# Season 2

# E1 - Chapter One - Mayoi Hell

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY1978G9R/chapter-one---mayoi-hell)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 001
<br>**[00:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I could see Mayoi Hachikuji<br>
&nbsp;&nbsp;&nbsp;&nbsp;one more time, I wouldn't mind dying.*<br>**[00:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For a while, I truly thought that.*<br>**[00:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As for why I didn't do so...*<br>**[00:14] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Much though I was okay with dying,<br>
&nbsp;&nbsp;&nbsp;&nbsp;perhaps more so,*<br>**[00:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I still wanted to live, contrary to expectations.*<br>**[00:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I felt there was something<br>
&nbsp;&nbsp;&nbsp;&nbsp;for me to do while I'm alive.*<br>**[00:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When there's family or a lover,*<br>**[00:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*benefactors or friends,<br>
&nbsp;&nbsp;&nbsp;&nbsp;those are factors to consider.*<br>**[00:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, humans, or at least I,*<br>**[00:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*aren't creatures with such strong self-control<br>
&nbsp;&nbsp;&nbsp;&nbsp;that one would die for an emotion.*<br>**[00:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't need friends.*<br>**[00:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because my strength as a human decreases.*<br>**[00:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Those pet phrases became nostalgic,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so weak I've become.*<br>**[00:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am weak as a human.*<br>**[00:56] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weak, so weak...*<br>**[00:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's weakest of all is that<br>
&nbsp;&nbsp;&nbsp;&nbsp;I don't particularly loathe my weakened self.*<br>**[01:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hold no grudge against it.*<br>**[01:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, there may be people out there<br>
&nbsp;&nbsp;&nbsp;&nbsp;who cannot forgive me for becoming weaker.*<br>**[01:19] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Overcoming the hell from spring break,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I still continued to live,*<br>**[01:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I'm not one who can't notice<br>
&nbsp;&nbsp;&nbsp;&nbsp;someone glaring at me, wishing for me to die.*<br>**[01:28] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are a fool, Araragi-senpai.<br>**[01:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, it's true.*<br>**[01:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"He that is born a fool<br>
&nbsp;&nbsp;&nbsp;&nbsp;is never cured until death."*<br>**[01:38] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the other hand,<br>
&nbsp;&nbsp;&nbsp;&nbsp;if it's something that death will cure,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOMI ARARAGI
<br>**[01:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*being a fool may not have been<br>
&nbsp;&nbsp;&nbsp;&nbsp;that terrible of an illness, either.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;OWARI MONOGATARI Mayoi Hell
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HELL - PART ONE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 002
<br>**[03:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hachikuji?<br>**[03:28] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji?<br>**[03:31] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right.<br>**[03:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mayoi Hachikuji?<br>**[03:36] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm Mayoi Hachikuji.<br>**[03:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now wait, hold on.*<br>**[03:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't panic.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOMI
<br>**[03:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right, just remember...*<br>**[03:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What kind of a situation was this now?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exam-taker number: 0049 Name: Araragi, Koyomi  Foreign Subjects Taken: English, German, Chinese, Russian, Japanese (circle two subjects that apply)
<br>**[03:48] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. Today, March 13th<br>
&nbsp;&nbsp;&nbsp;&nbsp;was the day of my entrance exams.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exam Date: 3/13/xxxx (Tue) General Entrance Exams Japanese - oo:oo ~ oo:oo
<br>**[03:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Before heading to the college campus<br>
&nbsp;&nbsp;&nbsp;&nbsp;to take the exam, I had made a detour.*<br>**[03:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There, I saw the leader of the specialists,*<br>**[04:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Gaen Izuko-san, waiting for me within<br>
&nbsp;&nbsp;&nbsp;&nbsp;the shrine grounds, and I had to face her.*<br>**[04:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And?*<br>**[04:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And, why Hachikuji?*<br>**[04:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoi Hachikuji-san?*<br>**[04:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, brother.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Looks like there's a problem.*<br>**[04:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From this turn of events,*<br>**[04:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure everyone is thinking of<br>
&nbsp;&nbsp;&nbsp;&nbsp;a surprising reunion with someone<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[04:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koyomi Araragi would never see again,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the one close to his heart, Mayoi Hachikuji,*<br>**[04:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*jumping for joy, choked with gratified tears,<br>
&nbsp;&nbsp;&nbsp;&nbsp;trembling from the touching moment,*<br>**[04:38] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*rejoicing and screaming nonsense,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and he would first attempt to hug her.*<br>**[04:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure that's what everyone expects.*<br>**[04:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure that's what is expected of me.*<br>**[04:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's quite the burden of expectation.*<br>**[04:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My adolescent self, the one who<br>
&nbsp;&nbsp;&nbsp;&nbsp;jumped at Hachikuji with a rocket-like start*<br>**[04:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*each time he saw her walking around town,<br>
&nbsp;&nbsp;&nbsp;&nbsp;is no longer here.*<br>**[04:59] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that is Koyomi Araragi, then he is already dead.*<br>**[05:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He. Is. Dead.*<br>**[05:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Such a Koyomi Araragi<br>
&nbsp;&nbsp;&nbsp;&nbsp;that is better off dead, really was dead.*<br>**[05:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He met a fitting end.*<br>**[05:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But well, that said...*<br>**[05:14] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That said...*<br>**[05:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tracing back the faint threads of memory,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I am indebted to Hachikuji quite a bit as well.*<br>**[05:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Benevolence, justice, rites, knowledge,<br>
&nbsp;&nbsp;&nbsp;&nbsp;loyalty, integrity, filial piety, sibling piety.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BENEVOLENCE, JUSTICE, RITES, KNOWLEDGE, LOYALTY, INTEGRITY, FILIAL PIETY, SIBLING PIETY
<br>**[05:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Return gratitude worth returning.*<br>**[05:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It is only natural to approach someone who took care of you with gratitude.*<br>**[05:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that's been decided, then all is well.*<br>**[05:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On your mark, get set...*<br>**[06:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji!<br>**[06:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji! Hachikuji! Hachikuji!<br>**[06:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here for me right now?<br>**[06:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't care about the reason,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just happy that you're here for me.<br>**[06:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't put these touching feelings to words!<br>**[06:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how this feels to the touch...<br>&nbsp;&nbsp;&nbsp;&nbsp;The feeling of huggin you...<br>**[06:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This size, and how it<br>&nbsp;&nbsp;&nbsp;&nbsp;completely fits within my arms!<br>**[06:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This truly is Hachikuji!<br>**[06:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thankful, so thankful!<br>**[06:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more we rub cheeks,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more it feels like Hachikuji!<br>**[06:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more I lick around,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more it feels like Hachikuji!<br>**[06:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more it ripens,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more I can lick Hachikuji!<br>**[06:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let me touch you more!<br>**[06:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me hug you more!<br>**[06:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me lick you more!<br>**[06:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now! Don't thrash about!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's harder for us to get naked!<br>**[07:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow, ow, ow!<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing, brat?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 003
<br>**[07:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How to put it...<br>**[07:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. After I parted ways with you,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SEISHIROU SHISHIRUI
<br>**[07:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu's first minion showed up,<br>**[07:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oikura returned,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SODACHI OIKURA
<br>**[07:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sengoku had all that happen<br>&nbsp;&nbsp;&nbsp;&nbsp;to her here at this shrine,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;DEISHU KAIKI
<br>**[07:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bumped into Kaiki,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOMI ARARAGI
<br>**[07:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I turned into a vampire on my own,<br>**[07:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that and I had Ononoki-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;kill one of her own creators,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;YOTSUGI ONONOKI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SURUGA KANBARU
<br>**[07:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;oh right, that was here at this shrine, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KAREN ARARAGI / TSUKIHI ARARAGI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;YODURU KAGENUI
<br>**[07:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also at this shrine,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kagenui-san went missing, too.<br>**[07:48] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had one bad thing<br>&nbsp;&nbsp;&nbsp;&nbsp;happen to me after another.<br>**[07:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For all this time, I called the two weeks<br>&nbsp;&nbsp;&nbsp;&nbsp;of spring break as a hellish time for me.<br>**[07:56] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the true hell<br>&nbsp;&nbsp;&nbsp;&nbsp;may have been the past six months—<br>**[07:59] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's incorrect, Araragi-san.<br>**[08:02] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? What is?<br>**[08:04] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ara-lucky-san.<br>**[08:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji, I was just talking about how<br>&nbsp;&nbsp;&nbsp;&nbsp;unfortunate of a person I had been.<br>**[08:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how you flub, but just don't flub<br>&nbsp;&nbsp;&nbsp;&nbsp;in such a positive, happy light like that.<br>**[08:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the least, you should have said Un-lucky-san.<br>**[08:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, and my name is Araragi.<br>**[08:23] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I flubbed.<br>**[08:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was intentional.<br>**[08:26] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fwubbed.<br>**[08:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not intentional?<br>**[08:29] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flub-dub-cub-hub-stub-grub-sub-bub-rub-club-tub.<br>**[08:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you recite that without flubbing?<br>**[08:35] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help but marvel at you as you do that!<br>**[08:38] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're incorrect, Araragi-san.<br>**[08:46] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more realistic an error,<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather a more practical error...<br>**[08:50] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be frank, the location is different.<br>**[08:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Location?<br>**[08:57] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a while, Araragi-san,<br>**[09:00] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been saying<br>&nbsp;&nbsp;&nbsp;&nbsp;"this shrine" this, "this shrine" that.<br>**[09:06] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, this isn't North Shirahebi Shrine.<br>**[09:11] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What?<br>**[09:14] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, it's not even that park<br>&nbsp;&nbsp;&nbsp;&nbsp;where I first met you, Araragi-san.<br>**[09:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:21] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;please stay calm and listen to me.<br>**[09:26] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san, you may be thinking that I,<br>**[09:28] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who has rested in peace,<br>&nbsp;&nbsp;&nbsp;&nbsp;have returned before you.<br>**[09:33] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But actually, in reality, that is not the case.<br>**[09:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;WHAT
<br>**[09:38] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I have appeared<br>&nbsp;&nbsp;&nbsp;&nbsp;before you, Araragi-san.<br>**[09:41] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san, you were the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who appeared before me, okay?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;WHAT
<br>**[09:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, what?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;WHAT²
<br>**[09:45] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san, early in the morning on March 13th,<br>&nbsp;&nbsp;&nbsp;&nbsp;you visited said North Shirahebi Shrine,<br>**[09:51] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;met with Gaen Izuko-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you were murdered.<br>**[09:58] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that solution is for you to die.*<br>**[10:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all right. It will only hurt for an instant.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HACHIKUJI BUS
<br>**[10:06] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place, Araragi-san...<br>**[10:08] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Hell.<br>**[10:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:11] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bottommost layer of hell<br>&nbsp;&nbsp;&nbsp;&nbsp;among all hells...<br>**[10:16] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Avici Hell.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 004
<br>**[10:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell? Hell? Avici Hell?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;*SANJIVA / KALASUTRA / SAMGHATA /<br>
&nbsp;&nbsp;&nbsp;&nbsp;RAURAVA / MAHARAURAVA / TAPANA*<br>**[10:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say this is indeed *Avici*.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I have one big question.<br>**[10:32] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're wondering why you fell into<br>&nbsp;&nbsp;&nbsp;&nbsp;such a deep part of hell, Araragi-san?<br>**[10:38] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, Araragi-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have turned into a vampire, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HMRGH?
<br>**[10:42] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main sin that lowered you down<br>
&nbsp;&nbsp;&nbsp;&nbsp;to *Avichi* is just that. Saving a demon.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;TOUR OF HELL
<br>**[10:48] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you'd go to hell for that.<br>**[11:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[11:02] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, the big question I had<br>
&nbsp;&nbsp;&nbsp;&nbsp;wasn't about my grave sin.*<br>**[11:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing here?<br>**[11:11] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you ask...<br>**[11:13] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But well, you see, I fell down to hell.<br>**[11:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to be kidding me.<br>&nbsp;&nbsp;&nbsp;&nbsp;After such a touching resting into peace!?<br>**[11:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fell to hell after that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? That was such a waste!<br>**[11:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing? This just can't be!<br>**[11:34] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, I didn't know<br>&nbsp;&nbsp;&nbsp;&nbsp;until I fell down here myself.<br>**[11:39] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When children die before their parents,<br>&nbsp;&nbsp;&nbsp;&nbsp;they apparently go straight to hell, no matter what.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;IT'S THAT BIT ABOUT PILING UP STONES ON THE BANKS OF HELL
<br>**[11:48] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?<br>**[11:52] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's the matter, Araragi-san?<br>**[11:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But still...*<br>**[11:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a sin that would make you fall<br>
&nbsp;&nbsp;&nbsp;&nbsp;all the way down to *Avichi* unlike me, right?<br>**[12:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you be piling stones<br>&nbsp;&nbsp;&nbsp;&nbsp;on the banks of hell?<br>**[12:06] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right, Araragi-san.<br>**[12:10] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this is where<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd come falling down to, Araragi-san.<br>**[12:14] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I took a trip<br>&nbsp;&nbsp;&nbsp;&nbsp;from the banks of Hell to pick you up.<br>**[12:22] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It looks like I'm having a friend come nearby,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll take a break from piling stones today!"<br>**[12:27] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I got out of there.<br>**[12:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the banks of hell<br>&nbsp;&nbsp;&nbsp;&nbsp;is that easygoing a place to be?<br>**[12:38] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had known in advance?<br>**[12:40] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not that I knew.<br>&nbsp;&nbsp;&nbsp;&nbsp;The person who told me about it, did know.<br>**[12:47] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently that person...<br>**[12:50] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...knows everything.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 005
<br>**[12:55] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that all the detailed explanations<br>&nbsp;&nbsp;&nbsp;&nbsp;for every mystery has been explained,<br>**[12:59] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;let us start heading over.<br>**[13:02] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Araragi-san.<br>**[13:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji, you haven't had any hesitation<br>&nbsp;&nbsp;&nbsp;&nbsp;in your steps at all until here.<br>**[13:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the least, can you tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;where our destination is?<br>**[13:13] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To tell you the destination where we are heading<br>&nbsp;&nbsp;&nbsp;&nbsp;based on the objective for heading there...<br>**[13:18] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san, it's my job<br>&nbsp;&nbsp;&nbsp;&nbsp;to resurrect you back to life.<br>**[13:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? I can be resurrected?<br>**[13:25] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you can.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do by staying dead?<br>**[13:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Gaen-san...<br>**[13:30] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's why you need<br>&nbsp;&nbsp;&nbsp;&nbsp;to get a grip, Araragi-san.<br>**[13:34] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;"dying then resurrecting" was included<br>**[13:37] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;in everything proceeding according<br>&nbsp;&nbsp;&nbsp;&nbsp;to her calculations.<br>**[13:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with that fruitless calculation?<br>**[13:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a pretty meaningless act, much like<br>&nbsp;&nbsp;&nbsp;&nbsp;dividing by two after multiplying by two.<br>**[13:47] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not "dividing by two<br>&nbsp;&nbsp;&nbsp;&nbsp;after multiplying by two."<br>**[13:50] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is subtraction as well.<br>**[13:53] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm sure you'll figure it out eventually.<br>**[13:58] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Araragi-san.<br>**[14:01] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone has sunken into the ground over there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 006
<br>**[14:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shinobu!<br>**[14:19] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it like your body<br>&nbsp;&nbsp;&nbsp;&nbsp;moved on its own, Araragi-san?<br>**[14:23] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange. Araragi-san, you regretted<br>&nbsp;&nbsp;&nbsp;&nbsp;saving Shinobu-san over spring break so much.<br>**[14:29] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But here, in the same situation,<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you try to do the same thing again?<br>**[14:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's... Um...<br>**[14:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can say is that my body moved on its own.<br>**[14:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I still do wonder<br>**[14:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;to this day, what would have happened<br>&nbsp;&nbsp;&nbsp;&nbsp;if I had ignored Shinobu back then.<br>**[14:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think and dream about it even now.<br>**[14:51] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[14:57] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Araragi-san, a pervert<br>&nbsp;&nbsp;&nbsp;&nbsp;is coming this way. Please be careful.<br>**[15:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pervert is coming? That's a big deal.<br>**[15:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji, hide inside my clothes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, behind my back.<br>**[15:07] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already said "inside my clothes" there.<br>**[15:12] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say, Araragi-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;that your life turned tumultuous<br>**[15:15] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;from when you saved Shinobu-san.<br>**[15:18] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;a big aspect was you getting to know<br>**[15:21] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanekawa-san right before<br>&nbsp;&nbsp;&nbsp;&nbsp;you saved Shinobu-san.<br>**[15:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I won't deny that it was<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanekawa's fault in all sorts of ways.<br>**[15:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she doesn't know everything, but knows only<br>&nbsp;&nbsp;&nbsp;&nbsp;what she knows, and exposed truths she didn't need to,<br>**[15:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and because she forgot truths<br>&nbsp;&nbsp;&nbsp;&nbsp;that she didn't have to forget,<br>**[15:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;we went through reckless shortcuts<br>&nbsp;&nbsp;&nbsp;&nbsp;and impossible detours this whole time.<br>**[15:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[15:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even then, I am glad<br>&nbsp;&nbsp;&nbsp;&nbsp;that I became friends with her.<br>**[15:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, I believe from the bottom of my heart.<br>**[15:59] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara!<br>**[16:05] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe there was an option here to not catch<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara-san after her foot slipped.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BACK THEN, SENJYOGAHARA-SAN HAD ALMOST NO WEIGHT
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SO SHE PROBABLY WOULD NOT HAVE GOTTEN INJURED
<br>**[16:13] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Araragi-san...<br>**[16:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll catch her, as many times as I need to,<br>**[16:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;if Senjyogahara would come falling down.<br>**[16:20] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suppose that, back then,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you had not caught Senjyogahara-san.<br>**[16:26] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That con artist is going to show up<br>&nbsp;&nbsp;&nbsp;&nbsp;in this town shortly after this, right?<br>**[16:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The con artist... Deishu Kaiki.<br>**[16:35] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, back then, you had not gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;in the way, Araragi-san,<br>**[16:38] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;perhaps they may have<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten back together again?<br>**[16:45] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it, Araragi-san?<br>**[16:47] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you imagined that perhaps you got in the way<br>&nbsp;&nbsp;&nbsp;&nbsp;of Senjyogahara-san and Kaiki-san's romance...<br>**[16:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I imagined?<br>**[16:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the same, I can't help but think,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Serves you right!"<br>**[17:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems she was obliged<br>&nbsp;&nbsp;&nbsp;&nbsp;to Kaiki concerning Sengoku.<br>**[17:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, that is a completely different matter.<br>**[17:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can say from the bottom of my heart<br>&nbsp;&nbsp;&nbsp;&nbsp;that I was better off never meeting him.<br>**[17:12] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then lastly, let's walk around the bit<br>&nbsp;&nbsp;&nbsp;&nbsp;about Sengoku-san, who you just mentioned.<br>**[17:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what about Kanbaru?<br>**[17:20] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a different part.<br>**[17:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;About Shinobu, about Hanekawa,<br>&nbsp;&nbsp;&nbsp;&nbsp;about Senjyogahara, and of course about Hachikuji...<br>**[17:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to come across<br>&nbsp;&nbsp;&nbsp;&nbsp;the same situation again,<br>**[17:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I would do the same thing<br>&nbsp;&nbsp;&nbsp;&nbsp;over and over again.<br>**[17:35] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, no matter what I do, I can't deny<br>&nbsp;&nbsp;&nbsp;&nbsp;the feeling that I could have done it better.<br>**[17:40] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you are doing plenty fine,<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san.<br>**[17:44] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, everything that concerns myself.<br>**[17:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;it gives me a small feeling of salvation.<br>**[17:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at the least, when we're talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about Sengoku, I failed.<br>**[18:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the steps of the actual mountain,<br>
&nbsp;&nbsp;&nbsp;&nbsp;when I passed by Nadeko Sengoku...*<br>**[18:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Back then, I couldn't come to realize<br>
&nbsp;&nbsp;&nbsp;&nbsp;that she was her.*<br>**[18:21] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, you aren't omnipotent.<br>**[18:25] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should distinguish things like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;like Hanekawa-san.<br>**[18:32] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think, is Ononoki-san doing well?<br>**[18:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she's doing well.<br>**[18:37] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then, as the one who assigned her<br>&nbsp;&nbsp;&nbsp;&nbsp;to be my successor,<br>**[18:42] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;it makes me want to sigh in relief.<br>**[18:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki-chan was your successor?<br>**[18:46] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The sanctioned successor.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SANCTIONED (KOUNIN)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SUCCESSOR (KOUNIN)
<br>**[18:50] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she has delightful chats<br>&nbsp;&nbsp;&nbsp;&nbsp;unfolding around you, Araragi-san.<br>**[18:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think, Ononoki-chan isn't included<br>&nbsp;&nbsp;&nbsp;&nbsp;in this 89-spot pilgrimage, either.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;WRAP IT UP!
<br>**[19:04] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have time constraints as well.<br>**[19:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time constraints?<br>**[19:08] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Producer Hachikuji<br>&nbsp;&nbsp;&nbsp;&nbsp;had to make a tough decision.<br>**[19:11] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the anime shed a lot of light<br>&nbsp;&nbsp;&nbsp;&nbsp;onto Ononoki-san close up, so it's fine.<br>**[19:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to balance things out<br>&nbsp;&nbsp;&nbsp;&nbsp;with such a thing.<br>**[19:19] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balance.<br>**[19:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what was on my mind.*<br>**[19:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Balance.*<br>**[19:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The right thing.<br>**[19:38] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? What was that, Araragi-san?<br>**[19:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I was thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a debate with the Fire Sisters,<br>**[19:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;an advocate of justice,<br>&nbsp;&nbsp;&nbsp;&nbsp;about something like that.<br>**[19:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suddenly was reminded of it.<br>**[19:50] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we're almost at the pinnacle, so if<br>&nbsp;&nbsp;&nbsp;&nbsp;there's more you want to discuss, keep it short.<br>**[19:55] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because that will most likely be<br>&nbsp;&nbsp;&nbsp;&nbsp;our final talk session.<br>**[19:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THEN, I WANT TO TALK ABOUT SOMETHING ELSE.
<br>**[20:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a talk about how it's difficult<br>&nbsp;&nbsp;&nbsp;&nbsp;to do the right thing.<br>**[20:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most people are eager to correct mistakes<br>&nbsp;&nbsp;&nbsp;&nbsp;more than doing the right thing, right?<br>**[20:14] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing the right thing<br>&nbsp;&nbsp;&nbsp;&nbsp;and correcting mistakes are different?<br>**[20:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's similar but different.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not on the mark, but pretty close.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THE ACT OF "CORRECTING A MISTAKE"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MAKES PEOPLE FEEL LIKE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THEY ARE "DOING THE RIGHT THING"—
<br>**[20:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep correcting mistakes...<br>**[20:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you crush mistakes one by one,<br>&nbsp;&nbsp;&nbsp;&nbsp;will it be a pure white kind of right someday?<br>**[20:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to pick, I'd say<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be a pitch black kind of right.<br>**[20:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyways, in a nutshell,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's what I want to know.<br>**[20:41] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if you go that route,<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't obtain what you really want.<br>**[20:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't obtain...<br>**[20:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what I really want?<br>**[20:51] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's on the premise<br>&nbsp;&nbsp;&nbsp;&nbsp;that someone else is evaluating.<br>**[20:54] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that rate, you'll only receive<br>&nbsp;&nbsp;&nbsp;&nbsp;what others give you.<br>**[20:57] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I'm not saying that's a bad thing<br>**[21:00] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, like you, Araragi-san, one sought something<br>&nbsp;&nbsp;&nbsp;&nbsp;beyond reach, or something you don't deserve,<br>**[21:05] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;such a method<br>&nbsp;&nbsp;&nbsp;&nbsp;would prove to be impossible.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MAKING MANY MISTAKES
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HAVING MANY FAILURES
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;DOING THINGS OVER REPEATING THINGS
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HESITATING STAMPING ONE'S FEET IN FRUSTRATION
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;REPEATING BY TRIAL AND ERROR
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;AND BEYOND LOUD PROTESTS—
<br>**[21:12] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing you can do is succeed, right?<br>**[21:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I didn't particularly<br>&nbsp;&nbsp;&nbsp;&nbsp;want to talk about myself here.<br>**[21:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But well, maybe that is the case.<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's how it should be.<br>**[21:26] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just said you weren't speaking<br>&nbsp;&nbsp;&nbsp;&nbsp;about yourself.<br>**[21:30] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, who were you speaking about?<br>**[21:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was it the defenders of justice,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Fire Sisters?*<br>**[21:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was it a story about Oshino?*<br>**[21:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's not it.*<br>**[21:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Probably, what I wanted to say...*<br>**[21:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What I wanted to talk about... was her.*<br>**[21:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The transfer student.*<br>**[21:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meme Oshino's niece.*<br>**[21:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ougi Oshino. It was about her.*<br>**[22:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why didn't her name<br>
&nbsp;&nbsp;&nbsp;&nbsp;cross my mind until right now?*<br>**[22:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why couldn't I remember her?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Isn't that a bit strange?*<br>**[22:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She is the one who, of my past year,*<br>**[22:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was the most important person<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the second half.*<br>**[22:23] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Araragi-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 007
<br>**[22:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha—<br>**[22:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why are you here?<br>**[22:41] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who notified me of "her" will<br>&nbsp;&nbsp;&nbsp;&nbsp;was Teori-san over there.<br>**[22:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Notify?<br>**[22:48] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that look, Araragi-kun.<br>**[22:51] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you a full round of explanations.<br>**[22:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're, I mean...<br>**[22:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;a specialist who specializes in the extermination<br>&nbsp;&nbsp;&nbsp;&nbsp;of immortal apparitions, right?<br>**[23:02] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about that for now.<br>**[23:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[23:07] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;From you, your vampiric nature...<br>**[23:09] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;...has been subtracted.<br>**[23:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I see.*<br>**[23:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So that's what Hachikuji meant<br>
&nbsp;&nbsp;&nbsp;&nbsp;about what she said earlier.*<br>**[23:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't just multiplication and division,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but there's subtraction involved as well.*<br>**[23:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The subtracted number<br>
&nbsp;&nbsp;&nbsp;&nbsp;was my vampiric nature.*<br>**[23:31] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Yotsugi doing well? I hope she didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;worry about the fact that she killed me.<br>**[23:38] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, she wasn't told<br>&nbsp;&nbsp;&nbsp;&nbsp;of the circumstances that we were in.<br>**[23:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were the circumstances?<br>**[23:46] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it plainly...<br>**[23:48] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being killed by Yotsugi in that manner<br>&nbsp;&nbsp;&nbsp;&nbsp;was the true role that had been given to me.<br>**[23:57] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;To fall to hell ahead of time, and have<br>&nbsp;&nbsp;&nbsp;&nbsp;all preparations to resurrect you be completed.<br>**[24:04] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was my job as a professional specialist.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HELL - PART TWO
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 008
<br>**[24:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;FIVE MINUTES LATER
<br>**[24:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean you feigned death?<br>**[24:30] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;The individual known as me had already<br>&nbsp;&nbsp;&nbsp;&nbsp;passed away at a point in the distant past.<br>**[24:36] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, my self that Yotsugi killed<br>&nbsp;&nbsp;&nbsp;&nbsp;was a puppet that I controlled.<br>**[24:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said that Ononoki-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't know about that?<br>**[24:50] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, that's right. Not just Yotsugi,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Yoduru didn't know, either.<br>**[24:56] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who knew about this technique were<br>**[24:58] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaen-senpai, and Meme Oshino.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody else.<br>**[25:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, then what in the world was that farce?<br>**[25:09] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;A farce? That was the best act in my book.<br>**[25:15] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, dying and resurrecting.<br>**[25:18] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say it's my specialty<br>&nbsp;&nbsp;&nbsp;&nbsp;even more than it is for vampires.<br>**[25:22] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, strictly speaking,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really resurrecting back to life.<br>**[25:27] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am merely possessing a doll,<br>**[25:29] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;and through that medium,<br>&nbsp;&nbsp;&nbsp;&nbsp;I am regressing into the material world.<br>**[25:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;From when?<br>**[25:33] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I became a puppeteer<br>**[25:36] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;after I created the doll known as Yotsugi,<br>&nbsp;&nbsp;&nbsp;&nbsp;and parted ways with them.<br>**[25:42] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;WHITE FRAME
<br>**[25:48] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I am being hurried.<br>**[25:50] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to explain plainly.<br>**[25:54] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I quit college, and entered this field.<br>**[25:58] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as Gaen-senpai was glaring at me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't really get things to go my way.<br>**[26:04] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the hasty decision I had come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;was to call the forbidden technique.<br>**[26:10] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a specialist, it's too powerful of a spell<br>&nbsp;&nbsp;&nbsp;&nbsp;to use, more than being a forbidden move.<br>**[26:15] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had tried to create a doll apparition<br>&nbsp;&nbsp;&nbsp;&nbsp;named Tadatsuru Teori.<br>**[26:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did that succeed?<br>**[26:23] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I failed, and what you see here is the result.<br>**[26:27] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I became something<br>&nbsp;&nbsp;&nbsp;&nbsp;like half-man and half-monster,<br>**[26:30] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;wandering the boundaries<br>&nbsp;&nbsp;&nbsp;&nbsp;of the material world and the afterlife.<br>**[26:34] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I say it was a failure,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can continue to live through my dolls.<br>**[26:40] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since then, I succeeded<br>&nbsp;&nbsp;&nbsp;&nbsp;in the mass-production of the dolls.<br>**[26:44] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you say I'm immortal, I'm immortal.<br>**[26:46] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you say I'm an apparition,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an apparition.<br>**[26:49] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;At most, I make good use of my special<br>&nbsp;&nbsp;&nbsp;&nbsp;constitution to strive in my own business.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BECAUSE HE HAD SUCH A SPECIAL CONSTITUTION
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HE WAS ABLE TO COME THIS FAR OUTSIDE OF GAEN-SAN'S NETWORK...
<br>**[26:56] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, why did you pretend to die?<br>**[26:59] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was last month.<br>**[27:01] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;One request came flying for me<br>&nbsp;&nbsp;&nbsp;&nbsp;as a specialist.<br>**[27:06] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a request to resolve the anomalies<br>&nbsp;&nbsp;&nbsp;&nbsp;that were happening in your town.<br>**[27:12] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;The contents of that request<br>&nbsp;&nbsp;&nbsp;&nbsp;had targeted you and ex-Kiss-shot.<br>**[27:18] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys were certified as harmless<br>&nbsp;&nbsp;&nbsp;&nbsp;within Gaen-senpai's network,<br>**[27:24] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;but an apparition guarded by the network<br>&nbsp;&nbsp;&nbsp;&nbsp;was something I targeted as my top priority.<br>**[27:30] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Request or not, you were a target<br>&nbsp;&nbsp;&nbsp;&nbsp;that I should be on the move for.<br>**[27:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This guy took my two little sisters<br>
&nbsp;&nbsp;&nbsp;&nbsp;and one underclassman as hostages.*<br>**[27:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He pulled off such a vicious, cruel act.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BLACK FRAME
<br>**[27:44] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If something had<br>&nbsp;&nbsp;&nbsp;&nbsp;not been done in advance,<br>**[27:47] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if I would have been<br>&nbsp;&nbsp;&nbsp;&nbsp;unscathed by it all.<br>**[27:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say scary things like that.<br>**[27:52] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who is scared saying this.<br>**[27:55] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that Suruga Kanbaru<br>&nbsp;&nbsp;&nbsp;&nbsp;was the daughter of the Gaen clan...<br>**[27:59] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I think about what would've happened<br>&nbsp;&nbsp;&nbsp;&nbsp;if I had injured her without<br>**[28:02] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing anything, I start trembling.<br>**[28:04] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad that I had heard things in advance.<br>**[28:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tadatsuru, so you had heard something<br>&nbsp;&nbsp;&nbsp;&nbsp;from Gaen-san before you received the request?<br>**[28:14] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it was someone else that was<br>&nbsp;&nbsp;&nbsp;&nbsp;the middleman between me and Gaen-senpai.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MIDDLEMAN
<br>**[28:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To the word "middleman,"<br>
&nbsp;&nbsp;&nbsp;&nbsp;I had one inspiration.*<br>**[28:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oshino?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;OSHINO
<br>**[28:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meme Oshino?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 009
<br>**[28:32] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[28:33] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that man<br>&nbsp;&nbsp;&nbsp;&nbsp;who acts as he sees through things.<br>**[28:37] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite being one of the leading members<br>&nbsp;&nbsp;&nbsp;&nbsp;of Gaen-senpai's network,<br>**[28:40] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;he reached out and contacted me.<br>**[28:43] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That made me feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;he was still a free man as ever.<br>**[28:47] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had said that because I was outside<br>&nbsp;&nbsp;&nbsp;&nbsp;of Gaen-senpai's network,<br>**[28:51] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was something I could do.<br>**[28:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that was when you had heard<br>&nbsp;&nbsp;&nbsp;&nbsp;of Kanbaru's background in advance?<br>**[28:59] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. And there was talk about you as well,<br>&nbsp;&nbsp;&nbsp;&nbsp;or should I say, talk about you guys?<br>**[29:05] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, he was appealing to me<br>&nbsp;&nbsp;&nbsp;&nbsp;about how safe you guys were.<br>**[29:11] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, I realized that he had<br>**[29:14] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;seen my true identity as just a doll,<br>&nbsp;&nbsp;&nbsp;&nbsp;was at that time as well.<br>**[29:18] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, now that I think about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe he was threatening me?<br>**[29:22] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, "if you laid a hand on my friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll disclose your true nature."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;TO THINK HE HAD TAKEN COUNTERMEASURES TO PREPARE FOR A SITUATION THAT IS EXPECTED TO HAPPEN
<br>**[29:34] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the argument he had made.<br>**[29:37] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Koyomi Araragi and Shinobu Oshino."<br>**[29:39] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Currently, they are basically harmless."<br>**[29:42] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"As long as you leave them untouched,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are no problems."<br>**[29:45] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"However, I'm not saying cases<br>&nbsp;&nbsp;&nbsp;&nbsp;that deviate from the norm don't exist."<br>**[29:49] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The case IS where Araragi-kun colludes with<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu-chan, and continues to vampirify himself."<br>**[29:55] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, that man was deeply concerned<br>&nbsp;&nbsp;&nbsp;&nbsp;about the arrival of a situation<br>**[30:01] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;where you had to do as such, Araragi-kun.<br>**[30:03] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed to know you'd willingly be reckless<br>&nbsp;&nbsp;&nbsp;&nbsp;when it came to situations of that sort.<br>**[30:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if he knew...<br>**[30:12] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If such turn of events were to happen,<br>&nbsp;&nbsp;&nbsp;&nbsp;I may receive some sort of a request.<br>**[30:17] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;A request to hunt down vampires, that is.<br>**[30:21] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wanted me to "forget my grudges from the past,<br>&nbsp;&nbsp;&nbsp;&nbsp;and seek contact with Gaen-senpai."<br>**[30:26] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And at that point, Gaen-senpai<br>&nbsp;&nbsp;&nbsp;&nbsp;should be waiting to hear from you."<br>**[30:31] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Because Gaen-senpai can't move,<br>&nbsp;&nbsp;&nbsp;&nbsp;as she has her position to hold."<br>**[30:35] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, I didn't really understand<br>&nbsp;&nbsp;&nbsp;&nbsp;what he was talking about.<br>**[30:40] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in reality, things went exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;like he thought it would go.<br>**[30:44] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why, when that request came flying in,<br>&nbsp;&nbsp;&nbsp;&nbsp;indeed, to exterminate you guys,<br>**[30:50] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;it sent shivers up my spine.<br>**[30:53] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the same time,<br>&nbsp;&nbsp;&nbsp;&nbsp;I found it rather strange.<br>**[30:56] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he was so concerned<br>&nbsp;&nbsp;&nbsp;&nbsp;about this turn of events,<br>**[30:59] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;why didn't Oshino want to do something<br>&nbsp;&nbsp;&nbsp;&nbsp;about it on his own?<br>**[31:03] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was something I became intrigued in.<br>**[31:05] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I thought I'd play along<br>&nbsp;&nbsp;&nbsp;&nbsp;with his little arrangement.<br>**[31:10] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I contacted Gaen-senpai.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;AND SO, THE CURTAIN ROSE ON THE FARCE PLAY.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 010
<br>**[31:24] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san, that's your ride<br>&nbsp;&nbsp;&nbsp;&nbsp;to go back to the material world.<br>**[31:28] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are running out of time.<br>**[31:31] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you miss that thread, Araragi-san, you really<br>
&nbsp;&nbsp;&nbsp;&nbsp;will continue to burn forever here in *Avici*.<br>**[31:38] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, Teori-san, I'm terribly sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but can you cut that story out about here?<br>**[31:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait, Hachikuji.<br>**[31:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't okay to just<br>&nbsp;&nbsp;&nbsp;&nbsp;merely turn down the request?<br>**[31:52] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's better for me to play along<br>&nbsp;&nbsp;&nbsp;&nbsp;with what the enemy intended."<br>**[31:56] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the conclusion<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaen-senpai and I came to.<br>**[32:01] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did say it was better to play along<br>&nbsp;&nbsp;&nbsp;&nbsp;with what they intended,<br>**[32:04] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;but their intent is not something<br>&nbsp;&nbsp;&nbsp;&nbsp;I clearly understand.<br>**[32:08] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing this because<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to find out what it is.<br>**[32:11] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, and simultaneously,<br>**[32:14] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a measure necessary in order to stop<br>&nbsp;&nbsp;&nbsp;&nbsp;progression of you turning into a vampire.<br>**[32:19] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that I can come to this side<br>&nbsp;&nbsp;&nbsp;&nbsp;like this, and guide you...<br>**[32:23] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it was right after<br>&nbsp;&nbsp;&nbsp;&nbsp;I played a despicable character,<br>**[32:26] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also had to have some assistance<br>&nbsp;&nbsp;&nbsp;&nbsp;from Hachikuji-chan right there to pull it off.<br>**[32:31] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was allowed to assist for this.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOMI ARARAGI TADATSURU TEORI
<br>**[32:33] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in the parenthesis, cameo appearance.<br>**[32:35] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shows up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the end of the ending credits.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HACHIKUJI  (CAMEO APPEARANCE)
<br>**[32:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So kill once to reset, and resurrect just<br>
&nbsp;&nbsp;&nbsp;&nbsp;the "human" part of my physical body, huh?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;IF SO, THEN, IT WOULD'VE BEEN NICE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;IF THEY TOLD ME IN ADVANCE,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BUT IF THEY DIDN'T TELL ME, THAT MEANS
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THERE WERE CIRCUMSTANCES PREVENTING THEM FROM TELLING ME IN ADVANCE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THAT PART MAY BE THE TACTIC THEY ARE TAKING AGAINST THE ENEMY
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THERE'S NO WAY FOR ME TO KNOW FROM MY VIEWPOINT.
<br>**[32:55] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, if we were to use the demon sword<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yume Watari" to revive you<br>**[32:59] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;after killing you with<br>&nbsp;&nbsp;&nbsp;&nbsp;the demon sword "Kokoro Watari,"<br>**[33:02] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;it may revive you<br>&nbsp;&nbsp;&nbsp;&nbsp;just the way you were, as a vampire.<br>**[33:06] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would have put us back<br>&nbsp;&nbsp;&nbsp;&nbsp;at square one.<br>**[33:10] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to not do that, we needed me<br>**[33:12] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;to interfere as a specialist<br>&nbsp;&nbsp;&nbsp;&nbsp;over from the hell side of things.<br>**[33:17] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without making that correction, there was<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing we could do against the enemy.<br>**[33:25] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the mutual conclusion<br>&nbsp;&nbsp;&nbsp;&nbsp;that both Gaen-senpai and I came to.<br>**[33:31] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us be on our way, Araragi-san.<br>**[33:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This thing is alive.*<br>**[33:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think, I hadn't asked yet.<br>**[33:52] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[33:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was supposedly slain at<br>&nbsp;&nbsp;&nbsp;&nbsp;North Shirahebi Shrine in the real world.<br>**[33:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did I wake up<br>&nbsp;&nbsp;&nbsp;&nbsp;in that park over in hell?<br>**[34:00] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bothers you that much?<br>**[34:02] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not enough to bother me per se, but...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NO.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I KNOW. I'M JUST DELAYING.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;TO CLIMB THIS WHITE SNAKE— TO RESURRECT BACK INTO LIFE.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'M DELAYING IT FURTHER AND FURTHER
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;PARK
<br>**[34:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the shift, well, I don't care.<br>**[34:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if you know what the name<br>&nbsp;&nbsp;&nbsp;&nbsp;of that park is, I'd like to know.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NAMISHIRO
<br>**[34:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it "Namishiro," or "Rouhaku"?<br>**[34:20] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shirohebi" Park.<br>**[34:22] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct way to read the name<br>&nbsp;&nbsp;&nbsp;&nbsp;is "Shirohebi" Park, if you go back to its origin.<br>**[34:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Shirohebi?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HEBI (SNAKE)
<br>**[34:29] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not the "insect" radical,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the "water" radical.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HEBI
<br>**[34:32] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirohebi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;SHIROHEBI
<br>**[34:34] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somewhere along the way,<br>&nbsp;&nbsp;&nbsp;&nbsp;someone miswrote and HEBI turned into NAMI.<br>**[34:38] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's why the location became hard to read.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HEBI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NAMI
<br>**[34:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, "shirohebi"...<br>**[34:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...North "Shirahebi" Shrine.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NORTH SHIRAHEBI SHRINE
<br>**[34:46] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. That's what it means.<br>**[34:48] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Originally, North Shirahebi Shrine<br>&nbsp;&nbsp;&nbsp;&nbsp;used to be at that location.<br>**[34:51] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why that slight shift occurred.<br>**[34:53] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've heard the story that this shrine<br>&nbsp;&nbsp;&nbsp;&nbsp;was one that had been relocated, perhaps?<br>**[34:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's—<br>**[35:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it was a mistake in connection,<br>**[35:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and became a reason for distortion,<br>&nbsp;&nbsp;&nbsp;&nbsp;or something.<br>**[35:06] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, as it was something like bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;the god of the seas on top of a mountain.<br>**[35:11] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, to be precise, it wasn't a sea but a lake.<br>**[35:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lake? I think I've heard about that<br>&nbsp;&nbsp;&nbsp;&nbsp;from someone at some point...<br>**[35:21] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you should<br>&nbsp;&nbsp;&nbsp;&nbsp;get on your way soon, Araragi-kun.<br>**[35:25] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give my regards<br>&nbsp;&nbsp;&nbsp;&nbsp;to Gaen-senpai. And to Yotsugi.<br>**[35:29] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please cherish Yotsugi on my behalf as well.<br>**[35:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, got it.<br>**[35:35] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is it all right<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone like me to resurrect?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 011
<br>**[35:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji!<br>**[35:47] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is it all right<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone like me to resurrect?"<br>**[35:50] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of a statement is that?<br>**[35:56] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Araragi-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you chickening out?<br>**[35:59] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to go through difficult ordeals?<br>**[36:03] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you tired of it all?<br>**[36:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[36:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really was a feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;like a tense thread snapping.<br>**[36:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't really have the feeling of<br>&nbsp;&nbsp;&nbsp;&nbsp;"I was finally able to die," either.<br>**[36:21] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can only say that because<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't know the hardships of hell.<br>**[36:24] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are quite fortunate<br>&nbsp;&nbsp;&nbsp;&nbsp;merely because you can be resurrected.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;FORTUNATE
<br>**[36:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I feel like there are tons of other people<br>&nbsp;&nbsp;&nbsp;&nbsp;who deserve to be resurrected more than me.<br>**[36:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right for me to be resurrected?<br>**[36:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I don't want to be resurrected,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I feel I'm cutting in line when I shouldn't be.<br>**[36:46] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do, indeed!<br>**[36:47] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the right to be resurrected.<br>**[36:49] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san, you have at least<br>&nbsp;&nbsp;&nbsp;&nbsp;that much of a qualification.<br>**[36:52] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you've done<br>&nbsp;&nbsp;&nbsp;&nbsp;at least that much to begin with!<br>**[36:55] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you have. I know all too well!<br>**[37:02] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not being resurrected,<br>&nbsp;&nbsp;&nbsp;&nbsp;who are you saying should be resurrected?<br>**[37:05] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without a doubt,<br>&nbsp;&nbsp;&nbsp;&nbsp;you are the first person in line!<br>**[37:10] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you say weak-minded things so much,<br>&nbsp;&nbsp;&nbsp;&nbsp;I might end up hating you.<br>**[37:21] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up, Araragi-san.<br>**[37:23] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Araragi-san that I know...<br>**[37:26] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;loves girls, loves young girls, loves little girls,<br>&nbsp;&nbsp;&nbsp;&nbsp;loves the skirt linings, loves women's hips,<br>**[37:31] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;loves big boobs, loves to be handled roughly,<br>&nbsp;&nbsp;&nbsp;&nbsp;loves his older little sister,<br>**[37:35] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;loves his younger little sister, loves mature women,<br>&nbsp;&nbsp;&nbsp;&nbsp;loves toplessness, loves bloomers,<br>**[37:40] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;loves school-issued swimsuits,<br>&nbsp;&nbsp;&nbsp;&nbsp;loves class reps,<br>**[37:42] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;loves girls who use "boku,"<br>&nbsp;&nbsp;&nbsp;&nbsp;loves cat ears, loves girls playing sports...<br>**[37:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second.<br>**[37:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it, hold it, hold it, hold it!<br>**[37:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My heart is about to completely snap right now.<br>**[37:54] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you were someone who loves to be alive.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;IT WAS SO OBVIOUS THAT I HAD FORGOTTEN.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I CAME TO THE BRINK OF DEATH MANY, MANY TIMES— AND EACH TIME, I NARROWLY ESCAPED DEATH
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BECAUSE OF THAT, I HAD COMPLETELY FORGOTTEN.
<br>**[38:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[38:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm not alive, I can't cherish girls at all.<br>**[38:10] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uhm, no, that's not exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;what I wanted to tell you.<br>**[38:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To say there was a shift<br>&nbsp;&nbsp;&nbsp;&nbsp;in the meaning of life...<br>**[38:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was plenty of meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;merely by staying alive.<br>**[38:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you love being alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's all you really needed.<br>**[38:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I was able to love<br>&nbsp;&nbsp;&nbsp;&nbsp;all sorts of things, and people.<br>**[38:40] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say that in this context,<br>&nbsp;&nbsp;&nbsp;&nbsp;it may be a bit misleading.<br>**[38:46] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I give the signal from this end, Gaen-senpai<br>&nbsp;&nbsp;&nbsp;&nbsp;will pull you up from her end. That's about it.<br>**[38:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[38:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm much obliged, Tadatsuru.<br>**[38:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tadatsuru-san.<br>**[38:59] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to be formal<br>&nbsp;&nbsp;&nbsp;&nbsp;after all we've been through.<br>**[39:02] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you continue to attempt protecting<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot Acerola-orion Heart-under-blade,<br>**[39:07] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you will be my enemy.<br>**[39:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even then, I'm much obliged<br>&nbsp;&nbsp;&nbsp;&nbsp;for this particular case.<br>**[39:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought I'd be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to chat with you like this.<br>**[39:19] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, when we have time,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to settle down and talk with you again.<br>**[39:25] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind doing so<br>&nbsp;&nbsp;&nbsp;&nbsp;while we kill each other.<br>**[39:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do from here?<br>**[39:34] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[39:35] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? After I see you off, Araragi-san,<br>**[39:39] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going back to the banks of hell<br>&nbsp;&nbsp;&nbsp;&nbsp;to pile stones up every day.<br>**[39:42] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps I may reincarnate as the child<br>&nbsp;&nbsp;&nbsp;&nbsp;of you and Senjyogahara-san.<br>**[39:48] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's pretty heavy.<br>**[39:50] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then.<br>**[39:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm good. Send me off at any time.<br>**[39:58] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let's countdown.<br>**[40:01] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;10... 9...<br>**[40:03] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;8...<br>**[40:04] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;7...<br>**[40:05] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;6...<br>**[40:06] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;5...<br>**[40:07] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;4... 3...<br>**[40:09] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;2...<br>**[40:10] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;1...<br>**[40:11] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ignition.<br>**[40:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. Hachikuji said the first person<br>
&nbsp;&nbsp;&nbsp;&nbsp;who should be resurrected is me.*<br>**[40:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, at the least, I am being<br>
&nbsp;&nbsp;&nbsp;&nbsp;resurrected by shoving Hachikuji aside.*<br>**[40:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To part with Mayoi Hachikuji...*<br>**[40:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How many times does this make?*<br>**[40:35] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*H-Hachikuji!*<br>**[40:46] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Araragi-kun, one more thing!<br>**[40:50] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you the name of the "enemy"<br>&nbsp;&nbsp;&nbsp;&nbsp;who requested me to exterminate you!<br>**[40:57] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi.<br>**[40:59] Tadatsuru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER 012
<br>**[41:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the epilogue,<br>
&nbsp;&nbsp;&nbsp;&nbsp;or the punch line for this episode.*<br>**[41:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really...<br>**[41:17] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;To bring Hachikuji-chan with you, Koyomin.<br>**[41:20] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always are someone who goes<br>&nbsp;&nbsp;&nbsp;&nbsp;way beyond any of my expectations.<br>**[41:25] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for now, Koyomin,<br>**[41:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;can you please ask this scary,<br>&nbsp;&nbsp;&nbsp;&nbsp;beautiful lady to pull back her claws?<br>**[41:32] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you.<br>**[41:37] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph. Well, I guess both needless killings<br>&nbsp;&nbsp;&nbsp;&nbsp;and futile gashes have been avoided.<br>**[41:42] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, it was the first time for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to see "Yume Watari" activate.<br>**[42:08] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fool, you made me worry.<br>**[42:11] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, you abducted a young girl from hell.<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are reckless.<br>**[42:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shinobu. This is really bad<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how you think about it, right?<br>**[42:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did once again, Hachikuji fulfill the conditions<br>&nbsp;&nbsp;&nbsp;&nbsp;for the "darkness" to be triggered?<br>**[42:28] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm saying that's why<br>&nbsp;&nbsp;&nbsp;&nbsp;you made a fine play, Koyomin.<br>**[42:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to Koyomin's miracle here,<br>**[42:35] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like we'll be able to take<br>&nbsp;&nbsp;&nbsp;&nbsp;a slight advantage in the battles to come.<br>**[42:38] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lost girl.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a pawn that I had been wanting.<br>**[42:43] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But with how things are turning out,<br>**[42:44] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like I must request help<br>&nbsp;&nbsp;&nbsp;&nbsp;for a little while longer.<br>**[42:53] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, Koyomin, I want you<br>&nbsp;&nbsp;&nbsp;&nbsp;to head over to your entrance exams.<br>**[42:57] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you head over now, you'll still make it.<br>**[42:59] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do your best.<br>**[43:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I will do my best.<br>**[43:06] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, I'll have you working for me<br>&nbsp;&nbsp;&nbsp;&nbsp;starting tomorrow.<br>**[43:09] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything will be over<br>&nbsp;&nbsp;&nbsp;&nbsp;before the graduation ceremony.<br>**[43:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have all of my weapons now.<br>**[43:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's settle the score, Koyomin.<br>**[43:17] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strangely enough, tomorrow is White Day, right?<br>**[43:20] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the perfect timing to end the story of this town,<br>&nbsp;&nbsp;&nbsp;&nbsp;where a white snake once reigned.<br>**[43:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're starting our counterattack!<br>

# E2 - Chapter Two - Hitagi Rendezvous

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G609E8WM6/chapter-two---hitagi-rendezvous)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I truly love Hitagi Senjyogahara.*<br>**[00:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can say so without shame.*<br>**[00:14] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, to think that I would actually feel*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about someone else in this manner...*<br>**[00:20] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;...was something that would never*<br>*&nbsp;&nbsp;&nbsp;&nbsp;cross my mind a year ago.*<br>**[00:24] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To love someone else...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was something I feared.*<br>**[00:29] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then why was I so cowardly about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;loving someone like that?*<br>**[00:38] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That is a simple, straightforward story.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was just a self-preservation instinct.*<br>**[00:44] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I loved who I was,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I was afraid of losing that.*<br>**[00:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was scared of changing.*<br>**[00:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was scared of being changed.*<br>**[00:56] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I don't abandon the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;foundation of narcissism,*<br>**[00:59] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't possibly love anyone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;other than myself.*<br>**[01:04] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;For this one point, perhaps Hitagi*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara feels more strongly about it than I do.*<br>**[01:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And, I think that's perfectly fine.*<br>**[01:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her affection is... probably...*<br>**[01:15] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;...too heavy a burden to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;point just at herself.*<br>**[01:18] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's just about right when*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she shares it with me.*<br>**[01:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After imagining that far, I had a thought.*<br>**[01:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I truly love Hitagi Senjyogahara.*<br>**[01:27] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And I can say so without*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shame... but in return,*<br>**[01:31] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;from some point, perhaps I*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have lost my narcissism.*<br>**[01:35] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, am I able to love*<br>*&nbsp;&nbsp;&nbsp;&nbsp;myself just like I love her?*<br>**[01:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that is not the case...*<br>**[01:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am as good as dead as a human.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Part One
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;March 13th
<br>**[01:55] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going on a date.<br>**[01:58] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not it. That's not how it goes.<br>**[02:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Not it?<br>**[02:02] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's been quite a while since the last<br>&nbsp;&nbsp;&nbsp;&nbsp;time I had a proper appearance like this,<br>**[02:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I've forgotten what<br>&nbsp;&nbsp;&nbsp;&nbsp;my character is like.<br>**[02:10] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Date me.<br>**[02:14] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Isn't your character straying<br>&nbsp;&nbsp;&nbsp;&nbsp;off course, Senjyogahara-san?<br>**[02:17] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow. Let us use the day called<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow to its full potential,<br>**[02:21] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and go on a date worth six<br>&nbsp;&nbsp;&nbsp;&nbsp;months' time, Araragi-kun.<br>**[02:23] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand what I am talking about?<br>**[02:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, unfortunately, not at all...<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recording<br>**[02:30] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I will explain it to you, much<br>&nbsp;&nbsp;&nbsp;&nbsp;like the supplementary audio channel.<br>**[02:35] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;First off, thank you for all<br>&nbsp;&nbsp;&nbsp;&nbsp;the hard work, Araragi-kun.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi<br>**[02:38] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gave so much effort until today, so<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it doesn't lead to good results,<br>**[02:42] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't feel ashamed.<br>**[02:44] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have already completed your mission.<br>**[02:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you stop moving along on the<br>&nbsp;&nbsp;&nbsp;&nbsp;premise that I don't get accepted?<br>**[02:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not kindness, but consolation.<br>**[02:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't set up foreshadowing for consolation.<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't said anything yet.<br>**[02:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not over until the results are out.<br>**[02:57] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it is already over.<br>**[02:59] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your battle ended right here.<br>**[03:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so...<br>**[03:06] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have been voluntarily refraining<br>&nbsp;&nbsp;&nbsp;&nbsp;from dates for the past<br>**[03:09] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;six months or so, and want to resume them.<br>**[03:11] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I am desiring, Araragi-kun.<br>**[03:15] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will use all the points I<br>&nbsp;&nbsp;&nbsp;&nbsp;have saved up until now.<br>**[03:17] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strangely enough, tomorrow is<br>&nbsp;&nbsp;&nbsp;&nbsp;March 14th, White Day.<br>**[03:21] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is an anniversary perfectly<br>&nbsp;&nbsp;&nbsp;&nbsp;suited for a date.<br>**[03:25] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just thought how you hated<br>&nbsp;&nbsp;&nbsp;&nbsp;anniversaries right now, didn't you?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;How did that come across even when I'm silent?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can telepathy really be this one-sided?
<br>**[03:34] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our graduation ceremony is the day<br>&nbsp;&nbsp;&nbsp;&nbsp;after tomorrow, Araragi-kun.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Monday,  March 13th
<br>**[03:37] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the way we are now,<br>**[03:39] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will end our blossoming days in<br>&nbsp;&nbsp;&nbsp;&nbsp;high school with hardly any dates.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Naoetsu High
<br>**[03:43] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that just too sad a thing?<br>**[03:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you put it that way...<br>**[03:48] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why.<br>**[03:49] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are going to go on enough<br>&nbsp;&nbsp;&nbsp;&nbsp;dates for the past six months'<br>**[03:51] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;worth in one fell swoop<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow, Araragi-kun.<br>**[03:53] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it's the<br>&nbsp;&nbsp;&nbsp;&nbsp;abridged "digest" version.<br>**[03:55] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are going to execute the highlight<br>&nbsp;&nbsp;&nbsp;&nbsp;reel of our high school life.<br>**[03:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Highlight reel...?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The main portion doesn't even exist - how are  you going to create a digest version of it?
<br>**[04:01] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already got the scoop<br>&nbsp;&nbsp;&nbsp;&nbsp;on you, Araragi-kun.<br>**[04:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[04:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun, your body somehow<br>&nbsp;&nbsp;&nbsp;&nbsp;has recovered, so I hear?<br>**[04:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[04:11] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So for you, Araragi-kun,<br>&nbsp;&nbsp;&nbsp;&nbsp;all your pending issues,<br>**[04:13] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;both the entrance exams and your<br>&nbsp;&nbsp;&nbsp;&nbsp;physical body, are done, yes?<br>**[04:16] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that they have come<br>&nbsp;&nbsp;&nbsp;&nbsp;to a conclusion, right?<br>**[04:19] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, there should be no reason why you<br>&nbsp;&nbsp;&nbsp;&nbsp;should hesitate in going out on a date with me.<br>**[04:23] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's any time to resolve the status<br>&nbsp;&nbsp;&nbsp;&nbsp;of lacking dates, that time is now.<br>**[04:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Status of lacking dates?<br>**[04:30] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, you should go on a<br>&nbsp;&nbsp;&nbsp;&nbsp;date with me, Araragi-kun.<br>**[04:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it, Senjyogahara.<br>**[04:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be more of the wrap-up ending<br>&nbsp;&nbsp;&nbsp;&nbsp;than a highlight reel...<br>**[04:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's use the day tomorrow to its fullest,<br>&nbsp;&nbsp;&nbsp;&nbsp;and go on six months' worth of dates.<br>**[04:45] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry. The full day is a bit much...<br>**[04:49] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to do in the evening.<br>**[04:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[04:52] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's more like early in the morning<br>&nbsp;&nbsp;&nbsp;&nbsp;until late afternoon, or something like that.<br>**[05:00] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. All plans are already in here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'd be lying if I said that...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...I didn't feel a vague sense of anxiety.
<br>**[05:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger, roger... Araragi, roger that.<br>**[05:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what's this that you<br>&nbsp;&nbsp;&nbsp;&nbsp;need to do in the evening?<br>**[05:14] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, tomorrow is White Day, right?<br>**[05:17] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm going out to dinner<br>&nbsp;&nbsp;&nbsp;&nbsp;with Father in the evening.<br>**[05:24] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Date? Tomorrow?<br>**[05:26] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on now, you should tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;these things a bit earlier.<br>**[05:29] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a bit rushed.<br>**[05:30] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my own circumstances, too.<br>**[05:33] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But well, it can't be helped.<br>**[05:35] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is for Devilish Big Brother's<br>&nbsp;&nbsp;&nbsp;&nbsp;sake. I'll somehow make some time.<br>**[05:38] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why are you speaking on the<br>&nbsp;&nbsp;&nbsp;&nbsp;premise that you are tagging along?<br>**[05:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of position are you taking?<br>**[05:45] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[05:46] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Devilish Big Brother. Big<br>&nbsp;&nbsp;&nbsp;&nbsp;Demo-ther for short.<br>**[05:49] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are staring at my face.<br>**[05:51] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything stuck (tsuku) on my<br>&nbsp;&nbsp;&nbsp;&nbsp;face? After all, I'm a Tsukumo-gami.<br>**[05:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, hold on a second.<br>**[05:56] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki-chan, I have a serious topic<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk about. You have a moment?<br>**[05:59] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am always serious. I have never had any<br>&nbsp;&nbsp;&nbsp;&nbsp;conversation that was not serious.<br>**[06:03] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being serious (majime) got so bad that they<br>&nbsp;&nbsp;&nbsp;&nbsp;called me Grapevine Stretch (manji-gatame).<br>**[06:08] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. You don't feel anything after<br>&nbsp;&nbsp;&nbsp;&nbsp;hearing tales of Tadatsuru, one of your creators?<br>**[06:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me to send you his regards.<br>**[06:17] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. I told you, right?<br>**[06:20] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ask me to harbor<br>&nbsp;&nbsp;&nbsp;&nbsp;such humanly emotions.<br>**[06:23] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if he was dead to begin with, even if he's<br>&nbsp;&nbsp;&nbsp;&nbsp;immortal in some way, even if he's a living doll,<br>**[06:28] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't change the implications<br>&nbsp;&nbsp;&nbsp;&nbsp;of what I have done.<br>**[06:31] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not for the implications<br>&nbsp;&nbsp;&nbsp;&nbsp;on you, Big Demo-ther.<br>**[06:34] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there are other<br>&nbsp;&nbsp;&nbsp;&nbsp;important matters for me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I can't keep from speaking about her master, Kagenui-san.
<br>**[06:38] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot Acerola-orion Heart-under-blade<br>&nbsp;&nbsp;&nbsp;&nbsp;has fully revived.<br>**[06:44] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hear the details about that.<br>**[06:47] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is something that directly<br>&nbsp;&nbsp;&nbsp;&nbsp;relates to my own safety.<br>**[06:54] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had thought she was a young<br>&nbsp;&nbsp;&nbsp;&nbsp;girl that were some dregs,<br>**[06:56] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I've been merciless with the insults.<br>**[06:59] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if she is back to her complete self, I<br>&nbsp;&nbsp;&nbsp;&nbsp;have to alter that attitude drastically.<br>**[07:05] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Demo-ther.<br>**[07:06] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you teach me how to speak politely?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Black Scene<br>**[07:09] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Heart-under-blade-sama taking a drink<br>&nbsp;&nbsp;&nbsp;&nbsp;(kikoshi-mesu) within that shadow?<br>**[07:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're using the phrase<br>&nbsp;&nbsp;&nbsp;&nbsp;"kikoshi-mesu" wrong.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing that the intended question was  whether or not she was lurking inside the shadow.
<br>**[07:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she's not here.<br>**[07:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu is with Gaen-san<br>&nbsp;&nbsp;&nbsp;&nbsp;together with Hachikuji.<br>**[07:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A meeting, or rather, a discussion,<br>&nbsp;&nbsp;&nbsp;&nbsp;about what to do from here on.<br>**[07:28] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What to do from here on"<br>&nbsp;&nbsp;&nbsp;&nbsp;arouses my interest.<br>**[07:31] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, Big Demo-ther, you finally were<br>&nbsp;&nbsp;&nbsp;&nbsp;able to return to being a normal guy.<br>**[07:35] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, are you still going to<br>&nbsp;&nbsp;&nbsp;&nbsp;do something from here on?<br>**[07:38] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it is exactly what Gaen-san wants?<br>**[07:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, concerning that case, I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;think I gave a clear answer...<br>**[07:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, there's the bit<br>&nbsp;&nbsp;&nbsp;&nbsp;about Kagenui-san, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yoduru Kagenui
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And—Meme Oshino. Where are they now?
<br>**[07:51] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's about Big Brother Oshino, isn't he<br>&nbsp;&nbsp;&nbsp;&nbsp;just leading his usual wandering lifestyle?<br>**[07:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gone this far to search for him, but<br>&nbsp;&nbsp;&nbsp;&nbsp;he's still nowhere to be found, you know?<br>**[08:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the Hanekawa is searching,<br>&nbsp;&nbsp;&nbsp;&nbsp;and can't find him, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The girl that doesn't run everything...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No, that doesn't know everything.
<br>**[08:05] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that person is a professional<br>&nbsp;&nbsp;&nbsp;&nbsp;at finding people or anything.<br>**[08:09] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I have no intent on meddling<br>&nbsp;&nbsp;&nbsp;&nbsp;in how you think, Big Demo-ther.<br>**[08:13] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, in the case of Big Sister,<br>**[08:15] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I deduce that she went on a trip to<br>&nbsp;&nbsp;&nbsp;&nbsp;perfect her martial arts skills.<br>**[08:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Ononoki-chan, what will you do if<br>&nbsp;&nbsp;&nbsp;&nbsp;Kagenui-san is gone like this and never returns?<br>**[08:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens if Kagenui-san<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't come to pick you up?<br>**[08:25] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[08:27] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'd have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;in this house forever.<br>**[08:29] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, Big Demo-ther, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;get married and leave this house,<br>**[08:32] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tag along to wherever you go.<br>**[08:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be putting up some<br>&nbsp;&nbsp;&nbsp;&nbsp;preposterous plan for your life.<br>**[08:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, "of course (touzen)"?<br>**[08:38] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it have been better to say<br>&nbsp;&nbsp;&nbsp;&nbsp;"astonishingly (gakuzen)"?<br>**[08:40] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, Big Demo-ther, watching over you is<br>&nbsp;&nbsp;&nbsp;&nbsp;the task that I am currently assigned to do.<br>**[08:45] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until I am relieved of that, I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;possibly separate myself from you.<br>**[08:48] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words...<br>**[08:49] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Big Sister is gone like<br>&nbsp;&nbsp;&nbsp;&nbsp;this and never returns,<br>**[08:52] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Demo-ther, you and I will<br>&nbsp;&nbsp;&nbsp;&nbsp;be in an eternal fellowship.<br>**[08:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eternal...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Back to the main story
<br>**[08:57] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Big Demo-ther.<br>**[09:00] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, by the way, Big Demo-ther.<br>**[09:02] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How in the world did those<br>&nbsp;&nbsp;&nbsp;&nbsp;college entrance exams go?<br>**[09:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I did what I could. You did take<br>&nbsp;&nbsp;&nbsp;&nbsp;care of me, so thank you for that.<br>**[09:09] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome.<br>**[09:10] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were the results being announced after the<br>&nbsp;&nbsp;&nbsp;&nbsp;graduation ceremony, or beforehand?<br>**[09:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After.<br>**[09:15] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, then it may be a good idea to<br>&nbsp;&nbsp;&nbsp;&nbsp;have the date sooner than later.<br>**[09:19] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, it'd be hard to go out<br>&nbsp;&nbsp;&nbsp;&nbsp;after one of the two gets rejected.<br>**[09:24] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I would like to think Senjyogahara didn't set*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the date to be tomorrow from such an intent...*<br>**[09:34] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother!<br>**[09:35] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took one of the plushies from<br>&nbsp;&nbsp;&nbsp;&nbsp;my room again, didn't you!?<br>**[09:38] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[09:40] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is! Just as I thought!<br>**[09:41] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, stop it already. Don't enter<br>&nbsp;&nbsp;&nbsp;&nbsp;my room without permission!<br>**[09:44] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have it lying on your bed and stuff.<br>**[09:46] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't using it for weird things<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything, were you, Big Brother?<br>**[09:49] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my precious plushie.<br>**[09:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it wouldn't even be exaggerating<br>&nbsp;&nbsp;&nbsp;&nbsp;if I said I was entertaining it...<br>**[09:55] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not the type that has a<br>&nbsp;&nbsp;&nbsp;&nbsp;lot of plushies and stuff.<br>**[09:59] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for some reason, I feel sympathy<br>&nbsp;&nbsp;&nbsp;&nbsp;for this particular plushie.<br>**[10:03] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I've told you again and<br>&nbsp;&nbsp;&nbsp;&nbsp;again that you can't take it out!<br>**[10:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sympathy, huh?<br>**[10:09] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother, you were home.<br>**[10:11] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that entrance exams are over,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can play as much as you want!<br>**[10:15] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother is going to be in<br>&nbsp;&nbsp;&nbsp;&nbsp;college from next month, huh?<br>**[10:18] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cause for celebration! I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;prepare for a celebration!<br>**[10:21] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, we'll gather all the neighborhood<br>&nbsp;&nbsp;&nbsp;&nbsp;middle school girls, and have a party!<br>**[10:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So optimistic...<br>**[10:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm... That's not a bad proposal,<br>**[10:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but unfortunately, I already have<br>&nbsp;&nbsp;&nbsp;&nbsp;an appointment for tomorrow.<br>**[10:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if it's sometime this month,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can manage to make some time.<br>**[10:34] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Big Brother, you've gained<br>&nbsp;&nbsp;&nbsp;&nbsp;some composure now.<br>**[10:38] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until a short while ago,<br>**[10:39] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;when your little sister invited you to go<br>&nbsp;&nbsp;&nbsp;&nbsp;play, you just punched her on the spot.<br>**[10:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I that raging a big brother?<br>**[10:45] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, we'll say sometime this month.<br>**[10:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'll leave you to do the planning.<br>**[10:50] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, but Big Brother's going on a date<br>&nbsp;&nbsp;&nbsp;&nbsp;with Senjyogahara-san tomorrow, huh.<br>**[10:55] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm jealous that you're so lovey-dovey..<br>**[10:57] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been dating Rousokuzawa-kun for so<br>&nbsp;&nbsp;&nbsp;&nbsp;long that we've basically settled down.<br>**[11:02] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or rather, he invited me to go<br>&nbsp;&nbsp;&nbsp;&nbsp;out somewhere for White Day...<br>**[11:04] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but for some reason or<br>&nbsp;&nbsp;&nbsp;&nbsp;another, I declined.<br>**[11:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, huh? Did I tell you that my prior<br>&nbsp;&nbsp;&nbsp;&nbsp;appointment was with Senjyogahara?<br>**[11:12] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell even if you didn't tell me.<br>**[11:14] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A prior appointment on March 14th means that<br>&nbsp;&nbsp;&nbsp;&nbsp;it's with a lover, or with Einstein.<br>**[11:19] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it was with Einstein, that<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a huge deal!<br>**[11:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're right.<br>**[11:25] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then tomorrow I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;go visit Nadeko-chan.<br>**[11:31] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got released from the hospital, but<br>&nbsp;&nbsp;&nbsp;&nbsp;she's still resting up back at home.<br>**[11:35] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, she'll start going<br>&nbsp;&nbsp;&nbsp;&nbsp;to school in the new term.<br>**[11:38] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she's lonely if she's<br>&nbsp;&nbsp;&nbsp;&nbsp;cooped up all alone in the house,<br>**[11:40] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I should go over and be really rowdy!<br>**[11:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going there pretty often.<br>**[11:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, it's unexpected.<br>**[11:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you said you were friends,<br>**[11:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and Sengoku didn't give me an image<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were that good friends.<br>**[11:53] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true. We're<br>&nbsp;&nbsp;&nbsp;&nbsp;totally best friends!<br>**[11:58] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She told me a secret the other day, too.<br>**[12:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A secret? What's that?<br>**[12:03] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a secret, so of course<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't tell you.<br>**[12:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[12:08] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now... Leave Nadeko-chan to me,<br>**[12:11] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Big Brother, you can just go<br>&nbsp;&nbsp;&nbsp;&nbsp;lovey-dovey with Senjyogahara-san!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;March 14th
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Naoetsu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Judging from the plates,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it's a rental car.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;201
<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Black Scene<br>**[12:34] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to a wonderful today.<br>**[12:37] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried to be conscious of<br>&nbsp;&nbsp;&nbsp;&nbsp;the old Hanekawa-san.<br>**[12:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your sense of friendship<br>&nbsp;&nbsp;&nbsp;&nbsp;is a bit too big a burden...<br>**[12:43] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even for you, Araragi-kun,<br>**[12:45] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't it make you happier if I got myself<br>&nbsp;&nbsp;&nbsp;&nbsp;closer to what Hanekawa-san is like?<br>**[12:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's another heavy statement there...<br>**[12:52] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's go. I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be back here by 7:00PM.<br>**[12:57] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be late for my appointment with<br>&nbsp;&nbsp;&nbsp;&nbsp;Father, so we have to hurry things a bit..<br>**[13:01] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have a moment to spare!<br>**[13:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, can you not have your dinner with<br>&nbsp;&nbsp;&nbsp;&nbsp; your father tonight be your main event for today?<br>**[13:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay if it's the main event for you,<br>**[13:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but please don't bring it to words.<br>**[13:12] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh.<br>**[13:13] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, why don't you quiet<br>&nbsp;&nbsp;&nbsp;&nbsp;me down with a kiss?<br>**[13:20] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, go into the passenger seat.<br>**[13:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[13:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eeh?<br>**[13:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eeeeehh?<br>**[13:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Waitgahara-san,<br>**[13:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait, wait!<br>**[13:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps it may be, but can it be that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're driving the car today!?<br>**[13:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to be controlling<br>&nbsp;&nbsp;&nbsp;&nbsp;the steering wheel?<br>**[13:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hitagi Drivergahara!?<br>**[13:42] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-dee-dah!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Name: Hitagi Senjyogahara
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Valid Until August 7th
<br>**[13:45] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hehe, were you surprised?<br>**[13:47] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun, while you were feverishly<br>&nbsp;&nbsp;&nbsp;&nbsp;studying for entrance exams,<br>**[13:50] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was also studying hard for the exam<br>&nbsp;&nbsp;&nbsp;&nbsp;to obtain a driver's license, too.<br>**[13:56] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it on the first shot.<br>**[13:59] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-You know your school rules!?<br>**[14:02] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only would acceptance to a college<br>&nbsp;&nbsp;&nbsp;&nbsp;by recommendation be cancelled,<br>**[14:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;this level of barbarism will cast<br>&nbsp;&nbsp;&nbsp;&nbsp;shadows on graduation, too.<br>**[14:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the first place, Senjyogahara,<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you do such a thing?<br>**[14:12] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I didn't have to go<br>&nbsp;&nbsp;&nbsp;&nbsp;to school for the third term,<br>**[14:15] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was bored, so bored,<br>&nbsp;&nbsp;&nbsp;&nbsp;that I couldn't help it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An idle brain is the devil's shop.
<br>**[14:19] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, see? Araragi-kun, you probably wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp; be able to obtain a driver's license,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought I'd get ahead.<br>**[14:27] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in the end that turned out to be<br>&nbsp;&nbsp;&nbsp;&nbsp;unnecessary anxiety for me, it seems.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Photo Booth<br>**[14:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until yesterday, one symptom of the physical<br>&nbsp;&nbsp;&nbsp;&nbsp;advancement of my vampiric nature...<br>**[14:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...caused me to not show<br>&nbsp;&nbsp;&nbsp;&nbsp;up in photographs.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Test #
<br>**[14:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means I would not be able to have<br>&nbsp;&nbsp;&nbsp;&nbsp;a driver's license issued to me...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Name: Koyomi Araragi
<br>**[14:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so for that aspect, Senjyogahara was<br>&nbsp;&nbsp;&nbsp;&nbsp;being attentive in her own way, I guess.<br>**[14:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I think about it that way, it was<br>&nbsp;&nbsp;&nbsp;&nbsp;misconduct that was hard for me to scold her for.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Black Scene<br>**[14:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait, that just can't be.<br>**[14:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think that I'd get<br>&nbsp;&nbsp;&nbsp;&nbsp;moved by emotions.<br>**[14:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be moved by affection, either.<br>**[15:02] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you become unable to graduate, that<br>&nbsp;&nbsp;&nbsp;&nbsp;would mean you had the wrong priorities.<br>**[15:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, I'll break<br>&nbsp;&nbsp;&nbsp;&nbsp;up with you, Araragi-kun,<br>**[15:07] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and be chummy with Kanbaru,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll be fine.<br>**[15:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't nonchalantly say that<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll break up with me.<br>**[15:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Kanbaru would surely get<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly bewildered by that,<br>**[15:14] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;if she ends up in the same class as you.<br>**[15:17] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she'd rejoice<br>&nbsp;&nbsp;&nbsp;&nbsp;in a carefree manner.<br>**[15:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like I'm the one<br>&nbsp;&nbsp;&nbsp;&nbsp;that has to compromise.<br>**[15:26] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun, you're the one that needs<br>&nbsp;&nbsp;&nbsp;&nbsp;to remember to fasten your seatbelt.<br>**[15:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know...<br>**[15:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have enough courage to ride with someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who just got their license without a seatbelt.<br>**[15:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally I'm called a raging bull,<br>&nbsp;&nbsp;&nbsp;&nbsp;but for today, I'm a chicken.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;BABY ON   BOARD
<br>**[15:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I'd even like<br>&nbsp;&nbsp;&nbsp;&nbsp;to be in a child-seat.<br>**[15:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is our destination?<br>**[15:49] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The planetarium.<br>**[15:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Planetarium?<br>**[15:54] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Planetarium.<br>**[16:23] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, by the way, Araragi-kun.<br>**[16:25] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I received a phone call from<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanekawa-san last night.<br>**[16:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Really?<br>**[16:29] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It was something about somehow being<br>&nbsp;&nbsp;&nbsp;&nbsp;able to make it back for graduation.<br>**[16:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[16:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like I haven't seen Hanekawa<br>&nbsp;&nbsp;&nbsp;&nbsp;in quite a long time now.<br>**[16:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? That means that she called<br>&nbsp;&nbsp;&nbsp;&nbsp;you, but she didn't call me?<br>**[16:49] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[16:50] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder why Hanekawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't call Araragi-kun.<br>**[16:54] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps it was because I told her<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'll tell you for her.<br>**[16:59] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No other reason can be thought of!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Tsubasa Hanekawa-sama,  The weather has been warming up lately. How have you been doing?  I have acknowledged your intent to attend the Naoetsu High School Graduation Ceremony on 3/14.   I am very pleased that we will be able to share in the joy of that day together.   (Excised)  Note that I will tell all parties involved, particularly Koyomi Araragi, about this, so no need to worry.  (Excised)  So Please do not contact Koyomi Araragi yourself.   Thank you.  PS: Please do not called Araragi-kun Directly"
<br>**[17:01] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Specifically, it might be because I asked<br>&nbsp;&nbsp;&nbsp;&nbsp;her to not call you, Araragi-kun.<br>**[17:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You went that far? You said something that<br>&nbsp;&nbsp;&nbsp;&nbsp;specific? Why did you do such a thing?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Petition
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Petition
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Petition
<br>**[17:11] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right. I had been given a message<br>&nbsp;&nbsp;&nbsp;&nbsp;by Hanekawa-san to convey to you.<br>**[17:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Convey?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That's some mysterious polite talk.
<br>**[17:17] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she found Oshino-san.<br>**[17:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[17:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[17:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[17:26] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously.<br>**[17:27] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, to be precise, the story was that she<br>&nbsp;&nbsp;&nbsp;&nbsp;found out where Oshino-san was hiding...<br>**[17:32] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I don't remember it too well.<br>**[17:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg of you, please remember.<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it everything you got.<br>**[17:39] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, she said after many deductions,<br>**[17:41] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oshino-san's possible whereabouts were<br>&nbsp;&nbsp;&nbsp;&nbsp;narrowed down to two locations.<br>**[17:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two locations?<br>**[17:46] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I wasn't interested so I didn't ask about the<br>&nbsp;&nbsp;&nbsp;&nbsp;details. But that's definitely what she had said.<br>**[17:52] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what it was.<br>**[17:56] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said it was the reverse.<br>**[17:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reverse?<br>**[17:59] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. That her approach was the reverse.<br>**[18:02] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reverse? What does that mean?<br>**[18:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was making remarks such as<br>&nbsp;&nbsp;&nbsp;&nbsp;"This is a pen" or something.<br>**[18:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making remarks?<br>**[18:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This is a pen"?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There is much to think about,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;and I'm still worried,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;but it seems there's nothing I can do in my current state.
<br>**[18:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What other stuff did you<br>&nbsp;&nbsp;&nbsp;&nbsp;talk about with Hanekawa?<br>**[18:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she say anything other<br>&nbsp;&nbsp;&nbsp;&nbsp;than the bit about Oshino?<br>**[18:22] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. I consulted with her<br>&nbsp;&nbsp;&nbsp;&nbsp;about my plans for today's date.<br>**[18:26] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll confess.<br>**[18:28] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, it was Hanekawa-san's<br>&nbsp;&nbsp;&nbsp;&nbsp;idea that it would be good<br>**[18:30] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;to first head over to a planetarium.<br>**[18:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[18:34] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Personally, a planetarium is a place<br>&nbsp;&nbsp;&nbsp;&nbsp;where I frequently go to begin with.<br>**[18:38] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, for me, it doesn't feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;much of a special event.<br>**[18:42] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, it's rather stylish to go<br>&nbsp;&nbsp;&nbsp;&nbsp;together with you, Araragi-kun.<br>**[18:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... But, that said, wouldn't it be a date<br>&nbsp;&nbsp;&nbsp;&nbsp;that's lacking in amusement for you?<br>**[18:52] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when I go to a planetarium,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not for leisure,<br>**[18:56] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the side about learning<br>&nbsp;&nbsp;&nbsp;&nbsp;something tends to kick in...<br>**[18:59] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once in a while, I'd like to head into seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;artificial stars without mentally preparing to do so.<br>**[19:03] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a case where I lack enthusiasm,<br>&nbsp;&nbsp;&nbsp;&nbsp;either. So, rest assured in that aspect as well.<br>**[19:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The side about learning<br>&nbsp;&nbsp;&nbsp;&nbsp;something? Oh, I see.<br>**[19:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were rather acrobatic for<br>&nbsp;&nbsp;&nbsp;&nbsp;being a student at our school...<br>**[19:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;in selecting geoscience for<br>&nbsp;&nbsp;&nbsp;&nbsp;your science elective.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I must say, I don't even know what  people study in the field of geoscience...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For Senjyogahara, who cherishes memories of going to  the observatory with her family  when she was young,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it seems that she has special emotions  invested into celestial bodies after all.
<br>**[19:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to know something.<br>**[19:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara, what do you<br>&nbsp;&nbsp;&nbsp;&nbsp;study in geoscience?<br>**[19:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you simply learn all<br>&nbsp;&nbsp;&nbsp;&nbsp;about celestial bodies, right?<br>**[19:33] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be precise, it's an abbreviated<br>&nbsp;&nbsp;&nbsp;&nbsp;form of "earth sciences".<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Earth Sciences
<br>**[19:37] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, we mainly learn about<br>&nbsp;&nbsp;&nbsp;&nbsp;Earth as a celestial body, I guess.<br>**[19:41] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help it that my fascination points<br>&nbsp;&nbsp;&nbsp;&nbsp;towards the entire universe, though.<br>**[19:46] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, I'd like to draw the perfect space<br>&nbsp;&nbsp;&nbsp;&nbsp;map, and be dubbed Tadataka Inou the Second.<br>**[19:51] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my dream.<br>**[19:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tadataka Inou the Second...<br>**[19:55] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I want to do in college.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is the first I've heard of this.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;But my girlfriend is striving  to become an astronaut...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Is that for real?
<br>**[20:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like, what's a space<br>&nbsp;&nbsp;&nbsp;&nbsp;map? Such a thing exists?<br>**[20:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most of space is a vacuum,<br>&nbsp;&nbsp;&nbsp;&nbsp;and galaxies, groups of stars,<br>**[20:09] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;are sporadically placed in it.<br>**[20:12] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probability-wise, it seems like stars are<br>&nbsp;&nbsp;&nbsp;&nbsp;dispersed equally within the vacuum,<br>**[20:17] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in reality nothing like that happens.<br>**[20:19] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stars clump up, and exist<br>&nbsp;&nbsp;&nbsp;&nbsp;terribly out of balance.<br>**[20:22] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drawing that into a diagram<br>&nbsp;&nbsp;&nbsp;&nbsp;is a space map.<br>**[20:26] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps stars are like people,<br>&nbsp;&nbsp;&nbsp;&nbsp;and easily feels loneliness.<br>**[20:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk like this is a lesson,<br>**[20:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've never seen an actual space map, so<br>&nbsp;&nbsp;&nbsp;&nbsp;it just doesn't click with me at all...<br>**[20:39] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, a space map is not a square like<br>&nbsp;&nbsp;&nbsp;&nbsp;a map of the world, or a map of Japan.<br>**[20:45] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in the shape of a hand fan (ougi).<br>**[20:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi...<br>**[20:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that word, I... don't react.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Part Two
<br>**[21:07] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes, hello there, Araragi-senpai.<br>**[21:11] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Ougi Oshino.<br>**[21:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now today, we will be studying<br>&nbsp;&nbsp;&nbsp;&nbsp;about constellations.<br>**[21:17] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I realized right away*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that this was a dream.*<br>**[21:23] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Araragi-senpai, who lives in Japan, the<br>&nbsp;&nbsp;&nbsp;&nbsp;constellations in the southern skies may be difficult.<br>**[21:29] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though my rival, Hanekawa-senpai, may perhaps<br>&nbsp;&nbsp;&nbsp;&nbsp;be looking at them now from around Australia.<br>**[21:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but really,<br>**[21:37] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the southern hemisphere has many unfamiliar<br>&nbsp;&nbsp;&nbsp;&nbsp;constellations, so it is amusing.<br>**[21:42] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is Chameleon over that way.<br>**[21:45] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's also Pictor (easel) and Vela (sail).<br>**[21:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's even a constellation<br>&nbsp;&nbsp;&nbsp;&nbsp;called Hydrus (water snake).<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Water Snake
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Snake—with a "water" radical
<br>**[21:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's what we would call<br>&nbsp;&nbsp;&nbsp;&nbsp;the Hydra (sea snake).<br>**[21:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surely you know of this one, the Hydra?<br>**[21:59] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the biggest of the 88 constellations.<br>**[22:03] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, it's difficult to determine how the<br>&nbsp;&nbsp;&nbsp;&nbsp;size of a constellation is measured.<br>**[22:11] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you think of it three-dimensionally,<br>&nbsp;&nbsp;&nbsp;&nbsp;it pretty much falls apart.<br>**[22:14] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the presence<br>&nbsp;&nbsp;&nbsp;&nbsp;that this Hydra has...<br>**[22:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...reminds one of Kiss-shot<br>&nbsp;&nbsp;&nbsp;&nbsp;Acerola-orion Heart-under-blade.<br>**[22:25] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They call the creature<br>&nbsp;&nbsp;&nbsp;&nbsp;in Hydra a "sea snake",<br>**[22:28] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it actually points to<br>&nbsp;&nbsp;&nbsp;&nbsp;the legendary hydras.<br>**[22:32] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what a hydra is?<br>**[22:33] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not an exaggeration<br>&nbsp;&nbsp;&nbsp;&nbsp;to say it's immortal.<br>**[22:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a monster that keeps regenerating<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how much you cut off.<br>**[22:40] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one that defeats that hydra is<br>&nbsp;&nbsp;&nbsp;&nbsp;the famous, courageous Heracles.<br>**[22:47] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably cannot defeat Kiss-shot<br>&nbsp;&nbsp;&nbsp;&nbsp;Acerola-orion Heart-under-blade with this method,<br>**[22:53] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he chopped the nine heads<br>&nbsp;&nbsp;&nbsp;&nbsp;of the hydra one by one,<br>**[22:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and burnt the cut sections shut with a<br>&nbsp;&nbsp;&nbsp;&nbsp;flame to prevent them from regenerating.<br>**[23:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a side note, during this fight<br>&nbsp;&nbsp;&nbsp;&nbsp;between Heracles and the hydra,<br>**[23:06] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the crab from Cancer sided with the<br>&nbsp;&nbsp;&nbsp;&nbsp;hydra and attacked Heracles.<br>**[23:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It used its big claws you know<br>&nbsp;&nbsp;&nbsp;&nbsp;of to cut at Heracles.<br>**[23:16] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its attitude of challenging a giant<br>&nbsp;&nbsp;&nbsp;&nbsp;enemy with a small weapon is,<br>**[23:19] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;in fact, Senjyogahara-senpai herself.<br>**[23:22] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you awaken, please tell<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara-senpai about this episode,<br>**[23:27] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you can be well-liked.<br>**[23:30] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serpens, the one that isn't Hydra,<br>**[23:33] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is also a symbol of immortality,<br>&nbsp;&nbsp;&nbsp;&nbsp;though not as much as the hydra.<br>**[23:38] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, Serpens has a special<br>&nbsp;&nbsp;&nbsp;&nbsp;characteristic that you can say<br>**[23:42] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is unique among all 88<br>&nbsp;&nbsp;&nbsp;&nbsp;constellations in the sky.<br>**[23:46] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what it is, Araragi-senpai?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I don't know.
<br>**[23:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Does Ougi-chan know what it is?*<br>**[23:54] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything.<br>**[23:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what you know, Araragi-senpai.<br>**[24:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In reality, you should know what it is.<br>**[24:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, like this.<br>**[24:07] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serpens is the only constellation that exists<br>&nbsp;&nbsp;&nbsp;&nbsp;split up into the eastern and western parts.<br>**[24:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a snake... It has been chopped up.<br>**[24:15] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This clearly shows immortality.<br>**[24:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still alive despite its<br>&nbsp;&nbsp;&nbsp;&nbsp;body chopped in half.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Well, Araragi-senpai, you seem to have your  body chopped into half rather often as well.
<br>**[24:23] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, in the gap where it is split up, a<br>&nbsp;&nbsp;&nbsp;&nbsp;different constellation has been drawn in.<br>**[24:30] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you know of it, Araragi-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's Ophiuchus (snake charmer).<br>**[24:35] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The picture depicts the snake charmer<br>&nbsp;&nbsp;&nbsp;&nbsp;holding the upper and lower halves...<br>**[24:38] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...of the snake's body with his left<br>&nbsp;&nbsp;&nbsp;&nbsp;and right arms, respectively.<br>**[24:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I recall, that snake charmer was<br>&nbsp;&nbsp;&nbsp;&nbsp;Asklepios, dubbed the sage physician?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sage physician
<br>**[24:49] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Nothing less from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai. You really have extensive knowledge.<br>**[24:54] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asklepios' medical skills were<br>&nbsp;&nbsp;&nbsp;&nbsp;honed remarkably quickly,<br>**[24:57] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it got to a point where he<br>&nbsp;&nbsp;&nbsp;&nbsp;could even resurrect the dead.<br>**[25:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that was going too far.<br>**[25:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going too far. Against the rules.<br>**[25:07] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you could say it went<br>&nbsp;&nbsp;&nbsp;&nbsp;against the logic of the world.<br>**[25:10] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bringing forth anger of Hades<br>&nbsp;&nbsp;&nbsp;&nbsp;the god of the underworld,<br>**[25:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asklepios was struck by lightning<br>&nbsp;&nbsp;&nbsp;&nbsp;and literally sent to heaven.<br>**[25:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bringing a person back to life -- to<br>&nbsp;&nbsp;&nbsp;&nbsp;mass-produce immortals -- is quite the sin.<br>**[25:25] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yotsugi Ononoki-chan is also among those<br>&nbsp;&nbsp;&nbsp;&nbsp;who were resurrected after death, but...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tadatsuru Teori
<br>**[25:32] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All parties responsible for<br>&nbsp;&nbsp;&nbsp;&nbsp; her resurrection faced retaliation...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yoduru Kagenui
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Meme Oshino
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Deishu Kaiki
<br>**[25:38] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and had curses placed<br>&nbsp;&nbsp;&nbsp;&nbsp;upon their bodies.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hm? What's this about?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Curses?
<br>**[25:42] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case, what's<br>&nbsp;&nbsp;&nbsp;&nbsp;going to happen?<br>**[25:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of penalty will Gaen-san pay in the<br>&nbsp;&nbsp;&nbsp;&nbsp;future for reviving Araragi-senpai from hell?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Izuko Gaen
<br>**[25:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-hah...<br>**[25:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi-chan, if you're going to sit<br>&nbsp;&nbsp;&nbsp;&nbsp;down, sit on my left side.<br>**[25:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Why is that?<br>**[25:59] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Senjyogahara's seat.<br>**[26:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My oh my, that is not a cheap seat.<br>**[26:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, please don't worry.<br>**[26:07] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have never had any intentions of taking<br>&nbsp;&nbsp;&nbsp;&nbsp;over the throne of the main heroine.<br>**[26:11] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't mind striving to be a<br>&nbsp;&nbsp;&nbsp;&nbsp;"little sister" character...<br>**[26:16] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Karen-chan aside, I wouldn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to compete against Tsukihi-chan.<br>**[26:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She is... Her true identity is...*<br>**[26:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tadatsuru Teori said it.*<br>**[26:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He told me at the bottom of hell.*<br>**[26:33] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He mentioned the name of the client who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;requested him to exterminate me and Shinobu...*<br>**[26:39] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai. What do you<br>&nbsp;&nbsp;&nbsp;&nbsp;think is the right thing?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh no, you don't have to think  too seriously about it.
<br>**[26:45] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is difficult to be<br>&nbsp;&nbsp;&nbsp;&nbsp;doing the right thing.<br>**[26:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is especially difficult to<br>&nbsp;&nbsp;&nbsp;&nbsp;do "just the right thing."<br>**[26:53] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you try to do the right thing, you<br>&nbsp;&nbsp;&nbsp;&nbsp;end up also having to do attachments,<br>**[26:57] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;wrong things or things that are not right.<br>**[27:01] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why, Araragi-senpai.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To win, there is an absolute need  to lose somewhere along the way.
<br>**[27:04] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you are being the right self,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should not be doing the right thing.<br>**[27:09] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, if a mistake always accompanies<br>&nbsp;&nbsp;&nbsp;&nbsp;you when you try to do the right thing,<br>**[27:13] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if that's the case...<br>**[27:15] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end it all balances out to zero.<br>**[27:19] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, the way of life that Kagenui-san<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Fire Sisters practice<br>**[27:24] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something they claim to be justice.<br>**[27:27] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, it is not necessarily<br>&nbsp;&nbsp;&nbsp;&nbsp;"doing the right thing."<br>**[27:30] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To stay the right selves, they<br>&nbsp;&nbsp;&nbsp;&nbsp;do not do the right thing,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MISTAKES
<br>**[27:35] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but correct mistakes...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;INJUSTICE
<br>**[27:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;... and correct injustice. That is<br>&nbsp;&nbsp;&nbsp;&nbsp;the way of life they choose.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;EXAMINE (tadasu)
<br>**[27:40] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Examine (tadasu)...<br>**[27:41] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or Inquire a question (toi-tadasu),<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you could say.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;INQUIRE (tadasu)
<br>**[27:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, your foe's foe is not your<br>&nbsp;&nbsp;&nbsp;&nbsp;ally, but by becoming a foe against evil,<br>**[27:50] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;by becoming the antonym to evil, you<br>&nbsp;&nbsp;&nbsp;&nbsp;assign yourself justice, so to say.<br>**[27:55] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I am also one that seeks the type<br>&nbsp;&nbsp;&nbsp;&nbsp;of "right" that corrects mistakes.<br>**[28:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is my role to eject those<br>&nbsp;&nbsp;&nbsp;&nbsp;that have broken the rules.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;TO SCATTER (kakusan)
<br>**[28:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Broken the rules...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;TO DISPERSE (musan)
<br>**[28:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...ejection.*<br>**[28:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai, the program<br>&nbsp;&nbsp;&nbsp;&nbsp;is about to end.<br>**[28:16] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's better for you to<br>&nbsp;&nbsp;&nbsp;&nbsp;wake up now, isn't it?<br>**[28:20] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should at least continue to enjoy<br>**[28:22] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of your date with the<br>&nbsp;&nbsp;&nbsp;&nbsp;person you're in love with.<br>**[28:26] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, since you have the<br>&nbsp;&nbsp;&nbsp;&nbsp;chance, Araragi-senpai...<br>**[28:29] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please think about the answer to<br>&nbsp;&nbsp;&nbsp;&nbsp;the question of what you think<br>**[28:32] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the right thing when you<br>&nbsp;&nbsp;&nbsp;&nbsp;have to kill some time.<br>**[28:34] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's talk about it again when<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you in real life.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I got it.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If I still remember when I wake up.
<br>**[28:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But really, what in the world<br>&nbsp;&nbsp;&nbsp;&nbsp;is your true identity?<br>**[28:43] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That too will be discussed<br>&nbsp;&nbsp;&nbsp;&nbsp;the next time I see you.<br>**[28:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But well, if I were to force myself to<br>&nbsp;&nbsp;&nbsp;&nbsp;say what I can say at this moment...<br>**[28:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am...<br>**[28:54] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the principles of the universe.<br>**[28:56] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Space map...*<br>**[28:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...in the shape of a hand fan (ougi).*<br>**[28:59] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Pitch black vacuum...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and unbalanced galaxies.*<br>**[29:03] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think about this too hard, either.<br>**[29:06] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you came back from hell, and returned<br>&nbsp;&nbsp;&nbsp;&nbsp;to being completely human, Araragi-senpai...<br>**[29:10] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprisingly enough, I may no longer have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;concerned with you anymore... if things go well.<br>**[29:17] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, please.<br>**[29:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg of you, don't get suckered<br>&nbsp;&nbsp;&nbsp;&nbsp;into Gaen-san's slick talk.<br>**[29:22] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Concerning Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade now in her complete form,<br>**[29:27] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;or Mayoi Hachikuji who has,<br>&nbsp;&nbsp;&nbsp;&nbsp; after resting in peace, returned again,<br>**[29:30] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;got lost again, within this world...<br>**[29:33] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, I expect, from<br>&nbsp;&nbsp;&nbsp;&nbsp;the bottom of my heart,<br>**[29:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you'll make the right<br>&nbsp;&nbsp;&nbsp;&nbsp;decision to forsake them...<br>**[29:40] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I woke up.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I woke up?
<br>**[29:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara....<br>**[29:58] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not asleep.<br>**[30:00] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not asleep at all.<br>**[30:02] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not asleep at all. I was just<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking with my eyes shut.<br>**[30:08] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I was actually asleep.<br>**[30:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. I was asleep for a bit, too.<br>**[30:15] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I guess it means<br>&nbsp;&nbsp;&nbsp;&nbsp;we were both tired?<br>**[30:20] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it was too hasty to go on a date<br>&nbsp;&nbsp;&nbsp;&nbsp;after we only decided on it yesterday.<br>**[30:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what kind of plans did<br>&nbsp;&nbsp;&nbsp;&nbsp;you have after this?<br>**[30:32] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to learn the state-of-the-art<br>&nbsp;&nbsp;&nbsp;&nbsp;science at the adjoining science museum.<br>**[30:36] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After doing a tour of the science<br>&nbsp;&nbsp;&nbsp;&nbsp;museum, we'll have lunch.<br>**[30:39] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plan was to study during the morning,<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Floor Map<br>**[30:41] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have mainly leisurely activities<br>&nbsp;&nbsp;&nbsp;&nbsp;planned for the afternoon.<br>**[30:44] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll go out to the city by car, and<br>&nbsp;&nbsp;&nbsp;&nbsp;spend the first half bowling.<br>**[30:47] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After a bit of tea time, we'll spend<br>&nbsp;&nbsp;&nbsp;&nbsp;the second half singing karaoke.<br>**[30:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[30:51] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun, what's your<br>&nbsp;&nbsp;&nbsp;&nbsp;high score in bowling?<br>**[30:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm a novice at bowling altogether,<br>&nbsp;&nbsp;&nbsp;&nbsp;like I don't think I've ever played before.<br>**[30:59] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. There will be a<br>&nbsp;&nbsp;&nbsp;&nbsp;penalty on the loser.<br>**[31:02] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't set up a penalty after it came<br>&nbsp;&nbsp;&nbsp;&nbsp;to light that I'm a novice!<br>**[31:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The loser must swear absolute<br>&nbsp;&nbsp;&nbsp;&nbsp;obedience to the winner.<br>**[31:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a really harsh penalty!<br>**[31:46] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit... To think that Araragi-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;would actually lie to me...<br>**[31:50] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not a novice at all.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOKOYO
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HITAGI
<br>**[31:54] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From about the first frame*<br>*&nbsp;&nbsp;&nbsp;&nbsp;till about the fifth frame,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HITAGI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOKOYO
<br>**[32:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she showed amazing skill.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HITAGI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOKOYO
<br>**[32:05] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, starting at the sixth*<br>*&nbsp;&nbsp;&nbsp;&nbsp;frame, her playing...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HITAGI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOKOYO
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;LIMITS OF ACTIVITY
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HITAGI
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOKOYO
<br>**[32:10] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;...suddenly changed.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Completely changed...*<br>**[32:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right.*<br>**[32:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Senjyogahara was exhausted.*<br>**[32:19] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seems that her arm went numb.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;KOYOKOYO
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HITAGI
<br>**[32:23] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I will admit defeat.<br>**[32:26] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can order me to do anything.<br>**[32:29] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I wonder what kind of lewd<br>&nbsp;&nbsp;&nbsp;&nbsp;request will you make of me?<br>**[32:33] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My anticipation only heightens.<br>**[32:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just for reference, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;had won, Senjyogahara,<br>**[32:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;what kind of request were<br>&nbsp;&nbsp;&nbsp;&nbsp;you going to make?<br>**[32:41] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to make a lewd<br>&nbsp;&nbsp;&nbsp;&nbsp;request, of course!<br>**[32:48] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I struck a deal with something like, "Then*<br>*&nbsp;&nbsp;&nbsp;&nbsp;let's walk arm-in-arm until our tea time."*<br>**[32:55] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... To think that you were having an adventure of<br>&nbsp;&nbsp;&nbsp;&nbsp;that sort on the actual day of the entrance exams.<br>**[33:00] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unexpected, but it's so<br>&nbsp;&nbsp;&nbsp;&nbsp;fitting for you, Araragi-kun...<br>**[33:03] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I have to ask, what in<br>&nbsp;&nbsp;&nbsp;&nbsp;the world were you doing?<br>**[33:07] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's unclear exactly what Gaen-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is fighting against...<br>**[33:10] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But perhaps you, Araragi-kun, are<br>&nbsp;&nbsp;&nbsp;&nbsp;the opponent of that battle.<br>**[33:17] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's more of a hunch than any meaning.<br>**[33:20] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to your stance, Araragi-kun, where you<br>&nbsp;&nbsp;&nbsp;&nbsp;can only see what is right in front of your eyes,<br>**[33:23] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that macroscopic stance Gaen-san takes would<br>&nbsp;&nbsp;&nbsp;&nbsp;clash no matter how you look at it.<br>**[33:28] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clash... or oppose, if you want<br>&nbsp;&nbsp;&nbsp;&nbsp;a slightly harsher term.<br>**[33:35] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll duke it out for two hours, and<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who loses in total points...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Karaoke<br>
&nbsp;&nbsp;&nbsp;&nbsp;Red-White Song Battle
<br>**[33:41] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...swears absolute obedience<br>&nbsp;&nbsp;&nbsp;&nbsp;to the winner.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Song: "Futakotome"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Setting: Original Key
<br>**[33:45] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go first. You listen well.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Challenger: Hitagi-san                                            Song: Futakotome Score: 82.107%
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Analysis: You have very high singing skills,  but emotional expression seems slightly weak.  It will be better if you add  more intonation to your singing.
<br>**[33:52] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;An 82...<br>**[33:53] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lies.<br>**[33:54] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;82 percent is a failing score. This is the<br>&nbsp;&nbsp;&nbsp;&nbsp;first time I've ever scored in the low eighties.<br>**[34:00] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What kind of test is it if 82*<br>*&nbsp;&nbsp;&nbsp;&nbsp;percent is a failing score?*<br>**[34:03] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun, you spent the majority of your<br>&nbsp;&nbsp;&nbsp;&nbsp;high school career feeling like this?<br>**[34:07] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was not able to understand it at all.<br>**[34:09] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was supposed to be a lot kinder to you.<br>**[34:12] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of horrible things have<br>&nbsp;&nbsp;&nbsp;&nbsp;I been saying to Araragi-kun?<br>**[34:15] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You're saying those horrible*<br>*&nbsp;&nbsp;&nbsp;&nbsp;things right now.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Song: chocolate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Setting: original key
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Challenger: Koyokoyo-san                   Song: chocolate insomnia Score: 82.438%
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Analysis: All elements are coming together  at a very high level. Keep it up,  and 100% is not just a dream.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Loser - Red 819           RESULTS       Winner - White 822
<br>**[34:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And once again, I was the winner.*<br>**[34:34] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible... To think that I would lose<br>&nbsp;&nbsp;&nbsp;&nbsp;against Araragi-kun twice in one day.<br>**[34:40] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, feel free to give<br>&nbsp;&nbsp;&nbsp;&nbsp;me any order you want.<br>**[34:44] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you carry me to<br>&nbsp;&nbsp;&nbsp;&nbsp;our car like a princess?<br>**[34:49] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you if you say I'm heavy.<br>**[34:54] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing less from you, Araragi-kun.<br>**[34:56] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shows that you're used to cradling young<br>&nbsp;&nbsp;&nbsp;&nbsp;girls in your arms in everyday life.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That particular expression  leads to misunderstandings.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to stop that.
<br>**[35:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hourly Parking<br>&nbsp;&nbsp;&nbsp;&nbsp; Entrance 50m ahead<br>**[35:02] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew. That was embarrassing.<br>**[35:05] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just saw hell.<br>**[35:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You'd go that far?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MORE HELLISH THAN HELL
<br>**[35:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara....<br>**[35:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something important to talk about.<br>**[35:22] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's a request to get<br>&nbsp;&nbsp;&nbsp;&nbsp;married, I'm okay with it.<br>**[35:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not that important a topic.<br>**[35:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that was way too instant a reply.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;IT TURNED INTO A MARRIAGE PROPOSAL
<br>**[35:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, it's about a gift in return for the<br>&nbsp;&nbsp;&nbsp;&nbsp;chocolate I received for Valentine's Day...<br>**[35:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been able to get one ready.<br>**[35:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I didn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;time to get one ready.<br>**[35:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In thinking of what to get,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought way too much.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;HONEST MAN
<br>**[35:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, can you wait two or three more days?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;THINKING TOO MUCH
<br>**[35:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I'll tack on the interest<br>&nbsp;&nbsp;&nbsp;&nbsp;accrued during that period.<br>**[35:49] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you were worried about such a thing?<br>**[35:52] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was enough for me that you went on<br>&nbsp;&nbsp;&nbsp;&nbsp;a date with me the whole day today.<br>**[35:57] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine for you to just give me<br>&nbsp;&nbsp;&nbsp;&nbsp;something when you feel like it.<br>**[35:59] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't like I made that chocolate<br>&nbsp;&nbsp;&nbsp;&nbsp;expecting to receive something in return.<br>**[36:12] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun.<br>**[36:13] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unforgivable.<br>**[36:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[36:15] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't hardly believe that, on White Day,<br>&nbsp;&nbsp;&nbsp;&nbsp; one of the three big events of the year for couples,<br>**[36:19] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;prepared for your lover?<br>**[36:22] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to doubt that you have<br>&nbsp;&nbsp;&nbsp;&nbsp;any affection towards me.<br>**[36:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Ehh?<br>**[36:29] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All day today, I was wondering exactly what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of surprise Araragi-kun had prepared for me.<br>**[36:33] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My heart was racing, and I was so excited...<br>&nbsp;&nbsp;&nbsp;&nbsp;But you didn't have anything ready.<br>**[36:38] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a sidestep that was!<br>**[36:40] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had assumed that you would get me a<br>&nbsp;&nbsp;&nbsp;&nbsp;cruiser or something as a present.<br>**[36:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Isn't that expectation a bit too<br>&nbsp;&nbsp;&nbsp;&nbsp;mega-sized, don't you think?<br>**[36:48] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, brother. I wonder if I<br>&nbsp;&nbsp;&nbsp;&nbsp;should just kill myself.<br>**[36:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry. That's why I'm apologizing.<br>**[36:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't commit suicide.<br>**[37:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Then, what can I do for<br>&nbsp;&nbsp;&nbsp;&nbsp;you to forgive me?<br>**[37:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get you a cruiser, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do whatever I can-<br>**[37:06] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just say you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;do whatever you can?<br>**[37:09] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say absolute obedience?<br>**[37:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I didn't say that...<br>**[37:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did, I did! Indeed, I did say "absolute<br>&nbsp;&nbsp;&nbsp;&nbsp;obedience" with these lips!<br>**[37:24] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Nothing less from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun. Such a generous heart.<br>**[37:28] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are the man<br>&nbsp;&nbsp;&nbsp;&nbsp;I fell in love with.<br>**[37:30] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've fallen in love with you over again.<br>**[37:32] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know what I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;going to request of you,<br>**[37:35] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're willing to be absolutely obedient<br>&nbsp;&nbsp;&nbsp;&nbsp;to my requests for the rest of your life.<br>**[37:38] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of my life!?<br>**[37:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure. The rest of my life.<br>**[37:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got it. What should I do?<br>**[37:48] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call my name.<br>**[37:52] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call me... by my name.<br>**[37:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[37:56] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do call you. "Senjyogahara."<br>**[37:59] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that. My first name,<br>&nbsp;&nbsp;&nbsp;&nbsp;with no honorifics.<br>**[38:06] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So that's why she tried to set up a*<br>*&nbsp;&nbsp;&nbsp;&nbsp;penalty for bowling and karaoke.*<br>**[38:12] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If it wasn't for an opportunity like this, it may*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have been something I'd have never been able to say.*<br>**[38:17] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Absolute obedience for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the rest of my life.*<br>**[38:20] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Calling her by that name for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the rest of my life.*<br>**[38:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Hitagi.<br>**[38:29] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you... Koyomi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI
<br>**[40:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Araragi-senpai.<br>**[40:14] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for you.<br>**[40:15] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotten tired of waiting.<br>**[40:17] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got exhausted just by waiting.<br>**[40:20] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was it?<br>**[40:21] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you enjoy your last date<br>&nbsp;&nbsp;&nbsp;&nbsp;with Senjyogahara-senpai?<br>**[40:25] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the least, I was being considerate and<br>&nbsp;&nbsp;&nbsp;&nbsp;avoided butting in over on the physical world.<br>**[40:30] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to be appreciative of that.<br>**[40:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be appreciative.<br>**[40:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, how you said "the last date"<br>&nbsp;&nbsp;&nbsp;&nbsp;creates misunderstanding.<br>**[40:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was merely the last date<br>&nbsp;&nbsp;&nbsp;&nbsp;of my high school life.<br>**[40:41] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So is it? Yes, that would be nice if it is...<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be nice if the two of you had a future.<br>**[40:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi-chan. Did you try to exterminate me?<br>**[40:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You asked a specialist to do such a thing?<br>**[40:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you heard from someone...<br>&nbsp;&nbsp;&nbsp;&nbsp;of such false rumors?<br>**[41:01] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, that is a sad false alarm...<br>**[41:04] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like an explanation.<br>**[41:06] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way I would do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to harm you, Araragi-senpai.<br>**[41:11] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I told you, right?<br>**[41:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I am expecting you, Araragi-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;to make the right decision...<br>**[41:15] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and withdraw, instead of getting<br>&nbsp;&nbsp;&nbsp;&nbsp;suckered into Gaen-san's slick talk.<br>**[41:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say that?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Well...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If she is saying she said  it, she probably said it.
<br>**[41:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, it's nonexistent. The choice of forsaking<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu and Hachikuji is something I don't have.<br>**[41:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no choice. I have no<br>&nbsp;&nbsp;&nbsp;&nbsp;surplus within my heart.<br>**[41:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what the right thing is, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I do know what path I should take.<br>**[41:38] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you wouldn't hurry to<br>&nbsp;&nbsp;&nbsp;&nbsp;conclusions like that...<br>**[41:41] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But well, that's fine. I tried to ask you<br>&nbsp;&nbsp;&nbsp;&nbsp;because I had nothing left to lose.<br>**[41:46] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, it's disappointing.<br>**[41:49] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me personally, I'd like to see you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai, retire voluntarily right about now.<br>**[41:54] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But egging you on to do so too much<br>&nbsp;&nbsp;&nbsp;&nbsp;would be going beyond my bounds.<br>**[41:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Araragi-senpai.<br>**[42:01] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me correct one thing that you may<br>&nbsp;&nbsp;&nbsp;&nbsp;have a misunderstanding about.<br>**[42:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misunderstanding? What is<br>&nbsp;&nbsp;&nbsp;&nbsp;the misunderstanding?<br>**[42:10] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not the "darkness."<br>**[42:17] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Araragi-senpai.<br>**[42:20] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai, you've fallen to<br>&nbsp;&nbsp;&nbsp;&nbsp;hell, and you've gone on a date,<br>**[42:23] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you may have nothing you look<br>&nbsp;&nbsp;&nbsp;&nbsp;back on with regret anymore.<br>**[42:26] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I currently have one thing that I<br>&nbsp;&nbsp;&nbsp;&nbsp;look back on with regret in this town.<br>**[42:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something you look back on with regret?<br>**[42:34] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something you wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp; mind dying to achieve...<br>**[42:37] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you achieved this, you wouldn't mind if you died.<br>&nbsp;&nbsp;&nbsp;&nbsp; Do you have such a goal, Araragi-senpai?<br>**[42:43] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have one. I have just one more.<br>**[42:46] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I have to do it even if I<br>&nbsp;&nbsp;&nbsp;&nbsp;have to put everything else aside.<br>**[42:51] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why if Izuko Gaen, the leader of the<br>&nbsp;&nbsp;&nbsp;&nbsp;specialists, were to place a trap, it would be there.<br>**[42:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I know.<br>**[43:00] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, but I still have<br>&nbsp;&nbsp;&nbsp;&nbsp;to fall for that trap...<br>**[43:03] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to resign myself to<br>&nbsp;&nbsp;&nbsp;&nbsp;suffer that counterattack.<br>**[43:09] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, starting right now, I am going to<br>&nbsp;&nbsp;&nbsp;&nbsp;fight the big sister that knows everything,<br>**[43:14] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a frontal assault,<br>&nbsp;&nbsp;&nbsp;&nbsp; with no fudging around...<br>**[43:17] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai, in this fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;can you be on my side?<br>**[43:26] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, help me.<br>

# E3 - Chapter Three - Ougi Dark

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY197837R/chapter-three---ougi-dark)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The present is what it is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because of Ougi Oshino.*<br>**[00:07] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because that mysterious girl, as if an*<br>*&nbsp;&nbsp;&nbsp;&nbsp;unknown was wrapped with unknowns,*<br>**[00:12] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was here in our town,*<br>**[00:14] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I, and all of us, were able to arrive*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where we are now.*<br>**[00:19] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We have the present, and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we have a future.*<br>**[00:21] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Someday the day will come*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I can feel that way.*<br>**[00:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's just who I am.*<br>**[00:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that's just who she is.*<br>**[00:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ougi Oshino.*<br>**[00:33] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was a symbol of my adolescence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;-- that is how I remember her.*<br>**[00:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That smirking smile of hers.*<br>**[00:43] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that to her, my stupidity*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was something she found highly amusing.*<br>**[00:48] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I find myself laughing as well.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Koyomi Araragi
<br>**[00:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I burst into laughter.*<br>**[00:54] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So in the end, maybe this*<br>*&nbsp;&nbsp;&nbsp;&nbsp;whole thing was just a comedy.*<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;2                                                                                                3<br>**[00:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My youth,*<br>**[00:59] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The last year I spent as*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a high school student...*<br>**[01:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was painful, it was sad,*<br>**[01:06] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was bitter, it was ugly,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and all in all, it was a hell of a year.*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thursday, March 15th<br>**[01:11] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But even so, when I look*<br>*&nbsp;&nbsp;&nbsp;&nbsp;back on this someday,*<br>**[01:13] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I tell someone, or*<br>*&nbsp;&nbsp;&nbsp;&nbsp;everyone, about this...*<br>**[01:17] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know that maybe I should tell it with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a smile, like it was a simple, happy story*<br>**[01:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that makes everyone who hears it laugh.*<br>**[01:24] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You "maybe" know? No, you know.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything, though.<br>**[01:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure this is what Ougi-chan would say.*<br>**[01:33] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Araragi-senpai.<br>**[01:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. I had known.*<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naoetsu High<br>**[01:40] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I knew exactly what Ougi*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oshino was from the very beginning.*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naoetsu High School<br>**[01:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And it's hilarious.*<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Owarimonogatari<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Dark<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ougi Dark Part One
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shirohebi Park
<br>**[03:39] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey! The pitcher is<br>&nbsp;&nbsp;&nbsp;&nbsp;getting spooked!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was wearing a skirt,<br>
&nbsp;&nbsp;&nbsp;&nbsp; but crouching down and opening her legs like a catcher,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so you could see her panties easily.<br>
&nbsp;&nbsp;&nbsp;&nbsp;She was really letting her guard down,<br>
&nbsp;&nbsp;&nbsp;&nbsp; but honestly, I didn't want to see them anyway.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A rock?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;They're throwing rocks and  batting with swords...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What kind of baseball is this?
<br>**[03:52] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:55] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to settle<br>&nbsp;&nbsp;&nbsp;&nbsp; the score tonight, right?<br>**[03:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah, but...<br>**[04:00] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that Big Sister isn't here,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be of any help to you...<br>**[04:04] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at the least, I can watch you fight<br>&nbsp;&nbsp;&nbsp;&nbsp;with my own eyes, Big Demo-ther.<br>**[04:08] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... let's hurry up and join that circle.<br>**[04:12] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, if it isn't you, my master!<br>**[04:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hachikuji...<br>**[04:33] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you did plenty of that back in hell.<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you had enough, Baragaki-san?<br>**[04:38] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that sounds really cool, but Hachikuji,<br>**[04:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't refer to me as if I was<br>&nbsp;&nbsp;&nbsp;&nbsp;Toshizo Hijikata in his youth.<br>**[04:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Araragi.<br>**[04:46] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, I flubbed (kami-mashita).<br>**[04:48] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was intentional.<br>**[04:49] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fwubbed.<br>**[04:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not intentional?<br>**[04:52] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I crouched.<br>**[04:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were indeed sitting<br>&nbsp;&nbsp;&nbsp;&nbsp;catcher-style there, but...<br>**[04:57] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to see you too, Ononoki-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your help earlier.<br>**[05:01] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. I feel happy about your return.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There was a matter that I  should have checked up on.
<br>**[05:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Hachikuji?<br>**[05:15] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, what's wrong with your brain?<br>**[05:17] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you so suddenly attempt to<br>&nbsp;&nbsp;&nbsp;&nbsp;clutch my growing breasts?<br>**[05:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I was wondering what kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;condition you were in right now.<br>**[05:28] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a phantom, just like she was<br>&nbsp;&nbsp;&nbsp;&nbsp;when you first met her here in this park.<br>**[05:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a ghost.<br>**[05:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Hachikuji. I wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking when I brought you here.<br>**[05:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I've made your labors piling<br>&nbsp;&nbsp;&nbsp;&nbsp;stones for the past six months all for naught.<br>**[05:49] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine, Araragi-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[05:53] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already settled things with<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaen-san concerning that.<br>**[05:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Settled things?<br>**[06:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we can discuss all that in<br>&nbsp;&nbsp;&nbsp;&nbsp;the briefing. Let's get started.<br>**[06:05] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the moment, Koyomin, can you give orders<br>&nbsp;&nbsp;&nbsp;&nbsp;to your now-mature, beautiful slave girl,<br>**[06:09] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have her stop bullying my<br>&nbsp;&nbsp;&nbsp;&nbsp;junior colleague shikigami?<br>**[06:14] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there, there!<br>**[06:22] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She seems to be doing what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Ononoki-chan feared.*<br>**[06:24] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Getting revenge for all of the insults she*<br>*&nbsp;&nbsp;&nbsp;&nbsp;received back in the summer.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shinobu Oshino The complete form of the legendary vampire  who flew in from overseas.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mayoi Hachikuji A ghost that returned from hell.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yotsugi Ononoki A shikigami corpse doll whose master has ran away.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Izuko Gaen The leader of a group of specialists who defeat apparitions.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And me, Koyomi Araragi, once human,  previously vampire, and currently human.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stop it, Hachikuji.  Don't look at me like that.
<br>**[06:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. It's time for your big sister<br>**[06:58] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you about the plan she spent<br>&nbsp;&nbsp;&nbsp;&nbsp;the last few days working on.<br>**[07:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, did you bring it as I asked?<br>**[07:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did bring it.<br>**[07:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this belonged to you in the first place,<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaen-san, so I wanted to return it to you.<br>**[07:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, indeed. It has been preserved well.<br>**[07:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you took<br>&nbsp;&nbsp;&nbsp;&nbsp;very good care of it.<br>**[07:23] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino.<br>**[07:25] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the enemy who we are<br>&nbsp;&nbsp;&nbsp;&nbsp;going to face right now.<br>**[07:29] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The opponent we must fight, the target we<br>&nbsp;&nbsp;&nbsp;&nbsp;must eliminate, and the focus of our hatred.<br>**[07:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right, Koyomin?<br>**[07:41] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, this is the<br>&nbsp;&nbsp;&nbsp;&nbsp;most important point.<br>**[07:44] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name "Ougi Oshino" was merely used<br>&nbsp;&nbsp;&nbsp;&nbsp;as a convenience. Don't forget that.<br>**[07:51] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The true nature of Ougi Oshino is unknown.<br>**[07:56] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The loss of her true identity is the<br>&nbsp;&nbsp;&nbsp;&nbsp;only identity she has.<br>**[08:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, let's go over it step-by-step.<br>**[08:03] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time, and I'll only<br>&nbsp;&nbsp;&nbsp;&nbsp;explain once, so listen up.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Notes
<br>**[08:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one thing I want to confirm.<br>**[08:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure that Ougi-chan will<br>&nbsp;&nbsp;&nbsp;&nbsp;be on the move sometime tonight?<br>**[08:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will. I'm not simply "sure."<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just the reality of it.<br>**[08:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She only has tonight. If she doesn't act tonight,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would imply that it's not actually her.<br>**[08:24] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And thus, there is no threat at all.<br>**[08:27] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, for this case, I did toss out the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;question, but I was pretty convinced, too.*<br>**[08:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because she said so herself.*<br>**[08:34] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Araragi-senpai, could you be on my side?*<br>**[08:38] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please, help me.*<br>**[08:42] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll start by talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about the relationship<br>**[08:45] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;between this park and<br>&nbsp;&nbsp;&nbsp;&nbsp;North Shirahebi Shrine.<br>**[08:48] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the source that leads<br>&nbsp;&nbsp;&nbsp;&nbsp;up to the current tragedy.<br>**[08:51] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the tragedy 400 years ago<br>&nbsp;&nbsp;&nbsp;&nbsp;that fell upon Shirohebi Shrine,<br>**[08:54] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the previous incarnation of<br>&nbsp;&nbsp;&nbsp;&nbsp;North Shirahebi Shrine.<br>**[09:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, what exactly happened 400 years ago?<br>**[09:08] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. The legendary vampire, Kiss-shot<br>&nbsp;&nbsp;&nbsp;&nbsp;Acerola-orion Heart-under-blade visited Japan.<br>**[09:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, when she landed,<br>**[09:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the water that had built up in a<br>&nbsp;&nbsp;&nbsp;&nbsp;lake in that particular area of Japan<br>**[09:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;was dispersed.<br>**[09:21] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She scattered it.<br>**[09:23] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That lake was no ordinary lake.<br>**[09:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a sacred lake that was the<br>&nbsp;&nbsp;&nbsp;&nbsp;focus of worship for the whole region.<br>**[09:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this blasphemous deed of hers<br>&nbsp;&nbsp;&nbsp;&nbsp;proved to be to the region's benefit.<br>**[09:38] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the water from the lake that<br>&nbsp;&nbsp;&nbsp;&nbsp;flew up from the impact of landing...<br>**[09:42] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...fell back down onto the area,<br>**[09:44] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was suffering from a drought<br>&nbsp;&nbsp;&nbsp;&nbsp;at the time, as blessed rain.<br>**[09:47] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, the Western apparition<br>**[09:50] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot Acerola-orion Heart-under-blade,<br>&nbsp;&nbsp;&nbsp;&nbsp;a vampire, took over the local religion.<br>**[09:56] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say that she defeated the<br>&nbsp;&nbsp;&nbsp;&nbsp;previous god and took over its position.<br>**[10:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;With no more lake, and no more god to<br>&nbsp;&nbsp;&nbsp;&nbsp;worship, they had to find a new god.<br>**[10:08] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they had to create a new god.<br>**[10:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why they relocated the shrine.<br>**[10:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The locals, who'd lost both their<br>&nbsp;&nbsp;&nbsp;&nbsp;faith and much of their numbers,<br>**[10:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;decided to try and survive by<br>&nbsp;&nbsp;&nbsp;&nbsp;merging with a local folk religion.<br>**[10:24] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this wasn't necessarily a bad decision.<br>**[10:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a tie between these<br>&nbsp;&nbsp;&nbsp;&nbsp;two that enabled the grafting.<br>**[10:30] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A tie, an axis... A cord that<br>&nbsp;&nbsp;&nbsp;&nbsp;connected the mountain and the lake.<br>**[10:35] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I guess I should call it<br>&nbsp;&nbsp;&nbsp;&nbsp;a rope (nawa), and not a cord.<br>**[10:38] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A kuchinawa—in other words, a snake.<br>**[10:41] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The god that was worshiped at the lake<br>**[10:42] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;took the physical form of a water snake.<br>**[10:46] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the object of worship for<br>&nbsp;&nbsp;&nbsp;&nbsp;the small indigenous faith<br>**[10:49] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the mountains was shaped<br>&nbsp;&nbsp;&nbsp;&nbsp;like a mountain snake.<br>**[10:52] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A water snake and a mountain snake.<br>**[10:54] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A snake connection.<br>**[10:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this grafting proved to<br>&nbsp;&nbsp;&nbsp;&nbsp;be just a bit too forced.<br>**[11:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might have appeared successful,<br>**[11:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was still this<br>&nbsp;&nbsp;&nbsp;&nbsp;sense that something was off.<br>**[11:04] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And being "off," being unbalanced, in<br>&nbsp;&nbsp;&nbsp;&nbsp;that way, created a type of air pocket.<br>**[11:08] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;An air pocket that gathered bad things.<br>**[11:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The site of the eradicated lake<br>&nbsp;&nbsp;&nbsp;&nbsp;is here, Shirohebi Park...<br>**[11:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and the mountain shrine where the faith had been<br>&nbsp;&nbsp;&nbsp;&nbsp;transferred is North Shirahebi Shrine, you see.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;North Shirahebi Shrine
<br>**[11:25] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way,<br>**[11:26] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirohebi Shrine, now "North Shirahebi Shrine,"<br>&nbsp;&nbsp;&nbsp;&nbsp; managed to survive in a much diminished state,<br>**[11:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;until finally collapsing 15 years ago.<br>**[11:35] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He—the first minion of Shinobu-san—<br>&nbsp;&nbsp;&nbsp;&nbsp;his ashes came back to his homeland,<br>**[11:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as a result, he ate the "bad things"<br>&nbsp;&nbsp;&nbsp;&nbsp;that had gathered within the shrine grounds,<br>**[11:43] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the god itself.<br>**[11:47] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of all that had gone on, after the<br>&nbsp;&nbsp;&nbsp;&nbsp;case of that minion had been resolved...<br>**[11:52] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had planned to enshrine Shinobu-san as<br>&nbsp;&nbsp;&nbsp;&nbsp;the new deity of North Shirahebi Shrine.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If you had explained everything with that reasoning from the beginning...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That's what I was going to say,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;but even if she had taken  the time to explain it,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I doubt I ever would've thought about  using that talisman on Shinobu.
<br>**[12:04] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, why don't we take a little break<br>&nbsp;&nbsp;&nbsp;&nbsp;and make it clear where we both stand?<br>**[12:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where we both stand?<br>**[12:13] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we want, if you prefer<br>&nbsp;&nbsp;&nbsp;&nbsp;to put it that way.<br>**[12:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or what, exactly, we think we're doing here.<br>**[12:18] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have any kind of alliance here.<br>**[12:23] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you here expecting one of the<br>&nbsp;&nbsp;&nbsp;&nbsp;miracles you pull off.<br>**[12:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't deny that it might<br>&nbsp;&nbsp;&nbsp;&nbsp;just bring forth another disaster.<br>**[12:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, when I put you<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of Shinobu-san,<br>**[12:35] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;or Shinobu-chan, as she was known back then,<br>**[12:36] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought that the end result<br>&nbsp;&nbsp;&nbsp;&nbsp;would be an unrelated middle school girl<br>**[12:39] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;being enshrined as a god.<br>**[12:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you've kinda got me there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;In other words, since she couldn't trust  me, she wanted to know what I was after...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What was inside my heart.
<br>**[12:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you, then. My objective is...<br>**[12:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I'd like to do something<br>&nbsp;&nbsp;&nbsp;&nbsp;about Hachikuji and Shinobu.<br>**[12:59] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially Hachikuji, as she might be<br>&nbsp;&nbsp;&nbsp;&nbsp;swallowed up by the darkness at this rate.<br>**[13:03] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, remember that I said I<br>&nbsp;&nbsp;&nbsp;&nbsp;had a plan for Hachikuji-chan.<br>**[13:08] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, next I'd like to hear your<br>&nbsp;&nbsp;&nbsp;&nbsp;worries about Shinobu-san.<br>**[13:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to do something about Shinobu-san?<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, specifically what do you mean by that?<br>**[13:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So like, she's like this now...<br>**[13:22] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And of course, I'm concerned about how<br>&nbsp;&nbsp;&nbsp;&nbsp;Oshino and Kagenui-san's whereabouts are unknown.<br>**[13:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I think it would be good for<br>&nbsp;&nbsp;&nbsp;&nbsp;the town I live in to be peaceful.<br>**[13:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not capable of really<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking about things in that way.<br>**[13:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At most, I can think about the safety<br>&nbsp;&nbsp;&nbsp;&nbsp;of the people around me.<br>**[13:47] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's what makes this dangerous for me.<br>**[13:50] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we can deal with that.<br>**[13:53] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, this time around.<br>**[13:56] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By that, you mean..<br>**[13:57] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're worried about the people<br>&nbsp;&nbsp;&nbsp;&nbsp;close to you, but not yourself.<br>**[14:05] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since your own safety isn't a concern,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can come to an agreement.<br>**[14:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Shinobu-san?<br>**[14:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is your objective?<br>**[14:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu-san, what are you thinking about<br>&nbsp;&nbsp;&nbsp;&nbsp;right now? What do you want to do?<br>**[14:22] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;I merely obey my master's orders.<br>**[14:26] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my master says he will assist you,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's what I will do as well.<br>**[14:31] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if my master decides to oppose you,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's what I will do as well.<br>**[14:38] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Specialist, if I could speak for myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;my desire is, if at all possible...<br>**[14:46] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to be returned to the<br>&nbsp;&nbsp;&nbsp;&nbsp;form of a young girl.<br>**[14:57] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that our stances are all clear,<br>**[15:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain what, exactly,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're about to do.<br>**[15:04] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will explain the minimum requirements for<br>&nbsp;&nbsp;&nbsp;&nbsp;fulfilling Koyomin's objectives, my objectives,<br>**[15:09] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu-san's objectives, and<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji-chan's objectives simultaneously.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minimum Requirements
<br>**[15:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two minimum requirements.<br>**[15:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is to enshrine a new deity<br>&nbsp;&nbsp;&nbsp;&nbsp;in North Shirahebi Shrine,<br>**[15:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the other is the<br>&nbsp;&nbsp;&nbsp;&nbsp;extermination of Ougi Oshino.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Extermination
<br>**[15:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaen-san...<br>**[15:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're talking about turning<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu into a god—<br>**[15:29] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I had been planning on.<br>**[15:31] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since Koyomin brought Hachikuji-chan back<br>&nbsp;&nbsp;&nbsp;&nbsp;from hell, the situation has changed.<br>**[15:36] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a way, a surrogate god that is<br>&nbsp;&nbsp;&nbsp;&nbsp;even more fitting than Shinobu-san...<br>**[15:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the successor to a god has appeared.<br>**[15:43] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The successor to a god?<br>**[15:46] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Hachikuji-chan.<br>**[15:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, that's even worse!<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, Hachikuji is—<br>**[15:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji is?<br>**[15:58] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose she's qualified.<br>**[16:02] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the point where she returned from hell,<br>**[16:04] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;that lost girl undoubtedly<br>&nbsp;&nbsp;&nbsp;&nbsp;performed a miracle.<br>**[16:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if that's the case, the condition is<br>&nbsp;&nbsp;&nbsp;&nbsp;also met by me, or even by Ononoki-chan—<br>**[16:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not the same. It's different.<br>**[16:17] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You all returned, but in different ways.<br>**[16:20] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The difference is that if she doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;turn into a god right here,<br>**[16:22] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji-chan will be swallowed<br>&nbsp;&nbsp;&nbsp;&nbsp;up by the darkness.<br>**[16:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, there are three choices.<br>**[16:29] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, she goes back to hell again.<br>**[16:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two, she gets swallowed up<br>&nbsp;&nbsp;&nbsp;&nbsp;into the "darkness."<br>**[16:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three, she becomes a god.<br>**[16:37] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;By becoming enshrined at<br>&nbsp;&nbsp;&nbsp;&nbsp;North Shirahebi Shrine,<br>**[16:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mayoi Hachikuji will be granted<br>&nbsp;&nbsp;&nbsp;&nbsp;an existence in this material world.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;She gains citizenship.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;She gains proof of residence —so the story goes.
<br>**[16:47] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So for Hachikuji-chan, it's basically<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but good things.<br>**[16:51] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I'd have to<br>&nbsp;&nbsp;&nbsp;&nbsp;have her work a bit.<br>**[16:54] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if she at least maintains the air pocket,<br>**[16:57] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;that will be good enough as<br>&nbsp;&nbsp;&nbsp;&nbsp;a preventative measure.<br>**[17:00] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you have it.<br>**[17:01] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But, it's a shrine that<br>&nbsp;&nbsp;&nbsp;&nbsp;deifies a snake, right?<br>**[17:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you enshrined a snail apparition like<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji, wouldn't that cause a distortion?<br>**[17:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is the miracle<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes it impossible<br>**[17:13] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;to believe that you did this<br>&nbsp;&nbsp;&nbsp;&nbsp;without thinking, Koyomin.<br>**[17:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without that miracle, I never would've thought<br>&nbsp;&nbsp;&nbsp;&nbsp;about enshrining Hachikuji-chan as a god.<br>**[17:22] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A snail is a superior version of a snake.<br>**[17:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:26] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, "superior version" is perhaps stretching<br>&nbsp;&nbsp;&nbsp;&nbsp;things a little too much.<br>**[17:31] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Koyomin, you've at least<br>&nbsp;&nbsp;&nbsp;&nbsp;heard of a three-way deadlock?<br>**[17:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A snake, a frog, and a slug...<br>**[17:41] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Slug? Haven't I heard*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about that somewhere?*<br>**[17:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[17:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Slug Tofu.<br>**[17:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fake apparition that<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaiki used on Sengoku...<br>**[17:52] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. An apparition effective<br>&nbsp;&nbsp;&nbsp;&nbsp;against snakes... a slug.<br>**[17:56] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, a slug and a snail<br>&nbsp;&nbsp;&nbsp;&nbsp;are related species.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Slug                                     Snail
<br>**[18:02] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then, it's not that a snail has*<br>*&nbsp;&nbsp;&nbsp;&nbsp;nothing to do with a snake.*<br>**[18:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A snail can freeze a snake in place.*<br>**[18:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She won't run wild like Sengoku.*<br>**[18:11] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She won't be swallowed by*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the snake like Sengoku.*<br>**[18:14] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Instead, she can swallow the snake.*<br>**[18:18] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I'm Mayoi Slug (Namekuji).<br>**[18:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji, are you really<br>&nbsp;&nbsp;&nbsp;&nbsp;all right with that?<br>**[18:24] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm fine with it. A god!<br>&nbsp;&nbsp;&nbsp;&nbsp;That gets me all hyped up!<br>**[18:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hyped up?*<br>**[18:30] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, I god-ed (kami-mashita)!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;God-ed
<br>**[18:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting it that way makes it<br>&nbsp;&nbsp;&nbsp;&nbsp;sound like a gag, so stop it.<br>**[18:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is really important! Don't<br>&nbsp;&nbsp;&nbsp;&nbsp;try to make a joke about it!<br>**[18:40] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's way more than just two ranks up!<br>&nbsp;&nbsp;&nbsp;&nbsp;A tremendous promotion!<br>**[18:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you probably don't understand...<br>**[18:47] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a proper understanding.<br>**[18:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so? Do you properly understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the responsibilities and meaning,<br>**[18:53] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight and duties of the<br>&nbsp;&nbsp;&nbsp;&nbsp;act of becoming a god?<br>**[18:56] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't understand any of<br>&nbsp;&nbsp;&nbsp;&nbsp;those things. Not at all!<br>**[18:59] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't understand?!<br>**[19:01] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[19:02] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do know that if I do this,<br>**[19:03] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll continue to be able to play merrily<br>&nbsp;&nbsp;&nbsp;&nbsp;with you from now on, Araragi-san.<br>**[19:09] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that fulfills one of the conditions.<br>**[19:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Hachikuji-chan swallows this talisman,<br>**[19:17] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the birth of a new god<br>&nbsp;&nbsp;&nbsp;&nbsp;at North Shirahebi Shrine.<br>**[19:21] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Koyomin wants Hachikuji-chan to<br>&nbsp;&nbsp;&nbsp;&nbsp;be swallowed up into the darkness,<br>**[19:25] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;well, I'll leave that to your discretion.<br>**[19:28] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me, it's a matter of the means.<br>**[19:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[19:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaen-san.<br>**[19:35] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Koyomin?<br>**[19:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... About the "darkness"...<br>**[19:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps we've suffered<br>&nbsp;&nbsp;&nbsp;&nbsp;a terrible misunderstanding.<br>**[19:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino may not be the darkness.<br>**[19:48] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[19:50] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? She wasn't? You're kidding!<br>**[19:53] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally thought that was the case,<br>**[19:55] Yotsugi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I put tons of foreshadowing of<br>&nbsp;&nbsp;&nbsp;&nbsp;that nature all over the place!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If so, I really wish she hadn't done that.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Please don't deliberately add foreshadowing.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;She had a troublesome character trait, or rather, she was a troublesome character.
<br>**[20:09] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you think that in the first place?<br>**[20:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Ougi Oshino was the "darkness."<br>**[20:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, because...<br>**[20:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that was a bad way to ask.<br>**[20:18] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I want to ask is, at what point did you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, get that idea?<br>**[20:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no specific point.<br>**[20:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I watched and listened to her,<br>&nbsp;&nbsp;&nbsp;&nbsp;I naturally started thinking that way...<br>**[20:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In reality, she was seeking Hachikuji,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the cases concerning Sengoku and Tadatsuru.<br>**[20:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, in the end, it was just a sense I had.*<br>**[20:42] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I mean, she felt so shady and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;dark... Like darkness itself.*<br>**[20:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shadow that appreciates the rules.*<br>**[20:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A pitch black that reveres balance.*<br>**[20:53] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the beginning, she herself<br>&nbsp;&nbsp;&nbsp;&nbsp;probably thought that way, too.<br>**[20:58] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's certain that even now, she imposes<br>&nbsp;&nbsp;&nbsp;&nbsp;tasks of that sort on herself.<br>**[21:02] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino is not the "darkness,"<br>&nbsp;&nbsp;&nbsp;&nbsp;but she does the same thing.<br>**[21:07] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She plays the same role.<br>**[21:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same role as the "darkness"...<br>**[21:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me clear things up just in case—<br>**[21:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we leave Hachikuji-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;in her current condition,<br>**[21:18] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the "darkness" we were worried<br>&nbsp;&nbsp;&nbsp;&nbsp;might reappear in this town<br>**[21:22] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the true "darkness".<br>**[21:26] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, if we set up and enshrine<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji-chan as the god of North Shirahebi Shrine,<br>**[21:30] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's possible that Hachikuji-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;will be attacked<br>**[21:35] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;by Ougi Oshino, who performs the same<br>&nbsp;&nbsp;&nbsp;&nbsp;role as the "darkness."<br>**[21:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After we enshrine... attacked?<br>**[21:48] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's why I said there were two<br>&nbsp;&nbsp;&nbsp;&nbsp;minimum requirements, didn't I?<br>**[21:52] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Merely enshrining Hachikuji-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;as a god is not enough.<br>**[21:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't exterminate Ougi Oshino,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story doesn't come to a conclusion.<br>**[22:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exterminate, exterminate...<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep repeating that.<br>**[22:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But can you stop that?<br>**[22:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say exterminate, it's as<br>&nbsp;&nbsp;&nbsp;&nbsp;if Ougi-chan was an apparition.<br>**[22:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[22:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is an ordinary...<br>**[22:17] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...monster.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ougi Dark Part Two
<br>**[22:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi-chan... is an apparition?<br>**[22:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;On what basis, Gaen-san, are you<br>&nbsp;&nbsp;&nbsp;&nbsp;calling Ougi-chan a monster?<br>**[22:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then on what basis do you call<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino "Ougi-chan"?<br>**[22:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you merely calling her "Ougi-chan"<br>&nbsp;&nbsp;&nbsp;&nbsp;because she called herself Ougi Oshino,<br>**[22:45] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you just believed her?<br>**[22:48] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unlike you to be so<br>&nbsp;&nbsp;&nbsp;&nbsp;dense about this, Araragi-san.<br>**[22:51] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing that this Ougi Oshino-san<br>&nbsp;&nbsp;&nbsp;&nbsp; was introduced to you by Kanbaru-san,<br>**[22:56] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the previous star of the basketball team,<br>&nbsp;&nbsp;&nbsp;&nbsp;as one of her fans?<br>**[23:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's how things went.<br>**[23:03] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fan. In other words, a fan (ougi).<br>**[23:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? But what about her last name?<br>**[23:10] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last name "Oshino" is<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly more complicated.<br>**[23:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it is certain that her claim<br>&nbsp;&nbsp;&nbsp;&nbsp;of being Meme's niece is a lie.<br>**[23:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Ougi Oshino isn't Ougi Oshino,<br>&nbsp;&nbsp;&nbsp;&nbsp;then what in the world is she?<br>**[23:24] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is she, really?<br>**[23:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What she is, right now, is "an unknown."<br>**[23:31] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why it is clear how we will<br>&nbsp;&nbsp;&nbsp;&nbsp;exterminate her. In my original plan,<br>**[23:36] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino was going to be exterminated<br>&nbsp;&nbsp;&nbsp;&nbsp;with the demon sword "Kokoro Watari."<br>**[23:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you were planning to slay Ougi-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Apparition Killer?<br>**[23:44] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, don't glare at me like that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Which side are you on, exactly?<br>**[23:49] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slaying an apparition with<br>&nbsp;&nbsp;&nbsp;&nbsp;the Apparition Killer...<br>**[23:52] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, something like that<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't even raise an eyebrow.<br>**[23:54] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a specialist, that's my job.<br>**[23:57] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you created the<br>&nbsp;&nbsp;&nbsp;&nbsp;demon sword "Kokoro Watari"?<br>**[24:02] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The armor worn by the first*<br>*&nbsp;&nbsp;&nbsp;&nbsp;minion, Seishiro Shishirui.*<br>**[24:07] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The sword was created by reforging it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after it went missing in August.*<br>**[24:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't create it to slay Ougi Oshino.<br>**[24:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I did predict the<br>&nbsp;&nbsp;&nbsp;&nbsp;appearance of Ougi Oshino.<br>**[24:18] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph. No different than someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who loots during a riot.<br>**[24:22] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder I felt like that<br>&nbsp;&nbsp;&nbsp;&nbsp;meal was a bit lacking.<br>**[24:26] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say that. That's why I've already<br>&nbsp;&nbsp;&nbsp;&nbsp;returned it to you, Shinobu-san.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Based on that comment,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;the demon sword "Kokoro Watari" that  was used earlier to play cricket
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;was not Shinobu's, but apparently  the replica created by Gaen-san.
<br>**[24:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I no longer have a need for it.<br>**[24:36] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can count on Koyomin's assistance,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no need to do this the hard way.<br>**[24:41] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a specialist in exterminating monsters,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can use the proper means,<br>**[24:45] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the standard approach,<br>&nbsp;&nbsp;&nbsp;&nbsp;to exterminate Ougi Oshino.<br>**[24:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean by saying you predicted<br>&nbsp;&nbsp;&nbsp;&nbsp;the appearance of Ougi-chan?<br>**[24:54] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm just speaking from experience.<br>**[24:56] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't say it was exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;the same as Ougi Oshino...<br>**[24:59] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've seen an apparition<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to her in the past.<br>**[25:04] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strictly speaking, I was not the<br>&nbsp;&nbsp;&nbsp;&nbsp;one that experienced it.<br>**[25:07] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was my older sister, Tooe Gaen.<br>**[25:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know well of Suruga Kanbaru...<br>&nbsp;&nbsp;&nbsp;&nbsp;it's her mother.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tooe Gaen
<br>**[25:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a way, she was like you, Koyomin.<br>**[25:18] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a grade school student, I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;my older sister was bad news.<br>**[25:21] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was well aware that she<br>&nbsp;&nbsp;&nbsp;&nbsp;was a dangerous individual.<br>**[25:23] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do I put it...<br>**[25:25] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wasn't a monster,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she was like a monster.<br>**[25:29] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tough on herself, and tough on others.<br>**[25:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tougher it got, the more<br>&nbsp;&nbsp;&nbsp;&nbsp;she thought it was for good.<br>**[25:35] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the type of person she was.<br>**[25:37] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I digress. It's not that I want to<br>&nbsp;&nbsp;&nbsp;&nbsp;introduce my older sister's personality to you.<br>**[25:43] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I just want to say that such a<br>&nbsp;&nbsp;&nbsp;&nbsp;personality my older sister had reminds me of Koyomin.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tough on oneself, and tough on others?
<br>**[25:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did I have that kind of a personality?*<br>**[26:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will have Koyomin do the same<br>&nbsp;&nbsp;&nbsp;&nbsp;thing my older sister did.<br>**[26:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to do it? Not you, Gaen-san?<br>**[26:07] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one that can do it.<br>**[26:10] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You. By yourself.<br>**[26:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must do it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;People just...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;help themselves
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;out on their own.
<br>**[26:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The threat that the unknown<br>&nbsp;&nbsp;&nbsp;&nbsp;apparition Ougi Oshino poses...<br>**[26:23] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...ultimately boils down to one point,<br>&nbsp;&nbsp;&nbsp;&nbsp;that she is an unknown.<br>**[26:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, disclosing her true identity<br>&nbsp;&nbsp;&nbsp;&nbsp;would cause it to collapse.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Collapse
<br>**[26:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Collapse?<br>**[26:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could call it "pair<br>&nbsp;&nbsp;&nbsp;&nbsp;annihilation" as well.<br>**[26:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what's important here is that she's a<br>&nbsp;&nbsp;&nbsp;&nbsp;fake, who lies about what she really is.<br>**[26:41] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens when that lie is exposed...<br>**[26:43] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu-san and Hachikuji-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;should know all too well.<br>**[26:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "darkness".<br>**[26:56] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Apparitions that lie about what they are<br>&nbsp;&nbsp;&nbsp;&nbsp;get swallowed by the "darkness".<br>**[27:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially in her case, she falsified<br>&nbsp;&nbsp;&nbsp;&nbsp;herself as that "darkness" itself.<br>**[27:04] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The punishment for such a rule<br>&nbsp;&nbsp;&nbsp;&nbsp;violation will be the most severe.<br>**[27:10] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You reap what you sow.<br>**[27:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything she's done around<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin for the past six months,<br>**[27:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of that will now come<br>&nbsp;&nbsp;&nbsp;&nbsp;bearing down on her.<br>**[27:24] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, an apparition is something<br>&nbsp;&nbsp;&nbsp;&nbsp;intrinsically of that nature.<br>**[27:27] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I call Ougi Oshino<br>&nbsp;&nbsp;&nbsp;&nbsp;"an ordinary monster."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If you explain an apparition with science,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it turns into an ordinary superstition, right?
<br>**[27:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaen-san, so your older sister defeated<br>&nbsp;&nbsp;&nbsp;&nbsp;an apparition similar to Ougi-chan...<br>**[27:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A "darkness", no,<br>&nbsp;&nbsp;&nbsp;&nbsp;a quasi-darkness, in that manner?<br>**[27:41] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, that's right.<br>**[27:43] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my opinion, a quasi-darkness is more<br>&nbsp;&nbsp;&nbsp;&nbsp;dangerous than the "darkness" itself.<br>**[27:49] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It refuses to allow a tidy ending.<br>**[27:52] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says that giving everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;a happy ending is cheating.<br>**[27:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how it works.<br>**[27:58] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we absolutely must<br>**[28:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;settle the score once and for all today,<br>&nbsp;&nbsp;&nbsp;&nbsp;before the night is over.<br>**[28:04] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please, help me.*<br>**[28:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Could you be on my side?*<br>**[28:08] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please, help me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I don't know why Ougi-chan said that to me.
<br>**[28:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the past,*<br>**[28:19] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;there was a time when I rejected a request*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from Kiss-shot Acerola-orion Heart-under-blade.*<br>**[28:26] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I will give Ougi-chan the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;same answer as back then.*<br>**[28:31] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[28:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not save Ougi Oshino. So...<br>**[28:35] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, please tell me, Gaen-san.<br>**[28:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the true identity of the mysterious<br>&nbsp;&nbsp;&nbsp;&nbsp;transfer student, Ougi Oshino?<br>**[28:43] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her true identity is...<br>**[28:47] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Tsukihi-chan. Thanks to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like I'll make my deadline.<br>**[28:51] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing, it's nothing!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This is Ran Hokkyokusei, transferring  from Shogo Academy.
<br>**[28:56] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know much about manga and stuff.<br>**[28:59] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Nadeko-chan, how confident<br>&nbsp;&nbsp;&nbsp;&nbsp;are you about this?<br>**[29:02] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you win an award, you get<br>&nbsp;&nbsp;&nbsp;&nbsp;prize money and stuff, right?<br>**[29:05] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm... I don't know.<br>**[29:08] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I stopped thinking about confidence<br>&nbsp;&nbsp;&nbsp;&nbsp;and stuff like that.<br>**[29:11] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[29:12] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been people that<br>&nbsp;&nbsp;&nbsp;&nbsp;said I might have talent.<br>**[29:16] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even for people with talent,<br>**[29:18] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes these things just don't work out.<br>**[29:22] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be at the top tier unless<br>&nbsp;&nbsp;&nbsp;&nbsp;you believe in your talent.<br>**[29:26] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, you won't have anything to keep you going<br>&nbsp;&nbsp;&nbsp;&nbsp;when you can't put in any more effort.<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Ran Hokkyokusei, transferring<br>&nbsp;&nbsp;&nbsp;&nbsp;from Shogo Academy.<br>**[29:31] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;People with only effort will become disheartened<br>&nbsp;&nbsp;&nbsp;&nbsp;when they can no longer put in that effort.<br>**[29:37] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels kind of like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're trying to trick me.<br>**[29:42] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just do what I want to do.<br>**[29:45] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how unsightly<br>&nbsp;&nbsp;&nbsp;&nbsp;or embarrassing it is.<br>**[29:49] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi-chan, aren't you like that, too?<br>**[29:52] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really don't have things I want to do,<br>&nbsp;&nbsp;&nbsp;&nbsp;or goals, or stuff of that sort.<br>**[29:58] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I like supporting what<br>&nbsp;&nbsp;&nbsp;&nbsp;other people do like this, I guess?<br>**[30:03] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[30:06] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;To me, there isn't anyone else with as clear<br>&nbsp;&nbsp;&nbsp;&nbsp;a stance on life as you, Tsukihi-chan.<br>**[30:11] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hahaha! I'm honored by you saying that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how lucky is Tsukihi-chan?<br>**[30:17] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm a bit more nihilistic,<br>&nbsp;&nbsp;&nbsp;&nbsp;or maybe destructive,<br>**[30:23] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there is a part of me that gets drawn<br>&nbsp;&nbsp;&nbsp;&nbsp;to people who want to do things.<br>**[30:27] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;Karen-san or Koyomi-san?<br>**[30:32] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[30:34] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, and helping Nadeko-chan's job like this<br>**[30:38] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is me getting drawn to<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko-chan's enthusiasm.<br>**[30:41] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Job...<br>**[30:43] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not my job at all yet.<br>**[30:49] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what eventually<br>&nbsp;&nbsp;&nbsp;&nbsp;happens to people like me?<br>**[30:53] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to think about planning for<br>&nbsp;&nbsp;&nbsp;&nbsp;the future before it's too late.<br>**[30:57] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Karen-chan is entering high school,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Big Brother will be going to college.<br>**[31:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A normal middle school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;who goes to 15 Academy!<br>**[31:02] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because right now I'm getting a taste of being<br>&nbsp;&nbsp;&nbsp;&nbsp;left behind for the second time in my life,<br>**[31:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what was<br>&nbsp;&nbsp;&nbsp;&nbsp; that guy's problem?<br>**[31:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it feels like<br>&nbsp;&nbsp;&nbsp;&nbsp; I've seen him before...<br>**[31:06] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the last time being two years ago<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was in sixth grade,<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going to happen to<br>&nbsp;&nbsp;&nbsp;&nbsp;my ordinary school life?<br>**[31:09] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should decide what I want<br>&nbsp;&nbsp;&nbsp;&nbsp;to do, who I want to be.<br>**[31:14] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you, Nadeko-chan.<br>**[31:15] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just having you say something<br>&nbsp;&nbsp;&nbsp;&nbsp;like that, Tsukihi-chan,<br>**[31:18] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;makes it worth putting effort into this.<br>**[31:23] Nadeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if people can't become happy, good things<br>&nbsp;&nbsp;&nbsp;&nbsp;happen to them... as long as they are alive.<br>**[31:30] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Well, I guess that's true.<br>**[31:37] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is that... Araragi-senpai's<br>&nbsp;&nbsp;&nbsp;&nbsp;little sister right there?<br>**[31:46] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met you yesterday, too. Hello.<br>**[31:49] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[31:51] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did I meet her?*<br>**[31:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Ougi Oshino. I hear much<br>&nbsp;&nbsp;&nbsp;&nbsp;about you from your big brother.<br>**[31:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says he's very proud of you.<br>**[32:00] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[32:01] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's getting late, so I'll take<br>&nbsp;&nbsp;&nbsp;&nbsp;you home. Hop on back here.<br>**[32:14] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was Sengoku-chan doing well?<br>**[32:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was her electrocardiogram (shindenzu)?<br>**[32:21] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was she dead-zu (shindenzu)?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or not dead-zu?<br>**[32:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dead-zu?<br>&nbsp;&nbsp;&nbsp;&nbsp; Not Dead-zu?<br>**[32:26] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's all right, I guess.<br>**[32:30] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not dead. If anything, it's more<br>&nbsp;&nbsp;&nbsp;&nbsp;like she had been dead before now.<br>**[32:35] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps.<br>**[32:37] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, they say that everybody has something<br>&nbsp;&nbsp;&nbsp;&nbsp;more to them than just being cute.<br>**[32:41] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way I think, girls like that<br>&nbsp;&nbsp;&nbsp;&nbsp;are cuter when they aren't cute.<br>**[32:47] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, good.<br>**[32:49] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being a "pretty girl" ended<br>&nbsp;&nbsp;&nbsp;&nbsp;up only being a blade<br>**[32:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sengoku-chan used to inflict<br>&nbsp;&nbsp;&nbsp;&nbsp;wounds on herself.<br>**[32:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things like that are so sad.<br>**[32:58] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sad? Aren't you lucky if you are cute?<br>**[33:04] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Sengoku-chan, cuteness was also<br>&nbsp;&nbsp;&nbsp;&nbsp;a chain to bind herself with.<br>**[33:09] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, I'm sure it was too precious<br>&nbsp;&nbsp;&nbsp;&nbsp;a talent to get rid of on her own.<br>**[33:13] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She needed some drastic measures.<br>**[33:16] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drastic measures?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[33:19] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? I don't.<br>**[33:22] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything.<br>**[33:25] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai is the one that knows.<br>**[33:29] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sengoku-chan seems to want to become<br>&nbsp;&nbsp;&nbsp;&nbsp;a manga artist in the future.<br>**[33:35] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi Araragi-chan,<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you want to become?<br>**[33:38] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I want to be?<br>**[33:42] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really have anything.<br>**[33:45] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine as long as I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;enjoying the present.<br>**[33:48] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like times like that link<br>&nbsp;&nbsp;&nbsp;&nbsp;together to form the future.<br>**[33:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not the type that knows everything,<br>**[33:55] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you are the type that<br>&nbsp;&nbsp;&nbsp;&nbsp;can do everything.<br>**[33:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may not be omniscient,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you are omnipotent...<br>**[34:00] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have too many choices,<br>**[34:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and so your objectives may be<br>&nbsp;&nbsp;&nbsp;&nbsp;scattered all over the place.<br>**[34:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I say future...<br>**[34:08] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...your future is much too large in scale.<br>**[34:12] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that I'm too dependent?<br>**[34:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi-chan, it's a fact that you live<br>&nbsp;&nbsp;&nbsp;&nbsp;based on support from those around you.<br>**[34:22] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are keeping you alive.<br>**[34:24] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without your big brother<br>&nbsp;&nbsp;&nbsp;&nbsp;and big sister's help,<br>**[34:27] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could've died during summer break.<br>**[34:31] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;During summer break?<br>**[34:35] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing about people is,<br>&nbsp;&nbsp;&nbsp;&nbsp;they can't live all alone!<br>**[34:39] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;People live of their own accord.<br>**[34:45] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can't live of their own accord...<br>&nbsp;&nbsp;&nbsp;&nbsp;are monsters.<br>**[34:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you and me.<br>**[34:53] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... huh?<br>**[34:55] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Oshino-san...<br>**[34:57] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ougi-san" is fine.<br>**[34:58] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi-san, this isn't the right way at all.<br>**[35:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa. Sorry, sorry. It looks<br>&nbsp;&nbsp;&nbsp;&nbsp;like I've gotten lost.<br>**[35:06] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's stop for a moment and check<br>&nbsp;&nbsp;&nbsp;&nbsp;the map on a smartphone.<br>**[35:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Private Property                    No Entry<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Danger            Watch Your Stay Out!            Head
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Danger No Entry
<br>**[35:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay Out!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No Entry Danger           Danger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Warning Watch Your Head         Danger
<br>**[35:20] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[35:21] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>**[35:23] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't this the building that burned<br>&nbsp;&nbsp;&nbsp;&nbsp;down back around August?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No Entry Danger           Danger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Warning Watch Your Head         Danger
<br>**[35:26] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, how strange.<br>&nbsp;&nbsp;&nbsp;&nbsp; So this is like the ghost of a building?<br>**[35:32] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we try going in?<br>**[35:39] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A school... No, it looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;it used to be a cram school.<br>**[35:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it seems that way.<br>**[35:46] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my.  It was so exciting to come barging in<br>&nbsp;&nbsp;&nbsp;&nbsp;like this, but now we know exactly what it is.<br>**[35:51] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we figure out its true identity,<br>&nbsp;&nbsp;&nbsp;&nbsp;it ceases to be scary at all.<br>**[35:57] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery novels are like that, too.<br>**[35:59] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You read them on the edge of your seat, heart<br>&nbsp;&nbsp;&nbsp;&nbsp;racing, because you don't know who did it.<br>**[36:03] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the mystery is no longer a mystery,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the number of suspects is down to one...<br>**[36:07] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, after that point, it's no fun.<br>**[36:11] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish all solution scenes<br>&nbsp;&nbsp;&nbsp;&nbsp;were just one line long.<br>**[36:14] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the true identity is known,<br>**[36:16] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fear and the fun disappear.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how things are.<br>**[36:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emergency Exit<br>**[36:26] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think so?<br>**[36:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger<br>**[36:29] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in a mystery novel,<br>&nbsp;&nbsp;&nbsp;&nbsp;that might be right.<br>**[36:33] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in reality, doesn't it get scarier<br>&nbsp;&nbsp;&nbsp;&nbsp;after the culprit is caught?<br>**[36:37] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You confirmed the existence<br>&nbsp;&nbsp;&nbsp;&nbsp;of something that scared you.<br>**[36:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cram School<br>**[36:42] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[36:43] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real story only begins when<br>&nbsp;&nbsp;&nbsp;&nbsp;you know what they really are.<br>**[36:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emergency Exit<br>**[36:47] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, all the paperwork and stuff after<br>&nbsp;&nbsp;&nbsp;&nbsp;the culprit is caught takes way longer, right?<br>**[36:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unauthorized Entry Forbidden<br>&nbsp;&nbsp;&nbsp;&nbsp;Trespassers Will Be Reported to the Police<br>**[36:52] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, you say the true identity,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not always going to be correct.<br>**[36:56] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There actually might be an even<br>&nbsp;&nbsp;&nbsp;&nbsp;bigger unexpected plot twist,<br>**[36:59] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're talking mystery novels.<br>**[37:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger<br>**[37:03] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be true. I see, "true identity"<br>&nbsp;&nbsp;&nbsp;&nbsp;is written as the "right body."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;True identity  (right) (body)
<br>**[37:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger<br>**[37:09] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, a body is merely a body.<br>**[37:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cram School<br>**[37:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got one on me there. Nothing less<br>&nbsp;&nbsp;&nbsp;&nbsp;from Araragi-senpai's little sister.<br>**[37:19] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi-chan, they may have<br>&nbsp;&nbsp;&nbsp;&nbsp;accepted your true identity.<br>**[37:22] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perhaps they're amused by it.<br>**[37:27] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, the same probably<br>&nbsp;&nbsp;&nbsp;&nbsp;won't happen for me.<br>**[37:32] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My true identity is... unsightly.<br>**[37:38] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi-chan, unfortunately for you,<br>**[37:41] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;what you call a "future"<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't actually exist.<br>**[37:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that you don't know what will<br>&nbsp;&nbsp;&nbsp;&nbsp;happen in the future. There is no future.<br>**[37:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much of the present you<br>&nbsp;&nbsp;&nbsp;&nbsp;pile up, it won't lead to a future.<br>**[37:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you have is an eternal present.<br>**[37:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, are you able to live in the present,<br>**[37:59] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;without heeding what is to come,<br>&nbsp;&nbsp;&nbsp;&nbsp;with disregard of the future?<br>**[38:03] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, probably. I'm pretty good at living.<br>**[38:10] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a marvelous thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can say that.<br>**[38:13] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm jealous.<br>**[38:20] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late, Ougi-chan.<br>**[38:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for you.<br>**[38:25] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi-chan, I'm sorry, but can you take<br>&nbsp;&nbsp;&nbsp;&nbsp;my bike and go home alone?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No Entry Danger           Danger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Warning Watch Your Head       Danger
<br>**[38:32] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something important to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;about with your big brother.<br>**[38:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The combination on the chain is "1-2-3-4."<br>**[38:42] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is Shinobu-chan doing right now?<br>**[38:45] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's supposedly back in<br>&nbsp;&nbsp;&nbsp;&nbsp;her complete form now...<br>**[38:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not together with you?<br>**[38:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That hasn't happened yet.<br>**[38:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We decided that we will bind<br>&nbsp;&nbsp;&nbsp;&nbsp;ourselves to one another<br>**[38:55] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;once again after everything<br>&nbsp;&nbsp;&nbsp;&nbsp;is said and done.<br>**[38:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[39:00] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu-chan wished to end up<br>&nbsp;&nbsp;&nbsp;&nbsp;right where she started, huh?<br>**[39:04] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Araragi-senpai, you want<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a quasi-human,<br>**[39:08] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;a failed attempt at being<br>&nbsp;&nbsp;&nbsp;&nbsp;a vampire once again?<br>**[39:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just love young girls.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I answer,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;while feeling that this  conversation is meaningless.
<br>**[39:17] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what will happen to the girl?<br>**[39:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will be enshrined at<br>&nbsp;&nbsp;&nbsp;&nbsp;North Shirahebi Shrine.<br>**[39:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That also is for when everything<br>&nbsp;&nbsp;&nbsp;&nbsp;is said and done.<br>**[39:27] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. So that shrine...<br>**[39:30] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a big problem, what to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;the giant hole that opened in this town.<br>**[39:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure found a convenient<br>&nbsp;&nbsp;&nbsp;&nbsp;solution for it.<br>**[39:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A problem... Your job?<br>**[39:42] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yes. I said something<br>&nbsp;&nbsp;&nbsp;&nbsp;like that at some point.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No Entry Danger             Danger
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Warning Watch Your Head         Danger
<br>**[39:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of jobs... My little sister...<br>**[39:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of lively conversations<br>&nbsp;&nbsp;&nbsp;&nbsp;did you have with her?<br>**[39:56] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't even get to finish.<br>**[39:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame. My job<br>&nbsp;&nbsp;&nbsp;&nbsp;ended up being half-done.<br>**[40:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a tough one.<br>**[40:07] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing less from a phoenix.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's beyond what I can handle.<br>**[40:10] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How in the world was Yoduru Kagenui going to<br>&nbsp;&nbsp;&nbsp;&nbsp;exterminate such a long-living creature?<br>**[40:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can exterminate monsters when you<br>&nbsp;&nbsp;&nbsp;&nbsp;disclose their true identities, right?<br>**[40:20] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm saying it doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;look like you can exterminate<br>**[40:23] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;her even if you disclose<br>&nbsp;&nbsp;&nbsp;&nbsp;her true identity.<br>**[40:26] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she has a big brother<br>**[40:28] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that refuses to stop loving her, even<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing what her true identity is.<br>**[40:33] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm... That may be why<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoduru Kagenui had given up.<br>**[40:38] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd surmise that I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;quite do the same thing.<br>**[40:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that so?<br>**[40:45] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai will disclose my true identity,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll be exterminated right here.<br>**[40:50] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how this works, right?<br>**[40:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A one-on-one duel, as they say.<br>**[40:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is quite exciting.<br>**[41:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, it's something<br>&nbsp;&nbsp;&nbsp;&nbsp;that I have to do myself.<br>**[41:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something that only I can do.<br>**[41:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's something that<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to do alone.<br>**[41:13] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you "want to do," huh?<br>**[41:16] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you only think that because those<br>&nbsp;&nbsp;&nbsp;&nbsp;adults smooth-talked you into it?<br>**[41:20] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai, you may think you<br>&nbsp;&nbsp;&nbsp;&nbsp;are working yourself to the bone<br>**[41:23] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sake of Shinobu-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;and Hachikuji-chan.<br>**[41:25] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't that just habit?<br>**[41:29] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How foolish.<br>**[41:31] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;One tends to find excessive value<br>&nbsp;&nbsp;&nbsp;&nbsp;in something that was almost lost.<br>**[41:34] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you bind yourself to such nostalgia,<br>&nbsp;&nbsp;&nbsp;&nbsp;you will never ever arrive at your future.<br>**[41:40] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, let me just make it clear that<br>&nbsp;&nbsp;&nbsp;&nbsp;this is me pleading for my life.<br>**[41:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleading for your life?<br>**[41:47] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been telling you, haven't I?<br>**[41:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Could you be on my side?"<br>**[41:51] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please, help me."<br>**[41:53] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that those requests were<br>&nbsp;&nbsp;&nbsp;&nbsp;fleeting and flatly denied.<br>**[41:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I not charming enough?<br>**[42:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that is the correct<br>&nbsp;&nbsp;&nbsp;&nbsp;answer, Araragi-senpai.<br>**[42:06] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the right thing.<br>**[42:07] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, so you can do the right thing, too?<br>**[42:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;you to decline that.<br>**[42:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this party hasn't quite<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten into full swing yet,<br>**[42:21] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but let's have you close it<br>&nbsp;&nbsp;&nbsp;&nbsp;out now, Araragi-senpai.<br>**[42:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'll have the honor of doing so.<br>**[42:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi-chan, your true identity...<br>**[42:35] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your true identity... is me.<br>**[42:48] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino's true identity<br>&nbsp;&nbsp;&nbsp;&nbsp;is Koyomi Araragi.<br>**[42:51] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino is an apparition<br>&nbsp;&nbsp;&nbsp;&nbsp;created by Koyomi Araragi.<br>**[42:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as my older sister, Tooe Gaen,<br>&nbsp;&nbsp;&nbsp;&nbsp;created an apparition called the Rainy Devil.<br>**[43:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The unknown apparition created by Tooe Gaen<br>&nbsp;&nbsp;&nbsp;&nbsp;was the materialization of her self-control.<br>**[43:07] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking that quasi-darkness,<br>**[43:09] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and arranging it into the form of<br>&nbsp;&nbsp;&nbsp;&nbsp;the western apparition called Rainy Devil,<br>**[43:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;she settled the score.<br>**[43:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say that Ougi Oshino<br>**[43:16] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is your own desire to criticize yourself.<br>**[43:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, that's not all she is.<br>**[43:26] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was last August.<br>**[43:28] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The case where Hachikuji-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;was assaulted by the "darkness".<br>**[43:31] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first phase was that Koyomin, through<br>&nbsp;&nbsp;&nbsp;&nbsp;the incident, learned about the "darkness".<br>**[43:36] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You learned of a phenomenon<br>&nbsp;&nbsp;&nbsp;&nbsp;that corrects mistakes.<br>**[43:39] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tells you that what's<br>&nbsp;&nbsp;&nbsp;&nbsp;forbidden is forbidden.<br>**[43:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is wrong is wrong.<br>**[43:43] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It judges things.<br>**[43:48] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, the second phase was the confrontation<br>&nbsp;&nbsp;&nbsp;&nbsp;with the first Apparition Killer.<br>**[43:53] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the first encounter,<br>**[43:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suruga's Rainy Devil left arm had been hit<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Energy Drain from the first one, yes?<br>**[44:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, the undiluted essence of the<br>&nbsp;&nbsp;&nbsp;&nbsp;"unknown" my older sister created<br>**[44:03] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;combined with the original.<br>**[44:06] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Through Shinobu Oshino,<br>&nbsp;&nbsp;&nbsp;&nbsp;you and he understand one another.<br>**[44:10] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, Shinobu-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;had eaten the first one.<br>**[44:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to that food chain,<br>&nbsp;&nbsp;&nbsp;&nbsp;a part of my older sister's legacy<br>**[44:19] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;flowed into you through Shinobu-chan.<br>**[44:23] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the result was the birth<br>&nbsp;&nbsp;&nbsp;&nbsp;of an "unknown" equipped with<br>**[44:28] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the apparitions in this town, and<br>&nbsp;&nbsp;&nbsp;&nbsp;everything that had happened with them.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Because of its nature and how it was created,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino is able to  wield Heart-under-blade's
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;physical materialization skill,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;at the very least.
<br>**[44:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, concerning the surname "Oshino,"<br>&nbsp;&nbsp;&nbsp;&nbsp;it originates from Shinobu Oshino.<br>**[44:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that I foolishly called<br>&nbsp;&nbsp;&nbsp;&nbsp;myself that guy's little sister<br>**[44:44] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;turned out to set a bad precedent.<br>**[44:48] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, Koyomin's singularity<br>&nbsp;&nbsp;&nbsp;&nbsp;was that the apparition<br>**[44:52] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;he created was an apparition<br>&nbsp;&nbsp;&nbsp;&nbsp;that attacked himself.<br>**[44:55] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have, from spring break,<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhere in your heart,<br>**[44:58] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;had awareness that you are<br>&nbsp;&nbsp;&nbsp;&nbsp;cheating all over your body.<br>**[45:03] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You helped Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade out of sympathy...<br>**[45:08] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you wanted to face the consequences.<br>**[45:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You grew a friendship<br>&nbsp;&nbsp;&nbsp;&nbsp;with Tsubasa Hanekawa...<br>**[45:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you kept worrying if you were worthy,<br>&nbsp;&nbsp;&nbsp;&nbsp;since you couldn't live up to her feelings.<br>**[45:21] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You helped Hitagi Senjyogahara<br>&nbsp;&nbsp;&nbsp;&nbsp;with her long-term worries...<br>**[45:24] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you kept thinking how you ended up dating<br>&nbsp;&nbsp;&nbsp;&nbsp;her as "taking advantage of her weakness."<br>**[45:32] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You respect Suruga Kanbaru...<br>**[45:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you felt inferiority because you couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;live in her straightforward manner.<br>**[45:38] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You helped Nadeko Sengoku...<br>**[45:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but back then, the person you really<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to help wasn't just Nadeko Sengoku.<br>**[45:46] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gradually reconciled<br>&nbsp;&nbsp;&nbsp;&nbsp;with Shinobu Oshino...<br>**[45:49] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but was that even allowed?<br>**[45:53] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the first place, isn't it unfair<br>&nbsp;&nbsp;&nbsp;&nbsp;to freely use powers of immortality?<br>**[45:57] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't there be<br>&nbsp;&nbsp;&nbsp;&nbsp;consequences to face for it?<br>**[46:00] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't I...<br>**[46:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the worst kind of human imaginable?<br>**[46:05] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The portion of your mind<br>&nbsp;&nbsp;&nbsp;&nbsp;that criticizes itself<br>**[46:08] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;manifested itself entirely<br>&nbsp;&nbsp;&nbsp;&nbsp;in the form of Ougi Oshino.<br>**[46:12] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl you could call Dark Koyomin.<br>**[46:14] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why, like the darkness,<br>&nbsp;&nbsp;&nbsp;&nbsp;she took things one by one,<br>**[46:18] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the case of Sodachi Oikura as<br>&nbsp;&nbsp;&nbsp;&nbsp;a springboard, and crushed them.<br>**[46:24] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meme Oshino and Yoduru Kagenui...<br>**[46:26] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, and probably Deishu Kaiki after he<br>&nbsp;&nbsp;&nbsp;&nbsp;finished the case concerning Nadeko Sengoku.<br>**[46:31] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest assured, Koyomin.<br>**[46:33] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you exterminate Ougi Oshino,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll probably find them easily.<br>**[46:40] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She still has things that are left undone.<br>**[46:44] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Tsukihi Araragi, your little sister.<br>**[46:47] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The immortal apparition, the Shideno-bird.<br>**[46:50] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no chance whatsoever that<br>&nbsp;&nbsp;&nbsp;&nbsp; part of you isn't concerned with whether<br>**[46:56] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's okay for her to live<br>&nbsp;&nbsp;&nbsp;&nbsp;while pretending to be a human being.<br>**[46:58] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I used her as a lure.<br>**[47:04] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, that's right. I have no evidence.<br>**[47:06] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything I said just<br>&nbsp;&nbsp;&nbsp;&nbsp;now is only speculation.<br>**[47:09] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you understand it, don't you?<br>**[47:11] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know better than anyone else<br>**[47:13] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the true identity of Ougi Oshino.<br>**[47:15] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why it must be you who<br>&nbsp;&nbsp;&nbsp;&nbsp;discloses her true identity.<br>**[47:20] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go be victorious in the<br>&nbsp;&nbsp;&nbsp;&nbsp;battle against yourself.<br>**[47:22] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rather simple, isn't it?<br>**[47:25] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing yourself for the sake of others.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something you do every day.<br>**[47:29] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Koyomi Araragi, the one<br>&nbsp;&nbsp;&nbsp;&nbsp;that you loathe the most.<br>**[47:34] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... go end it all.<br>**[47:36] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;By your hands, you need to end it all.<br>**[47:39] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the end... of your adolescence.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ougi Dark Part Three
<br>**[47:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your true identity... is me.<br>**[47:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are me.<br>**[47:54] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino... is Koyomi Araragi.<br>**[48:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that was rather quick.<br>&nbsp;&nbsp;&nbsp;&nbsp;The main act has already arrived?<br>**[48:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it because of the severity of the<br>&nbsp;&nbsp;&nbsp;&nbsp;lies I told, the sins I have committed?<br>**[48:27] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think I was trying to act<br>&nbsp;&nbsp;&nbsp;&nbsp;the part of such a thing...<br>**[48:30] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, I must<br>&nbsp;&nbsp;&nbsp;&nbsp;have been rather insane.<br>**[48:35] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you know that this<br>&nbsp;&nbsp;&nbsp;&nbsp;was going to happen?<br>**[48:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really are me,<br>**[48:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that I'd be waiting here,<br>**[48:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that I'd already<br>&nbsp;&nbsp;&nbsp;&nbsp;learned who you really are...<br>**[48:50] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you knew, then why come?<br>**[48:53] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are times where you have to fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you know you're going to lose.<br>**[48:57] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could say something akin to dying words,<br>**[49:00] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that, in my own way,<br>**[49:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to make Koyomi Araragi's<br>&nbsp;&nbsp;&nbsp;&nbsp;adolescence into something more right,<br>**[49:05] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if I couldn't make it better.<br>**[49:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're saying that this is right...<br>**[49:11] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I don't need what's right.<br>**[49:14] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know how many problems you've<br>&nbsp;&nbsp;&nbsp;&nbsp;caused, for how many people?<br>**[49:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're saying someone was harmed,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll say that they deserved it.<br>**[49:23] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not that I personally<br>&nbsp;&nbsp;&nbsp;&nbsp;have done anything.<br>**[49:26] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In reality, you fully understand<br>&nbsp;&nbsp;&nbsp;&nbsp;that as well, don't you?<br>**[49:28] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That trouble, harm, misfortune...<br>&nbsp;&nbsp;&nbsp;&nbsp;They aren't things that are cut-and-dry.<br>**[49:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the right thing is cut-and-dry?<br>**[49:39] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is right, and what is wrong...<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you cut them apart?<br>**[49:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you can't decide what's right,<br>**[49:46] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can decide which side<br>&nbsp;&nbsp;&nbsp;&nbsp;is right, can't you?<br>**[49:50] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Sodachi Oikura's case, I was wrong.<br>**[49:53] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Nadeko Sengoku's case, I was right.<br>**[49:57] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Tadatsuru Teori's case...<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we call that a draw.<br>**[50:01] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had thought that I could win<br>&nbsp;&nbsp;&nbsp;&nbsp;that in a one-on-one fight.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Challenge
<br>**[50:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So after all this, Ougi-chan...<br>&nbsp;&nbsp;&nbsp;&nbsp;Me or you—who was right?<br>**[50:12] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I am the one disappearing like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that Araragi-senpai, you were right.<br>**[50:18] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations, Araragi-senpai.<br>**[50:25] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything you have done until<br>&nbsp;&nbsp;&nbsp;&nbsp;now has not been wrong.<br>**[50:28] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was right.<br>**[50:31] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the end of adolescence.<br>**[50:33] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perhaps the end of a story?<br>**[50:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this is nothing significant at all.<br>**[50:39] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not the end of one's life, and it's<br>&nbsp;&nbsp;&nbsp;&nbsp;far from enough to be the world's end.<br>**[50:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just the end of one<br>&nbsp;&nbsp;&nbsp;&nbsp;of your many stories.<br>**[50:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not even the final episode or anything.<br>**[50:50] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad that I could disappear<br>&nbsp;&nbsp;&nbsp;&nbsp;like this before you graduated.<br>**[50:58] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all your hard work.<br>**[51:00] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Araragi-senpai.<br>**[51:06] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Ougi-chan.<br>**[51:10] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Farewell, Ougi Oshino.*<br>**[51:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Farewell, my adolescence.*<br>**[51:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind! I just can't do it!<br>**[51:36] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Araragi-senpai? Wh-What are...<br>**[51:40] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you... thinking?<br>**[51:48] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not immortal, but you're<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to save someone else.<br>**[51:52] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-In the end, that's how you are?<br>**[51:55] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you throw your life away so<br>&nbsp;&nbsp;&nbsp;&nbsp;easily for the sake of others?<br>**[52:00] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you are going to save<br>&nbsp;&nbsp;&nbsp;&nbsp;even someone like me,<br>**[52:02] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;who did nothing but criticize<br>&nbsp;&nbsp;&nbsp;&nbsp;you and make you suffer?<br>**[52:08] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What good does it do if you die?<br>**[52:10] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of saving me here?<br>**[52:13] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong after all.<br>**[52:17] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are wrong as a person.<br>**[52:20] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the absolute worst as a person.<br>**[52:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't... save someone else.<br>**[52:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now... I just saved myself.<br>**[52:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hitagi did. Hanekawa did. Shinobu did.<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki-chan did. Everyone saved me.<br>**[52:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everyone had saved me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I didn't save myself?<br>**[52:51] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't allow such a thing to happen!<br>**[53:04] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, brother.<br>**[53:06] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had planned for a solo suicide, but this ended<br>&nbsp;&nbsp;&nbsp;&nbsp;up being a lover's suicide, Araragi-senpai.<br>**[53:10] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me make it clear, but I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;not a young girl, you know?<br>**[53:14] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't matter. Even then, you're like a<br>&nbsp;&nbsp;&nbsp;&nbsp;newborn baby, born merely six month ago, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Babies should be protected like this.
<br>**[53:23] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're saying what I have been<br>&nbsp;&nbsp;&nbsp;&nbsp;doing until now wasn't wrong...<br>**[53:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the fact that I'm doing this right now<br>&nbsp;&nbsp;&nbsp;&nbsp; should not be wrong, either.<br>**[53:34] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not wrong.<br>**[53:37] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[53:38] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as you are not wrong.<br>**[53:44] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really...<br>**[53:46] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are foolish.<br>**[53:48] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not quite.<br>**[53:57] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't make fun of you...<br>**[53:59] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as you finally fight for your own sake.<br>**[54:04] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;I respect you, Araragi-kun.<br>**[54:10] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I win.<br>**[54:15] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This a joke.<br>**[54:16] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanekawa-senpai really brought him here...<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way from Antarctica.<br>**[54:22] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's really insane.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hitagi, if this is the case, it wasn't,  "This is a pen." It was "dépaysement."
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Ougi-chan had been  alarmed at Hanekawa from the beginning.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The name "Ougi"...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;actually was "ougi" because you put  a "door" on "wings (hane)," wasn't it?
<br>**[54:34] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-kun...<br>**[54:38] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;You oh-so-violently pushed my cute little<br>&nbsp;&nbsp;&nbsp;&nbsp;niece down. What are you planning to do?<br>**[54:44] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, Araragi-kun, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;so full of spirit.<br>**[54:48] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something nice happen<br>&nbsp;&nbsp;&nbsp;&nbsp;to you or something?<br>**[54:52] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be doing obscene things to your<br>&nbsp;&nbsp;&nbsp;&nbsp;underclassman when you have a lover.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Niece?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That's what he said. In reference to Ougi-chan.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Meme Oshino said so.
<br>**[55:05] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Meme Oshino acknowledged*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Ougi Oshino as a relative.*<br>**[55:11] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What that signifies... is the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;existence of Ougi Oshino.*<br>**[55:15] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was no longer a fabrication or a lie.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That is why...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...the "darkness" disappeared.
<br>**[55:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You helped us, Oshino.<br>**[55:28] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't really help or anything.<br>**[55:30] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just helped yourself out<br>&nbsp;&nbsp;&nbsp;&nbsp;on your own, Araragi-kun.<br>**[55:37] Meme**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done.<br>**[55:42] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gweh...<br>**[55:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ougi Oshino became Ougi Oshino.*<br>**[55:49] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And thus, the adolescence of me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Koyomi Araragi, came to an end.*<br>**[55:53] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had believed that not taking care of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;myself was the act of loving others.*<br>**[55:58] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The days of kind deception, filled with thin,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;weak euphoria, have now come to an end.*<br>**[56:09] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An epilogue.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;March 15th
<br>**[56:12] Karen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother! It's morning, damn it!<br>**[56:14] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't get up, you'll be late!<br>**[56:16] Karen & Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez!<br>**[56:25] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Tsukihi-chan,<br>&nbsp;&nbsp;&nbsp;&nbsp;what were you wishing for?<br>**[56:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, about your hair.<br>**[56:31] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was actually wishing your exams would go well,<br>&nbsp;&nbsp;&nbsp;&nbsp;and also a bit about Nadeko-chan.<br>**[56:36] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it was about my hair (kami), I was<br>&nbsp;&nbsp;&nbsp;&nbsp;wishing upon the Lord God (kami).<br>**[56:38] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, if he exists.<br>**[56:41] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, Big Brother's entrance exams are<br>&nbsp;&nbsp;&nbsp;&nbsp;over, and Nadeko-chan has gotten better for now.<br>**[56:46] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, maybe there is a God out there.<br>**[56:49] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, starting yesterday.<br>**[56:51] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[56:52] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[56:54] Tsukihi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[57:00] Karen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother, Big Brother! Since I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to be in high school starting next month,<br>**[57:04] Karen**<br>&nbsp;&nbsp;&nbsp;&nbsp;we won't be able to make<br>&nbsp;&nbsp;&nbsp;&nbsp;out like we have been.<br>**[57:09] Karen**<br>&nbsp;&nbsp;&nbsp;&nbsp;So let's take one last meal,<br>&nbsp;&nbsp;&nbsp;&nbsp;feeding mouth-to-mouth!<br>**[57:13] Karen**<br>&nbsp;&nbsp;&nbsp;&nbsp;And let's brush each others' teeth!<br>**[57:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you need to brush<br>&nbsp;&nbsp;&nbsp;&nbsp;up is your intelligence.<br>**[57:18] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you know, Karen-chan.<br>**[57:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after you disband the Fire Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;of Tsuganoki 2nd Middle School,<br>**[57:24] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you going to continue acting<br>&nbsp;&nbsp;&nbsp;&nbsp;as an advocate of justice?<br>**[57:26] Karen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To correct, maybe she wanted  to say, "By all possible means!"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To be right, that is.
<br>**[57:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Karen-chan, in your case, what did<br>&nbsp;&nbsp;&nbsp;&nbsp;the "right thing" turn out to be?<br>**[57:34] Karen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Helping others!<br>**[57:36] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[57:40] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why not start by helping yourself?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You too.
<br>**[57:47] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Hachikuji!<br>**[57:49] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't speak to me!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Name: God Mayoi Hachikuji
<br>**[57:51] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a god now!<br>**[57:55] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist that you wish to speak to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;after two bows, two claps, and one bow...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One bow               Two claps                 Two bows
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Manners in visitation
<br>**[58:00] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...make a monetary offering, and speak<br>&nbsp;&nbsp;&nbsp;&nbsp;as if you were speaking to a god.<br>**[58:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would talk to someone like that?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll totally ignore you.<br>**[58:08] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-san, are you heading to<br>&nbsp;&nbsp;&nbsp;&nbsp;your graduation ceremony today?<br>**[58:11] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all your hard work.<br>**[58:17] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, I would attend the graduation<br>&nbsp;&nbsp;&nbsp;&nbsp;ceremony and celebrate your achievement.<br>**[58:22] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if a god were to attend, the common people<br>&nbsp;&nbsp;&nbsp;&nbsp;might start clamoring... so I'll be considerate.<br>**[58:27] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody will visit your shrine. We're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to end up as a town without a god again!<br>**[58:32] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hahaha! Oh, don't say that.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can come by any time.<br>**[58:36] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;North Shirahebi Shrine is free to visit,<br>&nbsp;&nbsp;&nbsp;&nbsp;so really, come visit at any time.<br>**[58:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'll go visit at any time.<br>**[58:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At your home.<br>**[58:46] Mayoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, at my home!<br>**[58:51] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, are you really all<br>&nbsp;&nbsp;&nbsp;&nbsp;right with this, Shinobu-san?<br>**[58:54] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your desire to be sealed away once<br>&nbsp;&nbsp;&nbsp;&nbsp;again within Koyomin's shadow<br>**[58:58] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something I find difficult to comprehend.<br>**[59:01] Izuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's some rationale behind<br>&nbsp;&nbsp;&nbsp;&nbsp;this, I'd like to know it.<br>**[59:06] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is none.<br>**[59:07] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, my desire to once again be<br>&nbsp;&nbsp;&nbsp;&nbsp;deemed harmless, as I tire of battle...<br>**[59:14] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something a specialist shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;find too difficult to comprehend.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;From a young girl (youjo)  to a phantom woman (youjo).
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And then, to wish to return  to a young girl once again.
<br>**[59:21] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, if my master, now that his vampiric<br>&nbsp;&nbsp;&nbsp;&nbsp;nature has been successfully removed,<br>**[59:29] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;is unwilling to return once again to the<br>&nbsp;&nbsp;&nbsp;&nbsp;state of being a quasi-human, quasi-vampire,<br>**[59:35] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall retract my own desires.<br>**[59:39] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I heal that arm, I will retreat to a<br>&nbsp;&nbsp;&nbsp;&nbsp;mountain somewhere, and live a secluded life.<br>**[59:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I'd let you.<br>**[59:48] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mountains don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Donut stores, Shinobu.<br>**[59:54] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>**[59:58] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were to die tomorrow, I'd be fine with<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow being the last day of my life.<br>**[1:00:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were to live through today,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will also choose to live through today.<br>**[1:00:09] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were to die the day after tomorrow,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall live for three days' time...<br>**[1:00:14] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;and tell a tale about you to someone.<br>**[1:00:18] Kiss-shot**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall recite the story of my master<br>&nbsp;&nbsp;&nbsp;&nbsp;with pride to a listening ear.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Naoetsu High
<br>**[1:00:39] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Araragi-kun.<br>**[1:00:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Hanekawa.<br>**[1:00:45] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here at the bicycle lot?<br>**[1:00:47] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I was waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;for you, Araragi-kun.<br>**[1:00:49] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there were a lot of things<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to talk to you about.<br>**[1:00:53] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to take off right after<br>&nbsp;&nbsp;&nbsp;&nbsp;the graduation ceremony is over.<br>**[1:00:58] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought this was the only<br>&nbsp;&nbsp;&nbsp;&nbsp;time I'd get to talk to you.<br>**[1:01:03] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have to leave right away<br>&nbsp;&nbsp;&nbsp;&nbsp; because of the flight you booked?<br>**[1:01:08] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm... Actually...<br>**[1:01:12] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In bringing Oshino-san back from Antarctica,<br>&nbsp;&nbsp;&nbsp;&nbsp;I sold off a bit of my brains.<br>**[1:01:17] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sold off your brains?<br>**[1:01:19] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? That doesn't sound good...*<br>**[1:01:21] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you call them "jet setters"?<br>**[1:01:23] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I had to go that far<br>&nbsp;&nbsp;&nbsp;&nbsp;to charter a fighter plane.<br>**[1:01:29] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. I sold it off to a<br>&nbsp;&nbsp;&nbsp;&nbsp;relatively honest institution.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stare Stare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stare Stare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stare Stare
<br>**[1:01:42] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll knock you out!<br>**[1:01:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scary!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony Site
<br>**[1:01:46] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, they think that Kagenui-san<br>&nbsp;&nbsp;&nbsp;&nbsp;is probably at the North Pole.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony Site
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony
<br>**[1:01:51] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see... I had a hunch<br>&nbsp;&nbsp;&nbsp;&nbsp;so I chose the continent.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony Site
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony Site
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony
<br>**[1:01:55] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if I had gone to the North<br>&nbsp;&nbsp;&nbsp;&nbsp;Pole, it still would've worked out.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony Site
<br>**[1:02:00] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki-chan wanted to go get her, but she declined,<br>**[1:02:04] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying she's busy with some kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;familiar sounding training ritual<br>**[1:02:08] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;which involves fighting polar bears.<br>**[1:02:09] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Then, what happened to Ononoki-chan?<br>&nbsp;&nbsp;&nbsp;&nbsp;What is she doing now?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony Site
<br>**[1:02:13] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still at my house.<br>**[1:02:15] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[1:02:16] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, a part of it is that Gaen-san<br>&nbsp;&nbsp;&nbsp;&nbsp;and Oshino left all too suddenly.<br>**[1:02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony<br>**[1:02:21] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like adults are<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty busy in many ways.<br>**[1:02:24] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adults?<br>**[1:02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony<br>**[1:02:26] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're going to join<br>&nbsp;&nbsp;&nbsp;&nbsp;them starting tomorrow.<br>**[1:02:29] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hitagi and I are still students.<br>**[1:02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony<br>**[1:02:32] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one that<br>&nbsp;&nbsp;&nbsp;&nbsp;is becoming an adult.<br>**[1:02:35] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hitagi"?<br>**[1:02:36] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see, I see. Something like<br>&nbsp;&nbsp;&nbsp;&nbsp;that happened while I was gone?<br>**[1:02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graduation Ceremony<br>**[1:02:42] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait, wait. Don't make hasty decisions.<br>**[1:02:44] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps things haven't gone<br>&nbsp;&nbsp;&nbsp;&nbsp;as far as you think they have.<br>**[1:02:48] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad, I'm glad. Now, I can take off<br>&nbsp;&nbsp;&nbsp;&nbsp;without worrying about a thing.<br>**[1:02:56] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Araragi-kun.<br>**[1:02:58] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? You're not going to call him "Koyomi"?<br>**[1:03:07] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Koyomi.<br>**[1:03:11] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And welcome back, Tsubasa.<br>**[1:03:17] Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back, Hitagi-chan.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thursday, March 15th
<br>**[1:03:21] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomi, Kanbaru apparently has prepared<br>&nbsp;&nbsp;&nbsp;&nbsp;a present for us as a graduation gift.<br>**[1:03:26] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? A present from Kanbaru...<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes me nervous.<br>**[1:03:32] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she isn't one to prepare something<br>&nbsp;&nbsp;&nbsp;&nbsp;strange for something like this.<br>**[1:03:36] Hitagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I probed a bit, and it seems to<br>&nbsp;&nbsp;&nbsp;&nbsp;be an ordinary flower bouquet.<br>**[1:03:41] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flowers, huh...<br>**[1:04:01] Hitagi & Tsubasa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Off you go!<br>**[1:04:05] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[1:04:07] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pick up my diploma for me!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm on my way.
<br>**[1:04:24] Ougi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't changed, Araragi-senpai.<br>**[1:04:28] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm changing.<br>**[1:04:30] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no matter how much I change...<br>**[1:04:33] Koyomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am still me.<br>**[1:04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graduation<br>&nbsp;&nbsp;&nbsp;&nbsp; Ceremony<br>**[1:05:27] Shinobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once upon a time, in a certain place,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a weirdo called Koyomi Araragi.<br>**[1:05:32] Shinobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he still is around to this day.<br>**[1:05:36] Shinobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they all lived happily ever after.<br>**[1:05:39] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I heard the story recited from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the shadow that was running with me.*<br>**[1:05:43] Koyomi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was curious to see*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what happened next in the story.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Owarimonogatari The End
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