# Season 1

# E1 - Nothing Was Working Out

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GJWU2JJV8/nothing-was-working-out)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;August 2016
<br>**[00:20] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can't sleep.*<br>**[00:26] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh? What's this?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SucceedSoft Official Stream
<br>**[00:30] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 253 225 l 264 262 377 227 362 189<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We'll be starting soon.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your patience
<br>**[00:32] Hostess**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thank you all for waiting!*<br>**[00:34] Hostess**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's finally time for SucceedSoft's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;big new announcement!*<br>**[00:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What big new announcement?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;hype levels: low
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;time for another succeed sequel lol
<br>**[00:43] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess I remember an announcement*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about an announcement.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;go back to making eroge
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it's Judgment Day
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;the audience has already given up hope, huh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;hurry it up already
<br>**[00:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I understand where they're coming from.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Get out of here beardo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Here we goooo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;imma lol if it's an eroge
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;as long as it's good
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'd be glad for a new title even if it's a social game
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it's still in development, so I bet stuff is still undecided
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;short version: it's another sequel
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;get the beard guy off camera
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sumi-pyon looks adorbs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is it!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's a brand new game!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eroge! Eroge!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;wait so when's it coming out??? lol
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;well Q3 ends in September, that's probably when their next big title comes out
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;lol if it's a remake
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;i've got faith in the devs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it's been 30 years already...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SucceedSoft
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;30th Anniversary Project
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoaaaa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;here we go
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ohhhhhhh
<br>**[01:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you kidding me?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For real?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;lol they're re-assembling the platinum gen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;they're actually serious
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Theme Song
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;even getting one platinum would be awesome, so three is huge
<br>**[01:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi, N@NA,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and Akishima Shino?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;huh????????
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;wow, I'm actually looking forward to this
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;herewegoherewegoherewego
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoooooa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N@NA-samahhhhhh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;shino da god is here
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is what I've been waiting for
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;succeed's getting serious lol
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;they're getting the gen's biggest together lmao
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;this is actually a really big deal
<br>**[01:11] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They're all-stars*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the Platinum Generation!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I started crying the minute I saw Kawagoe Kyouchi's name
<br>**[01:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What kind of budget are they dealing with?*<br>**[01:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reaction has to be crazy...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Succeed's new game
<br>**[01:24] Search Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't.<br>**[01:28] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I always loved things like video games,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;light novels, and anime.*<br>**[01:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to try working in the industry,*<br>**[01:36] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I quit the office job I had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and joined a bishoujo game developer...*<br>**[01:40] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Where the workplace was more*<br>*&nbsp;&nbsp;&nbsp;&nbsp;terrible than I had ever imagined,*<br>**[01:43] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;we released games that didn't sell,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and ultimately shut down.*<br>**[01:50] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My name's Hashiba Kyoya,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I'm 28 years old.*<br>**[01:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The kind of soon-to-be-middle-aged bachelor*<br>**[01:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that you can find just about anywhere.*<br>**[01:58] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you might expect, I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no girlfriend, and no money.*<br>**[02:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now I don't even have a job...*<br>**[02:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means I can't pay rent anymore,*<br>**[02:17] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;forcing me to pay for an express bus ticket*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the last of my cash.*<br>**[02:21] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And here I find myself here,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back at my parents' house.*<br>**[02:25] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Directing, video editing,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;image editing, art assistant,*<br>**[02:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sub-scenario writing, logo design...*<br>**[02:33] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I tried my hand at everything I could,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and none of it amounted to anything.*<br>**[02:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What was the point of it all?*<br>**[02:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Akishima Shino is so amazing.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;huh????????
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;shino da god is here
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;whoooooa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;wow, I'm actually looking forward to this
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is what I've been waiting for
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Theme Song
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;they're getting the gen's biggest together lmao
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;succeed's getting serious lol
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;this is actually a really big deal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;      Calling<br>
&nbsp;&nbsp;&nbsp;&nbsp; Hashiba Miyoko
<br>**[03:23] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[03:23] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Onii-chan? You doing okay?*<br>**[03:26] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[03:27] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[03:28] Miyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, I was going through my stuff*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I found something of yours.*<br>**[03:32] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought I'd drop it off later.*<br>**[03:34] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something of mine? What?<br>**[03:36] Miyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The letter from when*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you got into art school.*<br>**[03:38] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're proud of it, right?*<br>**[03:41] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll see you later, then.*<br>**[03:50] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Art school, huh?<br>**[03:55] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I got into two schools,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I wasn't sure which to attend.*<br>**[04:01] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;One was the economics department*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of a regular university.*<br>**[04:04] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The other was the visual arts*<br>*&nbsp;&nbsp;&nbsp;&nbsp;program of an art school.*<br>**[04:09] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My admiration for creatives lead me to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;take the entrance exam on a lark...*<br>**[04:14] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I passed somehow.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notice of Acceptance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exam ID:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Name: Hashiba Kyoya
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This letter is to notify you of your acceptance<br>
&nbsp;&nbsp;&nbsp;&nbsp;into the academic programs listed below for<br>
&nbsp;&nbsp;&nbsp;&nbsp; the exam that you took in 2004.
<br>**[04:16] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I didn't attend.*<br>**[04:18] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't have the confidence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to try a creative career,*<br>**[04:20] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and regular college work seemed easier.*<br>**[04:27] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wonder what would've happened*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if I had gone to art school instead.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>**[04:32] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are all the same age as me.*<br>**[04:36] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I had gone to art school instead,*<br>**[04:39] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;maybe I would've become*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a creator, like them.*<br>**[04:42] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wonder if I could wake up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and be back in time...*<br>**[04:46] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then I'd change things.*<br>**[04:51] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan?<br>**[04:53] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan...<br>**[04:55] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan!<br>**[05:00] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it kill you to knock—<br>**[05:03] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[05:11] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya.<br>**[05:12] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome, by the way.<br>**[05:17] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it doesn't work that way.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notice of Acceptance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya-sama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We are contacting you to let you know you passed<br>
&nbsp;&nbsp;&nbsp;&nbsp; the entrance exam to Oonaka University of the Arts<br>
&nbsp;&nbsp;&nbsp;&nbsp; Visual Arts program that you took in 2004.
<br>**[05:28] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing I can do now.<br>**[05:34] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd better look for a job.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;September 2016
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We wish you luck in your future endeavors.
<br>**[06:24] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[06:33] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry!<br>**[06:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I seriously look that suicidal?<br>**[06:42] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... you looked kinda lonely, maybe?<br>**[06:50] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said kind of lonely—<br>**[06:52] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry!<br>**[06:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[06:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I remembered what I was worried about,<br>&nbsp;&nbsp;&nbsp;&nbsp;I got pissed off all of a sudden.<br>**[07:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be pretty serious.<br>**[07:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me about it!<br>**[07:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had staff run out on us<br>&nbsp;&nbsp;&nbsp;&nbsp;at a critical juncture.<br>**[07:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They ran off?<br>**[07:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I work at a company<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes games, right?<br>**[07:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I guess it's not really<br>&nbsp;&nbsp;&nbsp;&nbsp;unheard of in this industry.<br>**[07:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the odds that<br>&nbsp;&nbsp;&nbsp;&nbsp;I just stumble across someone<br>**[07:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;who can direct, edit images and video,<br>**[07:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has a general knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;of web development...<br>**[07:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since I'm asking, maybe they<br>&nbsp;&nbsp;&nbsp;&nbsp;could hook me up with an illustrator.<br>**[07:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[07:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds like me.<br>**[07:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does?<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it does, anyway.<br>**[07:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe I landed<br>&nbsp;&nbsp;&nbsp;&nbsp;a gig at SucceedSoft.<br>**[08:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better work hard! This is a big chance!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Group 2
<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome, Hashiba Kyoya-san.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the head of SucceedSoft's<br>&nbsp;&nbsp;&nbsp;&nbsp;second development group, Kawasegawa.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to have you.<br>**[08:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! I'm very glad to be working here!<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's the team head?*<br>**[08:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But she's only about my age...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or even younger.*<br>**[08:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Amazing.*<br>**[08:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go ahead and explain<br>&nbsp;&nbsp;&nbsp;&nbsp;what you'll need to get started.<br>**[08:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Materials Room
<br>**[08:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the room where we've put<br>&nbsp;&nbsp;&nbsp;&nbsp;the reference material for our new title.<br>**[08:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're short-staffed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can see what that's led to.<br>**[08:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize you for sticking you<br>&nbsp;&nbsp;&nbsp;&nbsp;with basic chores for your first job, but...<br>**[08:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you.<br>**[08:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have expected too much, I guess.<br>**[08:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just be grateful to even have a job.<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Data
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shopping District By Station
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tea Set
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Camera
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Park Play Sets
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Heroine 1 Accessory
<br>**[09:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, isn't this...<br>**[09:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should probably be like this.<br>**[09:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this like this...<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's change how this is organized.<br>**[09:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The filers were previously labeled<br>&nbsp;&nbsp;&nbsp;&nbsp; only with numbers.<br>**[09:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I labeled each type of file<br>&nbsp;&nbsp;&nbsp;&nbsp; with a letter of the alphabet,<br>**[09:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a number to distinguish them.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Characters
<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made digital copies of anything<br>&nbsp;&nbsp;&nbsp;&nbsp;we didn't need hard copies of,<br>**[09:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and filed the hard copies on the shelves.<br>**[09:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made sure to label the toys<br>&nbsp;&nbsp;&nbsp;&nbsp;and figurines too,<br>**[09:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so now we can keep track of it all via PC.<br>**[09:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... what do you think?<br>**[09:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I have to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not what I expected.<br>**[10:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relax, though.<br>**[10:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You exceeded those expectations.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;October 2016
<br>**[10:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can delay the deadline by a week,<br>**[10:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in exchange I'd like to see whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;you have now, even if it's still rough.<br>**[10:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way we can get things rolling<br>&nbsp;&nbsp;&nbsp;&nbsp;for the backgrounds.<br>**[10:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for your next set of specs,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting them ready by tonight is...<br>**[10:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, it's going to have to<br>&nbsp;&nbsp;&nbsp;&nbsp;wait until tomorrow.<br>**[10:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll excuse me.<br>**[10:36] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks so much, Hashiba-san.<br>**[10:38] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it is, but that artist tends<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose their temper with me really fast.<br>**[10:42] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your softball approach is a huge help.<br>**[10:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem at all.<br>**[10:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make sure to have the text<br>&nbsp;&nbsp;&nbsp;&nbsp;specifications ready for them.<br>**[10:49] Coworker 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san! About that tutorial video<br>&nbsp;&nbsp;&nbsp;&nbsp;for that item we talked about yesterday...<br>**[10:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry! I've got it!<br>**[10:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure it's ready to check<br>&nbsp;&nbsp;&nbsp;&nbsp;at tomorrow's morning meeting.<br>**[10:59] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[11:00] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have time to edit this image later?<br>**[11:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! I'll have it ready by tonight.<br>**[11:07] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun, I could use a hand...<br>**[11:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it, I'll figure it out!<br>**[11:11] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba, sorry, do you have a second?<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[11:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never thought someone assuming I was<br>&nbsp;&nbsp;&nbsp;&nbsp;jumping off an overpass would be so fortunate.<br>**[11:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad we had that misunderstanding, too.<br>**[11:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It still kind of hurts my feelings, though.<br>**[11:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I am really sorry about that!<br>**[11:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a lot of worries back then.<br>**[11:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was feeling really fed up,<br>&nbsp;&nbsp;&nbsp;&nbsp;which was when you saw me.<br>**[11:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of a mess<br>&nbsp;&nbsp;&nbsp;&nbsp;at our company, y'know.<br>**[11:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Howso?<br>**[11:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The team working on a social game<br>&nbsp;&nbsp;&nbsp;&nbsp;is calling us "budget parasites."<br>**[11:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they try to screw<br>&nbsp;&nbsp;&nbsp;&nbsp;with our development as a result.<br>**[11:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't this a big anniversary project?<br>**[11:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they do that?<br>**[12:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not everyone feels like celebrating.<br>**[12:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not caring about the anniversary<br>&nbsp;&nbsp;&nbsp;&nbsp;means they think it's all a waste.<br>**[12:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I want to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;this project is a success.<br>**[12:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to waste a chance to work<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Platinum Generation.<br>**[12:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really care about it, huh?<br>**[12:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having you on board has been a huge help.<br>**[12:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[12:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. This is<br>&nbsp;&nbsp;&nbsp;&nbsp;a special project for me, too.<br>**[12:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like Akishima Shino's art, huh?<br>**[12:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sooner you become<br>&nbsp;&nbsp;&nbsp;&nbsp;a permanent employee, the better.<br>**[12:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are my prospects, on that front?<br>**[12:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's part of the contract.<br>**[12:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;After six months, you'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;considered for the position.<br>**[12:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I better work hard, then!<br>**[12:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you want to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Gen soon, too.<br>**[13:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;November 2016
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask, but would we be able to get additional time?
<br>**[13:15] Coworker 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't gotten any<br>&nbsp;&nbsp;&nbsp;&nbsp;more of the script yet.<br>**[13:18] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having nothing show up<br>&nbsp;&nbsp;&nbsp;&nbsp;for a whole month isn't normal, right?<br>**[13:22] Coworker 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what the chief thinks.<br>**[13:24] Coworker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been out a lot lately.<br>**[13:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, can I have a word?<br>**[13:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something I need to tell you all.<br>**[13:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Platinum project...<br>**[13:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been frozen, as decided<br>&nbsp;&nbsp;&nbsp;&nbsp;by a meeting of the board of directors.<br>**[13:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! What happened?<br>**[14:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could have done more.<br>**[14:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[14:08] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that work, and for what?<br>**[14:10] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's gonna happen to our team?<br>**[14:10] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Management only cares<br>&nbsp;&nbsp;&nbsp;&nbsp;about the social game, anyway.<br>**[14:12] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we gonna be split up?<br>**[14:13] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, this kills my motivation.<br>**[14:14] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I'm drinking myself silly tonight.<br>**[14:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Again...*<br>**[14:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It happened again.*<br>**[14:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The team was laid off*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and my contract was canceled.*<br>**[15:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What did I do wrong?*<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I had chosen this instead...*<br>**[15:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd be pouring my heart into creating,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;brainstorming with my friends,*<br>**[15:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*thinking, then creating something new...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>**[15:21] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I would've met*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation.*<br>**[15:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We could've worked together,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inspired each other...*<br>**[15:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And...*<br>**[15:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then...*<br>**[15:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell difference does it make?!<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late.<br>**[15:44] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan?<br>**[15:46] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan!<br>**[15:48] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan.<br>**[15:52] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally. Were you so excited<br>&nbsp;&nbsp;&nbsp;&nbsp;you passed out, or something?<br>**[15:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on... are you being sarcastic or—<br>**[15:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... since when are you into cosplay?<br>**[16:03] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you talking about?<br>**[16:05] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Dad wanted to to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted for your celebratory dinner.<br>**[16:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celebrating?<br>**[16:12] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were freaking out<br>&nbsp;&nbsp;&nbsp;&nbsp;about getting in before.<br>**[16:15] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I got into Oonaka Arts!"<br>**[16:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a decade ago.<br>**[16:21] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan, what are you talking about?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I could ask you...<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, did you borrow some of my books?<br>**[16:35] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure didn't.<br>**[16:36] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always get mad when I do.<br>**[16:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... there's only the first seven <br>
&nbsp;&nbsp;&nbsp;&nbsp;volumes of *The Familiar of Zero*.<br>**[16:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, *Haganai*, *Asterisk*, <br>
&nbsp;&nbsp;&nbsp;&nbsp;and *No Game, No Life* are missing.<br>**[16:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't we get rid of this CRT?<br>**[16:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And...<br>**[16:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a PreS2? What happened to the PreS3?<br>**[16:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should use my smartphone to—<br>**[17:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A flip phone?!<br>**[17:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;2006?!<br>**[17:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Once time passes, it never comes back."*<br>**[17:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"There are no second chances in life."*<br>**[17:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I always believed that...*<br>**[17:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, what I am experiencing*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art, Visual Arts Department
<br>**[17:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is the world from ten years ago that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been dying to go back to.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;April 2006
<br>**[19:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how it happened,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I've reverted ten years into the past.*<br>**[19:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's when I was choosing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what university to attend.*<br>**[19:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where I was pondering my own future,*<br>**[19:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;instead of pondering*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the nature of the world.*<br>**[19:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope this is the right way?<br>**[19:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichisuka Higashi... Ichisuka Higashi?<br>**[19:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take this right, then.<br>**[20:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Back then, I chose the ordinary path*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because I wasn't sure of my own potential.*<br>**[20:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As a result, I had some*<br>*&nbsp;&nbsp;&nbsp;&nbsp;seriously bitter experiences.*<br>**[20:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is why, when I found myself back in time,*<br>**[20:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there was only really one option.*<br>**[20:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[20:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Share House Kitayama.<br>**[20:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?<br>**[20:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I the first one here?<br>**[20:42] Mover**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Akashika Movers!<br>**[20:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[20:45] Mover**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Akashika Movers
<br>**[20:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's start putting stuff away.<br>**[21:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest can wait until tomorrow.<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My Dad asked me to make one promise:*<br>**[21:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since your diet can become lopsided*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when you're living on your own,*<br>**[21:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to eat plenty of fermented foods,*<br>**[21:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;whether it comes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from lactic acid or from natto.*<br>**[21:28] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I really should have bought a sports*<br>*&nbsp;&nbsp;&nbsp;&nbsp;drink when I picked this up.*<br>**[21:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm an art student now.*<br>**[21:41] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll get to work together with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino, Kawagoe Kyouichi, and N@NA...*<br>**[21:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then... I'll finally...*<br>**[21:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Finally...*<br>**[22:02] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun?<br>**[22:04] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun...<br>**[22:06] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun.<br>**[22:08] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun!<br>**[22:11] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun...<br>**[22:13] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you dozing off for, Hashiba-kun?<br>**[22:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-President?!<br>**[22:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I back at my old job?!<br>**[22:19] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop daydreaming!<br>**[22:21] President**<br>&nbsp;&nbsp;&nbsp;&nbsp;The CG illustrations still aren't finished <br>
&nbsp;&nbsp;&nbsp;&nbsp;for *Pretty Booty*, Hashiba-kun!<br>**[22:25] Goons**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's that damn president?!<br>**[22:28] Goons**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Prez, hope you're ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay what you owe... with interest.<br>**[22:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hang on, this has to be a mistake!<br>**[22:36] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut!<br>**[22:38] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no good, Hashiba-kun!<br>**[22:40] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to run from<br>&nbsp;&nbsp;&nbsp;&nbsp;the debt collectors, Hashiba-kun!<br>**[22:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;President?<br>**[22:43] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life isn't like a movie!<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no second takes, Hashiba-kun!<br>**[22:49] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's try this again.<br>**[22:52] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take two, get ready...<br>**[22:54] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there won't be a third, Hashiba-kun!<br>**[22:56] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, run into the light!<br>&nbsp;&nbsp;&nbsp;&nbsp;The future is up to you, Hashiba-kun!<br>**[23:05] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scene 5, Cut 12, ready...<br>**[23:08] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Action!<br>**[23:10] Goons**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's that damn president?!<br>**[23:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't let it end here!*<br>**[23:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No way is that happening!*<br>**[23:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What a nasty nightmare.*<br>**[23:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where have I seen this before?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Description
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Situation: A girl is sleeping in front of the protagonist.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Clothing: Her pajama top has partially slid off her shoulder,<br>
&nbsp;&nbsp;&nbsp;&nbsp; with some of her bosom exposed.
<br>**[23:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, right, it was in an eroge we made.*<br>**[23:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess I haven't woken up yet.*<br>**[24:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it morning already?<br>**[24:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cute...<br>**[24:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[24:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirsty...<br>**[24:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I...<br>**[24:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;already... started on that.<br>**[24:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing beats yogurt in the morning!<br>**[24:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I agree.<br>**[24:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, hang on, who are you?<br>**[24:56] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, I better introduce myself.<br>**[25:03] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[25:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was on the second floor!<br>**[25:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you okay in there?!<br>**[25:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're coming in!<br>**[25:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a sec!<br>**[25:13] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? What happ—<br>**[25:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not what it looks like!<br>**[25:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I woke up, she was<br>&nbsp;&nbsp;&nbsp;&nbsp;sleeping next to me, and—<br>**[25:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since my futon's not here yet, I borrowed his.<br>**[25:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, that's why?<br>**[25:38] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go first, then.<br>**[25:41] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Nanako Kogure!<br>**[25:43] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm originally from Shiga Prefecture!<br>**[25:45] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can call me Nanako!<br>**[25:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[25:49] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She seems kinda popular,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;maybe a bit of a gyaru.*<br>**[25:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess: it was art school<br>&nbsp;&nbsp;&nbsp;&nbsp;or a life of crime—<br>**[25:56] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a talent<br>&nbsp;&nbsp;&nbsp;&nbsp;for being a pain in the ass<br>**[25:58] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I've only known you<br>&nbsp;&nbsp;&nbsp;&nbsp;for, like, 30 seconds.<br>**[26:01] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's not make fun of her, then.*<br>**[26:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Tsurayuki Rokuonji...<br>**[26:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll keep it casual, too.<br>**[26:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a cool family name!<br>**[26:13] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like pretentious.<br>**[26:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What difference does my family name make?<br>**[26:17] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so you're the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;who can make fun of people?<br>**[26:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go next!<br>**[26:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kyoya Hashiba.<br>**[26:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[26:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can just call me Kyoya too—<br>**[26:27] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Kyoya,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to clarify something...<br>**[26:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's that?<br>**[26:32] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you explain the sequence of events<br>&nbsp;&nbsp;&nbsp;&nbsp;between yesterday and today in detail?<br>**[26:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already did, though!<br>**[26:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence!<br>&nbsp;&nbsp;&nbsp;&nbsp;A series of unfortunate coincidences!<br>**[26:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, well...<br>**[26:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you coincidentally spent the night<br>&nbsp;&nbsp;&nbsp;&nbsp;with a girl you just met...<br>**[26:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before giving her a little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;of the milky splash?<br>**[26:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it was just a—<br>**[26:54] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable!<br>**[26:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be interesting, I think.<br>**[27:02] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves me!<br>**[27:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Shino Aki.<br>**[27:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from Fukuoka, in Kyushu...<br>&nbsp;&nbsp;&nbsp;&nbsp;a town called Itoshima.<br>**[27:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki's kind of a<br>&nbsp;&nbsp;&nbsp;&nbsp;masculine name, isn't it?<br>**[27:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[27:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, that ain't it though.<br>**[27:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shino's my family name, and Aki's my name.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S<br>
&nbsp;&nbsp;&nbsp;&nbsp;H<br>
&nbsp;&nbsp;&nbsp;&nbsp;I
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N<br>
&nbsp;&nbsp;&nbsp;&nbsp;O
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;K<br>
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<br>**[27:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm Shino Aki!<br>**[27:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'all can call me Aki, too.<br>**[27:27] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Shinoaki, though?<br>**[27:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like the sound of Shinoaki.<br>**[27:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki it is.<br>**[27:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are y'all not gonna listen to me?!<br>**[27:37] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Share House<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kitayama
<br>**[27:41] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And that was how the four of us*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ended up together in this share house.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya Shino Aki Rokuonji Tsurayuki Kogure Nanako
<br>**[27:47] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The second floor's rooms were*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for me and Shinoaki,*<br>**[27:49] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the bottom floor's being*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for Tsurayuki and Nanako.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Household Chores<br>
&nbsp;&nbsp;&nbsp;&nbsp;           Mon       Tue      Wed      Thu       Fri        Sat      Sun<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kyoya      Cleaning  Errands  Trash    Cleaning  Cleaning   Errands  Trash<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki  Cleaning  Cleaning  Errands  Trash    Cleaning  Cleaning  Errands<br>
&nbsp;&nbsp;&nbsp;&nbsp;Nanako    Trash     Cleaning  Cleaning  Errands  Trash    Cleaning  Cleaning<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki   Errands   Trash    Cleaning  Cleaning  Errands  Trash    Cleaning
<br>**[27:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We split up the chores along these lines.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chore Schedule<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kyoya       General household stuff<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki  Taking the trash out, brute force labor<br>
&nbsp;&nbsp;&nbsp;&nbsp;Nanako     Cleaning, occasionally cooking<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki    Helping everyone else
<br>**[27:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't go into all the specifics... <br>
&nbsp;&nbsp;&nbsp;&nbsp;but it was kind of a mess.*<br>**[28:07] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to say...*<br>**[28:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what kinda stuff is in Shiga?<br>**[28:08] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Being around two girls,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and both of them being so cute...*<br>**[28:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's Lake Biwa...<br>**[28:12] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like something out of a dream.*<br>**[28:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lake Biwa?<br>**[28:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else?<br>**[28:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other than that...<br>**[28:18] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And considering what's already happened,*<br>**[28:20] Kyouya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I should be careful about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;anyone getting the wrong idea.*<br>**[28:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine that, all of us<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Visual Arts program...<br>**[28:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty wild coincidence, right?<br>**[28:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems great to me. We can<br>&nbsp;&nbsp;&nbsp;&nbsp;share notes on class, and stuff.<br>**[28:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, man, is this really Osaka?<br>**[28:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more rural than it is back home.<br>**[28:43] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Osaka, but on the border<br>&nbsp;&nbsp;&nbsp;&nbsp;between prefectures.<br>**[28:45] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear there used to be signs warning<br>&nbsp;&nbsp;&nbsp;&nbsp;about pit vipers until recently.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Caution<br>
&nbsp;&nbsp;&nbsp;&nbsp;Pit Vipers!!
<br>**[28:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should go home after all.<br>**[28:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna let some<br>&nbsp;&nbsp;&nbsp;&nbsp;snakes intimidate you...<br>**[28:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this is really gonna freak you out.<br>**[28:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oonaka Arts' signature landmark...<br>&nbsp;&nbsp;&nbsp;&nbsp;the Art Hill.<br>**[29:03] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right... I forgot all about it.<br>**[29:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda looks like the zone before<br>&nbsp;&nbsp;&nbsp;&nbsp;the final boss fulla tough enemies.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Visual Arts Program
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Heisei 18 (2006)<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of the Arts Visual Arts Program<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;New Student Guidance
<br>**[29:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lotta new students<br>&nbsp;&nbsp;&nbsp;&nbsp;from the look of things.<br>**[29:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A whole bunch.<br>**[29:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hundred... maybe more?<br>**[29:31] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[29:32] Prof**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the new students could be seated<br>&nbsp;&nbsp;&nbsp;&nbsp;in accordance to the numbered seats.<br>**[29:39] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he says.<br>**[29:40] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you all later, then.<br>**[29:46] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this 33?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Brute Strength
<br>**[29:51] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[29:52] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, cool. Pardon me, then.<br>**[29:56] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm finally at art school!<br>**[29:59] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Hikawa Genkiro!<br>**[30:01] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You write it with the "genki"<br>&nbsp;&nbsp;&nbsp;&nbsp;from "How you doing?!"<br>**[30:04] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the same "ro" as Ichiro<br>&nbsp;&nbsp;&nbsp;&nbsp;and Jiro! Genkiro!<br>**[30:06] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you!<br>**[30:07] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[30:08] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hashiba Kyoya. Likewise.<br>**[30:11] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Hashiba, did you play any sports?<br>**[30:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in particular, no.<br>**[30:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just watched baseball on TV, really.<br>**[30:19] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baseball, huh? Chibalotti<br>&nbsp;&nbsp;&nbsp;&nbsp;did great last year!<br>**[30:23] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;And man, at last year's Koshien,<br>&nbsp;&nbsp;&nbsp;&nbsp;Koma-komai's Mii-kun was awesome!<br>**[30:27] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, right... that would've*<br>*&nbsp;&nbsp;&nbsp;&nbsp;been ten years ago, huh?*<br>**[30:31] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess the prince of towel's big showcase*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is gonna be summer of this year...*<br>**[30:34] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You a fan of any players, Hashiba?<br>**[30:37] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[30:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe Oodani?<br>**[30:41] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oodani? Doesn't ring any bells.<br>**[30:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, he's a two-way player.<br>**[30:47] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is?<br>**[30:48] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[30:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, uh, ever think about that neat saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;"He who chases two hares, won't catch one"?<br>**[30:55] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Crap, I need to choose*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my words more carefully.*<br>**[30:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, we have the advising<br>&nbsp;&nbsp;&nbsp;&nbsp;assistant professor Kano here,<br>**[31:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has a word for all of our new students.<br>**[31:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there! Nice to meet you everybody!<br>**[31:09] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Assistant Professor Kano.<br>**[31:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to art school!<br>**[31:14] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our teacher?<br>**[31:15] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems kinda young.<br>**[31:18] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, to start out with,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take an informal survey.<br>**[31:23] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, first of all, everyone wants<br>&nbsp;&nbsp;&nbsp;&nbsp;to direct movies, raise your hand!<br>**[31:29] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next, who wants to be a screenwriter?<br>**[31:33] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone want to be an animator?<br>**[31:36] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Game creators?<br>**[31:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's plenty of others, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Filming, recording, effects, editing...<br>**[31:42] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;All kinds of different careers!<br>**[31:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see...<br>**[31:50] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you all need to listen up!<br>**[31:55] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, we had 135 graduates<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Visual Arts program last year.<br>**[32:00] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many of them do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;landed the job they were after,<br>**[32:05] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the time of their admission?<br>**[32:07] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, blondie.<br>**[32:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh...<br>**[32:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forty-two, maybe?<br>**[32:22] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bzzt! Wrong.<br>**[32:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even that many would be like a dream, huh?<br>**[32:29] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct answer is... eight of them.<br>**[32:34] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that less than you expected?<br>**[32:36] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even that is better<br>&nbsp;&nbsp;&nbsp;&nbsp;than the previous year.<br>**[32:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's change subjects, for a sec,<br>&nbsp;&nbsp;&nbsp;&nbsp;and talk about money.<br>**[32:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;People get hungry, they get tired,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they have to use the bathroom.<br>**[32:50] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need clothes to wear,<br>&nbsp;&nbsp;&nbsp;&nbsp;and homes to live in.<br>**[32:53] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking bare necessities.<br>**[32:54] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because everybody needs them,<br>&nbsp;&nbsp;&nbsp;&nbsp; they cost money.<br>**[32:58] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... how about movies,<br>&nbsp;&nbsp;&nbsp;&nbsp;anime, and video games?<br>**[33:02] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entertainment only becomes important<br>&nbsp;&nbsp;&nbsp;&nbsp;once you've got your needs met.<br>**[33:08] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it's low priority.<br>&nbsp;&nbsp;&nbsp;&nbsp;Useless, you could even say.<br>**[33:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you all, who have come to a university<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn to make those things...<br>**[33:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that goes all<br>&nbsp;&nbsp;&nbsp;&nbsp;the way past eccentricity...<br>**[33:18] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And into stupidity.<br>**[33:21] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, if you're good enough at being stupid?<br>&nbsp;&nbsp;&nbsp;&nbsp;You can make money off of it.<br>**[33:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what you need to seek out.<br>**[33:26] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to be stupid anyway,<br>&nbsp;&nbsp;&nbsp;&nbsp;do it in a way that no one else can touch.<br>**[33:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to seeing that happen.<br>**[33:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all!<br>**[33:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"It's not gonna be easy," in other words.*<br>**[33:46] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, these*<br>*&nbsp;&nbsp;&nbsp;&nbsp;industries are not exactly expansive.*<br>**[33:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whether it's movies, anime, or games...*<br>**[33:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's only a tiny fraction of people*<br>**[33:57] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;whose names get big enough*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to become popular.*<br>**[34:00] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if the people from this generation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were known as "Platinum,"*<br>**[34:04] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it doesn't mean that every single one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of them shone bright.*<br>**[34:07] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I should know, considering*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the future I came from.*<br>**[34:12] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But there's no sense in getting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;depressed at the start.*<br>**[34:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Gotta focus on getting things done.*<br>**[34:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, you dropped your student ID.<br>**[34:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?<br>**[34:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Chief?!<br>**[34:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what? I'm not in any<br>&nbsp;&nbsp;&nbsp;&nbsp;clubs or anything yet.<br>**[34:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[34:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... wait...<br>**[34:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you hand my ID over, please?<br>**[34:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[34:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[34:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh, so she was in the same program.*<br>**[35:07] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I might've been in the same room*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as the Platinum Trio today!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Two Weeks Later
<br>**[35:16] AD**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scene 16, Cut 1...<br>**[35:18] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready... action!<br>**[35:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, our Visual Arts classes began.*<br>**[35:25] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That said, it's not like we got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;right into making movies.*<br>**[35:29] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We observed the older students' shoots...*<br>**[35:31] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And stuffed our heads full*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of knowledge about the field.*<br>**[35:39] Director**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of kaiju beats the superhero?!<br>**[35:41] Suit Monster**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, heat of the moment...<br>**[35:43] Directors**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freshmen, that was<br>&nbsp;&nbsp;&nbsp;&nbsp;an example of what not to do.<br>**[35:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Considering we were learning English verbs*<br>**[35:49] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and secondary functions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just a few months ago...*<br>**[35:53] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's gonna take a while before things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like "the 180-degree rule" sink in.*<br>**[35:59] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Although in my case,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was 28 years old a month ago.*<br>**[36:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got it all wrong!<br>**[36:06] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's one exception, though.*<br>**[36:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not positioned well.<br>**[36:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it another pause<br>&nbsp;&nbsp;&nbsp;&nbsp;before stepping into the scene.<br>**[36:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Camera, don't try and chase him down<br>&nbsp;&nbsp;&nbsp;&nbsp;with a pan. Pull out and hold.<br>**[36:17] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa was already*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the center of the action.*<br>**[36:22] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Although she's a little*<br>*&nbsp;&nbsp;&nbsp;&nbsp;imposingly serious at times.*<br>**[36:27] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the chief for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's on another level.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Screenplay Writing Theory
<br>**[36:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Compared to that, here I am...*<br>**[36:42] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;wondering if I can really reach the level*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the Platinum Generation like this.*<br>**[36:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, wake up!<br>**[36:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a little bit more...<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wiped out from working all night.<br>**[37:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In spite of everything I said,*<br>**[37:02] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Share House Kitayama residents*<br>*&nbsp;&nbsp;&nbsp;&nbsp;seem to be taking things easy.*<br>**[37:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you wanted to be nice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you could say they're relaxed.*<br>**[37:09] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you didn't, you could say they*<br>*&nbsp;&nbsp;&nbsp;&nbsp;don't seem motivated for class at all.*<br>**[37:14] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is kind of a relief, to be honest.*<br>**[37:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If everyone around me was like Kawasegawa...*<br>**[37:20] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I might've been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;afraid to attend class.*<br>**[37:27] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, when it comes to writing a script,<br>**[37:30] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are ten elements you need<br>&nbsp;&nbsp;&nbsp;&nbsp;for things to come together.<br>**[37:32] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet you only see<br>&nbsp;&nbsp;&nbsp;&nbsp;eight here on the board.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Screenplay Writing Theory<br>
&nbsp;&nbsp;&nbsp;&nbsp;The Ten Points of Screenplay Writing
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Progress  Fate  Treasure  Resolution<br>
&nbsp;&nbsp;&nbsp;&nbsp;Resonance  Climax  Conclusion  Themes
<br>**[37:36] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems kind of weird when<br>&nbsp;&nbsp;&nbsp;&nbsp;there's supposed to be ten, right?<br>**[37:40] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm gonna ask you all<br>&nbsp;&nbsp;&nbsp;&nbsp;what the remaining two are.<br>**[37:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously?! I have no clue!*<br>**[37:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any ideas?<br>**[37:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[37:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, someone's fired up. And you are?<br>**[37:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa Eiko.<br>**[37:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is one of the missing<br>&nbsp;&nbsp;&nbsp;&nbsp;elements "complications"?<br>**[37:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Complications" refers<br>&nbsp;&nbsp;&nbsp;&nbsp;to unpredictable turns in the story,<br>**[38:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;which tend to lead into<br>&nbsp;&nbsp;&nbsp;&nbsp;the protagonist or hero failing.<br>**[38:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, no matter how<br>&nbsp;&nbsp;&nbsp;&nbsp;amazing an individual is,<br>**[38:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're less interesting<br>&nbsp;&nbsp;&nbsp;&nbsp;without some kind of flaw.<br>**[38:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having those faults come to the fore<br>&nbsp;&nbsp;&nbsp;&nbsp;during a story, and overcoming them,<br>**[38:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;creates interesting drama.<br>**[38:21] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct you are. Perfect answer.<br>**[38:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She really is something.*<br>**[38:26] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell me what the other one is, too?<br>**[38:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd hate to hog all the<br>&nbsp;&nbsp;&nbsp;&nbsp;attention. I think...<br>**[38:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to pass it off to the guy<br>&nbsp;&nbsp;&nbsp;&nbsp;who's snoring loudly behind me.<br>**[38:40] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an interesting one,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-kun. And mean.<br>**[38:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, sir.<br>**[38:47] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since you went ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;and gave up the spotlight...<br>**[38:51] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have sleepyhead here answer.<br>**[38:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone call for me?<br>**[38:57] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The professor did! He wants you<br>&nbsp;&nbsp;&nbsp;&nbsp;to name the missing element!<br>**[39:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Missing what?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ten Points of Screenplay Writing
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Complications
<br>**[39:10] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Don't you know?<br>**[39:13] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't, then pay more attention to—<br>**[39:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A foil.<br>**[39:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who becomes the protagonist's<br>&nbsp;&nbsp;&nbsp;&nbsp;"enemy" in the story, in other words.<br>**[39:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can be an individual,<br>&nbsp;&nbsp;&nbsp;&nbsp;or an organization...<br>**[39:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of the other nine<br>&nbsp;&nbsp;&nbsp;&nbsp;principles you've got...<br>**[39:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A simple way of putting it would be<br>&nbsp;&nbsp;&nbsp;&nbsp;"whoever steals the treasure."<br>**[39:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something to help maintain tension<br>&nbsp;&nbsp;&nbsp;&nbsp;until the climax of the story.<br>**[39:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure it's a pretty important element.<br>**[39:39] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[39:42] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're quite the complication yourself.<br>**[39:45] Professor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're right. Well done.<br>**[39:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, sir.<br>**[39:55] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I take back what I said. Looks like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to relax, after all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pork<br>
&nbsp;&nbsp;&nbsp;&nbsp;Katsu<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mincemeat<br>
&nbsp;&nbsp;&nbsp;&nbsp;Katsu<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fried<br>
&nbsp;&nbsp;&nbsp;&nbsp;Chicken<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meal
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Katsudon<br>
&nbsp;&nbsp;&nbsp;&nbsp;with<br>
&nbsp;&nbsp;&nbsp;&nbsp; Sauce
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Croquette<br>
&nbsp;&nbsp;&nbsp;&nbsp; Meal
<br>**[40:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't a big deal...<br>**[40:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just recited something<br>&nbsp;&nbsp;&nbsp;&nbsp;I read in a book once.<br>**[40:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see how that earns any praise.<br>**[40:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that scary-looking teacher<br>&nbsp;&nbsp;&nbsp;&nbsp;flat-out praised you.<br>**[40:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Learn to take a compliment!<br>**[40:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was just being nice to the freshman.<br>**[40:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start taking that kind of thing seriously,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll never get anywhere.<br>**[40:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Nanako. We've got<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual Arts Theory for third period, right?<br>**[40:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[40:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you two later.<br>**[40:35] Shio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun's really something.<br>**[40:38] Shio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get any of the jargon stuff,<br>**[40:42] Shio**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm barely able to keep up.<br>**[40:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here.<br>**[40:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That said...*<br>**[40:49] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought my extra ten years*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would be an advantage.*<br>**[40:53] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That it'd make a big difference compared*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to all the other students.*<br>**[40:58] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if it didn't amount to much,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I did actually work in entertainment.*<br>**[41:02] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was supposed to give me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some kind of advantage.*<br>**[41:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what I actually found out*<br>**[41:07] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is that my fundamental*<br>*&nbsp;&nbsp;&nbsp;&nbsp;knowledge is severely lacking.*<br>**[41:11] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A handful of sub-par experiences*<br>*&nbsp;&nbsp;&nbsp;&nbsp;isn't enough to equal knowledge or talent.*<br>**[41:16] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It feels like I'm learning*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that the hard way.*<br>**[41:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? You look real worried.<br>**[41:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, no...<br>**[41:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing serious. Not really.<br>**[41:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you say so...<br>**[41:38] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, why did Shinoaki...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;apply to an arts school, anyway?*<br>**[41:43] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was paying close attention*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in photography class, but...*<br>**[41:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe she wants to be a photographer?*<br>**[41:54] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hikawa?<br>**[41:55] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo!<br>**[41:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you dressed like that?<br>**[41:58] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, it's my club uniform!<br>**[42:01] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... uniform?<br>**[42:03] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell yeah! There's only a handful<br>&nbsp;&nbsp;&nbsp;&nbsp;of them in the whole world...<br>**[42:05] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ninja club!<br>**[42:07] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Society for the Study<br>&nbsp;&nbsp;&nbsp;&nbsp;of Ninjutsu! I joined.<br>**[42:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I've heard of that, actually.<br>**[42:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Japan, I think Oonaka Arts has the only one.<br>**[42:15] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Nice and exclusive, know what I mean?<br>**[42:18] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, one of the older<br>&nbsp;&nbsp;&nbsp;&nbsp;kunoichi girls is super hot.<br>**[42:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet that's why he joined.*<br>**[42:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure are having fun, huh, Hikawa-kun?<br>**[42:27] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell yeah! You two should check<br>&nbsp;&nbsp;&nbsp;&nbsp;out some extracurricular stuff, too.<br>**[42:31] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's seriously fun!<br>**[42:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these the club rooms?<br>**[42:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like it.<br>**[42:45] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody's home, though.<br>**[42:50] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey!<br>**[42:52] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up here, you two!<br>**[42:55] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys freshmen?<br>**[42:57] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yes.<br>**[42:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are.<br>**[43:00] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it! That settles things, then.<br>**[43:05] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 2006 freshman mixer<br>&nbsp;&nbsp;&nbsp;&nbsp;is now officially underway!<br>**[43:11] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[43:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't even decide on a club<br>&nbsp;&nbsp;&nbsp;&nbsp;to join... Is this okay?<br>**[43:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure it is.<br>**[43:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;They never asked us if we were in one!<br>**[43:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;True enough.<br>**[43:53] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Shinoaki...<br>**[43:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want to do?<br>**[44:29] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're awake?<br>**[44:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[44:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry!<br>**[44:36] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Don't worry about it.<br>**[44:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been busy non-stop<br>&nbsp;&nbsp;&nbsp;&nbsp;since the entrance ceremony, after all.<br>**[44:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty sharp, Kyoya-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to believe we're the same age.<br>**[44:59] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really think so?<br>**[45:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! You pay a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of attention to everybody.<br>**[45:04] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're calmer'n most<br>&nbsp;&nbsp;&nbsp;&nbsp;20-year-olds I know.<br>**[45:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But sometimes you look like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;tired from thinking too hard.<br>**[45:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;At lunch today, you looked real worried.<br>**[45:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing serious, though. I mean it.<br>**[45:22] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[45:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit trying to brush me off and talk!<br>**[45:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might feel better that way.<br>**[45:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, today... seeing Tsurayuki in class...<br>**[45:36] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me realize how little I can do.<br>**[45:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... it's not just him.<br>**[45:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody at this school has something<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes them special.<br>**[45:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've got nothing. So...<br>**[45:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking... about how little I can do.<br>**[45:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it had me worrying a lot.<br>**[46:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That surprises me, because<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured you could do anything.<br>**[46:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't, though.<br>**[46:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can cook<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep yourself fed, right?<br>**[46:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[46:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do laundry, clean the house,<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep things nice, right?<br>**[46:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do that.<br>**[46:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can make plans<br>&nbsp;&nbsp;&nbsp;&nbsp;and actually stick to them, right?<br>**[46:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That too.<br>**[46:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do any of that.<br>**[46:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm jealous of people<br>&nbsp;&nbsp;&nbsp;&nbsp;who can, if I'm being honest.<br>**[46:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun probably feels the same way.<br>**[46:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's bound to be stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;he's jealous of you for.<br>**[46:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are all trying to find what we can do.<br>**[46:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I bet even the people<br>&nbsp;&nbsp;&nbsp;&nbsp;you think are amazing<br>**[46:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;are just as worried as you are.<br>**[47:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there.<br>**[47:11] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki... listen...<br>**[47:16] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[47:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I better do my best, too, huh?<br>**[47:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What can I do?*<br>**[47:32] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're home.<br>**[47:34] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they're both at work.<br>**[47:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna head to bed, then.<br>**[47:40] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[47:43] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our next report...*<br>**[47:44] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A man was reported for causing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a scene in Dotonbori.*<br>**[47:48] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm exhausted for today.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll work on my assignment tomorrow.*<br>**[47:50] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When approached for a...*<br>**[47:52] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think I'll take a bath.*<br>**[47:56] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I forgot to hand it to her.*<br>**[48:02] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if she's asleep already.*<br>**[48:07] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki? Are you awake?<br>**[48:32] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino... is Shinoaki.<br>**[48:37] (Flashback) Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are all trying to find what we can do.<br>**[48:43] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's what she wants to do, then.<br>**[48:50] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I need to find something, too.*<br>**[48:55] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do I want to do?*<br>**[49:00] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And what is it that I can do?*<br>

# E2 - Ten Years Back in Time

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUK052N/ten-years-back-in-time)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun! Why in the heck did you do it?!<br>**[00:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, okay?<br>**[00:04] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hungry, and there was<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing else that looked good.<br>**[00:07] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that make it okay<br>&nbsp;&nbsp;&nbsp;&nbsp;to eat other people's stuff?!<br>**[00:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, I do feel bad!<br>**[00:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I went ahead and got<br>&nbsp;&nbsp;&nbsp;&nbsp;you some Sukiyamon! See?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sukiyamon<br>
&nbsp;&nbsp;&nbsp;&nbsp;Soy Flavor
<br>**[00:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is is soy sauce-flavored!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Umakatoyo
<br>**[00:19] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umakatoyo is tonkotsu-flavored!<br>**[00:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They ain't the same thing!<br>**[00:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get the big deal.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both instant ramen.<br>**[00:24] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Starting this spring,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;along with enrolling in art school,*<br>**[00:26] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can be the same kinda food,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that don't make them the same food!<br>**[00:26] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've started living in this share house*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with some of my classmates.*<br>**[00:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;In general terms, they're the same thing!<br>**[00:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are not!<br>**[00:31] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's two guys and two girls, which you think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would be the ideal roommate setup, and yet...*<br>**[00:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are!<br>**[00:33] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want mine back!<br>**[00:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad!<br>**[00:36] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the whole argument!<br>**[00:40] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, seriously,<br>&nbsp;&nbsp;&nbsp;&nbsp;eating someone else's food<br>**[00:43] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the one of the worst<br>&nbsp;&nbsp;&nbsp;&nbsp;things a roommate can do!<br>**[00:47] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Why'd everyone go so quiet?<br>**[00:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well, Nanako... Your clothes...<br>**[00:54] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My clothes?<br>**[01:02] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit looking!<br>**[01:05] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot I was in the middle of changing!<br>**[01:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell of a puncher, isn't she?<br>**[01:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whatever reason, I ended up traveling*<br>**[01:14] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;ten years into the past*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with my memories intact.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Do not eat other people's food!
<br>**[01:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's what you might call a "time leap."*<br>**[01:20] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My second attempt attempt*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at college has so far been colored*<br>**[01:22] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;with instant ramen's flavor and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;painful hits to the solar plexus,*<br>**[01:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*along with hope and anxiety.*<br>**[01:28] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It won't be long before*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we start creating for real.*<br>**[01:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't help but wonder what awaits us.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Comprehensive Exercise
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Direction<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Technicals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Performance<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Production
<br>**[03:10] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to filmmaking,<br>&nbsp;&nbsp;&nbsp;&nbsp;these four areas are going to be crucial.<br>**[03:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to form groups of four,<br>&nbsp;&nbsp;&nbsp;&nbsp;with each person handling one area.<br>**[03:24] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The project is to be three minutes long.<br>**[03:26] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I mean that seriously,<br>**[03:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;because once you've all turned<br>&nbsp;&nbsp;&nbsp;&nbsp;in your shorts, we'll be screening them.<br>**[03:31] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's gonna see?<br>**[03:33] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better make sure it turns out good!<br>**[03:36] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally, regarding the theme of the<br>&nbsp;&nbsp;&nbsp;&nbsp;short films I want you all to make...<br>**[03:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Time" is kinda broad as far as themes go.<br>**[03:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So broad it's hard to know<br>&nbsp;&nbsp;&nbsp;&nbsp;where to drill down.<br>**[03:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's a three-minute<br>&nbsp;&nbsp;&nbsp;&nbsp;limit on our runtime, too.<br>**[03:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That teacher isn't trying to make this easy!<br>**[03:56] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good thing we were able to<br>&nbsp;&nbsp;&nbsp;&nbsp;pick out our team so quickly, though.<br>**[03:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Kitayama, featuring the roommates<br>&nbsp;&nbsp;&nbsp;&nbsp;from Share House Kitayama...<br>**[04:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda on the nose, huh?<br>**[04:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're directing. Shinoaki's handling<br>&nbsp;&nbsp;&nbsp;&nbsp; the technical side.<br>**[04:07] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako's performing, and I'm production...<br>**[04:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I wanna do the script, but don't care<br>&nbsp;&nbsp;&nbsp;&nbsp;about the performance side of things.<br>**[04:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, Kyoya!<br>**[04:19] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think we'd end up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the same part time job, too.<br>**[04:22] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me about it.<br>**[04:24] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manager gave me a funny look<br>**[04:26] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he noticed we had the same<br>&nbsp;&nbsp;&nbsp;&nbsp;address on our applications.<br>**[04:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[04:30] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about it.<br>**[04:31] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, hand that over. I'll put it on this shelf.<br>**[04:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Nanako...<br>**[04:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you enroll in art school?<br>**[04:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something you want to do?<br>**[04:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't any real reason.<br>**[04:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe because I was sick of Lake Biwa?<br>**[05:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The big lake from where you live?<br>**[05:02] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:03] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was in grade school,<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to think it was the ocean.<br>**[05:09] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Listen, it's seriously huge!<br>**[05:12] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would've thought it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the ocean at that age, too!<br>**[05:19] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, there's really nothing else to it...<br>**[05:22] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, there are towns and stores,<br>**[05:25] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can find most things<br>&nbsp;&nbsp;&nbsp;&nbsp;you need there.<br>**[05:27] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think if I had never left home,<br>**[05:29] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've never learned<br>&nbsp;&nbsp;&nbsp;&nbsp;what the ocean was really like.<br>**[05:44] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of time just passing by<br>&nbsp;&nbsp;&nbsp;&nbsp;in a place like that scared me.<br>**[05:49] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;And before I knew it, here I was.<br>**[05:53] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's embarrassing to admit, but it's<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of like I'm here to find myself.<br>**[05:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I get what you mean.<br>**[06:17] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The doors are closing. Please stand clear.*<br>**[06:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you here for a similar reason?<br>**[06:40] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[06:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me.<br>**[06:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This goes up here.<br>**[06:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Nanako...<br>**[06:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, it got caught on something.<br>**[06:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, gimme one second...<br>**[06:57] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one?<br>**[07:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, never mind.<br>**[07:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost done...<br>**[07:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I might be trying to act like I did*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I was younger,*<br>**[07:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I'm still 28 mentally.*<br>**[07:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Nanako...<br>**[07:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... thank you.<br>**[07:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sweat.<br>**[07:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Let's finish up.<br>**[07:21] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I don't need to explain how*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was in no hurry to finish up.*<br>**[07:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get those hands moving, Kyoya.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Application<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Team Name: Team Kitayama<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Members<br>
&nbsp;&nbsp;&nbsp;&nbsp;Direction: Tsurayuki Rokuonji<br>
&nbsp;&nbsp;&nbsp;&nbsp;Production: Hashiba Kyoya<br>
&nbsp;&nbsp;&nbsp;&nbsp;Technicals: Shino Aki<br>
&nbsp;&nbsp;&nbsp;&nbsp;Performance: Nanako<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Description:
<br>**[07:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to fill this in, later, then?<br>**[07:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. We're still not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;what we're doing.<br>**[07:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no telling when inspiration<br>&nbsp;&nbsp;&nbsp;&nbsp;will strike, after all.<br>**[07:48] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure to keep your antennae up.<br>**[07:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[07:51] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has anything interesting happened<br>&nbsp;&nbsp;&nbsp;&nbsp;lately that you could use?<br>**[07:55] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately?<br>**[08:02] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it sure looks like something has.<br>**[08:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no idea.<br>**[08:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no, nothing really!<br>**[08:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-If you'll excuse me!<br>**[08:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'd better figure this out soon.*<br>**[08:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home...<br>**[08:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, you'll catch a cold.<br>**[08:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't eat another bite...<br>**[08:34] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Time to finish eating.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Important<br>
&nbsp;&nbsp;&nbsp;&nbsp; Part
<br>**[08:46] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Kyoya-kun.<br>**[08:56] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a real nice dream.<br>**[08:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a bunch of Itoshima oysters to eat.<br>**[09:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to interrupt your meal.<br>**[09:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Shinoaki,<br>&nbsp;&nbsp;&nbsp;&nbsp;why'd you enroll in art school?<br>**[09:11] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything,<br>**[09:14] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I wanted to find something I could do.<br>**[09:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I ended up here.<br>**[09:19] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you choose art school?<br>**[09:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:22] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never been real good at studying,<br>&nbsp;&nbsp;&nbsp;&nbsp;even in elementary school.<br>**[09:26] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd even miss the train a lot.<br>**[09:29] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can imagine that.*<br>**[09:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it was in the country, missing the<br>&nbsp;&nbsp;&nbsp;&nbsp; train meant waiting for a whole half hour.<br>**[09:36] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The folks from the station<br>&nbsp;&nbsp;&nbsp;&nbsp;even got to know me.<br>**[09:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[10:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I have an idea<br>&nbsp;&nbsp;&nbsp;&nbsp;that goes with our theme!<br>**[10:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking of having the short<br>&nbsp;&nbsp;&nbsp;&nbsp;take place at a train station.<br>**[10:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a train station?<br>**[10:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it's the type of place<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone is familiar with,<br>**[10:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a lot of obvious shorthand<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll help people understand the setting.<br>**[10:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think it'd be well-suited to a story<br>&nbsp;&nbsp;&nbsp;&nbsp;that wraps up in three minutes.<br>**[10:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a point!<br>**[10:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody uses the train.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Station
<br>**[10:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since stations tend to stay intact<br>&nbsp;&nbsp;&nbsp;&nbsp;for long periods of time,<br>**[10:27] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;they work well for depicting<br>&nbsp;&nbsp;&nbsp;&nbsp;the passage of time.<br>**[10:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My idea is to use that to depict<br>&nbsp;&nbsp;&nbsp;&nbsp;the life of one woman<br>**[10:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;over the course of three minutes.<br>**[10:36] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought it might be good to have her<br>&nbsp;&nbsp;&nbsp;&nbsp;life progress in tune with the time of day.<br>**[10:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[10:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds interesting! I think it'll work.<br>**[10:45] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like it, too.<br>**[10:47] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see it screened!<br>**[10:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Tsurayuki?<br>**[10:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get a half-hour?<br>**[10:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what that's about.<br>**[10:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno.<br>**[11:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[11:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote up a plot for the<br>&nbsp;&nbsp;&nbsp;&nbsp;setup you described.<br>**[11:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was what you were after.<br>**[11:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This is exactly what I meant!<br>**[11:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really something, Tsurayuki-kun!<br>**[11:20] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were able to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with something so quick!<br>**[11:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's better than<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured you could manage!<br>**[11:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I didn't come up with the idea myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I figured I should do this much.<br>**[11:30] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That settles it, then!<br>**[11:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No objections!<br>**[11:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm looking forward to the script—<br>**[11:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[11:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a second?<br>**[11:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Tsurayuki?<br>**[11:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[11:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something from my idea notebook.<br>**[11:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this—<br>**[11:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the exact same thing.<br>**[12:01] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your idea, and what I had<br>&nbsp;&nbsp;&nbsp;&nbsp;written down in my notes.<br>**[12:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I didn't see—<br>**[12:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[12:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually had it locked up.<br>**[12:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't possibly have seen it.<br>**[12:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you still managed to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with the same idea,<br>**[12:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you read my mind.<br>**[12:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It honestly felt like you took<br>&nbsp;&nbsp;&nbsp;&nbsp;something right out of my head.<br>**[12:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I rushed<br>&nbsp;&nbsp;&nbsp;&nbsp;to write down the outline.<br>**[12:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to.<br>**[12:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was scary, man, if I'm being honest.<br>**[12:35] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, how exactly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;did I come up with that idea?*<br>**[12:40] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I remember now... It was from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a collection of short stories.*<br>**[12:44] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A story about a woman's life, depicted against*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the background of a train station.*<br>**[12:49] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think the impression it left me with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is what had me imagine something similar.*<br>**[12:54] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I didn't read that book*<br>*&nbsp;&nbsp;&nbsp;&nbsp;until some point in the future.*<br>**[13:00] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Does that mean I essentially stole the idea*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from Tsurayuki's future self?*<br>**[13:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, is it just a coincidence?<br>**[13:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is there something else going on here?<br>**[13:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Kyoya? Which one is it?<br>**[13:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it couldn't be...<br>**[13:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to be a coincidence.<br>**[13:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not out of the question<br>&nbsp;&nbsp;&nbsp;&nbsp;for different people to have the same idea.<br>**[13:41] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a point.<br>**[13:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta be honest, I was kind of glad.<br>**[13:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[13:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A train station makes for an easy setting,<br>**[13:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;both in terms of the possibility space<br>&nbsp;&nbsp;&nbsp;&nbsp;for characters' behavior,<br>**[13:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the things that can happen to them.<br>**[13:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something that you pick up<br>&nbsp;&nbsp;&nbsp;&nbsp;from learning about screenwriting.<br>**[13:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if anybody here at school<br>&nbsp;&nbsp;&nbsp;&nbsp;realized that, I sure didn't notice.<br>**[14:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I was thinking about just<br>&nbsp;&nbsp;&nbsp;&nbsp;doing the bare minimum for the project,<br>**[14:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and focusing on my individual studies.<br>**[14:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I get the feeling we could make<br>&nbsp;&nbsp;&nbsp;&nbsp;something good together, Kyoya.<br>**[14:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give the teachers<br>&nbsp;&nbsp;&nbsp;&nbsp;a real shock with our project!<br>**[14:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The girl_
<br>**[15:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, you want to make some cuts?!<br>**[15:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;As things stand, we're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;end up going over three  minutes,<br>**[15:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was hoping you could<br>&nbsp;&nbsp;&nbsp;&nbsp;rewrite the script.<br>**[15:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I submitted the script we have<br>&nbsp;&nbsp;&nbsp;&nbsp;after already rewriting it a bunch,<br>**[15:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I thought it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the best version of that story!<br>**[15:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing in it<br>&nbsp;&nbsp;&nbsp;&nbsp;that can be cut for time!<br>**[15:19] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[15:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, you can adjust the storyboards<br>&nbsp;&nbsp;&nbsp;&nbsp;to make sure everything fits, right?<br>**[15:27] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me think...<br>**[15:29] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should be doable, but...<br>**[15:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if we pick up the pace with your lines,<br>**[15:33] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can cram them in within<br>&nbsp;&nbsp;&nbsp;&nbsp;the time limit, right?<br>**[15:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we, though?<br>**[15:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I'd have to try...<br>**[15:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm talking about!<br>**[15:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should at least try first!<br>**[15:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[15:48] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's a hard time limit*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on this assignment.*<br>**[15:50] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how good the short turns out,*<br>**[15:52] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;if we go past that limit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we'll be worse off for it.*<br>**[15:55] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But is that good enough a reason*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to convince Tsurayuki?*<br>**[16:00] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right now, this is probably*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the best I can do.*<br>**[16:03] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an assignment, after all, so we need<br>&nbsp;&nbsp;&nbsp;&nbsp;to follow the rules if we want the credit.<br>**[16:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[16:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Fine. I'll make the cuts.<br>**[16:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki...<br>**[16:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your approach when it comes<br>&nbsp;&nbsp;&nbsp;&nbsp;to making something good, Kyoya?<br>**[16:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about lame.<br>**[16:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki is such a perfectionist!<br>**[16:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's running long, we should<br>&nbsp;&nbsp;&nbsp;&nbsp;just make the cuts!<br>**[16:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let it bug you too much.<br>**[16:45] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, the young lady stepping on me...<br>**[16:50] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to refrain from the impulse<br>&nbsp;&nbsp;&nbsp;&nbsp;to savor this sensation,<br>**[16:54] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ask for your help instead.<br>**[16:56] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have any sympathy for your senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;who's run out of money from home,<br>**[17:00] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is slowly starving to death...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fine Art Study Group
<br>**[17:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the place?<br>**[17:06] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, thank you.<br>**[17:10] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a huge relief.<br>**[17:12] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I was able to make it back,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to the three of you.<br>**[17:17] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, freshmen—<br>**[17:19] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're ours!<br>**[17:21] Sugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice one, Prez!<br>**[17:22] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we can avert<br>&nbsp;&nbsp;&nbsp;&nbsp;a third year of budget cuts!<br>**[17:27] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be able to survive another year!<br>**[17:29] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am seriously so sorry!<br>**[17:32] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the whole snare.<br>**[17:34] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a big deal, so please, stop bowing!<br>**[17:36] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're going to join the club, right?!<br>**[17:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a different matter altogether.<br>**[17:41] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use after all.<br>**[17:42] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! We're going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;in real trouble without new members.<br>**[17:46] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we at least get permission<br>&nbsp;&nbsp;&nbsp;&nbsp;to use your name?<br>**[17:48] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Hashy?!<br>**[17:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with weird nicknames for me!<br>**[17:53] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really have time<br>&nbsp;&nbsp;&nbsp;&nbsp;for a circle, anyway.<br>**[17:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about joining.<br>**[17:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, me too, as long as it's<br>&nbsp;&nbsp;&nbsp;&nbsp;for a trial period.<br>**[18:01] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[18:02] Art Club**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray! Hooray!<br>**[18:04] Art Club**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[18:06] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fine Art Study Group<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Now Recruiting Members
<br>**[18:09] FLyer sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kiryu Takashi, in my fifth year<br>&nbsp;&nbsp;&nbsp;&nbsp;of the photography program.<br>**[18:13] FLyer sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have any questions<br>&nbsp;&nbsp;&nbsp;&nbsp;about taking pictures, I'm your man.<br>**[18:16] FLyer sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make time.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Location Release Form
<br>**[18:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya...<br>**[18:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, chief...<br>**[18:40] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, Kawasegawa-san.<br>**[18:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your team going to be filming<br>&nbsp;&nbsp;&nbsp;&nbsp;at the station, too?<br>**[18:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... yeah. Yours, too?<br>**[18:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to outdo us.<br>**[18:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what<br>&nbsp;&nbsp;&nbsp;&nbsp;you're putting together,<br>**[18:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;my team intends to get<br>&nbsp;&nbsp;&nbsp;&nbsp;the highest marks.<br>**[18:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;O...kay.<br>**[19:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think we're competing<br>&nbsp;&nbsp;&nbsp;&nbsp;at the same level.<br>**[19:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we're not.<br>**[19:05] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're trying to make something good—<br>**[19:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let me ask you...<br>**[19:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the concept of your short?<br>**[19:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the most important element of it?<br>**[19:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you going to use<br>&nbsp;&nbsp;&nbsp;&nbsp;the three-minute runtime?<br>**[19:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're handling production,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you should have some idea, right?<br>**[19:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[19:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate filmmaking.<br>**[19:26] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the location release form.<br>**[19:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a seat, and I'll see about<br>&nbsp;&nbsp;&nbsp;&nbsp;getting that stamped for you.<br>**[19:30] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[19:36] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about—<br>**[19:39] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Production's always got something<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, huh?<br>**[19:42] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard your group's got<br>&nbsp;&nbsp;&nbsp;&nbsp;some creative differences.<br>**[19:45] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh... Yes.<br>**[19:51] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[19:52] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The script of a movie<br>&nbsp;&nbsp;&nbsp;&nbsp;that came out the other day.<br>**[19:55] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's had great reception, and seems likely<br>&nbsp;&nbsp;&nbsp;&nbsp;to win a few some awards.<br>**[19:59] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no one seems to like the actual movie.<br>**[20:03] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The director and cast probably<br>&nbsp;&nbsp;&nbsp;&nbsp;did whatever they wanted.<br>**[20:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The runtime ended up too long,<br>&nbsp;&nbsp;&nbsp;&nbsp;ruining the tempo,<br>**[20:08] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wasting the strengths of the story.<br>**[20:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This really is hard, isn't it?<br>**[20:12] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A script isn't a finished product.<br>**[20:15] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the point was to just have<br>&nbsp;&nbsp;&nbsp;&nbsp;people read something, and that's all,<br>**[20:17] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be better done as prose.<br>**[20:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the script stage,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can still go either way.<br>**[20:22] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're doing isn't just<br>&nbsp;&nbsp;&nbsp;&nbsp;a matter of subtraction.<br>**[20:27] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the production side stops trying,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that means the whole project is doomed.<br>**[20:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how important it is.<br>**[20:33] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're handling production,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you should have some idea, right?<br>**[20:37] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate filmmaking.<br>**[20:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one piece of advice for you.<br>**[20:42] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone involved in the<br>&nbsp;&nbsp;&nbsp;&nbsp;filmmaking process is a creator.<br>**[20:47] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And no one outranks anyone else.<br>**[20:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much!<br>**[20:58] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Whether it's ten years in the past*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or the future, time is limited either way.*<br>**[21:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why didn't I realize that sooner?*<br>**[21:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have to make sure I have no regrets,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or nothing will change at all!*<br>**[21:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki! Tsurayuki!<br>**[21:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What is it?<br>**[21:17] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Tsurayuki!<br>**[21:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brought this on?!<br>**[21:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What's up?<br>**[21:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[21:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to talk this over again!<br>**[21:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please, can we make some time for it?<br>**[21:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already decided. Just do what you want.<br>**[21:32] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true! We haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;even gotten started yet!<br>**[21:35] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, Tsurayuki!<br>**[21:37] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't filmed anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;or started an edit yet,<br>**[21:39] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's too soon to give up!<br>**[21:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[21:44] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to talk this through as much<br>&nbsp;&nbsp;&nbsp;&nbsp;as we can, until the last minute,<br>**[21:47] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can decide what we can do<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll have the best result!<br>**[21:49] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll worry about time later!<br>**[21:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist... I'm in, then.<br>**[21:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Let's do this!<br>**[22:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great weather today.<br>**[22:13] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We picked a day where it was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be clear.<br>**[22:16] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was planning involved.<br>**[22:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was hard work getting everything<br>&nbsp;&nbsp;&nbsp;&nbsp;to fit into three minutes too, y'know?<br>**[22:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[22:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make this good.<br>**[22:24] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[22:27] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... This is...<br>**[22:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[22:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera that Tsurayuki-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;borrowed isn't a video camera.<br>**[22:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that can't be...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O Digital Single Lens Reflex Camera<br>
&nbsp;&nbsp;&nbsp;&nbsp;    Digital Video Camera
<br>**[22:42] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I marked the wrong one.<br>**[22:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just go get the right one?<br>**[22:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't. It'd take too long.<br>**[22:48] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[22:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I can't believe<br>&nbsp;&nbsp;&nbsp;&nbsp;it turned out like this...<br>**[22:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, everyone makes mistakes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not much we can do.<br>**[22:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. There's nothing we can do.<br>**[23:00] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is there... nothing?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If there's no camera, then we can't film.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no actors, we can't record a performance.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no key art, we don't need to draw anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If the writer is missing, we shouldn't bother writing anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's not enough budget, we'll throw something together.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It is what it is. Nothing we can do about it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped.
<br>**[23:03] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Didn't I spend my life ten years in the future*<br>**[23:06] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;repeating that excuse,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and regretting it every time?*<br>**[23:09] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And now, when I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the chance to do it all over...*<br>**[23:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Am I going to just do it again?*<br>**[23:15] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Make excuses... and kick it all down the road,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without actually achieving anything?*<br>**[23:19] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Put a hold on everything for ten years,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and see how that turns out?*<br>**[23:25] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No!*<br>**[23:27] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not out of options!<br>**[23:31] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>

# E3 - Just Who Am I?

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU053P1/just-who-am-i)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's finally time for the screening...<br>**[00:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how our short turned out.<br>**[00:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kinda nervous.<br>**[00:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I barely managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to finish editing in time,<br>**[00:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so none of you got a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to get a look at it.<br>**[00:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't sweat it.<br>**[00:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've come this far. I'm ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to trust you to the end, Kyoya.<br>**[00:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously!<br>**[00:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it wasn't for you, we might<br>&nbsp;&nbsp;&nbsp;&nbsp;not've had anything to turn in!<br>**[00:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I bet it's gonna be okay!<br>**[00:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, attention!<br>**[00:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to start screening the shorts you<br>&nbsp;&nbsp;&nbsp;&nbsp;produced for the first comprehensive exercise.<br>**[00:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you know, this screening<br>&nbsp;&nbsp;&nbsp;&nbsp;is an actual part of your course work.<br>**[00:41] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, once something's<br>&nbsp;&nbsp;&nbsp;&nbsp;become an artistic project...<br>**[00:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It needs to be ready for audience appraisal.<br>**[00:48] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone here is a creator,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're also spectators here<br>**[00:51] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;expecting to see something worthwhile.<br>**[00:53] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's funny, go ahead and laugh,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can applaud at the end.<br>**[00:57] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the opposite also applies.<br>**[01:00] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because your friends made it...<br>&nbsp;&nbsp;&nbsp;&nbsp;Because they tried their hardest...<br>**[01:04] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can stow all of that pitiful nonsense.<br>**[01:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect your sincere reactions<br>&nbsp;&nbsp;&nbsp;&nbsp;as students in a visual arts program.<br>**[01:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In other words, if it's not good,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;there'll be no response.*<br>**[01:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The theater will be frozen over,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and you'll be finished.*<br>**[01:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[01:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna win.<br>**[01:27] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;1\an8}The screenings will now begin.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Completed<br>
&nbsp;&nbsp;&nbsp;&nbsp;Comprehensive<br>
&nbsp;&nbsp;&nbsp;&nbsp;Exercise<br>
&nbsp;&nbsp;&nbsp;&nbsp; Screening
<br>**[03:02] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was awesome! I'm touched!<br>**[03:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa's team did an amazing job.*<br>**[03:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in trouble.<br>**[03:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;would have a silent film.<br>**[03:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was amazing even without<br>&nbsp;&nbsp;&nbsp;&nbsp;any sound or dialogue.<br>**[03:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could really tell<br>&nbsp;&nbsp;&nbsp;&nbsp;how the protagonist felt.<br>**[03:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was real pretty looking, too.<br>**[03:22] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In terms of how much of a refined,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;finalized product it is...*<br>**[03:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their project blows ours out of the water.*<br>**[03:26] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next is Team Kitayama's short film.<br>**[03:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man...<br>**[03:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ours takes place at a train station, too...<br>**[03:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks are gonna compare them, huh?<br>**[03:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We did everything we possibly could. So...*<br>**[03:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Team Kitayama Film
<br>**[04:02] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Photos?<br>**[04:03] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know using stills was an option.<br>**[04:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is...*<br>**[04:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This was the only thing I could think of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when we found out about the camera.*<br>**[04:20] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>**[04:23] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's gotten into you, Kyoya-kun?<br>**[04:25] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Figure something out"?<br>**[04:27] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I know I'm the one who screwed up...<br>**[04:29] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how are we doing anything<br>&nbsp;&nbsp;&nbsp;&nbsp;with this equipment?!<br>**[04:32] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to be making a film,<br>&nbsp;&nbsp;&nbsp;&nbsp;not taking still pictures!<br>**[04:35] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We can do this.<br>**[04:36] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be crazy! Just let it go!<br>**[04:38] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to give it another crack<br>&nbsp;&nbsp;&nbsp;&nbsp;when the next project...<br>**[04:41] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do this.<br>**[04:43] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know we can. Trust me.<br>**[04:46] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make sure all<br>&nbsp;&nbsp;&nbsp;&nbsp;of your hard work pays off.<br>**[04:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's right... I've gotten*<br>*&nbsp;&nbsp;&nbsp;&nbsp;through spots like this already.*<br>**[04:55] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've cooked up a promotional movie*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with next to no assets before.*<br>**[04:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What did I do? I used After Affex,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Promiere, Photoshot...*<br>**[05:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The school should have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;access to all of them.*<br>**[05:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not letting their efforts be wasted!*<br>**[05:13] (Flashback) Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kiryu here...<br>**[05:16] (Flashback) Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's Hashy! Are you ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to join the club?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;All Comers Welcome<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fine Art Study Group<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Now Recruiting Members
<br>**[05:19] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it! I'll join, so...<br>**[05:22] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to teach me how<br>&nbsp;&nbsp;&nbsp;&nbsp;to take good stills!<br>**[05:28] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Does it fit with our concept?<br>**[05:30] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! It oughta work great.<br>**[05:33] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what Kiryu-san said,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to need 100 shots per cut.<br>**[05:37] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hundred?!<br>**[05:38] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. So we're going to be shooting<br>&nbsp;&nbsp;&nbsp;&nbsp;with the camera in a fixed position.<br>**[05:42] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do, then?<br>**[05:44] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry.<br>**[05:45] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the clapperboard cues you,<br>&nbsp;&nbsp;&nbsp;&nbsp; give it a few seconds,<br>**[05:47] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then act it out like you would<br>&nbsp;&nbsp;&nbsp;&nbsp;if we were filming things.<br>**[05:49] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will that work?<br>**[05:51] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should.<br>**[05:52] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll pick the best options available<br>&nbsp;&nbsp;&nbsp;&nbsp;from out of the pictures that get taken.<br>**[05:57] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, got it!<br>**[05:59] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna be dubbing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the dialogue later?<br>**[06:01] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:03] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, we're going to need to adjust the script<br>&nbsp;&nbsp;&nbsp;&nbsp;based on how long the cuts run.<br>**[06:06] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cool.<br>**[06:07] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry so much...<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not gonna pitch a fit again.<br>**[06:12] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[06:14] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[06:14] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[06:16] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the composition to be the kind of thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that only works with still photography.<br>**[06:21] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how hard that'll be, but you're<br>&nbsp;&nbsp;&nbsp;&nbsp;the only person who can handle it.<br>**[06:25] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you up to it?<br>**[06:27] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'll try!<br>**[06:29] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna get you what you need!<br>**[06:31] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;One last thing, does anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;have a digital camera on them?<br>**[06:34] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one.<br>**[06:36] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the picture quality's pretty bad.<br>**[06:38] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay.<br>**[06:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right. This should do it.*<br>**[06:43] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks again, Nanako.<br>**[06:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The 15 seconds of video we took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Nanako's digital camera...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;As<br>
&nbsp;&nbsp;&nbsp;&nbsp;it<br>
&nbsp;&nbsp;&nbsp;&nbsp;ever<br>
&nbsp;&nbsp;&nbsp;&nbsp;was
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I<br>
&nbsp;&nbsp;&nbsp;&nbsp;wait<br>
&nbsp;&nbsp;&nbsp;&nbsp;for<br>
&nbsp;&nbsp;&nbsp;&nbsp;you
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;as<br>
&nbsp;&nbsp;&nbsp;&nbsp;my<br>
&nbsp;&nbsp;&nbsp;&nbsp;black<br>
&nbsp;&nbsp;&nbsp;&nbsp; hair
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;flutters <br>
&nbsp;&nbsp;&nbsp;&nbsp;in<br>
&nbsp;&nbsp;&nbsp;&nbsp;the<br>
&nbsp;&nbsp;&nbsp;&nbsp;wind
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;until the<br>
&nbsp;&nbsp;&nbsp;&nbsp;day the frost<br>
&nbsp;&nbsp;&nbsp;&nbsp;covers the<br>
&nbsp;&nbsp;&nbsp;&nbsp; ground
<br>**[06:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We then take the still shots in order*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to put the story together.*<br>**[07:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We only have three minutes.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in that time...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And<br>
&nbsp;&nbsp;&nbsp;&nbsp;as<br>
&nbsp;&nbsp;&nbsp;&nbsp;the<br>
&nbsp;&nbsp;&nbsp;&nbsp;white
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;of<br>
&nbsp;&nbsp;&nbsp;&nbsp;old<br>
&nbsp;&nbsp;&nbsp;&nbsp;age<br>
&nbsp;&nbsp;&nbsp;&nbsp;mingles
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;with<br>
&nbsp;&nbsp;&nbsp;&nbsp;my<br>
&nbsp;&nbsp;&nbsp;&nbsp;black<br>
&nbsp;&nbsp;&nbsp;&nbsp;hair,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I find<br>
&nbsp;&nbsp;&nbsp;&nbsp;that<br>
&nbsp;&nbsp;&nbsp;&nbsp;my<br>
&nbsp;&nbsp;&nbsp;&nbsp;ardor
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;for you<br>
&nbsp;&nbsp;&nbsp;&nbsp;has grown<br>
&nbsp;&nbsp;&nbsp;&nbsp;no less<br>
&nbsp;&nbsp;&nbsp;&nbsp;brilliant
<br>**[08:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was it no good?*<br>**[08:13] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy crap, Team Kitayama!<br>**[08:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way...<br>**[08:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it me, or are we getting more applause?<br>**[08:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great!<br>**[08:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive.<br>**[08:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa's team came in first place...*<br>**[08:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which was kind of expected.*<br>**[08:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But we came in third...*<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's some fairly high praise.*<br>**[08:45] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But if we had been able to film things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the way we originally intended...*<br>**[08:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet we would've been better received.*<br>**[08:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen... I know you might have some issues<br>&nbsp;&nbsp;&nbsp;&nbsp;with how the edit turned out, but—<br>**[08:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is *so* damn frustrating!<br>**[09:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell, man?!<br>**[09:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had *no* idea what you were doing <br>
&nbsp;&nbsp;&nbsp;&nbsp;when we were shooting,<br>**[09:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turned into a proper story,<br>&nbsp;&nbsp;&nbsp;&nbsp;with a proper ending and everything!<br>**[09:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really something, man! You did great!<br>**[09:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if my script...<br>**[09:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the first one, but the one<br>&nbsp;&nbsp;&nbsp;&nbsp;I redid with your input...<br>**[09:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had been able to use it properly,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've turned out great!<br>**[09:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe even better than what we turned in...<br>**[09:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[09:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bitter, too!<br>**[09:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, that was seriously amazing!<br>**[09:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be able to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with an idea like that...<br>**[09:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just doing what I was told,<br>**[09:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm kinda... No, I'm seriously impressed!<br>**[09:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I can act well<br>&nbsp;&nbsp;&nbsp;&nbsp;in a normal film too, so...<br>**[09:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm sure that'd... y'know...<br>**[09:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever! I'm just gonna say it!<br>**[09:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I can put on a really<br>&nbsp;&nbsp;&nbsp;&nbsp;good performance!<br>**[09:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to get to act the normal way!<br>**[10:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[10:02] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You play kinda dirty, huh?<br>**[10:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're usually so quiet...<br>**[10:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you get all fired up,<br>&nbsp;&nbsp;&nbsp;&nbsp;with your eyes flashing.<br>**[10:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the shoot...<br>&nbsp;&nbsp;&nbsp;&nbsp;And during the screening...<br>**[10:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was full of butterflies the whole time!<br>**[10:20] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I'm locking up. If you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;review things, do it somewhere else.<br>**[10:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or...<br>**[10:27] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you discussing your next goal?<br>**[10:29] Roommates**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[10:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy is not...<br>**[10:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya isn't...<br>**[10:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun ain't...<br>**[10:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...gonna show me up!<br>**[10:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's great to hear.<br>**[10:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to have another assignment<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting after vacation is over.<br>**[10:44] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see if you can get some payback.<br>**[10:46] Roomates**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[10:48] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good answer!<br>**[10:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we need to review what went wrong.<br>**[10:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And let's skip my screw-up<br>&nbsp;&nbsp;&nbsp;&nbsp;with the equipment.<br>**[10:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is obviously going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be the first thing we discuss.<br>**[10:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna keep the runtime and other stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;in mind when I do the storyboard next time.<br>**[11:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for the script, too.<br>**[11:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm gonna put on a performance<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll blow Kyoya's mind!<br>**[11:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like fun!<br>**[11:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation that I looked up to,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and wanted to get close to...*<br>**[11:15] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I've been able to make them*<br>*&nbsp;&nbsp;&nbsp;&nbsp;feel the heat, even a little...*<br>**[11:21] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then this remake of mine*<br>*&nbsp;&nbsp;&nbsp;&nbsp;might be going well, after all.*<br>**[11:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't buy it!<br>**[11:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wasn't Hashiba's team given first place?<br>**[11:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty simple, really.<br>**[11:33] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What they turned in was a little too<br>&nbsp;&nbsp;&nbsp;&nbsp;unorthodox for a school assignment.<br>**[11:37] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, I get the feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;it wasn't intentional.<br>**[11:40] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd guess they had an issue<br>&nbsp;&nbsp;&nbsp;&nbsp;when requisitioning their equipment.<br>**[11:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[11:46] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That film wasn't completely thought through.<br>**[11:49] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, I might have<br>&nbsp;&nbsp;&nbsp;&nbsp;an interesting bunch in this class.<br>**[11:54] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they really did come up with that footage<br>&nbsp;&nbsp;&nbsp;&nbsp;to work around some kind of trouble in production,<br>**[11:58] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it speaks to an incredible amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of problem-solving potential in Hashiba Kyoya.<br>**[12:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right...<br>**[12:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that, for the second semester,<br>**[12:09] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you working with Hashiba's team.<br>**[12:13] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're interested in him, aren't you?<br>**[12:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose.<br>**[12:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course, only in his talent as a producer.<br>**[12:25] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what else would I have meant?<br>**[12:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the worst sister!<br>**[12:34] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief...<br>**[12:37] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That little sister of mine is adorable,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how old she gets.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka Film<br>
&nbsp;&nbsp;&nbsp;&nbsp;Festival<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Best Picture Award<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa Misaki
<br>**[12:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're heading home!<br>**[12:47] Coworkers**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work today!<br>**[12:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for coming in today.<br>**[12:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And sorry you had to cover<br>&nbsp;&nbsp;&nbsp;&nbsp;a shift out of the blue.<br>**[12:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. You worked hard too, Nanako.<br>**[13:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, listen...<br>**[13:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have... some free time... today?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Karaoke
<br>**[13:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I haven't been to a karaoke*<br>*&nbsp;&nbsp;&nbsp;&nbsp;booth in a long time.*<br>**[13:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like karaoke?<br>**[13:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep! I love it.<br>**[13:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's more like<br>&nbsp;&nbsp;&nbsp;&nbsp;I love music and singing!<br>**[13:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[13:37] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brushed against<br>&nbsp;&nbsp;&nbsp;&nbsp;the freckles that I hated so...<br>**[13:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's impressive volume!*<br>**[13:39] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life goes on and I heave<br>&nbsp;&nbsp;&nbsp;&nbsp;a little sigh for you.<br>**[13:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And her voice...*<br>**[13:42] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's heavy, the love<br>&nbsp;&nbsp;&nbsp;&nbsp;that I once shared with you...<br>**[13:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like it's resonating in my...*<br>**[13:45] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it dissolved like<br>&nbsp;&nbsp;&nbsp;&nbsp;it was just a sugar cube.<br>**[13:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chest?*<br>**[13:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, is she actually pretty terrible?*<br>**[13:48] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now the little pain sitting in my heart...<br>**[13:51] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has shrunken a bit,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it really does hurt me now.<br>**[13:54] song**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those silly horoscopes...<br>**[14:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels great to really sing<br>&nbsp;&nbsp;&nbsp;&nbsp;after such a long time!<br>**[14:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry... I'm pretty bad, huh?<br>**[14:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well...<br>**[14:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandma does traditional<br>&nbsp;&nbsp;&nbsp;&nbsp;minyo folk music back home.<br>**[14:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I learned it at a young age, but...<br>**[14:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just no good!<br>**[14:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't seem to fix my tone deafness.<br>**[14:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I wanted to ask you a favor, Kyoya...<br>**[14:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is it?<br>**[14:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm singing by myself,<br>**[14:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know what<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to work on.<br>**[14:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, every now and again,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you come to karaoke with me...<br>**[14:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And listen to my singing?<br>**[14:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No?<br>**[14:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, if you'd like my help.<br>**[14:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?! Awesome!<br>**[14:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Kyoya!<br>**[15:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason, it's really easy<br>&nbsp;&nbsp;&nbsp;&nbsp;to sing in front of you!<br>**[15:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fun!<br>**[15:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Nanako...<br>**[15:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[15:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just thought of something.<br>**[15:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you've practiced,<br>&nbsp;&nbsp;&nbsp;&nbsp;and got some confidence,<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe we can upload your singing online.<br>**[15:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Online?<br>**[15:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll record you singing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and put it on a video site.<br>**[15:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bunch of people will hear you—<br>**[15:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no, no way can I do that!<br>**[15:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already crappy enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to get trashed on top of it!<br>**[15:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's why I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;after you get better...<br>**[15:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Absolutely not!<br>**[15:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the internet is the whole world!<br>**[15:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you imagine how embarrassing it is<br>**[15:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;to go on there practically<br>&nbsp;&nbsp;&nbsp;&nbsp;begging for attention?!<br>**[15:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then why don't we do it<br>&nbsp;&nbsp;&nbsp;&nbsp;when there's a Japan-only video site?<br>**[15:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only for Japan?<br>**[15:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there such a thing?<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[15:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, it will be sometime around the end*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of this year or the beginning of next.*<br>**[16:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... do you think about that, though?<br>**[16:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that wouldn't be as bad.<br>**[16:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that settles it!<br>**[16:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's practice with that as your goal!<br>**[16:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Don't pick my goals for me!<br>**[16:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...<br>**[16:23] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's celebrate<br>&nbsp;&nbsp;&nbsp;&nbsp;the end of the semester,<br>**[16:26] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the increased budget of the fine arts<br>&nbsp;&nbsp;&nbsp;&nbsp;club thanks to our new members.<br>**[16:31] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[16:33] Group**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[16:41] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do the official<br>&nbsp;&nbsp;&nbsp;&nbsp;introductions this time.<br>**[16:45] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kiryu Takashi, in my fifth year<br>&nbsp;&nbsp;&nbsp;&nbsp;of the photography program.<br>**[16:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much for your help, by the way.<br>**[16:50] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem!<br>**[16:52] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially considering our club<br>&nbsp;&nbsp;&nbsp;&nbsp;managed to survive thanks to you!<br>**[16:55] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right! Plus, you<br>&nbsp;&nbsp;&nbsp;&nbsp;brought us some cute girls.<br>**[17:01] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hiyama Yurika. I'm in my<br>&nbsp;&nbsp;&nbsp;&nbsp;third year of industrial arts.<br>**[17:04] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sculpt and make stuff like that.<br>**[17:07] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Down the hill he fells, the darling acorn!<br>**[17:13] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Into the lake he falls, oh me oh my!<br>**[17:22] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Sugimoto Mikio, and I'm in my<br>&nbsp;&nbsp;&nbsp;&nbsp;second year of the music program.<br>**[17:25] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure.<br>**[17:26] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how he looks,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's actually got a lot of skill.<br>**[17:29] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your attention, please!<br>**[17:32] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to express my joy<br>&nbsp;&nbsp;&nbsp;&nbsp;for today... through dance.<br>**[17:35] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pose to symbolize reception.<br>**[17:37] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;One symbolizing hope for the future!<br>**[17:39] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pose for affection! A pose for courtship!<br>**[17:39] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Kakihara Sho. He's in his<br>&nbsp;&nbsp;&nbsp;&nbsp;third year of theater arts study.<br>**[17:42] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Note the toes here! See?<br>&nbsp;&nbsp;&nbsp;&nbsp;See how they point?!<br>**[17:43] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's majoring in dance.<br>**[17:46] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, the Bacchanalia dance!<br>**[17:49] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we've all been waiting for!<br>**[17:51] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it comes! The fine<br>&nbsp;&nbsp;&nbsp;&nbsp;arts club specialty...<br>**[17:54] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The eruption of Vesuvius!<br>**[18:00] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the tragedy of Pompeii all over again!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Higashiyama Bridge
<br>**[18:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got work today,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll see you two later.<br>**[18:09] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get dinner ready.<br>**[18:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[18:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure was a lotta fun with<br>&nbsp;&nbsp;&nbsp;&nbsp;all our senpai back there, huh?<br>**[18:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all so eccentric...<br>&nbsp;&nbsp;&nbsp;&nbsp;but also really talented.<br>**[18:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[18:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[18:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that I draw, don't you?<br>**[18:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You noticed?<br>**[18:39] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was trying to keep it quiet.<br>**[18:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't I lock the dang door?<br>**[18:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for prying—<br>**[18:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, don't go apologizing!<br>&nbsp;&nbsp;&nbsp;&nbsp;I shoulda been more careful.<br>**[18:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, do you remember...<br>**[18:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I said how folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are looking for what they can do?<br>**[19:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything, like the rest of y'all.<br>**[19:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm always messing up,<br>&nbsp;&nbsp;&nbsp;&nbsp;even just doing daily stuff.<br>**[19:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad at school, can't do<br>&nbsp;&nbsp;&nbsp;&nbsp;athletic stuff, either...<br>**[19:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's one thing...<br>&nbsp;&nbsp;&nbsp;&nbsp;one thing I like doing.<br>**[19:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making art?<br>**[19:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it just don't seem to come together.<br>**[19:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can have fun drawing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but can't do much more than that.<br>**[19:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've won some awards,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that ain't enough to make a living.<br>**[19:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought if I went<br>&nbsp;&nbsp;&nbsp;&nbsp;to school for visual arts,<br>**[19:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might get a job in TV or something.<br>**[19:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I enrolled in art school.<br>**[19:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I didn't have the guts<br>&nbsp;&nbsp;&nbsp;&nbsp;to try the fine arts program.<br>**[19:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supposed to like drawing...<br>&nbsp;&nbsp;&nbsp;&nbsp;but can't enjoy doing it seriously.<br>**[19:53] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no confidence, either.<br>**[19:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I was keeping it a secret.<br>**[19:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping one day my eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;would light up like yours do.<br>**[20:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it just don't seem to wanna happen.<br>**[20:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I—<br>**[20:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was thinking...<br>**[20:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should give up on art.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that'd be easier.<br>**[20:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't!<br>**[20:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do that!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't stop being an artist!<br>**[20:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[20:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I...<br>**[20:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your art was always there for me.*<br>**[20:41] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[20:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love your art, Shinoaki.<br>**[20:51] Shino**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From all the way in the future...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've loved it.*<br>**[20:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said something during the shoot...<br>**[20:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted me to do it... because you thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the only one who could handle it.<br>**[21:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I did.<br>**[21:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That made me happy. I was real flustered.<br>**[21:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought, what kinda person<br>&nbsp;&nbsp;&nbsp;&nbsp;thinks that about me?<br>**[21:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm real curious now.<br>**[21:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I've made up my mind!<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting now, you're my goal, Kyoya-kun!<br>**[21:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna study lots, and become<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who can create<br>**[21:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;the kinda worlds you wanna see!<br>**[21:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have some kinda goal, too?<br>**[21:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I do.<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't tell you about it yet.<br>**[21:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's a real shame.<br>**[21:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I'll just have to work hard<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you'll tell me someday, huh?<br>**[21:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My goal...*<br>**[21:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;One example might be having you say*<br>*&nbsp;&nbsp;&nbsp;&nbsp;those things to me ten years from now.*<br>**[21:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The remake of my life... has just begun.*<br>

# E4 - Consider What You Can Do

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUN2WQP/consider-what-you-can-do)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Heading into the second semester,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we began work on our next project.*<br>**[00:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The script, storyboard, and location*<br>*&nbsp;&nbsp;&nbsp;&nbsp;scouting all went smoothly,*<br>**[00:09] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which left us with just the matter*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of actually filming things. And then...*<br>**[00:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just don't get it!<br>**[00:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't understand at all!<br>**[00:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There can't be any dialog here!<br>**[00:16] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;A collision of different opinions!<br>**[00:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got it backwards!<br>&nbsp;&nbsp;&nbsp;&nbsp;There absolutely needs to be dialog here!<br>**[00:19] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that's youth for you!<br>**[00:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't even understand what I'm saying!<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to start filming,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I should probably step in.<br>**[00:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shinoaki! You're gonna need to wake up.<br>**[00:41] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We starting now?<br>**[00:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, we should.<br>**[00:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time to get ready.<br>**[00:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, we're gonna start<br>&nbsp;&nbsp;&nbsp;&nbsp;shoo...ting... soon...<br>**[00:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ready? Lines all memorized?<br>**[00:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it!<br>**[00:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all up here, so I'm ready when you are!<br>**[01:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great. I can tell you're motivated.<br>**[01:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah! I'm trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to become an actress.<br>**[01:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with you, Kyoya?<br>**[01:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's nothing.<br>**[01:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna check on Tsurayuki and Kawasegawa.<br>**[01:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you two figured things out yet?<br>**[01:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, listen to this!<br>**[01:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;After we finally agreed<br>&nbsp;&nbsp;&nbsp;&nbsp;to the cuts to the script,<br>**[01:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;now she's talking about how<br>&nbsp;&nbsp;&nbsp;&nbsp;there might be more in the edit!<br>**[01:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously!<br>**[01:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filming is about collecting material!<br>&nbsp;&nbsp;&nbsp;&nbsp;The final product is made in editing,<br>**[01:26] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sometimes you make<br>&nbsp;&nbsp;&nbsp;&nbsp;judgment calls in that process!<br>**[01:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's the case, do you really need<br>&nbsp;&nbsp;&nbsp;&nbsp;to throw it in my face like an insult?!<br>**[01:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't say something now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're just gonna complain later!<br>**[01:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, we're running on limited time here.<br>**[01:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try and film what we can now, okay?<br>**[01:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so. I really shouldn't be <br>
&nbsp;&nbsp;&nbsp;&nbsp;wasting my time arguing with *him.*<br>**[01:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, hold up, I'm not through—<br>**[03:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't sit right.<br>**[03:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still mad about<br>&nbsp;&nbsp;&nbsp;&nbsp;your wardrobe malfunction?<br>**[03:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that!<br>**[03:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was talking about our<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment for the shoot.<br>**[03:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The equipment?<br>**[03:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;First-year students aren't allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to requisition equipment for multiple days.<br>**[03:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our shoot was scheduled<br>&nbsp;&nbsp;&nbsp;&nbsp;for three days and two nights.<br>**[03:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did something, didn't you?<br>**[03:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually need your help<br>&nbsp;&nbsp;&nbsp;&nbsp;with something related to that.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O<br>
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No Crossing
<br>**[03:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry!<br>**[04:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're actually filming up ahead,<br>**[04:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;so could you wait for a moment, please?<br>**[04:05] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[04:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a pedestrian<br>&nbsp;&nbsp;&nbsp;&nbsp;coming through. Is he clear?<br>**[04:10] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All clear.*<br>**[04:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the wait. Go right on through.<br>**[04:15] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Much obliged.<br>**[04:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your cooperation!<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd be a huge help, Kawasegawa—<br>**[04:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you hadn't!<br>**[04:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third-years are able to borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment for a week at most.<br>**[04:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you volunteered to help some of them<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for access to their gear<br>**[04:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;on days when they wouldn't be using it.<br>**[04:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is technically against the rules, yeah.<br>**[04:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly! If our professor finds out—<br>**[04:38] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she's gonna be real pissed.<br>**[04:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... kid?<br>**[04:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you come from, little girl?<br>**[04:48] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really wanna cop<br>&nbsp;&nbsp;&nbsp;&nbsp;that attitude with a senpai, kid?<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Senpai?<br>**[04:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, I had heard there were some first-years<br>**[04:57] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;willing to bust their humps for no reward,<br>**[05:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's the real deal?<br>&nbsp;&nbsp;&nbsp;&nbsp;Makes sense, I guess.<br>**[05:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... would you be willing<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep quiet about it?<br>**[05:05] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You owe me.<br>**[05:08] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Tomioka Keiko.<br>**[05:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep this under my hat,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm gonna collect some day.<br>**[05:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya around!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of the Arts
<br>**[05:22] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was the film by Team Kitayama Plus.*<br>**[05:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did real good, Nanako!<br>**[05:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks! But I still feel kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;embarrassed about it.<br>**[05:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seemed to like it, Kawasegawa.<br>**[05:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's off.<br>**[05:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It never quite got past feeling scripted.<br>**[05:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was put together well enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that was all.<br>**[05:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing to elevate it.<br>**[05:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you're overthinking it.<br>**[05:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came together really well,<br>&nbsp;&nbsp;&nbsp;&nbsp;and people seemed to like it.<br>**[05:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're right.<br>**[05:55] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This will be the final film <br>
&nbsp;&nbsp;&nbsp;&nbsp;of the screening.*<br>**[06:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is this?*<br>**[06:15] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's totally different. The acting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is on a completely different level.*<br>**[06:23] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;That last one was good, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the acting here is way better.<br>**[06:26] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously. It makes the other one<br>&nbsp;&nbsp;&nbsp;&nbsp;seem like a school play.<br>**[06:29] Students**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last team's acting<br>&nbsp;&nbsp;&nbsp;&nbsp;held the whole thing back.<br>**[06:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the first place film this time...<br>**[06:38] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;was produced by Team Kitayama Plus.<br>**[06:41] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did a good job. Congratulations.<br>**[06:43] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, they won?<br>**[06:45] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;In terms of acting, it was<br>&nbsp;&nbsp;&nbsp;&nbsp; like a 10-to-1 disadvantage...<br>**[06:47] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That concludes class for today.<br>**[06:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Professor!<br>**[06:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't the ranking kind of weird back there?<br>**[06:55] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[06:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the last film was clearly just...<br>**[06:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The acting was so much better!<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough to blow everything else—<br>**[07:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual media is a comprehensive art form.<br>**[07:04] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if one actor's performance<br>&nbsp;&nbsp;&nbsp;&nbsp;is particularly well done,<br>**[07:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't automatically<br>&nbsp;&nbsp;&nbsp;&nbsp;add points for other areas.<br>**[07:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[07:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, can you tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;the fundamental reason<br>**[07:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;that film had such a strong impact, Kogure?<br>**[07:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Technical acting ability. Experience.<br>&nbsp;&nbsp;&nbsp;&nbsp;Appearance. Voice quality.<br>**[07:24] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acting is the result of a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of different factors.<br>**[07:26] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was a more simple<br>&nbsp;&nbsp;&nbsp;&nbsp;deciding factor this time around.<br>**[07:31] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were serious.<br>**[07:34] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Karaoke
<br>**[07:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work, everyone!<br>**[07:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to all of you, we were<br>&nbsp;&nbsp;&nbsp;&nbsp;able to put together a great film.<br>**[07:49] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, here we go! Cheers!<br>**[07:52] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[07:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filming at the beach sure was hot, huh?<br>**[07:56] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! But the project came together great!<br>**[07:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say that scene was all about<br>&nbsp;&nbsp;&nbsp;&nbsp;the quality of my script!<br>**[08:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though your lines kept getting cut?<br>**[08:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure about that?<br>**[08:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[08:09] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect first place, though!<br>**[08:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she going to be okay?<br>**[08:12] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, how was a team<br>&nbsp;&nbsp;&nbsp;&nbsp;with me on it gonna do that well?<br>**[08:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's pretty clearly faking her cheer.<br>**[08:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks to me like she's trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to avoid dealing with something.<br>**[08:19] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me about it!<br>**[08:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she just needs some space.<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should clear up with time.<br>**[08:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time, huh?<br>**[08:27] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Nanako, you're up!<br>**[08:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I shouldn't...<br>**[08:32] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you should! Just belt one out!<br>**[08:34] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll feel great!<br>**[08:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I, Kyoya?<br>**[08:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were bound to hear it<br>&nbsp;&nbsp;&nbsp;&nbsp;at some point, anyway.<br>**[08:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a question of when.<br>**[08:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're right. Okay...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Karaoke
<br>**[09:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about how terrible that was!<br>**[09:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, your voice really rings out!<br>**[09:17] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell, yeah! It carries even better than mine!<br>**[09:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably because of that minyo folk<br>&nbsp;&nbsp;&nbsp;&nbsp;singing you did when you were little, right?<br>**[09:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was pretty impressive!<br>**[09:24] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so...<br>**[09:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who wants to go next?<br>**[09:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa?<br>**[09:31] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gonna sing next?<br>**[09:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't serious<br>&nbsp;&nbsp;&nbsp;&nbsp;about being an actor, then.<br>**[09:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want this, don't you? To be a singer.<br>**[09:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you say that?<br>**[09:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought it was strange.<br>**[09:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that you could perform in bits,<br>**[09:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was no feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;of intentionality behind it.<br>**[09:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It always felt superficial.<br>**[09:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes sense. And explains why it<br>&nbsp;&nbsp;&nbsp;&nbsp;never stopped feeling artificial, too.<br>**[10:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that!<br>**[10:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It actually is.<br>**[10:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you weren't serious about acting.<br>**[10:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can claim otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the proof is in the performance.<br>**[10:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can project your voice so well,<br>**[10:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must mean you've been practicing in one<br>&nbsp;&nbsp;&nbsp;&nbsp;way or another since you were little, right?<br>**[10:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why would you try to act,<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of following your passion?<br>**[10:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[10:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're scared<br>&nbsp;&nbsp;&nbsp;&nbsp;of taking it seriously, right?<br>**[10:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you start taking something you've<br>&nbsp;&nbsp;&nbsp;&nbsp;always cared about seriously, and fail?<br>**[10:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would refute everything you stand for.<br>**[10:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were afraid of committing.<br>**[10:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So instead, because you got<br>&nbsp;&nbsp;&nbsp;&nbsp;compliments before, you turned to acting,<br>**[10:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lied about wanting to be an actress.<br>**[10:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Just stop talking!<br>**[10:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?!<br>**[10:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've loved singing, grown up around music,<br>**[10:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;but have always been tone deaf.<br>**[10:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could do something about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have by now!<br>**[10:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you haven't.<br>**[10:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why did you join<br>&nbsp;&nbsp;&nbsp;&nbsp;the visual arts program?<br>**[11:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've gone straight for music.<br>**[11:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might not've been<br>&nbsp;&nbsp;&nbsp;&nbsp;able to fix it at home,<br>**[11:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but things could be different<br>&nbsp;&nbsp;&nbsp;&nbsp;at a proper school.<br>**[11:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did you give up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the most crucial moment?<br>**[11:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako's been practicing, though.<br>**[11:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We come here all the time—<br>**[11:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But has she taken actual singing lessons?<br>**[11:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do you have the right<br>&nbsp;&nbsp;&nbsp;&nbsp;knowledge to help her?<br>**[11:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[11:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that counts as practice.<br>**[11:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just been pretending<br>&nbsp;&nbsp;&nbsp;&nbsp;to put in some effort.<br>**[11:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of a gift.<br>**[11:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop running away, and get serious!<br>**[11:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can seriously chase after,<br>**[11:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;why wouldn't you make it<br>&nbsp;&nbsp;&nbsp;&nbsp;your weapon of choice?!<br>**[11:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead you flit off to acting because<br>&nbsp;&nbsp;&nbsp;&nbsp;someone gave you some casual compliments!<br>**[11:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't ever move anyone!<br>**[11:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[11:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hit me.<br>**[11:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize what I've said deserves it.<br>**[11:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going.<br>**[12:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[12:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't follow me!<br>**[12:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should go, too.<br>**[12:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa...<br>**[12:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Nanako wants, I'll quit the team.<br>**[12:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for causing so much trouble.<br>**[12:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[12:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I don't feel like talking right now.<br>**[12:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't work, huh?<br>**[12:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It felt like I had no ground to stand on.<br>**[12:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Queen Kawasegawa had to go<br>&nbsp;&nbsp;&nbsp;&nbsp;and make a mess of things.<br>**[12:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I want Nanako to sing, too, though.<br>**[12:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[12:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, that's what she<br>&nbsp;&nbsp;&nbsp;&nbsp;really cares about, right?<br>**[12:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only reason what<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-san said hit her so hard.<br>**[12:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she was going to have to deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with it sooner or later.<br>**[13:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better for her to wrestle with it now<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of looking back when it's too late.<br>**[13:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess...<br>**[13:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;She should figure out what<br>&nbsp;&nbsp;&nbsp;&nbsp;she really wants, try it,<br>**[13:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if it doesn't work out... the sooner<br>&nbsp;&nbsp;&nbsp;&nbsp;she can hang it up, the better.<br>**[13:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I gotta get to work...<br>**[13:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? You seem tired.<br>**[13:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had back-to-back shifts lately.<br>**[13:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna get plenty of sleep<br>&nbsp;&nbsp;&nbsp;&nbsp;when I come home.<br>**[13:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You be careful, now.<br>**[13:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[13:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you want to talk about?<br>**[13:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is about quitting<br>&nbsp;&nbsp;&nbsp;&nbsp;the team, I don't accept.<br>**[13:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I genuinely feel bad<br>&nbsp;&nbsp;&nbsp;&nbsp;about what I said to Nanako.<br>**[13:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I've made trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;for you as a result.<br>**[13:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been no trouble for me,<br>**[13:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I think you said something<br>&nbsp;&nbsp;&nbsp;&nbsp;that Nanako needed to hear.<br>**[13:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's still depressed, isn't she?<br>**[13:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her problem to work through.<br>**[13:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't take it personally, Kawasegawa.<br>**[14:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was jealous of her.<br>**[14:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jealous of Nanako?<br>**[14:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[14:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a talent that really shines,<br>**[14:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has been working on it<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since she was little.<br>**[14:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she was pretending to not care<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, so I got angry.<br>**[14:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's got such an expressive voice,<br>&nbsp;&nbsp;&nbsp;&nbsp;one that can enchant so many people.<br>**[14:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's cute and glamorous.<br>**[14:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really made me realize that girls like her<br>&nbsp;&nbsp;&nbsp;&nbsp;are the ones that become stars.<br>**[14:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm worried...<br>**[14:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be okay.<br>**[14:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako isn't going to let this stop her.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll figure something out.<br>**[14:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have an idea?<br>**[14:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. But I know how<br>&nbsp;&nbsp;&nbsp;&nbsp;passionate she is about singing.<br>**[14:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can just remind her of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she'll be set.<br>**[14:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's weird. There's no real basis<br>&nbsp;&nbsp;&nbsp;&nbsp;to what you just said,<br>**[14:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something about it<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me want to believe you.<br>**[14:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You think?<br>**[14:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hello there.<br>**[14:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you headed to class?<br>**[14:59] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, we've got preparations<br>&nbsp;&nbsp;&nbsp;&nbsp;for the school festival's concert.<br>**[15:02] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on the production committee.<br>**[15:04] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, we need to hurry!<br>**[15:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The school festival...<br>**[15:07] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, you don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;about the school festival?!<br>**[15:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, that's why I was asking...<br>**[15:13] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to enlighten you!<br>**[15:15] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the school's founding 40 years ago,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Entrance
<br>**[15:16] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;nearly its entire 8,000-strong<br>&nbsp;&nbsp;&nbsp;&nbsp;student body has participated<br>**[15:19] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a massive annual celebration<br>&nbsp;&nbsp;&nbsp;&nbsp;that lasts over three days,<br>**[15:22] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;with visitor numbers estimated<br>&nbsp;&nbsp;&nbsp;&nbsp; in the tens of thousands!<br>**[15:26] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the Oonaka Arts School Festival!<br>**[15:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[15:30] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And naturally, the Fine Arts Club<br>&nbsp;&nbsp;&nbsp;&nbsp;will be participating, too!<br>**[15:33] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet in the face of such an<br>&nbsp;&nbsp;&nbsp;&nbsp; honored tradition, you seem to have no idea—<br>**[15:38] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you get off lecturing people after<br>&nbsp;&nbsp;&nbsp;&nbsp;what you used that honored tradition for?!<br>**[15:42] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I am not allowed to talk
<br>**[15:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... what happened, exactly?<br>**[15:52] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our club has always taken a classroom,<br>&nbsp;&nbsp;&nbsp;&nbsp;and run an art exhibition there.<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you doing it again this year—<br>**[15:58] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;That *was* the plan!<br>**[16:00] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this idiot submitted<br>&nbsp;&nbsp;&nbsp;&nbsp;a crazy idea instead!<br>**[16:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you ask to do?<br>**[16:06] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A maid café.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:08] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always dreamed of it, you know?!<br>**[16:10] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having cute girls dressed up like maids.<br>**[16:13] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then getting pictures of us<br>&nbsp;&nbsp;&nbsp;&nbsp;having a fun conversation—<br>**[16:16] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not allowed to talk!<br>**[16:18] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[16:20] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're past the deadline for changing plans,<br>**[16:22] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;so now I have to figure out how<br>&nbsp;&nbsp;&nbsp;&nbsp;to recruit enough people.<br>**[16:24] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want our star girl to have pink hair!<br>**[16:28] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like this is awakening<br>&nbsp;&nbsp;&nbsp;&nbsp;something inside of me!<br>**[16:30] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you get off making demands?!<br>**[16:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something I wanted to ask you all.<br>**[16:38] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A tiny pink-haired—<br>**[16:40] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pink hair, huh?<br>**[16:42] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got plenty of students<br>&nbsp;&nbsp;&nbsp;&nbsp;like that, though.<br>**[16:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[16:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I think she said her name was Tomioka.<br>**[16:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko, right.<br>**[16:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! And she had a Kansai<br>&nbsp;&nbsp;&nbsp;&nbsp;accent, just like that...<br>**[16:56] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.<br>**[16:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomioka...senpai?!<br>**[17:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just call me Keiko.<br>**[17:02] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashy! Who is this pink-haired little darling?!<br>**[17:05] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upsy-daisy...<br>**[17:08] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I ain't been by the art club in a bit.<br>**[17:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does Hiroe-chan still come around?<br>**[17:12] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hiroe-senpai, you mean?<br>**[17:15] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;She graduated two years ago.<br>**[17:17] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[17:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kid's finally graduated, huh?<br>**[17:22] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but did you need something?<br>**[17:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, now that you mention it...<br>**[17:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost forgot what I came here for.<br>**[17:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was time you paid me back.<br>**[17:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna come work on our game?<br>**[17:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A game?<br>**[17:36] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hallucigenia Soft?! They're one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the big name dojin circles!<br>**[17:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. And I was wondering if you'd wanna<br>&nbsp;&nbsp;&nbsp;&nbsp;come on and direct something for us.<br>**[17:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why me?<br>**[17:46] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked some of the kids<br>&nbsp;&nbsp;&nbsp;&nbsp;working on the shoot,<br>**[17:48] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they said you've got some slick moves<br>&nbsp;&nbsp;&nbsp;&nbsp;in the production department.<br>**[17:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about that...<br>**[17:54] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit trying to be modest!<br>**[17:56] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how about it? Wanna give a shot?<br>**[17:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I could work on games again...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;give my dream another shot.*<br>**[18:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[18:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[18:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't... not right now.<br>**[18:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems you've got a full plate, huh?<br>**[18:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, the offer's still on the table, all right?<br>**[18:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still owe me one, after all.<br>**[18:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it.<br>**[18:22] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I'm here, you can have these.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chasing The Morning Sun
<br>**[18:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should give you an idea what we're doing.<br>**[18:28] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch ya next time.<br>**[18:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, I don't have what it takes.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomioka Keiko
<br>**[18:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not to go after what I want seriously.*<br>**[18:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Amazing.*<br>**[18:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Their quality is on par*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with commercial companies.*<br>**[18:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They actually got CONOCO-san to record this.*<br>**[18:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We never had that kind of budget.*<br>**[18:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the singer that we did hire for our game*<br>**[18:53] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;had to be adjusted a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the mix to be presentable.*<br>**[18:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And since we didn't have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the money to hire someone,*<br>**[19:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ended up having to do it.*<br>**[19:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I still remember spending the night*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the office for that.*<br>**[19:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, this might just be it!*<br>**[19:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako... Nanako?<br>**[19:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I didn't feel like talking. Sorry.<br>**[19:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need a minute, please.<br>**[19:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[19:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything right now.<br>**[19:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all been smashed completely...<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's nothing left.<br>**[19:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing to say to anyone...<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't want to talk.<br>**[19:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But you do still have something.<br>**[19:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that is very important, Nanako.<br>**[19:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm not leaving until you hear me out.<br>**[19:45] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I brushed against*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the freckles that I hated so...*<br>**[19:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Life goes on and I heave*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a little sigh for you.*<br>**[19:51] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's heavy, the love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I once shared with you...*<br>**[19:53] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it dissolved like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was just a sugar cube.*<br>**[19:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now the little pain sitting in my heart...*<br>**[19:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Has shrunken a bit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it really does hurt me now.*<br>**[20:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this... my voice?<br>**[20:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. It's what your singing<br>&nbsp;&nbsp;&nbsp;&nbsp;can ultimately sound like.<br>**[20:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was adjust it.<br>**[20:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adjust?<br>**[20:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I adjusted the tone just<br>&nbsp;&nbsp;&nbsp;&nbsp;a little bit. Nothing else.<br>**[20:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I can say for sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is your singing.<br>**[20:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I needed you to hear it.<br>**[20:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your singing has incredible potential!<br>**[20:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wanted you to know.<br>**[20:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry! Should I have not brought it up?<br>**[20:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kyoya.<br>**[20:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I've been singing for so long,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I never liked the way it sounded.<br>**[20:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could never get the right pitch,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it wouldn't sound like I wanted it to.<br>**[20:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought I could try acting,<br>&nbsp;&nbsp;&nbsp;&nbsp;where I could at least use my voice.<br>**[21:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that wasn't the right way, was it?<br>**[21:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think now I understand what Kawasegawa<br>&nbsp;&nbsp;&nbsp;&nbsp;and the professor were saying.<br>**[21:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't hope to beat people<br>&nbsp;&nbsp;&nbsp;&nbsp;who are really taking it seriously.<br>**[21:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's no way my<br>&nbsp;&nbsp;&nbsp;&nbsp;acting can move people.<br>**[21:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to get better at singing.<br>**[21:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll study for real, practice for real,<br>**[21:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let people hear what<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do when I'm serious.<br>**[21:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to sing a lot of amazing songs,<br>&nbsp;&nbsp;&nbsp;&nbsp;and touch people's hearts.<br>**[21:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll be able to do it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I be able to go that far?<br>**[21:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you can.<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an idea! Will you try it<br>&nbsp;&nbsp;&nbsp;&nbsp;with me, Nanako?<br>**[21:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry!<br>**[21:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to trust you, Kyoya!<br>**[21:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So help me figure out singing! Please?<br>**[21:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to be doing all the work.<br>**[21:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll do whatever I can to help you.<br>**[22:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>

# E5 - Reveal Your Feelings

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GZ7UVPX5V/reveal-your-feelings)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be delivered tomorrow, then?<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, thank you very much.<br>**[00:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that takes care of the orders.<br>**[00:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[00:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you want?<br>**[00:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only three days until<br>&nbsp;&nbsp;&nbsp;&nbsp;the school festival, huh...<br>**[00:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time sure does fly, doesn't it?<br>**[00:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does.<br>**[00:21] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm going to figure <br>
&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>**[00:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nanako started practicing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;singing seriously after that.*<br>**[00:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With the help of Sugimoto-senpai,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the music program...*<br>**[00:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's been re-learning pitch*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and vocalization from the basics,*<br>**[00:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;building the stamina*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it takes to sing... and...*<br>**[00:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. This is where it starts.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Guide Desk
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yakisoba
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takoyaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Okonomiyaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;400 yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Menu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Coffee
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Anmitsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tapioca
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Teahouse
<br>**[02:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time really does fly.<br>**[02:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kyoya...<br>**[02:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll really be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to sing if I keep this up?<br>**[02:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it's not that<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like the practice!<br>**[02:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I can tell it's helping!<br>**[02:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But still...<br>**[02:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wondering, what exactly will be<br>&nbsp;&nbsp;&nbsp;&nbsp;the result of all this hard work?<br>**[02:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, like a goal?<br>**[02:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm not really sure<br>&nbsp;&nbsp;&nbsp;&nbsp;what mine is anymore.<br>**[02:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep doing this, isn't it?<br>**[02:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should!<br>**[02:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've finally found something<br>&nbsp;&nbsp;&nbsp;&nbsp;you can get serious about.<br>**[02:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a waste if you didn't keep going.<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I only got a taste<br>&nbsp;&nbsp;&nbsp;&nbsp;of how serious you are,<br>**[02:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was enough to move me!<br>**[03:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[03:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you care so much<br>&nbsp;&nbsp;&nbsp;&nbsp;about what I do, Kyoya?<br>**[03:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I heard your singing, Nanako!<br>**[03:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd have that effect on anybody!<br>**[03:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're really not sure what you want,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help you find a goal...<br>**[03:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do everything I can to help.<br>**[03:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until you're satisfied,<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I'll figure something out!<br>**[03:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kyoya!<br>**[03:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so grateful.<br>**[03:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had a friend who'd<br>&nbsp;&nbsp;&nbsp;&nbsp;go this far for me before.<br>**[03:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, s-sorry!<br>**[03:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was just...<br>**[03:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I honestly just felt grateful,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up, sorta...<br>**[03:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how it is, right?<br>**[03:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;People get all worked up<br>&nbsp;&nbsp;&nbsp;&nbsp;at school festivals!<br>**[03:56] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Anyway, don't get the wrong idea!<br>**[04:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, thanks. I feel better now.<br>**[04:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[04:07] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nanako, Shinoaki,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, and Kawasegawa...*<br>**[04:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are a lot of amazing people around me.*<br>**[04:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They're all struggling to create something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;amazing in spite of their own troubles.*<br>**[04:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I was sent here*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from ten years in the future*<br>**[04:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to help them make it happen.*<br>**[04:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of impressive.<br>**[04:39] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, tell me about it!<br>**[04:41] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Oonaka University of Arts School Festival*<br>*&nbsp;&nbsp;&nbsp;&nbsp;takes place over three days,*<br>**[04:46] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and is a famous*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and storied event in Kansai.*<br>**[04:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's all the typical concessions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;stands you'd expect,*<br>**[04:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;along with art exhibitions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and independent film screenings.*<br>**[04:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along with serious music performances.*<br>**[04:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It brings in visitors from all over.*<br>**[05:01] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Then I shall present this to you!"<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Red Forest
<br>**[05:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A period play?<br>**[05:04] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm gonna be acting in it, too!<br>**[05:07] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta come check it out! See ya!<br>**[05:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how our setup is going.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Café
<br>**[05:15] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome home, Master!<br>**[05:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm back?<br>**[05:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Quit staring!<br>**[05:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's embarrassing.<br>**[05:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[05:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Howzzat? Pretty sweet, right?<br>**[05:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san?! What are you doing here?<br>**[05:33] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard there weren't enough people, so...<br>**[05:37] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatcha think? Am I one hell<br>&nbsp;&nbsp;&nbsp;&nbsp;of a loli maid, or what?<br>**[05:39] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're perfect!<br>**[05:42] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then... guess you owe me double now.<br>**[05:46] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maids here are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be super cute!<br>**[05:49] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually came here instead<br>&nbsp;&nbsp;&nbsp;&nbsp;of checking out the movies.<br>**[05:52] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty well thought-out, considering that<br>&nbsp;&nbsp;&nbsp;&nbsp; students are running things.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Order of Admission Ticket
<br>**[05:56] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I order now?<br>**[05:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get your order, please?<br>**[06:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A milkshake with extra cuteness,<br>&nbsp;&nbsp;&nbsp;&nbsp;and a bittersweet love coffee float.<br>**[06:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will that complete your order?<br>**[06:07] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be really tasty!<br>**[06:10] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan, make sure to eat up<br>&nbsp;&nbsp;&nbsp;&nbsp;my love before it gets cold!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>**[06:20] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry that you ended up having to cook<br>&nbsp;&nbsp;&nbsp;&nbsp; and handle all of the orders.<br>**[06:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[06:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sugimoto-san and Kakihara-san are on<br>&nbsp;&nbsp;&nbsp;&nbsp; the committee that's running the concert.<br>**[06:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to do what I can.<br>**[06:35] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe learn a lesson from—<br>**[06:37] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good... Very good...<br>**[06:40] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work, damn you!<br>**[06:42] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! My art—<br>**[06:44] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is this art, you dirty old man?!<br>**[06:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a little flour on your cheek.<br>**[06:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th... Thanks...<br>**[07:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very welcome.<br>**[07:03] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In spite of it all, the maid café*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was a huge success.*<br>**[07:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We ended up working all day,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;two days in a row,*<br>**[07:09] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;without a chance to check out*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the rest of the festival.*<br>**[07:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home...<br>**[07:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what happened to you guys?<br>**[07:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome home.<br>**[07:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so tired.<br>**[07:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is being a maid heavy labor, or something?<br>**[07:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were basically packed all day.<br>**[07:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is good, but it didn't<br>&nbsp;&nbsp;&nbsp;&nbsp; leave us much time to rest.<br>**[07:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And tomorrow's the last day.<br>**[07:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This feels more like overtime<br>&nbsp;&nbsp;&nbsp;&nbsp;at work than a festival.<br>**[07:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. But considering we hit<br>&nbsp;&nbsp;&nbsp;&nbsp;our sales goal in just two days,<br>**[07:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll talk to our senpais and ask<br>&nbsp;&nbsp;&nbsp;&nbsp;about closing early tomorrow.<br>**[07:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do!<br>**[07:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should come and check it out, Tsurayuki.<br>**[07:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a bigger deal<br>&nbsp;&nbsp;&nbsp;&nbsp;than I thought, and pretty fun.<br>**[07:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, man! It's gotta be boring,<br>&nbsp;&nbsp;&nbsp;&nbsp;working all the time.<br>**[07:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You owe yourself a change of pace.<br>**[07:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not feeling bad enough<br>&nbsp;&nbsp;&nbsp;&nbsp;that I need a change.<br>**[08:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I definitely have to check this out.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The First Film Directed by Inugiri Waichi<br>
&nbsp;&nbsp;&nbsp;&nbsp;Banquet of Sadists
<br>**[08:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And maybe I'll check out the ex-gangster<br>&nbsp;&nbsp;&nbsp;&nbsp;Kogure-chan's maid look while I'm—<br>**[08:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am *not* an ex-gangster!<br>**[08:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to quit it with the jokes!<br>**[08:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, if you want to come, just admit it!<br>**[08:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not going to kill you<br>&nbsp;&nbsp;&nbsp;&nbsp;to be honest, is it?<br>**[08:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wrong! I have a totally<br>&nbsp;&nbsp;&nbsp;&nbsp;different motivation here!<br>**[08:23] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, you don't get to ever see me<br>&nbsp;&nbsp;&nbsp;&nbsp;dressed up like a maid, then!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Final Day
<br>**[08:33] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid café... this is it.<br>**[08:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa?<br>**[08:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came to the festival?<br>**[08:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably think<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't fit in, don't you?<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say that.<br>**[08:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just didn't think you'd come by<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you had a reason.<br>**[08:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I understand<br>&nbsp;&nbsp;&nbsp;&nbsp;your image of me now.<br>**[08:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that you're wrong, but still...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The first film directed by Inugiri Waichi<br>
&nbsp;&nbsp;&nbsp;&nbsp;Banquet of Sadists
<br>**[08:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd drop by,<br>&nbsp;&nbsp;&nbsp;&nbsp;since I came to see this.<br>**[08:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus... well...<br>**[08:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to apologize to her.<br>**[09:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Nanako?<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you need to.<br>**[09:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[09:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she's starting<br>&nbsp;&nbsp;&nbsp;&nbsp;to take singing seriously now.<br>**[09:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you said to her was the trigger.<br>**[09:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it was a waste of effort to come here?<br>**[09:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since you're here already,<br>&nbsp;&nbsp;&nbsp;&nbsp;you might as well—<br>**[09:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why on earth would I?<br>**[09:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no interest in moe-moe pancakes—<br>**[09:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Er, anyway, the movie<br>&nbsp;&nbsp;&nbsp;&nbsp;is starting soon. I need to get going.<br>**[09:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa!<br>**[09:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should listen to Nanako sing someday.<br>**[09:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Especially if she's<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten serious about it.<br>**[09:47] Actor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasuke! I bear you no grudge,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you will die here!<br>**[09:55] Sasuke**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you, Eisai...<br>**[10:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder where Hikawa-kun is.<br>**[10:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he would be performing, but...<br>**[10:04] Gen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And thus, Sasuke died in the street,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;exhausted and wounded.*<br>**[10:08] Gen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And only the great tree*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where he finally fell*<br>**[10:11] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*stood to mark his passing!*<br>**[10:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, look!<br>**[10:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the fine arts program for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all pretty serious stuff.<br>**[10:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is impressive.*<br>**[10:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The composition is well thought-out...*<br>**[10:44] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The sense of atmosphere is delicate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the point of transparency...*<br>**[10:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It'd make a good match for Shinoaki's art.*<br>**[10:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who made it?*<br>**[10:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yamashina Kazu?*<br>**[10:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where have I heard that name before?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamashina Kazu<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Untitled<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;4th Year, Fine Arts Program
<br>**[10:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait... I feel dizzy...*<br>**[11:04] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[11:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, what's wrong?<br>**[11:07] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun! Kyoya-kun?!<br>**[11:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up? Already closed?<br>**[11:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad for you!<br>**[11:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You missed out on all<br>&nbsp;&nbsp;&nbsp;&nbsp;those moe-moe kyun girls.<br>**[11:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to settle for you, then.<br>**[11:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's rude!<br>**[11:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, you feeling okay?<br>**[11:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been working non-stop...<br>&nbsp;&nbsp;&nbsp;&nbsp;must have been real tired.<br>**[11:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shinoaki?!<br>**[11:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[11:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just sit still.<br>**[11:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is kinda embarrassing,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let me just say it.<br>**[12:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, you're real grown up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and can do anything.<br>**[12:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's amazing.<br>**[12:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was really glad about what<br>&nbsp;&nbsp;&nbsp;&nbsp;you said, back then, too.<br>**[12:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how I can't stop,<br>&nbsp;&nbsp;&nbsp;&nbsp;and how you love my art.<br>**[12:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[12:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki?<br>**[12:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[12:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[12:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're calling for me?<br>**[12:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The closing act didn't show?!<br>**[12:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did this happen?<br>**[12:46] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were double-booked.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aurora Clarity
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miracle Portrait
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seraffi 1st Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Prince of Purrsia
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Secret Guest
<br>**[12:48] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;We expected Mori Shogo<br>&nbsp;&nbsp;&nbsp;&nbsp;to be among the guests.<br>**[12:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Isn't that...<br>**[12:52] Hikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the kind of artist you'd get<br>&nbsp;&nbsp;&nbsp;&nbsp;at most school festivals.<br>**[12:55] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:56] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we were lucky enough to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;to him before he went on hiatus.<br>**[13:00] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got word of him accepting, too.<br>**[13:03] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now we're hearing that he'll be a no-show.<br>**[13:06] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently it's at the same time as<br>&nbsp;&nbsp;&nbsp;&nbsp;the filming of some music program for TV.<br>**[13:11] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since he was going to be a secret guest,<br>**[13:13] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;they say to just put someone else on!<br>**[13:16] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[13:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[13:21] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure you just gotta put<br>&nbsp;&nbsp;&nbsp;&nbsp;someone else on, instead.<br>**[13:25] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that easy! Who could<br>&nbsp;&nbsp;&nbsp;&nbsp;we get, this close to showtime?<br>**[13:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you, dense?<br>**[13:31] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a freakin' art school.<br>**[13:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's crawling with people who wanna sing.<br>**[13:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen...<br>**[13:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sup?<br>**[13:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about having Nanako sing?<br>**[13:49] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was Prince of Purrsia!<br>**[13:52] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, after a fifteen-minute intermission,<br>&nbsp;&nbsp;&nbsp;&nbsp;our secret guest will be up!<br>**[13:57] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have to stick around<br>&nbsp;&nbsp;&nbsp;&nbsp;to see who it is!<br>**[14:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kyoya, you're joking, right?<br>**[14:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not.<br>**[14:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who can do this.<br>**[14:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's use the fact that you never<br>&nbsp;&nbsp;&nbsp;&nbsp;publicized who it was to our advantage.<br>**[14:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A backing band with an unknown singer...<br>**[14:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would explain why<br>&nbsp;&nbsp;&nbsp;&nbsp;it was listed as a secret.<br>**[14:16] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[14:17] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Nanako can pull it off.<br>**[14:19] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still rough around the edges,<br>**[14:21] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her voice has a power to resonate<br>&nbsp;&nbsp;&nbsp;&nbsp;directly with the listener's heart.<br>**[14:25] Sugimoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hasn't been long,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've been teaching her right.<br>**[14:29] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if this fails, it could<br>&nbsp;&nbsp;&nbsp;&nbsp;ruin the entire show.<br>**[14:34] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's going to do this,<br>&nbsp;&nbsp;&nbsp;&nbsp;she needs to be prepared.<br>**[14:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I understand.<br>**[14:40] Kakihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go talk to the backing band.<br>**[14:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has turned into a whole thing, huh?<br>**[14:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I can't...<br>**[14:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako?<br>**[14:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Singing in front of people, all of a sudden?<br>&nbsp;&nbsp;&nbsp;&nbsp;And in the place of a pro?<br>**[14:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I can manage that.<br>**[15:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, it's okay. I know you can—<br>**[15:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see it.<br>**[15:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone saying how terrible I am...<br>&nbsp;&nbsp;&nbsp;&nbsp;Laughing about me even showing up.<br>**[15:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared. I'm too scared!<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako!<br>**[15:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bring her back, I promise!<br>**[15:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, man!<br>**[15:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buy time until we get back! Please!<br>**[15:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buy time? Us?<br>**[15:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When opportunities appear, they always seem*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like they're going to be impossible at first.*<br>**[15:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My extra ten years of experience*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have taught me that.*<br>**[15:33] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know how bitter it feels think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about "If I had only..."*<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want that for you, Nanako!*<br>**[15:44] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;the replacement act ran away?!<br>**[15:47] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only ten minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;left in the intermission!<br>**[15:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Nanako will show,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she will sing.<br>**[15:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl... is not the kind of person<br>&nbsp;&nbsp;&nbsp;&nbsp;to let pressure keep her from performing.<br>**[16:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guarantee you.<br>**[16:01] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does your guarantee help?<br>**[16:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep the crowd warm in the meantime.<br>**[16:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The visual arts first-year,<br>&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji Tsurayuki is, in reality...<br>**[16:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;A traveling clown.<br>**[16:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew where I had been practicing, huh?<br>**[16:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[16:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand in my head.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a big chance.<br>**[16:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A way to confront everything<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been putting off all along.<br>**[16:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... confronting it<br>&nbsp;&nbsp;&nbsp;&nbsp;means potentially losing.<br>**[16:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I lose this time...<br>&nbsp;&nbsp;&nbsp;&nbsp;If I lose when I'm serious, then...<br>**[16:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. You won't lose, Nanako.<br>**[16:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! How can you be so sure, Kyoya?!<br>**[16:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you've practiced so much.<br>**[16:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[16:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter how much you practice...<br>&nbsp;&nbsp;&nbsp;&nbsp;an actual performance is different.<br>**[16:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't sing in front of people.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in front of a crowd of hundreds...<br>**[17:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of that many people judging me...<br>**[17:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's terrifying.<br>**[17:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm seriously terrified.<br>**[17:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like it was before.<br>**[17:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's going to go, "That was bad, but kind<br>&nbsp;&nbsp;&nbsp;&nbsp; of impressive," or, "You're almost there."<br>**[17:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuses won't cut it.<br>**[17:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so scared about it, I feel<br>&nbsp;&nbsp;&nbsp;&nbsp;like I'm going to fall apart.<br>**[17:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're scared because you're serious.<br>**[17:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're taking singing seriously.<br>**[17:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, I said I would figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out to help you.<br>**[17:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! How can you be so sure, Kyoya?!<br>**[17:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of this.<br>**[17:49] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that is something!<br>**[17:52] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, everyone, let's have<br>&nbsp;&nbsp;&nbsp;&nbsp;a round of applause!<br>**[17:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crap, I'm out of tricks...*<br>**[17:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kyoya, how long is this supposed to take?*<br>**[18:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki!<br>**[18:07] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that has been a few magic tricks<br>&nbsp;&nbsp;&nbsp;&nbsp;by a first-year who decided to pop in!<br>**[18:11] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up is the performance by our<br>&nbsp;&nbsp;&nbsp;&nbsp;secret guest you've all been waiting for!<br>**[18:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't run again, okay?<br>**[18:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I would!<br>**[18:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna get a hundred times<br>&nbsp;&nbsp;&nbsp;&nbsp;the applause you pulled off.<br>**[18:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm rooting for you!<br>**[18:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch me from the crowd, okay?<br>**[18:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[18:39] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here's our guest!<br>**[18:54] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A maid?<br>**[18:55] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a performance art thing?<br>**[19:07] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't really supposed to be singing<br>&nbsp;&nbsp;&nbsp;&nbsp;here today, but some things came up.<br>**[19:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'd have to be stupid<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn down a chance like this, so...<br>**[19:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make sure to enjoy the finale<br>&nbsp;&nbsp;&nbsp;&nbsp;of the school festival's concert!<br>**[19:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I rush past you with a heart that's run dry*<br>**[19:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, but there's nothing else I can do*<br>**[19:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because even sharing your pain*<br>**[19:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is something you want to keep from me*<br>**[20:06] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To not ruin what we had,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't look back*<br>**[20:12] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I turned away and took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my leave on the lonely rail*<br>**[20:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[20:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it, right, Kyoya?*<br>**[20:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no reason to be scared!*<br>**[20:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[20:24] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I'm...*<br>**[20:25] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[20:26] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your new video broke ten thousand views!<br>**[20:30] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only uploaded it yesterday.<br>**[20:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seeji<br>
&nbsp;&nbsp;&nbsp;&nbsp;This made me feel better!! You're only to going to get better from here<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fujiwara<br>
&nbsp;&nbsp;&nbsp;&nbsp;Too amazing... the way you seem to sing in a totally different way, depending on the song... Love it<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saito<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>**[20:33] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already sung in front<br>&nbsp;&nbsp;&nbsp;&nbsp;of thousands of people...<br>**[20:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking;*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rua<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ahhhh! So good! I love it!<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Omurice<br>
&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I never thought you would sing this song... (°°∀°°)<br>
&nbsp;&nbsp;&nbsp;&nbsp;It was just too cool!<br>
&nbsp;&nbsp;&nbsp;&nbsp; Thank you!
<br>**[20:36] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me, it doesn't make any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense to be afraid of a few hundred.<br>**[20:38] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[20:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[20:44] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I'm sure they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;all become fans of yours.<br>**[20:47] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You were there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I was there, and everyone else*<br>**[20:52] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[20:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Had seemed to disappear*<br>**[20:55] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know the world's not so simple that hard work*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is enough to get you where you want to be...*<br>**[21:00] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I tried to create*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the beauty of a fleeting dream*<br>**[21:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But!*<br>**[21:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want my feelings to reach them!*<br>**[21:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad at all.<br>**[21:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Nanako can do<br>&nbsp;&nbsp;&nbsp;&nbsp;when she's serious.<br>**[21:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ran a finger across my scars*<br>**[21:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What kind of trick<br>&nbsp;&nbsp;&nbsp;&nbsp;did you use this time?<br>**[21:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that is why I will be*<br>**[21:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it a trick...<br>**[21:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The videos we uploaded got<br>&nbsp;&nbsp;&nbsp;&nbsp;a bigger response than I anticipated.<br>**[21:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[21:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Granted, there were negative comments, too.*<br>**[21:22] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[21:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But Nanako's voice drew in a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more people than it turned away.*<br>**[21:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako didn't run away.*<br>**[21:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;○ Poor enunciation on H-sounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Abdominals<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;○Dotted rhythm<br>
&nbsp;&nbsp;&nbsp;&nbsp;      Syncopation process<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Wrong pitch?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mind the distinctions in articulation!
<br>**[21:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She kept an open mind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about even the harshest criticisms...*<br>**[21:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking*<br>**[21:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And incorporated the advice she got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into the next video she uploaded.*<br>**[21:35] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[21:38] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the internet, artists and fans collaborate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to make music through feedback.*<br>**[21:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[21:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in ten years, when this they dub*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this kind of thing "user generated content"...*<br>**[21:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako will have gained wings of song.*<br>**[21:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The first time I heard this voice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it captured my heart.*<br>**[21:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wasn't sure why, but now I understand.*<br>**[22:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's nice to meet you, N@NA.*<br>**[22:06] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that completes the program<br>&nbsp;&nbsp;&nbsp;&nbsp;for our music festival!<br>**[22:11] Host**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye everyone, and thanks for coming!<br>**[22:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, I did it! I managed to sing!<br>**[22:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where is he?<br>**[22:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work out there.<br>**[22:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya's still in the seats, probably.<br>**[22:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[22:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to thank him! Gotta find him first!<br>**[22:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[22:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to drag you away <br>
&nbsp;&nbsp;&nbsp;&nbsp;from Nanako's encore...<br>**[22:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. But are you okay?<br>**[22:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought maybe the crowd got to you.<br>**[22:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm feeling better now.<br>**[22:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The school festival's over, huh?<br>**[22:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[22:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[22:56] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking how we're <br>
&nbsp;&nbsp;&nbsp;&nbsp;about the same height, like this.<br>**[23:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. Now that you mention it...<br>**[23:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda... got carried away there.<br>**[23:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, kinda?<br>**[23:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's because of the festival?<br>**[23:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... really it?<br>

# E6 - We'll Figure It Out

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GD9UV2W0E/well-figure-it-out)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fell asleep?<br>**[00:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shinoaki?!<br>**[00:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess the sun's up.<br>**[00:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;G'morning.<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, good morning.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;        Photography<br>
&nbsp;&nbsp;&nbsp;&nbsp;      Collection<br>
&nbsp;&nbsp;&nbsp;&nbsp;    by<br>
&nbsp;&nbsp;&nbsp;&nbsp;  Kuwa<br>
&nbsp;&nbsp;&nbsp;&nbsp; Mei
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Empty Space
<br>**[00:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you came to check out reference material,<br>&nbsp;&nbsp;&nbsp;&nbsp; and then fell asleep.<br>**[00:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for falling asleep like that.<br>**[00:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think I've got the right idea<br>&nbsp;&nbsp;&nbsp;&nbsp;for what I wanna draw next!<br>**[00:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good. I guess you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be getting back to work...<br>**[00:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[00:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This... is confirmed now, right?*<br>**[00:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[00:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breakfast is ready, so get your butt—<br>**[00:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. Pretty bold, aren't you?<br>**[00:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, it's not that, we were just—<br>**[00:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, get a move on! Tsurayuki's waiting!<br>**[01:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you reckon she's mad about?<br>**[01:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, the professor mentioned<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd been missing class lately.<br>**[01:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've been packing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shifts at work lately.<br>**[01:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure you weren't just skipping class?<br>**[01:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, like you? Stupid.<br>**[01:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rude to call people stupid, stupid!<br>**[01:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what it was? I was worried<br>&nbsp;&nbsp;&nbsp;&nbsp;you weren't feeling too good.<br>**[01:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, that's not it at all.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the picture of health.<br>**[01:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[01:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be going to class more<br>&nbsp;&nbsp;&nbsp;&nbsp;regularly starting next week.<br>**[01:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell the prof not to worry.<br>**[01:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Sure.<br>**[01:46] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But in the following week,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki didn't show up for class.*<br>**[01:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading out!<br>**[01:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go of me already!<br>**[01:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure as heck ain't!<br>**[02:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on, you two?<br>**[02:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I was fine, but she<br>&nbsp;&nbsp;&nbsp;&nbsp;won't shut up about getting rest!<br>**[02:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;How in tarnation are you fine?!<br>**[02:07] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been under th' weather<br>&nbsp;&nbsp;&nbsp;&nbsp; all the time lately!<br>**[02:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *just* threw up in the bathroom!<br>**[02:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just ate too much yesterday!<br>**[02:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it's nothing,<br>&nbsp;&nbsp;&nbsp;&nbsp;just stop worry...ing...<br>**[02:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki!<br>**[02:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki-kun!<br>**[02:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Hang in there, Tsurayuki!<br>**[02:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? I told you, it was nothing.<br>**[02:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How exactly is sleep deprivation<br>&nbsp;&nbsp;&nbsp;&nbsp;and burnout from work nothing?<br>**[02:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctor said you needed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get plenty of bed rest!<br>**[02:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to not do any work that involves<br>&nbsp;&nbsp;&nbsp;&nbsp;physical activity for the foreseeable future.<br>**[02:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for dragging you out here.<br>**[02:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry any more, though.<br>**[02:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, what are you so on edge about?<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's weird. You're working<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself to death.<br>**[03:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's none of your business.<br>**[03:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not? Tell me the reason.<br>**[03:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to help!<br>**[03:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the hell are you gonna do that?!<br>**[03:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for yelling, man.<br>**[03:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look... I'm fighting with my parents.<br>**[03:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been paying my tuition myself.<br>**[03:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I come from a long line of doctors,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they want me to be one, too.<br>**[03:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ran out because I didn't want to do that.<br>**[03:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that kind of background,<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't get a scholarship.<br>**[03:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I took on as much work as I could.<br>**[03:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess if I have to ditch class for work,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm putting the cart in front of the horse.<br>**[03:41] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to rebel against my<br>&nbsp;&nbsp;&nbsp;&nbsp;parents for this long, but...<br>**[03:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think my little struggle for independence<br>&nbsp;&nbsp;&nbsp;&nbsp;has gone as far as it can.<br>**[03:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't pay my tuition, and can't work,<br>&nbsp;&nbsp;&nbsp;&nbsp; then I can't do anything.<br>**[03:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing left.<br>**[03:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just no way.<br>**[04:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no way?*<br>**[04:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There* has *to be!*<br>**[04:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know there has to be something! Think!*<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something.<br>**[04:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A way for you to make money on your own.<br>**[04:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are seriously something, man!<br>**[04:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever we think something<br>&nbsp;&nbsp;&nbsp;&nbsp;is a lost cause, you flip it around...<br>**[04:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And somehow manage to pull it off.<br>**[04:33] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm telling you...<br>**[04:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That this is no joke, all right?<br>**[04:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dealing with something I don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;other people messing with right now!<br>**[04:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say this is possible,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you realize that?!<br>**[04:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[04:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like it!<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not just tossing out a theory here.<br>**[04:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a plan.<br>**[05:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You actually have an idea?<br>**[05:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[05:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll figure it out.<br>&nbsp;&nbsp;&nbsp;&nbsp;We really will, damn it!<br>**[06:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all...<br>**[06:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going to make...<br>**[06:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a game?<br>**[06:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[06:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, the kind you play on a console?<br>**[06:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we're going to make is a doujin game,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're usually played on PCs.<br>**[07:02] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doujin game?<br>**[07:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[07:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like games made by businesses<br>&nbsp;&nbsp;&nbsp;&nbsp;and distributed to retailers.<br>**[07:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Individuals work together to make them...<br>&nbsp;&nbsp;&nbsp;&nbsp;And then sell them at direct market events.<br>**[07:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it, like indie music.<br>**[07:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're going to be making a novel game,<br>**[07:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;which uses text and images<br>&nbsp;&nbsp;&nbsp;&nbsp;for a sort of picture show.<br>**[07:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, we won't need a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of technical expertise, plus...<br>**[07:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you!<br>**[07:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm going to write the script?<br>**[07:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[07:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki can do the illustrations.<br>**[07:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Nanako will handle the background music.<br>**[07:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! Sounds like fun!<br>**[07:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've hardly composed anything before.<br>**[07:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you how, along with how<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the equipment involved.<br>**[07:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be the director,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll be there to back you all up.<br>**[07:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having you manage everything<br>&nbsp;&nbsp;&nbsp;&nbsp;is a big relief, Kyoya-kun!<br>**[07:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if Kyoya-kun's in charge,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's reassuring.<br>**[07:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to drag you all into my business!<br>**[08:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry none.<br>**[08:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I've never seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki grateful before!<br>**[08:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm deducting my gratitude toward you.<br>**[08:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! You should give me extra, in fact!<br>**[08:13] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatcha need?<br>**[08:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You decided to finally help our circle out?<br>**[08:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Not exactly...<br>**[08:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask you about something important.<br>**[08:23] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, you seem pretty serious.<br>**[08:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get into some kinda trouble, kid?<br>**[08:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or didja mess around with the wrong gal?<br>**[08:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to earn some money!<br>**[08:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme the details.<br>**[08:43] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get ya...<br>**[08:46] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That does seem like you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;needta put a rush on it.<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Tuition is due by May,<br>&nbsp;&nbsp;&nbsp;&nbsp;so before then...<br>**[08:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making money offa doujin<br>&nbsp;&nbsp;&nbsp;&nbsp;games ain't easy, though.<br>**[08:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You kids might be talented,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the trick to selling this kinda stuff<br>**[09:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is having a big name attached.<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. That's what I'm asking<br>&nbsp;&nbsp;&nbsp;&nbsp;to borrow from you.<br>**[09:08] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I getcha.<br>**[09:10] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna put your game out<br>&nbsp;&nbsp;&nbsp;&nbsp;as a new release from Hallucigenia Soft?<br>**[09:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize how presumptuous this is.<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... it's the only solution I can think of.<br>**[09:22] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. You can use our name.<br>**[09:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?! Thank you so much!<br>**[09:28] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in exchange...<br>**[09:31] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some stipulations.<br>**[09:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do?<br>**[09:35] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It has to be something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that will sell well, huh?*<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's a simple request, but a tough one.*<br>**[09:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's ten years in the past, so the urban*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fantasy trend has just about run its course.*<br>**[09:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What came after that?*<br>**[09:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It has to be easy to understand, simple to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;conceive of, but steadfastly popular.*<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A school story?<br>**[09:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is...<br>**[09:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right! I need to explain that part, too.*<br>**[10:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, school stories are...<br>**[10:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stories that take place<br>&nbsp;&nbsp;&nbsp;&nbsp;in and surrounding a school.<br>**[10:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's super literal?<br>&nbsp;&nbsp;&nbsp;&nbsp;Still not sure I get it.<br>**[10:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't there be like,<br>&nbsp;&nbsp;&nbsp;&nbsp;monsters and stuff, too?<br>**[10:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that would be<br>&nbsp;&nbsp;&nbsp;&nbsp;a good idea at this stage.<br>**[10:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be certain, but there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a good chance it wouldn't sell.<br>**[10:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's a question of popularity.<br>**[10:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I guess I get it.<br>**[10:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, most games with school stories<br>&nbsp;&nbsp;&nbsp;&nbsp;tend to focus on romance.<br>**[10:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Romance?!<br>**[10:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[10:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Totally fine!<br>**[10:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue, by all means.<br>**[10:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are also sexy scenes where—<br>**[10:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sex?!<br>**[10:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is there a problem?<br>**[10:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[10:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're talking about like...<br>&nbsp;&nbsp;&nbsp;&nbsp;actual scenes where people do it, right?<br>**[10:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am. That's a part of it.<br>**[11:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest with you, I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;any of that kind of experience.<br>**[11:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kind as in...<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I-It's fine!<br>**[11:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are professional writers who deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with that kind of material without any experience.<br>**[11:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean it?!<br>**[11:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! So, don't worry.<br>**[11:22] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[11:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what am I gonna do?<br>**[11:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I think we should make a school story.<br>**[11:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, question!<br>**[11:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[11:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never played games like that before.<br>**[11:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm not really sure what one's like.<br>**[11:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, me neither.<br>**[11:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to try one?<br>**[11:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some installed on this laptop.<br>**[11:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, we'll go check it out.<br>**[11:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[11:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[11:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is that?!<br>**[11:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[12:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That cute girl showed up...<br>**[12:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then there was all that stuff,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they did something crazy!<br>**[12:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was so shocked and embarrassed!<br>**[12:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, that hurts!<br>**[12:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck was that?! Seriously!<br>**[12:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really get what was going on,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the game seems fun.<br>**[12:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[12:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was way more extreme than "fun"!<br>**[12:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, you stupid pervert!<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what's wrong with you!<br>**[12:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This isn't going to be easy...*<br>**[12:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I can't give up.*<br>**[12:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm the only one who can help Tsurayuki.*<br>**[12:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba!<br>**[12:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Care to join me for lunch?<br>**[12:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I've got to meet somebody!<br>**[12:49] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;about this guy anyway, Hashy?<br>**[12:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to see his work<br>&nbsp;&nbsp;&nbsp;&nbsp; at the school festival.<br>**[12:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought he'd be perfect...<br>**[12:56] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed you remember<br>&nbsp;&nbsp;&nbsp;&nbsp; something like that.<br>**[12:59] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, what I really remember is his name*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from ten years in the future.*<br>**[13:04] Yamashina**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the club president,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamashina. Nice to meet you.<br>**[13:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hashiba.<br>**[13:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get right to the point.<br>**[13:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to handle the backgrounds<br>&nbsp;&nbsp;&nbsp;&nbsp;for our doujin game.<br>**[13:14] Yamashina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds great.<br>**[13:15] Yamashina**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do character art, so my work<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't get a lot of attention.<br>**[13:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That settles that! Next is equipment!*<br>**[13:25] Clerk**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[13:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard they opened<br>&nbsp;&nbsp;&nbsp;&nbsp;a big Yodobushi in Umeda,<br>**[13:30] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you want actual parts,<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing beats Ponbashi.<br>**[13:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed at how much we bought.<br>**[13:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when you're making a game,<br>**[13:38] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it pays to make sure you've got beefy hardware.<br>**[13:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise...<br>**[13:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[13:45] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a load of that.<br>**[13:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She definitely stands out, doesn't she?<br>**[13:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You figure some li'l princess is out<br>&nbsp;&nbsp;&nbsp;&nbsp;buying doujinshi in secret?<br>**[13:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt it. Anyway, Keiko-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't you have more shopping?<br>**[13:57] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good point! Let's get a move on.<br>**[14:05] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[14:07] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't realize that Rokuonji<br>&nbsp;&nbsp;&nbsp;&nbsp;was in that kind of situation.<br>**[14:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, which is why we're all<br>&nbsp;&nbsp;&nbsp;&nbsp;working together to support him.<br>**[14:13] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are? This isn't any kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of shady work, is it?<br>**[14:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, don't worry!<br>**[14:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what she'd say if I told her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we're working on a doujin game.*<br>**[14:23] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you might do something like<br>&nbsp;&nbsp;&nbsp;&nbsp;borrow the name of a famous circle<br>**[14:27] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;to try and sell a doujin game<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're making.<br>**[14:31] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[14:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Sensei, where did you hear about that?<br>**[14:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doncha know that honesty's the best policy?<br>**[14:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Keiko-san?!<br>**[14:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the two of you have worked<br>&nbsp;&nbsp;&nbsp;&nbsp;on games together before?<br>**[14:49] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I'm retired, though.<br>**[14:52] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanou-chan was a big help back in the day!<br>**[14:55] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if her student's in trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure it's the least I could do to help!<br>**[14:59] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that it? Because I thought you were<br>&nbsp;&nbsp;&nbsp;&nbsp;interested in turning a profit.<br>**[15:03] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the cash<br>&nbsp;&nbsp;&nbsp;&nbsp;is a separate issue altogether!<br>**[15:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll choose to believe in<br>&nbsp;&nbsp;&nbsp;&nbsp;the more admirable motivation.<br>**[15:09] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Keiko's explained what's<br>&nbsp;&nbsp;&nbsp;&nbsp;going on with your game dev,<br>**[15:13] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't let it interfere<br>&nbsp;&nbsp;&nbsp;&nbsp;too much with your studies.<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, then?<br>**[15:18] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every aspect of production<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to aid in your education.<br>**[15:22] Kanou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it'll be a good experience.<br>**[15:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's it coming along, anyway?<br>**[15:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smooth sailing so far?<br>**[15:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well... sure.<br>**[15:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it!<br>**[15:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[15:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been playing that game<br>&nbsp;&nbsp;&nbsp;&nbsp;you lent me as a sample.<br>**[15:47] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of those girls, for no reason<br>&nbsp;&nbsp;&nbsp;&nbsp;and with no impetus,<br>**[15:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;are in love with me<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as the game begins!<br>**[15:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with that?!<br>**[15:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how it goes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to understand.<br>**[15:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, but even if I'm willing to accept that,<br>**[16:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's with their speech?!<br>**[16:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Takumi-kun, I hope you had<br>&nbsp;&nbsp;&nbsp;&nbsp;a meowy good day at work!"<br>**[16:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who talks like that?!<br>**[16:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just how these things go...<br>**[16:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[16:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nanako?!<br>**[16:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it.<br>**[16:16] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how composing<br>&nbsp;&nbsp;&nbsp;&nbsp;on a computer works.<br>**[16:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on there?<br>**[16:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead of a musical score,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are these weird bars.<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it might be confusing at first,<br>**[16:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once you get used to it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's easier! Okay?<br>**[16:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure?<br>**[16:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun!<br>**[16:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Art for games is tough, huh?<br>**[16:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>**[16:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... Please, refer to the<br>&nbsp;&nbsp;&nbsp;&nbsp;sample art I gave you! Okay?<br>**[16:46] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is about the furthest possible*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thing from smooth sailing.*<br>**[16:54] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Control the centrifugal force<br>&nbsp;&nbsp;&nbsp;&nbsp;by keeping your left wrist steady.<br>**[16:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I got hardly any sleep last night.*<br>**[17:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki?<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>**[17:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little sleepy...<br>**[17:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than a little! Be careful—<br>**[17:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako?!<br>**[17:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dozed off...<br>**[17:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, let me wipe that off!<br>**[17:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Kyoya? Everything going okay?<br>**[17:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one not doing okay!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you even making?!<br>**[17:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you're right. My bad.<br>**[17:38] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;That group over there!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you all doing?!<br>**[17:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[17:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on?<br>**[17:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've all been half-asleep through<br>&nbsp;&nbsp;&nbsp;&nbsp;both your general education and arts classes.<br>**[17:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry... there's a good reason.<br>**[17:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet there is. I'd really<br>&nbsp;&nbsp;&nbsp;&nbsp;let you have it, otherwise.<br>**[17:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[17:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[18:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That is rough.<br>**[18:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you keep it quiet, though?<br>**[18:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not the kind of thing you<br>&nbsp;&nbsp;&nbsp;&nbsp;want to spread around.<br>**[18:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[18:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What can I do to help?<br>**[18:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you need, right?<br>**[18:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything I can contribute,<br>&nbsp;&nbsp;&nbsp;&nbsp; just let me know.<br>**[18:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks! I really appreciate it!<br>**[18:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first thing that comes to mind...<br>**[18:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are issues with the<br>&nbsp;&nbsp;&nbsp;&nbsp;script and art direction...<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's also the progress on the opening...<br>**[18:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm catching a bus.<br>**[18:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Thanks for offering your advice.<br>**[18:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around.<br>**[18:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[18:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a competent worker,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're smart enough,<br>**[18:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it seems to me like<br>&nbsp;&nbsp;&nbsp;&nbsp;you might be overdoing it.<br>**[18:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you... really okay?<br>**[18:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's not a problem.<br>**[18:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay... if you say so.<br>**[19:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right...<br>**[19:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, check this section for me.<br>**[19:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[19:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the writing might<br>&nbsp;&nbsp;&nbsp;&nbsp;be a little stiff, still.<br>**[19:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still? I thought I had fixed that,<br>&nbsp;&nbsp;&nbsp;&nbsp; for the most part.<br>**[19:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering the genre,<br>&nbsp;&nbsp;&nbsp;&nbsp;it needs to be a bit more loose.<br>**[19:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also think there might be too<br>&nbsp;&nbsp;&nbsp;&nbsp;much narration, relatively speaking.<br>**[19:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to increase<br>&nbsp;&nbsp;&nbsp;&nbsp;the amount of dialogue.<br>**[19:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?!<br>**[19:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if you say so. I'll get on that, then.<br>**[19:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I appreciate it.<br>**[19:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dinner's ready!<br>**[19:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[19:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki?<br>**[19:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'll be along in a sec.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you want to delete?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delete
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you want to delete?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delete
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
<br>**[20:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, the other day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the strangest-looking folks.<br>**[20:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did?<br>**[20:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was over in the school parking lot.<br>**[20:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This big old black car pulls up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and out comes a big fella in a black suit,<br>**[20:29] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this cute gal in a fur coat!<br>**[20:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if they're students.<br>**[20:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck? Sounds like a yakuza princess.<br>**[20:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've seen the same people.<br>**[20:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki... was this girl<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing a white beret?<br>**[20:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she was.<br>**[20:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-With short hair?<br>**[20:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And a sorta, general vibe<br>&nbsp;&nbsp;&nbsp;&nbsp;of being a rich girl?<br>**[20:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you notice that?!<br>**[21:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, Tsurayuki, what's gotten into...<br>**[21:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, sorry, but I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to make myself scarce for today!<br>**[21:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why?!<br>**[21:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain when I get back!<br>**[21:21] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this was the place!<br>**[21:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her!<br>**[21:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sayuri-nee...<br>**[21:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun! It's been ages!<br>**[21:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I missed you so much!<br>**[21:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Get off! Seriously, Sayuri-nee, let me go!<br>**[21:34] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, though?<br>**[21:36] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we smooch now,<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate our reunion?<br>**[21:40] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Tsu-kun!<br>**[21:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a...<br>**[21:48] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you all.<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Jisshoji Sayuri.<br>**[21:53] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Rokuonji Tsurayuki-san's...<br>**[21:56] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée!<br>**[21:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;F... F... F...<br>**[22:00] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée?!<br>

# E6.5 - Recap

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GQJUGE98W/recap)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;August 2016
<br>**[00:05] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My name's Hashiba Kyoya,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I'm 28 years old.*<br>**[00:08] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The kind of soon-to-be-middle-aged bachelor*<br>**[00:10] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that you can find just about anywhere.*<br>**[00:14] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you might expect, I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no girlfriend, and no money.*<br>**[00:18] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now I don't even have a job...*<br>**[00:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means I can't pay rent anymore,*<br>**[00:25] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;forcing me to pay for an express bus ticket*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the last of my cash.*<br>**[00:28] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And here I find myself,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back at my parents' house.*<br>**[00:32] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I tried my hand at everything I could,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and none of it amounted to anything.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;September 2016
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We wish you luck in your future endeavors.
<br>**[01:03] Kyouya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[01:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe I landed<br>&nbsp;&nbsp;&nbsp;&nbsp;a gig at SucceedSoft.<br>**[01:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better work hard! This is a big chance!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Group 2
<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome, Hashiba Kyoya-san.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the head of SucceedSoft's<br>&nbsp;&nbsp;&nbsp;&nbsp;second development group, Kawasegawa.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to have you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;November 2016
<br>**[01:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, can I have a word?<br>**[01:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something I need to tell you all.<br>**[01:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Platinum project...<br>**[01:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been frozen, as decided<br>&nbsp;&nbsp;&nbsp;&nbsp;by a meeting of the board of directors.<br>**[01:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! What happened?<br>**[01:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could have done more.<br>**[02:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[02:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Again...*<br>**[02:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It happened again.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notice of Acceptance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya-sama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We are contacting you to let you know you passed<br>
&nbsp;&nbsp;&nbsp;&nbsp; the entrance exam to Oonaka University of the Arts<br>
&nbsp;&nbsp;&nbsp;&nbsp; Visual Arts program that you took in 2004.
<br>**[02:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I had chosen this instead...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>**[02:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I would've met*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation.*<br>**[02:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We could've worked together,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inspired each other...*<br>**[02:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And...*<br>**[02:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then...*<br>**[02:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell difference does it make?!<br>**[02:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late.<br>**[02:41] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan!<br>**[02:43] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan.<br>**[02:48] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally. Were you so excited<br>&nbsp;&nbsp;&nbsp;&nbsp;you passed out, or something?<br>**[02:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on... are you being sarcastic or—<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... since when are you into cosplay?<br>**[02:58] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you talking about?<br>**[03:01] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Dad wanted to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted for your celebratory dinner.<br>**[03:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celebrating?<br>**[03:08] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were freaking out<br>&nbsp;&nbsp;&nbsp;&nbsp;about getting in before.<br>**[03:11] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I got into Oonaka Arts!"<br>**[03:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a decade ago.<br>**[03:17] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onii-chan, what are you talking about?<br>**[03:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I could ask you...<br>**[03:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, did you borrow some of my books?<br>**[03:30] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure didn't.<br>**[03:31] Miyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always get mad when I do.<br>**[03:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't we get rid of this CRT?<br>**[03:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should use my smartphone to—<br>**[03:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A flip phone?!<br>**[03:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;2006?!<br>**[03:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Once time passes, it never comes back."*<br>**[04:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"There are no second chances in life."*<br>**[04:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I always believed that...*<br>**[04:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, what I am experiencing*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art, Visual Arts Department
<br>**[04:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is the world from ten years ago that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been dying to go back to.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of Art
<br>**[05:53] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how it happened,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I've reverted ten years into the past.*<br>**[06:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[06:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Share House Kitayama.<br>**[06:06] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go first, then.<br>**[06:08] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kogure Nanako!<br>**[06:10] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm originally from Shiga Prefecture!<br>**[06:12] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can call me Nanako!<br>**[06:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[06:15] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess: it was art school<br>&nbsp;&nbsp;&nbsp;&nbsp;or a life of crime—<br>**[06:20] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a talent<br>&nbsp;&nbsp;&nbsp;&nbsp;for being a pain in the ass<br>**[06:22] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I've only known you<br>&nbsp;&nbsp;&nbsp;&nbsp;for, like, 30 seconds.<br>**[06:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's not make fun of her, then.*<br>**[06:29] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Rokuonji Tsurayuki...<br>**[06:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll keep it casual, too.<br>**[06:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go next!<br>**[06:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hashiba Kyoya.<br>**[06:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[06:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can just call me Kyoya too—<br>**[06:41] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Kyoya,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to clarify something...<br>**[06:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's that?<br>**[06:46] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you explain the sequence of events<br>&nbsp;&nbsp;&nbsp;&nbsp;between yesterday and today in detail?<br>**[06:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already did, though!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence! And, well...<br>**[06:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you coincidentally spent the night<br>&nbsp;&nbsp;&nbsp;&nbsp;with a girl you just met...<br>**[06:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before giving her a little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;of the milky splash?<br>**[07:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it was just a—<br>**[07:05] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable!<br>**[07:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be interesting, I think.<br>**[07:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves me!<br>**[07:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Shino Aki.<br>**[07:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from Fukuoka, in Kyushu...<br>&nbsp;&nbsp;&nbsp;&nbsp;a town called Itoshima.<br>**[07:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki's kind of a<br>&nbsp;&nbsp;&nbsp;&nbsp;masculine name, isn't it?<br>**[07:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[07:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, that ain't it, though.<br>**[07:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shino's my family name, and Aki's my name.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S<br>
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<br>**[07:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm Shino Aki!<br>**[07:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'all can call me Aki, too.<br>**[07:35] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Shinoaki, though?<br>**[07:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like the sound of Shinoaki.<br>**[07:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki it is.<br>**[07:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are y'all not gonna listen to me?!<br>**[07:44] Nana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki!<br>**[07:46] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if she's asleep already.*<br>**[07:50] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki? Are you awake?<br>**[08:09] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino... is Shinoaki.<br>**[08:13] (Flashback) Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Folks who can't do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;are all trying to find what we can do.<br>**[08:19] Ryo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's what she wants to do, then.<br>**[08:24] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking of having the short<br>&nbsp;&nbsp;&nbsp;&nbsp;take place at a train station.<br>**[08:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a train station?<br>**[08:28] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it's the type of place<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone is familiar with,<br>**[08:30] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a lot of obvious shorthand<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll help people understand the setting.<br>**[08:33] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think it'd be well-suited to a story<br>&nbsp;&nbsp;&nbsp;&nbsp;that wraps up in three minutes.<br>**[08:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[08:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds interesting! I think it'll work.<br>**[08:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like it, too.<br>**[08:43] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see it screened!<br>**[08:46] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Tsurayuki?<br>**[08:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get a half-hour?<br>**[08:52] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[08:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote up a plot for the<br>&nbsp;&nbsp;&nbsp;&nbsp;setup you described.<br>**[08:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was what you were after.<br>**[08:58] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This is exactly what I meant!<br>**[09:01] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to the script—<br>**[09:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[09:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a second?<br>**[09:07] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[09:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something from my idea notebook.<br>**[09:12] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this—<br>**[09:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the exact same thing.<br>**[09:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your idea, and what I had<br>&nbsp;&nbsp;&nbsp;&nbsp;written down in my notes.<br>**[09:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I didn't see—<br>**[09:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[09:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually had it locked up.<br>**[09:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't possibly have seen it.<br>**[09:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you still managed to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with the same idea,<br>**[09:32] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you read my mind.<br>**[09:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It honestly felt like you took<br>&nbsp;&nbsp;&nbsp;&nbsp;something right out of my head.<br>**[09:38] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to.<br>**[09:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was scary, man, if I'm being honest.<br>**[09:44] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Does that mean I essentially stole the idea*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from Tsurayuki's future self?*<br>**[09:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, is it just a coincidence?<br>**[09:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is there something else going on here?<br>**[09:58] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Production's always got something<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, huh?<br>**[10:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard your group's got<br>&nbsp;&nbsp;&nbsp;&nbsp;some creative differences.<br>**[10:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh... Yes.<br>**[10:09] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A script isn't a finished product.<br>**[10:11] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the point was to just have<br>&nbsp;&nbsp;&nbsp;&nbsp;people read something, and that's all,<br>**[10:13] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be better done as prose.<br>**[10:15] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the script stage,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can still go either way.<br>**[10:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're doing isn't just<br>&nbsp;&nbsp;&nbsp;&nbsp;a matter of subtraction.<br>**[10:24] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the production side stops trying,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that means the whole project is doomed.<br>**[10:28] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how important it is.<br>**[10:30] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one piece of advice for you.<br>**[10:33] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone involved in the<br>&nbsp;&nbsp;&nbsp;&nbsp;filmmaking process is a creator.<br>**[10:37] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And no one outranks anyone else.<br>**[10:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera that Tsurayuki-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;borrowed isn't a video camera.<br>**[10:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that can't be...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O Digital Single Lens Reflex Camera<br>
&nbsp;&nbsp;&nbsp;&nbsp;    Digital Video Camera
<br>**[10:50] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;I marked the wrong one.<br>**[10:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I can't believe<br>&nbsp;&nbsp;&nbsp;&nbsp;it turned out like this...<br>**[10:54] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, everyone makes mistakes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not much we can do.<br>**[10:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. There's nothing we can do.<br>**[11:02] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is there... nothing?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If there's no camera, then we can't film.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no actors, we can't record a performance.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's no key art, we don't need to draw anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If the writer is missing, we shouldn't bother writing anything.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If there's not enough budget, we'll throw something together.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It is what it is. Nothing we can do about it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped.
<br>**[11:04] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Didn't I spend my life ten years in the future*<br>**[11:08] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;repeating that excuse,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and regretting it every time?*<br>**[11:11] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Make excuses... and kick it all down the road,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without actually achieving anything?*<br>**[11:15] Kyo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Put a hold on everything for ten years,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and see how that turns out?*<br>**[11:21] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No!*<br>**[11:23] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not out of options!<br>**[11:26] Kyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>**[11:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa's team came in first place...*<br>**[11:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which was kind of expected.*<br>**[11:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But we came in third...*<br>**[11:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's some fairly high praise.*<br>**[11:40] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But if we had been able to film things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the way we originally intended...*<br>**[11:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet we would've been better received.*<br>**[11:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is *so* damn frustrating!<br>**[11:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell, man?!<br>**[11:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had *no* idea what you were doing <br>
&nbsp;&nbsp;&nbsp;&nbsp;when we were shooting,<br>**[11:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turned into a proper story,<br>&nbsp;&nbsp;&nbsp;&nbsp;with a proper ending and everything!<br>**[11:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really something, man! You did great!<br>**[12:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... if my script...<br>**[12:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the first one, but the one<br>&nbsp;&nbsp;&nbsp;&nbsp;I redid with your input...<br>**[12:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had been able to use it properly,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've turned out great!<br>**[12:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe even better than what we turned in...<br>**[12:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[12:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bitter, too!<br>**[12:19] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, that was seriously amazing!<br>**[12:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just doing what I was told,<br>**[12:24] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm kinda... No, I'm seriously impressed!<br>**[12:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I can act well<br>&nbsp;&nbsp;&nbsp;&nbsp;in a normal film too, so...<br>**[12:33] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm sure that'd... y'know...<br>**[12:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever! I'm just gonna say it!<br>**[12:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I can put on a really<br>&nbsp;&nbsp;&nbsp;&nbsp;good performance!<br>**[12:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to get to act the normal way!<br>**[12:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[12:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You play kinda dirty, huh?<br>**[12:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you get all fired up,<br>&nbsp;&nbsp;&nbsp;&nbsp;with your eyes flashing.<br>**[12:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the shoot...<br>&nbsp;&nbsp;&nbsp;&nbsp;And during the screening...<br>**[12:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was full of butterflies the whole time!<br>**[13:01] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I'm locking up. If you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;review things, do it somewhere else.<br>**[13:06] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or...<br>**[13:08] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you discussing your next goal?<br>**[13:10] Roommates**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[13:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy is not...<br>**[13:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya isn't...<br>**[13:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun ain't...<br>**[13:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...gonna show me up!<br>**[13:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping one day my eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;would light up like yours do.<br>**[13:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it just don't seem to wanna happen.<br>**[13:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I—<br>**[13:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was thinking...<br>**[13:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should give up on art.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that'd be easier.<br>**[13:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't!<br>**[13:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do that!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't stop being an artist!<br>**[13:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[13:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I...<br>**[13:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your art was always there for me.*<br>**[13:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[13:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love your art, Shinoaki.<br>**[14:03] Shino**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From all the way in the future...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've loved it.*<br>**[14:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't serious<br>&nbsp;&nbsp;&nbsp;&nbsp;about being an actor, then.<br>**[14:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want this, don't you? To be a singer.<br>**[14:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought it was strange.<br>**[14:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that you could perform in bits,<br>**[14:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was no feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;of intentionality behind it.<br>**[14:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It always felt superficial.<br>**[14:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that!<br>**[14:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It actually is.<br>**[14:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you weren't serious about acting.<br>**[14:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can claim otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the proof is in the performance.<br>**[14:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can project your voice so well,<br>**[14:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must mean you've been practicing in one<br>&nbsp;&nbsp;&nbsp;&nbsp;way or another since you were little, right?<br>**[14:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why would you try to act,<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of following your passion?<br>**[14:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[14:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're scared<br>&nbsp;&nbsp;&nbsp;&nbsp;of taking it seriously, right?<br>**[14:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you start taking something you've<br>&nbsp;&nbsp;&nbsp;&nbsp;always cared about seriously, and fail?<br>**[14:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would refute everything you stand for.<br>**[14:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were afraid of committing.<br>**[15:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So instead, because you got<br>&nbsp;&nbsp;&nbsp;&nbsp;compliments before, you turned to acting,<br>**[15:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lied about wanting to be an actress.<br>**[15:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Just stop talking!<br>**[15:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?!<br>**[15:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've loved singing, grown up around music,<br>**[15:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;but have always been tone deaf.<br>**[15:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could do something about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have by now!<br>**[15:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you haven't.<br>**[15:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of a gift.<br>**[15:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop running away, and get serious!<br>**[15:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can seriously chase after,<br>**[15:32] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;why wouldn't you make it<br>&nbsp;&nbsp;&nbsp;&nbsp;your weapon of choice?!<br>**[15:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead you flit off to acting because<br>&nbsp;&nbsp;&nbsp;&nbsp;someone gave you some casual compliments!<br>**[15:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't ever move anyone!<br>**[15:41] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was time you paid me back.<br>**[15:43] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna come work on our game?<br>**[15:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[15:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't... not right now.<br>**[15:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems you've got a full plate, huh?<br>**[15:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[15:55] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, the offer's still on the table, all right?<br>**[15:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I'm here, you can have these.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chasing The Morning Sun
<br>**[16:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should give you an idea what we're doing.<br>**[16:03] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch ya next time.<br>**[16:05] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I brushed against*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the freckles that I hated so...*<br>**[16:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Life goes on and I heave*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a little sigh for you.*<br>**[16:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's heavy, the love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I once shared with you...*<br>**[16:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it dissolved like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was just a sugar cube.*<br>**[16:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now the little pain sitting in my heart...*<br>**[16:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Has shrunken a bit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it really does hurt me now.*<br>**[16:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this... my voice?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. It's what your singing<br>&nbsp;&nbsp;&nbsp;&nbsp;can ultimately sound like.<br>**[16:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was adjust it.<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your singing has incredible potential!<br>**[16:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wanted you to know.<br>**[16:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to get better at singing.<br>**[16:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll study for real, practice for real,<br>**[16:48] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let people hear what<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do when I'm serious.<br>**[16:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'll be able to do it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I be able to go that far?<br>**[16:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you can.<br>**[16:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to trust you, Kyoya!<br>**[17:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;So help me figure out singing! Please?<br>**[17:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to be doing all the work.<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll do whatever I can to help you.<br>**[17:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>**[17:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make sure to enjoy the finale<br>&nbsp;&nbsp;&nbsp;&nbsp;of the school festival's concert!<br>**[17:36] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I rush past you with a heart that's run dry*<br>**[17:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, but there's nothing else I can do*<br>**[17:49] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because even sharing your pain*<br>**[17:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is something you want to keep from me*<br>**[18:02] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To not ruin what we had,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't look back*<br>**[18:08] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I turned away and took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my leave on the lonely rail*<br>**[18:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[18:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it, right, Kyoya?*<br>**[18:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no reason to be scared!*<br>**[18:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[18:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I'm...*<br>**[18:21] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[18:22] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your new video broke ten thousand views!<br>**[18:26] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only uploaded it yesterday.<br>**[18:27] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seeji<br>
&nbsp;&nbsp;&nbsp;&nbsp;This made me feel better!! You're only to going to get better from here<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fujiwara<br>
&nbsp;&nbsp;&nbsp;&nbsp;Too amazing... the way you seem to sing in a totally different way, depending on the song... Love it<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saito<br>
&nbsp;&nbsp;&nbsp;&nbsp;I seriously love the way your huskiness comes out on the high pitched parts
<br>**[18:29] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already sung in front<br>&nbsp;&nbsp;&nbsp;&nbsp;of thousands of people...<br>**[18:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking;*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rua<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ahhhh! So good! I love it!<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Omurice<br>
&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I never thought you would sing this song... (°°∀°°)<br>
&nbsp;&nbsp;&nbsp;&nbsp;It was just too cool!<br>
&nbsp;&nbsp;&nbsp;&nbsp; Thank you!
<br>**[18:32] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me, it doesn't make any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense to be afraid of a few hundred.<br>**[18:34] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[18:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[18:40] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I'm sure they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;all become fans of yours.<br>**[18:43] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You were there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I was there, and everyone else*<br>**[18:48] (Flashback) Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Had seemed to disappear*<br>**[18:51] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know the world's not so simple that hard work*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is enough to get you where you want to be...*<br>**[18:56] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As I tried to create*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the beauty of a fleeting dream*<br>**[18:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But!*<br>**[18:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want my feelings to reach them!*<br>**[19:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad at all.<br>**[19:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Nanako can do<br>&nbsp;&nbsp;&nbsp;&nbsp;when she's serious.<br>**[19:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ran a finger across my scars*<br>**[19:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What kind of trick<br>&nbsp;&nbsp;&nbsp;&nbsp;did you use this time?<br>**[19:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that is why I will be*<br>**[19:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it a trick...<br>**[19:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Following you no matter how much it hurts*<br>**[19:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The videos we uploaded got<br>&nbsp;&nbsp;&nbsp;&nbsp;a bigger response than I anticipated.<br>**[19:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in the darkest parts of the world*<br>**[19:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Granted, there were negative comments, too.*<br>**[19:18] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I know you'll be there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shining through into the future!*<br>**[19:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But Nanako's voice drew in a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more people than it turned away.*<br>**[19:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako didn't run away.*<br>**[19:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I know my weakness,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;○ Poor enunciation on H-sounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Abdominals<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;○Dotted rhythm<br>
&nbsp;&nbsp;&nbsp;&nbsp;      Syncopation process<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Wrong pitch?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mind the distinctions in articulation!
<br>**[19:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She kept an open mind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about even the harshest criticisms...*<br>**[19:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll fight to keep my soul for breaking*<br>**[19:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And incorporated the advice she got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into the next video she uploaded.*<br>**[19:31] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll do it my way,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and as our moments overlap...*<br>**[19:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the internet, artists and fans collaborate*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to make music through feedback.*<br>**[19:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God bless the both of us*<br>**[19:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in ten years, when this they dub*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this kind of thing "user generated content"...*<br>**[19:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanako will have gained wings of song.*<br>**[19:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The first time I heard this voice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it captured my heart.*<br>**[19:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wasn't sure why, but now I understand.*<br>**[19:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's nice to meet you, N@NA.*<br>**[20:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all...<br>**[20:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going to make...<br>**[20:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a game?<br>**[20:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, the kind you play on a console?<br>**[20:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we're going to make is a doujin game,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're usually played on PCs.<br>**[20:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're going to be making a novel game,<br>**[20:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;which uses text and images<br>&nbsp;&nbsp;&nbsp;&nbsp;for a sort of picture show.<br>**[20:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, we won't need a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of technical expertise, plus...<br>**[20:24] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you!<br>**[20:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm going to write the script?<br>**[20:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[20:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki can do the illustrations.<br>**[20:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Nanako will handle the background music.<br>**[20:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! Sounds like fun!<br>**[20:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've hardly composed anything before.<br>**[20:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you how, along with how<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the equipment involved.<br>**[20:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be the director,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll be there to back you all up.<br>**[20:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to drag you all into my business!<br>**[20:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry none.<br>**[20:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I've never seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki grateful before!<br>**[20:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm deducting my gratitude toward you.<br>**[20:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! You should give me extra, in fact!<br>**[21:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, the other day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the strangest-looking folks.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[21:04] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was over in the school parking lot.<br>**[21:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This big old black car pulls up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and out comes a big fella in a black suit,<br>**[21:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this cute gal in a fur coat!<br>**[21:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, Tsurayuki, what's gotten into...<br>**[21:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, sorry, but I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to make myself scarce for today!<br>**[21:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why?!<br>**[21:30] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this was the place!<br>**[21:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee...<br>**[21:32] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun! It's been ages!<br>**[21:35] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I missed you so much!<br>**[21:37] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we smooch now,<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate our reunion?<br>**[21:40] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Tsu-kun!<br>**[21:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a...<br>**[21:49] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you all.<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Jisshoji Sayuri.<br>**[21:53] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Rokuonji Tsurayuki-san's...<br>**[21:56] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée!<br>**[21:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;F... F... F...<br>**[22:01] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiancée?!<br>

# E7 - Tackling Awkward Situations

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G50UZE433/tackling-awkward-situations)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why exactly is Sayuri-nee sitting at the table<br>&nbsp;&nbsp;&nbsp;&nbsp;like it's the most natural thing in the world?<br>**[00:07] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's fine, Tsu-kun!<br>**[00:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she said she wanted to eat with us.<br>**[00:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning her away would be kinda... y'know?<br>**[00:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Tsurayuki-kun!<br>**[00:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ought to be grateful to her!<br>**[00:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you've all sold out for food, huh?<br>**[00:28] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun!<br>**[00:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. Say, "Ah!"<br>**[00:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not happening!<br>**[00:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsurayuki's fiancée has suddenly shown up.*<br>**[00:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I used to feed you<br>&nbsp;&nbsp;&nbsp;&nbsp;like this all the time!<br>**[00:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They're apparently childhood friends*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who promised to get married.*<br>**[00:37] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, say, "Ah!"<br>**[00:40] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-san seems intent*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on winning Tsurayuki over,*<br>**[00:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and ideally, bringing him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back home with her.*<br>**[00:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun!<br>**[00:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, say, "Ah!"<br>**[00:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why, "Ah"?<br>**[00:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[00:57] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to get some vegetables, too!<br>**[01:00] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, say, "Ah!"<br>**[01:02] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be having fun, Kyoya.<br>**[01:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same thing about you.<br>**[02:41] Sportos**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move up, move up!<br>**[02:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee lived next door,<br>**[02:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we've known each other<br>&nbsp;&nbsp;&nbsp;&nbsp;since nursery school.<br>**[02:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever my parents or siblings<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't pay attention to me,<br>**[02:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was always there to take care of me.<br>**[02:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was really little, I used to<br>&nbsp;&nbsp;&nbsp;&nbsp;think she was my actual older sister.<br>**[03:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's your fiancée, right?<br>**[03:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something our parents decided<br>&nbsp;&nbsp;&nbsp;&nbsp;without asking me. And it's stupid.<br>**[03:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love Sayuri-nee as a person,<br>**[03:11] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not anything more than that.<br>**[03:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I ran.<br>**[03:16] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to reject her outright,<br>&nbsp;&nbsp;&nbsp;&nbsp;and hurt her feelings.<br>**[03:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel bad for the rest of you, too.<br>**[03:23] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were really getting rolling,<br>&nbsp;&nbsp;&nbsp;&nbsp;and now this happens.<br>**[03:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell her to keep away from<br>&nbsp;&nbsp;&nbsp;&nbsp;the house as much as possible.<br>**[03:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't worry about it.<br>**[03:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, she keeps bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;fancy ingredients by every time,<br>**[03:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;which keeps both Shinoaki<br>&nbsp;&nbsp;&nbsp;&nbsp;and Nanako in a good mood.<br>**[03:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I said that, but...*<br>**[03:44] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-san visited*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the share house pretty regularly,*<br>**[03:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and eventually every day.*<br>**[03:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And by the time we had gotten used to it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was time for winter vacation,*<br>**[03:54] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which gave us more time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to devote to game development.*<br>**[03:58] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, could you check this?<br>**[03:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did so many rewrites I didn't know<br>&nbsp;&nbsp;&nbsp;&nbsp; what I was looking at anymore.<br>**[04:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I scrapped it and redid it from scratch.<br>**[04:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, the *whole* thing?!<br>**[04:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:09] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what I came up with,<br>&nbsp;&nbsp;&nbsp;&nbsp;after considering the style of bishoujo games.<br>**[04:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it work?<br>**[04:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is amazing, Tsurayuki!<br>**[04:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pacing of the dialog,<br>&nbsp;&nbsp;&nbsp;&nbsp;the balance of the monologues...<br>**[04:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you could do it. This is perfect.<br>**[04:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. This script will work.<br>**[04:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do this!<br>**[04:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness...<br>**[04:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can get some real sleep!<br>**[04:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that takes care of the script.<br>**[04:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamashina-san's been sending<br>&nbsp;&nbsp;&nbsp;&nbsp;in the backgrounds on time,<br>**[04:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that just leaves...<br>**[04:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, help!<br>**[04:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't think I can do this.<br>&nbsp;&nbsp;&nbsp;&nbsp;Composing something out of the blue...<br>**[05:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[05:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A melody came to mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I stuck it in there...<br>**[05:13] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nowhere near good enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to be music, though.<br>**[05:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already did it.<br>**[05:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, is that good enough?<br>**[05:22] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about arrangements<br>&nbsp;&nbsp;&nbsp;&nbsp;or coming up with a longer version?<br>**[05:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. That's what<br>&nbsp;&nbsp;&nbsp;&nbsp;the music software is for.<br>**[05:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we have a good melody,<br>**[05:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can come up with a few<br>&nbsp;&nbsp;&nbsp;&nbsp;loops to make it longer,<br>**[05:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and changing the arrangement<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be hard at all.<br>**[05:38] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so relieved.<br>**[05:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Na... Nanako?<br>**[05:42] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't. Just let me recharge a little.<br>**[05:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Uh, Nanako, I don't know if...*<br>**[05:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! I'm recharged!<br>**[06:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[06:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm feeling better now,<br>&nbsp;&nbsp;&nbsp;&nbsp; so I'll be able to get back to work!<br>**[06:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Does she...*<br>**[06:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nah, I have to be overthinking it.*<br>**[06:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun?<br>**[06:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something wrong?<br>**[06:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing! It's nothing.<br>**[06:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, what do you think?<br>**[06:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think his art's real impressive!<br>**[06:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[06:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hit me when I was checking out<br>&nbsp;&nbsp;&nbsp;&nbsp;the exhibition during the school festival.<br>**[06:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamashina-san's backgrounds<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a good match for your art.<br>**[06:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I knew Shinoaki could do it,*<br>**[06:42] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;considering she's going to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino some day.*<br>**[06:45] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The art needed to be different*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from her usual style,*<br>**[06:47] Roku**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and she managed to meet*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the challenge in hardly any time at all.*<br>**[06:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta ask, Kyoya-kun...<br>**[06:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on in this scene?<br>**[06:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's...<br>**[07:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sex scene.<br>**[07:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean that, I just dunno<br>&nbsp;&nbsp;&nbsp;&nbsp;what they're doing.<br>**[07:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What they're... what?<br>**[07:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! Kyoya-kun, could you sit over there?<br>**[07:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shinoaki?!<br>**[07:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move, now! Stay put.<br>**[07:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gets this big, huh?<br>**[07:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What does, exactly?!<br>**[07:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thighs.<br>**[07:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... the thighs. Right.<br>**[07:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it goes up right here...<br>**[07:38] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'm I supposed to sketch like that?<br>**[07:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on over, now!<br>**[07:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eek!<br>**[07:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the additional script<br>&nbsp;&nbsp;&nbsp;&nbsp;and some of the art files.<br>**[07:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was worried when I heard the plan<br>&nbsp;&nbsp;&nbsp;&nbsp;was to make a game in four months...<br>**[07:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm glad things seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be going smoothly.<br>**[08:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if I'd go that far.<br>**[08:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with school on break,<br>&nbsp;&nbsp;&nbsp;&nbsp;we've still got work,<br>**[08:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so everyone's worn out.<br>**[08:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it?<br>**[08:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was curious what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of trick you used this time.<br>**[08:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trick?<br>**[08:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this. Rokuonji's script,<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki's illustrations...<br>**[08:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're well done, sure,<br>**[08:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's all pretty distinct<br>&nbsp;&nbsp;&nbsp;&nbsp;from their usual style.<br>**[08:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We need to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;it sells well, so...<br>**[08:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked them to go for something<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit more commercial.<br>**[08:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just... asked?<br>**[08:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[08:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why you freak me out!<br>**[08:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki is one thing,<br>**[08:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do you realize how remarkable it is<br>&nbsp;&nbsp;&nbsp;&nbsp;to convince Rokuonji to change his style,<br>**[08:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;just so it'd be more popular?<br>**[08:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must really trust you.<br>**[08:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that you can do that...<br>**[08:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to admit it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm seriously impressed.<br>**[08:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something about you makes<br>&nbsp;&nbsp;&nbsp;&nbsp;others put their faith in you.<br>**[09:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Whatever Hashiba says is probably true."<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa...<br>**[09:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Anyway, if you're seriously doing this,<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure it turns out well!<br>**[09:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already the end of the year, huh?<br>**[09:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so cold!<br>**[09:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Winters in Fukuoka are pretty dang cold,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is about as cold as that.<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to get something warm to drink?<br>**[09:43] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naw, I'm okay.<br>**[09:45] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, can we go to the art supply store?<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ABE'S ELECTRONICS
<br>**[09:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for dragging you along<br>&nbsp;&nbsp;&nbsp;&nbsp;on my shopping trip.<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of being out here by myself<br>&nbsp;&nbsp;&nbsp;&nbsp; today was kind of depressing.<br>**[09:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you came with me, Shinoaki.<br>**[10:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[10:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, all right, then.<br>**[10:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still... you sure you're okay<br>&nbsp;&nbsp;&nbsp;&nbsp;with it being me?<br>**[10:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Christmas Eve, y'know?<br>**[10:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[10:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a funny thing to ask.<br>**[10:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*New Year's came, and it's now 2007.*<br>**[10:39] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was such a huge crowd!<br>**[10:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you ask for, Kyoya-kun?<br>**[10:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to ask? For the game<br>&nbsp;&nbsp;&nbsp;&nbsp;to get finished and sell well!<br>**[10:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously hope it sells...<br>&nbsp;&nbsp;&nbsp;&nbsp;for all our sakes.<br>**[10:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for Tsurayuki, who has finally learned<br>&nbsp;&nbsp;&nbsp;&nbsp;to show concern for other people!<br>**[10:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you...<br>**[10:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it, vocal talent,<br>&nbsp;&nbsp;&nbsp;&nbsp;did you finish the opening song?<br>**[11:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is "vocal talent" supposed to mean?!<br>**[11:03] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to it, y'know!<br>**[11:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering you canceled your plans<br>**[11:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;for going to the special<br>&nbsp;&nbsp;&nbsp;&nbsp;Christmas Eve sale with Kyoya—<br>**[11:09] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you even talking about?!<br>**[11:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako?<br>**[11:15] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh... well...<br>**[11:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we're all out anyway, let's grab<br>&nbsp;&nbsp;&nbsp;&nbsp;something to eat before we head home.<br>**[11:22] Nananko**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Good idea!<br>**[11:24] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds good! I'm in.<br>**[11:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's get some food, Kyoya!<br>**[11:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I think so.<br>**[11:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though there was the occasional surprise,*<br>**[11:35] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;we were steadily making*<br>*&nbsp;&nbsp;&nbsp;&nbsp;progress on our game.*<br>**[11:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really turned into a game!<br>**[11:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is only partway through<br>&nbsp;&nbsp;&nbsp;&nbsp;the first scene, though.<br>**[11:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I think even just this little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;is enough to get me emotional.<br>**[11:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can save the tears<br>&nbsp;&nbsp;&nbsp;&nbsp;for after you play through my story!<br>**[11:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The game goes on sale on April 29th.*<br>**[12:03] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if we're on schedule,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we'll still be pressed for time.*<br>**[12:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My job is to guide everyone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;until the deadline hits,*<br>**[12:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and make sure the game sells well.*<br>**[12:12] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not making the same*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mistakes I did ten years ago.*<br>**[12:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make sure*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the remake of my life is a success!*<br>**[12:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, can I—<br>**[12:21] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tsu-kun...<br>**[12:23] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know work is important,<br>&nbsp;&nbsp;&nbsp;&nbsp;but can't we relax some?<br>**[12:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on...<br>**[12:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee, I'm begging you,<br>&nbsp;&nbsp;&nbsp;&nbsp;not when I'm writing.<br>**[12:31] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, then?<br>**[12:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Akiya-kun, look at what<br>&nbsp;&nbsp;&nbsp;&nbsp;you've done to me..."<br>**[12:38] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;"So don't tease me any more, okay?"<br>**[12:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop!<br>**[12:46] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think about pervy stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;like this, huh, Tsu-kun?<br>**[12:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! This is just work!<br>**[12:51] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[12:52] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do everything that<br>&nbsp;&nbsp;&nbsp;&nbsp;you've written about, y'know?<br>**[12:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... Sayuri-san?<br>**[12:59] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, did you need something?<br>**[13:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is kinda pushing it.*<br>**[13:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[13:06] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you mean.<br>**[13:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm frankly impressed Tsurayuki was<br>&nbsp;&nbsp;&nbsp;&nbsp;able to say no in spite of all that.<br>**[13:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unrelated, but... you two...<br>**[13:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a reason why you're<br>&nbsp;&nbsp;&nbsp;&nbsp;both sitting next to me?<br>**[13:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure you're not imagining things?<br>**[13:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I reckon you're thinking too hard<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, Kyoya-kun.<br>**[13:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is...<br>**[13:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you! Come again!<br>**[13:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong?<br>**[13:37] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been spacing out.<br>**[13:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! It's nothing!<br>**[13:43] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, you were in Shinoaki's<br>&nbsp;&nbsp;&nbsp;&nbsp;room all day yesterday, weren't you?<br>**[13:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you two doing?<br>**[13:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? I was checking the CG.<br>**[13:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also asked me to take<br>&nbsp;&nbsp;&nbsp;&nbsp;a few pictures for reference.<br>**[13:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that was really it?<br>**[14:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[14:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I had better go restock the drinks!<br>**[14:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad.<br>**[14:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a chance this could<br>&nbsp;&nbsp;&nbsp;&nbsp;affect the game's production.<br>**[14:18] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help.<br>**[14:21] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did this before, huh?<br>**[14:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[14:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a coincidence that time, but...<br>**[14:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not today.<br>**[14:31] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing it on purpose, okay?<br>**[14:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako...<br>**[14:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't lose.<br>**[14:50] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't think there's any*<br>*&nbsp;&nbsp;&nbsp;&nbsp;other way to interpret this.*<br>**[14:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, stupid?!<br>**[14:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why the hell would you ask me about this?!<br>**[15:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Look, I'm sorry!<br>**[15:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I m-mean, I guess as a member of<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Kitayama, I can't just ignore it.<br>**[15:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Which one of them<br>&nbsp;&nbsp;&nbsp;&nbsp; do you like, Hashiba?<br>**[15:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[15:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both great girls, but I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;really feel that way about either of them.<br>**[15:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, instead of actually just saying no,<br>**[15:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;you keep up this wishy-washy noncommittal<br>&nbsp;&nbsp;&nbsp;&nbsp;attitude, leading us to this point.<br>**[15:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that cover it?<br>**[15:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does, ma'am.<br>**[15:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;From a woman's perspective,<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes you a total dirt bag!<br>**[15:32] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is what I would say ordinarily.<br>**[15:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But considering your position<br>&nbsp;&nbsp;&nbsp;&nbsp;from a production standpoint,<br>**[15:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand why you've<br>&nbsp;&nbsp;&nbsp;&nbsp;done things this way.<br>**[15:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think, for the time being, you'll have to<br>&nbsp;&nbsp;&nbsp;&nbsp;continue pretending to be oblivious.<br>**[15:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other than that, avoid being alone<br>&nbsp;&nbsp;&nbsp;&nbsp;with either of them in a closed room,<br>**[15:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and steer conversations away<br>&nbsp;&nbsp;&nbsp;&nbsp;from the subject.<br>**[15:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sadly, that's all I can really offer.<br>**[15:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I couldn't be more help.<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.<br>**[15:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel a little better just<br>&nbsp;&nbsp;&nbsp;&nbsp;getting to talk about it.<br>**[16:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I could count on you, Kawasegawa.<br>**[16:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when you finish the project,<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to make clear how you feel.<br>**[16:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the least you can do for them.<br>**[16:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Thanks again!<br>**[16:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, is he stupid?<br>**[16:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think this part might<br>&nbsp;&nbsp;&nbsp;&nbsp;be a little too forceful?<br>**[16:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get what you mean, but I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want to compromise here.<br>**[16:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the climax of the story, where the<br>&nbsp;&nbsp;&nbsp;&nbsp;protagonist chooses the girl he likes.<br>**[16:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That seems like it's a pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;intense situation, right?<br>**[16:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is, most players will decide<br>**[16:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;based on how they feel<br>&nbsp;&nbsp;&nbsp;&nbsp;about the character's quirks.<br>**[16:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when you consider that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we've done a great job<br>**[16:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;of showcasing those aspects of them.<br>**[16:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, man...<br>**[16:50] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun! You're coming home<br>&nbsp;&nbsp;&nbsp;&nbsp;with me today, right?<br>**[16:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sayuri-nee, this is really important!<br>**[16:57] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Tsu-kun's a little exhausted.<br>**[17:01] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-san, could you discuss this later?<br>**[17:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I—<br>**[17:06] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Tsu-kun.<br>**[17:09] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your mother and father<br>&nbsp;&nbsp;&nbsp;&nbsp;are really worried about you.<br>**[17:14] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should come—<br>**[17:15] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad would never say that.<br>**[17:18] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true! I'm sure he—<br>**[17:20] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know he wouldn't!<br>**[17:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll excuse myself for today.<br>**[17:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry... I know I'm behind schedule,<br>&nbsp;&nbsp;&nbsp;&nbsp; and now this...<br>**[17:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not your fault.<br>**[17:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should take the rest of the day off.<br>**[17:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't my stuff late already?<br>**[17:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you working like this, anyway.<br>**[17:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll manage something.<br>**[17:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[17:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing, man. I really respect you.<br>**[18:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make sure to rest up.<br>**[18:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[18:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After that day, Sayuri-san stopped*<br>*&nbsp;&nbsp;&nbsp;&nbsp;dropping by the house.*<br>**[18:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the following week,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the share house was more quiet,*<br>**[18:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but also a little bit more lonely.*<br>**[18:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Can I help you?!<br>**[18:34] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba Kyoya-san...<br>**[18:36] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but can I have<br>&nbsp;&nbsp;&nbsp;&nbsp;a moment of your time?<br>**[18:43] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a lovely view.<br>**[18:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I think so, too.<br>**[18:47] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Something about this gives me a real*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"You'll be sleeping with the fishes!" vibe...*<br>**[18:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you need to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;to me about in a place like this?<br>**[19:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to threaten me about Tsurayuki,<br>**[19:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're wasting your time. I—<br>**[19:06] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[19:09] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to discuss with you<br>**[19:13] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is why I brought you here.<br>**[19:15] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going home tomorrow.<br>**[19:19] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've realized something.<br>**[19:21] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, Tsu-kun won't return<br>&nbsp;&nbsp;&nbsp;&nbsp;to me, or to his parents.<br>**[19:27] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before I left, there was something<br>&nbsp;&nbsp;&nbsp;&nbsp; I needed to confirm with you.<br>**[19:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;With me?<br>**[19:34] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;All Tsu-kun seems to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;about lately is you.<br>**[19:38] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kyoya is amazing. If I rely on him,<br>&nbsp;&nbsp;&nbsp;&nbsp;things will turn out fine."<br>**[19:44] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I would like to ask...<br>**[19:46] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;do the two of you have?<br>**[19:52] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be specific, is there a physical—<br>**[19:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no, no!<br>**[19:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you think there was?!<br>**[19:57] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I'm surprised.<br>**[20:00] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering the depth of his trust in you,<br>**[20:02] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expected there to be<br>&nbsp;&nbsp;&nbsp;&nbsp;an intimate element to it.<br>**[20:07] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting that aside, though,<br>**[20:10] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;what exactly are your plans<br>&nbsp;&nbsp;&nbsp;&nbsp;for your relationship with Tsu-kun?<br>**[20:15] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a son of the Rokuonji family.<br>**[20:18] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he returns home, a stable future<br>&nbsp;&nbsp;&nbsp;&nbsp;is promised him.<br>**[20:22] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet you all seem to be dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu-kun down a riskier path.<br>**[20:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you make any<br>&nbsp;&nbsp;&nbsp;&nbsp;guarantees about his future?<br>**[20:32] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that's right?<br>**[20:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't make any promises.<br>**[20:38] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd imagine not.<br>**[20:40] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you should tell him—<br>**[20:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is a path that<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki chose for himself.<br>**[20:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He chose it, fully aware of<br>&nbsp;&nbsp;&nbsp;&nbsp; the risks it carries.<br>**[20:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I want to support him.<br>**[20:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if that makes him happy...<br>**[20:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I want to be there<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate his choice.<br>**[21:00] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think Tsu-kun is happy, then?<br>**[21:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's honestly in a bit of trouble.<br>**[21:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's why we intend to make<br>&nbsp;&nbsp;&nbsp;&nbsp;a game based around his writing,<br>**[21:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sell it in order to help him<br>&nbsp;&nbsp;&nbsp;&nbsp;get out of that trouble.<br>**[21:12] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;That indecent story?<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that kind of thing really sell?<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a good chance it will.<br>**[21:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have suggested it, otherwise.<br>**[21:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're making a product<br>&nbsp;&nbsp;&nbsp;&nbsp;that's on a competitive level.<br>**[21:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm proud of that fact.<br>**[21:28] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[21:29] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I believe everything you say,<br>**[21:33] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I understand the passion<br>&nbsp;&nbsp;&nbsp;&nbsp;and resolve that you have.<br>**[21:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[21:39] Sayuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... help Tsu-kun find happiness.<br>**[21:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was for the best, right, Tsurayuki?<br>**[22:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To help you reach<br>&nbsp;&nbsp;&nbsp;&nbsp;a future where you're happy.<br>

# E8 - Produce Results

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GWDU8PKZ4/produce-results)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1 Month Until Launch
<br>**[00:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost finished<br>&nbsp;&nbsp;&nbsp;&nbsp;with our game's production.<br>**[00:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to only get more<br>&nbsp;&nbsp;&nbsp;&nbsp;intense toward the end.<br>**[00:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I hope you can all stick<br>&nbsp;&nbsp;&nbsp;&nbsp;with it to the end.<br>**[00:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get through this, it'll be finished.<br>**[00:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's do this! Yeah!<br>**[00:12] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[00:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We need three more BGM tracks...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nanako
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>**[00:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The final third of the script...*<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But a whole fourth of the illustrations...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nanako
<br>**[00:24] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're going to have to make*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some big cuts to finish in time.*<br>**[00:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But I've already had them*<br>*&nbsp;&nbsp;&nbsp;&nbsp;put up with so much.*<br>**[00:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I keep remembering what happened before.*<br>**[00:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If the alternative*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is going through that again...*<br>**[00:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Things are different now!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Alterations
<br>**[00:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to finish this game!<br>&nbsp;&nbsp;&nbsp;&nbsp;For Tsurayuki's sake!<br>**[02:25] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to make it just<br>&nbsp;&nbsp;&nbsp;&nbsp;like this? What do you mean?<br>**[02:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize we can't just rip off the melody,<br>**[02:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd like you to try something<br>&nbsp;&nbsp;&nbsp;&nbsp;with a similar feel.<br>**[02:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it...<br>**[02:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, considering I'm behind already,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we don't have a choice.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Regarding the Change in Music
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Alterations to BGM Composition
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Author: Hashiba Kyoya
<br>**[02:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't be able to call this<br>&nbsp;&nbsp;&nbsp;&nbsp;a 100% Nanako original.<br>**[02:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd like you to do it<br>&nbsp;&nbsp;&nbsp;&nbsp;this way. Is that all right?<br>**[02:45] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That works!<br>**[02:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;This might be a fun method to try, anyway.<br>**[02:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[02:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna change the layouts?<br>**[02:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[02:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since this material is for the climax,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to make it a priority.<br>**[02:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot of these look the same.<br>**[03:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that gonna be okay?<br>**[03:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I want there to be a lot of emphasis<br>&nbsp;&nbsp;&nbsp;&nbsp;on the character faces in the finale,<br>**[03:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this works better for that.<br>**[03:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how it is?<br>**[03:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be okay! So I'd like you to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;to match these directions.<br>**[03:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do that for me?<br>**[03:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Sure thing.<br>**[03:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it your way, Kyoya-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see how it turns out.<br>**[03:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's two people convinced.*<br>**[03:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One more to go...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Regarding the Change in Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Alterations to the Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Author: Hashiba Kyoya
<br>**[03:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, you expect me<br>&nbsp;&nbsp;&nbsp;&nbsp;to just write it like it says here?<br>**[03:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that I'm behind.<br>**[03:31] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, man... this is nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;like the plot I wrote!<br>**[03:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a whole different thing!<br>**[03:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know this won't take as long to write.<br>**[03:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I want to do it<br>&nbsp;&nbsp;&nbsp;&nbsp;this way, so we can make sure—<br>**[03:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we do it that way...<br>**[03:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any point in me<br>&nbsp;&nbsp;&nbsp;&nbsp;being the one who writes it?<br>**[03:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki...<br>**[03:50] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You come up with the plot.<br>**[03:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;the setup for the finale.<br>**[03:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do I even factor into the equation?<br>**[03:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous.<br>**[04:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The entire feel of the game is<br>&nbsp;&nbsp;&nbsp;&nbsp;because of you writing it, Tsurayuki!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Regarding the Change in Scenario
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Alterations to the Scenario
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Author: Hashiba Kyoya
<br>**[04:05] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I'm just doing<br>&nbsp;&nbsp;&nbsp;&nbsp;what you tell me to?<br>**[04:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[04:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In commercial games, the director<br>&nbsp;&nbsp;&nbsp;&nbsp;handles the plot a lot of the time.<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a handful of writers are free to do<br>&nbsp;&nbsp;&nbsp;&nbsp;everything by themselves from the start.<br>**[04:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[04:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, right now, we need to finish<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to sell the game at the event!<br>**[04:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That has to be our number one priority!<br>**[04:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize I'm asking you to do<br>&nbsp;&nbsp;&nbsp;&nbsp;something unpleasant.<br>**[04:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this was the best plan<br>&nbsp;&nbsp;&nbsp;&nbsp;I could come up with<br>**[04:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make sure we finish on time.<br>**[04:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[04:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm asking you to trust me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and follow the directions.<br>**[04:47] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. You've got it.<br>**[04:53] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always been right.<br>**[04:56] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're doing this<br>&nbsp;&nbsp;&nbsp;&nbsp;for my sake, after all.<br>**[05:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it, Tsurayuki.<br>**[05:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a brighter future...<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll need to compromise, for now.<br>**[05:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right about that.<br>**[05:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The issues with the script<br>&nbsp;&nbsp;&nbsp;&nbsp;have been settled.<br>**[05:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be able to move<br>&nbsp;&nbsp;&nbsp;&nbsp;on to voice recording this week.<br>**[05:15] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds good! Hard to believe<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys were so far behind.<br>**[05:18] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The illustrations are coming in<br>&nbsp;&nbsp;&nbsp;&nbsp;at a better clip now, too.<br>**[05:21] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You use some kinda magic or something?<br>**[05:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just asked everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;to prioritize progress.<br>**[05:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all understood.<br>**[05:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? Well, whatever works.<br>**[05:30] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we just gotta get scaredy-cat<br>&nbsp;&nbsp;&nbsp;&nbsp;over there to chill out some.<br>**[05:34] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, no, I am so nervous, oh man...<br>**[05:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the school festival's concert<br>&nbsp;&nbsp;&nbsp;&nbsp;would've been way more nerve-wracking.<br>**[05:41] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, girls like her tend to be pretty tough<br>&nbsp;&nbsp;&nbsp;&nbsp;once they're actually in the fire.<br>**[05:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[05:47] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that's good!<br>**[05:49] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very nice, Nanako-chan!<br>**[05:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That felt fantastic!<br>**[05:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we do another take?<br>**[05:55] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;That works for me!<br>**[05:56] Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this one, let's go with<br>&nbsp;&nbsp;&nbsp;&nbsp;a more energetic take.<br>**[05:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[06:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd I tell you?<br>**[06:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fair enough.<br>**[06:04] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did fantastic, Nanako!<br>**[06:06] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The audio director was freaking out,<br>&nbsp;&nbsp;&nbsp;&nbsp;asking me where I found you!<br>**[06:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, you have to be exaggerating.<br>**[06:13] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;how things wrap up, now!<br>**[06:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm glad we decided to do things my way.*<br>**[06:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was the right decision.*<br>**[06:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kawasegawa. It's nice to meet you.<br>**[06:21] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kiryu.<br>**[06:23] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the president of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine Arts Study Group.<br>**[06:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank for letting us use<br>&nbsp;&nbsp;&nbsp;&nbsp;your computer again.<br>**[06:29] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a good idea of how<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the editing software?<br>**[06:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've used Primia before,<br>**[06:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not too familiar with After Affex...<br>**[06:36] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain the differences<br>&nbsp;&nbsp;&nbsp;&nbsp;that matter, then.<br>**[06:46] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Hashy, is this girl some kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;super honor student?<br>**[06:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'd say so.<br>**[06:52] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured!<br>**[06:53] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She picked up what<br>&nbsp;&nbsp;&nbsp;&nbsp;I was putting down really quick.<br>**[06:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it really that impressive?<br>**[06:57] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she sticks to doing this, she'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;one hell of a video editor someday.<br>**[07:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess her involvement in the game*<br>*&nbsp;&nbsp;&nbsp;&nbsp;industry happened pretty naturally.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki
<br>**[07:11] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hate to bug you<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're working and all...<br>**[07:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. What'd you want to talk about?<br>**[07:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came up with something great!<br>**[07:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to get your take<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as possible!<br>**[07:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are the layouts<br>&nbsp;&nbsp;&nbsp;&nbsp;for the last cut, right?<br>**[07:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it! I was thinking we<br>&nbsp;&nbsp;&nbsp;&nbsp;could make a little addition.<br>**[07:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;An addition?<br>**[07:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The script Tsurayuki-kun came up<br>&nbsp;&nbsp;&nbsp;&nbsp;with for this part was real good!<br>**[07:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I wanted to add another cut.<br>**[07:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boy's line here is just great!<br>**[07:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought it'd be a good idea to put<br>&nbsp;&nbsp;&nbsp;&nbsp;his hand into the frame for that part.<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of his habit, right?<br>**[07:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever he's being really<br>&nbsp;&nbsp;&nbsp;&nbsp;serious about something,<br>**[07:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;he always clenches his fist.<br>**[07:48] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I thought we could emphasize it!<br>**[07:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Additional art, huh?<br>**[07:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a good idea.*<br>**[07:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But the schedule for illustrations*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is already falling apart.*<br>**[08:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Additional art just isn't realistic.*<br>**[08:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As a creator, I'd love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to sign off on this.*<br>**[08:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, considering our situation...*<br>**[08:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we're better off not changing it.<br>**[08:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come?<br>**[08:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it'd be way better,<br>&nbsp;&nbsp;&nbsp;&nbsp;with how the scene goes.<br>**[08:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think it'd be ready in time?<br>**[08:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that.<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to put an emphasis on the expressions<br>&nbsp;&nbsp;&nbsp;&nbsp;you draw for this scene, Shinoaki.<br>**[08:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Expressions?<br>**[08:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other CG are only used<br>&nbsp;&nbsp;&nbsp;&nbsp;for two lines apiece.<br>**[08:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this one has four.<br>**[08:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's set up that way to put an emphasis<br>&nbsp;&nbsp;&nbsp;&nbsp;on how expressive she's being.<br>**[08:39] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess... that's right.<br>**[08:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why, although I think<br>&nbsp;&nbsp;&nbsp;&nbsp;your change is an interesting one,<br>**[08:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd still be better to go<br>&nbsp;&nbsp;&nbsp;&nbsp;with what we already have.<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you say?<br>**[08:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll draw it the way<br>&nbsp;&nbsp;&nbsp;&nbsp;it was already set up.<br>**[08:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. You came up with a good idea.<br>**[08:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. Sorry to bug you<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're already real busy.<br>**[09:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is for the best.*<br>**[09:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is the best choice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for Tsurayuki's sake.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Submission Deadline
<br>**[09:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, this is the actual final stretch!<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we're done we can<br>&nbsp;&nbsp;&nbsp;&nbsp;all sleep, so hang in there!<br>**[09:19] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Another typo!<br>**[09:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is wrong with my writing?!<br>**[09:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki, I know you want to fix it,<br>**[09:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but focus on debugging the game first!<br>**[09:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, sorry.<br>**[09:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's 2:00 AM... we have to take the master*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the printers at 10:00 AM.*<br>**[09:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That gives us eight hours.*<br>**[09:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, everybody.<br>**[09:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect timing!<br>**[09:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you test the game out<br>&nbsp;&nbsp;&nbsp;&nbsp;on my PC on the second floor?<br>**[09:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll want to make the decisions<br>&nbsp;&nbsp;&nbsp;&nbsp;that will put you on her route!<br>**[09:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, then!<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it, Nanako?!<br>**[09:50] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The space where the expression was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be went all blank and smooth!<br>**[09:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a bug!<br>**[09:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make a save there. I'll tell<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san about it later.<br>**[10:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Got it!<br>**[10:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things on your end, Shinoaki?!<br>**[10:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was playing, but then<br>&nbsp;&nbsp;&nbsp;&nbsp;the screen went all black!<br>**[10:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means the game crashed!<br>**[10:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell Keiko-san about<br>&nbsp;&nbsp;&nbsp;&nbsp;that too, so leave it!<br>**[10:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look at the busy bees.<br>**[10:14] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hell, we've got some<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble in paradise, huh?<br>**[10:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Can you help us with it?<br>**[10:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah! Leave it to me.<br>**[10:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think there was a display problem<br>&nbsp;&nbsp;&nbsp;&nbsp;with the expression for that scene.<br>**[10:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's gonna be rough.<br>**[10:28] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be good to review all of the routes.<br>**[10:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, really?!<br>**[10:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have everybody quit doing what<br>&nbsp;&nbsp;&nbsp;&nbsp;they're doing and focus on that for now.<br>**[10:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, restart the computer<br>**[10:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and run through that route again,<br>&nbsp;&nbsp;&nbsp;&nbsp;while checking the art!<br>**[10:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, sure thing!<br>**[10:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Kawasegawa,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can skip through the dialog<br>**[10:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but make sure to check<br>&nbsp;&nbsp;&nbsp;&nbsp;the art's displaying!<br>**[10:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The game already crashed<br>&nbsp;&nbsp;&nbsp;&nbsp;when I got to a branching decision.<br>**[10:52] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ain't good.<br>**[10:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might need to review<br>&nbsp;&nbsp;&nbsp;&nbsp;a little further back, then.<br>**[10:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[10:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did I make a typo here, too?!<br>**[11:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now half the background's missing!<br>**[11:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, the whole dang<br>&nbsp;&nbsp;&nbsp;&nbsp;computer's crashed this time!<br>**[11:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba, what do you<br>&nbsp;&nbsp;&nbsp;&nbsp;want me to do about this?<br>**[11:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, stay calm!<br>**[11:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Master Rom
<br>**[11:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that should do it...<br>**[11:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much. Here it is.<br>**[11:21] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. I'm outta here, then.<br>**[11:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work... team?<br>**[11:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, our game was complete.*<br>**[11:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... I still had an important job left.*<br>**[11:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To actually sell the game.*<br>**[11:47] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naw, I think it'll sell just fine.<br>**[11:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we haven't really done any PR<br>&nbsp;&nbsp;&nbsp;&nbsp;since the initial announcement.<br>**[11:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this game, as long as the<br>&nbsp;&nbsp;&nbsp;&nbsp;outside looks appealing enough,<br>**[11:56] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the inside could be crap<br>&nbsp;&nbsp;&nbsp;&nbsp;and it'd still sell.<br>**[11:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kinda position you're in.<br>**[12:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[12:03] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll see.<br>**[12:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another five minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;until the shutters go up...<br>**[12:12] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you still worried?<br>**[12:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[12:14] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, however it happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;you kids made something.<br>**[12:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're gonna see the response it gets.<br>**[12:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[12:23] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, here it comes.<br>**[12:25] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, the event is now opening!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dedicated Line
<br>**[12:42] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? What'd I tell you?<br>**[12:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, to the completion<br>&nbsp;&nbsp;&nbsp;&nbsp;and successful distribution of HaruSora.<br>**[12:50] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[12:52] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over... It's finally done.<br>**[12:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't ever wanna ever<br>&nbsp;&nbsp;&nbsp;&nbsp;look for typos again.<br>**[12:57] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was drawing and drawing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it never ended.<br>**[12:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kinda thought it never would.<br>**[13:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of you did an absolutely<br>&nbsp;&nbsp;&nbsp;&nbsp;amazing job! Thank you!<br>**[13:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This entire project only came<br>&nbsp;&nbsp;&nbsp;&nbsp;together because of all of you!<br>**[13:08] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;We couldn't have finished<br>&nbsp;&nbsp;&nbsp;&nbsp;if it wasn't for you, Kyoya.<br>**[13:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[13:13] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;We couldn't have managed<br>&nbsp;&nbsp;&nbsp;&nbsp;a dang thing without Kyoya-kun.<br>**[13:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were practically leaving<br>&nbsp;&nbsp;&nbsp;&nbsp;all the decisions to him.<br>**[13:20] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it worked out, thanks to Kyoya!<br>**[13:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c-come on... Cut it out. It's not true.<br>**[13:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Kyoya? Are those tears I see?<br>**[13:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, of course not!<br>**[13:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worked a bunch,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you're bound to be tired.<br>**[13:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can get some rest now.<br>**[13:36] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. She's right.<br>**[13:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was filled with an irrepressible joy.*<br>**[13:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to keep making*<br>*&nbsp;&nbsp;&nbsp;&nbsp;things with this team.*<br>**[13:47] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I went ten years into the past,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and chose to become a creator...*<br>**[13:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I'm so glad.*<br>**[13:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be enough, right?<br>**[13:55] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone was having a lot of fun, huh?<br>**[13:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably feel relieved.<br>**[14:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki and Nanako both looked like a<br>&nbsp;&nbsp;&nbsp;&nbsp;weight had been lifted off their shoulders.<br>**[14:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. There's no need to hang tough anymore.*<br>**[14:07] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We chose our battles, finished our work,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and achieved our goal with it.*<br>**[14:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We'll be able to do even*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more things, from here on.*<br>**[14:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both in class, and in creating... and then...*<br>**[14:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Shinoaki, what do you—<br>**[14:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, Kyoya-kun...<br>**[14:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really how it oughta be?<br>**[14:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How it ought to be? What do you mean?<br>**[14:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just... feels like I should ask.<br>**[14:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It... was a success.<br>**[14:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, we all worked hard<br>&nbsp;&nbsp;&nbsp;&nbsp;to help Tsurayuki, right?<br>**[14:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. In that case, it's fine.<br>**[14:48] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for asking such a weird thing.<br>**[14:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you don't have to worry about it.<br>**[14:53] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know if you're<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling tired, you hear?<br>**[14:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[15:01] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;will always believe in you, Kyoya-kun.<br>**[15:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[15:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay. Thank you.<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it's time to pass out<br>&nbsp;&nbsp;&nbsp;&nbsp;our share of the profits.<br>**[15:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we... really allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to have all this money?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kogure Nanako
<br>**[15:17] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shino Aki
<br>**[15:18] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gonna help a lot around the house.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji Tsurayuki
<br>**[15:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This takes care of your problem, Tsurayuki.<br>**[15:27] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's finally over now...<br>**[15:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you saying? It's only beginning.<br>**[15:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kyoya...<br>**[15:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna take a walk?<br>**[15:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I had writer's block,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd walk around here.<br>**[15:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's this little park.<br>**[15:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sit there and brainstorm.<br>**[15:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we gonna go there now?<br>**[15:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, this should do.<br>**[15:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I went somewhere<br>&nbsp;&nbsp;&nbsp;&nbsp;with a lot of memories...<br>**[16:00] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if I'd be able to say it.<br>**[16:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dropping out of school.<br>**[16:14] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry, considering how<br>&nbsp;&nbsp;&nbsp;&nbsp;you busted your ass for me.<br>**[16:17] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The three of you can split<br>&nbsp;&nbsp;&nbsp;&nbsp;my share. I don't need it.<br>**[16:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about, Tsurayuki?!<br>**[16:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you wanted to study!<br>**[16:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This money was supposed to make that happen!<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because... because it was<br>&nbsp;&nbsp;&nbsp;&nbsp;too much to take care of on your own...<br>**[16:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why... why I...<br>**[16:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hit me, Kyoya. You've earned it.<br>**[16:43] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... can't do this anymore.<br>**[16:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki...<br>**[16:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always believed<br>&nbsp;&nbsp;&nbsp;&nbsp;that I was talented, y'know?<br>**[16:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it came<br>&nbsp;&nbsp;&nbsp;&nbsp;to script writing or novels...<br>**[16:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I could be as good as anyone.<br>**[16:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because I like writing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and am confident about it,<br>**[17:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew that making<br>&nbsp;&nbsp;&nbsp;&nbsp;a living off it would be hard.<br>**[17:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This last year has really<br>&nbsp;&nbsp;&nbsp;&nbsp;driven that point home.<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the same as for anyone else, though!<br>**[17:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you wanted to study!<br>&nbsp;&nbsp;&nbsp;&nbsp; To work hard at it!<br>**[17:15] Tsurayuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that was the case, too.<br>**[17:17] Tsurayuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That everyone started out<br>&nbsp;&nbsp;&nbsp;&nbsp;not knowing what they're doing.<br>**[17:22] Tsurayuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until I met you, Kyoya.<br>**[17:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before... me?<br>**[17:28] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, you were smiling all the time,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I just thought you were a nice guy.<br>**[17:33] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then that smile hid a kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of strength I had no idea about.<br>**[17:38] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I screwed up,<br>&nbsp;&nbsp;&nbsp;&nbsp;or didn't rise to the challenge,<br>**[17:42] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were there to make<br>&nbsp;&nbsp;&nbsp;&nbsp;the rational, accurate call.<br>**[17:46] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were guiding us like<br>&nbsp;&nbsp;&nbsp;&nbsp;it came naturally to you.<br>**[17:49] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're like a hurdle that I can't get past.<br>**[17:52] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There's no way I can catch up<br>&nbsp;&nbsp;&nbsp;&nbsp;to the way this guy thinks."<br>**[17:54] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wondered how many times I'd have<br>&nbsp;&nbsp;&nbsp;&nbsp;to redo life to get on your level.<br>**[17:59] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you weren't a writer.<br>**[18:04] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I could work with you.<br>**[18:07] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work part-time, earn my tuition,<br>&nbsp;&nbsp;&nbsp;&nbsp; and stick to you.<br>**[18:13] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I collapsed, like a dumbass,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you saved me again.<br>**[18:18] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ran around, setting everything up...<br>**[18:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You basically handled everything.<br>**[18:25] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wasn't able to do a thing about it.<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[18:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you said it was all on us.<br>&nbsp;&nbsp;&nbsp;&nbsp;That we deserved the praise.<br>**[18:35] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't believe how defeated<br>&nbsp;&nbsp;&nbsp;&nbsp;and lost that made me feel.<br>**[18:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[18:40] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized how I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;accomplish anything without you.<br>**[18:45] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can't stay here."<br>**[18:48] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;that it became clear to me.<br>**[18:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong!<br>**[18:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I had faith in your writing, Tsurayuki.<br>**[18:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I was trying to figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;a way to put a spotlight on it!<br>**[19:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have done any of this<br>&nbsp;&nbsp;&nbsp;&nbsp;without you, either!<br>**[19:06] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be so sure about that.<br>&nbsp;&nbsp;&nbsp;&nbsp; I bet you could've pulled it off.<br>**[19:10] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We're going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it."<br>**[19:12] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've made miracles happen<br>&nbsp;&nbsp;&nbsp;&nbsp;after saying that before.<br>**[19:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not...<br>**[19:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't... I just...<br>**[19:21] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a pen name in mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;for after I became a writer.<br>**[19:26] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The family name was going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;from my hometown.<br>**[19:30] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might not have the best relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;with it now, but I did grow up there.<br>**[19:34] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for the given name, Kyoya...<br>**[19:37] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of taking the way your name<br>&nbsp;&nbsp;&nbsp;&nbsp;is pronounced for part of it.<br>**[19:44] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyoichi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Theme Song
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scenario<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe Kyouichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Platinum Generation<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; "A convergence in the visual art department of Oonaka University of the Arts"<br>
&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA<br>
&nbsp;&nbsp;&nbsp;&nbsp; Akishima Shino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Kawagoe Kyoichi<br>
&nbsp;&nbsp;&nbsp;&nbsp; N@NA
<br>**[19:51] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;As in, "Kyoya is number one."<br>**[19:55] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty good, right?<br>**[19:57] Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... Take care of yourself, Kyoya.<br>**[20:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? What did I do wrong?<br>**[20:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun, what's wrong?<br>**[20:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san...<br>**[20:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keiko-san, um... Tsurayuki...<br>**[20:42] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder why.<br>**[20:45] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did things turn out like this?<br>**[20:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[20:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... I wanted...<br>**[20:54] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to accomplish something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ten years in the future.*<br>**[20:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which is why I thought this time leap*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was my chance for that.*<br>**[21:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd go to art school, study,*<br>**[21:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and create with the Platinum Generation...*<br>**[21:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to help them in their time of need.*<br>**[21:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... Huh...*<br>**[21:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their time of need?*<br>**[21:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the future, they had already...*<br>**[21:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They were already stars without me.*<br>**[21:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But after the time leap...*<br>**[21:23] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I interfered with their lives,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because I assumed...*<br>**[21:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And because I did that...*<br>**[21:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki's... Kawagoe Kyoichi's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;future changed?*<br>**[21:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh... What do I do?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do now?!<br>**[21:41] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really how it oughta be?<br>**[21:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... Keiko-san... I...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Y'know, I wonder what would <br>
&nbsp;&nbsp;&nbsp;&nbsp;happen in the future at this rate"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Y'know, I wonder what would  happen in the future at this rate?
<br>**[22:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What was I doing?<br>**[22:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't remember.<br>**[22:17] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy!<br>**[22:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[22:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sleep too much!<br>**[22:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, who are you?<br>**[22:24] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[22:25] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you want me to introduce myself?<br>**[22:29] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotta practice, right?<br>**[22:32] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Hashiba Maki!<br>**[22:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba... Maki?<br>**[22:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who? Do I have a relative named that?<br>**[22:42] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Daddy?<br>**[22:44] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been making<br>&nbsp;&nbsp;&nbsp;&nbsp;a weird face this whole time.<br>**[22:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, "Daddy"?!<br>**[22:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're... my kid?<br>**[22:52] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mommy! Daddy's acting weird!<br>**[22:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, wait—<br>**[22:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[22:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know... th-the time...<br>**[23:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check my phone. Come on...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 13th (Sun)
<br>**[23:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's... It can't be!<br>**[23:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean about<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy being weird, Maki-chan?<br>**[23:11] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He keeps acting like he<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't know who I am!<br>**[23:16] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's playing a prank on you!<br>**[23:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't he a naughty daddy?<br>**[23:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Daddy.<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly slept a lot.<br>**[23:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already afternoon.<br>**[23:29] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad...<br>**[23:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun? What's wrong?<br>

# E9 - Showing Off

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U2DEP7/showing-off)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:13] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mom, guess what.<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned a new song the other day!<br>**[00:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you sing it<br>&nbsp;&nbsp;&nbsp;&nbsp;for me after breakfast?<br>**[00:20] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[00:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess this isn't a dream after all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sunday, May 13th 2018 (Heisei 30)
<br>**[00:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I woke up this morning,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I found myself in the year 2018.*<br>**[00:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I'm not sure how,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I'm married to Shinoaki,*<br>**[00:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and we have a daughter named Maki.*<br>**[00:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Naturally, I have no memory*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of anything in between.*<br>**[00:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was weird enough that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I leaped ten years back*<br>**[00:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when I was originally from 2016...*<br>**[00:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But why am I in 2018 now?*<br>**[00:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Plus, this situation...*<br>**[00:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey!<br>**[00:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, wh-what is it?<br>**[00:59] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[01:00] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been chewing on that toast<br>&nbsp;&nbsp;&nbsp;&nbsp;since breakfast started.<br>**[01:03] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, no fair!<br>**[01:05] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always say I have to eat everything,<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of just my favorites!<br>**[01:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right!<br>**[01:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important to have a balanced diet, huh?<br>**[01:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So now I'm a dad all of a sudden, huh?*<br>**[01:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It doesn't feel real at all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sunday, May 13th 2018 (Heisei 30)
<br>**[01:21] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But for now, I need to confirm*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what's going on around me.*<br>**[01:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It looks like we currently*<br>*&nbsp;&nbsp;&nbsp;&nbsp;live in Noborito, not Osaka.*<br>**[01:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's a town between the prefectures*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of Kanagawa and Tokyo.*<br>**[01:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And after graduating from Oonaka Arts,*<br>**[01:37] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been working at a game*<br>*&nbsp;&nbsp;&nbsp;&nbsp;company called Attraction Point.*<br>**[01:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hope there's someone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can talk to in here.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;April 14th, 2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa Eiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Call
<br>**[01:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Last contact was a month ago.*<br>**[01:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No idea what our relationship is, but...*<br>**[01:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello?*<br>**[01:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kawasegawa?<br>**[01:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if it's been a while...<br>**[01:59] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perfect timing.*<br>**[02:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Remember what I told you about last month?*<br>**[02:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's gone as poorly as I thought.*<br>**[02:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh, actually, Kawasegawa—<br>**[02:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can you come in a little early tomorrow?*<br>**[02:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*About 30 minutes before you're scheduled?*<br>**[02:10] Eiko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll have one of my people*<br>*&nbsp;&nbsp;&nbsp;&nbsp;come get you. See you then.*<br>**[02:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Kawasegawa?<br>**[02:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm the one who wanted to <br>
&nbsp;&nbsp;&nbsp;&nbsp;ask *her* for help.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Department<br>
&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group Section 3<br>
&nbsp;&nbsp;&nbsp;&nbsp;Development Manager
<br>**[02:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess I'm working at the same company*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as Kawasegawa in this world, too.*<br>**[02:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's at least something to go on.*<br>**[02:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like one step forward.*<br>**[04:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 14th (Monday) 2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 14th (Monday) 2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;May 14th (Monday) 2018
<br>**[04:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was kinda hoping I'd open my eyes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and be back in 2007.*<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But no such luck.*<br>**[04:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Being married all of a sudden...*<br>**[04:40] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's nothing!<br>**[04:43] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Mommy!<br>**[04:45] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[04:46] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Daddy!<br>**[04:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Good morning, Maki.<br>**[04:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your lunch!<br>**[04:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Thanks.<br>**[04:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[04:57] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good day!<br>**[05:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! I'm off.<br>**[05:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That said...*<br>**[05:05] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The fact that I have no memory of this life*<br>*&nbsp;&nbsp;&nbsp;&nbsp;means it'll be easy to screw something up.*<br>**[05:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will I be able to pull this off?*<br>**[05:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Were crowded trains always this packed?*<br>**[05:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Attraction Point was a famous game company*<br>**[05:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the 2016 I originally came from, too.*<br>**[05:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They weren't considered*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the top of the industry,*<br>**[05:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but they managed to turn out hits at a regular*<br>*&nbsp;&nbsp;&nbsp;&nbsp;enough pace... a solid, mid-tier developer.*<br>**[05:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it.*<br>**[05:44] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What exactly does "Development Manager*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of Entertainment Group Section 3" even do?*<br>**[05:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morn—<br>**[05:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe I shouldn't have taken Sunday off?*<br>**[06:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, my desk is...<br>**[06:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there it is.<br>**[06:10] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[06:12] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! The producer wants to—<br>**[06:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[06:18] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Development Department<br>
&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group Section 3
<br>**[06:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Morishita Miki...*<br>**[06:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She must be who Kawasegawa mentioned.*<br>**[06:27] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you come with me to Tahiti right now?<br>**[06:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, Tahiti?!*<br>**[06:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, that's what she meant.*<br>**[06:36] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here he is!<br>**[06:38] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Come on in.<br>**[06:41] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon us.<br>**[06:45] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to drag you in so early.<br>**[06:48] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? You're staring a little.<br>**[06:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, it's nothing.<br>**[06:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did you need?<br>**[06:58] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry...<br>**[07:00] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is really something our team<br>&nbsp;&nbsp;&nbsp;&nbsp;should be dealing with.<br>**[07:03] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But here you are, taking care of it.<br>**[07:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry about it.<br>**[07:06] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[07:08] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;The producer was right about you!<br>**[07:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Kawasegawa mention me before?<br>**[07:13] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! "If we let Hashiba-san<br>&nbsp;&nbsp;&nbsp;&nbsp;handle it, it'll be fine."<br>**[07:17] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since he was a student,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's had secret tricks"<br>**[07:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;"that'll help turn around even<br>&nbsp;&nbsp;&nbsp;&nbsp;the most dire situations!"<br>**[07:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;As glad as I am to have her faith,<br>&nbsp;&nbsp;&nbsp;&nbsp;it feels kinda exaggerated.<br>**[07:29] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes?*<br>**[07:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hashiba, from Attraction Point.<br>**[07:32] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I was waiting for you!*<br>**[07:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll buzz you in.*<br>**[07:36] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[07:39] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are amazing, Hashiba-san.<br>**[07:42] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I tried to get ahold of her,<br>&nbsp;&nbsp;&nbsp;&nbsp;she pretended she wasn't home.<br>**[07:46] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;tricks I heard about!<br>**[07:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing fancy like that.<br>**[07:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, I used social media<br>&nbsp;&nbsp;&nbsp;&nbsp;to confirm that she was home.<br>**[07:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, 30 minutes before we<br>&nbsp;&nbsp;&nbsp;&nbsp;got here, I sent this message.<br>**[07:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm in your neighborhood right now, Sensei."<br>**[08:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is it all right if I come by?"<br>**[08:03] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it! It'd be hard to say no<br>&nbsp;&nbsp;&nbsp;&nbsp;to something like that.<br>**[08:06] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why 30 minutes beforehand?<br>**[08:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if she wants to do her makeup,<br>&nbsp;&nbsp;&nbsp;&nbsp;or clean up the room...<br>**[08:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gives the other party time to prepare.<br>**[08:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for getting mentally prepared, too.<br>**[08:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a much better chance<br>&nbsp;&nbsp;&nbsp;&nbsp;of meeting with someone<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you give them a little buffer.<br>**[08:23] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see!<br>**[08:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just glad that was all I had to do.<br>**[08:28] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's nothing illegal.<br>**[08:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are more devious tactics.<br>**[08:45] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[08:47] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the delay—<br>**[08:48] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[08:50] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to see you again, Sensei.<br>**[08:54] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look...<br>**[08:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... I didn't mean to cause any problems.<br>**[09:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But y'know, there are times when<br>&nbsp;&nbsp;&nbsp;&nbsp;it's hard to get anything done, right?<br>**[09:03] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can try to draw something<br>**[09:05] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turns out, like,<br>&nbsp;&nbsp;&nbsp;&nbsp;"What the heck is this?"<br>**[09:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Minori Ayaka.*<br>**[09:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her real name is Saikawa Minori.*<br>**[09:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's a particularly popular illustrator*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who's got over 200,000 followers.*<br>**[09:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's handling the main*<br>*&nbsp;&nbsp;&nbsp;&nbsp;character designs on a project*<br>**[09:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that Attraction Point has*<br>*&nbsp;&nbsp;&nbsp;&nbsp;staked its entire future on.*<br>**[09:23] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And with one of the most popular*<br>*&nbsp;&nbsp;&nbsp;&nbsp;illustrators in the zeitgeist working on it,*<br>**[09:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the game's profile is nice and high.*<br>**[09:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is a start, but...*<br>**[09:31] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand! Believe me, I understand.<br>**[09:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously, just honestly<br>&nbsp;&nbsp;&nbsp;&nbsp;can't get anything done!<br>**[09:37] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[09:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It seems that Minori Ayaka*<br>*&nbsp;&nbsp;&nbsp;&nbsp;isn't the quickest worker.*<br>**[09:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei...<br>**[09:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The designs were scheduled<br>&nbsp;&nbsp;&nbsp;&nbsp;to be finished by February.<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've never needed this much<br>&nbsp;&nbsp;&nbsp;&nbsp;extra time before, correct?<br>**[09:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to be at a standstill<br>&nbsp;&nbsp;&nbsp;&nbsp;at a time like this...<br>**[09:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing there's<br>&nbsp;&nbsp;&nbsp;&nbsp;some sort of reason why.<br>**[09:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that goes beyond<br>&nbsp;&nbsp;&nbsp;&nbsp;just not being motivated.<br>**[10:04] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really is no fooling you,<br>&nbsp;&nbsp;&nbsp;&nbsp;huh, Hashiba-san?<br>**[10:11] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to draw anymore.<br>**[10:15] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean...<br>**[10:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done everything I wanted to.<br>**[10:20] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm thinking... maybe that's enough.<br>**[10:23] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But... you have so many fans, Sensei!<br>**[10:27] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, of course I'm grateful to my fans.<br>**[10:31] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't have anything to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with the desire to draw.<br>**[10:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;to get excited about.<br>**[10:38] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or like I'm not sure what<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working toward anymore.<br>**[10:41] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[10:42] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[10:45] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san?<br>**[10:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That art...<br>**[10:50] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! That's still a work-in-progress!<br>**[10:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is incredible.<br>**[11:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a wonderful piece of art.<br>**[11:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems different<br>&nbsp;&nbsp;&nbsp;&nbsp;from your usual style, too.<br>**[11:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it feels natural, like you've<br>&nbsp;&nbsp;&nbsp;&nbsp;been drawing this way for years.<br>**[11:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the style you're using<br>&nbsp;&nbsp;&nbsp;&nbsp;is a perfect match for the subject.<br>**[11:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's honestly overwhelming!<br>**[11:16] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is *so* great to hear!<br>**[11:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really, really like it, Hashiba-san?!<br>**[11:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. A great deal.<br>**[11:23] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[11:25] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, this piece...<br>**[11:26] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I drew it using a style closer<br>&nbsp;&nbsp;&nbsp;&nbsp;to what I started out with!<br>**[11:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was trying to get back to my roots!<br>**[11:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back to your roots?<br>**[11:33] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! There's an artist I used to idolize,<br>**[11:36] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is their style.<br>**[11:39] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously, seriously love their stuff!<br>**[11:44] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm feeling kinda motivated now!<br>**[11:47] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[11:49] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I can't promise<br>&nbsp;&nbsp;&nbsp;&nbsp;anything right away...<br>**[11:51] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm feeling more optimistic<br>&nbsp;&nbsp;&nbsp;&nbsp;about getting things done, maybe?<br>**[11:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, let's hear about<br>&nbsp;&nbsp;&nbsp;&nbsp;the schedule you mentioned.<br>**[12:00] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[12:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wasn't sure how this would go,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it seems to have worked out.*<br>**[12:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's different from the future I wanted.*<br>**[12:10] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it looks like there's something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for me to do in this world, too.*<br>**[12:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm able to work with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;talented creators like her.*<br>**[12:17] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess my dream came true,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;one way or another.*<br>**[12:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[12:23] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Maki, eat your vegetables.<br>**[12:28] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is probably most*<br>*&nbsp;&nbsp;&nbsp;&nbsp;people's idea of happiness.*<br>**[12:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A cute wife, our daughter,*<br>**[12:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and a job that's going well...*<br>**[12:37] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey?<br>**[12:39] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem happy.<br>**[12:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something good happen at work?<br>**[12:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[12:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually got to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;Minori Ayaka-san today.<br>**[12:50] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minori... Ayaka-san?<br>**[12:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a famous illustrator.<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you not heard of her?<br>**[12:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... sorry.<br>**[13:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Summer Comiket<br>&nbsp;&nbsp;&nbsp;&nbsp;is taking submissions soon.<br>**[13:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you apply?<br>**[13:08] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey...<br>**[13:10] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun, what are you talking about?<br>**[13:13] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't drawn in years.<br>**[13:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why?!<br>**[13:23] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy?<br>**[13:30] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to draw anymore.<br>**[13:36] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to draw anymore.<br>**[13:41] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey? Honey!<br>**[13:44] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[13:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... yeah.<br>**[13:49] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, that's bad manners!<br>**[13:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Maki.<br>**[13:53] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad's just kind of surprised.<br>**[13:56] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprised? About what?<br>**[13:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinoaki...*<br>**[14:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Akishima Shino has stopped making art?*<br>**[14:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's... That can't be.*<br>**[14:16] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun, this isn't gonna cut it!<br>**[14:19] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to convince her to actually<br>&nbsp;&nbsp;&nbsp;&nbsp;get back to work like usual!<br>**[14:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But president, thanks to<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, the schedule—<br>**[14:25] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need more than just a schedule!<br>**[14:27] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't even get started<br>**[14:30] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;if she doesn't get some<br>&nbsp;&nbsp;&nbsp;&nbsp;of these designs done!<br>**[14:32] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you to do this because you<br>&nbsp;&nbsp;&nbsp;&nbsp;usually manage to get things taken care of.<br>**[14:36] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try and take care of Minori Ayaka<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as possible, all right?<br>**[14:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[14:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was our team's problem,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're taking the blame for it.<br>**[14:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. It's not a big deal.<br>**[14:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, do you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;grab lunch with me?<br>**[14:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sucks.<br>**[14:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've given the president<br>&nbsp;&nbsp;&nbsp;&nbsp;a piece of my mind in the old days.<br>**[15:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been totally defanged.<br>**[15:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that.<br>**[15:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you've got a position like producer,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't act as hastily.<br>**[15:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't changed, Kawasegawa.<br>**[15:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even your lunch...<br>**[15:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's got a good nutritional balance,<br>&nbsp;&nbsp;&nbsp;&nbsp;and is nice and varied.<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're busy, but you still mind the details.<br>**[15:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I just threw something together.<br>**[15:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But look at you. Every day<br>&nbsp;&nbsp;&nbsp;&nbsp;you eat a specially-made lunch.<br>**[15:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, the idea of Shinoaki<br>&nbsp;&nbsp;&nbsp;&nbsp;getting up every morning to make lunch...<br>**[15:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have imagined that<br>&nbsp;&nbsp;&nbsp;&nbsp;back when we were students.<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right about that.<br>**[15:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was always so awkward, and had<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble with laundry and cleaning,<br>**[15:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention cooking.<br>**[15:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the eleven years I wasn't privy to,*<br>**[15:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinoaki gave up on becoming Akishima Shino,*<br>**[15:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and became my wife instead.*<br>**[15:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then there's Kawasegawa...*<br>**[15:59] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the head of SucceedSoft's<br>&nbsp;&nbsp;&nbsp;&nbsp;second development group, Kawasegawa.<br>**[16:03] (Flashback) Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to have you.<br>**[16:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She used to work at*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the industry leader, Succeed.*<br>**[16:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And in a higher position*<br>*&nbsp;&nbsp;&nbsp;&nbsp;than she has now, too.*<br>**[16:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, understood. I'll be back soon.<br>**[16:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;that needs a response ASAP.<br>**[16:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to cut out early.<br>**[16:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[16:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;These changes have to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be the result of my enrollment*<br>**[16:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*into Oonaka University for the Arts in 2006.*<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no other explanation.*<br>**[16:33] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If this entire world is an extension*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of what happened back then...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Followers:
<br>**[16:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you kidding me?!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Important Announcement
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An important announcement (Streaming...)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Uploaded 13:05 05/14/2018
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What is it? What's going on?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;361 Views
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Comments:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Background music for work collection
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Uploaded 20:00 04/18/2018
<br>**[16:50] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm afraid I've got*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some bad news today.*<br>**[16:55] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is going to be my last stream.*<br>**[17:00] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to everyone who's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;listened to me for all this time.*<br>**[17:03] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It just feels like I'm not sure what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm singing for anymore, you know?*<br>**[17:08] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That being the case,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hope you enjoy my final song!*<br>**[17:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This can't... be happening.*<br>**[17:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even Nanako?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawagoe
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kyoichi
<br>**[17:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing!<br>**[17:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then maybe...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;From the Desk of Tsurayuki Rokuonji
<br>**[17:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He hasn't written any novels?!*<br>**[17:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsurayuki...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spring Brings a New Wind<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Theme: Chat
<br>**[17:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was me.*<br>**[17:52] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dropping out of school.<br>**[17:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because of me...*<br>**[17:57] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized how I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;accomplish anything without you.<br>**[18:03] (Flashback) Roku**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can't stay here."<br>**[18:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because of me... they're all...*<br>**[18:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to remake my life.*<br>**[18:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Into the ideal future I had dreamed of...*<br>**[18:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought I would do everything*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I could to make that happen.*<br>**[18:32] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With special friends,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who had special talents...*<br>**[18:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to get close*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the brilliance of the people*<br>**[18:39] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;who would be called*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation...*<br>**[18:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But... what I ended up doing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is stealing their dreams,*<br>**[18:48] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;creating a world where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm the only one who's happy.*<br>**[18:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I'm so sorry.<br>**[19:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home.<br>**[19:06] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?! You're a total mess!<br>**[19:09] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, you stink like booze!<br>**[19:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[19:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Shinoaki.<br>**[19:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[19:19] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something real bad must've happened, huh?<br>**[19:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[19:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean it, I'm sorry!<br>**[19:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my fault!<br>**[19:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of me, you...<br>**[19:30] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun...<br>**[19:31] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, Daddy's crying!<br>**[19:34] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a kid.<br>**[19:46] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kinda figured you'd gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;over it by now...<br>**[19:51] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me not drawing anymore.<br>**[19:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[19:57] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never did tell you why, huh?<br>**[20:03] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must've been troubling you all this time.<br>**[20:08] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;HaruSora sold well...<br>**[20:10] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even without Tsurayuki-kun,<br>&nbsp;&nbsp;&nbsp;&nbsp;we kept on making games.<br>**[20:15] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how it went?<br>**[20:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I do...<br>**[20:22] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at some point, I wasn't even sure<br>&nbsp;&nbsp;&nbsp;&nbsp;if what I was doing was art anymore.<br>**[20:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I was in a rush*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to finish the game,*<br>**[20:33] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I ended up snuffing out Shinoaki's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;individuality as a creator*<br>**[20:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to suit my own priorities.*<br>**[20:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that turned into a pattern afterward...*<br>**[20:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have done something<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no coming back from.<br>**[20:48] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It started being less and less fun to draw.<br>**[20:53] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you were just trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to do what you could.<br>**[20:58] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worked harder than anyone!<br>**[21:00] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it ain't your fault, you hear?<br>**[21:04] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more that...<br>**[21:06] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would feel bad about what I was making,<br>&nbsp;&nbsp;&nbsp;&nbsp;when no one was around.<br>**[21:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[21:13] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd make art, and you<br>&nbsp;&nbsp;&nbsp;&nbsp;would always praise it.<br>**[21:17] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I put it out into the world,<br>&nbsp;&nbsp;&nbsp;&nbsp;even more folks would say it was good.<br>**[21:21] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even when I wasn't satisfied with it...<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't know what I was doing.<br>**[21:26] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It started to really scare me.<br>**[21:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She must've been feeling a kind of solitude*<br>**[21:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that only she could understand back then.*<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I wasn't able to realize it.*<br>**[21:50] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay now.<br>**[21:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry.*<br>**[21:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinoaki... I'm so sorry.*<br>

# E10 - Learn Lessons

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G0DUN90E3/learn-lessons)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, this soup is delicious!<br>**[00:08] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad.<br>**[00:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't a mix or anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually made it from scratch!<br>**[00:13] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy's good at cooking, right?<br>**[00:15] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[00:17] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because of me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki lost her desire to draw,*<br>**[00:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and put down her pen.*<br>**[00:22] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She lost the future where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she becomes Akishima Shino.*<br>**[00:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yet...*<br>**[00:26] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay now.<br>**[00:28] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Shinoaki.<br>**[00:31] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[00:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To make sure her sacrifice wasn't in vain...*<br>**[00:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have to live as best I can in this world*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that's so different from the one I know.*<br>**[00:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll do what I can, at least for now.*<br>**[00:45] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And carefully, so that I don't*<br>*&nbsp;&nbsp;&nbsp;&nbsp;repeat the same mistake.*<br>**[02:21] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, can you check this?<br>**[02:26] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[02:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The body should be good to go.<br>**[02:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think the cloth here might overlap with<br>&nbsp;&nbsp;&nbsp;&nbsp; the other characters when they're lined up,<br>**[02:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;so make it a little smaller.<br>**[02:35] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[02:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And about the empty space for a symbol,<br>**[02:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had the design for that made separately,<br>&nbsp;&nbsp;&nbsp;&nbsp;so just stick that in there.<br>**[02:41] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you did?<br>**[02:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It'll reduce the workload on<br>&nbsp;&nbsp;&nbsp;&nbsp;the illustrators, and be easier to reuse.<br>**[02:47] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've known! That will be a big help.<br>**[02:49] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, three of the backgrounds<br>&nbsp;&nbsp;&nbsp;&nbsp;that were in the pipeline are ready.<br>**[02:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. I'll check them right now.<br>**[02:55] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;The files are pretty big,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I put them in the shared folder.<br>**[02:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Downloading 1 file...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10 minutes remaining
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pause
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
<br>**[03:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh, guess I'll respond to this email first.*<br>**[03:03] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's been a month since*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was sent into 2018,*<br>**[03:07] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I'm finally starting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to get used to my job.*<br>**[03:09] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From the information*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I grasped in the meantime,*<br>**[03:12] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group 3*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is working on social games.*<br>**[03:17] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're split up into four teams,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;labeled A through D,*<br>**[03:20] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and each of us are working*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on different projects in parallel.*<br>**[03:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kawasegawa is charge of the A Team,*<br>**[03:25] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;which is the team everyone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thinks of regarding this group.*<br>**[03:27] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's the Chief of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Entertainment Group 3, too,*<br>**[03:31] Kawasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?!<br>**[03:31] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*which means she's got one rough job.*<br>**[03:32] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! I'm sorry!<br>**[03:34] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As for me, I'm the leader of the B Team.*<br>**[03:37] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;B Team is known for its consistency*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in making headway,*<br>**[03:40] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;along with stable contributions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in terms of revenue,*<br>**[03:41] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so we seem to get put onto projects*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that need a steady hand.*<br>**[03:45] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was hard to figure out how to do*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a job I have no memories of,*<br>**[03:47] Morishita**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but once I got used to it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it wasn't that hard.*<br>**[03:51] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not easy, but it's stable work.*<br>**[03:55] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is for the best, right?<br>**[03:59] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Daddy, let's play! Come on!<br>**[04:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay if I rest today?<br>**[04:06] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's boring!<br>**[04:08] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Daddy! Daddy, let's go!<br>**[04:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki, don't bother him after he said no.<br>**[04:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Sunday, so let him enjoy his rest.<br>**[04:17] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't wanna!<br>**[04:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki, stop it!<br>**[04:22] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to apologize to Mr. Bear?<br>**[04:26] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[04:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, listen, Maki...<br>**[04:31] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it's a stuffed animal<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything else,<br>**[04:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;all things people make<br>&nbsp;&nbsp;&nbsp;&nbsp;have spirits in them.<br>**[04:36] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spirits?<br>**[04:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[04:38] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And those spirits care a whole bunch<br>&nbsp;&nbsp;&nbsp;&nbsp;about all those creations.<br>**[04:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if you throw one of them around,<br>&nbsp;&nbsp;&nbsp;&nbsp; what will they think?<br>**[04:47] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll be sad.<br>**[04:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[04:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So be sure to be nice to Mr. Bear, Maki.<br>**[04:54] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[04:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All creations have a spirit in them, huh?*<br>**[05:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's times like this that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the woman I'm looking at*<br>**[05:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is the same Shinoaki I knew.*<br>**[05:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got a warm home life here.*<br>**[05:14] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why don't we go for a walk?<br>**[05:14] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But the brilliant light*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I used to look up to...*<br>**[05:16] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[05:17] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I take Mr. Bear, too?<br>**[05:19] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's no trace of the glamour*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the Platinum Generation anymore.*<br>**[05:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[05:26] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh, our company<br>**[05:29] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;in keeping with our aim<br>&nbsp;&nbsp;&nbsp;&nbsp;to go public next quarter,<br>**[05:32] Boss**<br>*&nbsp;&nbsp;&nbsp;&nbsp;must absolutely ensure we hit*<br>*&nbsp;&nbsp;&nbsp;&nbsp;our sales goal for this quarter.*<br>**[05:37] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In light of that,* Mystic Clockwork*,*<br>**[05:40] Boss**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the title that our company*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is betting its future on...*<br>**[05:43] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*will require everyone's support*<br>**[05:45] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as we work towards its completion.*<br>**[05:47] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That is all.*<br>**[05:49] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel terrible for them.<br>**[05:50] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team A's been working overnight again.<br>**[05:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really that bad?<br>**[05:55] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's the problem<br>&nbsp;&nbsp;&nbsp;&nbsp;with Minori Ayaka...<br>**[05:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[05:58] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are apparently other illustrators<br>&nbsp;&nbsp;&nbsp;&nbsp;they haven't been able to contact.<br>**[06:02] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like a disaster.<br>**[06:04] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've had to cut characters<br>&nbsp;&nbsp;&nbsp;&nbsp;that were previously in the planning,<br>**[06:06] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;which results in changes to the script.<br>**[06:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Minori-sensei still<br>&nbsp;&nbsp;&nbsp;&nbsp;having trouble drawing?<br>**[06:19] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[06:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got an email from her<br>**[06:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying that she doubts she'll<br>&nbsp;&nbsp;&nbsp;&nbsp;manage to meet the deadline,<br>**[06:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how much she works.<br>**[06:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we had a good conversation<br>&nbsp;&nbsp;&nbsp;&nbsp;with her the other day.<br>**[06:30] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that she's slacking or anything!<br>**[06:32] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she didn't offer any other explanation.<br>**[06:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and when an artist runs into a block,<br>**[06:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're usually<br>&nbsp;&nbsp;&nbsp;&nbsp;the ones it bothers the most.<br>**[06:39] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I'm a little worried<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's letting it overwhelm her.<br>**[06:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange.<br>**[06:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still no answer.<br>**[06:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I arranged<br>&nbsp;&nbsp;&nbsp;&nbsp;an appointment beforehand.<br>**[06:52] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we wait a bit?<br>**[06:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try and ask her about it.<br>**[07:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse—<br>**[07:01] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Okay, I'll open it up!*<br>**[07:05] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was amazing, Hashiba-san!<br>**[07:07] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;She opened it as soon as she responded!<br>**[07:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but... wasn't that a little too fast?<br>**[07:11] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not!<br>**[07:13] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems to be feeling well,<br>&nbsp;&nbsp;&nbsp;&nbsp;so come on, let's go!<br>**[07:21] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, thanks for bringing—<br>**[07:33] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[07:35] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I opened the door because I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;it was the deliveryman.<br>**[07:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was odd,<br>&nbsp;&nbsp;&nbsp;&nbsp;considering you let us in<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;before we told you who we were.<br>**[07:44] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't dress like this outside at all.<br>**[07:47] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just something I mess<br>&nbsp;&nbsp;&nbsp;&nbsp;around with at home.<br>**[07:49] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every once and a while, that's all.<br>**[07:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sure, but... it really suits you well.<br>**[07:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thank you.<br>**[07:58] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is kind of embarrassing!<br>**[08:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you know what they say<br>&nbsp;&nbsp;&nbsp;&nbsp;about a change of pace.<br>**[08:03] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just... really restless.<br>**[08:07] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is about<br>&nbsp;&nbsp;&nbsp;&nbsp;the character designs, right?<br>**[08:10] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[08:12] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry! It's exactly like<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote in the email.<br>**[08:15] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trying to get things done, but...<br>**[08:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... haven't been able to so far.<br>**[08:23] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trying all kinds of things<br>&nbsp;&nbsp;&nbsp;&nbsp;to motivate myself since we last talked,<br>**[08:27] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's like none of it works...<br>&nbsp;&nbsp;&nbsp;&nbsp;even dressing like this.<br>**[08:31] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... can't find the right thing.<br>**[08:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, you can't find the thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that you want to draw?<br>**[08:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the illustration<br>&nbsp;&nbsp;&nbsp;&nbsp;from the other day?<br>**[08:44] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[08:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you started creating art seriously,<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;you said that you were drawing with<br>&nbsp;&nbsp;&nbsp;&nbsp;a style similar to an artist you idolized.<br>**[08:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any chance that getting a look<br>&nbsp;&nbsp;&nbsp;&nbsp;at their work might help you?<br>**[09:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Right now, I just... can't.<br>**[09:06] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm seriously so sorry.<br>**[09:08] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... that's not the problem.<br>**[09:13] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;that's enough for today.<br>**[09:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... okay.<br>**[09:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Morishita-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try and figure something out.<br>**[09:22] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[09:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something she mentioned before.<br>**[09:27] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;The longer you continue in this work,<br>**[09:29] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're bound to get into a rut,<br>**[09:32] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;where you'll be completely<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to draw anything.<br>**[09:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I guess now is that time.<br>**[09:37] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. But there was more to what she said...<br>**[09:41] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you get the right trigger,<br>**[09:43] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're suddenly able to draw again,<br>**[09:45] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you were never blocked<br>&nbsp;&nbsp;&nbsp;&nbsp;in the first place.<br>**[09:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trigger, huh...<br>**[09:49] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I think even being able to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;with her today was a big accomplishment!<br>**[09:53] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[09:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah...<br>**[09:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The expression I saw on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Minori-sensei's face last time...*<br>**[10:00] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an artist I used to idolize,<br>**[10:03] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is their style.<br>**[10:05] (Flashback) Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seriously, seriously love their stuff!<br>**[10:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There has to be something to that.*<br>**[10:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Something that'll get her drawing again.*<br>**[10:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the impression that I got.*<br>**[10:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-kun,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you realize what you're saying?!<br>**[10:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The characters designed by Minori Ayaka<br>&nbsp;&nbsp;&nbsp;&nbsp; are the headliners this time!<br>**[10:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already been announced to the public.<br>**[10:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delays are out of the question!<br>**[10:29] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the end, it was decided*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that Minori Ayaka's illustrations*<br>**[10:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wouldn't be ready in time for release.*<br>**[10:34] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team A is already running on fumes<br>&nbsp;&nbsp;&nbsp;&nbsp;with little sleep and no time off...<br>**[10:39] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Add this to it all, and I can't help<br>&nbsp;&nbsp;&nbsp;&nbsp;but feel sorry for them.<br>**[10:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really that bad?<br>**[10:43] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Delayed
<br>**[10:45] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're talking about releasing<br>&nbsp;&nbsp;&nbsp;&nbsp;in a month, despite all this.<br>**[10:47] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going through hell.<br>**[10:49] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention this mandate that they do it<br>&nbsp;&nbsp;&nbsp;&nbsp;on an internally developed engine.<br>**[10:54] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, just get it done! All right?!<br>**[10:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while since you last asked<br>&nbsp;&nbsp;&nbsp;&nbsp;me to join you for lunch, hasn't it?<br>**[11:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[11:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've both been busy lately.<br>**[11:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to talk about my<br>&nbsp;&nbsp;&nbsp;&nbsp;team's project, don't you?<br>**[11:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well... yeah.<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was looking at the progress sheet.<br>**[11:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things don't seem to be going very well.<br>**[11:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one way of putting it.<br>&nbsp;&nbsp;&nbsp;&nbsp;Another is that we're doomed.<br>**[11:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tempted to fly the coop to Okinawa.<br>**[11:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, so *Mystic Clockwork* <br>
&nbsp;&nbsp;&nbsp;&nbsp;was originally a SucceedSoft title?<br>**[11:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't know that?<br>**[11:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, of course I did!<br>**[11:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it came from a major player like Succeed,<br>**[11:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet all the pre-production materials<br>&nbsp;&nbsp;&nbsp;&nbsp;were in good shape.<br>**[11:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't that make things relatively easier?<br>**[11:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone thought that, at first. But...<br>**[11:52] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a load of the requests they sent in.<br>**[11:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are all requests for different takes?<br>**[11:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's a lot...<br>**[11:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't a limit set on this<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of thing beforehand?<br>**[12:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be in this mess if there were.<br>**[12:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the time it was put into my lap,<br>**[12:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the contract was already<br>&nbsp;&nbsp;&nbsp;&nbsp;signed under these conditions.<br>**[12:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when you top it off with an<br>&nbsp;&nbsp;&nbsp;&nbsp;independently-developed, internal engine...<br>**[12:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Yet another source of headaches.<br>**[12:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have enough time<br>&nbsp;&nbsp;&nbsp;&nbsp;to outsource anything,<br>**[12:19] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when there are errors in the engine,<br>&nbsp;&nbsp;&nbsp;&nbsp;they rear their head in scripting, too.<br>**[12:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the art assets are so late,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're still using placeholders...<br>**[12:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the presentation<br>&nbsp;&nbsp;&nbsp;&nbsp;can't be finalized.<br>**[12:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like we're making<br>&nbsp;&nbsp;&nbsp;&nbsp;every possible mistake.<br>**[12:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kawasegawa...<br>**[12:38] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[12:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The release needs to be delayed<br>&nbsp;&nbsp;&nbsp;&nbsp;or major changes need to be made,<br>**[12:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;one or the other, or there's<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be major fallout.<br>**[12:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[12:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not happening.<br>**[12:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are already beyond my ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to make any kind of positive difference.<br>**[12:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for worrying you.<br>**[12:56] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's just...<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing that can be done.<br>**[12:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing... that can be done?<br>**[13:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you!<br>**[13:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always tried to do your best,<br>&nbsp;&nbsp;&nbsp;&nbsp;until the very last second!<br>**[13:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Thank you.<br>**[13:13] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're the only person<br>&nbsp;&nbsp;&nbsp;&nbsp;who thinks that anymore.<br>**[13:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[13:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm gonna head on back.<br>**[13:27] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just don't get it!<br>**[13:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But sir, if they proceed at this rate,<br>&nbsp;&nbsp;&nbsp;&nbsp;the game will have bugs,<br>**[13:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;which could lead to defects<br>&nbsp;&nbsp;&nbsp;&nbsp;nobody's imagined.<br>**[13:36] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You deal with bugs<br>&nbsp;&nbsp;&nbsp;&nbsp;and defects as they pop up.<br>**[13:38] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the whole point of maintenance.<br>**[13:42] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I know that you need time<br>&nbsp;&nbsp;&nbsp;&nbsp;to make something good.<br>**[13:46] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in this business, timing is everything!<br>**[13:49] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;And delaying the release<br>&nbsp;&nbsp;&nbsp;&nbsp;is out of the question!<br>**[13:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But—<br>**[13:51] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough!<br>**[13:52] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;This period is going to be crucial<br>&nbsp;&nbsp;&nbsp;&nbsp;for the company's trust going forward!<br>**[13:56] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to go public at the same time<br>**[13:58] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;as we release a big title<br>&nbsp;&nbsp;&nbsp;&nbsp; developed on an internal engine!<br>**[14:01] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to be a manager<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand how important this is!<br>**[14:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the engine isn't trustworthy.<br>&nbsp;&nbsp;&nbsp;&nbsp;It might not even be practical.<br>**[14:15] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mystic Clockwork* will be <br>
&nbsp;&nbsp;&nbsp;&nbsp;released on schedule.<br>**[14:19] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's set in stone.<br>**[14:26] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-kun...<br>**[14:30] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Kawasegawa-kun's job.<br>**[14:33] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to focus on your own tasks.<br>**[14:35] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't meddle where you're not needed.<br>**[14:40] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand? I trust you.<br>**[14:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[14:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't meddle, huh?<br>**[14:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thinking about it now,*<br>**[14:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I showed up in their lives*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ten years ago, I changed the world.*<br>**[15:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My friends, who were supposed to have become*<br>**[15:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the stars known as*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Platinum Generation...*<br>**[15:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*lost their dreams because of me.*<br>**[15:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I might have been trying to help,*<br>**[15:11] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but my interference ended up taking*<br>*&nbsp;&nbsp;&nbsp;&nbsp;something important from them.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;From the Desk of Rokuonji Tsurayuki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Magic
<br>**[15:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And if that's the case...*<br>**[15:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing that can be done.<br>**[15:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The month after that,* Mystic Clockwork*<br>
&nbsp;&nbsp;&nbsp;&nbsp; launched on schedule.*<br>**[15:30] Passerbys**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, did you play that already?<br>**[15:32] Passerbys**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I installed it, but...<br>**[15:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We were able to start the service,*<br>**[15:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but bugs started popping up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the server kept going down...*<br>**[15:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no shortage of issues.*<br>**[15:41] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The staff is working to put out fires, while*<br>*&nbsp;&nbsp;&nbsp;&nbsp;still having little sleep and no days off,*<br>**[15:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but the problems are outpacing them.*<br>**[15:46] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, the characters<br>&nbsp;&nbsp;&nbsp;&nbsp;by Minori Ayaka got delayed...<br>**[15:49] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which sucks all the wind<br>&nbsp;&nbsp;&nbsp;&nbsp;out of my gacha sails.<br>**[15:51] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, really?<br>**[15:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's nothing that can be done.*<br>**[16:05] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mommy, draw a horse right here!<br>**[16:09] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but Mommy's<br>&nbsp;&nbsp;&nbsp;&nbsp;not a very good artist.<br>**[16:13] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, come on!<br>**[16:15] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't draw a horse right!<br>**[16:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm making dinner right now, okay?<br>**[16:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let Daddy draw it for you.<br>**[16:25] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[16:26] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it, honey.<br>**[16:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing. Don't worry.<br>**[16:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of horse do you want?<br>**[16:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki used to be able to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;draw anything incredibly well.*<br>**[16:33] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A zebra!<br>**[16:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... zebra?<br>**[16:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her art always pulsated with an energy*<br>**[16:37] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that made you feel like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it could jump to life.*<br>**[16:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But now... she doesn't draw anymore.*<br>**[16:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even when her beloved daughter asks her.*<br>**[16:47] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks weird!<br>**[16:49] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, you suck!<br>**[16:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think?<br>**[16:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be like that, Maki.<br>**[16:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy was nice enough to draw one for you.<br>**[16:57] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But look!<br>**[16:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's a cute puppy!<br>**[17:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, one sec.<br>**[17:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Morishita-san? I'm at home right now.<br>**[17:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[17:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Okay.<br>**[17:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[17:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that work?<br>**[17:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I need to step out.<br>**[17:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry to bother you on your day off!<br>**[17:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's happened?<br>**[17:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that the gacha rates<br>&nbsp;&nbsp;&nbsp;&nbsp;are varying from account to account!<br>**[17:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?! That shouldn't be possible!<br>**[17:29] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but...<br>**[17:31] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you familiar with<br>&nbsp;&nbsp;&nbsp;&nbsp;the voice actor, Suenomori Yuta?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;My pulls on MySClo are going super well<br>
&nbsp;&nbsp;&nbsp;&nbsp; Done with a recording session so gacha time!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'm super happy!<br>
&nbsp;&nbsp;&nbsp;&nbsp; I didn't think it'd be out this quick<br>
&nbsp;&nbsp;&nbsp;&nbsp; And it's my character lol<br>
&nbsp;&nbsp;&nbsp;&nbsp;#MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[17:35] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It all began when the voice actor who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;portrayed the main character, Suenomori Yuta,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;Got another new character in MysClo's gacha!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;Did a single-pull gacha and got a new characterrrrrr!<br>
&nbsp;&nbsp;&nbsp;&nbsp; I didn't have them before so I'm so happyyyyyy<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I got an SSR on the free roll too!<br>
&nbsp;&nbsp;&nbsp;&nbsp; My luck is on fire<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; With so many SSRs, it's p. easy to max a character out lol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I did a ten pull, six of which were SSRs lololol<br>
&nbsp;&nbsp;&nbsp;&nbsp; These rates must be bugged lololol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; oh, got an SSR<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; Another SSR!!!<br>
&nbsp;&nbsp;&nbsp;&nbsp; MysClo rocks!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>**[17:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*managed to draw consecutive SSR characters.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; These great SSR rates...<br>
&nbsp;&nbsp;&nbsp;&nbsp; Are you guys not getting them?<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'm cracking up<br>
&nbsp;&nbsp;&nbsp;&nbsp; I keep winning lol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; Again?!?!?!?!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp;I got another one...<br>
&nbsp;&nbsp;&nbsp;&nbsp; Am I using up a lifetime's <br>
&nbsp;&nbsp;&nbsp;&nbsp;worth of luck on this game????<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'm cracking up about all these SSRs lol<br>
&nbsp;&nbsp;&nbsp;&nbsp; I've never seen anything like it lololol<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; Keep the SSRs coming<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Suenomori Yuta<br>
&nbsp;&nbsp;&nbsp;&nbsp; For real?!<br>
&nbsp;&nbsp;&nbsp;&nbsp; My first ten-pull and I got an SSR!<br>
&nbsp;&nbsp;&nbsp;&nbsp; #MysticClockwork #MysClo
<br>**[17:42] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This resulted in the already simmering*<br>*&nbsp;&nbsp;&nbsp;&nbsp;resentment at the low SSR rates...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kaze-san
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Is this fraud?
<br>**[17:47] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;mixing together with the persistent bugs*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to create a storm of discontent.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Usakichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Celebs get special treatment.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taiyoushin
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Don't screw with gamers!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Attraction Point Co. Ltd
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Apology and Update Regarding *Mystic Clockwork*
<br>**[17:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And to make things worse...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's very unfortunate that a certain number<br>
&nbsp;&nbsp;&nbsp;&nbsp; of malicious users are causing problems with the service,<br>
&nbsp;&nbsp;&nbsp;&nbsp; and the issue will be resolved in an update to the application.
<br>**[17:54] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The company totally blew it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with their response.*<br>**[17:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which led to a surge of complaints...*<br>**[17:58] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The app's currently undergoing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an indefinite period of maintenance.*<br>**[18:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And to make things even worse...*<br>**[18:04] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to do something, Kawasegawa-kun!<br>**[18:06] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The internally-developed engine that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;had been a potential problem from day one*<br>**[18:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was now a major problem.*<br>**[18:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, I already told you...<br>**[18:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we address the fundamental<br>&nbsp;&nbsp;&nbsp;&nbsp;issues causing all this—<br>**[18:17] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we obviously can't do that<br>&nbsp;&nbsp;&nbsp;&nbsp;at this stage, can we?!<br>**[18:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you expect us to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;a house of cards from falling apart<br>**[18:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;with more temporary stopgap measures?!<br>**[18:26] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Exactly!<br>**[18:27] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't do anything else at this point!<br>**[18:40] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[18:44] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no stopping the train once its going!<br>**[18:47] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of business we're in!<br>**[18:49] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to say—<br>**[18:50] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough already!<br>**[18:51] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what kind of bull you<br>&nbsp;&nbsp;&nbsp;&nbsp;have to spew. Just deal with it!<br>**[18:54] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[18:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[18:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's nothing I can do.<br>**[19:03] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter what comes later,<br>&nbsp;&nbsp;&nbsp;&nbsp;so stop worrying about it.<br>**[19:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I decided not to make*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the same mistake again.*<br>**[19:06] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything in this business<br>&nbsp;&nbsp;&nbsp;&nbsp;comes down to speed and timing.<br>**[19:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So that I can protect this world.*<br>**[19:09] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;While we're having this chat,<br>&nbsp;&nbsp;&nbsp;&nbsp;users are already ditching the service!<br>**[19:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is why... there's nothing I can do.*<br>**[19:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it ends up taking longer,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An update for you... N@NA has posted a new video.
<br>**[19:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'd be better off admitting our mistakes,<br>**[19:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and prioritizing an effort to<br>&nbsp;&nbsp;&nbsp;&nbsp; fix the underlying problems!<br>**[19:21] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretending like we're fixing things when we're<br>&nbsp;&nbsp;&nbsp;&nbsp;not while taking our audience for granted<br>**[19:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the exact thing that makes<br>&nbsp;&nbsp;&nbsp;&nbsp;people give up on this game!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Excuse time!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Excuse time!
<br>**[19:29] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey there! It's N@NA!*<br>**[19:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Um... first, well...*<br>**[19:35] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry!*<br>**[19:36] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just said I was going to give up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;yet here I am, posting again.*<br>**[19:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And with an original song!*<br>**[19:42] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Man, how long has it been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since I uploaded something original?*<br>**[19:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Y'know, a long time ago, during college...*<br>**[19:51] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was someone who told me to sing.*<br>**[19:54] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That was what set me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;down the road of singing.*<br>**[19:58] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah... it's his fault.*<br>**[20:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all his fault.*<br>**[20:04] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... because of him,*<br>**[20:07] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;someone as unremarkable*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as me started singing!*<br>**[20:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I found something I could be serious about.*<br>**[20:12] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I didn't keep at it...*<br>**[20:15] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just relied on him,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;instead of working hard myself...*<br>**[20:18] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And the second he was gone,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I started slacking.*<br>**[20:21] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I blamed it all on him,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and wanted to give up.*<br>**[20:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... I... even if it's only me...*<br>**[20:31] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't want to be the one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who invalidates everything he did!*<br>**[20:35] Nanako**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm going to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be singing some more!*<br>**[20:58] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't think what I did*<br>*&nbsp;&nbsp;&nbsp;&nbsp;can ever be forgiven.*<br>**[21:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yet...*<br>**[21:02] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In this world made by my own failings,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I found some small salvation.*<br>**[21:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not from the popular singer, N@NA...*<br>**[21:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Kogure Nanako was still singing...*<br>**[21:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She hadn't given up on the thing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that she took seriously.*<br>**[21:16] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She blamed me...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and said it was thanks to me.*<br>**[21:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that I wasn't just meddling.*<br>**[21:26] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thanks for listening all the way to the end!*<br>**[21:30] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, see you next time!*<br>**[21:34] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the president of this company!<br>**[21:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be done!<br>**[21:36] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we do that, it'll mean more bugs—<br>**[21:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Nanako.<br>**[21:38] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing else we can do!<br>**[21:41] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now would you just do as I tell you?!<br>**[21:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no way... there's* nothing*...*<br>**[21:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that we can do!*<br>**[22:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure something out, damn it!<br>

# E11 - Be Prepared

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GEVUZ8GV8/be-prepared)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;something out, damn it!<br>**[00:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right, I'm doing this.*<br>**[01:43] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you shouting<br>&nbsp;&nbsp;&nbsp;&nbsp;about all of a sudden?!<br>**[01:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I just thought<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd help me get motivated.<br>**[01:49] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see!<br>**[01:51] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to solve this<br>&nbsp;&nbsp;&nbsp;&nbsp;like you usually do, then?!<br>**[01:54] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a huge relief!<br>**[01:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind if I handle<br>&nbsp;&nbsp;&nbsp;&nbsp;the response, then?<br>**[02:01] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's fine.<br>**[02:02] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are some points<br>&nbsp;&nbsp;&nbsp;&nbsp;that aren't negotiable, understand?<br>**[02:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[02:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start things off, we need<br>&nbsp;&nbsp;&nbsp;&nbsp;to swap engines for MysClo right away.<br>**[02:14] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[02:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the problem?<br>**[02:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The majority of the bugs are rooted directly<br>&nbsp;&nbsp;&nbsp;&nbsp; in the internally-developed engine.<br>**[02:22] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then just have them fixed!<br>**[02:24] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa-kun was just talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about how that should suffice!<br>**[02:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure she said that reluctantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;because of how adamant you were.<br>**[02:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in terms of what the team is encountering,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's frankly too far gone to fix.<br>**[02:34] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is that the truth, Kawasegawa?<br>**[02:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:42] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;But changing the engine<br>&nbsp;&nbsp;&nbsp;&nbsp;at this point can't be done, can it?!<br>**[02:45] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time! How would<br>&nbsp;&nbsp;&nbsp;&nbsp;we make a new one?!<br>**[02:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We already have an engine.<br>**[02:54] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the holdup!<br>**[02:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and get started.<br>**[02:57] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to me. I'll get things<br>&nbsp;&nbsp;&nbsp;&nbsp;going in no time.<br>**[03:03] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Share your screens with mine, please.<br>**[03:05] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the executable for MysClo.<br>**[03:08] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just drag it over here...<br>**[03:10] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what? It doesn't need<br>&nbsp;&nbsp;&nbsp;&nbsp;to be tuned or anything?<br>**[03:14] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[03:15] Coworker**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we just run the executable, and...<br>**[03:21] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, he's right! It started up<br>&nbsp;&nbsp;&nbsp;&nbsp;with no extra work!<br>**[03:23] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not chewing up resources, either.<br>**[03:25] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or crashing from a bug.<br>**[03:27] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly did you do?<br>**[03:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was easy.<br>**[03:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the Enidy engine, which is<br>&nbsp;&nbsp;&nbsp;&nbsp; famous for how stable it is.<br>**[03:35] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Enidy?!<br>**[03:37] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing costs a fortune!<br>&nbsp;&nbsp;&nbsp;&nbsp;And you ordered it without asking?!<br>**[03:40] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a huge issue!<br>**[03:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be, so I used Team B's budget.<br>**[03:47] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's misappropriation!<br>**[03:49] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing, as team lead—<br>**[03:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did use Team B's budget,<br>**[03:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but why wouldn't I, considering that's<br>&nbsp;&nbsp;&nbsp;&nbsp;what the funds were budgeted for?<br>**[04:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[04:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You chose an engine<br>&nbsp;&nbsp;&nbsp;&nbsp;that'd also be compatible<br>**[04:05] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;with Team A's game, didn't you?<br>**[04:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sharp as always. You got it.<br>**[04:10] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[04:11] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That has to break the terms of the license!<br>**[04:13] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd need to spend a ton<br>&nbsp;&nbsp;&nbsp;&nbsp; on the additional licenses—<br>**[04:16] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?!<br>**[04:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;An estimate on the cost<br>&nbsp;&nbsp;&nbsp;&nbsp;of the additional licenses,<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Team A's total production budget.<br>**[04:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with the extra cost,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll still have plenty left over.<br>**[04:25] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you after this the entire time?<br>**[04:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like to be prepared for the worst.<br>**[04:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ideally it wouldn't have come to this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're past that point.<br>**[04:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;the official response.<br>**[04:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Producer Kawasegawa<br>&nbsp;&nbsp;&nbsp;&nbsp;and I already talked this over.<br>**[04:45] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Hashiba—<br>**[04:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[04:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, for the person in charge<br>&nbsp;&nbsp;&nbsp;&nbsp;of our social media accounts...<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morishita-san, that's you.<br>**[04:55] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, me?!<br>**[04:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the broadest<br>&nbsp;&nbsp;&nbsp;&nbsp;outlook of everyone here,<br>**[05:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;which puts you closest<br>&nbsp;&nbsp;&nbsp;&nbsp;to how the players would feel.<br>**[05:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the best choice.<br>**[05:04] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not really good<br>&nbsp;&nbsp;&nbsp;&nbsp;at writing official-sounding copy...<br>**[05:07] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what'll I do if I make the users mad?<br>**[05:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are times when that kind of response<br>**[05:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;is more helpful than<br>&nbsp;&nbsp;&nbsp;&nbsp;rock-solid business speak.<br>**[05:14] Moroshita**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay then!<br>**[05:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start with, could you contact the agency<br>&nbsp;&nbsp;&nbsp;&nbsp;of that voice actor, from the incident?<br>**[05:20] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking about Suenomori-san?<br>**[05:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll apologize on the phone and via mail,<br>**[05:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make it clear, publicly,<br>&nbsp;&nbsp;&nbsp;&nbsp;that they did nothing wrong.<br>**[05:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, let them know we'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;handing over the casting decisions<br>**[05:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;for new characters appearing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the foreseeable future to them.<br>**[05:37] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you can't just hand over<br>&nbsp;&nbsp;&nbsp;&nbsp;the casting rights like that!<br>**[05:40] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you realize how valuable—<br>**[05:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That value is why we need to hand it over.<br>**[05:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd be looking at a bigger loss<br>&nbsp;&nbsp;&nbsp;&nbsp;if this turns into a defamation suit<br>**[05:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a settlement involved.<br>**[05:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next... Who's in charge of the scripting?<br>**[05:54] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's me.<br>**[05:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you think it'd take for<br>&nbsp;&nbsp;&nbsp;&nbsp;a comprehensive check of the systems?<br>**[05:59] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't say definitively...<br>**[06:01] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when you throw in all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;nitty-gritty testing, I think around six days?<br>**[06:05] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six days?!<br>**[06:06] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got three! Figure it out in three—<br>**[06:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you've got two weeks.<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure to take care of it.<br>**[06:10] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you insane?! We can't<br>&nbsp;&nbsp;&nbsp;&nbsp;suspend the service for two—<br>**[06:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you consider it's<br>&nbsp;&nbsp;&nbsp;&nbsp;only ten business days,<br>**[06:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;that leaves five days<br>&nbsp;&nbsp;&nbsp;&nbsp;for adjustments, three for testing,<br>**[06:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and two for implementation.<br>**[06:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that sound?<br>**[06:20] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's more than enough, yeah!<br>**[06:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next...<br>**[06:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many apology gems<br>&nbsp;&nbsp;&nbsp;&nbsp;do we normally hand out?<br>**[06:27] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a project like this?<br>**[06:30] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usually enough for two or three<br>&nbsp;&nbsp;&nbsp;&nbsp;gacha ten-pulls is appropriate.<br>**[06:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, let's do ten times that.<br>**[06:38] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Did you say ten?!<br>**[06:39] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard of a game<br>&nbsp;&nbsp;&nbsp;&nbsp;that hands out gems like that!<br>**[06:42] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough for one extra should be fine!<br>**[06:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we did that, the problems we've had<br>&nbsp;&nbsp;&nbsp;&nbsp;would far outshine anything else.<br>**[06:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need a big enough<br>&nbsp;&nbsp;&nbsp;&nbsp;response to get people talking.<br>**[06:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since this part is the most important...<br>**[06:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you all to listen to me very closely.<br>**[06:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody is off for the<br>&nbsp;&nbsp;&nbsp;&nbsp;next two days. Period.<br>**[07:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No working at all. Okay?<br>**[07:03] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time off?!<br>**[07:05] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell would be the point of having<br>&nbsp;&nbsp;&nbsp;&nbsp;time off when everything is on fire?!<br>**[07:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll implement our initial<br>&nbsp;&nbsp;&nbsp;&nbsp;social media response first, of course.<br>**[07:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we publicize our plans beforehand,<br>&nbsp;&nbsp;&nbsp;&nbsp;it shouldn't be a problem.<br>**[07:15] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going on about?!<br>**[07:18] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a massive project that affects<br>&nbsp;&nbsp;&nbsp;&nbsp;the fate of the entire company!<br>**[07:21] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand that?!<br>**[07:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have come up with this plan<br>&nbsp;&nbsp;&nbsp;&nbsp;if I didn't understand it, sir.<br>**[07:27] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem like you do!<br>**[07:29] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing you've suggested<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to profit the company!<br>**[07:33] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you hear me?! In business,<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you bring in profits—<br>**[07:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;President!<br>**[07:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mentioned once<br>&nbsp;&nbsp;&nbsp;&nbsp;that you trust me, remember?<br>**[07:45] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[07:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something else you said.<br>**[07:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how this was an important time<br>&nbsp;&nbsp;&nbsp;&nbsp;for trust in the company.<br>**[07:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you understand just<br>&nbsp;&nbsp;&nbsp;&nbsp;how important trust can be.<br>**[07:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I won't deny that meeting deadlines<br>&nbsp;&nbsp;&nbsp;&nbsp;is an important part of maintaining trust.<br>**[08:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure everyone here regrets<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that wasn't possible.<br>**[08:07] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right?!<br>**[08:09] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why the sooner<br>&nbsp;&nbsp;&nbsp;&nbsp;the service is functional again—<br>**[08:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, the best way to recover<br>&nbsp;&nbsp;&nbsp;&nbsp;trust after such a huge mistake<br>**[08:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't just getting the service<br>&nbsp;&nbsp;&nbsp;&nbsp;back up and running.<br>**[08:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to demonstrate how we're aware<br>&nbsp;&nbsp;&nbsp;&nbsp;of our culpability in a tangible fashion,<br>**[08:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make sure our future plans<br>&nbsp;&nbsp;&nbsp;&nbsp;are as clear as possible.<br>**[08:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, this game has made<br>&nbsp;&nbsp;&nbsp;&nbsp;the worst possible first impression.<br>**[08:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why we need to go above and beyond,<br>**[08:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;or no one will come back to it.<br>**[08:36] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the reaction to MysClo really that bad?<br>**[08:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a story about an app<br>&nbsp;&nbsp;&nbsp;&nbsp;that developed a critical bug.<br>**[08:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The marketing team<br>&nbsp;&nbsp;&nbsp;&nbsp;was trying to cover it up,<br>**[08:50] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the person at the core of development<br>&nbsp;&nbsp;&nbsp;&nbsp;decided to go public with it,<br>**[08:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;without making any excuses.<br>**[08:57] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you know about that?<br>**[09:00] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;An old friend of yours told me about it.<br>**[09:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you were honest about the problems,<br>**[09:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the end, people trusted that app<br>&nbsp;&nbsp;&nbsp;&nbsp;more than they would have.<br>**[09:09] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was ages ago. A youthful misadventure.<br>**[09:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[09:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I don't think being<br>&nbsp;&nbsp;&nbsp;&nbsp;honest and apologetic<br>**[09:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;could possibly be a bad thing.<br>**[09:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you're trying to say, sir.<br>**[09:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...<br>**[09:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you should rethink<br>&nbsp;&nbsp;&nbsp;&nbsp;what's really important,<br>**[09:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;especially in an emergency like this.<br>**[09:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to dedicate<br>&nbsp;&nbsp;&nbsp;&nbsp;everything to it. But please...<br>**[09:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think a little about<br>&nbsp;&nbsp;&nbsp;&nbsp;what's going on around here.<br>**[09:42] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. You're free to deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with this as you see fit.<br>**[09:47] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a relief!<br>**[09:48] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe now we can salvage this thing!<br>**[09:50] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna go ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;and start prepping for testing.<br>**[09:53] Team**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then let's finally go home!<br>**[09:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had better go home, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd defeat the purpose, otherwise.<br>**[10:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't worry, you don't have to tell me.<br>**[10:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could seriously use a bath<br>&nbsp;&nbsp;&nbsp;&nbsp;and some sleep.<br>**[10:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[10:10] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[10:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very welcome.<br>**[10:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, sir.<br>**[10:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for being so understanding.<br>**[10:24] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you make that proposal knowing I'd fold?<br>**[10:29] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. To be honest,<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know how you'd react.<br>**[10:32] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're quite the gambler, then.<br>**[10:35] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it that. It's just...<br>**[10:39] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was serious.<br>**[10:41] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I couldn't come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with any other answers.<br>**[10:44] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your "serious," huh?<br>**[10:46] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder it was such a strong argument.<br>**[10:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make you a guarantee<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for your understanding.<br>**[10:54] Prez**<br>&nbsp;&nbsp;&nbsp;&nbsp;What guarantee?<br>**[10:57] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that guarantee...<br>**[11:00] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was getting me to turn in<br>&nbsp;&nbsp;&nbsp;&nbsp;my illustrations, right?<br>**[11:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:05] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would love to help, but...<br>**[11:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei, why not really try<br>&nbsp;&nbsp;&nbsp;&nbsp;and get back to your roots?<br>**[11:12] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;My roots?<br>**[11:13] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that the hint to your breakthrough<br>**[11:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;has something to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with why you started drawing.<br>**[11:24] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these...<br>**[11:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the package illustration for HaruSora.<br>**[11:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... how?<br>**[11:32] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never actually told you...<br>**[11:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[11:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I saw the picture you working<br>&nbsp;&nbsp;&nbsp;&nbsp;on the other day, I was sure of it.<br>**[11:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I know art like this. Very intimately."<br>**[11:47] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking about quitting<br>&nbsp;&nbsp;&nbsp;&nbsp;art once in high school.<br>**[11:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What made you think that?<br>**[11:55] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Your roughs and color<br>&nbsp;&nbsp;&nbsp;&nbsp;composition are well done,"<br>**[11:59] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;"but your art is pure technical ability."<br>&nbsp;&nbsp;&nbsp;&nbsp;A teacher said that to me.<br>**[12:04] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That my art had no real charm.<br>**[12:06] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That got me depressed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I started hating art.<br>**[12:11] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was around then that a game-loving<br>&nbsp;&nbsp;&nbsp;&nbsp;senpai of mine got me into HaruSora.<br>**[12:17] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was blown away!<br>**[12:18] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized just how amazing art<br>&nbsp;&nbsp;&nbsp;&nbsp;with charm could be!<br>**[12:22] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt just how much it could move somebody!<br>**[12:25] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I started to want to make art like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;from the very bottom of my heart.<br>**[12:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, some day, I wanted to draw with<br>&nbsp;&nbsp;&nbsp;&nbsp;the person who was responsible for that art.<br>**[12:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's already...<br>**[12:38] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[12:39] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I couldn't bring myself<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you, Hashiba-san.<br>**[12:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. It's my fault.<br>**[12:46] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, don't apologize!<br>**[12:48] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... it ended up<br>&nbsp;&nbsp;&nbsp;&nbsp;helping me again, y'know?<br>**[12:53] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes the second time<br>&nbsp;&nbsp;&nbsp;&nbsp;this art has done that.<br>**[12:56] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a week to turn in some rough drafts!<br>**[12:58] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another few days after that<br>&nbsp;&nbsp;&nbsp;&nbsp;for the line art and colors!<br>**[13:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei!<br>**[13:04] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to draw! I actually want to!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;   Character Design<br>
&nbsp;&nbsp;&nbsp;&nbsp;Minori Ayaka
<br>**[13:16] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san!<br>**[13:18] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ayaka-sensei just called about<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting to do another character!<br>**[13:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great to hear!<br>**[13:24] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the survey<br>&nbsp;&nbsp;&nbsp;&nbsp;from last week is out, too!<br>**[13:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The system's stabilized, the new<br>&nbsp;&nbsp;&nbsp;&nbsp;characters are coming together nicely...<br>**[13:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we've managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to recover from the disaster.<br>**[13:34] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although things are only going to<br>&nbsp;&nbsp;&nbsp;&nbsp;get more busy around here.<br>**[13:36] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay!<br>**[13:38] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Kawasegawa-san came up<br>&nbsp;&nbsp;&nbsp;&nbsp;with that super-thick manual!<br>**[13:43] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way things can keep running<br>&nbsp;&nbsp;&nbsp;&nbsp;even when the leader's absent.<br>**[13:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She thought of everything, huh?<br>**[13:48] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;how amazing you were, though.<br>**[13:52] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if anyone else<br>&nbsp;&nbsp;&nbsp;&nbsp;would've been capable<br>**[13:54] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;of turning things around<br>&nbsp;&nbsp;&nbsp;&nbsp;in a situation like that!<br>**[13:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't such a big deal.<br>**[13:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't really do anything...<br>**[14:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's lunch time.<br>**[14:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll invite Kawasegawa to join—<br>**[14:05] Moroshita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she didn't tell you, Hashiba-san?<br>**[14:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what?<br>**[14:08] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;The producer's got a flight<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving Haneda at 13:00.<br>**[14:12] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she was going to Okinawa.<br>**[14:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morishita-san, tell everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking the afternoon off!<br>**[14:17] Morishita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba-san, wait—<br>**[14:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I did it. I did it again!*<br>**[14:26] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just bulldozed over her in a situation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where she was in charge.*<br>**[14:30] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's obvious that would put her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in an awkward position...*<br>**[14:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Costing her the trust of her subordinates.*<br>**[14:36] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I haven't learned a single thing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after what happened to Tsurayuki.*<br>**[14:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I be so stupid?!<br>**[14:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, Kawasegawa.*<br>**[14:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I couldn't help you a second time.*<br>**[15:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... What are you doing here?<br>**[15:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Departure Time
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Destination
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Okinawa / Naha
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sapporo / Shin Chitose
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka / Kansai
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kushiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memanbetsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hakodate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokachi-Obihiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aomori
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Flight No.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;First Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;J Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Coach
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Departure Time
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Destination
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sapporo / Shin Chitose
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osaka / Kansai
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kushiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memanbetsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hakodate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokachi-Obihiro
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aomori
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Komatsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Flight No.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;First Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;J Class
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Coach
<br>**[15:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[15:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... thanks.<br>**[15:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously though, did it not occur<br>&nbsp;&nbsp;&nbsp;&nbsp;to you to message me on LINE?<br>**[15:24] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or just call me, maybe?<br>**[15:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[15:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously I'm not quitting.<br>**[15:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you managed to pull<br>&nbsp;&nbsp;&nbsp;&nbsp;my team out of a fire...<br>**[15:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How pathetic would I be if I ran off<br>&nbsp;&nbsp;&nbsp;&nbsp;before I could pay you back?<br>**[15:38] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... what about Okinawa?<br>**[15:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've changed my mind.<br>**[15:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I canceled the flight,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't worry about it.<br>**[15:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[15:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to apologize.<br>**[15:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... sorry.<br>**[15:53] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why were you so worried about me, anyway?<br>**[15:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I was scared.<br>**[16:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else left...<br>&nbsp;&nbsp;&nbsp;&nbsp;I was afraid you would go, too.<br>**[16:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba...<br>**[16:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki... Tsurayuki...<br>&nbsp;&nbsp;&nbsp;&nbsp;They were both so amazing.<br>**[16:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before I realized it,<br>&nbsp;&nbsp;&nbsp;&nbsp;both had given up on being creators.<br>**[16:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even Nanako...<br>**[16:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all my fault.<br>**[16:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm trying to help people,<br>&nbsp;&nbsp;&nbsp;&nbsp;but in the end, all I do is help myself.<br>**[16:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The things I do to try and help others...<br>**[16:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;just end up making them miserable.<br>**[16:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been saying that this entire time...<br>**[16:41] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how you feel guilty<br>&nbsp;&nbsp;&nbsp;&nbsp;about what happened.<br>**[16:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how you're worthless.<br>**[16:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And whenever I asked you about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you would just clam up.<br>**[16:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the truth.<br>**[16:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think they're all miserable<br>&nbsp;&nbsp;&nbsp;&nbsp;because of you.<br>**[17:02] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really do, don't you?<br>**[17:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I should've never<br>&nbsp;&nbsp;&nbsp;&nbsp;been here in the first place.<br>**[17:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa?<br>**[17:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for?!<br>**[17:30] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[17:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;God, you are so annoying!<br>**[17:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Cut it out! What did I say?!<br>**[17:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't *say* anything!<br>**[17:39] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were always an honor student,<br>&nbsp;&nbsp;&nbsp;&nbsp;and such a straight shooter,<br>**[17:43] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;enough that you made me feel jealous!<br>**[17:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kawasegawa?<br>**[17:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why?! Why did you never ask for help?!<br>**[17:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you always try<br>&nbsp;&nbsp;&nbsp;&nbsp;to handle everything yourself?!<br>**[17:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think we couldn't handle it?<br>**[17:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you try leaning on someone else<br>&nbsp;&nbsp;&nbsp;&nbsp;when you didn't know what to do?!<br>**[18:05] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't able to support<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself after awhile.<br>**[18:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same as before.<br>**[18:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were chasing after<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki after he left,<br>**[18:14] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to write scripts even<br>&nbsp;&nbsp;&nbsp;&nbsp;though it wasn't your thing...<br>**[18:17] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It never occurred to you<br>&nbsp;&nbsp;&nbsp;&nbsp;to find another writer.<br>**[18:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't put up any resistance<br>&nbsp;&nbsp;&nbsp;&nbsp;when Shinoaki decided to stop drawing,<br>**[18:25] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and couldn't help Nanako<br>&nbsp;&nbsp;&nbsp;&nbsp;through her frustration.<br>**[18:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But...<br>**[18:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does that amount to being<br>&nbsp;&nbsp;&nbsp;&nbsp;responsible for their futures?!<br>**[18:34] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who says that's your responsibility?!<br>**[18:37] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you made them do anything!<br>**[18:40] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you blame yourself?!<br>**[18:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the point of depression<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting so torn up...<br>**[18:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm useless."<br>**[18:48] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could... How could you possibly think that?!<br>**[18:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always, always worked so hard.<br>**[19:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always put your personal stuff aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;and always try to help other people,<br>**[19:06] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they'd be able to make something.<br>**[19:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we laughed, we all laughed together,<br>**[19:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when you cried,<br>&nbsp;&nbsp;&nbsp;&nbsp;you always did it alone.<br>**[19:15] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't done a single thing wrong.<br>**[19:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if anyone says otherwise,<br>**[19:23] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let them get away with it!<br>**[19:26] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand me?!<br>**[19:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So have a little confidence!<br>**[19:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've never been here?!<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that's true!<br>**[19:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you say you being around<br>&nbsp;&nbsp;&nbsp;&nbsp;to save me was a mistake, too?!<br>**[19:42] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I right?!<br>**[19:44] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing, okay?! I promise!<br>**[19:47] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of everyone I've ever met...<br>**[19:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the most generous,<br>&nbsp;&nbsp;&nbsp;&nbsp;most exciting, hardest to predict...<br>**[19:54] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I loved you!<br>&nbsp;&nbsp;&nbsp;&nbsp;Why I looked up to you!<br>**[19:58] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So stop being so pessimistic!<br>**[20:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... did you just...<br>**[20:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget those last two. Too much information.<br>**[20:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[20:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... sorry—<br>**[20:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... uh...<br>**[20:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kawasegawa.<br>**[20:43] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lukewarm.<br>**[20:43] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lukewarm.<br>**[20:57] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen... hypothetically...<br>**[21:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I found myself back in time,<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of you, when you were suffering...<br>**[21:05] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I would've done<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever it took to help you.<br>**[21:08] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But knowing how you were back then,<br>**[21:11] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would've never actually<br>&nbsp;&nbsp;&nbsp;&nbsp;turned to me for help.<br>**[21:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... You've helped me<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot already, Kawasegawa.<br>**[21:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than enough.<br>**[21:20] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Except I didn't.<br>**[21:22] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, I have no idea if there's such<br>&nbsp;&nbsp;&nbsp;&nbsp;a thing as reincarnation,<br>**[21:26] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but next time? I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;actually help you.<br>**[21:29] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it?<br>**[21:32] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll be counting on you, then.<br>**[21:46] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! I think I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;Okinawa after all.<br>**[21:51] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see if I can exchange my ticket,<br>**[21:55] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if I can, I'll catch the next flight.<br>**[22:01] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I'm coming back.<br>**[22:04] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya.<br>**[22:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawasegawa!<br>**[22:07] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;One other thing...<br>**[22:09] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You blame yourself for everybody quitting,<br>**[22:12] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you managed to help<br>&nbsp;&nbsp;&nbsp;&nbsp;one person, at least.<br>**[22:15] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did?<br>**[22:16] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean Minori Ayaka.<br>**[22:18] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The game that you made<br>&nbsp;&nbsp;&nbsp;&nbsp;is what got her drawing, right?<br>**[22:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I guess I did help someone, at least.<br>**[22:28] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world...<br>**[22:31] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything has some purpose, I think.<br>**[22:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She really did save me.*<br>**[23:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could go back to the old days.<br>**[23:05] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I figured it was about time for that.<br>**[23:12] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Hashiba-kun. How you been?<br>**[23:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you...<br>**[23:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello again, Keiko-san.<br>

# E12 - Facing Forward Again

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G7PU4WVNV/facing-forward-again)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello again, Keiko-san.<br>**[00:05] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already know it's about time, right?<br>**[00:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna head back to the past, don't you?<br>**[00:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[00:18] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you *really* sure, though?<br>**[00:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you're about as happy as most<br>&nbsp;&nbsp;&nbsp;&nbsp;people could hope to be this world.<br>**[00:31] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a wife, a little girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;a job where they rely on you...<br>**[00:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I honestly don't see why you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;wanna head back to those hard times.<br>**[00:44] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really willing to throw<br>&nbsp;&nbsp;&nbsp;&nbsp;this happiness aside<br>**[00:47] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;to head back to the past, young man?<br>**[02:45] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's my answer.<br>**[02:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[02:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't go back in time<br>&nbsp;&nbsp;&nbsp;&nbsp;because I wanted to be happy.<br>**[02:56] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't about getting a nice girl...<br>**[02:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or using cheats to become a hero.<br>**[03:04] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to struggle. To be hurt.<br>**[03:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;To lose hope... To be pushed to the edge.<br>**[03:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with them...<br>**[03:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can go through it all with them...<br>**[03:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd take that over a happy future any day.<br>**[03:23] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go back.<br>**[03:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go back to the past,<br>&nbsp;&nbsp;&nbsp;&nbsp;to be with everyone.<br>**[03:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when we were all together...<br>**[03:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go back!<br>**[03:37] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:47] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a good look to you right now.<br>**[03:53] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's do this thing.<br>**[03:59] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a second!<br>**[04:01] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now? Having second thoughts after all?<br>**[04:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over the last few months,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've met a lot of different people.<br>**[04:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have thoughts about them all, but...<br>**[04:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No regrets.<br>**[04:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[04:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's someone I have to say goodbye to.<br>**[04:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I getcha. Go on, then.<br>**[04:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home!<br>**[04:50] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, Daddy!<br>**[04:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[04:53] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know what? I found out that<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy is really good at drawing!<br>**[04:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is?<br>**[04:59] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Look at this!<br>**[05:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[05:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Shinoaki's art.<br>**[05:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey, welcome home...<br>**[05:12] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki! Did you already show him?<br>**[05:16] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened? With the art.<br>**[05:20] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[05:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried that game you told me about.<br>**[05:27] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean MysClo?<br>**[05:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minori Ayaka-san...<br>**[05:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought her art was really wonderful.<br>**[05:36] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me want to... try drawing.<br>**[05:40] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;One other thing...<br>**[05:43] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;You blame yourself for everybody quitting,<br>**[05:46] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you managed to help<br>&nbsp;&nbsp;&nbsp;&nbsp;one person, at least.<br>**[05:49] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did?<br>**[05:50] (Flashback) Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean Minori Ayaka.<br>**[05:58] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... Kyoya-kun?<br>**[06:01] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy? What's wrong?<br>**[06:04] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Daddy?<br>**[06:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's real strange.<br>**[06:34] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't drawn in so long...<br>**[06:37] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But soon as I got the itch,<br>&nbsp;&nbsp;&nbsp;&nbsp;it happened real naturally.<br>**[06:44] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only took the littlest thing.<br>**[06:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[06:50] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ain't anything for you to apologize for.<br>**[06:52] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't draw anymore...<br>**[06:54] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I had you, and I had Maki.<br>**[07:00] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;That made me think it'd be okay.<br>**[07:03] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next day would always come...<br>**[07:07] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought that was good enough.<br>**[07:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But y'know... when<br>&nbsp;&nbsp;&nbsp;&nbsp;I started wanting to draw...<br>**[07:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bunch of stuff I had<br>&nbsp;&nbsp;&nbsp;&nbsp;forgotten hit me real hard...<br>**[07:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a lot of fun.<br>**[07:23] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So much...<br>**[07:30] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Kyoya-kun...<br>**[07:33] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, I... wanna make<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of art again.<br>**[07:40] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... when I'm working,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be kinda...<br>**[07:46] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focused, y'know?<br>**[07:49] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as far as Maki goes, I dunno if—<br>**[07:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[07:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll support you however I can.<br>**[07:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's okay for you to work on your art.<br>**[08:05] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Kyoya-kun.<br>**[08:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:10] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, I wanna try drawing something big!<br>**[08:15] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure how it's<br>&nbsp;&nbsp;&nbsp;&nbsp; gonna turn out at first,<br>**[08:19] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll go small on backgrounds...<br>**[08:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I wanna draw<br>&nbsp;&nbsp;&nbsp;&nbsp;something a lot bigger...<br>**[08:25] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;A place with lots of space!<br>**[08:28] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can be in nature, or in the city...<br>**[08:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And girls!<br>**[08:35] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno what kinda girls folks<br>&nbsp;&nbsp;&nbsp;&nbsp;are drawing these days.<br>**[08:42] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see what people are doing.<br>**[08:47] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, y'know what else?<br>**[09:25] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm heading out.<br>**[09:27] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Be careful.<br>**[09:29] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, have a good day!<br>**[09:38] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy, too tight!<br>**[09:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:51] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Off I go.<br>**[09:59] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good day!<br>**[10:00] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good day!<br>**[10:22] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you're done.<br>**[10:27] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I wanna tell you.<br>**[10:30] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[10:33] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been talking about this<br>&nbsp;&nbsp;&nbsp;&nbsp;power of yours in a bad way,<br>**[10:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;like it's a cheat, or you're playing dirty.<br>**[10:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I know the future, so it's only<br>&nbsp;&nbsp;&nbsp;&nbsp;natural that I can pull stuff off."<br>**[10:46] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you've never played dirty.<br>**[10:51] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't used your knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurt other people,<br>**[10:54] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you haven't tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to unfairly profit off of it, either.<br>**[10:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've only been using your own strength,<br>**[11:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you've always considered<br>&nbsp;&nbsp;&nbsp;&nbsp;other people before acting.<br>**[11:02] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how you were able to<br>&nbsp;&nbsp;&nbsp;&nbsp;gain their trust, y'know?<br>**[11:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think people trust me?<br>**[11:10] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, man.<br>**[11:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Kawasegawa-chan and<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki-chan were both so grateful to you.<br>**[11:16] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd bet that goes for Nanako-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;and Tsurayuki-kun, too.<br>**[11:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're right.<br>**[11:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, that said,<br>&nbsp;&nbsp;&nbsp;&nbsp;it ain't like you're a hero.<br>**[11:30] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still a interloper<br>&nbsp;&nbsp;&nbsp;&nbsp;who's popped in from outta nowhere<br>**[11:32] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and changing the future<br>&nbsp;&nbsp;&nbsp;&nbsp;from what it originally was.<br>**[11:36] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing it for their sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;or trying to help 'em...<br>**[11:40] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get that's not how<br>&nbsp;&nbsp;&nbsp;&nbsp;this works now, right?<br>**[11:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think now that I was really full of myself.<br>**[11:51] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought by using this<br>&nbsp;&nbsp;&nbsp;&nbsp;power to help people...<br>**[11:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could be like their savior.<br>**[11:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that was just my ego talking.<br>**[12:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm done trying to act high and mighty.<br>**[12:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to trust the others,<br>&nbsp;&nbsp;&nbsp;&nbsp;believe in myself...<br>**[12:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and give it my all.<br>**[12:16] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, welcome back, protagonist!<br>**[12:18] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hope you're ready for hell again!<br>**[12:24] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get a move on, then.<br>**[12:40] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya!<br>**[12:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki! Kyoya's awake!<br>**[12:44] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, are you okay?<br>**[12:46] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You collapsed out front!<br>&nbsp;&nbsp;&nbsp;&nbsp;We were really worried!<br>**[12:49] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako... I'm home.<br>**[12:53] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... welcome home.<br>**[12:55] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun! You're awake!<br>**[12:58] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki...<br>**[13:02] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Kyoya, there's bad news!<br>**[13:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsurayuki's dropping out of school.<br>**[13:08] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he told you already.<br>**[13:10] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he came here to say good-bye<br>&nbsp;&nbsp;&nbsp;&nbsp;to Shinoaki and me.<br>**[13:13] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in tarnation happened<br>&nbsp;&nbsp;&nbsp;&nbsp;with him, Kyoya-kun?<br>**[13:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Okay.<br>**[13:20] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now... let's consider the future.<br>**[13:24] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[13:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to step outside<br>&nbsp;&nbsp;&nbsp;&nbsp;for a sec. I won't be long.<br>**[13:31] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun!<br>**[13:33] Shinoaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya-kun... you're coming back, right?<br>**[13:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'm not going anywhere anymore.<br>**[14:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is where I'll start.*<br>**[14:08] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No more regrets.*<br>**[14:11] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not that I think I'm always right...*<br>**[14:13] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not a champion of justice,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or some kind of hero.*<br>**[14:16] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm just going to chase*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the things I believe in.*<br>**[14:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to make something.*<br>**[14:23] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I went ten years back in time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because I wanted to create.*<br>**[14:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't bring some kind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of cheating advantage to the past...*<br>**[14:31] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Just the kind of passion*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I'll never have again.*<br>**[14:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is when our remake really starts.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oonaka University of the Arts
<br>**[15:07] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Hashiba?!<br>**[15:09] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking kinda down!<br>**[15:10] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Summer heat getting to you?<br>**[15:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, I'm fine. Nothing to worry about.<br>**[15:15] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That so?<br>**[15:17] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you ever feel<br>&nbsp;&nbsp;&nbsp;&nbsp;worn out, just holler!<br>**[15:20] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know some bishoujo games<br>&nbsp;&nbsp;&nbsp;&nbsp; that'll have you wondering<br>**[15:22] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;how you could've ever been feeling down!<br>**[15:28] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Momotaro-san, Momotaro-san!<br>**[15:32] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dumplings on your waist,<br>**[15:33] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peaches!<br>**[15:36] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, watch me spin like a peach!<br>**[15:36] Gen**<br>&nbsp;&nbsp;&nbsp;&nbsp;might I trouble you for one?<br>**[15:40] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, Hashy...<br>**[15:42] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking a lot older all of a sudden.<br>**[15:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't noticed.<br>**[15:46] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! And I know how you feel, but...<br>**[15:49] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the kinda thing that other<br>&nbsp;&nbsp;&nbsp;&nbsp;people have to point out to you.<br>**[15:54] Kiryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't you say, Hiyama-chan?<br>**[15:55] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think so.<br>**[15:57] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although you're looking<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty rough around the edges<br>**[15:59] Hiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;after these last two months, too.<br>**[16:01] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Things have gotten back to normal so*<br>*&nbsp;&nbsp;&nbsp;&nbsp;completely that it's easy to wonder*<br>**[16:06] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*if that time in the future ever happened.*<br>**[16:09] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone seems to be the same.*<br>**[16:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Tsurayuki is still gone.*<br>**[16:16] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rokuonji said that it was family business.<br>**[16:19] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard any specifics, Hashiba?<br>**[16:24] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Nothing in particular.<br>**[16:30] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:35] Kano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame, considering his<br>&nbsp;&nbsp;&nbsp;&nbsp;tuition woes were finally solved.<br>**[16:40] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:42] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He hasn't come back to school.*<br>**[16:45] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I'm not giving up.*<br>**[16:49] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If he's Kawagoe Kyoichi,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know we'll meet again.*<br>**[16:55] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I've noticed signs of change*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Nanako and Shinoaki.*<br>**[17:00] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya...<br>**[17:03] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the thing I mentioned the other day...<br>**[17:05] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[17:07] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the romantic messages<br>&nbsp;&nbsp;&nbsp;&nbsp;you got from a fan?<br>**[17:11] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that!<br>**[17:14] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one about the offer.<br>**[17:17] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;A circle that's making a dojin game<br>&nbsp;&nbsp;&nbsp;&nbsp;asked me to work with them.<br>**[17:21] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, for composing and<br>&nbsp;&nbsp;&nbsp;&nbsp; performing their theme song?<br>**[17:26] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not give it a try?<br>**[17:28] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But y'know... it's kinda scary.<br>**[17:32] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Working with people who I don't know.<br>**[17:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just jump in and give it a try?<br>**[17:37] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like when you started uploading<br>&nbsp;&nbsp;&nbsp;&nbsp; your songs, remember?<br>**[17:41] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the one who handled that, though.<br>**[17:47] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? So... could you maybe...<br>**[17:54] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanako, try and do it on your own, okay?<br>**[17:59] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoya, you're so mean!<br>**[18:01] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nanako was on the verge*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of becoming dependent on me.*<br>**[18:01] Nanako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big deal?!<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't kill you to help!<br>**[18:05] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not sure how much it'll help,*<br>**[18:08] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I'm going to try and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;prioritize her independence.*<br>**[18:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And hopefully, one day, I'll meet N@NA.*<br>**[18:19] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As for Shinoaki...*<br>**[18:21] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't feel like drawing.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sukiyamon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Soy Sauce Flavor
<br>**[18:28] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Things were even more severe.*<br>**[18:32] Shino**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soy sauce?<br>**[18:34] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's burnout from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;having just finished a game.*<br>**[18:38] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Or maybe a side effect from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;having compromised so much.*<br>**[18:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Shinoaki, who used to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be so excited about art,*<br>**[18:46] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is keeping her distance from it now.*<br>**[18:53] (Flashback) Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just... nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to draw anymore.<br>**[18:58] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I need to help her find*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a way through this.*<br>**[19:03] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what would work?*<br>**[19:40] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow...<br>**[19:41] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yow...<br>**[19:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry! Were you hurt?<br>**[19:46] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-S-Sorry! Sorry! I'm okay!<br>**[19:52] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me help you.<br>**[20:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wow.*<br>**[20:10] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that...<br>**[20:11] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's nothing! Really.<br>**[20:14] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why does she have a copy of the game?*<br>**[20:17] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe she's into that sort of thing.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Saikawa            Minori
<br>**[20:30] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, s-s-sorry!<br>**[20:33] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm really sorry about running into you!<br>**[20:36] Minori**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm going to be late<br>&nbsp;&nbsp;&nbsp;&nbsp;for class, so excuse me!<br>**[20:44] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So that's how it is.<br>**[20:48] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everything has some purpose.*<br>**[20:53] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You were right about that, Kawasegawa.*<br>**[20:57] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[21:12] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I started taking action.*<br>**[21:18] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll create an opportunity for Shinoaki,*<br>**[21:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and give the future Minori Ayaka some hope.*<br>**[21:27] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Granted, there's no guarantee*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that it'll work out for the best.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Second-years will create a five-minute video project over two semesters.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Upload to Nico Nico Douga<br>
&nbsp;&nbsp;&nbsp;&nbsp;• Submit the video file and URL where it was uploaded
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;• Prizes will be awarded for the number of views, comments and favorites posted videos receive<br>
&nbsp;&nbsp;&nbsp;&nbsp;over the first semester, second semester, and after one year.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cash prizes!
<br>**[21:33] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It might not make any difference,*<br>**[21:35] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it could even make things worse.*<br>**[21:39] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But... I have plenty of motivation,*<br>**[21:43] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the strong feelings I realized*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after traveling into the future.*<br>**[21:47] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As long as I have that...*<br>**[21:49] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm betting I'll have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the confidence to take action.*<br>**[21:52] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There used to be a group*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of people I looked up to.*<br>**[21:57] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought they would*<br>*&nbsp;&nbsp;&nbsp;&nbsp;always be out of reach.*<br>**[22:01] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now, they're right by my side.*<br>**[22:04] Kyoya**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But in order for us to become*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the kind of people I used to idolize...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To make the best project possible together
<br>**[22:22] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This remake has only just begun.*<br>**[22:31] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Kawasegawa...<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask you something.<br>**[22:35] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[22:36] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say that I was in a lot of trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;and asked you for help.<br>**[22:43] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be willing to put<br>&nbsp;&nbsp;&nbsp;&nbsp;everything else aside and help me?<br>**[22:50] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashiba, I think you<br>&nbsp;&nbsp;&nbsp;&nbsp;need your head examined.<br>**[22:55] Kyoya**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right. Sorry.<br>**[23:00] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you really needed the help...<br>**[23:03] Eiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess I'd be willing to offer it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S<br>
&nbsp;&nbsp;&nbsp;&nbsp;c<br>
&nbsp;&nbsp;&nbsp;&nbsp;a<br>
&nbsp;&nbsp;&nbsp;&nbsp;l<br>
&nbsp;&nbsp;&nbsp;&nbsp;a
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scala Theater
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scala Theater
<br>