# Season 1

# E1 - The Man Who Races

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G9DUE57VV/the-man-who-races)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want some coffee?<br>**[00:50] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't. Whose fault do you<br>&nbsp;&nbsp;&nbsp;&nbsp; think it is that we're late?<br>**[00:54] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to get you and <br>
&nbsp;&nbsp;&nbsp;&nbsp;you *still* took forever to wake up.<br>**[00:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had some retouching deadlines overlap.<br>**[00:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ran out of steam after<br>&nbsp;&nbsp;&nbsp;&nbsp;getting my equipment ready.<br>**[01:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[01:09] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, this big race<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to be intense.<br>**[01:12] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to cover the paddock today.<br>**[01:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Sae-chan.<br>**[01:17] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call me that.<br>**[01:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:19] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call me Yukihira-san. Or at least Saeko.<br>**[01:22] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I give you work,<br>**[01:24] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;that stupid pig of a director goes,<br>
&nbsp;&nbsp;&nbsp;&nbsp; "You *still* not over him, Saeko-chan?"<br>**[01:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're forgetting to censor yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp; Chief Editor Yukihira.<br>**[01:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You at least skimmed<br>&nbsp;&nbsp;&nbsp;&nbsp;the materials, didn't you?<br>**[01:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking now.<br>**[01:39] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable.<br>**[01:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Super GT"?<br>**[01:45] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. We're doing a special issue next month.<br>**[01:50] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lots of girls are into motorsports<br>&nbsp;&nbsp;&nbsp;&nbsp;these days, apparently.<br>**[01:54] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;They think guys who race<br>&nbsp;&nbsp;&nbsp;&nbsp;and risk their lives are cool.<br>**[01:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[01:59] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, good luck this weekend.<br>**[02:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:02] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free anyway, right?<br>**[02:04] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get you a good daily wage.<br>**[02:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[02:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how it looks, I'm pretty busy—<br>**[02:11] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to today's modeling shoot?<br>**[02:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I really felt like<br>&nbsp;&nbsp;&nbsp;&nbsp;shooting some products today,<br>**[02:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I asked them to make the switch.<br>**[02:20] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *asked* them? After everything<br>
&nbsp;&nbsp;&nbsp;&nbsp;I went through to get you that job?<br>**[02:25] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever. In any case,<br>&nbsp;&nbsp;&nbsp;&nbsp; I'm counting on you.<br>**[02:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[02:48] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here.<br>**[02:58] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go park the car<br>&nbsp;&nbsp;&nbsp;&nbsp;and say hello to their PR team.<br>**[03:02] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your tabard at reception<br>&nbsp;&nbsp;&nbsp;&nbsp;before you start shooting.<br>**[03:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tabard?<br>**[03:07] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a vest. Yours is pink for press.<br>**[03:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Sae-cha—I mean, Saeko-san?<br>**[03:12] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you overslept, I have to park<br>&nbsp;&nbsp;&nbsp;&nbsp;farther away, so go on without me.<br>**[03:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:26] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ko-chan!<br>**[03:28] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't ask this of you all the time,<br>&nbsp;&nbsp;&nbsp;&nbsp; but once in a while...<br>**[03:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really go for it.<br>**[03:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call me that.<br>**[03:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kouya, not Ko-chan.<br>**[03:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot how to really go<br>&nbsp;&nbsp;&nbsp;&nbsp;for it a long time ago.<br>**[04:50] REPORTER**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was qualifying for you?<br>**[04:52] RACER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, my machine's in good shape.<br>**[04:56] RACER**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm satisfied with how I did.<br>**[05:11] RACER**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope I can keep it up for the race.<br>**[06:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So many cars.<br>**[06:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So many tires.<br>**[06:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;F1?<br>**[06:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming through!<br>**[06:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota, you're being embarrassing.<br>**[06:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Haru?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a totally hype melody.<br>**[06:28] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't get outta the way, you'll find<br>&nbsp;&nbsp;&nbsp;&nbsp; a horse's head in your bed tomorrow.<br>**[06:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about?<br>**[06:38] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka-kun? Is that you, Madoka Kouya-kun?<br>**[06:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san.<br>**[06:44] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was.<br>**[06:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to see you again.<br>**[06:48] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's been a while.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here today? Work?<br>**[06:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. I'm shooting some pictures<br>&nbsp;&nbsp;&nbsp;&nbsp; of the Super GT cars.<br>**[06:55] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The photos you took<br>&nbsp;&nbsp;&nbsp;&nbsp;of our office were a hit.<br>**[07:00] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you could've taken<br>&nbsp;&nbsp;&nbsp;&nbsp;the interview photos, too.<br>**[07:02] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[07:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what are you doing here?<br>**[07:08] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, didn't I mention?<br>**[07:11] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually own a racing team.<br>**[07:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You own an F1 team?<br>**[07:20] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not F1. The cars parked here are F4.<br>**[07:24] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;As in one, two, three, four.<br>**[07:26] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4...<br>**[07:29] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4. Formula 4.<br>**[07:31] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a separate category from F1.<br>**[07:34] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Super GT has support races.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're like opening acts.<br>**[07:38] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when the F4 cars race.<br>**[07:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[07:41] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is my team.<br>**[07:45] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso.<br>**[07:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[07:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is amazing. The cars are so shiny.<br>**[07:53] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta keep them polished or else<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't see when they've got damage.<br>**[07:57] GIRL A & B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun!<br>**[08:00] GIRL A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun, good luck today!<br>**[08:02] GIRL C**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be watching from the grandstand!<br>**[08:04] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your support.<br>**[08:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best today for you kittens.<br>**[08:14] GIRL**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's so hot!<br>**[08:16] GIRL**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun!<br>**[08:17] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but only authorized personnel<br>&nbsp;&nbsp;&nbsp;&nbsp;are allowed inside the tent.<br>**[08:21] GIRL B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c'mon. One little look won't hurt.<br>**[08:23] GIRL C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, what she said!<br>**[08:25] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, he's kinda like a rock star.<br>**[08:29] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's one of our drivers.<br>**[08:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:33] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me introduce you.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Madoka Kouya-kun, a friend of mine.<br>**[08:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[08:37] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my number one driver,<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga Satsuki,<br>**[08:41] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my number two driver, Tokumaru Toshiki.<br>**[08:43] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're my racers.<br>**[08:45] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[08:45] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[08:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you a cameraman?<br>**[08:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, a photographer. I take pictures.<br>**[08:55] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I hope you'll take pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;of me on the winner's podium today!<br>**[08:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, sure.<br>**[09:01] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now, Harunaga.<br>**[09:02] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're looking<br>&nbsp;&nbsp;&nbsp;&nbsp;forward to it, Alice-chan.<br>**[09:04] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?<br>**[09:06] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. He's a goofball,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's not a bad driver.<br>**[09:11] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm training him up so he can<br>&nbsp;&nbsp;&nbsp;&nbsp; race in F3 or F2 someday.<br>**[09:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. Sounds impressive.<br>**[09:19] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose. Tokumaru.<br>**[09:22] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you show Madoka-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;around the F4 paddock?<br>**[09:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. You've got a race coming up, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you need to get ready for it?<br>**[09:32] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. I just follow the instructions.<br>**[09:35] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you come to photograph the<br>&nbsp;&nbsp;&nbsp;&nbsp;Super GT cars? Do you know more about them?<br>**[09:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I actually don't have the first clue.<br>**[09:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;More tires?<br>**[09:47] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're warming them in<br>&nbsp;&nbsp;&nbsp;&nbsp;the sun to improve their grip.<br>**[09:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're well-informed.<br>**[09:55] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, there sure are a lot of people here.<br>**[09:57] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;This year, we have a total<br>&nbsp;&nbsp;&nbsp;&nbsp;of 20 teams and 36 cars racing.<br>**[10:01] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4's an easy category to enter.<br>**[10:04] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just need a Japanese class A license,<br>**[10:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;an international class B license or lower,<br>&nbsp;&nbsp;&nbsp;&nbsp;or a restricted Japanese class A license.<br>**[10:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, by that, you mean<br>&nbsp;&nbsp;&nbsp;&nbsp;a driver's license, right?<br>**[10:15] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some other requirements,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the biggest one is money.<br>**[10:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money?<br>**[10:23] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. Pit crews and car<br>&nbsp;&nbsp;&nbsp;&nbsp;maintenance don't come free.<br>**[10:30] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you need is technique and money.<br>**[10:33] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can develop your technique through<br>&nbsp;&nbsp;&nbsp;&nbsp;practice, but even that takes money.<br>**[10:38] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So while there are teams and drivers<br>&nbsp;&nbsp;&nbsp;&nbsp; that emphasize speed<br>**[10:41] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;and spend money to get to<br>&nbsp;&nbsp;&nbsp;&nbsp;F3, F2, and eventually F1,<br>**[10:45] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are also privateers who fork over<br>&nbsp;&nbsp;&nbsp;&nbsp;the dough, but just enjoy the racing itself.<br>**[10:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, as a hobby?<br>**[10:52] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their driver is a company president.<br>**[10:54] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driving in a race was his dream.<br>**[10:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[11:02] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there are all kinds of participants, huh?<br>**[11:04] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[11:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the most impressive teams are<br>&nbsp;&nbsp;&nbsp;&nbsp;those without money or technique.<br>**[11:10] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're like mobile chicanes.<br>**[11:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chicanes?<br>**[11:14] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a type of obstacle.<br>**[11:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Corleone family...<br>**[11:21] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you say?<br>**[11:23] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know him?<br>**[11:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Whoa, whoa, whoa, whoa!<br>**[11:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you got anything better to do than<br>&nbsp;&nbsp;&nbsp;&nbsp; coming and bugging us before every race?<br>**[11:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you got anything better to do<br>&nbsp;&nbsp;&nbsp;&nbsp;than maintaining that worthless machine?<br>**[11:36] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Mr. Chicane?<br>**[11:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Th-This is scary.*<br>**[11:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This pre-race intensity is too much for me.*<br>**[11:54] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try not to block the track<br>&nbsp;&nbsp;&nbsp;&nbsp;while getting lapped today.<br>**[11:58] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I obeyed the blue flags and left space.<br>**[12:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who was too hasty.<br>**[12:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay, that's enough now.<br>**[12:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a race coming up, right?<br>&nbsp;&nbsp;&nbsp;&nbsp; Let's not fight, yeah? Okay?<br>**[12:19] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't come back!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're sprinkling salt!<br>**[12:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, who are you?<br>**[12:26] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;A friend of his?<br>**[12:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, not exactly, but, uh, sorry about that...<br>**[12:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;To you, too.<br>**[12:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Um...<br>**[12:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it. I'll be cheering you on.<br>**[12:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need that.<br>**[12:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to be cheered on.<br>**[12:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[12:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;can race alone.<br>**[12:50] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. I bought lunch.<br>**[12:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened here?<br>**[12:56] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki<br>**[12:56] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Motors<br>**[12:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki<br>**[12:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Motors<br>**[13:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors?<br>**[13:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, who are you?<br>**[13:11] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;A friend of theirs?<br>**[13:24] COWORKER A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can try again next time.<br>**[13:26] COWORKER A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just think of it as<br>&nbsp;&nbsp;&nbsp;&nbsp; taking a well-earned break.<br>**[13:28] COWORKER B**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not bothered by it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the chief editor insisted. Sorry.<br>**[13:33] COWORKER C**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Things will settle down soon.<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[13:37] COWORKER C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[13:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[13:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it. I'll be cheering you on.<br>**[13:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to be cheered on.<br>**[13:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can race alone.<br>**[13:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. What am I saying when<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how to really go for it?<br>**[14:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors Inc.<br>**[14:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Futoshi-san.<br>**[14:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. I heard you stopped<br>&nbsp;&nbsp;&nbsp;&nbsp; a fight earlier. Thanks.<br>**[14:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. It's basically my fault<br>&nbsp;&nbsp;&nbsp;&nbsp; we even came to your tent.<br>**[14:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want some?<br>**[14:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, no thanks.<br>**[14:21] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you know Ena-san?<br>**[14:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but I only learned today<br>&nbsp;&nbsp;&nbsp;&nbsp;that he owns a team.<br>**[14:28] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bet you were surprised.<br>**[14:30] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to Belsorriso, privateers like us<br>&nbsp;&nbsp;&nbsp;&nbsp; are basically just screwing around.<br>**[14:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I wouldn't say that.<br>**[14:37] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though we do take it seriously, of course.<br>**[14:40] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're looking *real* good this time. <br>
&nbsp;&nbsp;&nbsp;&nbsp;We did well in qualifying.<br>**[14:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must really like all this.<br>**[14:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Even though we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have any money," you mean?<br>**[14:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, not at all!<br>**[14:53] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know...<br>**[14:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is fun.<br>**[15:00] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how hard we try,<br>&nbsp;&nbsp;&nbsp;&nbsp;the big teams don't take us seriously.<br>**[15:05] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, they even<br>&nbsp;&nbsp;&nbsp;&nbsp;call us mobile chicanes.<br>**[15:08] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when we make a few adjustments<br>&nbsp;&nbsp;&nbsp;&nbsp;and slowly climb the leaderboard,<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;K<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;o<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;a<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;k<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;i<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;M<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;o<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;t<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;o<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;r<br>**[15:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;s<br>**[15:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like someday,<br>&nbsp;&nbsp;&nbsp;&nbsp;we might be able to beat them.<br>**[15:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And maybe that day will be today.<br>**[15:20] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we go for it.<br>&nbsp;&nbsp;&nbsp;&nbsp;It enables us to go for it.<br>**[15:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it?<br>**[15:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, my bad. I got carried away.<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for bothering you.<br>**[15:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me!<br>**[15:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you show me?<br>**[15:38] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a credentials pass.<br>**[15:40] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had one left over, so you can use it.<br>**[15:43] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;With that, you can even<br>&nbsp;&nbsp;&nbsp;&nbsp;go into the GT paddock.<br>**[15:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The GT paddock?<br>**[15:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It temporarily makes you... uh...<br>**[15:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka. My name is Madoka Kouya.<br>**[15:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It temporarily makes you a<br>&nbsp;&nbsp;&nbsp;&nbsp;member of our team, Madoka-san.<br>**[16:01] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave your tabard and camera inside.<br>**[16:03] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinary reporters aren't allowed in here.<br>**[16:08] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to F4.<br>**[16:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What did you say?<br>**[16:11] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to F4!<br>**[16:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What?<br>**[16:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already started?<br>**[16:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Go for it!<br>**[16:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. This is just the formation lap.<br>**[16:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do one lap of the track<br>&nbsp;&nbsp;&nbsp;&nbsp; before the race starts.<br>**[16:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I see.<br>**[16:47] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way. Let me show you around.<br>**[16:51] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kotarou.<br>**[16:53] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my son, Kotarou.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's our team's mechanic.<br>**[16:56] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[16:58] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! You're the friend!<br>**[17:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're back.<br>**[17:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are they zigzagging like<br>&nbsp;&nbsp;&nbsp;&nbsp;the caboose of a motorbike gang?<br>**[17:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's weaving.<br>**[17:11] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;By swinging their machines back and forth,<br>&nbsp;&nbsp;&nbsp;&nbsp;they work their tires and warm them up.<br>**[17:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at the car at the front.<br>**[17:18] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso's Harunaga Satsuki-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;is in pole position.<br>**[17:22] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru Toshiki-kun is second.<br>**[17:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And our Haruka is 10th out of 36.<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty good starting spot, right?<br>**[17:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka?<br>**[17:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, Asahina Haruka.<br>**[17:35] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pride of Komaki Motors<br>&nbsp;&nbsp;&nbsp;&nbsp; and our lead driver.<br>**[17:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lead driver? He's our *only* driver.<br>**[17:40] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's true that we're proud of him.<br>**[17:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina Haruka...<br>**[18:14] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And they're underway.*<br>**[18:15] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Harunaga Satsuki charges*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into the TGR corner.*<br>**[18:19] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru Toshiki follows*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in a good position.*<br>**[18:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso always starts well.<br>**[18:36] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ah, a yellow flag.*<br>**[18:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[18:41] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The yellow flag. It's used to warn drivers<br>&nbsp;&nbsp;&nbsp;&nbsp; about a dangerous situation on the track.<br>**[18:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The safety car board is out, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe there was an accident?<br>**[18:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:50] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's in the TGR corner.*<br>**[18:52] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The 64 and the 84*<br>*&nbsp;&nbsp;&nbsp;&nbsp;seem to have collided.*<br>**[18:58] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's injured.<br>**[19:00] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And our car wasn't involved.<br>**[19:05] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;To prevent further accidents, the safety car<br>&nbsp;&nbsp;&nbsp;&nbsp;leads the pack around until the track is clear.<br>**[19:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;This could be like a tailwind for us.<br>**[19:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A tailwind?<br>**[19:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the yellow's out, drivers must<br>&nbsp;&nbsp;&nbsp;&nbsp;reduce their speed and can't overtake.<br>**[19:18] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the gap to the car<br>&nbsp;&nbsp;&nbsp;&nbsp; in the lead is closed instantly.<br>**[19:28] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go! Here we go! Here we go!<br>**[19:29] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The race has resumed!<br>**[19:35] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Toshi-kun, you're straining yourself.*<br>**[19:40] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's this?*<br>**[19:42] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Fifth down to eighth*<br>*&nbsp;&nbsp;&nbsp;&nbsp;enter the TGR corner four-wide!*<br>**[19:58] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the 80 car comes out ahead!*<br>**[20:01] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's Asahina Haruka.*<br>**[20:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Did you see that?<br>&nbsp;&nbsp;&nbsp;&nbsp; You've got this, Haru!<br>**[20:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow! He passed another! He's in fourth!<br>**[20:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today might be the day.<br>**[20:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What day?<br>**[20:19] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today might be *that* day!<br>**[20:21] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:22] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[20:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, w-wait. Go where?<br>**[20:29] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Haruka's gonna attack,<br>**[20:31] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be here, where they brake hard<br>&nbsp;&nbsp;&nbsp;&nbsp; and bunch up after the descent.<br>**[20:34] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Dunlop Corner!<br>**[20:49] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go! Here we go! Here we go!<br>**[20:56] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need that.<br>**[20:58] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to be cheered on.<br>**[21:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can race alone.<br>**[21:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember now.<br>**[21:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is what it means...<br>**[21:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;to really go for it.<br>**[21:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[21:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[21:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[21:34] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ah, the 80's tire went bang. He's out.*<br>**[21:38] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just happened?!<br>**[21:40] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-He might've run over something.<br>**[21:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tires were worn after<br>&nbsp;&nbsp;&nbsp;&nbsp; we went so hard in qualifying.<br>**[21:49] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[22:11] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yippee! I did it, kittens!<br>**[23:11] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is where you got to, huh?<br>**[23:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it.<br>**[23:16] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[23:23] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Man <br>
&nbsp;&nbsp;&nbsp;&nbsp;Who Races<br>**[23:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a picture.<br>**[24:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[24:58] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[24:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please allow me to sponsor your team!<br>**[25:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to support you!<br>

# E2 - Enthusiasm and Spirit

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GX9UQJ98V/enthusiasm-and-spirit)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[00:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please allow me to sponsor your team!<br>**[00:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to support you!<br>**[00:09] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this is nice.<br>**[00:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, right in the feels!<br>**[00:23] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right in the what?<br>**[00:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I just happened to capture that.<br>**[00:28] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:28] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? It's got real atmosphere.<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess you really are a pro.<br>**[00:28] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:28] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:29] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:29] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:29] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:30] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:30] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:30] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:30] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[00:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice, check it out.<br>**[00:34] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see.<br>**[00:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, personal space!<br>**[00:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[00:42] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Haru-chan! Welcome back.<br>**[00:45] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a guest, Haru.<br>**[00:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[00:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Madoka Kouya.<br>**[00:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that guy.<br>**[00:53] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't believe this, Haruka.<br>**[00:55] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says he wants to sponsor us<br>&nbsp;&nbsp;&nbsp;&nbsp;because he fell in love with your driving.<br>**[00:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My driving?<br>**[01:00] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, he's a cameraman from Tokyo.<br>**[01:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a photographer. I take photographs.<br>**[01:07] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He took a picture of you yesterday, too.<br>**[01:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Right in the fun zone, right?<br>**[01:17] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean "right in the feels."<br>**[01:21] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! He said right in the fun zone.<br>**[01:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I need that for work!<br>**[01:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't paid it off yet!<br>**[03:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But seriously, I was really impressed.<br>**[03:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you rounded that corner,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was leaning forward without realizing.<br>**[03:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't expecting the kid who said<br>&nbsp;&nbsp;&nbsp;&nbsp;he races alone to fight so hard.<br>**[03:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dropped out of that race, though.<br>**[03:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. I know that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's not what I meant.<br>**[03:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It reminded me of what<br>&nbsp;&nbsp;&nbsp;&nbsp;it means to really go for it.<br>**[03:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt like I had to do something.<br>**[03:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be in demand.<br>**[03:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[03:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, since you want to sponsor us.<br>&nbsp;&nbsp;&nbsp;&nbsp;Cameramen must make a lot of money.<br>**[03:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I'm not one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;hotshot photographers<br>**[03:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;handling shoots of popular artists,<br>&nbsp;&nbsp;&nbsp;&nbsp; so I don't make much.<br>**[03:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:58] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this.<br>**[03:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you use a<br>&nbsp;&nbsp;&nbsp;&nbsp;wooden plank to reinforce the body.<br>**[04:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a difference from Ena-san's shiny cars.<br>**[04:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't worry.<br>**[04:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I'm your sponsor,<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't have to settle for—<br>**[04:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a skid block.<br>**[04:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stick a wooden plank on the bottom<br>&nbsp;&nbsp;&nbsp;&nbsp;of the chassis to reduce downforce.<br>**[04:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes it safer.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not for reinforcing the body.<br>**[04:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are regulations around it.<br>&nbsp;&nbsp;&nbsp;&nbsp;If the plank is too thin, you're disqualified.<br>**[04:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a rule like that?<br>**[04:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's there to prevent the<br>&nbsp;&nbsp;&nbsp;&nbsp;car's body from going too low?<br>**[04:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much do you think those tires cost?<br>**[04:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Uh, well, normal tires<br>&nbsp;&nbsp;&nbsp;&nbsp;cost around 20k apiece,<br>**[04:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm sure they're more<br>&nbsp;&nbsp;&nbsp;&nbsp;expensive than that, so...<br>**[04:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;One set costs roughly 100k.<br>**[04:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a lot.<br>**[04:55] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, they're specialized.<br>**[04:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But I think I can afford 100k.<br>**[05:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need three sets for each event,<br>&nbsp;&nbsp;&nbsp;&nbsp; and there are seven events a year.<br>**[05:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We use them in practice, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;so tires alone cost 2.5 million a year.<br>**[05:10] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's just for privateers like us.<br>**[05:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Top teams put in a lot of practice,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they spend over four million a year.<br>**[05:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Four*...<br>**[05:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We rent the engine. Including overhaul fees,<br>&nbsp;&nbsp;&nbsp;&nbsp;it costs 1.05 million a year.<br>**[05:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of that, there are repair costs,<br>&nbsp;&nbsp;&nbsp;&nbsp;replacement parts, oil, and fuel.<br>**[05:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;At minimum, it all costs<br>&nbsp;&nbsp;&nbsp;&nbsp; about 11 million a year.<br>**[05:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depends on the team, of course.<br>**[05:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso probably spends<br>&nbsp;&nbsp;&nbsp;&nbsp;around 18 million a year.<br>**[05:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since Komaki Motors is a garage,<br>&nbsp;&nbsp;&nbsp;&nbsp;we save on labor costs, so it's way cheaper.<br>**[05:44] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for someone who still<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't paid off his camera...<br>**[05:56] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[05:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it's possible for someone<br>&nbsp;&nbsp;&nbsp;&nbsp; with no money or knowledge<br>**[06:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;to sponsor a team on<br>&nbsp;&nbsp;&nbsp;&nbsp;enthusiasm and spirit alone.<br>**[06:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. He's such a little brat.<br>**[06:20] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kind of figured a cameraman from<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokyo must make a lot of money, too.<br>**[06:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I couldn't live up<br>&nbsp;&nbsp;&nbsp;&nbsp; to your expectations.<br>**[06:28] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding. I'm just glad you're interested.<br>**[06:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;People have drifted away<br>&nbsp;&nbsp;&nbsp;&nbsp;from motorsports recently.<br>**[06:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a keepsake from a friend.<br>**[06:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how I look,<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to go hard back in the day.<br>**[06:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They called me Futoshi the Fixer.<br>**[06:50] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka's dad was our driver then.<br>**[06:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;For whatever reason, we got along.<br>**[06:56] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our families were close.<br>**[06:59] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;When his wife was hospitalized,<br>&nbsp;&nbsp;&nbsp;&nbsp;we looked after Haruka.<br>**[07:05] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two years after she passed away,<br>&nbsp;&nbsp;&nbsp;&nbsp;I quit the team to take over this place.<br>**[07:12] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And right after that, Toru—Haruka's dad—<br>&nbsp;&nbsp;&nbsp;&nbsp; had an accident during a race.<br>**[07:22] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the first few years,<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka lived with relatives.<br>**[07:28] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, he walked here.<br>&nbsp;&nbsp;&nbsp;&nbsp;It took him two whole days.<br>**[07:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was just a grade school kid.<br>**[07:36] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he wanted to be a racer like<br>&nbsp;&nbsp;&nbsp;&nbsp;his dad and begged to join the team.<br>**[07:43] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He apparently didn't know I'd quit the team.<br>**[07:47] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He clenched his little fists as hard<br>&nbsp;&nbsp;&nbsp;&nbsp;as he could and bowed his head.<br>**[07:51] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just thinking about it now still gets to me.<br>**[07:56] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I had a thought.<br>**[07:59] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I'd quit the team, I could make my own.<br>**[08:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka's been our boy ever since. Our driver.<br>**[08:09] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our budget's minuscule, but both my son<br>&nbsp;&nbsp;&nbsp;&nbsp;Kotarou and I can work on cars.<br>**[08:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka's impudent,<br>**[08:17] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in between practicing, he delivers<br>&nbsp;&nbsp;&nbsp;&nbsp; newspapers to earn money for us.<br>**[08:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why.<br>**[08:26] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I keep telling him he doesn't have to,<br>**[08:30] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he gets his considerate nature<br>&nbsp;&nbsp;&nbsp;&nbsp;and his tenacity from his dad.<br>**[08:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I...<br>**[08:37] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. I appreciate the thought.<br>**[08:41] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for complimenting Haruka. Really.<br>**[08:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I doing?<br>**[08:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got all excited by myself<br>&nbsp;&nbsp;&nbsp;&nbsp;and showed up unannounced.<br>**[09:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[09:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it's possible for someone<br>&nbsp;&nbsp;&nbsp;&nbsp; without money or knowledge<br>**[09:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;to sponsor a team on <br>
&nbsp;&nbsp;&nbsp;&nbsp;enthusiasm and spirit alone.<br>**[09:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Closed to Vehicles<br>**[09:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;(Excluding <br>
&nbsp;&nbsp;&nbsp;&nbsp;Bicycles)<br>**[09:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;From 7:00 to 18:00<br>**[09:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's absolutely right.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing I can do.<br>**[09:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan<br>**[09:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[09:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remind me<br>**[09:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Message<br>**[09:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slide to answer<br>**[09:16] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop<br>**[09:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? What is it, Sae-chan?<br>**[09:20] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I told you not to call me that!*<br>**[09:24] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I called you a bunch<br>&nbsp;&nbsp;&nbsp;&nbsp;of times this afternoon.<br>**[09:26] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Gotenba?<br>**[09:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yeah, I had something to do.<br>**[09:31] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, whatever.*<br>**[09:33] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By the way, are you free tomorrow?*<br>**[09:35] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd like you to shoot something.*<br>**[09:38] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow?<br>**[09:39] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said if they were allowed to<br>&nbsp;&nbsp;&nbsp;&nbsp;request a photographer, they wanted you.<br>**[09:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They who?*<br>**[09:45] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did a shoot for him before.<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san of Belsorriso.<br>**[09:50] SAEKO**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're doing a special issue*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on their motorsports team.*<br>**[09:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it! Let me do it, Sae-chan!<br>**[09:56] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exit<br>**[09:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta let me do it!<br>**[10:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must make a lot of money.<br>**[10:09] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka-kun.<br>**[10:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san.<br>**[10:14] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome. Thanks for coming.<br>**[10:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good afternoon. Thanks for<br>&nbsp;&nbsp;&nbsp;&nbsp;requesting my services today.<br>**[10:21] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you must be busy.<br>**[10:23] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, shall we go?<br>**[10:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:26] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;To our garage.<br>**[10:28] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drive.<br>**[10:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[10:56] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take whatever shots you want.<br>**[10:57] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave all the<br>&nbsp;&nbsp;&nbsp;&nbsp;photography stuff up to you.<br>**[11:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Belsorriso's main<br>&nbsp;&nbsp;&nbsp;&nbsp;category is the Super GT, isn't it?<br>**[11:11] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. The 500 and 300.<br>**[11:14] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess all the 300s are out right now.<br>**[11:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. The 500 and 300.<br>**[11:20] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've only just gotten started in F4.<br>**[11:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you own a lot of machines.<br>**[11:27] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[11:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must be very expensive.<br>**[11:31] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The GT is. In that respect,<br>&nbsp;&nbsp;&nbsp;&nbsp;the F4 machines aren't all that expensive.<br>**[11:37] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, F4 is an<br>&nbsp;&nbsp;&nbsp;&nbsp;equal conditions category.<br>**[11:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Equal conditions?<br>**[11:42] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All machines race<br>&nbsp;&nbsp;&nbsp;&nbsp;under the same conditions.<br>**[11:46] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not allowed to spend money on power.<br>**[11:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it costs 11 million a year.<br>**[11:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, though I heard Belsorriso<br>&nbsp;&nbsp;&nbsp;&nbsp;might be spending 18 million a year.<br>**[11:57] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cheap for motorsports.<br>**[11:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheap?<br>**[12:01] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another way to put it is we're only allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to spend that much on F4 machines.<br>**[12:06] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But drivers are different.<br>**[12:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:11] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can spend as much as you like on drivers.<br>**[12:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean like, a driving school?<br>**[12:19] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, battles on the<br>&nbsp;&nbsp;&nbsp;&nbsp;brakes won't help your time.<br>**[12:21] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Like the racing schools<br>&nbsp;&nbsp;&nbsp;&nbsp;of the famous car makers.<br>**[12:23] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine if you get ahead, but it'll throw you<br>&nbsp;&nbsp;&nbsp;&nbsp; off line, and if you're slow to recover...<br>**[12:28] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll hurt your time.<br>**[12:32] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They also serve as test drivers for projects.<br>**[12:36] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We help pay for a part<br>&nbsp;&nbsp;&nbsp;&nbsp;of the cost in exchange.<br>**[12:40] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We held auditions and got these two.<br>**[12:44] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[12:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Potential sponsors?<br>**[12:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;An acquaintance introduced me to a<br>&nbsp;&nbsp;&nbsp;&nbsp;few companies that might sponsor you.<br>**[12:51] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, there are rich companies<br>&nbsp;&nbsp;&nbsp;&nbsp;like that in this day and age?<br>**[12:55] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[12:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back.<br>**[12:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun, welcome back.<br>**[13:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. He found us potential sponsors.<br>**[13:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Potential sponsors?<br>**[13:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seemed interested, but they<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't agree to anything right away.<br>**[13:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I figured seeing you drive<br>&nbsp;&nbsp;&nbsp;&nbsp;would get them down off the fence.<br>**[13:41] SPONSOR CANDIDATE A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[13:42] SPONSOR CANDIDATE A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't be going ahead with it.<br>**[13:46] SPONSOR CANDIDATE B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. We won't, either.<br>**[13:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you've only seen him once. You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have to decide based on just this one race.<br>**[13:53] SPONSOR CANDIDATE C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us know if their record improves<br>&nbsp;&nbsp;&nbsp;&nbsp;dramatically or they change drivers.<br>**[14:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[14:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My presentation sucked.<br>**[14:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[14:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not the one who sucked.<br>**[14:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[14:26] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[14:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[14:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about everything.<br>**[14:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always lose sight of my<br>&nbsp;&nbsp;&nbsp;&nbsp;surroundings when I get excited.<br>**[14:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I zoom off like a roller coaster.<br>**[14:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan used to get<br>&nbsp;&nbsp;&nbsp;&nbsp; mad at me all the time.<br>**[15:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sae-chan's my ex-wife.<br>**[15:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enthusiasm and spirit alone, huh?<br>**[15:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're absolutely right.<br>**[15:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors has made it this<br>&nbsp;&nbsp;&nbsp;&nbsp;long without support from anyone.<br>**[15:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, a total amateur like me<br>&nbsp;&nbsp;&nbsp;&nbsp;with no knowledge of car racing<br>**[15:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;suddenly barges in and makes a fuss.<br>**[15:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm nothing but a nuisance. Sorry.<br>**[15:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, it's fine.<br>**[15:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[15:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided to take my time.<br>**[15:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've worked freelance for a long time.<br>**[15:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not that amazing, but I've got a<br>&nbsp;&nbsp;&nbsp;&nbsp;decent number of professional connections.<br>**[15:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'll find someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;understands F4 and Komaki Motors.<br>**[16:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take my time finding a sponsor<br>&nbsp;&nbsp;&nbsp;&nbsp;who will really get what makes you so good.<br>**[16:15] INDEPENDENT BUSINESSMAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You in here, Komaki-san?<br>**[16:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, what's up?<br>**[16:18] INDEPENDENT BUSINESSMAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a new light truck and<br>&nbsp;&nbsp;&nbsp;&nbsp;want my name put on the door.<br>**[16:24] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. You want your business name<br>&nbsp;&nbsp;&nbsp;&nbsp; and phone number again?<br>**[16:28] INDEPENDENT BUSINESSMAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I brought my car.<br>**[16:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That...<br>**[16:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it!<br>**[16:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors <br>
&nbsp;&nbsp;&nbsp;&nbsp;Small Loan Plan<br>**[16:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In short, we'll collect small loans in<br>&nbsp;&nbsp;&nbsp;&nbsp;exchange for putting ads on the F4 car.<br>**[16:43] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's a common method.<br>**[16:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, why do you think there are sponsor<br>&nbsp;&nbsp;&nbsp;&nbsp; logos on machines and racing suits?<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This<br>**[16:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? That's not just a fashion thing?<br>**[16:55] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I guess the <br>
&nbsp;&nbsp;&nbsp;&nbsp;car logos *are* very stylized.<br>**[17:00] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we don't have any sponsors,<br>&nbsp;&nbsp;&nbsp;&nbsp;our car's plain white.<br>**[17:02] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then put all the logos you want on it.<br>**[17:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the logos we want?<br>**[17:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case...<br>**[17:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll reach out to people right away.<br>**[17:10] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. Didn't you say you'd take your time?<br>**[17:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told ya I'm like a roller coaster, didn't I?<br>**[17:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, shall we go?<br>**[17:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait.<br>**[17:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikutomo<br>**[17:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beef <br>
&nbsp;&nbsp;&nbsp;&nbsp;Hotpot<br>**[17:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Horse <br>
&nbsp;&nbsp;&nbsp;&nbsp;Hotpot<br>**[17:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Horse<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sashimi<br>**[17:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dine-in<br>
&nbsp;&nbsp;&nbsp;&nbsp;Parties<br>**[17:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Niku-<br>
&nbsp;&nbsp;&nbsp;&nbsp;tomo  <br>**[17:26] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supporters Wanted!<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Motorsports<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Formula 4<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Racing Team<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Motors<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to advertise<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;your store on a racecar?<br>**[17:27] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;See next page for details<br>**[17:27] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Car racing?<br>**[17:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's called F4. Formula 4.<br>**[17:33] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. This is the first I've heard of it.<br>**[17:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I was wondering if you'd like<br>&nbsp;&nbsp;&nbsp;&nbsp;to put an ad for your store on the car.<br>**[17:41] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ad, huh?<br>**[17:43] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could, but the<br>&nbsp;&nbsp;&nbsp;&nbsp;business isn't doing so well.<br>**[17:48] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Komaki-san's kid, right?<br>&nbsp;&nbsp;&nbsp;&nbsp; Are you the driver?<br>**[17:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes. Um...<br>**[17:56] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;This kid's the driver, huh?<br>**[18:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's awesome.<br>**[18:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watching him drive really<br>&nbsp;&nbsp;&nbsp;&nbsp; sucks you into the race.<br>**[18:07] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[18:09] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasabi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Beans<br>**[18:09] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasabi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Beans<br>**[18:09] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasabi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Beans<br>**[18:09] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasabi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Beans<br>**[18:09] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[18:09] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasabi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Beans<br>**[18:10] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck.<br>**[18:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, thank you.<br>**[18:14] NIKUTOMO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask the wife about<br>&nbsp;&nbsp;&nbsp;&nbsp;the ad when she gets back.<br>**[18:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[18:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you.<br>**[18:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's keep this up!<br>**[18:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[18:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, nothing.<br>**[18:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Butcher<br>**[18:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamayoshi<br>**[18:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamayoshi<br>**[18:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Butcher<br>**[18:33] BUTCHER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. Komaki-san's place, you say?<br>**[18:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Have you ever seen a car race?<br>**[18:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're so intense.<br>**[18:41] BUTCHER**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing. But we can't afford an ad.<br>**[18:46] BUTCHER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know.<br>**[18:48] BUTCHER**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have this instead.<br>**[18:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;ONOEN<br>**[18:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We hope you'll give it some thought.<br>**[18:52] TEA SHOP**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I'd have to ask the boss.<br>**[18:56] TEA SHOP**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, give me a second.<br>**[18:59] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Fine <br>
&nbsp;&nbsp;&nbsp;&nbsp;Green Tea<br>**[19:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Fine <br>
&nbsp;&nbsp;&nbsp;&nbsp;Green Tea<br>**[19:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Fine <br>
&nbsp;&nbsp;&nbsp;&nbsp;Green Tea<br>**[19:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Fine <br>
&nbsp;&nbsp;&nbsp;&nbsp;Green Tea<br>**[19:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Fine <br>
&nbsp;&nbsp;&nbsp;&nbsp;Green Tea<br>**[19:00] TEA SHOP**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive carefully.<br>**[19:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Fine <br>
&nbsp;&nbsp;&nbsp;&nbsp;Green Tea<br>**[19:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freshly Fried<br>**[19:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry Bread<br>**[19:02] BAKER**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4, huh?<br>**[19:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome to come<br>&nbsp;&nbsp;&nbsp;&nbsp;check it out sometime.<br>**[19:07] BAKER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our mornings start early around here.<br>**[19:10] BAKER**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll think about it.<br>**[19:15] FISHMONGER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[19:16] CAKE**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all I can do for you.<br>**[19:19] MASTER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck, kid.<br>**[19:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think we'd get so few takers.<br>**[19:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did get a lot of other stuff, though.<br>**[19:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it'll fuel our driver.<br>**[19:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, when you think of it that way,<br>&nbsp;&nbsp;&nbsp;&nbsp;does that make them sponsors?<br>**[19:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can't stick a croquette on a machine.<br>**[19:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[19:49] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[19:52] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, mister!<br>**[19:55] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a racer, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw you in the butcher shop just now.<br>**[19:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah.<br>**[20:01] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cool. You're like Raceman!<br>**[20:04] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know Raceman?<br>**[20:06] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's cool. He's fast. He's *super* cool.<br>**[20:10] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sha-ting! Starting grid!<br>**[20:13] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Raceman!<br>**[20:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[20:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow! He seems strong.<br>**[20:21] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's *so* strong. He fights bad drivers who <br>
&nbsp;&nbsp;&nbsp;&nbsp;cause trouble, but he always finishes first.<br>**[20:27] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever finished first before?<br>**[20:37] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All you need is spirit!"<br>**[20:41] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Raceman's teacher said.<br>**[20:43] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you throw yourself into everything<br>&nbsp;&nbsp;&nbsp;&nbsp;with spirit, you'll go zoom and finish first!<br>**[20:53] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I'll give you something special.<br>**[20:56] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll make you the best.<br>**[20:59] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[21:02] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[21:05] BOY**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neee-yowm!<br>**[21:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another important sponsor.<br>**[21:17] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[21:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every hero<br>**[21:26] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;has a fiery spirit!!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Enthusiasm and
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spirit
<br>**[23:04] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I put this? Your writing style<br>&nbsp;&nbsp;&nbsp;&nbsp; is gorgeous. It lights up the page.<br>**[23:12] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes. Oh, thank you!<br>**[23:16] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;First thing tomorrow. I look forward<br>&nbsp;&nbsp;&nbsp;&nbsp;to your wonderful manuscript.<br>**[23:20] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Well, happy lucky bye-bee.<br>**[23:25] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a good person, but he can't<br>&nbsp;&nbsp;&nbsp;&nbsp;get rid of that Showa Era vibe.<br>**[23:37] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad.<br>

# E3 - How Many Kilometers to the Winner's Podium?

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G4VUQ1Z4P/how-many-kilometers-to-the-winners-podium)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to be cheered on.<br>**[00:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can race alone.<br>**[00:05] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's awesome.<br>**[00:07] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watching him drive really<br>&nbsp;&nbsp;&nbsp;&nbsp; sucks you into the race.<br>**[00:11] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try not to block the track while<br>&nbsp;&nbsp;&nbsp;&nbsp;getting lapped today, Mr. Chicane.<br>**[00:16] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'll find someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;understands F4 and Komaki Motors.<br>**[00:22] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take my time finding a sponsor<br>&nbsp;&nbsp;&nbsp;&nbsp;who will really get what makes you so good.<br>**[00:59] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did it!<br>**[01:00] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really did it!<br>**[01:02] BOTH**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[01:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[01:08] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[01:08] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru, that was a new personal best!<br>**[01:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing! Nice job!<br>**[01:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I get it.<br>**[01:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was just a practice run, anyway.<br>**[01:24] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congrats.<br>**[01:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, it was just a practice run.<br>**[01:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, though.<br>**[01:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikazuki Beverages<br>**[01:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;For finding a sponsor.<br>**[01:35] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, well, I didn't find them, exactly.<br>**[01:39] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A friend introduced me to them.<br>**[01:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that practice with these new tires meant<br>&nbsp;&nbsp;&nbsp;&nbsp;I got to try out all kinds of driving techniques.<br>**[01:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We might actually do<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty well in tomorrow's race.<br>**[01:53] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[01:55] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you find a sponsor, though?<br>**[01:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the other ones turned us down.<br>**[02:03] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, well...<br>**[02:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Would you look at that!<br>&nbsp;&nbsp;&nbsp;&nbsp; There's a scratch right here.<br>**[02:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're right. That's no good.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd better fix that right away.<br>**[02:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, that's been there for a while.<br>**[02:16] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, all.<br>**[02:18] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sato-san. Hello.<br>**[02:20] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was good to see you the other day.<br>**[02:22] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for making the long trip out here.<br>**[02:25] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, it's fine. Thank you for<br>&nbsp;&nbsp;&nbsp;&nbsp;accommodating our urgent request.<br>**[02:31] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you, Asahina Haruka-kun. I look<br>&nbsp;&nbsp;&nbsp;&nbsp;forward to shooting your commercial today.<br>**[02:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commercial?<br>**[02:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're shooting a commercial?!<br>**[04:26] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So, uh...<br>**[04:29] KOYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't tell him.*<br>**[04:30] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way...<br>**[04:33] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember that photo you<br>&nbsp;&nbsp;&nbsp;&nbsp;sent me of the crying boy?<br>**[04:37] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You saw that?<br>**[04:40] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I sent you the wrong data.<br>**[04:43] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I showed it to a friend who makes ads<br>&nbsp;&nbsp;&nbsp;&nbsp;for drink companies, they asked to meet him.<br>**[04:50] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said his crying face was great.<br>**[04:55] KOYA/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't tell him they agreed to sponsor us*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because they love how he looks when he cries.*<br>**[05:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you say sorry to him?<br>**[05:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota...<br>**[05:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not right to surprise someone like that.<br>**[05:07] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if he hadn't caught you off-guard, you never<br>&nbsp;&nbsp;&nbsp;&nbsp; would've agreed, Haru, so you're more to blame.<br>**[05:11] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guilty. Apologize.<br>**[05:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[05:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be in a commercial.<br>**[05:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now. Calm down.<br>**[05:19] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how those new tires felt.<br>**[05:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't the grip good?<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't the braking better?<br>**[05:26] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you get good traction?<br>**[05:31] FILM STAFF**<br>&nbsp;&nbsp;&nbsp;&nbsp;Camera's rolling.<br>**[05:37] DIRECTOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just try to act as natural as possible.<br>**[05:41] DIRECTOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it. Natural.<br>**[05:44] DIRECTOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. You look really natural.<br>**[05:48] DIRECTOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very nice. Very natural.<br>**[05:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does "natural" mean?<br>**[05:57] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like he finally gave in.<br>**[06:00] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for moving things forward<br>&nbsp;&nbsp;&nbsp;&nbsp;without your approval.<br>**[06:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Haruka wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have done it otherwise.<br>**[06:08] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think it was cruel of me?<br>**[06:11] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's stubborn, just like his dad.<br>**[06:14] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He steadfastly sticks to his guns.<br>**[06:17] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he really hated it,<br>&nbsp;&nbsp;&nbsp;&nbsp;he wouldn't move a muscle.<br>**[06:21] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you be shooting him?<br>**[06:24] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;With your camera.<br>**[06:29] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, you know. It's better to let the<br>&nbsp;&nbsp;&nbsp;&nbsp;ad specialists handle that sort of thing.<br>**[06:35] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're way better than I am.<br>**[06:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[06:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the photo you showed us<br>&nbsp;&nbsp;&nbsp;&nbsp; the other day was good. The crying one.<br>**[06:44] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. That was...<br>**[06:50] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually surprised<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to take it at all.<br>**[06:55] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka-san.<br>**[06:56] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera loves Haruka-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as you said.<br>**[07:00] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this is nice!<br>**[07:02] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's a great expression.<br>**[07:05] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun always shows up when it's go time.<br>**[07:08] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[07:13] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be willing to<br>&nbsp;&nbsp;&nbsp;&nbsp;answer a few questions?<br>**[07:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:18] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you start driving in F4?<br>**[07:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I started last year.<br>**[07:23] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you doing some other<br>&nbsp;&nbsp;&nbsp;&nbsp;motorsport before that?<br>**[07:27] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just some go-karting.<br>**[07:29] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Was there anyone who<br>&nbsp;&nbsp;&nbsp;&nbsp;inspired you to want to start driving?<br>**[07:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my father.<br>**[07:35] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So your father was a racer, too?<br>**[07:38] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you driving because<br>&nbsp;&nbsp;&nbsp;&nbsp; you admire your dad?<br>**[07:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I mean, no.<br>**[07:46] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's half and half.<br>**[07:48] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So what makes up<br>&nbsp;&nbsp;&nbsp;&nbsp;the other half you're driving for?<br>**[07:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[07:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot of things, probably.<br>**[08:02] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're only interested in winning?<br>**[08:05] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so.<br>**[08:06] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm able to focus solely on winning<br>**[08:09] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to the support I get from our<br>&nbsp;&nbsp;&nbsp;&nbsp;number two driver, Tokumaru-san.<br>**[08:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. You only ever<br>&nbsp;&nbsp;&nbsp;&nbsp;face forward when you drive.<br>**[08:17] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c'mon. You're spoiling my nice answer.<br>**[08:21] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, even if I win,<br>&nbsp;&nbsp;&nbsp;&nbsp;that victory doesn't only belong to me.<br>**[08:25] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It belongs to the whole team,<br>&nbsp;&nbsp;&nbsp;&nbsp; including Tokumaru-san.<br>**[08:29] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you say leading the Belsorriso team<br>&nbsp;&nbsp;&nbsp;&nbsp;to victory is the reason you two drive now?<br>**[08:37] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Right?<br>**[08:40] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do my job as the number two driver<br>&nbsp;&nbsp;&nbsp;&nbsp;to contribute to the team's victory.<br>**[08:48] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki, you talk too much.<br>**[08:50] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number two driver assisting the<br>&nbsp;&nbsp;&nbsp;&nbsp;lead driver is a gray area in the rules.<br>**[08:56] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get the higher-ups on us.<br>**[08:59] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But too many people think the number two<br>&nbsp;&nbsp;&nbsp;&nbsp;driver is just the guy who comes in second.<br>**[09:05] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't bother you, Toshi-kun?<br>**[09:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to call me Toshi-kun.<br>**[09:09] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm older than you.<br>**[09:12] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, 'cause you're T-*old*-shi.<br>**[09:16] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know, Alice-chan?<br>**[09:17] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[09:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toshi-kun's actually *way* faster.<br>**[09:22] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just happened to graze<br>&nbsp;&nbsp;&nbsp;&nbsp;another machine in the audition—<br>**[09:26] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki.<br>**[09:27] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see we're supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to show up early tomorrow?<br>**[09:30] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Show me.<br>**[09:32] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look it up yourself. I'm not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to start helping you offtrack, too.<br>**[09:39] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[09:40] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they filming something?<br>**[09:42] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, apparently, Haruka-kun of<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors is shooting a commercial.<br>**[09:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;A commercial?<br>**[09:51] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:53] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally thought *I'd* be the first <br>
&nbsp;&nbsp;&nbsp;&nbsp;F4 driver to be in a commercial.<br>**[10:06] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You beat yesterday's<br>&nbsp;&nbsp;&nbsp;&nbsp;practice time by 0.3 seconds.<br>**[10:10] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I could do even better.<br>**[10:12] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be greedy.<br>**[10:14] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Qualifying in eighth is great.<br>**[10:17] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real race is still to come.<br>**[10:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to our tent.<br>**[10:22] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikazuki Beverages is already there.<br>**[10:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Act natural.<br>**[10:27] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit it.<br>**[10:34] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru's second and Harunaga's third.<br>**[10:37] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We failed to get pole position, huh?<br>**[10:39] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Increasing the downforce<br>&nbsp;&nbsp;&nbsp;&nbsp;was the wrong way to go for this track.<br>**[10:46] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you, Tokumaru?<br>**[10:47] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;My setup suited the track.<br>**[10:50] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went with less wing than Harunaga,<br>&nbsp;&nbsp;&nbsp;&nbsp;but didn't struggle for grip.<br>**[10:56] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. You were<br>&nbsp;&nbsp;&nbsp;&nbsp;seven-tenths off the pole time.<br>**[11:04] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's within reach.<br>**[11:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[11:09] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today...<br>**[11:12] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I be the lead driver?<br>**[11:21] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;My setup and machine are<br>&nbsp;&nbsp;&nbsp;&nbsp;better suited to this track.<br>**[11:25] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in great shape.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can definitely pass him.<br>**[11:29] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can seize victory for the team.<br>**[11:37] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[11:42] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru, you'll drive in front of Harunaga.<br>**[11:45] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But only for 20 minutes.<br>**[11:48] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:50] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't pass first in 20 minutes,<br>&nbsp;&nbsp;&nbsp;&nbsp; you'll let Harunaga by.<br>**[11:54] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[11:55] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga, stay behind Tokumaru<br>&nbsp;&nbsp;&nbsp;&nbsp;and let him drag you along.<br>**[11:58] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[12:00] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru.<br>**[12:02] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you.<br>**[12:08] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[12:10] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[12:11] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive in front, my ass.<br>**[12:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just wants me to be a windbreak for him.<br>**[12:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru.<br>**[12:22] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[12:26] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be doing well.<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you even got a sponsor, too.<br>**[12:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that there's any point in spending money<br>&nbsp;&nbsp;&nbsp;&nbsp;on someone who drives however he wants.<br>**[12:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop getting in my way<br>&nbsp;&nbsp;&nbsp;&nbsp;during races, Mr. Chicane.<br>**[12:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I told you, you're the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who was too hasty.<br>**[12:52] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. Because of you, I...<br>**[12:58] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't forget what you did.<br>**[13:01] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you.<br>**[13:07] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about?<br>**[13:09] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does he always do that before races?<br>**[13:12] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe someone should tell him off<br>&nbsp;&nbsp;&nbsp;&nbsp;for once. No, that'd be going too far.<br>**[13:17] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something happen to him?<br>**[13:20] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? Deep breaths, deep breaths.<br>**[13:23] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say you should count to<br>&nbsp;&nbsp;&nbsp;&nbsp; three when you're annoyed.<br>**[13:27] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and holding something cold<br>&nbsp;&nbsp;&nbsp;&nbsp; to your head works, too.<br>**[13:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's six seconds.<br>**[13:31] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In anger management,<br>**[13:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;they teach you to count to six, not three.<br>**[13:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[13:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll settle things with him in the race.<br>**[13:46] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I show up when it's go time, right?<br>**[14:12] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the action's underway.*<br>**[14:22] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Toshi-kun sure is fast.*<br>**[14:48] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? What's he doing?<br>**[14:51] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's driving awfully close to him.<br>**[14:54] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fine. I'll be your windbreak.*<br>**[14:56] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But only for 20 minutes.*<br>**[14:59] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll pass the car in front for first by then.*<br>**[15:19] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This time.*<br>**[15:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heck yeah.<br>**[15:29] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see that? Haru's on fire.<br>**[15:32] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He so is.<br>**[15:36] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two cars are driving<br>&nbsp;&nbsp;&nbsp;&nbsp;awfully close together.<br>**[15:40] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's a slipstream.<br>**[15:43] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slip?<br>**[15:44] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The slipstream effect.<br>**[15:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;When a car sticks close to<br>&nbsp;&nbsp;&nbsp;&nbsp; the back of the one in front,<br>**[15:49] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;the force of the air pulls<br>&nbsp;&nbsp;&nbsp;&nbsp;the one in the back forward,<br>**[15:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;allowing it to conserve power and such.<br>**[15:57] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[15:58] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, it's something<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd make rival drivers do,<br>**[16:01] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Belsorriso does it<br>&nbsp;&nbsp;&nbsp;&nbsp;within their own team.<br>**[16:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they're going for a one-two finish.<br>**[16:08] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[16:11] TOSHIKI/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My machine's lighter now*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I've got less fuel.*<br>**[16:14] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm starting to go even faster.*<br>**[16:16] TOSHIKI/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I knew it. This setup is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;perfect for this track.*<br>**[16:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[16:41] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[16:42] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great! Haruka-kun's already up to fifth.<br>**[16:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, yup.<br>**[16:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're almost there, Haru.<br>**[16:56] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Okay, I've got this.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can pass him on the next corner.*<br>**[17:05] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Drop behind?*<br>**[17:11] ENA/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru's machine rapidly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;builds up speed due to its skinny wing,*<br>**[17:15] ENA/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but its lower downforce*<br>*&nbsp;&nbsp;&nbsp;&nbsp;makes braking difficult.*<br>**[17:20] ENA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In contrast, Harunaga's machine...*<br>**[17:23] ENA/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;not only has power to spare*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thanks to Tokunaga's slipstream,*<br>**[17:27] ENA/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but the downforce produced by his*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fatter wing means his tires are less worn.*<br>**[17:32] ENA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words, right now...*<br>**[17:36] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga is faster.<br>**[17:44] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Toshi-kun?*<br>**[17:45] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not yet. I can keep this up.*<br>**[17:51] TOSHIKI/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I've exhausted my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;resources, then so has he.*<br>**[17:57] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My brakes!*<br>**[17:59] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! The 36 car slides*<br>*&nbsp;&nbsp;&nbsp;&nbsp;offtrack at the V Corner,*<br>**[18:03] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the cars behind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;pass him one after another.*<br>**[18:10] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not getting past me.<br>**[18:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka and Tokumaru-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;are going head-to-head.<br>**[18:19] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, did something happen between those two?<br>**[18:23] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He comes to pick a fight before most races.<br>**[18:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had a bit of trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;in a race a year ago.<br>**[18:29] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It happened shortly<br>&nbsp;&nbsp;&nbsp;&nbsp;after he started racing in F4.<br>**[18:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, Belsorriso was conducting<br>&nbsp;&nbsp;&nbsp;&nbsp;a driver audition during that race.<br>**[18:37] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our machine was out of sorts back then.<br>**[18:40] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got the blue flag.<br>**[18:43] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka followed the rules<br>&nbsp;&nbsp;&nbsp;&nbsp;and stuck to the outside,<br>**[18:46] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Tokumaru-kun tried to pass the car<br>&nbsp;&nbsp;&nbsp;&nbsp; in front of him around the outside.<br>**[19:00] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he charged into him as<br>&nbsp;&nbsp;&nbsp;&nbsp;he was getting out of the way?<br>**[19:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, exactly. It's totally unjustified!<br>**[19:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose. But it's not that simple.<br>**[19:11] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how it is in racing.<br>**[19:14] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not you, Asahina Haruka.<br>**[19:16] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll *never* lose to you.<br>**[19:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the final lap!<br>**[20:01] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[20:04] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;a slipstream?<br>**[20:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You brat.<br>**[20:18] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[20:19] BOTH**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[20:42] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Peace, peace, peace!<br>**[20:49] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fourth is a new personal<br>&nbsp;&nbsp;&nbsp;&nbsp;best for you. Congrats.<br>**[20:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever. I didn't even get third.<br>&nbsp;&nbsp;&nbsp;&nbsp; So no winner's podium for me.<br>**[20:59] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever been up there?<br>**[21:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long time ago.<br>**[21:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;When my dad...<br>**[21:06] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;won a race.<br>**[21:11] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I race.<br>**[21:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;To make it up there myself someday,<br>&nbsp;&nbsp;&nbsp;&nbsp; not because someone else won.<br>**[21:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the other half...<br>**[21:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the reason I race.<br>**[21:27] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we celebrate?<br>**[21:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. I didn't even make it onto the podium.<br>**[21:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What are you doing?<br>**[21:36] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A win is still a win.<br>**[21:42] KOYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've done it! I'll get you!<br>**[21:45] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they teenagers?<br>**[21:46] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we join them?<br>**[21:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Hey!<br>**[21:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit it!<br>**[21:50] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Us, too.<br>**[21:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get any on the machine.<br>&nbsp;&nbsp;&nbsp;&nbsp;The final race is tomorrow.<br>**[21:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get him!<br>**[21:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. We've got another one.<br>**[21:56] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't, Kota!<br>**[22:00] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[22:03] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why?!<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;How Many Kilometers<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Winner's Podium?<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>

# E4 - The Past and Regrets

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G14U492Z3/the-past-and-regrets)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fourth is a new personal best for you.<br>**[00:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't even get third.<br>&nbsp;&nbsp;&nbsp;&nbsp;So no winner's podium for me.<br>**[00:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever been up there?<br>**[00:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;When my dad won a race.<br>**[00:10] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I race.<br>**[00:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;To make it up there myself someday.<br>**[00:23] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ancestral<br>
&nbsp;&nbsp;&nbsp;&nbsp;Grave<br>**[00:23] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kasahara <br>
&nbsp;&nbsp;&nbsp;&nbsp;Family Grave<br>**[00:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure grows a lot this time of year.<br>**[00:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina <br>
&nbsp;&nbsp;&nbsp;&nbsp;Family Grave<br>**[00:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot has happened this past month.<br>**[00:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That cameraman I told you about before...<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait, I guess he's a photographer.<br>**[00:46] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that it matters either way.<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, he actually found us a sponsor.<br>**[00:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't even know how much<br>&nbsp;&nbsp;&nbsp;&nbsp;tires cost until recently.<br>**[00:56] SIGN GRAVE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina<br>
&nbsp;&nbsp;&nbsp;&nbsp;Family Grave<br>**[01:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came fourth.<br>**[01:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't make it onto the podium, but...<br>**[01:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said a win is a win.<br>**[02:54] NARRATION**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Try your hardest.*<br>**[02:56] NARRATION**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Race your hardest.*<br>**[03:01] NARRATION**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's what makes it taste seriously good.*<br>**[03:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikazuki Beverages<br>**[03:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;All Out<br>
&nbsp;&nbsp;&nbsp;&nbsp;Lime Soda  <br>**[03:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fizzy With Refreshing Lime Aroma<br>**[03:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carbonated<br>
&nbsp;&nbsp;&nbsp;&nbsp;Beverage<br>**[03:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;5% Fruit Juice<br>**[03:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;All Out<br>
&nbsp;&nbsp;&nbsp;&nbsp;Lime Soda<br>**[03:06] NARRATION**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All Out Lime Soda. Now available.*<br>**[03:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going for it.<br>**[03:20] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, the face of Mikazuki Beverages'<br>&nbsp;&nbsp;&nbsp;&nbsp;new product, "All Out Lime Soda,"<br>**[03:26] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4 driver Asahina Haruka-kun,<br>&nbsp;&nbsp;&nbsp;&nbsp; will speak to us.<br>**[03:31] MC**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun, what did you<br>&nbsp;&nbsp;&nbsp;&nbsp;think of the commercial?<br>**[03:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, what did I think?<br>**[03:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I think... I think...<br>**[03:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think...<br>**[03:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm seriously sorry!<br>**[03:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I'm making excuses here,<br>**[03:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I really didn't know they were<br>&nbsp;&nbsp;&nbsp;&nbsp;using that photo in their commercial.<br>**[03:58] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say you didn't know?<br>**[04:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Uh-huh.<br>**[04:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though you're the one who took it?<br>**[04:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[04:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you *are*...<br>**[04:11] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who took it.<br>**[04:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm sorry. I'm sorry for taking<br>&nbsp;&nbsp;&nbsp;&nbsp;your picture without your permission.<br>**[04:18] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're *still* grumbling about that?<br>**[04:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing we could do.<br>&nbsp;&nbsp;&nbsp;&nbsp;The sponsor insisted on using it.<br>**[04:24] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their higher-ups said it was great.<br>**[04:28] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was it again? "Right in the fun zone"?<br>**[04:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's "right in the feels."<br>**[04:31] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that.<br>**[04:35] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, this meat is good.<br>**[04:37] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never said they could use it.<br>**[04:43] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? But you never said they *couldn't*, right?<br>**[04:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it mean you were<br>&nbsp;&nbsp;&nbsp;&nbsp;just that compelling?<br>**[04:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We empathize with people<br>&nbsp;&nbsp;&nbsp;&nbsp;who really go for it.<br>**[04:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they lose.<br>**[05:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[05:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[05:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that it's good that you lost.<br>**[05:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the passion that shines through<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of winning or losing.<br>**[05:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, not that you had<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose to make this happen.<br>**[05:16] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[05:16] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[05:17] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[05:17] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[05:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[05:29] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Haru, you're leaving already?<br>**[05:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you haven't had any sushi yet.<br>**[05:37] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my.<br>**[05:39] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;But yeah, I couldn't utter<br>&nbsp;&nbsp;&nbsp;&nbsp;a word in front of Satsuki-kun.<br>**[05:40] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo. <br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[05:40] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[05:40] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo. <br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo. <br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo. <br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[05:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[05:44] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was totally, uh, sus...<br>**[05:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspicious?<br>**[05:47] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that!<br>**[05:49] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I just couldn't. I'll never be able to ask him<br>&nbsp;&nbsp;&nbsp;&nbsp;for his c-contact info. He'll think I'm a creep.<br>**[05:54] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, why did I start working for Belsorriso?<br>**[05:59] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ask me. *You're* the one who said <br>
&nbsp;&nbsp;&nbsp;&nbsp;you'd rather support some playboy's team<br>**[06:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;than your childhood friend's team.<br>**[06:05] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun isn't a playboy.<br>**[06:07] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just likes to please his fans.<br>**[06:09] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I support Komaki Motors, too.<br>**[06:13] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. Thanks a bunch.<br>**[06:16] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so cold, Kota-chan.<br>**[06:18] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you said you'd always<br>&nbsp;&nbsp;&nbsp;&nbsp;protect me the other day, too.<br>**[06:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell? I never said that!<br>**[06:27] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you did. In kindergarten.<br>**[06:29] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's *not* the other day!<br>**[06:34] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru?<br>**[06:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still worried about that thing?<br>**[06:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit sulking and respond to him.<br>**[06:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so you know,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're every bit as guilty as he is.<br>**[06:46] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[06:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The photo they used in the commercial.<br>**[06:50] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru's sulking and<br>&nbsp;&nbsp;&nbsp;&nbsp;holding a grudge, you know?<br>**[06:54] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though Madoka-chan's<br>&nbsp;&nbsp;&nbsp;&nbsp; apologized a heap of times.<br>**[06:59] BOTH**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka-chan?<br>**[07:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cameraman. Madoka Kouya.<br>**[07:04] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect it from Alice, but you<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't be asking who I mean, Haru.<br>**[07:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know his name.<br>**[07:10] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what *do* you call <br>
&nbsp;&nbsp;&nbsp;&nbsp;the cameraman, Haru-chan?<br>**[07:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real? You've never<br>&nbsp;&nbsp;&nbsp;&nbsp;called him by his name before?<br>**[07:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;He found us a sponsor.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious.<br>**[07:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just never had<br>&nbsp;&nbsp;&nbsp;&nbsp;the opportunity to say it.<br>**[07:26] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That can't be possible.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm really sorry!*<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:29] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who took the photo.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What am I saying, right? Seriously.<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:31] KOUYA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.*<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:33] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I swear it!*<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I swear on my camera!*<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear on my camera!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:36] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear on my camera!<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear on my camera!<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[07:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear on my camera!<br>**[07:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry!<br>**[07:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't let them do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;you don't like at the next shoot.<br>**[07:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay. It's fine.<br>**[07:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay. It's fine.<br>**[07:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay. It's fine.<br>**[07:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[07:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso's playboy?<br>**[07:57] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Alice-chan.<br>**[07:59] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-S-S-Satsuki-san?<br>**[08:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad I got to see you.<br>**[08:02] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Wh-Wh-Wh-What?<br>**[08:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. You forgot this.<br>**[08:09] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You left it at the<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso office yesterday.<br>**[08:12] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have your contact info,<br>&nbsp;&nbsp;&nbsp;&nbsp; so I came to your school.<br>**[08:17] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Th-Th-Thank you berry mush.<br>**[08:21] ALICE/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm glad he didn't have my contact info!*<br>**[08:25] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hey, it's Komaki Motors.<br>**[08:29] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. You and Alice-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;are childhood friends, right?<br>**[08:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. You got a problem with—<br>**[08:36] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no problem at all.<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much.<br>**[08:42] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys seem close.<br>**[08:44] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:44] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I saw your commercial, Haruka-kun.<br>**[08:48] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was great.<br>**[08:50] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I can't believe you appeared<br>&nbsp;&nbsp;&nbsp;&nbsp;in a commercial before me.<br>**[08:54] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it, though.<br>**[08:55] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get 'em in the feels like you can.<br>**[08:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, thanks.<br>**[09:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially the way you cry when you lose.<br>**[09:04] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[09:04] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose<br>**[09:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only people who have lost<br>&nbsp;&nbsp;&nbsp;&nbsp;can shed tears like that.<br>**[09:10] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could really feel your<br>&nbsp;&nbsp;&nbsp;&nbsp;frustration over losing.<br>**[09:14] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And your determination<br>&nbsp;&nbsp;&nbsp;&nbsp;for it not to be in vain.<br>**[09:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;in a commercial soon, too.<br>**[09:21] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said the theme is victory.<br>**[09:23] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll apply my own experiences to the job.<br>**[09:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so great about that jerk?<br>**[09:35] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything.<br>**[09:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all your fault<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Notifications<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Invite<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn on<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Photos & Videos<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no photos or videos here<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Block<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Block<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Block<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Block<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Notifications<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Invite<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn on<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Photos & Videos<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no photos or videos here<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unblock<br>**[09:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya has been blocked.<br>**[09:55] CAMERAMAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, just like that.<br>**[09:55] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This episode contains depictions of an earthquake disaster. Viewer discretion is advised.<br>**[09:57] CAMERAMAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. Try tilting a little more.<br>**[10:01] CAMERAMAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, hold that pose.<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Happens When <br>
&nbsp;&nbsp;&nbsp;&nbsp;You're Blocked on PUSH<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be blocked<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;All<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Images<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Videos<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;News<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shopping<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Applitccho<br>**[10:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;4 Ways to Confirm If You've <br>
&nbsp;&nbsp;&nbsp;&nbsp;Been Blocked on PUSH<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;People also ask:<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you tell if you've been blocked on PUSH?<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can people tell if you've blocked them on PUSH?<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you get notifications when blocked?<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I secretly confirm if I've been blocked?<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;How To Confirm <br>
&nbsp;&nbsp;&nbsp;&nbsp;If You've Been<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blocked<br>
&nbsp;&nbsp;&nbsp;&nbsp;on PUSH<br>**[10:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;PUSH User Guide<br>**[10:07] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you looking up?<br>**[10:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan.<br>**[10:10] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief Editor Yukihira, you mean.<br>**[10:13] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cave of heaven won't open for you yet?<br>**[10:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing everything I can think of, too.<br>**[10:18] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take it too far. Your apologies<br>&nbsp;&nbsp;&nbsp;&nbsp; can be obnoxiously persistent.<br>**[10:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they worked so well on someone I know.<br>**[10:25] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sorry. I was just pretending to give in.<br>**[10:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Really?<br>**[10:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. Haruka-kun is good.<br>**[10:37] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost wish he'd model for us.<br>**[10:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops.<br>**[10:49] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be having fun these days.<br>**[10:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, do I? I honestly can't tell.<br>**[11:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're shooting for Mikazuki<br>&nbsp;&nbsp;&nbsp;&nbsp;Beverages' magazine ad today, right?<br>**[11:10] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They plan to run center spreads<br>&nbsp;&nbsp;&nbsp;&nbsp; with us for the next three months.<br>**[11:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three? But that looks<br>&nbsp;&nbsp;&nbsp;&nbsp;like four purchase orders.<br>**[11:18] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:20] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting, Madoka-san.<br>**[11:23] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like you to shoot some pictures, please.<br>**[11:26] BOTH**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but this is too sudden.<br>**[11:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just here as Haruka-kun's guardian today.<br>**[11:35] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you make an exception?<br>**[11:37] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;The higher-ups really liked<br>&nbsp;&nbsp;&nbsp;&nbsp;that photo of Haruka-kun crying.<br>**[11:41] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd like to use<br>&nbsp;&nbsp;&nbsp;&nbsp;something similar for their ad.<br>**[11:44] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you put in an additional purchase order<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing Madoka-kun would be here today?<br>**[11:50] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me Madoka-san rarely takes<br>&nbsp;&nbsp;&nbsp;&nbsp;photos of human subjects these days,<br>**[11:55] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I figured I'd be turned<br>&nbsp;&nbsp;&nbsp;&nbsp;down if I asked directly.<br>**[11:59] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the more reason to have<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten prior confirmation.<br>**[12:03] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I can say much,<br>&nbsp;&nbsp;&nbsp;&nbsp;since I'm the one who showed you that photo<br>**[12:07] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;without his permission.<br>**[12:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the chief photographer of today's shoot.<br>**[12:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be better to have him do it.<br>**[12:15] CAMERAMAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about me.<br>**[12:17] CAMERAMAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like that photo, too.<br>**[12:20] CAMERAMAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I'd like to watch you work.<br>**[12:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, you won't learn much<br>&nbsp;&nbsp;&nbsp;&nbsp; from my photography.<br>**[12:25] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. We decided to become<br>&nbsp;&nbsp;&nbsp;&nbsp;a sponsor after seeing your photo.<br>**[12:31] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were all drawn to the passion<br>&nbsp;&nbsp;&nbsp;&nbsp;and determination in that photo.<br>**[12:39] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Madoka-san. Your photos are—<br>**[12:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of them are any good!<br>**[12:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of my photos are any good.<br>**[13:03] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ko-chan.<br>**[13:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[13:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? Do I have a stomachache?<br>**[13:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I think I might have a stomachache.<br>**[13:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, my stomach hurts. So bad!<br>**[13:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd better head to see a doctor right away!<br>**[13:23] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Madoka-san!<br>**[13:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Monthly<br>**[13:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukihira Saeko-san?<br>**[13:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. Sorry I didn't come say hello sooner.<br>**[13:38] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the chief editor for the<br>&nbsp;&nbsp;&nbsp;&nbsp;magazine your ad's running in.<br>**[13:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief editor?<br>**[13:43] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the ex-wife of the<br>&nbsp;&nbsp;&nbsp;&nbsp;problem child who just walked out.<br>**[13:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:49] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try not to be mad at him, okay?<br>**[13:55] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'm surprised.<br>**[13:58] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He knew practically nothing about<br>&nbsp;&nbsp;&nbsp;&nbsp;motorsports, and now he's into F4.<br>**[14:04] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm not accepting questions<br>&nbsp;&nbsp;&nbsp;&nbsp;about what I liked about him.<br>**[14:08] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder that more than anyone.<br>**[14:11] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, um...<br>**[14:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You asked me not to be<br>&nbsp;&nbsp;&nbsp;&nbsp;mad at him, but I'm not mad.<br>**[14:23] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems irresponsible now,<br>**[14:26] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he used to walk to places on<br>&nbsp;&nbsp;&nbsp;&nbsp;his own two feet to cover stories.<br>**[14:32] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a photojournalist.<br>**[14:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A photojournalist?<br>**[14:38] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Then, 12 years ago,<br>&nbsp;&nbsp;&nbsp;&nbsp;he traveled up to Tohoku for a story,<br>**[14:44] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there was a huge earthquake.<br>**[14:48] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't get in touch with him.<br>**[14:51] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the time I arrived at the<br>&nbsp;&nbsp;&nbsp;&nbsp;disaster area to look for him,<br>**[14:54] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was already more than<br>&nbsp;&nbsp;&nbsp;&nbsp;two months since the earthquake.<br>**[15:29] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He later released a photo<br>&nbsp;&nbsp;&nbsp;&nbsp;he took in the disaster area...<br>**[15:35] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;showing a girl being<br>&nbsp;&nbsp;&nbsp;&nbsp;swallowed up by a tsunami.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Withheld<br>
&nbsp;&nbsp;&nbsp;&nbsp;Number  
<br>**[15:44] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way too imprudent<br>**[15:44] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[15:44] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:44] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:44] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way too imprudent<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way too imprudent<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way too imprudent<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:45] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;People called him imprudent.<br>&nbsp;&nbsp;&nbsp;&nbsp;He got a lot of hate for it.<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way too imprudent<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way too imprudent<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want that <br>
&nbsp;&nbsp;&nbsp;&nbsp;kind of photo taken of me<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You suck<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something you could've <br>
&nbsp;&nbsp;&nbsp;&nbsp;been doing instead of taking photos?<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't post crap like this<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's drunk on himself<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally could've saved them<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imprudent<br>**[15:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You suck<br>**[16:05] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't taken pictures of people since.<br>**[16:10] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't, apparently.<br>**[16:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:13] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's never told me that outright,<br>**[16:16] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;but whenever I ask him to shoot models,<br>&nbsp;&nbsp;&nbsp;&nbsp;he comes up with some reason not to.<br>**[16:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the one of me...<br>**[16:23] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;That really was the first photo<br>&nbsp;&nbsp;&nbsp;&nbsp;of a person he'd taken in a while.<br>**[16:28] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;When he talks about you,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's like his old drive has returned.<br>**[16:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when he used to charge ahead and do<br>&nbsp;&nbsp;&nbsp;&nbsp;everything he could to find a breakthrough.<br>**[16:42] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you already know<br>&nbsp;&nbsp;&nbsp;&nbsp;what I'm talking about.<br>**[16:50] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;The client actually asked if you'd stand<br>&nbsp;&nbsp;&nbsp;&nbsp;on a winner's podium for today's shoot.<br>**[16:58] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did everything he could to stop it.<br>**[17:01] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said you didn't want to go<br>&nbsp;&nbsp;&nbsp;&nbsp;up there until you'd actually won.<br>**[17:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he didn't say anything to me.<br>**[17:07] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly. He never does.<br>**[17:09] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's never discussed<br>&nbsp;&nbsp;&nbsp;&nbsp;the really important stuff.<br>**[17:14] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like why he stopped taking pictures of people,<br>&nbsp;&nbsp;&nbsp;&nbsp; or how he felt while going through all that.<br>**[17:23] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, you know...<br>**[17:25] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always trusted his eye for things.<br>**[17:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did I leave?<br>**[17:38] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to apologize to Haruka-kun.<br>**[17:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Right. He blocked me.<br>**[17:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unread Messages<br>**[17:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've told me you were leaving<br>**[17:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you block me?<br>**[17:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[17:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unread Messages<br>**[17:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've told me you were leaving<br>**[17:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unread Messages<br>**[17:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've told me you were leaving<br>**[17:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've told me you were leaving<br>**[17:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;And leave some time free this Saturday<br>**[18:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's some growing beneath your feet.<br>**[18:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, right.<br>**[18:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I never got the<br>&nbsp;&nbsp;&nbsp;&nbsp;chance to ask, but is this...<br>**[18:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family's grave.<br>**[18:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you before about how my dad took me<br>&nbsp;&nbsp;&nbsp;&nbsp; up on the podium with him when he won.<br>**[18:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was really happy then.<br>**[18:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted him to take me up there again.<br>**[18:37] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that year, my dad performed poorly.<br>**[18:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, go for it.<br>**[18:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[18:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[18:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[19:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's raining.<br>**[19:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad.<br>**[19:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[19:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[19:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[19:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[19:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That day, during the race...<br>**[19:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;my dad crashed.<br>**[19:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good <br>
&nbsp;&nbsp;&nbsp;&nbsp;Luck <br>
&nbsp;&nbsp;&nbsp;&nbsp;Charm<br>**[19:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd made my dad<br>&nbsp;&nbsp;&nbsp;&nbsp; push himself too hard.<br>**[19:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.<br>**[19:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe not.<br>**[19:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was raining that day.<br>**[19:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The slightest mistake could've been fatal.<br>**[19:55] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you can't deny the possibility that my<br>&nbsp;&nbsp;&nbsp;&nbsp;irresponsible words made him overdrive.<br>**[20:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody knows the truth.<br>**[20:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun...<br>**[20:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I know is that when we cheer for people,<br>&nbsp;&nbsp;&nbsp;&nbsp; we're not doing it for them.<br>**[20:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're doing it for ourselves.<br>**[20:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I did that day,<br>&nbsp;&nbsp;&nbsp;&nbsp;when I wanted my dad to take me...<br>**[20:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;back up on the podium.<br>**[20:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But—<br>**[20:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[20:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you...<br>**[20:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pass me the incense.<br>**[20:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What?<br>**[20:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounded like you were<br>&nbsp;&nbsp;&nbsp;&nbsp;about to say something insightful.<br>**[21:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear you can't photograph people.<br>**[21:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saeko-san told me.<br>**[21:15] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, I told you about him the other day.<br>**[21:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy behind me is that cameraman.<br>**[21:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a photographer, not a cameraman.<br>**[21:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next time I stand on<br>&nbsp;&nbsp;&nbsp;&nbsp;the winner's podium, this guy...<br>**[21:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya will take my picture.<br>**[21:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll come show it to you.<br>**[21:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll take<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun's picture if he wins.<br>**[21:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise.<br>**[22:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina <br>
&nbsp;&nbsp;&nbsp;&nbsp;Family Grave<br>**[22:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun, wait! Wait for me!<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Past and<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regrets<br>

# E5 - Chariots of Fire

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GJWU298DJ/chariots-of-fire)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:10] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On your marks.*<br>**[00:12] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get set.*<br>**[00:17] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[00:17] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[00:17] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[00:18] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's the start of the Oyama 10K.*<br>**[00:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp; Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[00:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Co-sponsored by: Gotemba<br>**[01:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;A 10K run?<br>**[01:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;To revitalize the town.<br>**[01:56] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's organized by the Oyama<br>&nbsp;&nbsp;&nbsp;&nbsp;Neighborhood Association,<br>**[01:59] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;with Fuji Speedway as co-sponsors.<br>**[02:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Co-sponsors? But why?<br>**[02:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this...<br>**[02:12] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? The finish line's at Fuji Speedway!<br>**[02:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're asking the F4 teams to help out.<br>**[02:19] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[02:20] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're always looking out for us. <br>
&nbsp;&nbsp;&nbsp;&nbsp;We can't *not* participate!<br>**[02:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pass.<br>**[02:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c'mon. Pretty please?<br>**[02:28] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka, you'll run, right?<br>**[02:29] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't hate running, do you? Do you?<br>**[02:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second pass.<br>**[02:33] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking Haruka here.<br>**[02:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, sure.<br>**[02:38] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! This might surprise you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I used to be a real fast runner.<br>**[02:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I start training now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can build up my stamina.<br>**[02:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka, should we start going<br>&nbsp;&nbsp;&nbsp;&nbsp;for morning runs together?<br>**[02:50] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smells fishy.<br>**[02:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does?<br>**[02:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad hates exercise. It doesn't make sense<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to be so excited about a 10K run.<br>**[02:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grand Prize<br>**[02:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rank<br>**[02:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marbled Black Wagyu<br>**[02:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grand prize is five kilos<br>&nbsp;&nbsp;&nbsp;&nbsp;of marbled black wagyu beef?!<br>**[03:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why.<br>**[03:06] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, gross. He's acting<br>&nbsp;&nbsp;&nbsp;&nbsp;like the prize is already his.<br>**[03:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru, you don't have to run, okay?<br>**[03:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, right.<br>**[03:16] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;A 10K run?<br>**[03:18] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:19] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Speedway is co-sponsoring it,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they asked us to participate.<br>**[03:23] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:25] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine me breaking into a refreshing<br>&nbsp;&nbsp;&nbsp;&nbsp;sweat as the crowd cheers me on.<br>**[03:32] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it'll be a magnificent sight!<br>**[03:36] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Tokumaru?<br>**[03:39] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hoping to redeem myself in the next race.<br>**[03:49] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll run, right, Alice-chan?<br>**[03:51] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uh, wha?<br>**[03:52] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?<br>**[03:54] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will, right?<br>**[03:56] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[03:59] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what about you, Tokumaru?<br>**[04:05] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it...<br>**[04:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;if that's an order.<br>**[04:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A 10K run, huh?<br>**[04:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You running?<br>**[04:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. Well, you *are* busy. <br>
&nbsp;&nbsp;&nbsp;&nbsp;And Kotarou-kun said you don't have to if—<br>**[04:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you are?<br>**[04:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:26] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Wh-Why?<br>**[04:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem like your<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of event, Haru-kun.<br>**[04:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just assume that.<br>**[04:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't try to sneak that<br>&nbsp;&nbsp;&nbsp;&nbsp;overly familiar "Haru-kun" past me.<br>**[04:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I figured you were<br>&nbsp;&nbsp;&nbsp;&nbsp;the type to get stomachaches<br>**[04:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;or say your grandma's had a fall<br>&nbsp;&nbsp;&nbsp;&nbsp; to get out of school events.<br>**[04:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The type who talks to his classmates,<br>&nbsp;&nbsp;&nbsp;&nbsp;but doesn't push himself, y'know?<br>**[04:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A surprisingly considerate guy whose<br>&nbsp;&nbsp;&nbsp;&nbsp;choice of words leaves a lot to be desired.<br>**[04:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of person do you think I am?<br>**[04:58] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So you're running.<br>**[05:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's weird?<br>**[05:02] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, not at all. I'll bring<br>&nbsp;&nbsp;&nbsp;&nbsp;my camera and cheer you on.<br>**[05:06] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to.<br>**[05:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a race, and it's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;you can take pictures of people.<br>**[05:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate the consideration.<br>**[05:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But y'know, your choice of words...<br>**[05:21] MAN**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Thank you all for coming*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the Oyama 10K.*<br>**[05:27] MAN**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you wish to participate,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;please go to the white reception tent.*<br>**[05:33] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to see you again, Komaki-san.<br>**[05:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sae-cha—<br>**[05:37] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me, Yukihira. Hello.<br>**[05:39] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;This event sounded fun,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to support the team.<br>**[05:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Yukihira-san.<br>**[05:44] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard this was a local event, but there's<br>&nbsp;&nbsp;&nbsp;&nbsp;even a TV crew here. That sure is something.<br>**[05:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! No way! I can't do it!<br>**[05:50] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well. What's going on over there?<br>**[05:51] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no! I can't do it! No, no, no!<br>**[05:53] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it up already.<br>**[05:56] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather die than run!<br>**[05:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped. They asked for at least<br>&nbsp;&nbsp;&nbsp;&nbsp;two members from each team to run.<br>**[06:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why does it have to be *me*?<br>**[06:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I was actually supposed to run,<br>**[06:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but on one morning run,<br>&nbsp;&nbsp;&nbsp;&nbsp; I got a bit overexcited and tripped.<br>**[06:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He twisted it.<br>**[06:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoulda heard the crunch.<br>**[06:17] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want me to crunch the other one, too?<br>**[06:20] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The 10K run will begin shortly.*<br>**[06:22] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Runners, please assemble at the start line.*<br>**[06:26] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[06:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw this.<br>**[06:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw the whole world.<br>**[06:37] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota-chan, I'm glad I found you.<br>**[06:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice? You're running?<br>**[06:44] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to this.<br>**[06:45] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun invited me. Can you believe it?<br>**[06:49] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[06:50] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c'mon. Be more excited about it.<br>**[06:52] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Haruka-kun. Good to see you again.<br>**[06:55] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;How ya feelin'?<br>**[06:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yeah, fine.<br>**[06:59] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're quick to make friends<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone, aren't you?<br>**[07:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru.<br>**[07:08] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay, you two.<br>**[07:10] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think of today as a friendly<br>&nbsp;&nbsp;&nbsp;&nbsp;get-together and try to get along.<br>**[07:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A get-together?<br>**[07:14] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or a social event, if you prefer.<br>**[07:16] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested in making friends.<br>**[07:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, Toshi-kun, you're always so prickly.<br>**[07:22] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try to get along today<br>&nbsp;&nbsp;&nbsp;&nbsp;as we run together, yeah?<br>**[07:25] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? Right?<br>**[07:27] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[07:29] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you foreshadowing?<br>**[07:31] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'm surprised.<br>**[07:33] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think Haruka-kun would<br>&nbsp;&nbsp;&nbsp;&nbsp;be interested in this kind of event.<br>**[07:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? He's the type of kid who says his<br>&nbsp;&nbsp;&nbsp;&nbsp;grandma's had a fall on the day of an event.<br>**[07:43] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I don't know about that.<br>**[07:47] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On your marks.*<br>**[07:50] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get set.*<br>**[07:55] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[07:55] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[07:55] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[07:56] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama<br>
&nbsp;&nbsp;&nbsp;&nbsp;10K Run<br>**[07:57] CROWD 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do it!<br>**[07:57] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's the start of the Oyama 10K.*<br>**[07:58] CROWD 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do your best!<br>**[08:01] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck, everyone.<br>**[08:02] MAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, the Oyama 10K is underway.*<br>**[08:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That voice...<br>**[08:08] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commentary today is provided<br>&nbsp;&nbsp;&nbsp;&nbsp; by the president of Komaki Motors:<br>**[08:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki "Shoulda Heard the Crunch" Futoshi.<br>**[08:17] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[08:19] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki-san?<br>**[08:21] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a relaxed event this is.<br>**[08:23] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Clear skies above and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it's a comfortable 24 degrees.*<br>**[08:26] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perfect weather for a long-distance race.*<br>**[08:29] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The runners have left Gotemba station,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;crossed the Higashi-Oji line,*<br>**[08:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and passed the Nimaibashi intersection.*<br>**[08:35] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Leading the pack are Belsorriso's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Harunaga Satsuki and Tokumaru Toshiki.*<br>**[08:41] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right on their tail is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors' Asahina Haruka,*<br>**[08:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*followed by a bunch of others.*<br>**[08:47] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the sloppy commentary?<br>**[08:54] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wind feels so good.<br>**[08:56] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sucks. I'm dying.<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole world should die.<br>**[08:58] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? We haven't even<br>&nbsp;&nbsp;&nbsp;&nbsp;been running for five minutes.<br>**[09:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care. I'm the kind of guy<br>&nbsp;&nbsp;&nbsp;&nbsp; who fights with his wits.<br>**[09:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;An officer. A tactician.<br>**[09:07] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the *Records of the Three Kingdoms*, <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'd be Zhuge Liang. You got that?<br>**[09:10] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being smart isn't an excuse<br>&nbsp;&nbsp;&nbsp;&nbsp;not to be athletic.<br>**[09:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to drop truth bombs.<br>**[09:20] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out!<br>**[09:23] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Kota-chan?<br>**[09:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... can't breathe.<br>**[09:27] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[09:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[09:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, you know, you're pretty strong.<br>**[09:36] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to be pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;strong to be a grid girl.<br>**[09:39] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you have to hold<br>&nbsp;&nbsp;&nbsp;&nbsp; a pose for ages, you know?<br>**[09:43] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;That takes training.<br>**[09:45] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, right.<br>**[09:48] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in the middle of<br>&nbsp;&nbsp;&nbsp;&nbsp;training for the next race.<br>**[09:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[09:53] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;After slimming down as much as I can,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna build some fat back up.<br>**[09:57] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's supposed to give you<br>&nbsp;&nbsp;&nbsp;&nbsp;a nice, curvy, grid girl body.<br>**[10:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you *didn't* just join Belsorriso <br>
&nbsp;&nbsp;&nbsp;&nbsp;to chase after that playboy?<br>**[10:08] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no idea you were so strict about it.<br>**[10:10] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Stockings?<br>**[10:11] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody said anything about stockings!<br>**[10:14] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, keep that up and you'll have<br>&nbsp;&nbsp;&nbsp;&nbsp;no trouble bagging a lame-o like Satsuki.<br>**[10:17] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Th-There's no way! I get flustered and<br>&nbsp;&nbsp;&nbsp;&nbsp;can't even speak when I'm around Satsuki-kun.<br>**[10:22] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't call him a "lame-o."<br>**[10:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then tell him what you just told me.<br>**[10:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how he acts, he's a top racer.<br>&nbsp;&nbsp;&nbsp;&nbsp; He's probably pretty strict, too.<br>**[10:30] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Stalking?<br>**[10:32] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun isn't a stalker.<br>**[10:34] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody said anything about stalking!<br>**[10:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talking while running<br>&nbsp;&nbsp;&nbsp;&nbsp;is pretty tough, isn't it?<br>**[10:43] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? I'm still fine.<br>**[10:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then don't wait up for me.<br>**[10:49] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[10:50] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:55] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[10:58] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running is so much fun, isn't it?<br>**[11:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not often we get to leave our machines<br>&nbsp;&nbsp;&nbsp;&nbsp; and race around on our own two legs.<br>**[11:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought this was a "friendly get-together."<br>**[11:09] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[11:13] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's precisely why there's<br>&nbsp;&nbsp;&nbsp;&nbsp;little difference between us right now.<br>**[11:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strategies. Financial resources.<br>**[11:21] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can compete without<br>&nbsp;&nbsp;&nbsp;&nbsp;using those as excuses.<br>**[11:24] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What could be better than that?<br>**[11:30] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:33] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are there fewer people than before?<br>**[11:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all dropping out.<br>**[11:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... gonna die...<br>**[11:53] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, my! Is Komaki Motors' Komaki*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kotarou retiring? Is he out of the race?*<br>**[11:59] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Komaki Kotarou, a 17-year-old*<br>*&nbsp;&nbsp;&nbsp;&nbsp;third-year high school student.*<br>**[12:02] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He may be experiencing a delayed rebellious*<br>*&nbsp;&nbsp;&nbsp;&nbsp;phase, as he called his own father gross.*<br>**[12:06] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You can rebel against your father,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but you can't fight your own feelings?*<br>**[12:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who decided this was your limit?*<br>**[12:12] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This isn't how your father raised you!*<br>**[12:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Stand up! Stand up, Komaki Kotarou!*<br>**[12:19] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[12:26] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Oyama 10K has taken a rough turn.*<br>**[12:29] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Runners are retiring one after another.*<br>**[12:32] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If this were a race,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;there'd be yellow flags everywhere.*<br>**[12:35] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're into the final stages.<br>&nbsp;&nbsp;&nbsp;&nbsp;Who will seize the A5 black wagyu beef...<br>**[12:39] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I mean, who will seize*<br>*&nbsp;&nbsp;&nbsp;&nbsp;victory and taste glory?*<br>**[12:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;This course is a bit tough for an<br>&nbsp;&nbsp;&nbsp;&nbsp;amateur 10K run. It has steep inclines.<br>**[12:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be easy for you, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;since you train all the time.<br>**[12:52] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, Haruka-kun?<br>&nbsp;&nbsp;&nbsp;&nbsp; You holding up?<br>**[12:55] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, yeah. I'm used to doing<br>&nbsp;&nbsp;&nbsp;&nbsp;physically demanding work at my job.<br>**[12:59] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your job?<br>**[12:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I deliver newspapers.<br>**[13:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You deliver newspapers? Wow!<br>**[13:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that amazing.<br>**[13:05] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's really not that amazing.<br>**[13:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki, you reacted the same way when I said<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked as a mover before joining the team.<br>**[13:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:15] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? It's not unusual<br>&nbsp;&nbsp;&nbsp;&nbsp;for drivers to have other jobs.<br>**[13:20] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you join a big team,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to make your own money.<br>**[13:25] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delivering newspapers and being a mover are<br>&nbsp;&nbsp;&nbsp;&nbsp;both physically demanding. That's amazing.<br>**[13:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just sounds like you're making fun of us.<br>**[13:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it...<br>**[13:44] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;This race is ten kilometers long.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can run that distance.<br>**[13:48] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the second half is brutal.<br>&nbsp;&nbsp;&nbsp;&nbsp; It's mostly uphill.<br>**[13:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, of course it is.<br>**[13:55] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The finish line at Fuji Speedway<br>&nbsp;&nbsp;&nbsp;&nbsp;is 550 meters above sea level.<br>**[14:00] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's on top of a mountain.<br>**[14:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a joke?<br>**[14:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Station<br>**[14:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Station<br>**[14:07] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;A water station!<br>**[14:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Station<br>**[14:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Station<br>**[14:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Station<br>**[14:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Station<br>**[14:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Station<br>**[14:08] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saved. I can finally take a break.<br>**[14:14] WOMAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[14:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[14:21] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so dry!<br>**[14:23] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakurabo<br>**[14:23] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;(Dried Wheat <br>
&nbsp;&nbsp;&nbsp;&nbsp;Gluten Snack)<br>**[14:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sakurabo? The inside of<br>&nbsp;&nbsp;&nbsp;&nbsp; my mouth feels like a desert!<br>**[14:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hot!<br>**[14:29] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's tea!<br>**[14:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow.<br>**[14:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:34] WOMAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[14:35] WOMAN 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young people are so full of energy.<br>**[14:37] MAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;This stuff's good.<br>**[14:39] MAN 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat some more.<br>**[14:40] MAN 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drink some of this. It's fresh.<br>**[14:42] MAN 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat plenty to build up your strength.<br>**[14:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[14:50] WOMAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. Is that all you want?<br>**[14:52] MAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be hungry from all the running.<br>**[14:54] WOMAN 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some more.<br>**[14:55] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But I'm on a diet.<br>**[14:59] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a little, then.<br>**[15:00] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't believe it. The runners who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have endured this brutal race so far*<br>**[15:04] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;are dropping out one after*<br>*&nbsp;&nbsp;&nbsp;&nbsp;another at the water station.*<br>**[15:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words...<br>**[15:11] WOMAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;We heard the water station<br>&nbsp;&nbsp;&nbsp;&nbsp; was for refueling.<br>**[15:16] MAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? You can't rehydrate with tea?<br>**[15:19] WOMAN 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say it's too hot.<br>**[15:21] MAN 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured the eel would help with stamina.<br>**[15:24] WOMAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revitalizing a town is<br>&nbsp;&nbsp;&nbsp;&nbsp;a complicated undertaking.<br>**[15:28] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why they're all dropping out.<br>**[15:31] WOMAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since people are enjoying it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we can call this a success.<br>**[15:37] WOMAN 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[15:39] ALL**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[15:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The road to hell is paved<br>&nbsp;&nbsp;&nbsp;&nbsp;with good intentions.<br>**[15:46] DRIVER**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Robust health is the<br>&nbsp;&nbsp;&nbsp;&nbsp;secret to good urination?<br>**[15:50] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, as the Oyama 10K...*<br>**[15:53] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;...nears its climax, I've relocated<br>&nbsp;&nbsp;&nbsp;&nbsp;to Fuji Speedway to commentate.<br>**[15:59] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what's this?<br>**[16:00] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The lead group is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;approaching the east gate.*<br>**[16:03] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Leading the way is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso's Harunaga Satsuki,*<br>**[16:06] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;followed by Tokumaru Toshiki,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;also of Belsorriso,*<br>**[16:09] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and Asahina Haruka of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;our very own Komaki Motors!*<br>**[16:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Futoshi-san's really into it, isn't he?<br>**[16:16] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to watch and see how this ends.<br>**[16:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[16:19] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what?<br>**[16:21] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we wanna see how this ends,<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to go down to the course.<br>**[16:24] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're staying here, Sae-chan?<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Then I'm gonna go run with them.<br>**[16:29] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, uh...<br>**[16:31] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[16:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more idiot for the 10K.<br>**[16:41] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you guys look up to any drivers?<br>**[16:45] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd that come from?<br>**[16:46] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do. James Hunt. Ever heard of him?<br>**[16:50] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 1976 German GP held at<br>&nbsp;&nbsp;&nbsp;&nbsp;the Nürburgring was incredible.<br>**[16:56] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've watched my dad's DVD a bunch of times.<br>**[17:03] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;One lap was 22.8 kilometers long.<br>**[17:05] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;With a total of 185 corners,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was an extremely difficult track.<br>**[17:08] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but it rained heavily right<br>&nbsp;&nbsp;&nbsp;&nbsp;before, and conditions were horrendous.<br>**[17:14] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hunt started on pole. His old rival,<br>&nbsp;&nbsp;&nbsp;&nbsp;Niki Lauda, was right next to him.<br>**[17:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were only one second apart.<br>**[17:21] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their fates were decided on the<br>&nbsp;&nbsp;&nbsp;&nbsp;high-speed kink before the Bergwerk.<br>**[17:26] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauda crashed there.<br>**[17:29] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was Hunt who crossed<br>&nbsp;&nbsp;&nbsp;&nbsp; the finish line first.<br>**[17:33] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think it was<br>&nbsp;&nbsp;&nbsp;&nbsp;that determined the winner?<br>**[17:35] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their machines? Their technique? The weather?<br>**[17:39] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[17:41] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was luck.<br>**[17:43] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That capricious goddess<br>&nbsp;&nbsp;&nbsp;&nbsp;who dictates all contests.<br>**[17:46] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the goddess loved Hunt. He attracted<br>&nbsp;&nbsp;&nbsp;&nbsp;good luck to himself with his cheerfulness.<br>**[17:54] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I do the same thing.<br>**[17:57] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always cheerful. Always optimistic.<br>**[18:12] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck is a skill, too.<br>**[18:14] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Has Asahina Haruka fallen*<br>*&nbsp;&nbsp;&nbsp;&nbsp;out of the race for first?*<br>**[18:19] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka...<br>**[18:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[18:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun! Haruka-kun!<br>**[18:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun!<br>**[18:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take these!<br>**[18:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun, go!<br>**[18:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go!<br>**[18:49] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like hell I can!<br>**[18:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that was unexpected.<br>**[19:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he...<br>**[19:08] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asahina Haruka has resumed running!*<br>**[19:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's making a final spurt barefoot!*<br>**[19:13] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad. Now I definitely<br>&nbsp;&nbsp;&nbsp;&nbsp;can't let him beat me.<br>**[19:16] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we go, number two driver?<br>**[19:19] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's one and who's two<br>&nbsp;&nbsp;&nbsp;&nbsp; doesn't matter today.<br>**[19:22] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. After all,<br>&nbsp;&nbsp;&nbsp;&nbsp;today is a friendly get-together.<br>**[19:27] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Asahina Haruka has finally caught up!<br>**[19:30] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Between him, Harunaga Satsuki, and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru Toshiki, it's a fierce dead heat!*<br>**[19:35] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Oyama 10K has seen*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a lot of runners drop out.*<br>**[19:39] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Who will climb the hill, receive the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;love of the locals, and claim victory?*<br>**[19:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will it be Harunaga Satsuki?*<br>**[19:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or will it be Tokumaru Toshiki?*<br>**[19:47] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or will it be Asahina Haruka?*<br>**[19:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They cross the line!*<br>**[19:55] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a three-way tie!*<br>**[20:02] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki.<br>**[20:03] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:05] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san.<br>**[20:07] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm too late, huh? I rushed here after work.<br>**[20:11] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't expecting two<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso boys to join in.<br>**[20:15] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drivers aren't machines. They need breaks.<br>**[20:19] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who told me that, Komaki.<br>**[20:22] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[20:25] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hadn't pushed him back then,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe things would've turned out differently.<br>**[20:32] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still think about that.<br>**[20:43] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Haruka.<br>**[20:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;nd Prize<br>**[20:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shizuoka Eel<br>**[20:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;nd Prize<br>**[20:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shizuoka Eel<br>**[20:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;nd Prize<br>**[20:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shizuoka Eel<br>**[20:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama Neighborhood<br>
&nbsp;&nbsp;&nbsp;&nbsp; Association<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama Neighborhood<br>
&nbsp;&nbsp;&nbsp;&nbsp; Association<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;nd Prize<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shizuoka Eel<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama Neighborhood<br>
&nbsp;&nbsp;&nbsp;&nbsp; Association<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;nd Prize<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shizuoka Eel<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;nd Prize<br>**[20:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;nd Prize<br>**[20:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your birthday next week, right?<br>**[20:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's eel, not beef,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was a three-way tie,<br>**[20:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we did rock-paper-scissors<br>&nbsp;&nbsp;&nbsp;&nbsp;to decide who got what.<br>**[20:58] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why he tried so hard.<br>**[21:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grand Prize<br>**[21:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marbled Black Wagyu<br>**[21:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;rd Prize<br>**[21:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;High-Quality Muscat Grapes<br>**[21:02] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyama Neighborhood<br>
&nbsp;&nbsp;&nbsp;&nbsp; Association<br>**[21:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you so happy<br>&nbsp;&nbsp;&nbsp;&nbsp; when you got third prize?<br>**[21:09] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You don't like muscat grapes?<br>**[21:11] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru.<br>**[21:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir?<br>**[21:14] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have high hopes for you in the next race.<br>**[21:17] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[21:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you have preferred beef after all?<br>**[21:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad didn't even run,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he got the best deal.<br>**[21:57] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kou-chan?<br>**[21:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[22:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a picture.<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chariots of Fire<br>

# E6 - Suzuka, Rain

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GN7UD2G37/suzuka-rain)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think it was<br>&nbsp;&nbsp;&nbsp;&nbsp;that determined the winner?<br>**[00:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That day, during the race...<br>**[00:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[00:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[00:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[00:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;my dad crashed.<br>**[00:11] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good <br>
&nbsp;&nbsp;&nbsp;&nbsp;Luck <br>
&nbsp;&nbsp;&nbsp;&nbsp;Charm<br>**[00:21] STAFF**<br>&nbsp;&nbsp;&nbsp;&nbsp;Model on set.<br>**[00:24] MODEL**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for having me today.<br>**[00:26] ALL**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[00:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I look forward to working with you.<br>**[01:08] MODEL**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me...<br>**[01:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're doing great. Let's keep going.<br>**[03:15] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's doing good.<br>**[03:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like really, *really* good today.<br>**[03:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heck yeah!<br>**[03:24] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new personal best for Haruka!<br>**[03:26] BOTH**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[03:28] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh. Looks like Haruka-kun's doing well.*<br>**[03:32] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm doing better, though.*<br>**[03:42] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Already slipstreaming in qualifying, huh?<br>**[03:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going hard again today.<br>**[04:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun!<br>**[04:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congrats on qualifying fourth.<br>**[04:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your best-ever<br>&nbsp;&nbsp;&nbsp;&nbsp; starting position, right?<br>**[04:11] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[04:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't match Belsorriso, though.<br>**[04:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's only one car<br>&nbsp;&nbsp;&nbsp;&nbsp;between you and them.<br>**[04:16] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki <br>
&nbsp;&nbsp;&nbsp;&nbsp;Motors<br>**[04:16] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garage 23<br>**[04:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, kittens.<br>**[04:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? Maybe they're starting to panic.<br>**[04:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You finally made it this far.<br>**[04:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? I think you're gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;make it onto the winner's podium today.<br>**[04:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, uh-huh. You definitely will.<br>**[04:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your car's setup is just right,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you've practiced tons for this day.<br>**[04:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And more than anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got a confident look on your face.<br>**[04:46] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've said that before.<br>**[04:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or something similar.<br>**[04:50] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately, you've said that<br>&nbsp;&nbsp;&nbsp;&nbsp; after every qualifying session.<br>**[04:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But I really, *really* mean it this time.<br>**[04:58] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wearing that today, huh?<br>**[05:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, this?<br>**[05:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm here for work today.<br>**[05:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since that day, I've been able<br>&nbsp;&nbsp;&nbsp;&nbsp; to take pictures of people.<br>**[05:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I first came for work,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could only photograph the cars,<br>**[05:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;but today, I'm gonna take <br>
&nbsp;&nbsp;&nbsp;&nbsp;*tons* of pictures of the drivers.<br>**[05:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[05:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you take photos, how does it feel<br>&nbsp;&nbsp;&nbsp;&nbsp;when you press the shutter button?<br>**[05:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never really thought about it.<br>**[05:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like my body reacts on instinct<br>&nbsp;&nbsp;&nbsp;&nbsp; when I see an opportunity.<br>**[05:38] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just taking pictures because I want to.<br>**[05:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That sounds fun.<br>**[05:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course it is.<br>**[05:49] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[05:51] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;My slipstream wasn't too bad, was it?<br>**[05:54] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:55] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't act so confused!<br>**[05:58] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I towed you after my fast lap!<br>**[06:00] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were towing me? I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;you were just getting in my way.<br>**[06:05] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you *say* that? You're so mean.<br>**[06:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm obviously just better at it than you.<br>**[06:11] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have more experience.<br>**[06:13] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I'm grateful<br>&nbsp;&nbsp;&nbsp;&nbsp;for everything you do.<br>**[06:16] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just do what I have to.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it.<br>**[06:22] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just...<br>**[06:24] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from being number one and number two<br>&nbsp;&nbsp;&nbsp;&nbsp;drivers, we race under the same conditions.<br>**[06:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything that<br>&nbsp;&nbsp;&nbsp;&nbsp;determines which of us wins, it's...<br>**[06:35] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's luck.<br>**[06:36] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm certain I'll beat you someday.<br>**[06:40] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that what that means?<br>**[06:42] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice. I like that.<br>**[06:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then. Good luck in the race.<br>**[06:50] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Madoka-chan.<br>**[06:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4 Racing <br>
&nbsp;&nbsp;&nbsp;&nbsp; Documents <br>
&nbsp;&nbsp;&nbsp;&nbsp;  Summary<br>**[06:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4 Racing <br>
&nbsp;&nbsp;&nbsp;&nbsp; Documents <br>
&nbsp;&nbsp;&nbsp;&nbsp;  Summary<br>**[06:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;F4 Racing <br>
&nbsp;&nbsp;&nbsp;&nbsp; Documents <br>
&nbsp;&nbsp;&nbsp;&nbsp;  Summary<br>**[06:57] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You read it already?<br>**[06:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I appreciate how thoroughly it covers<br>&nbsp;&nbsp;&nbsp;&nbsp;articles and documents related to F4.<br>**[07:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now Sae-chan won't yell at me anymore.<br>**[07:08] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I miss the days when you'd get excited because<br>&nbsp;&nbsp;&nbsp;&nbsp; you didn't know what a formation lap was.<br>**[07:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that was embarrassing. Anyway, uh...<br>**[07:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;While looking up some stuff online,<br>&nbsp;&nbsp;&nbsp;&nbsp;I came across that wet race,<br>**[07:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and found information on<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun's dad's accident.<br>**[07:27] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I guess you can<br>&nbsp;&nbsp;&nbsp;&nbsp;look up anything these days.<br>**[07:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be painful.<br>**[07:33] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[07:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's raced a bunch of times since then,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can hardly call it painful now.<br>**[07:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he still races regardless.<br>**[07:46] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? I actually feel<br>&nbsp;&nbsp;&nbsp;&nbsp;really guilty about it.<br>**[07:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you mean.<br>**[07:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the same for me.<br>**[08:14] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina Toru accident<br>**[08:17] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deadly Fire: Articles on Asahina Toru's accident<br>**[08:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Past Fatal Accidents in Japan<br>**[08:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Motorsports World Shocked: Deadly Crash on Rainy Circuit<br>**[08:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Race went ahead despite poor visibility<br>
&nbsp;&nbsp;&nbsp;&nbsp;Good luck charm found next to burning car<br>**[08:21] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Videos<br>**[08:21] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking back at Asahina Toru's accident – Car catches fire on circuit<br>**[08:21] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp; Fatal accident at rainy race – The tragedy of Asahina Toru<br>**[08:23] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking back at Asahina Toru's accident – Car catches fire on circuit<br>**[08:46] REPORTER**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting to rain.<br>**[08:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rain?<br>**[08:58] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's it looking?<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nagoya<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inabe<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komono<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaizu<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuwana<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nisshin<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kariya<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Handa<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsu<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nishio<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mihama<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yokkaichi<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suzuka<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kameyama<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ama<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Higashiomi<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;koka<br>**[08:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hikone<br>**[08:59] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell yet.<br>**[09:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're changing tires.<br>**[09:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna go check it out.<br>**[09:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki-san!<br>**[09:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's it looking?<br>**[09:12] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The clouds are moving quickly.<br>**[09:14] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't tell what the race will look like.<br>**[09:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not going to put the rain tires on?<br>**[09:20] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it may let up before the start,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he might stick with the slick tires.<br>**[09:27] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what he'll do.<br>**[09:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it stops raining, if the track's wet,<br>&nbsp;&nbsp;&nbsp;&nbsp; won't the regular tires slide around?<br>**[09:33] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. But if the track dries,<br>&nbsp;&nbsp;&nbsp;&nbsp;the rain tires won't have any grip.<br>**[09:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;his tires will hold him back.<br>**[09:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean he'll lose time?<br>**[09:46] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the other teams are probably split<br>&nbsp;&nbsp;&nbsp;&nbsp;on whether to change their tires or not, too.<br>**[09:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the slicks.<br>**[09:55] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun...<br>**[09:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Races are always disrupted by rain because<br>&nbsp;&nbsp;&nbsp;&nbsp; no one can drive like they normally do.<br>**[10:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an opportunity for the cars<br>&nbsp;&nbsp;&nbsp;&nbsp;at the back, so they'll go for it.<br>**[10:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I swap to rain tires<br>&nbsp;&nbsp;&nbsp;&nbsp;and this downpour stops,<br>**[10:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;what'll I do if a car with<br>&nbsp;&nbsp;&nbsp;&nbsp; slicks comes up behind me?<br>**[10:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, wait, hold up. You don't know<br>&nbsp;&nbsp;&nbsp;&nbsp; what the rain is gonna do.<br>**[10:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if it starts coming down even harder?<br>**[10:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be able to drive in it<br>&nbsp;&nbsp;&nbsp;&nbsp; without rain tires fitted.<br>**[10:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think they'll make the same choice.<br>**[10:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They"?<br>**[10:26] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru!<br>**[10:28] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso's going for slicks.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not changing.<br>**[10:32] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of you are fine with the slicks?<br>**[10:34] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Unless it really starts coming down,<br>&nbsp;&nbsp;&nbsp;&nbsp;rain tires will only hamper us.<br>**[10:38] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we want to keep the lead<br>&nbsp;&nbsp;&nbsp;&nbsp;in the race, we need slicks.<br>**[10:43] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Komaki Motors seems<br>&nbsp;&nbsp;&nbsp;&nbsp;to be in good shape today.<br>**[10:46] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's irrelevant.<br>**[10:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I want to compete for first,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to fit the slicks.<br>**[10:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[10:53] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not a reckless strategy.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a common risk drivers take,<br>**[10:58] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;especially on days like today, where it rains<br>&nbsp;&nbsp;&nbsp;&nbsp; between qualifying and the race.<br>**[11:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's looking like it might pass quickly, too.<br>**[11:06] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need it to stop.<br>**[11:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the rain slows them down,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be easier to catch up.<br>**[11:13] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sure.<br>**[11:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But what if...<br>**[11:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad didn't die because of the rain.<br>**[11:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked for a reason for so long.<br>**[11:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I knew it, I could avoid<br>&nbsp;&nbsp;&nbsp;&nbsp; making the same mistake.<br>**[11:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believed I could overcome it.<br>**[11:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that day...<br>**[11:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you took that photo<br>&nbsp;&nbsp;&nbsp;&nbsp;so naturally that day, Kouya,<br>**[11:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized I didn't need a reason<br>&nbsp;&nbsp;&nbsp;&nbsp; to overcome something.<br>**[11:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have to do what I want to do.<br>**[11:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are definitely things<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to do when it rains,<br>**[11:53] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;like calmly assess the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;and be extra careful,<br>**[11:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's no different<br>&nbsp;&nbsp;&nbsp;&nbsp; from any other race.<br>**[12:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you say you'd take<br>&nbsp;&nbsp;&nbsp;&nbsp;my picture on the winner's podium?<br>**[12:06] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's going to be today.<br>**[12:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun...<br>**[12:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still don't want you to race.<br>**[12:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want me to race?<br>**[12:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's not my place to say anything,<br>&nbsp;&nbsp;&nbsp;&nbsp; since I'm only an amateur.<br>**[12:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you're gonna race,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should fit the rain tires.<br>**[12:37] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, that's not—<br>**[12:38] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it stops raining, you'll be high and dry.<br>**[12:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if it starts raining harder?<br>&nbsp;&nbsp;&nbsp;&nbsp;Slick tires would slide around, right?<br>**[12:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've raced in the rain before.<br>**[12:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My times will be worse,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's nothing to be afraid of.<br>**[12:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing something because you want to<br>&nbsp;&nbsp;&nbsp;&nbsp; is a good attitude to have,<br>**[12:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that only applies<br>&nbsp;&nbsp;&nbsp;&nbsp;when lives aren't at stake.<br>**[12:58] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good <br>
&nbsp;&nbsp;&nbsp;&nbsp;Luck <br>
&nbsp;&nbsp;&nbsp;&nbsp;Charm<br>**[13:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it a little late for that?<br>**[13:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even normal races come with risk.<br>**[13:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's race isn't a normal race!<br>**[13:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even ignoring the rain, you're on a high<br>&nbsp;&nbsp;&nbsp;&nbsp;today, whether you realize it or not.<br>**[13:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're convinced you'll do well, <br>
&nbsp;&nbsp;&nbsp;&nbsp;but you don't *know*.<br>**[13:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true!<br>**[13:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *is* true!<br>**[13:19] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, Madoka-chan.<br>**[13:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no such thing as a guarantee.<br>**[13:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially not when lives are at stake.<br>**[13:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If something happens today<br>&nbsp;&nbsp;&nbsp;&nbsp;that puts a terrible curse on you...<br>**[13:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curse?<br>**[13:38] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you won't be able to engage<br>&nbsp;&nbsp;&nbsp;&nbsp;with what you used to love.<br>**[13:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll never be able to face<br>&nbsp;&nbsp;&nbsp;&nbsp;what you want to do again.<br>**[13:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what? Who are you talking about?<br>**[13:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I'm talking about myself.<br>**[13:55] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you to go through what I did.<br>**[14:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru.<br>**[14:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time to decide.<br>**[14:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm keeping these tires.<br>**[14:12] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[14:21] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[14:23] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you've decided to believe<br>&nbsp;&nbsp;&nbsp;&nbsp;in your luck, I believe in my own.<br>**[14:30] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just love yourself, don't you?<br>**[14:57] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's lights out and away we go!*<br>**[15:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The car in front of Haruka is on wets.<br>**[15:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seemed that way when I looked earlier.<br>**[15:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rain...<br>**[15:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*See?*<br>**[15:49] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously?*<br>**[15:58] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad!<br>**[15:59] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't panic. He'll get his chance soon.<br>**[16:02] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, every car is on the ideal line.<br>**[16:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The friction from the tires will<br>&nbsp;&nbsp;&nbsp;&nbsp;gradually dry out the wet track.<br>**[16:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the dry track will cause<br>&nbsp;&nbsp;&nbsp;&nbsp;the rain tires to overheat.<br>**[16:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll want to cool their<br>&nbsp;&nbsp;&nbsp;&nbsp;tires to prevent that.<br>**[16:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the moment they avoid the dry parts<br>&nbsp;&nbsp;&nbsp;&nbsp;and stray from the racing line...<br>**[16:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;...he'll pass them!<br>**[16:30] BOTH**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[16:34] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, Haru's totally on fire today.<br>**[16:38] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru's always on fire.<br>**[16:40] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that. But maybe...<br>**[17:06] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[17:16] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is tougher than before.*<br>**[17:19] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't see.*<br>**[17:22] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Never thought I'd see*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the day when you towed me.*<br>**[17:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso's so fast.<br>**[17:27] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as they're out front,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no spray obstructing their vision.<br>**[17:31] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cars behind know what line to take by<br>&nbsp;&nbsp;&nbsp;&nbsp;following the tail lights of the cars in front.<br>**[17:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka...<br>**[17:49] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They've spun off!*<br>**[17:51] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The 42 and the 91 have collided!*<br>**[17:54] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They don't seem to have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;any damage, though,*<br>**[17:56] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the race continues.*<br>**[17:59] CAMERAMAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The forecast isn't looking too good.<br>**[18:01] CAMERAMAN B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might see a red flag soon.<br>**[18:05] KOUA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun...<br>**[18:11] HARUKA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't give up.*<br>**[18:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka...<br>**[18:21] HARUKA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't give up.*<br>**[19:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good<br>**[19:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck<br>**[19:12] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charm<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charm<br>**[19:14] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good<br>**[19:14] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck<br>**[19:14] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charm<br>**[19:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good<br>**[19:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck<br>**[19:15] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charm<br>**[19:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru...<br>**[19:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[20:50] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh! Belsorriso's Harunaga*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Satsuki has crashed!*<br>**[21:16] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-san! Are you all right?<br>**[21:19] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me?<br>**[21:20] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-san! Can you move?<br>**[21:22] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me?<br>**[21:24] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-san! Harunaga-san!<br>**[21:26] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[21:52] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Headboard!<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suzuka,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rain
<br>

# E7 - Underexposure

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GK9U3MQPQ/underexposure)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] FAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he okay?<br>**[00:06] MARSHALL A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you flip the kill switch?<br>**[00:07] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-san! Are you all right?<br>**[00:09] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me?<br>**[00:09] MARSHALL B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any fire?<br>**[00:10] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-san! Can you move?<br>**[00:13] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me?<br>**[00:14] EMT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-san! Harunaga-san!<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanto Region  Today's Weather<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gunma<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tochigi<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ibaraki<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chiba<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokyo<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanagawa<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamanashi<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nagano<br>**[00:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saitama<br>**[00:46] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikazuki Beverages Sato-sama<br>**[00:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikazuki Beverages Sato-sama<br>**[00:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[00:48] SIGN LEFT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remind Me<br>**[00:48] SIGN RIGHT**<br>&nbsp;&nbsp;&nbsp;&nbsp;Message<br>**[00:48] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slide to answer<br>**[02:22] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad Harunaga's okay.<br>**[02:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was some crash.<br>**[02:26] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not okay. Satsuki-kun has broken bones.<br>**[02:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying he's lucky<br>&nbsp;&nbsp;&nbsp;&nbsp;he only broke some bones.<br>**[02:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given the circumstances,<br>&nbsp;&nbsp;&nbsp;&nbsp;it could've been way worse.<br>**[02:38] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he won't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to race again for a while.<br>**[02:42] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it'll be tough for him<br>&nbsp;&nbsp;&nbsp;&nbsp; to return this season.<br>**[02:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on. Don't cry.<br>**[02:55] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[03:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're that worried, what about a visit?<br>**[03:06] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;A visit? Who's visiting?<br>**[03:09] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, visit him? I can't!<br>**[03:11] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things would be easy if I could!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have no idea what to say to him!<br>**[03:18] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I ever know.<br>**[03:21] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you support him?<br>**[03:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could just tell him that.<br>**[03:27] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just tell him what I think...<br>**[03:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, that's it.<br>**[03:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my problem.<br>**[03:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Kota?<br>**[03:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[03:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[03:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, have you heard from him?<br>**[03:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heard from who?<br>**[03:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya.<br>**[03:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Madoka-chan?<br>**[03:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I haven't heard<br>&nbsp;&nbsp;&nbsp;&nbsp;from him lately. How long has it been?<br>**[03:58] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[04:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard from him since the last race.<br>**[04:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too?<br>**[04:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. He hasn't been<br>&nbsp;&nbsp;&nbsp;&nbsp;around here since then either.<br>**[04:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you apologize to him for that?<br>**[04:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what?<br>**[04:15] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our meeting before the race.<br>**[04:18] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys kind of got into a fight.<br>**[04:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't a fight.<br>**[04:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then show me the messages you sent to him.<br>**[04:27] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[04:28] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you. I bet you got<br>&nbsp;&nbsp;&nbsp;&nbsp;really crabby with him.<br>**[04:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Hey!<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's far. You don't have to come.<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd go no matter how far away it is! <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll head over once I'm finished <br>
&nbsp;&nbsp;&nbsp;&nbsp;with work! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Can I stop by the tent?<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. <br>
&nbsp;&nbsp;&nbsp;&nbsp;If you want.<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'll probably get there around <br>
&nbsp;&nbsp;&nbsp;&nbsp;the time the F4 qualifying is <br>
&nbsp;&nbsp;&nbsp;&nbsp;wrapping up!<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice job in qualifying! <br>
&nbsp;&nbsp;&nbsp;&nbsp;On my way to the tent!<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[04:32] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for before the race.<br>**[04:34] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three points.<br>**[04:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[04:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's pretty honest for you.<br>**[04:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's still not showing as read.<br>**[04:43] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Komaki Motors.<br>**[04:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hello. We appreciate<br>&nbsp;&nbsp;&nbsp;&nbsp;everything you do for us.<br>**[04:49] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Yes. What?<br>**[04:52] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is so sudden!<br>**[04:55] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already been decided? But—<br>**[05:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops?<br>**[05:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[05:03] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mikazuki Beverages has...<br>**[05:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean you're ending the<br>&nbsp;&nbsp;&nbsp;&nbsp;sponsorship? Komaki Motors is doing great!<br>**[05:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A win is within their reach!<br>**[05:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[05:17] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I—<br>**[05:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He retired the other day because I said<br>&nbsp;&nbsp;&nbsp;&nbsp;it was too dangerous and made him stop, so—<br>**[05:23] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not why.<br>**[05:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:26] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not why, Madoka-san.<br>**[05:32] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm late.<br>**[05:34] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me explain the situation.<br>**[05:40] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka Kouya-san, you previously worked<br>&nbsp;&nbsp;&nbsp;&nbsp;under the name Yukihira Kouya-san.<br>**[05:48] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;That photo you took of Haruka-kun...<br>**[05:51] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since publishing it, our company<br>&nbsp;&nbsp;&nbsp;&nbsp;has received a number of complaints,<br>**[05:56] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exclusive interview <br>
&nbsp;&nbsp;&nbsp;&nbsp;with parents of "that girl"<br>**[05:56] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He Let Her Die for a Photo?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;The Truth about Cameraman<br>
&nbsp;&nbsp;&nbsp;&nbsp;Yukihira Kouya!<br>**[05:56] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;asking if we're the kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;company that hires photographers<br>**[05:59] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;who acted immorally during an earthquake<br>&nbsp;&nbsp;&nbsp;&nbsp;ten years ago to take promotional photos.<br>**[06:05] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka-san, are you the one<br>&nbsp;&nbsp;&nbsp;&nbsp; who took that photo?<br>**[06:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it has nothing to do with Haruka-kun!<br>**[06:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm the problem, then I'll stay away<br>&nbsp;&nbsp;&nbsp;&nbsp;from your company's ads in the future!<br>**[06:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please don't end the sponsor—<br>**[06:24] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka-san.<br>**[06:29] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hasn't become a big deal yet,<br>**[06:31] BOSS**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if the media turns its eyes on us, it could<br>&nbsp;&nbsp;&nbsp;&nbsp;blow up and affect our company's image.<br>**[06:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[06:42] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very sorry.<br>**[06:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, whoa. Please raise<br>&nbsp;&nbsp;&nbsp;&nbsp;your head, Yukihira-san.<br>**[06:48] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this happened because I didn't explain<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka's history to Mikazuki Beverages.<br>**[06:58] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard from Madoka since?<br>**[07:01] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he hasn't contacted us.<br>**[07:03] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry. He should be here with me.<br>**[07:08] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped.<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably feels responsible for it.<br>**[07:12] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I didn't realize it was Madoka-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;who took that earthquake photo.<br>**[07:19] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I saw it again,<br>&nbsp;&nbsp;&nbsp;&nbsp;I recalled the outrage it caused.<br>**[07:23] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;People were bashing him on TV day after day.<br>**[07:26] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bad?<br>**[07:27] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;People questioned his ethics, saying if he had<br>&nbsp;&nbsp;&nbsp;&nbsp; time to take a photo, he could've saved her.<br>**[07:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Wouldn't it have been impossible to<br>&nbsp;&nbsp;&nbsp;&nbsp;save her even if he hadn't taken that photo?<br>**[07:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're talking out their asses.<br>**[07:41] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can't deny that<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a shocking photo.<br>**[07:46] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially since a human life was at stake.<br>**[08:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[08:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want.<br>**[08:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[08:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll probably get there around the time<br>
&nbsp;&nbsp;&nbsp;&nbsp; the F4 qualifying is wrapping up!<br>**[08:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[08:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for before the race.<br>**[08:05] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota and his dad are worried about you, too.<br>**[08:08] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru!<br>**[08:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[08:48] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And he crosses the line!*<br>**[08:50] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The winner is Belsorriso's new*<br>*&nbsp;&nbsp;&nbsp;&nbsp;number one, Tokumaru Toshiki!*<br>**[09:04] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;A toast! To Tokumaru-san's debut and<br>&nbsp;&nbsp;&nbsp;&nbsp;first victory as the team's number one driver!<br>**[09:10] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[09:12] ALL**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[09:14] BELSORRISO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congrats.<br>**[09:16] BELSORRISO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work out there.<br>**[09:17] BELSORRISO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too.<br>**[09:17] KAGAYAMA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuitani-senpai, congrats on your debut in<br>&nbsp;&nbsp;&nbsp;&nbsp;the second seat, plus your third-place finish.<br>**[09:18] BELSORRISO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were great.<br>**[09:22] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I wasn't sure I'd get there,<br>&nbsp;&nbsp;&nbsp;&nbsp; but I was fortunate.<br>**[09:28] KAGAYAMA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was unbelievable.<br>**[09:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunate?<br>**[09:33] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. So luck got you to the podium, huh?<br>**[09:37] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh... I'm sorry!<br>**[09:41] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[09:44] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same is true for me.<br>**[09:46] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Satsuki hadn't gotten hurt, I wouldn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;been the team's number one driver today.<br>**[09:51] 2C**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did an awesome job.<br>**[09:52] 2D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Tokumaru-san's amazing.<br>**[09:55] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[09:56] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I got the setup all wrong today.<br>**[09:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not your fault. I'm the one<br>&nbsp;&nbsp;&nbsp;&nbsp; who said we should practice less.<br>**[10:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Less track time makes it<br>&nbsp;&nbsp;&nbsp;&nbsp;harder to get the setup right.<br>**[10:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we go back to the old schedule?<br>**[10:12] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tires have still got some—<br>**[10:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[10:15] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But—<br>**[10:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said it's okay.<br>**[10:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what it was like<br>&nbsp;&nbsp;&nbsp;&nbsp;before we had a sponsor.<br>**[10:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just happened to be lucky until recently.<br>**[10:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad.<br>**[10:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Know where Haru is?<br>**[10:34] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, delivering the evening papers.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's starting back up today.<br>**[10:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:40] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[10:42] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering if we can<br>&nbsp;&nbsp;&nbsp;&nbsp;really keep going like this.<br>**[10:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[10:48] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, 'cause I've seen it now.<br>**[10:51] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw Haru get really close.<br>**[10:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I've got expectations. I can't help it.<br>**[11:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's selfish,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I keep hoping for more.<br>**[11:07] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's...<br>**[11:10] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[11:12] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back.<br>**[11:13] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back. Hey, Haru...<br>**[11:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota.<br>**[11:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got a minute?<br>**[11:21] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[11:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's up?<br>**[11:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually wanted to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;you about something.<br>**[11:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. There's actually something<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to discuss with you, too.<br>**[11:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[11:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You first.<br>**[11:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You invited me to talk.<br>**[11:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it about the race the other day?<br>**[11:44] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. It's about him.<br>**[11:48] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Him?<br>**[11:49] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya. I still can't get in touch with him.<br>**[11:55] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Maybe he's depressed because he feels<br>&nbsp;&nbsp;&nbsp;&nbsp;responsible for the sponsor pulling out.<br>**[12:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not like it was<br>&nbsp;&nbsp;&nbsp;&nbsp; Madoka-chan's fault.<br>**[12:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone's to blame, it's the people<br>&nbsp;&nbsp;&nbsp;&nbsp; who bashed him at the time.<br>**[12:09] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those self-righteous asswipes.<br>**[12:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe he can't take pictures again.<br>**[12:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[12:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my fault.<br>**[12:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[12:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew.<br>**[12:26] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knew what?<br>**[12:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the photo.<br>**[12:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew what had happened to him.<br>**[12:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I thought I understood him.<br>&nbsp;&nbsp;&nbsp;&nbsp;But I had no idea.<br>**[12:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've looked into that photo sooner.<br>**[12:44] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then maybe I would've understood<br>&nbsp;&nbsp;&nbsp;&nbsp;what he was trying to say at the time.<br>**[12:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's it always gotta be in hindsight?<br>**[12:56] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sucks.<br>**[12:58] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just like what happened with Dad.<br>**[13:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overthinking it.<br>**[13:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:12] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overthinking it.<br>**[13:17] SIGN RED**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive<br>
&nbsp;&nbsp;&nbsp;&nbsp;Safe<br>**[13:18] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've thought about it this much,<br>&nbsp;&nbsp;&nbsp;&nbsp; why don't you talk to him?<br>**[13:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But I can't get in touch with him.<br>**[13:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could get his address from Saeko-san.<br>**[13:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But what should I say?<br>**[13:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on. Just tell him what you told me.<br>**[13:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suruga 8<br>**[13:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Express Fare<br>**[13:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;yen<br>**[13:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I'm getting déjà vu here.<br>**[13:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what did you<br>&nbsp;&nbsp;&nbsp;&nbsp; want to talk about?<br>**[13:43] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'll tell you later.<br>**[14:09] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka Kouya<br>**[14:18] ALICE/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I a-a-actually came to visit Satsuki-kun!*<br>*&nbsp;&nbsp;&nbsp;&nbsp;What should I do? What should I say?*<br>**[14:23] ALICE/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kota-chan said to just tell him what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think and how it is. But how is it?*<br>**[14:29] FAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Really?<br>**[14:30] FAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy. Thank you.<br>**[14:32] FAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun, thank you.<br>**[14:32] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, get in line.<br>**[14:35] FAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun, I want two.<br>**[14:37] FAN B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then go to the back of the line.<br>**[14:40] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now. Don't fight.<br>**[14:42] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get your autographs one at a time.<br>**[14:45] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But only one per person per day, okay?<br>**[14:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want more,<br>&nbsp;&nbsp;&nbsp;&nbsp;come back tomorrow. Ya got that?<br>**[14:51] GIRLS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[14:52] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... What...<br>**[14:54] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What *is* this?!<br>**[14:58] FAN C**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later, Satsuki-kun.<br>**[14:59] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be back tomorrow.<br>**[15:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Take care on the way home.<br>**[15:06] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;At some point, they figured out<br>&nbsp;&nbsp;&nbsp;&nbsp; which hospital I was in.<br>**[15:09] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I appreciate that they're<br>&nbsp;&nbsp;&nbsp;&nbsp;supporting me, even though I can't race.<br>**[15:17] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[15:20] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, this is for you.<br>**[15:23] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, fruit. Thank you.<br>**[15:25] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. It's not much, but...<br>**[15:28] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but I love apples. It's great, thanks.<br>**[15:36] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem better than I was expecting.<br>**[15:38] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's just a few broken bones.<br>**[15:40] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm totally fine.<br>**[15:43] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow.<br>**[15:44] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, y-you shouldn't strain yourself.<br>**[15:46] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ribs and left leg need<br>&nbsp;&nbsp;&nbsp;&nbsp;three months to heal completely.<br>**[15:49] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but I plan to resume racing<br>&nbsp;&nbsp;&nbsp;&nbsp; as soon as the bones have fused again.<br>**[15:53] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:54] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctor told me he'd extend my<br>&nbsp;&nbsp;&nbsp;&nbsp;hospital stay if I pushed myself even a little.<br>**[16:00] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man. I wanna get started on<br>&nbsp;&nbsp;&nbsp;&nbsp;rehab already. I wanna move my body.<br>**[16:07] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what do you normally do? If I may ask.<br>**[16:11] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so polite.<br>**[16:13] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, normally, I talk to my fangirls,<br>**[16:17] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;sign autographs for my fangirls,<br>&nbsp;&nbsp;&nbsp;&nbsp;play cards with my fangirls...<br>**[16:23] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;and watch F4 races.<br>**[16:28] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, did you attend the race<br>&nbsp;&nbsp;&nbsp;&nbsp;the other day? Wasn't it amazing?<br>**[16:31] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toshi-kun won as the<br>&nbsp;&nbsp;&nbsp;&nbsp;team's number one driver.<br>**[16:34] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[16:36] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, b-but when y-y-you're<br>&nbsp;&nbsp;&nbsp;&nbsp;not in the race, I-I m-m-miss—<br>**[16:43] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The race went great for us,<br>&nbsp;&nbsp;&nbsp;&nbsp; even though I wasn't in it.<br>**[16:48] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:49] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was so surprised.<br>**[16:51] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd need to recover as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as possible, but we seemed totally fine.<br>**[16:56] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe the absence of the team's prodigy<br>&nbsp;&nbsp;&nbsp;&nbsp;gave them a kick up the backside.<br>**[17:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe they always<br>&nbsp;&nbsp;&nbsp;&nbsp;would've been fine without me.<br>**[17:06] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not...<br>**[17:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, guess I'm just out of luck.<br>**[17:10] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[17:22] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still here?<br>**[17:25] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san.<br>**[17:26] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're working hard.<br>**[17:28] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for using the room<br>&nbsp;&nbsp;&nbsp;&nbsp;without your permission.<br>**[17:30] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[17:32] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? Something on your mind?<br>**[17:39] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's this.<br>**[17:40] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuitani fell to fifth place briefly.<br>**[17:44] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He made up for it at the next corner, but that<br>&nbsp;&nbsp;&nbsp;&nbsp;was down to the car in front making a mistake,<br>**[17:49] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;not because he had pace.<br>**[17:51] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being hard on him.<br>**[17:52] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;How so? It never would've happened<br>&nbsp;&nbsp;&nbsp;&nbsp; if it was me in that second seat.<br>**[17:57] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But currently, we don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;any drivers on my level.<br>**[18:00] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't have it in them.<br>**[18:02] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say that. There must be<br>&nbsp;&nbsp;&nbsp;&nbsp;some advice you can give them.<br>**[18:08] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san, I'm grateful to you.<br>**[18:12] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Belsorriso hadn't picked me up,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've quit racing by now.<br>**[18:21] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's why I can't keep<br>&nbsp;&nbsp;&nbsp;&nbsp;racing in F4 forever. I'm 19.<br>**[18:28] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to achieve something<br>&nbsp;&nbsp;&nbsp;&nbsp;and move on to the next step.<br>**[18:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuitani and Kagayama are good guys.<br>&nbsp;&nbsp;&nbsp;&nbsp;But they're not my friends. They're my rivals.<br>**[18:37] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not obligated to look out for them.<br>**[18:41] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't afford to, anyway.<br>**[18:44] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga did.<br>**[18:45] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:47] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He often gave them advice after races.<br>**[18:50] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never said a word to me.<br>**[18:53] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you didn't need it.<br>&nbsp;&nbsp;&nbsp;&nbsp;He praised your driving all the time.<br>**[19:00] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so uptight, number one driver.<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll probably get there around the time<br>
&nbsp;&nbsp;&nbsp;&nbsp; the F4 qualifying is wrapping up!<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice job in qualifying!<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;On my way to the tent!<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for before the race.<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota and his dad are worried about you, too.<br>**[19:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at your place.<br>**[19:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in there, aren't you?<br>**[19:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to open the door.<br>**[19:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're there, I just want you to listen.<br>**[19:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I don't exactly know where to start.<br>**[19:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really appreciate the stuff you said<br>&nbsp;&nbsp;&nbsp;&nbsp;to me the other day during that wet race.<br>**[19:58] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I didn't really understand it then.<br>**[20:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I never have.<br>**[20:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were crazy when you showed up<br>&nbsp;&nbsp;&nbsp;&nbsp;out of nowhere and said you'd support me.<br>**[20:11] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm really, really grateful<br>&nbsp;&nbsp;&nbsp;&nbsp;you actually found us a sponsor.<br>**[20:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it wasn't for you, Kouya,<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have raced like I did.<br>**[20:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think it's awkward now because of<br>&nbsp;&nbsp;&nbsp;&nbsp;the sponsor stuff, none of that matters to me.<br>**[20:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota and his dad don't care, either.<br>**[20:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care at all.<br>**[20:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[20:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry it took me so long<br>&nbsp;&nbsp;&nbsp;&nbsp;to offer a proper apology.<br>**[20:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I couldn't reflect on why<br>&nbsp;&nbsp;&nbsp;&nbsp;you were trying to stop me that day.<br>**[20:55] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I didn't understand<br>&nbsp;&nbsp;&nbsp;&nbsp;even though I knew your story.<br>**[21:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm hoping for too much, and I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know what I can do, but that promise...<br>**[21:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want us to fulfill that promise, for you<br>&nbsp;&nbsp;&nbsp;&nbsp; to take my photo on the winner's podium.<br>**[21:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya?<br>**[21:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kouya.<br>**[21:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Underexposure
<br>**[22:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya?<br>

# E8 - Birds of a Feather

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GMKUXQWD8/birds-of-a-feather)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:26] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed, Asahina-kun.<br>**[00:28] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lapped pretty fast<br>&nbsp;&nbsp;&nbsp;&nbsp;for your first time in the car.<br>**[00:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The setup made it easy to drive.<br>**[00:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The car kept up no matter what I did.<br>**[00:35] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does at first.<br>**[00:37] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;From that baseline,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll refine your setup.<br>**[00:40] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get rid of everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't need and go even faster.<br>**[00:46] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number two driver can't do his job unless<br>&nbsp;&nbsp;&nbsp;&nbsp;he can keep up with the number one driver.<br>**[00:52] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm counting on you, Asahina.<br>**[02:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya...<br>**[02:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has he not been home for a while?<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Futoshi<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Futoshi<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Futoshi<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Futoshi<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Futoshi<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[02:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Futoshi<br>**[02:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[02:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[02:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, Haruka. Where are you?*<br>**[02:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;At Kouya's apartment.<br>**[02:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lights are on, but it doesn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;like he's been home in a while.<br>**[02:52] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yukihira-san just contacted me about that.*<br>**[02:57] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Madoka-chan said he was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;gonna be away for a while.*<br>**[03:02] FUTOSHI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She thought you might've gone to his place*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since you asked for his address,*<br>**[03:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so she called me in a hurry.*<br>**[03:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then where's Kouya now?<br>**[03:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He didn't tell her that, either.*<br>**[03:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyway, there's something else.*<br>**[03:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something else?<br>**[03:21] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, actually...*<br>**[03:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso wants *me* to be<br>
&nbsp;&nbsp;&nbsp;&nbsp; their number two driver?<br>**[03:29] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san has invited you to join the team.<br>**[03:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;After Harunaga's crash<br>&nbsp;&nbsp;&nbsp;&nbsp;put him in the hospital,<br>**[03:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru was promoted to number one.<br>**[03:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're looking for a decent number two.<br>**[03:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he called me a mobile chicane.<br>**[03:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I haven't forgiven him<br>&nbsp;&nbsp;&nbsp;&nbsp; for that either, but...<br>**[03:51] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they realized what you could do<br>&nbsp;&nbsp;&nbsp;&nbsp;if they swapped our second-hand crapbox<br>**[03:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;for a shiny Belsorriso machine.<br>**[04:00] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;This machine's previous owner<br>&nbsp;&nbsp;&nbsp;&nbsp;drove it for quite a few seasons.<br>**[04:05] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, he gave us<br>&nbsp;&nbsp;&nbsp;&nbsp;a discount on it, but still.<br>**[04:09] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, Haruka, I don't think it's a bad offer.<br>**[04:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso's got money and know-how.<br>**[04:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And most of all, you'd get to practice more.<br>**[04:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Belsorriso's our rival.<br>**[04:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to keep fighting for Komaki Motors.<br>**[04:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka, you don't plan to end<br>&nbsp;&nbsp;&nbsp;&nbsp;your career in F4, do you?<br>**[04:30] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Above F4, you have F3, F2, and F1.<br>&nbsp;&nbsp;&nbsp;&nbsp;And GT and rally. All kinds of pro categories.<br>**[04:40] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need results if you want to go pro.<br>**[04:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't win lots, teams won't reach out<br>&nbsp;&nbsp;&nbsp;&nbsp; to you, and you won't get any sponsors.<br>**[04:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you could race in<br>&nbsp;&nbsp;&nbsp;&nbsp;F3 with Komaki Motors,<br>**[04:52] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we just don't have the money for that.<br>**[04:54] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to aim higher, you'll eventually<br>&nbsp;&nbsp;&nbsp;&nbsp; have to drive for someone else.<br>**[04:58] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll happen sooner or later.<br>**[05:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[05:03] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, why don't you at least<br>&nbsp;&nbsp;&nbsp;&nbsp;go hear what they have to say?<br>**[05:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can make a decision after that.<br>**[05:25] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina-kun.<br>**[05:30] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for coming.<br>**[05:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[05:43] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[05:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru...<br>**[05:46] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you feeling?<br>**[05:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I guess.<br>**[05:50] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on now.<br>**[05:51] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to say "I'm great!"<br>&nbsp;&nbsp;&nbsp;&nbsp; even if it's a lie.<br>**[05:55] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;People will think you lack confidence.<br>**[05:58] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drivers need silver tongues.<br>**[06:01] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, we can't trick people<br>&nbsp;&nbsp;&nbsp;&nbsp; into sponsoring us.<br>**[06:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Trick them?<br>**[06:06] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru, choose your<br>&nbsp;&nbsp;&nbsp;&nbsp; words more carefully.<br>**[06:10] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And on this team,<br>&nbsp;&nbsp;&nbsp;&nbsp;"tricking" the sponsors is my job.<br>**[06:14] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Asahina-kun,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's get you into a car.<br>**[06:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I thought I was<br>&nbsp;&nbsp;&nbsp;&nbsp;just here to talk today.<br>**[06:21] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I got your height and weight<br>&nbsp;&nbsp;&nbsp;&nbsp;and put in a seat that's a pretty close match.<br>**[06:26] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[06:26] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what size helmet do you wear?<br>**[06:29] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you measure Asahina-kun's head?<br>**[06:32] STAFF**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[06:32] STAFF**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way, please.<br>**[06:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:37] PIT CREW A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The car's set up to maximize Sector 3,<br>&nbsp;&nbsp;&nbsp;&nbsp;so watch out for oversteer in 100R.<br>**[06:42] PIT CREW A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tank's half full at 20 liters.<br>**[06:45] PIT CREW B**<br>&nbsp;&nbsp;&nbsp;&nbsp;The GT cars were out this morning,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's rubber on the track,<br>**[06:48] PIT CREW B**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the wind's picked up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and track temp has fallen.<br>**[06:51] PIT CREW B**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have a headwind on the straight.<br>**[06:54] PIT CREW B**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have less downforce<br>&nbsp;&nbsp;&nbsp;&nbsp;in the corners, so take care.<br>**[06:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[07:24] ALICE/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come on now. Don't be so gloomy.*<br>**[07:27] ALICE/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm here to visit him.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;What's the point if I'm gloomy?*<br>**[07:38] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Alice-chan.<br>**[07:40] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-san?<br>**[07:41] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should you be moving around already?<br>**[07:44] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just doing a little light rehab.<br>**[07:46] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;My muscles will atrophy if I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;move around, slowing the recovery.<br>**[07:55] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not fine at all.<br>**[07:59] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So heavy.<br>**[08:01] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is too heavy for rehab.<br>**[08:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to hurry.<br>**[08:10] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have much time.<br>**[08:15] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your times were good.<br>**[08:17] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll do even better<br>&nbsp;&nbsp;&nbsp;&nbsp;with a more tailored setup.<br>**[08:19] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina-kun.<br>**[08:20] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what makes a fast driver?<br>**[08:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:25] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one way to drive fast,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's difficult to do it perfectly.<br>**[08:29] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Multiple small mistakes can<br>&nbsp;&nbsp;&nbsp;&nbsp;pile up and add to your time.<br>**[08:34] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fast driver is one who is precise for<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole race and doesn't make mistakes.<br>**[08:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No mistakes?<br>**[08:42] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're like Harunaga.<br>**[08:44] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, give me a break. Is he gonna<br>&nbsp;&nbsp;&nbsp;&nbsp; turn into a playboy like him?<br>**[08:49] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he drives for us and keeps placing<br>&nbsp;&nbsp;&nbsp;&nbsp; highly, he might attract fans.<br>**[08:54] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, you'll be far<br>&nbsp;&nbsp;&nbsp;&nbsp;faster than you are now.<br>**[09:00] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you scowling for?<br>**[09:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, it's nothing.<br>**[09:04] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to be more agreeable<br>&nbsp;&nbsp;&nbsp;&nbsp; when you're complimented.<br>**[09:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's part of your job as a driver.<br>**[09:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a compliment?<br>**[09:11] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The part about you becoming faster, yeah.<br>**[09:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The part about you becoming a playboy<br>&nbsp;&nbsp;&nbsp;&nbsp;is up to your interpretation.<br>**[09:22] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[09:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Haru?<br>**[09:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Belsorriso. He said he'd be late<br>&nbsp;&nbsp;&nbsp;&nbsp;since he's having dinner with them.<br>**[09:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:32] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't forget this was *your* idea.<br>**[09:36] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it'd be better for<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka to spread his wings.<br>**[09:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the reason I even<br>&nbsp;&nbsp;&nbsp;&nbsp;agreed to Ena-san's proposal.<br>**[09:43] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, but...<br>**[09:48] WAITER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's amuse-bouche is a spiny lobster and<br>&nbsp;&nbsp;&nbsp;&nbsp; kohlrabi mille-feuille with fennel espuma.<br>**[09:54] WAITER**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's meant to be eaten in a single bite.<br>**[10:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Espuma?<br>**[10:01] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's foam made with nitrous oxide.<br>**[10:05] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be nervous. You'll get used to it soon.<br>**[10:10] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:12] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Climbing the ranks means<br>&nbsp;&nbsp;&nbsp;&nbsp;joining this kind of world.<br>**[10:19] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The car was good today, yes?<br>**[10:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, yes.<br>**[10:23] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a new machine that's<br>&nbsp;&nbsp;&nbsp;&nbsp;only been driven in one race.<br>**[10:27] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chassis and components are nice<br>&nbsp;&nbsp;&nbsp;&nbsp;and rigid. Everything functions precisely.<br>**[10:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what about Harunaga-san's car?<br>**[10:35] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, it was totaled.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quicker to buy a new one than repair it.<br>**[10:41] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cars are expendable. Even if they crash,<br>&nbsp;&nbsp;&nbsp;&nbsp; they can be repaired or replaced.<br>**[10:46] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no matter how much money you have,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't replace a driver's life.<br>**[10:52] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki and I go way back.<br>**[10:55] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when we raced with your dad,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toru, we were good teammates.<br>**[11:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You raced with my dad?<br>**[11:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the blond guy?<br>**[11:12] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wild in my younger days.<br>**[11:15] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know my dad well?<br>**[11:18] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Komaki must not have told you<br>&nbsp;&nbsp;&nbsp;&nbsp; out of consideration for me.<br>**[11:24] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was team principal when your<br>&nbsp;&nbsp;&nbsp;&nbsp;father passed away in that race.<br>**[11:31] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toru was logical, but also passionate.<br>&nbsp;&nbsp;&nbsp;&nbsp; He loved driving more than anything.<br>**[11:37] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He always earnestly<br>&nbsp;&nbsp;&nbsp;&nbsp;thought about winning.<br>**[11:40] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those are just my personal feelings.<br>**[11:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:44] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even as my friend's son, I wouldn't invite you<br>&nbsp;&nbsp;&nbsp;&nbsp; to join the team if you weren't fast.<br>**[11:56] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice-chan.<br>**[11:58] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[11:59] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what makes a fast driver?<br>**[12:03] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:04] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;A truly fast driver is one<br>&nbsp;&nbsp;&nbsp;&nbsp;who doesn't make mistakes.<br>**[12:09] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't make mistakes?<br>**[12:11] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The circuit is like a balance beam.<br>**[12:14] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;In races, we drive at top speed<br>&nbsp;&nbsp;&nbsp;&nbsp; along that balance beam.<br>**[12:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go too fast, and you're off.<br>**[12:21] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive too slow, and you get overtaken.<br>**[12:24] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we drive as close to<br>&nbsp;&nbsp;&nbsp;&nbsp;the upper limit as we can.<br>**[12:29] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our balance beam. And I...<br>**[12:36] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fell off.<br>**[12:40] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was my mistake.<br>**[12:44] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, I'll be overtaken<br>&nbsp;&nbsp;&nbsp;&nbsp;by someone behind me.<br>**[12:48] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The team will get another driver, and once<br>&nbsp;&nbsp;&nbsp;&nbsp;they don't need me, they'll throw me away.<br>**[12:53] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd never throw you away—<br>**[12:55] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they will!<br>**[12:57] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm not back behind the wheel before<br>&nbsp;&nbsp;&nbsp;&nbsp;someone else shows up, I won't have a car.<br>**[13:09] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-san, you talk about<br>&nbsp;&nbsp;&nbsp;&nbsp;James Hunt all the time.<br>**[13:14] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said Hunt was a genius<br>&nbsp;&nbsp;&nbsp;&nbsp;who attracted good luck.<br>**[13:20] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't Hunt become<br>&nbsp;&nbsp;&nbsp;&nbsp;champion by scoring points<br>**[13:24] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;while his rival, Niki Lauda,<br>&nbsp;&nbsp;&nbsp;&nbsp;missed races due to his crash?<br>**[13:30] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you know that.<br>**[13:32] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked it up. I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to get to know you better.<br>**[13:37] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Lauda was badly<br>&nbsp;&nbsp;&nbsp;&nbsp;burned in that accident.<br>**[13:40] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was hovering on the brink of death.<br>**[13:42] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was unavoidable.<br>**[13:45] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can only be described as unlucky.<br>**[13:47] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after that, Lauda recovered extremely<br>&nbsp;&nbsp;&nbsp;&nbsp;quickly and returned to racing, right?<br>**[13:55] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that luck, too?<br>**[13:57] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure he didn't <br>
&nbsp;&nbsp;&nbsp;&nbsp;just work really, *really* hard?<br>**[14:06] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I-I-I'm sorry, I-I-I...<br>**[14:13] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-san?<br>**[14:15] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Niki Lauda became champion<br>&nbsp;&nbsp;&nbsp;&nbsp;the year after he returned to racing.<br>**[14:20] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a logical man, rather than relying on luck,<br>&nbsp;&nbsp;&nbsp;&nbsp; he achieved that through his own strength.<br>**[14:26] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I wanted to be like Hunt.<br>**[14:30] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I should've been emulating Lauda.<br>**[14:36] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that Asahina makes few mistakes,<br>**[14:39] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he isn't afraid to<br>&nbsp;&nbsp;&nbsp;&nbsp;attack at crucial moments.<br>**[14:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;With more practice, his times will improve.<br>**[14:46] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's way better than Yuitani.<br>**[15:02] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? I thought Ena-san treated you to dinner.<br>**[15:06] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I guess.<br>**[15:08] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? The food wasn't good?<br>**[15:11] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it was. We ate at<br>&nbsp;&nbsp;&nbsp;&nbsp;an expensive French restaurant.<br>**[15:14] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, bougie.<br>**[15:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was gas in the water.<br>**[15:18] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Belsorriso puts gas<br>&nbsp;&nbsp;&nbsp;&nbsp;in their drivers, too?<br>**[15:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And nitrous oxide.<br>**[15:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't they use that to make<br>&nbsp;&nbsp;&nbsp;&nbsp; engines more powerful?<br>**[15:29] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting nitrous in an F4 car<br>&nbsp;&nbsp;&nbsp;&nbsp; is against the rules.<br>**[15:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else?<br>**[15:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot.<br>**[15:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too young to be going senile.<br>**[15:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dish names were really long.<br>**[15:42] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This is a something-or-other thingy<br>&nbsp;&nbsp;&nbsp;&nbsp; from such-and-such place,<br>**[15:45] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;prepared with so-and-so technique<br>&nbsp;&nbsp;&nbsp;&nbsp; on the chef's whim." Like that?<br>**[15:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that means it's expensive.<br>**[15:51] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they're worlds away from a team like us<br>&nbsp;&nbsp;&nbsp;&nbsp; that struggles to afford tires to practice.<br>**[15:55] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you earned their recognition,<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka. That's great.<br>**[16:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:01] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san called.<br>&nbsp;&nbsp;&nbsp;&nbsp;He said you have a promising future.<br>**[16:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the stuff in the microwave ready?<br>**[16:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;My pot stickers and rice.<br>**[16:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if that old dude praised you,<br>&nbsp;&nbsp;&nbsp;&nbsp; it must be true.<br>**[16:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I know way better than he does<br>&nbsp;&nbsp;&nbsp;&nbsp; that you'll get even faster.<br>**[16:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Belsorriso just has money.<br>**[16:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't compete with them there, though.<br>**[16:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the setup I prefer<br>&nbsp;&nbsp;&nbsp;&nbsp;better than they do.<br>**[16:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're better at making it<br>&nbsp;&nbsp;&nbsp;&nbsp; so I can attack, too.<br>**[16:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I've known you a long time. Their cars<br>&nbsp;&nbsp;&nbsp;&nbsp;are just fast 'cause they're new and rigid.<br>**[16:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it *was* fast.<br>**[16:56] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the suspension was precise.<br>**[17:15] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Haru?<br>**[17:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Belsorriso.<br>**[17:18] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're at Motegi today.<br>**[17:22] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:24] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still upset about that?<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point dwelling on it.<br>**[17:28] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I know that.<br>**[17:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand up here that<br>&nbsp;&nbsp;&nbsp;&nbsp;it's better for Haru to drive for them.<br>**[17:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it hurts in here, damn it.<br>**[17:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, for someone with a crude computer,<br>&nbsp;&nbsp;&nbsp;&nbsp; you've got such a delicate engine.<br>**[17:47] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Are you insulting me?<br>&nbsp;&nbsp;&nbsp;&nbsp; Was that an insult?<br>**[17:47] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[17:50] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I meant you're just like your late mom.<br>**[17:57] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, good work today.<br>**[17:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were going to yell at me.<br>**[18:01] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But you're keeping up with me.<br>**[18:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was at a complete loss<br>&nbsp;&nbsp;&nbsp;&nbsp;until I learned your line.<br>**[18:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did well. This afternoon,<br>&nbsp;&nbsp;&nbsp;&nbsp; you'll practice towing me along that line.<br>**[18:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A slipstream?<br>**[18:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Lead the way, Haruka-chan.<br>**[18:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Haruka-chan"?<br>**[18:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokumaru's sticking right behind me.*<br>**[18:35] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Not bad. He's easy to follow*<br>*&nbsp;&nbsp;&nbsp;&nbsp;since his line is so precise.*<br>**[18:39] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This will allow me to conserve everything.*<br>**[18:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next, the slipstream.*<br>**[18:53] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's it, Asahina.*<br>**[19:02] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can tell he's used to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;being passed. Not bad.*<br>**[19:08] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's this? Is he trying to pass me?*<br>**[20:18] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you think you were *doing*?<br>**[20:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[20:21] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the number two driver.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to focus on supporting me.<br>**[20:25] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am. I towed you like you said.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I passed you.<br>**[20:30] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I'm talking about!<br>**[20:32] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of forcing a teammate<br>&nbsp;&nbsp;&nbsp;&nbsp;into a mistake by pressuring them?<br>**[20:37] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you got to thoughtlessly drive<br>&nbsp;&nbsp;&nbsp;&nbsp; however you wanted before,<br>**[20:41] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're on a team now.<br>**[20:43] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pay attention to the people around you.<br>**[20:49] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[20:50] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not right. What am I doing?<br>**[20:56] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Satsuki have all that pressure on him<br>&nbsp;&nbsp;&nbsp;&nbsp; when he was driving up front?<br>**[21:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I doing?<br>**[21:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[21:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[21:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Portfolio<br>**[21:27] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru's right.<br>**[21:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was driving how I wanted:<br>&nbsp;&nbsp;&nbsp;&nbsp;alone and without a thought.<br>**[21:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't looking at others. Without<br>&nbsp;&nbsp;&nbsp;&nbsp;realizing it, I was putting pressure on them.<br>**[21:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why Kouya disappeared?<br>**[21:44] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya was criticized<br>&nbsp;&nbsp;&nbsp;&nbsp;for taking this picture<br>**[21:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lost the ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to photograph people.<br>**[21:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was taking this picture a mistake?<br>**[22:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tour Planner<br>**[22:00] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Iwate Prefecture<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ofunato City<br>**[22:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Iwate Prefecture<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ofunato City<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Birds<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;of a Feather<br>

# E9 - The Day of the Disaster

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GVWU0WJG5/the-day-of-the-disaster)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] CLERK**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[00:03] CLERK**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't need your<br>&nbsp;&nbsp;&nbsp;&nbsp;rice balls warmed up, did you?<br>**[00:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, no. Thanks again.<br>**[00:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun?<br>**[00:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while.<br>**[00:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun... How did you find me?<br>**[00:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found a business card at your place.<br>**[00:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A business card?<br>**[00:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, how'd you get into my apartment?<br>**[00:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The door was unlocked.<br>**[00:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Seriously?<br>**[00:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, the address on<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi-san's business card led me here.<br>**[00:44] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since it was getting dark,<br>&nbsp;&nbsp;&nbsp;&nbsp;I planned to visit tomorrow.<br>**[00:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And while looking for a place to stay,<br>&nbsp;&nbsp;&nbsp;&nbsp; I saw you entering the supermarket.<br>**[00:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think we'd meet like this,<br>&nbsp;&nbsp;&nbsp;&nbsp; so I was pretty surprised.<br>**[01:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. I was surprised, too.<br>**[01:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota and his dad are worried since<br>&nbsp;&nbsp;&nbsp;&nbsp;you haven't responded to their messages.<br>**[01:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Ah, yeah. I'm sorry.<br>**[01:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to cool off a bit alone.<br>**[01:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I wasn't criticizing you or anything.<br>**[01:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[01:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have nothing to apologize for...<br>**[01:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[01:26] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you?<br>**[01:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you come here?<br>**[01:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's... something I have to do.<br>**[01:37] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long will it take?<br>**[01:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This thing you have to do.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it gonna be a while still?<br>**[01:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh, even I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp; how long it'll take.<br>**[01:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what the schedule looks like.<br>**[01:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[01:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sorry. I know you came all the<br>&nbsp;&nbsp;&nbsp;&nbsp;way out here, but you should go home.<br>**[02:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, got it.<br>**[02:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stay with you.<br>**[02:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stay with you until you finish<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever it is you have to do.<br>**[02:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanriku Coast<br>**[02:13] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inn of Tranquility<br>**[02:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, today, you'll be joining me for<br>&nbsp;&nbsp;&nbsp;&nbsp; everything I want to do! Yeah!<br>**[02:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, that's not what I meant.<br>**[02:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be like that.<br>**[02:26] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll probably be waiting all day today, too.<br>**[02:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Waiting?<br>**[02:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're here, I want you<br>&nbsp;&nbsp;&nbsp;&nbsp;to tour the area with me.<br>**[02:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay?<br>**[02:38] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[02:40] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beach House<br>**[02:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fruits<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sea<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Banquet Center<br>**[02:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open<br>**[02:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our first stop.<br>**[02:44] FEMALE EMPLOYEE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have as much as you want.<br>**[02:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, the seafood here is exquisite.<br>**[02:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't really breakfast food.<br>**[02:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't?<br>**[02:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, it's already done.<br>**[02:56] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait.<br>**[02:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't eat 'em quick, they'll burn.<br>**[03:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, right.<br>**[03:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the food.<br>**[03:06] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good.<br>**[03:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's keep going.<br>**[03:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next.<br>**[03:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, Haruka-kun, you sure ate a lot.<br>**[03:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try not to make it a bumpy ride.<br>**[03:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that.<br>**[03:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's check out a few places<br>&nbsp;&nbsp;&nbsp;&nbsp;to help with digestion.<br>**[03:51] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making smiles forever...<br>**[03:51] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanriku Railway<br>**[03:51] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abalone Fishing<br>**[03:51] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kippin Abalone Sea<br>**[03:53] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakari<br>**[03:53] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver only<br>**[04:07] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanriku Rest Stop<br>**[04:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[04:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Persimmon ice cream?<br>**[04:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's soft serve made from<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanriku koeda gaki.<br>**[04:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still have scallops in my stomach.<br>**[04:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll help with digestion. Try it.<br>**[04:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good.<br>**[04:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Kouya.<br>**[04:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I didn't know they had this here.<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Course Information<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Distance<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Max Width<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Corners<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grid Slots<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shortcuts<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chicane<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;D Slope<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triple Hairpin<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crank<br>**[04:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;S Tunnel<br>**[04:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, anyway, I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;you really do love driving.<br>**[04:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I guess.<br>**[04:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are who you are because<br>&nbsp;&nbsp;&nbsp;&nbsp;you're always thinking about driving.<br>**[04:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you don't think about it?<br>**[04:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what?<br>**[04:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking pictures.<br>**[05:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized I might not actually know<br>&nbsp;&nbsp;&nbsp;&nbsp; anything about you after all.<br>**[05:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[05:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I let myself get carried away.<br>**[05:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't take pictures of people,<br>&nbsp;&nbsp;&nbsp;&nbsp;but after taking that picture of me,<br>**[05:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could photograph people again.<br>**[05:27] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I thought you'd be okay<br>&nbsp;&nbsp;&nbsp;&nbsp;if you just had me, but then...<br>**[05:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;you up and left.<br>**[05:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because...<br>**[05:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I decided I would ask you.<br>**[05:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really okay right now?<br>**[05:49] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think about taking pictures?<br>**[05:53] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you still take pictures of people?<br>**[06:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi-kun<br>**[06:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming call...<br>**[06:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, one second.<br>**[06:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll try waiting a little longer.<br>**[06:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I expected the family to say that. Yeah.<br>**[06:26] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I appreciate it. Bye.<br>**[06:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it about what you have to do?<br>**[06:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, yeah. That was Kikuchi-kun.<br>&nbsp;&nbsp;&nbsp;&nbsp;I met him a long time ago.<br>**[06:37] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it gonna be a while still?<br>**[06:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[06:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[06:44] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna go drive go-karts?<br>**[06:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit it, Haruka-kun.<br>**[06:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop trying to goad me.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can just go on ahead.<br>**[06:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dangerous driving! Yellow flag!<br>**[06:56] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but there aren't any officials here.<br>**[07:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wanna race?<br>**[07:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Against you?<br>**[07:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll bet on it. Loser has to<br>&nbsp;&nbsp;&nbsp;&nbsp;do one thing for the winner.<br>**[07:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not something a racer should say.<br>**[07:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bound to lose, anyway.<br>**[07:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know that.<br>**[07:21] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I do.<br>**[07:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you a three-lap handicap.<br>**[07:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Really?<br>**[07:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can totally beat you<br>&nbsp;&nbsp;&nbsp;&nbsp;with a three-lap head start.<br>**[07:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost.<br>**[07:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Now you have to do whatever I say.<br>**[07:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, fine. Bring it on.<br>**[07:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a picture of me.<br>**[07:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can take pictures of people now, right?<br>**[08:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Fine.<br>**[08:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll choose something else.<br>**[08:05] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me the *real* reason you stopped <br>
&nbsp;&nbsp;&nbsp;&nbsp;being able to take pictures of people.<br>**[08:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't because of the criticism.<br>**[08:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I right?<br>**[08:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I found the business card at your place,<br>&nbsp;&nbsp;&nbsp;&nbsp;I flicked through your photos, too.<br>**[08:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your portfolios.<br>&nbsp;&nbsp;&nbsp;&nbsp;The folders organized by date.<br>**[08:37] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the day of the earthquake...<br>**[08:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that photo of the girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;the pictures of people stopped.<br>**[08:46] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you didn't publish that<br>&nbsp;&nbsp;&nbsp;&nbsp;photo or get criticized for it<br>**[08:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;until two months after the earthquake.<br>**[08:53] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the criticism wasn't the real reason<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't photograph people anymore.<br>**[09:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What really happened?<br>**[09:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me.<br>**[09:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to hurt you<br>&nbsp;&nbsp;&nbsp;&nbsp;by thinking I know you anymore.<br>**[09:26] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me.<br>**[09:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why couldn't you take<br>&nbsp;&nbsp;&nbsp;&nbsp;pictures of people anymore?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Day of the Disaster
<br>**[09:35] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;12 Years Earlier<br>**[09:36] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?*<br>**[09:37] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're staying there another week?*<br>**[09:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;South<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ward<br>**[09:37] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assembly<br>
&nbsp;&nbsp;&nbsp;&nbsp;Hall<br>**[09:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry it's so sudden, Sae-chan.<br>**[09:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take some photos of the<br>&nbsp;&nbsp;&nbsp;&nbsp;coast, including the fishermen.<br>**[09:45] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;This episode contains depictions of an earthquake disaster. Viewer discretion is advised.<br>**[09:47] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And go to parties, too, huh?*<br>**[09:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't in a position to say no.<br>**[09:52] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's been a while<br>&nbsp;&nbsp;&nbsp;&nbsp;since you were in Tohoku.<br>**[09:56] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's Kikuchi-kun?<br>**[09:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's great.<br>**[10:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's become totally dependable now as<br>&nbsp;&nbsp;&nbsp;&nbsp;part of the local young adults' association.<br>**[10:04] KOUYA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan, thanks for all your support.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sorry for making so much work for you.*<br>**[10:10] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring me back something good.<br>**[10:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can count on it.<br>**[10:30] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you doing, cameraman?<br>**[10:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouzou-san.<br>**[10:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I told you before,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a photographer, not a cameraman.<br>**[10:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take photographs, not videos.<br>**[10:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that it matters either way.<br>**[10:51] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how are things?<br>**[10:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, thankfully.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm allowed to go where I want.<br>**[10:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard from Kikuchi-kun that<br>&nbsp;&nbsp;&nbsp;&nbsp;you put in a good word for me.<br>**[11:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a nice town.<br>**[11:06] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[11:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Everyone's so lively.<br>**[11:11] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Used to be.<br>**[11:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:14] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the youngsters are moving<br>&nbsp;&nbsp;&nbsp;&nbsp; to Sendai and Tokyo.<br>**[11:19] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;With only the elderly left behind,<br>&nbsp;&nbsp;&nbsp;&nbsp;the city starts to get old, too.<br>**[11:23] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the fate of all rural towns.<br>**[11:27] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll happen here eventually, too.<br>**[11:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to see the photos I took?<br>**[11:35] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Press this button,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it'll display the next photo.<br>**[11:41] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[11:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad, right?<br>**[11:44] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Singing your own praises?<br>**[11:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had good subjects.<br>**[11:49] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satoshi is always complaining<br>&nbsp;&nbsp;&nbsp;&nbsp;that everything's too much work.<br>**[11:56] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised Aki-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't get discouraged.<br>**[11:59] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still our idol.<br>**[12:03] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Makoto's real motivated,<br>&nbsp;&nbsp;&nbsp;&nbsp;considering how young he is.<br>**[12:06] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;He worked the hardest<br>&nbsp;&nbsp;&nbsp;&nbsp;to prepare for the party.<br>**[12:12] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice photos.<br>**[12:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:21] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Momo, get over here.<br>**[12:23] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have him take your picture.<br>**[12:32] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, with this.<br>**[12:36] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a nice picture with<br>&nbsp;&nbsp;&nbsp;&nbsp;me and my granddaughter.<br>**[12:44] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not like that.<br>**[12:48] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get in the picture, photographer.<br>**[12:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[13:26] KIKUCHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[13:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are people down there!<br>**[13:29] KIKUCHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you go down there now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be in danger, too!<br>**[13:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[13:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run.<br>**[14:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run.<br>**[14:02] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[14:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, I couldn't take<br>&nbsp;&nbsp;&nbsp;&nbsp;pictures of people anymore.<br>**[14:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A total of 340 people dead,<br>&nbsp;&nbsp;&nbsp;&nbsp;and 5,592 homes destroyed.<br>**[15:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The events of that one hour changed<br>&nbsp;&nbsp;&nbsp;&nbsp;the fate of this city and its people.<br>**[15:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten years later, 79 people are still missing.<br>**[15:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That disaster still hasn't ended.<br>**[15:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those eyes...<br>**[15:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That child's eyes begging for help<br>&nbsp;&nbsp;&nbsp;&nbsp; are seared into my memory.<br>**[15:35] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I look through<br>&nbsp;&nbsp;&nbsp;&nbsp;the viewfinder, I see them.<br>**[15:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They keep asking me...<br>**[15:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why didn't you save me?"<br>**[16:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transportation services were shut down,<br>&nbsp;&nbsp;&nbsp;&nbsp; and I couldn't get back to Tokyo,<br>**[16:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I stayed to help rebuild the town.<br>**[16:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In spare moments, I took<br>&nbsp;&nbsp;&nbsp;&nbsp;photos of the disaster area.<br>**[16:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strangely, I can take<br>&nbsp;&nbsp;&nbsp;&nbsp;pictures of landscapes.<br>**[16:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can take pictures of large crowds, too.<br>**[16:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I try to take pictures of<br>&nbsp;&nbsp;&nbsp;&nbsp;individual people, my finger shakes.<br>**[16:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I returned to Tokyo and<br>&nbsp;&nbsp;&nbsp;&nbsp;published all the photos I'd taken.<br>**[16:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Living Together<br>**[16:34] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Living Together<br>**[16:38] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Living Together<br>**[16:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That photo was among them.<br>**[16:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, well, people had a lot to say about it.<br>**[16:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that wasn't your fault at all.<br>**[16:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Saigon Execution."<br>**[16:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a photo that was taken in<br>&nbsp;&nbsp;&nbsp;&nbsp; Saigon during the war there.<br>**[16:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It captured the moment a police officer<br>&nbsp;&nbsp;&nbsp;&nbsp;shot a prisoner dead in the street.<br>**[17:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was taken by Eddie Adams.<br>**[17:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The photo inspired anti-war<br>&nbsp;&nbsp;&nbsp;&nbsp;movements around the world,<br>**[17:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and won the Pulitzer that year.<br>**[17:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Adams rejected the award.<br>**[17:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said later...<br>**[17:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;that he regretted publishing that photo.<br>**[17:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[17:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get some sleep.<br>**[17:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already pretty late.<br>**[18:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[18:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we go?<br>**[18:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hospital? Is someone unwell?<br>**[18:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouzou-san. He doesn't have long left.<br>**[18:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometime after the earthquake, he fell ill.<br>**[18:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was in and out of the hospital.<br>**[18:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I visited him each time,<br>&nbsp;&nbsp;&nbsp;&nbsp;but his family put a stop to it,<br>**[18:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they haven't let me see him in a while...<br>**[18:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of that photo.<br>**[18:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you came here?<br>&nbsp;&nbsp;&nbsp;&nbsp; That's what you have to do?<br>**[18:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't get to ask yesterday,<br>&nbsp;&nbsp;&nbsp;&nbsp;but why'd you decide to publish that photo?<br>**[18:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought I should.<br>**[18:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what Shouzou-san wanted, too.<br>**[18:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wanted future generations<br>&nbsp;&nbsp;&nbsp;&nbsp;to know about this tragedy.<br>**[19:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[19:03] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe that makes<br>&nbsp;&nbsp;&nbsp;&nbsp;it sound nicer than it is.<br>**[19:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it's true, but still.<br>**[19:10] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is, I guess I wanted to be saved.<br>**[19:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it might remove my curse.<br>**[19:21] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think it just made it worse.<br>**[19:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you regret it?<br>**[19:27] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to what I said yesterday,<br>&nbsp;&nbsp;&nbsp;&nbsp;why did Eddie Adams regret taking that photo?<br>**[19:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more to that prisoner who was shot<br>&nbsp;&nbsp;&nbsp;&nbsp; despite putting up no resistance.<br>**[19:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd killed a bunch of<br>&nbsp;&nbsp;&nbsp;&nbsp;police officers and soldiers.<br>**[19:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, that doesn't make it okay<br>&nbsp;&nbsp;&nbsp;&nbsp;to execute someone without a trial.<br>**[19:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But knowing that changes<br>&nbsp;&nbsp;&nbsp;&nbsp;your impression of the photo.<br>**[19:55] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how photographs work.<br>&nbsp;&nbsp;&nbsp;&nbsp;They only capture that one moment.<br>**[20:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't tell the viewer what happened<br>&nbsp;&nbsp;&nbsp;&nbsp; before or after I pressed the shutter.<br>**[20:08] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the moment I picked up a camera,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always told myself that.<br>**[20:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[20:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I only captured part of the truth,<br>**[20:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;that photo is a record of that girl's life.<br>**[20:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My circumstances are irrelevant.<br>**[20:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad it happened this way.<br>**[20:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouzou-san.<br>**[20:48] RELATIVE A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You left Momo to die. You abandoned her.<br>**[20:50] RELATIVE C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something<br>&nbsp;&nbsp;&nbsp;&nbsp;you should say to us first?<br>**[20:53] KIKUCHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, Madoka-san didn't—<br>**[20:56] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't abandon her!<br>**[21:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya hasn't abandoned her.<br>**[21:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't cast aside anyone's life.<br>**[21:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been carrying them<br>&nbsp;&nbsp;&nbsp;&nbsp;with him this whole time.<br>**[21:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun...<br>**[21:15] RELATIVE C**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Talk is cheap.<br>**[21:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while.<br>**[21:29] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you doing?<br>**[21:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, thankfully.<br>**[21:35] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Sorry you got<br>&nbsp;&nbsp;&nbsp;&nbsp;dragged into all of this.<br>**[21:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. I chose to publish that photo.<br>**[21:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry about it.<br>**[21:50] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still at it?<br>**[21:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm managing.<br>**[22:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[22:14] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice photo.<br>**[22:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had good subjects.<br>**[22:25] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep taking lots of pictures, photographer.<br>**[22:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[22:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[22:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[22:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ofunato<br>**[22:49] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Funeral Hall<br>**[23:02] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting.<br>**[23:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[23:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind.<br>**[23:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[23:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go home.<br>**[23:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>

# E10 - Never Say Never

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G31UXWQJ1/never-say-never)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't cast aside anyone's life.<br>**[00:03] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been carrying them<br>&nbsp;&nbsp;&nbsp;&nbsp;with him this whole time.<br>**[00:06] SHOUZOU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep taking lots of pictures, photographer.<br>**[00:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[00:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[00:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting.<br>**[00:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[00:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind.<br>**[00:26] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get some nice pictures.<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll affect the price.<br>**[00:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm no good at taking pictures.<br>**[00:35] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll ask Madoka-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;the next time he's here.<br>**[00:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Haru got to talk to Madoka-chan.<br>**[00:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard from him<br>&nbsp;&nbsp;&nbsp;&nbsp;since he left for Tohoku.<br>**[00:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he'd be staying there for a while.<br>**[00:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, he's with Madoka-chan.<br>&nbsp;&nbsp;&nbsp;&nbsp; I'm sure he's fine.<br>**[00:54] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we really have to sell it?<br>**[00:57] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Haruka's not driving it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just taking up space.<br>**[01:01] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a waste if it just<br>&nbsp;&nbsp;&nbsp;&nbsp;rusted away in storage.<br>**[01:04] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that, but still...<br>**[01:06] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's properly maintained,<br>&nbsp;&nbsp;&nbsp;&nbsp;and if someone wants to enter a race,<br>**[01:10] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can overhaul the engine on a lease.<br>**[01:13] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still usable, so it's best if<br>&nbsp;&nbsp;&nbsp;&nbsp;it goes to someone who'll drive it.<br>**[01:19] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you drive it<br>&nbsp;&nbsp;&nbsp;&nbsp; as a "gentleman driver"?<br>**[01:24] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?<br>**[01:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;With all this extra weight?<br>**[01:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should really lose that.<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a lot of neutral fat, right?<br>**[01:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're going to start racing, Pops?<br>**[01:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I won't have a car to drive.<br>**[01:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru.<br>**[01:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I turned Belsorriso down.<br>**[03:13] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, c'mon, how'd it go?<br>**[03:15] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was your trip to Tohoku?<br>&nbsp;&nbsp;&nbsp;&nbsp;How was Madoka-chan?<br>**[03:18] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you work things out?<br>**[03:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I guess we worked things out.<br>**[03:26] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't tell me anything!<br>**[03:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a really long story.<br>**[03:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then give me the short version.<br>**[03:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things turned out okay.<br>**[03:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's *too* short.<br>**[03:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;And these aren't from Tohoku.<br>**[03:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Local Potato Chips<br>**[03:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tochigi<br>**[03:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Limited Edition<br>**[03:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Potato<br>**[03:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chips<br>**[03:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gyoza<br>**[03:41] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flavored<br>**[03:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized around Utsunomiya<br>&nbsp;&nbsp;&nbsp;&nbsp;that I forgot to get you something.<br>**[03:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't want 'em?<br>**[03:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do. I'll eat 'em.<br>**[03:49] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you sure about this, Haruka?<br>**[03:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:52] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejecting Ena-san's offer, I mean.<br>**[03:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't driving for Belsorriso<br>&nbsp;&nbsp;&nbsp;&nbsp;be better than driving with us?<br>**[04:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wanna go pro and move to a higher<br>&nbsp;&nbsp;&nbsp;&nbsp;category, you'd win more races with them.<br>**[04:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that. But...<br>**[04:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goal isn't to go pro.<br>**[04:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll probably want to race<br>&nbsp;&nbsp;&nbsp;&nbsp; professionally someday.<br>**[04:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's something I have to do first.<br>**[04:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something you have to do?<br>**[04:26] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to stand on the winner's podium<br>&nbsp;&nbsp;&nbsp;&nbsp;myself and see the view from the top.<br>**[04:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I've been trying to do.<br>**[04:36] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to see the view my dad showed me<br>&nbsp;&nbsp;&nbsp;&nbsp; with my own abilities this time.<br>**[04:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops. Kota.<br>**[04:45] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up until now, you've fought<br>&nbsp;&nbsp;&nbsp;&nbsp;alongside me to achieve that goal.<br>**[04:49] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to reach the podium<br>&nbsp;&nbsp;&nbsp;&nbsp; with Komaki Motors.<br>**[04:53] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka...<br>**[04:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, doing the right thing<br>&nbsp;&nbsp;&nbsp;&nbsp;the right way isn't enough.<br>**[04:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought about a lot of things while I was<br>&nbsp;&nbsp;&nbsp;&nbsp;with Kouya, like what's really important.<br>**[05:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know people will call me naive.<br>**[05:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a pro would choose to race<br>&nbsp;&nbsp;&nbsp;&nbsp;for the team that'd help him to win.<br>**[05:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not a professional yet,<br>**[05:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I want to do what I can<br>&nbsp;&nbsp;&nbsp;&nbsp;while I'm still an amateur.<br>**[05:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to stand on the<br>&nbsp;&nbsp;&nbsp;&nbsp;winner's podium with this team.<br>**[05:26] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[05:32] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I get it. If that's what<br>&nbsp;&nbsp;&nbsp;&nbsp;you want, you can count on me.<br>**[05:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll help get you<br>&nbsp;&nbsp;&nbsp;&nbsp;onto that winner's podium.<br>**[05:39] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I can do it.<br>**[06:08] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[06:10] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretending to be a taxi driver?<br>**[06:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sae-chan?! How long have you been there?<br>**[06:14] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;The door was unlocked. You're so careless.<br>**[06:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I thought I locked it.<br>**[06:21] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, either way, it's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;you have anything worth stealing.<br>**[06:26] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure I do! I've got tons of my photos here!<br>**[06:31] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, are you okay now?<br>**[06:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, probably.<br>**[06:39] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I freed myself from<br>&nbsp;&nbsp;&nbsp;&nbsp;what's been clinging to me.<br>**[06:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, no. It's all still here.<br>**[06:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll probably carry it<br>&nbsp;&nbsp;&nbsp;&nbsp; for the rest of my life.<br>**[06:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't think I'll buckle<br>&nbsp;&nbsp;&nbsp;&nbsp; under the weight anymore.<br>**[06:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[06:55] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for everything up to now.<br>**[06:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:57] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun told me.<br>**[07:00] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't actually the criticism<br>&nbsp;&nbsp;&nbsp;&nbsp;that was making you suffer.<br>**[07:05] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I understood you,<br>**[07:08] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I actually understood<br>&nbsp;&nbsp;&nbsp;&nbsp; nothing about you.<br>**[07:11] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, it's not your fault.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my fault for not telling you.<br>**[07:14] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you couldn't talk about it then.<br>**[07:19] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be thanking Haruka-kun.<br>**[07:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[07:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of him, the weight<br>&nbsp;&nbsp;&nbsp;&nbsp;on my shoulders feels lighter.<br>**[07:27] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're okay now,<br>&nbsp;&nbsp;&nbsp;&nbsp;should I send you modeling work?<br>**[07:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I don't want to photograph people yet.<br>**[07:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already decided<br>&nbsp;&nbsp;&nbsp;&nbsp;who my first model will be.<br>**[07:40] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first thing I want to photograph<br>&nbsp;&nbsp;&nbsp;&nbsp;is him on the winner's podium.<br>**[07:48] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[07:48] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's set it up to understeer a bit more.<br>**[07:55] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll compensate with my driving.<br>**[07:58] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, but do you really wanna mess<br>&nbsp;&nbsp;&nbsp;&nbsp;with your setup all of a sudden?<br>**[08:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me go faster<br>&nbsp;&nbsp;&nbsp;&nbsp;when I tried it at Belsorriso.<br>**[08:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, just driving with<br>&nbsp;&nbsp;&nbsp;&nbsp;a fast team makes you better.<br>**[08:09] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going to that setup isn't a bad idea.<br>**[08:13] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no guarantee<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll work on this machine.<br>**[08:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll make adjustments as we go.<br>**[08:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're good at adapting it to my driving.<br>**[08:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, of *course* I am! You can count on me.<br>**[08:27] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;My time?<br>**[08:27] MECHANIC**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your fourth lap was your best.<br>**[08:32] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Tokumaru?<br>**[08:34] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your driving is lackluster.<br>**[08:35] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Ena-san.<br>**[08:39] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you take pole driving like this?<br>**[08:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[08:43] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like pairing you up<br>&nbsp;&nbsp;&nbsp;&nbsp;with Asahina-kun backfired.<br>**[08:47] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping it'd add some useful pressure.<br>**[08:49] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this has nothing to do with him.<br>&nbsp;&nbsp;&nbsp;&nbsp; I'm just having an off day.<br>**[08:54] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to lead the team while Harunaga's<br>&nbsp;&nbsp;&nbsp;&nbsp; in the hospital. I'm counting on you.<br>**[08:58] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[09:04] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna do another lap.<br>**[09:08] TOSHIKI/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I always thought the guys*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in front of me were my opponents.*<br>**[09:12] TOSHIKI/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The guys behind me didn't matter*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because they were slower than me.*<br>**[09:16] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what I thought till now.*<br>**[09:19] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But it's different when I'm out front.*<br>**[09:22] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are no foes ahead of me.*<br>**[09:24] TOSHIKI/ID**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All my rivals are behind me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;waiting for me to make a mistake.*<br>**[09:32] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it.*<br>**[09:33] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's 45. 46.<br>**[09:36] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;47. 48.<br>**[09:39] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;49. 50.<br>**[09:43] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[09:45] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm totally...<br>**[09:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, that hurts.<br>**[09:49] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you so.<br>**[09:51] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, my ribs will hurt for a while.<br>**[09:54] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I avoid moving them,<br>&nbsp;&nbsp;&nbsp;&nbsp;my other muscles will atrophy.<br>**[10:00] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;But won't straining yourself<br>&nbsp;&nbsp;&nbsp;&nbsp; delay your recovery?<br>**[10:04] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't be a problem.<br>**[10:06] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm staying within the limits<br>&nbsp;&nbsp;&nbsp;&nbsp;the doctor set for me.<br>**[10:11] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting depressed about it<br>&nbsp;&nbsp;&nbsp;&nbsp;won't help me move forward.<br>**[10:13] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I want to move forward,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to overcome all obstacles,<br>**[10:17] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter what they are.<br>**[10:20] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what...<br>**[10:22] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you said made me<br>&nbsp;&nbsp;&nbsp;&nbsp;realize that, Alice-chan. Thanks.<br>**[10:26] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-H-Huh?<br>**[10:27] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I-I-It wasn't me! It was Niki Lauda.<br>**[10:30] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you time me?<br>**[10:32] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:32] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, um...<br>**[10:34] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, two, three, four.<br>**[10:37] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I have a stopwatch.<br>**[10:38] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, r-right.<br>**[10:44] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are the only exercises I can do<br>&nbsp;&nbsp;&nbsp;&nbsp;right now, since I can only use one leg.<br>**[10:50] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important to work on<br>&nbsp;&nbsp;&nbsp;&nbsp;my endurance, not just my strength.<br>**[10:56] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;In F4, drivers race<br>&nbsp;&nbsp;&nbsp;&nbsp;continuously for 30 minutes.<br>**[10:59] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in F1, it's nearer two hours.<br>**[11:02] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need the endurance to do that,<br>**[11:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;because my career won't end with F4.<br>**[11:19] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't do too well in qualifying.<br>**[11:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. What the hell?<br>&nbsp;&nbsp;&nbsp;&nbsp;But the test day went so well!<br>**[11:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I messed up.<br>**[11:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe he got blocked by slower cars<br>&nbsp;&nbsp;&nbsp;&nbsp; every time he tried to do a fast lap.<br>**[11:34] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, with more than 30 cars on<br>&nbsp;&nbsp;&nbsp;&nbsp;the track, it's bound to happen.<br>**[11:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. They were totally old dudes<br>&nbsp;&nbsp;&nbsp;&nbsp;with extra weight around the middle!<br>**[11:44] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, for the race, they line up<br>&nbsp;&nbsp;&nbsp;&nbsp;in the order they qualified, right?<br>**[11:49] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[11:50] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?<br>**[11:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm 14th.<br>**[11:53] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're starting that far back?<br>**[11:56] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad. I don't think we can win.<br>**[11:59] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what happens with you taking<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun's picture on the winner's podium?<br>**[12:05] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlucky there, Asahina-kun.<br>**[12:07] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ena-san.<br>**[12:09] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like everyone's here today.<br>**[12:12] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to see you again.<br>**[12:13] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[12:14] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be doing as great as ever.<br>**[12:17] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope we are.<br>**[12:19] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still not over Asahina-kun's rejection.<br>**[12:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for turning down your offer.<br>**[12:26] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's fine, but you know...<br>**[12:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garage 23<br>**[12:30] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Futatsubashi Racing<br>**[12:30] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'd feel better if you made me believe<br>&nbsp;&nbsp;&nbsp;&nbsp;the one that got away was a monster.<br>**[12:31] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors<br>**[12:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Did you come here<br>&nbsp;&nbsp;&nbsp;&nbsp; just to make snide remarks?<br>**[12:37] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I stopped by to<br>&nbsp;&nbsp;&nbsp;&nbsp;show my support. Later.<br>**[12:41] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah.<br>**[12:43] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know someone else who's<br>&nbsp;&nbsp;&nbsp;&nbsp;depressed about your rejection.<br>**[12:46] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd appreciate it if you could<br>&nbsp;&nbsp;&nbsp;&nbsp;help motivate him, too.<br>**[12:52] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru-san, I look forward<br>&nbsp;&nbsp;&nbsp;&nbsp;to racing with you today.<br>**[12:55] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[12:57] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll handle the guys behind you.<br>&nbsp;&nbsp;&nbsp;&nbsp;You focus on driving up front.<br>**[13:03] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:04] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so lucky, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;being the number one driver and all.<br>**[13:07] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope to improve my skills<br>&nbsp;&nbsp;&nbsp;&nbsp;so that I can lead the field someday.<br>**[13:11] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to lead the field?<br>**[13:14] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Everyone wants<br>&nbsp;&nbsp;&nbsp;&nbsp;to be in the lead during a race.<br>**[13:19] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Yuitani, do you<br>&nbsp;&nbsp;&nbsp;&nbsp;want to go in front of me?<br>**[13:22] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:24] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll even let you take first.<br>**[13:27] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you serious?<br>**[13:28] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. In racing, speed makes right.<br>**[13:32] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're offering,<br>&nbsp;&nbsp;&nbsp;&nbsp;I really will take first.<br>**[13:37] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. Do what you want.<br>**[14:01] ALICE**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is the world*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun is trying to reach.*<br>**[14:05] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;*F4 is just the start.*<br>**[14:08] FAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look this way, please!<br>**[14:10] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[14:20] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the sexy grid girl<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been waiting for.<br>**[14:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[14:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Track surface is pretty hot.<br>&nbsp;&nbsp;&nbsp;&nbsp; Watch out for overheating.<br>**[14:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How high is it?<br>**[14:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The track temp.<br>**[14:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;On a scale from one to three,<br>**[14:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's pretty hot.<br>**[14:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[14:40] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understood that?<br>**[14:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understood that you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know the exact temp.<br>**[14:45] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Belsorriso could give<br>&nbsp;&nbsp;&nbsp;&nbsp;you a more precise answer.<br>**[14:51] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're so far away.<br>**[14:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sure are.<br>**[14:55] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[14:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just gotta pass 13 cars, and the win's yours.<br>**[15:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Sounds like a piece of cake.<br>**[15:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, piece of cake.<br>**[15:13] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[15:14] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, uh, nothing.<br>**[15:17] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I want Haruka-kun on the podium<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the first photo I take of a person,<br>**[15:21] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I nearly took his picture just now.<br>**[15:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the nature of a photographer, I guess.<br>**[15:27] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should just take pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of worrying about that.<br>**[15:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. This is important.<br>**[15:32] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not at all.<br>**[15:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stuff like, "I'll propose once<br>&nbsp;&nbsp;&nbsp;&nbsp;I win the next game!" is just annoying.<br>**[15:40] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;A game is a game. A proposal is a proposal.<br>**[15:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[15:45] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't make me wait, Kou-chan.<br>**[15:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Well, of course not.<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave you my answer right away.<br>**[15:50] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, did you fool me.<br>**[15:53] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know you were someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who acted without thinking.<br>**[15:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought about it, okay? I really did!<br>**[16:00] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, sure.<br>**[16:13] COMMENTARY**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's lights out and away we go!*<br>**[16:21] COMMENTARY**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Wow! Asahina Haruka passes a gaggle*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of cars that were slow to get away.*<br>**[16:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guys in front messed up the start.<br>**[16:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Haru!<br>**[16:39] MECHANIC 2-D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuitani overtook Tokumaru.<br>**[16:40] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:41] MECHANIC 2-B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he having car trouble?<br>**[16:44] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see how it goes.<br>**[16:45] ENA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, what kind of race will he show me?*<br>**[16:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Suzuka has 20 corners.*<br>**[16:53] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The race is 11 laps.*<br>**[16:55] HARUKA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In other words,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;there are 220 corners in total.*<br>**[16:58] HARUKA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A tenth in each corner equals a gap*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of more than 20 seconds at the finish line.*<br>**[17:04] HARUKA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's the difference*<br>*&nbsp;&nbsp;&nbsp;&nbsp;between 1st and 20th.*<br>**[17:08] HARUKA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I need to be aware of the slip angle of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my front tires and the rears in the corners.*<br>**[17:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll go where there's the most grip.*<br>**[17:27] HARUKA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And as I start to slide,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll hold my line.*<br>**[17:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[17:30] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun passed him!<br>**[17:34] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*First place is within my grasp.*<br>**[18:08] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it.*<br>**[18:10] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Chasing someone is way less stressful*<br>*&nbsp;&nbsp;&nbsp;&nbsp;than driving alone up front, but...*<br>**[18:17] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's so damn slow!*<br>**[18:18] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sloooooooooow<br>**[18:22] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The others are catching up.*<br>**[18:24] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Faster, Yuitani.*<br>**[18:34] COMMENTARY**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yuitani has overshot the corner!*<br>**[18:43] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So I'm up front after all?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come on, try harder.*<br>**[18:56] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru's up on the curb.<br>**[18:58] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The striped curbing is like<br>&nbsp;&nbsp;&nbsp;&nbsp;the toku-dawara of a sumo ring.<br>**[19:01] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;On some corners,<br>&nbsp;&nbsp;&nbsp;&nbsp;they allow for a faster line.<br>**[19:10] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Damn it. The guys behind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are distracting me.*<br>**[19:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I need to keep my eyes forward.*<br>**[19:21] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How long is this gonna continue?*<br>**[19:26] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you have the lead,<br>&nbsp;&nbsp;&nbsp;&nbsp;  it'll go on forever.<br>**[19:31] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still want to be in the lead.<br>**[19:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How long? How long?*<br>**[19:46] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asahina?*<br>**[19:49] COMMENTARY**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asahina Haruka dives to<br>&nbsp;&nbsp;&nbsp;&nbsp;the inside and slips past.<br>**[19:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokumaru.*<br>**[19:53] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Haruka-kun's in second!<br>**[19:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun...<br>**[19:59] COMMENTARY**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Asahina Haruka is homing in on the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;driver in the lead, Tokumaru Toshiki.*<br>**[20:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes, yes!<br>**[20:06] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! That's 13 machines down!<br>**[20:11] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How long? How long?*<br>**[20:14] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Haruka-kun! Climb that winner's podium!<br>**[20:31] HARUKA**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No mistakes. Drive precisely.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right on the edge.*<br>**[20:35] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Driving right on the edge<br>&nbsp;&nbsp;&nbsp;&nbsp;while avoiding mistakes.<br>**[20:40] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forever. Flawlessly.<br>**[20:49] COMMENTARY**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did Asahina Haruka's rear tires just slide?*<br>**[20:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? His tires are giving out now?<br>**[20:55] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has been pushing them hard.<br>**[21:03] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He fell back to third.<br>**[21:05] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's braking early<br>&nbsp;&nbsp;&nbsp;&nbsp; since his tires are worn out.<br>**[21:08] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad. He's losing time.<br>**[21:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fourth...<br>**[21:16] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he can still pass them all<br>&nbsp;&nbsp;&nbsp;&nbsp;before the finish line, right?<br>**[21:26] TOSHIKI/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I managed to secure the win today, but...*<br>**[21:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[21:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was doing so well, too.<br>**[21:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only the tires had lasted longer.<br>**[21:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tires...<br>**[21:54] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was too bad.<br>**[21:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never Say<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never<br>

# E11 - Hop -> Step ->

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUKZE2P/hop---step--)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:33] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two-tenths.<br>**[00:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again.<br>**[02:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That race the other day<br>&nbsp;&nbsp;&nbsp;&nbsp; was such a missed opportunity.<br>**[02:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ended up finishing seventh.<br>**[02:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really was too bad, Haruka-kun.<br>**[02:19] KTOAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would've had a shot at first<br>&nbsp;&nbsp;&nbsp;&nbsp; if you could've kept it up.<br>**[02:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I screwed up in qualifying.<br>**[02:24] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We miscalculated how much<br>&nbsp;&nbsp;&nbsp;&nbsp;longer the tires would last.<br>**[02:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your tires had no grip left<br>&nbsp;&nbsp;&nbsp;&nbsp; at all in the second half.<br>**[02:31] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already wore them<br>&nbsp;&nbsp;&nbsp;&nbsp;down on the test day,<br>**[02:34] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;fine-tuning the huge<br>&nbsp;&nbsp;&nbsp;&nbsp;setup changes you made.<br>**[02:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, if only we had the budget to practice<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as we wanted on brand-new tires.<br>**[02:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The budget, huh?<br>**[02:45] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry I made<br>&nbsp;&nbsp;&nbsp;&nbsp;your sponsor drop you.<br>**[02:48] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;This again?<br>**[02:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you know...<br>**[02:52] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't your fault.<br>**[02:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:54] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't your fault. No matter what<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone says, it wasn't your fault.<br>**[02:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it wasn't.<br>**[03:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun...<br>**[03:02] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it used to be just us, anyway.<br>**[03:07] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason we even had a sponsor,<br>&nbsp;&nbsp;&nbsp;&nbsp;if only temporarily, was because of you.<br>**[03:10] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And I should be apologizing.<br>**[03:14] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Kouya.<br>**[03:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:17] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't get to take<br>&nbsp;&nbsp;&nbsp;&nbsp;my picture on the podium.<br>**[03:21] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's totally fine.<br>**[03:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it's a shame you didn't win,<br>&nbsp;&nbsp;&nbsp;&nbsp; but don't worry about me.<br>**[03:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be a photo to remember, right?<br>**[03:29] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we'd better get you up there.<br>**[03:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan said she doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;understand my fixation on it,<br>**[03:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I "want to do it, hurry it up."<br>**[03:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;A realist, huh?<br>**[03:42] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[03:46] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will I actually be able to take it?*<br>**[03:49] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get it next time.<br>**[03:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:51] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make it onto the podium next time<br>&nbsp;&nbsp;&nbsp;&nbsp; so you can take the picture.<br>**[03:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sugo Race<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Official Results<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sugo Race<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Official Results<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sugo Race<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Official Results<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sugo Race<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Official Results<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sugo Race<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Official Results<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suzuka Race<br>**[04:01] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Official Results<br>**[04:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuji Race<br>**[04:03] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Official Results<br>**[04:39] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then.<br>**[04:41] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to warm up.<br>**[04:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, press it.<br>**[04:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like that?<br>**[04:54] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, again.<br>**[04:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again.<br>**[04:59] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again.<br>**[05:01] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;And release the pedal.<br>**[05:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, good. All done.<br>**[05:06] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having three people makes<br>&nbsp;&nbsp;&nbsp;&nbsp;changing the brake fluid a lot easier.<br>**[05:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I useful? Was I?<br>**[05:12] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Then call me whenever<br>&nbsp;&nbsp;&nbsp;&nbsp;you do it. I'll come over anytime.<br>**[05:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you did was press the pedal.<br>**[05:19] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm around.<br>**[05:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come anyway. I'll press it with you.<br>**[05:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think you and Dad<br>&nbsp;&nbsp;&nbsp;&nbsp; would both fit in there?<br>**[05:27] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The brake fluid has to be<br>&nbsp;&nbsp;&nbsp;&nbsp;replaced after every race.<br>**[05:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We change the brake pads every three races,<br>**[05:34] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we replace the brake rotors<br>&nbsp;&nbsp;&nbsp;&nbsp; about twice a year.<br>**[05:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tires aren't the only consumables, huh?<br>**[05:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rich teams replace<br>&nbsp;&nbsp;&nbsp;&nbsp;everything after every event.<br>**[05:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much does that cost?<br>**[05:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hup! Tight fit.<br>**[05:51] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know the driver's seat<br>&nbsp;&nbsp;&nbsp;&nbsp; was so cramped.<br>**[05:53] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just cramped. There aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;any comforts like AC or a stereo, either.<br>**[05:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed you can sit in there for so long.<br>**[06:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this is a motorsport, after all.<br>**[06:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sport, huh?<br>**[06:06] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, a real friggin' expensive one.<br>**[06:10] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki-san, are you in here?<br>**[06:12] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hey, it's everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;from the shopping center.<br>**[06:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I help you?<br>**[06:16] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how Haruka-kun and that guy<br>&nbsp;&nbsp;&nbsp;&nbsp;from your garage asked us to sponsor you?<br>**[06:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was nice meeting you back then.<br>**[06:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm embarrassed to say I didn't know<br>&nbsp;&nbsp;&nbsp;&nbsp; what I was doing at the time.<br>**[06:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for the trouble.<br>**[06:36] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, actually, it came up in<br>&nbsp;&nbsp;&nbsp;&nbsp;a shopping center get-together later.<br>**[06:41] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've watched some races here and there.<br>**[06:43] BUTCHER LADY**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got Mikazuki Beverages to<br>&nbsp;&nbsp;&nbsp;&nbsp;sponsor you, and you made it pretty far.<br>**[06:48] BUTCHER LADY**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were rooting for you.<br>**[06:50] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, thank you.<br>**[06:52] FISHMONGER**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, you went back<br>&nbsp;&nbsp;&nbsp;&nbsp;to driving a blank white car.<br>**[06:56] FISHMONGER**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other day, you dropped to seventh<br>&nbsp;&nbsp;&nbsp;&nbsp;after making it up to second.<br>**[07:00] FISHMONGER**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were so disappointed, we wondered<br>&nbsp;&nbsp;&nbsp;&nbsp;if there was anything we could do about it.<br>**[07:05] BAKER**<br>&nbsp;&nbsp;&nbsp;&nbsp;So someone suggested<br>&nbsp;&nbsp;&nbsp;&nbsp;we give sponsoring you a try.<br>**[07:08] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:10] BAKER**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, we're not big companies<br>&nbsp;&nbsp;&nbsp;&nbsp;like Mikazuki, so we can't afford much,<br>**[07:15] BAKER**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the whole shopping center could<br>&nbsp;&nbsp;&nbsp;&nbsp;probably scrape something together.<br>**[07:18] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... are you sure?<br>**[07:21] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure we are. We know you, and we see<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun delivering papers every day.<br>**[07:28] BUTCHER**<br>&nbsp;&nbsp;&nbsp;&nbsp;We thought maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;we could do something, too.<br>**[07:31] BUTCHER**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, that thing people do these days.<br>&nbsp;&nbsp;&nbsp;&nbsp; What do they call it? Fanning?<br>**[07:35] BUTCHER LADY**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's "stanning."<br>**[07:38] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[07:39] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I can't accept this.<br>**[07:41] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[07:43] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, I can't.<br>**[07:45] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just take it.<br>**[07:47] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I really can't—<br>**[07:48] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it. Use it to help Haruka-kun win.<br>**[07:54] DINER**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay?<br>**[07:59] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, everyone.<br>**[08:02] ALL**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[08:11] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, we can burn through<br>&nbsp;&nbsp;&nbsp;&nbsp;these to fine-tune your setup.<br>**[08:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got new tires, huh?<br>**[08:17] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. But not just tires.<br>**[08:19] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We replaced all the consumables<br>&nbsp;&nbsp;&nbsp;&nbsp;around the undertray and brakes.<br>**[08:22] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you just replace bits and pieces,<br>&nbsp;&nbsp;&nbsp;&nbsp;the old parts will hold you back.<br>**[08:27] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we wanna reach that podium, <br>
&nbsp;&nbsp;&nbsp;&nbsp;we gotta replace *everything*.<br>**[08:30] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go for it.<br>**[08:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cruise around and break in the new tires.<br>**[08:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then one more inspection<br>&nbsp;&nbsp;&nbsp;&nbsp; and it's hot lap time.<br>**[08:40] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[08:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck, Haruka-kun.<br>**[08:53] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man. The sounds. The smell.<br>&nbsp;&nbsp;&nbsp;&nbsp;I really feel like I'm back.<br>**[08:59] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-san, welcome back.<br>**[09:02] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice-chan, you're here, too?<br>**[09:04] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you were returning today,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I just had to show my support.<br>**[09:07] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Harunaga? Think you can drive today?<br>**[09:10] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a good long rest.<br>**[09:12] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't move around soon,<br>&nbsp;&nbsp;&nbsp;&nbsp; I'll be totally out of shape.<br>**[09:15] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki.<br>**[09:20] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toshi-kun. You seem to be doing well.<br>**[09:25] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really coming back<br>&nbsp;&nbsp;&nbsp;&nbsp;to racing like that?<br>**[09:30] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine driving a car,<br>**[09:32] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I trip while walking and<br>&nbsp;&nbsp;&nbsp;&nbsp;injure myself, it'll delay my recovery.<br>**[09:36] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just insurance.<br>**[09:38] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? I can use my right foot to brake.<br>**[09:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. Just don't end up<br>&nbsp;&nbsp;&nbsp;&nbsp; having another accident.<br>**[09:45] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't. Thanks, Toshi-kun.<br>**[09:48] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:49] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't make you worry anymore.<br>**[09:52] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not worried about you, idiot.<br>**[09:58] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to jump in and see how<br>&nbsp;&nbsp;&nbsp;&nbsp;you're feeling? Go for a quick drive.<br>**[10:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[10:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaki Motors is working hard.<br>**[10:10] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd better do my best, too.<br>**[10:29] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-san's back, huh?<br>**[10:31] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been through a lot, but now,<br>&nbsp;&nbsp;&nbsp;&nbsp;the team can go back to how it was.<br>**[10:35] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sound relaxed.<br>**[10:36] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:57] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sports Racing FS-4 Class<br>**[10:59] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone just out of the hospital shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be that fast. Keep your feet on the ground.<br>**[11:05] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, that was fun.<br>**[11:07] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing beats a circuit.<br>**[11:10] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't fully recovered,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that was pretty good.<br>**[11:14] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's exhausting driving<br>&nbsp;&nbsp;&nbsp;&nbsp;for the first time in a while.<br>**[11:17] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to regain my stamina<br>&nbsp;&nbsp;&nbsp;&nbsp;before the next race.<br>**[11:20] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you had enough for today?<br>**[11:22] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can keep going.<br>**[11:25] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I hope you regain your touch soon.<br>**[11:28] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[11:48] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acceleration's fine, but the Gs are<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy when braking and cornering.<br>**[11:54] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The race is 30 minutes nonstop. That's brutal.<br>**[11:59] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;important I have to do first.<br>**[12:14] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Kota-chan, you're by yourself?<br>**[12:17] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Haru left already to nap<br>&nbsp;&nbsp;&nbsp;&nbsp;until the start this afternoon.<br>**[12:21] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why are you here?<br>**[12:22] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun's returning today,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to support him.<br>**[12:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. And?<br>**[12:27] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to be doing well.<br>**[12:30] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be because of my visits.<br>**[12:33] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have you to thank for that, Kota-chan.<br>**[12:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[12:35] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;You encouraged me to support him.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I was able to visit Satsuki-kun.<br>**[12:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Go me.<br>**[12:44] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably, anyway. My memory's hazy.<br>**[12:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget about that!<br>**[12:49] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I got to talk to Satsuki-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;about all kinds of things.<br>**[12:52] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like his worries, and how to do your best.<br>**[12:55] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things I don't normally think about.<br>**[12:58] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;It made me realize I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to work on myself, too.<br>**[13:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, who are you talking to?<br>**[13:05] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;The parfait.<br>**[13:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want one that bad, get one.<br>**[13:07] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to lose weight by the next race!<br>**[13:12] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not my problem.<br>**[13:14] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;But maybe I can have just *one* bite.<br>**[13:17] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna order one, then?<br>**[13:18] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one's fine.<br>**[13:19] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[13:29] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel so much better.<br>**[13:31] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Kota-chan.<br>**[13:33] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, see you later.<br>**[13:35] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that all about?<br>**[13:42] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to be the number one driver again?<br>**[13:44] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I thought maybe I should wait, but after<br>&nbsp;&nbsp;&nbsp;&nbsp;doing those laps, I think I can handle it.<br>**[13:51] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what do you think?<br>**[13:54] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you say, Toshi-kun?<br>**[13:55] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you're asking me?<br>**[13:58] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're the current number one, right?<br>**[14:01] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need your opinion on it.<br>**[14:05] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Harunaga, being the number one<br>&nbsp;&nbsp;&nbsp;&nbsp; in your first race back is risky.<br>**[14:09] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, right?<br>**[14:11] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew and you asked anyway?<br>**[14:15] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's true that<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru's times aren't great.<br>**[14:18] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Komaki Motors hadn't screwed up<br>&nbsp;&nbsp;&nbsp;&nbsp;in the last race, they might have won.<br>**[14:23] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a fluke.<br>**[14:25] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let's do this: the whole team<br>&nbsp;&nbsp;&nbsp;&nbsp;will race each other today.<br>**[14:30] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The winner is the number one for the race.<br>**[14:34] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Thank you, Ena-san.<br>**[14:38] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck to both of us, Toshi-kun.<br>**[14:40] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ass.<br>**[14:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's coming.<br>**[14:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Great time!<br>&nbsp;&nbsp;&nbsp;&nbsp;His times are improving with every lap.<br>**[14:52] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, we'll go hard and fine-tune<br>&nbsp;&nbsp;&nbsp;&nbsp;without worrying about saving the tires.<br>**[14:56] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tires are really important, huh?<br>**[14:59] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tires are where the car<br>&nbsp;&nbsp;&nbsp;&nbsp;is in contact with the ground.<br>**[15:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;So no matter how hard you try,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't go faster than your tires allow.<br>**[15:07] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, races are determined<br>&nbsp;&nbsp;&nbsp;&nbsp; by a technique and a setup<br>**[15:12] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;that pushes the tires right to the limit.<br>**[15:14] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the race, they call it<br>&nbsp;&nbsp;&nbsp;&nbsp;"laying down rubber."<br>**[15:16] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rubber from the tires gets into the<br>&nbsp;&nbsp;&nbsp;&nbsp;track's surface and increases the grip.<br>**[15:21] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;That requires additional changes<br>&nbsp;&nbsp;&nbsp;&nbsp;to driving technique and the setup.<br>**[15:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing that, we want to fine-tune them<br>&nbsp;&nbsp;&nbsp;&nbsp;under the best conditions possible.<br>**[15:29] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why you want so many new tires.<br>**[15:33] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best lap is the third or fourth one,<br>&nbsp;&nbsp;&nbsp;&nbsp;when things are up to temperature.<br>**[15:37] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do up to ten laps if we let<br>&nbsp;&nbsp;&nbsp;&nbsp;everything cool from time to time.<br>**[15:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how the broth gets thinner<br>&nbsp;&nbsp;&nbsp;&nbsp;when eating somen noodles?<br>**[15:44] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you'd rather have undiluted broth,<br>&nbsp;&nbsp;&nbsp;&nbsp;replacing it after every bite would be costly.<br>**[15:50] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same thing.<br>**[15:52] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think I understand your example.<br>**[15:54] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not? I just broke it down for you<br>&nbsp;&nbsp;&nbsp;&nbsp;in a really easy-to-understand way!<br>**[15:59] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's back.<br>**[16:02] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That went as expected. How was it?<br>**[16:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. I can go even faster.<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna shave more time off in the straights.<br>**[16:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could maybe reduce the wing a bit.<br>**[16:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to me.<br>**[16:15] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belsorriso...<br>**[16:21] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;One warm-up lap,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;then a rolling start for a five-lap race.*<br>**[16:25] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whoever comes first will be the number one.*<br>**[16:27] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Good luck to us, Toshi-kun.*<br>**[16:29] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will Harunaga-kun be all right?<br>**[16:32] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's trust that he knows himself best.<br>**[16:35] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[16:36] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, he seems to be more<br>&nbsp;&nbsp;&nbsp;&nbsp;worried about something else.<br>**[16:40] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:41] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, let's see<br>&nbsp;&nbsp;&nbsp;&nbsp;how their race turns out.<br>**[16:45] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun, good luck.<br>**[16:59] BOTH**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And go!*<br>**[17:02] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes!*<br>**[17:05] KAGAYAMA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey!*<br>**[17:05] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's one.*<br>**[17:07] KAGAYAMA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Attacking already?!*<br>**[17:14] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Another one.*<br>**[17:18] YUITANI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Did he wait for us to go off-line while*<br>*&nbsp;&nbsp;&nbsp;&nbsp;jockeying for position in the TGR corner?*<br>**[17:22] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're kidding.*<br>**[17:27] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Satsuki...*<br>**[17:36] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's trying real hard.<br>**[17:37] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the fire under him<br>&nbsp;&nbsp;&nbsp;&nbsp; is making him anxious.<br>**[17:40] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-kun's number one<br>&nbsp;&nbsp;&nbsp;&nbsp; status is on the line.<br>**[17:44] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not him.<br>**[17:45] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:46] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Tokumaru who's anxious.<br>**[17:49] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's right on my tail.*<br>**[17:51] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's just out of the hospital,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but he's making it look easy.*<br>**[18:03] YUITANI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They're so fast.*<br>**[18:04] KAGAYAMA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't keep up.*<br>**[18:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's following my line precisely.*<br>**[18:09] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously? He's attacking now?*<br>**[18:18] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he really injured?*<br>**[18:21] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*More.*<br>**[18:23] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's it looking?<br>**[18:24] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru-kun's fast.<br>&nbsp;&nbsp;&nbsp;&nbsp; He's beating his recent qualifying time.<br>**[18:29] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga-kun's keeping<br>&nbsp;&nbsp;&nbsp;&nbsp;the gap to Tokumaru-kun small.<br>**[18:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I let my guard down, he'll pass me.*<br>**[18:44] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it. What is this?*<br>**[18:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Toshi-kun, you're not my enemy.*<br>**[18:50] SATSUKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you get distracted,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll take your position.*<br>**[18:58] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How can he drive like this?*<br>**[19:02] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What's making him do this?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Is he that desperate to be leading?*<br>**[19:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He wants to win that badly?*<br>**[19:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's...*<br>**[19:32] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. I get it. I want that.*<br>**[19:36] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I want to be in front and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;take the checkered flag first!*<br>**[19:41] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not bad, Toshi-kun.*<br>**[19:42] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. You're not my enemy.*<br>**[19:46] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm my own enemy,*<br>**[19:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*just like you are yours.*<br>**[19:50] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Forget about me.*<br>**[19:52] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The others behind me don't matter.*<br>**[19:54] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't care who's chasing me.*<br>**[19:56] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm only looking at what's in front of me!*<br>**[20:00] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they come!<br>**[20:11] CREW**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru-kun came first.<br>&nbsp;&nbsp;&nbsp;&nbsp;He stayed just ahead of Harunaga-kun.<br>**[20:17] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-san!<br>**[20:19] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. Very good.<br>**[20:22] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm excited for the next event.<br>**[20:27] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. I have to beat myself.*<br>**[20:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's behind me doesn't matter.*<br>**[20:32] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's how you've always raced, isn't it?*<br>**[20:36] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Godspeed.*<br>**[20:38] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Psych.*<br>**[20:41] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unbelievable.*<br>**[20:43] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't blame me if you regret helping a rival.*<br>**[20:48] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru, it's ready.<br>**[20:49] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll get your setup perfect today.<br>**[20:55] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[20:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be back.<br>**[21:03] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done.<br>**[21:07] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your blank white machine<br>&nbsp;&nbsp;&nbsp;&nbsp;finally looks the part again.<br>**[21:10] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a ton of sponsors.<br>**[21:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe they all support us.<br>**[21:16] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to thank them.<br>**[21:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[21:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. I just thought you didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;like people cheering for you.<br>**[21:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe. But maybe not.<br>**[21:28] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[21:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Sae-chan.<br>**[21:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[21:34] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello. I'm calling about work.*<br>**[21:38] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked the chief into doing<br>&nbsp;&nbsp;&nbsp;&nbsp;a special issue. Can you handle it?<br>**[21:42] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A special issue? On what?*<br>**[21:43] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it obvious? On F4.<br>**[21:47] SAEKO**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A young driver hoping to go pro, and the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;formula races that act as his gateway.*<br>**[21:52] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for covering the story, Kou-chan.<br>**[21:55] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for covering it? You mean...<br>**[21:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better make it up onto that podium.<br>**[22:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I will.<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;—<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;><br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;—<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;><br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hop<br>**[22:06] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Step<br>

# E12 - Overtake

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU04JPQ/overtake)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're drooling.<br>**[00:09] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sleepiest at this hour.<br>**[00:11] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you have taken the<br>&nbsp;&nbsp;&nbsp;&nbsp;day off from delivering papers?<br>**[00:13] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's race is local.<br>**[00:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so stubborn.<br>**[00:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief said the same thing.<br>**[00:20] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he'd find a replacement,<br>**[00:23] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wished me luck.<br>**[00:41] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan, hurry.<br>**[00:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll miss the start of qualifying.<br>**[00:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, why'd you have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be late today of all days?<br>**[00:49] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *wasn't* late! You got to the meeting spot<br>
&nbsp;&nbsp;&nbsp;&nbsp; 30 minutes early because you were excited!<br>**[00:54] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm, maybe I should've<br>&nbsp;&nbsp;&nbsp;&nbsp;brought more batteries.<br>**[00:57] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;And borrowed a super<br>&nbsp;&nbsp;&nbsp;&nbsp;long-range telescopic lens.<br>**[01:00] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down.<br>**[01:02] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late now.<br>**[01:04] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, but...<br>**[01:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want some?<br>**[01:12] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, I'm good. Could you<br>&nbsp;&nbsp;&nbsp;&nbsp;go over today's plans again?<br>**[01:16] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure.<br>**[01:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. F4 qualifying starts at 8 am.<br>**[01:23] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, it's free practice for Super GT,<br>&nbsp;&nbsp;&nbsp;&nbsp; followed by the pit walk at noon.<br>**[01:28] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll snap those.<br>**[01:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:31] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you decide Haruka-kun would be the<br>&nbsp;&nbsp;&nbsp;&nbsp;first portrait you'd shoot since your break?<br>**[01:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan!<br>**[01:38] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the shutter. You can see<br>&nbsp;&nbsp;&nbsp;&nbsp;the photo you took by pressing this—<br>**[01:42] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm driving.<br>**[01:44] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how to use a camera.<br>**[01:47] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been chief editor for five years.<br>**[01:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, right. Sorry.<br>**[01:53] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure, though?<br>**[01:55] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get to have fun photographing<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of gorgeous grid girls.<br>**[01:59] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I'm a fan of your photos, too.<br>**[02:06] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I'd want you to be in<br>&nbsp;&nbsp;&nbsp;&nbsp;peak condition when you take his photo.<br>**[02:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a token of my gratitude—<br>**[02:14] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't want it.<br>**[02:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not? It's good. Don't underestimate<br>&nbsp;&nbsp;&nbsp;&nbsp; convenience store coffee!<br>**[02:18] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to drink your backwash!<br>**[02:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[02:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[02:25] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru's already gone on his<br>&nbsp;&nbsp;&nbsp;&nbsp;track walk to inspect the circuit.<br>**[02:29] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[02:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[02:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is really impressive.<br>**[02:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're funded by individual donations.<br>**[02:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have big corporate<br>&nbsp;&nbsp;&nbsp;&nbsp;logos like the top teams.<br>**[02:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this is nice in its own way.<br>**[02:44] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like the Coloni C4.<br>**[02:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coloni?<br>**[02:48] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;An old F1 team.<br>**[02:51] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were small and<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't have any sponsors.<br>**[02:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hattori Naoki drove one<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Japanese Grand Prix,<br>**[02:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sold individual sponsorships<br>&nbsp;&nbsp;&nbsp;&nbsp;at 20,000 yen a pop.<br>**[03:01] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. I had no idea.<br>**[03:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supporting Haruka-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;along with all these people, huh?<br>**[03:24] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun!<br>**[03:28] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have your injuries healed?<br>**[03:30] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[03:31] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not in tip-top condition yet,<br>**[03:33] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I got through the medical checks<br>&nbsp;&nbsp;&nbsp;&nbsp;with a fist pump and an "I'm fine!"<br>**[03:37] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't hold back in the race.<br>**[03:39] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[03:41] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's not a line<br>&nbsp;&nbsp;&nbsp;&nbsp;for a number two driver.<br>**[03:44] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number two?<br>**[03:45] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, yup. Our team wouldn't let me <br>
&nbsp;&nbsp;&nbsp;&nbsp;climb back in my old seat *that* easily.<br>**[03:56] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[03:58] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I yelled at you<br>&nbsp;&nbsp;&nbsp;&nbsp;when you drove with us,<br>**[04:02] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was taking my anger out on you.<br>**[04:06] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it wasn't just then.<br>**[04:08] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always have.<br>**[04:10] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized something the other day while <br>
&nbsp;&nbsp;&nbsp;&nbsp;racing him. Or well, he *made* me realize it.<br>**[04:17] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why I didn't want to lose,<br>**[04:21] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;and what it was I nearly lost to.<br>**[04:27] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been losing to myself this whole time.<br>**[04:31] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Losing to the pressure...<br>**[04:35] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;on me.<br>**[04:42] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[04:47] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[04:49] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that I was slow.<br>**[04:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mine flew farther.<br>**[04:59] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:01] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second one to throw<br>&nbsp;&nbsp;&nbsp;&nbsp;obviously has the advantage!<br>**[05:04] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now. The real battle is yet to come.<br>**[05:08] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have fun together<br>&nbsp;&nbsp;&nbsp;&nbsp;in qualifying and the race.<br>**[05:12] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not together. Me first, then you.<br>**[05:16] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can have third.<br>**[05:18] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want it.<br>**[05:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the top spot.<br>**[05:22] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Them's fighting words.<br>**[05:23] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you can swap with<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki and have second.<br>**[05:26] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? How could you?<br>**[05:37] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell yeah!<br>**[05:38] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sixth in qualifying!<br>**[05:40] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like we wanted!<br>**[05:42] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We also didn't take too long<br>&nbsp;&nbsp;&nbsp;&nbsp;and managed to finish up in four laps.<br>**[05:46] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right on target for<br>&nbsp;&nbsp;&nbsp;&nbsp;saving your tires for the race, too.<br>**[05:50] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I got plenty<br>&nbsp;&nbsp;&nbsp;&nbsp;of practice on the test day.<br>**[05:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your driving was on point, Haru.<br>**[05:57] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kota...<br>**[05:57] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, buddy.<br>**[05:59] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kouya...<br>**[06:04] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya?<br>**[06:06] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru, you're the number one.<br>**[06:07] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[06:08] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga, you're the number two.<br>**[06:10] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[06:11] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;That concludes the meeting.<br>**[06:13] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harunaga.<br>**[06:14] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[06:15] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's up to you to support Tokumaru.<br>**[06:19] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that.<br>**[06:22] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsu—<br>**[06:22] FANS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun!<br>**[06:25] FAN A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congrats on your recovery, Satsuki-kun.<br>**[06:27] FAN B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay now?<br>**[06:28] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, kittens.<br>**[06:31] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of you, I'm all better now.<br>**[06:35] FAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's so hot!<br>**[06:37] FAN**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so relieved.<br>**[06:39] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always thought I was James Hunt.<br>**[06:45] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I was wrong.<br>**[06:47] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've been trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to be like Niki Lauda.<br>**[06:50] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Realizing that has definitely<br>&nbsp;&nbsp;&nbsp;&nbsp;been a turning point in my life.<br>**[06:56] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a huge step forward.<br>**[06:59] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[07:10] GRID GIRL A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:11] GRID GIRL B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Alice?<br>**[07:14] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me.<br>**[07:18] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[07:20] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Satsuki.<br>**[07:21] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's for you, Tokumaru-san.<br>**[07:25] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:26] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-At first, I came to races to<br>&nbsp;&nbsp;&nbsp;&nbsp;see Satsuki-kun with my friend,<br>**[07:30] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;b-but I thought the way you supported the<br>&nbsp;&nbsp;&nbsp;&nbsp;team as the number two driver was l-lovely.<br>**[07:40] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, I'm the number one driver now.<br>**[07:45] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still lovely, of course!<br>**[07:47] FAN D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck.<br>**[07:55] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukihira-san, it's good to see you.<br>**[07:59] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sato-san?<br>**[08:01] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while. Sorry about, uh...<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you working today?<br>**[08:06] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Mikazuki Beverages?<br>**[08:08] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I quit working for that awful company.<br>**[08:12] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:13] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried talking to them about sponsoring Komaki<br>&nbsp;&nbsp;&nbsp;&nbsp;Motors and Madoka-san's photo so many times,<br>**[08:19] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that idiot boss never listened to me!<br>**[08:22] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[08:24] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I couldn't do anything to help you.<br>**[08:28] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. I'm sorry for causing trouble.<br>**[08:31] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why are you here today?<br>**[08:34] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've actually really gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;into motorsports since then!<br>**[08:37] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've attended a few races by myself.<br>**[08:40] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was curious about Haruka-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of work reasons, too.<br>**[08:43] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saeko-san!<br>**[08:44] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can root for him together today.<br>**[08:48] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, sure.<br>**[09:00] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kouya.<br>**[09:05] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things?<br>**[09:06] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;With my camera?<br>**[09:08] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, with you.<br>**[09:09] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Okay, I guess.<br>**[09:12] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;My camera's in great shape, of course.<br>**[09:15] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you? Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;wandering around before the race?<br>**[09:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[09:21] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to talk to you.<br>**[09:24] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;To me?<br>**[09:29] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:32] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to say it to you<br>&nbsp;&nbsp;&nbsp;&nbsp;sooner, but, you know...<br>**[09:37] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You went to Tohoku, and then you were busy.<br>**[09:42] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:43] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;For having hope and for worrying<br>&nbsp;&nbsp;&nbsp;&nbsp;about a total stranger like me.<br>**[09:48] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;For cheering me on.<br>**[09:53] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're like Komaki Motors'...<br>**[09:58] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;mom.<br>**[10:00] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-M-Mom?<br>**[10:01] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you know...<br>**[10:02] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it sort of feels<br>&nbsp;&nbsp;&nbsp;&nbsp;like unconditional love.<br>**[10:18] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry.<br>**[10:19] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't expecting you to say that.<br>**[10:22] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I thought that was pretty good.<br>**[10:25] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it?<br>**[10:31] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[10:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be cheering for you.<br>**[10:46] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to say that.<br>**[10:55] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;The breeze feels nice.<br>**[10:57] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toru loved this spot.<br>**[11:02] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever he disappeared before a race,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd be up here, looking at the track.<br>**[11:07] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it was his way of focusing.<br>**[11:09] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't that noble. Sometimes,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd just be sleeping standing up.<br>**[11:15] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found it funny, so I stuck<br>&nbsp;&nbsp;&nbsp;&nbsp; a takoyaki near his nose once,<br>**[11:18] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he woke up with a growling stomach.<br>**[11:21] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the few times he got mad<br>&nbsp;&nbsp;&nbsp;&nbsp; because he couldn't focus.<br>**[11:25] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was the one sleeping,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you yelled at me for it.<br>**[11:29] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was fun back then with you and Toru.<br>**[11:33] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you, the gaudy stickler.<br>**[11:36] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't all fun and games,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fun times outweighed the rest.<br>**[11:40] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got yelled at a lot.<br>**[11:44] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna do it again?<br>**[11:45] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:47] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd have fun. It'd open up more opportunities<br>&nbsp;&nbsp;&nbsp;&nbsp; for the youngsters. Perfect, right?<br>**[11:52] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, thanks. You'd work me to<br>&nbsp;&nbsp;&nbsp;&nbsp;the bone and yell at me again.<br>**[11:57] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Busted.<br>**[12:00] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, that's for the youngsters to decide.<br>**[12:04] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have to do it for them.<br>**[12:08] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's always the young ones who<br>&nbsp;&nbsp;&nbsp;&nbsp;are the protagonists of the story.<br>**[12:14] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100<br>**[12:14] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Overtake<br>**[12:24] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru, your tires have lots of life left!<br>**[12:26] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show those guys what you can do!<br>**[12:28] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vroom, and then nyoom!<br>**[12:30] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zoom, and then nyoom.<br>**[12:31] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! It's vroom, not zoom!<br>**[12:34] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vroom, and then nyoom!<br>**[12:35] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[12:36] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, did you just give up on me?<br>**[12:39] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's vroom, okay? Vroom!<br>**[12:42] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice!<br>**[12:46] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those for?<br>**[12:48] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, I didn't want to get the<br>&nbsp;&nbsp;&nbsp;&nbsp;cars dirty, so it was just in case.<br>**[12:53] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:56] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't give up, okay?<br>**[12:58] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never give up!<br>**[13:00] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;If our team wins, I—<br>**[13:03] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ice cream!<br>**[13:05] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:06] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you mine this time.<br>**[13:08] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if *we* win, then give me yours again.<br>**[13:15] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it.<br>**[13:17] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is totally one-sided.<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like an idiot.<br>**[13:19] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Kota-chan, did you just give up on me?<br>**[13:22] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm saying I won't be beaten!<br>**[13:25] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, neither will we.<br>&nbsp;&nbsp;&nbsp;&nbsp; Belsorriso's looking really strong today.<br>**[13:45] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now, it's time to change*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the future with your driving!*<br>**[13:48] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's the climax of motorsports' Koshien:*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the FIA F4 Japanese Championship!*<br>**[13:58] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And they're off!*<br>**[14:07] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[14:14] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's it, that's it!<br>**[14:16] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vroom! And then...<br>**[14:19] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nyoom.<br>**[14:24] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[14:24] SATO**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's doing it!<br>**[14:46] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's here.*<br>**[15:00] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot.<br>**[15:09] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You're really piling on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the pressure, Satsuki.*<br>**[15:13] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this the world you were living in?*<br>**[15:22] SATSUKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's it, Toshi-kun.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have it any other way.*<br>**[15:55] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I afraid to take pictures of the cars?<br>**[15:58] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm struggling even more than usual.<br>**[16:01] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh no! Tokumaru Toshiki in the 36*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has made contact with a lapped car.*<br>**[16:09] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the Dunlop corner.*<br>**[16:11] COMMENTATOR**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru's front wing seems to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have been damaged in the contact.*<br>**[16:18] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it.*<br>**[16:19] MECHANIC**<br>&nbsp;&nbsp;&nbsp;&nbsp;No yellow flag.<br>**[16:21] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must've deemed it won't<br>&nbsp;&nbsp;&nbsp;&nbsp;prevent him from driving, but...<br>**[16:25] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't race properly like this.*<br>**[16:28] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's going to pit. Get ready.<br>**[16:30] MECHANIC**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[16:43] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Toshi-kun's not making a pit stop?*<br>**[16:45] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come with me, Satsuki!*<br>**[16:51] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;A slipstream?<br>**[16:55] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Toshi-kun.*<br>**[17:03] MECHANIC**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokumaru-kun...<br>**[17:11] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokumaru.*<br>**[17:17] TOSHIKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sheesh.*<br>**[17:20] TOSHIKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm always having*<br>*&nbsp;&nbsp;&nbsp;&nbsp;trouble with lapped cars.*<br>**[17:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sae-chan<br>**[17:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming Call...<br>**[17:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remind Me<br>**[17:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Message<br>**[17:42] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slide to answer<br>**[17:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello—<br>**[17:44] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are you afraid of?*<br>**[17:46] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you going to keep hesitating?<br>**[17:48] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pick up your camera.<br>**[17:50] SAEKO**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Focus all your attention on your left hand on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the zoom ring and your right on the shutter.*<br>**[17:55] SAEKO**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Haruka-kun will show you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the moment you need to capture.*<br>**[19:06] SATSUKI**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know I told him not to hold back,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I just got out of the hospital.*<br>**[19:13] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He could show a little restraint.*<br>**[19:16] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just kidding.*<br>**[19:18] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is exactly what I want.*<br>**[19:20] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So can Harunaga Satsuki hold onto his lead?*<br>**[19:25] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asahina Haruka's closing in fast.*<br>**[19:27] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's right on his gearbox.*<br>**[19:30] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[19:31] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the final lap.<br>**[19:33] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Haru!<br>**[19:34] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get him!<br>**[19:38] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close!<br>**[19:41] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun.<br>**[19:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[19:47] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[19:50] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[19:54] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We don't cheer for others.*<br>**[19:59] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ultimately, we do it for ourselves.*<br>**[20:02] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think you were right when you said that.*<br>**[20:08] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean, it's true, isn't it?*<br>**[20:10] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Cheering for you...*<br>**[20:14] KOUYA/ID**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes me feel so strong.*<br>**[20:20] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:21] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:22] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:23] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:24] FUTOSHI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:27] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:28] ENA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:31] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:32] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it.<br>**[20:33] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[20:34] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[20:36] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[20:37] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[20:43] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[20:48] YOUNG HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad!<br>**[20:52] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[20:52] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[20:52] YOUNG HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it!<br>**[20:52] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go for it<br>**[20:59] HARUKA DAD**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can count on me.<br>**[21:31] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And there's the checkered flag!*<br>**[21:33] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;The winner is...<br>**[21:35] COMMENTATOR**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...Asahina Haruka of Komaki Motors!*<br>**[21:41] KOTAROU**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[21:43] ALICE**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satsuki-kun...<br>**[22:40] SATSUKI**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow.<br>**[22:41] SAEKO**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you say the first snap you'd take<br>&nbsp;&nbsp;&nbsp;&nbsp; would be of him up on the podium?<br>**[22:41] HARUKA**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[22:44] KOUYA**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm letting the impulse guide me.<br>**[24:50] SIGN**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madoka Kouya<br>