! I'm recharged!<br>**[06:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[06:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm feeling better now,<br>&nbsp;&nbsp;&nbsp;&nbsp; so I'll be able to get back to work!<br>**[06:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Does she...*<br>**[06:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nah, I have to be overthinking it.*<br>**[06:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[06:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something wrong?<br>**[06:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing! It's nothing.<br>**[06:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, what do you think?<br>**[06:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think his art's real impressive!<br>**[06:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[06:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hit me when I was checking out<br>&nbsp;&nbsp;&nbsp;&nbsp;the exhibition during the school festival.<br>**[06:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamashina-san's backgrounds<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a good match for your art.<br>**[06:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I knew Shinoaki could do it,*<br>**[06:42] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;considering she's going to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino some day.*<br>**[06:45] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The art needed to be different*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from her usual style,*<br>**[06:47] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and she managed to meet*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the challenge in hardly any time at all.*<br>**[06:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta ask, Kyoya-kun...<br>**[06:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on in this scene?<br>**[06:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's...<br>**[07:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sex scene.<br>**[07:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean that, I just dunno<br>&nbsp;&nbsp;&nbsp;&nbsp;what they're doing.<br>**[07:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What they're... what?<br>**[07:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! Kyoya-kun, could you sit over there?<br>**[07:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shinoaki?!<br>**[07:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move, now! Stay put.<br>**[07:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gets this big, huh?<br>**[07:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What does, exactly?!<br>**[07:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thighs.<br>**[07:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... the thighs. Right.<br>**[07:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it goes up right here...<br>**[07:38] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'm I supposed to sketch like that?<br>**[07:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on over, now!<br>**[07:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eek!<br>**[07:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the additional script<br>&nbsp;&nbsp;&nbsp;&nbsp;and some of the art files.<br>**[07:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was worried when I heard the plan<br>&nbsp;&nbsp;&nbsp;&nbsp;was to make a game in four months...<br>**[07:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm glad things seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be going smoothly.<br>**[08:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if I'd go that far.<br>**[08:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with school on break,<br>&nbsp;&nbsp;&nbsp;&nbsp;we've still got work,<br>**[08:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so everyone's worn out.<br>**[08:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it?<br>**[08:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was curious what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of trick you used this time.<br>**[08:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trick?<br>**[08:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this. Rokuonji's script,<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki's illustrations...<br>**[08:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're well done, sure,<br>**[08:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's all pretty distinct<br>&nbsp;&nbsp;&nbsp;&nbsp;from their usual style.<br>**[08:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We need to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;it sells well, so...<br>**[08:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked them to go for something<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit more commercial.<br>**[08:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just... asked?<br>**[08:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[08:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why you freak me out!<br>**[08:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki is one thing,<br>**[08:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do you realize how remarkable it is<br>&nbsp;&nbsp;&nbsp;&nbsp;to convince Rokuonji to change his style,<br>**[08:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;just so it'd be more popular?<br>**[08:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must really trust you.<br>**[08:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that you can do that...<br>**[08:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to admit it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm seriously impressed.<br>**[08:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something about you makes<br>&nbsp;&nbsp;&nbsp;&nbsp;others put their faith in you.<br>**[09:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Whatever Hashiba says is probably true."<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa...<br>**[09:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Anyway, if you're seriously doing this,<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure it turns out well!<br>**[09:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already the end of the year, huh?<br>**[09:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so cold!<br>**[09:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Winters in Fukuoka are pretty dang cold,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is about as cold as that.<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to get something warm to drink?<br>**[09:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naw, I'm okay.<br>**[09:45] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, can we go to the art supply store?<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ABE'S ELECTRONICS
<br>**[09:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for dragging you along<br>&nbsp;&nbsp;&nbsp;&nbsp;on my shopping trip.<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of being out here by myself<br>&nbsp;&nbsp;&nbsp;&nbsp; today was kind of depressing.<br>**[09:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you came with me, Shinoaki.<br>**[10:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[10:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, all right, then.<br>**[10:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still... you sure you're okay<br>&nbsp;&nbsp;&nbsp;&nbsp;with it being me?<br>**[10:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Christmas Eve, y'know?<br>**[10:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[10:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a funny thing to ask.<br>**[10:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*New Year's came, and it's now 2007.*<br>**[10:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was such a huge crowd!<br>**[10:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you ask for, Kyoya-kun?<br>**[10:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to ask? For the game<br>&nbsp;&nbsp;&nbsp;&nbsp;to get finished and sell well!<br>**[10:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously hope it sells...<br>&nbsp;&nbsp;&nbsp;&nbsp;for all our sakes.<br>**[10:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for Tsurayuki, who has finally learned<br>&nbsp;&nbsp;&nbsp;&nbsp;to show concern for other people!<br>**[10:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you...<br>**[10:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it, vocal talent,<br>&nbsp;&nbsp;&nbsp;&nbsp;did you finish the opening song?<br>**[11:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is "vocal talent" supposed to mean?!<br>**[11:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to it, y'know!<br>**[11:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering you canceled your plans<br>**[11:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;for going to the special<br>&nbsp;&nbsp;&nbsp;&nbsp;Christmas Eve sale with Kyoya—<br>**[11:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you even talking about?!<br>**[11:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako?<br>**[11:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh... well...<br>**[11:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we're all out anyway, let's grab<br>&nbsp;&nbsp;&nbsp;&nbsp;something to eat before we head home.<br>**[11:22] Nananko**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Good idea!<br>**[11:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds good! I'm in.<br>**[11:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's get some food, Kyoya!<br>**[11:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I think so.<br>**[11:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though there was the occasional surprise,*<br>**[11:35] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;we were steadily making*<br>*&nbsp;&nbsp;&nbsp;&nbsp;progress on our game.*<br>**[11:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really turned into a game!<br>**[11:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is only partway through<br>&nbsp;&nbsp;&nbsp;&nbsp;the first scene, though.<br>**[11:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I think even just this little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;is enough to get me emotional.<br>**[11:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can save the tears<br>&nbsp;&nbsp;&nbsp;&nbsp;for after you play through my story!<br>**[11:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The game goes on sale on April 29th.*<br>**[12:03] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if we're on schedule,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we'll still be pressed for time.*<br>**[12:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My job is to guide everyone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;until the deadline hits,*<br>**[12:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and make sure the game sells well.*<br>**[12:12] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not making the same*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mistakes I did ten years ago.*<br>**[12:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make sure*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the remake of my life is a success!*<br>**[12:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, can I—<br>**[12:21] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tsu-kun...<br>**[12:23] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know work is important,<br>&nbsp;&nbsp;&nbsp;&nbsp;but can't we relax some?<br>**[12:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on...<br>**[12:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee, I'm begging you,<br>&nbsp;&nbsp;&nbsp;&nbsp;not when I'm writing.<br>**[12:31] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, then?<br>**[12:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Akiya-kun, look at what<br>&nbsp;&nbsp;&nbsp;&nbsp;you've done to me..."<br>**[12:38] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;"So don't tease me any more, okay?"<br>**[12:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop!<br>**[12:46] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think about pervy stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;like this, huh, Tsu-kun?<br>**[12:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! This is just work!<br>**[12:51] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[12:52] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do everything that<br>&nbsp;&nbsp;&nbsp;&nbsp;you've written about, y'know?<br>**[12:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... Sayuri-san?<br>**[12:59] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, did you need something?<br>**[13:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is kinda pushing it.*<br>**[13:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[13:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you mean.<br>**[13:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm frankly impressed Tsurayuki was<br>&nbsp;&nbsp;&nbsp;&nbsp;able to say no in spite of all that.<br>**[13:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unrelated, but... you two...<br>**[13:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a reason why you're<br>&nbsp;&nbsp;&nbsp;&nbsp;both sitting next to me?<br>**[13:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure you're not imagining things?<br>**[13:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I reckon you're thinking too hard<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, Kyoya-kun.<br>**[13:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is...<br>**[13:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you! Come again!<br>**[13:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong?<br>**[13:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been spacing out.<br>**[13:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! It's nothing!<br>**[13:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, you were in Shinoaki's<br>&nbsp;&nbsp;&nbsp;&nbsp;room all day yesterday, weren't you?<br>**[13:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you two doing?<br>**[13:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I was checking the CG.<br>**[13:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also asked me to take<br>&nbsp;&nbsp;&nbsp;&nbsp;a few pictures for reference.<br>**[13:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that was really it?<br>**[14:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[14:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I had better go restock the drinks!<br>**[14:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad.<br>**[14:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a chance this could<br>&nbsp;&nbsp;&nbsp;&nbsp;affect the game's production.<br>**[14:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help.<br>**[14:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did this before, huh?<br>**[14:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[14:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence that time, but...<br>**[14:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not today.<br>**[14:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing it on purpose, okay?<br>**[14:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako...<br>**[14:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't lose.<br>**[14:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't think there's any*<br>*&nbsp;&nbsp;&nbsp;&nbsp;other way to interpret this.*<br>**[14:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, stupid?!<br>**[14:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why the hell would you ask me about this?!<br>**[15:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Look, I'm sorry!<br>**[15:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I m-mean, I guess as a member of<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Kitayama, I can't just ignore it.<br>**[15:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Which one of them<br>&nbsp;&nbsp;&nbsp;&nbsp; do you like, Hashiba?<br>**[15:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[15:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both great girls, but I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;really feel that way about either of them.<br>**[15:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, instead of actually just saying no,<br>**[15:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;you keep up this wishy-washy noncommittal<br>&nbsp;&nbsp;&nbsp;&nbsp;attitude, leading us to this point.<br>**[15:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that cover it?<br>**[15:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does, ma'am.<br>**[15:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;From a woman's perspective,<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes you a total dirt bag!<br>**[15:32] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is what I would say ordinarily.<br>**[15:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But considering your position<br>&nbsp;&nbsp;&nbsp;&nbsp;from a production standpoint,<br>**[15:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand why you've<br>&nbsp;&nbsp;&nbsp;&nbsp;done things this way.<br>**[15:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think, for the time being, you'll have to<br>&nbsp;&nbsp;&nbsp;&nbsp;continue pretending to be oblivious.<br>**[15:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other than that, avoid being alone<br>&nbsp;&nbsp;&nbsp;&nbsp;with either of them in a closed room,<br>**[15:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and steer conversations away<br>&nbsp;&nbsp;&nbsp;&nbsp;from the subject.<br>**[15:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sadly, that's all I can really offer.<br>**[15:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I couldn't be more help.<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.<br>**[15:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel a little better just<br>&nbsp;&nbsp;&nbsp;&nbsp;getting to talk about it.<br>**[16:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I could count on you, Kawasegawa.<br>**[16:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when you finish the project,<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to make clear how you feel.<br>**[16:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the least you can do for them.<br>**[16:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Thanks again!<br>**[16:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, is he stupid?<br>**[16:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think this part might<br>&nbsp;&nbsp;&nbsp;&nbsp;be a little too forceful?<br>**[16:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get what you mean, but I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want to compromise here.<br>**[16:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the climax of the story, where the<br>&nbsp;&nbsp;&nbsp;&nbsp;protagonist chooses the girl he likes.<br>**[16:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That seems like it's a pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;intense situation, right?<br>**[16:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is, most players will decide<br>**[16:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;based on how they feel<br>&nbsp;&nbsp;&nbsp;&nbsp;about the character's quirks.<br>**[16:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when you consider that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we've done a great job<br>**[16:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;of showcasing those aspects of them.<br>**[16:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, man...<br>**[16:50] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun! You're coming home<br>&nbsp;&nbsp;&nbsp;&nbsp;with me today, right?<br>**[16:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee, this is really important!<br>**[16:57] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Tsu-kun's a little exhausted.<br>**[17:01] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-san, could you discuss this later?<br>**[17:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I—<br>**[17:06] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Tsu-kun.<br>**[17:09] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your mother and father<br>&nbsp;&nbsp;&nbsp;&nbsp;are really worried about you.<br>**[17:14] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should come—<br>**[17:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad would never say that.<br>**[17:18] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true! I'm sure he—<br>**[17:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know he wouldn't!<br>**[17:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll excuse myself for today.<br>**[17:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry... I know I'm behind schedule,<br>&nbsp;&nbsp;&nbsp;&nbsp; and now this...<br>**[17:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not your fault.<br>**[17:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should take the rest of the day off.<br>**[17:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't my stuff late already?<br>**[17:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you working like this, anyway.<br>**[17:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll manage something.<br>**[17:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[17:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing, man. I really respect you.<br>**[18:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make sure to rest up.<br>**[18:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[18:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After that day, Sayuri-san stopped*<br>*&nbsp;&nbsp;&nbsp;&nbsp;dropping by the house.*<br>**[18:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the following week,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the share house was more quiet,*<br>**[18:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but also a little bit more lonely.*<br>**[18:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Can I help you?!<br>**[18:34] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya-san...<br>**[18:36] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but can I have<br>&nbsp;&nbsp;&nbsp;&nbsp;a moment of your time?<br>**[18:43] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a lovely view.<br>**[18:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I think so, too.<br>**[18:47] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Something about this gives me a real*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"You'll be sleeping with the fishes!" vibe...*<br>**[18:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you need to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;to me about in a place like this?<br>**[19:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to threaten me about Tsurayuki,<br>**[19:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're wasting your time. I—<br>**[19:06] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[19:09] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to discuss with you<br>**[19:13] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is why I brought you here.<br>**[19:15] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going home tomorrow.<br>**[19:19] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've realized something.<br>**[19:21] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, Tsu-kun won't return<br>&nbsp;&nbsp;&nbsp;&nbsp;to me, or to his parents.<br>**[19:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before I left, there was something<br>&nbsp;&nbsp;&nbsp;&nbsp; I needed to confirm with you.<br>**[19:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;With me?<br>**[19:34] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;All Tsu-kun seems to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;about lately is you.<br>**[19:38] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kyoya is amazing. If I rely on him,<br>&nbsp;&nbsp;&nbsp;&nbsp;things will turn out fine."<br>**[19:44] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I would like to ask...<br>**[19:46] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;do the two of you have?<br>**[19:52] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be specific, is there a physical—<br>**[19:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no, no!<br>**[19:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you think there was?!<br>**[19:57] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I'm surprised.<br>**[20:00] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering the depth of his trust in you,<br>**[20:02] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expected there to be<br>&nbsp;&nbsp;&nbsp;&nbsp;an intimate element to it.<br>**[20:07] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting that aside, though,<br>**[20:10] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;what exactly are your plans<br>&nbsp;&nbsp;&nbsp;&nbsp;for your relationship with Tsu-kun?<br>**[20:15] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a son of the Rokuonji family.<br>**[20:18] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he returns home, a stable future<br>&nbsp;&nbsp;&nbsp;&nbsp;is promised him.<br>**[20:22] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet you all seem to be dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun down a riskier path.<br>**[20:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you make any<br>&nbsp;&nbsp;&nbsp;&nbsp;guarantees about his future?<br>**[20:32] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that's right?<br>**[20:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't make any promises.<br>**[20:38] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd imagine not.<br>**[20:40] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you should tell him—<br>**[20:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is a path that<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki chose for himself.<br>**[20:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He chose it, fully aware of<br>&nbsp;&nbsp;&nbsp;&nbsp; the risks it carries.<br>**[20:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I want to support him.<br>**[20:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if that makes him happy...<br>**[20:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I want to be there<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate his choice.<br>**[21:00] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think Tsu-kun is happy, then?<br>**[21:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's honestly in a bit of trouble.<br>**[21:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's why we intend to make<br>&nbsp;&nbsp;&nbsp;&nbsp;a game based around his writing,<br>**[21:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sell it in order to help him<br>&nbsp;&nbsp;&nbsp;&nbsp;get out of that trouble.<br>**[21:12] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;That indecent story?<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that kind of thing really sell?<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a good chance it will.<br>**[21:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have suggested it, otherwise.<br>**[21:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're making a product<br>&nbsp;&nbsp;&nbsp;&nbsp;that's on a competitive level.<br>**[21:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm proud of that fact.<br>**[21:28] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[21:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I believe everything you say,<br>**[21:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I understand the passion<br>&nbsp;&nbsp;&nbsp;&nbsp;and resolve that you have.<br>**[21:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[21:39] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... help Tsu-kun find happiness.<br>**[21:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was for the best, right, Tsurayuki?<br>**[22:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To help you reach<br>&nbsp;&nbsp;&nbsp;&nbsp;a future where you're happy.<br>

# E8 - Produce Results

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GWDU8PKZ4/produce-results)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1 Month Until Launch
<br>**[00:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost finished<br>&nbsp;&nbsp;&nbsp;&nbsp;with our game's production.<br>**[00:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to only get more<br>&nbsp;&nbsp;&nbsp;&nbsp;intense toward the end.<br>**[00:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I hope you can all stick<br>&nbsp;&nbsp;&nbsp;&nbsp;with it to the end.<br>**[00:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get through this, it'll be finished.<br>**[00:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's do this! Yeah!<br>**[00:12] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[00:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We need three more BGM tracks...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nanako
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>**[00:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The final third of the script...*<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But a whole fourth of the illustrations...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nanako
<br>**[00:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're going to have to make*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some big cuts to finish in time.*<br>**[00:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But I've already had them*<br>*&nbsp;&nbsp;&nbsp;&nbsp;put up with so much.*<br>**[00:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I keep remembering what happened before.*<br>**[00:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If the alternative*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is going through that again...*<br>**[00:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Things are different now!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Alterations
<br>**[00:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to finish this game!<br>&nbsp;&nbsp;&nbsp;&nbsp;For Tsurayuki's sake!<br>**[02:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to make it just<br>&nbsp;&nbsp;&nbsp;&nbsp;like this? What do you mean?<br>**[02:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize we can't just rip off the melody,<br>**[02:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd like you to try something<br>&nbsp;&nbsp;&nbsp;&nbsp;with a similar feel.<br>**[02:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it...<br>**[02:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, considering I'm behind already,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we don't have a choice.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Regarding the Change in Music
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Alterations to BGM Composition
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Author: Hashiba Kyoya
<br>**[02:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't be able to call this<br>&nbsp;&nbsp;&nbsp;&nbsp;a 100% Nanako original.<br>**[02:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd like you to do it<br>&nbsp;&nbsp;&nbsp;&nbsp;this way. Is that all right?<br>**[02:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That works!<br>**[02:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This might be a fun method to try, anyway.<br>**[02:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[02:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna change the layouts?<br>**[02:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[02:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since this material is for the climax,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to make it a priority.<br>**[02:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot of these look the same.<br>**[03:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that gonna be okay?<br>**[03:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I want there to be a lot of emphasis<br>&nbsp;&nbsp;&nbsp;&nbsp;on the character faces in the finale,<br>**[03:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this works better for that.<br>**[03:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how it is?<br>**[03:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be okay! So I'd like you to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;to match these directions.<br>**[03:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do that for me?<br>**[03:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Sure thing.<br>**[03:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it your way, Kyoya-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see how it turns out.<br>**[03:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's two people convinced.*<br>**[03:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One more to go...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Regarding the Change in Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Alterations to the Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Author: Hashiba Kyoya
<br>**[03:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, you expect me<br>&nbsp;&nbsp;&nbsp;&nbsp;to just write it like it says here?<br>**[03:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that I'm behind.<br>**[03:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, man... this is nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;like the plot I wrote!<br>**[03:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a whole different thing!<br>**[03:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know this won't take as long to write.<br>**[03:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I want to do it<br>&nbsp;&nbsp;&nbsp;&nbsp;this way, so we can make sure—<br>**[03:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we do it that way...<br>**[03:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any point in me<br>&nbsp;&nbsp;&nbsp;&nbsp;being the one who writes it?<br>**[03:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki...<br>**[03:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You come up with the plot.<br>**[03:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;the setup for the finale.<br>**[03:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do I even factor into the equation?<br>**[03:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous.<br>**[04:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The entire feel of the game is<br>&nbsp;&nbsp;&nbsp;&nbsp;because of you writing it, Tsurayuki!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Regarding the Change in Scenario
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Alterations to the Scenario
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Author: Hashiba Kyoya
<br>**[04:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I'm just doing<br>&nbsp;&nbsp;&nbsp;&nbsp;what you tell me to?<br>**[04:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[04:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In commercial games, the director<br>&nbsp;&nbsp;&nbsp;&nbsp;handles the plot a lot of the time.<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a handful of writers are free to do<br>&nbsp;&nbsp;&nbsp;&nbsp;everything by themselves from the start.<br>**[04:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[04:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, right now, we need to finish<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to sell the game at the event!<br>**[04:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That has to be our number one priority!<br>**[04:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize I'm asking you to do<br>&nbsp;&nbsp;&nbsp;&nbsp;something unpleasant.<br>**[04:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this was the best plan<br>&nbsp;&nbsp;&nbsp;&nbsp;I could come up with<br>**[04:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make sure we finish on time.<br>**[04:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[04:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm asking you to trust me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and follow the directions.<br>**[04:47] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. You've got it.<br>**[04:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always been right.<br>**[04:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're doing this<br>&nbsp;&nbsp;&nbsp;&nbsp;for my sake, after all.<br>**[05:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it, Tsurayuki.<br>**[05:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a brighter future...<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll need to compromise, for now.<br>**[05:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right about that.<br>**[05:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The issues with the script<br>&nbsp;&nbsp;&nbsp;&nbsp;have been settled.<br>**[05:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be able to move<br>&nbsp;&nbsp;&nbsp;&nbsp;on to voice recording this week.<br>**[05:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds good! Hard to believe<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys were so far behind.<br>**[05:18] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The illustrations are coming in<br>&nbsp;&nbsp;&nbsp;&nbsp;at a better clip now, too.<br>**[05:21] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You use some kinda magic or something?<br>**[05:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just asked everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;to prioritize progress.<br>**[05:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all understood.<br>**[05:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? Well, whatever works.<br>**[05:30] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we just gotta get scaredy-cat<br>&nbsp;&nbsp;&nbsp;&nbsp;over there to chill out some.<br>**[05:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, no, I am so nervous, oh man...<br>**[05:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the school festival's concert<br>&nbsp;&nbsp;&nbsp;&nbsp;would've been way more nerve-wracking.<br>**[05:41] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, girls like her tend to be pretty tough<br>&nbsp;&nbsp;&nbsp;&nbsp;once they're actually in the fire.<br>**[05:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[05:47] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that's good!<br>**[05:49] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very nice, Nanako-chan!<br>**[05:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That felt fantastic!<br>**[05:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we do another take?<br>**[05:55] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;That works for me!<br>**[05:56] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this one, let's go with<br>&nbsp;&nbsp;&nbsp;&nbsp;a more energetic take.<br>**[05:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[06:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd I tell you?<br>**[06:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fair enough.<br>**[06:04] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did fantastic, Nanako!<br>**[06:06] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The audio director was freaking out,<br>&nbsp;&nbsp;&nbsp;&nbsp;asking me where I found you!<br>**[06:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, you have to be exaggerating.<br>**[06:13] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;how things wrap up, now!<br>**[06:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm glad we decided to do things my way.*<br>**[06:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was the right decision.*<br>**[06:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kawasegawa. It's nice to meet you.<br>**[06:21] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kiryu.<br>**[06:23] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the president of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine Arts Study Group.<br>**[06:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank for letting us use<br>&nbsp;&nbsp;&nbsp;&nbsp;your computer again.<br>**[06:29] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a good idea of how<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the editing software?<br>**[06:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've used Primia before,<br>**[06:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not too familiar with After Affex...<br>**[06:36] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain the differences<br>&nbsp;&nbsp;&nbsp;&nbsp;that matter, then.<br>**[06:46] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Hashy, is this girl some kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;super honor student?<br>**[06:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'd say so.<br>**[06:52] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured!<br>**[06:53] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She picked up what<br>&nbsp;&nbsp;&nbsp;&nbsp;I was putting down really quick.<br>**[06:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it really that impressive?<br>**[06:57] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she sticks to doing this, she'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;one hell of a video editor someday.<br>**[07:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess her involvement in the game*<br>*&nbsp;&nbsp;&nbsp;&nbsp;industry happened pretty naturally.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>**[07:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hate to bug you<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're working and all...<br>**[07:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. What'd you want to talk about?<br>**[07:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came up with something great!<br>**[07:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to get your take<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as possible!<br>**[07:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are the layouts<br>&nbsp;&nbsp;&nbsp;&nbsp;for the last cut, right?<br>**[07:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it! I was thinking we<br>&nbsp;&nbsp;&nbsp;&nbsp;could make a little addition.<br>**[07:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;An addition?<br>**[07:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The script Tsurayuki-kun came up<br>&nbsp;&nbsp;&nbsp;&nbsp;with for this part was real good!<br>**[07:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I wanted to add another cut.<br>**[07:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boy's line here is just great!<br>**[07:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought it'd be a good idea to put<br>&nbsp;&nbsp;&nbsp;&nbsp;his hand into the frame for that part.<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of his habit, right?<br>**[07:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever he's being really<br>&nbsp;&nbsp;&nbsp;&nbsp;serious about something,<br>**[07:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;he always clenches his fist.<br>**[07:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I thought we could emphasize it!<br>**[07:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Additional art, huh?<br>**[07:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a good idea.*<br>**[07:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But the schedule for illustrations*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is already falling apart.*<br>**[08:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Additional art just isn't realistic.*<br>**[08:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As a creator, I'd love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to sign off on this.*<br>**[08:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, considering our situation...*<br>**[08:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we're better off not changing it.<br>**[08:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come?<br>**[08:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it'd be way better,<br>&nbsp;&nbsp;&nbsp;&nbsp;with how the scene goes.<br>**[08:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think it'd be ready in time?<br>**[08:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that.<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to put an emphasis on the expressions<br>&nbsp;&nbsp;&nbsp;&nbsp;you draw for this scene, Shinoaki.<br>**[08:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Expressions?<br>**[08:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other CG are only used<br>&nbsp;&nbsp;&nbsp;&nbsp;for two lines apiece.<br>**[08:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this one has four.<br>**[08:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's set up that way to put an emphasis<br>&nbsp;&nbsp;&nbsp;&nbsp;on how expressive she's being.<br>**[08:39] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess... that's right.<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why, although I think<br>&nbsp;&nbsp;&nbsp;&nbsp;your change is an interesting one,<br>**[08:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd still be better to go<br>&nbsp;&nbsp;&nbsp;&nbsp;with what we already have.<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you say?<br>**[08:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll draw it the way<br>&nbsp;&nbsp;&nbsp;&nbsp;it was already set up.<br>**[08:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. You came up with a good idea.<br>**[08:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. Sorry to bug you<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're already real busy.<br>**[09:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is for the best.*<br>**[09:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is the best choice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for Tsurayuki's sake.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Submission Deadline
<br>**[09:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, this is the actual final stretch!<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we're done we can<br>&nbsp;&nbsp;&nbsp;&nbsp;all sleep, so hang in there!<br>**[09:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Another typo!<br>**[09:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is wrong with my writing?!<br>**[09:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, I know you want to fix it,<br>**[09:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but focus on debugging the game first!<br>**[09:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, sorry.<br>**[09:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's 2:00 AM... we have to take the master*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the printers at 10:00 AM.*<br>**[09:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That gives us eight hours.*<br>**[09:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, everybody.<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect timing!<br>**[09:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you test the game out<br>&nbsp;&nbsp;&nbsp;&nbsp;on my PC on the second floor?<br>**[09:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll want to make the decisions<br>&nbsp;&nbsp;&nbsp;&nbsp;that will put you on her route!<br>**[09:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, then!<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it, Nanako?!<br>**[09:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The space where the expression was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be went all blank and smooth!<br>**[09:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a bug!<br>**[09:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make a save there. I'll tell<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san about it later.<br>**[10:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Got it!<br>**[10:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things on your end, Shinoaki?!<br>**[10:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was playing, but then<br>&nbsp;&nbsp;&nbsp;&nbsp;the screen went all black!<br>**[10:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means the game crashed!<br>**[10:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell Keiko-san about<br>&nbsp;&nbsp;&nbsp;&nbsp;that too, so leave it!<br>**[10:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look at the busy bees.<br>**[10:14] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hell, we've got some<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble in paradise, huh?<br>**[10:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Can you help us with it?<br>**[10:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah! Leave it to me.<br>**[10:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think there was a display problem<br>&nbsp;&nbsp;&nbsp;&nbsp;with the expression for that scene.<br>**[10:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's gonna be rough.<br>**[10:28] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be good to review all of the routes.<br>**[10:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, really?!<br>**[10:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have everybody quit doing what<br>&nbsp;&nbsp;&nbsp;&nbsp;they're doing and focus on that for now.<br>**[10:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, restart the computer<br>**[10:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and run through that route again,<br>&nbsp;&nbsp;&nbsp;&nbsp;while checking the art!<br>**[10:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, sure thing!<br>**[10:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Kawasegawa,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can skip through the dialog<br>**[10:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but make sure to check<br>&nbsp;&nbsp;&nbsp;&nbsp;the art's displaying!<br>**[10:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The game already crashed<br>&nbsp;&nbsp;&nbsp;&nbsp;when I got to a branching decision.<br>**[10:52] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ain't good.<br>**[10:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might need to review<br>&nbsp;&nbsp;&nbsp;&nbsp;a little further back, then.<br>**[10:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[10:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did I make a typo here, too?!<br>**[11:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now half the background's missing!<br>**[11:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, the whole dang<br>&nbsp;&nbsp;&nbsp;&nbsp;computer's crashed this time!<br>**[11:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba, what do you<br>&nbsp;&nbsp;&nbsp;&nbsp;want me to do about this?<br>**[11:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, stay calm!<br>**[11:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Master Rom
<br>**[11:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that should do it...<br>**[11:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much. Here it is.<br>**[11:21] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. I'm outta here, then.<br>**[11:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work... team?<br>**[11:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, our game was complete.*<br>**[11:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... I still had an important job left.*<br>**[11:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To actually sell the game.*<br>**[11:47] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naw, I think it'll sell just fine.<br>**[11:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we haven't really done any PR<br>&nbsp;&nbsp;&nbsp;&nbsp;since the initial announcement.<br>**[11:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this game, as long as the<br>&nbsp;&nbsp;&nbsp;&nbsp;outside looks appealing enough,<br>**[11:56] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the inside could be crap<br>&nbsp;&nbsp;&nbsp;&nbsp;and it'd still sell.<br>**[11:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kinda position you're in.<br>**[12:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[12:03] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll see.<br>**[12:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another five minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;until the shutters go up...<br>**[12:12] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you still worried?<br>**[12:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[12:14] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, however it happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;you kids made something.<br>**[12:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're gonna see the response it gets.<br>**[12:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[12:23] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, here it comes.<br>**[12:25] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, the event is now opening!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dedicated Line
<br>**[12:42] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? What'd I tell you?<br>**[12:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, to the completion<br>&nbsp;&nbsp;&nbsp;&nbsp;and successful distribution of HaruSora.<br>**[12:50] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[12:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over... It's finally done.<br>**[12:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't ever wanna ever<br>&nbsp;&nbsp;&nbsp;&nbsp;look for typos again.<br>**[12:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was drawing and drawing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it never ended.<br>**[12:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kinda thought it never would.<br>**[13:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of you did an absolutely<br>&nbsp;&nbsp;&nbsp;&nbsp;amazing job! Thank you!<br>**[13:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This entire project only came<br>&nbsp;&nbsp;&nbsp;&nbsp;together because of all of you!<br>**[13:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We couldn't have finished<br>&nbsp;&nbsp;&nbsp;&nbsp;if it wasn't for you, Kyoya.<br>**[13:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[13:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We couldn't have managed<br>&nbsp;&nbsp;&nbsp;&nbsp;a dang thing without Kyoya-kun.<br>**[13:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were practically leaving<br>&nbsp;&nbsp;&nbsp;&nbsp;all the decisions to him.<br>**[13:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it worked out, thanks to Kyoya!<br>**[13:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c-come on... Cut it out. It's not true.<br>**[13:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Kyoya? Are those tears I see?<br>**[13:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, of course not!<br>**[13:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worked a bunch,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you're bound to be tired.<br>**[13:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can get some rest now.<br>**[13:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. She's right.<br>**[13:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was filled with an irrepressible joy.*<br>**[13:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to keep making*<br>*&nbsp;&nbsp;&nbsp;&nbsp;things with this team.*<br>**[13:47] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I went ten years into the past,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and chose to become a creator...*<br>**[13:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I'm so glad.*<br>**[13:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be enough, right?<br>**[13:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone was having a lot of fun, huh?<br>**[13:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably feel relieved.<br>**[14:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki and Nanako both looked like a<br>&nbsp;&nbsp;&nbsp;&nbsp;weight had been lifted off their shoulders.<br>**[14:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. There's no need to hang tough anymore.*<br>**[14:07] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We chose our battles, finished our work,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and achieved our goal with it.*<br>**[14:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We'll be able to do even*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more things, from here on.*<br>**[14:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both in class, and in creating... and then...*<br>**[14:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Shinoaki, what do you—<br>**[14:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, Kyoya-kun...<br>**[14:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really how it oughta be?<br>**[14:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How it ought to be? What do you mean?<br>**[14:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just... feels like I should ask.<br>**[14:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It... was a success.<br>**[14:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, we all worked hard<br>&nbsp;&nbsp;&nbsp;&nbsp;to help Tsurayuki, right?<br>**[14:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. In that case, it's fine.<br>**[14:48] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for asking such a weird thing.<br>**[14:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you don't have to worry about it.<br>**[14:53] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know if you're<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling tired, you hear?<br>**[14:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[15:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;will always believe in you, Kyoya-kun.<br>**[15:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[15:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay. Thank you.<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it's time to pass out<br>&nbsp;&nbsp;&nbsp;&nbsp;our share of the profits.<br>**[15:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we... really allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to have all this money?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kogure Nanako
<br>**[15:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shino Aki
<br>**[15:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gonna help a lot around the house.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji Tsurayuki
<br>**[15:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This takes care of your problem, Tsurayuki.<br>**[15:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's finally over now...<br>**[15:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you saying? It's only beginning.<br>**[15:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kyoya...<br>**[15:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna take a walk?<br>**[15:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I had writer's block,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd walk around here.<br>**[15:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's this little park.<br>**[15:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sit there and brainstorm.<br>**[15:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we gonna go there now?<br>**[15:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, this should do.<br>**[15:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I went somewhere<br>&nbsp;&nbsp;&nbsp;&nbsp;with a lot of memories...<br>**[16:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if I'd be able to say it.<br>**[16:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dropping out of school.<br>**[16:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry, considering how<br>&nbsp;&nbsp;&nbsp;&nbsp;you busted your ass for me.<br>**[16:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The three of you can split<br>&nbsp;&nbsp;&nbsp;&nbsp;my share. I don't need it.<br>**[16:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about, Tsurayuki?!<br>**[16:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you wanted to study!<br>**[16:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This money was supposed to make that happen!<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because... because it was<br>&nbsp;&nbsp;&nbsp;&nbsp;too much to take care of on your own...<br>**[16:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why... why I...<br>**[16:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hit me, Kyoya. You've earned it.<br>**[16:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... can't do this anymore.<br>**[16:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki...<br>**[16:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always believed<br>&nbsp;&nbsp;&nbsp;&nbsp;that I was talented, y'know?<br>**[16:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it came<br>&nbsp;&nbsp;&nbsp;&nbsp;to script writing or novels...<br>**[16:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I could be as good as anyone.<br>**[16:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because I like writing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and am confident about it,<br>**[17:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew that making<br>&nbsp;&nbsp;&nbsp;&nbsp;a living off it would be hard.<br>**[17:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This last year has really<br>&nbsp;&nbsp;&nbsp;&nbsp;driven that point home.<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the same as for anyone else, though!<br>**[17:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you wanted to study!<br>&nbsp;&nbsp;&nbsp;&nbsp; To work hard at it!<br>**[17:15] Tsurayuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that was the case, too.<br>**[17:17] Tsurayuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That everyone started out<br>&nbsp;&nbsp;&nbsp;&nbsp;not knowing what they're doing.<br>**[17:22] Tsurayuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until I met you, Kyoya.<br>**[17:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before... me?<br>**[17:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, you were smiling all the time,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I just thought you were a nice guy.<br>**[17:33] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then that smile hid a kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of strength I had no idea about.<br>**[17:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I screwed up,<br>&nbsp;&nbsp;&nbsp;&nbsp;or didn't rise to the challenge,<br>**[17:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were there to make<br>&nbsp;&nbsp;&nbsp;&nbsp;the rational, accurate call.<br>**[17:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were guiding us like<br>&nbsp;&nbsp;&nbsp;&nbsp;it came naturally to you.<br>**[17:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're like a hurdle that I can't get past.<br>**[17:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There's no way I can catch up<br>&nbsp;&nbsp;&nbsp;&nbsp;to the way this guy thinks."<br>**[17:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wondered how many times I'd have<br>&nbsp;&nbsp;&nbsp;&nbsp;to redo life to get on your level.<br>**[17:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you weren't a writer.<br>**[18:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I could work with you.<br>**[18:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work part-time, earn my tuition,<br>&nbsp;&nbsp;&nbsp;&nbsp; and stick to you.<br>**[18:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I collapsed, like a dumbass,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you saved me again.<br>**[18:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ran around, setting everything up...<br>**[18:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You basically handled everything.<br>**[18:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wasn't able to do a thing about it.<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[18:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you said it was all on us.<br>&nbsp;&nbsp;&nbsp;&nbsp;That we deserved the praise.<br>**[18:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't believe how defeated<br>&nbsp;&nbsp;&nbsp;&nbsp;and lost that made me feel.<br>**[18:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[18:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized how I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;accomplish anything without you.<br>**[18:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can't stay here."<br>**[18:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;that it became clear to me.<br>**[18:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong!<br>**[18:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I had faith in your writing, Tsurayuki.<br>**[18:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I was trying to figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;a way to put a spotlight on it!<br>**[19:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have done any of this<br>&nbsp;&nbsp;&nbsp;&nbsp;without you, either!<br>**[19:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be so sure about that.<br>&nbsp;&nbsp;&nbsp;&nbsp; I bet you could've pulled it off.<br>**[19:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We're going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it."<br>**[19:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've made miracles happen<br>&nbsp;&nbsp;&nbsp;&nbsp;after saying that before.<br>**[19:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not...<br>**[19:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't... I just...<br>**[19:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a pen name in mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;for after I became a writer.<br>**[19:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The family name was going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;from my hometown.<br>**[19:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might not have the best relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;with it now, but I did grow up there.<br>**[19:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for the given name, Kyoya...<br>**[19:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of taking the way your name<br>&nbsp;&nbsp;&nbsp;&nbsp;is pronounced for part of it.<br>**[19:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyoichi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Theme Song
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA
<br>**[19:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;As in, "Kyoya is number one."<br>**[19:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty good, right?<br>**[19:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... Take care of yourself, Kyoya.<br>**[20:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? What did I do wrong?<br>**[20:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun, what's wrong?<br>**[20:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san...<br>**[20:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san, um... Tsurayuki...<br>**[20:42] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder why.<br>**[20:45] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did things turn out like this?<br>**[20:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[20:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... I wanted...<br>**[20:54] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to accomplish something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ten years in the future.*<br>**[20:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which is why I thought this time leap*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was my chance for that.*<br>**[21:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd go to art school, study,*<br>**[21:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and create with the Platinum Generation...*<br>**[21:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to help them in their time of need.*<br>**[21:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... Huh...*<br>**[21:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their time of need?*<br>**[21:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the future, they had already...*<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They were already stars without me.*<br>**[21:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But after the time leap...*<br>**[21:23] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I interfered with their lives,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because I assumed...*<br>**[21:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I did that...*<br>**[21:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki's... Kawagoe Kyoichi's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;future changed?*<br>**[21:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh... What do I do?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do now?!<br>**[21:41] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really how it oughta be?<br>**[21:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... Keiko-san... I...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Y'know, I wonder what would <br>
&nbsp;&nbsp;&nbsp;&nbsp;happen in the future at this rate"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Y'know, I wonder what would  happen in the future at this rate?
<br>**[22:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What was I doing?<br>**[22:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't remember.<br>**[22:17] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy!<br>**[22:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[22:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sleep too much!<br>**[22:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, who are you?<br>**[22:24] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[22:25] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you want me to introduce myself?<br>**[22:29] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotta practice, right?<br>**[22:32] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Hashiba Maki!<br>**[22:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba... Maki?<br>**[22:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who? Do I have a relative named that?<br>**[22:42] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Daddy?<br>**[22:44] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been making<br>&nbsp;&nbsp;&nbsp;&nbsp;a weird face this whole time.<br>**[22:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, "Daddy"?!<br>**[22:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're... my kid?<br>**[22:52] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mommy! Daddy's acting weird!<br>**[22:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, wait—<br>**[22:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[22:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know... th-the time...<br>**[23:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check my phone. Come on...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 13th (Sun)
<br>**[23:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's... It can't be!<br>**[23:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean about<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy being weird, Maki-chan?<br>**[23:11] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He keeps acting like he<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't know who I am!<br>**[23:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's playing a prank on you!<br>**[23:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't he a naughty daddy?<br>**[23:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Daddy.<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly slept a lot.<br>**[23:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already afternoon.<br>**[23:29] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad...<br>**[23:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun? What's wrong?<br>

# E9 - Showing Off

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U2DEP7/showing-off)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:13] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mom, guess what.<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned a new song the other day!<br>**[00:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you sing it<br>&nbsp;&nbsp;&nbsp;&nbsp;for me after breakfast?<br>**[00:20] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[00:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess this isn't a dream after all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sunday, May 13th 2018 (Heisei 30)
<br>**[00:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I woke up this morning,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I found myself in the year 2018.*<br>**[00:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I'm not sure how,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I'm married to Shinoaki,*<br>**[00:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and we have a daughter named Maki.*<br>**[00:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Naturally, I have no memory*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of anything in between.*<br>**[00:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was weird enough that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I leaped ten years back*<br>**[00:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when I was originally from 2016...*<br>**[00:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But why am I in 2018 now?*<br>**[00:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Plus, this situation...*<br>**[00:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey!<br>**[00:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, wh-what is it?<br>**[00:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[01:00] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been chewing on that toast<br>&nbsp;&nbsp;&nbsp;&nbsp;since breakfast started.<br>**[01:03] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, no fair!<br>**[01:05] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always say I have to eat everything,<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of just my favorites!<br>**[01:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right!<br>**[01:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important to have a balanced diet, huh?<br>**[01:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So now I'm a dad all of a sudden, huh?*<br>**[01:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It doesn't feel real at all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sunday, May 13th 2018 (Heisei 30)
<br>**[01:21] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But for now, I need to confirm*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what's going on around me.*<br>**[01:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It looks like we currently*<br>*&nbsp;&nbsp;&nbsp;&nbsp;live in Noborito, not Osaka.*<br>**[01:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's a town between the prefectures*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of Kanagawa and Tokyo.*<br>**[01:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And after graduating from Oonaka Arts,*<br>**[01:37] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been working at a game*<br>*&nbsp;&nbsp;&nbsp;&nbsp;company called Attraction Point.*<br>**[01:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hope there's someone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can talk to in here.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;April 14th, 2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa Eiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Call
<br>**[01:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Last contact was a month ago.*<br>**[01:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No idea what our relationship is, but...*<br>**[01:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello?*<br>**[01:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kawasegawa?<br>**[01:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if it's been a while...<br>**[01:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perfect timing.*<br>**[02:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Remember what I told you about last month?*<br>**[02:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's gone as poorly as I thought.*<br>**[02:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh, actually, Kawasegawa—<br>**[02:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can you come in a little early tomorrow?*<br>**[02:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*About 30 minutes before you're scheduled?*<br>**[02:10] Eiko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll have one of my people*<br>*&nbsp;&nbsp;&nbsp;&nbsp;come get you. See you then.*<br>**[02:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Kawasegawa?<br>**[02:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm the one who wanted to <br>
&nbsp;&nbsp;&nbsp;&nbsp;ask *her* for help.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Department<br>
&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group Section 3<br>
&nbsp;&nbsp;&nbsp;&nbsp;Development Manager
<br>**[02:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess I'm working at the same company*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as Kawasegawa in this world, too.*<br>**[02:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's at least something to go on.*<br>**[02:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like one step forward.*<br>**[04:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 14th (Monday) 2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 14th (Monday) 2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 14th (Monday) 2018
<br>**[04:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was kinda hoping I'd open my eyes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and be back in 2007.*<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But no such luck.*<br>**[04:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Being married all of a sudden...*<br>**[04:40] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's nothing!<br>**[04:43] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Mommy!<br>**[04:45] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[04:46] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Daddy!<br>**[04:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Good morning, Maki.<br>**[04:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your lunch!<br>**[04:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Thanks.<br>**[04:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[04:57] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good day!<br>**[05:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! I'm off.<br>**[05:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That said...*<br>**[05:05] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The fact that I have no memory of this life*<br>*&nbsp;&nbsp;&nbsp;&nbsp;means it'll be easy to screw something up.*<br>**[05:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will I be able to pull this off?*<br>**[05:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Were crowded trains always this packed?*<br>**[05:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Attraction Point was a famous game company*<br>**[05:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the 2016 I originally came from, too.*<br>**[05:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They weren't considered*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the top of the industry,*<br>**[05:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but they managed to turn out hits at a regular*<br>*&nbsp;&nbsp;&nbsp;&nbsp;enough pace... a solid, mid-tier developer.*<br>**[05:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it.*<br>**[05:44] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What exactly does "Development Manager*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of Entertainment Group Section 3" even do?*<br>**[05:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morn—<br>**[05:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe I shouldn't have taken Sunday off?*<br>**[06:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, my desk is...<br>**[06:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there it is.<br>**[06:10] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[06:12] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! The producer wants to—<br>**[06:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[06:18] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Department<br>
&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group Section 3
<br>**[06:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Morishita Miki...*<br>**[06:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She must be who Kawasegawa mentioned.*<br>**[06:27] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you come with me to Tahiti right now?<br>**[06:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, Tahiti?!*<br>**[06:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, that's what she meant.*<br>**[06:36] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here he is!<br>**[06:38] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Come on in.<br>**[06:41] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon us.<br>**[06:45] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to drag you in so early.<br>**[06:48] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? You're staring a little.<br>**[06:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, it's nothing.<br>**[06:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did you need?<br>**[06:58] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry...<br>**[07:00] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is really something our team<br>&nbsp;&nbsp;&nbsp;&nbsp;should be dealing with.<br>**[07:03] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But here you are, taking care of it.<br>**[07:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry about it.<br>**[07:06] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[07:08] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;The producer was right about you!<br>**[07:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Kawasegawa mention me before?<br>**[07:13] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! "If we let Hashiba-san<br>&nbsp;&nbsp;&nbsp;&nbsp;handle it, it'll be fine."<br>**[07:17] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since he was a student,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's had secret tricks"<br>**[07:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;"that'll help turn around even<br>&nbsp;&nbsp;&nbsp;&nbsp;the most dire situations!"<br>**[07:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;As glad as I am to have her faith,<br>&nbsp;&nbsp;&nbsp;&nbsp;it feels kinda exaggerated.<br>**[07:29] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes?*<br>**[07:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hashiba, from Attraction Point.<br>**[07:32] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I was waiting for you!*<br>**[07:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll buzz you in.*<br>**[07:36] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[07:39] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are amazing, Hashiba-san.<br>**[07:42] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I tried to get ahold of her,<br>&nbsp;&nbsp;&nbsp;&nbsp;she pretended she wasn't home.<br>**[07:46] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;tricks I heard about!<br>**[07:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing fancy like that.<br>**[07:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, I used social media<br>&nbsp;&nbsp;&nbsp;&nbsp;to confirm that she was home.<br>**[07:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, 30 minutes before we<br>&nbsp;&nbsp;&nbsp;&nbsp;got here, I sent this message.<br>**[07:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm in your neighborhood right now, Sensei."<br>**[08:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is it all right if I come by?"<br>**[08:03] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it! It'd be hard to say no<br>&nbsp;&nbsp;&nbsp;&nbsp;to something like that.<br>**[08:06] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why 30 minutes beforehand?<br>**[08:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if she wants to do her makeup,<br>&nbsp;&nbsp;&nbsp;&nbsp;or clean up the room...<br>**[08:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gives the other party time to prepare.<br>**[08:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for getting mentally prepared, too.<br>**[08:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a much better chance<br>&nbsp;&nbsp;&nbsp;&nbsp;of meeting with someone<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you give them a little buffer.<br>**[08:23] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see!<br>**[08:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just glad that was all I had to do.<br>**[08:28] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's nothing illegal.<br>**[08:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are more devious tactics.<br>**[08:45] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[08:47] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the delay—<br>**[08:48] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[08:50] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to see you again, Sensei.<br>**[08:54] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look...<br>**[08:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... I didn't mean to cause any problems.<br>**[09:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But y'know, there are times when<br>&nbsp;&nbsp;&nbsp;&nbsp;it's hard to get anything done, right?<br>**[09:03] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can try to draw something<br>**[09:05] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turns out, like,<br>&nbsp;&nbsp;&nbsp;&nbsp;"What the heck is this?"<br>**[09:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Minori Ayaka.*<br>**[09:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her real name is Saikawa Minori.*<br>**[09:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's a particularly popular illustrator*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who's got over 200,000 followers.*<br>**[09:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's handling the main*<br>*&nbsp;&nbsp;&nbsp;&nbsp;character designs on a project*<br>**[09:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that Attraction Point has*<br>*&nbsp;&nbsp;&nbsp;&nbsp;staked its entire future on.*<br>**[09:23] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And with one of the most popular*<br>*&nbsp;&nbsp;&nbsp;&nbsp;illustrators in the zeitgeist working on it,*<br>**[09:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the game's profile is nice and high.*<br>**[09:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is a start, but...*<br>**[09:31] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand! Believe me, I understand.<br>**[09:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously, just honestly<br>&nbsp;&nbsp;&nbsp;&nbsp;can't get anything done!<br>**[09:37] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[09:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It seems that Minori Ayaka*<br>*&nbsp;&nbsp;&nbsp;&nbsp;isn't the quickest worker.*<br>**[09:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei...<br>**[09:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The designs were scheduled<br>&nbsp;&nbsp;&nbsp;&nbsp;to be finished by February.<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've never needed this much<br>&nbsp;&nbsp;&nbsp;&nbsp;extra time before, correct?<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to be at a standstill<br>&nbsp;&nbsp;&nbsp;&nbsp;at a time like this...<br>**[09:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing there's<br>&nbsp;&nbsp;&nbsp;&nbsp;some sort of reason why.<br>**[09:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that goes beyond<br>&nbsp;&nbsp;&nbsp;&nbsp;just not being motivated.<br>**[10:04] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really is no fooling you,<br>&nbsp;&nbsp;&nbsp;&nbsp;huh, Hashiba-san?<br>**[10:11] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to draw anymore.<br>**[10:15] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean...<br>**[10:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done everything I wanted to.<br>**[10:20] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm thinking... maybe that's enough.<br>**[10:23] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But... you have so many fans, Sensei!<br>**[10:27] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, of course I'm grateful to my fans.<br>**[10:31] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't have anything to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with the desire to draw.<br>**[10:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;to get excited about.<br>**[10:38] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or like I'm not sure what<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working toward anymore.<br>**[10:41] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[10:42] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[10:45] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san?<br>**[10:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That art...<br>**[10:50] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! That's still a work-in-progress!<br>**[10:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is incredible.<br>**[11:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a wonderful piece of art.<br>**[11:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems different<br>&nbsp;&nbsp;&nbsp;&nbsp;from your usual style, too.<br>**[11:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it feels natural, like you've<br>&nbsp;&nbsp;&nbsp;&nbsp;been drawing this way for years.<br>**[11:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the style you're using<br>&nbsp;&nbsp;&nbsp;&nbsp;is a perfect match for the subject.<br>**[11:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's honestly overwhelming!<br>**[11:16] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is *so* great to hear!<br>**[11:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really, really like it, Hashiba-san?!<br>**[11:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. A great deal.<br>**[11:23] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[11:25] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, this piece...<br>**[11:26] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I drew it using a style closer<br>&nbsp;&nbsp;&nbsp;&nbsp;to what I started out with!<br>**[11:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was trying to get back to my roots!<br>**[11:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back to your roots?<br>**[11:33] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! There's an artist I used to idolize,<br>**[11:36] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is their style.<br>**[11:39] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously, seriously love their stuff!<br>**[11:44] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm feeling kinda motivated now!<br>**[11:47] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[11:49] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I can't promise<br>&nbsp;&nbsp;&nbsp;&nbsp;anything right away...<br>**[11:51] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm feeling more optimistic<br>&nbsp;&nbsp;&nbsp;&nbsp;about getting things done, maybe?<br>**[11:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, let's hear about<br>&nbsp;&nbsp;&nbsp;&nbsp;the schedule you mentioned.<br>**[12:00] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[12:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wasn't sure how this would go,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it seems to have worked out.*<br>**[12:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's different from the future I wanted.*<br>**[12:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it looks like there's something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for me to do in this world, too.*<br>**[12:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm able to work with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;talented creators like her.*<br>**[12:17] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess my dream came true,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;one way or another.*<br>**[12:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[12:23] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Maki, eat your vegetables.<br>**[12:28] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is probably most*<br>*&nbsp;&nbsp;&nbsp;&nbsp;people's idea of happiness.*<br>**[12:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A cute wife, our daughter,*<br>**[12:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and a job that's going well...*<br>**[12:37] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey?<br>**[12:39] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem happy.<br>**[12:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something good happen at work?<br>**[12:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[12:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually got to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;Minori Ayaka-san today.<br>**[12:50] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minori... Ayaka-san?<br>**[12:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a famous illustrator.<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you not heard of her?<br>**[12:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... sorry.<br>**[13:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Summer Comiket<br>&nbsp;&nbsp;&nbsp;&nbsp;is taking submissions soon.<br>**[13:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you apply?<br>**[13:08] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey...<br>**[13:10] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, what are you talking about?<br>**[13:13] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't drawn in years.<br>**[13:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why?!<br>**[13:23] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy?<br>**[13:30] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to draw anymore.<br>**[13:36] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to draw anymore.<br>**[13:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey? Honey!<br>**[13:44] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[13:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... yeah.<br>**[13:49] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, that's bad manners!<br>**[13:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Maki.<br>**[13:53] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad's just kind of surprised.<br>**[13:56] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprised? About what?<br>**[13:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinoaki...*<br>**[14:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Akishima Shino has stopped making art?*<br>**[14:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's... That can't be.*<br>**[14:16] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun, this isn't gonna cut it!<br>**[14:19] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to convince her to actually<br>&nbsp;&nbsp;&nbsp;&nbsp;get back to work like usual!<br>**[14:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But president, thanks to<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, the schedule—<br>**[14:25] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need more than just a schedule!<br>**[14:27] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't even get started<br>**[14:30] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;if she doesn't get some<br>&nbsp;&nbsp;&nbsp;&nbsp;of these designs done!<br>**[14:32] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you to do this because you<br>&nbsp;&nbsp;&nbsp;&nbsp;usually manage to get things taken care of.<br>**[14:36] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try and take care of Minori Ayaka<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as possible, all right?<br>**[14:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[14:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was our team's problem,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're taking the blame for it.<br>**[14:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. It's not a big deal.<br>**[14:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, do you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;grab lunch with me?<br>**[14:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sucks.<br>**[14:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've given the president<br>&nbsp;&nbsp;&nbsp;&nbsp;a piece of my mind in the old days.<br>**[15:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been totally defanged.<br>**[15:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that.<br>**[15:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you've got a position like producer,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't act as hastily.<br>**[15:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't changed, Kawasegawa.<br>**[15:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even your lunch...<br>**[15:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's got a good nutritional balance,<br>&nbsp;&nbsp;&nbsp;&nbsp;and is nice and varied.<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're busy, but you still mind the details.<br>**[15:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I just threw something together.<br>**[15:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But look at you. Every day<br>&nbsp;&nbsp;&nbsp;&nbsp;you eat a specially-made lunch.<br>**[15:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, the idea of Shinoaki<br>&nbsp;&nbsp;&nbsp;&nbsp;getting up every morning to make lunch...<br>**[15:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have imagined that<br>&nbsp;&nbsp;&nbsp;&nbsp;back when we were students.<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right about that.<br>**[15:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was always so awkward, and had<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble with laundry and cleaning,<br>**[15:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention cooking.<br>**[15:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the eleven years I wasn't privy to,*<br>**[15:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinoaki gave up on becoming Akishima Shino,*<br>**[15:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and became my wife instead.*<br>**[15:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then there's Kawasegawa...*<br>**[15:59] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the head of SucceedSoft's<br>&nbsp;&nbsp;&nbsp;&nbsp;second development group, Kawasegawa.<br>**[16:03] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to have you.<br>**[16:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She used to work at*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the industry leader, Succeed.*<br>**[16:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in a higher position*<br>*&nbsp;&nbsp;&nbsp;&nbsp;than she has now, too.*<br>**[16:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, understood. I'll be back soon.<br>**[16:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;that needs a response ASAP.<br>**[16:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to cut out early.<br>**[16:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[16:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;These changes have to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be the result of my enrollment*<br>**[16:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*into Oonaka University for the Arts in 2006.*<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no other explanation.*<br>**[16:33] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If this entire world is an extension*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of what happened back then...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Followers:
<br>**[16:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you kidding me?!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Important Announcement
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An important announcement (Streaming...)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Uploaded 13:05 05/14/2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What is it? What's going on?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;361 Views
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Comments:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Background music for work collection
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Uploaded 20:00 04/18/2018
<br>**[16:50] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm afraid I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some bad news today.*<br>**[16:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is going to be my last stream.*<br>**[17:00] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to everyone who's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;listened to me for all this time.*<br>**[17:03] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It just feels like I'm not sure what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm singing for anymore, you know?*<br>**[17:08] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That being the case,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hope you enjoy my final song!*<br>**[17:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This can't... be happening.*<br>**[17:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even Nanako?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kyoichi
<br>**[17:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing!<br>**[17:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then maybe...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;From the Desk of Tsurayuki Rokuonji
<br>**[17:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He hasn't written any novels?!*<br>**[17:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsurayuki...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spring Brings a New Wind<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Theme: Chat
<br>**[17:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was me.*<br>**[17:52] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dropping out of school.<br>**[17:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because of me...*<br>**[17:57] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized how I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;accomplish anything without you.<br>**[18:03] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can't stay here."<br>**[18:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because of me... they're all...*<br>**[18:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to remake my life.*<br>**[18:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Into the ideal future I had dreamed of...*<br>**[18:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought I would do everything*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I could to make that happen.*<br>**[18:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With special friends,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who had special talents...*<br>**[18:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to get close*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the brilliance of the people*<br>**[18:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;who would be called*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation...*<br>**[18:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But... what I ended up doing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is stealing their dreams,*<br>**[18:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;creating a world where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm the only one who's happy.*<br>**[18:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I'm so sorry.<br>**[19:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home.<br>**[19:06] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?! You're a total mess!<br>**[19:09] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, you stink like booze!<br>**[19:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[19:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Shinoaki.<br>**[19:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[19:19] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something real bad must've happened, huh?<br>**[19:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[19:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean it, I'm sorry!<br>**[19:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my fault!<br>**[19:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of me, you...<br>**[19:30] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[19:31] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, Daddy's crying!<br>**[19:34] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a kid.<br>**[19:46] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kinda figured you'd gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;over it by now...<br>**[19:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me not drawing anymore.<br>**[19:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[19:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never did tell you why, huh?<br>**[20:03] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must've been troubling you all this time.<br>**[20:08] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;HaruSora sold well...<br>**[20:10] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even without Tsurayuki-kun,<br>&nbsp;&nbsp;&nbsp;&nbsp;we kept on making games.<br>**[20:15] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how it went?<br>**[20:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I do...<br>**[20:22] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at some point, I wasn't even sure<br>&nbsp;&nbsp;&nbsp;&nbsp;if what I was doing was art anymore.<br>**[20:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I was in a rush*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to finish the game,*<br>**[20:33] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I ended up snuffing out Shinoaki's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;individuality as a creator*<br>**[20:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to suit my own priorities.*<br>**[20:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that turned into a pattern afterward...*<br>**[20:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have done something<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no coming back from.<br>**[20:48] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It started being less and less fun to draw.<br>**[20:53] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you were just trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to do what you could.<br>**[20:58] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worked harder than anyone!<br>**[21:00] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it ain't your fault, you hear?<br>**[21:04] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more that...<br>**[21:06] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would feel bad about what I was making,<br>&nbsp;&nbsp;&nbsp;&nbsp;when no one was around.<br>**[21:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[21:13] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd make art, and you<br>&nbsp;&nbsp;&nbsp;&nbsp;would always praise it.<br>**[21:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I put it out into the world,<br>&nbsp;&nbsp;&nbsp;&nbsp;even more folks would say it was good.<br>**[21:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even when I wasn't satisfied with it...<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't know what I was doing.<br>**[21:26] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It started to really scare me.<br>**[21:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She must've been feeling a kind of solitude*<br>**[21:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that only she could understand back then.*<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I wasn't able to realize it.*<br>**[21:50] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay now.<br>**[21:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry.*<br>**[21:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinoaki... I'm so sorry.*<br>

# E10 - Learn Lessons

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G0DUN90E3/learn-lessons)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, this soup is delicious!<br>**[00:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad.<br>**[00:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't a mix or anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually made it from scratch!<br>**[00:13] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy's good at cooking, right?<br>**[00:15] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[00:17] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because of me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki lost her desire to draw,*<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and put down her pen.*<br>**[00:22] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She lost the future where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she becomes Akishima Shino.*<br>**[00:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yet...*<br>**[00:26] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay now.<br>**[00:28] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Shinoaki.<br>**[00:31] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[00:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To make sure her sacrifice wasn't in vain...*<br>**[00:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have to live as best I can in this world*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that's so different from the one I know.*<br>**[00:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll do what I can, at least for now.*<br>**[00:45] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And carefully, so that I don't*<br>*&nbsp;&nbsp;&nbsp;&nbsp;repeat the same mistake.*<br>**[02:21] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, can you check this?<br>**[02:26] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[02:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The body should be good to go.<br>**[02:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think the cloth here might overlap with<br>&nbsp;&nbsp;&nbsp;&nbsp; the other characters when they're lined up,<br>**[02:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so make it a little smaller.<br>**[02:35] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[02:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And about the empty space for a symbol,<br>**[02:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had the design for that made separately,<br>&nbsp;&nbsp;&nbsp;&nbsp;so just stick that in there.<br>**[02:41] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you did?<br>**[02:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It'll reduce the workload on<br>&nbsp;&nbsp;&nbsp;&nbsp;the illustrators, and be easier to reuse.<br>**[02:47] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've known! That will be a big help.<br>**[02:49] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, three of the backgrounds<br>&nbsp;&nbsp;&nbsp;&nbsp;that were in the pipeline are ready.<br>**[02:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. I'll check them right now.<br>**[02:55] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;The files are pretty big,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I put them in the shared folder.<br>**[02:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Downloading 1 file...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10 minutes remaining
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pause
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
<br>**[03:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh, guess I'll respond to this email first.*<br>**[03:03] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's been a month since*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was sent into 2018,*<br>**[03:07] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I'm finally starting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to get used to my job.*<br>**[03:09] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From the information*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I grasped in the meantime,*<br>**[03:12] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group 3*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is working on social games.*<br>**[03:17] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're split up into four teams,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;labeled A through D,*<br>**[03:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and each of us are working*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on different projects in parallel.*<br>**[03:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa is charge of the A Team,*<br>**[03:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which is the team everyone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thinks of regarding this group.*<br>**[03:27] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's the Chief of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group 3, too,*<br>**[03:31] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?!<br>**[03:31] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*which means she's got one rough job.*<br>**[03:32] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! I'm sorry!<br>**[03:34] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As for me, I'm the leader of the B Team.*<br>**[03:37] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;B Team is known for its consistency*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in making headway,*<br>**[03:40] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;along with stable contributions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in terms of revenue,*<br>**[03:41] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so we seem to get put onto projects*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that need a steady hand.*<br>**[03:45] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was hard to figure out how to do*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a job I have no memories of,*<br>**[03:47] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but once I got used to it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it wasn't that hard.*<br>**[03:51] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not easy, but it's stable work.*<br>**[03:55] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is for the best, right?<br>**[03:59] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Daddy, let's play! Come on!<br>**[04:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay if I rest today?<br>**[04:06] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's boring!<br>**[04:08] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Daddy! Daddy, let's go!<br>**[04:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki, don't bother him after he said no.<br>**[04:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Sunday, so let him enjoy his rest.<br>**[04:17] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't wanna!<br>**[04:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki, stop it!<br>**[04:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to apologize to Mr. Bear?<br>**[04:26] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[04:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, listen, Maki...<br>**[04:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it's a stuffed animal<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything else,<br>**[04:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;all things people make<br>&nbsp;&nbsp;&nbsp;&nbsp;have spirits in them.<br>**[04:36] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spirits?<br>**[04:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[04:38] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And those spirits care a whole bunch<br>&nbsp;&nbsp;&nbsp;&nbsp;about all those creations.<br>**[04:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if you throw one of them around,<br>&nbsp;&nbsp;&nbsp;&nbsp; what will they think?<br>**[04:47] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll be sad.<br>**[04:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[04:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So be sure to be nice to Mr. Bear, Maki.<br>**[04:54] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[04:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All creations have a spirit in them, huh?*<br>**[05:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's times like this that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the woman I'm looking at*<br>**[05:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is the same Shinoaki I knew.*<br>**[05:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got a warm home life here.*<br>**[05:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why don't we go for a walk?<br>**[05:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But the brilliant light*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I used to look up to...*<br>**[05:16] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[05:17] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I take Mr. Bear, too?<br>**[05:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's no trace of the glamour*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the Platinum Generation anymore.*<br>**[05:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[05:26] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh, our company<br>**[05:29] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;in keeping with our aim<br>&nbsp;&nbsp;&nbsp;&nbsp;to go public next quarter,<br>**[05:32] Boss**<br>*&nbsp;&nbsp;&nbsp;&nbsp;must absolutely ensure we hit*<br>*&nbsp;&nbsp;&nbsp;&nbsp;our sales goal for this quarter.*<br>**[05:37] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In light of that,* Mystic Clockwork*,*<br>**[05:40] Boss**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the title that our company*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is betting its future on...*<br>**[05:43] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*will require everyone's support*<br>**[05:45] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as we work towards its completion.*<br>**[05:47] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That is all.*<br>**[05:49] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel terrible for them.<br>**[05:50] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team A's been working overnight again.<br>**[05:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really that bad?<br>**[05:55] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's the problem<br>&nbsp;&nbsp;&nbsp;&nbsp;with Minori Ayaka...<br>**[05:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[05:58] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are apparently other illustrators<br>&nbsp;&nbsp;&nbsp;&nbsp;they haven't been able to contact.<br>**[06:02] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like a disaster.<br>**[06:04] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've had to cut characters<br>&nbsp;&nbsp;&nbsp;&nbsp;that were previously in the planning,<br>**[06:06] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;which results in changes to the script.<br>**[06:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Minori-sensei still<br>&nbsp;&nbsp;&nbsp;&nbsp;having trouble drawing?<br>**[06:19] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[06:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got an email from her<br>**[06:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying that she doubts she'll<br>&nbsp;&nbsp;&nbsp;&nbsp;manage to meet the deadline,<br>**[06:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how much she works.<br>**[06:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we had a good conversation<br>&nbsp;&nbsp;&nbsp;&nbsp;with her the other day.<br>**[06:30] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that she's slacking or anything!<br>**[06:32] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she didn't offer any other explanation.<br>**[06:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and when an artist runs into a block,<br>**[06:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're usually<br>&nbsp;&nbsp;&nbsp;&nbsp;the ones it bothers the most.<br>**[06:39] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I'm a little worried<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's letting it overwhelm her.<br>**[06:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange.<br>**[06:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still no answer.<br>**[06:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I arranged<br>&nbsp;&nbsp;&nbsp;&nbsp;an appointment beforehand.<br>**[06:52] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we wait a bit?<br>**[06:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try and ask her about it.<br>**[07:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse—<br>**[07:01] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Okay, I'll open it up!*<br>**[07:05] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was amazing, Hashiba-san!<br>**[07:07] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;She opened it as soon as she responded!<br>**[07:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but... wasn't that a little too fast?<br>**[07:11] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not!<br>**[07:13] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems to be feeling well,<br>&nbsp;&nbsp;&nbsp;&nbsp;so come on, let's go!<br>**[07:21] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, thanks for bringing—<br>**[07:33] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[07:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I opened the door because I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;it was the deliveryman.<br>**[07:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was odd,<br>&nbsp;&nbsp;&nbsp;&nbsp;considering you let us in<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;before we told you who we were.<br>**[07:44] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't dress like this outside at all.<br>**[07:47] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just something I mess<br>&nbsp;&nbsp;&nbsp;&nbsp;around with at home.<br>**[07:49] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every once and a while, that's all.<br>**[07:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sure, but... it really suits you well.<br>**[07:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thank you.<br>**[07:58] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is kind of embarrassing!<br>**[08:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you know what they say<br>&nbsp;&nbsp;&nbsp;&nbsp;about a change of pace.<br>**[08:03] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just... really restless.<br>**[08:07] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is about<br>&nbsp;&nbsp;&nbsp;&nbsp;the character designs, right?<br>**[08:10] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[08:12] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry! It's exactly like<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote in the email.<br>**[08:15] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trying to get things done, but...<br>**[08:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... haven't been able to so far.<br>**[08:23] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trying all kinds of things<br>&nbsp;&nbsp;&nbsp;&nbsp;to motivate myself since we last talked,<br>**[08:27] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's like none of it works...<br>&nbsp;&nbsp;&nbsp;&nbsp;even dressing like this.<br>**[08:31] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... can't find the right thing.<br>**[08:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, you can't find the thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that you want to draw?<br>**[08:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the illustration<br>&nbsp;&nbsp;&nbsp;&nbsp;from the other day?<br>**[08:44] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[08:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you started creating art seriously,<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;you said that you were drawing with<br>&nbsp;&nbsp;&nbsp;&nbsp;a style similar to an artist you idolized.<br>**[08:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any chance that getting a look<br>&nbsp;&nbsp;&nbsp;&nbsp;at their work might help you?<br>**[09:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Right now, I just... can't.<br>**[09:06] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm seriously so sorry.<br>**[09:08] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... that's not the problem.<br>**[09:13] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;that's enough for today.<br>**[09:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... okay.<br>**[09:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Morishita-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try and figure something out.<br>**[09:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[09:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something she mentioned before.<br>**[09:27] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;The longer you continue in this work,<br>**[09:29] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're bound to get into a rut,<br>**[09:32] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;where you'll be completely<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to draw anything.<br>**[09:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I guess now is that time.<br>**[09:37] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. But there was more to what she said...<br>**[09:41] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you get the right trigger,<br>**[09:43] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're suddenly able to draw again,<br>**[09:45] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you were never blocked<br>&nbsp;&nbsp;&nbsp;&nbsp;in the first place.<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trigger, huh...<br>**[09:49] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I think even being able to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;with her today was a big accomplishment!<br>**[09:53] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[09:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah...<br>**[09:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The expression I saw on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Minori-sensei's face last time...*<br>**[10:00] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an artist I used to idolize,<br>**[10:03] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is their style.<br>**[10:05] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously, seriously love their stuff!<br>**[10:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There has to be something to that.*<br>**[10:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Something that'll get her drawing again.*<br>**[10:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the impression that I got.*<br>**[10:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-kun,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you realize what you're saying?!<br>**[10:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The characters designed by Minori Ayaka<br>&nbsp;&nbsp;&nbsp;&nbsp; are the headliners this time!<br>**[10:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already been announced to the public.<br>**[10:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delays are out of the question!<br>**[10:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the end, it was decided*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that Minori Ayaka's illustrations*<br>**[10:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wouldn't be ready in time for release.*<br>**[10:34] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team A is already running on fumes<br>&nbsp;&nbsp;&nbsp;&nbsp;with little sleep and no time off...<br>**[10:39] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Add this to it all, and I can't help<br>&nbsp;&nbsp;&nbsp;&nbsp;but feel sorry for them.<br>**[10:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really that bad?<br>**[10:43] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>**[10:45] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're talking about releasing<br>&nbsp;&nbsp;&nbsp;&nbsp;in a month, despite all this.<br>**[10:47] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going through hell.<br>**[10:49] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention this mandate that they do it<br>&nbsp;&nbsp;&nbsp;&nbsp;on an internally developed engine.<br>**[10:54] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, just get it done! All right?!<br>**[10:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while since you last asked<br>&nbsp;&nbsp;&nbsp;&nbsp;me to join you for lunch, hasn't it?<br>**[11:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[11:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've both been busy lately.<br>**[11:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to talk about my<br>&nbsp;&nbsp;&nbsp;&nbsp;team's project, don't you?<br>**[11:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well... yeah.<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was looking at the progress sheet.<br>**[11:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things don't seem to be going very well.<br>**[11:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one way of putting it.<br>&nbsp;&nbsp;&nbsp;&nbsp;Another is that we're doomed.<br>**[11:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tempted to fly the coop to Okinawa.<br>**[11:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, so *Mystic Clockwork* <br>
&nbsp;&nbsp;&nbsp;&nbsp;was originally a SucceedSoft title?<br>**[11:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't know that?<br>**[11:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, of course I did!<br>**[11:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it came from a major player like Succeed,<br>**[11:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet all the pre-production materials<br>&nbsp;&nbsp;&nbsp;&nbsp;were in good shape.<br>**[11:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't that make things relatively easier?<br>**[11:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone thought that, at first. But...<br>**[11:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a load of the requests they sent in.<br>**[11:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are all requests for different takes?<br>**[11:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's a lot...<br>**[11:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't a limit set on this<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of thing beforehand?<br>**[12:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be in this mess if there were.<br>**[12:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the time it was put into my lap,<br>**[12:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the contract was already<br>&nbsp;&nbsp;&nbsp;&nbsp;signed under these conditions.<br>**[12:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when you top it off with an<br>&nbsp;&nbsp;&nbsp;&nbsp;independently-developed, internal engine...<br>**[12:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Yet another source of headaches.<br>**[12:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have enough time<br>&nbsp;&nbsp;&nbsp;&nbsp;to outsource anything,<br>**[12:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when there are errors in the engine,<br>&nbsp;&nbsp;&nbsp;&nbsp;they rear their head in scripting, too.<br>**[12:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the art assets are so late,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're still using placeholders...<br>**[12:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the presentation<br>&nbsp;&nbsp;&nbsp;&nbsp;can't be finalized.<br>**[12:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like we're making<br>&nbsp;&nbsp;&nbsp;&nbsp;every possible mistake.<br>**[12:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kawasegawa...<br>**[12:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[12:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The release needs to be delayed<br>&nbsp;&nbsp;&nbsp;&nbsp;or major changes need to be made,<br>**[12:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;one or the other, or there's<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be major fallout.<br>**[12:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[12:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not happening.<br>**[12:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are already beyond my ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to make any kind of positive difference.<br>**[12:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for worrying you.<br>**[12:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's just...<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing that can be done.<br>**[12:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing... that can be done?<br>**[13:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you!<br>**[13:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always tried to do your best,<br>&nbsp;&nbsp;&nbsp;&nbsp;until the very last second!<br>**[13:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Thank you.<br>**[13:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're the only person<br>&nbsp;&nbsp;&nbsp;&nbsp;who thinks that anymore.<br>**[13:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[13:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm gonna head on back.<br>**[13:27] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just don't get it!<br>**[13:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But sir, if they proceed at this rate,<br>&nbsp;&nbsp;&nbsp;&nbsp;the game will have bugs,<br>**[13:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;which could lead to defects<br>&nbsp;&nbsp;&nbsp;&nbsp;nobody's imagined.<br>**[13:36] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You deal with bugs<br>&nbsp;&nbsp;&nbsp;&nbsp;and defects as they pop up.<br>**[13:38] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the whole point of maintenance.<br>**[13:42] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I know that you need time<br>&nbsp;&nbsp;&nbsp;&nbsp;to make something good.<br>**[13:46] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in this business, timing is everything!<br>**[13:49] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;And delaying the release<br>&nbsp;&nbsp;&nbsp;&nbsp;is out of the question!<br>**[13:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But—<br>**[13:51] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough!<br>**[13:52] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;This period is going to be crucial<br>&nbsp;&nbsp;&nbsp;&nbsp;for the company's trust going forward!<br>**[13:56] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to go public at the same time<br>**[13:58] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;as we release a big title<br>&nbsp;&nbsp;&nbsp;&nbsp; developed on an internal engine!<br>**[14:01] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to be a manager<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand how important this is!<br>**[14:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the engine isn't trustworthy.<br>&nbsp;&nbsp;&nbsp;&nbsp;It might not even be practical.<br>**[14:15] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mystic Clockwork* will be <br>
&nbsp;&nbsp;&nbsp;&nbsp;released on schedule.<br>**[14:19] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's set in stone.<br>**[14:26] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun...<br>**[14:30] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Kawasegawa-kun's job.<br>**[14:33] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to focus on your own tasks.<br>**[14:35] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't meddle where you're not needed.<br>**[14:40] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand? I trust you.<br>**[14:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[14:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't meddle, huh?<br>**[14:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thinking about it now,*<br>**[14:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I showed up in their lives*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ten years ago, I changed the world.*<br>**[15:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My friends, who were supposed to have become*<br>**[15:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the stars known as*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation...*<br>**[15:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*lost their dreams because of me.*<br>**[15:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I might have been trying to help,*<br>**[15:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but my interference ended up taking*<br>*&nbsp;&nbsp;&nbsp;&nbsp;something important from them.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;From the Desk of Rokuonji Tsurayuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Magic
<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And if that's the case...*<br>**[15:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing that can be done.<br>**[15:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The month after that,* Mystic Clockwork*<br>
&nbsp;&nbsp;&nbsp;&nbsp; launched on schedule.*<br>**[15:30] Passerbys**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, did you play that already?<br>**[15:32] Passerbys**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I installed it, but...<br>**[15:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We were able to start the service,*<br>**[15:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but bugs started popping up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the server kept going down...*<br>**[15:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no shortage of issues.*<br>**[15:41] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The staff is working to put out fires, while*<br>*&nbsp;&nbsp;&nbsp;&nbsp;still having little sleep and no days off,*<br>**[15:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but the problems are outpacing them.*<br>**[15:46] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, the characters<br>&nbsp;&nbsp;&nbsp;&nbsp;by Minori Ayaka got delayed...<br>**[15:49] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which sucks all the wind<br>&nbsp;&nbsp;&nbsp;&nbsp;out of my gacha sails.<br>**[15:51] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, really?<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's nothing that can be done.*<br>**[16:05] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mommy, draw a horse right here!<br>**[16:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but Mommy's<br>&nbsp;&nbsp;&nbsp;&nbsp;not a very good artist.<br>**[16:13] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, come on!<br>**[16:15] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't draw a horse right!<br>**[16:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm making dinner right now, okay?<br>**[16:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let Daddy draw it for you.<br>**[16:25] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[16:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it, honey.<br>**[16:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing. Don't worry.<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of horse do you want?<br>**[16:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki used to be able to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;draw anything incredibly well.*<br>**[16:33] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A zebra!<br>**[16:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... zebra?<br>**[16:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her art always pulsated with an energy*<br>**[16:37] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that made you feel like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it could jump to life.*<br>**[16:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But now... she doesn't draw anymore.*<br>**[16:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even when her beloved daughter asks her.*<br>**[16:47] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks weird!<br>**[16:49] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, you suck!<br>**[16:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think?<br>**[16:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be like that, Maki.<br>**[16:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy was nice enough to draw one for you.<br>**[16:57] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But look!<br>**[16:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's a cute puppy!<br>**[17:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, one sec.<br>**[17:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Morishita-san? I'm at home right now.<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[17:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Okay.<br>**[17:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[17:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that work?<br>**[17:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I need to step out.<br>**[17:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry to bother you on your day off!<br>**[17:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's happened?<br>**[17:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that the gacha rates<br>&nbsp;&nbsp;&nbsp;&nbsp;are varying from account to account!<br>**[17:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?! That shouldn't be possible!<br>**[17:29] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but...<br>**[17:31] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you familiar with<br>&nbsp;&nbsp;&nbsp;&nbsp;the voice actor, Suenomori Yuta?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;My pulls on MySClo are going super well<br>
&nbsp;&nbsp;&nbsp;&nbsp; Done with a recording session so gacha time!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'm super happy!<br>
&nbsp;&nbsp;&nbsp;&nbsp; I didn't think it'd be out this quick<br>
&nbsp;&nbsp;&nbsp;&nbsp; And it's my character lol<br>
&nbsp;&nbsp;&nbsp;&nbsp;#MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[17:35] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It all began when the voice actor who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;portrayed the main character, Suenomori Yuta,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;Got another new character in MysClo's gacha!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;Did a single-pull gacha and got a new characterrrrrr!<br>
&nbsp;&nbsp;&nbsp;&nbsp; I didn't have them before so I'm so happyyyyyy<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I got an SSR on the free roll too!<br>
&nbsp;&nbsp;&nbsp;&nbsp; My luck is on fire<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; With so many SSRs, it's p. easy to max a character out lol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I did a ten pull, six of which were SSRs lololol<br>
&nbsp;&nbsp;&nbsp;&nbsp; These rates must be bugged lololol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; oh, got an SSR<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; Another SSR!!!<br>
&nbsp;&nbsp;&nbsp;&nbsp; MysClo rocks!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>**[17:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*managed to draw consecutive SSR characters.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; These great SSR rates...<br>
&nbsp;&nbsp;&nbsp;&nbsp; Are you guys not getting them?<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'm cracking up<br>
&nbsp;&nbsp;&nbsp;&nbsp; I keep winning lol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; Again?!?!?!?!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;I got another one...<br>
&nbsp;&nbsp;&nbsp;&nbsp; Am I using up a lifetime's <br>
&nbsp;&nbsp;&nbsp;&nbsp;worth of luck on this game????<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'm cracking up about all these SSRs lol<br>
&nbsp;&nbsp;&nbsp;&nbsp; I've never seen anything like it lololol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; Keep the SSRs coming<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; For real?!<br>
&nbsp;&nbsp;&nbsp;&nbsp; My first ten-pull and I got an SSR!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>**[17:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This resulted in the already simmering*<br>*&nbsp;&nbsp;&nbsp;&nbsp;resentment at the low SSR rates...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kaze-san
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Is this fraud?
<br>**[17:47] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;mixing together with the persistent bugs*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to create a storm of discontent.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Usakichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Celebs get special treatment.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taiyoushin
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Don't screw with gamers!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Attraction Point Co. Ltd
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Apology and Update Regarding *Mystic Clockwork*
<br>**[17:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And to make things worse...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's very unfortunate that a certain number<br>
&nbsp;&nbsp;&nbsp;&nbsp; of malicious users are causing problems with the service,<br>
&nbsp;&nbsp;&nbsp;&nbsp; and the issue will be resolved in an update to the application.
<br>**[17:54] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The company totally blew it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with their response.*<br>**[17:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which led to a surge of complaints...*<br>**[17:58] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The app's currently undergoing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an indefinite period of maintenance.*<br>**[18:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And to make things even worse...*<br>**[18:04] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to do something, Kawasegawa-kun!<br>**[18:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The internally-developed engine that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;had been a potential problem from day one*<br>**[18:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was now a major problem.*<br>**[18:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, I already told you...<br>**[18:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we address the fundamental<br>&nbsp;&nbsp;&nbsp;&nbsp;issues causing all this—<br>**[18:17] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we obviously can't do that<br>&nbsp;&nbsp;&nbsp;&nbsp;at this stage, can we?!<br>**[18:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you expect us to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;a house of cards from falling apart<br>**[18:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;with more temporary stopgap measures?!<br>**[18:26] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Exactly!<br>**[18:27] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't do anything else at this point!<br>**[18:40] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[18:44] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no stopping the train once its going!<br>**[18:47] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of business we're in!<br>**[18:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to say—<br>**[18:50] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough already!<br>**[18:51] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what kind of bull you<br>&nbsp;&nbsp;&nbsp;&nbsp;have to spew. Just deal with it!<br>**[18:54] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[18:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[18:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's nothing I can do.<br>**[19:03] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter what comes later,<br>&nbsp;&nbsp;&nbsp;&nbsp;so stop worrying about it.<br>**[19:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I decided not to make*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the same mistake again.*<br>**[19:06] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything in this business<br>&nbsp;&nbsp;&nbsp;&nbsp;comes down to speed and timing.<br>**[19:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So that I can protect this world.*<br>**[19:09] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;While we're having this chat,<br>&nbsp;&nbsp;&nbsp;&nbsp;users are already ditching the service!<br>**[19:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is why... there's nothing I can do.*<br>**[19:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it ends up taking longer,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An update for you... N@NA has posted a new video.
<br>**[19:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'd be better off admitting our mistakes,<br>**[19:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and prioritizing an effort to<br>&nbsp;&nbsp;&nbsp;&nbsp; fix the underlying problems!<br>**[19:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretending like we're fixing things when we're<br>&nbsp;&nbsp;&nbsp;&nbsp;not while taking our audience for granted<br>**[19:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the exact thing that makes<br>&nbsp;&nbsp;&nbsp;&nbsp;people give up on this game!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Excuse time!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Excuse time!
<br>**[19:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey there! It's N@NA!*<br>**[19:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Um... first, well...*<br>**[19:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry!*<br>**[19:36] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just said I was going to give up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;yet here I am, posting again.*<br>**[19:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And with an original song!*<br>**[19:42] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Man, how long has it been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since I uploaded something original?*<br>**[19:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Y'know, a long time ago, during college...*<br>**[19:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was someone who told me to sing.*<br>**[19:54] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That was what set me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;down the road of singing.*<br>**[19:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah... it's his fault.*<br>**[20:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all his fault.*<br>**[20:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... because of him,*<br>**[20:07] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;someone as unremarkable*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as me started singing!*<br>**[20:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I found something I could be serious about.*<br>**[20:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I didn't keep at it...*<br>**[20:15] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just relied on him,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;instead of working hard myself...*<br>**[20:18] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And the second he was gone,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I started slacking.*<br>**[20:21] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I blamed it all on him,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and wanted to give up.*<br>**[20:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... I... even if it's only me...*<br>**[20:31] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't want to be the one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who invalidates everything he did!*<br>**[20:35] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm going to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be singing some more!*<br>**[20:58] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't think what I did*<br>*&nbsp;&nbsp;&nbsp;&nbsp;can ever be forgiven.*<br>**[21:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yet...*<br>**[21:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In this world made by my own failings,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I found some small salvation.*<br>**[21:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not from the popular singer, N@NA...*<br>**[21:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Kogure Nanako was still singing...*<br>**[21:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She hadn't given up on the thing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that she took seriously.*<br>**[21:16] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She blamed me...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and said it was thanks to me.*<br>**[21:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that I wasn't just meddling.*<br>**[21:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thanks for listening all the way to the end!*<br>**[21:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, see you next time!*<br>**[21:34] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the president of this company!<br>**[21:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be done!<br>**[21:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we do that, it'll mean more bugs—<br>**[21:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Nanako.<br>**[21:38] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing else we can do!<br>**[21:41] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now would you just do as I tell you?!<br>**[21:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no way... there's* nothing*...*<br>**[21:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that we can do!*<br>**[22:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>

# E11 - Be Prepared

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GEVUZ8GV8/be-prepared)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>**[00:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right, I'm doing this.*<br>**[01:43] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you shouting<br>&nbsp;&nbsp;&nbsp;&nbsp;about all of a sudden?!<br>**[01:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I just thought<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd help me get motivated.<br>**[01:49] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see!<br>**[01:51] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to solve this<br>&nbsp;&nbsp;&nbsp;&nbsp;like you usually do, then?!<br>**[01:54] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a huge relief!<br>**[01:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind if I handle<br>&nbsp;&nbsp;&nbsp;&nbsp;the response, then?<br>**[02:01] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's fine.<br>**[02:02] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are some points<br>&nbsp;&nbsp;&nbsp;&nbsp;that aren't negotiable, understand?<br>**[02:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[02:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start things off, we need<br>&nbsp;&nbsp;&nbsp;&nbsp;to swap engines for MysClo right away.<br>**[02:14] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[02:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the problem?<br>**[02:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The majority of the bugs are rooted directly<br>&nbsp;&nbsp;&nbsp;&nbsp; in the internally-developed engine.<br>**[02:22] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then just have them fixed!<br>**[02:24] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-kun was just talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about how that should suffice!<br>**[02:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure she said that reluctantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;because of how adamant you were.<br>**[02:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in terms of what the team is encountering,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's frankly too far gone to fix.<br>**[02:34] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is that the truth, Kawasegawa?<br>**[02:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:42] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;But changing the engine<br>&nbsp;&nbsp;&nbsp;&nbsp;at this point can't be done, can it?!<br>**[02:45] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time! How would<br>&nbsp;&nbsp;&nbsp;&nbsp;we make a new one?!<br>**[02:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We already have an engine.<br>**[02:54] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the holdup!<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and get started.<br>**[02:57] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to me. I'll get things<br>&nbsp;&nbsp;&nbsp;&nbsp;going in no time.<br>**[03:03] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Share your screens with mine, please.<br>**[03:05] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the executable for MysClo.<br>**[03:08] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just drag it over here...<br>**[03:10] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what? It doesn't need<br>&nbsp;&nbsp;&nbsp;&nbsp;to be tuned or anything?<br>**[03:14] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[03:15] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we just run the executable, and...<br>**[03:21] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, he's right! It started up<br>&nbsp;&nbsp;&nbsp;&nbsp;with no extra work!<br>**[03:23] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not chewing up resources, either.<br>**[03:25] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or crashing from a bug.<br>**[03:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly did you do?<br>**[03:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was easy.<br>**[03:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the Enidy engine, which is<br>&nbsp;&nbsp;&nbsp;&nbsp; famous for how stable it is.<br>**[03:35] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Enidy?!<br>**[03:37] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing costs a fortune!<br>&nbsp;&nbsp;&nbsp;&nbsp;And you ordered it without asking?!<br>**[03:40] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a huge issue!<br>**[03:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be, so I used Team B's budget.<br>**[03:47] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's misappropriation!<br>**[03:49] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing, as team lead—<br>**[03:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did use Team B's budget,<br>**[03:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but why wouldn't I, considering that's<br>&nbsp;&nbsp;&nbsp;&nbsp;what the funds were budgeted for?<br>**[04:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[04:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You chose an engine<br>&nbsp;&nbsp;&nbsp;&nbsp;that'd also be compatible<br>**[04:05] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;with Team A's game, didn't you?<br>**[04:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sharp as always. You got it.<br>**[04:10] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[04:11] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That has to break the terms of the license!<br>**[04:13] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd need to spend a ton<br>&nbsp;&nbsp;&nbsp;&nbsp; on the additional licenses—<br>**[04:16] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?!<br>**[04:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;An estimate on the cost<br>&nbsp;&nbsp;&nbsp;&nbsp;of the additional licenses,<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Team A's total production budget.<br>**[04:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with the extra cost,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll still have plenty left over.<br>**[04:25] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you after this the entire time?<br>**[04:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like to be prepared for the worst.<br>**[04:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ideally it wouldn't have come to this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're past that point.<br>**[04:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;the official response.<br>**[04:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Producer Kawasegawa<br>&nbsp;&nbsp;&nbsp;&nbsp;and I already talked this over.<br>**[04:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Hashiba—<br>**[04:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[04:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, for the person in charge<br>&nbsp;&nbsp;&nbsp;&nbsp;of our social media accounts...<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morishita-san, that's you.<br>**[04:55] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, me?!<br>**[04:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the broadest<br>&nbsp;&nbsp;&nbsp;&nbsp;outlook of everyone here,<br>**[05:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;which puts you closest<br>&nbsp;&nbsp;&nbsp;&nbsp;to how the players would feel.<br>**[05:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the best choice.<br>**[05:04] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not really good<br>&nbsp;&nbsp;&nbsp;&nbsp;at writing official-sounding copy...<br>**[05:07] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what'll I do if I make the users mad?<br>**[05:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are times when that kind of response<br>**[05:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;is more helpful than<br>&nbsp;&nbsp;&nbsp;&nbsp;rock-solid business speak.<br>**[05:14] Moroshita**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay then!<br>**[05:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start with, could you contact the agency<br>&nbsp;&nbsp;&nbsp;&nbsp;of that voice actor, from the incident?<br>**[05:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking about Suenomori-san?<br>**[05:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll apologize on the phone and via mail,<br>**[05:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make it clear, publicly,<br>&nbsp;&nbsp;&nbsp;&nbsp;that they did nothing wrong.<br>**[05:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, let them know we'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;handing over the casting decisions<br>**[05:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;for new characters appearing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the foreseeable future to them.<br>**[05:37] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you can't just hand over<br>&nbsp;&nbsp;&nbsp;&nbsp;the casting rights like that!<br>**[05:40] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you realize how valuable—<br>**[05:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That value is why we need to hand it over.<br>**[05:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd be looking at a bigger loss<br>&nbsp;&nbsp;&nbsp;&nbsp;if this turns into a defamation suit<br>**[05:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a settlement involved.<br>**[05:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next... Who's in charge of the scripting?<br>**[05:54] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's me.<br>**[05:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you think it'd take for<br>&nbsp;&nbsp;&nbsp;&nbsp;a comprehensive check of the systems?<br>**[05:59] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't say definitively...<br>**[06:01] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when you throw in all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;nitty-gritty testing, I think around six days?<br>**[06:05] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six days?!<br>**[06:06] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got three! Figure it out in three—<br>**[06:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you've got two weeks.<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure to take care of it.<br>**[06:10] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you insane?! We can't<br>&nbsp;&nbsp;&nbsp;&nbsp;suspend the service for two—<br>**[06:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you consider it's<br>&nbsp;&nbsp;&nbsp;&nbsp;only ten business days,<br>**[06:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;that leaves five days<br>&nbsp;&nbsp;&nbsp;&nbsp;for adjustments, three for testing,<br>**[06:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and two for implementation.<br>**[06:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that sound?<br>**[06:20] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's more than enough, yeah!<br>**[06:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next...<br>**[06:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many apology gems<br>&nbsp;&nbsp;&nbsp;&nbsp;do we normally hand out?<br>**[06:27] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a project like this?<br>**[06:30] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usually enough for two or three<br>&nbsp;&nbsp;&nbsp;&nbsp;gacha ten-pulls is appropriate.<br>**[06:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, let's do ten times that.<br>**[06:38] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Did you say ten?!<br>**[06:39] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard of a game<br>&nbsp;&nbsp;&nbsp;&nbsp;that hands out gems like that!<br>**[06:42] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough for one extra should be fine!<br>**[06:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we did that, the problems we've had<br>&nbsp;&nbsp;&nbsp;&nbsp;would far outshine anything else.<br>**[06:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need a big enough<br>&nbsp;&nbsp;&nbsp;&nbsp;response to get people talking.<br>**[06:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since this part is the most important...<br>**[06:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you all to listen to me very closely.<br>**[06:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody is off for the<br>&nbsp;&nbsp;&nbsp;&nbsp;next two days. Period.<br>**[07:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No working at all. Okay?<br>**[07:03] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time off?!<br>**[07:05] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell would be the point of having<br>&nbsp;&nbsp;&nbsp;&nbsp;time off when everything is on fire?!<br>**[07:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll implement our initial<br>&nbsp;&nbsp;&nbsp;&nbsp;social media response first, of course.<br>**[07:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we publicize our plans beforehand,<br>&nbsp;&nbsp;&nbsp;&nbsp;it shouldn't be a problem.<br>**[07:15] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going on about?!<br>**[07:18] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a massive project that affects<br>&nbsp;&nbsp;&nbsp;&nbsp;the fate of the entire company!<br>**[07:21] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand that?!<br>**[07:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have come up with this plan<br>&nbsp;&nbsp;&nbsp;&nbsp;if I didn't understand it, sir.<br>**[07:27] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem like you do!<br>**[07:29] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing you've suggested<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to profit the company!<br>**[07:33] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you hear me?! In business,<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you bring in profits—<br>**[07:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;President!<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mentioned once<br>&nbsp;&nbsp;&nbsp;&nbsp;that you trust me, remember?<br>**[07:45] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[07:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something else you said.<br>**[07:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how this was an important time<br>&nbsp;&nbsp;&nbsp;&nbsp;for trust in the company.<br>**[07:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you understand just<br>&nbsp;&nbsp;&nbsp;&nbsp;how important trust can be.<br>**[07:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I won't deny that meeting deadlines<br>&nbsp;&nbsp;&nbsp;&nbsp;is an important part of maintaining trust.<br>**[08:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure everyone here regrets<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that wasn't possible.<br>**[08:07] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right?!<br>**[08:09] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why the sooner<br>&nbsp;&nbsp;&nbsp;&nbsp;the service is functional again—<br>**[08:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, the best way to recover<br>&nbsp;&nbsp;&nbsp;&nbsp;trust after such a huge mistake<br>**[08:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't just getting the service<br>&nbsp;&nbsp;&nbsp;&nbsp;back up and running.<br>**[08:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to demonstrate how we're aware<br>&nbsp;&nbsp;&nbsp;&nbsp;of our culpability in a tangible fashion,<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make sure our future plans<br>&nbsp;&nbsp;&nbsp;&nbsp;are as clear as possible.<br>**[08:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, this game has made<br>&nbsp;&nbsp;&nbsp;&nbsp;the worst possible first impression.<br>**[08:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why we need to go above and beyond,<br>**[08:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;or no one will come back to it.<br>**[08:36] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the reaction to MysClo really that bad?<br>**[08:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a story about an app<br>&nbsp;&nbsp;&nbsp;&nbsp;that developed a critical bug.<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The marketing team<br>&nbsp;&nbsp;&nbsp;&nbsp;was trying to cover it up,<br>**[08:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the person at the core of development<br>&nbsp;&nbsp;&nbsp;&nbsp;decided to go public with it,<br>**[08:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;without making any excuses.<br>**[08:57] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you know about that?<br>**[09:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;An old friend of yours told me about it.<br>**[09:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you were honest about the problems,<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the end, people trusted that app<br>&nbsp;&nbsp;&nbsp;&nbsp;more than they would have.<br>**[09:09] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was ages ago. A youthful misadventure.<br>**[09:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[09:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I don't think being<br>&nbsp;&nbsp;&nbsp;&nbsp;honest and apologetic<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;could possibly be a bad thing.<br>**[09:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you're trying to say, sir.<br>**[09:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...<br>**[09:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you should rethink<br>&nbsp;&nbsp;&nbsp;&nbsp;what's really important,<br>**[09:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;especially in an emergency like this.<br>**[09:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to dedicate<br>&nbsp;&nbsp;&nbsp;&nbsp;everything to it. But please...<br>**[09:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think a little about<br>&nbsp;&nbsp;&nbsp;&nbsp;what's going on around here.<br>**[09:42] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. You're free to deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with this as you see fit.<br>**[09:47] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a relief!<br>**[09:48] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe now we can salvage this thing!<br>**[09:50] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna go ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;and start prepping for testing.<br>**[09:53] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then let's finally go home!<br>**[09:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had better go home, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd defeat the purpose, otherwise.<br>**[10:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't worry, you don't have to tell me.<br>**[10:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could seriously use a bath<br>&nbsp;&nbsp;&nbsp;&nbsp;and some sleep.<br>**[10:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[10:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[10:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very welcome.<br>**[10:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, sir.<br>**[10:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for being so understanding.<br>**[10:24] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you make that proposal knowing I'd fold?<br>**[10:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. To be honest,<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know how you'd react.<br>**[10:32] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're quite the gambler, then.<br>**[10:35] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it that. It's just...<br>**[10:39] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was serious.<br>**[10:41] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I couldn't come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with any other answers.<br>**[10:44] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your "serious," huh?<br>**[10:46] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder it was such a strong argument.<br>**[10:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make you a guarantee<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for your understanding.<br>**[10:54] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What guarantee?<br>**[10:57] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that guarantee...<br>**[11:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was getting me to turn in<br>&nbsp;&nbsp;&nbsp;&nbsp;my illustrations, right?<br>**[11:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:05] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would love to help, but...<br>**[11:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei, why not really try<br>&nbsp;&nbsp;&nbsp;&nbsp;and get back to your roots?<br>**[11:12] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;My roots?<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that the hint to your breakthrough<br>**[11:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;has something to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with why you started drawing.<br>**[11:24] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these...<br>**[11:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the package illustration for HaruSora.<br>**[11:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... how?<br>**[11:32] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never actually told you...<br>**[11:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[11:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I saw the picture you working<br>&nbsp;&nbsp;&nbsp;&nbsp;on the other day, I was sure of it.<br>**[11:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I know art like this. Very intimately."<br>**[11:47] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking about quitting<br>&nbsp;&nbsp;&nbsp;&nbsp;art once in high school.<br>**[11:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What made you think that?<br>**[11:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Your roughs and color<br>&nbsp;&nbsp;&nbsp;&nbsp;composition are well done,"<br>**[11:59] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;"but your art is pure technical ability."<br>&nbsp;&nbsp;&nbsp;&nbsp;A teacher said that to me.<br>**[12:04] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That my art had no real charm.<br>**[12:06] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That got me depressed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I started hating art.<br>**[12:11] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was around then that a game-loving<br>&nbsp;&nbsp;&nbsp;&nbsp;senpai of mine got me into HaruSora.<br>**[12:17] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was blown away!<br>**[12:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized just how amazing art<br>&nbsp;&nbsp;&nbsp;&nbsp;with charm could be!<br>**[12:22] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt just how much it could move somebody!<br>**[12:25] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I started to want to make art like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;from the very bottom of my heart.<br>**[12:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, some day, I wanted to draw with<br>&nbsp;&nbsp;&nbsp;&nbsp;the person who was responsible for that art.<br>**[12:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's already...<br>**[12:38] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[12:39] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I couldn't bring myself<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you, Hashiba-san.<br>**[12:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. It's my fault.<br>**[12:46] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, don't apologize!<br>**[12:48] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... it ended up<br>&nbsp;&nbsp;&nbsp;&nbsp;helping me again, y'know?<br>**[12:53] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes the second time<br>&nbsp;&nbsp;&nbsp;&nbsp;this art has done that.<br>**[12:56] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a week to turn in some rough drafts!<br>**[12:58] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another few days after that<br>&nbsp;&nbsp;&nbsp;&nbsp;for the line art and colors!<br>**[13:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei!<br>**[13:04] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to draw! I actually want to!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;   Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Minori Ayaka
<br>**[13:16] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[13:18] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ayaka-sensei just called about<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting to do another character!<br>**[13:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great to hear!<br>**[13:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the survey<br>&nbsp;&nbsp;&nbsp;&nbsp;from last week is out, too!<br>**[13:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The system's stabilized, the new<br>&nbsp;&nbsp;&nbsp;&nbsp;characters are coming together nicely...<br>**[13:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we've managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to recover from the disaster.<br>**[13:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although things are only going to<br>&nbsp;&nbsp;&nbsp;&nbsp;get more busy around here.<br>**[13:36] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay!<br>**[13:38] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Kawasegawa-san came up<br>&nbsp;&nbsp;&nbsp;&nbsp;with that super-thick manual!<br>**[13:43] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way things can keep running<br>&nbsp;&nbsp;&nbsp;&nbsp;even when the leader's absent.<br>**[13:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She thought of everything, huh?<br>**[13:48] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;how amazing you were, though.<br>**[13:52] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if anyone else<br>&nbsp;&nbsp;&nbsp;&nbsp;would've been capable<br>**[13:54] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;of turning things around<br>&nbsp;&nbsp;&nbsp;&nbsp;in a situation like that!<br>**[13:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't such a big deal.<br>**[13:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't really do anything...<br>**[14:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's lunch time.<br>**[14:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll invite Kawasegawa to join—<br>**[14:05] Moroshita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she didn't tell you, Hashiba-san?<br>**[14:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what?<br>**[14:08] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;The producer's got a flight<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving Haneda at 13:00.<br>**[14:12] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she was going to Okinawa.<br>**[14:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morishita-san, tell everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking the afternoon off!<br>**[14:17] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, wait—<br>**[14:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I did it. I did it again!*<br>**[14:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just bulldozed over her in a situation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where she was in charge.*<br>**[14:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's obvious that would put her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in an awkward position...*<br>**[14:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Costing her the trust of her subordinates.*<br>**[14:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I haven't learned a single thing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after what happened to Tsurayuki.*<br>**[14:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I be so stupid?!<br>**[14:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, Kawasegawa.*<br>**[14:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I couldn't help you a second time.*<br>**[15:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... What are you doing here?<br>**[15:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Departure Time
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Destination
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Okinawa / Naha
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sapporo / Shin Chitose
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka / Kansai
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kushiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memanbetsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hakodate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokachi-Obihiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aomori
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Flight No.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;First Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;J Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Coach
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Departure Time
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Destination
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sapporo / Shin Chitose
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka / Kansai
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kushiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memanbetsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hakodate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokachi-Obihiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aomori
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Komatsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Flight No.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;First Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;J Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Coach
<br>**[15:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[15:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... thanks.<br>**[15:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously though, did it not occur<br>&nbsp;&nbsp;&nbsp;&nbsp;to you to message me on LINE?<br>**[15:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or just call me, maybe?<br>**[15:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[15:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously I'm not quitting.<br>**[15:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you managed to pull<br>&nbsp;&nbsp;&nbsp;&nbsp;my team out of a fire...<br>**[15:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How pathetic would I be if I ran off<br>&nbsp;&nbsp;&nbsp;&nbsp;before I could pay you back?<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... what about Okinawa?<br>**[15:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've changed my mind.<br>**[15:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I canceled the flight,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't worry about it.<br>**[15:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[15:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to apologize.<br>**[15:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... sorry.<br>**[15:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why were you so worried about me, anyway?<br>**[15:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I was scared.<br>**[16:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else left...<br>&nbsp;&nbsp;&nbsp;&nbsp;I was afraid you would go, too.<br>**[16:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[16:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki... Tsurayuki...<br>&nbsp;&nbsp;&nbsp;&nbsp;They were both so amazing.<br>**[16:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before I realized it,<br>&nbsp;&nbsp;&nbsp;&nbsp;both had given up on being creators.<br>**[16:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even Nanako...<br>**[16:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all my fault.<br>**[16:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm trying to help people,<br>&nbsp;&nbsp;&nbsp;&nbsp;but in the end, all I do is help myself.<br>**[16:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The things I do to try and help others...<br>**[16:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;just end up making them miserable.<br>**[16:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been saying that this entire time...<br>**[16:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how you feel guilty<br>&nbsp;&nbsp;&nbsp;&nbsp;about what happened.<br>**[16:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how you're worthless.<br>**[16:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And whenever I asked you about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you would just clam up.<br>**[16:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the truth.<br>**[16:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think they're all miserable<br>&nbsp;&nbsp;&nbsp;&nbsp;because of you.<br>**[17:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really do, don't you?<br>**[17:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I should've never<br>&nbsp;&nbsp;&nbsp;&nbsp;been here in the first place.<br>**[17:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa?<br>**[17:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for?!<br>**[17:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[17:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;God, you are so annoying!<br>**[17:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Cut it out! What did I say?!<br>**[17:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't *say* anything!<br>**[17:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were always an honor student,<br>&nbsp;&nbsp;&nbsp;&nbsp;and such a straight shooter,<br>**[17:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;enough that you made me feel jealous!<br>**[17:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kawasegawa?<br>**[17:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why?! Why did you never ask for help?!<br>**[17:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you always try<br>&nbsp;&nbsp;&nbsp;&nbsp;to handle everything yourself?!<br>**[17:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think we couldn't handle it?<br>**[17:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you try leaning on someone else<br>&nbsp;&nbsp;&nbsp;&nbsp;when you didn't know what to do?!<br>**[18:05] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't able to support<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself after awhile.<br>**[18:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same as before.<br>**[18:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were chasing after<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki after he left,<br>**[18:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to write scripts even<br>&nbsp;&nbsp;&nbsp;&nbsp;though it wasn't your thing...<br>**[18:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It never occurred to you<br>&nbsp;&nbsp;&nbsp;&nbsp;to find another writer.<br>**[18:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't put up any resistance<br>&nbsp;&nbsp;&nbsp;&nbsp;when Shinoaki decided to stop drawing,<br>**[18:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and couldn't help Nanako<br>&nbsp;&nbsp;&nbsp;&nbsp;through her frustration.<br>**[18:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But...<br>**[18:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does that amount to being<br>&nbsp;&nbsp;&nbsp;&nbsp;responsible for their futures?!<br>**[18:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who says that's your responsibility?!<br>**[18:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you made them do anything!<br>**[18:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you blame yourself?!<br>**[18:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the point of depression<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting so torn up...<br>**[18:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm useless."<br>**[18:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could... How could you possibly think that?!<br>**[18:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always, always worked so hard.<br>**[19:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always put your personal stuff aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;and always try to help other people,<br>**[19:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they'd be able to make something.<br>**[19:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we laughed, we all laughed together,<br>**[19:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when you cried,<br>&nbsp;&nbsp;&nbsp;&nbsp;you always did it alone.<br>**[19:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't done a single thing wrong.<br>**[19:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if anyone says otherwise,<br>**[19:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let them get away with it!<br>**[19:26] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand me?!<br>**[19:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So have a little confidence!<br>**[19:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've never been here?!<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that's true!<br>**[19:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you say you being around<br>&nbsp;&nbsp;&nbsp;&nbsp;to save me was a mistake, too?!<br>**[19:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I right?!<br>**[19:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing, okay?! I promise!<br>**[19:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of everyone I've ever met...<br>**[19:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the most generous,<br>&nbsp;&nbsp;&nbsp;&nbsp;most exciting, hardest to predict...<br>**[19:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I loved you!<br>&nbsp;&nbsp;&nbsp;&nbsp;Why I looked up to you!<br>**[19:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So stop being so pessimistic!<br>**[20:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... did you just...<br>**[20:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget those last two. Too much information.<br>**[20:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[20:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... sorry—<br>**[20:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... uh...<br>**[20:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kawasegawa.<br>**[20:43] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lukewarm.<br>**[20:43] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lukewarm.<br>**[20:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen... hypothetically...<br>**[21:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I found myself back in time,<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of you, when you were suffering...<br>**[21:05] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I would've done<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever it took to help you.<br>**[21:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But knowing how you were back then,<br>**[21:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would've never actually<br>&nbsp;&nbsp;&nbsp;&nbsp;turned to me for help.<br>**[21:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... You've helped me<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot already, Kawasegawa.<br>**[21:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than enough.<br>**[21:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Except I didn't.<br>**[21:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, I have no idea if there's such<br>&nbsp;&nbsp;&nbsp;&nbsp;a thing as reincarnation,<br>**[21:26] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but next time? I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;actually help you.<br>**[21:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it?<br>**[21:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll be counting on you, then.<br>**[21:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! I think I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;Okinawa after all.<br>**[21:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see if I can exchange my ticket,<br>**[21:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if I can, I'll catch the next flight.<br>**[22:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I'm coming back.<br>**[22:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya.<br>**[22:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa!<br>**[22:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;One other thing...<br>**[22:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You blame yourself for everybody quitting,<br>**[22:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you managed to help<br>&nbsp;&nbsp;&nbsp;&nbsp;one person, at least.<br>**[22:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did?<br>**[22:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean Minori Ayaka.<br>**[22:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The game that you made<br>&nbsp;&nbsp;&nbsp;&nbsp;is what got her drawing, right?<br>**[22:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I guess I did help someone, at least.<br>**[22:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world...<br>**[22:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything has some purpose, I think.<br>**[22:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She really did save me.*<br>**[23:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could go back to the old days.<br>**[23:05] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I figured it was about time for that.<br>**[23:12] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Hashiba-kun. How you been?<br>**[23:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you...<br>**[23:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello again, Keiko-san.<br>

# E12 - Facing Forward Again

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G7PU4WVNV/facing-forward-again)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello again, Keiko-san.<br>**[00:05] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already know it's about time, right?<br>**[00:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna head back to the past, don't you?<br>**[00:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[00:18] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you *really* sure, though?<br>**[00:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you're about as happy as most<br>&nbsp;&nbsp;&nbsp;&nbsp;people could hope to be this world.<br>**[00:31] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a wife, a little girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;a job where they rely on you...<br>**[00:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I honestly don't see why you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;wanna head back to those hard times.<br>**[00:44] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really willing to throw<br>&nbsp;&nbsp;&nbsp;&nbsp;this happiness aside<br>**[00:47] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;to head back to the past, young man?<br>**[02:45] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's my answer.<br>**[02:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[02:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't go back in time<br>&nbsp;&nbsp;&nbsp;&nbsp;because I wanted to be happy.<br>**[02:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't about getting a nice girl...<br>**[02:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or using cheats to become a hero.<br>**[03:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to struggle. To be hurt.<br>**[03:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To lose hope... To be pushed to the edge.<br>**[03:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with them...<br>**[03:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can go through it all with them...<br>**[03:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd take that over a happy future any day.<br>**[03:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go back.<br>**[03:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go back to the past,<br>&nbsp;&nbsp;&nbsp;&nbsp;to be with everyone.<br>**[03:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when we were all together...<br>**[03:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go back!<br>**[03:37] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:47] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a good look to you right now.<br>**[03:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's do this thing.<br>**[03:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a second!<br>**[04:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now? Having second thoughts after all?<br>**[04:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over the last few months,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've met a lot of different people.<br>**[04:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have thoughts about them all, but...<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No regrets.<br>**[04:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's someone I have to say goodbye to.<br>**[04:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I getcha. Go on, then.<br>**[04:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home!<br>**[04:50] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, Daddy!<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[04:53] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know what? I found out that<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy is really good at drawing!<br>**[04:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is?<br>**[04:59] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Look at this!<br>**[05:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[05:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Shinoaki's art.<br>**[05:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey, welcome home...<br>**[05:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki! Did you already show him?<br>**[05:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened? With the art.<br>**[05:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[05:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried that game you told me about.<br>**[05:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean MysClo?<br>**[05:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minori Ayaka-san...<br>**[05:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought her art was really wonderful.<br>**[05:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me want to... try drawing.<br>**[05:40] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;One other thing...<br>**[05:43] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You blame yourself for everybody quitting,<br>**[05:46] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you managed to help<br>&nbsp;&nbsp;&nbsp;&nbsp;one person, at least.<br>**[05:49] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did?<br>**[05:50] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean Minori Ayaka.<br>**[05:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... Kyoya-kun?<br>**[06:01] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy? What's wrong?<br>**[06:04] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Daddy?<br>**[06:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's real strange.<br>**[06:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't drawn in so long...<br>**[06:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But soon as I got the itch,<br>&nbsp;&nbsp;&nbsp;&nbsp;it happened real naturally.<br>**[06:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only took the littlest thing.<br>**[06:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[06:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ain't anything for you to apologize for.<br>**[06:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't draw anymore...<br>**[06:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I had you, and I had Maki.<br>**[07:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That made me think it'd be okay.<br>**[07:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next day would always come...<br>**[07:07] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought that was good enough.<br>**[07:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But y'know... when<br>&nbsp;&nbsp;&nbsp;&nbsp;I started wanting to draw...<br>**[07:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bunch of stuff I had<br>&nbsp;&nbsp;&nbsp;&nbsp;forgotten hit me real hard...<br>**[07:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a lot of fun.<br>**[07:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So much...<br>**[07:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Kyoya-kun...<br>**[07:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, I... wanna make<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of art again.<br>**[07:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... when I'm working,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be kinda...<br>**[07:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focused, y'know?<br>**[07:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as far as Maki goes, I dunno if—<br>**[07:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[07:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll support you however I can.<br>**[07:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's okay for you to work on your art.<br>**[08:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kyoya-kun.<br>**[08:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, I wanna try drawing something big!<br>**[08:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure how it's<br>&nbsp;&nbsp;&nbsp;&nbsp; gonna turn out at first,<br>**[08:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll go small on backgrounds...<br>**[08:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I wanna draw<br>&nbsp;&nbsp;&nbsp;&nbsp;something a lot bigger...<br>**[08:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A place with lots of space!<br>**[08:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can be in nature, or in the city...<br>**[08:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And girls!<br>**[08:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno what kinda girls folks<br>&nbsp;&nbsp;&nbsp;&nbsp;are drawing these days.<br>**[08:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see what people are doing.<br>**[08:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, y'know what else?<br>**[09:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm heading out.<br>**[09:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Be careful.<br>**[09:29] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, have a good day!<br>**[09:38] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, too tight!<br>**[09:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Off I go.<br>**[09:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good day!<br>**[10:00] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good day!<br>**[10:22] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you're done.<br>**[10:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I wanna tell you.<br>**[10:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[10:33] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been talking about this<br>&nbsp;&nbsp;&nbsp;&nbsp;power of yours in a bad way,<br>**[10:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;like it's a cheat, or you're playing dirty.<br>**[10:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I know the future, so it's only<br>&nbsp;&nbsp;&nbsp;&nbsp;natural that I can pull stuff off."<br>**[10:46] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you've never played dirty.<br>**[10:51] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't used your knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurt other people,<br>**[10:54] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you haven't tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to unfairly profit off of it, either.<br>**[10:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've only been using your own strength,<br>**[11:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you've always considered<br>&nbsp;&nbsp;&nbsp;&nbsp;other people before acting.<br>**[11:02] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how you were able to<br>&nbsp;&nbsp;&nbsp;&nbsp;gain their trust, y'know?<br>**[11:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think people trust me?<br>**[11:10] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, man.<br>**[11:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Kawasegawa-chan and<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki-chan were both so grateful to you.<br>**[11:16] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd bet that goes for Nanako-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;and Tsurayuki-kun, too.<br>**[11:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're right.<br>**[11:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, that said,<br>&nbsp;&nbsp;&nbsp;&nbsp;it ain't like you're a hero.<br>**[11:30] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still a interloper<br>&nbsp;&nbsp;&nbsp;&nbsp;who's popped in from outta nowhere<br>**[11:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and changing the future<br>&nbsp;&nbsp;&nbsp;&nbsp;from what it originally was.<br>**[11:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing it for their sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;or trying to help 'em...<br>**[11:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get that's not how<br>&nbsp;&nbsp;&nbsp;&nbsp;this works now, right?<br>**[11:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think now that I was really full of myself.<br>**[11:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought by using this<br>&nbsp;&nbsp;&nbsp;&nbsp;power to help people...<br>**[11:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could be like their savior.<br>**[11:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that was just my ego talking.<br>**[12:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm done trying to act high and mighty.<br>**[12:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to trust the others,<br>&nbsp;&nbsp;&nbsp;&nbsp;believe in myself...<br>**[12:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and give it my all.<br>**[12:16] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, welcome back, protagonist!<br>**[12:18] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hope you're ready for hell again!<br>**[12:24] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get a move on, then.<br>**[12:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[12:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki! Kyoya's awake!<br>**[12:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, are you okay?<br>**[12:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You collapsed out front!<br>&nbsp;&nbsp;&nbsp;&nbsp;We were really worried!<br>**[12:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako... I'm home.<br>**[12:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... welcome home.<br>**[12:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun! You're awake!<br>**[12:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[13:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Kyoya, there's bad news!<br>**[13:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki's dropping out of school.<br>**[13:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he told you already.<br>**[13:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he came here to say good-bye<br>&nbsp;&nbsp;&nbsp;&nbsp;to Shinoaki and me.<br>**[13:13] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in tarnation happened<br>&nbsp;&nbsp;&nbsp;&nbsp;with him, Kyoya-kun?<br>**[13:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Okay.<br>**[13:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now... let's consider the future.<br>**[13:24] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[13:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to step outside<br>&nbsp;&nbsp;&nbsp;&nbsp;for a sec. I won't be long.<br>**[13:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun!<br>**[13:33] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun... you're coming back, right?<br>**[13:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'm not going anywhere anymore.<br>**[14:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is where I'll start.*<br>**[14:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No more regrets.*<br>**[14:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not that I think I'm always right...*<br>**[14:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not a champion of justice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or some kind of hero.*<br>**[14:16] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm just going to chase*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the things I believe in.*<br>**[14:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to make something.*<br>**[14:23] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I went ten years back in time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because I wanted to create.*<br>**[14:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't bring some kind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of cheating advantage to the past...*<br>**[14:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Just the kind of passion*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I'll never have again.*<br>**[14:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is when our remake really starts.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of the Arts
<br>**[15:07] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Hashiba?!<br>**[15:09] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking kinda down!<br>**[15:10] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Summer heat getting to you?<br>**[15:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, I'm fine. Nothing to worry about.<br>**[15:15] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That so?<br>**[15:17] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you ever feel<br>&nbsp;&nbsp;&nbsp;&nbsp;worn out, just holler!<br>**[15:20] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know some bishoujo games<br>&nbsp;&nbsp;&nbsp;&nbsp; that'll have you wondering<br>**[15:22] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;how you could've ever been feeling down!<br>**[15:28] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Momotaro-san, Momotaro-san!<br>**[15:32] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dumplings on your waist,<br>**[15:33] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peaches!<br>**[15:36] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, watch me spin like a peach!<br>**[15:36] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;might I trouble you for one?<br>**[15:40] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, Hashy...<br>**[15:42] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking a lot older all of a sudden.<br>**[15:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't noticed.<br>**[15:46] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! And I know how you feel, but...<br>**[15:49] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the kinda thing that other<br>&nbsp;&nbsp;&nbsp;&nbsp;people have to point out to you.<br>**[15:54] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't you say, Hiyama-chan?<br>**[15:55] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think so.<br>**[15:57] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although you're looking<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty rough around the edges<br>**[15:59] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;after these last two months, too.<br>**[16:01] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Things have gotten back to normal so*<br>*&nbsp;&nbsp;&nbsp;&nbsp;completely that it's easy to wonder*<br>**[16:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*if that time in the future ever happened.*<br>**[16:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone seems to be the same.*<br>**[16:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Tsurayuki is still gone.*<br>**[16:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji said that it was family business.<br>**[16:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard any specifics, Hashiba?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Nothing in particular.<br>**[16:30] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame, considering his<br>&nbsp;&nbsp;&nbsp;&nbsp;tuition woes were finally solved.<br>**[16:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He hasn't come back to school.*<br>**[16:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I'm not giving up.*<br>**[16:49] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If he's Kawagoe Kyoichi,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know we'll meet again.*<br>**[16:55] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I've noticed signs of change*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Nanako and Shinoaki.*<br>**[17:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[17:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the thing I mentioned the other day...<br>**[17:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[17:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the romantic messages<br>&nbsp;&nbsp;&nbsp;&nbsp;you got from a fan?<br>**[17:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that!<br>**[17:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one about the offer.<br>**[17:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A circle that's making a dojin game<br>&nbsp;&nbsp;&nbsp;&nbsp;asked me to work with them.<br>**[17:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, for composing and<br>&nbsp;&nbsp;&nbsp;&nbsp; performing their theme song?<br>**[17:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not give it a try?<br>**[17:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But y'know... it's kinda scary.<br>**[17:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Working with people who I don't know.<br>**[17:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just jump in and give it a try?<br>**[17:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like when you started uploading<br>&nbsp;&nbsp;&nbsp;&nbsp; your songs, remember?<br>**[17:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the one who handled that, though.<br>**[17:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? So... could you maybe...<br>**[17:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, try and do it on your own, okay?<br>**[17:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, you're so mean!<br>**[18:01] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nanako was on the verge*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of becoming dependent on me.*<br>**[18:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big deal?!<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't kill you to help!<br>**[18:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not sure how much it'll help,*<br>**[18:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I'm going to try and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;prioritize her independence.*<br>**[18:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And hopefully, one day, I'll meet N@NA.*<br>**[18:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As for Shinoaki...*<br>**[18:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't feel like drawing.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sukiyamon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Soy Sauce Flavor
<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Things were even more severe.*<br>**[18:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soy sauce?<br>**[18:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's burnout from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;having just finished a game.*<br>**[18:38] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Or maybe a side effect from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;having compromised so much.*<br>**[18:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, who used to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be so excited about art,*<br>**[18:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is keeping her distance from it now.*<br>**[18:53] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to draw anymore.<br>**[18:58] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I need to help her find*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a way through this.*<br>**[19:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what would work?*<br>**[19:40] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow...<br>**[19:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yow...<br>**[19:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry! Were you hurt?<br>**[19:46] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-S-Sorry! Sorry! I'm okay!<br>**[19:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me help you.<br>**[20:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wow.*<br>**[20:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that...<br>**[20:11] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's nothing! Really.<br>**[20:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why does she have a copy of the game?*<br>**[20:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe she's into that sort of thing.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saikawa            Minori
<br>**[20:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, s-s-sorry!<br>**[20:33] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm really sorry about running into you!<br>**[20:36] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm going to be late<br>&nbsp;&nbsp;&nbsp;&nbsp;for class, so excuse me!<br>**[20:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So that's how it is.<br>**[20:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everything has some purpose.*<br>**[20:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You were right about that, Kawasegawa.*<br>**[20:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[21:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I started taking action.*<br>**[21:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll create an opportunity for Shinoaki,*<br>**[21:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and give the future Minori Ayaka some hope.*<br>**[21:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Granted, there's no guarantee*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that it'll work out for the best.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Second-years will create a five-minute video project over two semesters.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Upload to Nico Nico Douga<br>
&nbsp;&nbsp;&nbsp;&nbsp;• Submit the video file and URL where it was uploaded
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Prizes will be awarded for the number of views, comments and favorites posted videos receive<br>
&nbsp;&nbsp;&nbsp;&nbsp;over the first semester, second semester, and after one year.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cash prizes!
<br>**[21:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It might not make any difference,*<br>**[21:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it could even make things worse.*<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... I have plenty of motivation,*<br>**[21:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the strong feelings I realized*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after traveling into the future.*<br>**[21:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As long as I have that...*<br>**[21:49] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm betting I'll have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the confidence to take action.*<br>**[21:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There used to be a group*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of people I looked up to.*<br>**[21:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought they would*<br>*&nbsp;&nbsp;&nbsp;&nbsp;always be out of reach.*<br>**[22:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now, they're right by my side.*<br>**[22:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But in order for us to become*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the kind of people I used to idolize...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To make the best project possible together
<br>**[22:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This remake has only just begun.*<br>**[22:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Kawasegawa...<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask you something.<br>**[22:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[22:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say that I was in a lot of trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;and asked you for help.<br>**[22:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be willing to put<br>&nbsp;&nbsp;&nbsp;&nbsp;everything else aside and help me?<br>**[22:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba, I think you<br>&nbsp;&nbsp;&nbsp;&nbsp;need your head examined.<br>**[22:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right. Sorry.<br>**[23:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you really needed the help...<br>**[23:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess I'd be willing to offer it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S<br>
&nbsp;&nbsp;&nbsp;&nbsp;c<br>
&nbsp;&nbsp;&nbsp;&nbsp;a<br>
&nbsp;&nbsp;&nbsp;&nbsp;l<br>
&nbsp;&nbsp;&nbsp;&nbsp;a
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scala Theater
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scala Theater
<br>