# E2 - NADEMONOGATARI Nadeko Draw Part One

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUK94D5/nademonogatari-nadeko-draw-part-one)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If Nadeko Sengoku's life was a manga series<br>
&nbsp;&nbsp;&nbsp;&nbsp;that's currently running,*<br>**[00:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU'S STORY<br>**[00:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SERIES ENTERING ITS 15TH YEAR!!<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and if I were to read from volume 1<br>
&nbsp;&nbsp;&nbsp;&nbsp;to volume 15, the latest release,*<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure I'd think,*<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"The protagonist's personality<br>
&nbsp;&nbsp;&nbsp;&nbsp;is all over the place."*<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's an inevitable fate<br>
&nbsp;&nbsp;&nbsp;&nbsp;for a long-running series.*<br>**[00:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOVE...<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOVE<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOVE!<br>
&nbsp;&nbsp;&nbsp;&nbsp;HATE!!<br>**[00:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NEXT EPISODE IS THE FINAL EPISODE!<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps being a true fan means loving the series<br>
&nbsp;&nbsp;&nbsp;&nbsp;even though such inconsistencies are there.*<br>**[00:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I AM...<br>**[00:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HUH!?<br>
&nbsp;&nbsp;&nbsp;&nbsp;I AM<br>**[00:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TO BE CONTINUED IN THE NEXT ISSUE<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, as an ordinary reader, there's just<br>
&nbsp;&nbsp;&nbsp;&nbsp;something unsatisfactory about it.*<br>**[00:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE ADVENTURE HAS ONLY BEGUN!!<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But no, I'm not just<br>
&nbsp;&nbsp;&nbsp;&nbsp;an ordinary reader.*<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nadeko Sengoku<br>
&nbsp;&nbsp;&nbsp;&nbsp;is none other than myself.*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's especially why the snapshots of my past<br>
&nbsp;&nbsp;&nbsp;&nbsp;feel like completely different people.*<br>**[00:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG BROTHER<br>**[00:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BANGS? WHAT'RE YOU TALKING ABOUT?<br>**[00:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M JUST REALLY CUTE!<br>**[00:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I HATE YOU, BIG BROTHER<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anytime, anywhere, with any person...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you could have<br>&nbsp;&nbsp;&nbsp;&nbsp;the same personality the whole time,<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that would be abnormal.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was rather audacious in metaphorically<br>
&nbsp;&nbsp;&nbsp;&nbsp;referring to my life as a long-running series.*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But in reality, my current life as a fifteen-year-old<br>
&nbsp;&nbsp;&nbsp;&nbsp;hasn't even gotten a one-shot published.*<br>**[01:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU'S STORY<br>
&nbsp;&nbsp;&nbsp;&nbsp;BY NADEKO SENGOKU<br>**[01:04] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU'S STORY<br>
&nbsp;&nbsp;&nbsp;&nbsp;BY NADEKO SENGOKU<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It keeps getting rejected<br>
&nbsp;&nbsp;&nbsp;&nbsp;during the planning phase.*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Myself from that one time,<br>
&nbsp;&nbsp;&nbsp;&nbsp;myself from back then...*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Myself from that era,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and myself during those times...*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then, my current self.*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It will never be seen by the world,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and it still has yet to see a beginning.*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Therefore, it won't end, either.*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all the one and only Nadeko Sengoku.*<br>**[01:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO DRAW, PART ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER TWO<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;STOP<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... Nope!<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt anywhere?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My oh my, this is Ms. Ougi Oshino.*<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine!<br>**[02:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HMM?<br>**[02:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HUH?<br>**[02:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WHAT, WHAT?<br>**[02:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A BOY'S UNIFORM?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there, Sengoku.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you!<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Ougi Oshino.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've met you before though.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCTOBER 31ST<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think, it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the other way around back then?<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know about you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you knew about me.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what you know, Sengoku.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For my current self, this is without a doubt<br>&nbsp;&nbsp;&nbsp;&nbsp;the first time I've met you, Sengoku.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that's right.*<br>**[02:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OUGI OSHINO<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mr. Ougi Oshino is a second-year boy<br>
&nbsp;&nbsp;&nbsp;&nbsp;attending Naoetsu High School.*<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you injured, Sengoku?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I'm fine, Mr. Ougi.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so distant<br>&nbsp;&nbsp;&nbsp;&nbsp;and call me "Mr. Ougi."<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feel free to call me<br>&nbsp;&nbsp;&nbsp;&nbsp;"Big Brother Ougi" out of familiarity.<br>**[03:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MISTER OUGI<br>**[03:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG BROTHER OUGI<br>**[03:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;B I G B R O T H E R<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you used to call you-know-who-senpai<br>&nbsp;&nbsp;&nbsp;&nbsp;like that, right?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I flubbed.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[03:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SANDALS<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So are you heading to school now?<br>**[03:38] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOUNGE WEAR<br>**[03:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WARNING<br>
&nbsp;&nbsp;&nbsp;&nbsp;TRAFFIC HOURS<br>**[03:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL ROUTE<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is your bicycle all right?<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Yeah, it's fine.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're heading to school,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you there.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not heading to school,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll pass.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally assumed<br>&nbsp;&nbsp;&nbsp;&nbsp;you were going to school.<br>**[04:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL ROUTE<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I saw you<br>&nbsp;&nbsp;&nbsp;&nbsp;in a school uniform earlier.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mr. Ougi!<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, what is it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you suddenly raise your voice?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where that other self of mine was...<br>**[04:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can you take my current self there?<br>**[04:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[04:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for myself!<br>**[04:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF MYSELF MYSELF<br>**[04:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RULE OF 10,000 HOURS<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The rule of 10,000 hours.*<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apparently there's a study that<br>
&nbsp;&nbsp;&nbsp;&nbsp;no matter the field, people who are*<br>**[04:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BESTSELLER AWARD RECIPIENTS<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*considered top tier have trained<br>
&nbsp;&nbsp;&nbsp;&nbsp;for over 10,000 hours.*<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And there are only 24 hours in a day.*<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's round that to 25 hours<br>
&nbsp;&nbsp;&nbsp;&nbsp;to make calculations easier.*<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words,<br>
&nbsp;&nbsp;&nbsp;&nbsp;four days would be 100 hours.*<br>**[04:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;=100 HOURS<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Forty days is 1,000 hours.*<br>**[04:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;=1,000 HOURS<br>**[04:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;(ABRIDGED) =10,000 HOURS<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Four hundred days for 10,000 hours.*<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are 365 days in a year.*<br>**[04:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;JANUARY FEBRUARY MARCH<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So by removing the extra time<br>
&nbsp;&nbsp;&nbsp;&nbsp;we added earlier to make things neat,*<br>**[04:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;APRIL MAY JUNE<br>**[05:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;JULY AUGUST SEPTEMBER<br>**[05:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCTOBER NOVEMBER DECEMBER<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we can say that 10,000 hours<br>
&nbsp;&nbsp;&nbsp;&nbsp;is approximately one year.*<br>**[05:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RULE OF 10,000 HOURS = APPROXIMATELY ONE YEAR<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see! I only need to try hard for one year<br>&nbsp;&nbsp;&nbsp;&nbsp;to become top tier!<br>**[05:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ONLY ONE YEAR!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Piece of cake!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I haven't lived a life so idyllic<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I would say such a thing.*<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Humans have to do this thing called<br>
&nbsp;&nbsp;&nbsp;&nbsp;living a life on top of making an effort.*<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Living a life comes before any effort.*<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Effort can be realized<br>
&nbsp;&nbsp;&nbsp;&nbsp;only after living a life.*<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Therefore, there's a time period<br>
&nbsp;&nbsp;&nbsp;&nbsp;where humans cannot make any effort.*<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who it is, they must divert<br>
&nbsp;&nbsp;&nbsp;&nbsp;over half of the day to living their lives.*<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To keep making an effort efficiently<br>
&nbsp;&nbsp;&nbsp;&nbsp;and continuously,*<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no matter how generous an estimate,*<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*eight hours with breaks<br>
&nbsp;&nbsp;&nbsp;&nbsp;in-between is the limit.*<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Eight hours.*<br>**[05:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;8 HOURS<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's one third of the day.*<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means we must multiply the formula<br>
&nbsp;&nbsp;&nbsp;&nbsp; by three.*<br>**[05:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;10,000 HOURS = 1 YEAR x 3<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's three years.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Three years, huh?*<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To be honest, that's long enough<br>
&nbsp;&nbsp;&nbsp;&nbsp;to get moderately fed up.*<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whether the rule of 10,000 hours<br>
&nbsp;&nbsp;&nbsp;&nbsp;is true or not,*<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't have that much time<br>
&nbsp;&nbsp;&nbsp;&nbsp;on my hands.*<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because, this morning,<br>
&nbsp;&nbsp;&nbsp;&nbsp;my parents finally told me thus.*<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Stop doing such stupid things forever,*<br>**[06:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL / HAVE TO GO / WHY? / REALITY / DREAM?<br>
&nbsp;&nbsp;&nbsp;&nbsp;MONEY / WORRIES ABOUT YOUR FUTURE<br>
&nbsp;&nbsp;&nbsp;&nbsp;JUST A LITTLE BIT / LIVE ON YOUR OWN / BECOME PROPER<br>
&nbsp;&nbsp;&nbsp;&nbsp;THE WORLD ISN'T THAT EASY<br>
&nbsp;&nbsp;&nbsp;&nbsp;WHAT WILL YOU DO? / 15YO / THAT'S MEANING LESS<br>
&nbsp;&nbsp;&nbsp;&nbsp;HAVE YOU GIVEN ANY THOUGHT<br>
&nbsp;&nbsp;&nbsp;&nbsp;YOUR FATHER AND MOTHER ARE<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and go work once you graduate<br>
&nbsp;&nbsp;&nbsp;&nbsp;from middle school."*<br>**[06:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LABOR<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling their only idiot daughter an idiot...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku's doting mommy and daddy,<br>&nbsp;&nbsp;&nbsp;&nbsp;after spoiling her completely rotten,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have finally reluctantly, or rather indulgingly,<br>&nbsp;&nbsp;&nbsp;&nbsp;taken some action.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's worthy of celebration.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To give a simple explanation, Ononoki...*<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yotsugi Ononoki is currently on an undercover<br>
&nbsp;&nbsp;&nbsp;&nbsp;mission in the Araragi household.*<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I became involved in that assignment,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and I ended up helping her out a bit.*<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And ever since, she's been coming by<br>
&nbsp;&nbsp;&nbsp;&nbsp;to my room all the time.*<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She comes four times a week.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It's ruining my feeling of being a shut-in.*<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, she's not troubling me.<br>
&nbsp;&nbsp;&nbsp;&nbsp;She is, in fact, helping me out.*<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As you can see, she's offering to be<br>
&nbsp;&nbsp;&nbsp;&nbsp;a model for my rough sketches.*<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like they called me an idiot.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just said what I'm doing is idiotic.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, seriously speaking, I believe<br>&nbsp;&nbsp;&nbsp;&nbsp;you really need to think that bit out.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think all of your efforts<br>&nbsp;&nbsp;&nbsp;&nbsp;are useless.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;what your idiotic self does is idiotic.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as a practical problem,<br>&nbsp;&nbsp;&nbsp;&nbsp;effort requires payment.<br>**[07:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EFFORT<br>**[07:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EFFORT RECEIPT<br>
&nbsp;&nbsp;&nbsp;&nbsp;MAY 10TH<br>
&nbsp;&nbsp;&nbsp;&nbsp;FOOD COSTS<br>
&nbsp;&nbsp;&nbsp;&nbsp;WATER, HEAT, LIGHTING<br>
&nbsp;&nbsp;&nbsp;&nbsp;ART SUPPLIES<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something you do<br>&nbsp;&nbsp;&nbsp;&nbsp;by paying sacrifices or compensation.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, using graduation from middle school,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is compulsory education, as a standard base<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only respectable as parents.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, not kicking you out<br>&nbsp;&nbsp;&nbsp;&nbsp;to become independent<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be said that your parents<br>&nbsp;&nbsp;&nbsp;&nbsp;are still enabling you.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're naïve.<br>**[08:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOSE<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am very dubious<br>&nbsp;&nbsp;&nbsp;&nbsp;about the rule of 10,000 hours.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who are capable can just<br>&nbsp;&nbsp;&nbsp;&nbsp;get things done really easily.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I can do right now is to show some sort<br>&nbsp;&nbsp;&nbsp;&nbsp;of result before graduating middle school<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can use that to convince<br>&nbsp;&nbsp;&nbsp;&nbsp;Father and Mother.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it be winning an award,<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, brother.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A declaration to enter the prize race.<br>&nbsp;&nbsp;&nbsp;&nbsp;How ironic.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gave Hitagi Senjyogahara a time limit<br>&nbsp;&nbsp;&nbsp;&nbsp;of "until high school graduation,"<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet now you see yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;caught with a similar time limit.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm reaping what I've sown.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laugh if you want.<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be making my atonement.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist on asking, there is a way<br>&nbsp;&nbsp;&nbsp;&nbsp;to easily show some results.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I've been hearing, your concern<br>&nbsp;&nbsp;&nbsp;&nbsp;is that you don't have time, right?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, that's right. So?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there is a way.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically, you just need to debut<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're still in middle school, right?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two ways.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two? That many?<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wholeheartedly<br>&nbsp;&nbsp;&nbsp;&nbsp;recommend one of them.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Ononoki.<br>**[09:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PLAN ONE<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is to submit your next completed manuscript<br>&nbsp;&nbsp;&nbsp;&nbsp;and affix your headshot photo on it.<br>**[09:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU<br>
&nbsp;&nbsp;&nbsp;&nbsp;BIRTHDAY JUNE 3<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 15<br>**[09:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOSHI YOSHI<br>
&nbsp;&nbsp;&nbsp;&nbsp;PRETTY GIRL MANGA ARTIST<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, the editorial staff will surely<br>&nbsp;&nbsp;&nbsp;&nbsp;set you up as a pretty girl manga artist.<br>**[09:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MANGA COMMUNITY<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, you can go to the internet upload site<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been submitting anonymously to,<br>**[09:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKKO WITH YOU<br>**[09:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GIANT PANDA LOVER<br>
&nbsp;&nbsp;&nbsp;&nbsp;THIRD YEAR MIDDLE SCHOOL, AGE 15<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and disclose your status and history.<br>**[09:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ISOLATED IN SCHOOL DURING SECOND YEAR.<br>
&nbsp;&nbsp;&nbsp;&nbsp;DIDN'T GET ALONG WITH HOMEROOM TEACHER,<br>
&nbsp;&nbsp;&nbsp;&nbsp;CLASS FACED SOCIAL COLLAPSE<br>
&nbsp;&nbsp;&nbsp;&nbsp;COULDN'T STAND THE DISMAL BULLYING,<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND STOPPED GOING TO SCHOOL<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your dramatic life<br>**[09:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RAN AWAY FROM HOME AND LIVED IN A SHRINE<br>
&nbsp;&nbsp;&nbsp;&nbsp;ALL ALONE IN THE BACK OF THE WOODS<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is sure to make your work shine<br>&nbsp;&nbsp;&nbsp;&nbsp;more brilliantly than it actually can.<br>**[09:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOUR ORIGIN STORY MADE ME CRY. I'M SUPPORTING YOU.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I DON'T GO TO SCHOOL EITHER, SO IT RESONATED WITH ME!<br>
&nbsp;&nbsp;&nbsp;&nbsp;TOO CUTE!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I would do that?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Then I will call this plan off,<br>&nbsp;&nbsp;&nbsp;&nbsp;and present you with the second one.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second way is the one<br>&nbsp;&nbsp;&nbsp;&nbsp;that I don't recommend.<br>**[10:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PLAN TWO<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I personally think that<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't do this.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is the only way left for us.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This is the only way?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to put in 10,000 hours of effort<br>&nbsp;&nbsp;&nbsp;&nbsp;in the one year you have left.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, no, no, no!<br>**[10:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NO SLEEP NO REST<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! Impossible!<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! Impossible!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, about that.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The biggest pitfall<br>&nbsp;&nbsp;&nbsp;&nbsp;of the 10,000 hours rule is right there.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defining the amount of practice to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the ticket to making dreams come true<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;completely ignores the percentage<br>&nbsp;&nbsp;&nbsp;&nbsp;of those who can become disabled.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To exert too much effort<br>&nbsp;&nbsp;&nbsp;&nbsp;is not necessarily sensible.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you need to think about<br>&nbsp;&nbsp;&nbsp;&nbsp;is the quality of the effort made.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what should I do?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm trying to do something<br>&nbsp;&nbsp;&nbsp;&nbsp;that takes three years in one year,<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to put in three times as much effort<br>&nbsp;&nbsp;&nbsp;&nbsp;even if the quality goes down a bit.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not saying<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to triple your effort.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just need to triple in number.<br>**[11:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOU JUST NEED TO TRIPLE IN NUMBER<br>**[11:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOUR NUMBER<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if there are a total<br>&nbsp;&nbsp;&nbsp;&nbsp;of three people including you...<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that would be a bit unreliable.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, a total of five people.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, you can create a rotation<br>&nbsp;&nbsp;&nbsp;&nbsp;where you can get things going smoothly.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the job of manga artist is basically<br>&nbsp;&nbsp;&nbsp;&nbsp;collaborative work with assistants.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than an individual,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're a member of an organization.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You work as one member of a group.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right. What's important is teamwork.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they say you have to have<br>&nbsp;&nbsp;&nbsp;&nbsp;high communication skills to get things done.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it's iffy if you're able<br>&nbsp;&nbsp;&nbsp;&nbsp;to become an assistant, let alone a team leader.<br>**[11:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IMPOSSIBLE<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how introverted you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;even as you are now,<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're dealing with yourself, you can<br>&nbsp;&nbsp;&nbsp;&nbsp;communicate as much as you want, right?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you just need to prepare<br>&nbsp;&nbsp;&nbsp;&nbsp;four copies of yourself as assistants.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little hesitant to say this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is part of my specialty.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I tell you?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a doll apparition, but at the same time,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a shikigami of an onmyouji.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shikigami...<br>**[12:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHIKIGAMI<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rather cheeky to use -gami (god)<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of you, who used to be a god.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you can call it a "familiar" instead.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting it frankly, it's like a faithful servant<br>&nbsp;&nbsp;&nbsp;&nbsp;that works for the sake of its master.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my case, my master, Big Sister, can't walk<br>&nbsp;&nbsp;&nbsp;&nbsp;on the ground, so I work as her legs.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my job to move around<br>&nbsp;&nbsp;&nbsp;&nbsp;with a light footwork.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I have a chance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll introduce you to her.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Big Sister will give you<br>&nbsp;&nbsp;&nbsp;&nbsp;a big lecture right when she meets you.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I don't want to be lectured<br>
&nbsp;&nbsp;&nbsp;&nbsp;right when I meet someone.*<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case,<br>&nbsp;&nbsp;&nbsp;&nbsp;something like me for Big Sister...<br>**[12:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG SISTER<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just need to create a shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;that will be your agent.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm suggesting.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it's impossible alone,<br>&nbsp;&nbsp;&nbsp;&nbsp;if all five of you work together,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you think both<br>&nbsp;&nbsp;&nbsp;&nbsp;your efforts and their results<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will somehow make things happen<br>&nbsp;&nbsp;&nbsp;&nbsp;in under a year?<br>**[13:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;28TH YOSHI YOSHI ROOKIE AWARD<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (15)<br>
&nbsp;&nbsp;&nbsp;&nbsp;CONFIRMED TO DEBUT WITH A SERIES!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you will draw four self-portraits<br>&nbsp;&nbsp;&nbsp;&nbsp;in this sketchbook.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw four copies of Nadeko Sengoku.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will make them three-dimensional.<br>**[13:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I WILL MATERIALIZE THEM<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will materialize them,<br>**[13:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;AND TURN THEM INTO FOUR SHIKIGAMI<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turn them into four shikigami.<br>**[13:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU BUS STOP<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you remember?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I first visited this room.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how I had you draw<br>&nbsp;&nbsp;&nbsp;&nbsp;the picture of a slug back then, right?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to fool Tsukihi Araragi's eyes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I took the Slug Tofu still remaining inside you<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and made good use of it<br>&nbsp;&nbsp;&nbsp;&nbsp;ingeniously with professional skill.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Slug Tofu that you drew<br>&nbsp;&nbsp;&nbsp;&nbsp;was beyond my expectations<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and materialized in three dimensions<br>&nbsp;&nbsp;&nbsp;&nbsp;as a powerful apparition.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you mentioned<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, that was proof of just<br>&nbsp;&nbsp;&nbsp;&nbsp;how dangerous Tsukihi Araragi was.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think it was also proof<br>&nbsp;&nbsp;&nbsp;&nbsp;of your drawing skills.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can call it latent talent.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that I'm visiting you often like this<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and assisting as your model<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not only repaying you<br>&nbsp;&nbsp;&nbsp;&nbsp;for listening to my gripes,<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even more so than that,<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm picking up on your brilliant talent.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brilliant talent?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a monstrosity with no guise,<br>&nbsp;&nbsp;&nbsp;&nbsp;visualization is quite an important factor.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take for example how novels<br>&nbsp;&nbsp;&nbsp;&nbsp;are difficult to approach at first.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if there's an illustration of a character<br>&nbsp;&nbsp;&nbsp;&nbsp;on the cover, it's easier to get an image, right?<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, I would like to test<br>&nbsp;&nbsp;&nbsp;&nbsp;your brilliant talent right now.<br>**[14:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BRILLIANT TALENT<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how much energy resides in your art skill,<br>&nbsp;&nbsp;&nbsp;&nbsp;your drawings, your illustrations...<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your self-portrait is one that<br>&nbsp;&nbsp;&nbsp;&nbsp;is worthy of becoming a shikigami,<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will introduce you<br>&nbsp;&nbsp;&nbsp;&nbsp;to Ms. Gaen at that point in time.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So isn't this Ms. Gaen person a very<br>
&nbsp;&nbsp;&nbsp;&nbsp;important factor of why I became a deity?*<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean to put blame on her,<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to be honest, I don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to do with her anymore.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all the more reason.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Repaying a favor is not just a front.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because unlike Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade,<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are not acknowledged<br>&nbsp;&nbsp;&nbsp;&nbsp;to be harmless yet, Nadeko Sengoku.<br>**[15:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ACKNOWLEDGED TO BE HARMLESS<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, how they're going to deal with you<br>&nbsp;&nbsp;&nbsp;&nbsp;is simply in limbo.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on who the specialist is,<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it wouldn't be strange<br>&nbsp;&nbsp;&nbsp;&nbsp;if you got defeated after all this time.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, if you present your brilliant talent<br>&nbsp;&nbsp;&nbsp;&nbsp;far surpassing others to Ms. Gaen,<br>**[15:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BRILLIANT TALENT<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if you can show her that you're useful<br>&nbsp;&nbsp;&nbsp;&nbsp;in case of an emergency,<br>**[15:56] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;USEFUL<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can end up nestling under<br>&nbsp;&nbsp;&nbsp;&nbsp;the care of the boss,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who you can call<br>&nbsp;&nbsp;&nbsp;&nbsp;a monster of connections.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then I'll try it out.<br>**[16:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;four copies of myself?<br>**[16:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF MYSELF MYSELF<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. But just in case, can you change<br>&nbsp;&nbsp;&nbsp;&nbsp;the design for each of them?<br>**[16:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A LOT OF A LITTLE MAKES YAMATO NADE-FOUR-KO!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a problem if we couldn't tell<br>&nbsp;&nbsp;&nbsp;&nbsp;which Nadeko Sengoku was which.<br>**[16:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO.<br>**[16:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO~<br>**[16:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO!<br>**[16:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO♡<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it'd be a big deal if we couldn't figure out which<br>&nbsp;&nbsp;&nbsp;&nbsp;of the five Nadeko Sengokus was the real one.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just a big deal. It would be<br>&nbsp;&nbsp;&nbsp;&nbsp;the brink of my identity collapsing.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On a serious note...<br>**[16:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHIKIGAMI<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are stories about<br>&nbsp;&nbsp;&nbsp;&nbsp;an onmyouji being overtaken<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by a shikigami which<br>&nbsp;&nbsp;&nbsp;&nbsp;was supposed to be their agent.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if they're all<br>&nbsp;&nbsp;&nbsp;&nbsp;the same Nadeko Sengoku,<br>**[16:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADE CHARACTERISTIC / NO CHARACTERISTIC<br>
&nbsp;&nbsp;&nbsp;&nbsp;REJECTED CHARACTERISTIC / SUPER CHARACTERISTIC<br>**[16:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;can you give each one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;separate characteristics?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess I'll draw them<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can tell them apart with their hairdos.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I got an idea.*<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's my past selves,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it'll be easy to draw them.*<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, bangs mode.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is one that I've never seen.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, that's right.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think this version of myself<br>&nbsp;&nbsp;&nbsp;&nbsp;was called "bangs girl."<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You grew your bangs<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide your face from being seen.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the shy and meekest<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku.<br>**[17:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MEEK NADEKO<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we should call her Meek Nadeko.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't met her, either.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She lifts up her bangs with a headband,<br>&nbsp;&nbsp;&nbsp;&nbsp;showing her forehead.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a phase like this?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Nadeko Sengoku that was<br>&nbsp;&nbsp;&nbsp;&nbsp;aggressively approaching a certain someone.<br>**[17:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FLIRTY NADEKO<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's call her Flirty Nadeko.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I remember seeing this one.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Nadeko Sengoku when Tsukihi Araragi<br>&nbsp;&nbsp;&nbsp;&nbsp;chopped off your favorite bangs, right?<br>**[17:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A COMPLETELY UNWILLING CUTTING OF BANGS<br>
&nbsp;&nbsp;&nbsp;&nbsp;BY A FRIEND ￥0 (TAX INCL.)<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was your hairstyle when you<br>&nbsp;&nbsp;&nbsp;&nbsp;went off in the classroom, right?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't want to go to school now.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You snapped like someone touched upon<br>&nbsp;&nbsp;&nbsp;&nbsp;your wrath, and made an angry speech, I hear.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this Nadeko with short bangs<br>&nbsp;&nbsp;&nbsp;&nbsp;will be Wrath Nadeko.<br>**[17:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WRATH NADEKO<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if we've gone this far,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even need to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;what the fourth Nadeko's hairstyle will be.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. There's only one.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's call her God Nadeko.<br>**[18:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GOD NADEKO<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, Current Nadeko.<br>**[18:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CURRENT NADEKO<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you take those four<br>&nbsp;&nbsp;&nbsp;&nbsp;and clean up the sketches?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take your time, and draw them<br>&nbsp;&nbsp;&nbsp;&nbsp;as carefully as possible.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put your heart and soul into it.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With this, in my next year,<br>
&nbsp;&nbsp;&nbsp;&nbsp;my course of action*<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and my future<br>
&nbsp;&nbsp;&nbsp;&nbsp;may be determined for me.*<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I think of it that way,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I can't help but get fired up!*<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm gonna draw! Here we go!*<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, you drew them all<br>&nbsp;&nbsp;&nbsp;&nbsp;with a, "Here we go!"<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You let the pen run along the paper.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How foolish.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your four selves ran away, huh?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, the experiment itself<br>&nbsp;&nbsp;&nbsp;&nbsp;was a success.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Yotsugi, it must have been a surprise<br>&nbsp;&nbsp;&nbsp;&nbsp;that all four proved to be successes.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she said that afterwards.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Speaking of Ononoki, she went off<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a different direction to find my four selves.*<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My four selves. I can't leave<br>&nbsp;&nbsp;&nbsp;&nbsp;the four Nadekos out in the wild.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say "Nadekos" it reminds me<br>&nbsp;&nbsp;&nbsp;&nbsp;how you referred to yourself in third person.<br>**[19:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ME<br>
&nbsp;&nbsp;&nbsp;&nbsp;ME<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't know about that<br>&nbsp;&nbsp;&nbsp;&nbsp;if this is our first time meeting.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops, that was an accident.<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget I said that.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. The only thing my powerless self<br>&nbsp;&nbsp;&nbsp;&nbsp;can do is to show you the way.<br>**[19:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNIFORM<br>
&nbsp;&nbsp;&nbsp;&nbsp;DRESS<br>
&nbsp;&nbsp;&nbsp;&nbsp;YUKATA / CAMISOLE<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's my meager role in this story<br>&nbsp;&nbsp;&nbsp;&nbsp;to pursue the Nadeko in a school uniform<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I happened to come across earlier.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Sengoku...<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did your four selves disappear?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Yotsugi have some kind of oversight?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was a bit careless.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Making an effort to become a manga artist"<br>&nbsp;&nbsp;&nbsp;&nbsp;is the stance for my current self.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if I summoned<br>&nbsp;&nbsp;&nbsp;&nbsp;my past selves as shikigami,<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way they'd help me out.<br>**[20:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF MYSELF MYSELF<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I shouldn't have even wished<br>
&nbsp;&nbsp;&nbsp;&nbsp;for cooperation.*<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was incredible carnage*<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the once peaceful location<br>
&nbsp;&nbsp;&nbsp;&nbsp;where I decided to be a shut-in.*<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I tried to somehow calm all of them down,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but I became the most hated of my selves.*<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The four Nadekos*<br>**[20:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*didn't even assist me with my manuscripts,<br>
&nbsp;&nbsp;&nbsp;&nbsp;let alone draw any frame lines.*<br>**[20:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK<br>**[20:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK<br>**[20:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They all ran away,<br>
&nbsp;&nbsp;&nbsp;&nbsp;as if they were dissipating.*<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm the best in Japan<br>
&nbsp;&nbsp;&nbsp;&nbsp;when it comes to running away.*<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By the way, one Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;ran away from the window.*<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm scared.*<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I can't just simply be scared.*<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, I must collect my four selves,<br>
&nbsp;&nbsp;&nbsp;&nbsp;including God Nadeko, as soon as possible.*<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I leave them alone,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the entire town will fall into a panic!*<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;things would get that bad, I think?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have four people who look like you<br>&nbsp;&nbsp;&nbsp;&nbsp;running all over the place, right?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If a girl who has 100,000 snake<br>
&nbsp;&nbsp;&nbsp;&nbsp;on her head was walking around town,*<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everyone would be<br>
&nbsp;&nbsp;&nbsp;&nbsp;taking pictures of her!*<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she is a god after all,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if imperfect.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she has a divine trait<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide herself from ordinary people.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you should probably be worried<br>&nbsp;&nbsp;&nbsp;&nbsp;about the other three instead.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if those three act problematically<br>&nbsp;&nbsp;&nbsp;&nbsp;before they are captured,<br>**[21:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;METROPOLITAN POLICE DEPARTMENT<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all their problems<br>&nbsp;&nbsp;&nbsp;&nbsp;will fall upon you, Current Nadeko.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. You never know<br>
&nbsp;&nbsp;&nbsp;&nbsp;what my past selves would do!*<br>**[21:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WHAT A FORMIDABLE CHILD!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we are.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I almost collided into you,<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is indeed the location where<br>&nbsp;&nbsp;&nbsp;&nbsp;I witnessed Sengoku in a school uniform.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The location where<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ougi had witnessed me.*<br>**[21:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IN A SCHOOL UNIFORM<br>**[21:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MEEK NADEKO<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a location<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I was very familiar with.*<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was in front of the school gate<br>
&nbsp;&nbsp;&nbsp;&nbsp;for a public school, 701 Middle School.*<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNHAPPY?<br>
&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child*<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNLUCKY?<br>
&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane*<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*BE HAPPY!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly*<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because you're alive*<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A past that you looked away from too*<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A boring future too*<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Counseling*<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh man*<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All the times and places<br>
&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace*<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNHAPPY?*<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNLUCKY?*<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*BE HAPPY!*<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNDEAD*<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, why*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do I somehow feel like I'm fighting?*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't touch and don't want to touch*<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Myself, myself, myself,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and myself from the past*<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've been dead for a long time now*<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I fight with a transparent ghost*<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Deep in a childish and painful memory*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Disappointed? It's gone*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh? You like that better? That's ironic*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Am I, as I am now, what's transparent?*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nonsense<br>
&nbsp;&nbsp;&nbsp;&nbsp;A label that doesn't disappear*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes! It's basically a complex*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You seem to be possessed*<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's wrapped up and*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Won't leave<br>
&nbsp;&nbsp;&nbsp;&nbsp;The old me*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNDEAD*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not dead yet*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A chain of you and you*<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To be alive is to keep changing*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't be satisfied<br>
&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're a coward if you don't try to be happy*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This world and this world are<br>
&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will a demon appear next or will a snake?*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The story finally begins after meeting*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is it a human or monster?*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Returning to the subject at hand<br>
&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace*<br>