# E12 - Shinobu Mail, Part Six

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY75K1NK6/shinobu-mail-part-6)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HITAGI SENJYOGAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;SEN JYO GAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;NO GROUP<br>**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Senjyogahara?<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're calling me like this<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;mean that this round of trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;has already been resolved?<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not quite done yet.<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, I couldn't resist.<br>&nbsp;&nbsp;&nbsp;&nbsp;I was feeling a bit helpless.<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Well, leave everything<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning Hanekawa to me.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen to Hanekawa?<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't heard from Kanbaru?<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heard what?<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you haven't heard...<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hear the story directly from her<br>&nbsp;&nbsp;&nbsp;&nbsp;once you come back.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Senjyogahara...<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one thing I want you to tell me.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One year ago, when Kanbaru entered<br>&nbsp;&nbsp;&nbsp;&nbsp;Naoetsu High School and came to visit you...<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly speaking, how did you feel?<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. Frankly, it felt like a burden...<br>&nbsp;&nbsp;&nbsp;&nbsp;her feelings, that is.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that was partly a showing<br>&nbsp;&nbsp;&nbsp;&nbsp;of how light-hearted I was<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with my inability to tolerate<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of her burden.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to be together with Kanbaru,<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd probably have to become someone<br>&nbsp;&nbsp;&nbsp;&nbsp;that could bear that weight.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even now, that's how I feel<br>&nbsp;&nbsp;&nbsp;&nbsp;as I try to improve myself.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may not look it, but...<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm making quite the effort<br>&nbsp;&nbsp;&nbsp;&nbsp;to become Araragi's bride.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is that a heavy burden?*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HITAGI SENJYOGAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;SEN JYO GAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;NO GROUP<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not necessarily that...<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This may be our last call,<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so can I ask you something<br>&nbsp;&nbsp;&nbsp;&nbsp;that you might upset you?<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HITAGI SENJYOGAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;SEN JYO GAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;NO GROUP<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone with better qualifications<br>&nbsp;&nbsp;&nbsp;&nbsp;were to confess his love to you, what would you do?<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'd switch to the new guy 100%.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing...<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing because you can actually say that.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know there's no bond that's absolute.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned that from watching my parents.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara... No, that's—<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An absolute bond, when you think about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;is pretty scary.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you need to work hard,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't get dumped for someone else.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you can't become a special person in general,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can be a special person for someone.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A special person for someone...<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HITAGI SENJYOGAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;SEN JYO GAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;NO GROUP<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I make endless efforts to be<br>
&nbsp;&nbsp;&nbsp;&nbsp;a special person for Kanbaru and Araragi.*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest assured, Araragi,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're already plenty special enough of a person.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For myself, for Kanbaru - for Shinobu, too.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We are all choosing you.*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really understood what I meant...<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HITAGI SENJYOGAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;SEN JYO GAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;NO GROUP<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am your girlfriend after all.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I was very happy that you called me.*<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I get back, a little more...<br>&nbsp;&nbsp;&nbsp;&nbsp;we should have conversations like this more often.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HITAGI SENJYOGAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;SEN JYO GAHARA<br>&nbsp;&nbsp;&nbsp;&nbsp;NO GROUP<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes. I'll be waiting in my birthday suit.*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanbaru's perverseness<br>&nbsp;&nbsp;&nbsp;&nbsp;is strongly affected by you, isn't it?<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;OWARIMONOGATARI<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MAIL, PART SIX<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let's hurry up and start this,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can hurry up and end it.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come here.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. All good now.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're done getting ready.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you're prepared for battle.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Done getting ready?<br>&nbsp;&nbsp;&nbsp;&nbsp;Done getting ready with just that?<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come now, hold on a moment...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to the pairing, Sir Araragi?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't going to stay that weak<br>&nbsp;&nbsp;&nbsp;&nbsp;and duel against me like that... Are you?<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;THAT VOICE, IT WAS NO LONGER<br>&nbsp;&nbsp;&nbsp;&nbsp;THAT WHICH HE HAD PILFERED FROM ME.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT HAD CHANGED INTO THAT OF HIS OWN.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, brother. It looks like the bond between you<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kiss-shot wasn't as weak as I had feared.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe that she'd send her servant<br>&nbsp;&nbsp;&nbsp;&nbsp;into combat in such a weak state.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want to win<br>
&nbsp;&nbsp;&nbsp;&nbsp;because of Shinobu's power.*<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to win,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and be an supporting power to Shinobu.*<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, fine...<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Lady Izuko.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is the case, I'd like you to select<br>&nbsp;&nbsp;&nbsp;&nbsp;a method of dueling that has a handicap.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't like to hear unpleasant excuses.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I plan on using an unchanging format of dueling<br>&nbsp;&nbsp;&nbsp;&nbsp;that has been used since ancient days.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As occasion permits, it should allow you two<br>&nbsp;&nbsp;&nbsp;&nbsp;to compete in a fair manner.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it an imaginary demon sword<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kokoro Watari" or something.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, electricity is running through it.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah, just think of it as a stun gun<br>&nbsp;&nbsp;&nbsp;&nbsp;that works for both of you.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First off, I'll have you two stand back to back,<br>&nbsp;&nbsp;&nbsp;&nbsp;on either side of this wooden sword.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, on my count,<br>&nbsp;&nbsp;&nbsp;&nbsp;walk forward ten steps from there.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tenth step will be the last,<br>&nbsp;&nbsp;&nbsp;&nbsp;as the battle will begin there.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who dashes to this wooden sword<br>&nbsp;&nbsp;&nbsp;&nbsp;and deals a blow to his opponent is the winner.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, you can take the wooden sword<br>&nbsp;&nbsp;&nbsp;&nbsp;from your opponent and then deliver a blow.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strictly speaking, the criteria<br>&nbsp;&nbsp;&nbsp;&nbsp;for this match is a "one-blow duel."<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words...<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than just making the conditions fair,<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is you looking out for Sir Araragi,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he doesn't die in this duel.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive that you came up<br>&nbsp;&nbsp;&nbsp;&nbsp;with something like this.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any other questions?<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negative.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi, do you have any questions?<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an amateur in terms of<br>&nbsp;&nbsp;&nbsp;&nbsp;both swordsmanship and combat...<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So can I at least be lectured from a specialist<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning that ten-step run?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A specialist?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. A handicap of that level<br>&nbsp;&nbsp;&nbsp;&nbsp;should be all right to add.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it's 7:30 right now...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The duel will begin at 8 o'clock sharp.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of you, be diligent in your warm-ups.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guessing from your height, Araragi-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;your stride is 72 centimeters wide.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, a span of ten steps<br>&nbsp;&nbsp;&nbsp;&nbsp;would be 7 meters and 20 centimeters.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A marathon has a strategy<br>&nbsp;&nbsp;&nbsp;&nbsp;just for marathons,<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the 100-meter dash has a strategy<br>&nbsp;&nbsp;&nbsp;&nbsp;just for the 100-meter dash.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Likewise, to run seven meters,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a strategy to run seven meters.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the task here may be<br>&nbsp;&nbsp;&nbsp;&nbsp;how to reserve some strength for later.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a task?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, running the dash isn't the end of it all.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to grab the wooden sword<br>&nbsp;&nbsp;&nbsp;&nbsp;and deliver a blow with it, right?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that in the end,<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the swordplay after pulling out the wooden sword<br>&nbsp;&nbsp;&nbsp;&nbsp;will be more important.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you draw the wooden sword,<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if he dodges your attack,<br>&nbsp;&nbsp;&nbsp;&nbsp;takes the wooden sword<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and pummels you with it,<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the effort will be for nothing.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true...<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But all I can say about that is,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Whatever will be, will be."<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't trouble you that much, after all.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, at the least, I'll lend you my shoes.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We wear the same size, right?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What in the world has been happening<br>&nbsp;&nbsp;&nbsp;&nbsp;in the short time I haven't been at school?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanbaru, do you know anything about this?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I have no clue at all,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all I can think of is that after<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanekawa-senpai's home was burned down,<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara-senpai informed Karen and Tsukihi<br>&nbsp;&nbsp;&nbsp;&nbsp;of the situation to get their help<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by letting her stay at Araragi-senpai's house.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only thing I can think of.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's probably the right answer!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, a fire?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her home was burned down?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that story about?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My oh my. Her story also seems to be<br>&nbsp;&nbsp;&nbsp;&nbsp;reaching its climax...<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will you do, Koyomin?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Izuko, you know something about this?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanekawa is...<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait, do you even know<br>&nbsp;&nbsp;&nbsp;&nbsp;who Hanekawa is?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's this about<br>&nbsp;&nbsp;&nbsp;&nbsp;what I'm going to do? Do what?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know everything.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it's the tiger, Koyomin.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tiger that ironically saved you<br>&nbsp;&nbsp;&nbsp;&nbsp;back in the cram school ruins...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsubasa has apparently decided to face-off against<br>&nbsp;&nbsp;&nbsp;&nbsp;that big tiger that controls the flames of purgatory.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, Tsubasa isn't the only one in a crisis.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your girlfriend Senjyogahara<br>&nbsp;&nbsp;&nbsp;&nbsp;is also in a crisis.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps, as we stand here now,<br>&nbsp;&nbsp;&nbsp;&nbsp;they may be burning furiously...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to save her, you need to go<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as possible - right now if you can.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should, by abandoning meaningless this duel.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It saves me a lot more<br>&nbsp;&nbsp;&nbsp;&nbsp;if you don't fight this duel.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be troubled if you were to die.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be the one that breaks the rules,<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you could break the rules of your own accord,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would help me a whole bunch.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, good for you.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the perfect reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to cancel the duel.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to choose, Koyomin.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to stay here, so you can fight<br>&nbsp;&nbsp;&nbsp;&nbsp;a duel that accomplishes nothing,<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or start running in order to save<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsubasa and Senjyogahara?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to choose Shinobu?<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to choose Tsubasa?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to choose Senjyogahara?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the three of them...<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you love the most?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanbaru. I'm counting on you.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can count on me.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have to go to your house, right?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Tell Karen to let you in.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll catch up soon enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I want you to check things out first.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Details understood!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sane? This is unthinkable.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you really only see<br>&nbsp;&nbsp;&nbsp;&nbsp;what's directly in front of your eyes?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that by letting Suruga Kanbaru,<br>&nbsp;&nbsp;&nbsp;&nbsp;who's a lot more mobile than you, run for you,<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you might be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to deal with both situations.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsubasa just might be able to face the perils<br>&nbsp;&nbsp;&nbsp;&nbsp;with only her own powers.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who can fight here,<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it may be the correct answer<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to remain.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that's all logic.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humans have emotions.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't she send you that text<br>&nbsp;&nbsp;&nbsp;&nbsp;because she believed in you?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to betray that trust?<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With this betrayal,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe they'll never trust you again?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be so.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I have faith in them.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe in Hanekawa, and in Senjyogahara.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the bottom of my heart.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;IF IT'S ABOUT THOSE TWO, WHO ARE SPECIAL TO ME.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;IF IT'S TSUBASA HANEKAWA<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AND HITAGI SENJYOGAHARA.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guy by the name of Koyomi Araragi<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes prioritizes a young girl,<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;more than the one<br>&nbsp;&nbsp;&nbsp;&nbsp;he owes his life to, or his lover.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have faith they'll understand that.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd someday like to believe in people<br>&nbsp;&nbsp;&nbsp;&nbsp;like I was lending my cellphone out to someone.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Totally makes me laugh.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the master, she's making preparations<br>&nbsp;&nbsp;&nbsp;&nbsp;for the battle between her slaves, huh?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, in this case, it's the prize, isn't it?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, whoever wins is given<br>&nbsp;&nbsp;&nbsp;&nbsp;the demon sword or something.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps. In any case, the wooden sword<br>&nbsp;&nbsp;&nbsp;&nbsp;I took the effort to prepare is split in two,<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we'll have to use the real thing.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, first one. We're a little past time now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but let's have you begin.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As planned, stand with your backs to one another,<br>&nbsp;&nbsp;&nbsp;&nbsp;with the sword between you.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming so close, but yet,<br>&nbsp;&nbsp;&nbsp;&nbsp;why is my master Kiss-shot not showing herself?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does Kiss-shot not want<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet me that much?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir Araragi, what do you think?<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the dispute between you and me<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but deeply troubling for Kiss-shot?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you, Sir Araragi,<br>&nbsp;&nbsp;&nbsp;&nbsp;what meaning is there to this duel?<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The meaning for me is something<br>&nbsp;&nbsp;&nbsp;&nbsp;not even you'll understand.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be a special person,<br>&nbsp;&nbsp;&nbsp;&nbsp;a chosen one.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not be special nor chosen.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody might be able to take your place,<br>&nbsp;&nbsp;&nbsp;&nbsp;and anyone might be able to take my place.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be me.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of people that can take my place,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm the only me.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not me, and I'm not you.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that how it is?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ONE<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;TWO<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;THREE<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;FOUR<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIVE<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SIX<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEVEN<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;EIGHT<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NINE<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nine.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten!<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meme's... Oh, so that's how it is.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprising... This is really beyond my expectations.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that the rule I set as whoever<br>&nbsp;&nbsp;&nbsp;&nbsp;delivers one blow (hito-tachi) is the winner<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be twisted around so whoever<br>&nbsp;&nbsp;&nbsp;&nbsp;delivers one touch (hito-tacchi) is the winner!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-K-iss-shot, Kiss-shot, Kiss-sho—<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot... kiss... shot...<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot... Kiss-shot!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what age I'll live to be...<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we see each other again<br>&nbsp;&nbsp;&nbsp;&nbsp;while I'm alive...<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we meet again...*<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*....we'll meet again.*<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to apologize. I forgave you.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one that was at fault...<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seishiro...<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was glad to see you.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought I'd never see you again.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I won't be seeing you anymore.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, I have someone<br>&nbsp;&nbsp;&nbsp;&nbsp;that's more important to me than you.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a little while longer,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to be someone who's there for him.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't refreshing. It didn't feel good.*<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU HIGH<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By being clearly told,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it actually made it harder to feel at ease instead.*<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was no distinct salvation.*<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, even then,<br>
&nbsp;&nbsp;&nbsp;&nbsp;400 years after he committed it...*<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...his suicide had finally succeeded.*<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes. And so, what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;after that, Araragi-senpai?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you'd call an epilogue...<br>&nbsp;&nbsp;&nbsp;&nbsp;Or the punchline for this episode.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything after that is exactly like<br>&nbsp;&nbsp;&nbsp;&nbsp;what I've said before.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met up with Kanbaru,<br>&nbsp;&nbsp;&nbsp;&nbsp;who had gone to my house ahead of me,<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;REFERENCE BOOK<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and joined up for the part<br>&nbsp;&nbsp;&nbsp;&nbsp;about Hanekawa's tiger.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I headed to where Hanekawa was,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kanbaru headed to where Senjyogahara was.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, thank you very much, Araragi-senpai.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With this, all the puzzle pieces<br>&nbsp;&nbsp;&nbsp;&nbsp;have fallen into place.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were places where the outline of the story<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly contradicts the stories I've heard thus far.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as the listener of all kinds of stories,<br>&nbsp;&nbsp;&nbsp;&nbsp;making sense of such contradictions<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what I, Ougi Oshino, have fun doing.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;KOYOMIST<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Today is March 13th... early morning<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the day of my actual college entrance exams.*<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I'll be going home for today.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're still alive, I'll see you again.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more thing.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Shinobu, in the end,<br>&nbsp;&nbsp;&nbsp;&nbsp;finish eating the entirety of her first minion?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I said so, didn't I?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without missing anything?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, without missing anything.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the suit of armor?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ate it... I think.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps she did, but...<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that an important point?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, that suit of armor is the blood and flesh<br>&nbsp;&nbsp;&nbsp;&nbsp;of the first apparition killer,<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as its skeleton, right?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, if you melted that<br>&nbsp;&nbsp;&nbsp;&nbsp;suit of armor down, and then forged it...<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could make an additional one, you know...<br>&nbsp;&nbsp;&nbsp;&nbsp;another demon sword "Kokoro Watari."<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but if things go well,<br>&nbsp;&nbsp;&nbsp;&nbsp;even the short sword "Yume Watari" as well.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Yume Watari"?*<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I was Gaen, I'd retrieve the armor<br>&nbsp;&nbsp;&nbsp;&nbsp;before Shinobu ate it.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprisingly enough, maybe that's why<br>&nbsp;&nbsp;&nbsp;&nbsp;she summoned Episode there.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason for Gaen<br>&nbsp;&nbsp;&nbsp;&nbsp;to do such a thing.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Shinobu simply ate the armor as well.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I think that's how things went.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, lastly, allow me<br>&nbsp;&nbsp;&nbsp;&nbsp;to give a thank-you gift<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by answering one more question<br>&nbsp;&nbsp;&nbsp;&nbsp;you have, Araragi-senpai.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A question I have?<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this question I have?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seishiro Shishirui.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEISHIRO SHISHIRUI<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the full name<br>&nbsp;&nbsp;&nbsp;&nbsp;of the first apparition killer.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even you, Araragi-senpai, like to be fully aware of<br>&nbsp;&nbsp;&nbsp;&nbsp;the name of your romantic rival, correct?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just happened to hear<br>&nbsp;&nbsp;&nbsp;&nbsp;what you were talking about.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This again?*<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT'S ALL RIGHT.<br>&nbsp;&nbsp;&nbsp;&nbsp;I AVOIDED CONTACT WITH THAT GIRL.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WHEN SHE WAS PASSING BY,<br>&nbsp;&nbsp;&nbsp;&nbsp;I CLUNG TO THE CEILING TO AVOID HER.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Devil boy, you really are so chatty<br>&nbsp;&nbsp;&nbsp;&nbsp;around that girl.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think you babble too much?<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that's the case.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're fine with it, devil boy,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's fine.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to head to North Shirahebi Shrine now.<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to come with me?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is that?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget it.<br>&nbsp;&nbsp;&nbsp;&nbsp;You forget way too much.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the place where your master went missing.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going on a morning date<br>&nbsp;&nbsp;&nbsp;&nbsp;with you, devil boy.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, that said, there is something<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to tell me as well.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Devil boy, are you happy<br>&nbsp;&nbsp;&nbsp;&nbsp;that you've become a vampire?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first apparition killer<br>&nbsp;&nbsp;&nbsp;&nbsp;was saying something along the lines<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of "what benefits I'll see"<br>&nbsp;&nbsp;&nbsp;&nbsp;from devil boy being with Shinobu-sensei.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, devil boy, you were unable<br>&nbsp;&nbsp;&nbsp;&nbsp;to present the merits of such a situation to him.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the feeling behind it still hasn't changed?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Devil boy, do you still feel that by you being together<br>&nbsp;&nbsp;&nbsp;&nbsp;with Shinobu-sensei, nobody becomes happy?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still feel that way.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody becomes happy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and nobody can become happy.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By me being a vampire,<br>&nbsp;&nbsp;&nbsp;&nbsp;by me being together with Shinobu,<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can only cause trouble to others.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than anyone else,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bringing misfortune to Shinobu.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, that can come across<br>&nbsp;&nbsp;&nbsp;&nbsp;as just an excuse.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please pardon me,<br>&nbsp;&nbsp;&nbsp;&nbsp;because I won't be happy.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me,<br>&nbsp;&nbsp;&nbsp;&nbsp;because I won't try to become happy.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please gloss over me."<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what it might sound like.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, it might sound like you're asserting.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since we're so misfortunate,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't blame us. Aren't we pitiful?"<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, devil boy, can it be that you think of putting up<br>&nbsp;&nbsp;&nbsp;&nbsp;with misfortune or unfortunate circumstances<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as putting forth a good effort?<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In society, things like that<br>&nbsp;&nbsp;&nbsp;&nbsp;are called "doing nothing."<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think you'll be forgiven<br>&nbsp;&nbsp;&nbsp;&nbsp;because you're misfortunate.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be aiming<br>&nbsp;&nbsp;&nbsp;&nbsp;for the happy ending.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you want me to stomp<br>&nbsp;&nbsp;&nbsp;&nbsp;on your face again?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki, you're really strict.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Staying misfortunate is negligence,<br>&nbsp;&nbsp;&nbsp;&nbsp;and not trying to become happy is cowardice.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stay like that, the forefather that<br>&nbsp;&nbsp;&nbsp;&nbsp;committed suicide can never be truly rewarded.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make note of that.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody has become happy.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Not I, not Shinobu, no one.*<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;FOR NOW, THAT'S WHAT I THINK—<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;THAT'S WHAT I STILL THINK.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But perhaps, a long time from now,<br>
&nbsp;&nbsp;&nbsp;&nbsp;far, far in the future - say, like 400 years from now,*<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that train of thought may be slightly altered,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I think among other things...*<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...it's fine. Even if we aren't happy,*<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fortunately for us,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we still have plenty of time ahead of us.*<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Time alone - time to think, time to live -<br>
&nbsp;&nbsp;&nbsp;&nbsp;is there to the point we're disgusted.*<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We have so much time that<br>
&nbsp;&nbsp;&nbsp;&nbsp;a corpse can rot and turn to ash.*<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But such time being taken from us...*<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...perhaps was also a matter of time as well.*<br>