# ODDTAXI

This town should look familiar, but suddenly, it's not. The taxi driver Odokawa lives a very mundane life. He has no family, doesn't really hang out with others, and he's an oddball who is narrow-minded and doesn't talk much. The only people he can call his friends are his doctor, Gouriki and his classmate from high school, Kakibana. All of his patrons seem to be slightly odd themselves. The college student who wants to be noticed online, Kabasawa. A nurse with secrets, Shirakawa. A comedy duo, the Homosapiens... All these mundane conversations somehow lead to a girl who's gone missing.

# Season 1

# E1 - The Eccentric Driver

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUN2NQ8/the-eccentric-driver)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:53] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now for the news.*<br>**[01:55] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A high school girl has gone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;missing in Nerima City, Tokyo.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tea
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;High School Student  Goes Missing in Nerima
<br>**[02:00] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She has been unreachable*<br>**[02:01] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;since she left her home late*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at night on the 4th of this month.*<br>**[02:04] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The police believe she may*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have been involved in an incident.*<br>**[02:09] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We, the Homosapiens, just received*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the results of Round 1 of the N-1.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oral Medicine<br>
&nbsp;&nbsp;&nbsp;&nbsp; Odokawa
<br>**[02:14] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And would you believe it? We passed!*<br>**[02:15] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course we did.*<br>**[02:16] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even amateurs could make it past Round 1.*<br>**[02:18] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where do you think the finish line is?*<br>**[02:20] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But last year, we failed in Round 2.*<br>**[02:22] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After ten years in the business, <br>
&nbsp;&nbsp;&nbsp;&nbsp;I can't believe we suffered that indignity.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Eccentric Driver
<br>**[02:24] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crap. Just thinking about it pisses me off.*<br>**[02:26] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now, now...*<br>**[02:27] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously, why? Those judges have <br>
&nbsp;&nbsp;&nbsp;&nbsp;no idea what they were talking about.*<br>**[02:29] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't start.*<br>**[02:30] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I smell collusion.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Privately-Owned Taxi
<br>**[02:32] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the first place, why are we being judged <br>
&nbsp;&nbsp;&nbsp;&nbsp;by guys who are less funny than us?*<br>**[02:35] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, look! Uh, we've received some fan mail.*<br>**[02:37] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's from high school student*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Satoshi Nagashima-kun from Tokyo.*<br>**[02:40] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Good evening. I went to see Round 1."*<br>**[02:43] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Simply put, your jokes aren't funny."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good Luck Charm
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Safe Driving
<br>**[02:47] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"A whole minute passed before*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you made your first joke."*<br>**[02:49] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Then you failed to follow up on it while*<br>*&nbsp;&nbsp;&nbsp;&nbsp;making the same jokes over and over again,*<br>**[02:53] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*resulting in waves of uneasy laughter."*<br>**[02:55] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Just watching you guys made me anxious."*<br>**[02:58] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"You should come up with better jokes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more appropriate for a prize competition."*<br>**[03:02] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who the hell is this guy?*<br>**[03:03] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Moving on! Let's listen to some music.*<br>**[03:05] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is Mystery Kiss' debut single,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Supernatural Love Phenomenon."*<br>**[04:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[04:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nerima.<br>**[04:42] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you turn off the radio?<br>**[04:45] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to think.<br>**[04:56] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more bar.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goo Goo Curry
<br>**[05:04] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, has anything interesting<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to you recently?<br>**[05:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting? Uh...<br>**[05:23] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time's up.<br>**[05:25] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to realize<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't that interested<br>**[05:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;in hearing the answer to my own question.<br>**[05:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When someone asks me a question,<br>&nbsp;&nbsp;&nbsp;&nbsp;I come up with about five possible answers.<br>**[05:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It takes time for me to choose the best<br>&nbsp;&nbsp;&nbsp;&nbsp;answer that also won't offend anyone.<br>**[05:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you respond quickly with<br>&nbsp;&nbsp;&nbsp;&nbsp; whatever pops into your head first,<br>**[05:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;without considering your answer carefully.<br>**[05:46] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already offended me with your words.<br>**[05:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you ask if anything<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting has happened?<br>**[05:53] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to go viral.<br>**[05:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Viral?<br>**[05:56] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want my posts to be spread<br>&nbsp;&nbsp;&nbsp;&nbsp;all over social media.<br>**[06:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[06:01] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Because my friends have.<br>**[06:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure wasting your time<br>&nbsp;&nbsp;&nbsp;&nbsp;on pointless shit, huh?<br>**[06:07] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not pointless. It's important.<br>**[06:10] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Likes and followers<br>&nbsp;&nbsp;&nbsp;&nbsp;represent a person's worth.<br>**[06:13] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're even used as evaluation<br>&nbsp;&nbsp;&nbsp;&nbsp;criteria by job recruiters.<br>**[06:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. What kind of posts go viral?<br>**[06:20] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Posts that make people laugh.<br>**[06:23] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emotional posts, refreshing posts<br>&nbsp;&nbsp;&nbsp;&nbsp;about poetic justice.<br>**[06:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, posts about foreigners'<br>&nbsp;&nbsp;&nbsp;&nbsp;perspectives on gender in Japan.<br>**[06:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[06:33] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example...<br>**[06:35] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The other day, I overheard this conversation<br>&nbsp;&nbsp;&nbsp;&nbsp;take place at the table next to me<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taikichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;6 hours ago
<br>**[06:37] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;while working on a manuscript at Starbucks:<br>**[06:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Man, I don't want to go to the dentist.'<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A: "Man, I don't want to go to the dentist."
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;B: "Having lots of cavities is an indication that you're loved.
<br>**[06:41] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Having lots of cavities is<br>&nbsp;&nbsp;&nbsp;&nbsp;an indication that you're loved.'<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It means your parents fed you mouth-to-mouth
<br>**[06:44] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;'It means your parents<br>&nbsp;&nbsp;&nbsp;&nbsp;fed you mouth-to-mouth<br>**[06:47] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;or shared a spoon with you<br>&nbsp;&nbsp;&nbsp;&nbsp;when you were a kid.'<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;or shared a spoon with you when you were a kid."
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A: "Seriously?"
<br>**[06:50] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Seriously?'<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;B: "By the way, I have zero cavities."
<br>**[06:51] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;'By the way, I have zero cavities.'<br>**[06:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That exchange between two<br>&nbsp;&nbsp;&nbsp;&nbsp;handsome high school boys<br>**[06:56] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;was so overwhelmingly precious<br>&nbsp;&nbsp;&nbsp;&nbsp;that I wanted to hug them."<br>**[07:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds gross.<br>**[07:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unnecessary to show off<br>&nbsp;&nbsp;&nbsp;&nbsp;that they're a creative<br>**[07:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;by saying they were writing a manuscript.<br>**[07:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, you can practically hear them saying,<br>**[07:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Not only did I witness this amusing scene,<br>**[07:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my retelling of it is so pithy.<br>&nbsp;&nbsp;&nbsp;&nbsp;How great is my taste?"<br>**[07:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't even hide their own vanity. It's gross.<br>**[07:14] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really not afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;to hate on stuff, are you?<br>**[07:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not like you<br>&nbsp;&nbsp;&nbsp;&nbsp;can make something up.<br>**[07:22] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure you can. This post is<br>&nbsp;&nbsp;&nbsp;&nbsp; probably made up, too.<br>**[07:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're okay with that?<br>**[07:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I just got a great idea.<br>**[07:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, could you take<br>&nbsp;&nbsp;&nbsp;&nbsp;a selfie of us together?<br>**[07:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will that go viral?<br>**[07:33] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just do it.<br>**[07:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Done. Look.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10 seconds ago
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hold on lol I was telling my taxi driver  that I was having trouble finding a job, so he  took my phone and was like, "Check this out;  it'll cheer you up," and took a picture of us lmao
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hold on lol I was telling my taxi driver  that I was having trouble finding a job, so he  took my phone and was like, "Check this out;  it'll cheer you up," and took a picture of us lmao
<br>**[07:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's going to go viral?<br>**[07:52] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wholesome posts tend to go viral, too.<br>**[07:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, you picked up<br>&nbsp;&nbsp;&nbsp;&nbsp;the term "viral" quickly.<br>**[07:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you blur the faces?<br>**[07:58] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean yours?<br>**[08:00] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess some people<br>&nbsp;&nbsp;&nbsp;&nbsp;don't like this kind of thing.<br>**[08:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, yours.<br>**[08:03] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would I blur mine?<br>**[08:05] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying I'm deceased<br>&nbsp;&nbsp;&nbsp;&nbsp;or that my face is indecent?<br>**[08:22] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. It's you, Odokawa.<br>**[08:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that mean?<br>**[08:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a passenger. Make it quick.<br>**[08:30] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you seen this guy?<br>**[08:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's odd. Aren't you friends with him?<br>**[08:38] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking for convenience's<br>&nbsp;&nbsp;&nbsp;&nbsp;sake. Use your head.<br>**[08:40] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he mean, Bro?<br>**[08:43] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Little Bro. This guy's crazy.<br>**[08:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we done here?<br>**[08:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you brothers wait<br>&nbsp;&nbsp;&nbsp;&nbsp;until you're home to argue?<br>**[08:50] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're good. Get outta here.<br>**[08:57] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Bro.<br>**[08:59] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did he mean when he said you<br>&nbsp;&nbsp;&nbsp;&nbsp;and this wanted criminal are friends?<br>**[09:03] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Little Bro. Don't listen to a word that<br>&nbsp;&nbsp;&nbsp;&nbsp;comes outta that taxi driver's mouth.<br>**[09:08] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I mean, he's a taxi driver.<br>**[09:12] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. That loathsome taxi driver<br>&nbsp;&nbsp;&nbsp;&nbsp; tells lies like it's no big deal.<br>**[09:17] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an awful guy.<br>**[09:19] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I should've taken a picture of that.<br>**[09:22] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked like something<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd see in a drama.<br>**[09:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like him.<br>**[09:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's anal about stupid little details.<br>**[09:31] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do have a license, don't you?<br>**[09:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I guessed on the vision test, though.<br>**[09:35] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's hardly a minor detail.<br>**[09:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared, now.<br>**[09:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be fine. I've got night blindness.<br>**[09:41] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's even worse!<br>**[09:50] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why'd you become a taxi driver?<br>**[10:11] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time's up.<br>**[10:15] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, here is fine.<br>**[10:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll be 5,610 yen.<br>**[10:25] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's exact change.<br>**[10:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Don't forget anything in the car.<br>**[10:45] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If we don't make it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this year, we're through.*<br>**[10:48] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you being serious, Shibagaki-san?*<br>**[10:50] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been unsuccessful because*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been working with you.*<br>**[10:52] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't say that on public airwaves.*<br>**[10:55] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shut up, you nincompoop.*<br>**[10:56] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now that's an insult you don't hear often.*<br>**[10:59] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's move onto our next segment.*<br>**[11:02] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Cutting through this week's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;news, Shibagaki Eyes.*<br>**[11:04] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Anyway, apparently a high school girl*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has gone missing in Nerima City.*<br>**[11:09] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Scary stuff.*<br>**[11:14] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It'd be nice if she turned up safe.*<br>**[11:17] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Absolutely.*<br>**[11:17] [Messenger] Phone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Public Phone <br>
&nbsp;&nbsp;&nbsp;&nbsp;Incoming Call<br>**[11:17] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, she's still missing?*<br>**[11:19] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, that's why she's in the news.*<br>**[11:21] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Driver. I forgot my phone.<br>**[11:23] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you come back?<br>**[11:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I told you not to leave anything in the car.*<br>**[11:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it go viral?<br>**[11:29] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hope she comes back safe.*<br>**[11:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The notifications won't stop.<br>**[11:35] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously? It went viral.*<br>**[11:37] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm worried, okay? I'm worried about her.*<br>**[11:40] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. It's seriously concerning.*<br>**[11:41] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're worried about you.*<br>**[11:42] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Over in Nerima City, right? Seriously.*<br>**[11:44] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's going to happen next?*<br>**[11:45] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, if they're listening*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to this radio program...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Runaway? Kidnapping?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;High School Girl Missing in Nerima City  Unreachable Since Going Out Late at Night
<br>**[12:14] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;According to the police, the student*<br>*&nbsp;&nbsp;&nbsp;&nbsp;spoke with her family around 10 P.M.,*<br>**[12:19] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and then left the house.*<br>**[12:20] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A security camera captured her entering*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a taxi after leaving the convenience store*<br>**[12:25] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*near her home, where she was shopping alone.*<br>**[12:29] Caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After this, she went missing,*<br>**[12:31] Caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and her mother submitted a missing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;persons report to the police on the 6th.*<br>**[12:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you happy?<br>**[12:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can run away whenever you want.<br>**[12:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not trapping you in here<br>&nbsp;&nbsp;&nbsp;&nbsp;or keeping you tied up.<br>**[12:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You chose to stay here.<br>**[13:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you come to my place?<br>**[13:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you hungry?<br>**[13:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading to the clinic now.<br>**[13:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working after that,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll be back late.<br>**[13:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know you can run away anytime, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[13:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Odokawa?<br>**[13:28] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you been sleeping well?<br>**[13:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I go to sleep while listening to rakugo.<br>**[13:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already memorized it, you quack.<br>**[13:35] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master Donraku Shofutei's routine?<br>**[13:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm surprised you know about him.<br>**[13:41] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a Donraku eraser.<br>**[13:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A what?<br>**[13:46] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really understand it myself,<br>**[13:47] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's an original Master Donraku eraser.<br>**[13:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell needs something like that?<br>**[13:54] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently there's only one<br>&nbsp;&nbsp;&nbsp;&nbsp;of them in the whole world.<br>**[13:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do *you* have it?<br>**[13:59] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[14:02] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have it.<br>**[14:07] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku's rakugo builds such<br>&nbsp;&nbsp;&nbsp;&nbsp;expansive scenes. It's easy to follow.<br>**[14:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I find it more boring than sutras.<br>**[14:16] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be rough if you still can't sleep when<br>&nbsp;&nbsp;&nbsp;&nbsp;your mind is free from intrusive thoughts.<br>**[14:19] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Odokawa. What do I look like to you?<br>**[14:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gorilla.<br>**[14:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not wrong.<br>**[14:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you listen to rakugo online?<br>**[14:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I listen to cassette tapes.<br>**[14:34] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cassette tapes?<br>**[14:36] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kids these days don't know what those are.<br>**[14:38] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't know how to rewind them.<br>**[14:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[14:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've never touched one,<br>**[14:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we know about phonographs<br>&nbsp;&nbsp;&nbsp;&nbsp;and telephone magnetos.<br>**[14:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're in movies and stuff.<br>**[14:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop the generation gap crap.<br>**[14:57] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa, why don't you get married already?<br>**[15:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're even more unexpected than<br>&nbsp;&nbsp;&nbsp;&nbsp;Bruce Springsteen in "We Are the World."<br>**[15:04] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy who comes on after Al Jarreau?<br>**[15:07] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[15:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't it make you jump<br>&nbsp;&nbsp;&nbsp;&nbsp;the first time you heard it?<br>**[15:11] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Bruce Springsteen<br>&nbsp;&nbsp;&nbsp;&nbsp;is the MVP, though.<br>**[15:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's certainly impressive the way he goes<br>&nbsp;&nbsp;&nbsp;&nbsp; toe-to-toe with Stevie Wonder<br>**[15:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the second half of the song.<br>**[15:19] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since they filmed separately,<br>&nbsp;&nbsp;&nbsp;&nbsp;Bruce Springsteen recorded his part first.<br>**[15:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're drunk on the sound of the name<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bruce Springsteen," aren't you?<br>**[15:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who doesn't want to say "Bruce Springsteen?"<br>**[15:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try saying Bruce Springsteen<br>&nbsp;&nbsp;&nbsp;&nbsp;three times fast.<br>**[15:33] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bruce Springsteen, Brust Springsteen,<br>&nbsp;&nbsp;&nbsp;&nbsp; Bruce Springspreen.<br>**[15:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You messed up.<br>**[15:38] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I didn't.<br>**[15:39] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor.<br>**[15:40] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your next patient is waiting.<br>**[15:43] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. What was I saying?<br>**[15:45] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Maybe you'd sleep better<br>&nbsp;&nbsp;&nbsp;&nbsp;if you got married.<br>**[15:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a concession<br>&nbsp;&nbsp;&nbsp;&nbsp;of defeat when I see one.<br>**[15:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we done here? I'm leaving.<br>**[15:51] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'll prescribe you<br>&nbsp;&nbsp;&nbsp;&nbsp;a stronger medicine.<br>**[15:54] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got work now, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take it right away.<br>**[15:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[16:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[16:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[16:13] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We received information linking you to<br>&nbsp;&nbsp;&nbsp;&nbsp; the Nerima missing high school girl case.<br>**[16:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you know I'd be here?<br>**[16:21] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to your place.<br>**[16:23] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your car wasn't there,<br>**[16:24] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I thought about forcing<br>&nbsp;&nbsp;&nbsp;&nbsp;your front door open, but...<br>**[16:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you thought you'd force<br>&nbsp;&nbsp;&nbsp;&nbsp;my car door open instead?<br>**[16:31] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not if you'll cooperate<br>&nbsp;&nbsp;&nbsp;&nbsp;with my investigation.<br>**[16:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really an investigation?<br>**[16:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you alone?<br>**[16:39] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simple.<br>**[16:40] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got nothing to hide,<br>&nbsp;&nbsp;&nbsp;&nbsp; open your door.<br>**[17:01] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This dash cam allows you to film<br>&nbsp;&nbsp;&nbsp;&nbsp;the inside of your vehicle, doesn't it?<br>**[17:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[17:05] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you store your recordings?<br>**[17:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It starts recording when<br>&nbsp;&nbsp;&nbsp;&nbsp;passengers get in or out of the car,<br>**[17:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;or if it detects odd movement,<br>**[17:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so about two weeks.<br>**[17:16] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll be on here, then.<br>**[17:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:20] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;from Nerima got in your car.<br>**[17:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My car?<br>**[17:26] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking your data. This is a seizure.<br>**[17:30] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything comes up,<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect your cooperation again.<br>**[17:34] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go to the police, though.<br>**[17:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I do?<br>**[17:40] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not sure, but I imagine a wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;criminal armed with a gun might kill you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamabiko
<br>**[18:05] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My back's been hurting recently.<br>**[18:08] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. Will you be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;do your cleaning job?<br>**[18:12] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll get the job done<br>&nbsp;&nbsp;&nbsp;&nbsp;just fine without me.<br>**[18:15] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;From society's perspective, I should<br>&nbsp;&nbsp;&nbsp;&nbsp; be thrown out with the trash.<br>**[18:18] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My employers would probably<br>&nbsp;&nbsp;&nbsp;&nbsp;prefer someone younger, too.<br>**[18:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one will say anything<br>&nbsp;&nbsp;&nbsp;&nbsp;even if I take the day off.<br>**[18:25] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't supposed to laugh.<br>**[18:26] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't?<br>**[18:27] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to express support.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Profile <br>
&nbsp;&nbsp;&nbsp;&nbsp;Born: Tokyo <br>
&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: Less Than 3,000,000 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Build: Skinny <br>
&nbsp;&nbsp;&nbsp;&nbsp;Height: 170cm
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Looking For Marriage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eiji Kakihana <br>
&nbsp;&nbsp;&nbsp;&nbsp;41 Years Old, Tokyo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Profile <br>
&nbsp;&nbsp;&nbsp;&nbsp;Born: Tokyo <br>
&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: Less Than 3,000,000 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Build: Skinny <br>
&nbsp;&nbsp;&nbsp;&nbsp;Height: 170cm<br>
&nbsp;&nbsp;&nbsp;&nbsp;Days Off: Weekends<br>
&nbsp;&nbsp;&nbsp;&nbsp;Marriage History: Never Married
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: Less Than 3,000,000
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 20
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 200
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 2000
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 20,000,000
<br>**[18:58] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[18:59] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor, good evening.<br>**[19:02] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beer, please.<br>**[19:08] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you feeling, Kakihana?<br>**[19:10] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from my back, not bad,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to you, Dr. Goriki.<br>**[19:14] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa called me a quack.<br>**[19:18] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like something he'd say.<br>**[19:22] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you guys talk to him, too?<br>**[19:25] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what?<br>**[19:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell Odokawa to go to a bigger hospital.<br>**[19:30] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong with him?<br>**[19:33] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think he's strange?<br>**[19:36] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's always been strange.<br>**[19:38] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hates people and is sarcastic.<br>**[19:40] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;His parents abandoned him.<br>**[19:42] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course he's twisted.<br>**[19:44] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that. It's something<br>&nbsp;&nbsp;&nbsp;&nbsp;more... fundamental.<br>**[19:49] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw Daimon the other day.<br>**[19:52] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said something odd.<br>**[19:55] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He thought Odokawa might be involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Nerima missing person case.<br>**[19:58] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be?<br>**[19:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He went to question Odokawa's neighbors.<br>**[20:02] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they heard<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa talking to someone<br>**[20:04] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he supposedly lives alone.<br>**[20:06] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe he was on the phone.<br>**[20:08] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the police were looking for Dobu.<br>**[20:11] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu? You mean that dangerous fellow?<br>**[20:13] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, you know about him?<br>&nbsp;&nbsp;&nbsp;&nbsp;What makes him dangerous?<br>**[20:15] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say he beat up a group of thugs<br>**[20:18] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;who got drunk and rowdy at a club by himself,<br>**[20:21] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and knocked out an underground<br>&nbsp;&nbsp;&nbsp;&nbsp;martial artist with a single blow.<br>**[20:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it.<br>**[20:25] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The group that underground martial<br>&nbsp;&nbsp;&nbsp;&nbsp;artist belongs to tried to beat up Dobu,<br>**[20:31] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he beat them up instead.<br>**[20:33] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet biotechnology is the only<br>&nbsp;&nbsp;&nbsp;&nbsp;thing that can beat him.<br>**[20:36] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure how much of that is true,<br>**[20:38] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I wouldn't want to<br>&nbsp;&nbsp;&nbsp;&nbsp;get involved with him.<br>**[20:40] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, that preposterous<br>&nbsp;&nbsp;&nbsp;&nbsp;story is hard to believe.<br>**[20:45] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, ma'am, just between us,<br>**[20:48] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't get upset,<br>&nbsp;&nbsp;&nbsp;&nbsp;so be honest with me.<br>**[20:52] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you marry me—<br>**[20:53] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[20:53] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was quick! Why not?<br>**[20:55] Takeo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...<br>**[20:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it money? It's always money, isn't it?<br>**[20:59] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money is the product of a person's abilities.<br>**[21:02] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course it's important.<br>**[21:04] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know true love, ma'am.<br>**[21:06] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;List off the benefits of marrying you, then.<br>**[21:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pledge to never hit you.<br>**[21:11] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't list something obvious like it's<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the Three Non-Nuclear Principles.<br>**[21:15] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, don't be like that.<br>**[21:17] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, it's fine.<br>**[21:20] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[21:21] Nurse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening, Doctor.<br>**[21:24] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's wrong?*<br>**[21:27] Nurse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some medicine is missing.<br>**[21:30] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when? How much is missing?<br>**[21:33] Nurse**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know when, but some<br>&nbsp;&nbsp;&nbsp;&nbsp;more went missing today.<br>**[21:36] Nurse**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Psychotropic drugs. About 6,000 pills.*<br>**[21:41] Nurse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was working today?<br>**[21:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're taking a taxi after work?<br>**[21:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nurses must make good money.<br>**[21:53] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember me.<br>**[21:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only alpaca around here.<br>**[22:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so funny?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you laughing to be polite?<br>**[22:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never understand what<br>&nbsp;&nbsp;&nbsp;&nbsp;young people are thinking.<br>**[22:06] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop the generation gap crap.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: How To Spend a Long Night
<br>**[23:35] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do taxi drivers get a lot of girls?*<br>**[23:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Depends on the person.*<br>**[23:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bet you get some cute <br>
&nbsp;&nbsp;&nbsp;&nbsp;passengers, like idols.*<br>**[23:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sometimes.*<br>**[23:44] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Lucky.*<br>**[23:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How have you been since then? Gone viral?*<br>**[23:47] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dude, gimme a break.*<br>

# E2 - How To Spend a Long Night

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GZ7UVPV5K/how-to-spend-a-long-night)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Equator Sauna
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;How To Spend a Long Night
<br>**[01:35] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be joking.<br>**[01:36] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You traded numbers with Shirakawa-san?<br>**[01:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The conversation just<br>&nbsp;&nbsp;&nbsp;&nbsp;went in that direction.<br>**[01:41] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit, I'd curse you to death if I could.<br>**[01:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill me yourself.<br>**[01:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why be indirect about it?<br>**[01:46] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I bet she just wants<br>&nbsp;&nbsp;&nbsp;&nbsp;an easy way to call a taxi.<br>**[01:50] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skip the pick-up fee, y'know—<br>**[01:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, she said she wanted to meet up<br>&nbsp;&nbsp;&nbsp;&nbsp;for lunch or dinner on her days off.<br>**[01:55] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liar.<br>**[01:58] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our solo performance was a huge success.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Privately-Owned Taxi
<br>**[02:02] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tickets were sold out.*<br>**[02:03] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanna quit my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;part time job already.*<br>**[02:05] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I already quit mine.*<br>**[02:06] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh? When you haven't written any jokes?*<br>**[02:09] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My girlfriend takes care of me.*<br>**[02:11] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're a piece of shit.*<br>**[02:12] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My girlfriend said I could quit.*<br>**[02:14] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bonnou Illumination formed four years ago,*<br>**[02:17] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and they live in a place*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where rent is 400,000.*<br>**[02:19] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Doesn't that sting?*<br>**[02:20] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, it is what it is.*<br>**[02:24] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why haven't we found any success on TV?*<br>**[02:27] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The other day, I got caught up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in vanity searching.*<br>**[02:29] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You shouldn't do that.*<br>**[02:30] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I searched for "Homosapiens funny"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and got hit with*<br>**[02:32] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a storm of "Homosapiens aren't funny."*<br>**[02:34] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You really shouldn't vanity search.*<br>**[02:36] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Comedy requires intelligence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and culture to understand.*<br>**[02:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the bare minimum.*<br>**[02:41] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In other words,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the general public are idiots.*<br>**[02:43] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Here we go again.*<br>**[02:44] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that doesn't stop them from judging us.*<br>**[02:46] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Keep your mouths shut, idiots.*<br>**[02:47] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Are you listening? Being a creator*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is a one-way street.*<br>**[02:50] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't try to get involved.*<br>**[02:51] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Suppressing your own creativity*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in order to cater to society's values*<br>**[02:54] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*produces mediocre results. Damn amateurs.*<br>**[02:57] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Isn't responding to consumers'*<br>*&nbsp;&nbsp;&nbsp;&nbsp;needs part of our job, though?*<br>**[02:59] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're not building household*<br>*&nbsp;&nbsp;&nbsp;&nbsp;appliances here.*<br>**[03:02] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our opinions should be the priority*<br>**[03:03] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;when we're going after*<br>*&nbsp;&nbsp;&nbsp;&nbsp;people's sensibilities.*<br>**[03:05] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's up to us to decide, "Nah, that wasn't*<br>*&nbsp;&nbsp;&nbsp;&nbsp;quite right. Let's try something else."*<br>**[03:09] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Uh, we've received some fan mail.*<br>**[03:11] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's from high school student*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Satoshi Nagashima-kun from Tokyo.*<br>**[03:13] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This guy again?*<br>**[03:15] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Good evening."*<br>**[03:16] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"I went to see the Homosapiens*<br>*&nbsp;&nbsp;&nbsp;&nbsp;solo performance."*<br>**[03:18] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"It's typically fans who attend*<br>*&nbsp;&nbsp;&nbsp;&nbsp;solo performances,*<br>**[03:21] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so it's only natural that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;your audience will laugh."*<br>**[03:23] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Also, I think it's great that you guys believe*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in your own value and have conviction."*<br>**[03:28] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"However, as professionals,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think it's embarrassing for you*<br>**[03:31] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to knock people who don't recognize*<br>*&nbsp;&nbsp;&nbsp;&nbsp;your talent as uncultured amateurs."*<br>**[03:36] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Only after you've acknowledged*<br>*&nbsp;&nbsp;&nbsp;&nbsp;other perspectives,*<br>**[03:38] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*stuck to your guns, and achieved success*<br>**[03:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*can you call yourselves performers."*<br>**[03:42] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Don't mistake overconfidence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for confidence."*<br>**[03:45] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Also, compared to Bonnou Illumination,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you're way less charming."*<br>**[03:50] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"P.S. You managed to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;cover it up with your energy,*<br>**[03:52] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but the final joke of your solo show*<br>*&nbsp;&nbsp;&nbsp;&nbsp;isn't funny when written out."*<br>**[03:56] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Keep at it."*<br>**[03:57] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Someone bring that jerk here.*<br>**[03:58] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel awkward?<br>**[04:00] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:02] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't say awkward.<br>**[04:05] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I listen to it every week.<br>&nbsp;&nbsp;&nbsp;&nbsp;I turned it on out of habit.<br>**[04:09] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, why can't you sleep?<br>**[04:13] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've forgotten how to sleep.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't remember how I used to do it.<br>**[04:18] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to know a secret?<br>**[04:25] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You count sheep.<br>**[04:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make it sound like<br>&nbsp;&nbsp;&nbsp;&nbsp;you came up with it yourself,<br>**[04:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that trick's been around forever.<br>**[04:31] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I think it's Cyndi Lauper.<br>**[04:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is?<br>**[04:35] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The MVP.<br>**[04:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You watched "We Are the World"?<br>**[04:44] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, is there anyone you like?<br>**[04:46] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[04:47] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste.<br>**[04:48] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life's more fun when you're in love.<br>**[04:50] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm too old for that.<br>**[04:52] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still only 41.<br>&nbsp;&nbsp;&nbsp;&nbsp;Your life is just getting started.<br>**[04:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know that?<br>**[04:56] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen your medical records.<br>**[04:57] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know all my personal<br>&nbsp;&nbsp;&nbsp;&nbsp;information, don't you?<br>**[04:59] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about your family?<br>**[05:00] (Flashback) Odakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were gone before I knew it.<br>**[05:02] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When?<br>**[05:02] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Late elementary school.<br>**[05:04] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you support yourself?<br>**[05:05] (Flashback) Odakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, a stress interview?<br>**[05:07] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I overstepped my bounds.<br>**[05:15] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you regret anything?<br>**[05:17] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe taking out a student loan<br>&nbsp;&nbsp;&nbsp;&nbsp;to attend nursing school.<br>**[05:21] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you regret that?<br>**[05:24] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, I was stubborn and<br>&nbsp;&nbsp;&nbsp;&nbsp; didn't want to rely on my parents,<br>**[05:27] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I feel like I should have.<br>**[05:29] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't paid it off?<br>**[05:35] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I have.<br>**[05:42] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where were you born?<br>**[05:44] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miyazaki.<br>**[05:45] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sing me a Miyazaki folk song.<br>**[05:47] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Japanese pepper tree in the yard...<br>**[05:48] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can actually sing one?<br>**[05:51] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only asked you because<br>&nbsp;&nbsp;&nbsp;&nbsp;I assumed you couldn't.<br>**[05:54] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of scary, too.<br>**[05:57] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to build a happy family<br>**[06:00] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so my parents back in Miyazaki<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have to worry about me.<br>**[06:03] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[06:04] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa.<br>**[06:07] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-san, is there anyone you like?<br>**[06:12] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:19] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. What's he like?<br>**[06:21] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he like? He's a little<br>&nbsp;&nbsp;&nbsp;&nbsp; hard to describe.<br>**[06:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a photo of him?<br>**[06:28] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do. Would you like to see?<br>**[06:29] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would.<br>**[06:31] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tease Kakihana by telling him about it.<br>**[06:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've transcended all kinds of stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;to achieve a look of total serenity.<br>**[06:49] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. I'm organizing<br>&nbsp;&nbsp;&nbsp;&nbsp;my thoughts right now.<br>**[06:54] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to admit it, Odokawa,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you've got a chance.<br>**[06:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At what?<br>**[06:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the rate we're going,<br>**[07:00] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;both of us are headed straight<br>&nbsp;&nbsp;&nbsp;&nbsp;for eternal bachelorhood.<br>**[07:02] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Snagging a beautiful girl like her<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a huge upset.<br>**[07:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that.<br>**[07:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't like her?<br>**[07:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not it.<br>**[07:10] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you like her?<br>**[07:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't particularly like her, either.<br>**[07:13] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you had to choose?<br>**[07:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why force me to answer a difficult<br>&nbsp;&nbsp;&nbsp;&nbsp; question in black or white terms?<br>**[07:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you, Mr. Children?<br>**[07:18] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking which way you lean.<br>**[07:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I guess toward liking her.<br>**[07:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much?<br>**[07:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much what?<br>**[07:24] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking how big your affection is for her.<br>**[07:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the size of a<br>&nbsp;&nbsp;&nbsp;&nbsp;North American supplement.<br>**[07:29] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In some ways, that's huge.<br>**[07:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[07:34] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be too careful.<br>**[07:37] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say women are<br>&nbsp;&nbsp;&nbsp;&nbsp;as fickle as autumn weather,<br>**[07:39] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that you should strike<br>&nbsp;&nbsp;&nbsp;&nbsp;while the iron is hot.<br>**[07:41] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you're too aggressive,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll think you're a desperate old man,<br>**[07:45] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's a tough balancing act.<br>**[07:47] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were me, I'd tease her a little<br>&nbsp;&nbsp;&nbsp;&nbsp;by giving her the cold shoulder,<br>**[07:50] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then smile kindly at her<br>&nbsp;&nbsp;&nbsp;&nbsp;when I see her at the clinic.<br>**[07:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up already.<br>**[07:53] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up?<br>**[07:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I asked myself<br>&nbsp;&nbsp;&nbsp;&nbsp;why I'm getting advice<br>**[07:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;from a guy who's still looking for a wife,<br>**[07:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;it all started to sound like static.<br>**[08:00] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but real talk, I bet your<br>&nbsp;&nbsp;&nbsp;&nbsp; parents would be ecstatic<br>**[08:04] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you were married<br>&nbsp;&nbsp;&nbsp;&nbsp;by the time they returned.<br>**[08:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you want them to meet their grandkids?<br>**[08:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather show the people<br>&nbsp;&nbsp;&nbsp;&nbsp;who covered my living expenses<br>**[08:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;after my parents left that I'm happy.<br>**[08:17] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean that support group, right?<br>**[08:24] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never get in the bath, Odokawa.<br>**[08:27] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna stop by Taeko's place?<br>**[08:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, I'm working tonight.<br>**[08:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't take pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;in the changing room.<br>**[08:39] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares? There's nobody here.<br>**[08:41] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko said she hasn't seen your<br>&nbsp;&nbsp;&nbsp;&nbsp;face in a while. She misses you.<br>**[08:46] Poster**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter that nobody's here.<br>&nbsp;&nbsp;&nbsp;&nbsp;It says it's prohibited.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You have new messages
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Close
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;View Message
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Online
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho, 18 years old, Tokyo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.  I was intrigued by your very genuine-looking photo,  so I sent you a message. Feel free to message back.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho, 18 years old, Tokyo
<br>**[09:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening, Kakihana?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;How to Fill Out a Job Application
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Finding a Job
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;500 Tips For Finding a Job
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;How to Write Social Media Posts
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Make Your Dreams Come True With Social Media
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Internet ~Rules For Achieving Popularity~
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;How to Get Your Posts Shared on Social Media
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Collection of Funny Tweets
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Social Network: How to Get Likes  and Go Viral on Social Media
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The other day I ordered a corner highball from  a foreign-looking waiter at an izakaya,  and he brought me a highball with coke.  Just how good is my pronunciation?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2 hours ago
<br>**[09:40] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to go viral, damn it?<br>**[09:44] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taichi, go get in the bath!<br>**[09:46] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shofutei Donraku
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;5 hours ago
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We were told young people aren't watching TV,  but popular tweets tend to be about TV,  and people who brag about not watching it  are just addicted to their phones.  Not only that, but they're idiots who think  they're actively gathering information.
<br>**[09:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;140,000 r-retweets...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Replying to @donrakutei
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There it is lol old people  causing problems again lmaoooo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Real Japanese Man
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Replying to @donrakutei
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your rakugo isn't very funny.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi_Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2 hours ago
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hold on lol I was telling my taxi driver  that I was having trouble finding a job, so he  took my phone and was like, "Check this out;  it'll cheer you up," and took a picture of us lmao
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss
<br>**[10:46] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imai-san, you waited in line for me again.<br>**[10:49] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I did.<br>**[10:50] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting forever<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to debut, Rui-tan.<br>**[10:53] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ready to take your picture.<br>**[10:55] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should we pose?<br>**[10:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already got pictures of us<br>&nbsp;&nbsp;&nbsp;&nbsp;making a heart and linking arms.<br>**[11:00] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[11:01] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're so special,<br>&nbsp;&nbsp;&nbsp;&nbsp;Imai-san, how about a hug?<br>**[11:05] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Are you sure?<br>**[11:11] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're my last visitor today,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you an autograph, too.<br>**[11:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I promise<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy your debut single.<br>**[11:18] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, but...<br>**[11:21] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure it'll sell well.<br>**[11:23] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are things tough?<br>**[11:25] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had fewer people show up<br>&nbsp;&nbsp;&nbsp;&nbsp;than expected again today.<br>**[11:28] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking.<br>**[11:30] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both Ichimura-san and Mitsuya-san<br>&nbsp;&nbsp;&nbsp;&nbsp;would look better without masks.<br>**[11:33] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're so cute. It's a waste.<br>**[11:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assumed they'd take their masks<br>&nbsp;&nbsp;&nbsp;&nbsp; off for the Polaroids.<br>**[11:38] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody wants a Polaroid if they're masked.<br>**[11:40] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, they may be cute, but of course<br>&nbsp;&nbsp;&nbsp;&nbsp;they're not as cute as you, Rui-tan.<br>**[11:44] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those were the conditions for our debut.<br>**[11:48] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. They've got their reasons, I guess.<br>**[11:52] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also...<br>**[11:54] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san's dancing has<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten a little sloppy.<br>**[11:57] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she not feeling well?<br>**[12:01] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;She works part time while attending<br>&nbsp;&nbsp;&nbsp;&nbsp;lessons and streaming from home.<br>**[12:05] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might be tired.<br>**[12:07] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds rough.<br>**[12:09] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't push yourself too hard, Rui-tan.<br>**[12:11] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[12:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Rui-tan.<br>**[12:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll promise I'll get rich and buy<br>&nbsp;&nbsp;&nbsp;&nbsp;tons of your CDs and merch.<br>**[12:18] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just a waiter at a club<br>&nbsp;&nbsp;&nbsp;&nbsp; right now, but—<br>**[12:20] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time's up. Thank you.<br>**[12:30] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura and Mitsuya, we've got<br>&nbsp;&nbsp;&nbsp;&nbsp;some time before the venue closes.<br>**[12:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you go outside<br>&nbsp;&nbsp;&nbsp;&nbsp;and sell our leftover merch?<br>**[12:37] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikaido-san doesn't have to?<br>**[12:39] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can we do? Our sales<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't as good as Rui's.<br>**[12:42] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one cares about us.<br>**[12:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry.<br>**[12:49] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so embarrassing<br>&nbsp;&nbsp;&nbsp;&nbsp;to go outside with this mask on.<br>**[12:52] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura-san, don't you think it's<br>&nbsp;&nbsp;&nbsp;&nbsp;impossible for us to succeed?<br>**[12:54] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;These masks prevent us from attracting<br>&nbsp;&nbsp;&nbsp;&nbsp;big spenders like Nikaido-san.<br>**[12:57] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't attract fans<br>&nbsp;&nbsp;&nbsp;&nbsp;even if I took my mask off.<br>**[13:00] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura-san, you have<br>&nbsp;&nbsp;&nbsp;&nbsp;too little self-esteem.<br>**[13:04] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, I started my career<br>&nbsp;&nbsp;&nbsp;&nbsp; maskless, and now I'm here.<br>**[13:07] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, it's crazy that you<br>&nbsp;&nbsp;&nbsp;&nbsp; have any self-esteem at all.<br>**[13:11] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's because my parents<br>&nbsp;&nbsp;&nbsp;&nbsp;raised me with love.<br>**[13:15] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's crazy. You're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a big factor.<br>**[13:18] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;My parents always told me<br>&nbsp;&nbsp;&nbsp;&nbsp;that I couldn't do anything.<br>**[13:23] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura-san, when are you happiest?<br>**[13:26] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm in the bath.<br>**[13:28] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sound like an old lady.<br>**[13:29] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Mitsuya-san?<br>**[13:31] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm eating.<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially if it's fried chicken.<br>**[13:33] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're crazy. That's crazy high in calories.<br>**[13:35] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura-san, your vocabulary is crazy bad.<br>**[13:37] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're crazy. What a crazy<br>&nbsp;&nbsp;&nbsp;&nbsp;way to talk to your seniors.<br>**[13:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is beyond our expectations.<br>&nbsp;&nbsp;&nbsp;&nbsp;Great work, Nikaido.<br>**[13:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the online news is talking about you.<br>**[13:48] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not enough.<br>**[13:49] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're less successful than we should be,<br>&nbsp;&nbsp;&nbsp;&nbsp;given the commercial we put out.<br>**[13:52] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need more fans like Imai-san.<br>**[13:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Imai guy was one<br>&nbsp;&nbsp;&nbsp;&nbsp;of those five guys, right?<br>**[14:07] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He's probably the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;who's been following us since then.<br>**[14:16] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's them.<br>**[14:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, this is Yamamoto. Yes.<br>**[14:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it went smoothly. Yes.<br>**[14:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Half, right? Of course.<br>**[14:28] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A dash cam?<br>**[14:32] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look for him.<br>**[14:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the driver's name?<br>**[14:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what I can do if you don't.<br>**[14:39] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Understood.<br>**[14:44] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did they say?<br>**[14:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Nothing for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, Nikaido.<br>**[15:07] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but could you take me<br>&nbsp;&nbsp;&nbsp;&nbsp;to Shinjuku for 2,000 yen?<br>**[15:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It costs about 3,500 yen to get<br>&nbsp;&nbsp;&nbsp;&nbsp;from here to Shinjuku.<br>**[15:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you make an exception?<br>**[15:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go as far as I can.<br>**[15:18] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, please take me to Shinjuku!<br>**[15:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your haggling style is<br>&nbsp;&nbsp;&nbsp;&nbsp;so pushy that it's creepy.<br>**[15:22] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. I'm broke.<br>**[15:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, then.<br>**[15:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. All losers.<br>**[15:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have the money to buy those,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should set some aside for cab fare.<br>**[15:41] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that.<br>**[15:43] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to use the money<br>&nbsp;&nbsp;&nbsp;&nbsp;to buy Mystery Kiss CDs.<br>**[15:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss?<br>**[15:47] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know them?<br>**[15:48] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a three-person idol group<br>&nbsp;&nbsp;&nbsp;&nbsp;that just debuted.<br>**[15:50] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;After struggling for two years,<br>&nbsp;&nbsp;&nbsp;&nbsp;they finally debuted.<br>**[15:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a very long struggle.<br>**[15:54] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking back, I encountered them a year ago<br>**[15:56] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;at a concert I happened to attend.<br>**[15:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, there were only five<br>&nbsp;&nbsp;&nbsp;&nbsp;people in the audience, including me.<br>**[16:01] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But today, all those fans came to see them.<br>**[16:04] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel happy, but also kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of sad. I feel conflicted.<br>**[16:08] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, like, knowing them since way back<br>&nbsp;&nbsp;&nbsp;&nbsp;gives me a sense of superiority.<br>**[16:12] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was one of those five fans.<br>**[16:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forget how I felt then.<br>**[16:18] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rui Nikaido's overpowering aura.<br>**[16:20] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her singing reminded me of Janis Joplin.<br>**[16:22] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her innate idol-like qualities contrasted<br>&nbsp;&nbsp;&nbsp;&nbsp;with the ambition that flowed out of her.<br>**[16:26] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya's exceptional physical<br>&nbsp;&nbsp;&nbsp;&nbsp;abilities backed by her next-level dancing.<br>**[16:30] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho Ichimura's genuine modesty.<br>**[16:33] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each idol had a unique personality.<br>**[16:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were the holy trinity of idols.<br>**[16:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a lot to say about them,<br>**[16:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but their personalities got<br>&nbsp;&nbsp;&nbsp;&nbsp;less impressive as you went on.<br>**[16:42] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because ultimately,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a Nikaido fan.<br>**[16:45] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even made a Nikaido fan account.<br>**[16:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[16:48] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, today was their<br>&nbsp;&nbsp;&nbsp;&nbsp;debut CD preorder event.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss <br>
&nbsp;&nbsp;&nbsp;&nbsp;Debut Single "Supernatural <br>
&nbsp;&nbsp;&nbsp;&nbsp;Love Phenomenon" CD Preorder<br>
&nbsp;&nbsp;&nbsp;&nbsp; 12/25/2021 Polaroid Event Ticket
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rui Nikaido
<br>**[16:52] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each preorder comes with Polaroid tickets.<br>**[16:54] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more you preorder,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more Polaroids you get to take.<br>**[16:57] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have Rui Nikaido all to yourself.<br>**[16:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming you're right, if you've<br>&nbsp;&nbsp;&nbsp;&nbsp;got the money for lottery tickets,<br>**[17:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should spend it on CDs instead.<br>**[17:03] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can afford is one CD.<br>**[17:07] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather win the lottery<br>&nbsp;&nbsp;&nbsp;&nbsp;and make Rui Nikaido all mine.<br>**[17:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're betting on slim odds.<br>**[17:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you a lucky man, Driver?<br>**[17:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, they call it<br>&nbsp;&nbsp;&nbsp;&nbsp;catching a "brake," right?<br>**[17:18] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you've got great luck.<br>**[17:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long time ago, I survived an accident<br>&nbsp;&nbsp;&nbsp;&nbsp;that should've killed me.<br>**[17:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So maybe I am lucky.<br>**[17:30] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were lucky, you wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have gotten into an accident.<br>**[17:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're right.<br>**[17:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've arrived in Shinjuku. Is here okay?<br>**[17:36] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Sorry I only have 2,000 yen.<br>**[17:39] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're a lucky driver,<br>**[17:41] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;could I get your seven favorite<br>&nbsp;&nbsp;&nbsp;&nbsp;numbers between 1 and 37?<br>**[17:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;2, 10, 12, 18, 20, 32, 33.<br>**[17:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that sounds pretty good.<br>**[18:00] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm off to buy a lottery ticket.<br>**[18:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you still had money?<br>**[18:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New message
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can we meet now?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can we meet now?
<br>**[18:21] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, are you available?<br>**[18:26] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to interrupt your break.<br>**[18:28] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Japan Broadcasting, please.<br>**[18:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you watching?<br>**[18:41] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I might find something<br>&nbsp;&nbsp;&nbsp;&nbsp;we could use on the broadcast.<br>**[18:43] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're studying hard.<br>**[18:45] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. Doesn't this just piss you off?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;MOWMOW LULU GYABAN's  "Sadness in the Subway" cover
<br>**[18:51] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you mean.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather listen to the actual song.<br>**[18:53] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of them are moving, though.<br>**[18:56] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of them are moving?<br>**[18:59] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too slow.<br>**[19:01] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what are you doing?<br>**[19:02] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? "Zooden."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Homosapi Baba  Rank: 80  Development points: 355  Animals: 56
<br>**[19:04] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Zooden?"<br>**[19:05] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a mobile game.<br>**[19:08] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. You named your<br>&nbsp;&nbsp;&nbsp;&nbsp;account "Homosapi Baba"<br>**[19:11] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even uploaded a photo of yourself.<br>**[19:12] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you know you're a celebrity?<br>**[19:14] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can play with our fans this way.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with that?<br>**[19:16] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use that time to write jokes instead.<br>**[19:18] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's super addicting.<br>**[19:20] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You raise animals and stuff to rank up.<br>**[19:22] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've only ever been raised.<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you raise anything?<br>**[19:26] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus on ranking up your comedy.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dead last right now.<br>**[19:28] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm dead last at comedy?<br>**[19:30] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just among professionals.<br>**[19:31] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean among all people.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get the wrong idea.<br>**[19:33] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dead last at comedy among all people?<br>**[19:36] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how are things with your girlfriend?<br>**[19:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't talk about that here.<br>**[19:41] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so self-conscious.<br>**[19:43] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The percentage of people who know us is as low<br>&nbsp;&nbsp;&nbsp;&nbsp;as the interest rate on a fixed deposit account.<br>**[19:46] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, my girlfriend has the opportunity<br>&nbsp;&nbsp;&nbsp;&nbsp;to achieve the percentage of cacao<br>**[19:49] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a very bitter bar of chocolate.<br>**[19:51] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying we don't?<br>**[19:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you guys. You're Homosapiens, right?<br>**[19:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always listen to you guys on the radio.<br>**[19:57] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[19:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know what you looked like,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I recognized your voices.<br>**[20:00] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the problem.<br>**[20:02] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, what do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to be successful?<br>**[20:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Luck, maybe?<br>**[20:06] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we were lucky, we wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;need to work hard.<br>**[20:08] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to be the best act in the nation.<br>**[20:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems to me like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;not equally committed.<br>**[20:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, how did<br>&nbsp;&nbsp;&nbsp;&nbsp;the N-1 preliminaries go?<br>**[20:18] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;We made it past Round 2.<br>**[20:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impressive.<br>**[20:21] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Baba. What would you do<br>&nbsp;&nbsp;&nbsp;&nbsp;if I said we should dissolve the group?<br>**[20:25] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd think it couldn't be helped.<br>**[20:27] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really understand comedy.<br>**[20:29] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to admit it,<br>**[20:32] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're the only one I think is truly<br>&nbsp;&nbsp;&nbsp;&nbsp;funny from the bottom of my heart.<br>**[20:35] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even an older comedian<br>&nbsp;&nbsp;&nbsp;&nbsp;said you've got talent.<br>**[20:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you'll be successful someday.<br>**[20:40] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if I'm holding you back, then<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I should step out of your way.<br>**[20:45] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got it all wrong.<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be talking about quitting.<br>**[20:48] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your fatal flaw is that you're not<br>&nbsp;&nbsp;&nbsp;&nbsp;frustrated after he said that about us.<br>**[20:51] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help that I'm not frustrated!<br>**[20:54] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you can<br>&nbsp;&nbsp;&nbsp;&nbsp;control your emotions?<br>**[20:56] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;If people could do that, all unrequited<br>&nbsp;&nbsp;&nbsp;&nbsp;love would cease existing!<br>**[20:58] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's actually pretty funny!<br>**[21:00] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be putting<br>&nbsp;&nbsp;&nbsp;&nbsp; that on the airwaves!<br>**[21:02] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say I'm funny, but I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know what you want me to do!<br>**[21:04] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that way you talked back to me<br>&nbsp;&nbsp;&nbsp;&nbsp;when you felt cornered!<br>**[21:07] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who wouldn't talk back<br>&nbsp;&nbsp;&nbsp;&nbsp;after being pushed like that?<br>**[21:09] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, during middle school,<br>&nbsp;&nbsp;&nbsp;&nbsp;this guy got into a fistfight<br>**[21:12] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a girl that ended in a draw.<br>**[21:14] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;That has *nothing* to do <br>
&nbsp;&nbsp;&nbsp;&nbsp;with this conversation!<br>**[21:16] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit talking about my personal life!<br>**[21:18] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a crap student, a crap<br>&nbsp;&nbsp;&nbsp;&nbsp;fighter, and a crap comedian.<br>**[21:21] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything you *can* do?<br>**[21:22] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;My academic abilities aren't part of this!<br>**[21:24] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went to the same high school!<br>**[21:26] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not that different!<br>**[21:29] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our manager.<br>**[21:32] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be arriving at the studio soon.<br>**[21:33] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We're in a taxi.<br>**[21:35] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Yeah, he's right next to me.<br>**[21:38] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Yes.<br>**[21:40] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Who, me?<br>**[21:44] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Tomorrow? That's fine.<br>**[21:47] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Seriously?<br>**[21:49] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Yes. Goodbye.<br>**[21:54] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd he say?<br>**[21:57] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a regular appearance.<br>**[21:58] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding. On what?<br>**[22:00] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of daytime food show.<br>**[22:02] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's totally great. Ye—<br>**[22:03] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just me.<br>**[22:21] Odakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where t—<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll wait at the park across from the clinic.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New message
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Beware of Borrowed Plumes
<br>**[23:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How are things lately, ma'am?*<br>**[23:36] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With what?*<br>**[23:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With Kakihana.*<br>**[23:38] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's nothing to report.*<br>**[23:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, he's certainly hopeless.*<br>**[23:41] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A dumb, hopeless monkey.*<br>**[23:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Keep your voice down. He'll hear you.*<br>**[23:45] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crap. We made eye contact.*<br>**[23:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ma'am, got any New Year's resolutions?*<br>**[23:48] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe I'll open a second shop.*<br>

# E3 - Beware of Borrowed Plumes

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GD9UV2V05/beware-of-borrowed-plumes)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Equator Sauna
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Beware of Borrowed Plumes
<br>**[01:33] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the first guy to freestyle was KIN.<br>**[01:36] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? From Mellow Yellow?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho, 18 years old, Tokyo
<br>**[01:47] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[01:48] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes?<br>**[01:49] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that taxi driver's name?<br>**[01:52] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You mean Odokawa?<br>**[01:56] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa...<br>**[01:57] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's his name.<br>**[02:00] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the missing high<br>&nbsp;&nbsp;&nbsp;&nbsp;school girl case in Nerima?<br>**[02:03] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:04] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumor has it she got into Odokawa's taxi.<br>**[02:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:08] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we haven't heard anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about the case since then, right?<br>**[02:13] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[02:15] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The investigation request was withdrawn.<br>**[02:18] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? So they found her, then?<br>**[02:20] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Apparently they received<br>&nbsp;&nbsp;&nbsp;&nbsp;a message from her secondhand.<br>**[02:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great. She's all right, then.<br>**[02:26] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, I'm allegedly the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;she ran away from home.<br>**[02:29] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What did you do?<br>**[02:31] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you investigate her whereabouts?<br>**[02:34] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You want me to do it?<br>**[02:36] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Don-chan's daughter.<br>**[02:37] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whose daughter? I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what you expect me to do.<br>**[02:40] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later.<br>**[02:41] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:42] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yeah. Talk to you later.<br>**[02:52] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh? He was on the phone?!*<br>**[02:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun, let's go for a drive.<br>**[03:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing. You'll pay your fare, won't you?<br>**[03:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe, if you give me<br>&nbsp;&nbsp;&nbsp;&nbsp;some useful information.<br>**[03:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What information?<br>**[03:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, that toy<br>&nbsp;&nbsp;&nbsp;&nbsp;is awfully distracting.<br>**[03:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a toy, or is it real?<br>**[03:26] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey.*<br>**[03:26] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, what is it?<br>**[03:28] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's that taxi driver's name?*<br>**[03:32] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Odokawa?<br>**[03:35] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Odokawa...*<br>**[03:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What about him?*<br>**[03:39] (Flashback) Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the missing high<br>&nbsp;&nbsp;&nbsp;&nbsp;school girl case in Nerima?<br>**[03:42] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:44] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rumor has it she got into Odokawa's taxi.*<br>**[03:48] (Flashback) Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, about that...<br>**[03:50] Kuroda**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But we haven't heard anything*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about the case since then, right?*<br>**[03:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're right.*<br>**[03:57] (Flashback) Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The investigation request was withdrawn.<br>**[04:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I heard about that from the older Daimon.*<br>**[04:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He said they heard from the missing girl.*<br>**[04:04] (Flashback) Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Apparently they received<br>&nbsp;&nbsp;&nbsp;&nbsp;a message from her secondhand.<br>**[04:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see...*<br>**[04:11] (Flashback) Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, I'm allegedly the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;she ran away from home.<br>**[04:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do you mean?*<br>**[04:15] (Flashback) Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you investigate her whereabouts?<br>**[04:19] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you care about a high<br>&nbsp;&nbsp;&nbsp;&nbsp;school girl from Nerima, boss?<br>**[04:22] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's Don-chan's daughter.*<br>**[04:24] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[04:26] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Later.*<br>**[04:29] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[04:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun, apparently you picked up<br>&nbsp;&nbsp;&nbsp;&nbsp;the missing high school girl from Nerima.<br>**[04:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently. I handed over my dash<br>&nbsp;&nbsp;&nbsp;&nbsp;cam data to Big Daimon a while ago.<br>**[04:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know. I have your data.<br>**[04:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you guys are involved, then.<br>**[04:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a request.<br>**[04:53] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to keep your mouth shut.<br>**[04:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I want your help with something.<br>**[04:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Daimon already told me<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep my mouth shut.<br>**[05:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said a wanted criminal armed with<br>&nbsp;&nbsp;&nbsp;&nbsp;a gun would kill me if I told the police.<br>**[05:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, there's a wanted criminal armed<br>&nbsp;&nbsp;&nbsp;&nbsp;with a gun trying to kill me right now—<br>**[05:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just the police. Don't tell *anybody.*<br>**[05:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell 'em you lost your dash cam data.<br>**[05:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell anybody? Like who?<br>**[05:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody.<br>**[05:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you want help with?<br>**[05:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone shows up looking<br>&nbsp;&nbsp;&nbsp;&nbsp;for your dash cam data,<br>**[05:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to let me know.<br>**[05:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I refuse?<br>**[05:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you.<br>**[05:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you so desperate<br>&nbsp;&nbsp;&nbsp;&nbsp;to find this girl, Dobu?<br>**[05:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ain't any of your damn business.<br>**[05:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help you if I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know what's going on.<br>**[05:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, without some information,<br>**[05:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't know what I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to tell whom.<br>**[05:53] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[05:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, my boss is looking for the missing<br>&nbsp;&nbsp;&nbsp;&nbsp;high school girl from Nerima.<br>**[06:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[06:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she's the daughter of a classmate.<br>**[06:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the police?<br>**[06:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Officially, the police suspect me.<br>**[06:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspect you? Aren't you<br>&nbsp;&nbsp;&nbsp;&nbsp;besties with the police?<br>**[06:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you insult me. Just with Big Daimon.<br>**[06:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Not Little Daimon?<br>**[06:18] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon's an idiot.<br>**[06:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're not actually involved?<br>**[06:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. Swear to God, I'm not involved.<br>**[06:27] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, I was framed.<br>**[06:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you have my dash cam data, then?<br>**[06:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't interrogate me like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're the police, Odokawa.<br>**[06:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't help you if I can't trust you.<br>**[06:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I thought *you* were connected <br>
&nbsp;&nbsp;&nbsp;&nbsp;to the Nerima missing persons case.<br>**[06:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently you've been talking<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone in your apartment.<br>**[06:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I thought I'd get my hands<br>&nbsp;&nbsp;&nbsp;&nbsp;on your dash cam data<br>**[06:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could blackmail you with it.<br>**[06:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you don't suspect me anymore, then.<br>**[06:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, I still think you might've done it.<br>**[07:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The investigation request's<br>&nbsp;&nbsp;&nbsp;&nbsp;been withdrawn, though.<br>**[07:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Withdrawn? Then her family must<br>&nbsp;&nbsp;&nbsp;&nbsp;be satisfied with the situation.<br>**[07:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They got word that she ran away<br>**[07:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;between my boss and her dad,<br>**[07:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they withdrew the request.<br>**[07:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't accepted the situation.<br>**[07:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea who might be involved?<br>**[07:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one guy who<br>&nbsp;&nbsp;&nbsp;&nbsp; could've put her up to this.<br>**[07:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guy named Yano.<br>**[07:26] Odkawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano?<br>**[07:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My junior.<br>**[07:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's your junior, go talk to him yourself.<br>**[07:33] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My job is collecting payments for my boss.<br>**[07:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not much point in<br>&nbsp;&nbsp;&nbsp;&nbsp;telling you about it, so I won't,<br>**[07:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's about obligation or principle.<br>**[07:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Yano only thinks about<br>&nbsp;&nbsp;&nbsp;&nbsp;collecting more money than me.<br>**[07:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't work for obligation or principle.<br>**[07:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, Yano doesn't like me.<br>**[07:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying there's no point<br>&nbsp;&nbsp;&nbsp;&nbsp;in asking Yano directly.<br>**[07:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo.<br>**[07:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if someone comes to take<br>&nbsp;&nbsp;&nbsp;&nbsp; your dash cam data,<br>**[08:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;in all likelihood it'll be Yano<br>&nbsp;&nbsp;&nbsp;&nbsp;or one of his henchmen.<br>**[08:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want your help.<br>**[08:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you tell all this to your boss?<br>**[08:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't. I didn't tell him<br>&nbsp;&nbsp;&nbsp;&nbsp;that I have the dash cam data.<br>**[08:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[08:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because Yano is always telling everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;that I only do petty jobs.<br>**[08:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's reached the boss's ears, too.<br>**[08:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, he's a show-off.<br>**[08:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I think Yano knew what he was doing.<br>**[08:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the picture.<br>**[08:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want me to tell anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;that you have my dash cam data<br>**[08:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;your boss to find out.<br>**[08:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if anyone comes looking for it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you want me to let you know.<br>**[08:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You're quick<br>&nbsp;&nbsp;&nbsp;&nbsp;on the uptake, Odokawa.<br>**[08:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Yano is involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in the missing persons case,<br>**[08:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I can find evidence of that<br>&nbsp;&nbsp;&nbsp;&nbsp;and use it to bring him down.<br>**[08:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, thanks.<br>**[08:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[08:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still a criminal.<br>**[08:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested<br>&nbsp;&nbsp;&nbsp;&nbsp;in helping someone like that.<br>**[09:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I threaten to kill you?<br>**[09:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't kill anyone.<br>**[09:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be a small-time gangster,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you've got your pride.<br>**[09:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You asshole!<br>**[09:15] Police**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You, in the taxi. Pull over.*<br>**[09:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get us out of here, or I'll shoot.<br>**[09:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you shoot me, you'll just get arrested.<br>**[09:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say anything stupid.<br>**[09:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[09:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one is it? The older<br>&nbsp;&nbsp;&nbsp;&nbsp;or younger brother?<br>**[09:55] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[09:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you tell? I'm being<br>&nbsp;&nbsp;&nbsp;&nbsp;robbed. He's got a gun.<br>**[10:04] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be quiet. You'll bother the neighbors.<br>**[10:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got a gun. Search him.<br>**[10:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's wrong with this driver.<br>**[10:11] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It certainly seems that way.<br>**[10:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much is he paying you?<br>**[10:13] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, could you turn off<br>&nbsp;&nbsp;&nbsp;&nbsp;your emergency light? It's confusing.<br>**[10:18] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Shinjuku 4 to Central.<br>**[10:20] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinjuku 336 10-22...<br>**[10:24] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Bro. What was that about?<br>**[10:26] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Little Bro. It was nothing.<br>**[10:28] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;His taxi broke down.<br>**[10:29] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, Bro? I heard something about a gun.<br>**[10:33] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Little Bro. Think about it.<br>**[10:35] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you believe anything a taxi driver says?<br>**[10:39] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Damn those taxi drivers!<br>**[11:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head to Shinjuku.<br>**[11:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You turned on your taxi's<br>&nbsp;&nbsp;&nbsp;&nbsp;emergency light and kept me talking,<br>**[11:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;found a cop car, and provoked me<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd turn my gun on you.<br>**[11:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted the cops to see.<br>**[11:18] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was quite the risk you took.<br>**[11:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I'd actually shot you?<br>**[11:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever. I wouldn't mind dying.<br>**[11:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not afraid to die?<br>**[11:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who's not afraid to die doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;need your weird sense of justice.<br>**[11:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am afraid. Unbelievably so.<br>**[11:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd rather die than get involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in what sounds like a pain in the ass.<br>**[11:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it, Odokawa-kun.<br>**[11:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that threatening you<br>&nbsp;&nbsp;&nbsp;&nbsp;won't get you to do what I want.<br>**[11:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What motivates you? You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;seem very interested in money.<br>**[11:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, I'll hurt your friends.<br>&nbsp;&nbsp;&nbsp;&nbsp;Who should I hurt?<br>**[11:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your friend's name? Kakihana?<br>**[12:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana, huh?<br>**[12:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably better off dead, too.<br>**[12:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so cold, Odokawa-kun.<br>**[12:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seemed a little shaken, though.<br>**[12:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're actually bluffing, aren't you?<br>**[12:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who should I choose?<br>**[12:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko.<br>**[12:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa...<br>**[12:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's your weakness.<br>**[12:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why Shirakawa-san?<br>**[12:33] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like we have a deal, then.<br>**[12:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your help.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New message
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll wait at the park across <br>
&nbsp;&nbsp;&nbsp;&nbsp;from the clinic.
<br>**[13:16] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"I'll wait at the park across*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the clinic."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Rare Dodo
<br>**[13:45] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came.<br>**[13:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have some business with me?<br>**[13:52] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is wanting to see you not<br>&nbsp;&nbsp;&nbsp;&nbsp; a good enough reason?<br>**[14:02] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know those fast-forwarded videos of<br>&nbsp;&nbsp;&nbsp;&nbsp; landscapes filmed on a fixed-point camera?<br>**[14:07] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watching those makes me feel so anxious.<br>**[14:10] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sun sets in the blink of an eye.<br>**[14:12] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stars move, and clouds drift by.<br>**[14:15] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It forces us to confront the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that time marches on,<br>**[14:17] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of what we have to say about it.<br>**[14:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It kind of sounds like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;being snide about my tardiness.<br>**[14:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe there's such<br>&nbsp;&nbsp;&nbsp;&nbsp; a thing as wasted time.<br>**[14:25] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they say "time is money," you know?<br>**[14:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not take things slowly, then?<br>**[14:30] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try saying that again, but meaner this time.<br>**[14:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not enjoy a bit of sherry<br>&nbsp;&nbsp;&nbsp;&nbsp;and a fudge brownie<br>**[14:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;while strolling along the West Coast?<br>**[14:41] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your snide remark has<br>&nbsp;&nbsp;&nbsp;&nbsp;a rather American quality to it.<br>**[14:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to be friends with me.<br>**[14:49] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[14:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I've got some<br>&nbsp;&nbsp;&nbsp;&nbsp;yakuza-type guys after me.<br>**[14:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They know who my friends are.<br>**[14:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of dangerous.<br>**[14:59] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be fine. Despite how I look...<br>**[15:04] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to practice capoeira.<br>**[15:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was surprising. I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;a Bollywood movie was about to start.<br>**[15:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's capoeira?<br>**[15:19] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Brazilian martial art.<br>**[15:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[15:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I was trying to lose weight.<br>**[15:24] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I got interested in seeing how much<br>&nbsp;&nbsp;&nbsp;&nbsp; I could improve my queixada form.<br>**[15:27] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, a queixada is a kick to the chin. It's—<br>**[15:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I meant.<br>**[15:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your makeshift capoeira won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be enough to beat these guys.<br>**[15:35] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's obnoxious. How do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;my martial arts skills are makeshift?<br>**[15:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it was to lose weight, then it can't<br>&nbsp;&nbsp;&nbsp;&nbsp; be effective in a real fight.<br>**[15:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's makeshift.<br>**[15:43] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't upset you if someone<br>&nbsp;&nbsp;&nbsp;&nbsp;called you a makeshift taxi driver?<br>**[15:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously I'd be upset. It's my job.<br>**[15:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not calling you a makeshift nurse.<br>**[15:51] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what does "makeshift" mean?<br>**[15:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got upset when you<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't know what it meant?<br>**[15:55] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understood more or less from the nuance.<br>**[15:57] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use a synonym that's easier to understand.<br>**[15:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means "temporary substitute."<br>**[16:01] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's a temporary substitute nurse?!<br>**[16:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say that,<br>**[16:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm astonished that you got<br>&nbsp;&nbsp;&nbsp;&nbsp;upset for the same reason twice.<br>**[16:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, no more queixada!<br>**[16:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it's dangerous for us<br>&nbsp;&nbsp;&nbsp;&nbsp;to be meeting like this.<br>**[16:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you, that is.<br>**[16:21] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter. I'm an adult.<br>**[16:25] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can protect myself.<br>**[16:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your goal?<br>**[16:32] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what?<br>**[16:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you gain from meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;with me, Shirakawa-san?<br>**[16:36] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I bothering you?<br>**[16:38] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it bother you to occasionally<br>&nbsp;&nbsp;&nbsp;&nbsp;meet and chat like this<br>**[16:43] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;or exchange messages?<br>**[16:46] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I find being around you<br>&nbsp;&nbsp;&nbsp;&nbsp;relaxing, Odokawa-san.<br>**[17:02] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working the day<br>&nbsp;&nbsp;&nbsp;&nbsp;shift today. I should go.<br>**[17:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drive you there.<br>**[17:07] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. After all, you are a taxi driver.<br>**[17:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't run the meter.<br>**[17:17] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the "What's for Lunch?!" Segment!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What's for Lunch?!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Asking People Around <br>
&nbsp;&nbsp;&nbsp;&nbsp;Kichijoji to Lunch!
<br>**[17:20] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Let's get started. In this segment,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we talk to people around town*<br>**[17:23] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and eat lunch with them.*<br>**[17:25] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's already our fourth episode, and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we've received absolutely no response.*<br>**[17:27] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Is everything okay?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm actually kinda worried.*<br>**[17:29] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, we're shooting all four at once.*<br>**[17:30] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, right. No wonder I'm not hungry.*<br>**[17:33] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Explain where we are right now.*<br>**[17:42] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Odokawa.<br>**[17:44] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Here we go. Hey, what's for lunch?*<br>**[17:48] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened with Shirakawa-san after that?<br>**[17:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're unusually annoying today.<br>**[17:53] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has your affection for her grown?<br>**[17:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the size of Jupiter now.<br>**[17:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite the growth.<br>**[17:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love is both a painful and beautiful thing.<br>**[18:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you in love?<br>**[18:05] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was pretty popular<br>&nbsp;&nbsp;&nbsp;&nbsp;in high school, remember?<br>**[18:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you played baseball.<br>**[18:12] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once you're an adult,<br>&nbsp;&nbsp;&nbsp;&nbsp;people have pretty high standards<br>**[18:14] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding your appearance<br>&nbsp;&nbsp;&nbsp;&nbsp;or work performance.<br>**[18:18] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I've gotten older,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd started to give up on it.<br>**[18:22] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My spring's finally on the horizon, though.<br>**[18:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's great.<br>**[18:27] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've mentioned this before,<br>&nbsp;&nbsp;&nbsp;&nbsp;but in the marriage marketplace,<br>**[18:30] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no demand for guys<br>&nbsp;&nbsp;&nbsp;&nbsp;with specs like ours.<br>**[18:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's exactly it.<br>**[18:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is a 28-year-old nurse interested in me?<br>**[18:37] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that special feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;that outshines your specs.<br>**[18:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I compared my feelings to Jupiter before,<br>**[18:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't really understand<br>&nbsp;&nbsp;&nbsp;&nbsp;attraction or romance myself.<br>**[18:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always thought they were concepts<br>&nbsp;&nbsp;&nbsp;&nbsp;that had nothing to do with me.<br>**[18:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, I'm not confident.<br>**[18:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before you know it, you're in love.<br>**[18:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how it is.<br>**[19:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lecture me on love. It's aggravating.<br>**[19:05] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna see the girl I'm talking to?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho, 18 years old, Tokyo
<br>**[19:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just a little girl.<br>**[19:11] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still only 18.<br>**[19:13] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;So far we've only exchanged messages,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we get along great.<br>**[19:17] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to meet up soon,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's busy with work.<br>**[19:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you meet her on a matchmaking site?<br>**[19:24] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[19:26] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you're trying to say.<br>**[19:28] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think she doesn't exist, don't you?<br>**[19:32] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, read it and weep.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san!!  Good luck at work
<br>**[19:38] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, another helping.<br>**[19:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I doubt her<br>&nbsp;&nbsp;&nbsp;&nbsp;existence. It's just...<br>**[19:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you're not being tricked?<br>**[19:49] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you jealous?<br>**[19:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana, I'm not saying<br>&nbsp;&nbsp;&nbsp;&nbsp; this out of jealousy.<br>**[19:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think about it. You said so yourself.<br>**[19:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no demand for us<br>&nbsp;&nbsp;&nbsp;&nbsp;in the marriage marketplace.<br>**[19:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, it's the feeling—<br>**[20:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've never even met her.<br>&nbsp;&nbsp;&nbsp;&nbsp;How can there be any feeling?<br>**[20:03] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, we've been exchanging messages!<br>**[20:06] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look at all of these!<br>**[20:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see your profile.<br>**[20:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me that...<br>**[20:10] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. Why, you...<br>**[20:14] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that!<br>**[20:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me your phone...<br>**[20:20] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[20:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eiji Kakihana<br>
&nbsp;&nbsp;&nbsp;&nbsp; 41 Years Old, Tokyo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Profile <br>
&nbsp;&nbsp;&nbsp;&nbsp;Born: Tokyo <br>
&nbsp;&nbsp;&nbsp;&nbsp;Education: College Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 20,000,000
<br>**[20:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;These specs you lied about way<br>&nbsp;&nbsp;&nbsp;&nbsp;outshine any kind of feeling.<br>**[20:35] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[20:38] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, I wanna dream.<br>**[20:41] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can dream, right?<br>**[21:00] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Good evening.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good evening.  I finished work, and I'm in Arakawa.  Could I see you now?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho
<br>**[21:01] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I finished work, and I'm in Arakawa.*<br>**[21:04] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Could I see you now?"*<br>**[21:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do? What should I do?<br>**[21:11] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm on my way!<br>**[21:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goriki's missing?<br>**[21:17] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get in touch with him.<br>**[21:19] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What should I do, Odokawa-san?*<br>**[21:41] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan?<br>**[21:43] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san, I've been wanting to see you.<br>**[21:47] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[21:48] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was glued to my monitor at work.<br>**[21:51] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I rushed here in a taxi, but had<br>&nbsp;&nbsp;&nbsp;&nbsp; trouble finding this place.<br>**[21:56] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're even more wonderful<br>&nbsp;&nbsp;&nbsp;&nbsp;than I thought. I'm relieved.<br>**[22:01] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all wet. Poor thing.<br>**[22:04] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we get some tea someplace?<br>**[22:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-Yeah. I know a place<br>&nbsp;&nbsp;&nbsp;&nbsp;that serves good Darjeeling,<br>**[22:11] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't really know this area.<br>**[22:13] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a Doutor nearby. Let's go there.<br>**[22:16] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Okay.<br>**[22:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Tanaka's Revolution
<br>**[23:35] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Our story begins four years ago."*<br>**[23:37] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"He was working for a game company—"*<br>**[23:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't read that.*<br>**[23:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is this?*<br>**[23:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's an interview conducted by a writer.*<br>**[23:42] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This doesn't belong at <br>
&nbsp;&nbsp;&nbsp;&nbsp;an auspicious event like this.*<br>**[23:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyway, I'm surprised you came, <br>
&nbsp;&nbsp;&nbsp;&nbsp;Mr. Successful Comedian.*<br>**[23:47] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you being mean on purpose? <br>
&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing in my schedule right now.*<br>

# E4 - Tanaka's Revolution

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GQJUGEG82/tanakas-revolution)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tanaka's Revolution
<br>**[01:34] Pedestrian B**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm serious, man!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maid Café
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Welcome Back, Master
<br>**[01:42] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! What are you trying to do?<br>**[01:45] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our story begins four years ago.*<br>**[01:49] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At that time, I had just started*<br>*&nbsp;&nbsp;&nbsp;&nbsp;working for a game company.*<br>**[01:51] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In order to examine our competitors' games,*<br>**[01:51] (Flashback) Boss A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's broad demand for the <br>
&nbsp;&nbsp;&nbsp;&nbsp;combination of intuitive puzzle games<br>**[01:53] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was playing several free-to-play games.*<br>**[01:55] (Flashback) Boss A**<br>&nbsp;&nbsp;&nbsp;&nbsp;and anime characters.<br>**[01:56] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Honestly, I don't like modern games.*<br>**[01:57] (Flashback) Boss A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last year, Namico's *Puzzle <br>
&nbsp;&nbsp;&nbsp;&nbsp;Fantasy* made over 40 billion.<br>**[01:59] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Games are supposed to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an escape from reality.*<br>**[02:04] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Having friends gives you an advantage.*<br>**[02:04] (Flashback) Coworker D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, I'd go if I could.<br>**[02:06] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Having money and time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;gives you an advantage.*<br>**[02:06] (Flashback) Coworker D**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never show up!<br>**[02:08] (Flashback) Coworker E**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll go next time.<br>**[02:08] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's no different than reality.*<br>**[02:12] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Going back even further, when I was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a third-year grade school student,*<br>**[02:14] (Flashback) Student A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's the new Gandum!<br>**[02:16] (Flashback) Student D**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won it in a giveaway!<br>**[02:16] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;eraser collecting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was briefly a fad in my class.*<br>**[02:18] (Flashback) Student E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lemme see!<br>**[02:18] (Flashback) Student F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Found Around School
<br>**[02:21] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was due to our homeroom teacher*<br>*&nbsp;&nbsp;&nbsp;&nbsp;being rather fussy about the wealth gap.*<br>**[02:25] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All our possessions were standardized.*<br>**[02:27] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Students were instructed not to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;deviate from the average.*<br>**[02:31] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, there was one loophole: stationery.*<br>**[02:36] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Among such products, a wide variety*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of erasers were available in circulation,*<br>**[02:40] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so as a class, we threw ourselves*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into collecting erasers.*<br>**[02:42] (Flashback) Student A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[02:43] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who had the most erasers.*<br>**[02:45] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who had the rarest erasers.*<br>**[02:46] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That alone determined our class hierarchy.*<br>**[02:50] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, that's an exaggeration.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Actually, it's a lie.*<br>**[02:54] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you might expect,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;athletic kids, smart kids,*<br>**[02:57] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;strong fighters, attractive kids,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;artistic kids, and funny kids*<br>**[03:01] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*naturally stood near the top.*<br>**[03:05] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But for the rest of us*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who didn't have anything,*<br>**[03:05] (Flashback) Student K**<br>&nbsp;&nbsp;&nbsp;&nbsp;The PE teacher's shirt <br>
&nbsp;&nbsp;&nbsp;&nbsp;was hanging out during class.<br>**[03:07] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;eraser collecting was our last hope*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for squeezing into the top.*<br>**[03:12] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, this is also an exaggeration and a lie.*<br>**[03:16] (Flashback) Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see his face when he noticed?<br>**[03:17] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even among the kids who had nothing,*<br>**[03:19] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;there were only two of us*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who collected erasers seriously.*<br>**[03:22] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Me and another kid named Sato.*<br>**[03:26] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sato was a nuisance.*<br>**[03:28] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;His parents frequently traveled for work,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;which meant he was lonely.*<br>**[03:32] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He received an allowance as well,*<br>**[03:34] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and would ask his parents*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to bring him back rare local erasers*<br>**[03:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as souvenirs from their business trips.*<br>**[03:39] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think the reason I participated*<br>**[03:42] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;in this pointless showdown*<br>*&nbsp;&nbsp;&nbsp;&nbsp;between the two of us*<br>**[03:45] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;was because I already*<br>*&nbsp;&nbsp;&nbsp;&nbsp;possessed one rare eraser.*<br>**[03:50] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was an eraser shaped like a dodo.*<br>**[03:53] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My relatives bought it for me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on an overseas trip.*<br>**[03:56] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I loved birds.*<br>**[03:58] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I read my bird encyclopedia again*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and again until the pages wore out.*<br>**[04:02] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an unusual bird, aren't you?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pet House
<br>**[04:07] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Once, I begged my father*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to get me a pet bird.*<br>**[04:11] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My father took me into the pet shop with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the understanding that we'd just look around,*<br>**[04:14] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but in the end, he bought me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a gray male cockatiel.*<br>**[04:18] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I named him Maru.*<br>**[04:20] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Later he told my mother that he was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;helping cultivate my aesthetic sensibility,*<br>**[04:23] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but thinking on it, it was probably*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just that he wasn't very expensive.*<br>**[04:26] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They bought my brother*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the expensive otaku computer games,*<br>**[04:30] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Maru must've been cheap in comparison.*<br>**[04:33] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While doing my best to care for him,*<br>**[04:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a relationship of trust was born between us.*<br>**[04:40] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But back to my story.*<br>**[04:41] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My dodo eraser certainly was rare,*<br>**[04:43] (Flashback) Student A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sato-kun, where'd you get those?<br>**[04:44] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but the erasers that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I could afford on my allowance*<br>**[04:45] (Flashback) Student D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[04:46] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;didn't stand a chance*<br>*&nbsp;&nbsp;&nbsp;&nbsp;against Sato's collection.*<br>**[04:47] (Flashback) Student E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I touch them?<br>**[04:48] (Flashback) Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[04:49] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A tiny handful of students fawned over him,*<br>**[04:52] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I found it unbearably frustrating.*<br>**[04:55] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd smugly return to using an ordinary*<br>*&nbsp;&nbsp;&nbsp;&nbsp;eraser after trying a bunch of others,*<br>**[05:00] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*or utter great insights like,*<br>**[05:02] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"this is what they use instead of erasers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at art colleges," while using bread.*<br>**[05:05] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But those low-class techniques that I pretended*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were high-class were obviously ineffective,*<br>**[05:09] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and every day I tasted defeat.*<br>**[05:13] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then something happened.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One-of-a-kind Super Rare Original Donraku Eraser
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One-of-a-kind Super Rare Original Donraku Eraser
<br>**[05:21] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Donraku eraser...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Auctions > Toys > Games > Figures > Erasers
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One-of-a-kind Super Rare
<br>**[05:30] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"This is it," I thought.*<br>**[05:31] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was only one of them in the world.*<br>**[05:34] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was my only chance to turn things around.*<br>**[05:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd show him.*<br>**[05:38] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I returned home, and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;once my family was asleep,*<br>**[05:41] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I took my father's credit*<br>*&nbsp;&nbsp;&nbsp;&nbsp;card from his wallet*<br>**[05:43] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and wrote down his credit card number.*<br>**[05:48] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Considering how I was going to pay*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for it, I needed a credit card.*<br>**[05:52] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was a typical card.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;One accessible to everyone.*<br>**[05:54] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The kind of card a student might use.*<br>**[05:56] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I learned that later,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I became a little sentimental,*<br>**[06:01] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but that's another story.*<br>**[06:03] (Flashback) Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad bought this for me<br>&nbsp;&nbsp;&nbsp;&nbsp;when he went to Dubai.<br>**[06:07] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just you wait.*<br>**[06:09] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That day, after leaving school,*<br>**[06:10] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;during the limited period*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when my brother wasn't home,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number of Bids
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bidding History
<br>**[06:12] Top Right Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time Remaining<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3 Days    Details
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Current Price
<br>**[06:13] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I prepared myself and registered an account.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seller Information
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Follow
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No refunds, no returns
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Overall Rating: 24   |  Positive Ratings: 30
<br>**[06:15] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;3,000 yen, huh?<br>**[06:17] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There were zero bids with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;three days left on the auction.*<br>**[06:21] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since my time at a computer was limited,*<br>**[06:24] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't have time to strategize.*<br>**[06:25] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bid immediately.*<br>**[06:27] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The price was 3,000 yen.*<br>**[06:29] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was hardly inexpensive for me,*<br>**[06:32] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it was possible that its price*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would rise even higher.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hilarious! Joke Hit Battle!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Newbies to Watch: The Walrus
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Short Skit "Convenience Store"
<br>**[06:35] Celebrity A**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What the hell kind of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;employee are you? Enough.*<br>**[06:37] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I erased the history and any other*<br>*&nbsp;&nbsp;&nbsp;&nbsp;trace that I'd used the computer*<br>**[06:38] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thank you very much.*<br>**[06:41] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and ate dinner with my family*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as though nothing had happened.*<br>**[06:43] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom, do we have anything for dessert?<br>**[06:45] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At that time, I felt elated, as though*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd become a super hacker.*<br>**[06:57] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The next day...*<br>**[07:02] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It went up.<br>**[07:03] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had a rival.*<br>**[07:05] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In retrospect, this piece of shit*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was hardly worth it.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maximum Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>**[07:08] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I entered 3,600 yen into the bid field.*<br>**[07:12] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the final day of the auction...*<br>**[07:15] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:18] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;4,000 yen?<br>**[07:19] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My rival was stubborn.*<br>**[07:22] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I felt his passion and determination*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to acquire the eraser, no matter the cost.*<br>**[07:25] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Battling against an opponent with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;unknown intentions and budget*<br>**[07:28] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is the charm of online auctions.*<br>**[07:31] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, I was determined.*<br>**[07:33] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I input 4,100 yen.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number of Bids
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bidding History
<br>**[07:42] Top Right Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time Remaining<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;12 Minutes  Details
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Current Price
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Free Shipping
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>**[07:43] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[07:47] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maximum Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Current Price
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Free Shipping
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Current Price
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Free Shipping
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>**[07:59] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was as though I'd been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;arrested on false charges*<br>**[08:02] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and was desperately trying*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to prove my own innocence*<br>**[08:03] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;while the police presented more*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and more physical evidence.*<br>**[08:06] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remember feeling that kind of despair.*<br>**[08:10] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, that's also an exaggeration and a lie.*<br>**[08:14] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it's true that I experienced*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a despair that's difficult to describe.*<br>**[08:18] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's when it happened.*<br>**[08:20] (Flashback) Brother**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maximum Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maximum Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>**[08:26] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll outbid me. I know he'll outbid me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maximum Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maximum Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>**[08:48] (Flashback) Brother**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[08:51] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something I wanted to look up.<br>**[08:54] (Flashback) Brother**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to touch my stuff!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Congratulations! You have won the auction.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One-of-a-kind Super Rare  Original Donraku Eraser
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Auction ID: 32976128739  End Time and Date: 9/22 17:32
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number of Items: 1  Final Price 100,000 yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Begin Transaction
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seller Information ditch-11
<br>**[09:02] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was me. I definitely won the auction.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Begin Transaction
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seller Information
<br>**[09:06] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had lost my mind.*<br>**[09:08] (Flashback) Student A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's play soccer.<br>**[09:10] (Flashback) Student E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's sprint to the field.<br>**[09:13] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In Japan, a group of citizens*<br>*&nbsp;&nbsp;&nbsp;&nbsp;once staged a revolution*<br>**[09:17] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;due to their discontent*<br>*&nbsp;&nbsp;&nbsp;&nbsp;over the economic divide.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What is the Hyakushou Ikki <br>
&nbsp;&nbsp;&nbsp;&nbsp;Tenant Farmer Uprising? <br>
&nbsp;&nbsp;&nbsp;&nbsp;Edo Period <br>
&nbsp;&nbsp;&nbsp;&nbsp;Tenant Farmers <br>
&nbsp;&nbsp;&nbsp;&nbsp;Feudal Lords
<br>**[09:20] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In this classroom, our teacher's efforts*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to prevent the wealth gap from widening*<br>**[09:24] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;produced a twisted backlash*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in exactly one student.*<br>**[09:29] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It wasn't an organized movement*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like an uprising or rebellion.*<br>**[09:32] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was a revolution brought*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about by just one student.*<br>**[09:35] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I called it Tanaka's Revolution.*<br>**[09:39] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Once again, I returned home*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and messaged the seller*<br>**[09:42] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;regarding the shipping*<br>*&nbsp;&nbsp;&nbsp;&nbsp;address for the eraser.*<br>**[09:44] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All that remained was to wait for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my original Donraku eraser to arrive.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tanaka
<br>**[09:51] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One week passed.*<br>**[09:55] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One month passed.*<br>**[09:58] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My original Donraku eraser had not arrived.*<br>**[10:01] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I recalled the words*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"no refunds, no returns."*<br>**[10:04] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I realized now that there were*<br>*&nbsp;&nbsp;&nbsp;&nbsp;plenty of things I could have done.*<br>**[10:06] (Flashback) Handsome**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki-chan, let's compare answers.<br>**[10:07] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But at the time, I was bound firmly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by the words "no refunds, no returns,"*<br>**[10:08] (Flashback) Fighter**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just want to copy her homework.<br>**[10:09] (Flashback) Artist**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always let you see my homework.<br>**[10:12] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and had no options.*<br>**[10:14] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Besides, I consented*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to bidding on the eraser.*<br>**[10:16] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had no right to demand compensation,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I had nothing to return.*<br>**[10:21] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sato and the rest of my classmates*<br>*&nbsp;&nbsp;&nbsp;&nbsp;had already lost interest in erasers.*<br>**[10:26] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Third-year grade school*<br>*&nbsp;&nbsp;&nbsp;&nbsp;students grow up fast.*<br>**[10:33] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And when my father reviewed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;his credit card statement,*<br>**[10:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*he beat me to a pulp.*<br>**[10:38] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As he was beating me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wondered whose fault this was.*<br>**[10:43] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My teacher. My classmates.*<br>**[10:45] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sato. My brother. My father.*<br>**[10:48] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The seller. The bidder.*<br>**[10:50] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Me. My country. History.*<br>**[10:53] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Civilization. The government.*<br>**[10:55] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God.*<br>**[10:57] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No matter how I looked at it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was clearly my fault.*<br>**[11:00] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And if there was a loser*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in this situation...*<br>**[11:01] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey, honey!<br>**[11:03] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...it was me.*<br>**[11:06] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, Tanaka's Revolution ended.*<br>**[11:11] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Returning to a previous topic,*<br>**[11:13] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;since then, I've come to despise*<br>*&nbsp;&nbsp;&nbsp;&nbsp;anything without a real form*<br>**[11:16] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as well as competing with others.*<br>**[11:17] (Flashback) Coworker F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[11:18] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[11:20] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Games are meant to be played alone.*<br>**[11:22] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All alone, battling against the developer.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Raise slimes...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Let's bike!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dragon Slayer
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exhilarating action
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase
<br>**[11:28] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's when I encountered a certain game.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Zoological Garden
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gather and raise animals...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sengokusou
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live with generals Purchase
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase
<br>**[11:31] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;**Zoological Garden*, <br>
&nbsp;&nbsp;&nbsp;&nbsp;commonly known as "Zooden."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;< Back
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Zoological Garden
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3245 Reviews
<br>**[11:34] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You raise unique animals*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and put them in exhibits.*<br>**[11:37] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As zoo director, you compete*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for ranks on a worldwide scale.*<br>**[11:41] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had plenty of fun playing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as much as I could for free.*<br>**[11:45] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think collecting erasers back then*<br>*&nbsp;&nbsp;&nbsp;&nbsp;became the basis for this.*<br>**[11:48] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My rank was awful, but I was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;happy when I gained guests,*<br>**[11:52] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and when I acquired a rare animal,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my brain tingled dangerously.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Snow Leopard
<br>**[11:58] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There was a character*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was determined to acquire.*<br>**[12:01] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The dodo.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A now-extinct species of bird that once  lived on Mauritius Island off of Madagascar.  Due to its underdeveloped wings, it cannot fly.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Attractiveness
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Care Difficulty
<br>**[12:01] Sign Left**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maintenance Cost 200 fpt    Exhibit Area 12 Squares<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Not yet acquired!
<br>**[12:02] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the game, the rarity of animals were ranked*<br>**[12:05] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*using terms such as Normal or Rare.*<br>**[12:07] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As an extinct species,*<br>**[12:09] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the dodo was Special Super Rare.*<br>**[12:11] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently it could be pulled*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the free gacha,*<br>**[12:13] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but the odds were extremely low.*<br>**[12:15] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Looking back, I took part in eraser*<br>*&nbsp;&nbsp;&nbsp;&nbsp;collecting because I had the dodo,*<br>**[12:19] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I was playing Zooden in order*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to acquire the dodo.*<br>**[12:23] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I made that comparison,*<br>**[12:24] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I felt as though it was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my destiny to acquire it.*<br>**[12:29] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe I'd spend a little money.*<br>**[12:31] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I figured that would be it.*<br>**[12:33] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I added 500 yen to my account*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and pulled the gacha.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase Hagenbecks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;6 Hagenbecks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;24 Hagenbecks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;68 Hagenbecks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dugong
<br>**[12:39] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Dugong. Endangered species. Super Rare.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Rare
<br>**[12:43] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I'd already lost*<br>*&nbsp;&nbsp;&nbsp;&nbsp;all restraint by this point.*<br>**[12:46] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I looked at my own rank.*<br>**[12:48] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was terrible as usual,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;World Ranking
<br>**[12:50] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but out of curiosity, I looked*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to see who was number one.*<br>**[13:00] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;ditch-11...<br>**[13:03] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was the name that conned me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;out of 100,000 yen back then.*<br>**[13:06] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, maybe it didn't arrive*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because of trouble during shipping.*<br>**[13:11] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Besides, I bore them no resentment at all.*<br>**[13:15] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't even necessarily the same person.*<br>**[13:18] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But. But.*<br>**[13:22] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't believe that it was coincidence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd been reunited with this string of letters.*<br>**[13:25] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I felt that it was destiny.*<br>**[13:28] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I were to take revenge,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it would be on my past self.*<br>**[13:31] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And it would be my present self*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who would save my past self.*<br>**[13:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I added 100,000 yen.*<br>**[13:42] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I were to take revenge,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it would be on my past self.*<br>**[13:46] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And it would be my present self*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who would save my past self.*<br>**[13:52] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was four years ago.*<br>**[13:54] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm still playing* Zooden*.*<br>**[13:57] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thanks to the addition of new systems*<br>**[13:59] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and events reflecting the real*<br>*&nbsp;&nbsp;&nbsp;&nbsp;world keeping the game fresh,*<br>**[14:02] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;its content is still popular*<br>*&nbsp;&nbsp;&nbsp;&nbsp;around the world.*<br>**[14:06] Coworker F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[14:10] Boss B**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to acquire new users<br>&nbsp;&nbsp;&nbsp;&nbsp;with a new design.<br>**[14:11] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In total, I've spent over*<br>*&nbsp;&nbsp;&nbsp;&nbsp;five million yen on this game.*<br>**[14:14] Coworker I**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to capture people's interest.<br>**[14:14] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My rank is still only in the triple digits.*<br>**[14:16] Coworker D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we conduct some research?<br>**[14:17] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I still don't have a dodo.*<br>**[14:18] Coworker H**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good idea.<br>**[14:19] Coworker G**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're spending our budget on research?<br>**[14:21] Coworker E**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have to.<br>**[14:23] Boss A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tanaka. Are you listening?<br>**[14:26] Coworker B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanaka-kun?<br>**[14:28] Boss A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanaka!<br>**[14:29] Coworker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanaka-kun!<br>**[14:30] Coworker D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanaka!<br>**[14:30] Coworker E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanaka!<br>**[14:31] Text**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The bird that went extinct*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without ever learning to fly.*<br>**[14:31] Coworker H**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanaka!<br>**[14:34] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps I was projecting myself onto it.*<br>**[14:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was just like me.*<br>**[14:38] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, if I died here without achieving*<br>*&nbsp;&nbsp;&nbsp;&nbsp;anything, I wouldn't even be Rare.*<br>**[14:43] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd be just Normal.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Buy/Sell Zoological Garden Account
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purchase
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Account with numerous Super Rare characters<br>
&nbsp;&nbsp;&nbsp;&nbsp; Seller: tarou<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; First come, first served! <br>
&nbsp;&nbsp;&nbsp;&nbsp;3 Super Rare characters <br>
&nbsp;&nbsp;&nbsp;&nbsp; Seller: sakio <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Assortment of 5 Super Rare characters<br>
&nbsp;&nbsp;&nbsp;&nbsp; Seller: kinopi_22
<br>**[14:45] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As a game that enjoys worldwide popularity,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Account with 10 3-star characters <br>
&nbsp;&nbsp;&nbsp;&nbsp;Seller: yakitori45<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Great deal! Account <br>
&nbsp;&nbsp;&nbsp;&nbsp;with numerous endangered species<br>
&nbsp;&nbsp;&nbsp;&nbsp;Seller: tarou<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;First come, first served! <br>
&nbsp;&nbsp;&nbsp;&nbsp;10 Super Rare characters<br>
&nbsp;&nbsp;&nbsp;&nbsp;Seller: kondo11<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Assortment of 20 Limited Rare characters<br>
&nbsp;&nbsp;&nbsp;&nbsp;Seller: kitanotakeshifan
<br>**[14:48] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*its market size is naturally large.*<br>**[14:50] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There are even intermediaries*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who buy and sell entire accounts.*<br>**[14:54] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My triple-digit-ranked account*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I've spend over five million yen on*<br>**[14:58] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*would only sell for a few hundred thousand.*<br>**[15:00] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If ditch-11's account*<br>*&nbsp;&nbsp;&nbsp;&nbsp;appeared on the market,*<br>**[15:03] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it would go for a lot of money.*<br>**[15:06] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;An account with a dodo could be mine*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for several tens of thousands of yen.*<br>**[15:10] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that's not it. It's not the same.*<br>**[15:13] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"What is it about, then?" I ask myself.*<br>**[15:17] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The romance? The catharsis?*<br>**[15:19] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The release from oppression?*<br>**[15:21] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The need for social recognition?*<br>**[15:22] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The desire to feel superior to one's peers?*<br>**[15:24] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I try on gussied-up words*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and phrases for size.*<br>**[15:27] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No. The truth is, I already know.*<br>**[15:30] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know those fancy words don't apply.*<br>**[15:34] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's simpler than that. Yes.*<br>**[15:37] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A sickness. It's a sickness.*<br>**[15:41] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[15:41] Coworker C**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say anything...<br>**[15:44] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd begun spending tens of thousands of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;yen on the game like it was nothing at all.*<br>**[15:48] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was completely numb.*<br>**[15:50] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Everything I did was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to get my hands on a dodo.*<br>**[15:52] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To get revenge on the boy*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was 16 years ago and save him.*<br>**[15:56] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And to get closer to ditch-11,*<br>**[15:58] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;who continues to reign*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the number one spot.*<br>**[16:01] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just wait, ditch-11.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Red Panda
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Okapi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultra Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultra Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>**[16:37] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dodo...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultra Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>**[16:39] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;My four years...<br>**[16:42] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, my 16 years...<br>**[16:46] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It finally paid off!<br>**[16:48] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I did it! A dodo!<br>**[17:18] Clerk**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your backed up data<br>&nbsp;&nbsp;&nbsp;&nbsp;has been restored—<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Snow Leopard
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dugong
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Animal List
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>**[17:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My mind went blank.*<br>**[17:38] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I couldn't think.*<br>**[17:40] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't remember walking home.*<br>**[17:43] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The loss I felt over the dodo*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had definitely acquired*<br>**[17:46] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*robbed me of all my willpower.*<br>**[17:49] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But fate is cruel, and God had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;taken something else from me.*<br>**[17:59] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think that's when the blue flame*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inside of me finally came to life.*<br>**[18:05] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At the very least, it wasn't God*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who took my dodo from me.*<br>**[18:09] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was that taxi.*<br>**[18:11] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's not as though someone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;took Maru from me, either.*<br>**[18:15] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The life expectancy of a*<br>*&nbsp;&nbsp;&nbsp;&nbsp;cockatiel is about 15 years.*<br>**[18:17] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He lived a full life.*<br>**[18:19] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It just happened to be today.*<br>**[18:22] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But sometimes, thinking about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this unfortunate coincidence*<br>**[18:26] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes me wonder if there is a God.*<br>**[18:31] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In games, often the player*<br>*&nbsp;&nbsp;&nbsp;&nbsp;acquires a valuable item*<br>**[18:33] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;just when they think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;they've reached a dead end.*<br>**[18:36] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's convenient. Of course it is.*<br>**[18:39] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After all, somebody made it that way.*<br>**[18:41] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then there must be someone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who made this world, too.*<br>**[18:44] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps this world has been programmed.*<br>**[18:48] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, God. It's you.<br>**[18:53] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This happened three days ago.*<br>**[18:59] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Taxi... Kill... Maru... Dodo...*<br>**[19:08] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow. Hold on, buddy.<br>**[19:11] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize when you bump into someone.<br>**[19:13] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's common sense.<br>**[19:15] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think?<br>**[19:20] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait. Hold on, buddy.<br>**[19:23] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? You've got<br>&nbsp;&nbsp;&nbsp;&nbsp;the face of a murderer.<br>**[19:27] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm just curious<br>&nbsp;&nbsp;&nbsp;&nbsp;due to the nature of my job.<br>**[19:30] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you. You're from the countryside.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you come out here?<br>**[19:34] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The countryside?<br>**[19:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess compared to Tokyo,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is the countryside.<br>**[19:38] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you chasing a dream or something?<br>**[19:40] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. I came to Tokyo for<br>&nbsp;&nbsp;&nbsp;&nbsp; status, glory, and big money.<br>**[19:45] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, you still haven't gotten those.<br>**[19:48] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Rome wasn't built in a day.<br>**[19:50] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you need<br>&nbsp;&nbsp;&nbsp;&nbsp;to do to get them?<br>**[19:52] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I knew that, my life would be easy.<br>**[19:55] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My partner said it's luck, though.<br>**[19:57] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your partner?<br>**[19:59] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's like my business partner.<br>**[20:01] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck, huh? You're right.<br>**[20:04] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe luck is involved,<br>**[20:07] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't want to give up<br>&nbsp;&nbsp;&nbsp;&nbsp;on the things I can control.<br>**[20:10] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's plenty to consider besides luck<br>**[20:12] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;when trying to figure out how to survive.<br>**[20:14] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying the dodo was unlucky, then.<br>**[20:17] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:22] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[20:23] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you and I were<br>&nbsp;&nbsp;&nbsp;&nbsp;following the same road.<br>**[20:26] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're telling me we were actually<br>&nbsp;&nbsp;&nbsp;&nbsp;on the highway and subway?<br>**[20:31] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've always been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;searching for something.*<br>**[20:34] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At the same time, my life has*<br>*&nbsp;&nbsp;&nbsp;&nbsp;always been lacking something.*<br>**[20:39] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And desperately acquiring that something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;yields only a moment of pleasure.*<br>**[20:45] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Far from being good fortune,*<br>**[20:48] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it's simply a moment of pleasure*<br>*&nbsp;&nbsp;&nbsp;&nbsp;produced by the release of dopamine.*<br>**[20:53] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And?*<br>**[20:55] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The single word that always follows*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after I've acquired something I want.*<br>**[21:00] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"And?"*<br>**[21:01] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"So, what?" my other self asks me.*<br>**[21:05] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's always there,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hand-in-hand with nihilism.*<br>**[21:08] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A truly formless pleasure.*<br>**[21:11] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right now, I'm experiencing being alive.*<br>**[21:15] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's because I found what I wanted*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the moment I lost my dodo.*<br>**[21:20] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unlike before,*<br>**[21:21] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it wasn't just an addition to my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;collection that ended once acquired.*<br>**[21:24] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What shall I do next?*<br>**[21:27] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just thinking about it excites me.*<br>**[21:30] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's a Rare Item with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;potential for development.*<br>**[21:33] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I believe everyone possesses*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the impulse to attack.*<br>**[21:36] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;An impulse to attack that's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more exciting and justified*<br>**[21:39] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the less you are to blame.*<br>**[21:43] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've been walking for three days since then.*<br>**[21:46] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm used to chasing odds*<br>*&nbsp;&nbsp;&nbsp;&nbsp;far more mind-boggling.*<br>**[21:50] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But this time, it's different.*<br>**[21:52] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I felt something like a premonition.*<br>**[21:54] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Earlier, I said that I could seize it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if I let go of my attachments,*<br>**[21:57] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but there's another way*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to acquire what I want.*<br>**[22:01] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that is by holding tightly*<br>**[22:05] Tanaka**<br>*&nbsp;&nbsp;&nbsp;&nbsp;onto a powerful attachment*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that transcends all else.*<br>**[22:12] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! What are you trying to do?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Don't Call Me an Idol
<br>**[23:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've never actually seen <br>
&nbsp;&nbsp;&nbsp;&nbsp;someone point them all out*<br>**[23:37] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when they say something <br>
&nbsp;&nbsp;&nbsp;&nbsp;is full of mistakes or flaws.*<br>**[23:40] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why don't you carefully verbalize <br>
&nbsp;&nbsp;&nbsp;&nbsp;each and every one of them, huh?*<br>**[23:42] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Probably too stupid to do it.*<br>**[23:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're pretty drunk.*<br>**[23:45] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Man, maybe I'll win the lottery.*<br>**[23:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your job is like a lottery.*<br>

# E5 - Don't Call Me an Idol

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G50UZEZ31/dont-call-me-an-idol)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fried Chicken
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Don't Call Me an Idol
<br>**[01:32] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Mitsuya, where are you?<br>**[01:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, the lesson starts at seven.<br>**[01:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come pick you up. Stay there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Vacant Taxi
<br>**[01:46] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Harajuku Station, please.<br>**[01:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;And hurry. Drive right up<br>&nbsp;&nbsp;&nbsp;&nbsp;to the speed limit.<br>**[01:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you in such a rush?<br>**[01:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm picking someone up and need to<br>&nbsp;&nbsp;&nbsp;&nbsp;get to the studio in Sasazuka by seven.<br>**[01:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll make it with time to spare.<br>**[01:57] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm picking up two people.<br>**[01:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[02:18] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here.<br>**[02:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, take us to the studio in Sasazuka.<br>**[02:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive quickly, but safely.<br>**[02:31] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto-san, where's my fried chicken?<br>**[02:33] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[02:33] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Thanks for the food.<br>**[02:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't eat too much.<br>**[02:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you gain five kilos, you're fired.<br>**[02:39] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[02:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You like fried chicken?<br>**[02:44] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm from Oita.<br>**[02:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that related somehow?<br>**[02:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean everyone from<br>&nbsp;&nbsp;&nbsp;&nbsp; Hokkaido likes soup curry?<br>**[02:52] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an attachment to it.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my soul food.<br>**[02:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's soul food?<br>**[03:00] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. It's just a feeling.<br>**[03:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like local cuisine or the taste<br>&nbsp;&nbsp;&nbsp;&nbsp;of your mother's cooking, right?<br>**[03:07] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The fried chicken my mom<br>&nbsp;&nbsp;&nbsp;&nbsp;used to make was so good.<br>**[03:13] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Nikaido-san coming today?<br>**[03:15] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's showing up late.<br>**[03:17] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think she gets<br>&nbsp;&nbsp;&nbsp;&nbsp;too much special treatment?<br>**[03:19] Mitsyua**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky... I wish I got the same.<br>**[03:21] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep working at it, Mitsuya.<br>**[03:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you promise your mom you'd follow<br>&nbsp;&nbsp;&nbsp;&nbsp;your dreams when you came to Tokyo?<br>**[03:25] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[03:27] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, a fried chicken restaurant!<br>**[03:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head inside and start<br>&nbsp;&nbsp;&nbsp;&nbsp;practicing by yourself.<br>**[03:39] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what?<br>**[03:40] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't whine. You're the newest, Mitsuya.<br>**[03:43] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to work harder than the others.<br>**[03:45] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine...<br>**[03:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a minute, driver.<br>**[03:49] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura? Where are you?<br>**[03:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;At a public bath in Ogikubo?<br>**[03:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, could you head to Ogikubo?<br>**[03:56] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing? I told you to be<br>&nbsp;&nbsp;&nbsp;&nbsp;at the studio in Sasazuka at seven.<br>**[04:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just head someplace I can find you easily.<br>**[04:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like a tough time.<br>**[04:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Handling girls requires<br>&nbsp;&nbsp;&nbsp;&nbsp;careful consideration.<br>**[04:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think we'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;picking them up separately.<br>**[04:15] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I deal with this kind of thing all the time.<br>**[04:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like pairings and seating arrangements...<br>**[04:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it'd be better<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep them separate.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Public Bath
<br>**[04:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were visiting the baths again?<br>**[04:29] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:32] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Driver. Take us back to that studio.<br>**[04:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. It's that bath<br>&nbsp;&nbsp;&nbsp;&nbsp;additive you mentioned before.<br>**[04:37] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[04:41] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Driver? Let's get going.<br>**[04:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've seen her before.<br>**[04:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where?<br>**[04:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure. Maybe on TV.<br>**[04:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you recognize her face, you must've come<br>&nbsp;&nbsp;&nbsp;&nbsp;to her concert before she debuted.<br>**[04:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;She keeps her face hidden.<br>**[04:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she an idol or something?<br>**[04:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not it, then.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never been to a concert.<br>**[05:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget what happened today, Driver.<br>**[05:06] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;One way or another, she'll<br>&nbsp;&nbsp;&nbsp;&nbsp;become a public figure someday.<br>**[05:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I consider myself something<br>&nbsp;&nbsp;&nbsp;&nbsp;like an authentic bartender.<br>**[05:11] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean you've heard a lot of things.<br>**[05:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you tired?<br>**[05:22] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Nikaido-san coming?<br>**[05:24] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later.<br>**[05:26] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't keep up with her ambition.<br>**[05:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can work at your own pace.<br>**[05:32] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's incredible. I bet she'd<br>&nbsp;&nbsp;&nbsp;&nbsp;kill someone just to get ahead.<br>**[05:36] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She probably already has, honestly.<br>**[05:38] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[05:41] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm not suited to this job.<br>**[05:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go again.<br>**[05:47] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what my purpose is anymore.<br>**[05:50] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not as alluring as Nikaido-san,<br>**[05:52] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm not good<br>&nbsp;&nbsp;&nbsp;&nbsp;at dancing like Mitsuya-san.<br>**[05:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got your own strengths, Ichimura.<br>**[05:58] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[05:59] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh...<br>**[06:02] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you're charming and innocent.<br>**[06:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a cute face, too.<br>**[06:08] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't I wear a mask because <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'm *not* cute, though?<br>**[06:10] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. It's the agency's strategy.<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to understand, would you?<br>**[06:13] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exchanging messages with<br>&nbsp;&nbsp;&nbsp;&nbsp;old dudes is exhausting, too—<br>**[06:16] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[06:21] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya's already inside.<br>**[06:24] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like her. I liked<br>&nbsp;&nbsp;&nbsp;&nbsp;things better before.<br>**[06:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura.<br>**[06:28] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your innocence is your strength,<br>&nbsp;&nbsp;&nbsp;&nbsp;but consider the time, place, and occasion.<br>**[06:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, to the office in Kamimeguro.<br>**[06:37] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, am I delighted.<br>**[06:39] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a taxi driver, that's the number<br>&nbsp;&nbsp;&nbsp;&nbsp;one thing I want someone to say to me.<br>**[06:42] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Follow that car."<br>**[06:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard. It's hard work, Driver.<br>**[06:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I want to show them<br>&nbsp;&nbsp;&nbsp;&nbsp;the view from the top.<br>**[06:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[06:56] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a chance.<br>**[06:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chance?<br>**[06:59] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl I mentioned earlier, Rui Nikaido,<br>&nbsp;&nbsp;&nbsp;&nbsp;is a pure carbon gemstone.<br>**[07:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard of Rui Nikaido.<br>**[07:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think a passenger mentioned her.<br>**[07:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not talking about a diamond in the rough.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a proper carbon gemstone.<br>**[07:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not promote her alone, then?<br>**[07:15] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not how things work these days.<br>**[07:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to promote them as a group.<br>**[07:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;And besides, while I feel bad for<br>&nbsp;&nbsp;&nbsp;&nbsp; the girls you drove earlier,<br>**[07:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;you need people to prop up a carbon<br>&nbsp;&nbsp;&nbsp;&nbsp;gemstone so it can shine even brighter.<br>**[07:26] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I'm a jewelry designer<br>&nbsp;&nbsp;&nbsp;&nbsp;working with a carbon gemstone.<br>**[07:30] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without me, it's difficult for<br>&nbsp;&nbsp;&nbsp;&nbsp; the world to spot carbon gemstones.<br>**[07:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just call it a diamond.<br>**[07:38] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Driver,<br>&nbsp;&nbsp;&nbsp;&nbsp;could I get your business card?<br>**[07:41] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ideally, I'd like to use the same<br>&nbsp;&nbsp;&nbsp;&nbsp; person to drive them around.<br>**[07:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem tight-lipped, too.<br>**[07:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't always be available,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't get your hopes up.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Driver <br>
&nbsp;&nbsp;&nbsp;&nbsp;Hiroshi Odokawa
<br>**[07:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Driver, you should help us advertise.<br>**[07:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you keep our fliers in your taxi?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss
<br>**[07:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;People actually want them?<br>**[08:00] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have to work so<br>&nbsp;&nbsp;&nbsp;&nbsp;hard if success came easily.<br>**[08:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your office in Kamimeguro the place<br>&nbsp;&nbsp;&nbsp;&nbsp;with the bar on the first floor?<br>**[08:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's it. You know the place?<br>**[08:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking about<br>&nbsp;&nbsp;&nbsp;&nbsp;how I once drove a girl there.<br>**[08:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? When?<br>**[08:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About two weeks ago, I think.<br>**[08:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must've been from your agency.<br>**[08:23] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was probably one of<br>&nbsp;&nbsp;&nbsp;&nbsp; the girls you drove today.<br>**[08:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only group we manage is Mystery Kiss.<br>**[08:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe.<br>**[08:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Girls that age, especially ones trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to be idols, all look the same to me.<br>**[08:40] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you recognized<br>&nbsp;&nbsp;&nbsp;&nbsp;the second girl, Shiho Ichimura.<br>**[08:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must've been her.<br>**[08:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a calico cat. The other girl<br>&nbsp;&nbsp;&nbsp;&nbsp;was a little different.<br>**[08:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here. This is it, right?<br>**[08:59] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?<br>**[09:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what?<br>**[09:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where you dropped off that girl.<br>**[09:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure it was at this office?<br>**[09:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll be 11,940 yen.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Driver <br>
&nbsp;&nbsp;&nbsp;&nbsp;Hiroshi Odokawa
<br>**[09:13] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Driver.<br>**[09:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this car have a recording device?<br>**[09:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[09:24] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sometimes you see them in the news.*<br>**[09:26] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You know, in stories about robberies.*<br>**[09:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, I've got one.*<br>**[09:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Any chance I could get your data?*<br>**[09:33] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it might be interesting<br>&nbsp;&nbsp;&nbsp;&nbsp;to include some candid shots<br>**[09:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the girls in a taxi for our next PV.<br>**[09:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their faces are visible, though.<br>**[09:39] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll edit around that.<br>**[09:41] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay, of course.<br>**[09:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have their data.<br>**[09:46] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I want all of it.<br>**[09:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't make that decision by myself.<br>**[09:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll consider it if I can<br>&nbsp;&nbsp;&nbsp;&nbsp;settle the privacy issues.<br>**[09:58] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[10:02] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be in touch.<br>**[10:04] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I appreciate your cooperation<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding today and going forward.<br>**[10:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. I'm not that<br>&nbsp;&nbsp;&nbsp;&nbsp;interested, so don't worry.<br>**[10:34] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for riding.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[10:53] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I had to ask you to come in.<br>**[10:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clinics are terrifying at night.<br>**[10:59] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Odokawa? Have you been sleeping well?<br>**[11:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I haven't been.<br>**[11:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't prescribed me more medication.<br>**[11:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with calling me in for<br>&nbsp;&nbsp;&nbsp;&nbsp; a consultation at this hour?<br>**[11:09] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could go to another clinic.<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd give you the same medication.<br>**[11:13] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were a hairdresser, maybe I'd think,<br>**[11:15] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I've been building my vision for<br>&nbsp;&nbsp;&nbsp;&nbsp;this guy's hairstyle for so long,<br>**[11:18] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this asshole went to another salon."<br>**[11:20] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He ruined everything."<br>**[11:23] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't run a salon. I run a clinic.<br>**[11:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a lot of words for a boring payoff.<br>**[11:30] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be closing<br>&nbsp;&nbsp;&nbsp;&nbsp;the clinic for a while.<br>**[11:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[11:34] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My medications aren't adding up.<br>**[11:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were they stolen?<br>**[11:40] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Apparently it's been<br>&nbsp;&nbsp;&nbsp;&nbsp;happening for a long time.<br>**[11:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you call the police?<br>**[11:44] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Apparently it's an inside job.<br>**[11:48] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this gets out, I'll go from<br>&nbsp;&nbsp;&nbsp;&nbsp; victim to perpetrator.<br>**[11:52] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about closing the clinic<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can pretend it didn't happen.<br>**[11:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're doing it to protect yourself.<br>**[11:59] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's embarrassing to admit, but yes.<br>**[12:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to protect Shirakawa-san.<br>**[12:06] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody said it was Shirakawa-san.<br>**[12:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been having money problems.<br>**[12:13] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not enough to accuse her.<br>**[12:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remembered something.*<br>**[12:19] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A little while ago,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after dropping off a hippo guy,*<br>**[12:22] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I saw Dobu and Shirakawa-san*<br>*&nbsp;&nbsp;&nbsp;&nbsp;together in an alley at night.*<br>**[12:27] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Dobu knew about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-san. It makes sense.*<br>**[12:31] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a good look at them?<br>**[12:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw Shirakawa-san from behind.<br>**[12:34] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know it was her, then.<br>**[12:36] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it was at night.<br>**[12:38] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are plenty of people<br>&nbsp;&nbsp;&nbsp;&nbsp;who look like her from behind.<br>**[12:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I could tell it was her.<br>**[12:47] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've changed, Odokawa.<br>**[12:52] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like you've warmed up recently.<br>**[12:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna go.<br>**[12:57] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where?<br>**[13:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unusually enough, two people<br>&nbsp;&nbsp;&nbsp;&nbsp;asked to meet me today.<br>**[13:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, and...<br>**[13:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[13:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't you have picked<br>&nbsp;&nbsp;&nbsp;&nbsp;a better place to meet?<br>**[13:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with here?<br>**[13:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You figured out who wants<br>&nbsp;&nbsp;&nbsp;&nbsp;your dash cam data?<br>**[13:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, I have question for you.<br>**[13:35] Odbu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. That's the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm answering, though.<br>**[13:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always try to dominate the situation.<br>**[13:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how negotiations work.<br>**[13:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one helping you, here.<br>**[13:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we had a deal.<br>**[13:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Has there always been<br>&nbsp;&nbsp;&nbsp;&nbsp;an Orvis speed camera here?<br>**[13:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there goes your one question.<br>**[13:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the type who'd waste his wishes<br>&nbsp;&nbsp;&nbsp;&nbsp; if he found a magic lamp.<br>**[13:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wasn't a question for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a spur-of-the-moment inquiry.<br>**[14:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the genie would understand.<br>**[14:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever. What's your question?<br>**[14:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and Shirakawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;are connected somehow. Right?<br>**[14:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't answer me<br>&nbsp;&nbsp;&nbsp;&nbsp;honestly, I'm not telling you.<br>**[14:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used Shirakawa-san to threaten me.<br>**[14:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you and Shirakawa-san are connected,<br>&nbsp;&nbsp;&nbsp;&nbsp;then the premise doesn't hold.<br>**[14:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right.<br>**[14:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You told Shirakawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;to approach me, didn't you?<br>**[14:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know crap about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;She did that on her own.<br>**[14:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-san's been stealing<br>&nbsp;&nbsp;&nbsp;&nbsp;medication from Goriki Clinic.<br>**[14:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been selling them illegally<br>&nbsp;&nbsp;&nbsp;&nbsp;for money. Am I right?<br>**[14:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a lot of questions.<br>**[14:44] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including the Orvis one,<br>&nbsp;&nbsp;&nbsp;&nbsp; that's your fourth.<br>**[14:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me.<br>**[14:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's mostly correct.<br>**[14:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's cheap work. No wonder<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano looks down on you.<br>**[14:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one shouldering Shirakawa's debt,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she's paying me back.<br>**[14:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it. It's not a job.<br>**[15:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I answered your questions.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it's your turn.<br>**[15:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I know that, there's no reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to keep my promise, is there?<br>**[15:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, I'm surrounded by enemies.<br>**[15:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made blunder after<br>&nbsp;&nbsp;&nbsp;&nbsp;blunder. I'm desperate.<br>**[15:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost something important<br>&nbsp;&nbsp;&nbsp;&nbsp;that the boss gave me.<br>**[15:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And recently, a video of some<br>&nbsp;&nbsp;&nbsp;&nbsp;amateur claiming he'll catch me<br>**[15:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;has gotten ten million views.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having an awful time.<br>**[15:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? You're famous.<br>**[15:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't get the name of the<br>&nbsp;&nbsp;&nbsp;&nbsp;guy who wanted your dash cam data,<br>**[15:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to kill you.<br>**[15:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How will I kill you? Well, let's see.<br>**[15:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't I tie up your arms and legs,<br>&nbsp;&nbsp;&nbsp;&nbsp;throw you into an empty tub,<br>**[15:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and slowly fill it with water?<br>**[15:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thankfully, I'm quite good at figuring<br>&nbsp;&nbsp;&nbsp;&nbsp;out exactly what people don't like.<br>**[15:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Mystery Kiss's manager.<br>**[15:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss?<br>**[15:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their fliers are back there.<br>**[16:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano. That asshole.<br>**[16:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was sticking his paws into this, too?<br>**[16:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did this manager say?<br>**[16:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He asked me to sell him<br>&nbsp;&nbsp;&nbsp;&nbsp;the data so he could use it in a PV.<br>**[16:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;is the boss's classmate's daughter?<br>**[16:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be a good idea to sell him the data<br>&nbsp;&nbsp;&nbsp;&nbsp;with the parts he wants cut from it.<br>**[16:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;See how much he'll pay for it.<br>**[16:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not getting involved in your business.<br>**[16:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do what you want with the information.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's none of my business.<br>**[16:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away from me.<br>**[16:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you really that<br>&nbsp;&nbsp;&nbsp;&nbsp;upset about Shirakawa?<br>**[16:53] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakki, do you come<br>&nbsp;&nbsp;&nbsp;&nbsp;to places like this often?<br>**[16:55] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I mean, I might come once a month.<br>**[17:00] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I've never been anywhere like this.<br>**[17:03] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[17:08] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. Could I get<br>&nbsp;&nbsp;&nbsp;&nbsp;another glass, please?<br>**[17:11] Woman A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[17:12] Woman B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't laugh.<br>**[17:16] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, when are you the happiest?<br>**[17:20] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm in the bath.<br>**[17:22] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? You like baths, huh?<br>**[17:28] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I grew up poor, with a lot of siblings.<br>**[17:31] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only place I could<br>&nbsp;&nbsp;&nbsp;&nbsp;be alone was in the bath.<br>**[17:35] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poor, huh?<br>**[17:37] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked Santa for bath<br>&nbsp;&nbsp;&nbsp;&nbsp;additives for Christmas.<br>**[17:40] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, those ones that fizz up.<br>**[17:42] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's... kind of cute.<br>**[17:46] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the bath at your house<br>&nbsp;&nbsp;&nbsp;&nbsp;as amazing as I think it is?<br>**[17:48] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you stretch your legs out?<br>**[17:50] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uh, yeah.<br>**[17:51] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's got jets and stuff. Of course it does.<br>**[17:53] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Can you watch TV from the bath, too?<br>**[17:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[17:58] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to visit.<br>**[18:00] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Wh-What? Uh, I think it's maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;still a little too soon for that.<br>**[18:04] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-L-Listen, why don't we go to<br>&nbsp;&nbsp;&nbsp;&nbsp; Yufuin sometime instead?<br>**[18:07] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to go. Where's Yufuin?<br>**[18:10] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oita Prefecture. It's a short flight away.<br>**[18:12] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a private jet<br>&nbsp;&nbsp;&nbsp;&nbsp;or something, Kakki?<br>**[18:16] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not *that* rich.<br>**[18:19] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, shucks.<br>**[18:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, you're a college student, right?<br>**[18:27] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[18:29] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so young.<br>**[18:31] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you getting ma... mar...<br>**[18:35] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.<br>**[18:37] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[18:39] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to hold your glass.<br>**[18:41] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so that's how you guys do things.<br>**[18:46] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjoy.<br>**[18:48] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what were we talking about?<br>**[18:51] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, do you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;want to get married?<br>**[18:56] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's always been<br>&nbsp;&nbsp;&nbsp;&nbsp;my dream to get married.<br>**[18:59] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the sooner I can, the better.<br>**[19:02] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being surprised with<br>&nbsp;&nbsp;&nbsp;&nbsp;an engagement ring would be amazing.<br>**[19:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, would you—<br>**[19:11] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look at this.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Imai@Nikaido fan account<br>
&nbsp;&nbsp;&nbsp;&nbsp;@Nikaidorui_love – 1 day ago<br>
&nbsp;&nbsp;&nbsp;&nbsp; I can't stop shaking...
<br>**[19:15] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says he won one billion yen.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think it's true?<br>**[19:18] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;One billion yen, huh? Wow.<br>**[19:21] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even I have that much.<br>**[19:26] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a Rui Nikaido fan, huh?<br>**[19:28] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:29] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. Do you know about this?<br>**[19:32] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's talking about it right now.<br>**[19:35] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Taichi Kabasawa here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Declaration of War] I'll catch Dobu  by the end of the year! [Taichi Kabasawa]
<br>**[19:37] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an announcement to make.<br>**[19:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Taichi Kabasawa, will capture<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu by the end of the year.<br>**[19:42] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You see, ten days ago, Dobu happened*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be in a photo I uploaded.*<br>**[19:47] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was interviewed by the media.*<br>**[19:49] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It went a little bit viral,*<br>**[19:50] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I'm sure some of you know*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about that, but I don't know.*<br>**[19:53] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Some of you might be wondering if it's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;okay for me to use such a sensational title,*<br>**[19:57] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but this is, without a doubt,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my sense of justice.*<br>**[20:00] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For those of you who don't know who Dobu is,*<br>**[20:02] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if he's a thug or yakuza member,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but the police are after him.*<br>**[20:07] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But according to the intel I've acquired,*<br>**[20:09] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the police haven't been able to catch Dobu.*<br>**[20:12] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't know if he's backed up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by someone important or something.*<br>**[20:15] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyway, this Dobu guy is such a bad dude*<br>**[20:17] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that people think he's committed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;every crime under the sun.*<br>**[20:21] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Theft, robbery, fraud, assault,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;extortion, sexual assault,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Theft
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Robbery
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fraud
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Assault
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Extortion
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sexual Assault
<br>**[20:24] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;placing rocks on railway tracks,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;arson, kidnapping, and murder.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rocks on Tracks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arson
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kidnapping
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Murder (?)
<br>**[20:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyway, his crimes are too numerous to list.*<br>**[20:29] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, I guess the rocks on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the tracks stand out from the rest.*<br>**[20:32] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As a matter of fact, I know people <br>
&nbsp;&nbsp;&nbsp;&nbsp;who were beaten half to death by Dobu.*<br>**[20:33] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take this out of your way.<br>**[20:35] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. Uh...<br>**[20:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I heard about it from a friend of a friend.*<br>**[20:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's possible that some of you <br>
&nbsp;&nbsp;&nbsp;&nbsp;have met one of his victims.*<br>**[20:43] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if they weren't directly harmed by Dobu,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it's possible that he was responsible.*<br>**[20:46] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure some people have had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;their bike seats stolen, right?*<br>**[20:49] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I, Taichi Kabasawa,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;will catch that Dobu!*<br>**[20:52] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've been looking for a job for a while.*<br>**[20:53] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[20:55] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I get the check?<br>**[20:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But when I asked myself <br>
&nbsp;&nbsp;&nbsp;&nbsp;what I really want to do,*<br>**[20:57] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait at your table.<br>**[20:58] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I knew I didn't want to be a cog in society.*<br>**[20:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so that's how you guys do things.<br>**[21:01] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't want to ride packed trains.*<br>**[21:02] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can you really call that living?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Declaration of War] I'll catch Dobu  by the end of the year! [Taichi Kabasawa]
<br>**[21:05] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;While thinking about my life,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I recalled a dream I had as a kid.*<br>**[21:09] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to be a hero who helped people*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in trouble. I'm sure you guys did, too.*<br>**[21:13] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I'll catch him.*<br>**[21:14] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll put off finding a job*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and my schoolwork to do it!*<br>**[21:17] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What will I do once I catch him?*<br>**[21:19] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He'll apologize. I'll make him apologize.*<br>**[21:21] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll upload a video of him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on his knees. I'll rehabilitate him.*<br>**[21:23] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the law can't punish him, then I will!*<br>**[21:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No,* we *will. Including you, <br>
&nbsp;&nbsp;&nbsp;&nbsp;person watching this video.*<br>**[21:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Together, we'll catch Dobu!*<br>**[21:31] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm Meisei University*<br>*&nbsp;&nbsp;&nbsp;&nbsp;student Taichi Kabasawa!*<br>**[21:34] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I won't run. I won't hide.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll stand in the line of fire.*<br>**[21:37] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So I'm accepting any*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and all information. Help me.*<br>**[21:39] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Crimes must be punished.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Together we shall defeat evil!*<br>**[21:42] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Justice will win!*<br>**[21:45] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;This video has received a storm of praise.<br>**[21:47] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been viewed ten million times.<br>**[21:49] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are saying, "He's so cool. God-like,"<br>**[21:50] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;and, "Kabasawa-sama, I support you."<br>**[21:52] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crazy, right?<br>**[21:55] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your check.<br>**[21:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[21:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes.<br>**[22:00] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[22:01] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh... That's all, huh?<br>**[22:05] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me one minute.<br>**[22:10] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not paying by card?<br>**[22:12] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I look at digital<br>&nbsp;&nbsp;&nbsp;&nbsp;numbers all day long,<br>**[22:15] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I prefer to use cash<br>&nbsp;&nbsp;&nbsp;&nbsp;when interacting with other people.<br>**[22:18] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't even carry a wallet?<br>**[22:19] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a B-Bottega Veneta, but I gave<br>&nbsp;&nbsp;&nbsp;&nbsp;it away to one of my subordinates.<br>**[22:24] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Statement
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Transactions
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Loan
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Interest Rate (True Annual Rate): 18.000%  Late Charge (Annual Rate): 20.000%  Next Payment Due Date: 2021/10/25  Total Payments: 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takotako Loans
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Let Me Hear You Say, "What the Hell?"
<br>**[23:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Odokawa-sama, I'm delighted to see <br>
&nbsp;&nbsp;&nbsp;&nbsp;that you're doing well.*<br>**[23:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't call me that.*<br>**[23:39] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do you believe in fate?*<br>**[23:41] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's fate that brought us together again.*<br>**[23:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pick up repeat passengers <br>
&nbsp;&nbsp;&nbsp;&nbsp;in that area all the time while cruising.*<br>**[23:46] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But one billion—*<br>**[23:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shh! Keep your voice down.*<br>

# E6 - Let Me Hear You Say, "What the Hell?"

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GWDU8P8ZE/let-me-hear-you-say-what-the-hell)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Let Me Hear You Say, "What the Hell?"
<br>**[01:14] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver!<br>**[01:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you're the Mystery Kiss fan.<br>**[01:18] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember me?!<br>**[01:20] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad I got to see you again.<br>**[01:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[01:23] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to thank you. To Shinjuku, please.<br>**[01:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I do something for you?<br>**[01:30] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you practically saved my life.<br>**[01:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saved your life?<br>**[01:36] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, maybe I wouldn't go that far.<br>**[01:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[01:39] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you *changed* my life.<br>**[01:41] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a manner of speaking, you're a god.<br>**[01:43] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's Mystery Kiss!<br>**[01:46] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Driver—no, God—<br>**[01:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Odokawa.<br>**[01:50] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-sama, did you get<br>&nbsp;&nbsp;&nbsp;&nbsp;hooked on Mystery Kiss?<br>**[01:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, uh... I guess so.<br>**[01:57] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you would, Odokawa-sama!<br>**[01:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did I do?<br>**[02:01] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually won the lottery using<br>&nbsp;&nbsp;&nbsp;&nbsp;those numbers you gave me.<br>**[02:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's amazing.<br>**[02:08] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not much of a reaction!<br>**[02:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I picked those numbers at random.<br>**[02:12] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just haven't heard how much I won.<br>**[02:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won *one billion* yen!<br>**[02:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[02:19] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really!<br>**[02:20] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't claimed my winnings yet,<br>**[02:22] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've checked it about a hundred times.<br>**[02:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, you shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be spreading that around.<br>**[02:28] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my first time telling<br>&nbsp;&nbsp;&nbsp;&nbsp;someone in real life.<br>**[02:30] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to tell you.<br>**[02:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, in real life?<br>**[02:34] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told people online, but that's online.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Imai@Nikaido fan account<br>
&nbsp;&nbsp;&nbsp;&nbsp;@Nikaidorui_love – 1 day ago<br>
&nbsp;&nbsp;&nbsp;&nbsp; I can't stop shaking...
<br>**[02:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, this is too big<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to keep to myself!<br>**[02:41] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to tell someone.<br>**[02:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you can buy Mystery Kiss CDs.<br>**[02:45] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. I've been keeping<br>&nbsp;&nbsp;&nbsp;&nbsp;my winning ticket on me<br>**[02:49] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can claim my winnings right<br>&nbsp;&nbsp;&nbsp;&nbsp;when their CD comes out.<br>**[02:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better not lose that.<br>**[02:54] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Odokawa-sama, I wanted to thank you.<br>**[02:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to do that.<br>**[02:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no way! I've gotta do something!<br>**[03:00] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there anything you need money for?<br>**[03:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not particularly.<br>**[03:03] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, maybe your family or someone<br>&nbsp;&nbsp;&nbsp;&nbsp;you care about is in trouble?<br>**[03:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[03:11] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you just not feel desire?!<br>**[03:14] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Odokawa-sama,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you free right now?<br>**[03:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I'm right<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of work.<br>**[03:19] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay you whatever you'd make today.<br>**[03:22] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabukicho Ichiban-gai
<br>**[03:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to do this.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are we going?<br>**[03:29] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[03:31] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a waiter at a cabaret club.<br>**[03:33] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you don't want anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm offering you something:<br>**[03:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;free service for life.<br>**[03:46] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is VIP Odokawa-sama.<br>**[03:48] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is already paid for,<br>&nbsp;&nbsp;&nbsp;&nbsp;so order whatever you'd like.<br>**[03:52] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[03:52] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cool.<br>**[03:53] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[03:55] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, what would you like to drink?<br>**[03:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I've got to drive...<br>**[03:59] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay if we drink?<br>**[04:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, go ahead.<br>**[04:09] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[04:11] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we open a Dom Pérignon Rose, then?<br>**[04:16] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-sama, where are you going?<br>**[04:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had enough. I'm leaving.<br>**[04:21] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be like that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjoy yourself a little more.<br>**[04:32] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you looking for something in particular?<br>**[04:35] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uh, no.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Missed Call   Missed Call   Missed Call   Missed Call   Missed Call   Missed Call
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Don't ever get involved  with me again.
<br>**[05:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What happened?<br>**[05:29] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Someone came in with a gun.<br>**[05:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gun?<br>**[05:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go out through the back door.<br>**[05:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hidden from the front of house.<br>**[06:02] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. What are you doing?<br>**[06:05] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Is this for Halloween?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not Halloween yet.<br>**[06:08] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think you're being hasty?<br>**[06:09] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard people riot every year,<br>**[06:11] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is the first time<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen a one-man riot.<br>**[06:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shibagaki, what were you trying to do?<br>**[06:40] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[06:42] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it'd be funny if I got shot.<br>**[06:45] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're crazy.<br>**[07:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:17] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you mean when you told me<br>&nbsp;&nbsp;&nbsp;&nbsp;not to get involved with you?<br>**[07:27] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san is ignoring me!<br>**[07:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, be quiet. You're<br>&nbsp;&nbsp;&nbsp;&nbsp;bothering the neighbors.<br>**[07:32] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me inside, then.<br>**[07:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll talk outside.<br>**[07:37] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is someone in there?<br>**[07:44] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to your car? Were you robbed?<br>**[07:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't take anything.<br>**[07:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better get it fixed soon, or else.<br>**[07:54] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, or else.<br>**[07:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what you're getting at.<br>**[07:57] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leaving something broken makes<br>&nbsp;&nbsp;&nbsp;&nbsp;people break it further.<br>**[08:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The broken windows theory?<br>**[08:02] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, the broken windows theory.<br>**[08:03] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It applies to hearts, too.<br>**[08:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you want?<br>**[08:12] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me not to get involved with you.<br>**[08:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[08:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you think that depending<br>&nbsp;&nbsp;&nbsp;&nbsp;on what I do, you might still<br>**[08:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to salvage<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation is obnoxious, too—<br>**[08:23] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[08:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I was little—no,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was really happy.<br>**[08:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ashamed of myself.<br>**[08:31] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[08:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't use your feminine wiles on me, coward.<br>**[08:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of you, Goriki—<br>**[08:36] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I get it. I'll tell you everything.<br>**[08:39] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to tell me what you know.<br>**[08:43] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that Dobu-san and I used to date.<br>**[08:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're starting with something I didn't know.<br>**[08:49] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was for about four years.<br>**[08:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't say no to him<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the money.<br>**[08:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not listening to you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're going to cry.<br>**[08:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, it's none of my business.<br>**[08:57] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait. I get it.<br>**[09:01] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I borrowed a large amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of money from Dobu-san.<br>**[09:03] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was paying him back little by little.<br>**[09:05] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't say no to him.<br>**[09:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you stole medication.<br>**[09:13] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell the police.<br>**[09:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goriki knew it was you<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't turn you in.<br>**[09:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should let him handle it instead<br>&nbsp;&nbsp;&nbsp;&nbsp;of doing something you shouldn't.<br>**[09:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[09:25] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[09:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you approach me?<br>**[09:30] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san told me to<br>&nbsp;&nbsp;&nbsp;&nbsp; bring him the patient list.<br>**[09:33] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must've had plenty of methods<br>&nbsp;&nbsp;&nbsp;&nbsp;for turning personal information into profit.<br>**[09:39] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When he saw your name on the list,<br>&nbsp;&nbsp;&nbsp;&nbsp;he asked me what you were like.<br>**[09:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you tell him?<br>**[09:47] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you're a grumpy taxi driver.<br>**[09:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Dobu-san told me to get close to you.<br>**[09:54] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But over time, I really did begin to—<br>**[09:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me.<br>**[10:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's Dobu's actual goal?<br>**[10:04] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he was going to rob a bank.<br>**[10:06] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably needs a taxi<br>&nbsp;&nbsp;&nbsp;&nbsp;as his getaway car.<br>**[10:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rob a bank? In this day and age?<br>**[10:13] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said now was the time to do it.<br>**[10:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he wanted to use me as his getaway.<br>**[10:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must think I'm a sucker.<br>**[10:20] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to believe me.<br>**[10:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I approached you because he told me to,<br>**[10:25] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but partway through, I had no<br>&nbsp;&nbsp;&nbsp;&nbsp;intention of turning you over to him.<br>**[10:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about that. What else?<br>**[10:33] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all, I think.<br>**[10:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[10:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell Dobu that you talked to me.<br>**[10:40] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do?<br>**[10:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave him be.<br>**[10:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll even pretend<br>&nbsp;&nbsp;&nbsp;&nbsp;to help him rob a bank.<br>**[10:47] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[10:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, how much do you still owe Dobu?<br>**[10:51] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three million yen.<br>**[10:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still owe that much after four years?<br>**[10:54] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of the interest,<br>&nbsp;&nbsp;&nbsp;&nbsp;the principal never went down.<br>**[10:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;With that exorbitant interest, you should've<br>&nbsp;&nbsp;&nbsp;&nbsp;borrowed the money from someone else.<br>**[11:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You even became an accomplice to his crimes.<br>**[11:04] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd beat me.<br>**[11:06] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he's actually a weak man.<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't just leave him.<br>**[11:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really? I don't care about<br>&nbsp;&nbsp;&nbsp;&nbsp;your codependent relationship.<br>**[11:17] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Odokawa-san.<br>**[11:20] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you nothing but the truth today.<br>**[11:24] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to pay off my debt<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave Dobu-san. Really.<br>**[11:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll apologize to Dr. Goriki. Because...<br>**[11:35] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I love you.<br>**[11:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ever get involved with me again.<br>**[12:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired.<br>**[12:20] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? I saw a little*<br>*&nbsp;&nbsp;&nbsp;&nbsp;online news story about it.*<br>**[12:23] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was seriously shocking.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had a gun pointed at me.*<br>**[12:27] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The police interviewed me afterward, too.*<br>**[12:29] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Headline: "Shibagaki of Homosapiens*<br>*&nbsp;&nbsp;&nbsp;&nbsp;encounters armed robber at part-time job."*<br>**[12:34] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Part-time job" sounds so lame.<br>**[12:36] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why didn't they interview me properly?<br>**[12:38] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who chased off the robber.<br>**[12:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[12:40] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really.<br>**[12:42] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[12:43] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told him to shoot me if he could.<br>**[12:44] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then?<br>**[12:46] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In deference to my<br>&nbsp;&nbsp;&nbsp;&nbsp;manliness, he settled down.<br>**[12:49] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;He actually said that?<br>**[12:50] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what the eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the mask told me.<br>**[12:52] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you be more specific?<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly was the situation?<br>**[12:55] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't say much. My employer<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't want me to talk about it.<br>**[12:58] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You're the one who always says we*<br>*&nbsp;&nbsp;&nbsp;&nbsp;should throw ourselves into trouble*<br>**[13:01] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for the sake of interesting stories.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takotako Loans
<br>**[13:03] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you can't talk about it, what's the point?*<br>**[13:05] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What have you been up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to this past week, then?*<br>**[13:07] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've been shooting my drama.*<br>**[13:08] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think some details on it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have been released by now.*<br>**[13:10] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ah.*<br>**[13:11] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Plus my regular TV appearances,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I haven't slept much.*<br>**[13:14] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Young guys who have just tasted*<br>*&nbsp;&nbsp;&nbsp;&nbsp;success always brag about that.*<br>**[13:16] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking lately that comedy*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that doesn't hurt anyone is best.*<br>**[13:20] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. I think it's okay to hurt<br>&nbsp;&nbsp;&nbsp;&nbsp;one person to make ten people laugh.<br>**[13:24] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just makes people dislike you.<br>**[13:26] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just look at the guys who are successful<br>&nbsp;&nbsp;&nbsp;&nbsp;these days. They're all amiable.<br>**[13:29] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that makes people laugh? <br>
&nbsp;&nbsp;&nbsp;&nbsp;I mean *really* laugh?<br>**[13:32] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we were kids, we laughed<br>&nbsp;&nbsp;&nbsp;&nbsp;until the very cores of our bodies<br>**[13:36] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;were numb at words prickling<br>&nbsp;&nbsp;&nbsp;&nbsp;with sharp edges.<br>**[13:38] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and I think times have changed.<br>**[13:40] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, then? You think<br>&nbsp;&nbsp;&nbsp;&nbsp;making weird faces is funny?<br>**[13:43] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think rolling your eyes is funny?<br>**[13:44] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that makes people laugh?!<br>**[13:46] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since Shibagaki-san has gotten overexcited,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's move on to fan mail.<br>**[13:48] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one's from radio name<br>&nbsp;&nbsp;&nbsp;&nbsp;"When asked where they live,<br>**[13:50] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;most people who respond with Osaka<br>&nbsp;&nbsp;&nbsp;&nbsp;are actually from Amagasaki."<br>**[13:54] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you mean.<br>**[13:55] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amagasaki is in Hyogo prefecture,<br>&nbsp;&nbsp;&nbsp;&nbsp;but their area code is 06.<br>**[13:59] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about that guy?<br>**[14:00] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[14:01] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That smart-ass high school student<br>&nbsp;&nbsp;&nbsp;&nbsp;who always sends us mail.<br>**[14:05] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satoshi Nagashima-kun?<br>**[14:07] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have anything from him today.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamabiko
<br>**[14:20] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Odokawa-san today?<br>**[14:22] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he'd finish work early today<br>&nbsp;&nbsp;&nbsp;&nbsp;and come if he was feeling up to it.<br>**[14:26] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've changed recently, Kakihana-san.<br>**[14:29] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[14:33] Fan A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baba-san!<br>**[14:36] Fan C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you shake my hand?<br>**[14:37] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[14:38] Fan D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I have your autograph?<br>**[14:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[14:47] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Nakameguro, please.<br>**[14:48] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know exactly what you mean.<br>**[14:49] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:51] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so funny about rolling your eyes?<br>**[14:54] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your understanding doesn't mean shit to me.<br>**[14:56] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you, anyway?<br>**[14:57] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Driver.<br>**[15:02] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Nagashima! Satoshi Nagashima.<br>**[15:16] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello, Taichi Kabasawa here.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shocking] Video of shooting at Shinjuku  cabaret club acquired! [Dobu]
<br>**[15:18] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Do you guys know there was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a shooting yesterday*<br>**[15:21] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*at cabaret club "White dolphin" in Shinjuku?*<br>**[15:23] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was on the news,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but would you believe it?*<br>**[15:25] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A listener who happened*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be there sent me a video.*<br>**[15:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This must be Dobu.*<br>**[15:31] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;More and more of Dobu's vile acts*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are being exposed to the light of day.*<br>**[15:35] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What really makes me happy*<br>**[15:37] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is that they could've made a fortune*<br>*&nbsp;&nbsp;&nbsp;&nbsp;selling this video to the media,*<br>**[15:39] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but they sent it to Taichi Kabasawa*<br>*&nbsp;&nbsp;&nbsp;&nbsp;instead for free! Totally free!*<br>**[15:43] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's because they*<br>*&nbsp;&nbsp;&nbsp;&nbsp;despise Dobu that much,*<br>**[15:45] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I believe Taichi Kabasawa's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;unifying force has grown that strong.*<br>**[15:49] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That this is a blessing.*<br>**[15:51] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Proof that I've grown closer*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to becoming a god.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Divine Judgment
<br>**[15:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dobu, your time has nearly come!*<br>**[15:58] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a million followers. I am a god.*<br>**[15:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking haggard.<br>**[16:01] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you prepared to pay for your crimes?!*<br>**[16:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're surprisingly delicate.<br>**[16:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I'm being blamed<br>&nbsp;&nbsp;&nbsp;&nbsp;for all the crimes in the world.<br>**[16:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I didn't understand the kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of influence the internet has.<br>**[16:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone looks like an enemy to me now.<br>**[16:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It definitely serves you right.<br>**[16:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gun this guy used was definitely mine.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what's so bad about it.<br>**[16:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it that Yano guy?<br>**[16:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it was Yano.<br>**[16:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were Yano, it would've<br>&nbsp;&nbsp;&nbsp;&nbsp;seemed more purposeful.<br>**[16:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you look closely, it seems like<br>&nbsp;&nbsp;&nbsp;&nbsp;he's searching for someone.<br>**[16:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were in the bathroom<br>&nbsp;&nbsp;&nbsp;&nbsp;when this happened, right?<br>**[16:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying someone's<br>&nbsp;&nbsp;&nbsp;&nbsp;got a grudge against me?<br>**[16:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your car window being broken<br>&nbsp;&nbsp;&nbsp;&nbsp;was also a coincidence,<br>**[16:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you've got horrendous luck.<br>**[16:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing was stolen. Naturally,<br>&nbsp;&nbsp;&nbsp;&nbsp;that includes my dash cam data.<br>**[16:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's exactly my point.<br>**[16:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're looking for a purpose,<br>**[16:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'd say someone's trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to torture you to death.<br>**[16:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mentally first, and then physically.<br>**[17:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you're so<br>&nbsp;&nbsp;&nbsp;&nbsp;calm about all of this.<br>**[17:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like you're actually not afraid to die.<br>**[17:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared. Of course I'm scared.<br>**[17:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we join forces, then?<br>**[17:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Join forces?<br>**[17:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Halloween guy is trying to kill you.<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to get this gun back.<br>**[17:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we fight together?<br>**[17:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;On an unrelated note,<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding Mystery Kiss,<br>**[17:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;if Yano is involved, then I can't touch it.<br>**[17:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to help me gather information.<br>**[17:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing all the work here.<br>**[17:33] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ain't asking you to do it for free.<br>**[17:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure Goriki<br>&nbsp;&nbsp;&nbsp;&nbsp;can return to his clinic.<br>**[17:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[17:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll help me, then?<br>**[17:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long road getting here,<br>**[17:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you and I were destined<br>&nbsp;&nbsp;&nbsp;&nbsp;to become allies.<br>**[17:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to add another condition.<br>**[17:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Release Shirakawa-san.<br>**[17:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Write off her debt.<br>**[18:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I promise.<br>**[18:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna look for the man with the gun.<br>**[18:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa, I need you<br>&nbsp;&nbsp;&nbsp;&nbsp;to catch Taichi Kabasawa.<br>**[18:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy, huh? I gave him a ride once.<br>**[18:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I saved our group photo.<br>**[18:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know Taichi Kabasawa's identity,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can do something about him.<br>**[18:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how are you going to find<br>&nbsp;&nbsp;&nbsp;&nbsp;the guy with the gun?<br>**[18:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Halloween.<br>**[18:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;On Halloween, I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;dress up as the man with the gun<br>**[18:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and walk around town.<br>**[18:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to wear a skull mask?<br>**[18:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Since everyone knows your face,<br>**[18:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't walk around town on any other day.<br>**[18:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might go out wearing the same outfit.<br>**[18:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, I expect I'll run<br>&nbsp;&nbsp;&nbsp;&nbsp;into him some way or another.<br>**[18:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the self-aggrandizing type.<br>**[18:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go directly to Taichi Kabasawa's<br>&nbsp;&nbsp;&nbsp;&nbsp;university and pick him up.<br>**[18:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;University? How many students<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think you'll find there?<br>**[19:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be fine. I'm good<br>&nbsp;&nbsp;&nbsp;&nbsp;at finding people in a crowd.<br>**[19:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? You've got good eyes or something?<br>**[19:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, why?<br>**[19:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, I find it strange<br>&nbsp;&nbsp;&nbsp;&nbsp;that you guys are so bad at it.<br>**[19:14] Ad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Camera rehearsal is good.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Homosapiens  Baba-sama
<br>**[19:17] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you've been making lots<br>&nbsp;&nbsp;&nbsp;&nbsp;of money recently, haven't you?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Homosapiens  Baba-sama
<br>**[19:21] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't say that.<br>**[19:23] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been named the number one<br>&nbsp;&nbsp;&nbsp;&nbsp;breakout entertainer.<br>**[19:26] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, really?<br>**[19:28] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd get there, Baba-kun.<br>**[19:31] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to explain, but there are guys<br>&nbsp;&nbsp;&nbsp;&nbsp;who are loved despite being stupid, y'know?<br>**[19:34] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stupid? I'm not—<br>**[19:35] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean it in a weird way.<br>**[19:38] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What other way could you have meant it?<br>**[19:39] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to put into words<br>&nbsp;&nbsp;&nbsp;&nbsp;what's good about you, Baba-kun.<br>**[19:43] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give up so quickly.<br>**[19:45] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please list everything that's good about me.<br>**[19:46] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a certain virtue or grace.<br>**[19:49] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of the day,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got good breeding.<br>**[19:51] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet not many people say they dislike you.<br>**[19:54] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, my partner probably hates me.<br>**[19:57] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's always calling me<br>&nbsp;&nbsp;&nbsp;&nbsp;a worthless piece of junk.<br>**[19:59] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should cut ties with him.<br>**[20:02] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:03] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world, the weak are weeded out.<br>**[20:07] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your partner's just being a sore loser.<br>**[20:09] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Shibagaki is—<br>**[20:10] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I'd like you to appear<br>&nbsp;&nbsp;&nbsp;&nbsp;in a special end-of-year program.<br>**[20:13] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're recording next Friday.<br>&nbsp;&nbsp;&nbsp;&nbsp;We really want you to be in it.<br>**[20:20] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;That day is Round 3 of the N-1.<br>&nbsp;&nbsp;&nbsp;&nbsp;I could do it after that.<br>**[20:24] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still doing that? Give it up already.<br>**[20:27] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spent a year working towards that, so...<br>**[20:32] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:34] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll make some adjustments, then.<br>**[20:37] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, Baba-chan.<br>**[20:39] Male P**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got high hopes for you.<br>**[20:48] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boo!<br>**[20:49] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?<br>**[20:50] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the producer leaving.<br>**[20:52] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't come in here.<br>**[20:54] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen you at all recently, though.<br>**[20:56] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. These days I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;even have time to sleep.<br>**[20:59] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you that you didn't need<br>&nbsp;&nbsp;&nbsp;&nbsp;to become this successful.<br>**[21:02] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rui-chan, what are you doing today?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you recording something?<br>**[21:05] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our debut single goes on sale on Christmas.<br>**[21:07] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm promoting it today.<br>**[21:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're doing a concert at a<br>&nbsp;&nbsp;&nbsp;&nbsp;2,000 person venue that day.<br>**[21:11] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's amazing! I'm happy for you.<br>**[21:14] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're moving up in the world step by step.<br>**[21:16] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always said you wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;climb higher, Rui-chan.<br>**[21:19] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And if that goes well,<br>&nbsp;&nbsp;&nbsp;&nbsp;they said they'd get us the Budokan.<br>**[21:23] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I'm rooting for you.<br>**[21:25] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd better work hard, too.<br>**[21:26] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to work so hard.<br>**[21:29] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like that you're the opposite<br>&nbsp;&nbsp;&nbsp;&nbsp;of my excessive ambition, Baba-san.<br>**[21:34] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep saying that, but I'm still a man.<br>**[21:37] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that I lack ambition, though.<br>**[21:40] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what's the problem? C'mere.<br>**[21:49] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you don't think of me as a pet?<br>**[21:51] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want a pet with a horse face.<br>**[21:57] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[21:58] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I'd find you here.<br>**[22:00] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recording is starting. Let's go.<br>**[22:02] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close.<br>**[22:03] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming.<br>**[22:05] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baba-san, please.<br>**[22:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you're becoming successful,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you understand.<br>**[22:10] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a really important time for her.<br>**[22:12] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I know.<br>**[22:14] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know if your schedule<br>&nbsp;&nbsp;&nbsp;&nbsp;opens up. I'll match yours.<br>**[22:24] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[22:25] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You wanna meet up now*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to discuss our material?*<br>**[22:27] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry. I've got a shoot.*<br>**[22:30] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we gonna do? Round 3 is next week.<br>**[22:33] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[22:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about after your shoot today?<br>**[22:37] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got a wrap party.*<br>**[22:38] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about tomorrow?<br>**[22:39] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got an all day, on-location shoot.<br>**[22:41] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The day after that?*<br>**[22:42] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filming a drama first thing in the morning.<br>**[22:44] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the day after that?*<br>**[22:45] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;On-location close coverage shoot.<br>**[22:46] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the day after that?*<br>**[22:47] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Recording a special.*<br>**[22:48] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the day after that?*<br>**[22:50] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Overseas shoot.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Trick or Treat
<br>**[23:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, Little Daimon. <br>
&nbsp;&nbsp;&nbsp;&nbsp;Is the investigation going well?*<br>**[23:39] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Listen here, Odokawa.*<br>**[23:40] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Local Civil Service Law has got <br>
&nbsp;&nbsp;&nbsp;&nbsp;this thing called confidentiality.*<br>**[23:43] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know what that covers,*<br>**[23:45] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but information doesn't make its way <br>
&nbsp;&nbsp;&nbsp;&nbsp;down to lowly grunts like me!*<br>**[23:48] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't make me say it!*<br>

# E7 - Trick or Treat

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U2D2PN/trick-or-treat)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Trick or Treat
<br>**[01:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, buddy.<br>**[01:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Taichi Kabasawa at school right now?<br>**[01:45] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa?<br>**[01:47] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[01:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's famous, right?<br>**[01:50] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't come to class anymore.<br>**[01:52] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;He got cocky by putting the name of his college<br>&nbsp;&nbsp;&nbsp;&nbsp; out there, but he's actually scared.<br>**[01:55] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;People online might treat him like a god,<br>**[01:57] Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;but among us, he's famous for being<br>&nbsp;&nbsp;&nbsp;&nbsp;a coward who's desperate for recognition.<br>**[03:08] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san.<br>**[03:09] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know you're in there, Kakihana-san.<br>**[03:14] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kakihana! You need to<br>&nbsp;&nbsp;&nbsp;&nbsp;pay back what you borrowed!<br>**[03:17] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't your parents teach you that?<br>**[03:26] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you, taxi driver?<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning yourself in?<br>**[03:28] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You here to turn yourself in, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you do?<br>**[03:30] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm eating over here!<br>**[03:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's your brother today?<br>**[03:33] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you, you idiot.<br>**[03:35] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;My brother worked the day shift.<br>**[03:38] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's already done with work.<br>**[03:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect. I'm reporting an incident.<br>**[03:40] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone fired a gun into my house.<br>**[03:43] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's major! Why didn't you<br>&nbsp;&nbsp;&nbsp;&nbsp; call the emergency number?<br>**[03:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just come with me.<br>**[03:48] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I'm calling my brother.<br>**[03:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to come by yourself.<br>**[03:51] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things get difficult when<br>&nbsp;&nbsp;&nbsp;&nbsp;your brother's involved.<br>**[03:54] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm my brother.<br>**[03:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only relatives find those<br>&nbsp;&nbsp;&nbsp;&nbsp;kinds of pranks funny.<br>**[04:01] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Grandma loved that joke.<br>**[04:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say you're going out on patrol.<br>**[04:06] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[04:12] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are we going inside your house?<br>**[04:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:16] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're, y'know—<br>**[04:18] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is mad awkward, and I'm not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;how to say it, but don't you have<br>**[04:22] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Nerima high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;locked up in there?<br>**[04:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was incredibly direct.<br>&nbsp;&nbsp;&nbsp;&nbsp;But no, of course not.<br>**[04:30] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't kidding.<br>**[04:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the shell.<br>**[04:33] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. I can't handle this by myself.<br>**[04:36] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's all kinds of paperwork<br>&nbsp;&nbsp;&nbsp;&nbsp; to fill out, procedures to follow...<br>**[04:40] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bunch of rules about<br>&nbsp;&nbsp;&nbsp;&nbsp;preserving the crime scene, too...<br>**[04:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend for this<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a police case.<br>**[04:43] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Are you stupid?<br>**[04:46] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suppose I go to Roppongi at night<br>&nbsp;&nbsp;&nbsp;&nbsp;and get absolutely plastered.<br>**[04:49] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The trains aren't running, so I call<br>&nbsp;&nbsp;&nbsp;&nbsp;for a taxi, and you show up.<br>**[04:52] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you think if I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't intend to go home?"<br>**[04:56] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or suppose I went to the barber and said,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Could you give me a long hairstyle?"<br>**[04:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd tell you the truth.<br>**[05:01] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What* truth?<br>**[05:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon, why did you want<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a police officer?<br>**[05:07] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;To punish evil.<br>**[05:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you want to punish evil?<br>**[05:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you tell me?<br>**[05:20] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vroom!<br>**[05:22] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenshiro, Koshiro.<br>**[05:24] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going out now.<br>**[05:26] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! See you later!<br>**[05:28] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring back cake.<br>**[05:34] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boom!<br>**[05:40] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Our parents were killed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by a hit-and-run driver.*<br>**[05:45] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;By a taxi, no less.<br>**[05:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you can't stand the sight of me.<br>**[05:51] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd catch bad guys with our own hands.<br>**[05:55] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what my brother and I swore we'd do.<br>**[05:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's how it was back then.<br>**[05:59] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[06:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now, your brother is evil.<br>**[06:03] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you. It's true that my brother<br>&nbsp;&nbsp;&nbsp;&nbsp;chooses black when we play Othello.<br>**[06:07] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever we played tag,<br>&nbsp;&nbsp;&nbsp;&nbsp;he always wanted to be it.<br>**[06:10] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't mean—<br>**[06:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother is working with Dobu.<br>**[06:14] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard about that already.<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked my brother about it.<br>**[06:18] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me that he's not.<br>**[06:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe him?<br>**[06:21] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[06:23] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between you and my brother,<br>&nbsp;&nbsp;&nbsp;&nbsp;obviously I believe my brother!<br>**[06:25] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of twins do you think we are?<br>**[06:29] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're identical twins.<br>**[06:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you hate Dobu?<br>**[06:31] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. After all, he's evil.<br>**[06:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon, I'll give you<br>&nbsp;&nbsp;&nbsp;&nbsp;an opportunity to catch Dobu.<br>**[06:37] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?! That'd be huge!<br>**[06:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you arrest him normally,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd only be charged with a petty crime.<br>**[06:42] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he planning to do something?<br>**[06:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:45] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working with Dobu right now.<br>**[06:48] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! You're evil!<br>**[06:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down. I'm *pretending* to work with him.<br>**[06:53] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you'll just gradually become more<br>&nbsp;&nbsp;&nbsp;&nbsp; evil by pretending to work with him!<br>**[06:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a seat, already.<br>**[07:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just for a minute, shut up and listen.<br>**[07:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know Yano?<br>**[07:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can speak when I ask you a question.<br>**[07:11] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano, huh? He's the kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of evil who stays hidden.<br>**[07:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu and Yano are rivals.<br>**[07:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And above them is their boss.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yano
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rivals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>**[07:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Dobu and Yano's job<br>&nbsp;&nbsp;&nbsp;&nbsp;to give money to their boss.<br>**[07:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't get along because<br>&nbsp;&nbsp;&nbsp;&nbsp;they compete over the sum.<br>**[07:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sum means much or how<br>&nbsp;&nbsp;&nbsp;&nbsp;little money they give him.<br>**[07:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have something to say<br>&nbsp;&nbsp;&nbsp;&nbsp;or any questions, you can speak.<br>**[07:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know who their boss is?<br>**[07:39] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long ago, before we became cops,<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu was arrested for robbing a bank.<br>**[07:44] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;His boss may have been<br>&nbsp;&nbsp;&nbsp;&nbsp;the principal offender.<br>**[07:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. And one of Dobu's<br>&nbsp;&nbsp;&nbsp;&nbsp;associates is your brother.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Big Daimon
<br>**[07:50] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't cut that out, I'll beat you<br>&nbsp;&nbsp;&nbsp;&nbsp;black and blue, taxi driver!<br>**[07:53] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why would my brother work with him?!<br>**[07:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if it's for money<br>&nbsp;&nbsp;&nbsp;&nbsp;or something else.<br>**[08:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Dobu is buying off a cop so<br>&nbsp;&nbsp;&nbsp;&nbsp;it's easier for him to do his job.<br>**[08:04] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you say that without evidence?<br>**[08:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you're going to arrest Dobu.<br>**[08:09] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then my brother will be arrested, too!<br>**[08:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you're starting to believe me.<br>**[08:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dislike evil, don't you?<br>**[08:16] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate it.<br>**[08:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if your brother is doing bad things,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you've got to punish him.<br>**[08:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, your sense of justice will waver.<br>**[08:24] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'll punish him.<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's doing bad things, that is.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yano
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Big Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rivals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Odokawa
<br>**[08:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm pretending to work with Dobu.<br>**[08:31] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your name's Odogawa?<br>**[08:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa.<br>**[08:33] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't matter. You're the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;who cares about that detail.<br>**[08:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know Dobu's being<br>&nbsp;&nbsp;&nbsp;&nbsp;pursued by a streamer?<br>**[08:40] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I know? I'm subscribed to his channel.<br>**[08:43] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a huge fan of Taichi Kabasawa.<br>**[08:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys do want the same thing.<br>**[08:47] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Big Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Odokawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yano
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rivals
<br>**[08:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you know about skull mask, too, right?<br>**[08:51] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy who showed up at the cabaret club?<br>**[08:53] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't that Dobu?<br>**[08:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It actually wasn't him.<br>**[08:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently it was someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who stole Dobu's gun.<br>**[08:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for some reason, he wants to kill me.<br>**[09:02] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's how this happened.<br>**[09:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, Dobu wants<br>&nbsp;&nbsp;&nbsp;&nbsp;to catch Kabasawa,<br>**[09:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;get his gun back from skull mask,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get the jump on Yano.<br>**[09:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to protect myself<br>&nbsp;&nbsp;&nbsp;&nbsp;from the mysterious skull mask,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Odokawa
<br>**[09:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm pretending to work with Dobu.<br>**[09:19] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't make sense.<br>**[09:20] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason for you to work with Dobu.<br>**[09:22] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should let the police<br>&nbsp;&nbsp;&nbsp;&nbsp;handle the skull mask.<br>**[09:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you're not actually smart?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiraka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yano
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki
<br>**[09:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a grudge against Dobu, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiraka
<br>**[09:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something terrible's happening<br>&nbsp;&nbsp;&nbsp;&nbsp;to a friend of mine.<br>**[09:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to bring him to his knees.<br>**[09:38] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it?<br>**[09:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting to down to business,<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu is planning to rob a bank soon.<br>**[09:44] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's clearly evil!<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a repeat offense!<br>**[09:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He thinks I'll help him do it,<br>**[09:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you'll arrest Dobu then, Little Daimon.<br>**[09:53] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing if it's true,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you'll be arrested, too, Odokawa.<br>**[09:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. We're doing<br>&nbsp;&nbsp;&nbsp;&nbsp;this to punish evil.<br>**[10:02] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the opposite of evil.<br>**[10:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just call me good?<br>**[10:08] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were really convincing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's hard to believe all of a sudden.<br>**[10:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree. That's why I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep tracking down evidence.<br>**[10:19] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the first place, I thought you<br>&nbsp;&nbsp;&nbsp;&nbsp;were the kidnapper<br>**[10:22] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Nerima missing high school girl case.<br>**[10:26] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I take a look around your place?<br>**[10:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[10:47] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*MPD to all stations.*<br>**[10:49] Radio**<br>*&nbsp;&nbsp;&nbsp;&nbsp;An unidentified body has found*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the mouth of the Sumida River.*<br>**[10:52] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nearby police box, please head there.*<br>**[10:54] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I repeat, MPD to all stations...*<br>**[10:56] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta go.<br>**[10:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you believe me?<br>**[10:58] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not!<br>**[11:00] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll hear you out,<br>&nbsp;&nbsp;&nbsp;&nbsp;if it means punishing evil.<br>**[11:04] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's my special direct phone number!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I might be a little late...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sorry for asking to meet when you're busy  with work. I'll wait as long as you need.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sorry, just finished!  I'm heading your way now!
<br>**[11:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good girl.<br>**[11:31] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;An unidentified body has been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;found in the Tokyo Bay.*<br>**[11:45] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This morning before dawn,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the Shibaura Wharf in Minato Ward,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New Info from Location Where Body was Discovered <br>
&nbsp;&nbsp;&nbsp;&nbsp;Abandoned Body? Police Rushing to Identify Victim
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minato Ward Shibaura Wharf
<br>**[11:48] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the body of a woman believed to be in*<br>*&nbsp;&nbsp;&nbsp;&nbsp;her teens to thirties was discovered.*<br>**[11:52] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nearby construction workers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;reported the body,*<br>**[11:54] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and according to the police investigation,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after being killed elsewhere,*<br>**[11:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you can't escape.<br>**[11:58] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*they believe her body was dumped in the sea.*<br>**[12:00] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They believe roughly a month*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has passed since her death.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10/26 (Tues)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10/27 (Wed)
<br>**[12:12] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"All I can say is I'm really sorry*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about the trouble I caused you.*<br>**[12:19] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san told me that he doesn't*<br>*&nbsp;&nbsp;&nbsp;&nbsp;need my help or money anymore."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10/27 (Wed)
<br>**[12:24] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"There seemed to be some reason for it,*<br>**[12:26] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I guess this means my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;relationship has been dissolved.*<br>**[12:31] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hope you'll forgive me."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[12:37] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry.<br>**[12:42] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guy named Dobu, huh?<br>**[12:44] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. But my relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;with him has been dissolved.<br>**[12:48] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably, anyway.<br>**[12:50] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa must've done something.<br>**[12:53] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san said he'd pretend<br>&nbsp;&nbsp;&nbsp;&nbsp;to work with Dobu-san.<br>**[12:58] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That makes sense.<br>**[13:00] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably trying to save both you<br>&nbsp;&nbsp;&nbsp;&nbsp;and me at the same time by doing that.<br>**[13:06] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything I can do?<br>**[13:10] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I can't pay you, but will<br>&nbsp;&nbsp;&nbsp;&nbsp;you help me with my work?<br>**[13:15] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work? What work?<br>**[13:18] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? Have you<br>&nbsp;&nbsp;&nbsp;&nbsp;forgotten what I do for a living?<br>**[13:24] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to treat Odokawa.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Medical Record
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Name: Hiroshi Odokawa<br>
&nbsp;&nbsp;&nbsp;&nbsp; Male <br>
&nbsp;&nbsp;&nbsp;&nbsp;DOB: May 25th, 555 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Age: 41 years 5 months <br>
&nbsp;&nbsp;&nbsp;&nbsp;Address: Nerima Ward Mukaiyamabashi, <br>
&nbsp;&nbsp;&nbsp;&nbsp;5-12 Irodori Heights 102
<br>**[13:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow. Foot cramp.<br>**[13:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow.<br>**[13:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foot cramp. Ow, ow, ow...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Safety First
<br>**[13:50] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I just got here. Where are you?<br>**[13:53] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here.<br>**[13:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I don't see you, Shiho-chan.<br>**[13:58] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakki, over here.<br>**[14:03] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting, Shiho-chan.<br>**[14:05] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. You came at just<br>&nbsp;&nbsp;&nbsp;&nbsp;the right time, Kakki.<br>**[14:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of my subordinates made a mistake.<br>**[14:12] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to clean up after—Huh?<br>**[14:14] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you said I came<br>&nbsp;&nbsp;&nbsp;&nbsp;at just the right time?<br>**[14:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work. Be careful on your way home.<br>**[14:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be late for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Halloween event in Shibuya.<br>**[14:43] Woman A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[14:43] Woman B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look cute?<br>**[14:43] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is insane.<br>**[14:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow.<br>**[14:52] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who should be saying ow, here!<br>**[14:55] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where the hell are you lookin',<br>&nbsp;&nbsp;&nbsp;&nbsp;did your eyes disappear?<br>**[14:58] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this war? Love me tender.<br>**[15:00] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of people tellin' me to be gentler.<br>**[15:03] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to traffic,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone does as they please,<br>**[15:06] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But "all's well that ends well"<br>&nbsp;&nbsp;&nbsp;&nbsp;ain't good enough for me.<br>**[15:09] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Violence is my business, you simpleton.<br>**[15:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:15] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hah. "What?" So, that's your answer?<br>&nbsp;&nbsp;&nbsp;&nbsp;Old man, don't make me scoff.<br>**[15:19] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't apologize, I'll grab a shotgun<br>&nbsp;&nbsp;&nbsp;&nbsp;and blow your head off. Bang, bang.<br>**[15:25] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scatter your brain. Right brain, left brain,<br>&nbsp;&nbsp;&nbsp;&nbsp;frontal lobe, cerebellum, cerebrum.<br>**[15:29] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understandin'? A heartfelt<br>&nbsp;&nbsp;&nbsp;&nbsp;apology is what I'm demandin'.<br>**[15:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault for riding<br>&nbsp;&nbsp;&nbsp;&nbsp;a scooter in this crowd.<br>**[15:37] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My* fault for riding a scooter? <br>
&nbsp;&nbsp;&nbsp;&nbsp;That's what everyone says, but I don't agree.<br>**[15:43] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arguin' with every amateur<br>&nbsp;&nbsp;&nbsp;&nbsp;out here ain't for me.<br>**[15:45] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between you and I there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a long, long Silk Road.<br>**[15:48] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too much space between us,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a mental overload.<br>**[15:50] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of generalizations,<br>**[15:52] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if you've matured at all,<br>&nbsp;&nbsp;&nbsp;&nbsp;where's the apology I'm owed?<br>**[15:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[15:56] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. Now it's win-win.<br>**[15:59] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lukewarm like the one-coin canned coffee<br>&nbsp;&nbsp;&nbsp;&nbsp;you can buy at this Halloween jamboree,<br>**[16:03] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;cold like the coin laundries I used<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was at the bottom of the heap.<br>**[16:08] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Took me a while to make<br>&nbsp;&nbsp;&nbsp;&nbsp;my point, but tonight,<br>**[16:11] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;what I wanted to say was<br>&nbsp;&nbsp;&nbsp;&nbsp;that you'd better make things right.<br>**[16:13] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;This may sound sudden, but have<br>&nbsp;&nbsp;&nbsp;&nbsp;a heart. I'm sorry, my guy.<br>**[16:17] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of the day, I just want<br>&nbsp;&nbsp;&nbsp;&nbsp;some compassion, don't be shy. Yeah.<br>**[16:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;People lose their minds on Halloween.<br>**[16:32] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you learn the song yet?<br>**[16:34] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. How much longer do we have?<br>**[16:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Understood.<br>**[16:39] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll head there as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as the event is over.<br>**[16:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Goodbye.<br>**[16:44] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was that? Yano?<br>**[16:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right.<br>**[16:49] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we still have to appear<br>&nbsp;&nbsp;&nbsp;&nbsp;in events like these?<br>**[16:52] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't we handle our own show?<br>**[16:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just be patient a little longer, Nikaido.<br>**[16:57] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;By Christmas, you'll pull ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;of everyone appearing here today.<br>**[17:00] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[17:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:05] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to stop.<br>**[17:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop what?<br>**[17:09] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running these badger games.<br>**[17:11] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can you do, then?<br>**[17:12] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you gonna earn<br>&nbsp;&nbsp;&nbsp;&nbsp;money for the agency?<br>**[17:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Nikaido.<br>**[17:16] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. We'll talk later, Ichimura.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibuya Center Street
<br>**[17:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting.<br>**[17:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on. How'd you know it was me?<br>**[17:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'm good<br>&nbsp;&nbsp;&nbsp;&nbsp;at spotting people in a crowd.<br>**[17:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it my build?<br>**[17:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or am I not blending in with the crowd?<br>**[17:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt anyone else would recognize you.<br>**[17:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'm impressed you're not<br>&nbsp;&nbsp;&nbsp;&nbsp;too ashamed to dress like that.<br>**[17:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's humiliating. But I don't have a choice.<br>**[17:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, did you find skull mask<br>&nbsp;&nbsp;&nbsp;&nbsp;on your way here?<br>**[17:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[17:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were good<br>&nbsp;&nbsp;&nbsp;&nbsp;at spotting people in a crowd.<br>**[17:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not his type.<br>**[18:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[18:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I explain it? It's difficult.<br>**[18:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Milk, please.<br>**[18:09] Waitress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. One moment, please.<br>**[18:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, once I memorize<br>&nbsp;&nbsp;&nbsp;&nbsp;that waitress' face,<br>**[18:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could spot her in a crowd<br>&nbsp;&nbsp;&nbsp;&nbsp;even if she changes her makeup.<br>**[18:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? What kind of power is that?<br>**[18:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you see auras or something?<br>**[18:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's close to that.<br>**[18:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I've never seen a guy's face<br>&nbsp;&nbsp;&nbsp;&nbsp;and he's wearing a full-face mask,<br>**[18:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'm just like the rest of you.<br>**[18:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell.<br>**[18:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you can find<br>&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa in a crowd,<br>**[18:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but not skull mask, right?<br>**[18:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[18:44] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa <br>
&nbsp;&nbsp;&nbsp;&nbsp;@kbsw_t – 1 hour ago <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'm in Shibuya now!!<br>
&nbsp;&nbsp;&nbsp;&nbsp; If you see Dobu, let me know!!!
<br>**[18:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll start by checking out<br>&nbsp;&nbsp;&nbsp;&nbsp;anything that seems credible.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;koya @koya_camera411 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Replying to: @kbsw_t <br>
&nbsp;&nbsp;&nbsp;&nbsp;I saw Dobu wearing a skull mask<br>
&nbsp;&nbsp;&nbsp;&nbsp;in front of 109!
<br>**[18:53] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa's here in Shibuya, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we may be able to get them both.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa Believer @kbsw_god32871 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Replying to: @kbsw_t <br>
&nbsp;&nbsp;&nbsp;&nbsp;I'm more interested in meeting our god!
<br>**[19:11] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe we have to go on patrol<br>&nbsp;&nbsp;&nbsp;&nbsp;for these fools again this year.<br>**[19:14] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so fun about this? Everyone's just<br>&nbsp;&nbsp;&nbsp;&nbsp; making asses of themselves.<br>**[19:18] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;All these guys got their costumes<br>&nbsp;&nbsp;&nbsp;&nbsp;a while ago, did their makeup at home,<br>**[19:22] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and took the train in all the way<br>&nbsp;&nbsp;&nbsp;&nbsp;from the boonies, right?<br>**[19:24] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;When they go home, and<br>&nbsp;&nbsp;&nbsp;&nbsp; take off the costumes<br>**[19:26] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and makeup, I wonder if they<br>&nbsp;&nbsp;&nbsp;&nbsp; wish they were dead.<br>**[19:28] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Bro?<br>**[19:31] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother is working with Dobu.<br>**[19:37] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to recent information,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's around here.<br>**[19:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've even uploaded photos,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it should be fairly credible.<br>**[19:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe we found him so easily.<br>&nbsp;&nbsp;&nbsp;&nbsp;The internet is amazing.<br>**[19:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since skull mask is targeting you,<br>&nbsp;&nbsp;&nbsp;&nbsp;stand a little farther away from me.<br>**[20:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do?<br>**[20:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll follow you,<br>**[20:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if I get the chance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drag him into a deserted alleyway.<br>**[20:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got a gun, right?<br>**[20:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd *better* have it.<br>**[20:21] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;So persistent, so drawn out,<br>&nbsp;&nbsp;&nbsp;&nbsp;my ringtone's imposition.<br>**[20:25] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dealing with a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;over here. Submission.<br>**[20:28] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Addiction. Wish I could take my medicine<br>&nbsp;&nbsp;&nbsp;&nbsp;and go to bed, but a container ship?<br>**[20:33] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please zip it. I won't do it again.<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't do it again.<br>**[20:36] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it about time you told me your name?<br>**[20:39] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's calling?<br>**[20:41] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's the manager, AKA Yamamoto.<br>**[20:44] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're calling rather late.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you've got a lot on your plate,<br>**[20:48] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;but time is money.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you always tell me.<br>**[20:51] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't get here soon,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll happen again.<br>**[20:54] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meet me at the warehouse we<br>&nbsp;&nbsp;&nbsp;&nbsp;visited the other day. See you then.<br>**[21:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my gun. Give it back.<br>**[21:03] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell are you?<br>**[21:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu. You know who I am?<br>**[21:06] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu? You're really him?<br>**[21:09] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know? Kabasawa-sama's giving<br>&nbsp;&nbsp;&nbsp;&nbsp;a million yen to anyone who catches you.<br>**[21:13] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a bounty on your head.<br>**[21:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You work for Kabasawa?<br>**[21:17] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay back, or I'll shoot.<br>**[21:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fake.<br>**[21:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where's the real gun?<br>**[21:31] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[21:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not good enough. I'll kill you!<br>**[21:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who shot up<br>&nbsp;&nbsp;&nbsp;&nbsp;the cabaret club, yeah?<br>**[21:37] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't that you? I'm just cosplaying.<br>**[21:40] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me.<br>**[21:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't screw around with me.<br>**[21:43] Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really don't know!<br>**[21:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where the hell is it?<br>**[21:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is it, huh?<br>**[21:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Dobu. On the left.<br>**[21:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kabasawa.<br>**[21:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That asshole!<br>**[22:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use.<br>**[22:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. This is impossible.<br>**[22:11] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening, Yano-san.<br>**[22:13] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening, Mr. Sekiguchi.<br>**[22:16] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That track suit looks great on you.<br>**[22:18] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's looking more and more<br>&nbsp;&nbsp;&nbsp;&nbsp;like it'll come true.<br>**[22:21] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;In accordance with fundamentalism,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see it all through.<br>**[22:24] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The violence of the present<br>&nbsp;&nbsp;&nbsp;&nbsp;situation is just the preview.<br>**[22:27] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for the next stage.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's keep it flowing.<br>**[22:29] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Eiji Kakihana, how's everything going?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Bless you
<br>**[23:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, is your job search going well?*<br>**[23:38] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm having trouble deciding what to do.*<br>**[23:40] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know how I feel about <br>
&nbsp;&nbsp;&nbsp;&nbsp;working for someone else.*<br>**[23:42] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't forget the elation I felt then.*<br>**[23:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You really did let yourself <br>
&nbsp;&nbsp;&nbsp;&nbsp;get carried away.*<br>

# E8 - Bless you

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G0DUN9NE2/bless-you)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:04] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy was a dud.<br>**[01:05] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's actually part-time janitor.<br>**[01:07] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but he's drowning in debt.<br>**[01:09] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drowning in debt and desperate.<br>**[01:12] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thought he could get away<br>&nbsp;&nbsp;&nbsp;&nbsp;with lyin' about it.<br>**[01:14] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing he had on him was this ring.<br>**[01:18] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;An engagement ring? I could cry.<br>**[01:19] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;So desperate to tie the knot he lied?<br>**[01:21] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have middle-aged men's brains liquefied?<br>**[01:22] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will he tie a noose instead<br>&nbsp;&nbsp;&nbsp;&nbsp; after being tossed aside?<br>**[01:24] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;An article of tribute for his fake honey.<br>**[01:26] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me, this wasn't worth the money.<br>**[01:30] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's got any use for this counterfeit?<br>**[01:32] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a few ideas 'bout where he can stick it.<br>**[01:36] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Shiho-chan? Is she all right?<br>**[01:39] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kakihana-chan.<br>**[01:41] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you still trust that girl you wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;get with, your brains are in the trash can.<br>**[01:45] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That calculating girl who flirted with you<br>&nbsp;&nbsp;&nbsp;&nbsp;for your money took off and ran.<br>**[01:49] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it was a scam.<br>**[01:51] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who told her to wait and<br>&nbsp;&nbsp;&nbsp;&nbsp; see what your lame ass would do.<br>**[01:54] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let you think you'd won before<br>&nbsp;&nbsp;&nbsp;&nbsp;sucking you dry and killing you.<br>**[02:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all for today.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come up with a new plan.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto<br>
&nbsp;&nbsp;&nbsp;&nbsp; Incoming Call
<br>**[02:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, isn't this the guy you said<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted your dash cam data?<br>**[02:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[02:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer and put it on speakerphone.<br>**[02:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[02:20] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Ah, Odokawa-san. Could you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;come pick me up right away?*<br>**[02:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is sudden. Does it have to be me?<br>**[02:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aren't most pickups sudden?*<br>**[02:27] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's one of those girls who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;can't be seen by the public.*<br>**[02:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where?<br>**[02:32] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A short distance away from Shibuya.*<br>**[02:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. I'll be there in ten minutes.<br>**[02:38] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thanks.*<br>**[02:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do? He'll probably<br>&nbsp;&nbsp;&nbsp;&nbsp;ask for my dash cam data.<br>**[02:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ride in the trunk.<br>**[02:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll eavesdrop on your conversation<br>&nbsp;&nbsp;&nbsp;&nbsp;through your phone.<br>**[02:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do that. As far as I'm concerned,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's a harmless passenger.<br>**[03:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then ask him why he really wants the data,<br>**[03:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if he's connected to Yano,<br>&nbsp;&nbsp;&nbsp;&nbsp;then tell me about it later.<br>**[03:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think he'd lie about that?<br>**[03:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. That's why violence<br>&nbsp;&nbsp;&nbsp;&nbsp;is the only way to get people to talk.<br>**[03:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me meet him.<br>**[03:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who has the dash cam data.<br>**[03:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Yamamoto wants to meet me, too.<br>**[03:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let you do that.<br>**[03:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go. I told him<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be there in ten minutes.<br>**[03:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. If he asks for your<br>&nbsp;&nbsp;&nbsp;&nbsp;dash cam data, tell him this.<br>**[03:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll sell it to him for one billion yen.<br>**[03:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Odokawa-san. Could you take us<br>&nbsp;&nbsp;&nbsp;&nbsp;to Shibaura Harbor in a hurry?<br>**[03:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The harbor?<br>**[03:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's the girl who likes hot springs.<br>**[03:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A calico cat. Where have I seen one before?<br>**[03:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Odokawa-san?<br>**[03:56] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, am I going to meet Ya—that guy?<br>**[04:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm sorry, but if you want to quit,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to tell him yourself.<br>**[04:04] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked really hard, though.<br>**[04:06] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, that target didn't work out.<br>**[04:08] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You mean he didn't have money?<br>**[04:10] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that old man serious?<br>**[04:12] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I just remembered.<br>**[04:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you considered my request<br>&nbsp;&nbsp;&nbsp;&nbsp;to hand over your dash cam data?<br>**[04:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[04:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[04:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll sell it to you.<br>**[04:21] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;For how much?<br>**[04:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;One billion.<br>**[04:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of price<br>&nbsp;&nbsp;&nbsp;&nbsp;a child would come up with.<br>**[04:30] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're being serious?<br>**[04:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Super serious.<br>**[04:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ridiculous, Odokawa-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gouging me here.<br>**[04:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found someone who said<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd buy it for 900 million.<br>**[04:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want one billion.<br>**[04:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lying.<br>**[04:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it?<br>**[04:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell you that.<br>**[04:56] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, then I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to discuss this with someone.<br>**[04:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Discuss it all you want.<br>**[05:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't mind 900 million or one billion.<br>**[05:06] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be in touch.<br>**[05:26] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't this seem like not enough profit?<br>**[05:28] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this all we make from concerts?<br>**[05:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;They weren't the only ones performing today.<br>**[05:32] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's she here?<br>**[05:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't want to run<br>&nbsp;&nbsp;&nbsp;&nbsp;badger games anymore,<br>**[05:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she's here to talk to Yano-san.<br>**[05:39] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah.<br>**[05:42] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's busy right now.<br>**[05:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, I've got some bad news.<br>**[05:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I talk to him for a few minutes?<br>**[05:49] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news?<br>**[05:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about the dash cam.<br>**[05:51] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan!<br>**[05:53] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being tricked, right?<br>**[05:55] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll protect you from these guys!<br>**[06:03] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Shiho-chan.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually pretty strong.<br>**[06:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've mastered every martial art there is,<br>&nbsp;&nbsp;&nbsp;&nbsp;from sumo for kids to whatever-jiujitsu.<br>**[06:13] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get the wrong idea, mister.<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, I can't even.<br>**[06:16] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, they're making<br>&nbsp;&nbsp;&nbsp;&nbsp;you say that, aren't they?<br>**[06:19] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't we have fun together?<br>**[06:21] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ate lots of good food together!<br>**[06:24] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spending time with you was painful.<br>**[06:26] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want to quit<br>&nbsp;&nbsp;&nbsp;&nbsp;running badger games.<br>**[06:29] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lying! Liar!<br>**[06:32] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not the kind of girl who says that!<br>**[06:34] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, you're a liar!<br>**[06:35] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the liar, you bum. You're broke.<br>**[06:38] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! Why would you say that?!<br>**[06:42] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe you! You're lying!<br>**[06:50] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ayumu Goriki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can you tell who this is?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can you tell who this is?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's Kakihana, you unemployed bum.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wanna get drinks at Yamabiko right now?
<br>**[07:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while. I guess I'll go.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[07:23] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell from this photo<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is Kakihana?<br>**[07:26] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'd believe you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you told me it was him.<br>**[07:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt I'd know if I were just<br>&nbsp;&nbsp;&nbsp;&nbsp;shown this photo without context.<br>**[07:32] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:34] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only took Odokawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;a second to identify him.<br>**[07:36] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that tell us anything?<br>**[07:38] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first I thought Odokawa<br>&nbsp;&nbsp;&nbsp;&nbsp;had an exceptional memory,<br>**[07:41] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it doesn't feel right.<br>**[07:43] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe he had good instincts.<br>**[07:47] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost like synesthesia.<br>**[07:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Synesthesia?<br>**[07:51] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's when one sense is stimulated,<br>**[07:53] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a completely different<br>&nbsp;&nbsp;&nbsp;&nbsp;sense is triggered.<br>**[07:57] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like seeing colors or feeling textures<br>&nbsp;&nbsp;&nbsp;&nbsp;when you hear sounds or see letters.<br>**[08:01] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe Odokawa has some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of indicator for telling people apart<br>**[08:04] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is basing it on that.<br>**[08:07] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if this is related,<br>**[08:10] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently Odokawa-san has been<br>&nbsp;&nbsp;&nbsp;&nbsp;speaking to someone in his home,<br>**[08:13] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he's clearly not talking to himself.<br>**[08:16] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regarding that, if there really<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't anybody there,<br>**[08:20] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;then maybe it's an imaginary friend.<br>**[08:23] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a figment of his imagination?<br>**[08:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:27] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might already know, but he's lived alone<br>**[08:30] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;since his parents abandoned him<br>&nbsp;&nbsp;&nbsp;&nbsp;when he was in grade school.<br>**[08:34] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alone?<br>**[08:35] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently some kind of NPO<br>&nbsp;&nbsp;&nbsp;&nbsp;that supports orphans<br>**[08:38] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;sent him money to cover his living expenses.<br>**[08:41] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He pretends that he wanted for nothing<br>**[08:43] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and experienced no<br>&nbsp;&nbsp;&nbsp;&nbsp;difficulties because of that.<br>**[08:45] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if he's invented an imaginary friend,<br>**[08:48] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;then he may be under more<br>&nbsp;&nbsp;&nbsp;&nbsp;stress than he realizes.<br>**[08:53] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did the two of you meet?<br>**[08:56] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;About three years ago, I think.<br>**[08:58] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was this year when he first<br>&nbsp;&nbsp;&nbsp;&nbsp;started seeing you for consultations.<br>**[09:01] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Had he been coming<br>&nbsp;&nbsp;&nbsp;&nbsp;to the clinic before that?<br>**[09:03] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I rode in his taxi as a passenger first.<br>**[09:07] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's finally starting.*<br>**[09:09] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sure has.*<br>**[09:10] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We used to broadcast in just Osaka,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but now we've gone national.*<br>**[09:13] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's right. Starting this year,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Homosapiens have expanded to Tokyo.*<br>**[09:16] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For real. I'm overjoyed.*<br>**[09:17] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you turn that off? It's annoying.<br>**[09:17] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For sure.*<br>**[09:18] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got here sooner than I expected.*<br>**[09:19] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, seriously.*<br>**[09:20] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Guess we should keep trying, then—*<br>**[09:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How old are you?<br>**[09:30] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;38.<br>**[09:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the same age?<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem so dignified, though.<br>**[09:36] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's rude. Mind your manners.<br>**[09:39] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manners? You act like you're real important.<br>**[09:43] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;the customer is always right?<br>**[09:45] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you look down on taxi drivers.<br>**[09:47] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got some kind of pent-up anger, or what?<br>**[09:50] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not anyone's fault<br>&nbsp;&nbsp;&nbsp;&nbsp;that your life isn't going well.<br>**[09:52] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not your environment's<br>&nbsp;&nbsp;&nbsp;&nbsp;fault, either. It's your fault.<br>**[09:55] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should resolve it yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;without bothering others.<br>**[09:59] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Doctors speak<br>&nbsp;&nbsp;&nbsp;&nbsp;differently from the rest of us.<br>**[10:02] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that got to you.<br>**[10:04] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's charming. Good for you.<br>**[10:06] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you know?<br>**[10:08] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm psychic.<br>**[10:12] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why didn't you know my age?<br>**[10:15] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Psychic powers come in a variety of flavors.<br>**[10:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see souls.<br>**[10:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And your soul's been screaming, "I'm a doctor."<br>**[10:24] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for your age, I couldn't tell because<br>&nbsp;&nbsp;&nbsp;&nbsp;your soul and body are so separated.<br>**[10:30] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you look old.<br>**[10:36] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're funny.<br>**[10:38] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, can you hear what my soul<br>&nbsp;&nbsp;&nbsp;&nbsp;is shouting now? What's it saying?<br>**[10:41] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Don't turn. Head straight ahead."<br>**[10:47] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning here gets us to your clinic faster.<br>**[10:51] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was shocked. It really *was* a shortcut.<br>**[10:55] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I thought he had<br>&nbsp;&nbsp;&nbsp;&nbsp;an exceptional sense of smell<br>**[10:58] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;that allowed him to pick up on the<br>&nbsp;&nbsp;&nbsp;&nbsp;distinctive hospital smell coming off of me.<br>**[11:02] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you think it's synesthesia?<br>**[11:04] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I asked how he did it later,<br>&nbsp;&nbsp;&nbsp;&nbsp;he said it was nothing.<br>**[11:06] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd just had me as a passenger before.<br>**[11:09] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you thought it was his memory.<br>**[11:12] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I thought it was impressive, if true.<br>**[11:15] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why synesthesia makes sense to me.<br>**[11:19] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to Yamabiko for a drink.<br>**[11:21] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-san, do you want to come with me?<br>**[11:25] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I go, I imagine Odokawa-san would leave.<br>**[11:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mochi kinchaku and daikon radish.<br>**[11:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like some kind of nerimono, too.<br>**[11:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute. You've got<br>&nbsp;&nbsp;&nbsp;&nbsp;a Donraku Shofutei autograph.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To Yamabiko <br>
&nbsp;&nbsp;&nbsp;&nbsp;Donraku
<br>**[11:42] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. He stopped by the other day.<br>**[11:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Wow.<br>**[11:47] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure do like him, Odokawa.<br>**[11:49] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He sat right over there with an<br>&nbsp;&nbsp;&nbsp;&nbsp;incredibly cross look on his face.<br>**[11:52] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He came alone?<br>**[11:54] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had an attendant with him,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as a driver outside.<br>**[11:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did they talk about?<br>**[11:59] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How young comedians these days<br>&nbsp;&nbsp;&nbsp;&nbsp;are obsessed with innovation<br>**[12:02] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and don't have the basics down.<br>**[12:03] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or how he pretends he doesn't mince words.<br>**[12:06] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or how being a commentator<br>&nbsp;&nbsp;&nbsp;&nbsp;or judging comedy contests<br>**[12:09] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't benefit him in any way.<br>**[12:11] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought he was getting mad,<br>**[12:13] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then, he started cackling<br>&nbsp;&nbsp;&nbsp;&nbsp;while reminiscing about his old mentor.<br>**[12:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally eavesdropped.<br>**[12:19] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, Odokawa. Let me quiz you.<br>**[12:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's gotten into you?<br>**[12:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does losing your job make you<br>&nbsp;&nbsp;&nbsp;&nbsp;turn back into a child?<br>**[12:25] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to play, too.<br>**[12:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. You can join us.<br>**[12:28] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell who this is?<br>**[12:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your thing these days?<br>**[12:32] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to know?<br>**[12:35] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly. But Odokawa<br>&nbsp;&nbsp;&nbsp;&nbsp;identified him immediately.<br>**[12:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's clearly Kakihana.<br>**[12:41] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's just how Odokawa-san is.<br>**[12:43] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He remembers the faces<br>&nbsp;&nbsp;&nbsp;&nbsp;of customers I don't recognize.<br>**[12:46] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you'd be good at customer service.<br>**[12:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't unless they make an impression.<br>**[12:51] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the question here.<br>**[12:55] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know who this is?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Inbox
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Got it.  I'll stop by later.
<br>**[12:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[12:59] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[13:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really.<br>**[13:01] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, are you psychic?<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Psychometrer What's-his-name?<br>**[13:04] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, then?<br>**[13:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bird?<br>**[13:07] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I know that one. It's a bird.<br>**[13:10] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[13:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you making fun of me?<br>**[13:12] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, this one.<br>**[13:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-san.<br>**[13:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell have you been up to?<br>**[13:18] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Shirakawa-san?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this some kind of kink?<br>**[13:20] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mixing your personal and professional<br>&nbsp;&nbsp;&nbsp;&nbsp; lives? My, how scandalous.<br>**[13:23] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to pull?<br>**[13:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nevermind. Let's drink.<br>**[13:28] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, drink with us.<br>**[13:29] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps I'll have a drink, then.<br>**[13:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be nice being unemployed.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To Yamabiko<br>
&nbsp;&nbsp;&nbsp;&nbsp;Donraku
<br>**[13:32] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. Why don't we call Kakihana?<br>**[13:34] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet he'll come if I say I'm paying.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki
<br>**[13:50] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Yamamoto, what's your bad news?<br>**[13:53] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about the dash cam data.<br>**[13:57] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently someone else has<br>&nbsp;&nbsp;&nbsp;&nbsp;offered to buy it for 900 million.<br>**[14:00] Sekicuhi**<br>&nbsp;&nbsp;&nbsp;&nbsp;900 million? He's lying so he can gouge you.<br>**[14:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're right, but we need to get<br>&nbsp;&nbsp;&nbsp;&nbsp;that dash cam data soon.<br>**[14:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was on the news the other day.<br>**[14:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been able to sleep since then.<br>**[14:11] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I keep expecting my doorbell to ring.<br>**[14:15] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit your whining!<br>**[14:20] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss is doing great right now.<br>**[14:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their CD is about to go on sale!<br>**[14:24] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean they'll make more money?<br>**[14:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and a guy who's a fan of our Nikaido<br>**[14:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;won one billion yen in the lottery.<br>**[14:34] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if it's true or not,<br>**[14:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I imagine he'll spend<br>&nbsp;&nbsp;&nbsp;&nbsp;quite a lot of money on us.<br>**[14:39] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;One billion? Robbing him<br>&nbsp;&nbsp;&nbsp;&nbsp;would be more profitable.<br>**[14:43] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't help Mystery Kiss get big!<br>**[14:45] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay. Nikaido sure is cute.<br>**[14:47] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask her if she'd like to spend<br>&nbsp;&nbsp;&nbsp;&nbsp;a night with me nude.<br>**[14:50] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was picturing that future but still listening to you.<br>**[14:54] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;My instincts tell me Dobu-san is involved.<br>**[14:55] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like the cop from those books.<br>&nbsp;&nbsp;&nbsp;&nbsp;Inspector Totsugawa, I think he was called.<br>**[15:00] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san offered to buy<br>&nbsp;&nbsp;&nbsp;&nbsp;the data for 900 million?<br>**[15:02] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm thinkin'.<br>**[15:03] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He knows the guy who has<br>&nbsp;&nbsp;&nbsp;&nbsp;the one billion, let that sink in.<br>**[15:06] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's tryin' to get us to<br>&nbsp;&nbsp;&nbsp;&nbsp;rob him, and earn a free win.<br>**[15:08] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or Dobu-san himself is planning<br>&nbsp;&nbsp;&nbsp;&nbsp; to rob the fella, I know.<br>**[15:11] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see his train of thought<br>&nbsp;&nbsp;&nbsp;&nbsp;clearly as it comes and goes.<br>**[15:13] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what makes me the best, y'know?!<br>**[15:17] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what should we do?<br>**[15:18] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do? We do what we can.<br>**[15:20] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, we'll just play<br>&nbsp;&nbsp;&nbsp;&nbsp;along with his little plan.<br>**[15:23] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a tasty target for us, too, so I'm a fan.<br>**[15:26] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few million would be another story.<br>**[15:28] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But playing the odds<br>&nbsp;&nbsp;&nbsp;&nbsp;for a billion? Mandatory.<br>**[15:30] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san's trying to make<br>&nbsp;&nbsp;&nbsp;&nbsp;money by ripping off my act.<br>**[15:33] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without a doubt, he's a shitty copycat.<br>**[15:34] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take him down,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I need forty winks.<br>**[15:37] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Game set for tonight,<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow it's time to think.<br>**[15:40] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do with him?<br>**[15:42] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's an extra life in video game terms.<br>**[15:46] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should hold onto all the sacrificial<br>&nbsp;&nbsp;&nbsp;&nbsp;pawns we can, as far as I'm concerned.<br>**[15:49] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more you have, the more<br>&nbsp;&nbsp;&nbsp;&nbsp;prepared you'll be for misfortune.<br>**[15:52] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand that, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then don't speak, okay?<br>**[15:54] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be thinkin' about you night and day.<br>**[15:57] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until he cashes that lottery ticket,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll be keeping you locked away.<br>**[16:02] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Kakihana, live as long as you can.<br>**[16:05] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you of sound mind?<br>&nbsp;&nbsp;&nbsp;&nbsp;This might be the last time, man.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mom
<br>**[16:08] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk to her before you forget how.<br>**[16:10] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I called her number for you just now.<br>**[16:13] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mom. Sorry for calling so late.<br>**[16:17] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's nothing.<br>**[16:20] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just wondering how you're doing.<br>**[16:23] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other day, I said I might<br>&nbsp;&nbsp;&nbsp;&nbsp;be getting married, but...<br>**[16:30] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not happening.<br>**[16:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, Dobu. To your left. It's Kabasawa.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Assault] Dobu's violence finally caught on camera!! [Injury]
<br>**[16:38] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As you just saw, I finally*<br>*&nbsp;&nbsp;&nbsp;&nbsp;succeeded in filming him myself.*<br>**[16:41] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Kabasawa Online Salon*<br>*&nbsp;&nbsp;&nbsp;&nbsp;closed community met in Shibuya*<br>**[16:46] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;wearing skull masks for a million yen prize*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for whoever catches him,*<br>**[16:49] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but one of our members became his victim.*<br>**[16:51] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He won't get away with this!*<br>**[16:52] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, everyone, let's corner Dobu.*<br>**[16:55] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you'd like to help, please join*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Kabasawa Online Salon.*<br>**[16:59] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're trying to break ten thousand members.*<br>**[17:01] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;For a limited time, the monthly fee*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is just ten thousand yen!*<br>**[17:04] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Anyway, didn't that video*<br>*&nbsp;&nbsp;&nbsp;&nbsp;strike you as a little odd?*<br>**[17:08] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That voice at the end shouting,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Hey, Dobu. To your left. It's Kabasawa."*<br>**[17:12] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who was that?*<br>**[17:13] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think there's a traitor in the salon.*<br>**[17:16] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After all, I was wearing this then.*<br>**[17:20] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How did they know?! It doesn't make sense!*<br>**[17:22] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Whoever finds the traitor*<br>*&nbsp;&nbsp;&nbsp;&nbsp;gets a million yen, too!*<br>**[17:25] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Online Salon is jumping at shadows now!*<br>**[17:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Show them our solidarity! Catch them!*<br>**[17:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Catch Dobu! Catch the traitor!*<br>**[17:29] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;This thing has a ton of views.<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet he's made a lot of money.<br>**[17:32] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right, you! <br>
&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll expose you!*<br>**[17:33] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, right? But apparently<br>&nbsp;&nbsp;&nbsp;&nbsp;he's starting to gain haters.<br>**[17:36] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say he's a one-hit<br>&nbsp;&nbsp;&nbsp;&nbsp;wonder and a coward.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New message <br>
&nbsp;&nbsp;&nbsp;&nbsp;Taeko<br>
&nbsp;&nbsp;&nbsp;&nbsp; I haven't heard from Kakihana-san in a week. <br>
&nbsp;&nbsp;&nbsp;&nbsp;Do you know where he is?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N-1 Grand Prix 2021
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Results – Schedule
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What is N-1 2021?<br>
&nbsp;&nbsp;&nbsp;&nbsp; The N-1 2021 is a hardcore national contest for<br>
&nbsp;&nbsp;&nbsp;&nbsp; professional and amateur "manzai" comedians.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;30 Semifinalist Groups
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Callop
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Goose
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bam Bam Bigelow
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japan's Section Chief
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamori-tei
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jerry Don
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kyoto Hoteison
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mrs. Osborne
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ao-momiji
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Orange Victory
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Homosapiens
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyu and Hikoki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Homosapiens
<br>**[17:57] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We made it to the semifinals.<br>**[18:00] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Yamamoto the manager seemed flustered?<br>**[18:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He wanted to know who<br>&nbsp;&nbsp;&nbsp;&nbsp;was trying to buy it for 900 million.<br>**[18:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was heading to a warehouse<br>&nbsp;&nbsp;&nbsp;&nbsp;at the harbor, right?<br>**[18:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's definitely connected to Yano, then.<br>**[18:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the boss's classmate's<br>&nbsp;&nbsp;&nbsp;&nbsp;daughter in the dash cam data?<br>**[18:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I checked, but I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;which passenger she would be.<br>**[18:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not like I can show the boss.<br>**[18:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you going to do next?<br>**[18:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna rob a bank.<br>**[18:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Sorry, I wasn't listening.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recording 1.wav
<br>**[18:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently my friend is missing.<br>**[18:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to rob a bank.<br>**[18:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you stupid? How, in this day and age?<br>**[18:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be precise, I'm going to rob someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who's at the bank to make a withdrawal.<br>**[18:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to help me.<br>**[18:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the risk-return worth it?<br>**[18:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody walks around with that much cash.<br>**[18:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's worth the risk. After all,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll have one billion yen.<br>**[19:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? Explain.<br>**[19:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It takes a week or two to get<br>&nbsp;&nbsp;&nbsp;&nbsp;enough cash for a large withdrawal.<br>**[19:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're supposed to contact me<br>&nbsp;&nbsp;&nbsp;&nbsp;when that happens.<br>**[19:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll let me know who's receiving<br>&nbsp;&nbsp;&nbsp;&nbsp;how much cash on what day at what time,<br>**[19:18] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I've bribed a bank employee.<br>**[19:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you're free to do<br>&nbsp;&nbsp;&nbsp;&nbsp;what you want with them?<br>**[19:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. That's when<br>&nbsp;&nbsp;&nbsp;&nbsp;the real crime begins.<br>**[19:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did the number one<br>&nbsp;&nbsp;&nbsp;&nbsp;billion yen come from?<br>**[19:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bank in question exchanges<br>&nbsp;&nbsp;&nbsp;&nbsp;lottery tickets for money.<br>**[19:33] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who wins a large<br>&nbsp;&nbsp;&nbsp;&nbsp;amount has to go there.<br>**[19:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, nobody would withdraw<br>&nbsp;&nbsp;&nbsp;&nbsp;that much money in cash.<br>**[19:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But recently, someone has<br>&nbsp;&nbsp;&nbsp;&nbsp;appeared on the internet<br>**[19:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;claiming to have won one billion yen.<br>**[19:44] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano's probably aware of him, too.<br>**[19:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I demanded one<br>&nbsp;&nbsp;&nbsp;&nbsp;billion from Yamamoto,<br>**[19:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano will go after that guy<br>&nbsp;&nbsp;&nbsp;&nbsp;for his one billion yen.<br>**[19:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if they'll threaten him,<br>**[19:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they'll force him to withdraw the money.<br>**[20:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be waiting for that opportunity.<br>**[20:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what you call fishing<br>&nbsp;&nbsp;&nbsp;&nbsp;in troubled waters.<br>**[20:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you trust someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who makes that claim online?<br>**[20:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's fake, that's fine.<br>**[20:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Somebody* won one billion yen.<br>**[20:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano and his crew will find them.<br>**[20:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much is one billion yen in cash?<br>**[20:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can it be easily stolen?<br>**[20:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It weighs about 100 kilos.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not impossible to carry.<br>**[20:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt the bank employees will help you.<br>**[20:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have other allies?<br>**[20:27] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among the police, yeah.<br>**[20:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[20:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been asking some very thoughtful<br>&nbsp;&nbsp;&nbsp;&nbsp;and expository questions.<br>**[20:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you're trying to get me to commit<br>&nbsp;&nbsp;&nbsp;&nbsp;to answers for a third party to listen to.<br>**[20:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting involved in a major crime here.<br>**[20:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I want to know the details.<br>**[20:44] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, huh? I'm sure you have some idea.<br>**[20:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't. Who is it?<br>**[20:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daimon.<br>**[20:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Which one?<br>**[20:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The older brother.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recording 1.wav
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;End Recording
<br>**[20:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Kakihana your missing friend?<br>**[21:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm worried about him.<br>**[21:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to look for him<br>&nbsp;&nbsp;&nbsp;&nbsp;where I think I might find him.<br>**[21:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be ready to go anytime.<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay nimble and alert.<br>**[21:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't found skull mask<br>&nbsp;&nbsp;&nbsp;&nbsp;or Kabasawa yet, either—<br>**[21:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't treat me like your henchman.<br>**[21:19] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[21:20] Salaryman**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could definitely see half her chest!<br>**[21:23] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[21:25] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it isn't Odokawa-sama.<br>**[21:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm coming to pick you up. Get off work.<br>**[21:30] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? Really?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To: Little Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Subject:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Attachments:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recording 1.wav
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Message Sent
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your message has been sent.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Back
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eiji Kakihana <br>
&nbsp;&nbsp;&nbsp;&nbsp;Calling
<br>**[21:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that monkey doing?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabukicho Ichiban-gai
<br>**[21:53] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Odokawa-sama?<br>**[21:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When are you going to cash<br>&nbsp;&nbsp;&nbsp;&nbsp;your one billion yen?<br>**[21:57] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss' CD is going<br>&nbsp;&nbsp;&nbsp;&nbsp;on sale on Christmas.<br>**[22:00] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd time it with that.<br>**[22:02] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to pre-order<br>&nbsp;&nbsp;&nbsp;&nbsp;300,000 this time.<br>**[22:04] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you think of it that way,<br>&nbsp;&nbsp;&nbsp;&nbsp;one billion doesn't seem like much.<br>**[22:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you wait a little longer<br>&nbsp;&nbsp;&nbsp;&nbsp;to redeem your ticket?<br>**[22:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some gangsters are after your money.<br>**[22:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?! That's super scary!<br>**[22:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you posted<br>&nbsp;&nbsp;&nbsp;&nbsp;about it online, you idiot.<br>**[22:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to change residences<br>&nbsp;&nbsp;&nbsp;&nbsp;and lay low for a while.<br>**[22:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, is that picture of your<br>&nbsp;&nbsp;&nbsp;&nbsp;winning lottery ticket still online?<br>**[22:24] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edit it and re-upload it.<br>**[22:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say you actually didn't win.<br>**[22:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you wanted to show off.<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretend you're a pitiful idiot.<br>**[22:33] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will that work?<br>**[22:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if this will<br>&nbsp;&nbsp;&nbsp;&nbsp;make you feel better,<br>**[22:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you do want to live a long life, right?<br>**[22:38] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I can't die until Mystery Kiss<br>&nbsp;&nbsp;&nbsp;&nbsp;takes over the country.<br>**[22:42] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss has been<br>&nbsp;&nbsp;&nbsp;&nbsp;through a lot of hardship,<br>**[22:44] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but their spring's finally on the horizon!<br>**[22:50] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow. What was that for, Odokawa-sama?<br>**[22:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[22:56] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow. What was that for, Odokawa-sama?<br>**[22:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that.<br>**[23:00] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss' CD is going<br>&nbsp;&nbsp;&nbsp;&nbsp;on sale on Christmas.<br>**[23:04] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd time it with that.<br>**[23:05] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to pre-order<br>&nbsp;&nbsp;&nbsp;&nbsp;300,000 this time.<br>**[23:08] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you think of it that way,<br>&nbsp;&nbsp;&nbsp;&nbsp;one billion doesn't seem like much.<br>**[23:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too far back.<br>**[23:11] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I can't die until Mystery<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss takes over the country.<br>**[23:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that.<br>**[23:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their spring's finally on the horizon.<br>**[23:19] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My spring's finally on the horizon, though.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san!! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Good luck at work
<br>**[23:21] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, read it and weep.<br>**[23:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I forget about that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Stupid, stupid, stupid!<br>**[23:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a calico cat.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: The Hero's Melancholy
<br>**[23:35] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Good to see ya, Odokawa!*<br>**[23:37] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You gettin' enough to drink? <br>
&nbsp;&nbsp;&nbsp;&nbsp;Is your glass empty?*<br>**[23:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are you...*<br>**[23:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, Kakihana. What's gotten into you?*<br>**[23:44] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All these painful memories <br>
&nbsp;&nbsp;&nbsp;&nbsp;came flooding back...*<br>**[23:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You sound totally screwed.*<br>

# E9 - The Hero's Melancholy

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GEVUZ8Z1J/the-heros-melancholy)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Hero's Melancholy
<br>**[01:33] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I listened to the recording.*<br>**[01:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty conclusive evidence, isn't it?<br>**[01:36] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dobu only named my brother.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon
<br>**[01:38] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe he lied out of desperation.*<br>**[01:40] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All we know for sure is that Dobu is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;planning to rob a bank. That's all.*<br>**[01:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your love for your brother is beautiful.<br>**[01:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's good enough for me.<br>**[01:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to let Dobu keep going for now.<br>**[01:51] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where are you now, Odokawa?*<br>**[01:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My friend may have been kidnapped.<br>**[01:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to rescue him.<br>**[01:57] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sounds like a case, Odokawa.*<br>**[01:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Evil is afoot.<br>**[02:00] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's unbelievably evil. And if evil is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;afoot, then it's time for me to act.*<br>**[02:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to help me?<br>**[02:04] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course. Punishing evil is my job.*<br>**[02:08] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where should I go?*<br>**[02:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shibaura Wharf.<br>**[02:10] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Outside my jurisdiction.*<br>**[02:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come, then.<br>**[02:12] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait.*<br>**[02:12] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I doubt you're aware, but there's this thing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;called extra-jurisdictional authority.*<br>**[02:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome to help as Little<br>&nbsp;&nbsp;&nbsp;&nbsp;Daimon the private citizen,<br>**[02:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for now, I don't need<br>&nbsp;&nbsp;&nbsp;&nbsp;help from the cops.<br>**[02:22] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's incredibly insulting.*<br>**[02:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing this to exterminate evil.<br>**[02:26] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you don't tear it out by the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;roots, it just comes back.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon
<br>**[02:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You're quick on the uptake.<br>**[02:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to get rid of<br>&nbsp;&nbsp;&nbsp;&nbsp;them all in one fell swoop,<br>**[02:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need the cops to wait a little longer.<br>**[02:35] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it.*<br>**[02:36] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's frustrating, but if the alternative*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is being overrun by evil,*<br>**[02:39] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then I'll have to turn a blind eye to it.*<br>**[02:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where the hell did you learn those words?<br>**[02:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in a hurry. I'll talk to you later.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;#dobu #taichikabasawa #judgment #amazingepisode
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Video of shooting at <br>
&nbsp;&nbsp;&nbsp;&nbsp;Shinjuku cabaret club acquired! 
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Posted 11/01/2021
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu sightings and fan letters ↓  kbsw_t@jmail.com   Official Kabasawa Zwitter ↓
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Subject:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1 hour from now, Dobu will  show up at Shibaura Wharf.  Be a real hero.
<br>**[03:14] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't uploaded any videos recently.<br>**[03:17] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should catch Dobu soon<br>&nbsp;&nbsp;&nbsp;&nbsp;and become a real hero.<br>**[03:21] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;getting more haters recently?<br>**[03:25] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're saying you're not a hero.<br>**[03:27] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you're just an approval-hungry monster.<br>**[03:30] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you're scared of Dobu.<br>**[03:32] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you brainwashed them into making<br>&nbsp;&nbsp;&nbsp;&nbsp;offerings, but they've come to their senses.<br>**[03:35] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That once you peel back your pretense<br>&nbsp;&nbsp;&nbsp;&nbsp;of divinity, you're just an ordinary guy.<br>**[03:39] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you're just a one-hit wonder.<br>**[03:41] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you're sleeping with<br>&nbsp;&nbsp;&nbsp;&nbsp; your female followers...<br>**[03:43] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I guess that last one is true.<br>**[03:45] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;It frustrates me, y'know?<br>**[03:47] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't just tell them<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa-sama is the real deal.<br>**[03:51] Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking at you lately,<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize that you really are—<br>**[03:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[03:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know me!<br>**[03:57] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Society made all this fuss about me!<br>**[03:59] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They thrust this attention<br>&nbsp;&nbsp;&nbsp;&nbsp;on me, put me in the line of fire!<br>**[04:01] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask to be deified!<br>**[04:02] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know the kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of pressure I'm under!<br>**[04:06] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so scared, I don't know what to do!<br>**[04:08] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is who your god is!<br>**[04:10] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is who your hero is!<br>**[04:12] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave, bitch!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;11/7 Sunday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1 hour from now...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1 hour from now, Dobu will  show up at Shibaura Wharf.  Be a real hero.
<br>**[04:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're treating me like your bodyguard?<br>**[04:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've really made it, haven't you, Odokawa?<br>**[04:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still acting like my superior, I see.<br>**[04:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Sorry.<br>**[04:53] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our goals are different,<br>**[04:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're partners on the same level,<br>&nbsp;&nbsp;&nbsp;&nbsp;who are temporarily working together.<br>**[04:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where's Kakihana?<br>**[05:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shibaura Wharf.<br>**[05:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. Isn't that—<br>**[05:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl Kakihana met through a dating site<br>**[05:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the girl who was with<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto are the same person.<br>**[05:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana went missing at the same time<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto and his girl headed to the wharf.<br>**[05:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're probably running a badger game.<br>**[05:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would make it Yano's job.<br>**[05:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything about that.<br>**[05:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about the decorum<br>&nbsp;&nbsp;&nbsp;&nbsp;of your criminal activities.<br>**[05:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only care about rescuing Kakihana.<br>**[05:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is gonna be a pain in the ass.<br>**[05:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't Yano your junior?<br>**[05:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one obsessed with hierarchies<br>&nbsp;&nbsp;&nbsp;&nbsp;and pledges made over sake cups.<br>**[05:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;resolve this by talking—<br>**[05:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't work with Yano.<br>**[05:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an unspoken rule that we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;interfere with each other's business.<br>**[05:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not get along with Yano,<br>**[05:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're both trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to make money for the boss.<br>**[05:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't save Kakihana,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not helping you rob a bank.<br>**[05:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't that mean Yano<br>&nbsp;&nbsp;&nbsp;&nbsp;is interfering with your job?<br>**[06:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think you're so witty, don't you?<br>**[06:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[06:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit, it grazed me.<br>**[06:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Park us somewhere. I'm taking back my gun.<br>**[06:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. He's trying to kill me.<br>**[06:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you didn't care if you died.<br>**[06:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no. I don't like pain.<br>**[06:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's terrifying. What's his problem?<br>**[06:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we still in Japan?<br>**[07:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[07:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's run for it.<br>**[07:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we lost him.<br>**[07:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you run?<br>**[07:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a one-in-a-million chance.<br>**[07:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let you or I die right now.<br>**[07:31] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[07:32] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me.<br>**[07:34] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Again?<br>**[07:37] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a tiny bladder, or what? Jeez.<br>**[07:40] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just like the problem<br>&nbsp;&nbsp;&nbsp;&nbsp;of keeping death row inmates<br>**[07:43] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;who aren't assigned<br>&nbsp;&nbsp;&nbsp;&nbsp;to penal labor incarcerated.<br>**[07:46] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta take care of 'em.<br>**[07:57] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm leaving, so you'd better get it all out.<br>**[08:01] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back to check<br>&nbsp;&nbsp;&nbsp;&nbsp;on you in about three days.<br>**[08:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you scared of water?<br>**[08:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? Maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;I drowned in a previous life.<br>**[08:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, phobias don't always have a reason.<br>**[08:19] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Yano-san will find a way<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn your life into money.<br>**[08:23] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A way to use—<br>**[08:27] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[08:38] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it isn't Dobu-san.<br>**[08:39] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>**[08:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Sekiguchi.<br>**[08:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to rescue a kidnapping victim.<br>**[08:45] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did Yano-san have to say about this?<br>**[08:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't talked to Yano.<br>**[08:50] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then please leave.<br>**[08:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cold out here. At least let me inside.<br>**[08:55] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is he?<br>**[08:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A taxi driver.<br>**[08:58] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made a man with<br>&nbsp;&nbsp;&nbsp;&nbsp;an honest job your underling?<br>**[09:01] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've fallen far, Dobu.<br>**[09:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're out runnin' badger games,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could say the same of you.<br>**[09:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, taxi driver. I'm gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;chuck this guy into the sea.<br>**[09:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take Kakihana and get outta<br>&nbsp;&nbsp;&nbsp;&nbsp; here in the meantime.<br>**[09:54] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa...<br>**[09:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[10:05] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they doing?<br>**[10:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're idiots.<br>**[10:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're idiots, so they don't know how<br>&nbsp;&nbsp;&nbsp;&nbsp;to express their feelings.<br>**[10:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They use duty and human nature<br>&nbsp;&nbsp;&nbsp;&nbsp;as an excuse for violence.<br>**[10:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's what you'd expect<br>&nbsp;&nbsp;&nbsp;&nbsp;from living creatures.<br>**[10:34] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get to go home?<br>**[10:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's go home. You must've been cold.<br>**[10:50] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute, Dobu-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;I let Kakihana escape.<br>**[10:53] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you beat me, then I won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to face Yano-san.<br>**[10:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not my problem.<br>**[10:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault that you couldn't beat me.<br>**[11:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you take this opportunity to quit<br>&nbsp;&nbsp;&nbsp;&nbsp; doing low-tier jobs like badger games?<br>**[11:07] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa, I don't know what to say.<br>**[11:11] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so pathetic.<br>**[11:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Skull mask...<br>**[11:27] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were an amateur.<br>**[11:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how we went to Hakone<br>&nbsp;&nbsp;&nbsp;&nbsp;for off-campus education in high school?<br>**[11:43] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we sure did.<br>**[11:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bought a yosegi puzzle box<br>&nbsp;&nbsp;&nbsp;&nbsp;as a souvenir, remember?<br>**[11:48] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I did.<br>**[11:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;One with 36 steps.<br>**[11:52] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? I'm surprised you remember.<br>**[11:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You kept it in your bag for a while.<br>**[11:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd perform all 36 steps and<br>&nbsp;&nbsp;&nbsp;&nbsp;open the thing, like a showoff.<br>**[12:00] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I remember that...<br>**[12:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember what happened to that box?<br>**[12:06] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[12:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put your family's stamp inside it<br>**[12:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and left it on top of the shoe<br>&nbsp;&nbsp;&nbsp;&nbsp;cupboard in your entryway.<br>**[12:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When a delivery arrived, your mom tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to open it through trial-and-error.<br>**[12:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deliveryman watched her the entire time.<br>**[12:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, she smashed it open<br>&nbsp;&nbsp;&nbsp;&nbsp;and got the stamp out, like an otter.<br>**[12:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got in a lot of trouble later.<br>**[12:28] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's what happened. What about it?<br>**[12:30] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to say, here?<br>**[12:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been pathetic ever since then.<br>**[12:46] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it. I finally did it, everyone.<br>**[12:49] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got Dobu. Me!<br>**[12:51] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Dobu!<br>**[12:52] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kabasawa. Give it up, you punk!<br>**[12:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize, you bastard!<br>**[12:55] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apologize to everyone in the world.*<br>**[12:58] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hey, haters. And you shitheads who did*<br>*&nbsp;&nbsp;&nbsp;&nbsp;nothing but heckle me from safety.*<br>**[13:02] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You all talked a lotta shit about me.*<br>**[13:03] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, who's the punk now?*<br>**[13:05] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the end, I got Dobu all by myself!*<br>**[13:07] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm the only charismatic leader you need!*<br>**[13:09] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're all my slaves!*<br>**[13:13] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh?*<br>**[13:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a gun?<br>**[13:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a gun?<br>**[13:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Then let's<br>&nbsp;&nbsp;&nbsp;&nbsp;hear what you have to say.<br>**[13:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you rather duke it out?<br>**[13:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I s-surrender!<br>**[13:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I can't beat you in a fight.<br>**[13:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the extent of your sense of justice?<br>**[13:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You vowed to catch me,<br>&nbsp;&nbsp;&nbsp;&nbsp;when your resolve was this weak?<br>**[13:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never had any sense of justice<br>&nbsp;&nbsp;&nbsp;&nbsp;or resolve to begin with.<br>**[13:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you try reflecting on<br>&nbsp;&nbsp;&nbsp;&nbsp; the principles that drove you to act?<br>**[13:59] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted attention.<br>**[14:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it. Now, why not dig a little deeper?<br>**[14:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why* did you want attention?<br>**[14:08] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[14:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you wanted approval<br>&nbsp;&nbsp;&nbsp;&nbsp;from others, yeah?<br>**[14:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why did you want approval from others?<br>**[14:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you have no self-esteem.<br>**[14:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you have no confidence,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't approve of yourself.<br>**[14:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But despite that, you're more<br>&nbsp;&nbsp;&nbsp;&nbsp;narcissistic than anyone.<br>**[14:23] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! I'm not a narcissist.<br>**[14:26] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hated who I was before I had attention.<br>**[14:28] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, receiving attention didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;magically make me like myself.<br>**[14:33] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it felt so good, so I kept escalating.<br>**[14:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I'm so scared, I don't know what to do.<br>**[14:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I regret it. I've always hated myself.<br>**[14:41] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I despise who I am.<br>**[14:43] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to disappear.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to die.<br>**[14:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying your extreme rejection of<br>
&nbsp;&nbsp;&nbsp;&nbsp; and hatred for yourself *is* narcissism.<br>**[14:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normal people aren't that<br>&nbsp;&nbsp;&nbsp;&nbsp; interested in themselves.<br>**[14:57] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do, then?<br>**[15:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find a mentor you trust, not an<br>&nbsp;&nbsp;&nbsp;&nbsp;unspecified large number of people.<br>**[15:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One you can respect.<br>**[15:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got a baseline to measure<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself from, you won't waver.<br>**[15:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's too difficult,<br>&nbsp;&nbsp;&nbsp;&nbsp;then approve of yourself.<br>**[15:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, you need<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn to accept yourself.<br>**[15:14] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand!<br>**[15:15] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate your words,<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san. I hear you.<br>**[15:19] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, I, Taichi Kabasawa,<br>&nbsp;&nbsp;&nbsp;&nbsp;shall return to university,<br>**[15:22] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;resume looking for a job,<br>&nbsp;&nbsp;&nbsp;&nbsp;and live my life one day at a time!<br>**[15:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of you, my eyes have been opened.<br>**[15:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[15:30] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[15:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait. I'm not running<br>&nbsp;&nbsp;&nbsp;&nbsp;a self-improvement seminar here.<br>**[15:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you know, I don't make an honest living.<br>**[15:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to compensate me<br>&nbsp;&nbsp;&nbsp;&nbsp;for all the harm you've caused me.<br>**[15:44] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't kill me.<br>**[15:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what can you give me, if not your life?<br>**[15:48] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, I bought an a-apartment.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have that.<br>**[15:52] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-And a car. I drove it here today.<br>**[15:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some money left, too.<br>**[15:57] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... Please forgive me.<br>**[16:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's the wisest choice.<br>**[16:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did make that money off me.<br>**[16:05] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... Will you forgive me?<br>**[16:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:09] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to die?<br>**[16:11] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a good person, Dobu-san—<br>**[16:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more thing.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[16:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's such an idiot.<br>**[16:22] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;His mind and body are<br>&nbsp;&nbsp;&nbsp;&nbsp; in a pretty weakened state.<br>**[16:25] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll have to stay here for a while.<br>**[16:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't have any money.<br>**[16:29] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give him a discount.<br>**[16:31] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Odokawa. What are you doing?<br>**[16:36] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you go with Dobu to save Kakihana?<br>**[16:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to take down Dobu.<br>**[16:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll use whatever I can, and ultimately,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take out his whole organization.<br>**[16:46] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just a taxi driver.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you need to do that?<br>**[16:49] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do anything dangerous.<br>**[16:51] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you avenging Shirakawa-san?<br>**[16:53] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a good girl at heart.<br>**[16:56] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu got his claws in her<br>&nbsp;&nbsp;&nbsp;&nbsp;before she knew any better.<br>**[16:58] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He used her. She's a victim.<br>**[17:01] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in some ways, she brought it on herself.<br>**[17:03] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may have been controlled by fear,<br>**[17:06] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was her weakness that<br>&nbsp;&nbsp;&nbsp;&nbsp;made her follow Dobu's instructions.<br>**[17:09] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must've had plenty<br>&nbsp;&nbsp;&nbsp;&nbsp;of chances to leave him.<br>**[17:12] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-san threw those chances away.<br>**[17:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't bring it on herself.<br>**[17:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you a doctor? Have you<br>&nbsp;&nbsp;&nbsp;&nbsp;heard of Stockholm Syndrome?<br>**[17:21] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's when kidnapping victims develop<br>&nbsp;&nbsp;&nbsp;&nbsp;affection for their kidnappers, right?<br>**[17:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Following Dobu's instructions<br>&nbsp;&nbsp;&nbsp;&nbsp;was her strategy for survival.<br>**[17:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She felt that cornered.<br>**[17:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was controlled by violence and threats.<br>**[17:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was an unfair situation.<br>**[17:38] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's no reason for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to cross this dangerous bridge.<br>**[17:43] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you love Shirakawa-san that much?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa-san has uploaded a video.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shutting Down] Taichi Kabasawa Defeated [Surrender]
<br>**[17:54] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To everyone watching the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa channel, as of this day,*<br>**[17:57] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I, Taichi Kabasawa, have decided to stop*<br>*&nbsp;&nbsp;&nbsp;&nbsp;uploading videos and holding online salons.*<br>**[18:05] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All Kabasawa accounts will be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;erased in a few days.*<br>**[18:10] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am not a hero, nor champion of justice.*<br>**[18:15] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I apologize for ultimately*<br>*&nbsp;&nbsp;&nbsp;&nbsp;deceiving all of you.*<br>**[18:20] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Dobu—Dobu-san has nothing to do*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with this, so don't get the wrong idea.*<br>**[18:27] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I simply lost to myself.*<br>**[18:29] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So I ask that the rest of you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;leave Dobu-san alone, also.*<br>**[18:34] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Also, um, I'm not offering refunds*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for the online salon.*<br>**[18:41] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I appreciate your understanding.*<br>**[18:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a tough guy.<br>**[18:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both Sekiguchi and Kabasawa lost to him.<br>**[18:53] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you post it?<br>**[18:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's done.<br>**[19:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:02] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. I'm just grateful that<br>&nbsp;&nbsp;&nbsp;&nbsp;I made it through this unscathed.<br>**[19:08] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[19:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll be taking your car.<br>**[19:16] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you'll fall if you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't quit messing around.<br>**[19:18] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be fine.<br>**[20:01] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun, are you home?<br>**[20:04] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;His car's not here. I don't think he's home.<br>**[20:07] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Well, that's a problem.<br>**[20:10] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm the landlord here.<br>**[20:13] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[20:15] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't introduced myself yet.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Odokawa's friend, Goriki.<br>**[20:21] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the problem? Did something happen?<br>**[20:24] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, all sorts of things lately.<br>**[20:25] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;First the police showed up,<br>&nbsp;&nbsp;&nbsp;&nbsp;then his window was broken.<br>**[20:30] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun said he was going to move<br>&nbsp;&nbsp;&nbsp;&nbsp;because he didn't want to cause trouble.<br>**[20:35] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is that a problem?<br>**[20:38] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a huge problem.<br>**[20:39] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Odokawa-kun's guardian,<br>**[20:41] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've already received enough rent<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to live here for life.<br>**[20:45] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the foundation?<br>**[20:47] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[20:47] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since Odokawa-kun started working,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's been paying more than his rent.<br>**[20:52] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me to return the money<br>&nbsp;&nbsp;&nbsp;&nbsp;to the foundation's representative.<br>**[20:55] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long has Odokawa been living here?<br>**[20:59] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since fifth grade.<br>**[21:00] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alone? He's been living off<br>&nbsp;&nbsp;&nbsp;&nbsp;the foundation's money?<br>**[21:05] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Sometimes he'd eat at my place,<br>**[21:08] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for the most part, he'd refuse.<br>**[21:10] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he didn't want to trouble me.<br>**[21:12] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;I helped him with any necessary business<br>&nbsp;&nbsp;&nbsp;&nbsp;at school and the public office.<br>**[21:15] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just felt so bad for him.<br>**[21:17] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you tell me the name of that<br>&nbsp;&nbsp;&nbsp;&nbsp;representative or the foundation itself?<br>**[21:22] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if I can.<br>**[21:24] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their condition is that in exchange<br>&nbsp;&nbsp;&nbsp;&nbsp;for not seeking any profit or tax benefits,<br>**[21:28] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;our identities are kept secret.<br>**[21:31] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you deposit the money you get<br>&nbsp;&nbsp;&nbsp;&nbsp;from Odokawa, right?<br>**[21:35] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I do.<br>**[21:36] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'd steal it? How dreadful.<br>**[21:39] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I meant.<br>**[21:42] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Odokawa-kun is moving,<br>**[21:44] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I intend to return the money<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been holding onto.<br>**[21:48] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where Odokawa lived<br>&nbsp;&nbsp;&nbsp;&nbsp;before coming here?<br>**[21:52] Landlord**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it was Shiroku in Chichibu.<br>**[21:56] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiroku in Chichibu.<br>**[21:58] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, he lived alone?<br>**[22:00] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was living at an orphanage<br>&nbsp;&nbsp;&nbsp;&nbsp;or with family not an option?<br>**[22:04] Landlady**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what Odokawa-kun wanted.<br>**[22:07] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so. His parents<br>&nbsp;&nbsp;&nbsp;&nbsp;might return someday.<br>**[22:12] Landlady**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[22:14] Landlady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really his friend?<br>**[22:16] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard Odokawa's parents are missing.<br>**[22:20] Landlady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun told you that?<br>**[22:22] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what I was told.<br>**[22:23] Landlady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's what he believes...<br>**[22:25] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not missing?<br>**[22:28] Landlady**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're dead. Both of them.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: We Have No Tomorrow
<br>**[23:35] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Capoeira.*<br>**[23:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Uh, okay?*<br>**[23:37] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You said before that you didn't know<br>
&nbsp;&nbsp;&nbsp;&nbsp; how people pick up capoeira.*<br>**[23:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, yeah. Did I?*<br>**[23:42] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do you want me to hit you <br>
&nbsp;&nbsp;&nbsp;&nbsp;with a cabeçada into an aú batido?*<br>**[23:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry, sorry. I don't know what those <br>
&nbsp;&nbsp;&nbsp;&nbsp;techniques are, but they sound scary.*<br>

# E10 - We Have No Tomorrow

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G7PU4W4G2/we-have-no-tomorrow)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We Have No Tomorrow
<br>**[01:02] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entry number 2414, Omi Beef.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N-1 Grand Prix
<br>**[01:08] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Final group.<br>**[01:10] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entry number...<br>**[01:13] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;2425, Bonnou Illumination.<br>**[01:16] Fukumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[01:17] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[01:19] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all. If your name was called...<br>**[01:27] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I've got something after this.<br>**[01:33] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't make it.<br>**[01:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Nagashima, right? You came to watch?<br>**[01:38] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you do the joke<br>&nbsp;&nbsp;&nbsp;&nbsp;about the café hideaway?<br>**[01:41] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were a musician, I wouldn't put<br>&nbsp;&nbsp;&nbsp;&nbsp;my hit songs on my "best of" albums.<br>**[01:45] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you haven't succeeded.<br>**[01:46] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it's not what you want,<br>**[01:48] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to be someone that has<br>&nbsp;&nbsp;&nbsp;&nbsp;"best of" albums with hits.<br>**[01:50] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't get enough time<br>&nbsp;&nbsp;&nbsp;&nbsp;to go over our material, either.<br>**[01:52] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you guys might make it<br>&nbsp;&nbsp;&nbsp;&nbsp;since Baba-san's getting popular.<br>**[01:55] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite that, Bonnou Illumination<br>&nbsp;&nbsp;&nbsp;&nbsp; took that category.<br>**[01:58] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only are you up in my personal space,<br>**[01:59] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're also trying to burn me.<br>**[02:01] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, a smoking area in Shin-Osaka?<br>**[02:05] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The population density of smoking<br>&nbsp;&nbsp;&nbsp;&nbsp;areas in Shin-Osaka is brutal.<br>**[02:08] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta watch out for all<br>&nbsp;&nbsp;&nbsp;&nbsp;the lit cigarettes everywhere.<br>**[02:10] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me explain the joke. It's embarrassing.<br>**[02:11] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should team up with me.<br>**[02:12] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:13] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're splitting up this year<br>&nbsp;&nbsp;&nbsp;&nbsp;if you don't make it, right?<br>**[02:16] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise we'll make it big together.<br>**[02:18] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can even write jokes.<br>**[02:19] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used a ton of my letters<br>&nbsp;&nbsp;&nbsp;&nbsp;on your radio show, right?<br>**[02:21] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can draw out your best qualities.<br>**[02:23] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can show you the view<br>&nbsp;&nbsp;&nbsp;&nbsp;from the top, Shibagaki-san.<br>**[02:25] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I team up with a high school student now,<br>**[02:28] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;people will say I've finally lost my mind.<br>**[02:30] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going do<br>&nbsp;&nbsp;&nbsp;&nbsp;after you split up, then?<br>**[02:32] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think you can make it alone?<br>**[02:33] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, you're obnoxious!<br>**[02:34] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;How obnoxious?<br>**[02:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;As loud and annoying<br>&nbsp;&nbsp;&nbsp;&nbsp;as a convenience store ATM.<br>**[02:38] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, that shrill piercing sound<br>&nbsp;&nbsp;&nbsp;&nbsp;they make after you withdraw money...<br>**[02:41] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not that funny.<br>**[02:42] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you didn't draw<br>&nbsp;&nbsp;&nbsp;&nbsp; out my best qualities.<br>**[02:45] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're splitting up, team up with me.<br>**[02:47] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still the losers' bracket.<br>**[02:49] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not giving up?<br>**[02:50] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[02:51] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, if you wanna be an entertainer,<br>**[02:53] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;find someone your own age.<br>**[02:54] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try to ride my flimsy-ass coattails.<br>**[02:58] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I saw you perform your jokes today,<br>**[03:00] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt like Baba-san has lost his<br>&nbsp;&nbsp;&nbsp;&nbsp;motivation for manzai comedy.<br>**[03:02] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you should try again with me.<br>**[03:10] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got interesting news from our<br>&nbsp;&nbsp;&nbsp;&nbsp; unlicensed doc, y'know the guy?<br>**[03:14] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear Dobu-san showed up<br>&nbsp;&nbsp;&nbsp;&nbsp; in a fancy new ride.<br>**[03:16] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shot in the femoral region,<br>&nbsp;&nbsp;&nbsp;&nbsp;right in the thigh.<br>**[03:18] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like the culprit's<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who stole his gun.<br>**[03:20] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the boss finds out, Dobu better run.<br>**[03:22] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, his points are<br>&nbsp;&nbsp;&nbsp;&nbsp; goin' down one-by-one.<br>**[03:24] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;After this, all his business will be mine.<br>**[03:26] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used to be brothers in arms,<br>&nbsp;&nbsp;&nbsp;&nbsp; fates entwined.<br>**[03:28] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two flowers blossoming<br>&nbsp;&nbsp;&nbsp;&nbsp;for the boss, both aligned.<br>**[03:30] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He taught me to use people<br>&nbsp;&nbsp;&nbsp;&nbsp; and money, rinse and repeat.<br>**[03:32] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Showed compassion to a country<br>&nbsp;&nbsp;&nbsp;&nbsp;kid raised on the streets.<br>**[03:35] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I gotta say, this development<br>&nbsp;&nbsp;&nbsp;&nbsp; is pretty sweet.<br>**[03:37] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A decade my senior, he had<br>&nbsp;&nbsp;&nbsp;&nbsp; my respect, my affection.<br>**[03:38] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now he's gone soft,<br>&nbsp;&nbsp;&nbsp;&nbsp;a sugar-coated confection.<br>**[03:41] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is Dobu-san worth now? Upon inspection...<br>**[03:43] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He lacks punch, like these candy<br>&nbsp;&nbsp;&nbsp;&nbsp;drops, to make a connection.<br>**[03:45] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking for peppermint,<br>&nbsp;&nbsp;&nbsp;&nbsp;but all I find is sweet.<br>**[03:49] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ready for a big explosion<br>&nbsp;&nbsp;&nbsp;&nbsp;to knock me off my feet.<br>**[03:51] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bored. Light me on fire,<br>&nbsp;&nbsp;&nbsp;&nbsp;put me in the hot seat.<br>**[03:53] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sekiguchi, your lack of experience<br>&nbsp;&nbsp;&nbsp;&nbsp; led to defeat. You were sloppy.<br>**[03:56] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, deliver this declaration of war for me.<br>**[03:58] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be a scramble for that<br>&nbsp;&nbsp;&nbsp;&nbsp;one billion yen spot.<br>**[04:00] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanwhile, the loser will get<br>&nbsp;&nbsp;&nbsp;&nbsp;to watch his criminal career drop.<br>**[04:06] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. I'll pass on the message.<br>**[04:08] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano-san, did you take a look<br>&nbsp;&nbsp;&nbsp;&nbsp;at that Nikaido fan account?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Imai@Nikaido fan account
<br>**[04:14] Imai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"The photo of the jackpot-winning ticket*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I posted before was actually edited.*<br>**[04:16] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I lied to get a response from Rui-chan.*<br>**[04:22] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm such an idiot.*<br>**[04:24] Imai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll continue running this*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as a Rui Nikaido fan account.*<br>**[04:27] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry for all the trouble I caused."*<br>**[04:29] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, no problem. The one billion<br>&nbsp;&nbsp;&nbsp;&nbsp;yen is definitely with Imai.<br>**[04:32] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen these digital black<br>&nbsp;&nbsp;&nbsp;&nbsp;and white shadows online.<br>**[04:35] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a very famous amateur mistake,<br>&nbsp;&nbsp;&nbsp;&nbsp;does he think he's sly?<br>**[04:37] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look into his past, dig up what you can.<br>**[04:40] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And figure out where we can find the man.<br>**[04:42] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. I'll get everyone on it.<br>**[04:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for calling you so often, Odokawa-san.<br>**[04:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy offering to pay 900 million<br>&nbsp;&nbsp;&nbsp;&nbsp;for your dash cam data is a yakuza.<br>**[04:56] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accepting money from him would<br>&nbsp;&nbsp;&nbsp;&nbsp;mean problems for you later.<br>**[04:59] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you let us handle it?<br>**[05:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're prepared to compensate<br>&nbsp;&nbsp;&nbsp;&nbsp;you appropriately,<br>**[05:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we can guarantee<br>&nbsp;&nbsp;&nbsp;&nbsp;your safety, Odokawa-san.<br>**[05:06] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you this for your sake.<br>**[05:08] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are going great for<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss right now.<br>**[05:12] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came prepared today.<br>**[05:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm willing to use force if necessary.<br>**[05:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're starting to show your true colors.<br>**[05:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding. I obviously wouldn't do that.<br>**[05:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to talk.<br>**[05:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Mystery Kiss that important to you?<br>**[05:26] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course they are. Don't you know?<br>**[05:28] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't about money<br>&nbsp;&nbsp;&nbsp;&nbsp;anymore. It's our dream.<br>**[05:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[05:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad. I was rooting for you.<br>**[05:36] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's too bad?<br>**[05:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Ichimura had to run badger games.<br>**[05:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san?<br>**[05:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana is my friend.<br>**[05:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, he's a hopeless<br>&nbsp;&nbsp;&nbsp;&nbsp;idiot. It was his fault.<br>**[05:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he paid for his mistake already.<br>**[05:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, then?<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you gotten what you deserve yet?<br>**[06:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand, Odokawa-san.<br>**[06:03] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to explain.<br>**[06:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Explain what?<br>**[06:08] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our side of the story.<br>**[06:10] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, we'll apologize<br>&nbsp;&nbsp;&nbsp;&nbsp;to Kakihana-san as well.<br>**[06:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, could you turn left here?<br>**[06:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, how do you want to handle this?<br>**[06:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested in exposing you<br>&nbsp;&nbsp;&nbsp;&nbsp;to the public or anything.<br>**[06:23] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate that. Next right.<br>**[06:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't tell anyone about your evil doings.<br>**[06:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once this is all over, I'll even<br>&nbsp;&nbsp;&nbsp;&nbsp;give you my dash cam data.<br>**[06:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words?<br>**[06:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you side with me?<br>**[06:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Betray whoever you're working for.<br>**[06:50] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Park the car here.<br>**[06:59] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, betray?<br>**[07:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're after the one billion yen.<br>**[07:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm protecting it.<br>**[07:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of that, I'm going to take down<br>**[07:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;both whoever's behind you<br>&nbsp;&nbsp;&nbsp;&nbsp;and the guy behind me.<br>**[07:16] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[07:18] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've considered the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;as calmly as I can.<br>**[07:21] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we have to gain, what we have to lose...<br>**[07:24] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power balance between us.<br>**[07:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how I look at it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see how...<br>**[07:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;a single taxi driver can beat us.<br>**[07:38] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a game!<br>**[07:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you and take everything!<br>**[07:57] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on out!<br>**[08:00] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?<br>**[08:09] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious.<br>**[08:24] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, you'll get a martelo to the face.<br>**[08:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Capoeira's actually pretty strong.<br>**[08:34] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You thought it was<br>&nbsp;&nbsp;&nbsp;&nbsp;a type of dance, didn't you?<br>**[08:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you even start doing<br>&nbsp;&nbsp;&nbsp;&nbsp;it in the first place?<br>**[08:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in my top three things that I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;understand how people get into.<br>**[08:43] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the other two?<br>**[08:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hammer throw and stimulants.<br>**[08:45] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to apologize to everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;and everything, starting with Brazil.<br>**[08:49] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[08:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you could forgive me?<br>**[08:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both for this, and everything until now.<br>**[08:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I've seen saying from the start.<br>**[09:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even told you my condition.<br>**[09:02] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;To betray Yano?<br>**[09:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[09:06] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I do, Mystery Kiss will be protected?<br>**[09:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If things go well.<br>**[09:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she doesn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to run badger games.<br>**[09:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly should I do?<br>**[09:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow yourselves to be caught by the police<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're stealing the one billion yen.<br>**[09:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it. It's easy.<br>**[09:23] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't I be arrested then, too?<br>**[09:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe. Tell them you were threatened.<br>**[09:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, aren't you *actually* <br>
&nbsp;&nbsp;&nbsp;&nbsp;being threatened?<br>**[09:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of a problem for me if they<br>&nbsp;&nbsp;&nbsp;&nbsp;ask why I was being threatened.<br>**[09:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've got dirt on you?<br>**[09:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever.<br>**[09:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you won't help me, I'm turning<br>&nbsp;&nbsp;&nbsp;&nbsp;you in to the police now.<br>**[09:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For robbing a taxi, running badger games,<br>&nbsp;&nbsp;&nbsp;&nbsp;abduction, and confinement...<br>**[09:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[09:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the only way to protect Mystery Kiss.<br>**[09:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be in touch.<br>**[09:57] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. I'll contact you<br>&nbsp;&nbsp;&nbsp;&nbsp;once our plans are made.<br>**[10:08] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dr. Goriki told me what you're doing.<br>**[10:10] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't do anything dangerous.<br>**[10:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already involved.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a choice now.<br>**[10:15] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you working with Dobu-san?<br>**[10:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately I've been thinking that Dobu<br>&nbsp;&nbsp;&nbsp;&nbsp;might not be such a bad guy, after all.<br>**[10:25] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He operates based<br>&nbsp;&nbsp;&nbsp;&nbsp;on his brand of justice.<br>**[10:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then I thought this must be<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of brainwashing.<br>**[10:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't been freed from yours.<br>**[10:39] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that he's done<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of bad things,<br>**[10:42] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but his dedication to his boss never wavers.<br>**[10:44] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san's been brainwashed, too.<br>**[10:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, I decided. I just decided.<br>**[10:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to punish him after all.<br>**[10:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did that come from?<br>**[10:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault for defending Dobu.<br>**[10:53] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't defending him!<br>**[10:54] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the real world, good isn't always<br>&nbsp;&nbsp;&nbsp;&nbsp;rewarded, and evil isn't always punished—<br>**[10:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. I told you to stay away from me.<br>**[10:58] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I didn't get involved, you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;be dead by now, Odokawa!<br>**[11:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's none of your business.<br>**[11:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why'd you call me Odokawa?<br>**[11:04] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot to call you "Odokawa-san"<br>&nbsp;&nbsp;&nbsp;&nbsp;because there's too much I want to say!<br>**[11:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like we're texting.<br>&nbsp;&nbsp;&nbsp;&nbsp;How is that possible?<br>**[11:09] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That aside, what do you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's none of my business?!<br>**[11:11] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saved your life!<br>**[11:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't have to break my window.<br>**[11:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the second time in a short period.<br>**[11:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[11:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For unrelated reasons, a guy armed<br>&nbsp;&nbsp;&nbsp;&nbsp;with a gun is trying to kill me right now.<br>**[11:27] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did your life suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;become so hard-boiled?<br>**[11:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, he's able to determine my<br>&nbsp;&nbsp;&nbsp;&nbsp;location to an unnatural degree.<br>**[11:37] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean he planted a GPS on you?<br>**[11:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[11:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;After my car window was broken,<br>&nbsp;&nbsp;&nbsp;&nbsp;someone fired a shot into my house.<br>**[11:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an unnaturally plain way<br>&nbsp;&nbsp;&nbsp;&nbsp;to harass someone, don't you think?<br>**[11:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit probably suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;found me around the city<br>**[11:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and hid a phone in my car<br>&nbsp;&nbsp;&nbsp;&nbsp;as a temporary measure.<br>**[11:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a phone would run<br>&nbsp;&nbsp;&nbsp;&nbsp;out of battery eventually.<br>**[11:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they found my home, broke<br>&nbsp;&nbsp;&nbsp;&nbsp;my car window, retrieved their phone,<br>**[12:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then replaced it<br>&nbsp;&nbsp;&nbsp;&nbsp;with a battery-less GPS.<br>**[12:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?<br>**[12:08] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're still trying to kill you, though.<br>**[12:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to find a way<br>&nbsp;&nbsp;&nbsp;&nbsp;to use this against them.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Equator Sauna
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eiji Kakihana
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Heading to the sauna. Wanna come?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wish I could, but I'm working tonight.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good for you, working two jobs.  We can go once you've paid off your debt.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That'll be years from now!
<br>**[12:35] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it cold outside?<br>**[12:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty cold.<br>**[12:40] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it is already December.<br>**[12:43] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sudden changes in body temperature<br>&nbsp;&nbsp;&nbsp;&nbsp;can be really dangerous. Be careful.<br>**[12:47] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called heat shock.<br>**[12:50] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it's strange.<br>**[12:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is?<br>**[12:54] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place is always empty, isn't it?<br>**[12:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're here.<br>**[12:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tough guy with his tattoos out<br>&nbsp;&nbsp;&nbsp;&nbsp;for everyone to see.<br>**[13:00] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was eye-opening.<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive as always, Odokawa.<br>**[13:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. How do you know my name?<br>**[13:06] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because people thought you<br>&nbsp;&nbsp;&nbsp;&nbsp;were the kidnapper<br>**[13:08] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the missing Nerima high school girl case.<br>**[13:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he a cop? No, there's no way.*<br>**[13:15] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I suspected you, taxi driver.<br>**[13:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never do that.<br>**[13:20] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still think there's a 5% chance<br>&nbsp;&nbsp;&nbsp;&nbsp;you did it, though.<br>**[13:26] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa, do you not want money?<br>**[13:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thankfully, I don't have money problems.<br>**[13:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I do have one problem.<br>**[13:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want more than befits my stature.<br>**[13:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I want is to be able to repay the people<br>**[13:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;who helped me, little by little,<br>&nbsp;&nbsp;&nbsp;&nbsp;to the best of my own ability.<br>**[13:44] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I'm glad to hear that.<br>**[13:59] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano-san, we've found Imai.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Imai@Nikaido fan account
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing to do, so I've been  watching Mystery Kiss' concerts.
<br>**[14:04] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He tweeted this on November<br>&nbsp;&nbsp;&nbsp;&nbsp;15th after moving.<br>**[14:08] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you raise the volume,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can faintly hear<br>**[14:10] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the departure melody<br>&nbsp;&nbsp;&nbsp;&nbsp;of a train in the background.<br>**[14:12] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Tokyo, the stations that use this melody<br>**[14:14] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;are Komagome Station and Musashi-Koganei<br>&nbsp;&nbsp;&nbsp;&nbsp;Station on the Yamanote Line.<br>**[14:18] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He also responded to a tweet from<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who seems to be his friend.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taro Matsu <br>
&nbsp;&nbsp;&nbsp;&nbsp;@matsutaro_123     2 days ago <br>
&nbsp;&nbsp;&nbsp;&nbsp;Seriously? This Christmas Mystery Kiss <br>
&nbsp;&nbsp;&nbsp;&nbsp;concert is first come, first served?<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Imai@Nikaido fan account <br>
&nbsp;&nbsp;&nbsp;&nbsp;Replying to @matsutaro_123<br>
&nbsp;&nbsp;&nbsp;&nbsp; It takes 50 minutes to get there <br>
&nbsp;&nbsp;&nbsp;&nbsp;from my place so I'm leaving at noon lol
<br>**[14:22] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss is performing a concert<br>&nbsp;&nbsp;&nbsp;&nbsp;at the civic center on Christmas.<br>**[14:26] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it takes him 50 minutes to get there,<br>&nbsp;&nbsp;&nbsp;&nbsp;he must be at Musashi-Koganei Station.<br>**[14:30] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the tweet<br>&nbsp;&nbsp;&nbsp;&nbsp;he made the day he moved,<br>**[14:33] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;we looked for rental properties<br>&nbsp;&nbsp;&nbsp;&nbsp;with similar wallpaper<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Finished moving. Unpacking is gonna suck.  But I put up my Rui-tan poster first thing.
<br>**[14:35] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;within hearing distance of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Musashi-Koganei Station departure melody.<br>**[14:39] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This "Rinky-Dink Koganei" apartment<br>&nbsp;&nbsp;&nbsp;&nbsp;building fits the criteria.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rinky-Dink Koganei #201
<br>**[14:43] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on the scenery visible from his window<br>&nbsp;&nbsp;&nbsp;&nbsp;and the positions of the utility poles,<br>**[14:46] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's at Rinky-Dink Koganei, room 201.<br>**[14:50] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I expanded my vocabulary,<br>&nbsp;&nbsp;&nbsp;&nbsp;you cyberstalked him excellently.<br>**[14:56] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd get it done, but I gotta admit,<br>**[14:59] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it gives me chills, creeps me out a bit.<br>**[15:01] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding, well done.<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, great stuff.<br>**[15:04] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now let's go grab this guy by the scruff.<br>**[15:06] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad blood's brewing, but it's too<br>&nbsp;&nbsp;&nbsp;&nbsp;soon to cause an uproar.<br>**[15:10] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san underestimates me<br>&nbsp;&nbsp;&nbsp;&nbsp;'cause he thinks I'm an herbivore.<br>**[15:15] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll peel back his disguise<br>&nbsp;&nbsp;&nbsp;&nbsp;and stab him with all my spines.<br>**[15:18] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seize the big money and<br>&nbsp;&nbsp;&nbsp;&nbsp;laugh out loud like a porcupine.<br>**[15:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure Yano and his guys found Imai?<br>**[15:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Yamamoto the manager contacted me.<br>**[15:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll act as soon as tomorrow, then.<br>**[15:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll take Imai to the bank<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep him locked up<br>**[15:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the bank gets one<br>&nbsp;&nbsp;&nbsp;&nbsp;billion in cash ready.<br>**[15:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bank's supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;contact you if Imai arrives, right?<br>**[15:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They'll tell me the time and date<br>&nbsp;&nbsp;&nbsp;&nbsp;that the cash will be handed over.<br>**[15:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ready? I'm about<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you my entire plan.<br>**[15:53] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you drum it<br>&nbsp;&nbsp;&nbsp;&nbsp;into your head, Odokawa.<br>**[15:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[15:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one billion yen will be split<br>&nbsp;&nbsp;&nbsp;&nbsp;into ten duraluminum cases,<br>**[15:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the bank will hand<br>&nbsp;&nbsp;&nbsp;&nbsp;over just one of those.<br>**[16:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll also hand over nine duraluminum<br>&nbsp;&nbsp;&nbsp;&nbsp;cases filled with fake bills.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Real
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fake
<br>**[16:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano's crew will probably be<br>&nbsp;&nbsp;&nbsp;&nbsp;with Imai during the handoff,<br>**[16:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they'll want to confirm that it's real.<br>**[16:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they're giving them<br>&nbsp;&nbsp;&nbsp;&nbsp;one case of real bills.<br>**[16:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano will want to get out of there as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as possible, so he won't check all ten.<br>**[16:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Yano's crew pack 100 million real yen<br>**[16:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and 900 million counterfeit yen<br>&nbsp;&nbsp;&nbsp;&nbsp;into their car and leave...<br>**[16:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as they leave,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll acquire 900 million.<br>**[16:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that point, you've won.<br>**[16:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't end there, though.<br>**[16:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've issued a declaration of war.<br>**[16:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to steal the 100 million they took.<br>**[16:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[16:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bank is here.<br>**[16:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait in your taxi at this nearby parking lot.<br>**[16:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come to the parking lot<br>&nbsp;&nbsp;&nbsp;&nbsp;with 900 million yen in my car.<br>**[16:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll move your taxi,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll park in your spot.<br>**[16:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll get into your taxi.<br>**[16:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do we head next?<br>**[16:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll probably head to<br>&nbsp;&nbsp;&nbsp;&nbsp; their hideout at the wharf.<br>**[16:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Along the way, Big Daimon's patrol car<br>&nbsp;&nbsp;&nbsp;&nbsp;will probably stop them around here.<br>**[17:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're using every service vehicle you can.<br>**[17:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Big Daimon searches their car,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll find a ton of counterfeit bills.<br>**[17:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After dropping me off nearby,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll wait here.<br>**[17:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;While Yano and the police are making a fuss,<br>**[17:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll arrive on the scene<br>&nbsp;&nbsp;&nbsp;&nbsp;and steal Yano's car.<br>**[17:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After confirming I have the 100 million,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get back into your taxi.<br>**[17:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll head back to the parking lot where<br>&nbsp;&nbsp;&nbsp;&nbsp;the car with 900 million is waiting.<br>**[17:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we screw up, you'll just be<br>&nbsp;&nbsp;&nbsp;&nbsp;a taxi driver transporting his passenger.<br>**[17:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be arrested.<br>**[17:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's my plan.<br>**[17:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call it... ODDTAXI.<br>**[17:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're acting like<br>&nbsp;&nbsp;&nbsp;&nbsp;that's supposed to sound cool.<br>**[17:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;ODDTAXI...<br>**[17:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does it mean?<br>**[17:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Odd" refers to one of a pair.<br>**[17:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without you or me, this plan doesn't work.<br>**[17:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After acquiring the one billion<br>**[17:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and paying the two bank employees<br>&nbsp;&nbsp;&nbsp;&nbsp;who helped us 100 million each,<br>**[17:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll split the rest. Sound good?<br>**[18:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need any. I already<br>&nbsp;&nbsp;&nbsp;&nbsp;gave you all my conditions.<br>**[18:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really don't want any?<br>**[18:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your risk of being arrested isn't zero.<br>**[18:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just do something about Skull Mask.<br>**[18:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then my relationship with you will be over.<br>**[18:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skull Mask's target might be me now.<br>**[18:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He actually shot me.<br>**[18:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be ideal.<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to return to my normal life.<br>**[18:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once this operation is over,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll go our separate ways.<br>**[18:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that it's nearly over,<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me the truth.<br>**[18:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this girl?<br>**[18:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this photo?<br>**[18:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A screenshot from your dash cam data.<br>**[18:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the missing Nerima high school girl?<br>**[18:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your boss' classmate's daughter?<br>**[18:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but she's the only one from your dash<br>&nbsp;&nbsp;&nbsp;&nbsp;cam data that matches her description.<br>**[18:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to remember.<br>**[18:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You drove her two months ago.<br>**[18:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see. I've driven her before, huh?*<br>**[18:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's the Mystery Kiss girl.*<br>**[19:12] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yano will go after Imai tomorrow.*<br>**[19:15] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After that, they'll go to the bank*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to begin the process,*<br>**[19:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and then confine him at their wharf hideout.*<br>**[19:19] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yano, Sekiguchi, and I will*<br>*&nbsp;&nbsp;&nbsp;&nbsp;bring Imai to the bank*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto
<br>**[19:22] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;at a time and date determined*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by them and leave with the cash.*<br>**[19:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like Dobu predicted.<br>**[19:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh?*<br>**[19:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[19:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[19:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When they hand over the money,*<br>**[19:34] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;they'll probably check the contents*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of just one of the duraluminum cases.*<br>**[19:38] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As soon as they're finished,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I want you to tell the bank employees,*<br>**[19:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Let us check another one."*<br>**[19:46] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will they be giving us counterfeit bills?<br>**[19:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It should make Yano's crew freak out.<br>**[19:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Play along with them.<br>**[19:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police will handle the rest.<br>**[19:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tell the police that they threatened you.*<br>**[19:59] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will it work?<br>**[20:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you can call the police,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll arrest Yano for blackmail.<br>**[20:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're participating in a crime,<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt you'll get off scot-free,<br>**[20:09] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but at the very least, you'll have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;protected Mystery Kiss.*<br>**[20:12] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I can protect<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss, I'll do my best.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rinky-Dink Koganei
<br>**[20:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-sama.<br>**[20:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for everything, Odokawa-sama.<br>**[20:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be brief. The yakuza<br>&nbsp;&nbsp;&nbsp;&nbsp;are coming here tomorrow.<br>**[20:46] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's terrifying.<br>**[20:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it is, but you can't<br>&nbsp;&nbsp;&nbsp;&nbsp;run. Do your best.<br>**[20:52] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going to happen to me?<br>**[20:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll threaten you<br>&nbsp;&nbsp;&nbsp;&nbsp;and take you to the bank.<br>**[20:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as they tell you.<br>**[20:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For about one week after that,<br>**[21:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be imprisoned at their hideout<br>&nbsp;&nbsp;&nbsp;&nbsp;until the cash is ready.<br>**[21:04] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Mystery Kiss CD release date<br>&nbsp;&nbsp;&nbsp;&nbsp;and concert are in just over a week.<br>**[21:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to be patient.<br>**[21:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;After imprisoning you, they'll take you<br>&nbsp;&nbsp;&nbsp;&nbsp;to the bank to receive the cash.<br>**[21:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it'll be hard,<br>**[21:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but until then, I need you to do<br>&nbsp;&nbsp;&nbsp;&nbsp;what Yano's crew tell you to do.<br>**[21:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can make it that far,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll be arrested by the police.<br>**[21:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can be patient for one week,<br>&nbsp;&nbsp;&nbsp;&nbsp;both you and Mystery Kiss will be free.<br>**[21:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll save you.<br>**[21:31] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood, Odokawa-sama.<br>**[21:33] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best for Mystery Kiss, too.<br>**[21:36] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;And besides, I only got<br>&nbsp;&nbsp;&nbsp;&nbsp;this money because of you.<br>**[21:40] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not something I had before all this.<br>**[21:42] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I lose it, my life will<br>&nbsp;&nbsp;&nbsp;&nbsp;just go back to how it was before.<br>**[21:46] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep on supporting Mystery Kiss,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like I always have.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;17th Principal - Tadashi Oda   16th Principal - Kazuta Fujimoto   15th Principal - Hideo Takemoto   14th Principal - Joji Taga
<br>**[21:51] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Odokawa-kun's doctor?<br>**[21:53] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. There's a lack of<br>&nbsp;&nbsp;&nbsp;&nbsp;information about his accident.<br>**[21:58] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking around about it.<br>**[22:00] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he seriously ill?<br>**[22:06] Teacher**<br>&nbsp;&nbsp;&nbsp;&nbsp;His accident was...<br>**[22:10] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The body found in the Tokyo Bay*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in October has been identified.*<br>**[22:16] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The deceased is Nerima City resident*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya-san, 18 years old.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nerima City, Tokyo<br>
&nbsp;&nbsp;&nbsp;&nbsp; Yuki Mitsuya-san (18)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Breaking News
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibaura Wharf Abandoned Body Case<br>
&nbsp;&nbsp;&nbsp;&nbsp; Body Identified as Belonging <br>
&nbsp;&nbsp;&nbsp;&nbsp;to Member of Popular Idol Group
<br>**[22:22] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yuki Mitsuya-san was a member <br>
&nbsp;&nbsp;&nbsp;&nbsp;of idol group Mystery Kiss.*<br>**[22:28] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Fans have been shocked by*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the sudden news of her death.*<br>**[22:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not her...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: If We Could Go Back to That Day
<br>**[23:35] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Since I was a child, I've hated <br>
&nbsp;&nbsp;&nbsp;&nbsp;losing more than others."*<br>**[23:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, don't read that.*<br>**[23:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In fact, who the hell are you?*<br>**[23:40] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm thinking about entering <br>
&nbsp;&nbsp;&nbsp;&nbsp;a training school next year.*<br>**[23:42] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn the comedy industry on its head.*<br>**[23:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I didn't ask for this kind of Santa Claus." <br>
&nbsp;&nbsp;&nbsp;&nbsp;What kind of Santa Claus?*<br>**[23:47] Nagashima**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give me two hours.*<br>**[23:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Forget it!*<br>

# E11 - If We Could Go Back to That Day

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G9DUEDEK2/if-we-could-go-back-to-that-day)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:00] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since I was a child, I've hated*<br>*&nbsp;&nbsp;&nbsp;&nbsp;losing more than other people do.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If We Could Go Back to That Day
<br>**[01:04] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My report card described me as "an ambitious<br>
&nbsp;&nbsp;&nbsp;&nbsp; child overflowing with vitality."*<br>**[01:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, we can't avoid losing in life.*<br>**[01:12] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Academics, athletics, and arts.*<br>**[01:14] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are limits to all of our abilities,*<br>**[01:17] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and there was always someone better than me.*<br>**[01:20] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Except in looks.*<br>**[01:23] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At 16 years old, I auditioned*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to become an idol.*<br>**[01:27] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was the only time my talent*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would be utilized.*<br>**[01:31] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She called herself Yuki Mitsuya.*<br>**[01:33] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll pass.<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, you're exceptionally cute.<br>**[01:36] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She'd been practicing classical ballet*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and gymnastics since she was a child.*<br>**[01:39] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was apparently on a track*<br>*&nbsp;&nbsp;&nbsp;&nbsp;team at the same time.*<br>**[01:43] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Her father was prominent*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in a traditional performing art.*<br>**[01:45] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That exposure to good taste meant*<br>**[01:47] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she had a discerning eye.*<br>**[01:50] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was nothing like me.*<br>**[01:51] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was accustomed to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;being in front of an audience.*<br>**[01:54] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was experienced.*<br>**[01:56] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was my age, and she had worked hard.*<br>**[01:57] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She knew defeat. She didn't fear defeat.*<br>**[02:03] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I heard that I had passed.*<br>**[02:05] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm your manager, Yamamoto.<br>**[02:05] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That well-built man was my manager.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;His name was Yamamoto.*<br>**[02:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe pushing you girls<br>&nbsp;&nbsp;&nbsp;&nbsp;to the top is my mission.<br>**[02:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Including me, three of us passed.*<br>**[02:11] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll do our best together.<br>**[02:12] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As expected, Yuki Mitsuya passed,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as well as Shiho Ichimura.*<br>**[02:16] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yamamoto announced that I'd be the center.*<br>**[02:20] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Day after day, we attended lessons*<br>*&nbsp;&nbsp;&nbsp;&nbsp;while also attending school.*<br>**[02:25] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;For the first time in my life,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had to work hard.*<br>**[02:27] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On top of that, Yuki Mitsuya*<br>*&nbsp;&nbsp;&nbsp;&nbsp;remained on her track team.*<br>**[02:31] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It made me angry.*<br>**[02:34] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A year and a half later,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we had our first concert.*<br>**[02:37] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was already 18 by then. I was impatient.*<br>**[02:41] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I participated in several events for work.*<br>**[02:44] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Comedy duos I'd never seen*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or heard of poked fun at me.*<br>**[02:48] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was humiliating.*<br>**[02:49] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought they must be losers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;accustomed to defeat.*<br>**[02:52] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the way home from an event,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I ran into Baba on the train.*<br>**[02:57] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I became increasingly annoyed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with this unsuccessful comedian.*<br>**[03:01] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd never see him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;again, so I said to him...*<br>**[03:04] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it frustrate you?<br>**[03:06] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're working tawdry events<br>&nbsp;&nbsp;&nbsp;&nbsp;with unknown idols.<br>**[03:09] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does it feel to see<br>&nbsp;&nbsp;&nbsp;&nbsp;your contemporaries and juniors<br>**[03:12] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;achieve success before you?<br>**[03:13] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a surprise. My partner<br>&nbsp;&nbsp;&nbsp;&nbsp;says the same thing.<br>**[03:16] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't everyone think that?<br>**[03:19] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first it frustrated me,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've given up.<br>**[03:23] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life is way easier now.<br>**[03:25] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy for my contemporaries'<br>&nbsp;&nbsp;&nbsp;&nbsp;and juniors' success.<br>**[03:28] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought that mentality must*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mean a person was finished,*<br>**[03:32] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I also thought it would be easier*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if I could be that way, too.*<br>**[03:40] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;For whatever reason, we exchanged*<br>*&nbsp;&nbsp;&nbsp;&nbsp;contact information.*<br>**[03:44] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's when it was decided that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we'd make our major debut.*<br>**[03:47] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally. Our major debut.<br>**[03:49] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's like a dream.<br>**[03:52] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did the two of you want to become idols?<br>**[03:56] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family's poor.<br>**[03:57] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have my own room, so the bath<br>&nbsp;&nbsp;&nbsp;&nbsp;is the only place I have my own space.<br>**[04:01] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna get rich so I can move<br>&nbsp;&nbsp;&nbsp;&nbsp;into a place with a big bath.<br>**[04:05] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. You'd better work hard, then.<br>**[04:08] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:09] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, Mitsuya-san?<br>**[04:11] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I just joined<br>&nbsp;&nbsp;&nbsp;&nbsp;to make some memories.<br>**[04:16] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I thought we might be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;achieve something amazing<br>**[04:21] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I met you, Nikaido-san.<br>**[04:23] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree. We're lucky to be in the<br>&nbsp;&nbsp;&nbsp;&nbsp;same group as you, Nikaido-san.<br>**[04:27] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to work hard to make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure we don't hold you back.<br>**[04:33] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The three of us would rise together.*<br>**[04:34] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'd win together.*<br>**[04:36] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought it sounded all right.*<br>**[04:39] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We had a recording session coming up.*<br>**[04:41] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Morale was high.*<br>**[04:43] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's when a producer who had come*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to watch our lesson said it.*<br>**[04:47] (Flashback) Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make this girl the center.<br>**[04:53] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[04:59] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On October 4th, I asked*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya to meet me.*<br>**[05:03] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come to the agency office.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have something important to tell you.*<br>**[05:07] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? But the trains aren't running.*<br>**[05:10] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Take a taxi. I'll pay for it.*<br>**[05:14] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm in Nerima. It'll be expensive.*<br>**[05:16] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was about to make a lame request.*<br>**[05:19] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't want anyone to see us.*<br>**[05:21] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can try to make excuses for myself,*<br>**[05:23] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I think my desire to kill her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was already growing by this point.*<br>**[05:30] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san, are you here?<br>**[05:35] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san?<br>**[05:45] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yuki Mitsuya was already dead.*<br>**[05:50] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[05:53] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Nikaido.<br>**[05:58] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you kill her?<br>**[06:02] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I told him everything.*<br>**[06:04] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That I was going to ask her to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;step down from being the center.*<br>**[06:06] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That I planned to kill her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if she didn't agree to do it.*<br>**[06:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I showed him the messages we'd exchanged.*<br>**[06:11] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I told him the truth*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about the events of that day.*<br>**[06:14] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who killed her, then?<br>**[06:18] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I felt the same way.*<br>**[06:20] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apparently Yamamoto believed me.*<br>**[06:23] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have a choice.<br>**[06:26] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After about an hour, Yamamoto*<br>*&nbsp;&nbsp;&nbsp;&nbsp;headed downstairs and let two men in.*<br>**[06:31] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A huge thuggish guy and a man*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who spoke in a strange rhythm.*<br>**[06:36] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apparently they knew the agency president.*<br>**[06:38] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about gross, man,<br>&nbsp;&nbsp;&nbsp;&nbsp; I don't like this at all.<br>**[06:41] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've grown up on the streets,<br>&nbsp;&nbsp;&nbsp;&nbsp;but corpses make my skin crawl.<br>**[06:44] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like she was bludgeoned,<br>&nbsp;&nbsp;&nbsp;&nbsp;then seems like she was choked.<br>**[06:47] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a man who wears tailor-made<br>&nbsp;&nbsp;&nbsp;&nbsp;suits from Don Quijote,<br>**[06:50] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's how I think she croaked.<br>**[06:53] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There isn't much pedestrian*<br>*&nbsp;&nbsp;&nbsp;&nbsp;traffic in that area.*<br>**[06:55] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But since it was the middle of the night,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if anyone saw us, we'd stand out.*<br>**[06:59] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I exercised extreme caution.*<br>**[07:02] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There weren't even any*<br>*&nbsp;&nbsp;&nbsp;&nbsp;security cameras around.*<br>**[07:05] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd confirmed that multiple times*<br>*&nbsp;&nbsp;&nbsp;&nbsp;before asking Yuki Mitsuya to meet me.*<br>**[07:12] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a nightmarish sight.*<br>**[07:15] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After this, Yamamoto would have to return*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the office and clean things up there.*<br>**[07:20] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In order to prevent her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from being found by GPS,*<br>**[07:22] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;he'd have to take Yuki Mitsuya's phone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;someplace far away and dispose of it.*<br>**[07:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a lot of work.*<br>**[07:28] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The rapper explained to us*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what would happen next.*<br>**[07:31] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As usual, I couldn't understand*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what he was saying,*<br>**[07:34] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but essentially, he wanted to know*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what Yuki Mitsuya did that day.*<br>**[07:40] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If she'd told anybody where she was going*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or had been seen by any security cameras,*<br>**[07:43] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then we'd have to deal with that.*<br>**[07:45] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We'd analyzed her phone, but it would*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be faster to utilize the police.*<br>**[07:50] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We'd have her family submit*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a missing persons report,*<br>**[07:53] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and find a way to make them withdraw*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it after gathering information.*<br>**[07:58] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apparently the cost of disposing of the body*<br>**[08:00] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was half of Mystery Kiss' future profits*<br>**[08:04] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and to allow them to use our members*<br>*&nbsp;&nbsp;&nbsp;&nbsp;however they pleased for work.*<br>**[08:06] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was the agreement we reached.*<br>**[08:14] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even after she sank,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I kept staring at the water.*<br>**[08:19] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sky was beginning to lighten.*<br>**[08:23] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Would we be all right? Would it go well?*<br>**[08:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We were too exhausted to worry.*<br>**[08:31] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Several days later,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto introduced us to a girl.*<br>**[08:36] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from Kyushu.<br>**[08:37] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Sakura Wadagaki.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[08:40] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've explained the situation to her already.<br>**[08:42] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll be working under<br>&nbsp;&nbsp;&nbsp;&nbsp;the name Yuki Mitsuya.<br>**[08:45] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What about the real Mitsuya-san?<br>**[08:49] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's missing.<br>**[08:51] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:52] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get in touch with her.<br>**[08:54] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't you think it's a little soon<br>&nbsp;&nbsp;&nbsp;&nbsp;to add a new member?<br>**[08:57] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're about to debut. We don't have time.<br>**[09:01] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Except for Nikaido, you'll wear these.<br>**[09:04] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We convinced Yuki Mitsuya's family*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to let us use her name*<br>**[09:07] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so that she could resume*<br>*&nbsp;&nbsp;&nbsp;&nbsp;working once she returned.*<br>**[09:10] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Until Yuki Mitsuya returned, they'd wear*<br>*&nbsp;&nbsp;&nbsp;&nbsp;masks when out in front of people.*<br>**[09:14] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ichimura accepted that explanation.*<br>**[09:17] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I felt bad for her,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it couldn't be helped.*<br>**[09:20] Instructor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey! Hey, hey!<br>**[09:23] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Everyone must've thought,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"If only Yuki Mitsuya were here."*<br>**[09:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd crush those thoughts.*<br>**[09:30] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I swore I would.*<br>**[09:33] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to get used to it, so I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to call you Mitsuya-san. Sorry.<br>**[09:37] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. I'm here to be Yuki Mitsuya.<br>**[09:40] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san, you don't mind<br>&nbsp;&nbsp;&nbsp;&nbsp;not using your own face or name?<br>**[09:44] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[09:45] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I failed this audition,<br>&nbsp;&nbsp;&nbsp;&nbsp;I refused to accept it.<br>**[09:49] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to speak directly with Yamamoto.<br>**[09:51] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Lemme in, lemme in, lemme in!" I said.<br>**[09:54] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impressive.<br>**[09:56] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, when I failed, they told me<br>&nbsp;&nbsp;&nbsp;&nbsp;I was their fourth choice.<br>**[10:01] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that frustrating?<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost made it. I was so close.<br>**[10:05] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't think about<br>&nbsp;&nbsp;&nbsp;&nbsp;auditioning somewhere else?<br>**[10:07] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. After all, I heard you had passed.<br>**[10:10] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd be famous.<br>**[10:12] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to be famous?<br>**[10:14] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[10:15] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from a single-parent home.<br>**[10:17] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to get famous, so my mom<br>&nbsp;&nbsp;&nbsp;&nbsp;back in Kyushu can take it easy.<br>**[10:20] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though she works, she wakes<br>&nbsp;&nbsp;&nbsp;&nbsp;up early to pack a lunch for me.<br>**[10:24] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:26] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've always caused<br>&nbsp;&nbsp;&nbsp;&nbsp; nothing but trouble for my mom.<br>**[10:28] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any strengths, you know?<br>**[10:31] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I wish I could just disappear,<br>**[10:34] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but seeing idols on TV cheered me up.<br>**[10:38] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We waited for the right*<br>*&nbsp;&nbsp;&nbsp;&nbsp;moment to hold a concert.*<br>**[10:41] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto said we received passing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;marks, but I wasn't satisfied.*<br>**[10:45] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd tasted defeat.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;We could've done better.*<br>**[10:49] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"If only Yuki Mitsuya were here."*<br>**[10:51] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"If only Yuki Mitsuya were here."*<br>**[10:53] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I couldn't escape the thought, either.*<br>**[10:57] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's when the news broke.*<br>**[10:59] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Nerima high school girl goes missing."*<br>**[11:02] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto spoke with Yuki Mitsuya's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;family, and they submitted*<br>**[11:04] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a missing persons report to the police.*<br>**[11:06] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since her father was famous,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;they made sure that her name*<br>**[11:09] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the fact that she was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an idol wasn't reported.*<br>**[11:13] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The police came to the agency.*<br>**[11:14] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I assisted with their*<br>*&nbsp;&nbsp;&nbsp;&nbsp;investigation numerous times.*<br>**[11:18] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That day, Yuki Mitsuya got in a taxi*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in Nerima, and now she's missing.*<br>**[11:22] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They just needed to trace Yuki Mitsuya's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;movements until she arrived at the agency.*<br>**[11:27] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The problem was the taxi*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she took back then.*<br>**[11:30] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was afraid of what the driver might say.*<br>**[11:32] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She may have been recorded by his dash cam.*<br>**[11:35] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was imperative that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we identify that taxi,*<br>**[11:38] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but that was a job for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the rapper and Yamamoto.*<br>**[11:41] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All we could do was keep*<br>*&nbsp;&nbsp;&nbsp;&nbsp;steadily working on being idols.*<br>**[11:46] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since we gathered some information*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the police and news reports,*<br>**[11:50] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the next step was to withdraw*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the missing persons report.*<br>**[11:53] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;While investigating Yuki Mitsuya,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the rapper discovered something.*<br>**[11:58] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A connection between Yuki*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya's father and a criminal.*<br>**[12:02] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Becoming an idol was Yuki Mitsuya's dream.*<br>**[12:05] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, concerned about the connection*<br>**[12:08] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;between her father*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and a criminal organization,*<br>**[12:10] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she believed that at that rate,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she couldn't become an idol*<br>**[12:13] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and decided to run away from home.*<br>**[12:14] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what we told Yuki Mitsuya's parents.*<br>**[12:18] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Eventually, the missing persons*<br>*&nbsp;&nbsp;&nbsp;&nbsp;request was quietly withdrawn.*<br>**[12:23] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I returned to my everyday life.*<br>**[12:25] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did anybody see us?*<br>**[12:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What if somebody already knows?*<br>**[12:29] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What if someone taps me on the shoulder*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from behind while I'm walking around?*<br>**[12:32] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My heart palpitations worsened.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I began breathing heavily.*<br>**[12:36] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't stop sweating.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;My hands shook. I wanted to scream.*<br>**[12:41] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wished desperately to turn back time.*<br>**[12:43] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then I returned to my everyday life again.*<br>**[12:46] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Perhaps I'd repeat this cycle*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for the rest of my life.*<br>**[12:51] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought I'd lose my mind.*<br>**[12:52] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, don't say it yet. There are rules.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What's for Lunch?!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Asking People Around <br>
&nbsp;&nbsp;&nbsp;&nbsp;Kichijoji to Lunch!
<br>**[12:55] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Okay, here we go.*<br>**[12:56] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, what's for lunch?*<br>**[12:56] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was Baba who supported me.*<br>**[12:59] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hadn't told him anything, of course.*<br>**[13:02] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was simply saved by his existence.*<br>**[13:05] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He was my only comfort.*<br>**[13:07] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hated to lose, and his way*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of living permitted that.*<br>**[13:11] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was okay if I lost. Of course,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was okay if I won, too.*<br>**[13:14] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It didn't matter, either way.*<br>**[13:16] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I could believe that.*<br>**[13:17] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to make him happy.*<br>**[13:20] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Winter came. It came suddenly.*<br>**[13:25] Newscater**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The deceased is Nerima City resident <br>
&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya-san, 18 years old.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nerima City, Tokyo<br>
&nbsp;&nbsp;&nbsp;&nbsp; Yuki Mitsuya-san (18)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Breaking News
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibaura Wharf Abandoned Body Case<br>
&nbsp;&nbsp;&nbsp;&nbsp; Body Identified as Belonging <br>
&nbsp;&nbsp;&nbsp;&nbsp;to Member of Popular Idol Group
<br>**[13:29] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya-san was a member*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of idol group Mystery Kiss.*<br>**[13:33] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Fans have been shocked by*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the sudden news of her death.*<br>**[13:42] Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tree is so cute.<br>**[13:45] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is.<br>**[13:47] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The body of Yuki Mitsuya-san of idol*<br>*&nbsp;&nbsp;&nbsp;&nbsp;group Mystery Kiss has been discovered.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Body Found at Shibaura Wharf  Belongs to Idol Group Member
<br>**[13:52] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Her agency will be holding*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a press conference after this.*<br>**[13:56] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's happening one week from<br>&nbsp;&nbsp;&nbsp;&nbsp;now on December 25th at 16:00.<br>**[14:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be waiting in the<br>&nbsp;&nbsp;&nbsp;&nbsp;parking lot at that time, right?<br>**[14:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. Did you see the news?*<br>**[14:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto the manager<br>&nbsp;&nbsp;&nbsp;&nbsp;probably won't be coming.<br>**[14:09] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky us. The fewer guys Yano has,<br>&nbsp;&nbsp;&nbsp;&nbsp;the easier this'll be for us.<br>**[14:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's a problem.*<br>**[14:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nothing.*<br>**[14:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. There is a problem.*<br>**[14:19] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya's body was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;found near Yano's hideout.*<br>**[14:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's possible that they've moved.*<br>**[14:25] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And if they have, then the route*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I assumed they'd take is useless.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto
<br>**[14:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you picked up.<br>**[14:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is it?*<br>**[14:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going with Yano's crew today?<br>**[14:38] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't have time for that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;right now. You know that.*<br>**[14:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you don't.<br>**[14:42] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Can I go now? I have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a press conference to attend.*<br>**[14:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to confirm one thing.<br>**[14:46] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?*<br>**[14:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Yuki Mitsuya in the photo<br>&nbsp;&nbsp;&nbsp;&nbsp;shown on the news<br>**[14:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Yuki Mitsuya I drove<br>&nbsp;&nbsp;&nbsp;&nbsp;in my taxi are different people.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto
<br>**[14:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you sure you're not confused?*<br>**[14:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I drove you guys together.<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl who likes fried chicken.<br>**[15:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That reminded me.<br>**[15:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl I drove on October 4th was...<br>**[15:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Call Ended
<br>**[15:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[15:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't use Yamamoto. Which means...<br>**[15:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. What is he doing?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon
<br>**[15:34] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but you'll be staying<br>&nbsp;&nbsp;&nbsp;&nbsp;here until Christmas.<br>**[15:39] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care anymore.<br>**[15:43] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The concert's been canceled.<br>**[15:45] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not releasing their CD.<br>**[15:48] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe Yuki Mitsuya-san is dead.<br>**[15:52] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I first saw her in concert,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought she was such a good dancer.<br>**[15:57] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it,<br>**[15:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Yuki Mitsuya-san wearing the mask<br>&nbsp;&nbsp;&nbsp;&nbsp;was a different person.<br>**[16:04] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's the day Dobu-san goes down.<br>**[16:06] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll force him to award me the crown.<br>**[16:08] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scraping by on the boss' opinion of me.<br>**[16:10] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best Christmas ever, this'll turn out to be.<br>**[16:13] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wind's blowing today. It's cold—<br>**[16:14] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[16:15] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey country bumpkin, shut your face!<br>**[16:16] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my turn right now, know your place.<br>**[16:18] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess there's no need<br>&nbsp;&nbsp;&nbsp;&nbsp; for me to be screaming.<br>**[16:20] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say you're my patron,<br>&nbsp;&nbsp;&nbsp;&nbsp;in a manner of speaking.<br>**[16:22] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sentimentality aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is it you're seeking?<br>**[16:26] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you put on Mystery<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss's press conference?<br>**[16:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. That taxi driver<br>&nbsp;&nbsp;&nbsp;&nbsp;remembers Wadagaki's face.<br>**[16:46] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course he does.<br>**[16:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any way we can<br>&nbsp;&nbsp;&nbsp;&nbsp;put a positive spin on it?<br>**[16:51] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the world finds out that<br>&nbsp;&nbsp;&nbsp;&nbsp; we tried to cover it up...<br>**[16:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just starting to taste success, too.<br>**[16:56] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure some of the five guys who attended<br>&nbsp;&nbsp;&nbsp;&nbsp;our first concert remember her, too.<br>**[17:00] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just not possible.<br>**[17:01] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[17:06] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[17:08] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm fine. I'll do my best.<br>**[17:12] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:13] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck with the loser's bracket.<br>**[17:16] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll come back from this, too.<br>**[17:20] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You okay? Sorry I didn't notice.<br>**[17:24] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not capable of trying hard.<br>**[17:26] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. But don't push yourself too hard. Bye.<br>**[17:30] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?<br>**[17:32] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[17:32] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's review our jokes.<br>**[17:34] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just did that.<br>**[17:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still don't know which<br>&nbsp;&nbsp;&nbsp;&nbsp;jokes we're performing.<br>**[17:37] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we agreed on the café hideaway.<br>**[17:39] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given the atmosphere, the time<br>&nbsp;&nbsp;&nbsp;&nbsp;machine bit could be better.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Loser's Bracket
<br>**[17:42] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember the time<br>&nbsp;&nbsp;&nbsp;&nbsp;machine bit. I'll be fine.<br>**[17:46] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you care about this at all?<br>**[17:47] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we fail here, we're through.<br>**[17:52] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:55] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;in trouble if we split up.<br>**[17:57] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Baba. You've gotten awfully puffed up.<br>**[18:01] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used to be funnier.<br>**[18:03] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't watch you fall apart.<br>**[18:05] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think all the movies,<br>&nbsp;&nbsp;&nbsp;&nbsp;TV shows, and comedians<br>**[18:07] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;that are popular these days aren't funny.<br>**[18:08] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're* the one who's out of touch.<br>**[18:13] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get that you like manzai comedy.<br>**[18:15] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that I'm holding you back, too.<br>**[18:18] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm sorry, Shibagaki.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's split up, as of today.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Space Observation Technology Advances
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancer Research Raises  Alarm in Healthcare Industry
<br>**[18:32] Librarian**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're closing soon.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Married Couple Found Inside Car That  Fell Into Sea, Possible Double Suicide?
<br>**[18:40] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Married Couple Found Inside Car That<br>&nbsp;&nbsp;&nbsp;&nbsp;Fell Into Sea, Possible Double Suicide?"<br>**[18:46] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Around 4:15, at Takeshiba<br>&nbsp;&nbsp;&nbsp;&nbsp;Wharf in Minato Ward,<br>**[18:51] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;office worker Kiyoshi Odokawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;of Chichibu City in Saitama Prefecture,<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and his wife Yumi Odokawa-san,<br>**[18:56] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;were found dead inside a car that<br>&nbsp;&nbsp;&nbsp;&nbsp; had sunk to the bottom of the sea."<br>**[19:00] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Their son, who is in fourth<br>&nbsp;&nbsp;&nbsp;&nbsp;grade, escaped on his own,<br>**[19:02] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is unconscious and<br>&nbsp;&nbsp;&nbsp;&nbsp; in critical condition."<br>**[19:04] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The police are investigating the<br>&nbsp;&nbsp;&nbsp;&nbsp;possibility of a forced double suicide."<br>**[19:13] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for all the trouble we've caused.<br>**[19:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been unable to conceal our shock<br>**[19:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;since we learned that Yuki<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya was found dead.<br>**[19:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;In October, Yuki Mitsuya's<br>&nbsp;&nbsp;&nbsp;&nbsp;mother contacted us<br>**[19:32] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell us that her daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;hadn't returned home.<br>**[19:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did everything we could to help look<br>&nbsp;&nbsp;&nbsp;&nbsp;for her, but failed to locate her.<br>**[19:40] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, as Mystery Kiss<br>&nbsp;&nbsp;&nbsp;&nbsp;was set to debut soon,<br>**[19:45] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;we had another girl who auditioned<br>&nbsp;&nbsp;&nbsp;&nbsp;take Yuki Mitsuya's place.<br>**[19:53] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, that meant we deceived<br>&nbsp;&nbsp;&nbsp;&nbsp;the world and those involved,<br>**[19:59] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;and for that, we are terribly sorry.<br>**[20:02] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard the police are<br>&nbsp;&nbsp;&nbsp;&nbsp;investigating this case as a murder.<br>**[20:05] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea what happened to her?<br>**[20:08] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she was underpaid<br>&nbsp;&nbsp;&nbsp;&nbsp;before the group debuted.<br>**[20:15] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe she promoted<br>&nbsp;&nbsp;&nbsp;&nbsp;herself on social media<br>**[20:17] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;and may have been close with fans as well.<br>**[20:19] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean she was killed by a fan?<br>**[20:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm just saying that's a possibility.<br>**[20:26] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We take responsibility for failing to protect<br>&nbsp;&nbsp;&nbsp;&nbsp;her privacy and provide adequate security.<br>**[20:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot regret what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;more than we already do.<br>**[20:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We also can't bear to face<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku Shofutei-san<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live: Talent Agency <br>
&nbsp;&nbsp;&nbsp;&nbsp;Emergency Press Conference
<br>**[20:42] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who entrusted his daughter to our agency.*<br>**[20:47] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[20:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious.<br>**[20:56] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[20:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought I'd be helping you guys.<br>**[21:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you get in position?<br>**[21:03] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since they moved their hideout,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be following them from the bank.<br>**[21:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[21:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's your best buddy and brother?<br>**[21:11] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't come into work for a while.<br>**[21:13] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed something off about his behavior,<br>**[21:16] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't believe my meek little<br>&nbsp;&nbsp;&nbsp;&nbsp;brother is ignoring my calls.<br>**[21:19] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, taxi driver. Did you<br>&nbsp;&nbsp;&nbsp;&nbsp;say something to him?<br>**[21:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. We're on the same<br>&nbsp;&nbsp;&nbsp;&nbsp;side now, aren't we?<br>**[21:27] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you put it that way, broadly speaking,<br>**[21:30] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;we've been on the same side<br>&nbsp;&nbsp;&nbsp;&nbsp;since the beginning.<br>**[21:39] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[21:41] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what'll happen to you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you go off-script, right?<br>**[21:55] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was referred to you by Dr. Kato<br>&nbsp;&nbsp;&nbsp;&nbsp;at Minami Nakano hospital.<br>**[21:59] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Goriki.<br>**[22:00] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to ask you about Hiroshi Odokawa.<br>**[22:04] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hiroshi Odokawa-kun was my patient.<br>**[22:08] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you describe to me<br>&nbsp;&nbsp;&nbsp;&nbsp;what he was like then?<br>**[22:11] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He spent about two months<br>&nbsp;&nbsp;&nbsp;&nbsp;here in the hospital.<br>**[22:14] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was supposed to continue<br>&nbsp;&nbsp;&nbsp;&nbsp;outpatient rehabilitation after that,<br>**[22:19] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the courthouse told us<br>&nbsp;&nbsp;&nbsp;&nbsp;that a benefactor had shown up,<br>**[22:22] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he'd moved to Tokyo.<br>**[22:24] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know what<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to him after that.<br>**[22:26] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was his mental state after the accident?<br>**[22:30] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had absolutely no memory of the accident.<br>**[22:33] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We observed no problems with his basic<br>&nbsp;&nbsp;&nbsp;&nbsp;motor functions and language abilities,<br>**[22:38] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we had him keep a memory notebook<br>&nbsp;&nbsp;&nbsp;&nbsp;to work on his mental recovery.<br>**[22:43] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;His mental condition seemed stable to us.<br>**[22:46] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me more about this memory notebook.<br>**[22:48] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He recorded the rules for life<br>&nbsp;&nbsp;&nbsp;&nbsp;at the hospital, his medications,<br>**[22:51] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;his bathing schedule, and other<br>&nbsp;&nbsp;&nbsp;&nbsp;information pertaining to himself.<br>**[22:55] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was like a diary.<br>**[22:57] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What impression did you get<br>&nbsp;&nbsp;&nbsp;&nbsp;from reading the notebook?<br>**[23:00] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought he was a strange child.<br>**[23:04] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have that notebook?<br>**[23:05] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[23:06] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you said you'd be coming,<br>&nbsp;&nbsp;&nbsp;&nbsp;I read it for the first time in 30 years.<br>**[23:11] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I take a look at it?<br>**[23:14] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you said you're Hiroshi<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun's current doctor,<br>**[23:18] Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not meant for a GP like you to see.<br>**[23:24] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not asking to see it<br>&nbsp;&nbsp;&nbsp;&nbsp;because I'm his doctor.<br>**[23:32] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking because I'm his friend!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Not Enough
<br>**[23:35] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You eating properly?*<br>**[23:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah.*<br>**[23:37] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's important to live an orderly life.*<br>**[23:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know.*<br>**[23:40] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And drive safely.*<br>**[23:41] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Okay.*<br>**[23:42] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And stop making everyone worry about you.*<br>**[23:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry.*<br>**[23:45] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You should establish a family—*<br>**[23:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shut up! You're not my dad! <br>
&nbsp;&nbsp;&nbsp;&nbsp;We're the same age!*<br>

# E12 - Not Enough

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GX9UQKQVQ/not-enough)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:29] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is a pretty unusual combination.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Not Enough
<br>**[01:32] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that's right...*<br>**[01:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nearly time.<br>**[01:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imai, please check it.<br>**[01:38] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check a second duraluminum case.<br>**[01:41] Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're certain that this is the right car?<br>**[01:44] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:01] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it be all right<br>&nbsp;&nbsp;&nbsp;&nbsp;if we checked the contents?<br>**[02:04] Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Imai-sama did<br>&nbsp;&nbsp;&nbsp;&nbsp;just check earlier, though.<br>**[02:16] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're definitely real.<br>**[02:17] Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[02:18] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, yo. Ten duraluminum cases in a row.<br>**[02:21] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we still haven't checked<br>&nbsp;&nbsp;&nbsp;&nbsp; the ones down below.<br>**[02:23] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can spot the difference<br>&nbsp;&nbsp;&nbsp;&nbsp;between fake and real.<br>**[02:24] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a plugin with enhanced<br>&nbsp;&nbsp;&nbsp;&nbsp;functionality, you feel?<br>**[02:27] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a difference a penniless<br>&nbsp;&nbsp;&nbsp;&nbsp;pauper couldn't perceive.<br>**[02:29] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now excuse me, as I grab one of these.<br>**[02:31] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Randomly reaching out, like Romeo and Juliet.<br>**[02:35] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No guarantees these<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't all counterfeit.<br>**[02:37] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;With a single verse, I make<br>&nbsp;&nbsp;&nbsp;&nbsp;all these rhymes fit.<br>**[02:39] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;This eyesight is a gift from Santa Claus.<br>**[02:41] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see your darting eyes,<br>&nbsp;&nbsp;&nbsp;&nbsp;your powerless paws...<br>**[02:44] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should leave this place first.<br>**[02:46] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no telling what might happen.<br>**[02:48] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can check the contents later and<br>&nbsp;&nbsp;&nbsp;&nbsp;if there's a problem, we'll settle it then.<br>**[02:52] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got their cards, right?<br>**[02:53] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes...<br>**[03:00] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations on winning the lottery!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Niji Bank Building
<br>**[03:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[03:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did well. Now hurry up.<br>**[03:16] Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to be all right? They're not<br>&nbsp;&nbsp;&nbsp;&nbsp;going to retaliate later, are they?<br>**[03:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be fine. Once they lose the<br>&nbsp;&nbsp;&nbsp;&nbsp;contest, they'll leave this town.<br>**[03:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, hurry up.<br>**[03:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get paid once I check the contents.<br>**[03:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it went well.<br>**[03:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, yeah.<br>**[04:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[04:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;First time seeing this many bills?<br>**[04:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely my first time seeing this many.<br>**[04:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bet you wish you were<br>&nbsp;&nbsp;&nbsp;&nbsp;getting a cut now, huh?<br>**[04:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't need that. But you're<br>&nbsp;&nbsp;&nbsp;&nbsp; gonna pay your taxi fare.<br>**[04:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Small price to pay.<br>**[04:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[04:17] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They're heading south.*<br>**[04:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then they should being heading<br>&nbsp;&nbsp;&nbsp;&nbsp;towards Hinode Wharf.<br>**[04:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've got a hideout there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>**[04:23] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stop them at the bridge<br>&nbsp;&nbsp;&nbsp;&nbsp;just before the wharf, then.<br>**[04:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got it. I'll head there right away.*<br>**[04:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up, taxi driver.<br>**[04:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[04:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head towards Hinode Wharf.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;National Traffic Safety Campaign
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special Fraud Prevention Campaign
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taya Police Station
<br>**[04:34] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he quit?<br>**[04:35] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard he lost his gun.<br>**[04:37] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's too scared to report it,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he's running away.<br>**[04:40] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's such an idiot.<br>**[04:42] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;The biggest.<br>**[04:44] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure that isn't made up, too?<br>**[04:45] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[04:46] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if he actually fired it?<br>**[04:47] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible. After all, he's an idiot.<br>**[04:49] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The little brother really is a huge idiot.<br>**[04:52] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry I couldn't help you, Don-chan.*<br>**[04:55] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[04:56] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police and media are doing<br>&nbsp;&nbsp;&nbsp;&nbsp;a good enough job distracting me.<br>**[05:00] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know what to say.*<br>**[05:02] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get a drink again sometime.<br>**[05:04] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're sure it's all right to meet with me?*<br>**[05:07] Kuroda**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They could be monitoring*<br>*&nbsp;&nbsp;&nbsp;&nbsp;this phone call, too.*<br>**[05:09] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I don't care anymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to take a break for a while.<br>**[05:14] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[05:16] Police**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to continue, please.<br>**[05:19] Donraku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call you once things have<br>&nbsp;&nbsp;&nbsp;&nbsp;calmed down, Kuro-chan.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Donraku Shofutei Distraught! Sheds Tears  Over Daughter's Body. Extended Hiatus?
<br>**[05:25] Entertainer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, apparently he stepped down from judging.<br>**[05:27] Entertainer B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surely he'll judge the main event, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Losers' Bracket
<br>**[05:29] Entertainer C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being so precise about it.<br>**[05:32] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're doing the time machine bit.<br>**[05:36] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[05:37] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you screw it up, I'll kill you.<br>**[05:40] Mc**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With 14 years of experience*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the business, it's Homosapiens.*<br>**[05:46] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, we're Homosapiens.<br>**[05:48] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for having us.<br>**[05:50] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life is full of regrets.<br>**[05:52] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd that come from?<br>**[05:53] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already beginning to regret saying that.<br>**[05:55] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was pretty pessimistic.<br>**[05:57] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overthinking it. You'll be fine.<br>**[05:59] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I avoid having regrets?<br>**[06:01] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way is to do your best<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can live without regrets.<br>**[06:04] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see it in movies and stuff.<br>**[06:05] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, when kids travel back using<br>&nbsp;&nbsp;&nbsp;&nbsp; a time machine and meet their parents.<br>**[06:08] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've seen that. There's something<br>&nbsp;&nbsp;&nbsp;&nbsp;they regret, so they go back to fix it.<br>**[06:11] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's moving, isn't it?<br>**[06:13] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure anyone would be moved if a child<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd never seen before came to see them.<br>**[06:17] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'd like to try that.<br>**[06:18] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, let's do it.<br>**[06:20] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say anything weird just now, did I?<br>**[06:22] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're already regretting it.<br>**[06:23] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine, I'll do it.<br>**[06:25] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real? Let's try it, then.<br>**[06:29] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad.<br>**[06:30] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you...<br>**[06:32] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, I'm your five-year-old son.<br>**[06:35] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Dad. My father, who gave<br>&nbsp;&nbsp;&nbsp;&nbsp;birth to me five years ago.<br>**[06:38] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die within the next five years?!<br>**[06:40] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by my son's behavior,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm clearly gonna die!<br>**[06:43] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made that really obvious!<br>**[06:44] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I couldn't do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything for you, Dad.<br>**[06:46] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's nothing I can do about it?!<br>**[06:48] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not even showing up<br>&nbsp;&nbsp;&nbsp;&nbsp;to save your dying dad<br>**[06:50] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;because a cure was found five years later?<br>**[06:52] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case, just leave me alone!<br>**[06:54] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I, uh...<br>**[06:56] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else do you regret?<br>**[07:00] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, you know...<br>**[07:09] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life is full of regrets.<br>**[07:11] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know that. Like what?<br>**[07:12] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, idiot! I regret teaming up with you!<br>**[07:15] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for?!<br>**[07:16] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I regret becoming a comedian.<br>**[07:18] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have chased my dreams!<br>**[07:24] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a police car<br>&nbsp;&nbsp;&nbsp;&nbsp;that's been following us.<br>**[07:26] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I lose him?<br>**[07:27] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody stay calm now,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't do anything weird.<br>**[07:30] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's just looking for an excuse<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop our car here.<br>**[07:32] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he uses the law as a shield,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have to yield, so keep going.<br>**[07:35] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's nothing here<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to find.<br>**[07:37] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just moving some cash<br>&nbsp;&nbsp;&nbsp;&nbsp;and its owner, how kind.<br>**[07:39] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he gets the wrong idea,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just sit and grin.<br>**[07:42] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if he's a cop, he won't<br>&nbsp;&nbsp;&nbsp;&nbsp;have a reason to take us in.<br>**[07:44] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. I'll keep driving<br>&nbsp;&nbsp;&nbsp;&nbsp;while following all traffic laws.<br>**[07:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm near the bridge.<br>**[07:52] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got it.*<br>**[07:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait here.<br>**[07:56] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be running the meter while I wait.<br>**[08:00] Kenshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Black HiAce, pull over*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the left side of the road.*<br>**[08:05] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[08:06] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as he says, nothing else to be done.<br>**[08:07] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet we'll enjoy looking back on this one.<br>**[08:22] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:23] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard over the radio that some<br>&nbsp;&nbsp;&nbsp;&nbsp;bank robbers are on the run.<br>**[08:25] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I take a look inside your car?<br>**[08:27] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in a hurry.<br>**[08:28] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd appreciate your cooperation.<br>**[08:35] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are all these duraluminum cases for?<br>**[08:39] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to open one.<br>**[08:42] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, incredible. Fat stacks of cash.<br>**[08:45] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now this *is* suspicious.<br>**[08:47] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He won a lot of money in the lottery.<br>**[08:49] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did?<br>**[08:52] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, m-me.<br>**[08:54] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?<br>**[08:56] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:58] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna check the others, too.<br>**[09:05] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are fakes.<br>**[09:08] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a sec. That's not possible!<br>**[09:10] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we chat in my patrol car?<br>**[09:13] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[09:15] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?! It's newspaper!<br>**[09:17] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these other ones, too? All of them?!<br>**[09:19] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yano-san!<br>**[09:20] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:21] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your rhymes...<br>**[09:22] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're not rhyming!<br>**[09:25] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[09:26] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Someone set us up.<br>**[09:28] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it? Hey, cop!<br>**[09:29] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look into those bankers, chop-chop!<br>**[09:30] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's chat in my car, first.<br>**[09:33] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No friggin' way. Why?!<br>**[09:35] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything went so well, we were flying sky high!<br>**[09:36] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano-san, let's do as he says for now!<br>**[09:38] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be fine as long as we can<br>&nbsp;&nbsp;&nbsp;&nbsp;clear up the misunderstanding.<br>**[09:44] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just won the lottery, right?<br>**[09:47] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:48] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the trouble. You can go.<br>**[09:51] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? From here?<br>**[09:53] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll question you later.<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, you can head home.<br>**[09:55] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what about the money?<br>**[09:57] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure to get it<br>&nbsp;&nbsp;&nbsp;&nbsp; back for you, so go.<br>**[10:00] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't wanna die, do you?<br>**[10:06] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you let him leave?<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't make sense.<br>**[10:09] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a nice, long chat.<br>**[10:17] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, he won the lottery.<br>**[10:20] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just helping him out<br>&nbsp;&nbsp;&nbsp;&nbsp;since he doesn't have a ride.<br>**[10:22] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't know about<br>&nbsp;&nbsp;&nbsp;&nbsp;the counterfeits, someone lied!<br>**[10:24] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your relationship with him?<br>**[10:26] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you ask for cash?<br>&nbsp;&nbsp;&nbsp;&nbsp;Where were you headed?<br>**[10:28] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where does he live?<br>**[10:28] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough rapid-fire questions. He's a friend!<br>**[10:30] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you ask for cash?<br>**[10:31] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how he wanted it!<br>**[10:32] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, Yano-san.<br>**[10:34] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you really a cop?<br>**[10:36] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I am.<br>**[10:38] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show us your badge, then.<br>**[10:46] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, follow that car!<br>**[10:49] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we've been screwed!<br>**[10:51] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Dobu's accomplice Daimon, my dude!<br>**[11:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the parking lot in Shimbashi.<br>**[11:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[11:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The panic on Yano's face was exquisite.<br>**[11:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it. The perfect victory.<br>**[11:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. We can't<br>&nbsp;&nbsp;&nbsp;&nbsp;let our guard down yet.<br>**[11:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to collect the 900<br>&nbsp;&nbsp;&nbsp;&nbsp;million in the parking lot, first.<br>**[11:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you? Not<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna congratulate me?<br>**[11:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess there's nothing in it for you.<br>**[11:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, were you speaking to me?<br>**[11:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, acting like we're strangers already?<br>**[11:50] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stick with me for a little longer.<br>**[11:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. I'll take you to the parking lot.<br>**[11:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to put on this weird act.<br>**[11:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be taking your dash cam.<br>**[12:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn me into the police?<br>**[12:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point. Big Daimon's on my side.<br>**[12:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa, don't even think<br>&nbsp;&nbsp;&nbsp;&nbsp;about betraying me now.<br>**[12:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you turn on me now, I'll crush<br>&nbsp;&nbsp;&nbsp;&nbsp; you with everything I have.<br>**[12:13] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I'm arrested, no matter how<br>&nbsp;&nbsp;&nbsp;&nbsp;many years it takes, I'll find you.<br>**[12:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa, too.<br>**[12:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do to Shirakawa-san?<br>**[12:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill her.<br>**[12:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I almost forgot that<br>&nbsp;&nbsp;&nbsp;&nbsp; you're that kind of guy.<br>**[12:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't afford to worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about appearances anymore.<br>**[12:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your boss that desperate for money?<br>**[12:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss has only one rule for us.<br>**[12:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[12:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not telling you.<br>**[12:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on. Who's that?<br>**[13:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the guy behind the skull mask?<br>**[13:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. That's my gun.<br>**[13:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do? Should we run for it?<br>**[13:16] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's all right. I'll get out.<br>**[13:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't everything be ruined<br>&nbsp;&nbsp;&nbsp;&nbsp;if you get shot here?<br>**[13:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That gun had six bullets. Count 'em.<br>**[13:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two shots at the cabaret club.<br>**[13:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One shot into your house.<br>**[13:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two shots during the car chase.<br>**[13:29] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One shot at me at the harbor. He's out.<br>**[13:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who are you?<br>**[13:43] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have business with you.<br>**[13:44] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here for the driver.<br>**[13:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my gun. Not only that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've been shot.<br>**[13:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got plenty of business with you.<br>**[13:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[13:56] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what I want anymore.<br>**[14:00] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I lost something important.<br>**[14:03] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to get revenge on him<br>&nbsp;&nbsp;&nbsp;&nbsp;for taking that from me.<br>**[14:05] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That alone was sustaining me.<br>**[14:09] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But unlike with games, I guess I got bored.<br>**[14:11] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. He took something<br>&nbsp;&nbsp;&nbsp;&nbsp;important from you?<br>**[14:19] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you want, then?<br>**[14:22] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want him to apologize.<br>**[14:24] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I harassed him plenty,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've lost a lot, too.<br>**[14:29] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing will satisfy me,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I just want him to apologize.<br>**[14:34] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't make any goddamn sense to me.<br>**[14:37] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you should start<br>&nbsp;&nbsp;&nbsp;&nbsp;by apologizing, then.<br>**[14:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I have no idea what<br>&nbsp;&nbsp;&nbsp;&nbsp;you're talking about.<br>**[14:47] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You nearly ran me over with your car!<br>**[14:49] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You broke my phone!<br>**[14:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;By something important,<br>&nbsp;&nbsp;&nbsp;&nbsp;you meant your phone?<br>**[14:54] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me the scornful old man lecture<br>**[14:58] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;about young people loving<br>&nbsp;&nbsp;&nbsp;&nbsp;their phones too much.<br>**[15:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I meant.<br>**[15:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine.<br>**[15:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I was probably in a hurry.<br>**[15:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that's not an excuse for<br>&nbsp;&nbsp;&nbsp;&nbsp;taking something important from you,<br>**[15:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as a taxi driver, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;that was inconsiderate of me.<br>**[15:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[15:28] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[15:33] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you get this?<br>**[15:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I gave that to Shirakawa.<br>**[15:39] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you have that, Odokawa?<br>**[15:42] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you have this?<br>**[15:44] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My superior—as I guess you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;call him—knows Donraku.<br>**[15:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ended up in my hands.<br>**[15:51] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;When?<br>**[15:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When? More than 15 years ago?<br>**[15:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, I forget. It was a long time ago.<br>**[15:58] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only one of these erasers was sold.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the only one of them in the world.<br>**[16:03] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. There could be leftover<br>&nbsp;&nbsp;&nbsp;&nbsp;inventory at Donraku's house.<br>**[16:07] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't be odd if an acquaintance had one.<br>**[16:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you mumblin' about? Give back my gun.<br>**[16:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, we can settle—<br>**[16:13] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;ditch-11.<br>**[16:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:16] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the name "ditch-11" sound familiar?<br>**[16:19] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;d-i-t-c-h-1-1.<br>**[16:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dunno.<br>**[16:24] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what *Zooden* is?<br>**[16:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Yeah. The game, right?<br>**[16:28] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you play?<br>**[16:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never played it.<br>**[16:31] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now the number one ranked <br>
&nbsp;&nbsp;&nbsp;&nbsp;account in *Zooden* is ditch-11.<br>**[16:37] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sent that account a message<br>&nbsp;&nbsp;&nbsp;&nbsp;to confirm something.<br>**[16:40] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked them if they used<br>&nbsp;&nbsp;&nbsp;&nbsp;online auctions 16 years ago.<br>**[16:43] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really?<br>**[16:44] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they did.<br>**[16:47] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means they're the person who<br>&nbsp;&nbsp;&nbsp;&nbsp;conned me out of 100,000 yen 16 years ago<br>**[16:52] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was in grade school.<br>**[16:54] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going on about?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't give a shit about that.<br>**[16:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in a hurry. Give back my gun, already.<br>**[17:00] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see your phone. I want <br>
&nbsp;&nbsp;&nbsp;&nbsp;to check if *Zooden* is installed on it.<br>**[17:04] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not them, I'll leave you alone.<br>**[17:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, it's not!<br>**[17:07] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm not giving up.<br>**[17:08] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might be a new boss<br>&nbsp;&nbsp;&nbsp;&nbsp;that I have to defeat.<br>**[17:12] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to kill you.<br>**[17:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on. Do it, kid.<br>**[17:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on. I'm not sure I follow.<br>**[17:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Zooden* accounts have icons, right?<br>**[17:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me ditch-11's icon.<br>**[17:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's him.<br>**[17:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute. How—<br>**[17:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You can tell.<br>**[17:41] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I remember now. I used to play *Zooden*.<br>**[17:44] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't played in so long, I'd forgotten.<br>**[17:46] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you lie?<br>**[17:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold up. You lied, too.<br>**[17:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody contacted me<br>&nbsp;&nbsp;&nbsp;&nbsp;about any online auctions.<br>**[17:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You tricked me.<br>**[17:54] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lied because you have<br>&nbsp;&nbsp;&nbsp;&nbsp;a guilty conscience!<br>**[17:56] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who conned me<br>&nbsp;&nbsp;&nbsp;&nbsp;out of 100,000 yen 16 years ago!<br>**[18:00] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since then, my life has fallen apart!<br>**[18:03] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's *your* fault!<br>**[18:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you don't have any bullets left.<br>**[18:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try to act tough.<br>**[18:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn... Why were there still bullets left?<br>**[18:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't speak. Stay still.<br>**[18:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me to a doctor, Odokawa.<br>**[18:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an unlicensed doctor<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm well-acquainted with.<br>**[18:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up. Put me in your taxi.<br>**[19:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, the police...<br>**[19:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found it.<br>**[19:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[19:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should go to a normal hospital.<br>&nbsp;&nbsp;&nbsp;&nbsp;Receive proper treatment.<br>**[19:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure someone's already called<br>&nbsp;&nbsp;&nbsp;&nbsp;the police and an ambulance.<br>**[19:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. The car. What are<br>&nbsp;&nbsp;&nbsp;&nbsp;you going to do with it?<br>**[19:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to return the money to its owner.<br>**[19:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It finally caught up to you.<br>**[19:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't screw with me, Odokawa.<br>**[19:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what they call retribution.<br>**[19:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is goodbye for you and me.<br>**[19:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Imai? Where are you now?<br>**[19:50] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in Akasaka.<br>**[19:52] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any money to take the train.<br>**[19:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to the parking lot<br>&nbsp;&nbsp;&nbsp;&nbsp;in Shimbashi, right now.<br>**[19:58] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a black van parked there.<br>**[20:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your money is inside, so don't worry.<br>**[20:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the taxi. The keys are under the car.<br>**[20:06] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Really? I'll head there right away.*<br>**[20:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting out of here.<br>**[20:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police might be at the parking lot,<br>**[20:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but stay calm and get<br>&nbsp;&nbsp;&nbsp;&nbsp;in the car, like you belong.<br>**[20:19] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano-san, he was with Dobu-san!<br>&nbsp;&nbsp;&nbsp;&nbsp;He's working with him!<br>**[20:22] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's him, huh?!<br>**[20:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit. I'll give you the 100 million later.<br>**[20:33] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;After him!<br>**[20:56] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro...<br>**[20:57] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, you always called me an idiot,<br>**[21:00] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in the end, you were the bigger idiot.<br>**[21:02] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, maybe you're right.<br>**[21:05] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it Yano's crew that beat you up?<br>**[21:08] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:11] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go arrest them for interference<br>&nbsp;&nbsp;&nbsp;&nbsp;with public duties, inflicting bodily injury,<br>**[21:15] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;stealing a patrol car, and—<br>**[21:17] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't. I'm gonna be arrested, too.<br>**[21:20] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you are. After all, you're evil.<br>**[21:24] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sided with Dobu.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to arrest you.<br>**[21:27] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, because you're evil.<br>**[21:29] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[21:31] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you have to side with Dobu?!<br>**[21:34] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! You're such an idiot!<br>**[21:35] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liar! You lied to me, Bro!<br>**[21:38] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We promised we'd punish evil together!<br>**[21:45] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember this?<br>**[21:49] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[21:50] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I remember seeing it when<br>&nbsp;&nbsp;&nbsp;&nbsp;we graduated from police school.<br>**[21:53] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;They give it to you once you stop<br>&nbsp;&nbsp;&nbsp;&nbsp;receiving payments from the foundation<br>**[21:56] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;for kids orphaned by traffic accidents.<br>**[21:58] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about it?<br>**[22:00] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person who gave this<br>&nbsp;&nbsp;&nbsp;&nbsp;to me is Dobu's boss.<br>**[22:03] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you helped Dobu?<br>**[22:06] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm sorry I didn't tell you.<br>**[22:09] Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a strong sense of justice.<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think you'd forgive me.<br>**[22:13] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't!<br>**[22:14] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I will! After all, you're my brother!<br>**[22:17] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the law won't forgive you!<br>**[22:20] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish it *would*, though!<br>**[22:23] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But...<br>**[22:27] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Yano and his guys did <br>
&nbsp;&nbsp;&nbsp;&nbsp;is even *more* unforgivable.<br>**[22:30] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna go arrest them!<br>**[22:31] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Bro!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time: Where To?
<br>**[23:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm clumsy with words, so I'm not <br>
&nbsp;&nbsp;&nbsp;&nbsp;good at this kind of thing,*<br>**[23:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in any case, thank you, everyone.*<br>**[23:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I'm able to return <br>
&nbsp;&nbsp;&nbsp;&nbsp;to my normal life, then—*<br>**[23:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? Last train?*<br>**[23:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In that case, have <br>
&nbsp;&nbsp;&nbsp;&nbsp;a Happy New Year, everyone.*<br>

# E13 - Where To?

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G4VUQMQGW/where-to)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Where To?
<br>**[00:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I love animals.*<br>**[00:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I grow up, I want to work at the zoo.*<br>**[00:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's because I don't like humans.*<br>**[00:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Being around humans makes me anxious.*<br>**[00:41] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm always told to look people*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the eye when I talk to them,*<br>**[00:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I'm too scared to do it.*<br>**[00:46] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hate going to festivals where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;there are lots of people, too.*<br>**[00:50] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My classmates tease me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hit me, and laugh at me.*<br>**[00:56] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not good at school or sports,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so my teachers won't help me.*<br>**[01:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even the teachers tease me.*<br>**[01:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When that happens, I can't stop the tears.*<br>**[01:08] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The harder I try to stop them,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the more they keep coming.*<br>**[01:13] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's so frustrating and embarrassing,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wish I could disappear.*<br>**[01:18] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I cry out loud,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my classmates laugh at me.*<br>**[01:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They say I'm like a walrus and laugh at me."*<br>**[01:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I wish I were a walrus instead."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I wish I were a walrus instead.
<br>**[01:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"My mom is the same way.*<br>**[01:36] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since Dad never comes home, she's always*<br>*&nbsp;&nbsp;&nbsp;&nbsp;annoyed and takes it out on me.*<br>**[01:41] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Every day she eats lots of food,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and then she hits me and screams at me.*<br>**[01:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unlike at school, I don't cry at home.*<br>**[01:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's because my mom cries.*<br>**[01:53] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My dad's never home*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because he has a mistress.*<br>**[01:58] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When he does occasionally*<br>*&nbsp;&nbsp;&nbsp;&nbsp;come home, he gets blind drunk.*<br>**[02:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's my dad,*<br>**[02:05] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but he bought me an animal*<br>*&nbsp;&nbsp;&nbsp;&nbsp;encyclopedia, so I like him okay.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Animal Encyclopedia
<br>**[02:10] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I never got tired of looking*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at my animal encyclopedia.*<br>**[02:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I read lots of animal books at the library,*<br>**[02:16] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I like this book*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my dad gave me the most."*<br>**[02:20] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"There's something else*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I like, too. Cars.*<br>**[02:24] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think it would be okay to get a job*<br>*&nbsp;&nbsp;&nbsp;&nbsp;driving cars when I grow up, too.*<br>**[02:28] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On rare occasions, my dad*<br>*&nbsp;&nbsp;&nbsp;&nbsp;takes me for a ride in his car.*<br>**[02:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I liked going on drives as a family,*<br>**[02:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but these days, my mom doesn't ride with us.*<br>**[02:40] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think my dad doesn't bring my mom*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because he's going to see his mistress.*<br>**[02:46] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He tells me, 'Hiroshi, don't tell your*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mother,' and leaves me at the zoo.*<br>**[02:52] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I feel bad for my mom,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I loved my time at the zoo.*<br>**[02:58] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't look people in the eye, but I could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;stare into the eyes of animals forever.*<br>**[03:03] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't speak to people,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I could speak to animals.*<br>**[03:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I saw a walrus.*<br>**[03:11] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They make funny sounds*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and they're fat, just like me.*<br>**[03:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought they looked like my mom, too.*<br>**[03:21] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I think about returning*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to reality with all its humans,*<br>**[03:26] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd rather stay here forever.*<br>**[03:41] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's why that day, on the day*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the accident, I...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;National Traffic Safety Campaign
<br>**[03:48] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;The loser's bracket group<br>&nbsp;&nbsp;&nbsp;&nbsp;that will be advancing to the finals<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Losers' Bracket
<br>**[03:51] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;is entry number 1770, Rush Style!<br>**[03:55] Entertainer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? Really?! Thank you!<br>**[03:57] Entertainer**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it, Nozuyama-kun!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;N-1 Grand Prix<br>
&nbsp;&nbsp;&nbsp;&nbsp; 2021 Losers' Bracket
<br>**[04:00] Entertainer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm so happy. I'm already writing jokes.*<br>**[04:04] Audience B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently Donraku-san stepped down<br>&nbsp;&nbsp;&nbsp;&nbsp;from the judge's panel.<br>**[04:06] Audience A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else would he do? His daughter died.<br>**[04:09] Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How do you feel right now?*<br>**[04:09] Audience B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, can we change the channel?<br>**[04:11] Entertainer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll ride this wave all the way to—*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live: Private Taxi Speeding Down Expressway
<br>**[04:19] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san's not answering his phone.<br>**[04:22] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is that taxi?<br>**[04:23] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's heading towards*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the harbor from Toranomon.*<br>**[04:27] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got it. I'll head there.*<br>**[04:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me with you, Dr. Goriki.<br>**[04:44] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other day, a high school listener<br>&nbsp;&nbsp;&nbsp;&nbsp;was waiting for me to come outside.<br>**[04:47] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He asked me to team up with him.<br>**[04:50] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must be disappointed after<br>&nbsp;&nbsp;&nbsp;&nbsp;watching that loser's bracket.<br>**[04:53] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we did was scream insults at each other.<br>**[04:57] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you really want to split up?<br>**[05:00] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who said we should split up<br>&nbsp;&nbsp;&nbsp;&nbsp;if we didn't make it this year.<br>**[05:04] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were so close.<br>**[05:05] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we quit after I forgot our jokes,<br>&nbsp;&nbsp;&nbsp;&nbsp;all I'd have left would be regrets.<br>**[05:08] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next year will be our last year.<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you reconsider?<br>**[05:13] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you.<br>**[05:15] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to be my straight man.<br>**[05:17] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always said I was a crap straight man.<br>**[05:18] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, please.<br>**[05:20] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll write funnier jokes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Be my straight man.<br>**[05:22] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interrupt me again!<br>**[05:29] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The police will probably*<br>*&nbsp;&nbsp;&nbsp;&nbsp;keep questioning us.*<br>**[05:33] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should get our story straight.<br>**[05:35] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we just tell them the truth?<br>**[05:38] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *truth?* Do you understand what we did?<br>**[05:56] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Have you ever seen her house?*<br>**[05:58] (Flashback) Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an obvious prefab packed to the brim, right?<br>**[06:01] (Flashback) Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They say that's why she<br>&nbsp;&nbsp;&nbsp;&nbsp;spends all her time in the bath.<br>**[06:04] Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's hilarious. I bet she gets super wrinkly.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Dream For the Future
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Rich
<br>**[06:20] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Welcome home.*<br>**[06:21] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm late.<br>**[06:23] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you eaten dinner yet?<br>**[06:25] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet, but you must be tired<br>&nbsp;&nbsp;&nbsp;&nbsp;from work, right?<br>**[06:27] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll find something to eat.<br>**[06:30] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll need a lunch for tomorrow.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make dinner while I'm at it.<br>**[06:33] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have fried chicken, though.<br>**[06:35] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Mom.<br>**[06:38] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;As someone whose dreams were<br>&nbsp;&nbsp;&nbsp;&nbsp;shattered, you look radiant to me.<br>**[06:42] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only get one go around in life.<br>**[06:44] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta do whatever it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to make your dreams come true.<br>**[07:15] Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing left. It's game over.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ksawa<br>
&nbsp;&nbsp;&nbsp;&nbsp; @Ksawa_2daime
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ksawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I was shocked to learn that Donraku's daughter  is the dead Mystery Kiss girl and I feel bad  for them, but how I'm going to support myself  from now on is the bigger, more serious mystery.
<br>**[07:38] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hit him again! Again!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Road Closed
<br>**[07:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you figure out what<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san's illness is called?<br>**[07:53] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's called...<br>**[07:59] (Flashback) Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual agnosia caused<br>&nbsp;&nbsp;&nbsp;&nbsp;by executive dysfunction.<br>**[08:04] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual agnosia...<br>**[08:07] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is that?*<br>**[08:09] Goriki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He doesn't know what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;his eyes are looking at.*<br>**[08:12] Goriki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Damage to his brain is causing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an error in its cognitive function.*<br>**[08:23] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop the car, Doctor!<br>**[08:40] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not getting away!<br>**[09:12] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-kun!<br>**[09:31] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This'll go viral!<br>**[10:03] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. One more time.<br>**[10:05] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be my straight man one more time.<br>**[10:09] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? I'm being interrupted by a car?!<br>**[10:40] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"That's why that day,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on the day of the accident,*<br>**[10:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remember being happy.*<br>**[10:46] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My mom put my plastered dad in*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the car and took us for a drive.*<br>**[10:52] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It'd been so long since we'd gone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for a drive as a family.*<br>**[10:55] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My dad was sleeping in the back seat,*<br>**[10:58] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and my mom seemed like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she was in a bad mood,*<br>**[11:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I was having fun.*<br>**[11:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was my first night drive.*<br>**[11:06] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The roads and traffic signals and lights*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the cars were sparkly and pretty."*<br>**[11:12] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"When I woke up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was lying in a hospital bed.*<br>**[11:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My head felt dizzy. I felt weird.*<br>**[11:21] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The doctors explained a bunch of stuff*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to me, but I don't remember much.*<br>**[11:26] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All I remember is that my dad and mom*<br>*&nbsp;&nbsp;&nbsp;&nbsp;went somewhere after the accident*<br>**[11:31] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and that the doctor kind of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;looked like an alligator,*<br>**[11:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*since I had actually become a walrus."*<br>**[11:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"My relatives and teachers showed up*<br>**[11:43] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and had serious conversations*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and told me all kinds of stuff,*<br>**[11:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I didn't really care.*<br>**[11:51] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I met patients and nurses,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it didn't bother me at all.*<br>**[11:57] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After all, they were pandas and beavers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and tortoises and llamas and stuff.*<br>**[12:03] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Everyone said they felt sorry for me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I was better off than I was before."*<br>**[12:09] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"One day, a tapir showed up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and said he'd look after me.*<br>**[12:15] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have to see*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my old classmates again,*<br>**[12:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I'd get to move to Tokyo.*<br>**[12:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I couldn't imagine anything better.*<br>**[12:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was really glad that I'd become a walrus.*<br>**[12:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I only met the tapir then,*<br>**[12:31] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I wanted to go thank him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;properly someday."*<br>**[13:00] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Queixada!<br>**[13:09] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, over here! Hurry!<br>**[13:20] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa!<br>**[13:21] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san.<br>**[13:24] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa!<br>**[13:25] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san.<br>**[13:30] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa.<br>**[13:33] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san...<br>**[13:41] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Odokawa. What do I look like to you?<br>**[13:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A human.<br>**[13:47] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Does that scare you?<br>**[13:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not scared. I'm okay.<br>**[13:53] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about me?<br>**[13:59] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're scared of me?<br>**[14:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. You're... pretty.<br>**[14:07] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like he still can't talk to women.<br>**[14:31] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your plan ended in failure, Dobu.<br>**[14:33] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't worry. I'll let you go.<br>**[14:36] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daimon!<br>**[14:38] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding. I'm the younger brother!<br>**[14:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a funny prank.<br>**[14:42] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa said the same thing.<br>**[14:44] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said only relatives think it's funny.<br>**[14:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here?<br>**[14:47] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;An officer will be arriving with your arrest<br>&nbsp;&nbsp;&nbsp;&nbsp;warrant soon. I thought I'd let you know.<br>**[14:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you tell me that? What if I run away?<br>**[14:55] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll shoot you again. Bang!<br>**[14:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That shot was you?<br>**[15:01] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got in a lot of trouble for it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I got to arrest your gang.<br>**[15:04] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;No big deal.<br>**[15:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what'll happen if I get arrested.<br>**[15:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother will go down, too.<br>**[15:09] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. After all,<br>&nbsp;&nbsp;&nbsp;&nbsp;what my brother did was bad.<br>**[15:13] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crimes should be punished.<br>**[15:15] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evil can never be destroyed completely,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll keep maintaining the peace.<br>**[15:19] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I'm a police officer!<br>**[15:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like some jelly?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you prefer pudding?<br>**[15:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough. Just sit. It's fine.<br>**[15:36] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yesterday the MPD arrested <br>
&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss member Rui Nikaido,*<br>**[15:40] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who they had been questioning <br>
&nbsp;&nbsp;&nbsp;&nbsp;in connection to the murder*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suspects Arrested in Yuki Mitsuya-san Murder<br>
&nbsp;&nbsp;&nbsp;&nbsp; Body Dumped in Sea After Killing
<br>**[15:44] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of Mystery Kiss member Yuki Mitsuya-san.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Rui Nikaido (18)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suspected of dumping body in the sea after  killing fellow group member at agency office
<br>**[15:48] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mystery Kiss manager Fuyuki Yamamoto,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Unemployed <br>
&nbsp;&nbsp;&nbsp;&nbsp;Togo Sekiguchi (26)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Employee <br>
&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto (34)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Unemployed <br>
&nbsp;&nbsp;&nbsp;&nbsp;Haruhito Yano (28)
<br>**[15:52] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Haruhito Yano, unemployed, <br>
&nbsp;&nbsp;&nbsp;&nbsp;and Togo Sekiguchi, also unemployed,*<br>**[15:58] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*were arrested for abandoning a body.*<br>**[16:01] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rui Nikaido is denying the charges...*<br>**[16:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I just remembered.<br>**[16:07] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:08] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nothing. It's got nothing to do with you.<br>**[16:11] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still acting shy?<br>**[16:14] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been reporting<br>&nbsp;&nbsp;&nbsp;&nbsp;on this story since this morning.<br>**[16:17] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, you'll probably<br>&nbsp;&nbsp;&nbsp;&nbsp;be interviewed at some point,<br>**[16:20] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once things settle down,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to go to the zoo.<br>**[16:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? With me?<br>**[16:27] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought someone who said<br>&nbsp;&nbsp;&nbsp;&nbsp;he wanted to see you, Odokawa.<br>**[16:30] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-sama, are you feeling all right?<br>**[16:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thankfully, I'm doing okay.<br>**[16:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Imai.<br>**[16:38] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great!<br>**[16:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, are you okay? That idol...<br>**[16:43] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came as a huge shock,<br>**[16:45] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if she really did do it,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be a terrible thing,<br>**[16:49] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when I think about it, getting to visit<br>&nbsp;&nbsp;&nbsp;&nbsp;an idol in prison is a precious experience.<br>**[16:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking at this really positively.<br>**[16:56] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So once I visit her—even if I don't,<br>**[16:58] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll decide whether or not<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to continue supporting her.<br>**[17:02] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[17:05] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police retrieved the money<br>&nbsp;&nbsp;&nbsp;&nbsp;that fell into the ocean.<br>**[17:08] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know some of it's missing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is for you.<br>**[17:12] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want this.<br>**[17:13] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, you have to take it!<br>**[17:15] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I caused all kinds of trouble for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you helped me a lot.<br>**[17:19] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems insistent. Why don't you accept it?<br>**[17:21] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It can't hurt to have it.<br>**[17:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but I wouldn't know how to use it.<br>**[17:28] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could pay off Kakihana's debt.<br>**[17:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I'll make him pay it off himself.<br>**[17:33] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I can think of one use for it.<br>**[17:35] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll accept it, then?!<br>**[17:37] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I should get going.<br>**[17:39] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a Rui-tan fan meeting to<br>&nbsp;&nbsp;&nbsp;&nbsp;discuss what we'll do going forward.<br>**[17:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. That reminds me.<br>**[17:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl I drove late at night on October 4th<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Mystery Kiss office...<br>**[17:50] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you talking about?<br>**[17:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. I guess I should tell the police.<br>**[17:55] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, goodbye. I'll visit again.<br>**[18:00] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;One use? You mean the traffic<br>&nbsp;&nbsp;&nbsp;&nbsp;accident orphan foundation?<br>**[18:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd figure it out.<br>**[18:05] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea<br>&nbsp;&nbsp;&nbsp;&nbsp;who to return the money to?<br>**[18:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure my landlady knows.<br>**[18:12] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you give it to him yourself?<br>**[18:15] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a tapir. You know who that is?<br>**[18:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. A tapir.<br>**[18:23] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's how it is.<br>**[18:24] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Odokawa, this is hard to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I need to confirm something.<br>**[18:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[18:30] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's inside your house?<br>**[18:41] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, no! He's falling!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Comedy Duos Compete to Survive!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Who Will Fall?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bonnou Illumination
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamabiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Reserved for the day<br>
&nbsp;&nbsp;&nbsp;&nbsp;-Yamabiko
<br>**[18:58] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You all better now?<br>**[19:01] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was always healthy. I can sleep now, too.<br>**[19:05] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Glad to hear it.<br>**[19:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confidently speaking to a human like you<br>&nbsp;&nbsp;&nbsp;&nbsp;is a huge step forward for me.<br>**[19:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still not comfortable<br>&nbsp;&nbsp;&nbsp;&nbsp;around women, though.<br>**[19:17] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[19:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police haven't arrested you.<br>**[19:22] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because I have<br>&nbsp;&nbsp;&nbsp;&nbsp;exceptional subordinates.<br>**[19:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure a lot of people<br>&nbsp;&nbsp;&nbsp;&nbsp;suffered because of you,<br>**[19:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not here to criticize you for that.<br>**[19:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not my job, and you've probably<br>&nbsp;&nbsp;&nbsp;&nbsp;saved more people than that.<br>**[19:37] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to retire.<br>**[19:39] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only did I fail to save<br>&nbsp;&nbsp;&nbsp;&nbsp;Don-chan's daughter,<br>**[19:42] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my subordinates were involved.<br>**[19:44] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about putting the cart<br>&nbsp;&nbsp;&nbsp;&nbsp;before the horse.<br>**[19:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard from Dobu<br>&nbsp;&nbsp;&nbsp;&nbsp;that you have only one rule.<br>**[19:51] Kuroda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. "Don't kill people." That's all.<br>**[19:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's close to 100 million yen in here.<br>**[20:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to do as much as you can with it.<br>**[20:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it's just helping the kids<br>&nbsp;&nbsp;&nbsp;&nbsp;you're currently supporting,<br>**[20:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't tell them until<br>&nbsp;&nbsp;&nbsp;&nbsp;you give them that doll.<br>**[20:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been a great help<br>&nbsp;&nbsp;&nbsp;&nbsp;until now. Thank you.<br>**[20:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great. It's just a cat.<br>**[21:01] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's get started. Hello.*<br>**[21:02] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're Bonnou Illumination.*<br>**[21:03] Fukumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We sure did get roped into this.*<br>**[21:05] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. We're pinch-hitters.*<br>**[21:08] Fukumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Homosapiens.*<br>**[21:09] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't say their name.*<br>**[21:10] Fukumoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's nothing wrong*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with saying their name.*<br>**[21:12] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. It's okay to mention their name.*<br>**[21:13] Fukutomo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Can you believe Baba-san*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was dating a murderer?*<br>**[21:16] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're not supposed to say that.*<br>**[21:17] Fukumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone will creeped out unless I say it.*<br>**[21:19] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's still only a suspect.*<br>**[21:21] Fukumoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Forget about that. We're here*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to produce a proper radio show.*<br>**[21:26] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom, how are you?<br>**[21:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I transferred to a bigger agency.<br>**[21:31] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Things are going so<br>&nbsp;&nbsp;&nbsp;&nbsp;well, it's almost scary.<br>**[21:34] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I hounded the manager<br>&nbsp;&nbsp;&nbsp;&nbsp;after I failed an audition.<br>**[21:39] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking about it now makes me laugh.<br>**[21:42] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was frustrated, though.<br>**[21:45] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it went well.<br>**[21:48] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If they hadn't become famous after that,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I would've been content.*<br>**[21:52] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But when I heard they'd be releasing their*<br>*&nbsp;&nbsp;&nbsp;&nbsp;first CD, I couldn't sit still anymore.*<br>**[21:57] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, everything's going well.<br>**[22:01] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I wasn't expecting<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose someone else,<br>**[22:04] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I get more attention because of that.<br>**[22:07] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about losing another<br>&nbsp;&nbsp;&nbsp;&nbsp;and becoming a solo act.<br>**[22:12] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm too greedy?<br>**[22:15] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing for now.<br>**[22:18] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I headed out to do was find<br>&nbsp;&nbsp;&nbsp;&nbsp;the taxi I rode in then.<br>**[22:23] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I found it.<br>**[22:25] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a total coincidence.<br>&nbsp;&nbsp;&nbsp;&nbsp;I must be lucky after all.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aozora Comedy Festival
<br>**[22:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's going my way.<br>**[22:30] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you more about it later.<br>**[22:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. It'll go well again.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Uninstall "Zooden?" <br>
&nbsp;&nbsp;&nbsp;&nbsp;All data will be erased <br>
&nbsp;&nbsp;&nbsp;&nbsp;when this app is uninstalled.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
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<br>**[22:36] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over the end of the year—<br>**[22:39] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'll tell you about it later.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Must-read!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Foolproof Methods For Finding a Job
<br>**[22:42] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Will you make fried chicken*<br>*&nbsp;&nbsp;&nbsp;&nbsp;again for me sometime?*<br>**[22:46] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you said, I'm gonna do whatever it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to make my dream come true.<br>**[22:57] Boss A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana, let's get lunch.<br>**[22:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[23:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[23:22] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hop on in.<br>**[23:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>

# Movie

# M1 - ODDTAXI in the Woods

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GK9U3JG59/oddtaxi-in-the-woods)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;National Traffic <br>
&nbsp;&nbsp;&nbsp;&nbsp;Safety Campaign
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special Fraud <br>
&nbsp;&nbsp;&nbsp;&nbsp;Prevention Campaign
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taya Police Station
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Interview Room 4
<br>**[00:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How it started? What would you<br>&nbsp;&nbsp;&nbsp;&nbsp;even call the start of this?<br>**[00:45] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Of this chain of events?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;That doesn't narrow things down.*<br>**[00:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It all started on October 4th, right?*<br>**[00:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I really don't remember anything about that.*<br>**[00:57] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now for the news.*<br>**[00:59] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A high school girl has gone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;missing in Nerima City, Tokyo.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tea
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;High School Student  Goes Missing in Nerima
<br>**[01:04] News**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She has been unreachable*<br>**[01:05] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;since she left her home late*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at night on the 4th of this month.*<br>**[01:08] News**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The police believe she may*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have been involved in an incident.*<br>**[01:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It started with him.<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the pygmy hippo.<br>**[01:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa? Yeah, Kabasawa.<br>**[01:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? "Kabasawa, comin' at ya!"?*<br>**[01:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The hell is that? Sounds lame.*<br>**[01:29] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you a fan of his?*<br>**[01:32] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Personally, I feel like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;something went off the rails then.*<br>**[01:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was... October 10th? Oh, right.*<br>**[01:41] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I clearly remember things*<br>*&nbsp;&nbsp;&nbsp;&nbsp;starting around then.*<br>**[01:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was driving through the city*<br>**[01:45] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;while listening to the Homosapiens*<br>*&nbsp;&nbsp;&nbsp;&nbsp;radio show like I always did.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;In the Woods
<br>**[02:12] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[02:14] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nerima.<br>**[02:16] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give me a break.*<br>**[02:20] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was supposed to be partying it up with<br>&nbsp;&nbsp;&nbsp;&nbsp;my Kabasawa Crew of followers right now.<br>**[02:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Christmas Eve, you know?<br>**[02:33] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The start? October 10th? Oh, yeah.<br>**[02:37] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's when it started.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's that taxi driver's fault.*<br>**[02:41] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remember now.*<br>**[02:42] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was drinking cheap booze*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with a friend after class.*<br>**[02:47] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What? We weren't discussing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;anything important.*<br>**[02:50] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was all stuff about some anime,*<br>**[02:51] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;or how some streamer's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Let's Play was interesting.*<br>**[02:54] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The friend I was drinking with said he<br>&nbsp;&nbsp;&nbsp;&nbsp;was gonna meet up with his girlfriend,<br>**[02:58] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we ended at an awkward time.<br>**[03:01] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The trains were running, but I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be bothered, so I took a taxi instead.<br>**[03:06] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was just on a whim.*<br>**[03:07] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought maybe he'd have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an idea I could use.*<br>**[03:11] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I asked if anything interesting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;had happened recently.*<br>**[03:16] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to go viral.<br>**[03:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Viral?<br>**[03:19] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want my posts to be spread<br>&nbsp;&nbsp;&nbsp;&nbsp;all over social media.<br>**[03:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:24] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Because my friends have.<br>**[03:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure wasting your time<br>&nbsp;&nbsp;&nbsp;&nbsp;on pointless shit, huh?<br>**[03:30] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not pointless. It's important.<br>**[03:34] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Likes and followers<br>&nbsp;&nbsp;&nbsp;&nbsp;represent a person's worth.<br>**[03:37] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're even used as evaluation<br>&nbsp;&nbsp;&nbsp;&nbsp;criteria by job recruiters.<br>**[03:41] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I just got a great idea.<br>**[03:43] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, could you take<br>&nbsp;&nbsp;&nbsp;&nbsp;a selfie of us together?<br>**[03:46] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will that go viral?<br>**[03:47] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just do it.<br>**[03:50] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Also, well... I think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was looking down on him.*<br>**[03:56] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Done. Look.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10 seconds ago
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hold on lol I was telling my taxi driver  that I was having trouble finding a job, so he  took my phone and was like, "Check this out;  it'll cheer you up," and took a picture of us lmao
<br>**[03:58] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because I'd only been paying*<br>*&nbsp;&nbsp;&nbsp;&nbsp;attention to successful people,*<br>**[04:01] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I saw this middle-aged taxi driver*<br>*&nbsp;&nbsp;&nbsp;&nbsp;whose life didn't seem to be going anywhere,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hold on lol I was telling my taxi driver<br>
&nbsp;&nbsp;&nbsp;&nbsp; that I was having trouble finding a job, so he <br>
&nbsp;&nbsp;&nbsp;&nbsp;took my phone and was like, "Check this out; <br>
&nbsp;&nbsp;&nbsp;&nbsp;it'll cheer you up," and took a picture of us lmao
<br>**[04:05] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I felt sort of relieved.*<br>**[04:07] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. We encountered*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a checkpoint on the way.*<br>**[04:10] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, I know that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;cop must've been working with Dobu,*<br>**[04:15] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but that has nothing to do with me.*<br>**[04:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's odd. Aren't you friends with him?<br>**[04:22] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking for convenience's<br>&nbsp;&nbsp;&nbsp;&nbsp;sake. Use your head.<br>**[04:25] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he mean, Bro?<br>**[04:31] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My impression of Odokawa-san?*<br>**[04:33] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean, I thought he was weird,*<br>**[04:35] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I also thought to myself,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"I never want to turn out like this guy."*<br>**[04:46] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I asked him why he decided*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to become a driver,*<br>**[04:49] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and he gave me some halfhearted answer.*<br>**[04:51] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I got caught up hoping that I'd be living*<br>**[04:54] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;a more joyful and easier life*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by the time I'm his age,*<br>**[04:58] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I forgot my phone in the car.*<br>**[05:00] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Driver. I forgot my phone.<br>**[05:03] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you come back?<br>**[05:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I told you not to leave anything in the car.*<br>**[05:07] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it go viral?<br>**[05:12] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The notifications won't stop.<br>**[05:15] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously? It went viral.*<br>**[05:18] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was so surprised.*<br>**[05:20] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought it'd be nice if it went viral,*<br>**[05:22] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I didn't expect it to get*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that much attention.*<br>**[05:24] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that moment changed my life.*<br>**[05:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do I regret it?*<br>**[05:30] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No. No, I don't regret it.*<br>**[05:32] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After all, it wasn't intentional,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and there's nothing I can do about it.*<br>**[05:37] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. Right?*<br>**[05:39] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had no idea Dobu was in that photo.*<br>**[05:43] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two doing well?<br>**[05:46] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, we're short on time?<br>**[05:49] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it's incredible. How many<br>&nbsp;&nbsp;&nbsp;&nbsp;people are you seeing today?<br>**[05:54] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, sorry. We're here to<br>&nbsp;&nbsp;&nbsp;&nbsp; have a serious conversation.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Runaway?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kidnapping?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;High School Girl Missing in Nerima City<br>
&nbsp;&nbsp;&nbsp;&nbsp; Unreachable Since Going Out Late at Night
<br>**[06:00] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There was a news report that day about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a girl from Nerima who went missing.*<br>**[06:09] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you happy?<br>**[06:12] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can run away whenever you want.<br>**[06:15] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not trapping you in here<br>&nbsp;&nbsp;&nbsp;&nbsp;or keeping you tied up.<br>**[06:19] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You chose to stay here.<br>**[06:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Odokawa-san came in for a checkup.*<br>**[06:25] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, it wasn't the first time.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;He'd visited several times before.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[06:30] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Odokawa?<br>**[06:32] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you been sleeping well?<br>**[06:34] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I go to sleep while listening to rakugo.<br>**[06:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already memorized it, you quack.<br>**[06:40] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master Donraku Shofutei's routine?<br>**[06:42] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm surprised you know about him.<br>**[06:45] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a Donraku eraser.<br>**[06:48] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A what?<br>**[06:49] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really understand it myself,<br>**[06:51] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's an original Master Donraku eraser.<br>**[06:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell needs something like that?<br>**[06:57] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That Donraku eraser...*<br>**[07:00] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I promised I'd tell you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;everything today, didn't I?*<br>**[07:04] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san gave me the Donraku eraser<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could attract Odokawa-san's attention.<br>**[07:11] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have it.<br>**[07:16] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Odokawa. What do I look like to you?<br>**[07:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gorilla.<br>**[07:23] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not wrong.<br>**[07:26] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In any case, I wanted to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;get closer to Odokawa-san.*<br>**[07:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's how it was, back then.*<br>**[07:31] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Of course, I was under*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san's orders at the time.*<br>**[07:33] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[07:36] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't sound very convincing, do I?*<br>**[07:39] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know how to put it exactly,*<br>**[07:40] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I felt like I could finally fly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;off the perch I'd been sitting on.*<br>**[07:44] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? That's a confusing analogy?*<br>**[07:47] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, yeah. After all, I'm an alpaca.*<br>**[07:51] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place doesn't have ramen?<br>**[07:54] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever.<br>**[07:56] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys have got some guts.<br>**[07:59] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you threatening me, here?<br>**[08:02] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't tell anyone?<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of this, then?<br>**[08:07] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you already know everything?<br>**[08:10] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirming what you know, huh?<br>**[08:11] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got a point here, make it quick.<br>**[08:15] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:16] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You wanna drag Dobu<br>&nbsp;&nbsp;&nbsp;&nbsp;into these interviews?<br>**[08:21] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy enough. You just need money.<br>**[08:26] Big Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That all started with money, too.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was purely about the money.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Goriki Clinic
<br>**[08:30] Big Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Because Dobu said that dash*<br>*&nbsp;&nbsp;&nbsp;&nbsp;cam's data was valuable,*<br>**[08:33] Big Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;he used the police's power*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to get his hands on it.*<br>**[08:36] Big Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And it's true that Odokawa was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a person of interest in the case.*<br>**[08:41] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:42] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;from Nerima got in your car.<br>**[08:46] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My car?<br>**[08:47] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking your data. This is a seizure.<br>**[08:52] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything comes up,<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect your cooperation again.<br>**[08:56] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go to the police, though.<br>**[09:00] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I do?<br>**[09:02] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not sure, but I imagine a wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;criminal armed with a gun might kill you.<br>**[09:08] Big Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why? What does it matter?*<br>**[09:11] Big Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't stick your noses*<br>*&nbsp;&nbsp;&nbsp;&nbsp;too deep into this.*<br>**[09:15] Big Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;More importantly, do you know*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where my brother is?*<br>**[09:32] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[09:34] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you got anything as close as possible<br>&nbsp;&nbsp;&nbsp;&nbsp;to tofu and spinach sesame salad?<br>**[09:38] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Cilantro and white onions?<br>**[09:41] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, never mind.<br>**[09:44] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place sure does like to put on airs.<br>**[09:46] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You don't think so?<br>**[09:49] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. How's the investigation<br>&nbsp;&nbsp;&nbsp;&nbsp;coming along? Any progress?<br>**[09:54] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money? Oh, you might be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to interview Dobu-san.<br>**[09:58] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, all right. I'll pay for it.<br>**[10:02] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, don't worry about it.*<br>**[10:04] Taeko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;More importantly, will you be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;all right? Isn't that dangerous?*<br>**[10:07] Taeko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Not even biotechnology*<br>*&nbsp;&nbsp;&nbsp;&nbsp;can beat him anymore.*<br>**[10:10] Taeko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently we've come full circle*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to physical attacks again.*<br>**[10:13] Taeko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's like the wrecking ball they used*<br>*&nbsp;&nbsp;&nbsp;&nbsp;during the Asama-Sanso incident.*<br>**[10:17] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? Oh, right.*<br>**[10:21] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What was happening at the shop then?*<br>**[10:23] Taeko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As usual, it started with a conversation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about health typical of middle-aged men,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamabiko
<br>**[10:27] Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when suddenly Goriki-san said...*<br>**[10:29] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell Odokawa to go to a bigger hospital.<br>**[10:33] (Flashback) Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong with him?<br>**[10:36] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think he's strange?<br>**[10:39] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's always been strange.<br>**[10:41] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hates people and is sarcastic.<br>**[10:43] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;His parents abandoned him.<br>**[10:45] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course he's twisted.<br>**[10:47] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that. It's something<br>&nbsp;&nbsp;&nbsp;&nbsp;more... fundamental.<br>**[10:53] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw Daimon the other day.<br>**[10:55] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said something odd.<br>**[10:58] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He thought Odokawa might be involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Nerima missing person case.<br>**[11:01] (Flashback) Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be?<br>**[11:02] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He went to question Odokawa's neighbors.<br>**[11:05] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they heard Odokawa<br>&nbsp;&nbsp;&nbsp;&nbsp;talking to someone<br>**[11:07] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he supposedly lives alone.<br>**[11:09] (Flashback) Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe he was on the phone.<br>**[11:11] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the police were looking for Dobu.<br>**[11:20] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We talked about all kinds of stuff,<br>**[11:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;like how Odokawa-san's family<br>&nbsp;&nbsp;&nbsp;&nbsp;never came back,<br>**[11:26] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my scholarship money.<br>**[11:29] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nurses must make good money.<br>**[11:31] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember me.<br>**[11:34] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only alpaca around here.<br>**[11:38] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so funny?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you laughing to be polite?<br>**[11:41] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In any case, at the time,*<br>**[11:43] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I felt I had to make Odokawa-san*<br>*&nbsp;&nbsp;&nbsp;&nbsp;aware of my existence.*<br>**[11:49] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I owed Dobu-san money.<br>**[11:55] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's why I did as he said.<br>**[11:59] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know.*<br>**[12:02] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, is there anyone you like?<br>**[12:04] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[12:05] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste.<br>**[12:06] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life's more fun when you're in love.<br>**[12:08] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm too old for that.<br>**[12:10] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still only 41.<br>&nbsp;&nbsp;&nbsp;&nbsp;Your life is just getting started.<br>**[12:13] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know that?<br>**[12:14] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen your medical records.<br>**[12:16] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know all my personal<br>&nbsp;&nbsp;&nbsp;&nbsp;information, don't you?<br>**[12:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-san, is there anyone you like?<br>**[12:27] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought, "This is my chance!"*<br>**[12:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. What's he like?<br>**[12:35] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he like?<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a little hard to describe.<br>**[12:40] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a photo of him?<br>**[12:42] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do. Would you like to see?<br>**[12:43] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would.<br>**[12:45] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What? I don't have "game"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or anything like that.*<br>**[12:49] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I really was desperate.*<br>**[12:52] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Cunning? Oh, please.*<br>**[12:56] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All I did was turn on the front-facing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;camera and show him.*<br>**[12:59] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I was surprised.<br>**[13:02] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Romance was never Odokawa's thing.<br>**[13:06] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was surprised, and I panicked.*<br>**[13:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since I wanted to support him,<br>&nbsp;&nbsp;&nbsp;&nbsp; I guess I did egg him on.<br>**[13:14] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it'd be nice if it worked out.<br>**[13:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've transcended all kinds of stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;to achieve a look of total serenity.<br>**[13:22] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. I'm organizing<br>&nbsp;&nbsp;&nbsp;&nbsp;my thoughts right now.<br>**[13:26] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Jealous?<br>**[13:32] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not at all.<br>**[13:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't take pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;in the changing room.<br>**[13:40] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares? There's nobody here.<br>**[13:42] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taeko said she hasn't seen your<br>&nbsp;&nbsp;&nbsp;&nbsp;face in a while. She misses you.<br>**[13:47] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter that nobody's here.<br>&nbsp;&nbsp;&nbsp;&nbsp;It says it's prohibited.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Looking For Marriage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You have new messages
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Close
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;View Message
<br>**[13:53] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean, I did envy him.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Online
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho, 18 years old, Tokyo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.  I was intrigued by your very genuine-looking photo,  so I sent you a message. Feel free to message back.
<br>**[13:56] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? Is that why I did that?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho, 18 years old, Tokyo
<br>**[14:00] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come on, give me a break.*<br>**[14:07] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening, Kakihana?<br>**[14:13] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got the least to do with this incident.<br>**[14:16] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the loser's bracket<br>&nbsp;&nbsp;&nbsp;&nbsp;show is tomorrow.<br>**[14:19] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time for this.<br>**[14:22] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I gonna do?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna brush up on my jokes!<br>**[14:27] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for shouting. I'm not mad or anything.<br>**[14:30] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got the powerful voice of someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who's performed onstage a lot.<br>**[14:33] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had to project my voice.<br>**[14:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, what do you want?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lucky Retailer!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hachiko Square
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lottery Tickets
<br>**[14:38] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Imai? Ah, yeah. Imai-san.*<br>**[14:41] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's a senior employee at my job.*<br>**[14:43] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We live in a hierarchical society,*<br>**[14:44] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I respect him even though*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he's younger than me.*<br>**[14:47] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Besides, he's a good person.*<br>**[14:49] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He said a real nice driver*<br>*&nbsp;&nbsp;&nbsp;&nbsp;gave him a discount.*<br>**[14:52] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently haggling with taxi drivers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is against the law. Did you know that?*<br>**[14:55] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll write about him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in a review of the cabaret club.*<br>**[14:57] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just kidding. Nobody does that.*<br>**[15:00] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently they even had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a conversation about idols.*<br>**[15:03] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;After struggling for two years,<br>&nbsp;&nbsp;&nbsp;&nbsp;they finally debuted.<br>**[15:06] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a very long struggle.<br>**[15:07] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking back, I encountered them a year ago<br>**[15:09] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;at a concert I happened to attend.<br>**[15:11] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, there were only five people<br>&nbsp;&nbsp;&nbsp;&nbsp;in the audience, including me.<br>**[15:14] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But today, all those fans came to see them.<br>**[15:17] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel happy, but also kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of sad. I feel conflicted.<br>**[15:21] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, like, knowing them since way back<br>&nbsp;&nbsp;&nbsp;&nbsp;gives me a sense of superiority.<br>**[15:25] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was one of those five fans.<br>**[15:28] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forget how I felt then.<br>**[15:31] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rui Nikaido's overpowering aura.<br>**[15:33] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her singing reminded me of Janis Joplin.<br>**[15:35] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her innate idol-like qualities contrasted<br>&nbsp;&nbsp;&nbsp;&nbsp;with the ambition that flowed out of her.<br>**[15:39] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya's exceptional physical<br>&nbsp;&nbsp;&nbsp;&nbsp;abilities backed by her next-level dancing.<br>**[15:43] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho Ichimura's genuine modesty.<br>**[15:47] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each idol had a unique personality.<br>**[15:48] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were the holy trinity of idols.<br>**[15:51] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a lot to say about them,<br>**[15:53] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but their personalities got<br>&nbsp;&nbsp;&nbsp;&nbsp;less impressive as you went on.<br>**[15:55] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently he bragged about being one of<br>&nbsp;&nbsp;&nbsp;&nbsp;five audience members before they debuted.<br>**[15:59] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when we debuted, we performed<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of five people,<br>**[16:03] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all five of them made faces<br>&nbsp;&nbsp;&nbsp;&nbsp;like they'd dropped their wallets.<br>**[16:05] (Flashback) Yamato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ready to take your picture.<br>**[16:11] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking.<br>**[16:13] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both Ichimura-san and Mitsuya-san<br>&nbsp;&nbsp;&nbsp;&nbsp;would look better without masks.<br>**[16:16] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're so cute. It's a waste.<br>**[16:18] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also...<br>**[16:21] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san's dancing has<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten a little sloppy.<br>**[16:25] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He said one of them seemed off her game.*<br>**[16:27] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think it was Mitsuya-san?*<br>**[16:29] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't give a shit,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but nodded along anyway.*<br>**[16:34] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Imai guy was one<br>&nbsp;&nbsp;&nbsp;&nbsp;of those five guys, right?<br>**[16:38] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He's probably the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;who's been following us since then.<br>**[16:45] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's them.<br>**[16:48] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, this is Yamamoto. Yes.<br>**[16:51] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it went smoothly. Yes.<br>**[16:55] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Half, right? Of course.<br>**[16:57] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A dash cam?<br>**[17:01] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look for him.<br>**[17:03] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the driver's name?<br>**[17:05] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what I can do if you don't.<br>**[17:08] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Understood.<br>**[17:13] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did they say?<br>**[17:14] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Nothing for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, Nikaido.<br>**[17:21] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Anyway, the driver...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's Odokawa-san, right?*<br>**[17:24] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Imai bought a lottery ticket using*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the numbers Odokawa-san chose randomly.*<br>**[17:29] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;After all, he's a blabbermouth.*<br>**[17:33] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know he brought it on himself,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I worry about him.*<br>**[17:36] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that sounds pretty good.<br>**[17:38] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm off to buy a lottery ticket.<br>**[17:40] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you still had money?<br>**[17:44] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New message
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can we meet now?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can we meet now?
<br>**[17:56] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wherever he is, I hope he's all right.<br>**[18:04] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where t—<br>**[18:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me tell you something.<br>**[18:18] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth exists inside all<br>&nbsp;&nbsp;&nbsp;&nbsp;our hearts. There isn't just one.<br>**[18:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point in trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn the truth.<br>**[18:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My story might change depending<br>&nbsp;&nbsp;&nbsp;&nbsp;on how much you pay me.<br>**[18:33] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-kun, let's go for a drive.<br>**[18:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing. You'll pay your fare, won't you?<br>**[18:40] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe, if you give me<br>&nbsp;&nbsp;&nbsp;&nbsp;some useful information.<br>**[18:48] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Are you really gonna*<br>*&nbsp;&nbsp;&nbsp;&nbsp;find the truth doing this?*<br>**[18:51] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not the only one.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;The others are the same, too.*<br>**[18:54] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What they will and won't say*<br>*&nbsp;&nbsp;&nbsp;&nbsp;depends on how it benefits them.*<br>**[18:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They use the truth and lies accordingly.<br>**[19:03] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just private civilians.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell the difference?<br>**[19:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But given all that, I'll tell you this.<br>**[19:08] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything I'm about to tell you is true.<br>**[19:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I became interested in Odokawa*<br>**[19:16] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;because he gave a ride to that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;high school girl from Nerima.*<br>**[19:18] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm certain of that. I heard*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about it from the police.*<br>**[19:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just handled things my way.*<br>**[19:25] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But there is one person*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who knows how I do things.*<br>**[19:31] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone shows up looking<br>&nbsp;&nbsp;&nbsp;&nbsp;for your dash cam data,<br>**[19:34] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to let me know.<br>**[19:35] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I refuse?<br>**[19:38] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you.<br>**[19:42] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're not actually involved?<br>**[19:45] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. Swear to God, I'm not involved.<br>**[19:49] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, I was framed.<br>**[19:52] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea who might be involved?<br>**[19:56] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guy named Yano.<br>**[19:57] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano?<br>**[19:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, that's right. Yano.*<br>**[20:01] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yano knew I'd try to steal*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the dash cam data,*<br>**[20:04] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so he spread the rumor*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I'd try to take the data*<br>**[20:07] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to cover up evidence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the high school girl's kidnapping.*<br>**[20:11] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;So persistent, so drawn out,<br>&nbsp;&nbsp;&nbsp;&nbsp;my ringtone's imposition.<br>**[20:14] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dealing with a lot over here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Submission. Addiction.<br>**[20:19] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wish I could take my medicine and<br>&nbsp;&nbsp;&nbsp;&nbsp;go to bed, but a container ship?<br>**[20:22] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please zip it. I won't do it again.<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I won't do it again.<br>**[20:25] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it about time you told me your name?<br>**[20:28] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's calling?<br>**[20:30] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's less that Yano's "smart"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and more that he's "out to kill me."*<br>**[20:35] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like the culprit's<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who stole his gun.<br>**[20:37] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the boss finds out, Dobu better run.<br>**[20:39] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, his points are<br>&nbsp;&nbsp;&nbsp;&nbsp; goin' down one-by-one.<br>**[20:41] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;After this, all his business will be mine.<br>**[20:43] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san underestimates me<br>&nbsp;&nbsp;&nbsp;&nbsp;'cause he thinks I'm an herbivore.<br>**[20:48] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll peel back his disguise<br>&nbsp;&nbsp;&nbsp;&nbsp;and stab him with all my spines.<br>**[20:50] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seize the big money and<br>&nbsp;&nbsp;&nbsp;&nbsp;laugh out loud like a porcupine.<br>**[20:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But his directness is his failing.<br>**[21:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think about it.<br>**[21:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that point the only ones who knew<br>&nbsp;&nbsp;&nbsp;&nbsp;that dash cam data was important<br>**[21:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;were the police, me, and the culprits.<br>**[21:10] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He thought he was making the first move,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but the game was already over.*<br>**[21:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They were trying to outsmart me,*<br>**[21:17] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I've been through*<br>*&nbsp;&nbsp;&nbsp;&nbsp;way more shit than them.*<br>**[21:20] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's true of both Yano and Odokawa.*<br>**[21:22] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa...<br>**[21:25] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's your weakness.<br>**[21:29] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why Shirakawa-san?<br>**[21:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had Shirakawa approach Odokawa?*<br>**[21:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who knows? She chose to do it on her own.*<br>**[21:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like we have a deal, then.<br>**[21:42] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your help.<br>**[21:45] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's going to happen tomorrow?*<br>**[21:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, you'll see.*<br>**[21:56] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a little gamble I decided to take.<br>**[22:00] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew Dobu-san would go to see Odokawa-san,<br>**[22:04] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I invited Odokawa-san out*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to block Dobu-san's plans.*<br>**[22:11] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What if I'd waited all night*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and he never came?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultra Rare Dodo
<br>**[22:14] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then I probably would've kept*<br>*&nbsp;&nbsp;&nbsp;&nbsp;letting Dobu-san use me.*<br>**[22:19] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to change.*<br>**[22:21] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At the time, I was screaming in my heart.*<br>**[22:24] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, Odokawa-san.*<br>**[22:26] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Take me away from here."*<br>**[22:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to be friends with me.<br>**[22:35] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[22:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I've got some<br>&nbsp;&nbsp;&nbsp;&nbsp;yakuza-type guys after me.<br>**[22:40] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They know who my friends are.<br>**[22:43] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of dangerous.<br>**[22:45] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be fine. Despite how I look...<br>**[22:50] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to practice capoeira.<br>**[22:58] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was surprising. I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;a Bollywood movie was about to start.<br>**[23:04] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's capoeira?<br>**[23:05] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Brazilian martial art.<br>**[23:07] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[23:08] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I was trying to lose weight.<br>**[23:11] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I got interested in seeing how much<br>&nbsp;&nbsp;&nbsp;&nbsp; I could improve my queixada form.<br>**[23:14] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, a queixada is a kick<br>&nbsp;&nbsp;&nbsp;&nbsp;to the chin. It's—<br>**[23:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I meant.<br>**[23:18] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your makeshift capoeira won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be enough to beat these guys.<br>**[23:22] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's obnoxious. How do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;my martial arts skills are makeshift?<br>**[23:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it was to lose weight, then it can't<br>&nbsp;&nbsp;&nbsp;&nbsp; be effective in a real fight.<br>**[23:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's makeshift.<br>**[23:29] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't upset you if someone<br>&nbsp;&nbsp;&nbsp;&nbsp;called you a makeshift taxi driver?<br>**[23:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously I'd be upset. It's my job.<br>**[23:35] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not calling you a makeshift nurse.<br>**[23:37] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what does "makeshift" mean?<br>**[23:40] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got upset when you<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't know what it meant?<br>**[23:42] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understood more or less from the nuance.<br>**[23:44] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use a synonym that's easier to understand.<br>**[23:46] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means "temporary substitute."<br>**[23:47] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's a temporary substitute nurse?!<br>**[23:49] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say that,<br>**[23:50] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm astonished that you got<br>&nbsp;&nbsp;&nbsp;&nbsp;upset for the same reason twice.<br>**[23:56] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, no more queixada!<br>**[24:03] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it's dangerous for us<br>&nbsp;&nbsp;&nbsp;&nbsp;to be meeting like this.<br>**[24:06] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you, that is.<br>**[24:08] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter. I'm an adult.<br>**[24:11] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can protect myself.<br>**[24:16] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your goal?<br>**[24:18] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what?<br>**[24:19] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you gain from meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;with me, Shirakawa-san?<br>**[24:23] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I bothering you?<br>**[24:24] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it bother you to occasionally<br>&nbsp;&nbsp;&nbsp;&nbsp;meet and chat like this<br>**[24:29] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;or exchange messages?<br>**[24:32] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I find being around you<br>&nbsp;&nbsp;&nbsp;&nbsp;relaxing, Odokawa-san.<br>**[24:41] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I should've told Odokawa-san*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the truth from the start, but...*<br>**[24:46] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Capoeira?<br>**[24:48] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I've never actually used it<br>&nbsp;&nbsp;&nbsp;&nbsp;on anyone. Not at that time, anyway.<br>**[24:52] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. A queixada is—<br>**[24:55] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You don't need me to show you?<br>**[24:58] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't that kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;interview? Aw, shucks.<br>**[25:05] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm stupid, don't<br>&nbsp;&nbsp;&nbsp;&nbsp; you? Well, join the club.<br>**[25:09] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But sometimes you gotta close your eyes<br>**[25:12] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;and pretend you can't see,<br>&nbsp;&nbsp;&nbsp;&nbsp;or else you can't get up.<br>**[25:20] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love is both a painful and beautiful thing.<br>**[25:24] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you in love?<br>**[25:26] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My spring's finally on the horizon.<br>**[25:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's great.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Looking For Marriage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san!! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Good luck at work
<br>**[25:32] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was stupid and got carried away.*<br>**[25:34] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what loneliness does to people.*<br>**[25:37] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, do you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;want to get married?<br>**[25:41] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being surprised with<br>&nbsp;&nbsp;&nbsp;&nbsp;an engagement ring would be amazing.<br>**[25:47] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Look, I know.*<br>**[25:49] Kakihana**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When you really think about it, a cute*<br>*&nbsp;&nbsp;&nbsp;&nbsp;girl like her would never fall for me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takotako Loans
<br>**[25:54] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if it* were *true,*<br>**[25:57] Kakihana**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know she'd only be interested*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the fake version of me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Looking For Marriage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eiji Kakihana <br>
&nbsp;&nbsp;&nbsp;&nbsp;41 Years Old, Tokyo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Profile <br>
&nbsp;&nbsp;&nbsp;&nbsp;Born: Tokyo <br>
&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: Less Than 3,000,000 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Build: Skinny <br>
&nbsp;&nbsp;&nbsp;&nbsp;Height: 170cm
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: Less Than 3,000,000
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 20
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 200
<br>**[26:02] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To be even more pathetic, though,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 2000
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Education: High School Graduate <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Annual Income: 20,000,000
<br>**[26:07] Kakihana**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I figured I'd be okay*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no matter what happened*<br>**[26:10] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*because it'd be the fake me who got hurt.*<br>**[26:15] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real me was already wounded all over.<br>**[26:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Tanaka and I were in the same<br>&nbsp;&nbsp;&nbsp;&nbsp;class in elementary school.<br>**[26:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our class went through<br>&nbsp;&nbsp;&nbsp;&nbsp;an eraser-collecting fad,<br>**[26:32] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Tanaka had a dodo eraser.<br>**[26:35] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A dodo. It's a kind of bird.*<br>**[26:39] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;By the way, I had a Seven Deities*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of Good Luck treasure ship eraser.*<br>**[26:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Amazing, right?*<br>**[26:45] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had lots of other rare erasers, too.*<br>**[26:49] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My family ran a stationery import business,*<br>**[26:52] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my dad would go abroad to buy them.<br>**[26:55] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a lot of social influence back then.<br>**[26:58] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. You were asking about Tanaka.<br>**[27:00] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I saw him as a fellow eraser collector.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;For a brief moment, anyway.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One-of-a-kind Super Rare Original Donraku Eraser
<br>**[27:06] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. A Donraku eraser once*<br>*&nbsp;&nbsp;&nbsp;&nbsp;appeared in an online auction.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One-of-a-kind Super Rare Original Donraku Eraser
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Page
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Watching
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Selling
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Auctions > Toys > Games > Figures > Erasers
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number of Bids
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bidding History
<br>**[27:08] Sign Top Right**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time Remaining<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;4 Days Details
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Current Price
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Free Shipping
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seller Information
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Follow
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No refunds, no returns
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Overall Rating: 24      Positive Ratings: 30
<br>**[27:12] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think it was 3,000 yen.*<br>**[27:15] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Before I knew it, someone had bid on it.*<br>**[27:18] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I never intended to buy it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I did drive the price up a little.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number of Bids
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bidding History
<br>**[27:19] Top Right Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time Remaining<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;12 Minutes  Details
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Current Price
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Free Shipping
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yen
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>**[27:23] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They got into a bidding war with me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Current Price
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Free Shipping
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<br>**[27:25] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We got carried away and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;kept bidding back and forth,*<br>**[27:28] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it eventually reached 100,000 yen.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bid
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maximum Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place Bid
<br>**[27:31] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I got scared at that point and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;quit bidding, but isn't that crazy?*<br>**[27:37] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something I wanted to look up.<br>**[27:44] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The system was still unrefined at the time.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Congratulations! You have won the auction.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One-of-a-kind Super Rare Original Donraku Eraser
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Auction ID: 32976128739  End Time and Date: 9/22 17:32
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Number of Items: 1  Final Price 100,000 yen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Begin Transaction
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seller Information ditch-11
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Follow
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Begin Transaction
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seller Information
<br>**[27:48] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed we did that with all*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the scams going on at the time.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tanaka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Zoological Garden
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gather and raise animals...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Install
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sengokusou
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live with generals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Install
<br>**[27:55] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Do I have any attachment*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to material objects?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;< Back
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Zoological Garden
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Install
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3245 Reviews
<br>**[27:59] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Doesn't everyone to some degree? No?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultra Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>**[28:05] Sato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But they say one man's trash*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is another man's treasure.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultra Rare
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dodo
<br>**[28:12] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dodo...<br>**[28:13] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It finally paid off!<br>**[28:15] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I did it! A dodo!<br>**[28:24] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By the way, in* Zooden*—it's <br>
&nbsp;&nbsp;&nbsp;&nbsp;a game called* Zoological Garden*—*<br>**[28:29] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the dodo in* Zooden *was trash to me.*<br>**[28:34] Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean, I've got a ton of 'em.*<br>**[28:59] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! What are you trying to do?<br>**[29:24] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? No outside food allowed?<br>**[29:26] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[29:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? None of the staff are saying anything.<br>**[29:31] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mom told me I should do what<br>&nbsp;&nbsp;&nbsp;&nbsp;I want, no matter how small.<br>**[29:39] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;For example, even if you only*<br>*&nbsp;&nbsp;&nbsp;&nbsp;think "I want cake" for a second,*<br>**[29:42] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;you'll come up with reasons*<br>*&nbsp;&nbsp;&nbsp;&nbsp;not to have some,*<br>**[29:44] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*like you'd have to go out and buy it,*<br>**[29:45] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*or that it's expensive, or it'll make you fat.*<br>**[29:47] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you keep granting even*<br>*&nbsp;&nbsp;&nbsp;&nbsp;your smallest wishes,*<br>**[29:50] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;then you're someone who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;makes their dreams come true.*<br>**[29:53] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Isn't that amazing?*<br>**[29:54] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So I do everything I instinctively*<br>*&nbsp;&nbsp;&nbsp;&nbsp;feel like doing.*<br>**[29:58] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what I've decided.*<br>**[30:00] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think that's the reason*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I became a part of Mystery Kiss.*<br>**[30:04] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an attachment to it.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my soul food.<br>**[30:10] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's soul food?<br>**[30:12] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. It's just a feeling.<br>**[30:15] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like local cuisine or the taste<br>&nbsp;&nbsp;&nbsp;&nbsp;of your mother's cooking, right?<br>**[30:19] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The fried chicken my mom<br>&nbsp;&nbsp;&nbsp;&nbsp;used to make was so good.<br>**[30:25] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Nikaido-san coming today?<br>**[30:27] (Flashback) Yamato**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's showing up late.<br>**[30:29] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think she gets<br>&nbsp;&nbsp;&nbsp;&nbsp;too much special treatment?<br>**[30:31] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky... I wish I got the same.<br>**[30:33] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep working at it, Mitsuya.<br>**[30:34] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you promise your mom you'd follow<br>&nbsp;&nbsp;&nbsp;&nbsp;your dreams when you came to Tokyo?<br>**[30:37] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[30:39] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, a fried chicken restaurant!<br>**[30:42] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? The phone?*<br>**[30:44] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, yeah. I got in the wrong taxi.*<br>**[30:47] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I did it because*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the passenger asked me to do it.*<br>**[30:48] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wasn't really thinking about anything.*<br>**[30:52] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same way I do things I want to do,<br>**[30:55] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;they probably had something<br>&nbsp;&nbsp;&nbsp;&nbsp;they wanted to do, too.<br>**[30:58] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I really do wish<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone's dreams could come true.<br>**[31:03] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only there were enough<br>&nbsp;&nbsp;&nbsp;&nbsp;chairs for everyone.<br>**[31:06] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's people who have<br>&nbsp;&nbsp;&nbsp;&nbsp;given up on their dreams<br>**[31:08] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;who criticize that or<br>&nbsp;&nbsp;&nbsp;&nbsp; try to hold others back.<br>**[31:15] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head inside and start<br>&nbsp;&nbsp;&nbsp;&nbsp;practicing by yourself.<br>**[31:17] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what?<br>**[31:18] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't whine. You're the newest, Mitsuya.<br>**[31:22] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to work harder than the others.<br>**[31:24] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine...<br>**[31:25] (Flashback) Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, am I delighted.<br>**[31:27] (Flashback) Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a taxi driver, that's the number<br>&nbsp;&nbsp;&nbsp;&nbsp;one thing I want someone to say to me.<br>**[31:30] (Flashback) Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Follow that car."<br>**[31:38] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to be rich.<br>**[31:41] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only auditioned because<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know of any other way.<br>**[31:47] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd be able to live off*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the royalties if I made my major debut,*<br>**[31:51] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but the reality is so bad, I would've made*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more money if I'd gotten a proper job.*<br>**[31:56] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do I want if I* do *get rich?*<br>**[31:59] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bathe in some hot springs and take it easy.*<br>**[32:02] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want to work.*<br>**[32:07] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Nikaido-san coming?<br>**[32:09] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later.<br>**[32:11] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't keep up with her ambition.<br>**[32:14] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can work at your own pace.<br>**[32:17] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's incredible. I bet she'd<br>&nbsp;&nbsp;&nbsp;&nbsp;kill someone just to get ahead.<br>**[32:21] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;She probably already has, honestly.<br>**[32:22] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[32:24] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How crazy is Nikaido-san?*<br>**[32:26] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't explain it with words. You have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to experience it to understand it.*<br>**[32:33] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I simply wasn't suited to this world.<br>**[32:37] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which part exactly? I don't know.<br>**[32:41] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it comes down to<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not you think it's fun.<br>**[32:44] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't feel anything when*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was told we'd get to debut.*<br>**[32:48] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It didn't feel real.*<br>**[32:51] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, shit. I just figured it out.*<br>**[32:55] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because I haven't been paid much.*<br>**[32:59] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exchanging messages with<br>&nbsp;&nbsp;&nbsp;&nbsp;old dudes is exhausting, too—<br>**[33:02] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[33:05] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Kakihana?<br>**[33:09] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Oh, shit.<br>**[33:14] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya's already inside.<br>**[33:16] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like her.<br>&nbsp;&nbsp;&nbsp;&nbsp;I liked things better before.<br>**[33:19] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichimura.<br>**[33:20] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your innocence is your strength,<br>&nbsp;&nbsp;&nbsp;&nbsp;but consider the time, place, and occasion.<br>**[33:27] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what I agreed to.<br>**[33:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was told this was an interview<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning Mystery Kiss's debut.<br>**[33:33] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Debut? Of course they will.<br>**[33:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It goes on sale tomorrow.<br>**[33:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Canceled? What are you talking about?<br>**[33:40] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't start making sense, I'm leaving.<br>**[33:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm busy right now.*<br>**[33:47] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Driver,<br>&nbsp;&nbsp;&nbsp;&nbsp;could I get your business card?<br>**[33:49] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ideally, I'd like to use the same<br>&nbsp;&nbsp;&nbsp;&nbsp; person to drive them around.<br>**[33:52] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem tight-lipped, too.<br>**[33:54] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't always be available,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't get your hopes up.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Driver <br>
&nbsp;&nbsp;&nbsp;&nbsp;Hiroshi Odokawa
<br>**[34:00] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The taxi? Does that have<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to do with this?<br>**[34:04] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe it's common to hire a driver<br>&nbsp;&nbsp;&nbsp;&nbsp;for girls who are in the public eye.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss
<br>**[34:09] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your office in Kamimeguro the place<br>&nbsp;&nbsp;&nbsp;&nbsp;with the bar on the first floor?<br>**[34:14] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's it. You know the place?<br>**[34:16] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking about<br>&nbsp;&nbsp;&nbsp;&nbsp;how I once drove a girl there.<br>**[34:20] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? When?<br>**[34:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About two weeks ago, I think.<br>**[34:25] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must've been from your agency.<br>**[34:30] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was probably one of<br>&nbsp;&nbsp;&nbsp;&nbsp; the girls you drove today.<br>**[34:34] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only group we manage is Mystery Kiss.<br>**[34:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe.<br>**[34:38] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Girls that age, especially ones trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to be idols, all look the same to me.<br>**[34:47] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you recognized<br>&nbsp;&nbsp;&nbsp;&nbsp;the second girl, Shiho Ichimura.<br>**[34:50] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must've been her.<br>**[34:51] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a calico cat.<br>&nbsp;&nbsp;&nbsp;&nbsp;The other girl was a little different.<br>**[34:58] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, yeah.*<br>**[35:01] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He mentioned he happened*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to give a ride to one of our girls,*<br>**[35:05] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I thought he'd be perfect.*<br>**[35:07] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nothing more, nothing less.*<br>**[35:12] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this car have a recording device?<br>**[35:18] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[35:19] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sometimes you see them in the news.*<br>**[35:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You know, in stories about robberies.*<br>**[35:24] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, I've got one.*<br>**[35:26] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Any chance I could get your data?*<br>**[35:29] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Regarding the dash cam data,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as I said at the time,*<br>**[35:32] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just thought it'd be nice if I could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;use it for promotional purposes.*<br>**[35:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Doesn't it seem like it'd be pretty slick?*<br>**[35:37] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's candid footage of the girls in transit.*<br>**[35:40] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Familiar, authentic content is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;better received these days*<br>**[35:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*over anything that's manufactured.*<br>**[35:47] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Real people, without any lies.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss
<br>**[35:50] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then it doesn't make*<br>*&nbsp;&nbsp;&nbsp;&nbsp;sense to wear masks?*<br>**[35:54] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's part of our—<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, the presentation.<br>**[35:58] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lies? Nothing I've said is a lie.<br>**[36:07] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I'm still not sure<br>**[36:10] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;how deep I should be digging<br>&nbsp;&nbsp;&nbsp;&nbsp;into Odokawa's past.<br>**[36:14] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as his doctor and friend,<br>**[36:19] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't sit by and watch as he got<br>&nbsp;&nbsp;&nbsp;&nbsp;dragged into a mysterious situation.<br>**[36:25] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not about his past or illness.*<br>**[36:27] Goriki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just want to take away the struggles*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he experiences while just living.*<br>**[36:35] Goriki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, maybe even that's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;too presumptuous of me.*<br>**[36:39] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I think he changed at some point.*<br>**[36:43] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's actively associating with others.*<br>**[36:48] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've changed, Odokawa.<br>**[36:51] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cause? Well, probably Shirakawa-san.<br>**[36:57] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unusually enough, two people<br>&nbsp;&nbsp;&nbsp;&nbsp;asked to meet me today.<br>**[37:01] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa? It must've come<br>&nbsp;&nbsp;&nbsp;&nbsp;as a shock to Odokawa.<br>**[37:07] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa's easy to read.<br>**[37:10] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Despite how he seems, his emotions*<br>*&nbsp;&nbsp;&nbsp;&nbsp;always show on his face.*<br>**[37:13] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My victory was certain*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the moment I won him over.*<br>**[37:16] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What's "winning" and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"losing" in this situation?*<br>**[37:18] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Money and honor.*<br>**[37:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't you have picked<br>&nbsp;&nbsp;&nbsp;&nbsp;a better place to meet?<br>**[37:23] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with here?<br>**[37:26] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yano's overconfident.*<br>**[37:28] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Whether they're respectable*<br>*&nbsp;&nbsp;&nbsp;&nbsp;citizens or wimps,*<br>**[37:30] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you gotta use everything you can.*<br>**[37:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm really grateful to Odokawa.*<br>**[37:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He might hate me more than anything,*<br>**[37:38] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but in another timeline,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we could've been friends.*<br>**[37:43] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, I'm surrounded by enemies.<br>**[37:46] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made blunder after blunder.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm desperate.<br>**[37:48] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost something important<br>&nbsp;&nbsp;&nbsp;&nbsp;that the boss gave me.<br>**[37:51] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And recently, a video of some<br>&nbsp;&nbsp;&nbsp;&nbsp;amateur claiming he'll catch me<br>**[37:55] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;has gotten ten million views.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having an awful time.<br>**[37:58] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't change the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;I was in a tough situation.<br>**[38:02] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought anyone would dig that up.<br>**[38:05] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Important stuff is buried*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the ground. Right?*<br>**[38:10] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like ancient ruins and your ancestors, too.*<br>**[38:14] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, Kabasawa?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Declaration of War] I'll catch Dobu  by the end of the year! [Taichi Kabasawa]
<br>**[38:16] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello, Taichi Kabasawa here.*<br>**[38:18] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have an announcement to make.*<br>**[38:20] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I, Taichi Kabasawa, will capture*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Dobu by the end of the year.*<br>**[38:23] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He was a real nuisance then.*<br>**[38:26] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Just how strong a headwind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was blowing against me, you know?*<br>**[38:29] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But that headwind was proof I was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;getting a running start on something.*<br>**[38:35] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Guys trying to fly high always*<br>*&nbsp;&nbsp;&nbsp;&nbsp;face headwinds like that.*<br>**[38:39] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It comes down to how you receive*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that wind on your wings.*<br>**[38:42] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. I felt*<br>*&nbsp;&nbsp;&nbsp;&nbsp;buoyant at the time,*<br>**[38:46] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;when I figured out who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;wanted the dash cam data.*<br>**[38:50] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Mystery Kiss's manager.<br>**[38:52] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss?<br>**[38:59] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I won a billion yen?<br>**[39:01] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally you wouldn't tell anyone.<br>**[39:03] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not only did he blab to everyone,<br>&nbsp;&nbsp;&nbsp;&nbsp;he even posted online about it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Imai@Nikaido fan account<br>
&nbsp;&nbsp;&nbsp;&nbsp;@Nikaidorui_love – 1 day ago<br>
&nbsp;&nbsp;&nbsp;&nbsp; I can't stop shaking...
<br>**[39:07] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's true he brought it on himself,*<br>**[39:09] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but he said he was gonna*<br>*&nbsp;&nbsp;&nbsp;&nbsp;spend it all on Mystery Kiss.*<br>**[39:11] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's out of his mind.*<br>**[39:13] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I did think it was kind of cool, too.*<br>**[39:15] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After all, I'm a comedian.*<br>**[39:18] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Odokawa-sama, I wanted to thank you.<br>**[39:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to do that.<br>**[39:21] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you just not feel desire?!<br>**[39:24] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabukicho Ichiban-gai
<br>**[39:28] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed Imai-san did that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when he hadn't cashed his ticket yet.*<br>**[39:32] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san? He was clearly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;bothered by the whole thing.*<br>**[39:36] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Imai-san must think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;everyone loves cabaret clubs.*<br>**[39:41] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's no way a guy like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san would enjoy them.*<br>**[39:47] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Regarding the incident?*<br>**[39:49] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I feel comfortable saying this since*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no one got hurt, but I found it exciting.*<br>**[39:53] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Y'know what I mean?*<br>**[39:54] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Witnesses always seem*<br>*&nbsp;&nbsp;&nbsp;&nbsp;kind of happy, you know?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Missed Call   Missed Call   Missed Call   Missed Call   Missed Call   Missed Call
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Don't ever get involved  with me again.
<br>**[40:03] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's just that some of them realize it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and some of them don't.*<br>**[40:38] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. What are you doing?<br>**[40:40] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Is this for Halloween?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not Halloween yet.<br>**[40:44] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think you're being hasty?<br>**[40:45] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard people riot every year,<br>**[40:47] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is the first time<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen a one-man riot.<br>**[40:59] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Why? I really do think*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it'd be funny if I got shot.*<br>**[41:03] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Crazy? I wouldn't be a comedian*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if I wasn't crazy.*<br>**[41:16] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. It's my partner.<br>**[41:20] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello, Shibagaki?*<br>**[41:22] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm returning your call. What's up?*<br>**[41:24] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's review our material.<br>**[41:25] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My on-location shoot's about to start.*<br>**[41:27] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot for what?<br>**[41:29] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The "What's for Lunch?" spin-off.*<br>**[41:31] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A special live broadcast called*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Where You Going on Christmas Eve?"*<br>**[41:33] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[41:35] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, the contest's tomorrow.<br>**[41:38] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you've got the café<br>&nbsp;&nbsp;&nbsp;&nbsp; hideaway bit memorized.<br>**[41:40] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fine.*<br>**[41:46] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to tell him everything.<br>**[41:49] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't expect him to forgive me.<br>**[41:52] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I told Odokawa-san about everything,*<br>**[41:55] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;including my relationship with Dobu-san*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the reason I approached him.*<br>**[41:59] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hoped I could still help him regardless.*<br>**[42:02] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you mean when you told me<br>&nbsp;&nbsp;&nbsp;&nbsp;not to get involved with you?<br>**[42:12] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san is ignoring me!<br>**[42:14] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, be quiet. You're bothering the neighbors.<br>**[42:18] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanted to ease my own conscience?*<br>**[42:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, maybe.*<br>**[42:25] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[42:27] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you think that depending<br>&nbsp;&nbsp;&nbsp;&nbsp;on what I do, you might still<br>**[42:30] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to salvage<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation is obnoxious, too—<br>**[42:32] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[42:35] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I saw the way Odokawa-san was changing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and felt I had to change, too.*<br>**[42:40] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After all, I owed him everything.*<br>**[42:47] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I love you.<br>**[42:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I decided that I'd protect him.*<br>**[42:56] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ever get involved with me again.<br>**[43:05] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if he rejected me.*<br>**[43:18] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired.<br>**[43:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano called me old, too.<br>**[43:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think the internet<br>&nbsp;&nbsp;&nbsp;&nbsp;had that kind of power.<br>**[43:33] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think it's weird, though?<br>**[43:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello, Taichi Kabasawa here.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shocking] Video of shooting at Shinjuku  cabaret club acquired! [Dobu]
<br>**[43:37] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Do you guys know there was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a shooting yesterday*<br>**[43:40] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*at cabaret club "White dolphin" in Shinjuku?*<br>**[43:43] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was on the news,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but would you believe it?*<br>**[43:44] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A listener who happened*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be there sent me a video.*<br>**[43:49] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This must be Dobu.*<br>**[43:51] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;More and more of Dobu's vile acts*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are being exposed to the light of day.*<br>**[43:55] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But I believe Taichi Kabasawa's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;unifying force has grown that strong.*<br>**[43:59] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That this is a blessing.*<br>**[44:00] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Proof that I've grown closer*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to becoming a god.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Divine Judgment
<br>**[44:04] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dobu, your time has nearly come!*<br>**[44:08] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a million followers. I am a god.*<br>**[44:09] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking haggard.<br>**[44:11] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you prepared to pay for your crimes?!*<br>**[44:11] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're surprisingly delicate.<br>**[44:14] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The missing girl case in Nerima*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the shooting in Shinjuku*<br>**[44:17] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*should have nothing to do with us,*<br>**[44:19] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but if you trace it back far enough,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;they're both connected to me and Odokawa.*<br>**[44:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's strange, right?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Video of shooting at Shinjuku <br>
&nbsp;&nbsp;&nbsp;&nbsp;cabaret club acquired! 
<br>**[44:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The shooting? You've seen the video.*<br>**[44:27] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That guy in the skull mask was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;clearly trying to kill Odokawa.*<br>**[44:32] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you know about that already?<br>**[44:35] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's no need for me to hide it.<br>**[44:38] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. That was<br>&nbsp;&nbsp;&nbsp;&nbsp; the gun the boss gave me.<br>**[44:42] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;For some reason the guy who acquired*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my gun is trying to kill Odokawa.*<br>**[44:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have no idea what's going on.*<br>**[44:48] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But thanks to him, my interests*<br>*&nbsp;&nbsp;&nbsp;&nbsp;aligned with Odokawa's.*<br>**[44:53] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we join forces, then?<br>**[44:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Join forces?<br>**[44:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, yeah. Odokawa's condition was hilarious.*<br>**[45:02] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Release Shirakawa-san.<br>**[45:06] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Write off her debt.<br>**[45:10] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I promise.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Video of shooting at Shinjuku <br>
&nbsp;&nbsp;&nbsp;&nbsp;cabaret club acquired! 
<br>**[45:20] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna look for the man with the gun.<br>**[45:22] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa, I need you<br>&nbsp;&nbsp;&nbsp;&nbsp;to catch Taichi Kabasawa.<br>**[45:25] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy, huh? I gave him a ride once.<br>**[45:29] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I saved our group photo.<br>**[45:32] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know Taichi Kabasawa's identity,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can do something about him.<br>**[45:35] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how are you going to find<br>&nbsp;&nbsp;&nbsp;&nbsp;the guy with the gun?<br>**[45:38] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Halloween.<br>**[45:40] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Because Halloween's the only day<br>&nbsp;&nbsp;&nbsp;&nbsp;we can walk around in public.<br>**[45:44] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, skull mask, and Kabasawa. Right?<br>**[45:48] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It felt like the stage had been set for me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Video of shooting at Shinjuku <br>
&nbsp;&nbsp;&nbsp;&nbsp;cabaret club acquired! 
<br>**[45:51] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Not only that, I even had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Odokawa's special ability.*<br>**[45:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be fine. I'm good<br>&nbsp;&nbsp;&nbsp;&nbsp;at finding people in a crowd.<br>**[45:59] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? You've got good eyes or something?<br>**[46:03] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, why?<br>**[46:05] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, I find it strange<br>&nbsp;&nbsp;&nbsp;&nbsp;that you guys are so bad at it.<br>**[46:09] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell are you guys?!<br>**[46:11] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you identified<br>&nbsp;&nbsp;&nbsp;&nbsp;the internet café I'm staying at<br>**[46:14] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the pork cutlet place<br>&nbsp;&nbsp;&nbsp;&nbsp;I always order from.<br>**[46:16] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A private investigator?<br>**[46:18] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? That's so rad.<br>**[46:20] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're detectives, right? That's so rad.<br>**[46:23] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the opposite of evil<br>**[46:25] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;and go after bad guys<br>&nbsp;&nbsp;&nbsp;&nbsp;the police can't pursue.<br>**[46:27] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Right now?<br>**[46:30] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking a break.<br>**[46:32] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you guys had days when you<br>&nbsp;&nbsp;&nbsp;&nbsp; didn't want to go to school, either.<br>**[46:35] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like skipping school.<br>**[46:37] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares why?<br>**[46:41] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ignoring all my brother's calls.<br>**[46:44] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I gonna do?!<br>**[46:49] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I went to Odokawa's place 'cause he said*<br>*&nbsp;&nbsp;&nbsp;&nbsp;someone fired shots into his home.*<br>**[46:53] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are we going inside your house?<br>**[46:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[46:57] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're, y'know—<br>**[46:59] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is mad awkward, and I'm not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;how to say it, but don't you have<br>**[47:03] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Nerima high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;locked up in there?<br>**[47:05] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was incredibly direct.<br>&nbsp;&nbsp;&nbsp;&nbsp;But no, of course not.<br>**[47:08] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My brother said Odokawa's evil,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I was real careful.*<br>**[47:12] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But that's when Odokawa told me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;something unbelievable.*<br>**[47:15] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[47:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now, your brother is evil.<br>**[47:19] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you. It's true that my brother<br>&nbsp;&nbsp;&nbsp;&nbsp;chooses black when we play Othello.<br>**[47:23] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever we played tag,<br>&nbsp;&nbsp;&nbsp;&nbsp;he always wanted to be it.<br>**[47:26] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't mean—<br>**[47:27] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother is working with Dobu.<br>**[47:30] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard about that already.<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked my brother about it.<br>**[47:32] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me that he's not.<br>**[47:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe him?<br>**[47:37] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[47:39] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between you and my brother,<br>&nbsp;&nbsp;&nbsp;&nbsp;obviously I believe my brother!<br>**[47:41] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of twins do you think we are?<br>**[47:45] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're identical twins.<br>**[47:46] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working with Dobu right now.<br>**[47:48] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! You're evil!<br>**[47:50] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down. I'm pretending to work with him.<br>**[47:53] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you'll just gradually become more<br>&nbsp;&nbsp;&nbsp;&nbsp; evil by pretending to work with him!<br>**[47:57] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought, "Sure enough," you know?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;My brother was right.*<br>**[48:01] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But what Odokawa told me after*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that really caught my attention.*<br>**[48:06] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Huh? Basically, Yano and Dobu*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were competing to see*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yano
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rivals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>**[48:10] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who could pay more tribute to their boss.*<br>**[48:11] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My brother was working with Dobu,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and skull mask was trying to kill Odokawa.*<br>**[48:15] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Skull mask's gun was actually Dobu's,*<br>**[48:16] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and Taichi Kabasawa was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;following Dobu around.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Declaration of War] I'll catch Dobu  by the end of the year! [Taichi Kabasawa]
<br>**[48:20] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Something like that?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rivals
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Big Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Odokawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Money
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yano
<br>**[48:21] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was like the relationship chart*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of a sordid love story.*<br>**[48:25] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's when Odokawa told me he wanted*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to bring down the whole gang.*<br>**[48:30] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's true that even if*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wanted to arrest Dobu,*<br>**[48:33] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*someone else would always show up.*<br>**[48:35] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We were playing cat-and-mouse with him.*<br>**[48:37] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then he told me something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;even more surprising.*<br>**[48:42] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting to down to business,<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu is planning to rob a bank soon.<br>**[48:46] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's clearly evil!<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a repeat offense!<br>**[48:49] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He thinks I'll help him do it,<br>**[48:52] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you'll arrest Dobu then, Little Daimon.<br>**[48:55] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing if it's true,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you'll be arrested, too, Odokawa.<br>**[49:00] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. We're doing<br>&nbsp;&nbsp;&nbsp;&nbsp;this to punish evil.<br>**[49:04] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the opposite of evil.<br>**[49:07] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just call me good?<br>**[49:10] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess I didn't quite believe him.*<br>**[49:13] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Like, maybe he was lying about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my brother, but the rest of it was true.*<br>**[49:17] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In any case, I wanted to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;confirm things for myself.*<br>**[49:25] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*MPD to all stations.*<br>**[49:27] Radio**<br>*&nbsp;&nbsp;&nbsp;&nbsp;An unidentified body has been found*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the mouth of the Sumida River.*<br>**[49:30] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nearby police box, please head there.*<br>**[49:32] Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I repeat, MPD to all stations...*<br>**[49:35] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta go.<br>**[49:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you believe me?<br>**[49:37] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not!<br>**[49:38] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll hear you out,<br>&nbsp;&nbsp;&nbsp;&nbsp;if it means punishing evil.<br>**[49:42] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's my special direct phone number!<br>**[49:52] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This morning before dawn,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at the Shibaura Wharf in Minato Ward,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New Info from Location Where Body was Discovered <br>
&nbsp;&nbsp;&nbsp;&nbsp;Abandoned Body? Police Rushing to Identify Victim
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minato Ward Shibaura Wharf
<br>**[49:54] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the body of a woman believed to be in*<br>*&nbsp;&nbsp;&nbsp;&nbsp;her teens to thirties was discovered.*<br>**[49:58] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nearby construction workers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;reported the body,*<br>**[50:01] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and according to the police investigation,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after being killed elsewhere,*<br>**[50:04] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*they believe her body was dumped in the sea.*<br>**[50:04] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you can't escape.<br>**[50:06] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They believe roughly a month*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has passed since her death.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10/26 (Tues)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll do my job seriously and pay back <br>
&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san little by little. All I can say is I'm <br>
&nbsp;&nbsp;&nbsp;&nbsp;really sorry about the trouble I caused you.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;10/27 (Wed)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu-san told me that he doesn't need <br>
&nbsp;&nbsp;&nbsp;&nbsp;my help or money anymore. There seemed <br>
&nbsp;&nbsp;&nbsp;&nbsp;to be some reason for it, but I guess<br>
&nbsp;&nbsp;&nbsp;&nbsp; this means my relationship has been <br>
&nbsp;&nbsp;&nbsp;&nbsp;dissolved. I hope you'll forgive me.
<br>**[50:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think we'd find him that easily.<br>**[50:32] (Flashback) Woman A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[50:32] (Flashback) Woman B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look cute?<br>**[50:32] (Flashback) Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is insane.<br>**[50:37] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to recent information,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's around here.<br>**[50:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've even uploaded photos,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it should be fairly credible.<br>**[50:42] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[50:45] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand a little farther away from me.<br>**[50:47] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do?<br>**[50:48] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll follow you,<br>**[50:49] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if I get the chance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drag him into a deserted alleyway.<br>**[50:51] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got a gun, right?<br>**[50:53] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd better have it.<br>**[50:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to make an example of him.<br>**[51:00] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;An example of what happens*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when you try to go up against me.*<br>**[51:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But don't get it twisted.*<br>**[51:05] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't casually engage in violence.*<br>**[51:08] (Flashback) Skull**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay back, or I'll shoot.<br>**[51:12] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I should've known better.*<br>**[51:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But in that moment, I was careless.*<br>**[51:17] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fake.<br>**[51:19] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where's the real gun?<br>**[51:22] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't think anyone was filming me.*<br>**[51:25] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where the hell is it?<br>**[51:26] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is it, huh?<br>**[51:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Dobu. On the left.<br>**[51:27] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kabasawa.<br>**[51:28] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That asshole!<br>**[51:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use.<br>**[51:41] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. This is impossible.<br>**[51:45] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're annoying as hell, I've got my doubts.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this interview about?<br>**[51:49] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Halloween's only one damn day. Rememberin'<br>&nbsp;&nbsp;&nbsp;&nbsp;every little thing just ain't my way.<br>**[51:52] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now move it, let me by. For that<br>&nbsp;&nbsp;&nbsp;&nbsp; kinda stuff, Sekiguchi's my guy.<br>**[51:59] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting, Shiho-chan.<br>**[52:01] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. You came at just<br>&nbsp;&nbsp;&nbsp;&nbsp;the right time, Kakki.<br>**[52:05] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of my subordinates made a mistake.<br>**[52:08] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to clean up after—Huh?<br>**[52:09] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you said I came<br>&nbsp;&nbsp;&nbsp;&nbsp;at just the right time?<br>**[52:17] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work. Be careful on your way home.<br>**[52:24] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you guys want?<br>**[52:27] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana? Don't know him.<br>**[52:30] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got proof or something?<br>**[52:35] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;A car? I guess I must've requested one.<br>**[52:38] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what the data says,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I must have.<br>**[52:40] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember every little thing.<br>**[52:44] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all for today.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come up with a new plan.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto<br>
&nbsp;&nbsp;&nbsp;&nbsp; Incoming Call
<br>**[52:51] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, isn't this the guy you said<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted your dash cam data?<br>**[52:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[52:57] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer and put it on speakerphone.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto<br>
&nbsp;&nbsp;&nbsp;&nbsp; Incoming Call
<br>**[53:02] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[53:03] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Ah, Odokawa-san. Could you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;come pick me up right away?*<br>**[53:05] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is sudden. Does it have to be me?<br>**[53:08] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aren't most pickups sudden?*<br>**[53:10] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's one of those girls who*<br>*&nbsp;&nbsp;&nbsp;&nbsp;can't be seen by the public.*<br>**[53:13] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where?<br>**[53:15] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tested them to see how much value<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano placed on that dash cam data.<br>**[53:20] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. If he asks for your<br>&nbsp;&nbsp;&nbsp;&nbsp;dash cam data, tell him this.<br>**[53:23] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll sell it to him for one billion yen.<br>**[53:27] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we went to the wharf*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to see a guy named Yano.*<br>**[53:31] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Odokawa-san. Could you take us<br>&nbsp;&nbsp;&nbsp;&nbsp;to Shibaura Harbor in a hurry?<br>**[53:34] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The harbor?<br>**[53:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's the girl who likes hot springs.<br>**[53:39] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They had me engaged in some shady*<br>*&nbsp;&nbsp;&nbsp;&nbsp;business getting close to rich old men.*<br>**[53:44] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I wanted to quit,<br>**[53:46] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Nikaido-san told me I had to do<br>&nbsp;&nbsp;&nbsp;&nbsp;what I could for Mystery Kiss.<br>**[53:51] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crazy, right?<br>**[53:53] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's not an idol's job.*<br>**[53:58] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not like we're releasing our CD.*<br>**[54:00] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mystery Kiss is over, right?*<br>**[54:03] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done.<br>**[54:05] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, my manager Yamamoto-san<br>&nbsp;&nbsp;&nbsp;&nbsp;asked the taxi driver<br>**[54:10] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;to give him his dash cam data.<br>**[54:12] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll sell it to you.<br>**[54:13] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;For how much?<br>**[54:14] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;One billion.<br>**[54:16] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't get what was going on,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I thought it was crazy.*<br>**[54:20] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ridiculous, Odokawa-san.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gouging me here.<br>**[54:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found someone who said<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd buy it for 900 million.<br>**[54:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want one billion.<br>**[54:28] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lying.<br>**[54:33] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it?<br>**[54:35] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell you that.<br>**[54:48] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to the wharf in<br>&nbsp;&nbsp;&nbsp;&nbsp; Shibaura on Halloween?<br>**[54:53] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Ichimura tell you that?<br>**[54:58] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't this seem like not enough profit?<br>**[55:00] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this all we make from concerts?<br>**[55:01] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;They weren't the only ones performing today.<br>**[55:06] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, I've got some bad news.<br>**[55:08] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I talk to him for a few minutes?<br>**[55:10] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news?<br>**[55:11] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about the dash cam.<br>**[55:12] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan!<br>**[55:13] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being tricked, right?<br>**[55:16] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll protect you from these guys!<br>**[55:20] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I did feel bad for him.*<br>**[55:22] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We went out to dinner a few times.*<br>**[55:24] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd developed about two*<br>*&nbsp;&nbsp;&nbsp;&nbsp;millimeters of feelings for him.*<br>**[55:27] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think out of a hundred people,<br>&nbsp;&nbsp;&nbsp;&nbsp;all one hundred would feel the same.<br>**[55:31] Ichimura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You just can't sympathize*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with him completely.*<br>**[55:33] Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After all, he's the liar. Damn.*<br>**[55:38] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lying! Liar!<br>**[55:41] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not the kind of girl who says that!<br>**[55:43] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiho-chan, you're a liar!<br>**[55:45] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the liar, you bum. You're broke.<br>**[55:47] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! Why would you say that?!<br>**[55:51] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe you! You're lying!<br>**[55:59] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[56:07] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Online Salon is jumping at shadows now!*<br>**[56:09] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Show them our solidarity! Catch them!*<br>**[56:11] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Catch Dobu! Catch the traitor!*<br>**[56:11] (Flashback) Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;This thing has a ton of views.<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet he's made a lot of money.<br>**[56:14] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right, you! <br>
&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll expose you!*<br>**[56:15] (Flashback) Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, right? But apparently<br>&nbsp;&nbsp;&nbsp;&nbsp;he's starting to gain haters.<br>**[56:18] (Flashback) Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say he's a one-hit wonder<br>&nbsp;&nbsp;&nbsp;&nbsp;and a coward.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;11/7 Friday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New message
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taeko<br>
&nbsp;&nbsp;&nbsp;&nbsp; I haven't heard from Kakihana-san in a week. <br>
&nbsp;&nbsp;&nbsp;&nbsp;Do you know where he is?
<br>**[56:24] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll share some special info with you guys.<br>**[56:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow, Yano's going to rob a bank.<br>**[56:31] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna rob a bank.<br>**[56:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Sorry, I wasn't listening.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recording 1.wav
<br>**[56:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently my friend is missing.<br>**[56:40] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to rob a bank.<br>**[56:42] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you stupid? How, in this day and age?<br>**[56:45] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be precise, I'm going to rob someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who's at the bank to make a withdrawal.<br>**[56:49] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to help me.<br>**[56:50] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the risk-return worth it?<br>**[56:53] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody walks around with that much cash.<br>**[56:55] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's worth the risk. After all,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll have one billion yen.<br>**[56:59] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? Explain.<br>**[57:02] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It takes a week or two to get<br>&nbsp;&nbsp;&nbsp;&nbsp;enough cash for a large withdrawal.<br>**[57:07] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're supposed to contact me<br>&nbsp;&nbsp;&nbsp;&nbsp;when that happens.<br>**[57:10] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll let me know who's receiving<br>&nbsp;&nbsp;&nbsp;&nbsp;how much cash on what day at what time,<br>**[57:15] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I've bribed a bank employee.<br>**[57:18] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you're free to do<br>&nbsp;&nbsp;&nbsp;&nbsp;what you want with them?<br>**[57:20] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. That's when<br>&nbsp;&nbsp;&nbsp;&nbsp;the real crime begins.<br>**[57:24] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did the number<br>&nbsp;&nbsp;&nbsp;&nbsp;one billion yen come from?<br>**[57:27] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bank in question exchanges<br>&nbsp;&nbsp;&nbsp;&nbsp;lottery tickets for money.<br>**[57:30] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who wins a large<br>&nbsp;&nbsp;&nbsp;&nbsp;amount has to go there.<br>**[57:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, nobody would withdraw<br>&nbsp;&nbsp;&nbsp;&nbsp;that much money in cash.<br>**[57:36] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But recently, someone has<br>&nbsp;&nbsp;&nbsp;&nbsp;appeared on the internet<br>**[57:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;claiming to have won one billion yen.<br>**[57:42] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guy who works under Yano named Sekiguchi<br>**[57:44] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;has a sharp eye for that kind of thing.<br>**[57:46] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured he'd already<br>&nbsp;&nbsp;&nbsp;&nbsp;determined the location<br>**[57:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Imai, the guy who'd won the lottery.<br>**[57:51] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's how I came up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with the number one billion.*<br>**[57:54] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They had to be desperate to get*<br>*&nbsp;&nbsp;&nbsp;&nbsp;their hands on the dash cam data.*<br>**[57:59] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You better not tell the cops about this.*<br>**[58:00] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm leaving him be for now.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;It'll all be settled tomorrow.*<br>**[58:05] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt the bank employees will help you.<br>**[58:07] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have other allies?<br>**[58:09] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among the police, yeah.<br>**[58:11] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[58:12] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, huh? I'm sure you have some idea.<br>**[58:15] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't. Who is it?<br>**[58:18] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daimon.<br>**[58:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Which one?<br>**[58:22] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The older brother.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recording 1.wav
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;End Recording
<br>**[58:25] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With Yano gone, there will be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;no one left to hold me back.*<br>**[58:31] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've tamed Odokawa, too.*<br>**[58:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't treat me like your henchman.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To: Little Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Subject:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Attachments:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recording 1.wav
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Message Sent
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your message has been sent.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Back
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eiji Kakihana <br>
&nbsp;&nbsp;&nbsp;&nbsp;Calling
<br>**[58:56] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that monkey doing?<br>**[59:02] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know where Imai-san is?<br>**[59:06] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Organized crime?<br>&nbsp;&nbsp;&nbsp;&nbsp;No way, man. Absolutely not.<br>**[59:09] Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I still want to get big on TV.*<br>**[59:12] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, before he*<br>*&nbsp;&nbsp;&nbsp;&nbsp;went missing, Imai-san told me*<br>**[59:14] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san recommended he move*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because of the lottery stuff.*<br>**[59:18] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to change residences<br>&nbsp;&nbsp;&nbsp;&nbsp;and lay low for a while.<br>**[59:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do want to live a long life, right?<br>**[59:22] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I can't die until Mystery Kiss<br>&nbsp;&nbsp;&nbsp;&nbsp;takes over the country.<br>**[59:26] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss has been<br>&nbsp;&nbsp;&nbsp;&nbsp;through a lot of hardship,<br>**[59:28] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but their spring's finally on the horizon!<br>**[59:34] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow. What was that for, Odokawa-sama?<br>**[59:38] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[59:39] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hear a lot of dangerous talk*<br>*&nbsp;&nbsp;&nbsp;&nbsp;working at a cabaret club.*<br>**[59:43] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I figure they're exaggerating,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I don't take it seriously.*<br>**[59:46] Shibagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He was bragging about playing a part*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the kidnapping of Odokawa-san's friend.*<br>**[59:50] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their spring's finally on the horizon.<br>**[59:54] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;My spring's finally on the horizon, though.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Looking For Marriage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kakihana-san!! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Good luck at work
<br>**[59:56] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, read it and weep.<br>**[1:00:01] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I forget about that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Stupid, stupid, stupid!<br>**[1:00:06] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a calico cat.<br>**[1:00:10] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dobu mentioned my brother's name.<br>**[1:00:13] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa sent me the audio recording.<br>**[1:00:16] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shocked me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon
<br>**[1:00:18] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was desperate to confirm it,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I also didn't want to.*<br>**[1:00:23] Little Daimon**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't sit still, but I didn't*<br>*&nbsp;&nbsp;&nbsp;&nbsp;want to do anything, either!*<br>**[1:00:28] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So...*<br>**[1:00:30] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome to help as<br>&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon the private citizen,<br>**[1:00:34] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for now, I don't need<br>&nbsp;&nbsp;&nbsp;&nbsp;help from the cops.<br>**[1:00:37] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's incredibly insulting.*<br>**[1:00:38] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing this to exterminate evil.<br>**[1:00:40] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you don't tear it out by the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;roots, it just comes back.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon
<br>**[1:00:43] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You're quick on the uptake.<br>**[1:00:45] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to get rid of<br>&nbsp;&nbsp;&nbsp;&nbsp;them all in one fell swoop,<br>**[1:00:47] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need the cops to wait a little longer.<br>**[1:00:49] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it.*<br>**[1:00:50] Koshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's frustrating, but if the alternative*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is being overrun by evil,*<br>**[1:00:53] Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then I'll have to turn a blind eye to it.*<br>**[1:00:54] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where the hell did you learn those words?<br>**[1:00:56] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in a hurry. I'll talk to you later.<br>**[1:01:00] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I... I decided to be patient.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;#dobu #taichikabasawa #judgment #amazingepisode
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp; Video of shooting at <br>
&nbsp;&nbsp;&nbsp;&nbsp;Shinjuku cabaret club acquired! 
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2,450,000 views – 1 week ago
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2,100,000 subscribers
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Posted 11/01/2021
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dobu sightings and fan letters ↓ <br>
&nbsp;&nbsp;&nbsp;&nbsp;kbsw_t@jmail.com<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Official Kabasawa Zwitter ↓
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Subject:
<br>**[1:01:18] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boring? I'm not trying to make<br>&nbsp;&nbsp;&nbsp;&nbsp; people laugh or anything.<br>**[1:01:23] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a greeting.<br>**[1:01:25] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa, comin' at ya!<br>**[1:01:29] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm telling you, it doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;matter if it's funny or not.<br>**[1:01:32] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every influencer needs a catchy greeting.<br>**[1:01:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not embarrassed. I can say this all day.<br>**[1:01:40] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kabasawa, comin' at ya!<br>**[1:01:44] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why'd I go to the wharf that day?<br>**[1:01:50] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because one of my followers tipped me off.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Subject:
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1 hour from now, Dobu will  show up at Shibaura Wharf.  Be a real hero.
<br>**[1:01:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wharf? We went to rescue<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa's friend Kakihana.<br>**[1:02:03] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the way there, we were*<br>*&nbsp;&nbsp;&nbsp;&nbsp;attacked by skull mask.*<br>**[1:02:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I should've killed him then.*<br>**[1:02:10] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[1:02:12] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit, it grazed me.<br>**[1:02:20] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Park us somewhere. I'm taking back my gun.<br>**[1:02:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. He's trying to kill me.<br>**[1:02:25] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you didn't care if you died.<br>**[1:02:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no. I don't like pain.<br>**[1:02:30] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's terrifying. What's his problem?<br>**[1:02:32] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we still in Japan?<br>**[1:02:56] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[1:02:58] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's run for it.<br>**[1:03:07] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I don't know him.<br>**[1:03:11] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana told you?<br>**[1:03:13] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You sure he didn't imagine it?*<br>**[1:03:16] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[1:03:18] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me.<br>**[1:03:20] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Again?<br>**[1:03:23] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a tiny bladder, or what? Jeez.<br>**[1:03:25] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sekiguchi is a junior of mine<br>&nbsp;&nbsp;&nbsp;&nbsp;who works for Yano.<br>**[1:03:28] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Originally, he worked for me.<br>**[1:03:39] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm leaving, so you'd better get it all out.<br>**[1:03:43] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back to check on you<br>&nbsp;&nbsp;&nbsp;&nbsp;in about three days.<br>**[1:03:50] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you scared of water?<br>**[1:03:52] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? Maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;I drowned in a previous life.<br>**[1:03:56] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, phobias don't always have a reason.<br>**[1:04:01] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Yano-san will find a way<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn your life into money.<br>**[1:04:05] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A way to use—<br>**[1:04:10] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[1:04:18] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it isn't Dobu-san.<br>**[1:04:19] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>**[1:04:21] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Sekiguchi.<br>**[1:04:23] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to rescue a kidnapping victim.<br>**[1:04:26] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did Yano-san have to say about this?<br>**[1:04:28] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't talked to Yano.<br>**[1:04:31] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then please leave.<br>**[1:04:33] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cold out here. At least let me inside.<br>**[1:04:35] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is he?<br>**[1:04:37] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A taxi driver.<br>**[1:04:39] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made a man with<br>&nbsp;&nbsp;&nbsp;&nbsp;an honest job your underling?<br>**[1:04:41] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've fallen far, Dobu.<br>**[1:04:52] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was an easy win.<br>**[1:04:54] Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't lose!<br>**[1:04:56] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now, our contest's just begun.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd risk my life to kill that son of a gun.<br>**[1:05:00] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I chose this occupation,<br>&nbsp;&nbsp;&nbsp;&nbsp;then fate chose this particular altercation.<br>**[1:05:04] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I'm tired now, so I'm peacing out.*<br>**[1:05:06] Yano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow's the funeral*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for that dumbass lout.*<br>**[1:05:08] Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll finally get to spit on Dobu-san's grave.<br>&nbsp;&nbsp;&nbsp;&nbsp;For me, that'll mean a happy damn day.<br>**[1:05:15] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I was going to die.<br>**[1:05:33] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa...<br>**[1:05:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[1:05:41] Kakihana**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll never covet what's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;beyond my stature again.*<br>**[1:05:45] Kakihana**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After all, I've got a friend*<br>*&nbsp;&nbsp;&nbsp;&nbsp;way better than I deserve.*<br>**[1:05:49] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how pathetic I am...<br>**[1:05:52] (Flashback) Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get to go home?<br>**[1:05:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's go home. You must've been cold.<br>**[1:06:00] Kakihana**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With just a few words,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he gave me affirmation.*<br>**[1:06:05] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He said I'd always been pathetic.*<br>**[1:06:10] (Flashback) Radio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been pathetic ever since then.<br>**[1:06:24] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened after that.<br>**[1:06:27] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I haven't been into<br>&nbsp;&nbsp;&nbsp;&nbsp; work since that day?<br>**[1:06:31] Little Daimon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what am I gonna do?!<br>**[1:06:44] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Skull mask...<br>**[1:06:47] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must've been skull mask.<br>**[1:06:49] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a GPS on Odokawa's taxi.<br>**[1:06:52] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't have been odd*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for him to be there.*<br>**[1:06:55] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now, the real mystery is* him.**<br>**[1:06:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know why he showed up there.*<br>**[1:07:00] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Taichi Kabasawa, I mean.*<br>**[1:07:04] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, give me a break.<br>**[1:07:07] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never get involved with him again.<br>**[1:07:11] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If only for a brief period, I experienced*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the struggles of being an influencer.*<br>**[1:07:15] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I, Taichi Kabasawa, have decided to stop*<br>*&nbsp;&nbsp;&nbsp;&nbsp;uploading videos and holding online salons.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shutting Down] Taichi Kabasawa Defeated [Surrender]
<br>**[1:07:23] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am not a hero, nor champion of justice.*<br>**[1:07:27] Kabasawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I apologize for ultimately*<br>*&nbsp;&nbsp;&nbsp;&nbsp;deceiving all of you.*<br>**[1:07:33] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, when<br>&nbsp;&nbsp;&nbsp;&nbsp;I was asked to do this interview,<br>**[1:07:36] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;the request came from a woman.<br>**[1:07:38] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she not here today? Is it just you?<br>**[1:07:42] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh. No, it's fine.*<br>**[1:07:46] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The money I made?*<br>**[1:07:48] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to compensate me<br>&nbsp;&nbsp;&nbsp;&nbsp;for all the harm you've caused me.<br>**[1:07:53] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't kill me.<br>**[1:07:54] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what can you give me, if not your life?<br>**[1:07:56] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dobu-san took all of it.*<br>**[1:07:59] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The money, the apartment, the car.*<br>**[1:08:02] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From now on, I'm going to do honest work.*<br>**[1:08:06] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Taxes?<br>**[1:08:08] Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are those?<br>**[1:08:11] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for calling you so often, Odokawa-san.<br>**[1:08:15] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy offering to pay 900 million<br>&nbsp;&nbsp;&nbsp;&nbsp;for your dash cam data is a yakuza.<br>**[1:08:20] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, it's for<br>&nbsp;&nbsp;&nbsp;&nbsp;promotional purposes.<br>**[1:08:23] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're prepared to compensate<br>&nbsp;&nbsp;&nbsp;&nbsp;you appropriately,<br>**[1:08:25] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we can guarantee<br>&nbsp;&nbsp;&nbsp;&nbsp;your safety, Odokawa-san.<br>**[1:08:28] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you this for your sake.<br>**[1:08:30] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found out about Ichimura?<br>**[1:08:33] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're talking about.<br>**[1:08:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Ichimura had to run badger games.<br>**[1:08:41] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san?<br>**[1:08:43] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We don't interfere with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the personal lives of Mystery Kiss.*<br>**[1:08:48] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We don't prohibit romantic*<br>*&nbsp;&nbsp;&nbsp;&nbsp;relationships, either.*<br>**[1:08:51] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Ichimura and her boyfriend*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just had a couple's quarrel.*<br>**[1:08:54] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words?<br>**[1:08:56] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you side with me?<br>**[1:08:59] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're running a business here.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Of course we experience problems.*<br>**[1:09:03] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're just that serious*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about what we're doing.*<br>**[1:09:06] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After all, I'm determined*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to make Mystery Kiss a success.*<br>**[1:09:10] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Violence?*<br>**[1:09:12] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, sometimes you have to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;get physical with people.*<br>**[1:09:14] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We all do.*<br>**[1:09:17] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how I look at it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see how...<br>**[1:09:21] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;a single taxi driver can beat us.<br>**[1:09:28] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a game!<br>**[1:09:31] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you and take everything!<br>**[1:09:47] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on out!<br>**[1:09:50] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?<br>**[1:09:59] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious.<br>**[1:10:01] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why was I there back then?<br>**[1:10:06] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already know the answer to that.<br>**[1:10:21] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, you'll get a martelo to the face.<br>**[1:10:25] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;wrong with Mystery Kiss.<br>**[1:10:29] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're clean.<br>**[1:10:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's true they've had a run of bad luck.*<br>**[1:10:34] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But their CD will go on sale,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and we will perform a concert.*<br>**[1:10:38] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow yourselves to be caught by the police<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're stealing the one billion yen.<br>**[1:10:42] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it. It's easy.<br>**[1:10:44] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't give up.*<br>**[1:10:47] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We have a press conference*<br>*&nbsp;&nbsp;&nbsp;&nbsp;tomorrow. I hope you'll tune in.*<br>**[1:10:50] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scared?<br>**[1:10:52] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, please. I'm not scared of anything.<br>**[1:10:55] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, Mystery Kiss<br>&nbsp;&nbsp;&nbsp;&nbsp;is doing great right now.<br>**[1:11:04] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's going according to plan.<br>**[1:11:06] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter where Imai hides,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sekiguchi will find him.<br>**[1:11:13] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll act as soon as tomorrow, then.<br>**[1:11:17] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll take Imai to the bank<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep him locked up<br>**[1:11:21] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the bank gets one<br>&nbsp;&nbsp;&nbsp;&nbsp;billion in cash ready.<br>**[1:11:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bank's supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;contact you if Imai arrives, right?<br>**[1:11:26] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They'll tell me the time and date<br>&nbsp;&nbsp;&nbsp;&nbsp;that the cash will be handed over.<br>**[1:11:30] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ready? I'm about<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you my entire plan.<br>**[1:11:34] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you drum it<br>&nbsp;&nbsp;&nbsp;&nbsp;into your head, Odokawa.<br>**[1:11:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[1:11:37] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one billion yen will be split<br>&nbsp;&nbsp;&nbsp;&nbsp;into ten duraluminum cases,<br>**[1:11:40] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the bank will hand over<br>&nbsp;&nbsp;&nbsp;&nbsp;just one of those.<br>**[1:11:43] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll also hand over nine duraluminum<br>&nbsp;&nbsp;&nbsp;&nbsp;cases filled with fake bills.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Real
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fake
<br>**[1:11:47] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano's crew will probably be<br>&nbsp;&nbsp;&nbsp;&nbsp;with Imai during the handoff,<br>**[1:11:51] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they'll want to confirm that it's real.<br>**[1:11:53] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they're giving them<br>&nbsp;&nbsp;&nbsp;&nbsp;one case of real bills.<br>**[1:11:56] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano will want to get out of there as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as possible, so he won't check all ten.<br>**[1:12:00] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Yano's crew pack 100 million real yen<br>**[1:12:02] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and 900 million counterfeit yen<br>&nbsp;&nbsp;&nbsp;&nbsp;into their car and leave...<br>**[1:12:05] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as they leave,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll acquire 900 million.<br>**[1:12:09] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that point, you've won.<br>**[1:12:11] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't end there, though.<br>**[1:12:13] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've issued a declaration of war.<br>**[1:12:16] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to steal<br>&nbsp;&nbsp;&nbsp;&nbsp;the 100 million they took.<br>**[1:12:19] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[1:12:20] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bank is here.<br>**[1:12:21] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait in your taxi<br>&nbsp;&nbsp;&nbsp;&nbsp;at this nearby parking lot.<br>**[1:12:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[1:12:27] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come to the parking lot<br>&nbsp;&nbsp;&nbsp;&nbsp;with 900 million yen in my car.<br>**[1:12:30] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll move your taxi,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll park in your spot.<br>**[1:12:33] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll get into your taxi.<br>**[1:12:36] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do we head next?<br>**[1:12:37] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll probably head to<br>&nbsp;&nbsp;&nbsp;&nbsp; their hideout at the wharf.<br>**[1:12:40] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Along the way, Big Daimon's patrol car<br>&nbsp;&nbsp;&nbsp;&nbsp;will probably stop them around here.<br>**[1:12:45] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're using every service vehicle you can.<br>**[1:12:47] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Big Daimon searches their car,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll find a ton of counterfeit bills.<br>**[1:12:52] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After dropping me off nearby,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll wait here.<br>**[1:12:57] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;While Yano and the police are making a fuss,<br>**[1:13:00] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll arrive on the scene<br>&nbsp;&nbsp;&nbsp;&nbsp;and steal Yano's car.<br>**[1:13:02] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After confirming I have the 100 million,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get back into your taxi.<br>**[1:13:06] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll head back to the parking lot where<br>&nbsp;&nbsp;&nbsp;&nbsp;the car with 900 million is waiting.<br>**[1:13:09] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we screw up, you'll just be<br>&nbsp;&nbsp;&nbsp;&nbsp;a taxi driver transporting his passenger.<br>**[1:13:13] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be arrested.<br>**[1:13:15] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's my plan.<br>**[1:13:17] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call it... ODDTAXI.<br>**[1:13:21] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured his real interest was in this,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I asked him about it.<br>**[1:13:24] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that it's nearly over,<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me the truth.<br>**[1:13:28] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this girl?<br>**[1:13:31] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this photo?<br>**[1:13:32] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A screenshot from your dash cam data.<br>**[1:13:34] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the missing Nerima high school girl?<br>**[1:13:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your boss's classmate's daughter?<br>**[1:13:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but she's the only one from your dash<br>&nbsp;&nbsp;&nbsp;&nbsp;cam data that matches her description.<br>**[1:13:44] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to remember.<br>**[1:13:46] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You drove her two months ago.<br>**[1:13:50] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I've driven her before, huh?<br>**[1:13:55] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the Mystery Kiss girl.<br>**[1:14:07] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The body found in the Tokyo Bay*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in October has been identified.*<br>**[1:14:12] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The deceased is Nerima City resident*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya-san, 18 years old.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nerima City, Tokyo<br>
&nbsp;&nbsp;&nbsp;&nbsp; Yuki Mitsuya-san (18)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;an1\pos(64.889,251.111)\frz346.5}Breaking News*<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shibaura Wharf Abandoned Body Case<br>
&nbsp;&nbsp;&nbsp;&nbsp; Body Identified as Belonging to<br>
&nbsp;&nbsp;&nbsp;&nbsp; Member of Popular Idol Group
<br>**[1:14:18] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya-san was a member*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of idol group Mystery Kiss.*<br>**[1:14:23] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Fans have been shocked by*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the sudden news of her death.*<br>**[1:14:29] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya was at the audition<br>&nbsp;&nbsp;&nbsp;&nbsp;I attended two years ago.<br>**[1:14:36] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She had a kind of grandness or star quality.*<br>**[1:14:39] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Something hard work and effort*<br>*&nbsp;&nbsp;&nbsp;&nbsp;could never beat.*<br>**[1:14:43] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll pass.<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, you're exceptionally cute.<br>**[1:14:47] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was pissed off, obviously.*<br>**[1:14:49] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hadn't even lost,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I still felt frustrated.*<br>**[1:14:53] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After that, we kept holding*<br>*&nbsp;&nbsp;&nbsp;&nbsp;lessons focused around me.*<br>**[1:14:58] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's when it was decided*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we'd make our CD debut.*<br>**[1:15:03] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally. Our major debut.<br>**[1:15:06] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's like a dream.<br>**[1:15:09] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did the two of you want to become idols?<br>**[1:15:12] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family's poor.<br>**[1:15:14] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have my own room, so the bath<br>&nbsp;&nbsp;&nbsp;&nbsp;is the only place I have my own space.<br>**[1:15:17] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna get rich so I can move<br>&nbsp;&nbsp;&nbsp;&nbsp;into a place with a big bath.<br>**[1:15:22] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. You'd better work hard, then.<br>**[1:15:25] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[1:15:26] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, Mitsuya-san?<br>**[1:15:27] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I just joined<br>&nbsp;&nbsp;&nbsp;&nbsp;to make some memories.<br>**[1:15:32] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I thought we might be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;achieve something amazing<br>**[1:15:38] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I met you, Nikaido-san.<br>**[1:15:39] (Flashback) Ichimura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree. We're lucky to be in the<br>&nbsp;&nbsp;&nbsp;&nbsp;same group as you, Nikaido-san.<br>**[1:15:44] (Flashback) Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to work hard to make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure we don't hold you back.<br>**[1:15:48] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right then, for a moment,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I felt like we'd become one.*<br>**[1:15:52] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought maybe it wasn't so bad*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be part of a group.*<br>**[1:16:00] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, then...*<br>**[1:16:03] (Flashback) Producer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make this girl the center.<br>**[1:16:10] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[1:16:15] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I asked to meet her late<br>&nbsp;&nbsp;&nbsp;&nbsp;at night on October 4th,<br>**[1:16:18] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really did just intend to ask her<br>&nbsp;&nbsp;&nbsp;&nbsp;to decline the center position.<br>**[1:16:21] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've told the police numerous times.<br>**[1:16:24] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I was checking the security<br>&nbsp;&nbsp;&nbsp;&nbsp; cameras in the area?<br>**[1:16:28] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it was a coincidence.<br>**[1:16:31] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Come to the agency office. I have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;something important to tell you.*<br>**[1:16:34] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? But the trains aren't running.*<br>**[1:16:38] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Take a taxi. I'll pay for it.*<br>**[1:16:41] Mitsuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm in Nerima. It'll be expensive.*<br>**[1:16:48] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I need to use the restroom.<br>**[1:16:55] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san, are you here?<br>**[1:17:00] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san?<br>**[1:17:04] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I entered the office,*<br>**[1:17:09] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yuki Mitsuya was already...*<br>**[1:17:15] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't kill anyone.*<br>**[1:17:17] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I swear to God I didn't.*<br>**[1:17:21] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yamamoto-san...*<br>**[1:17:23] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mitsuya-san was wary that I'd asked to meet,*<br>**[1:17:26] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so she contacted Yamamoto-san.*<br>**[1:17:30] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why didn't I call the police?*<br>**[1:17:33] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think it's because Yamamoto-san*<br>*&nbsp;&nbsp;&nbsp;&nbsp;didn't believe me*<br>**[1:17:38] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from the bottom of his heart.*<br>**[1:17:40] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He considered the possibility*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I'd done it.*<br>**[1:17:44] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He thought it'd be better to erase one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;member of Mystery Kiss than lose two.*<br>**[1:17:48] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So he called Yano.*<br>**[1:17:50] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about gross, man,<br>&nbsp;&nbsp;&nbsp;&nbsp; I don't like this at all.<br>**[1:17:53] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've grown up on the streets,<br>&nbsp;&nbsp;&nbsp;&nbsp;but corpses make my skin crawl.<br>**[1:17:57] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like she was bludgeoned,<br>&nbsp;&nbsp;&nbsp;&nbsp;then seems like she was choked.<br>**[1:17:59] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a man who wears tailor-made<br>&nbsp;&nbsp;&nbsp;&nbsp;suits from Don Quijote,<br>**[1:18:02] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's how I think she croaked.<br>**[1:18:07] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both Yamamoto-san and Yano told me to leave,*<br>**[1:18:11] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but because I'd started this mess,*<br>**[1:18:13] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I said I wanted to see it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;through and stayed.*<br>**[1:18:20] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then, we threw Yuki Mitsuya's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;body into the harbor.*<br>**[1:18:25] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was nothing else we could do.*<br>**[1:18:27] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No matter what we chose,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss was over.*<br>**[1:18:31] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto-san is the only one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who hasn't given up yet.*<br>**[1:18:37] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wadagaki-san...*<br>**[1:18:39] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apparently she'd been waiting two years*<br>**[1:18:42] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;for a follow-up audition*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to join Mystery Kiss.*<br>**[1:18:44] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When she heard Mystery Kiss*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was making its major debut,*<br>**[1:18:49] Nikaido**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she couldn't help herself anymore*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and showed up at the office.*<br>**[1:18:53] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to get used to it, so I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to call you Mitsuya-san. Sorry.<br>**[1:18:57] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. I'm here to be Yuki Mitsuya.<br>**[1:19:00] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya-san, you don't mind<br>&nbsp;&nbsp;&nbsp;&nbsp;not using your own face or name?<br>**[1:19:04] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[1:19:05] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I failed this audition,<br>&nbsp;&nbsp;&nbsp;&nbsp;I refused to accept it.<br>**[1:19:09] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to speak directly with Yamamoto.<br>**[1:19:12] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Lemme in, lemme in, lemme in!" I said.<br>**[1:19:14] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impressive.<br>**[1:19:16] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, when I failed, they told me<br>&nbsp;&nbsp;&nbsp;&nbsp;I was their fourth choice.<br>**[1:19:21] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that frustrating?<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost made it. I was so close.<br>**[1:19:25] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't think about<br>&nbsp;&nbsp;&nbsp;&nbsp;auditioning somewhere else?<br>**[1:19:27] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. After all, I heard you had passed.<br>**[1:19:30] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you'd be famous.<br>**[1:19:33] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to be famous?<br>**[1:19:34] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[1:19:35] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from a single-parent home.<br>**[1:19:37] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to get famous, so my mom<br>&nbsp;&nbsp;&nbsp;&nbsp;back in Kyushu can take it easy.<br>**[1:19:40] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though she works, she wakes up<br>&nbsp;&nbsp;&nbsp;&nbsp;early to pack a lunch for me.<br>**[1:19:45] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[1:19:46] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've always caused<br>&nbsp;&nbsp;&nbsp;&nbsp; nothing but trouble for my mom.<br>**[1:19:49] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any strengths, you know?<br>**[1:19:51] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I wish I could just disappear,<br>**[1:19:54] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but seeing idols on TV cheered me up.<br>**[1:20:02] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In any case, Mystery Kiss is over.*<br>**[1:20:08] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But not me. I'm not over.*<br>**[1:20:12] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rui Nikaido will make a comeback.*<br>**[1:20:16] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll rise back up from this loss.*<br>**[1:20:27] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[1:20:27] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Rui-tan? I've got a little break*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at my on-location shoot.*<br>**[1:20:31] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I'm a little busy right now.<br>**[1:20:33] Baba**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thought you seemed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a little down. You okay?*<br>**[1:20:36] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I'll call you back tomorr—<br>**[1:20:38] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You wanna do our thing?*<br>**[1:20:40] Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't feel like that right now.<br>**[1:20:42] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rui-tan.*<br>**[1:20:45] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rui-tan.*<br>**[1:20:47] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rururururururururururu…*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Baba
<br>**[1:20:49] Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rui-ta—*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Call Ended
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Investigative Report
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kyohei Mizoguchi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Togo Sekiguchi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Haruhito Yano
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eiji Kakihana
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Koshiro Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miho Shirakawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taichi Kabasawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ayumu Goriki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hiroshi Odokawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kensuke Shibagaki
<br>**[1:21:00] (Flashback) Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's most of them.<br>**[1:21:06] (Flashback) Sato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give these to Taeko-san.<br>**[1:21:09] (Flashback) Reina**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's finally tomorrow.<br>**[1:21:11] (Flashback) Kanon**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Imai-kun's okay.<br>**[1:21:23] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The body of Yuki Mitsuya-san of idol*<br>*&nbsp;&nbsp;&nbsp;&nbsp;group Mystery Kiss has been discovered.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Body Found at Shibaura Wharf <br>
&nbsp;&nbsp;&nbsp;&nbsp;Belongs to Idol Group Member
<br>**[1:21:27] Newscaster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Her agency will be holding*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a press conference after this.*<br>**[1:21:32] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's happening one week from now<br>&nbsp;&nbsp;&nbsp;&nbsp;on December 25th at 16:00.<br>**[1:21:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be waiting in the<br>&nbsp;&nbsp;&nbsp;&nbsp;parking lot at that time, right?<br>**[1:21:40] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. Did you see the news?*<br>**[1:21:43] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yamamoto the manager*<br>*&nbsp;&nbsp;&nbsp;&nbsp;probably won't be coming.*<br>**[1:21:44] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky us. The fewer guys Yano has,<br>&nbsp;&nbsp;&nbsp;&nbsp;the easier this'll be for us.<br>**[1:21:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's a problem.*<br>**[1:21:49] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[1:21:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nothing.*<br>**[1:21:51] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. There is a problem.*<br>**[1:21:54] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Yuki Mitsuya's body was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;found near Yano's hideout.*<br>**[1:21:57] Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's possible that they've moved.*<br>**[1:22:00] Dobu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And if they have, then the route*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I assumed they'd take is useless.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Incoming Call
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto
<br>**[1:22:08] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you picked up.<br>**[1:22:10] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is it?*<br>**[1:22:11] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going with Yano's crew today?<br>**[1:22:14] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't have time for that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;right now. You know that.*<br>**[1:22:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you don't.<br>**[1:22:18] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Can I go now? I have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a press conference to attend.*<br>**[1:22:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to confirm one thing.<br>**[1:22:22] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?*<br>**[1:22:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Yuki Mitsuya in the photo<br>&nbsp;&nbsp;&nbsp;&nbsp;shown on the news<br>**[1:22:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Yuki Mitsuya I drove<br>&nbsp;&nbsp;&nbsp;&nbsp;in my taxi are different people.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto
<br>**[1:22:31] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you sure you're not confused?*<br>**[1:22:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I drove you guys together.<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl who likes fried chicken.<br>**[1:22:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That reminded me.<br>**[1:22:39] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl I drove on October 4th was...<br>**[1:22:43] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Call Ended
<br>**[1:22:45] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[1:22:48] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't use Yamamoto. Which means...<br>**[1:23:00] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. What is he doing?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Little Daimon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Incoming Call
<br>**[1:23:09] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's the day Dobu-san goes down.<br>**[1:23:12] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll force him to award me the crown.<br>**[1:23:14] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scraping by on the boss' opinion of me.<br>**[1:23:16] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best Christmas ever, this'll turn out to be.<br>**[1:23:18] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wind's blowing today. It's cold—<br>**[1:23:20] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[1:23:21] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey country bumpkin, shut your face!<br>**[1:23:22] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my turn right now, know your place.<br>**[1:23:24] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess there's no need<br>&nbsp;&nbsp;&nbsp;&nbsp; for me to be screaming.<br>**[1:23:26] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say you're my patron,<br>&nbsp;&nbsp;&nbsp;&nbsp;in a manner of speaking.<br>**[1:23:28] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sentimentality aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is it you're seeking?<br>**[1:23:32] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you put on Mystery<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss's press conference?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live: Talent Agency Holds <br>
&nbsp;&nbsp;&nbsp;&nbsp;Emergency Press Conference
<br>**[1:23:47] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. That taxi driver<br>&nbsp;&nbsp;&nbsp;&nbsp;remembers Wadagaki's face.<br>**[1:23:51] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course he does.<br>**[1:23:54] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any way we can<br>&nbsp;&nbsp;&nbsp;&nbsp;put a positive spin on it?<br>**[1:23:56] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the world finds out that<br>&nbsp;&nbsp;&nbsp;&nbsp; we tried to cover it up...<br>**[1:23:59] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just starting to taste success, too.<br>**[1:24:01] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure some of the five guys who attended<br>&nbsp;&nbsp;&nbsp;&nbsp;our first concert remember her, too.<br>**[1:24:05] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just not possible.<br>**[1:24:06] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[1:24:11] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[1:24:13] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm fine. I'll do my best.<br>**[1:24:17] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[1:24:18] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck with the loser's bracket.<br>**[1:24:21] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll come back from this, too.<br>**[1:24:25] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You okay? Sorry I didn't notice.<br>**[1:24:29] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not capable of trying hard.<br>**[1:24:31] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. But don't push yourself too hard. Bye.<br>**[1:24:35] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?<br>**[1:24:37] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[1:24:37] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's review our jokes.<br>**[1:24:39] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just did that.<br>**[1:24:40] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still don't know which<br>&nbsp;&nbsp;&nbsp;&nbsp;jokes we're performing.<br>**[1:24:42] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we agreed on the café hideaway.<br>**[1:24:44] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given the atmosphere, the time<br>&nbsp;&nbsp;&nbsp;&nbsp;machine bit could be better.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Loser's Bracket
<br>**[1:24:47] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember the time<br>&nbsp;&nbsp;&nbsp;&nbsp;machine bit. I'll be fine.<br>**[1:24:50] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you care about this at all?<br>**[1:24:52] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we fail here, we're through.<br>**[1:24:56] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[1:24:59] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;in trouble if we split up.<br>**[1:25:01] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Baba. You've gotten awfully puffed up.<br>**[1:25:05] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used to be funnier.<br>**[1:25:07] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't watch you fall apart.<br>**[1:25:09] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think all the movies,<br>&nbsp;&nbsp;&nbsp;&nbsp;TV shows, and comedians<br>**[1:25:11] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;that are popular these days aren't funny.<br>**[1:25:13] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who's out of touch.<br>**[1:25:17] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get that you like manzai comedy.<br>**[1:25:20] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that I'm holding you back, too.<br>**[1:25:23] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm sorry, Shibagaki.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's split up, as of today.<br>**[1:25:33] (Flashback) Librarian**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're closing soon.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Married Couple Found Inside Car That  Fell Into Sea, Possible Double Suicide?
<br>**[1:25:40] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Married Couple Found Inside Car That<br>&nbsp;&nbsp;&nbsp;&nbsp;Fell Into Sea, Possible Double Suicide?"<br>**[1:25:45] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Their son, who is in fourth<br>&nbsp;&nbsp;&nbsp;&nbsp;grade, escaped on his own,<br>**[1:25:48] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is unconscious and<br>&nbsp;&nbsp;&nbsp;&nbsp; in critical condition."<br>**[1:25:54] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for all the trouble we've caused.<br>**[1:26:02] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been unable to conceal our shock<br>**[1:26:05] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;since we learned that Yuki<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuya was found dead.<br>**[1:26:09] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;In October, Yuki Mitsuya's<br>&nbsp;&nbsp;&nbsp;&nbsp;mother contacted us<br>**[1:26:12] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell us that her daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;hadn't returned home.<br>**[1:26:15] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did everything we could to help look<br>&nbsp;&nbsp;&nbsp;&nbsp;for her, but failed to locate her.<br>**[1:26:20] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, as Mystery Kiss<br>&nbsp;&nbsp;&nbsp;&nbsp;was set to debut soon,<br>**[1:26:24] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;we had another girl who auditioned<br>&nbsp;&nbsp;&nbsp;&nbsp;take Yuki Mitsuya's place.<br>**[1:26:32] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, that meant we deceived<br>&nbsp;&nbsp;&nbsp;&nbsp;the world and those involved,<br>**[1:26:38] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;and for that, we are terribly sorry.<br>**[1:26:41] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We also can't bear to face<br>&nbsp;&nbsp;&nbsp;&nbsp;Donraku Shofutei-san<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live: Talent Agency Holds <br>
&nbsp;&nbsp;&nbsp;&nbsp;Emergency Press Conference
<br>**[1:26:46] Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who entrusted his daughter to our agency.*<br>**[1:26:51] (Flashback) Taeko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[1:26:54] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious.<br>**[1:27:01] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[1:27:03] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought I'd be helping you guys.<br>**[1:27:05] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you get in position?<br>**[1:27:07] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since they moved their hideout,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be following them from the bank.<br>**[1:27:12] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[1:27:13] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's your best buddy and brother?<br>**[1:27:15] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't come into work for a while.<br>**[1:27:17] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed something off about his behavior,<br>**[1:27:20] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't believe my meek little<br>&nbsp;&nbsp;&nbsp;&nbsp;brother is ignoring my calls.<br>**[1:27:24] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, taxi driver. Did you<br>&nbsp;&nbsp;&nbsp;&nbsp;say something to him?<br>**[1:27:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. We're on the same<br>&nbsp;&nbsp;&nbsp;&nbsp;side now, aren't we?<br>**[1:27:32] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[1:27:34] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what'll happen to you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you go off-script, right?<br>**[1:27:45] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was referred to you by Dr. Kato<br>&nbsp;&nbsp;&nbsp;&nbsp;at Minami Nakano hospital.<br>**[1:27:48] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Goriki.<br>**[1:27:50] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to ask you about Hiroshi Odokawa.<br>**[1:27:53] (Flashback) Doctor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hiroshi Odokawa-kun was my patient.<br>**[1:27:58] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you describe to me<br>&nbsp;&nbsp;&nbsp;&nbsp;what he was like then?<br>**[1:28:01] (Flashback) Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're certain that this is the right car?<br>**[1:28:04] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[1:28:21] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it be all right<br>&nbsp;&nbsp;&nbsp;&nbsp;if we checked the contents?<br>**[1:28:23] (Flashback) Banker A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Imai-sama did<br>&nbsp;&nbsp;&nbsp;&nbsp;just check earlier, though.<br>**[1:28:35] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're definitely real.<br>**[1:28:39] (Flashback) Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations on winning the lottery!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Niji Bank Building
<br>**[1:28:52] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[1:28:53] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did well. Now hurry up.<br>**[1:29:04] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get paid once I check the contents.<br>**[1:29:23] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it went well.<br>**[1:29:25] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, yeah.<br>**[1:29:32] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[1:29:34] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;First time seeing this many bills?<br>**[1:29:37] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely my first time seeing this many.<br>**[1:29:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bet you wish you were<br>&nbsp;&nbsp;&nbsp;&nbsp;getting a cut now, huh?<br>**[1:29:40] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't need that. But you're<br>&nbsp;&nbsp;&nbsp;&nbsp; gonna pay your taxi fare.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;W! News
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Donraku Shofutei Distraught! Sheds Tears <br>
&nbsp;&nbsp;&nbsp;&nbsp;Over Daughter's Body. Extended Hiatus?
<br>**[1:29:46] (Flashback) Entertainer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, apparently he<br>&nbsp;&nbsp;&nbsp;&nbsp;stepped down from judging.<br>**[1:29:48] (Flashback) Entertainer B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surely he'll judge the main event, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Loser's Bracket
<br>**[1:29:50] (Flashback) Entertainer C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being so precise about it.<br>**[1:29:53] (Flashback) Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[1:29:56] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're doing the time machine bit.<br>**[1:29:57] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[1:29:58] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you screw it up, I'll kill you.<br>**[1:30:01] (Flashback) Mc**<br>&nbsp;&nbsp;&nbsp;&nbsp;With 14 years of experience<br>&nbsp;&nbsp;&nbsp;&nbsp;in the business, it's Homosapiens.<br>**[1:30:07] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, we're Homosapiens.<br>**[1:30:09] (Flashback) Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for having us.<br>**[1:30:11] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life is full of regrets.<br>**[1:30:13] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd that come from?<br>**[1:30:14] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already beginning to regret saying that.<br>**[1:30:16] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was pretty pessimistic.<br>**[1:30:18] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overthinking it. You'll be fine.<br>**[1:30:20] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I avoid having regrets?<br>**[1:30:22] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way is to do your best<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can live without regrets.<br>**[1:30:25] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see it in movies and stuff.<br>**[1:30:26] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, when kids travel back using<br>&nbsp;&nbsp;&nbsp;&nbsp; a time machine and meet their parents.<br>**[1:30:29] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've seen that. There's something<br>&nbsp;&nbsp;&nbsp;&nbsp;they regret, so they go back to fix it.<br>**[1:30:32] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's moving, isn't it?<br>**[1:30:34] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure anyone would be moved if a child<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd never seen before came to see them.<br>**[1:30:38] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'd like to try that.<br>**[1:30:39] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, let's do it.<br>**[1:30:41] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't say anything weird just now, did I?<br>**[1:30:43] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're already regretting it.<br>**[1:30:45] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine, I'll do it.<br>**[1:30:46] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real? Let's try it, then.<br>**[1:30:50] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad.<br>**[1:30:51] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you...<br>**[1:30:53] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, I'm your five-year-old son.<br>**[1:30:56] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[1:30:57] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Dad. My father, who gave<br>&nbsp;&nbsp;&nbsp;&nbsp;birth to me five years ago.<br>**[1:30:59] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die within<br>&nbsp;&nbsp;&nbsp;&nbsp;the next five years?!<br>**[1:31:01] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by my son's behavior,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm clearly gonna die!<br>**[1:31:04] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made that really obvious!<br>**[1:31:05] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I couldn't do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything for you, Dad.<br>**[1:31:07] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's nothing I can do about it?!<br>**[1:31:09] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not even showing up<br>&nbsp;&nbsp;&nbsp;&nbsp;to save your dying dad<br>**[1:31:11] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;because a cure was found five years later?<br>**[1:31:13] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case, just leave me alone!<br>**[1:31:15] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I, uh...<br>**[1:31:17] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else do you regret?<br>**[1:31:21] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, you know...<br>**[1:31:30] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life is full of regrets.<br>**[1:31:32] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know that. Like what?<br>**[1:31:33] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, idiot!<br>&nbsp;&nbsp;&nbsp;&nbsp;I regret teaming up with you!<br>**[1:31:36] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for?!<br>**[1:31:37] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I regret becoming a comedian.<br>**[1:31:39] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have chased my dreams!<br>**[1:31:42] Kenshiro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Black HiAce, pull over*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the left side of the road.*<br>**[1:31:46] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[1:31:47] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as he says, nothing else to be done.<br>**[1:31:49] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet we'll enjoy looking back on this one.<br>**[1:32:03] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[1:32:04] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard over the radio that some<br>&nbsp;&nbsp;&nbsp;&nbsp;bank robbers are on the run.<br>**[1:32:06] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I take a look inside your car?<br>**[1:32:08] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in a hurry.<br>**[1:32:09] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd appreciate your cooperation.<br>**[1:32:16] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are all these duraluminum cases for?<br>**[1:32:20] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to open one.<br>**[1:32:23] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, incredible. Fat stacks of cash.<br>**[1:32:26] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now this is suspicious.<br>**[1:32:28] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He won a lot of money in the lottery.<br>**[1:32:30] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did?<br>**[1:32:33] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, m-me.<br>**[1:32:35] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?<br>**[1:32:36] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[1:32:39] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna check the others, too.<br>**[1:32:45] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are fakes.<br>**[1:32:48] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a sec. That's not possible!<br>**[1:32:50] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we chat in my patrol car?<br>**[1:32:54] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[1:32:55] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?! It's newspaper!<br>**[1:32:58] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these other ones, too? All of them?!<br>**[1:33:00] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yano-san!<br>**[1:33:01] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[1:33:02] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your rhymes...<br>**[1:33:03] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're not rhyming!<br>**[1:33:05] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[1:33:06] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Someone set us up.<br>**[1:33:08] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it? Hey, cop!<br>**[1:33:09] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look into those bankers, chop-chop!<br>**[1:33:11] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's chat in my car, first.<br>**[1:33:13] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No friggin' way. Why?!<br>**[1:33:15] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything went so well, we were flying sky high!<br>**[1:33:16] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano-san, let's do as he says for now!<br>**[1:33:19] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be fine as long as we can<br>&nbsp;&nbsp;&nbsp;&nbsp;clear up the misunderstanding.<br>**[1:33:25] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just won the lottery, right?<br>**[1:33:28] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[1:33:29] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the trouble. You can go.<br>**[1:33:41] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, he won the lottery.<br>**[1:33:44] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just helping him out<br>&nbsp;&nbsp;&nbsp;&nbsp;since he doesn't have a ride.<br>**[1:33:46] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't know about<br>&nbsp;&nbsp;&nbsp;&nbsp;the counterfeits, someone lied!<br>**[1:33:48] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your relationship with him?<br>**[1:33:50] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you ask for cash?<br>&nbsp;&nbsp;&nbsp;&nbsp;Where were you headed?<br>**[1:33:52] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where does he live?<br>**[1:33:52] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough rapid-fire questions. He's a friend!<br>**[1:33:54] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you ask for cash?<br>**[1:33:55] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how he wanted it!<br>**[1:33:56] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, Yano-san.<br>**[1:33:58] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you really a cop?<br>**[1:34:07] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, follow that car!<br>**[1:34:10] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we've been screwed!<br>**[1:34:12] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Dobu's accomplice Daimon, my dude!<br>**[1:34:23] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the parking lot in Shimbashi.<br>**[1:34:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[1:34:29] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The panic on Yano's face was exquisite.<br>**[1:34:31] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it. The perfect victory.<br>**[1:34:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on. Who's that?<br>**[1:34:51] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the guy behind the skull mask?<br>**[1:34:53] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. That's my gun.<br>**[1:34:56] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do? Should we run for it?<br>**[1:34:58] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's all right. I'll get out.<br>**[1:35:00] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't everything be ruined<br>&nbsp;&nbsp;&nbsp;&nbsp;if you get shot here?<br>**[1:35:03] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That gun had six bullets. Count 'em.<br>**[1:35:06] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two shots at the cabaret club.<br>**[1:35:08] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One shot into your house.<br>**[1:35:09] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two shots during the car chase.<br>**[1:35:11] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One shot at me at the harbor. He's out.<br>**[1:35:22] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who are you?<br>**[1:35:24] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have business with you.<br>**[1:35:26] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here for the driver.<br>**[1:35:32] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I have no idea what<br>&nbsp;&nbsp;&nbsp;&nbsp;you're talking about.<br>**[1:35:35] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You nearly ran me over with your car!<br>**[1:35:38] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You broke my phone!<br>**[1:35:40] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine.<br>**[1:35:41] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I was probably in a hurry.<br>**[1:35:43] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that's not an excuse for<br>&nbsp;&nbsp;&nbsp;&nbsp;taking something important from you,<br>**[1:35:48] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as a taxi driver, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;that was inconsiderate of me.<br>**[1:35:52] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[1:36:03] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[1:36:07] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you get this?<br>**[1:36:09] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I gave that to Shirakawa.<br>**[1:36:13] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you have that, Odokawa?<br>**[1:36:16] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you have this?<br>**[1:36:18] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My superior—as I guess you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;call him—knows Donraku.<br>**[1:36:23] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ended up in my hands.<br>**[1:36:25] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only one of these erasers was sold.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the only one of them in the world.<br>**[1:36:30] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. There could be leftover<br>&nbsp;&nbsp;&nbsp;&nbsp;inventory at Donraku's house.<br>**[1:36:33] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't be odd if an acquaintance had one.<br>**[1:36:34] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you mumblin' about? Give back my gun.<br>**[1:36:37] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;ditch-11.<br>**[1:36:38] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[1:36:39] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[1:36:40] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the name "ditch-11" sound familiar?<br>**[1:36:42] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what *Zooden* is?<br>**[1:36:44] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Yeah. The game, right?<br>**[1:36:47] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you play?<br>**[1:36:49] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now the number one ranked <br>
&nbsp;&nbsp;&nbsp;&nbsp;account in *Zooden* is ditch-11.<br>**[1:36:54] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going on about?<br>**[1:36:56] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in a hurry. Give back my gun, already.<br>**[1:36:58] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see your phone. I want <br>
&nbsp;&nbsp;&nbsp;&nbsp;to check if *Zooden* is installed on it.<br>**[1:37:02] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not them, I'll leave you alone.<br>**[1:37:03] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, it's not!<br>**[1:37:05] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm not giving up.<br>**[1:37:06] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might be a new boss<br>&nbsp;&nbsp;&nbsp;&nbsp;that I have to defeat.<br>**[1:37:10] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to kill you.<br>**[1:37:12] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on. Do it, kid.<br>**[1:37:14] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on. I'm not sure I follow.<br>**[1:37:17] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Zooden* accounts have icons, right?<br>**[1:37:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me ditch-11's icon.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rank: 1 Global Rank<br>
&nbsp;&nbsp;&nbsp;&nbsp; Development Level: 45123 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Number of Animals: 350
<br>**[1:37:30] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's him.<br>**[1:37:31] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute. How—<br>**[1:37:33] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You can tell.<br>**[1:37:36] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I remember now. I used to play *Zooden*.<br>**[1:37:39] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't played in so long, I'd forgotten.<br>**[1:37:41] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who conned me<br>&nbsp;&nbsp;&nbsp;&nbsp;out of 100,000 yen 16 years ago!<br>**[1:37:44] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since then, my life has fallen apart!<br>**[1:37:47] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's *your* fault!<br>**[1:37:50] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you don't have any bullets left.<br>**[1:37:52] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try to act tough.<br>**[1:38:23] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn... Why were there still bullets left?<br>**[1:38:26] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't speak. Stay still.<br>**[1:38:29] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me to a doctor, Odokawa.<br>**[1:38:33] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an unlicensed doctor<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm well-acquainted with.<br>**[1:38:38] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up. Put me in your taxi.<br>**[1:38:41] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, the police...<br>**[1:38:43] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found it.<br>**[1:38:45] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[1:38:47] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should go to a normal hospital.<br>&nbsp;&nbsp;&nbsp;&nbsp;Receive proper treatment.<br>**[1:38:51] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure someone's already called<br>&nbsp;&nbsp;&nbsp;&nbsp;the police and an ambulance.<br>**[1:38:55] (Flashback) Dobu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. The car. What are<br>&nbsp;&nbsp;&nbsp;&nbsp;you going to do with it?<br>**[1:38:59] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to return the money to its owner.<br>**[1:39:03] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It finally caught up to you.<br>**[1:39:06] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what they call retribution.<br>**[1:39:08] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is goodbye for you and me.<br>**[1:39:20] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Imai? Where are you now?<br>**[1:39:23] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in Akasaka.<br>**[1:39:25] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any money to take the train.<br>**[1:39:28] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to the parking lot<br>&nbsp;&nbsp;&nbsp;&nbsp;in Shimbashi, right now.<br>**[1:39:31] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a black van parked there.<br>**[1:39:33] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your money is inside, so don't worry.<br>**[1:39:35] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the taxi. The keys are under the car.<br>**[1:39:39] Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Really? I'll head there right away.*<br>**[1:39:44] (Flashback) Sekiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yano-san, he was with Dobu-san!<br>&nbsp;&nbsp;&nbsp;&nbsp;He's working with him!<br>**[1:39:48] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's him, huh?!<br>**[1:39:49] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit. I'll give you the 100 million later.<br>**[1:39:58] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;After him!<br>**[1:40:19] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro...<br>**[1:40:20] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, you always called me an idiot,<br>**[1:40:23] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in the end, you were the bigger idiot.<br>**[1:40:26] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, maybe you're right.<br>**[1:40:28] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it Yano's crew that beat you up?<br>**[1:40:31] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[1:40:34] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go arrest them for interference<br>&nbsp;&nbsp;&nbsp;&nbsp;with public duties, inflicting bodily injury,<br>**[1:40:38] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;stealing a patrol car, and—<br>**[1:40:40] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't. I'm gonna be arrested, too.<br>**[1:40:43] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you are. After all, you're evil.<br>**[1:40:47] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sided with Dobu.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to arrest you.<br>**[1:40:51] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, because you're evil.<br>**[1:40:53] (Flashback) Kenshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[1:40:55] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you have to side with Dobu?!<br>**[1:40:57] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! You're such an idiot!<br>**[1:40:59] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liar! You lied to me, Bro!<br>**[1:41:01] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We promised we'd punish evil together!<br>**[1:41:05] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... But...<br>**[1:41:09] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Yano and his guys did <br>
&nbsp;&nbsp;&nbsp;&nbsp;is even *more* unforgivable.<br>**[1:41:11] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna go arrest them!<br>**[1:41:13] (Flashback) Koshiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Bro!<br>**[1:41:44] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I love animals.*<br>**[1:41:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I grow up, I want to work at the zoo.*<br>**[1:41:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's because I don't like humans.*<br>**[1:41:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Being around humans makes me anxious.*<br>**[1:41:58] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm always told to look people*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the eye when I talk to them,*<br>**[1:42:00] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I'm too scared to do it.*<br>**[1:42:03] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hate going to festivals where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;there are lots of people, too.*<br>**[1:42:07] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My classmates tease me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hit me, and laugh at me.*<br>**[1:42:13] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not good at school or sports,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so my teachers won't help me.*<br>**[1:42:17] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even the teachers tease me.*<br>**[1:42:21] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When that happens, I can't stop the tears.*<br>**[1:42:25] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The harder I try to stop them,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the more they keep coming.*<br>**[1:42:30] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's so frustrating and embarrassing,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wish I could disappear.*<br>**[1:42:34] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I cry out loud,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my classmates laugh at me.*<br>**[1:42:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They say I'm like a walrus and laugh at me."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I wish I were a walrus instead.
<br>**[1:42:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I wish I were a walrus instead."*<br>**[1:42:50] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"My mom is the same way.*<br>**[1:42:52] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since Dad never comes home, she's always*<br>*&nbsp;&nbsp;&nbsp;&nbsp;annoyed and takes it out on me.*<br>**[1:42:57] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Every day she eats lots of food,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and then she hits me and screams at me.*<br>**[1:43:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unlike at school, I don't cry at home.*<br>**[1:43:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's because my mom cries.*<br>**[1:43:10] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My dad's never home*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because he has a mistress.*<br>**[1:43:15] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When he does occasionally*<br>*&nbsp;&nbsp;&nbsp;&nbsp;come home, he gets blind drunk.*<br>**[1:43:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's my dad,*<br>**[1:43:22] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but he bought me an animal*<br>*&nbsp;&nbsp;&nbsp;&nbsp;encyclopedia, so I like him okay.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Animal Encyclopedia
<br>**[1:43:27] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I never got tired of looking*<br>*&nbsp;&nbsp;&nbsp;&nbsp;at my animal encyclopedia.*<br>**[1:43:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I read lots of animal books at the library,*<br>**[1:43:33] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I like this book*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my dad gave me the most."*<br>**[1:43:37] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"There's something else*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that I like, too. Cars.*<br>**[1:43:41] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think it would be okay to get a job*<br>*&nbsp;&nbsp;&nbsp;&nbsp;driving cars when I grow up, too.*<br>**[1:43:45] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On rare occasions, my dad*<br>*&nbsp;&nbsp;&nbsp;&nbsp;takes me for a ride in his car.*<br>**[1:43:51] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I liked going on drives as a family,*<br>**[1:43:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but these days, my mom doesn't ride with us.*<br>**[1:43:56] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think my dad doesn't bring my mom*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because he's going to see his mistress.*<br>**[1:44:03] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He tells me, 'Hiroshi, don't tell your*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mother,' and leaves me at the zoo.*<br>**[1:44:09] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I feel bad for my mom,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I loved my time at the zoo.*<br>**[1:44:14] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I couldn't look people in the eye,*<br>**[1:44:17] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I could stare into*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the eyes of animals forever.*<br>**[1:44:19] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I couldn't speak to people,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I could speak to animals.*<br>**[1:44:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I saw a walrus.*<br>**[1:44:28] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They make funny sounds*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and they're fat, just like me.*<br>**[1:44:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought they looked like my mom, too.*<br>**[1:44:38] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I think about returning*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to reality with all its humans,*<br>**[1:44:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd rather stay here forever."*<br>**[1:44:57] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"That's why that day, on the day*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the accident, I..."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;National Traffic Safety Campaign
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Live: Private Taxi Speeding Down Expressway
<br>**[1:45:06] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san's not answering his phone.<br>**[1:45:09] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is that taxi?<br>**[1:45:11] Shirakawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's heading towards*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the harbor from Toranomon.*<br>**[1:45:14] Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got it. I'll head there.*<br>**[1:45:16] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me with you, Dr. Goriki.<br>**[1:45:31] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other day, a high school listener<br>&nbsp;&nbsp;&nbsp;&nbsp;was waiting for me to come outside.<br>**[1:45:34] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He asked me to team up with him.<br>**[1:45:37] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must be disappointed after<br>&nbsp;&nbsp;&nbsp;&nbsp;watching that loser's bracket.<br>**[1:45:40] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we did was scream insults at each other.<br>**[1:45:45] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you really want to split up?<br>**[1:45:47] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who said we should split up<br>&nbsp;&nbsp;&nbsp;&nbsp;if we didn't make it this year.<br>**[1:45:51] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were so close.<br>**[1:45:52] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we quit after I forgot our jokes,<br>&nbsp;&nbsp;&nbsp;&nbsp;all I'd have left would be regrets.<br>**[1:45:55] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next year will be our last year.<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you reconsider?<br>**[1:45:59] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you.<br>**[1:46:00] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to be my straight man.<br>**[1:46:02] (Flashback) Baba**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always said I was a crap straight man.<br>**[1:46:04] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, please.<br>**[1:46:05] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll write funnier jokes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Be my straight man.<br>**[1:46:07] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interrupt me again!<br>**[1:46:15] Yamamoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The police will probably*<br>*&nbsp;&nbsp;&nbsp;&nbsp;keep questioning us.*<br>**[1:46:19] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should get our story straight.<br>**[1:46:21] (Flashback) Nikaido**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we just tell them the truth?<br>**[1:46:24] (Flashback) Yamamoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *truth?* Do you understand what we did?<br>**[1:46:40] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Have you ever seen her house?*<br>**[1:46:42] (Flashback) Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an obvious prefab packed<br>&nbsp;&nbsp;&nbsp;&nbsp;to the brim, right?<br>**[1:46:45] (Flashback) Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They say that's why she<br>&nbsp;&nbsp;&nbsp;&nbsp;spends all her time in the bath.<br>**[1:46:48] (Flashback) Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's hilarious.<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet she gets super wrinkly.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Dream For the Future
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Rich
<br>**[1:47:04] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Welcome home.*<br>**[1:47:05] Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry I'm late.*<br>**[1:47:07] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you eaten dinner yet?<br>**[1:47:09] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet, but you must be tired<br>&nbsp;&nbsp;&nbsp;&nbsp;from work, right?<br>**[1:47:11] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll find something to eat.<br>**[1:47:13] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll need a lunch for tomorrow.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make dinner while I'm at it.<br>**[1:47:16] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have fried chicken, though.<br>**[1:47:18] (Flashback) Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Mom.<br>**[1:47:21] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;As someone whose dreams were<br>&nbsp;&nbsp;&nbsp;&nbsp;shattered, you look radiant to me.<br>**[1:47:24] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only get one go around in life.<br>**[1:47:26] (Flashback) Mom**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta do whatever it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to make your dreams come true.<br>**[1:47:56] (Flashback) Tanaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing left. It's game over.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ksawa<br>
&nbsp;&nbsp;&nbsp;&nbsp; @Ksawa_2daime
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ksawa
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I was shocked to learn that Donraku's daughter <br>
&nbsp;&nbsp;&nbsp;&nbsp;is the dead Mystery Kiss girl and I feel bad <br>
&nbsp;&nbsp;&nbsp;&nbsp;for them, but how I'm going to support myself <br>
&nbsp;&nbsp;&nbsp;&nbsp;from now on is the bigger, more serious mystery.
<br>**[1:48:19] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hit him again! Again!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Road Closed
<br>**[1:48:31] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you figure out what<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san's illness is called?<br>**[1:48:35] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's called...<br>**[1:48:40] (Flashback) Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual agnosia caused<br>&nbsp;&nbsp;&nbsp;&nbsp;by executive dysfunction.<br>**[1:48:45] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual agnosia...<br>**[1:48:48] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is that?*<br>**[1:48:50] Goriki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He doesn't know what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;his eyes are looking at.*<br>**[1:48:53] Goriki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Damage to his brain is causing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an error in its cognitive function.*<br>**[1:49:04] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop the car, Doctor!<br>**[1:49:21] (Flashback) Yano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not getting away!<br>**[1:49:53] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirakawa-kun!<br>**[1:50:12] (Flashback) Kabasawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This'll go viral!<br>**[1:50:44] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. One more time.<br>**[1:50:46] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be my straight man one more time.<br>**[1:50:50] (Flashback) Shibagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? I'm being interrupted by a car?!<br>**[1:51:10] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"That's why that day,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on the day of the accident,*<br>**[1:51:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remember being happy.*<br>**[1:51:16] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;My mom put my plastered dad in*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the car and took us for a drive.*<br>**[1:51:23] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It'd been so long since we'd gone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for a drive as a family.*<br>**[1:51:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My dad was sleeping in the back seat,*<br>**[1:51:28] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and my mom seemed like*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she was in a bad mood,*<br>**[1:51:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I was having fun.*<br>**[1:51:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was my first night drive.*<br>**[1:51:36] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The roads and traffic signals and lights*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the cars were sparkly and pretty."*<br>**[1:51:42] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"When I woke up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was lying in a hospital bed.*<br>**[1:51:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My head felt dizzy. I felt weird.*<br>**[1:51:51] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The doctors explained a bunch of stuff*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to me, but I don't remember much.*<br>**[1:51:56] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All I remember is that my dad and mom*<br>*&nbsp;&nbsp;&nbsp;&nbsp;went somewhere after the accident*<br>**[1:52:01] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and that the doctor kind of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;looked like an alligator,*<br>**[1:52:06] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*since I had actually become a walrus."*<br>**[1:52:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"My relatives and teachers showed up*<br>**[1:52:13] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and had serious conversations*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and told me all kinds of stuff,*<br>**[1:52:18] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I didn't really care.*<br>**[1:52:21] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I met patients and nurses,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but it didn't bother me at all.*<br>**[1:52:27] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After all, they were pandas and beavers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and tortoises and llamas and stuff.*<br>**[1:52:33] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Everyone said they felt sorry for me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but I was better off than I was before."*<br>**[1:52:47] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't painful, or scary,<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything like that.<br>**[1:52:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just sad.<br>**[1:52:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so sad and miserable I wanted to cry.<br>**[1:52:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know why.<br>**[1:53:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I remember the old accident? Dunno.<br>**[1:53:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goriki told me something once.<br>**[1:53:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He said nostalgia is a minor illness.*<br>**[1:53:13] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's probably just an acute case of that.*<br>**[1:53:16] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Like I'd returned to a state*<br>*&nbsp;&nbsp;&nbsp;&nbsp;before I was born.*<br>**[1:53:20] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I felt sad because*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I knew a little bit about life.*<br>**[1:53:20] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Queixada!<br>**[1:53:28] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, over here! Hurry!<br>**[1:53:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But right away, I wanted to live,*<br>**[1:53:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the moment I saw their faces.*<br>**[1:53:38] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san.<br>**[1:53:40] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa!<br>**[1:53:42] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa!<br>**[1:53:43] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san.<br>**[1:53:49] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa.<br>**[1:53:51] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san...<br>**[1:53:58] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Odokawa. What do I look like to you?<br>**[1:54:03] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A human.<br>**[1:54:04] (Flashback) Goriki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Does that scare you?<br>**[1:54:07] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not scared. I'm okay.<br>**[1:54:10] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about me?<br>**[1:54:16] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're scared of me?<br>**[1:54:19] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. You're... pretty.<br>**[1:54:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? The guy who shot Dobu?<br>**[1:54:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he was a puma.<br>**[1:54:35] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so angry.<br>**[1:54:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not joking around.<br>**[1:54:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying to remember makes my head hurt.<br>**[1:54:50] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like some jelly?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you prefer pudding?<br>**[1:54:52] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yesterday the MPD arrested <br>
&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss member Rui Nikaido,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suspects Arrested in Yuki Mitsuya-san Murder  Body Dumped in Sea After Killing
<br>**[1:54:56] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who they had been questioning <br>
&nbsp;&nbsp;&nbsp;&nbsp;in connection to the murder*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Rui Nikaido (18)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suspected of dumping body in the sea after  killing fellow group member at agency office
<br>**[1:55:01] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of Mystery Kiss member Yuki Mitsuya-san.*<br>**[1:55:04] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mystery Kiss manager Fuyuki Yamamoto,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Employee <br>
&nbsp;&nbsp;&nbsp;&nbsp;Fuyuki Yamamoto (34)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Unemployed <br>
&nbsp;&nbsp;&nbsp;&nbsp;Haruhito Yano (28)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested: Unemployed <br>
&nbsp;&nbsp;&nbsp;&nbsp;Togo Sekiguchi (33)
<br>**[1:55:08] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Haruhito Yano, unemployed, <br>
&nbsp;&nbsp;&nbsp;&nbsp;and Togo Sekiguchi, also unemployed,*<br>**[1:55:14] Newscaster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*were arrested for abandoning a body.*<br>**[1:55:17] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been reporting<br>&nbsp;&nbsp;&nbsp;&nbsp;on this story since this morning.<br>**[1:55:20] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, you'll probably<br>&nbsp;&nbsp;&nbsp;&nbsp;be interviewed at some point,<br>**[1:55:23] (Flashback) Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once things settle down,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to go to the zoo.<br>**[1:55:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now I'm more interested in<br>&nbsp;&nbsp;&nbsp;&nbsp;my plans for the future than my past.<br>**[1:55:35] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-sama, are you feeling all right?<br>**[1:55:38] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thankfully, I'm doing okay.<br>**[1:55:41] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Imai.<br>**[1:55:42] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great!<br>**[1:55:44] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, are you okay? That idol...<br>**[1:55:48] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came as a huge shock,<br>**[1:55:50] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if she really did do it,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be a terrible thing,<br>**[1:55:54] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when I think about it, getting to visit<br>&nbsp;&nbsp;&nbsp;&nbsp;an idol in prison is a precious experience.<br>**[1:55:58] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking at this really positively.<br>**[1:56:00] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. That reminds me.<br>**[1:56:04] (Flashback) Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl I drove late at night on October 4th<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Mystery Kiss office...<br>**[1:56:08] (Flashback) Imai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you talking about?<br>**[1:56:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the night of October 4th,<br>&nbsp;&nbsp;&nbsp;&nbsp;I drove a black cat<br>**[1:56:15] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;from Nerima to the office in Kamimeguro.<br>**[1:56:19] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't that Nikaido girl.*<br>**[1:56:21] Odokawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And it wasn't the Mitsuya girl*<br>*&nbsp;&nbsp;&nbsp;&nbsp;who was killed, either.*<br>**[1:56:27] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to tell<br>&nbsp;&nbsp;&nbsp;&nbsp;if you show me a photo.<br>**[1:56:30] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name's Sakura Wadagaki? Yeah, that's it.<br>**[1:56:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured I should tell you.<br>**[1:56:36] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you should look into her.<br>**[1:56:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think it was Rui Nikaido?<br>**[1:56:42] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, whatever. That's fine, I guess.<br>**[1:56:46] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we done here? Seriously, I'm tired.<br>**[1:56:49] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you're busy, what with it<br>&nbsp;&nbsp;&nbsp;&nbsp;being the New Year, and all.<br>**[1:56:53] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another? Ugh.<br>**[1:56:57] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I guess there's not much<br>&nbsp;&nbsp;&nbsp;&nbsp;you can do about that.<br>**[1:57:02] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work? I'm starting tomorrow.<br>**[1:57:07] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people I know, like Imai and Goriki,<br>&nbsp;&nbsp;&nbsp;&nbsp;are doing everything they can for me.<br>**[1:57:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really appreciate them.<br>**[1:57:14] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's get started. Hello.*<br>**[1:57:16] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're Bonnou Illumination.*<br>**[1:57:17] Fukumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We sure did get roped into this.*<br>**[1:57:19] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. We're pinch-hitters.*<br>**[1:57:22] Fukumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Homosapiens.*<br>**[1:57:23] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't say their name.*<br>**[1:57:24] Fukumoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's nothing wrong*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with saying their name.*<br>**[1:57:25] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. It's okay to mention their name.*<br>**[1:57:27] Fukumoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Can you believe Baba-san*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was dating a murderer?*<br>**[1:57:30] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're not supposed to say that.*<br>**[1:57:31] Fukumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone will creeped out unless I say it.*<br>**[1:57:33] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's still only a suspect.*<br>**[1:57:35] Fukumoto**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Forget about that. We're here*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to produce a proper radio show.*<br>**[1:57:39] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom, how are you?<br>**[1:57:41] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I transferred to a bigger agency.<br>**[1:57:45] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Things are going so<br>&nbsp;&nbsp;&nbsp;&nbsp;well, it's almost scary.<br>**[1:57:48] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I hounded the manager<br>&nbsp;&nbsp;&nbsp;&nbsp;after I failed an audition.<br>**[1:57:53] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking about it now makes me laugh.<br>**[1:57:56] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was frustrated, though.<br>**[1:57:59] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it went well.<br>**[1:58:02] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If they hadn't become famous after that,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I would've been content.*<br>**[1:58:05] Wadagaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But when I heard they'd be releasing their*<br>*&nbsp;&nbsp;&nbsp;&nbsp;first CD, I couldn't sit still anymore.*<br>**[1:58:11] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, everything's going well.<br>**[1:58:14] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I wasn't expecting<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose someone else,<br>**[1:58:18] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I get more attention because of that.<br>**[1:58:21] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about losing another<br>&nbsp;&nbsp;&nbsp;&nbsp;and becoming a solo act.<br>**[1:58:25] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm too greedy?<br>**[1:58:28] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing for now.<br>**[1:58:31] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I headed out to do was find<br>&nbsp;&nbsp;&nbsp;&nbsp;the taxi I rode in then.<br>**[1:58:37] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I found it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aozora Comedy Festival
<br>**[1:58:39] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a total coincidence.<br>&nbsp;&nbsp;&nbsp;&nbsp;I must be lucky after all.<br>**[1:58:42] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's going my way.<br>**[1:58:45] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you more about it later.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mystery Kiss Disbands, Ex-Members Form Duo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sakura Wadagaki (18)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shiho Ichimura-san (18)
<br>**[1:58:49] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. It'll go well again.<br>**[1:58:54] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over the end of the year—<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Uninstall "Zooden?" <br>
&nbsp;&nbsp;&nbsp;&nbsp;All data will be erased <br>
&nbsp;&nbsp;&nbsp;&nbsp;when this app is uninstalled.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cancel
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Uninstall
<br>**[1:58:56] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'll tell you about it later.<br>**[1:58:59] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Will you make fried chicken<br>&nbsp;&nbsp;&nbsp;&nbsp;again for me sometime?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Must-read!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Foolproof Methods For Finding a Job
<br>**[1:59:04] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you said, I'm gonna do whatever it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to make my dream come true.<br>**[1:59:15] Boss A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakihana, let's get lunch.<br>**[1:59:17] Kakihana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[1:59:32] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[1:59:39] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hop on in.<br>**[1:59:45] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[1:59:54] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where to?*<br>**[1:59:59] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You don't remember me?*<br>**[2:00:03] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I given you a ride before?<br>**[2:00:05] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. You're not the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember.<br>**[2:00:10] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. I just thought you'd<br>&nbsp;&nbsp;&nbsp;&nbsp; freak out a little more.<br>**[2:00:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[2:00:18] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[2:00:20] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where to?<br>**[2:00:24] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well...<br>**[2:00:32] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's fine.<br>**[2:00:34] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Here's fine"?<br>**[2:00:35] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, here's fine.<br>**[2:00:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Here's fine"?!<br>**[2:00:39] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you can run the meter.<br>**[2:00:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to say to that.<br>**[2:00:45] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanna talk a little.<br>**[2:00:48] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me five—No, three minutes.<br>**[2:00:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know this isn't a car<br>&nbsp;&nbsp;&nbsp;&nbsp;for killing time, right?<br>**[2:00:55] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I'd pay.<br>**[2:00:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't carry on a conversation<br>&nbsp;&nbsp;&nbsp;&nbsp;unless I'm driving.<br>**[2:01:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me uneasy.<br>**[2:01:06] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the city's full of cameras, you know?<br>**[2:01:09] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cameras?<br>**[2:01:11] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. I've got one right here.<br>**[2:01:13] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one's fine.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can just grab it later.<br>**[2:01:16] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say that, but I'm here today because<br>&nbsp;&nbsp;&nbsp;&nbsp; I couldn't get my hands on it before.<br>**[2:01:24] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I've got is my good luck.<br>**[2:01:28] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? I'm lucky, too.<br>**[2:01:33] Wadagaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's my luck against your luck.<br>**[2:02:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is your leg okay?*<br>**[2:02:12] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, but we'd better go while we can.*<br>**[2:02:16] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't we have gone once you were better?<br>**[2:02:19] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided I'm going, so I'm going.<br>**[2:02:22] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odokawa-san, what animal do you want to see?<br>**[2:02:25] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Uh, alpacas.<br>**[2:02:29] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why, why?<br>**[2:02:31] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[2:02:33] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, why?<br>**[2:02:37] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I like them.<br>**[2:02:38] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it.<br>**[2:02:40] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About alpacas.<br>**[2:02:41] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[2:02:43] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was talking about alpacas.<br>**[2:02:45] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about alpacas?<br>**[2:02:48] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... like them.<br>**[2:02:50] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it again.<br>**[2:02:52] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so annoying.<br>**[2:02:58] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Odokawa-san.<br>**[2:02:59] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[2:03:01] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going for a drive, aren't we?<br>**[2:03:04] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[2:03:07] Shirakawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I could ride in passenger seat?<br>**[2:03:10] Odokawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ashigara Zooland
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Former Idol Attempts Murder<br>
&nbsp;&nbsp;&nbsp;&nbsp;Man Who Tried to Stop Her Also Injured
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Arrested on Attempted Murder and Assault Charges<br>
&nbsp;&nbsp;&nbsp;&nbsp;Former Mystery Kiss Member<br>
&nbsp;&nbsp;&nbsp;&nbsp;Suspect Sakura Wadagaki (18)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Courthouse
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Certificate of Appreciation Presentation Ceremony
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamabiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Grand Re-Opening
<br>