# MONOGATARI Series OFF & MONSTER Season

While Koyomi Araragi’s time may be ending, the journey continues with the girls he’s saved. Their own tales of struggles and supernatural threats once thought to be resolved are far from over. From the past to the future, discover their stories, challenges, and intertwined destinies they now face in the wake of Araragi’s departure.

# Season 1

# E1 - OROKAMONOGATARI Tsukihi Undo

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G31UXNDZ7/orokamonogatari-tsukihi-undo)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Observation report of Shideno-bird<br>
&nbsp;&nbsp;&nbsp;&nbsp;known as Tsukihi Araragi, number 2761.*<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Written by Yotsugi Ononoki.*<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is me. That's right, me.*<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah! Peace, peace!*<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An eternal apparition, the temporary guise<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the Shideno-bird in this world.*<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It has been roughly six months<br>
&nbsp;&nbsp;&nbsp;&nbsp;since I started observing Tsukihi Araragi.*<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She moves on instinct, thrashes about<br>
&nbsp;&nbsp;&nbsp;&nbsp;as she pleases based on the general vibe,*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and is dead set<br>
&nbsp;&nbsp;&nbsp;&nbsp;on not doing things she doesn't like.*<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She seems to live on a creature's instincts,<br>
&nbsp;&nbsp;&nbsp;&nbsp;much like a creature itself.*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Although she is an apparition.*<br>**[00:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;APPARITION<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Looking back, whenever something<br>
&nbsp;&nbsp;&nbsp;&nbsp;happened in this town,*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsukihi Araragi was involved<br>
&nbsp;&nbsp;&nbsp;&nbsp;basically every single time.*<br>**[00:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GRADUATION CEREMONY<br>**[00:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAELSTROM<br>&nbsp;&nbsp;&nbsp;&nbsp;(kachu)<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She is always at the center<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the maelstrom.*<br>**[00:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IN FLAME<br>&nbsp;&nbsp;&nbsp;&nbsp;(kachu)<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Shideno-bird is dancing<br>
&nbsp;&nbsp;&nbsp;&nbsp;at the center of the flame.*<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course you will see distortion<br>
&nbsp;&nbsp;&nbsp;&nbsp;if an immortal apparition is close to the nucleus.*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To observe the phoenix<br>
&nbsp;&nbsp;&nbsp;&nbsp;that is the Shideno-bird...*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't flinch. You can't show mercy.*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't be mesmerized.*<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And obviously...*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it can only be observed<br>
&nbsp;&nbsp;&nbsp;&nbsp;by an abominable,*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*heartless monster<br>
&nbsp;&nbsp;&nbsp;&nbsp;that can annihilate its brilliant flight.*<br>**[01:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THIS IS EPISODE 3 IN THE<br>
&nbsp;&nbsp;&nbsp;&nbsp;OROKAMONOGATARI Series<br>**[01:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi Undo<br>**[01:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THIS IS EPISODE 1 OF<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF & MONSTER Season<br>**[01:28] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WINNER<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Devilish Big Brother,<br>
&nbsp;&nbsp;&nbsp;&nbsp;abbreviated as Devil Boy.*<br>**[01:36] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DEVILISH BIG BROTHER<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He has Lolita complex, so he's kind to me.*<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even today. This morning, he secretly<br>
&nbsp;&nbsp;&nbsp;&nbsp;provided me a cup of ice cream as I worked.*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He seems to have a misunderstanding.*<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you ask me if I have an appetite,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I probably don't.*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But pretending to be human,<br>
&nbsp;&nbsp;&nbsp;&nbsp;such as by eating then sleeping,*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is very important<br>
&nbsp;&nbsp;&nbsp;&nbsp;for humanoid apparitions like myself.*<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I don't pretend to be human...*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I lose this humanoid form.*<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By the way, I've been living<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the Araragi residence since this past February.*<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At the time, Tsukihi Araragi*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI RESIDENCE, SECOND FLOOR<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shared a room with Karen Araragi,<br>
&nbsp;&nbsp;&nbsp;&nbsp;her sister one year her senior.*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But in April, when Karen Araragi advanced<br>
&nbsp;&nbsp;&nbsp;&nbsp;to high school, she got her own room.*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just didn't feel like it, so I made a U-turn<br>&nbsp;&nbsp;&nbsp;&nbsp;while heading to school and came back home, and...<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My plushie is eating ice cream!?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Okay, just consider it<br>
&nbsp;&nbsp;&nbsp;&nbsp;a visual misperception.*<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No can do. You can't pretend<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a doll after all that.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were totally moving.<br>&nbsp;&nbsp;&nbsp;&nbsp;You were licking the lid of the ice cream cup.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were enjoying it.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's ice cream on your cheek.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cup of ice cream is scattered here.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still holding a spoon.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, don't toss ice cream onto the bed.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's cream plastered<br>&nbsp;&nbsp;&nbsp;&nbsp;all over the comforter now.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Maybe the doll was given a soul<br>&nbsp;&nbsp;&nbsp;&nbsp;after Big Brother poured so much affection into it?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Pinocchio?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, respond to me.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's totally obvious. How long are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to pretend to be a plushie!?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hiding your identity and secretly freeloading<br>&nbsp;&nbsp;&nbsp;&nbsp;within a family is simply the worst!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that's what you're doing.*<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can kill off someone like this<br>
&nbsp;&nbsp;&nbsp;&nbsp;anytime I want.*<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, that "anytime" is not now.<br>
&nbsp;&nbsp;&nbsp;&nbsp;More like I'm in deep trouble.*<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The fact that Tsukihi Araragi<br>
&nbsp;&nbsp;&nbsp;&nbsp;saw through my true identity*<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*means that I was not able<br>
&nbsp;&nbsp;&nbsp;&nbsp;to do a good job as a professional.*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was not my job<br>
&nbsp;&nbsp;&nbsp;&nbsp;to dispose of the Shideno-bird,*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but obliterating my observation target<br>
&nbsp;&nbsp;&nbsp;&nbsp;so I can keep my failure concealed.*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that would be doing something<br>
&nbsp;&nbsp;&nbsp;&nbsp;that's unworthy of a professional.*<br>**[04:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OIL<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ig-Ig-Ignite!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten...<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nine...<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight...<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven...<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six...<br>**[04:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DOLL MEMORIAL SERVICE<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five...<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four...<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three...<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two...<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hot!<br>**[04:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OIL<br>**[04:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SLIP<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I knew it!<br>&nbsp;&nbsp;&nbsp;&nbsp;My plushie really did move!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My eyes weren't seeing things!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? It's super scary!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so scary!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone together... Ready?*<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scary!<br>**[05:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOU'RE EVEN SCARIER<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're even scarier.*<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Then, Ononoki,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're a magical girl of justice<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who came to this world from<br>&nbsp;&nbsp;&nbsp;&nbsp;another dimension to defeat a monster,<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you turned your existence into just a soul<br>&nbsp;&nbsp;&nbsp;&nbsp;to pass through the dimensional wall<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you needed an object<br>&nbsp;&nbsp;&nbsp;&nbsp;to place your soul into,<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's why you possessed my doll!?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-And? What kind of monster<br>&nbsp;&nbsp;&nbsp;&nbsp;did you come to defeat?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I can't really summarize it<br>&nbsp;&nbsp;&nbsp;&nbsp;in one sentence.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. If you can't say it in one sentence,<br>&nbsp;&nbsp;&nbsp;&nbsp;say it in a hundred sentences!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the first time in my life, I, Tsukihi,<br>&nbsp;&nbsp;&nbsp;&nbsp;will listen to someone's story seriously!<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like a subconscious malice<br>&nbsp;&nbsp;&nbsp;&nbsp;that involves everyone around it.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That monster simply existing<br>&nbsp;&nbsp;&nbsp;&nbsp;will draw disaster towards it.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before this town gets embroiled in disaster,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to settle the score with it.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some bad guys out there.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I'll head out to battle now.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest assured.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When my mission is complete,<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my soul will automatically be summoned<br>&nbsp;&nbsp;&nbsp;&nbsp;back to my original dimension.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This corpse...<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, this doll will be returned<br>&nbsp;&nbsp;&nbsp;&nbsp;to your room where it originally was.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, please pray for my victory.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this world<br>&nbsp;&nbsp;&nbsp;&nbsp;and for all the people you love.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlimited...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on just a second!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BEWARE OF BIRDS<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it, Tsukihi?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After hearing a tale like that, did you think I,<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi, would just stay quiet about it?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's a horrible monster like that<br>&nbsp;&nbsp;&nbsp;&nbsp;in this world, there's no way I'd leave it be!<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help you defeat this monster!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's fight together!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negative.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot trouble the residents of this world.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a job that I need to do on my own.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say that you're alone!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is about my own world,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have to protect it!<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be fate<br>&nbsp;&nbsp;&nbsp;&nbsp;that you possessed my doll.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;so modest with me, Ononoki!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already in the mood for this!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A MYSTERIOUS ENCOUNTER<br>
&nbsp;&nbsp;&nbsp;&nbsp;WILL CHANGE A GIRL'S FATE<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;DOKI-DOKI<br>
&nbsp;&nbsp;&nbsp;&nbsp;MAGIC TIME<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you say you don't want to,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help you out like it was out of spite!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE ACE IS A FRIENDSHIP STORY!!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you that this world<br>&nbsp;&nbsp;&nbsp;&nbsp;also has heroes of justice!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;JUSTICE<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And of course, I am justice itself!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then, Tsukihi Araragi<br>
&nbsp;&nbsp;&nbsp;&nbsp;headed to school once again.*<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*More like, I egged her on to go.*<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One minute later, I was in Nadeko Sengoku's<br>
&nbsp;&nbsp;&nbsp;&nbsp;room in the Sengoku residence.*<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to this world from another dimension<br>&nbsp;&nbsp;&nbsp;&nbsp;to defeat monsters.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a magical girl of justice.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, if you don't want to be killed off,<br>&nbsp;&nbsp;&nbsp;&nbsp;cooperate with me, Nadeko Sengoku.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;OH, THAT'S RIGHT<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE'S AN ASPIRING MANGA ARTIST<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, you definitely aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;a magical girl or anything, right?<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're some kind of apparition,<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you an oil monster<br>&nbsp;&nbsp;&nbsp;&nbsp;or something?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;OIL<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You declared yourself as one of justice...<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So do you have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with Tsukihi?<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so like Tsukihi.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I get it. I'll help you out.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it's to help Tsukihi out.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE'S CUTE, DAMN IT.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though we're both in the<br>
&nbsp;&nbsp;&nbsp;&nbsp;"human turned into apparition" league,*<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, as I am now completely<br>
&nbsp;&nbsp;&nbsp;&nbsp;irreversibly an apparition,*<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*survivors such as Koyomi Araragi and<br>
&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku are people I just want to support.*<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though I'll kill them when I have to.*<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what should I be doing?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a snake god anymore,<br>&nbsp;&nbsp;&nbsp;&nbsp;you know.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's something I can do<br>&nbsp;&nbsp;&nbsp;&nbsp;to help Tsukihi?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I hardly ever<br>&nbsp;&nbsp;&nbsp;&nbsp;leave the house lately.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I stay outside for too long,<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be done for from the sunlight.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you should start<br>&nbsp;&nbsp;&nbsp;&nbsp;going to school again soon?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody's really concerned about you.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The class, too. Nowadays, it seems to be<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty coherent now.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard from Tsukihi.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsukihi Araragi had been<br>
&nbsp;&nbsp;&nbsp;&nbsp;investigating about that as well?*<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems a bit difficult to investigate<br>
&nbsp;&nbsp;&nbsp;&nbsp;internal affairs of a different school.*<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, you know...<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I want to do right now.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think this is what I need to do right now.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did this girl grow taller?*<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, right. A growth spurt.*<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because she's alive, she grows.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I see.*<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If this life as a shut-in is letting Nadeko Sengoku<br>
&nbsp;&nbsp;&nbsp;&nbsp;grow in a healthy manner instead,*<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then that is quite an irony in itself.*<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then, there really is no need<br>
&nbsp;&nbsp;&nbsp;&nbsp;to force herself to go to school.*<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not worth commuting<br>
&nbsp;&nbsp;&nbsp;&nbsp;if you're making yourself feel uncomfortable.*<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, helping Tsukihi out<br>&nbsp;&nbsp;&nbsp;&nbsp;is one of the things I want to do.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what should I do?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. Indeed, the snake god<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't reside within you anymore.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a different apparition<br>&nbsp;&nbsp;&nbsp;&nbsp;still resides within you, right?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's oblivious. That means,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Big Brother Kaiki did quite a good job.*<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nothing less from a con artist.*<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A slug.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SLUG TOFU<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Slug Tofu.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the apparition Deishu Kaiki used<br>&nbsp;&nbsp;&nbsp;&nbsp;to exorcise the snake god from within you.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll put it to use once again.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me the residual image<br>&nbsp;&nbsp;&nbsp;&nbsp;of that apparition.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pretend that the slug is the monster,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and defeat it right in front<br>&nbsp;&nbsp;&nbsp;&nbsp;of Tsukihi Araragi's eyes.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should be it as the actor.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Got it.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I see. So Mr. Kaiki...<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he doing well?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's doing well.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To this date, I have never seen that<br>&nbsp;&nbsp;&nbsp;&nbsp;unhealthy, unlucky man doing well.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;YAKINIKU<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, he's likely<br>&nbsp;&nbsp;&nbsp;&nbsp;doing well with cash.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CASH<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How will you pull it out?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I recall, things like that...<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;requires something like a ritual, right?<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I change into<br>&nbsp;&nbsp;&nbsp;&nbsp;a school-issued swimsuit, then?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll omit procedures of that nature.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't really have that much time.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You can omit them?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BAKE<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm different from Big Brother Oshino.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not too particular<br>&nbsp;&nbsp;&nbsp;&nbsp;about the arrangements.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm down to earth.<br>&nbsp;&nbsp;&nbsp;&nbsp;The type who focuses only on the results.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, I do need<br>&nbsp;&nbsp;&nbsp;&nbsp;the minimum amount of procedures.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you... Can you draw me<br>&nbsp;&nbsp;&nbsp;&nbsp;a quick picture here?<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A picture?<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're good at drawing pictures, right?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'd like you to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;a picture of a slug right here.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SLUG TOFU!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A slug is all slippery,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it'd be easy, right?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, it's pretty hard, you know?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SLUG TOFU<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's difficult because it's all slippery.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, why do I have to draw manga right now<br>&nbsp;&nbsp;&nbsp;&nbsp;with a slug as the protagonist?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just too innovative.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to draw the manga.<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need the character design.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Character design...<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't, I can draw it myself.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's more effective if you,<br>&nbsp;&nbsp;&nbsp;&nbsp;the target, drew it yourself.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the procedure we'll use<br>&nbsp;&nbsp;&nbsp;&nbsp;to take the Slug Tofu left within your body<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and reproduce it over on this<br>&nbsp;&nbsp;&nbsp;&nbsp;manga manuscript paper.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kind of like how the snake god apparition<br>&nbsp;&nbsp;&nbsp;&nbsp;was sealed away into a paper talisman?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like that, I guess.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;OTORI / KOI<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The basic history concerning<br>&nbsp;&nbsp;&nbsp;&nbsp;that god is kind of a taboo.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SNAKE<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explaining it would be rather complicated.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, Ononoki, please wait a little bit.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll draw it right away.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's going to start with a rough sketch?*<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to worry about the quality.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine if you just give me a quick sketch.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're using a dip pen with spoon nib and stuff,<br>&nbsp;&nbsp;&nbsp;&nbsp;and acting like a pretty skilled manga artist.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you apply for a publisher award<br>&nbsp;&nbsp;&nbsp;&nbsp;or something already?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried submitting to a publisher before.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for now, it hasn't produced any results.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;MANGA community<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've also published anonymously<br>&nbsp;&nbsp;&nbsp;&nbsp;to an internet community, too.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKKO WITH YOU!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WISH FOR SHOJO<br>
&nbsp;&nbsp;&nbsp;&nbsp;WOMEN'S MAGAZINE<br>
&nbsp;&nbsp;&nbsp;&nbsp;AUTHOR: GIANT PANDA LOVER<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKKO WITH YOU!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the reception wasn't very good.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So you own a computer.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I don't.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowadays, you can use game consoles<br>&nbsp;&nbsp;&nbsp;&nbsp;to access the internet, too.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I want to fully digitize my work,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's quite an ordeal.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it just means that the world<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't that easy of a place to live in.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, that's true.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, you're going to apply<br>
&nbsp;&nbsp;&nbsp;&nbsp;screentone as well!?*<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know...<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very glad that this world<br>&nbsp;&nbsp;&nbsp;&nbsp;is not such an easy place to live in.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sweet girl who was indulged,<br>
&nbsp;&nbsp;&nbsp;&nbsp;even candied, made that statement.*<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the showdown between a magical girl<br>
&nbsp;&nbsp;&nbsp;&nbsp;of justice and a slug monster,*<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAMISHIRO PARK<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I chose the park<br>
&nbsp;&nbsp;&nbsp;&nbsp;that everyone is familiar with.*<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's nothing special.*<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just didn't know<br>
&nbsp;&nbsp;&nbsp;&nbsp;any other suitable location.*<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki! I'm fully ready to support you!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll protect myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't worry about me,<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and fight as freely as you want to!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I WILL WORRY<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to protect myself<br>
&nbsp;&nbsp;&nbsp;&nbsp;against you, though.*<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This incident happened<br>
&nbsp;&nbsp;&nbsp;&nbsp;because of my careless mistake.*<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But honestly, I'm starting to feel that I don't want<br>
&nbsp;&nbsp;&nbsp;&nbsp;to get too involved with this girl.*<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you bring what I asked you to bring?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did, from our kitchen!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had some extra stock, so I have two.<br>&nbsp;&nbsp;&nbsp;&nbsp;One for me and one for you, Ononoki.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, what in the world<br>&nbsp;&nbsp;&nbsp;&nbsp;are we going to use salt for?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to my investigation, the monster<br>&nbsp;&nbsp;&nbsp;&nbsp;is lurking somewhere in this park.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the monster will react to salt, so can you<br>&nbsp;&nbsp;&nbsp;&nbsp;sprinkle some on conspicuous locations?<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it is a slug after all.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will react to salt.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'll make my rounds<br>&nbsp;&nbsp;&nbsp;&nbsp;starting from over at the swings.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for you...<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;try it out from around the sandbox.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotcha!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To sprinkle salt onto a sandbox...<br>&nbsp;&nbsp;&nbsp;&nbsp;I kind of feel like a sumo wrestler!<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So the reason why I sent Tsukihi Araragi<br>
&nbsp;&nbsp;&nbsp;&nbsp;towards the sandbox is because*<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had buried the slug illustration Nadeko Sengoku<br>
&nbsp;&nbsp;&nbsp;&nbsp;drew in that sandbox during the afternoon.*<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're speeding up the plot development a bit,*<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I need her to quickly find<br>
&nbsp;&nbsp;&nbsp;&nbsp;the "monster from another dimension."*<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Naturally, I don't intend on having an amateur<br>
&nbsp;&nbsp;&nbsp;&nbsp;participate in defeating an apparition.*<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But if she witnesses a monster appear<br>
&nbsp;&nbsp;&nbsp;&nbsp;from the sand because of the sand she sprinkled,*<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that alone should be enough<br>
&nbsp;&nbsp;&nbsp;&nbsp;to "feel like she is participating."*<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then I just need to blow away<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Slug Tofu before Tsukihi Araragi*<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*does something unnecessary.*<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afterwards, the soul of the magical girl of justice<br>
&nbsp;&nbsp;&nbsp;&nbsp;will return to the alternate dimension,*<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Tsukihi Araragi will be left with one<br>
&nbsp;&nbsp;&nbsp;&nbsp;silent plushie that she already had to begin with.*<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is a pretty good story<br>
&nbsp;&nbsp;&nbsp;&nbsp;for being an impromptu one.*<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the moment when I unexpectedly<br>
&nbsp;&nbsp;&nbsp;&nbsp;and finally realized the meaning*<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*behind the words<br>
&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku had mentioned.*<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm very glad that this world<br>
&nbsp;&nbsp;&nbsp;&nbsp;is not such an easy place.*<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At the root of that statement is,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that's right...*<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the purpose of life, so to say.*<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An entitled life where<br>
&nbsp;&nbsp;&nbsp;&nbsp;everything goes your way*<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*would make you lose sight of<br>
&nbsp;&nbsp;&nbsp;&nbsp;whether you're alive or simply dreaming.*<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how fortunate your life is,*<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*living with complaints and harboring<br>
&nbsp;&nbsp;&nbsp;&nbsp;discontent or uneasiness*<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is not because you're very avaricious,*<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but simply because you don't have<br>
&nbsp;&nbsp;&nbsp;&nbsp;a solid sense of your purpose in life*<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*without such discontent or uneasiness.*<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why you seek a purpose in life.*<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You seek a suitable difficulty for your life.*<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, I say all that so convincingly,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but as someone who has long since died,*<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it's a feeling that I can't comprehend at all.*<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I trace over all the words, but it doesn't<br>
&nbsp;&nbsp;&nbsp;&nbsp;strike a chord in my heart at all.*<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't even have a heart.*<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though she's completely unaware,*<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she is an immortal monster,<br>
&nbsp;&nbsp;&nbsp;&nbsp;an eternal phoenix.*<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It transfers from person to person,<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes on the person from the person,*<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and likely nestles up to humanity<br>
&nbsp;&nbsp;&nbsp;&nbsp;until humanity perishes.*<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the one and only apparition<br>
&nbsp;&nbsp;&nbsp;&nbsp;that has such timelessness.*<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A phoenix.*<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I do have a time when I lived as a human,<br>
&nbsp;&nbsp;&nbsp;&nbsp;though I don't have any memories of it.*<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I have a solid sense of what it means to die<br>
&nbsp;&nbsp;&nbsp;&nbsp;and what it means to live.*<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know that life is fleeting,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and there is nothing in death.*<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Devilish Big Brother and ex-Kiss-shot both know<br>
&nbsp;&nbsp;&nbsp;&nbsp;the difference between life and death.*<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what about the phoenix?*<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want an eternal life.*<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if it was limited,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to fulfill my life as a human.*<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, that's heroic narcissism,*<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but how do such lines resonate<br>
&nbsp;&nbsp;&nbsp;&nbsp;with those who have eternal life?*<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How brutally...<br>
&nbsp;&nbsp;&nbsp;&nbsp;How insultingly would it resonate?*<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE MIGHT SEE SURPRISING SUCCESS<br>&nbsp;&nbsp;&nbsp;&nbsp;AS A MANGA ARTIST. OR AS A SPECIALIST.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SLUG<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GOD<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;REGRET<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Un...*<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BEE<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SLUG TOFU<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HINDSIGHT IS ALWAYS 20/20<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*limited...*<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG BROTHER KAIKI<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT'S NOT OUT OF HAND<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rulebook.*<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ONLY NEED ONE FINGER<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Thanks to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to defeat the monster.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki! Behind you!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsukihi Araragi's true form<br>
&nbsp;&nbsp;&nbsp;&nbsp;is a Shideno-bird,*<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so bathing in the slug's flames<br>
&nbsp;&nbsp;&nbsp;&nbsp;won't really kill her.*<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But it's not a good thing<br>
&nbsp;&nbsp;&nbsp;&nbsp;for her to know her true identity.*<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am a corpse,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so I'm really weak against fire.*<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;OIL<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On top of that, my entire body<br>
&nbsp;&nbsp;&nbsp;&nbsp;was showered with vegetable oil.*<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Ononoki!<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Simply put, you can interpret this<br>
&nbsp;&nbsp;&nbsp;&nbsp;as Nadeko Sengoku wanting to add some depth,*<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and thus applying screentone to the slug<br>
&nbsp;&nbsp;&nbsp;&nbsp;then engraving a fire pattern onto it.*<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is her technique<br>&nbsp;&nbsp;&nbsp;&nbsp;so unnecessarily skilled?<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Speaking of slug and fire, a means<br>
&nbsp;&nbsp;&nbsp;&nbsp;to exterminate it besides sprinkling salt*<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is scorching it with things like incense.*<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's been around since old times.*<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or perhaps the "tofu" is the key,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so you have grilled tofu or boiled tofu.*<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In that case, this was the worst<br>
&nbsp;&nbsp;&nbsp;&nbsp;compatible apparition for me.*<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Physical attacks are meaningless,*<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unleashes flames<br>
&nbsp;&nbsp;&nbsp;&nbsp;from all over its body.*<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can even say this was an apparition born<br>
&nbsp;&nbsp;&nbsp;&nbsp;none other than defeating an apparition like me.*<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thinking how the origin<br>
&nbsp;&nbsp;&nbsp;&nbsp;was Kaiki's artificial apparition,*<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that indeed could be the case.*<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nothing strange is going on, but these<br>
&nbsp;&nbsp;&nbsp;&nbsp;inconveniences, this miserable condition...*<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this what it means<br>
&nbsp;&nbsp;&nbsp;&nbsp;to get involved with Tsukihi Araragi?*<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I can't just throw in the towel<br>
&nbsp;&nbsp;&nbsp;&nbsp;right now.*<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My own mismanagement has to be managed<br>
&nbsp;&nbsp;&nbsp;&nbsp;by none other than me.*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I'm facing a slug, no matter how gigantic,<br>
&nbsp;&nbsp;&nbsp;&nbsp;salt should be effective.*<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Big Sister would despise<br>
&nbsp;&nbsp;&nbsp;&nbsp;such cunning methods.*<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But my strength is being able to choose the best,<br>
&nbsp;&nbsp;&nbsp;&nbsp;optimal method on the fly in times like this.*<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out, Ononoki!<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Without thinking of consequences,<br>
&nbsp;&nbsp;&nbsp;&nbsp;she went out of control as usual.*<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WITHOUT KNOWING THAT I AM A CORPSE<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WITHOUT KNOWING THAT SHE IS IMMORTAL<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AS IF IT WAS EXPECTED,<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHE THROWS OUT HER OWN LIFE<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like Koyomi Araragi.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Every action Tsukihi Araragi made<br>
&nbsp;&nbsp;&nbsp;&nbsp;thinking it was for the best...*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Every single one had perfectly backfired.*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rather than a bringer of misfortune,*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tsukihi Araragi herself<br>
&nbsp;&nbsp;&nbsp;&nbsp;is like clear-air turbulence?*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, save observations for later.*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's out of hand.*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I simply can't snap.*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh well.*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No way to snap out, but oh well.*<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I made a pragmatic conclusion.*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even in a situation like this, even if stomped<br>
&nbsp;&nbsp;&nbsp;&nbsp;into smithereens, Tsukihi Araragi won't die.*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if fragmented to cause a dust explosion<br>
&nbsp;&nbsp;&nbsp;&nbsp;and there's nothing left of her, she won't die.*<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because there is no death, she won't die.*<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She will quietly revive<br>
&nbsp;&nbsp;&nbsp;&nbsp;from within the flames.*<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't have to lose my observation target<br>
&nbsp;&nbsp;&nbsp;&nbsp;due to my own mistake.*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was the least I could do<br>
&nbsp;&nbsp;&nbsp;&nbsp;for risk management as a professional.*<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Slug Tofu running out of control<br>
&nbsp;&nbsp;&nbsp;&nbsp;will someday be dealt with*<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*by Ms. Gaen who sensed my incineration.*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As a corpse, I won't cause<br>
&nbsp;&nbsp;&nbsp;&nbsp;any more trouble in the future.*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have fulfilled my baseline duties as a spy.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what I concluded<br>
&nbsp;&nbsp;&nbsp;&nbsp;and cleanly gave up.*<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, this is nothing more than<br>
&nbsp;&nbsp;&nbsp;&nbsp;a calm conclusion, and not my own feelings.*<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My goodness, if I could laugh,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would be a sneer.*<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even a corpse that has died<br>
&nbsp;&nbsp;&nbsp;&nbsp;long in the past doesn't want to die,*<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and can feel scared in a way.*<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you, Ononoki.<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GOD<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GOD OF THIS TOWN<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NEW GOD<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister Mayoi.<br>**[24:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challenge the three-dimensional version<br>&nbsp;&nbsp;&nbsp;&nbsp;all you want, but it's not the main body.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you need to go after...<br>**[24:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a flat surface.<br>**[24:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're right. Even if it materializes and gigantifies,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it all started with a piece of paper.*<br>**[25:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The fabricated setting that a magical girl<br>
&nbsp;&nbsp;&nbsp;&nbsp;of justice was defeating a monster...*<br>**[25:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was actually the one trapped in it.*<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you wanted to conduct<br>&nbsp;&nbsp;&nbsp;&nbsp;everything in secret.<br>**[25:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But too bad.<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a god residing over this town.<br>**[25:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am always watching over it,<br>&nbsp;&nbsp;&nbsp;&nbsp;from one corner to the other.<br>**[25:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also thought I shouldn't get in the way<br>&nbsp;&nbsp;&nbsp;&nbsp;of a professional's work,<br>**[25:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I couldn't overlook the crisis befalling<br>&nbsp;&nbsp;&nbsp;&nbsp;this town, and the crisis of my friend.<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, even just a little bit,<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to be of assistance.<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words...<br>**[25:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I got involved.<br>**[25:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Big Sister Mayoi promised that she won't<br>
&nbsp;&nbsp;&nbsp;&nbsp;talk about this incident to Devil Boy,*<br>**[25:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and headed back to the mountain.*<br>**[25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She also packed the folded up<br>
&nbsp;&nbsp;&nbsp;&nbsp;manuscript paper into her backpack.*<br>**[26:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As a snail god, I guess a slug<br>
&nbsp;&nbsp;&nbsp;&nbsp;is something like kin.*<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since I've had nothing but failures<br>
&nbsp;&nbsp;&nbsp;&nbsp;throughout this whole thing,*<br>**[26:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I shouldn't nitpick this and that<br>
&nbsp;&nbsp;&nbsp;&nbsp;because of a personal grudge.*<br>**[26:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I analyzed it all later,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but a simple failure on my part*<br>**[26:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*would never have evolved<br>
&nbsp;&nbsp;&nbsp;&nbsp;into a situation of this caliber.*<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WATCH OUT FOR FIRES<br>
&nbsp;&nbsp;&nbsp;&nbsp;YAKITORI<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The more I tried to follow up,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the worse the situation got.*<br>**[26:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And when I think about it,*<br>**[26:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WATCH OUT FOR FIRES<br>
&nbsp;&nbsp;&nbsp;&nbsp;FIRE DEPARTMENT<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the instant Tsukihi Araragi's consciousness<br>
&nbsp;&nbsp;&nbsp;&nbsp;was trampled and wiped out,*<br>**[26:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a helper appeared as if out of opportunism<br>
&nbsp;&nbsp;&nbsp;&nbsp;and the situation was simply resolved.*<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For a specialist, this incident alone is enough<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the Shideno-bird to be designated as harmful,*<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CAUTION<br>
&nbsp;&nbsp;&nbsp;&nbsp;WATCH YOUR HEAD<br>
&nbsp;&nbsp;&nbsp;&nbsp;WATCH YOUR STEP<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;DANGER<br>
&nbsp;&nbsp;&nbsp;&nbsp;WARNING<br>**[26:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WATCH AHEAD<br>
&nbsp;&nbsp;&nbsp;&nbsp;ENTERING IS PROHIBITED<br>
&nbsp;&nbsp;&nbsp;&nbsp;DO NOT PROCEED<br>**[26:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it wouldn't be a surprise*<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for a squad for suppression<br>
&nbsp;&nbsp;&nbsp;&nbsp;and eradication to kick into motion.*<br>**[26:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It'd be the first one since Kiss-shot Acerola-orion<br>
&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade in her prime.*<br>**[26:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARREST<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GREAT MANHUNT TARGET<br>&nbsp;&nbsp;&nbsp;&nbsp;(OO-TORIMONO)<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A great manhunt target<br>
&nbsp;&nbsp;&nbsp;&nbsp;and a phoenix type.*<br>**[26:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;PHOENIX TYPE<br>
&nbsp;&nbsp;&nbsp;&nbsp;(OOTORI-MONO)<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, I didn't report to Ms. Gaen<br>
&nbsp;&nbsp;&nbsp;&nbsp;as such because of a logical reason.*<br>**[27:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The new findings I had from this case<br>
&nbsp;&nbsp;&nbsp;&nbsp;concerning the Shideno-bird*<br>**[27:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*became the reason I thought otherwise<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the much-awaited defeat of the Shideno-bird.*<br>**[27:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For now, I will take Tsukihi Araragi back<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the Araragi household while she's asleep.*<br>**[27:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And as for me, I took all night to finish embalming<br>
&nbsp;&nbsp;&nbsp;&nbsp;the burns all over my body before I returned.*<br>**[27:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As I pretended to be a doll in the target's room<br>
&nbsp;&nbsp;&nbsp;&nbsp;as if nothing had happened,*<br>**[27:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it seemed that on the next day, Tsukihi Araragi<br>
&nbsp;&nbsp;&nbsp;&nbsp;had forgotten everything about yesterday.*<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As she behaved as she always had,<br>
&nbsp;&nbsp;&nbsp;&nbsp;treating me like a life-sized plushie,*<br>**[27:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was the one who got confused, thinking that<br>
&nbsp;&nbsp;&nbsp;&nbsp;everything from last night was just a dream.*<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, the reason<br>
&nbsp;&nbsp;&nbsp;&nbsp;for her amnesia was simple.*<br>**[27:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Psychological stress.<br>
&nbsp;&nbsp;&nbsp;&nbsp;What you would call trauma.*<br>**[27:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Events of the past become aftereffects, engraving<br>
&nbsp;&nbsp;&nbsp;&nbsp;themselves deep into the personality's core.*<br>**[27:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It makes living life difficult.*<br>**[28:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that's the case, then,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that wound must be healed.*<br>**[28:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. The Shideno-bird.<br>
&nbsp;&nbsp;&nbsp;&nbsp;An eternal apparition.*<br>**[28:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Phoenix, of all things, can completely<br>
&nbsp;&nbsp;&nbsp;&nbsp;heal wounds of the heart.*<br>**[28:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Wounds" that would be inconvenient<br>
&nbsp;&nbsp;&nbsp;&nbsp;to have to keep living*<br>**[28:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;MEMORIES (WOUNDS)<br>**[28:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are eradicated from the brain<br>
&nbsp;&nbsp;&nbsp;&nbsp;without a trace.*<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Such an outlier self-purification action<br>
&nbsp;&nbsp;&nbsp;&nbsp;is functioning overwhelmingly,*<br>**[28:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Tsukihi Araragi lives today<br>
&nbsp;&nbsp;&nbsp;&nbsp;with vigor and spirit.*<br>**[28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Vigor and spirit.*<br>**[28:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's exactly why Tsukihi Araragi, no matter<br>
&nbsp;&nbsp;&nbsp;&nbsp;how much time passes, lacks the ability to learn*<br>**[28:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and is exhaustively repeating.*<br>**[28:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how much time passes,<br>
&nbsp;&nbsp;&nbsp;&nbsp;she barely manages to fail,*<br>**[28:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and those failures are deposed<br>
&nbsp;&nbsp;&nbsp;&nbsp;only to those around her.*<br>**[28:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They are deposed, they are accumulated...*<br>**[28:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that becomes the new kindling.*<br>**[28:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A blazing phoenix.*<br>**[28:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the core of the flame in question<br>
&nbsp;&nbsp;&nbsp;&nbsp;wipes her slate clean of the series of failures,*<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and flies off from the burnt field<br>
&nbsp;&nbsp;&nbsp;&nbsp;without fouling the area around her,*<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and lives an eternal life from the beginning.*<br>**[29:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Terrifying.*<br>**[29:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's terrifying, but also intriguing.*<br>**[29:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's intriguing but also significant.*<br>**[29:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There is enough academic merit*<br>**[29:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to give meaning to continue<br>
&nbsp;&nbsp;&nbsp;&nbsp;behavioral observation for a while longer.*<br>**[29:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Incidentally, she forgot<br>
&nbsp;&nbsp;&nbsp;&nbsp;all about my failures as well.*<br>**[29:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll accept that as a stroke of luck.*<br>**[29:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I decided to hold off<br>
&nbsp;&nbsp;&nbsp;&nbsp;from reporting this case to my superiors.*<br>**[29:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Finally, its inevitable life cycle<br>
&nbsp;&nbsp;&nbsp;&nbsp;has come into the light, if only a little bit.*<br>**[29:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I shall continue my probational observation<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the national treasure.*<br>**[29:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, to ensure that I do not make<br>
&nbsp;&nbsp;&nbsp;&nbsp;the same blunder again in the future,*<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I decided to consume my stock of ice cream<br>
&nbsp;&nbsp;&nbsp;&nbsp;that the lolicon gave me sooner than later.*<br>**[30:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just didn't feel like it, so I made a U-turn<br>&nbsp;&nbsp;&nbsp;&nbsp;while heading to school and came back home, and...<br>**[30:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My plushie is eating ice cream!?<br>**[30:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The magical girl of justice, part two.*<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Quite lacking the ability to learn.*<br>**[30:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Exhaustively repeating.*<br>**[30:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's fine. Next time, I won't fail,<br>
&nbsp;&nbsp;&nbsp;&nbsp;even in death.*<br>**[30:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[30:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[30:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[30:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[30:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[30:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[30:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[30:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>**[30:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[30:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[30:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[30:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[30:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[30:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why<br>**[30:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I somehow feel like I'm fighting?<br>**[31:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't touch and don't want to touch<br>**[31:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Myself, myself, myself, and myself from the past<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been dead for a long time now<br>**[31:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fight with a transparent ghost<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep in a childish and painful memory<br>**[31:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disappointed? It's gone<br>**[31:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? You like that better? That's ironic<br>**[31:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I, as I am now, what's transparent?<br>**[31:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense<br>**[31:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A label that doesn't disappear<br>**[31:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! It's basically a complex<br>**[31:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be possessed<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old me<br>**[31:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wrapped up and<br>**[31:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't leave<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[31:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[31:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[31:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>**[31:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[31:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>**[31:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[31:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[31:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[31:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[31:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>**[31:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E2 - NADEMONOGATARI Nadeko Draw Part One

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUK94D5/nademonogatari-nadeko-draw-part-one)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If Nadeko Sengoku's life was a manga series<br>
&nbsp;&nbsp;&nbsp;&nbsp;that's currently running,*<br>**[00:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU'S STORY<br>**[00:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SERIES ENTERING ITS 15TH YEAR!!<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and if I were to read from volume 1<br>
&nbsp;&nbsp;&nbsp;&nbsp;to volume 15, the latest release,*<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure I'd think,*<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"The protagonist's personality<br>
&nbsp;&nbsp;&nbsp;&nbsp;is all over the place."*<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's an inevitable fate<br>
&nbsp;&nbsp;&nbsp;&nbsp;for a long-running series.*<br>**[00:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOVE...<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOVE<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOVE!<br>
&nbsp;&nbsp;&nbsp;&nbsp;HATE!!<br>**[00:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NEXT EPISODE IS THE FINAL EPISODE!<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps being a true fan means loving the series<br>
&nbsp;&nbsp;&nbsp;&nbsp;even though such inconsistencies are there.*<br>**[00:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I AM...<br>**[00:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HUH!?<br>
&nbsp;&nbsp;&nbsp;&nbsp;I AM<br>**[00:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TO BE CONTINUED IN THE NEXT ISSUE<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, as an ordinary reader, there's just<br>
&nbsp;&nbsp;&nbsp;&nbsp;something unsatisfactory about it.*<br>**[00:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE ADVENTURE HAS ONLY BEGUN!!<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But no, I'm not just<br>
&nbsp;&nbsp;&nbsp;&nbsp;an ordinary reader.*<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nadeko Sengoku<br>
&nbsp;&nbsp;&nbsp;&nbsp;is none other than myself.*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's especially why the snapshots of my past<br>
&nbsp;&nbsp;&nbsp;&nbsp;feel like completely different people.*<br>**[00:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG BROTHER<br>**[00:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BANGS? WHAT'RE YOU TALKING ABOUT?<br>**[00:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M JUST REALLY CUTE!<br>**[00:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I HATE YOU, BIG BROTHER<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anytime, anywhere, with any person...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you could have<br>&nbsp;&nbsp;&nbsp;&nbsp;the same personality the whole time,<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that would be abnormal.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was rather audacious in metaphorically<br>
&nbsp;&nbsp;&nbsp;&nbsp;referring to my life as a long-running series.*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But in reality, my current life as a fifteen-year-old<br>
&nbsp;&nbsp;&nbsp;&nbsp;hasn't even gotten a one-shot published.*<br>**[01:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU'S STORY<br>
&nbsp;&nbsp;&nbsp;&nbsp;BY NADEKO SENGOKU<br>**[01:04] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU'S STORY<br>
&nbsp;&nbsp;&nbsp;&nbsp;BY NADEKO SENGOKU<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It keeps getting rejected<br>
&nbsp;&nbsp;&nbsp;&nbsp;during the planning phase.*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Myself from that one time,<br>
&nbsp;&nbsp;&nbsp;&nbsp;myself from back then...*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Myself from that era,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and myself during those times...*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then, my current self.*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It will never be seen by the world,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and it still has yet to see a beginning.*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Therefore, it won't end, either.*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all the one and only Nadeko Sengoku.*<br>**[01:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO DRAW, PART ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER TWO<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;STOP<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... Nope!<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt anywhere?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My oh my, this is Ms. Ougi Oshino.*<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine!<br>**[02:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HMM?<br>**[02:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HUH?<br>**[02:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WHAT, WHAT?<br>**[02:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A BOY'S UNIFORM?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there, Sengoku.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you!<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Ougi Oshino.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've met you before though.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCTOBER 31ST<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think, it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the other way around back then?<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know about you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you knew about me.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what you know, Sengoku.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For my current self, this is without a doubt<br>&nbsp;&nbsp;&nbsp;&nbsp;the first time I've met you, Sengoku.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that's right.*<br>**[02:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OUGI OSHINO<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mr. Ougi Oshino is a second-year boy<br>
&nbsp;&nbsp;&nbsp;&nbsp;attending Naoetsu High School.*<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you injured, Sengoku?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I'm fine, Mr. Ougi.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so distant<br>&nbsp;&nbsp;&nbsp;&nbsp;and call me "Mr. Ougi."<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feel free to call me<br>&nbsp;&nbsp;&nbsp;&nbsp;"Big Brother Ougi" out of familiarity.<br>**[03:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MISTER OUGI<br>**[03:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG BROTHER OUGI<br>**[03:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;B I G B R O T H E R<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you used to call you-know-who-senpai<br>&nbsp;&nbsp;&nbsp;&nbsp;like that, right?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I flubbed.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[03:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SANDALS<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So are you heading to school now?<br>**[03:38] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOUNGE WEAR<br>**[03:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WARNING<br>
&nbsp;&nbsp;&nbsp;&nbsp;TRAFFIC HOURS<br>**[03:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL ROUTE<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is your bicycle all right?<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Yeah, it's fine.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're heading to school,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you there.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not heading to school,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll pass.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally assumed<br>&nbsp;&nbsp;&nbsp;&nbsp;you were going to school.<br>**[04:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL ROUTE<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I saw you<br>&nbsp;&nbsp;&nbsp;&nbsp;in a school uniform earlier.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mr. Ougi!<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, what is it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you suddenly raise your voice?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where that other self of mine was...<br>**[04:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can you take my current self there?<br>**[04:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[04:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for myself!<br>**[04:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF MYSELF MYSELF<br>**[04:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RULE OF 10,000 HOURS<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The rule of 10,000 hours.*<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apparently there's a study that<br>
&nbsp;&nbsp;&nbsp;&nbsp;no matter the field, people who are*<br>**[04:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BESTSELLER AWARD RECIPIENTS<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*considered top tier have trained<br>
&nbsp;&nbsp;&nbsp;&nbsp;for over 10,000 hours.*<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And there are only 24 hours in a day.*<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's round that to 25 hours<br>
&nbsp;&nbsp;&nbsp;&nbsp;to make calculations easier.*<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words,<br>
&nbsp;&nbsp;&nbsp;&nbsp;four days would be 100 hours.*<br>**[04:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;=100 HOURS<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Forty days is 1,000 hours.*<br>**[04:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;=1,000 HOURS<br>**[04:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;(ABRIDGED) =10,000 HOURS<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Four hundred days for 10,000 hours.*<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are 365 days in a year.*<br>**[04:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;JANUARY FEBRUARY MARCH<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So by removing the extra time<br>
&nbsp;&nbsp;&nbsp;&nbsp;we added earlier to make things neat,*<br>**[04:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;APRIL MAY JUNE<br>**[05:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;JULY AUGUST SEPTEMBER<br>**[05:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCTOBER NOVEMBER DECEMBER<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we can say that 10,000 hours<br>
&nbsp;&nbsp;&nbsp;&nbsp;is approximately one year.*<br>**[05:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RULE OF 10,000 HOURS = APPROXIMATELY ONE YEAR<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see! I only need to try hard for one year<br>&nbsp;&nbsp;&nbsp;&nbsp;to become top tier!<br>**[05:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ONLY ONE YEAR!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Piece of cake!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I haven't lived a life so idyllic<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I would say such a thing.*<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Humans have to do this thing called<br>
&nbsp;&nbsp;&nbsp;&nbsp;living a life on top of making an effort.*<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Living a life comes before any effort.*<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Effort can be realized<br>
&nbsp;&nbsp;&nbsp;&nbsp;only after living a life.*<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Therefore, there's a time period<br>
&nbsp;&nbsp;&nbsp;&nbsp;where humans cannot make any effort.*<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who it is, they must divert<br>
&nbsp;&nbsp;&nbsp;&nbsp;over half of the day to living their lives.*<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To keep making an effort efficiently<br>
&nbsp;&nbsp;&nbsp;&nbsp;and continuously,*<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no matter how generous an estimate,*<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*eight hours with breaks<br>
&nbsp;&nbsp;&nbsp;&nbsp;in-between is the limit.*<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Eight hours.*<br>**[05:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;8 HOURS<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's one third of the day.*<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means we must multiply the formula<br>
&nbsp;&nbsp;&nbsp;&nbsp; by three.*<br>**[05:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;10,000 HOURS = 1 YEAR x 3<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's three years.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Three years, huh?*<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To be honest, that's long enough<br>
&nbsp;&nbsp;&nbsp;&nbsp;to get moderately fed up.*<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whether the rule of 10,000 hours<br>
&nbsp;&nbsp;&nbsp;&nbsp;is true or not,*<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't have that much time<br>
&nbsp;&nbsp;&nbsp;&nbsp;on my hands.*<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because, this morning,<br>
&nbsp;&nbsp;&nbsp;&nbsp;my parents finally told me thus.*<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Stop doing such stupid things forever,*<br>**[06:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL / HAVE TO GO / WHY? / REALITY / DREAM?<br>
&nbsp;&nbsp;&nbsp;&nbsp;MONEY / WORRIES ABOUT YOUR FUTURE<br>
&nbsp;&nbsp;&nbsp;&nbsp;JUST A LITTLE BIT / LIVE ON YOUR OWN / BECOME PROPER<br>
&nbsp;&nbsp;&nbsp;&nbsp;THE WORLD ISN'T THAT EASY<br>
&nbsp;&nbsp;&nbsp;&nbsp;WHAT WILL YOU DO? / 15YO / THAT'S MEANING LESS<br>
&nbsp;&nbsp;&nbsp;&nbsp;HAVE YOU GIVEN ANY THOUGHT<br>
&nbsp;&nbsp;&nbsp;&nbsp;YOUR FATHER AND MOTHER ARE<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and go work once you graduate<br>
&nbsp;&nbsp;&nbsp;&nbsp;from middle school."*<br>**[06:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LABOR<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling their only idiot daughter an idiot...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku's doting mommy and daddy,<br>&nbsp;&nbsp;&nbsp;&nbsp;after spoiling her completely rotten,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have finally reluctantly, or rather indulgingly,<br>&nbsp;&nbsp;&nbsp;&nbsp;taken some action.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's worthy of celebration.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To give a simple explanation, Ononoki...*<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yotsugi Ononoki is currently on an undercover<br>
&nbsp;&nbsp;&nbsp;&nbsp;mission in the Araragi household.*<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I became involved in that assignment,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and I ended up helping her out a bit.*<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And ever since, she's been coming by<br>
&nbsp;&nbsp;&nbsp;&nbsp;to my room all the time.*<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She comes four times a week.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It's ruining my feeling of being a shut-in.*<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, she's not troubling me.<br>
&nbsp;&nbsp;&nbsp;&nbsp;She is, in fact, helping me out.*<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As you can see, she's offering to be<br>
&nbsp;&nbsp;&nbsp;&nbsp;a model for my rough sketches.*<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like they called me an idiot.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just said what I'm doing is idiotic.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, seriously speaking, I believe<br>&nbsp;&nbsp;&nbsp;&nbsp;you really need to think that bit out.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think all of your efforts<br>&nbsp;&nbsp;&nbsp;&nbsp;are useless.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;what your idiotic self does is idiotic.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as a practical problem,<br>&nbsp;&nbsp;&nbsp;&nbsp;effort requires payment.<br>**[07:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EFFORT<br>**[07:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EFFORT RECEIPT<br>
&nbsp;&nbsp;&nbsp;&nbsp;MAY 10TH<br>
&nbsp;&nbsp;&nbsp;&nbsp;FOOD COSTS<br>
&nbsp;&nbsp;&nbsp;&nbsp;WATER, HEAT, LIGHTING<br>
&nbsp;&nbsp;&nbsp;&nbsp;ART SUPPLIES<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something you do<br>&nbsp;&nbsp;&nbsp;&nbsp;by paying sacrifices or compensation.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, using graduation from middle school,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is compulsory education, as a standard base<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only respectable as parents.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, not kicking you out<br>&nbsp;&nbsp;&nbsp;&nbsp;to become independent<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be said that your parents<br>&nbsp;&nbsp;&nbsp;&nbsp;are still enabling you.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're naïve.<br>**[08:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOSE<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am very dubious<br>&nbsp;&nbsp;&nbsp;&nbsp;about the rule of 10,000 hours.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who are capable can just<br>&nbsp;&nbsp;&nbsp;&nbsp;get things done really easily.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I can do right now is to show some sort<br>&nbsp;&nbsp;&nbsp;&nbsp;of result before graduating middle school<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can use that to convince<br>&nbsp;&nbsp;&nbsp;&nbsp;Father and Mother.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it be winning an award,<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, brother.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A declaration to enter the prize race.<br>&nbsp;&nbsp;&nbsp;&nbsp;How ironic.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gave Hitagi Senjyogahara a time limit<br>&nbsp;&nbsp;&nbsp;&nbsp;of "until high school graduation,"<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet now you see yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;caught with a similar time limit.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm reaping what I've sown.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laugh if you want.<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be making my atonement.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist on asking, there is a way<br>&nbsp;&nbsp;&nbsp;&nbsp;to easily show some results.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I've been hearing, your concern<br>&nbsp;&nbsp;&nbsp;&nbsp;is that you don't have time, right?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, that's right. So?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there is a way.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically, you just need to debut<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're still in middle school, right?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two ways.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two? That many?<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wholeheartedly<br>&nbsp;&nbsp;&nbsp;&nbsp;recommend one of them.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Ononoki.<br>**[09:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PLAN ONE<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is to submit your next completed manuscript<br>&nbsp;&nbsp;&nbsp;&nbsp;and affix your headshot photo on it.<br>**[09:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU<br>
&nbsp;&nbsp;&nbsp;&nbsp;BIRTHDAY JUNE 3<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 15<br>**[09:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOSHI YOSHI<br>
&nbsp;&nbsp;&nbsp;&nbsp;PRETTY GIRL MANGA ARTIST<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, the editorial staff will surely<br>&nbsp;&nbsp;&nbsp;&nbsp;set you up as a pretty girl manga artist.<br>**[09:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MANGA COMMUNITY<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, you can go to the internet upload site<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been submitting anonymously to,<br>**[09:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKKO WITH YOU<br>**[09:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GIANT PANDA LOVER<br>
&nbsp;&nbsp;&nbsp;&nbsp;THIRD YEAR MIDDLE SCHOOL, AGE 15<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and disclose your status and history.<br>**[09:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ISOLATED IN SCHOOL DURING SECOND YEAR.<br>
&nbsp;&nbsp;&nbsp;&nbsp;DIDN'T GET ALONG WITH HOMEROOM TEACHER,<br>
&nbsp;&nbsp;&nbsp;&nbsp;CLASS FACED SOCIAL COLLAPSE<br>
&nbsp;&nbsp;&nbsp;&nbsp;COULDN'T STAND THE DISMAL BULLYING,<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND STOPPED GOING TO SCHOOL<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your dramatic life<br>**[09:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RAN AWAY FROM HOME AND LIVED IN A SHRINE<br>
&nbsp;&nbsp;&nbsp;&nbsp;ALL ALONE IN THE BACK OF THE WOODS<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is sure to make your work shine<br>&nbsp;&nbsp;&nbsp;&nbsp;more brilliantly than it actually can.<br>**[09:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOUR ORIGIN STORY MADE ME CRY. I'M SUPPORTING YOU.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I DON'T GO TO SCHOOL EITHER, SO IT RESONATED WITH ME!<br>
&nbsp;&nbsp;&nbsp;&nbsp;TOO CUTE!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I would do that?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Then I will call this plan off,<br>&nbsp;&nbsp;&nbsp;&nbsp;and present you with the second one.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second way is the one<br>&nbsp;&nbsp;&nbsp;&nbsp;that I don't recommend.<br>**[10:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PLAN TWO<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I personally think that<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't do this.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is the only way left for us.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This is the only way?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to put in 10,000 hours of effort<br>&nbsp;&nbsp;&nbsp;&nbsp;in the one year you have left.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, no, no, no!<br>**[10:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NO SLEEP NO REST<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! Impossible!<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! Impossible!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, about that.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The biggest pitfall<br>&nbsp;&nbsp;&nbsp;&nbsp;of the 10,000 hours rule is right there.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defining the amount of practice to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the ticket to making dreams come true<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;completely ignores the percentage<br>&nbsp;&nbsp;&nbsp;&nbsp;of those who can become disabled.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To exert too much effort<br>&nbsp;&nbsp;&nbsp;&nbsp;is not necessarily sensible.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you need to think about<br>&nbsp;&nbsp;&nbsp;&nbsp;is the quality of the effort made.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what should I do?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm trying to do something<br>&nbsp;&nbsp;&nbsp;&nbsp;that takes three years in one year,<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to put in three times as much effort<br>&nbsp;&nbsp;&nbsp;&nbsp;even if the quality goes down a bit.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not saying<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to triple your effort.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just need to triple in number.<br>**[11:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOU JUST NEED TO TRIPLE IN NUMBER<br>**[11:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOUR NUMBER<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if there are a total<br>&nbsp;&nbsp;&nbsp;&nbsp;of three people including you...<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that would be a bit unreliable.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, a total of five people.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, you can create a rotation<br>&nbsp;&nbsp;&nbsp;&nbsp;where you can get things going smoothly.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the job of manga artist is basically<br>&nbsp;&nbsp;&nbsp;&nbsp;collaborative work with assistants.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than an individual,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're a member of an organization.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You work as one member of a group.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right. What's important is teamwork.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they say you have to have<br>&nbsp;&nbsp;&nbsp;&nbsp;high communication skills to get things done.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it's iffy if you're able<br>&nbsp;&nbsp;&nbsp;&nbsp;to become an assistant, let alone a team leader.<br>**[11:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IMPOSSIBLE<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how introverted you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;even as you are now,<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're dealing with yourself, you can<br>&nbsp;&nbsp;&nbsp;&nbsp;communicate as much as you want, right?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you just need to prepare<br>&nbsp;&nbsp;&nbsp;&nbsp;four copies of yourself as assistants.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little hesitant to say this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is part of my specialty.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I tell you?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a doll apparition, but at the same time,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a shikigami of an onmyouji.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shikigami...<br>**[12:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHIKIGAMI<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rather cheeky to use -gami (god)<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of you, who used to be a god.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you can call it a "familiar" instead.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting it frankly, it's like a faithful servant<br>&nbsp;&nbsp;&nbsp;&nbsp;that works for the sake of its master.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my case, my master, Big Sister, can't walk<br>&nbsp;&nbsp;&nbsp;&nbsp;on the ground, so I work as her legs.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my job to move around<br>&nbsp;&nbsp;&nbsp;&nbsp;with a light footwork.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I have a chance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll introduce you to her.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Big Sister will give you<br>&nbsp;&nbsp;&nbsp;&nbsp;a big lecture right when she meets you.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I don't want to be lectured<br>
&nbsp;&nbsp;&nbsp;&nbsp;right when I meet someone.*<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case,<br>&nbsp;&nbsp;&nbsp;&nbsp;something like me for Big Sister...<br>**[12:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG SISTER<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just need to create a shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;that will be your agent.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm suggesting.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it's impossible alone,<br>&nbsp;&nbsp;&nbsp;&nbsp;if all five of you work together,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you think both<br>&nbsp;&nbsp;&nbsp;&nbsp;your efforts and their results<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will somehow make things happen<br>&nbsp;&nbsp;&nbsp;&nbsp;in under a year?<br>**[13:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;28TH YOSHI YOSHI ROOKIE AWARD<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (15)<br>
&nbsp;&nbsp;&nbsp;&nbsp;CONFIRMED TO DEBUT WITH A SERIES!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you will draw four self-portraits<br>&nbsp;&nbsp;&nbsp;&nbsp;in this sketchbook.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw four copies of Nadeko Sengoku.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will make them three-dimensional.<br>**[13:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I WILL MATERIALIZE THEM<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will materialize them,<br>**[13:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;AND TURN THEM INTO FOUR SHIKIGAMI<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turn them into four shikigami.<br>**[13:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU BUS STOP<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you remember?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I first visited this room.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how I had you draw<br>&nbsp;&nbsp;&nbsp;&nbsp;the picture of a slug back then, right?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to fool Tsukihi Araragi's eyes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I took the Slug Tofu still remaining inside you<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and made good use of it<br>&nbsp;&nbsp;&nbsp;&nbsp;ingeniously with professional skill.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Slug Tofu that you drew<br>&nbsp;&nbsp;&nbsp;&nbsp;was beyond my expectations<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and materialized in three dimensions<br>&nbsp;&nbsp;&nbsp;&nbsp;as a powerful apparition.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you mentioned<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, that was proof of just<br>&nbsp;&nbsp;&nbsp;&nbsp;how dangerous Tsukihi Araragi was.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think it was also proof<br>&nbsp;&nbsp;&nbsp;&nbsp;of your drawing skills.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can call it latent talent.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that I'm visiting you often like this<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and assisting as your model<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not only repaying you<br>&nbsp;&nbsp;&nbsp;&nbsp;for listening to my gripes,<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even more so than that,<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm picking up on your brilliant talent.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brilliant talent?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a monstrosity with no guise,<br>&nbsp;&nbsp;&nbsp;&nbsp;visualization is quite an important factor.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take for example how novels<br>&nbsp;&nbsp;&nbsp;&nbsp;are difficult to approach at first.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if there's an illustration of a character<br>&nbsp;&nbsp;&nbsp;&nbsp;on the cover, it's easier to get an image, right?<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, I would like to test<br>&nbsp;&nbsp;&nbsp;&nbsp;your brilliant talent right now.<br>**[14:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BRILLIANT TALENT<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how much energy resides in your art skill,<br>&nbsp;&nbsp;&nbsp;&nbsp;your drawings, your illustrations...<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your self-portrait is one that<br>&nbsp;&nbsp;&nbsp;&nbsp;is worthy of becoming a shikigami,<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will introduce you<br>&nbsp;&nbsp;&nbsp;&nbsp;to Ms. Gaen at that point in time.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So isn't this Ms. Gaen person a very<br>
&nbsp;&nbsp;&nbsp;&nbsp;important factor of why I became a deity?*<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean to put blame on her,<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to be honest, I don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to do with her anymore.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all the more reason.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Repaying a favor is not just a front.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because unlike Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade,<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are not acknowledged<br>&nbsp;&nbsp;&nbsp;&nbsp;to be harmless yet, Nadeko Sengoku.<br>**[15:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ACKNOWLEDGED TO BE HARMLESS<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, how they're going to deal with you<br>&nbsp;&nbsp;&nbsp;&nbsp;is simply in limbo.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on who the specialist is,<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it wouldn't be strange<br>&nbsp;&nbsp;&nbsp;&nbsp;if you got defeated after all this time.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, if you present your brilliant talent<br>&nbsp;&nbsp;&nbsp;&nbsp;far surpassing others to Ms. Gaen,<br>**[15:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BRILLIANT TALENT<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if you can show her that you're useful<br>&nbsp;&nbsp;&nbsp;&nbsp;in case of an emergency,<br>**[15:56] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;USEFUL<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can end up nestling under<br>&nbsp;&nbsp;&nbsp;&nbsp;the care of the boss,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who you can call<br>&nbsp;&nbsp;&nbsp;&nbsp;a monster of connections.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then I'll try it out.<br>**[16:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;four copies of myself?<br>**[16:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF MYSELF MYSELF<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. But just in case, can you change<br>&nbsp;&nbsp;&nbsp;&nbsp;the design for each of them?<br>**[16:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A LOT OF A LITTLE MAKES YAMATO NADE-FOUR-KO!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a problem if we couldn't tell<br>&nbsp;&nbsp;&nbsp;&nbsp;which Nadeko Sengoku was which.<br>**[16:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO.<br>**[16:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO~<br>**[16:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO!<br>**[16:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M NADEKO♡<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it'd be a big deal if we couldn't figure out which<br>&nbsp;&nbsp;&nbsp;&nbsp;of the five Nadeko Sengokus was the real one.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just a big deal. It would be<br>&nbsp;&nbsp;&nbsp;&nbsp;the brink of my identity collapsing.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On a serious note...<br>**[16:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHIKIGAMI<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are stories about<br>&nbsp;&nbsp;&nbsp;&nbsp;an onmyouji being overtaken<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by a shikigami which<br>&nbsp;&nbsp;&nbsp;&nbsp;was supposed to be their agent.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if they're all<br>&nbsp;&nbsp;&nbsp;&nbsp;the same Nadeko Sengoku,<br>**[16:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADE CHARACTERISTIC / NO CHARACTERISTIC<br>
&nbsp;&nbsp;&nbsp;&nbsp;REJECTED CHARACTERISTIC / SUPER CHARACTERISTIC<br>**[16:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;can you give each one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;separate characteristics?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess I'll draw them<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can tell them apart with their hairdos.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I got an idea.*<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's my past selves,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it'll be easy to draw them.*<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, bangs mode.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is one that I've never seen.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, that's right.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think this version of myself<br>&nbsp;&nbsp;&nbsp;&nbsp;was called "bangs girl."<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You grew your bangs<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide your face from being seen.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the shy and meekest<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku.<br>**[17:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MEEK NADEKO<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we should call her Meek Nadeko.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't met her, either.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She lifts up her bangs with a headband,<br>&nbsp;&nbsp;&nbsp;&nbsp;showing her forehead.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a phase like this?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Nadeko Sengoku that was<br>&nbsp;&nbsp;&nbsp;&nbsp;aggressively approaching a certain someone.<br>**[17:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FLIRTY NADEKO<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's call her Flirty Nadeko.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I remember seeing this one.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Nadeko Sengoku when Tsukihi Araragi<br>&nbsp;&nbsp;&nbsp;&nbsp;chopped off your favorite bangs, right?<br>**[17:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A COMPLETELY UNWILLING CUTTING OF BANGS<br>
&nbsp;&nbsp;&nbsp;&nbsp;BY A FRIEND ￥0 (TAX INCL.)<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was your hairstyle when you<br>&nbsp;&nbsp;&nbsp;&nbsp;went off in the classroom, right?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't want to go to school now.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You snapped like someone touched upon<br>&nbsp;&nbsp;&nbsp;&nbsp;your wrath, and made an angry speech, I hear.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this Nadeko with short bangs<br>&nbsp;&nbsp;&nbsp;&nbsp;will be Wrath Nadeko.<br>**[17:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WRATH NADEKO<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if we've gone this far,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even need to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;what the fourth Nadeko's hairstyle will be.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. There's only one.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's call her God Nadeko.<br>**[18:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GOD NADEKO<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, Current Nadeko.<br>**[18:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CURRENT NADEKO<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you take those four<br>&nbsp;&nbsp;&nbsp;&nbsp;and clean up the sketches?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take your time, and draw them<br>&nbsp;&nbsp;&nbsp;&nbsp;as carefully as possible.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put your heart and soul into it.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With this, in my next year,<br>
&nbsp;&nbsp;&nbsp;&nbsp;my course of action*<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and my future<br>
&nbsp;&nbsp;&nbsp;&nbsp;may be determined for me.*<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I think of it that way,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I can't help but get fired up!*<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm gonna draw! Here we go!*<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, you drew them all<br>&nbsp;&nbsp;&nbsp;&nbsp;with a, "Here we go!"<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You let the pen run along the paper.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How foolish.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your four selves ran away, huh?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, the experiment itself<br>&nbsp;&nbsp;&nbsp;&nbsp;was a success.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Yotsugi, it must have been a surprise<br>&nbsp;&nbsp;&nbsp;&nbsp;that all four proved to be successes.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she said that afterwards.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Speaking of Ononoki, she went off<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a different direction to find my four selves.*<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My four selves. I can't leave<br>&nbsp;&nbsp;&nbsp;&nbsp;the four Nadekos out in the wild.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say "Nadekos" it reminds me<br>&nbsp;&nbsp;&nbsp;&nbsp;how you referred to yourself in third person.<br>**[19:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ME<br>
&nbsp;&nbsp;&nbsp;&nbsp;ME<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't know about that<br>&nbsp;&nbsp;&nbsp;&nbsp;if this is our first time meeting.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops, that was an accident.<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget I said that.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait. The only thing my powerless self<br>&nbsp;&nbsp;&nbsp;&nbsp;can do is to show you the way.<br>**[19:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNIFORM<br>
&nbsp;&nbsp;&nbsp;&nbsp;DRESS<br>
&nbsp;&nbsp;&nbsp;&nbsp;YUKATA / CAMISOLE<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's my meager role in this story<br>&nbsp;&nbsp;&nbsp;&nbsp;to pursue the Nadeko in a school uniform<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I happened to come across earlier.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Sengoku...<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did your four selves disappear?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Yotsugi have some kind of oversight?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was a bit careless.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Making an effort to become a manga artist"<br>&nbsp;&nbsp;&nbsp;&nbsp;is the stance for my current self.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if I summoned<br>&nbsp;&nbsp;&nbsp;&nbsp;my past selves as shikigami,<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way they'd help me out.<br>**[20:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MYSELF MYSELF MYSELF MYSELF<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I shouldn't have even wished<br>
&nbsp;&nbsp;&nbsp;&nbsp;for cooperation.*<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was incredible carnage*<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the once peaceful location<br>
&nbsp;&nbsp;&nbsp;&nbsp;where I decided to be a shut-in.*<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I tried to somehow calm all of them down,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but I became the most hated of my selves.*<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The four Nadekos*<br>**[20:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*didn't even assist me with my manuscripts,<br>
&nbsp;&nbsp;&nbsp;&nbsp;let alone draw any frame lines.*<br>**[20:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK<br>**[20:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK<br>**[20:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANNA WORK<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They all ran away,<br>
&nbsp;&nbsp;&nbsp;&nbsp;as if they were dissipating.*<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm the best in Japan<br>
&nbsp;&nbsp;&nbsp;&nbsp;when it comes to running away.*<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By the way, one Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;ran away from the window.*<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm scared.*<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I can't just simply be scared.*<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, I must collect my four selves,<br>
&nbsp;&nbsp;&nbsp;&nbsp;including God Nadeko, as soon as possible.*<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I leave them alone,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the entire town will fall into a panic!*<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;things would get that bad, I think?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have four people who look like you<br>&nbsp;&nbsp;&nbsp;&nbsp;running all over the place, right?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If a girl who has 100,000 snake<br>
&nbsp;&nbsp;&nbsp;&nbsp;on her head was walking around town,*<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everyone would be<br>
&nbsp;&nbsp;&nbsp;&nbsp;taking pictures of her!*<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she is a god after all,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if imperfect.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she has a divine trait<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide herself from ordinary people.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you should probably be worried<br>&nbsp;&nbsp;&nbsp;&nbsp;about the other three instead.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if those three act problematically<br>&nbsp;&nbsp;&nbsp;&nbsp;before they are captured,<br>**[21:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;METROPOLITAN POLICE DEPARTMENT<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all their problems<br>&nbsp;&nbsp;&nbsp;&nbsp;will fall upon you, Current Nadeko.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. You never know<br>
&nbsp;&nbsp;&nbsp;&nbsp;what my past selves would do!*<br>**[21:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WHAT A FORMIDABLE CHILD!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we are.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I almost collided into you,<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is indeed the location where<br>&nbsp;&nbsp;&nbsp;&nbsp;I witnessed Sengoku in a school uniform.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The location where<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ougi had witnessed me.*<br>**[21:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IN A SCHOOL UNIFORM<br>**[21:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MEEK NADEKO<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a location<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I was very familiar with.*<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was in front of the school gate<br>
&nbsp;&nbsp;&nbsp;&nbsp;for a public school, 701 Middle School.*<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNHAPPY?<br>
&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child*<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNLUCKY?<br>
&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane*<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*BE HAPPY!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly*<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because you're alive*<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A past that you looked away from too*<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A boring future too*<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Counseling*<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh man*<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All the times and places<br>
&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace*<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNHAPPY?*<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNLUCKY?*<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*BE HAPPY!*<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNDEAD*<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, why*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do I somehow feel like I'm fighting?*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't touch and don't want to touch*<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Myself, myself, myself,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and myself from the past*<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've been dead for a long time now*<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I fight with a transparent ghost*<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Deep in a childish and painful memory*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Disappointed? It's gone*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh? You like that better? That's ironic*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Am I, as I am now, what's transparent?*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nonsense<br>
&nbsp;&nbsp;&nbsp;&nbsp;A label that doesn't disappear*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes! It's basically a complex*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You seem to be possessed*<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's wrapped up and*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Won't leave<br>
&nbsp;&nbsp;&nbsp;&nbsp;The old me*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*UNDEAD*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not dead yet*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A chain of you and you*<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To be alive is to keep changing*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't be satisfied<br>
&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're a coward if you don't try to be happy*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This world and this world are<br>
&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will a demon appear next or will a snake?*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The story finally begins after meeting*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is it a human or monster?*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Returning to the subject at hand<br>
&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace*<br>

# E3 - NADEMONOGATARI Nadeko Draw Part Two

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU07WDJ/nademonogatari-nadeko-draw-part-two)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of all places, my shikigami self<br>
&nbsp;&nbsp;&nbsp;&nbsp;fled into the school.*<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What a troublesome being she is.<br>
&nbsp;&nbsp;&nbsp;&nbsp;She's just like me!*<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be troubled, Sengoku.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd like, I can head inside<br>&nbsp;&nbsp;&nbsp;&nbsp;in your place, you know?<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's fine.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But parting ways here<br>&nbsp;&nbsp;&nbsp;&nbsp;would be quite the cold thing to do.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So at the least,<br>&nbsp;&nbsp;&nbsp;&nbsp;let me accompany you.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I only feel uneasiness about this.*<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let's go!<br>**[00:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THUMP THUMP THUMP<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And thus, I went to school<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the first time in six months.*<br>**[00:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CONTINUE TO PART A<br>**[02:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO DRAW, PART TWO<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER THREE<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What awaited us from there<br>
&nbsp;&nbsp;&nbsp;&nbsp;was truly a surprising turn of events.*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*First of all, the Nadeko who had fled into the school<br>
&nbsp;&nbsp;&nbsp;&nbsp;was not Meek Nadeko, the first one,*<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but Flirty Nadeko, the second one.*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Back when I had drawn them<br>
&nbsp;&nbsp;&nbsp;&nbsp;in my sketchbook,*<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Flirty Nadeko was definitely<br>
&nbsp;&nbsp;&nbsp;&nbsp;wearing a revealing camisole.*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So it seems she has changed clothes.*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are a limited number of ways<br>
&nbsp;&nbsp;&nbsp;&nbsp;for her to obtain a school uniform.*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My theory is that*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*after they all ran off, she met up with<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko and they swapped clothes.*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Flirty Nadeko is very pushy,*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so if she forced an exchange of clothes<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the gloomiest Meek Nadeko,*<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure Meek Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;wouldn't have been able to refuse.*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, the second surprising turn of events.*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Flirty Nadeko's actions<br>
&nbsp;&nbsp;&nbsp;&nbsp;within the school have been problematic.*<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is bad.*<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Going into recess, there's a fear of teachers, or students<br>
&nbsp;&nbsp;&nbsp;&nbsp;in between classes, who could witness her.*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's see. The normal train of thought<br>
&nbsp;&nbsp;&nbsp;&nbsp;is that once she arrives at school...*<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"My former self" would head<br>&nbsp;&nbsp;&nbsp;&nbsp;straight to my class, right?<br>**[03:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THIRD YEAR CLASS NOTES<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;CONGRATULATIONS ON ADVANCEMENT<br>
&nbsp;&nbsp;&nbsp;&nbsp;LET'S STRIVE FOR A GRADUATION FULL OF SMILES<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND DO OUR BEST THE WHOLE YEAR<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the class I was a part of during<br>
&nbsp;&nbsp;&nbsp;&nbsp;my second year has disbanded.*<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means...*<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't cut yourself apart from the shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;by saying "my former self," Sengoku.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, the shikigami are existences<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to babies who were recently born.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not Nadeko Sengoku from a year ago<br>&nbsp;&nbsp;&nbsp;&nbsp;that we brought here using a time machine.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true. They're nothing more than pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;that myself from this year drew today.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So in that aspect, they should also<br>
&nbsp;&nbsp;&nbsp;&nbsp;be my current selves as well.*<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any other leads,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's head over to the third-years' classroom.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup! Right!<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! I get it!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so that's it.<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know that at all!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I'm so impressed.<br>**[04:35] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EMO  LOVE  BEST  CUTE  OUR  LOVE<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh snap, that's o cute!<br>**[04:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FRIENDLY  STACKED  FRIEND  AWESOME  WICKED<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it, looking good!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how it works?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so mysterious.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing!<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I've heard about that somewhere!<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd you find that?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always loved stuff like that!<br>&nbsp;&nbsp;&nbsp;&nbsp;Love it! Totes love it!<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's always been like this.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I mean talking like this is maximum fun.<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally get hyped up, right?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's a creation, a fake, and an unbelievably<br>
&nbsp;&nbsp;&nbsp;&nbsp;fabricated Nadeko Sengoku.*<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I really have something so happy<br>&nbsp;&nbsp;&nbsp;&nbsp;happen in my life? It's a miracle.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This much time passed already?<br>&nbsp;&nbsp;&nbsp;&nbsp;It went by so fast!<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I just felt a bit envious of her.*<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so true!<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I described it further,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I felt really jealous.*<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm touched!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't that the best to date?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So ordinary, so superficial,*<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, that's hilarious!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say stuff like that!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a cookie-cutter generalized girl<br>
&nbsp;&nbsp;&nbsp;&nbsp;who's worth only so much per mound.*<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always say that!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! I saw that on the internet!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But she looked so ridiculously bright.*<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, yup. So, and?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking exactly the same thing.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was glimmering so much<br>
&nbsp;&nbsp;&nbsp;&nbsp;that it was blinding.*<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted it. How'd you know?<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know next time.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My eyes feel like they're about to go blind.*<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She looks like she's having so much fun,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and she's entertaining those around her.*<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like magic!<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd totally be impossible for me!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should try it together someday.<br>&nbsp;&nbsp;&nbsp;&nbsp;Would be nice if we could do it.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't stand to watch.*<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's a promise!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If I was happy right now, I wouldn't make<br>&nbsp;&nbsp;&nbsp;&nbsp;an effort to chase my dreams."<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That phrase is likely one truth.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you have dissatisfactions and gripes,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have hopes and dreams.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If making your dreams come true,<br>&nbsp;&nbsp;&nbsp;&nbsp;meeting your goals,<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;moving up in life, becoming more powerful,<br>&nbsp;&nbsp;&nbsp;&nbsp;and being satisfied are your objectives...<br>**[05:48] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TRUTH-SEEKING  TEMPERANCE  EFFORT  OBSESS  CRAVING<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;PATIENCE  PASSION  PERSEVERANCE  TRUTH-SEEKING  ABSTINENCE<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether you stop playing and give untiring,<br>&nbsp;&nbsp;&nbsp;&nbsp;stoic effort by tossing out everything you have,<br>**[05:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ENJOYMENT  UNINHIBITED  IDLE  LOAFER  WILD<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;OPULENT  DESIRE  PASSION  RESOURCELESS  PLEASURE<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or you live a lax, lukewarm life,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would ultimately end up with the same result.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, that's transitory in its own right.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lukewarm water will someday<br>&nbsp;&nbsp;&nbsp;&nbsp;cool down and become cold water.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be good for now, but you can't hide<br>&nbsp;&nbsp;&nbsp;&nbsp;the anxiety you feel towards your future.<br>**[06:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ANXIETY<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And by "future" I mean<br>&nbsp;&nbsp;&nbsp;&nbsp;your current self, Sengoku.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's lacking your current self.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current Nadeko, who is chasing her dream,<br>&nbsp;&nbsp;&nbsp;&nbsp;may seem even more brilliant.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Sengoku...<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should hurry up<br>&nbsp;&nbsp;&nbsp;&nbsp;and get rid of that shikigami.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also for the sake of your classmates<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are under the shikigami's spell<br>&nbsp;&nbsp;&nbsp;&nbsp;as you can see.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right.<br>
&nbsp;&nbsp;&nbsp;&nbsp;That's the correct course of action.*<br>**[06:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE METHODOLOGY FOR THAT<br>
&nbsp;&nbsp;&nbsp;&nbsp;HAS BEEN INSTRUCTED ALREADY<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though they are shikigami,<br>&nbsp;&nbsp;&nbsp;&nbsp;paper is only paper in the end.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a method that even you can do,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll teach it to you.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut out a blank page in your sketchbook<br>&nbsp;&nbsp;&nbsp;&nbsp;and carry it with you.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that and make a direct hit<br>&nbsp;&nbsp;&nbsp;&nbsp;to the shikigami,<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;slam it,<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and fold it up,<br>&nbsp;&nbsp;&nbsp;&nbsp;like you're sandwiching it.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take each Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;and return it back into paper.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plop!<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return them<br>&nbsp;&nbsp;&nbsp;&nbsp;from three dimensions to two.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? It's like she's creating<br>&nbsp;&nbsp;&nbsp;&nbsp;a wall of humans.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can it be intentional?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's possible.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since she's a newborn, she doesn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to have much self-consciousness.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that Flirty Nadeko...<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she grows up, she has the potential<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a pretty hardcore apparition.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something worthy<br>&nbsp;&nbsp;&nbsp;&nbsp;of being exterminated.<br>**[07:40] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ATTENDANCE RECORD<br>**[07:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CLASS DUTY<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Everyone, don't be fooled!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That girl is a fake!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm the real one!<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, how to put it...*<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If anything, maybe it's better<br>
&nbsp;&nbsp;&nbsp;&nbsp;if I just disappeared.*<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean, I'm the one<br>
&nbsp;&nbsp;&nbsp;&nbsp;who's flimsy as paper. Truly a fake.*<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But everyone seems to be having so much fun,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and if Nadeko is having fun herself,*<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then maybe this is fine.*<br>**[08:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRE ALARM<br>
&nbsp;&nbsp;&nbsp;&nbsp;PHONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;PUSH<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Single-minded efforts<br>&nbsp;&nbsp;&nbsp;&nbsp;to chase after dreams?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do such embarrassing things.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How embarrassing.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because of this, it's even harder<br>
&nbsp;&nbsp;&nbsp;&nbsp;for me to go back to school now.*<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something bad happen to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;or something?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reason why I look so pale is not because<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ougi led me on a wild goose chase.*<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The biggest part of the reason is the inferiority I felt<br>
&nbsp;&nbsp;&nbsp;&nbsp;when I faced Flirty Nadeko in the classroom.*<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't do such embarrassing things.*<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How embarrassing.*<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Those were Flirty Nadeko's last words.*<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was able to reject her<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the spur of the moment.*<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But will I be able<br>
&nbsp;&nbsp;&nbsp;&nbsp;to be bold like that next time, too?*<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though this is something<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I have done,*<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it's ultimately a lot of responsibility for me.*<br>**[10:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;INCOMING CALL<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there, Kanbaru-senpai.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm taking the day off<br>&nbsp;&nbsp;&nbsp;&nbsp;due to personal reasons.<br>**[10:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PERSONAL <br>
&nbsp;&nbsp;&nbsp;&nbsp;of, relating to, or coming<br>
&nbsp;&nbsp;&nbsp;&nbsp;as from a particular person<br>
&nbsp;&nbsp;&nbsp;&nbsp;a personal matter<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? A commotion at 701 Middle School?<br>**[10:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CAREFUL OF SUSPICIOUS PEOPLE!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please put me on the line.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, it's me, Nadeko Sengoku.<br>**[10:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU <> SURUGA KANBARU<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, if it isn't Sengoku!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you been doing well?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes. I'm not dead. I'm still alive.*<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great. Can't beat that.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sorry to make you worry.*<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm still making you worry,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but I'm active. I still exist.*<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so very much.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, yup.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what's going on,<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's no need for thanks.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just did what was natural.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, well, Ms. Kanbaru,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is a weird question,<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but did you see me anywhere today?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh? No, that hasn't happened, and I didn't<br>
&nbsp;&nbsp;&nbsp;&nbsp;hear any stories like that either.*<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but wait...<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it has nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with you personally,<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've been getting reports<br>&nbsp;&nbsp;&nbsp;&nbsp;from all over town<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that a topless middle school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;with long bangs wearing bloomers<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been walking around town.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You dummy! That's Nadeko!*<br>**[11:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CIVIC POOL<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's too funny.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I can easily die laughing.*<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Using her hands as a bra? With a hand bra,<br>
&nbsp;&nbsp;&nbsp;&nbsp;she's browsing around town?*<br>**[11:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HAND BRA<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please stop that, Ms. Meek Nadeko.*<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You have a future (me) ahead of you!*<br>**[11:40] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FUTURE (         )<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In this case, there've been sightings<br>
&nbsp;&nbsp;&nbsp;&nbsp;all over the place, so I think we have to split up.*<br>**[11:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DANGER<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't help but feel joy<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I can act separately from Mr. Ougi,*<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but oh no, this is a measure<br>
&nbsp;&nbsp;&nbsp;&nbsp;that we must take.*<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Sengoku, I came up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a good idea.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll provide you<br>&nbsp;&nbsp;&nbsp;&nbsp;with my collegiate notebooks,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can draw about<br>&nbsp;&nbsp;&nbsp;&nbsp;a hundred of you on there.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can steamroll though the whole place<br>&nbsp;&nbsp;&nbsp;&nbsp;to look for Loomer Nadeko. What do you think?<br>**[12:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOOMER NADEKO<br>**[12:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That'd bog me down<br>
&nbsp;&nbsp;&nbsp;&nbsp;right into a poisonous swamp.*<br>**[12:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLOOMER NADEKO<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And what's this about Loomer Nadeko?*<br>**[12:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOOMER NADEKO<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please don't give a new name<br>
&nbsp;&nbsp;&nbsp;&nbsp;to my wearing-only-bloomers self!*<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll lend you this BMX bike.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will find transportation<br>&nbsp;&nbsp;&nbsp;&nbsp;for myself separately.<br>**[12:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAMISHIRO PARK<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the park that had a sighting.*<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But there weren't any middle school girls<br>
&nbsp;&nbsp;&nbsp;&nbsp;wearing nothing but bloomers.*<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, if I were forced<br>
&nbsp;&nbsp;&nbsp;&nbsp;to give myself a consolation prize,*<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it would be the fact that among the four<br>
&nbsp;&nbsp;&nbsp;&nbsp;shikigami Nadekos that were created,*<br>**[12:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PUBLIC BATHROOM<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meek Nadeko's face is hidden<br>
&nbsp;&nbsp;&nbsp;&nbsp;because of her bangs.*<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But then, witnesses who caught her in their<br>
&nbsp;&nbsp;&nbsp;&nbsp;field of vision must have been greatly confused.*<br>**[12:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EXHIBITIONIST APPEARS!<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOOMER NADEKO<br>
&nbsp;&nbsp;&nbsp;&nbsp;CITIZEN A - CITIZEN B - CITIZEN C - CITIZEN D<br>**[12:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOOMER NADEKO<br>
&nbsp;&nbsp;&nbsp;&nbsp;CITIZEN A - CITIZEN B - CITIZEN C - CITIZEN D<br>**[12:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CONFUSION<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOOMER NADEKO<br>
&nbsp;&nbsp;&nbsp;&nbsp;CITIZEN A - CITIZEN B - CITIZEN C - CITIZEN D<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ugh!*<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Worrying about every last detail<br>
&nbsp;&nbsp;&nbsp;&nbsp;can be saved for later.*<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's go after the other eyewitness accounts<br>
&nbsp;&nbsp;&nbsp;&nbsp;I heard from Ms. Kanbaru.*<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad!<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko, you found your clothes after all!<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The lady was Ms. Sodachi Oikura.*<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was Big Sister Sodachi.*<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had heard rumors about her.*<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who did I hear it from again?*<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think it was from Tsukihi.*<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Last October, when I was entangled<br>
&nbsp;&nbsp;&nbsp;&nbsp;with Mr. Kuchinawa,*<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Big Sister Sodachi had left this town.*<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd heard rumors that she had returned<br>
&nbsp;&nbsp;&nbsp;&nbsp;to this town around April of this year.*<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're facing such terrible bullying,<br>&nbsp;&nbsp;&nbsp;&nbsp;you really have to speak up about it, okay?<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What about you, Big Sister Sodachi?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry I called you "Big Sister Sodachi"<br>&nbsp;&nbsp;&nbsp;&nbsp;like I did in the past.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's totally fine.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for me?<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ditched my college<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can't seem to fit into,<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've been spending my time<br>&nbsp;&nbsp;&nbsp;&nbsp;reading books here.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it was around<br>&nbsp;&nbsp;&nbsp;&nbsp;my first year in high school.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to this park pretty often.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Senjyogahara's house was nearby.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh wait, even if I mention Ms. Senjyogahara,<br>&nbsp;&nbsp;&nbsp;&nbsp;you wouldn't know who that is.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I do know.*<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We almost killed each other.<br>
&nbsp;&nbsp;&nbsp;&nbsp;That was during the God Nadeko era.*<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Big Sister Soda...<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, wait, Ms. Oikura...<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you it's fine to call me like old times.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You cut your hair, Big Sister Sodachi.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah, when I entered college.<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd change my image a bit.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I failed.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, speaking of hairstyles,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're one to talk!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good that you put some clothes on<br>&nbsp;&nbsp;&nbsp;&nbsp;from your half-naked state.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just noticed,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what's with your hair?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. Current Nadeko has very short hair.<br>
&nbsp;&nbsp;&nbsp;&nbsp;So short I can't see it.*<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the other hand,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko is bangs girl.*<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means, in this one instant,<br>
&nbsp;&nbsp;&nbsp;&nbsp;not only did I put some clothes on,*<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I went and got a haircut., too.*<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They cropped your hair so short.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll speak from my own experience as well,<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you absolutely can't accept it<br>&nbsp;&nbsp;&nbsp;&nbsp;and cry yourself to sleep.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's all right. I'm not being bullied.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, are you walking around<br>&nbsp;&nbsp;&nbsp;&nbsp;looking like that because you want to?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm doing it because I want to.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So you were doing that<br>&nbsp;&nbsp;&nbsp;&nbsp;because you wanted to.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, everyone can have a hobby, after all.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko, you kinda changed a bit.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm sure you don't want to hear<br>&nbsp;&nbsp;&nbsp;&nbsp;stories from when you were in grade school.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the past, you were a lot more...<br>&nbsp;&nbsp;&nbsp;&nbsp;You know...<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She fudged it out of kindness.*<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what she wanted to say<br>
&nbsp;&nbsp;&nbsp;&nbsp;got across to me. Completely got across.*<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't know what happened,<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fact that you can expose so much<br>&nbsp;&nbsp;&nbsp;&nbsp;of yourself is perhaps a sign of growth?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't grow in that way.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't change my image.<br>**[16:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;COLLEGE ADMISSION<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried entering college.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried cutting my hair.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried living on my own.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the end, I was just who I was.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ran around in circles, and came back<br>&nbsp;&nbsp;&nbsp;&nbsp;to where I originally started.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the same as not doing anything.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Big Sister Sodachi,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to school at all right now.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't bullied but, um, I had<br>&nbsp;&nbsp;&nbsp;&nbsp;some troubling incidents in my class.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really made a mess.<br>&nbsp;&nbsp;&nbsp;&nbsp;And because of that, I couldn’t go anymore.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Perhaps you had already heard?<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why you want to talk about that?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just like that, too.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's okay, Nadeko.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meeting you here must've been some kind of fate,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let me guarantee you something.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not going to school anymore<br>&nbsp;&nbsp;&nbsp;&nbsp;won't end your life.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really doesn't end.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life really won't end at all.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how long this will continue.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can it be that your parents<br>&nbsp;&nbsp;&nbsp;&nbsp;said something to you?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They told me to go into the workforce<br>&nbsp;&nbsp;&nbsp;&nbsp;if I'm not going to attend high school.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, I need to start looking for a job.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't possibly do that.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I just lost sight of what I should be doing.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course, I didn't go too far and say,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"and created four shikigami."*<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lost sight of what to do.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, you resorted to exhibitionism<br>&nbsp;&nbsp;&nbsp;&nbsp;and pulling your hair out.<br>**[18:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OUCH<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll say this partially<br>&nbsp;&nbsp;&nbsp;&nbsp;as a caution to myself, Nadeko.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was a middle schooler who took virtually<br>&nbsp;&nbsp;&nbsp;&nbsp;every opinion from anyone pretty seriously.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't let trivial insults<br>&nbsp;&nbsp;&nbsp;&nbsp;and childish jokes slide.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to be honest, I can't deny<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have tendencies like that.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't think it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the correct thing to do.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean they weren't being serious<br>&nbsp;&nbsp;&nbsp;&nbsp;when they said I need to work?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not necessarily.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I don't think they want to trouble you<br>&nbsp;&nbsp;&nbsp;&nbsp;by asking for the impossible, either.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep down, they want to spoil you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but by saying something harsh,<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think they're penalizing themselves.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After my words of self-caution,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll turn a blind eye to myself<br>&nbsp;&nbsp;&nbsp;&nbsp;and give you some advice.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think that this one harsh opinion<br>&nbsp;&nbsp;&nbsp;&nbsp;is everything about your parents.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They might be secretly regretting<br>&nbsp;&nbsp;&nbsp;&nbsp;that they told you that.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They may have told you to go work,<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in reality they might be wanting you<br>&nbsp;&nbsp;&nbsp;&nbsp;to attend high school.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take the face value of their words as absolute,<br>&nbsp;&nbsp;&nbsp;&nbsp;and make sure to see them for who they are.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't, the situation might become one<br>&nbsp;&nbsp;&nbsp;&nbsp;where you're listening<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to what they're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;with absolute obedience,<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet you make them feel unpleasant.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You feel like you're doing everything<br>&nbsp;&nbsp;&nbsp;&nbsp;they tell you to do,<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what if the other side is thinking things<br>&nbsp;&nbsp;&nbsp;&nbsp;that aren't going the way they want it to go?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;that can be sadder than that.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Nadeko.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you're unsure of what's going<br>&nbsp;&nbsp;&nbsp;&nbsp;to happen to you in the future...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you're alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can at least become an adult.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... rest assured.<br>**[20:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HIGH SCHOOL STUDENTS<br>
&nbsp;&nbsp;&nbsp;&nbsp; POOL 1H 200Y<br>**[20:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MIDDLE SCHOOL STUDENTS <br>
&nbsp;&nbsp;&nbsp;&nbsp;POOL 1H 70Y<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was planning on ditching<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole day today,<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but after talking to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a tiny bit of motivation.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll attend the afternoon lectures.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't recall giving her motivation.*<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I'm glad I could be of some stimulus<br>
&nbsp;&nbsp;&nbsp;&nbsp;for Big Sister Sodachi.*<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Before we parted,<br>
&nbsp;&nbsp;&nbsp;&nbsp;she gave me her contact info.*<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're ever in trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help you anytime.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Nadeko, please don't cry yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;to sleep over anything.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you give me your trust,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach those guys true pain.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's saying something super scary.*<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Other than advice,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I shrewdly received a hint.*<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If our conversation had gone on<br>
&nbsp;&nbsp;&nbsp;&nbsp;for a bit longer,*<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*perhaps I may have arrived<br>
&nbsp;&nbsp;&nbsp;&nbsp;at that hint myself.*<br>**[21:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TSUKIHI<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As if that was an unspoken agreement,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we didn't give names of a mutual acquaintance.*<br>**[21:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MS. KAREN<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Detour upon detour, I wandered around.*<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to Ms. Kanbaru,*<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*witness reports of Meek Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;had come from "all over the place."*<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the first interpretation for such a stroll<br>
&nbsp;&nbsp;&nbsp;&nbsp;was that she had no objective or destination*<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and was simply aimlessly wandering around,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the second interpretation is that*<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she was trying to avoid the destination<br>
&nbsp;&nbsp;&nbsp;&nbsp;that she actually wanted to go to.*<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As a result, it looks like she's wandering around<br>
&nbsp;&nbsp;&nbsp;&nbsp;everywhere but there while half-naked.*<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Therefore, I can connect<br>
&nbsp;&nbsp;&nbsp;&nbsp;all the witnessed locations with a line,*<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and see what's in the center<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the polygon.*<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps, those coordinates will show...*<br>**[22:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I somehow feel like I'm fighting?<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't touch and don't want to touch<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Myself, myself, myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;and myself from the past<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been dead for a long time now<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fight with a transparent ghost<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep in a childish and painful memory<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disappointed? It's gone<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? You like that better? That's ironic<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I, as I am now, what's transparent?<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense<br>&nbsp;&nbsp;&nbsp;&nbsp;A label that doesn't disappear<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! It's basically a complex<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be possessed<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old me<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wrapped up and<br>&nbsp;&nbsp;&nbsp;&nbsp;won't leave<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E4 - NADEMONOGATARI Nadeko Draw Part Three

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G8WUNJ804/nademonogatari-nadeko-draw-part-three)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Honestly, I didn't think<br>
&nbsp;&nbsp;&nbsp;&nbsp;I would come here ever again.*<br>**[00:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARARA<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't even feel nostalgic.*<br>**[00:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RAGI<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is a room I've visited<br>
&nbsp;&nbsp;&nbsp;&nbsp;many times in the past.*<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is a room I've visited<br>
&nbsp;&nbsp;&nbsp;&nbsp;in various forms.*<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nowadays, this is a room<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I should not be visiting.*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If Meek Nadeko is still<br>
&nbsp;&nbsp;&nbsp;&nbsp;somewhere in this house,*<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*this is the first place to look.*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[02:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO DRAW, PART THREE<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER FOUR<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you. You're supposed to be a slowpoke!<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't dodge my critical hit!<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? Why is Wrath Nadeko here?*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hate it, hate it, hate it!<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will never, ever work!<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna help you with your work.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right.*<br>**[03:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;10,000 HOURS ÷ 5 PEOPLE<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Originally, I created four shikigami to share<br>
&nbsp;&nbsp;&nbsp;&nbsp;the workload to become a manga artist.*<br>**[03:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FORCED LABOR<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At the same time, that's the reason<br>
&nbsp;&nbsp;&nbsp;&nbsp;why they all escaped from my room.*<br>**[03:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FORCED LABOR<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If they think they'll be punished<br>
&nbsp;&nbsp;&nbsp;&nbsp;with forced labor if they get caught,*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it's no surprise there would be<br>
&nbsp;&nbsp;&nbsp;&nbsp;a Nadeko who resorts to force like this.*<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The logic of "Get 'em before they get you."*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's okay, Wrath Nadeko.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I won't be forcing labor on you.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't make you put in<br>&nbsp;&nbsp;&nbsp;&nbsp;10,000 hours of effort.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! You're not gonna fool me!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna kill you,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm gonna rest!<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wrath Nadeko's characteristic<br>
&nbsp;&nbsp;&nbsp;&nbsp;as a shikigami apparition*<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is her superior physical skills,*<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as she has done away<br>
&nbsp;&nbsp;&nbsp;&nbsp;with all limitations.*<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Otherwise, even if you use a chisel,*<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you can't normally leave<br>
&nbsp;&nbsp;&nbsp;&nbsp;a gaping hole in the front door.*<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down. Let's talk this out.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ch-Chisels aren't tools<br>&nbsp;&nbsp;&nbsp;&nbsp;that are used like that, okay?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how do use this as a tool!?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying a gouge has some purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;other than hollowing out your innards?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chisels are creative—<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Creative!?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're set on making me work!<br>**[04:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I DON'T WANT TO WORK<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyah!<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to rest...<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you rest!<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. You rest instead.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're reluctantly<br>&nbsp;&nbsp;&nbsp;&nbsp;putting in effort, aren't you?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's too much pain, just stop.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh!?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And thus, I secured my second shikigami.*<br>**[05:36] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;VS WRATH NADEKO, THE GREAT OPERATION<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Hollowing out my innards."*<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wrath Nadeko plainly<br>
&nbsp;&nbsp;&nbsp;&nbsp;disclosed her attack method,*<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I decided to use<br>
&nbsp;&nbsp;&nbsp;&nbsp;that plan against her.*<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went wrathful<br>
&nbsp;&nbsp;&nbsp;&nbsp;against Wrath Nadeko.*<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words, I had her come get caught<br>
&nbsp;&nbsp;&nbsp;&nbsp;inside the blank sheet of paper.*<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everything went well, so I might<br>
&nbsp;&nbsp;&nbsp;&nbsp;be able to get away with being a bit giddy.*<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I felt restless because<br>
&nbsp;&nbsp;&nbsp;&nbsp;the final words from Wrath Nadeko*<br>**[06:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOU REST INSTEAD<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*had stabbed me sharper and deeper<br>
&nbsp;&nbsp;&nbsp;&nbsp;than any chisel could.*<br>**[06:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOU'RE RELUCTANTLY PUTTING IN EFFORT, AREN'T YOU?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Those were Wrath Nadeko's words.*<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I'm sure they're words<br>
&nbsp;&nbsp;&nbsp;&nbsp;from my own heart.*<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That said, Current Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;can't be depressed forever.*<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even now, I cannot forget that I'm currently<br>
&nbsp;&nbsp;&nbsp;&nbsp;committing the crime of trespassing.*<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now that I'm done here,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I must make an escape.*<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to protect myself.*<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's a mark left on the floor, but it's<br>
&nbsp;&nbsp;&nbsp;&nbsp;an unnoticeable size until it's noticed.*<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In any case, because the front door<br>
&nbsp;&nbsp;&nbsp;&nbsp;is clearly destroyed in that manner,*<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a perfect cover-up<br>
&nbsp;&nbsp;&nbsp;&nbsp;would be impossible.*<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll have my self-centered friend Tsukihi<br>
&nbsp;&nbsp;&nbsp;&nbsp;explain it all later.*<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Despite the complications, I captured<br>
&nbsp;&nbsp;&nbsp;&nbsp;Flirty Nadeko and Wrath Nadeko.*<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are two shikigami remaining.*<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meek Nadeko and God Nadeko.*<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right. I think I'll borrow some.*<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Sengoku here!<br>**[07:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCREAM<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of all things, I introduced myself.*<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh?*<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ms. Sengoku?*<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a voice I'd never forget.*<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was Ms. Hitagi Senjyogahara.*<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had a very scary experience!*<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was about to die from shock!*<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can even call this<br>
&nbsp;&nbsp;&nbsp;&nbsp;a near-death experience.*<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Am I alive and okay right now?*<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This isn't the afterlife, is it?*<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, that was so scary.*<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm never answering a phone<br>
&nbsp;&nbsp;&nbsp;&nbsp;ever again.*<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I head straight down this path,*<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it leads to the mountain<br>
&nbsp;&nbsp;&nbsp;&nbsp;that North Shirahebi Shrine sits on.*<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This strays from my current objective<br>
&nbsp;&nbsp;&nbsp;&nbsp;of searching for 'Loomer Nadeko*<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who's wandering around<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a titillating guise.*<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, if I were to set my sights<br>
&nbsp;&nbsp;&nbsp;&nbsp;on God Nadeko instead,*<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*North Shirahebi Shrine is like<br>
&nbsp;&nbsp;&nbsp;&nbsp;the big favorite for locations.*<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Ononoki!?<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Ononoki!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no! Ononoki!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Answer me!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so noisy.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a doll apparition, so being taken apart<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be enough to kill me.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I've been keeping this<br>&nbsp;&nbsp;&nbsp;&nbsp;a secret from you until now,<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm also a corpse apparition<br>&nbsp;&nbsp;&nbsp;&nbsp;so I've been dead from the beginning.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She sure talks a lot.<br>
&nbsp;&nbsp;&nbsp;&nbsp;And she only has her head.*<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were up here chopping up snakes.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get scared<br>&nbsp;&nbsp;&nbsp;&nbsp;from a visual image of this level.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, I have a favor<br>&nbsp;&nbsp;&nbsp;&nbsp;to ask of you, Nadeko Sengoku.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't see well from this angle,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my body parts are likely scattered<br>&nbsp;&nbsp;&nbsp;&nbsp;all over this area.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you pick them up for me?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you put the segments<br>&nbsp;&nbsp;&nbsp;&nbsp;of each part together, they'll adhere.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I won't be able to gather<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the tiny flesh pieces.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can approximate.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is triage for the time being.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist,<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can share<br>&nbsp;&nbsp;&nbsp;&nbsp;some of your flesh with me.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too scary.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in times like this,<br>
&nbsp;&nbsp;&nbsp;&nbsp;corpse-type apparitions are at a disadvantage.<br>**[11:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SAFETY FIRST<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a fellow immortal being,<br>
&nbsp;&nbsp;&nbsp;&nbsp;for example a vampire,<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had their flesh dispersed, it would disappear<br>
&nbsp;&nbsp;&nbsp;&nbsp;and new parts would grow from the segments.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No trouble at all.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but in this case, it was a good thing<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I was a corpse-type apparition.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a blessing in disguise.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you see,<br>&nbsp;&nbsp;&nbsp;&nbsp;snake venom is a hemolytic.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vampire, an apparition of the blood,<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't fare too well against it.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Snake venom?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, it's not something<br>
&nbsp;&nbsp;&nbsp;&nbsp;I should notice right now.*<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course the culprit is God Nadeko.*<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is truly what you call<br>
&nbsp;&nbsp;&nbsp;&nbsp;not knowing one's place.*<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Depending on how things unfold,*<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it wouldn't have been too strange<br>
&nbsp;&nbsp;&nbsp;&nbsp;if I'm the one who ended up like this.*<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But hey, God Nadeko, why go this far?*<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's driving you to such atrocities?*<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is way too sinister.*<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goodness, really.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since I started getting<br>&nbsp;&nbsp;&nbsp;&nbsp;involved with Tsukihi Araragi,<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing has gone well for me.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but there was one thing.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact I became friends with you.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKKO WITH YOU!<br>
&nbsp;&nbsp;&nbsp;&nbsp;THE BOKU-GIRL ARC #1<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you suddenly saying<br>&nbsp;&nbsp;&nbsp;&nbsp;something that makes me so happy?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is she trying to make me fall for her?*<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know how serious she's being.*<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But current situation aside, I'm pretty sure<br>
&nbsp;&nbsp;&nbsp;&nbsp;this girl used to hate me in the past.*<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since she's a doll, she's easily affected<br>
&nbsp;&nbsp;&nbsp;&nbsp;by the people around her,*<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and if anything, her characteristics<br>
&nbsp;&nbsp;&nbsp;&nbsp;tend to waver... Was it?*<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. So if you think I'm a good person,<br>&nbsp;&nbsp;&nbsp;&nbsp;that means you're a good person.<br>**[12:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKKO WITH YOU!<br>
&nbsp;&nbsp;&nbsp;&nbsp;THE BOKU-GIRL ARC #2<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't make me fall for you.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine, really.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squeeze it.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Push them together<br>&nbsp;&nbsp;&nbsp;&nbsp;like when you're making stuff from clay.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry if I get left and right wrong.<br>**[13:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LEFT     RIGHT<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break.<br>**[13:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RIGHT    LEFT<br>**[13:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll swap your left and right limbs if you do.<br>**[13:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UKOGNES OKEDAN<br>**[13:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE SCOLDED ME.<br>**[13:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HOW SHE SCOLDS ME IS SCARY.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, what happened?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was God Nadeko that powerful?<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she's powerful in her own way.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as you guessed, I was defeated<br>&nbsp;&nbsp;&nbsp;&nbsp;by my target, God Nadeko.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But strictly speaking,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I wasn't facing just God Nadeko.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to deal with both<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko and God Nadeko at the same time.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it was a two-on-one.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means God Nadeko also used<br>&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko in some fashion as well?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's what this means.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for starters, let's analyze how I lost<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can reflect upon my performance.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, the one I found after<br>&nbsp;&nbsp;&nbsp;&nbsp;I parted ways with you was Meek Nadeko.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was walking around town<br>&nbsp;&nbsp;&nbsp;&nbsp;in a swimsuit.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a swimsuit!?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No way. Wasn't Meek Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;topless and wearing bloomers?*<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It wasn't a micro-bikini, was it?<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it was a school-issued swimsuit.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, then that's good.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a lot better!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was tailing Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing a school-issued swimsuit.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have just blown her away<br>&nbsp;&nbsp;&nbsp;&nbsp;with Unlimited Rulebook right when I found her,<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I decided to let her wade around.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, she was in a swimsuit.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we ultimately<br>&nbsp;&nbsp;&nbsp;&nbsp;have to deal with all four shikigami.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We believe Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;is relatively harmless,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if we use her like live decoys<br>&nbsp;&nbsp;&nbsp;&nbsp;for sweet fish angling,<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expected we'd be able to round up<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole gang in one shot.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kept tailing her.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she was clearly a decoy.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Decoy.<br>**[15:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DECOY<br>
&nbsp;&nbsp;&nbsp;&nbsp;(OTORI)<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. It was a trap.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She successfully lured me<br>&nbsp;&nbsp;&nbsp;&nbsp;into this shrine,<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shredded me from behind<br>&nbsp;&nbsp;&nbsp;&nbsp;with the snake fang.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who was leaving Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;at large wasn't me, but God Nadeko.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh. What is this about a shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;being used by another shikigami?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right.*<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By the way,<br>
&nbsp;&nbsp;&nbsp;&nbsp;what's the chronological order?*<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When Meek Nadeko was walking around<br>
&nbsp;&nbsp;&nbsp;&nbsp;in nothing but bloomers,*<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and when she's climbing this mountain<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a school-issued swimsuit.*<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is first, and which is later?*<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whichever was first<br>
&nbsp;&nbsp;&nbsp;&nbsp;is quite the perverted one.*<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I feel this is<br>
&nbsp;&nbsp;&nbsp;&nbsp;quite an important factor here.*<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, how did things go<br>&nbsp;&nbsp;&nbsp;&nbsp;on your end, Nadeko Sengoku?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your outfit has changed drastically.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From how your limbs<br>&nbsp;&nbsp;&nbsp;&nbsp;are still attached to your body,<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm assuming<br>&nbsp;&nbsp;&nbsp;&nbsp;you hadn't come across God Nadeko.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To be honest, it's really hard for me<br>
&nbsp;&nbsp;&nbsp;&nbsp;to make a report to a professional*<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who was utterly defeated to this level.*<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While continuing my treatment of Ononoki,*<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I explained the situation thus far, making sure<br>
&nbsp;&nbsp;&nbsp;&nbsp;it didn't sound like bragging at any point.*<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't flatter yourself.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acting so modest. How despicable.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, don't hate me now, okay?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in the middle of devoting myself<br>&nbsp;&nbsp;&nbsp;&nbsp;to gluing your limbs together.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Ougi Oshino, huh?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ougi should be moving based on<br>&nbsp;&nbsp;&nbsp;&nbsp;eyewitness information about Meek Nadeko.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if things went wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;and he's facing God Nadeko alone,<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he might not leave unscathed.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but if he were to encounter<br>&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if God Nadeko and Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;made an alliance,<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it ultimately means the same thing?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's quite the troublesome matter.*<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But in a way, at this juncture, you could say<br>
&nbsp;&nbsp;&nbsp;&nbsp;the situation has become quite simple.*<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If they're going to act<br>
&nbsp;&nbsp;&nbsp;&nbsp;in solidarity, we can, too.*<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From here, it's a team battle.*<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, team battles<br>&nbsp;&nbsp;&nbsp;&nbsp;have their pros and cons, too.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Meek Nadeko falling under<br>&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko's leadership,<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that she'll evolve as a shikigami.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evolve?<br>**[17:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EVOLVE<br>
&nbsp;&nbsp;&nbsp;&nbsp;(SHINKA)<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deify, maybe.<br>**[17:35] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DEIFY<br>
&nbsp;&nbsp;&nbsp;&nbsp;(SHINKA)<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the worst case scenario,<br>&nbsp;&nbsp;&nbsp;&nbsp;we might have to face two God Nadekos.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Ononoki...<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the reverse?<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changing God Nadeko into Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;or Flirty Nadeko is not impossible, right?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you bring a con artist or something,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's not impossible.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeking the help of Mr. Kaiki<br>&nbsp;&nbsp;&nbsp;&nbsp;or other specialists in itself is okay, right?<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like contacting Ms. Gaen, their boss.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two reasons<br>&nbsp;&nbsp;&nbsp;&nbsp;why I don't want to do that.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is because my failure<br>&nbsp;&nbsp;&nbsp;&nbsp;will come into light.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another is because they might<br>&nbsp;&nbsp;&nbsp;&nbsp;dispose of you, shikigami and all.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the number of gods<br>&nbsp;&nbsp;&nbsp;&nbsp;increased to two,<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we surely wouldn't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to handle them anymore.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we should settle the score before that.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both God Nadeko and Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;fled from here after they took you apart, right?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not so much fleeing, but going over<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill you next after they dealt with me.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means if I kept waiting here,<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll eventually show up<br>&nbsp;&nbsp;&nbsp;&nbsp;in search of me, right?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to play the long game,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be fine.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But fearing the risks of Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;evolving into God Nadeko,<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we should stay on their pursuit.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[19:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NORTH SHIRAHEBI SHRINE<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once again,<br>&nbsp;&nbsp;&nbsp;&nbsp;the two shikigami's locations are unknown.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of approach should we take<br>&nbsp;&nbsp;&nbsp;&nbsp;to look for them?<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I didn't just take<br>&nbsp;&nbsp;&nbsp;&nbsp;a blind hit and get dismantled.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I failed, I was able<br>&nbsp;&nbsp;&nbsp;&nbsp;to deal my hand in a certain way.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your hand?<br>**[19:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WHAT DOES SHE MEAN BY THAT?<br>**[19:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HEAD<br>
&nbsp;&nbsp;&nbsp;&nbsp;NECK<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHOULDER SHOULDER<br>
&nbsp;&nbsp;&nbsp;&nbsp;ARM CHEST ARM<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once this sticks together,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be done fixing you up.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the parts I gathered,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't find the part of your right arm<br>&nbsp;&nbsp;&nbsp;&nbsp;past your wrist?<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I glued my right hand<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God Nadeko's back.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I literally "dealt my hand" to her.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So no matter where she lurks, like a snake,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll always know her whereabouts.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Looks like we survived<br>
&nbsp;&nbsp;&nbsp;&nbsp;by the skin of our teeth.*<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, can you make me an impromptu<br>&nbsp;&nbsp;&nbsp;&nbsp;artificial hand with the dirt around here?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, by the way, Ononoki.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, is the new god inside the shrine?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was only in name, but as the predecessor,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I should at least say hello.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she's not here right now.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of her origins, she's a god<br>&nbsp;&nbsp;&nbsp;&nbsp;who likes to go out on walks.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was great timing that she wasn't here.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they clashed in a bad way, God Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;may have taken back the divinity from her.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is it all right for her<br>&nbsp;&nbsp;&nbsp;&nbsp;to be strolling around?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't have to be here.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a chance for her to encounter<br>&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko somewhere in town, right?<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Ideally, we'd like to put<br>&nbsp;&nbsp;&nbsp;&nbsp;the new god under protection first.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we meet up with the strolling god<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have her help us out<br>&nbsp;&nbsp;&nbsp;&nbsp;in collecting the shikigami?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the sounds of it, it's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're not acquaintances with this god, right?<br>**[20:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GOD<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you guessed,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not like I don't know her.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's more the reason why relying<br>&nbsp;&nbsp;&nbsp;&nbsp;on a god for this case may lead to trouble later.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't cleaning up<br>&nbsp;&nbsp;&nbsp;&nbsp;after the predecessor.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is cleaning up after ourselves.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we were to receive help<br>&nbsp;&nbsp;&nbsp;&nbsp;with no price to pay,<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we might lessen the trust from the god.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural for us to help her,<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for her to help us<br>&nbsp;&nbsp;&nbsp;&nbsp;would mean she favors us.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. It's done. A right hand.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, your real hand that's holding onto<br>&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko's back. Where is it right now?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a hand.<br>**[21:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HAND<br>**[21:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EYE EYE<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not an eye,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't know the location.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NORTH<br>
&nbsp;&nbsp;&nbsp;&nbsp;WEST EAST<br>
&nbsp;&nbsp;&nbsp;&nbsp;SOUTH<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I do know is just a direction,<br>&nbsp;&nbsp;&nbsp;&nbsp;like pointing toward it.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt that<br>&nbsp;&nbsp;&nbsp;&nbsp;they're shikigami you created.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't stray far<br>&nbsp;&nbsp;&nbsp;&nbsp;from your usual daily life zone.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until they take over you.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oof.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki is back!<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my right hand is just in form.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt I'm unstable<br>&nbsp;&nbsp;&nbsp;&nbsp;in all sorts of places.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, it's best if I refrained from<br>&nbsp;&nbsp;&nbsp;&nbsp;using Unlimited Rulebook as much as possible.<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say I can only use it once.<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only once, huh?<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though we're still facing two of them?<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing would be better<br>&nbsp;&nbsp;&nbsp;&nbsp;than blowing away both of them at once.<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as long as God Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;is using Meek Nadeko as a decoy,<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd guess that would be difficult.<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Nadeko Sengoku.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From this point,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to rely on your bravery.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm better off sticking to a support role.<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Th-That's impossible.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? You already have the accomplishment<br>&nbsp;&nbsp;&nbsp;&nbsp;of collecting two shikigami already.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until now, I was facing them one at a time,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was able to make something of it.<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even without God Nadeko being a god,<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;simultaneously facing two shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;as enemies by myself...<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come now.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not alone at all.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flirty Nadeko and Wrath Nadeko.<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sealed away two shikigami<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and exorcized them.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you are worth three Nadekos...<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current Nadeko.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I somehow feel like I'm fighting?<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't touch and don't want to touch<br>**[24:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Myself, myself, myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;and myself from the past<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been dead for a long time now<br>**[24:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fight with a transparent ghost<br>**[24:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep in a childish and painful memory<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disappointed? It's gone<br>**[24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? You like that better? That's ironic<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I, as I am now, what's transparent?<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense<br>&nbsp;&nbsp;&nbsp;&nbsp;A label that doesn't disappear<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! It's basically a complex<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be possessed<br>**[24:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old me<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wrapped up and<br>&nbsp;&nbsp;&nbsp;&nbsp;won't leave<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[24:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[24:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[24:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[24:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[24:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E5 - NADEMONOGATARI Nadeko Draw Part Four

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GZ7UVG818/nademonogatari-nadeko-draw-part-four)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ononoki and I decided<br>
&nbsp;&nbsp;&nbsp;&nbsp;to leave the mountain*<br>**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head back<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the Sengoku residence for now.*<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, it's time to strategize.*<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you change clothes, Ononoki?<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I kinda like this avant-garde look<br>&nbsp;&nbsp;&nbsp;&nbsp;that shows off my belly button.<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I meant more for a disguise.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, once again...<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki, can you tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;the strategy you mentioned earlier?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I said that if God Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;and Meek Nadeko are tag-teaming,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we should deal with them<br>&nbsp;&nbsp;&nbsp;&nbsp;with three Nadeko Sengokus.<br>**[00:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;STRAWBERRY ICE CREAM<br>
&nbsp;&nbsp;&nbsp;&nbsp;GRAPE ICE CREAM / BLACK SESAME ICE CREAM<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, and the two shikigami you captured.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flirty Nadeko and Wrath Nadeko,<br>&nbsp;&nbsp;&nbsp;&nbsp;which makes three.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means we want a three-on-two and have<br>&nbsp;&nbsp;&nbsp;&nbsp;a numerical advantage in this battle, right?<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Of course, each Nadeko has her own<br>&nbsp;&nbsp;&nbsp;&nbsp;personality, so it won't be a simple majority.<br>**[00:56] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MILK GELATO / BERRY GELATO<br>**[00:56] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLACK SESAME GELATO / STRAWBERRY GELATO / GRAPE GELATO<br>**[01:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FLIRTY / GOD / MEEK / WRATH<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that should actually prove<br>&nbsp;&nbsp;&nbsp;&nbsp;advantageous for us.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flirty Nadeko's negotiation skill<br>&nbsp;&nbsp;&nbsp;&nbsp;and Wrath Nadeko's physical prowess<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;puts us in a favorable position<br>&nbsp;&nbsp;&nbsp;&nbsp;in sealing away the two we are opposing.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, now that Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;had her chisel taken from her by Wrath Nadeko,<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she can only be counted as a decoy or as a wall.<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, the only one we need<br>&nbsp;&nbsp;&nbsp;&nbsp;to be cautious about is God Nadeko.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I get that.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, even then, this plan is nothing more<br>
&nbsp;&nbsp;&nbsp;&nbsp;than an armchair theory.*<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean...*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relying on shikigami to clear out our situation,<br>&nbsp;&nbsp;&nbsp;&nbsp;or plan to clear things up thereof,<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the exact thing we tried to do<br>&nbsp;&nbsp;&nbsp;&nbsp;this morning, and completely failed, right?<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Nadeko Sengoku, is it all right to fail<br>&nbsp;&nbsp;&nbsp;&nbsp;and then just end it there?<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come again?<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challenging once, failing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and saying you'll never do it again<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not the correct attitude to take<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone chasing their dreams, so to say.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist on refusing this plan,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to push this through.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I'm lacking<br>&nbsp;&nbsp;&nbsp;&nbsp;in any alternate plans.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, perhaps Nadeko Sengoku<br>&nbsp;&nbsp;&nbsp;&nbsp;has forgotten our initial objective?<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our initial objective?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You also had a goal of being acknowledged<br>&nbsp;&nbsp;&nbsp;&nbsp;as harmless by Ms. Gaen.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course, I hadn't forgotten about that.*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll do it, Ononoki.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Let me do it.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please allow me to do this.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Since we have failed, we need<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn something from our failure.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Learning something from our failure...<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means taking Flirty Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;and Wrath Nadeko,<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and having them serve<br>&nbsp;&nbsp;&nbsp;&nbsp;as proper shikigami this time, right?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. The condition that differs<br>&nbsp;&nbsp;&nbsp;&nbsp;from this morning is that<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you faced two of them once this morning,<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and no matter what the circumstances were,<br>&nbsp;&nbsp;&nbsp;&nbsp;you properly sealed them away.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, when you open up<br>&nbsp;&nbsp;&nbsp;&nbsp;the folded pieces of paper,<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the likelihood that they will actually<br>&nbsp;&nbsp;&nbsp;&nbsp;obey you this time is relatively high.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, there's the worst case scenario.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we face God Nadeko and Meek Nadeko,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and we unleash Flirty Nadeko and Wrath Nadeko,<br>**[03:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OH! A WILD SHIKIGAMI HAS APPEARED!<br>**[03:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GO! FLIRTY NADEKO! WRATH NADEKO!<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those two might choose to be on the other side<br>
&nbsp;&nbsp;&nbsp;&nbsp;and it won't be a three-on-two.<br>**[03:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ENEMY NADEKO'S AWAKEN!<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this case, we would have<br>
&nbsp;&nbsp;&nbsp;&nbsp;a one-on-four as our battle.<br>**[03:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE FOUR NADEKOS ARE ALL ENEMIES NOW!<br>**[03:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE WORLD BLACKS OUT!<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hashing out possibilities is an endless task.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this isn't about probabilities<br>&nbsp;&nbsp;&nbsp;&nbsp;that rely on luck.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, it all depends<br>&nbsp;&nbsp;&nbsp;&nbsp;on how much courage you have.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to sound like an adolescent<br>&nbsp;&nbsp;&nbsp;&nbsp;manga series, Nadeko Sengoku...<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time has finally come<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to overcome your past self.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If anything, I took too long.*<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meek Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;who doesn't look forward.*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Flirty Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;who caters to her surroundings.*<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wrath Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;who rages about everything.*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;who acts with divinity and innocence.*<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All of them are me,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and everything leads up to this current time.*<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That is why I have to take them,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and connect them to myself.*<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm done filling my stomach now.*<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The war will now begin.*<br>**[05:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATRI EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO DRAW, PART FOUR<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER FIVE<br>**[05:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BOOKS<br>**[06:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HARUYA BOOKSTORE<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The showdown was at a bookstore.*<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was surprising that the location<br>
&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko and Meek Nadeko*<br>**[06:04] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BOOKSTORE PARKING ONLY<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*chose a bookstore<br>
&nbsp;&nbsp;&nbsp;&nbsp;to be their headquarters.*<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that doesn't mean<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'm clueless as to why.*<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had once committed savage deeds<br>
&nbsp;&nbsp;&nbsp;&nbsp;that are unthinkable now*<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*because I was trying to remove<br>
&nbsp;&nbsp;&nbsp;&nbsp;the curse placed on me.*<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, the knowledge that became<br>
&nbsp;&nbsp;&nbsp;&nbsp;the foundation for such cruelty*<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was gained here at this bookstore.*<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Ononoki...<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Nadeko?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pointless to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;after coming all the way here,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what was the alternate plan<br>&nbsp;&nbsp;&nbsp;&nbsp;you had in mind?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;EX-KISS-SHOT ACEROLA-ORION HEART-UNDER-BLADE<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A plan to have ex-Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade to make an appearance.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The king of apparitions<br>&nbsp;&nbsp;&nbsp;&nbsp;acknowledged as harmless...<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The iron-blooded, hot-blooded,<br>&nbsp;&nbsp;&nbsp;&nbsp;and cold-blooded vampire.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like she doesn't know us,<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so dragging her out here as she's<br>&nbsp;&nbsp;&nbsp;&nbsp;already acknowledged as harmless,<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and having her "devour"<br>&nbsp;&nbsp;&nbsp;&nbsp;the remaining two shikigami<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is quite a simple way<br>&nbsp;&nbsp;&nbsp;&nbsp;to resolve this situation.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you want to say.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I know it's hard for you to say.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we drag ex-Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade out here,<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will inevitably have that guy<br>&nbsp;&nbsp;&nbsp;&nbsp;as part of the set.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you, Nade-koh, it is most inconvenient<br>&nbsp;&nbsp;&nbsp;&nbsp;and difficult to accept.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for looking out for me.<br>**[07:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADE-KOH<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though, being called "Nade-koh"<br>
&nbsp;&nbsp;&nbsp;&nbsp;is quite difficult to accept as well.*<br>**[07:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HARUYA BOOKSTORE<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if I decide that your life is in<br>&nbsp;&nbsp;&nbsp;&nbsp;danger because things stayed the way they are...<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will ignore your wishes.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we fall into that situation,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm willing to seek the help of<br>**[07:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KISS-SHOT<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ex-Kiss-shot Acerola-orion Heart-under-blade,<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen, or the newly appointed deity.<br>**[07:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GA - E - N<br>**[07:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GOD - 894<br>
&nbsp;&nbsp;&nbsp;&nbsp;(hachi-ku-shi)<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In that case,*<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't help but worry whether Ononoki's future<br>
&nbsp;&nbsp;&nbsp;&nbsp;would be in jeopardy after the situation resolves.*<br>**[08:04] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BOOKS<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll somehow make do on my own.<br>**[08:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HARUYA BOOKSTORE<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyway, for me, in order<br>
&nbsp;&nbsp;&nbsp;&nbsp;for Ononoki to keep her job,*<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we have to carry out the original plan<br>
&nbsp;&nbsp;&nbsp;&nbsp;that we chose to deploy.*<br>**[08:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LIGHT NOVELS<br>**[08:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THERE WAS NOBODY INSIDE THE BOOKSTORE.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a barrier? No, it's not.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too ill-mannered to be a barrier.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be a shikigami's special ability.<br>&nbsp;&nbsp;&nbsp;&nbsp;Likely Meek Nadeko's.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This empty storefront could be thought of<br>&nbsp;&nbsp;&nbsp;&nbsp;as the scenery in Meek Nadeko's mind.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How Meek Nadeko wandered around<br>&nbsp;&nbsp;&nbsp;&nbsp;looking like a pervert but not getting arrested<br>**[08:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ART MUSEUM<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;may have been because of this skill that "clears people out<br>&nbsp;&nbsp;&nbsp;&nbsp;due to bashfulness around them," so to say.<br>**[08:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LIGHT NOVELS<br>**[08:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;REFERENCE BOOKS<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way.<br>**[09:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;STORIES<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll add some advise just in case, Nade-koh.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you activate a shikigami,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to do it one at a time no matter what.<br>**[09:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (1)<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We will take one shikigami*<br>**[09:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (1)<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (5)<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and sandwich her with myself and<br>
&nbsp;&nbsp;&nbsp;&nbsp;one of the two Nadeko Sengokus sealed away.*<br>**[09:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (2)<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (1)<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (5)<br>**[09:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (4)<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're not having one three-on-two fights,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but two two-on-one fights.*<br>**[09:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (4)<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (5)<br>**[09:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (3)<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (4)<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO SENGOKU (5)<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the ideal situation.*<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course, I don't expect things<br>
&nbsp;&nbsp;&nbsp;&nbsp;to fully go as planned.*<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even then, activating both shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;at once is an absolute taboo.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they're upstairs.<br>**[09:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCCULT<br>**[09:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAGIC<br>**[09:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCCULT<br>**[09:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCCULT<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the topless Meek Nadeko wearing bloomers<br>
&nbsp;&nbsp;&nbsp;&nbsp;is named 'Loomer Nadeko,*<br>**[10:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL-ISSUED SWIMSUIT NADEKO<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then the Meek Nadeko in a school-issued swimsuit<br>
&nbsp;&nbsp;&nbsp;&nbsp;would be named 'Chool Nadeko, I guess.*<br>**[10:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CHOOL NADEKO<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ono...<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I uttered a voice, it would echo.*<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's a chance that Meek Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;would notice.*<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is likely the stage for Flirty Nadeko,<br>
&nbsp;&nbsp;&nbsp;&nbsp;who has formidable sociability skills.*<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a two-on-one.*<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's against Meek Nadeko,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Flirty Nadeko should be enough.*<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's swayed more easily than anyone.*<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was forced to exchange<br>
&nbsp;&nbsp;&nbsp;&nbsp;her school uniform.*<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She had her chisel taken from her.*<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's basically at the beck and call<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the other shikigami.*<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why...*<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh? I just felt a strange sensation<br>
&nbsp;&nbsp;&nbsp;&nbsp;that something was off.*<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's see, am I overlooking something?*<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I'm overlooking something, at the point<br>
&nbsp;&nbsp;&nbsp;&nbsp;where I am acting separately from Ononoki,*<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then I've already done everything<br>
&nbsp;&nbsp;&nbsp;&nbsp;I can to overlook things.*<br>**[11:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST FLOOR MAP<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that's not what I mean.*<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I feel like what I overlooked is even more<br>
&nbsp;&nbsp;&nbsp;&nbsp;fundamental than that.*<br>**[11:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCCULT / MAGIC<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As expected, 'Chool Nadeko is standing there<br>
&nbsp;&nbsp;&nbsp;&nbsp;reading books in the occult section.*<br>**[11:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCCULT<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure she's reading up<br>
&nbsp;&nbsp;&nbsp;&nbsp;on books concerning snakes.*<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Back in that one moment,<br>
&nbsp;&nbsp;&nbsp;&nbsp;if I was not found...*<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the timing was just the slightest bit off,*<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I'd visited the bookstore<br>
&nbsp;&nbsp;&nbsp;&nbsp;at another day or time,*<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*what might have happened?*<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Would I have died from the curse,<br>
&nbsp;&nbsp;&nbsp;&nbsp;ending the story?*<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No. In the end,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that discovery and that reunion*<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*must have been unavoidable<br>
&nbsp;&nbsp;&nbsp;&nbsp;no matter what happened.*<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unavoidable?*<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did I want to avoid it?<br>
&nbsp;&nbsp;&nbsp;&nbsp;I was so happy about it.*<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I'm going to die from this.<br>
&nbsp;&nbsp;&nbsp;&nbsp;That's what I thought.*<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is how I die.*<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"When I die, I want to die like this."<br>
&nbsp;&nbsp;&nbsp;&nbsp;Such wishes surely will not come true.*<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if you could choose how to die,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would be a process of elimination at best.*<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why people<br>
&nbsp;&nbsp;&nbsp;&nbsp;should be choosing how to live.*<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, if this is the case, I should've had<br>
&nbsp;&nbsp;&nbsp;&nbsp;more proper fights with everyone.*<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wish I'd been friendly to everyone.*<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. Shinobu and Ms. Senjyogahara.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Even with them, perhaps...*<br>**[13:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLACK MAGIC<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Flirty Nadeko?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't given me<br>&nbsp;&nbsp;&nbsp;&nbsp;such an unfashionable name,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have minded being<br>&nbsp;&nbsp;&nbsp;&nbsp;on your side from the very beginning.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those clothes are seriously cute.<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna wear it, too.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd you buy it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Current Nadeko?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, these? I borrowed them<br>&nbsp;&nbsp;&nbsp;&nbsp;from my friend Tsukihi.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sheesh, I'm so not cool.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm making such a desperate effort.<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck am I doing?<br>**[13:38] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HISTORY BOOKS<br>**[13:40] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THINKING ABOUT YOUR OCCUPATION<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current Nadeko.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you could, I'd appreciate it<br>&nbsp;&nbsp;&nbsp;&nbsp;if you could hurry<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and dig through the books<br>&nbsp;&nbsp;&nbsp;&nbsp;and get out from that gap.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really, seriously think that. I'm not lying.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never given all of my effort before,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm already at my limit.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, okay.<br>**[14:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HISTORY BOOKS<br>
&nbsp;&nbsp;&nbsp;&nbsp;HOBBIES<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why did you save me?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe because I was irritated?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry. I'm so sorry. It's my fault.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because I was inexperienced.*<br>**[14:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCCULT BOOKS<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't apologize!<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in return, you have to draw me<br>&nbsp;&nbsp;&nbsp;&nbsp;even cuter next time!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me wear clothes like that next time.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. These pumps<br>&nbsp;&nbsp;&nbsp;&nbsp;are a good example.<br>**[14:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SOCIAL CONDITIONS<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current Nadeko, you don't put enough detail<br>&nbsp;&nbsp;&nbsp;&nbsp;when you draw shoes.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, give me shoes that<br>&nbsp;&nbsp;&nbsp;&nbsp;match the outfit, okay? Promise me!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I promise.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure to draw you again.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And next time, you won't be hollow.*<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will truthfully reflect my admirations.*<br>**[15:35] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CALAMITY<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was at a loss,<br>&nbsp;&nbsp;&nbsp;&nbsp;with no means to search for you.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the looks of it, Nade-koh,<br>&nbsp;&nbsp;&nbsp;&nbsp;you activated a shikigami?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used Flirty Nadeko.<br>**[16:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HISTORY BOOKS<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the long-cherished desire<br>&nbsp;&nbsp;&nbsp;&nbsp;of a shikigami to protect its master.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flirty Nadeko filled the role as your stand-in.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no mistake in these words<br>&nbsp;&nbsp;&nbsp;&nbsp;spoken by me, a shikigami.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Flirty Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;likely didn't fall down by herself.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as I can tell from what you said,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko, who was used as a decoy,<br>&nbsp;&nbsp;&nbsp;&nbsp;has also been crushed.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since all the bookshelves<br>
&nbsp;&nbsp;&nbsp;&nbsp;on this floor were toppled at once,*<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAGIC<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there's no way that Meek Nadeko,*<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who was standing there reading books,<br>
&nbsp;&nbsp;&nbsp;&nbsp;got out of this unscathed.*<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't believe it.*<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In order to crush me, God Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;completely abandoned Meek Nadeko.*<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, the numbers of Nadeko Sengoku<br>&nbsp;&nbsp;&nbsp;&nbsp;is us two, and them one. It's a two-on-one.<br>**[16:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;2ND FLOOR: CHILDREN'S BOOKS, COMICS<br>
&nbsp;&nbsp;&nbsp;&nbsp;1ST FLOOR: HUMANITIES, LITERATURE, PAPERBACKS<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko is still on the second floor.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before she can escape...<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's finish this off.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now that Meek Nadeko has been flattened,<br>
&nbsp;&nbsp;&nbsp;&nbsp;her skill as a shikigami,*<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"clearing people out due to bashfulness around them,"<br>
&nbsp;&nbsp;&nbsp;&nbsp;will likely lose its effectiveness.*<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Employees or customers<br>
&nbsp;&nbsp;&nbsp;&nbsp;can arrive here at any time now.*<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I wasn't able to control my shikigami,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I've caused this bookstore immense damage.*<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It makes me feel dizzy.*<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't think I'll be able<br>
&nbsp;&nbsp;&nbsp;&nbsp;to handle the responsibility.*<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really feel bad for this store,<br>&nbsp;&nbsp;&nbsp;&nbsp;become a great manga artist in the future,<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and hold an autograph session<br>&nbsp;&nbsp;&nbsp;&nbsp;inside this store.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's right.*<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though, I have to become quite the best-selling<br>
&nbsp;&nbsp;&nbsp;&nbsp;manga artist to pay back this debt.*<br>**[17:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;COMICS, CHILDREN'S BOOKS<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is why there were more eyewitness sightings<br>
&nbsp;&nbsp;&nbsp;&nbsp;of 'Loomer Nadeko compared to 'Chool Nadeko.*<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There simply were a ton of them!<br>
&nbsp;&nbsp;&nbsp;&nbsp;It's such a simple answer.*<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But who mass-produced<br>
&nbsp;&nbsp;&nbsp;&nbsp;all these 'Loomer Nadekos, and how?*<br>**[18:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EVEN WITH 100 PEOPLE ON TOP<br>**[18:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MIDDLE SCHOOL GIRL IN BLOOMERS<br>
&nbsp;&nbsp;&nbsp;&nbsp;MASS PRODUCTION INCIDENT<br>
&nbsp;&nbsp;&nbsp;&nbsp;WITHIN NAOETSU CITY<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Managing 100 shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't easy, even for a pro.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you're talking about a god who can<br>&nbsp;&nbsp;&nbsp;&nbsp;put 100,000 snakes to work as familiars.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, that said, drawing<br>&nbsp;&nbsp;&nbsp;&nbsp;a hundred different characters...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They're not drawn differently.*<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Each and every one of them are like<br>
&nbsp;&nbsp;&nbsp;&nbsp;stamped images of Meek Nadeko's 'Loomer Nadeko.*<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She likely just drew one,<br>&nbsp;&nbsp;&nbsp;&nbsp;then used a copying machine for the rest.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A shikigami creating shikigami.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unprecedented.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought her skills were too high<br>&nbsp;&nbsp;&nbsp;&nbsp;for her to "clear people out"<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for an entire large bookstore, but if<br>&nbsp;&nbsp;&nbsp;&nbsp;a hundred people were at it, it makes perfect sense.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we don't need to worry about<br>&nbsp;&nbsp;&nbsp;&nbsp;someone coming here anymore.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you're picking up on that one point,<br>
&nbsp;&nbsp;&nbsp;&nbsp;then this situation is highly delightful.*<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that's not so much delightful that it cancels out<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hundred 'Loomer Nadekos around, okay?*<br>**[19:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SECOND FLOOR MAP<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no way we can have<br>
&nbsp;&nbsp;&nbsp;&nbsp;any sort of contest like this!*<br>**[19:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOOMER<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOOMER<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No way we can have any sort of contest,"<br>&nbsp;&nbsp;&nbsp;&nbsp;is going a bit too far.<br>**[19:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PAWN<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're at an overwhelming<br>&nbsp;&nbsp;&nbsp;&nbsp;disadvantage in number.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because there are so many of them,<br>&nbsp;&nbsp;&nbsp;&nbsp;it should be impossible to give detailed orders<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to each of the 100 shikigami out here.<br>**[19:33] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PAWN PAWN PAWN<br>
&nbsp;&nbsp;&nbsp;&nbsp;PAWN KING PAWN<br>
&nbsp;&nbsp;&nbsp;&nbsp;PAWN PAWN PAWN<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how divine<br>&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko may be.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Indeed. I don't think the 100 'Loomer Nadekos<br>
&nbsp;&nbsp;&nbsp;&nbsp;are moving with something like a clear will.*<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If there's one thing that God Nadeko,<br>
&nbsp;&nbsp;&nbsp;&nbsp;with all her divine skills, is scared of right now,*<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it would be the fact that<br>
&nbsp;&nbsp;&nbsp;&nbsp;I have a means to seal her away.*<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the flip side, God Nadeko simply needs<br>
&nbsp;&nbsp;&nbsp;&nbsp;to avoid that one situation with me.*<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the reason<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the difference in numbers.*<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words, this is like that<br>
&nbsp;&nbsp;&nbsp;&nbsp;"human wall" that Flirty Nadeko had set up.*<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not only is she hiding herself<br>
&nbsp;&nbsp;&nbsp;&nbsp;behind a bookshelf,*<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but she's also hiding herself<br>
&nbsp;&nbsp;&nbsp;&nbsp;with 100 'Loomer Nadekos.*<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to throw my arms up<br>
&nbsp;&nbsp;&nbsp;&nbsp;in resignation.*<br>**[20:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HAND BRA<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Throwing my arms up in resignation over girls<br>
&nbsp;&nbsp;&nbsp;&nbsp;using hands as bras is just so ironic.*<br>**[20:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HAND BRA<br>
&nbsp;&nbsp;&nbsp;&nbsp;HAND BRA<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now, you surely<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't forgotten, Nade-koh?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if God Nadeko were to be mixed<br>&nbsp;&nbsp;&nbsp;&nbsp;among these masses,<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my hand is still holding onto her back.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, no matter how and where<br>&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko is hiding,<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can at least figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;what direction to go.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's important is that God Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;still hasn't caught onto it.<br>**[20:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OCCUPATION<br>
&nbsp;&nbsp;&nbsp;&nbsp;CERTIFICATIONS<br>
&nbsp;&nbsp;&nbsp;&nbsp;LAW<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But with a trap like that<br>&nbsp;&nbsp;&nbsp;&nbsp;getting set off on the first floor...<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God Nadeko is aware<br>&nbsp;&nbsp;&nbsp;&nbsp;that we're here in this building?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably. It did make quite a loud noise.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like they're necessarily<br>&nbsp;&nbsp;&nbsp;&nbsp;perfectly composed for this, either.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't have the composure<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide decoys and traps now.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, all things considered, we can't just<br>&nbsp;&nbsp;&nbsp;&nbsp;make a suicide attack with no plans whatsoever.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki, do we have some sort of<br>&nbsp;&nbsp;&nbsp;&nbsp;strategy on our end?<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I don't have any.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because of Tsukihi Araragi,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't hide all of my lurking malfunctions.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a full body patchwork with a right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;made out of mud, so instead...<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to come up with a strategy.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Me?<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything that strikes your fancy. It doesn't matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what's on your mind.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll think about it.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can count on your<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlimited Rulebook, right?<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only once. No matter what the form,<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to do it twice.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will the hundred 'Loomer Nadekos<br>&nbsp;&nbsp;&nbsp;&nbsp;keep moving even if I seal away God Nadeko?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is it the type where once you defeat the boss,<br>&nbsp;&nbsp;&nbsp;&nbsp;all of its henchmen will be sealed away, too?<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't know until we try,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's likely the latter.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So ultimately, if we kill you,<br>&nbsp;&nbsp;&nbsp;&nbsp;every other Nadeko will be eradicated.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too ultimate.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't nip it in the bud.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wrath Nadeko's hairdo is from<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi chopping it all off.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For her, it's a highly unsatisfactory haircut.<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, you mentioned that.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when you were drawing<br>&nbsp;&nbsp;&nbsp;&nbsp;the different Nadeko Sengokus.<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, why don't we tidy it up<br>&nbsp;&nbsp;&nbsp;&nbsp;and make it a lot shorter...<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like my current haircut!<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlimited Rulebook.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said, with a posed look.<br>**[22:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CRAP, I SAID IT.<br>**[22:40] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT WAS A DARK HISTORY I'D RATHER FORGET.<br>**[22:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HARUYA BOOKSTORE<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;V-V-V-V-V-V-V-V-V....<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very much dead meat!<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The god has spoken thus.*<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I somehow feel like I'm fighting?<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't touch and don't want to touch<br>**[24:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Myself, myself, myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;and myself from the past<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been dead for a long time now<br>**[24:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fight with a transparent ghost<br>**[24:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep in a childish and painful memory<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disappointed? It's gone<br>**[24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? You like that better? That's ironic<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I, as I am now, what's transparent?<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense<br>&nbsp;&nbsp;&nbsp;&nbsp;A label that doesn't disappear<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! It's basically a complex<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be possessed<br>**[24:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old me<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wrapped up and<br>&nbsp;&nbsp;&nbsp;&nbsp;won't leave<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[24:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[24:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[24:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[24:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[24:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E6 - NADEMONOGATARI Nadeko Draw Part Five

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GD9UVMJ8K/nademonogatari-nadeko-draw-part-five)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;REFERENCE BOOKS<br>**[00:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEKO VS NADEKO<br>**[00:33] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FINAL SHOWDOWN<br>**[00:36] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CURTAINS RISE<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw it. What a pain.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill both!<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One.<br>**[01:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST ONE, DEFEATED<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two.<br>**[01:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SECOND ONE, DEFEATED<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both bluffs. Simply put.<br>**[04:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;NADEKO DRAW, PART FIVE<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER SIX<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Revealing this trick.*<br>**[04:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MY GRAND PLAN THAT I THOUGHT OF -<br>
&nbsp;&nbsp;&nbsp;&nbsp;LARGE SCALE OPERATION TO DEFEAT GOD NADEKO<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Basically, by putting a hundred 'Loomer Nadekos<br>
&nbsp;&nbsp;&nbsp;&nbsp;as shikigami all over the floor,*<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*God Nadeko created a "wall of Nadekos."*<br>**[04:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOOMER LOOMER LOOMER<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And if that's the case, I thought<br>
&nbsp;&nbsp;&nbsp;&nbsp;we can mingle among those 100.*<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I drew bloomers and gymnasium shoes<br>
&nbsp;&nbsp;&nbsp;&nbsp;and made it three-dimensional.*<br>**[04:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLOOMERS<br>
&nbsp;&nbsp;&nbsp;&nbsp;GYMNASIUM SHOES<br>
&nbsp;&nbsp;&nbsp;&nbsp;TOTAL: ￥0<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like the material creation ability<br>&nbsp;&nbsp;&nbsp;&nbsp;that ex-Heart-under-blade has.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, I was able to seal a chisel,<br>
&nbsp;&nbsp;&nbsp;&nbsp;which wasn't a shikigami, into paper.*<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I simply thought<br>
&nbsp;&nbsp;&nbsp;&nbsp;I could do the reverse as well.*<br>**[04:40] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PLAN A<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The idea of mingling among<br>
&nbsp;&nbsp;&nbsp;&nbsp;the herd of 'Loomer Nadekos*<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wasn't that bad of an idea, I thought.*<br>**[04:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOOMER LOOMER LOOMER<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But to pull that plan off,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we would need a decoy plan.*<br>**[04:48] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOOMER LOOMER LOOMER<br>
&nbsp;&nbsp;&nbsp;&nbsp;GOD<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why I reactivated Wrath Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;after changing her design.*<br>**[04:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PLAN B<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right after that, I did one more.*<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Current Nadeko as a character was drawn<br>
&nbsp;&nbsp;&nbsp;&nbsp;and turned three-dimensional.*<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. I activated two shikigami at once.*<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wrath Nadeko<br>
&nbsp;&nbsp;&nbsp;&nbsp;dressed as Current Nadeko,*<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and a shikigami,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Current Nadeko (shikigami version).*<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had them running side-by-side<br>
&nbsp;&nbsp;&nbsp;&nbsp;towards God Nadeko.*<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I asked Ononoki to create a straight path for that<br>
&nbsp;&nbsp;&nbsp;&nbsp;to happen by using her Unlimited Rulebook.*<br>**[05:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLIMITED RULEBOOK<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, looking at the results, things didn't go<br>
&nbsp;&nbsp;&nbsp;&nbsp;quite the way I had thought.*<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was no good at all.*<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the end, I am how I am now because<br>
&nbsp;&nbsp;&nbsp;&nbsp;that's what I used to be like.*<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you're clearly different<br>&nbsp;&nbsp;&nbsp;&nbsp;from God Nadeko, though.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe "different" is not the right word,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I should say you "changed."<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the one who was most at risk here.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt about that.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of them were fabricated shikigami.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you, a living being, put yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;into the most dangerous situation.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That alone is enough reason for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to appreciate you.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're completely different from God Nadeko,<br>&nbsp;&nbsp;&nbsp;&nbsp;who stayed in a safe spot.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no longer who you used to be.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've never received such words<br>
&nbsp;&nbsp;&nbsp;&nbsp;that made me feel so happy.*<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But at the same time,<br>
&nbsp;&nbsp;&nbsp;&nbsp;those were very saddening words.*<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you are to commemorate<br>&nbsp;&nbsp;&nbsp;&nbsp;the shikigami who stood in for you,<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't you take this experience, those emotions,<br>&nbsp;&nbsp;&nbsp;&nbsp;and draw them so you can preserve it?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw them...<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...to preserve them, huh?*<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Draw them, and preserve them<br>
&nbsp;&nbsp;&nbsp;&nbsp;as my work, and as a memory.*<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Nade-koh...<br>**[06:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HARUYA BOOKSTORE<br>
&nbsp;&nbsp;&nbsp;&nbsp;OPEN 24 HOURS<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time for sure, "clearing people out<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;due to bashfulness around them"<br>&nbsp;&nbsp;&nbsp;&nbsp;is gone from this building.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should probably leave this area.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll deal with the aftermath here.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a specialist, after all.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real labor from this point on<br>&nbsp;&nbsp;&nbsp;&nbsp;is a realm only for the pros.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply put, your presence<br>&nbsp;&nbsp;&nbsp;&nbsp;is no longer necessary.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all the more reason<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to go to the place<br>&nbsp;&nbsp;&nbsp;&nbsp;where you're needed, Nade-koh.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nadeko Sengoku. There's a place where<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to go right now, isn't there?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, there is.<br>**[07:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FRINGED PINK<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right.*<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's actually not over yet.*<br>**[07:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BOOK FAIR<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Sengoku.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Care for a ride?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, I'm headed to...<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, I know where to go.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I chased around<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a middle school girl in only bloomers<br>&nbsp;&nbsp;&nbsp;&nbsp;for nothing since I parted ways with you.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ougi.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ougi, what do you know?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what you know, Sengoku.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Meme Oshino once called me a "victim."<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that I really was one.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's also true that it was easier for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to live as a "victim" as well.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Loved, begrudged, hated, cursed.*<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was passive through all of it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I didn't cause any of those actions.*<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But can I say that back then, I didn't think about<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting to be loved by others?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I say that I never did anything<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone to hold a grudge against me?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I say that I never did anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to be hated?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I say that I never did anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to be cursed?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have absolutely no clue<br>&nbsp;&nbsp;&nbsp;&nbsp;what you're talking about.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Do you want to say that<br>&nbsp;&nbsp;&nbsp;&nbsp;from the other side, you're the root cause?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that logic similar to how a bullied person<br>&nbsp;&nbsp;&nbsp;&nbsp;is also in the wrong?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't quite put it that way.*<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think what the other side did<br>
&nbsp;&nbsp;&nbsp;&nbsp;was the worst thing ever.*<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for those who loved me, and my friends...<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't stop them from becoming the worst.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cared too much about myself,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and didn't do that.*<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By continuing to be the victim forever,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I made everyone around me the wrongdoers.*<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're implying a lot there.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what does that have to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with things now?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all stories from the past, aren't they?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of this is about the present.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among the four shikigami I created,<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took the Nadeko Sengoku<br>&nbsp;&nbsp;&nbsp;&nbsp;who was the "victim" so to say<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and looked down on Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;as someone who was lesser.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why I had rigidly assumed*<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that she was being used by the other<br>
&nbsp;&nbsp;&nbsp;&nbsp;three Nadeko Sengokus as they pleased.*<br>**[10:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;VICTIM<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I assumed it all happened<br>
&nbsp;&nbsp;&nbsp;&nbsp;because she was the "victim."*<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the four, Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;was the weakest.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because she was weak,<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she had no hesitation<br>&nbsp;&nbsp;&nbsp;&nbsp;in taking advantage of the stronger ones.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like how I left it to other people<br>
&nbsp;&nbsp;&nbsp;&nbsp;on how to live my life.*<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meek Nadeko took fighting and even fleeing,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and left it to the other three.*<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying Meek Nadeko<br>&nbsp;&nbsp;&nbsp;&nbsp;was the true mastermind here?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if that was the case,<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko was crushed<br>&nbsp;&nbsp;&nbsp;&nbsp;by the bookcase and flattened, right?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 'Chool Nadeko crushed by the bookshelf<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't necessarily the main body of Meek Nadeko.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially if that 'Chool Nadeko<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was one of the shikigami<br>&nbsp;&nbsp;&nbsp;&nbsp;that God Nadeko had mass-produced.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it was?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did Meek Nadeko want to do,<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by twisting all the other Nadeko Sengokus,<br>&nbsp;&nbsp;&nbsp;&nbsp;including you, around her finger?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko wanted to buy some time.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wanted to buy some time<br>&nbsp;&nbsp;&nbsp;&nbsp;to do what she really wanted to do.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While Flirty Nadeko was standing out...<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While Wrath Nadeko was waiting to ambush...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She, and only she...<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was the only one who was trying to do<br>&nbsp;&nbsp;&nbsp;&nbsp;what she wanted to do.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Mr. Ougi, you know<br>&nbsp;&nbsp;&nbsp;&nbsp;the truth already, don't you?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Meek Nadeko wanted to do,<br>&nbsp;&nbsp;&nbsp;&nbsp;and what she still wants to do right now.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're aware of my destination...<br>**[11:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ONE WAY<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I can't say that's something<br>&nbsp;&nbsp;&nbsp;&nbsp;you can write home about.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm going to go stop her.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't, this story will not end.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we're here.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you wanted to do last year.<br>**[12:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TAMIKURA-SOU<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you left undone last year would be...<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill off Senjyogahara-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;who was your romantic rival, right?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you be so wrong, huh?!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you have such a knowing look<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and arrive so gallantly when<br>
&nbsp;&nbsp;&nbsp;&nbsp;you're so slow to understand!?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to Naoetsu High right now!<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the front gate of Naoetsu High School!<br>**[12:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IN FRONT OF NAOETSU HIGH SCHOOL<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wasting your time,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's useless.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy is not here anymore.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody stays as an eighth grader forever.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't be 14 years old forever.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's useless to be waiting here.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Waiting here won't do you any good.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't good for me.*<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was very, terribly bad.*<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody became happy<br>
&nbsp;&nbsp;&nbsp;&nbsp;even if I kept waiting.*<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if I kept pining,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it only hurt everyone.*<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you can't be here.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I can't be here.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd know something like that<br>&nbsp;&nbsp;&nbsp;&nbsp;from the beginning, won't you?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, because I understood it.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was my fault.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, listen up.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody can stay in the same place forever.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in eighth grade.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in twelfth grade.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not as a god.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not as a vampire.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you did something like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone would be gone.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you waited forever, a prince<br>&nbsp;&nbsp;&nbsp;&nbsp;won't come riding a white horse.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't get a glass slipper<br>&nbsp;&nbsp;&nbsp;&nbsp;delivered to you.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you pretended to be sound asleep,<br>&nbsp;&nbsp;&nbsp;&nbsp;nobody would wake you up with a kiss.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you can't wait around<br>&nbsp;&nbsp;&nbsp;&nbsp;in a place like this forever.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go back<br>&nbsp;&nbsp;&nbsp;&nbsp;to where everyone else is.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone is waiting for you.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Flirty Nadeko, Wrath Nadeko,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and God Nadeko, too.*<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They're all waiting for you<br>
&nbsp;&nbsp;&nbsp;&nbsp;to take action on your own.*<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then....<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you don't love him anymore?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love him so much.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so fun just to wait for him.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy just pining for him.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need anything else.<br>**[15:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIG BROTHER KOYOMI<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, you don't love him anymore?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't remember anymore?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get bored? Did you forget?<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it not matter to you anymore?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it gone?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the future that boring?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I turn into that kind of an adult?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meek Nadeko, I...<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise you.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will fall in love with someone again.<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise you.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not stop loving people.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not forget that waiting was so fun,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that I was happy just pining for him.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will definitely not turn<br>&nbsp;&nbsp;&nbsp;&nbsp;your heartbreak into a failure.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll chase my dreams, and I won't<br>&nbsp;&nbsp;&nbsp;&nbsp;learn my lesson and I'll fall in love again.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll remind myself of that feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;of not wanting anything else.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will make sure to become the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who you wanted me to become.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be a person<br>&nbsp;&nbsp;&nbsp;&nbsp;who won't disappoint others.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please stop waiting.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's head to the future.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll always be with you, forever.*<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your hardships.*<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your pain.*<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your cute heartbreak.*<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn them all<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an interesting manga.*<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn it into a story<br>
&nbsp;&nbsp;&nbsp;&nbsp;that sparks joy in people's hearts.*<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nadeko Sengoku, 15 years old.*<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still developing, still growing,<br>
&nbsp;&nbsp;&nbsp;&nbsp;still straying off course.*<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still inexperienced and unskilled.*<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't think I'll be able to become<br>
&nbsp;&nbsp;&nbsp;&nbsp;an adult for quite a while.*<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But on this day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I grew up just a little bit.*<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I somehow feel like I'm fighting?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't touch and don't want to touch<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Myself, myself, myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;and myself from the past<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been dead for a long time now<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fight with a transparent ghost<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep in a childish and painful memory<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disappointed? It's gone<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? You like that better? That's ironic<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I, as I am now, what's transparent?<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense<br>&nbsp;&nbsp;&nbsp;&nbsp;A label that doesn't disappear<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! It's basically a complex<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be possessed<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old me<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wrapped up and<br>&nbsp;&nbsp;&nbsp;&nbsp;won't leave<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is what you'd call an epilogue,<br>
&nbsp;&nbsp;&nbsp;&nbsp;as well as a prologue.*<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Talk of the future<br>
&nbsp;&nbsp;&nbsp;&nbsp;that will someday become a memory.*<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know your circumstances<br>&nbsp;&nbsp;&nbsp;&nbsp;but for starters, I covered up for you<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding the front door and the phone line<br>&nbsp;&nbsp;&nbsp;&nbsp;that was yanked out.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm pretty sure my best friend Nadeko<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;barged in while we were gone<br>&nbsp;&nbsp;&nbsp;&nbsp;and did all sorts of bad things,<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm sure she had no ill will<br>&nbsp;&nbsp;&nbsp;&nbsp;so please forgive her."<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I told them.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She basically didn't cover for me at all.*<br>**[20:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE FELL ASLEEP<br>**[20:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE'S WAY TOO CAREFREE<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't look at her<br>&nbsp;&nbsp;&nbsp;&nbsp;with such disdain.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though imperfect,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the little sister of my master.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a vampire, an apparition of blood,<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's possible to traverse through<br>&nbsp;&nbsp;&nbsp;&nbsp;her shadows if related by blood.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, this is illogical<br>&nbsp;&nbsp;&nbsp;&nbsp;and puts reason into hiding,<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it causes much fatigue<br>&nbsp;&nbsp;&nbsp;&nbsp;to the shadow's owner.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So as I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't look at her with disdain.<br>**[20:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLONDE, GOLDEN-EYED YOUNG GIRL<br>**[21:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EX-KISS-SHOT ACEROLA-ORION HEART-UNDER-BLADE<br>**[21:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU OSHINO<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a present for you, bangs girl.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or should that be former bangs girl?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought about eating these<br>&nbsp;&nbsp;&nbsp;&nbsp;together with you.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that you have gained a talent to turn<br>&nbsp;&nbsp;&nbsp;&nbsp;what you draw into a three-dimensional object.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So can you try to draw these and<br>&nbsp;&nbsp;&nbsp;&nbsp;make more of them as an experiment?<br>**[21:28] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;REAL<br>**[21:28] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MADE BY NADEKO<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I succeeded in taking the donuts I drew<br>
&nbsp;&nbsp;&nbsp;&nbsp;and turning them from two dimensions to three.*<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But taste-wise, it was a huge failure.*<br>**[21:38] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;REAL<br>**[21:38] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MADE BY NADEKO<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can't do this<br>&nbsp;&nbsp;&nbsp;&nbsp;with food after all.<br>**[21:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DONUTS FROM FAMOUS FRANCHISE STORE<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with my material creation ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hardly make anything organic.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how about we experiment<br>&nbsp;&nbsp;&nbsp;&nbsp;with precision instruments next?<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Experiment?*<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes. What continued from there<br>
&nbsp;&nbsp;&nbsp;&nbsp;were experiments.*<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems that Shinobu, in pretending<br>
&nbsp;&nbsp;&nbsp;&nbsp;to be experimenting with me,*<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she was lecturing me on how to use<br>
&nbsp;&nbsp;&nbsp;&nbsp;this special ability. I caught on midway.*<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;WILL A TAXIDERMED CREATURE COME ALIVE?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinobu, though gruffly,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and as if it didn't matter at all,*<br>**[22:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WILL RUMORS BECOME REALITY?<br>
&nbsp;&nbsp;&nbsp;&nbsp;WHAT ABOUT THE CONTENTS OF A MAGAZINE<br>
&nbsp;&nbsp;&nbsp;&nbsp;IF YOU DRAW JUST THE COVER?<br>
&nbsp;&nbsp;&nbsp;&nbsp;WILL WATER BECOME LIQUID?<br>**[22:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SMALL ELEPHANT // HANDSOME GUY<br>
&nbsp;&nbsp;&nbsp;&nbsp;BIG ANT // EXISTING HUMAN<br>
&nbsp;&nbsp;&nbsp;&nbsp;PLANTS // ALIENS<br>
&nbsp;&nbsp;&nbsp;&nbsp;NATURAL PHENOMENA // SPIRITS<br>
&nbsp;&nbsp;&nbsp;&nbsp;SCENES // TIME MACHINE<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was telling me what to be careful of during usage<br>
&nbsp;&nbsp;&nbsp;&nbsp;and teaching me in a polite, thorough manner.*<br>**[22:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IMPRESSIVE!<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for how to use the shikigami,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's nothing I can say about that.<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made minions twice<br>&nbsp;&nbsp;&nbsp;&nbsp;and failed both times, after all.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Shinobu?<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is it?<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you still think<br>&nbsp;&nbsp;&nbsp;&nbsp;that I just happened to be cute?<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Blank stare."<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, who in the world said that to you?<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are people out there<br>&nbsp;&nbsp;&nbsp;&nbsp;who can be so heartless.<br>**[22:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I SOMEHOW FELT DEFLATED<br>**[22:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;AND SO SIMPLY<br>**[23:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I FELT LIKE MY CURSE HAD BEEN LIFTED<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's another fool who says<br>&nbsp;&nbsp;&nbsp;&nbsp;such stupid things, bring that one to me.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guarantee you this.<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the king of apparitions<br>&nbsp;&nbsp;&nbsp;&nbsp;who has lived 600 years.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been called the iron-blooded,<br>&nbsp;&nbsp;&nbsp;&nbsp;hot-blooded, cold-blooded vampire.<br>**[23:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OTORI - KOI<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've killed me several thousand times,<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then voluntarily abdicated<br>&nbsp;&nbsp;&nbsp;&nbsp;the seat of god that held such power.<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You rid yourself of such immense power<br>&nbsp;&nbsp;&nbsp;&nbsp;and decided to become a human again<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to live a grand life to this day<br>&nbsp;&nbsp;&nbsp;&nbsp;like you're doing now.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that you<br>&nbsp;&nbsp;&nbsp;&nbsp;just happened to be cute.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greatest hate springs from<br>&nbsp;&nbsp;&nbsp;&nbsp;the greatest love, you know?<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hate...<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. I don't know if that's a good thing<br>&nbsp;&nbsp;&nbsp;&nbsp;or not, but someone like you...<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you're reincarnated a hundred times,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll be a hateful individual.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinobu, you really do say<br>
&nbsp;&nbsp;&nbsp;&nbsp;devastating things.*<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the end, Tsukihi napped until evening,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and went home after eating dinner with us.*<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Peace, peace.<br>**[24:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nade-koh.<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you some good news today.<br>**[24:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I reported your adventures<br>&nbsp;&nbsp;&nbsp;&nbsp;this time around,<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen expressed quite<br>&nbsp;&nbsp;&nbsp;&nbsp;an interest in your special ability.<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she has a job that<br>&nbsp;&nbsp;&nbsp;&nbsp;she'd definitely like your help with.<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Job?<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. She said that<br>&nbsp;&nbsp;&nbsp;&nbsp;depending on the outcome,<br>**[24:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she might want you to periodically<br>&nbsp;&nbsp;&nbsp;&nbsp;help her with her job.<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how much value<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen seems to see in you.<br>**[24:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on a second.<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get me wrong.<br>**[24:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOSE<br>**[24:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen didn't appraise you<br>&nbsp;&nbsp;&nbsp;&nbsp;for your skills as a shikigami user.<br>**[24:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She put value in your calmness<br>&nbsp;&nbsp;&nbsp;&nbsp;when dealing with trouble.<br>**[24:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LOSE<br>**[24:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four shikigami ran out of control,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you collected them back in the same day.<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say your competence<br>&nbsp;&nbsp;&nbsp;&nbsp;stands out more than any genius would.<br>**[25:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you made me<br>&nbsp;&nbsp;&nbsp;&nbsp;come up with the plan, Ononoki?<br>**[25:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Nade-koh.<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a professional specialist,<br>**[25:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as a strict, unsentimental,<br>&nbsp;&nbsp;&nbsp;&nbsp;business-like shikigami,<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the prosperity of our industry,<br>&nbsp;&nbsp;&nbsp;&nbsp;and so that I could take it easy,<br>**[25:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just doing my job<br>&nbsp;&nbsp;&nbsp;&nbsp;to unearth new talent.<br>**[25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you see why I was so kind<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone like you, right?<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, I get it.*<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ononoki is a very bad liar.*<br>**[25:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WINNER<br>**[25:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still a minor, so Ms. Gaen<br>&nbsp;&nbsp;&nbsp;&nbsp;won't pass on any reckless jobs to you.<br>**[25:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And of course, you can still strive<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a manga artist.<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time constraints will vary,<br>&nbsp;&nbsp;&nbsp;&nbsp;but think of it as gathering material.<br>**[25:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't it be good<br>&nbsp;&nbsp;&nbsp;&nbsp;to peek into the mystical world?<br>**[25:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can guarantee you'll make enough<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can live on your own.<br>**[26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't think that this kind of punch line<br>
&nbsp;&nbsp;&nbsp;&nbsp;would be waiting for me.*<br>**[26:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I never thought it would be like this<br>
&nbsp;&nbsp;&nbsp;&nbsp;when a snake entwined and possessed me.*<br>**[26:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OPHIUCHUS<br>**[26:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the past, I've sought glass slippers<br>
&nbsp;&nbsp;&nbsp;&nbsp;that were beyond my means,*<br>**[26:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I've been told that for someone who is always<br>
&nbsp;&nbsp;&nbsp;&nbsp;looking down, I'm neglectful of my own feet.*<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But it looks like I'll be wearing two hats.<br>
&nbsp;&nbsp;&nbsp;&nbsp;One as a manga artist, and one as a specialist.*<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps this is superfluous as well?*<br>**[26:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NADEMONOGATARI<br>
&nbsp;&nbsp;&nbsp;&nbsp;EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;END<br>**[26:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please look forward<br>
&nbsp;&nbsp;&nbsp;&nbsp;to Nadeko Sengoku-sensei's next work!<br>

# E7 - A Cruel Fairy Tale: The Beautiful Princess

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GQJUG51QK/a-cruel-fairy-tale-the-beautiful-princess)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE STORY I'M ABOUT TO TELL YOU NOW<br>&nbsp;&nbsp;&nbsp;&nbsp;REALLY HAPPENED ABOUT SIX HUNDRED YEARS AGO.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BUT I'D LIKE YOU TO LISTEN<br>&nbsp;&nbsp;&nbsp;&nbsp;AS IF IT WAS FICTION.<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BECAUSE IT HAPPENED TOO FAR IN THE PAST<br>&nbsp;&nbsp;&nbsp;&nbsp;TO SOUND REALISTIC,<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AND A STORY LIKE THIS WITH NO MORALS<br>&nbsp;&nbsp;&nbsp;&nbsp;OR SALVATION IS BETTER OFF LEFT AS A LIE.<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*About six hundred years ago, in a country that<br>
&nbsp;&nbsp;&nbsp;&nbsp;no longer leaves a name anywhere in this world,*<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there was a very beautiful girl.*<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was born as the sole daughter<br>
&nbsp;&nbsp;&nbsp;&nbsp;of wealthy nobility,*<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*with beauty known to everyone in the country.*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was so beautiful that a portrait of her<br>
&nbsp;&nbsp;&nbsp;&nbsp;was displayed in every household.*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Regardless of age, gender, or social status,<br>
&nbsp;&nbsp;&nbsp;&nbsp;everyone was enthralled by her.*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was given a title from the emperor<br>
&nbsp;&nbsp;&nbsp;&nbsp;for her beauty alone.*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone in the country called her<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Beautiful Princess" and loved her.*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Citizens formed long lines to the castle she lived in<br>
&nbsp;&nbsp;&nbsp;&nbsp;to get a glimpse of her rumored beauty.*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Each and every day, a mound of presents<br>
&nbsp;&nbsp;&nbsp;&nbsp;was placed in front of the castle.*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I turned your beauty into a song, Princess.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Please accept this."*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A musician said thus<br>
&nbsp;&nbsp;&nbsp;&nbsp;and played his violin.*<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I turned your beauty into a poem, Princess.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Please accept this."*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A poet said thus<br>
&nbsp;&nbsp;&nbsp;&nbsp;and read his poem out loud.*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I turned your beauty into statues, Princess.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Please accept these."*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An artist said thus<br>
&nbsp;&nbsp;&nbsp;&nbsp;and carved out a hundred statues.*<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But no gift would make the princess smile.*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody looks at me.*<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The princess lamented<br>
&nbsp;&nbsp;&nbsp;&nbsp;all alone in her room.*<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Beautiful this, beautiful that.*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They all sing praises,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but they say nothing more.*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*None of those people know<br>
&nbsp;&nbsp;&nbsp;&nbsp;what kind of person I am.*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They don't know who I am on the inside.*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That agonized the Beautiful Princess.*<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what she does, no matter what<br>
&nbsp;&nbsp;&nbsp;&nbsp;she says, the response is simply, "Beautiful."*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whether it be success or failure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;whether she does good things or bad,*<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the assessment she received<br>
&nbsp;&nbsp;&nbsp;&nbsp;was always the same.*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whatever she did was beautiful.*<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asleep or awake, she was beautiful.*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Beautiful Princess"<br>
&nbsp;&nbsp;&nbsp;&nbsp;was a very apt description.*<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Such a beauty must be from<br>
&nbsp;&nbsp;&nbsp;&nbsp;that of an enchantress.*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At this rate, it wouldn't matter<br>
&nbsp;&nbsp;&nbsp;&nbsp;whether or not I have my own will.*<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am not a slave to my own appearance.*<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Beauty I just happened to be born into<br>
&nbsp;&nbsp;&nbsp;&nbsp;is nothing but a hinderance.*<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I would rather have them look at my soul<br>
&nbsp;&nbsp;&nbsp;&nbsp;more than my looks.*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her great will, unspoiled by her own beauty,<br>
&nbsp;&nbsp;&nbsp;&nbsp;greatly touched the heart*<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of an old witch who lived<br>
&nbsp;&nbsp;&nbsp;&nbsp;in this country for quite some time.*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Beautiful Princess, I will turn your beauty<br>
&nbsp;&nbsp;&nbsp;&nbsp;so transparent that nobody can see it."*<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Instead, I will make your heart<br>
&nbsp;&nbsp;&nbsp;&nbsp;visible to everyone around you."*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"From now on,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your soul will be what they judge."*<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The old witch cast a spell<br>
&nbsp;&nbsp;&nbsp;&nbsp;and waved her wand.*<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The clear skin of the princess<br>
&nbsp;&nbsp;&nbsp;&nbsp;really became transparent.*<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Thank you. Thank you so much."*<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Beautiful Princess gave thanks<br>
&nbsp;&nbsp;&nbsp;&nbsp;from the bottom of her heart.*<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her outward beauty was gone,*<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but the princess's soul<br>
&nbsp;&nbsp;&nbsp;&nbsp;proved to be even more beautiful.*<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Word of her brilliance traveled all over<br>
&nbsp;&nbsp;&nbsp;&nbsp;the country without her even leaving her castle.*<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The princess's father felt shame for not noticing<br>
&nbsp;&nbsp;&nbsp;&nbsp;his daughter's beautiful soul for all this time,*<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and after greeting her in the morning,<br>
&nbsp;&nbsp;&nbsp;&nbsp;he jumped off the balcony to punish himself.*<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The princess's mother was proud to have given birth<br>
&nbsp;&nbsp;&nbsp;&nbsp;to a daughter with such a wonderful soul.*<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She felt that such a feat was simply enough<br>
&nbsp;&nbsp;&nbsp;&nbsp;to end her role in this world,*<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and peacefully passed away<br>
&nbsp;&nbsp;&nbsp;&nbsp;after eating breakfast.*<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The musician thought he could not possibly express<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Beautiful Princess's kindness in song.*<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So he decided a suitable gift<br>
&nbsp;&nbsp;&nbsp;&nbsp;would be to offer what he held most dear,*<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and more cherished than life itself,<br>
&nbsp;&nbsp;&nbsp;&nbsp;which was his wrists to play his instrument.*<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He chopped his wrists off<br>
&nbsp;&nbsp;&nbsp;&nbsp;and presented them to the princess.*<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The poet thought he could not possibly express<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Beautiful Princess's wisdom in poetry,*<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so he decided a suitable gift<br>
&nbsp;&nbsp;&nbsp;&nbsp;would be what he held most dear,*<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and what he cherished more than life itself,<br>
&nbsp;&nbsp;&nbsp;&nbsp;his tongue to recite his poems.*<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He ripped his tongue out<br>
&nbsp;&nbsp;&nbsp;&nbsp;and presented it to the princess.*<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The artist thought he could not possibly express<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Beautiful Princess's bravery in statues,*<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so he decided a suitable gift would be<br>
&nbsp;&nbsp;&nbsp;&nbsp;what he held most dear,*<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and what he cherished more than life itself,<br>
&nbsp;&nbsp;&nbsp;&nbsp;his eyes to inspect the materials.*<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He gouged his eyes out<br>
&nbsp;&nbsp;&nbsp;&nbsp;and presented them to the princess.*<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All the citizens had burned their portraits<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the princess that they had long cherished.*<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They wondered why they took such great care<br>
&nbsp;&nbsp;&nbsp;&nbsp;of such trivial things for all this time.*<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While thinking reluctantly<br>
&nbsp;&nbsp;&nbsp;&nbsp;that it was not suitable as a gift at all,*<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*they sacrificed their own lives,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the lives of their parents and siblings,*<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the lives of their children,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and the lives of their grandchildren.*<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It didn't take long before the mountain of presents,<br>
&nbsp;&nbsp;&nbsp;&nbsp;or rather the mountain of corpses,*<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that laid before the castle, was stacked<br>
&nbsp;&nbsp;&nbsp;&nbsp;higher than the height of the castle itself.*<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, what a tragedy!*<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't think this would happen!*<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Losing all hope from the mountain of corpses<br>
&nbsp;&nbsp;&nbsp;&nbsp;and river of blood offered to the nature of her soul,*<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the princess sought out the old witch<br>
&nbsp;&nbsp;&nbsp;&nbsp;to have her magic dispelled.*<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But it was too late, as the old witch<br>
&nbsp;&nbsp;&nbsp;&nbsp;was the first one to see the princess's soul,*<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and had already sacrificed her head,*<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*which she cherished more than life itself and was filled<br>
&nbsp;&nbsp;&nbsp;&nbsp;with all the knowledge she gained over the years.*<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seeing the old lady's severed head,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the princess broke down into tears.*<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Such a scene that evoked pity, of her<br>
&nbsp;&nbsp;&nbsp;&nbsp;beautiful heart shedding tears for someone else,*<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*further enchanted the citizens of the country.*<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They scrambled and raced to offer their lives or things cherished more than life itself to the princess.*<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To console the princess, they smiled as they<br>
&nbsp;&nbsp;&nbsp;&nbsp;laid down their lives one after another.*<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mountain of corpses that piled up,<br>
&nbsp;&nbsp;&nbsp;&nbsp;or rather the castle made of corpses,*<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*became infamous and talk of it rang across<br>
&nbsp;&nbsp;&nbsp;&nbsp;the capital and even to neighboring countries.*<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But all the armies that rushed over, upon seeing<br>
&nbsp;&nbsp;&nbsp;&nbsp;the authority of the Beautiful Princess up close,*<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*gladly, and willingly,<br>
&nbsp;&nbsp;&nbsp;&nbsp;became a part of the corpse castle.*<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've had enough.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Everyone is going to die.*<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I can't save even one person.*<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The more things I do, the more I speak,<br>
&nbsp;&nbsp;&nbsp;&nbsp;everyone would keep dying.*<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to die myself.*<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But she could not die.*<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The strength of the princess's will<br>
&nbsp;&nbsp;&nbsp;&nbsp;did not allow for that.*<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The princess was also<br>
&nbsp;&nbsp;&nbsp;&nbsp;unable to fall into insanity.*<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Then you shall embark on a journey."*<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was when<br>
&nbsp;&nbsp;&nbsp;&nbsp;the old lady's severed head spoke up.*<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tears that the princess shed<br>
&nbsp;&nbsp;&nbsp;&nbsp;had created a miracle.*<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The old lady came back to life<br>
&nbsp;&nbsp;&nbsp;&nbsp;for just one brief moment.*<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Someday, you may be able to save those who die<br>
&nbsp;&nbsp;&nbsp;&nbsp;for your beautiful soul that is beyond enchanting.*<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Until then, you need to keep<br>
&nbsp;&nbsp;&nbsp;&nbsp;distancing yourself from other people.*<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do not get close to anyone.<br>
&nbsp;&nbsp;&nbsp;&nbsp;You shall live alone.*<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With that said,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the old lady passed away yet again.*<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And thus, leaving behind a castle stained scarlet<br>
&nbsp;&nbsp;&nbsp;&nbsp;with blood and a castle of corpses,*<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the Beautiful Princess embarked<br>
&nbsp;&nbsp;&nbsp;&nbsp;on a never-ending journey.*<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She followed the advice,<br>
&nbsp;&nbsp;&nbsp;&nbsp;almost a curse, of the old witch.*<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So that no one will die anymore...*<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A solitary journey to escape it all,<br>
&nbsp;&nbsp;&nbsp;&nbsp;where she cannot have any companions.*<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It would be a while longer yet<br>
&nbsp;&nbsp;&nbsp;&nbsp;before she turns into a vampire.*<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the vampiric tale of the princess, of Kiss-shot<br>
&nbsp;&nbsp;&nbsp;&nbsp;Acerola-orion Heart-under-blade,*<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*covered in red blood had started here.*<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And her innocent soul finally saves<br>
&nbsp;&nbsp;&nbsp;&nbsp;a tiny life offered to her for the first time*<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an incident roughly<br>
&nbsp;&nbsp;&nbsp;&nbsp;six hundred years later.*<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A CRUEL FAIRYTALE<br>&nbsp;&nbsp;&nbsp;&nbsp;THE BEAUTIFUL PRINCESS<br>

# E8 - WAZAMONOGATARI Acerola Bon Appétit Part One

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G50UZ0915/wazamonogatari-acerola-bon-apptit-part-one)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WAZAMONOGATARI<br>**[00:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;ACEROLA BON APPÉTIT, PART ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER SEVEN<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought of the name "Kiss-shot Acerola-orion<br>
&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade."*<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I say so myself, it's a cool, hearty,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and most splendid name.*<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to be honest,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I slightly regret doing so.*<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps I should not have<br>
&nbsp;&nbsp;&nbsp;&nbsp;given her a name.*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They often say...*<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you become attached to your pet<br>
&nbsp;&nbsp;&nbsp;&nbsp;once you give it a name.*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now whether that attachment<br>&nbsp;&nbsp;&nbsp;&nbsp;was friendship, affection,<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or simply lust is something<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm unsure of in hindsight.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But there is one thing<br>
&nbsp;&nbsp;&nbsp;&nbsp;I can say for certain.*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was not appetite.*<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because Kiss-shot Acerola-orion<br>
&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doesn't sound too tasty<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the name of a meal, right?*<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Looks like I have died yet again.*<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been meaning to ask you.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it delicious?<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course it's delicious. It's my head.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But whether it's delicious or not<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't matter much.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it tastes awful...<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll eat it.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I eat the lives I kill.*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably better if you stopped.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't poke your nose<br>&nbsp;&nbsp;&nbsp;&nbsp;into someone else's eating habits, Princess.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm worried about something else.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else is there?<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What part of me would make the princess<br>&nbsp;&nbsp;&nbsp;&nbsp;of a ruined nation worry?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying you should just<br>&nbsp;&nbsp;&nbsp;&nbsp;give up on trying to kill me.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because something like that<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is absolutely impossible.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How I died may differ,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but the cause of death was the same.*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Cause of death, Princess Acerola.*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's outrageous to say<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the reason why you've been dying<br>&nbsp;&nbsp;&nbsp;&nbsp;over and over like that would lie with me.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had not tried to kill me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you would not have died even once.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not an intent to kill.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It's an appetite.*<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's nothing we can do.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead. Eat up.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can manage to eat me, that is.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to tell me!<br>**[03:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SUICIDE-MASTER<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems I have met my death<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the fifth time.*<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems I have died yet again.*<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the nuances I feel, it looks like<br>
&nbsp;&nbsp;&nbsp;&nbsp;I starved to death this time.*<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Starving to death is unusual.*<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What in the world happened to me?*<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you have awoken, Master.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lift your head.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tropicalesque Home-awave Dogstrings.*<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nowadays, he's the only minion<br>
&nbsp;&nbsp;&nbsp;&nbsp;I have left.*<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you took any longer to awaken,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of having you eat me, Master.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you passed away this time<br>&nbsp;&nbsp;&nbsp;&nbsp;was because of lack of food.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems the humans of this kingdom<br>&nbsp;&nbsp;&nbsp;&nbsp;have been eradicated.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The humans of this kingdom<br>&nbsp;&nbsp;&nbsp;&nbsp;have been eradicated?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come to think, it wasn't like<br>
&nbsp;&nbsp;&nbsp;&nbsp;I lacked vague memories that I can recall.*<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I got hungry,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so I headed out to eat a meal.*<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, not one human was in sight.*<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A memory of being completely bewildered.*<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A memory of lacking things to eat,<br>
&nbsp;&nbsp;&nbsp;&nbsp;feeling hunger and thirst, and withering away.*<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A level of eradication where a vampire<br>
&nbsp;&nbsp;&nbsp;&nbsp;faces a shortage of food.*<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Something like a plague?*<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did my food storage spoil?*<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a way, you could call it a plague.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the name of the disease is beauty.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, have you heard the fairy tale<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Beautiful Princess?<br>**[06:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A CRUEL FAIRY TALE<br>
&nbsp;&nbsp;&nbsp;&nbsp;PRINCESS ACEROLA<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd heard of a beauty that was alluring<br>
&nbsp;&nbsp;&nbsp;&nbsp;like a siren, but following that naming structure,*<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the Beautiful Princess story that Tropicalesque<br>
&nbsp;&nbsp;&nbsp;&nbsp;retold to me was a beauty from a ruined nation.*<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A princess who destroyed a nation<br>
&nbsp;&nbsp;&nbsp;&nbsp;purely from her beauty.*<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A princess of mass slaughter.*<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a fairy tale of great interest.*<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? So basically, a princess who ruined<br>&nbsp;&nbsp;&nbsp;&nbsp;her own nation, then went into exile,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and after much wandering<br>&nbsp;&nbsp;&nbsp;&nbsp;she ended up at this kingdom.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why this kingdom fell to ruin?<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear every citizen, including the royalty and nobility,<br>&nbsp;&nbsp;&nbsp;&nbsp;all gladly gave their lives to the Beautiful Princess.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By offering what is most dear to them,<br>&nbsp;&nbsp;&nbsp;&nbsp;they tried to repay her for her beauty.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she ruined an entire nation<br>&nbsp;&nbsp;&nbsp;&nbsp;simply by existing.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of monster is this woman?<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not a monster.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a human. A human female.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems she has caused<br>&nbsp;&nbsp;&nbsp;&nbsp;many nations to come to ruin<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by simply traveling and walking through.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. A plague indeed.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I've made up my mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;Tropicalesque.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For my wake-up meal this time around,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall have a taste of that princess.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds more than fitting<br>&nbsp;&nbsp;&nbsp;&nbsp;to be my first meal in a while.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Master, that would be...<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm very particular about what I eat<br>
&nbsp;&nbsp;&nbsp;&nbsp;on an empty stomach. It must be special food.*<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to voice my opinion, Master,<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it would be better if you not do that.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please rethink your decision.<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg of you.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, Tropicalesque?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me to starve to death<br>&nbsp;&nbsp;&nbsp;&nbsp;once again?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, but the Beautiful Princess,<br>&nbsp;&nbsp;&nbsp;&nbsp;as I mentioned earlier,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is substantially more evil<br>&nbsp;&nbsp;&nbsp;&nbsp;than the average monster—<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tropicalesque. You are my minion.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you worried that I would<br>&nbsp;&nbsp;&nbsp;&nbsp;become captivated by this woman?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that like those humans,<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would idolize this princess<br>&nbsp;&nbsp;&nbsp;&nbsp;and ultimately give my life to her?<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Not at all.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-If that's the case,<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how about you eat corpses lying around<br>&nbsp;&nbsp;&nbsp;&nbsp;in the area to regain your strength first?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I did<br>&nbsp;&nbsp;&nbsp;&nbsp;to tide myself over this situation.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Tropicalesque.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you choose to procure nourishment<br>&nbsp;&nbsp;&nbsp;&nbsp;is up to you.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eating the dead, eating corpses,<br>&nbsp;&nbsp;&nbsp;&nbsp;do as you like.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those are your preferences,<br>&nbsp;&nbsp;&nbsp;&nbsp;and not mine.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only eat humans that I killed myself.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I kill, then eat.*<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's my policy.*<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both as a vampire, and as a gourmet.<br>
&nbsp;&nbsp;&nbsp;&nbsp;That's a stance I cannot yield on.*<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to eat as little as possible<br>
&nbsp;&nbsp;&nbsp;&nbsp;if it was food that I did not kill myself.*<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now my stomach is feeling<br>
&nbsp;&nbsp;&nbsp;&nbsp;like some Beautiful Princess,*<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I'm gonna eat some Beautiful Princess.*<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kill and eat a beauty<br>
&nbsp;&nbsp;&nbsp;&nbsp;from a fallen nation.*<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll eat as I like, and I'll kill and eat.<br>
&nbsp;&nbsp;&nbsp;&nbsp;That's what I decided.*<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Doing what I decide upon, and doing it<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the matter I decided on, is who I am.*<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not follow me, my servant.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your faithful servant<br>&nbsp;&nbsp;&nbsp;&nbsp;will eagerly await your return.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But please do be careful, Master.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop calling me<br>&nbsp;&nbsp;&nbsp;&nbsp;with such a commonplace title as "Master."<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took me a while to notice<br>&nbsp;&nbsp;&nbsp;&nbsp;as I have just awoken from slumber,<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't recall allowing usage<br>&nbsp;&nbsp;&nbsp;&nbsp;of such an ordinary title.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am terribly sorry!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take care, Suicide-Master.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death...<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master!<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's better.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long have I been dead?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were only dead for a very short while.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the one who murdered you<br>&nbsp;&nbsp;&nbsp;&nbsp;was you, yourself.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't get it. I myself did it?*<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You committed suicide<br>&nbsp;&nbsp;&nbsp;&nbsp;because you tried to kill me.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason why you want to kill me...<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sense that you have your own reasons,<br>&nbsp;&nbsp;&nbsp;&nbsp;but please think twice about it.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't waste the life<br>&nbsp;&nbsp;&nbsp;&nbsp;that you have regained.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only did I hesitate<br>&nbsp;&nbsp;&nbsp;&nbsp;on harming your beauty,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I couldn't forgive myself<br>&nbsp;&nbsp;&nbsp;&nbsp;for committing such a savage act,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I tried to commit suicide?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be it.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. I'm a monster.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems so.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a vampire.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think they actually existed.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a monster who kills and eats humans.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then your actions were an attempt to eat me.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for being unable<br>&nbsp;&nbsp;&nbsp;&nbsp;to abide by that request.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something wrong?<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're hungry,<br>&nbsp;&nbsp;&nbsp;&nbsp;how about you eat with me?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some pot-au-feu<br>&nbsp;&nbsp;&nbsp;&nbsp;that's just about done.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only eat creatures I kill myself.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I ask you for your name?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death...<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Lady Suicide-Master.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ditch the "Lady."<br>&nbsp;&nbsp;&nbsp;&nbsp;The name is an honorific in itself.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Acerola.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're not "Beautiful Princess"?<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's from my childhood.<br>&nbsp;&nbsp;&nbsp;&nbsp;A title, a derogatory name.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowadays, there is nobody left<br>&nbsp;&nbsp;&nbsp;&nbsp;that still calls me as such.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll call you Princess Acerola.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you wish.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't even a princess<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything to begin with.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how things ended up this way.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems I have died yet again.*<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Being killed twice in a row in such<br>
&nbsp;&nbsp;&nbsp;&nbsp;short succession, and by the same person*<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was a first in my long life as a vampire,<br>
&nbsp;&nbsp;&nbsp;&nbsp;as well as in my dietary life.*<br>**[14:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WOW, SO JUICY<br>**[14:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MY HEART WOULDN'T BE ANYTHING LESS<br>**[14:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HOW FRESH IT IS<br>**[14:48] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THOUGH IT'S DEAD<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Immortal, I see.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is quite magnificent, Suicide-Master.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm much honored by that compliment,<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Acerola.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I died yet again<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to eat you, didn't I?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that is correct.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But please don't let it get to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all because I am just too beautiful.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I have greatly<br>&nbsp;&nbsp;&nbsp;&nbsp;troubled this nation as well.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will leave right away,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please spare me.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess the one I've been seeking<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't in this country either.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One she's been seeking?*<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That doesn't sound like looking for food.*<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So she's looking for someone as well?*<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, come to think,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that's how the fairy tale went.*<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A wandering journey<br>
&nbsp;&nbsp;&nbsp;&nbsp;in search of a soul to save.*<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. The Beautiful Princess<br>
&nbsp;&nbsp;&nbsp;&nbsp;was that kind of fairy tale.*<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But before that...*<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Leave?*<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come on now.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I can't allow such a thing to happen.*<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a selfish story.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many people need to die<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you can find one person to save?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many countries will you lay to ruin<br>&nbsp;&nbsp;&nbsp;&nbsp;for your own salvation?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me to die?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I die...<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I take my own life,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would make things easier for me.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if the same problem<br>&nbsp;&nbsp;&nbsp;&nbsp;were to happen again in the future,<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that will not save them,<br>&nbsp;&nbsp;&nbsp;&nbsp;as they will be forced<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take their own life,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like how I did.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, Princess Acerola,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you have any leads?<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you continue on, and leave this country<br>&nbsp;&nbsp;&nbsp;&nbsp;that you destroyed, and go to the next one,<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think the person you can save<br>&nbsp;&nbsp;&nbsp;&nbsp;will be there?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you be repeating the same thing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the next country?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems there's a misunderstanding,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not ruining<br>&nbsp;&nbsp;&nbsp;&nbsp;every country that I go to.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As powerless as I am, I try to be as considerate<br>&nbsp;&nbsp;&nbsp;&nbsp;as possible so such things don't happen.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you have your limits.<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are powerless.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intent in denying your conscience<br>&nbsp;&nbsp;&nbsp;&nbsp;and your sense of aestheticism.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I must advise you that continuing your journey<br>&nbsp;&nbsp;&nbsp;&nbsp;without much thought is simply reckless.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do have a point.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you say I'm reckless,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know any other way.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can only arrive at the answer<br>&nbsp;&nbsp;&nbsp;&nbsp;by wandering around like this.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not necessarily true.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look here, Princess Acerola.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though reluctantly, you ruined this kingdom.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can make efficient usage<br>&nbsp;&nbsp;&nbsp;&nbsp;of this situation.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Efficient usage...<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to rush out<br>&nbsp;&nbsp;&nbsp;&nbsp;at this point.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You no longer have to worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about killing someone anymore.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's worry that I will kill you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an immortal monster.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death means nothing to me.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Princess. I'll tell you this.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no other being like me.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone staying at your side who keeps<br>&nbsp;&nbsp;&nbsp;&nbsp;dying and dying, but coming back to life each time.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one and only existence<br>&nbsp;&nbsp;&nbsp;&nbsp;who can give you counsel.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counsel?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I'm a monster,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's not all.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a smidgeon of understanding<br>&nbsp;&nbsp;&nbsp;&nbsp;in magecraft as well.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it necessary knowledge as a nonhuman.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I can at least assist you in figuring out<br>&nbsp;&nbsp;&nbsp;&nbsp;a way to dispel the curse<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the witch supposedly placed on you.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you say?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In return for assisting me,<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to detain me in this realm<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can seek out a chance to eat me?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Brilliant answer.*<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is there any other relationship where the interests<br>
&nbsp;&nbsp;&nbsp;&nbsp;of each side match so perfectly?*<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. It seems I have no choice<br>&nbsp;&nbsp;&nbsp;&nbsp;but to work with you, Suicide-Master.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, it's a pleasure to be here.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the first time,*<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had direct contact<br>
&nbsp;&nbsp;&nbsp;&nbsp;with her skin, and her flesh.*<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No garment between us.*<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An invasive softness and texture*<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*made me lose myself, and...*<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems I have died yet again.*<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The three deaths I have experienced<br>
&nbsp;&nbsp;&nbsp;&nbsp;were not deaths in vain,*<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*nor deaths with no purpose.*<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If anything, it was a devilish death.*<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I died like a devil.*<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, I invited Princess Acerola<br>
&nbsp;&nbsp;&nbsp;&nbsp;to Corpse Castle.*<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am absolutely against this.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking, Master?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's preposterous to invite a lowly human<br>&nbsp;&nbsp;&nbsp;&nbsp;into your abode, Master.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to not only take care of you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, but also a lowly human?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is too much to bear.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in your mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;you were taking care of me?<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my final decision.<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask for your opinion.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I don't intend on making you<br>&nbsp;&nbsp;&nbsp;&nbsp;take care of a human.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead, I was going to warn you ahead of time<br>&nbsp;&nbsp;&nbsp;&nbsp;to stay away from Princess Acerola.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Acerola.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of all things, you have written the name<br>&nbsp;&nbsp;&nbsp;&nbsp;of a lowly human into your memory, Suicide-Master?<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I am the vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death,<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought nothing of the protective wall<br>&nbsp;&nbsp;&nbsp;&nbsp;that the princess has set up.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a vampire of your caliber<br>&nbsp;&nbsp;&nbsp;&nbsp;won't stand a chance.<br>**[20:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;T R O P I C A L E S Q U E<br>
&nbsp;&nbsp;&nbsp;&nbsp;D O G S T R I N G S<br>**[20:59] s**<br>&nbsp;&nbsp;&nbsp;&nbsp;The instant you face her,<br>&nbsp;&nbsp;&nbsp;&nbsp;you will shatter into pieces.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That is all the more reason...<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all the more reason, Suicide-Master.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To let such a dangerous individual<br>&nbsp;&nbsp;&nbsp;&nbsp;into the castle...<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the caretaker and supervisor for the castle,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is something I cannot turn a blind eye towards.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're repeating yourself, Tropicalesque.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I ever overturned any decision<br>&nbsp;&nbsp;&nbsp;&nbsp;that I have made?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you mentioned, this ingredient<br>&nbsp;&nbsp;&nbsp;&nbsp;is quite a hassle to cook up.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I can't swallow her whole.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have deduced that I need to make proper,<br>&nbsp;&nbsp;&nbsp;&nbsp;careful preparations so that she becomes edible.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't make that kind of face.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only until I can get past that barrier of beauty<br>&nbsp;&nbsp;&nbsp;&nbsp;so it becomes possible to kill the princess.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shall not take long.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged. But I won't be responsible<br>&nbsp;&nbsp;&nbsp;&nbsp;should anything happen.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Tropicalesque.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to ask you for your opinion.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think I need to do<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill the Beautiful Princess?<br>

# E9 - WAZAMONOGATARI Acerola Bon Appétit Part Two

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GWDU82WQQ/wazamonogatari-acerola-bon-apptit-part-two)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OFF SEASON BROADCAST NUMBER EIGHT<br>**[00:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WAZAMONOGATARI EPISODE ZERO<br>
&nbsp;&nbsp;&nbsp;&nbsp;ACEROLA BON APPÉTIT, PART TWO<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, I'd like to get some<br>&nbsp;&nbsp;&nbsp;&nbsp;ideas from you, Tropicalesque.<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To begin with, what has been cast onto<br>&nbsp;&nbsp;&nbsp;&nbsp;the Beautiful Princess cannot be called a curse.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a curse?<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has been given a blessing.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her beauty that enchants<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone around her is innate.<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Said beauty was simply made visible.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Made visible, you say?<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not object any further.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I believe she is not an opponent<br>&nbsp;&nbsp;&nbsp;&nbsp;to face with an empty stomach.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have already decided upon that.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman is the first thing<br>&nbsp;&nbsp;&nbsp;&nbsp;going into my empty stomach.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I will do some research<br>&nbsp;&nbsp;&nbsp;&nbsp;on whether or not there is a way.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, I was rash<br>
&nbsp;&nbsp;&nbsp;&nbsp;twice more afterwards.*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I jumped at the Beautiful Princess<br>
&nbsp;&nbsp;&nbsp;&nbsp;and lost my life.*<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*True to my name of "Suicide-Master."*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It is painfully obvious after five deaths.*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Preparation of this raw material<br>
&nbsp;&nbsp;&nbsp;&nbsp;requires a more drastic approach.*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What I need to do<br>
&nbsp;&nbsp;&nbsp;&nbsp;is change the way I think.*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And thus, Princess Acerola, I will have you<br>&nbsp;&nbsp;&nbsp;&nbsp;change the way you think as well.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means, for you to eat me,<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I myself need to change<br>&nbsp;&nbsp;&nbsp;&nbsp;how I think, Suicide-Master?<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The current situation you are in<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seems to stem more from<br>&nbsp;&nbsp;&nbsp;&nbsp;your own beauty than the witch's curse.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, countermeasures need to be taken<br>&nbsp;&nbsp;&nbsp;&nbsp;not against the witch, but your own beauty.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you simply must not be so beautiful.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm saying.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can pretend that such is the case.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretend?<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply put, pretend to be an evil person.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Act tough.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you look now already isn't cutting it.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, cross your arms<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're deep in thought.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Cross my arms?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, I will provide dresses<br>&nbsp;&nbsp;&nbsp;&nbsp;that have gaudier designs.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you shall eat your meals<br>&nbsp;&nbsp;&nbsp;&nbsp;with your bare hands, straight from the plate.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-With my bare hands?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-However, Suicide-Master, I...<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And stop using that particular way<br>&nbsp;&nbsp;&nbsp;&nbsp;of saying "I," Princess Acerola.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, refer to yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;with a more haughty "I."<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A haughty "I"?<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I get it.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, I...<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I shall try my best to look vulgar<br>&nbsp;&nbsp;&nbsp;&nbsp;in my behavior.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be better to change your name from<br>&nbsp;&nbsp;&nbsp;&nbsp;the elegant and cute "Princess Acerola" as well.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you're not too particular about it.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps I should think of a more suitable name<br>
&nbsp;&nbsp;&nbsp;&nbsp;for this menu item.*<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Against the Beautiful Princess who was cursed<br>
&nbsp;&nbsp;&nbsp;&nbsp;to not be constrained by superficial beauty,*<br>**[03:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CURSE<br>
&nbsp;&nbsp;&nbsp;&nbsp;CURSE<br>
&nbsp;&nbsp;&nbsp;&nbsp;CURSE<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you set up a superficial ugliness.*<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you get to that level it becomes<br>
&nbsp;&nbsp;&nbsp;&nbsp;a type of satire instead of a mere paradox.*<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems I have died yet again.*<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I casually starved to death.*<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It cannot be...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You surely have not been starving to death<br>&nbsp;&nbsp;&nbsp;&nbsp;without me noticing, have you?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather, Tropicalesque, have you<br>&nbsp;&nbsp;&nbsp;&nbsp;any results from your information gathering?<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I apologize, Suicide-Master.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, all civilians in the kingdom<br>&nbsp;&nbsp;&nbsp;&nbsp;have perished.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From hereon, I plan to extend<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the range of information gathering<br>&nbsp;&nbsp;&nbsp;&nbsp;to beyond the kingdom as well.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even have foolish thoughts<br>&nbsp;&nbsp;&nbsp;&nbsp;to visit the Beautiful Princess's homeland.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Suicide-Master?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you an idiot?<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, after all this time, would you suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;throw away your life so easily?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You misunderstand, Suicide-Master.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have it wrong, Suicide-Master.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, er, I did not mean to kill myself<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything. I didn't.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I were to gouge out<br>&nbsp;&nbsp;&nbsp;&nbsp;one eye like that, um...<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'd look like a pirate<br>&nbsp;&nbsp;&nbsp;&nbsp;and become more prestigious, so...<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never do that again.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I acknowledge your effort,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's a little off the mark.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why is that?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether you want to be more prestigious<br>&nbsp;&nbsp;&nbsp;&nbsp;or want to bluff more,<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's still all fake<br>&nbsp;&nbsp;&nbsp;&nbsp;so you should still be pretending.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;wounding yourself?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be doing the same thing as all the humans<br>&nbsp;&nbsp;&nbsp;&nbsp;who offered their lives to you.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to no longer be the Beautiful Princess,<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot sacrifice anything.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, you'd be doing the same thing<br>&nbsp;&nbsp;&nbsp;&nbsp;by solving the problem by dying.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's exactly like you say.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize, Suicide-Master.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I regret my actions,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I ask for your forgiveness.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your speech is violent.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, it's not violent at all.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Suicide-Master.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's messy but still orderly.*<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't hide the aesthetic sense<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the artist.*<br>**[07:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE STILL HAS A LONG WAY TO GO<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is so funny?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just showing you an example.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An example of a prestigious,<br>&nbsp;&nbsp;&nbsp;&nbsp;handsome way to laugh, that is.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you never laughed in your life?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I haphazardly laugh,<br>&nbsp;&nbsp;&nbsp;&nbsp;an entire nation would fall to ruin.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Princess Acerola, from now on,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can laugh like how I just showed you.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "kah kah" sounding laugh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, that laugh?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Like this.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good enough.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody will die from that smile.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... Yes, indeed.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch.<br>**[08:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BURN                     NORMAL                         NORMAL<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Despite me having to, I shoved Princess Acerola,<br>
&nbsp;&nbsp;&nbsp;&nbsp;yet not even one scratch?*<br>**[08:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NORMAL                         NORMAL<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems I have died yet again.*<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many times have you died<br>&nbsp;&nbsp;&nbsp;&nbsp;out of my sight?<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot give up now.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need to hold out a little longer,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then I can enjoy an exquisite meal.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I may be so humble.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, have you grown an attachment<br>&nbsp;&nbsp;&nbsp;&nbsp;to that human while you've been taking care of her?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am asking you if you intend<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on keeping the Beautiful Princess around here<br>&nbsp;&nbsp;&nbsp;&nbsp;at Corpse Castle as a pet forever.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me that you are not.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and give me the report.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any results.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I mentioned before,<br>&nbsp;&nbsp;&nbsp;&nbsp;I went past the border<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and traveled to the Beautiful Princess's<br>&nbsp;&nbsp;&nbsp;&nbsp;homeland as well.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was no measures I could take.<br>&nbsp;&nbsp;&nbsp;&nbsp;I could barely collect any rumors.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said "barely."<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that not mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;you learned at least something?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, just a little.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's nothing more than a fairy tale too silly<br>&nbsp;&nbsp;&nbsp;&nbsp;to take the time to report to you.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fairy tale? That's perfectly fine.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Beautiful Princess was a fairy tale.<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and tell me.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't one fairy tale in particular.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Merely a commonplace legend<br>&nbsp;&nbsp;&nbsp;&nbsp;in human society.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems to have been determined<br>&nbsp;&nbsp;&nbsp;&nbsp;from the past<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the only way to lift a curse<br>&nbsp;&nbsp;&nbsp;&nbsp;from a princess is the kiss from a prince.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What Tropicalesque pointed out<br>
&nbsp;&nbsp;&nbsp;&nbsp;isn't completely off the mark.*<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But for now, I need to keep different<br>
&nbsp;&nbsp;&nbsp;&nbsp;possibilities open, including my own feelings.*<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But at least...*<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a good time for me to decide<br>
&nbsp;&nbsp;&nbsp;&nbsp;what her new name will be.*<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For that woman, who has a beautiful, gleaming heart<br>
&nbsp;&nbsp;&nbsp;&nbsp;like a sword from the Orient,*<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*what kind of name would be suitable?*<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, that's right.*<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A kiss lifting a curse<br>
&nbsp;&nbsp;&nbsp;&nbsp;is still preposterous to think of,*<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but as a superstition,<br>
&nbsp;&nbsp;&nbsp;&nbsp;or to ward off evil,*<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it might be a good thing<br>
&nbsp;&nbsp;&nbsp;&nbsp;to keep that word somewhere in there.*<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seems I have died yet again.*<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I starved to death.*<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As usual, I don't remember much<br>
&nbsp;&nbsp;&nbsp;&nbsp;when I died,*<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it feels like I've been dying of starvation<br>
&nbsp;&nbsp;&nbsp;&nbsp;twice or thrice a night as of late.*<br>**[11:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DEVIL<br>**[11:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PRINCESS<br>**[11:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TROPICALESQUE HOME-AWAVE DOGSTRINGS<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to say anything.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will come back to life, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he is a vampire, just like you.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This individual will soon<br>&nbsp;&nbsp;&nbsp;&nbsp;come back to life, right?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not a vampire like me.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He used to be human.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His vitality and regeneration<br>&nbsp;&nbsp;&nbsp;&nbsp;is still a far cry from my level.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That cannot be...<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean if you keep dying,<br>&nbsp;&nbsp;&nbsp;&nbsp;you will eventually die for good?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;I can keep dying infinitely.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will leave, then.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. It's only natural<br>&nbsp;&nbsp;&nbsp;&nbsp;to risk my life for meals.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not your fault<br>&nbsp;&nbsp;&nbsp;&nbsp;that Tropicalesque died.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true. If I had not come here,<br>&nbsp;&nbsp;&nbsp;&nbsp;this individual would not have died.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you understand.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I shall be on my way,<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assume we will never meet again.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't stop you anymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you like.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even then,<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to wait just a little bit.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you to move<br>&nbsp;&nbsp;&nbsp;&nbsp;while I consume my meal.<br>**[13:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PRINCESS<br>**[13:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TROPICALESQUE HOME-AWAVE DOGSTRINGS<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want you<br>
&nbsp;&nbsp;&nbsp;&nbsp;stepping on my precious food.*<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm the only one<br>
&nbsp;&nbsp;&nbsp;&nbsp;who is allowed to step on him.*<br>**[13:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CRUNCH CRUNCH CRUNCH<br>**[13:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CRUNCH CRUNCH CRUNCH<br>
&nbsp;&nbsp;&nbsp;&nbsp;CHEW CHEW CHEW<br>**[13:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CRUNCH CRUNCH CRUNCH<br>
&nbsp;&nbsp;&nbsp;&nbsp;CHEW CHEW CHEW<br>
&nbsp;&nbsp;&nbsp;&nbsp;SLURP SLURP SLURP<br>**[13:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CRUNCH CRUNCH CRUNCH<br>
&nbsp;&nbsp;&nbsp;&nbsp;CHEW CHEW CHEW<br>
&nbsp;&nbsp;&nbsp;&nbsp;SLURP SLURP SLURP<br>
&nbsp;&nbsp;&nbsp;&nbsp;GULP GULP GULP<br>**[13:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HEAD LUNGS LIVER FINGERS HAND EYEBALL STOMACH CHESTHEARTTONGUESHOULDEREARSLEGS<br>**[13:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHOULDER EAR HAIR CHEST STOMACH<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEART EYELID LIPS NOSE FINGER ARM<br>
&nbsp;&nbsp;&nbsp;&nbsp;HAND LEG NECK<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By you eating him, his death<br>&nbsp;&nbsp;&nbsp;&nbsp;is no longer meaningless or wasteful.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The death of this individual<br>&nbsp;&nbsp;&nbsp;&nbsp;who I have killed...<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to make you wait, Princess Acerola.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can be on your way now.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't brood too much over<br>&nbsp;&nbsp;&nbsp;&nbsp;our not seeing each other ever again.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I'm full from eating Tropicalesque,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can easily die a few more times.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever get tired of your journey,<br>&nbsp;&nbsp;&nbsp;&nbsp;feel free to come see me at any time.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master, I have a favor to ask you.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please turn me into a vampire.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or rather, are you sane?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I want to become a vampire.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I know not of a means to stop those<br>&nbsp;&nbsp;&nbsp;&nbsp;who wish to offer their lives to me.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps such a means does not exist.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then at the least, I want to accept<br>&nbsp;&nbsp;&nbsp;&nbsp;those lives that are offered to me.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to waste their deaths.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will eat all the lives I have killed.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to eat them.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg of you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please turn me into a vampire.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please drink my blood, Suicide-Master.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know<br>&nbsp;&nbsp;&nbsp;&nbsp;what will happen to you, right?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will never be able to walk<br>&nbsp;&nbsp;&nbsp;&nbsp;under the sun ever again.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am fully aware of that<br>&nbsp;&nbsp;&nbsp;&nbsp;and still ask you for this.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will no longer be human.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am fully aware of that<br>&nbsp;&nbsp;&nbsp;&nbsp;and still ask you for this.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your conviction shines through.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's wonderful,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I would like to respond accordingly.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's impossible.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like how I cannot eat you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot turn you into my minion.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I would have to sink my fangs<br>&nbsp;&nbsp;&nbsp;&nbsp;deep into your supple skin.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it still impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;if I wish for it myself?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably impossible.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To raise an extreme argument, your feelings,<br>&nbsp;&nbsp;&nbsp;&nbsp;your will, and your desires don't matter one bit.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master, you said that<br>&nbsp;&nbsp;&nbsp;&nbsp;my will has nothing to do with it.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember when I foolishly<br>&nbsp;&nbsp;&nbsp;&nbsp;tried to pierce my own eye?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, as you took the candlestick<br>&nbsp;&nbsp;&nbsp;&nbsp;from me, you shoved me onto the bed.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I did.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What of it?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think you were able<br>&nbsp;&nbsp;&nbsp;&nbsp;to shove me aside?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you ask? It's because<br>&nbsp;&nbsp;&nbsp;&nbsp;I shoved you onto the soft bed, wasn't it?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you didn't take any damage,<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't take any either.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I did take some damage.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt quite a bit of pain.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even now, your handprint clearly remains<br>&nbsp;&nbsp;&nbsp;&nbsp;on the center of my chest.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking this whole time,<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now I have one theory based on<br>&nbsp;&nbsp;&nbsp;&nbsp;what you've just told me.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my will doesn't matter, but the will<br>&nbsp;&nbsp;&nbsp;&nbsp;of those around me is what is important...<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, your "attack" that ignored my feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;of wanting to pierce my own eyeball<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was ignored,<br>&nbsp;&nbsp;&nbsp;&nbsp;and was not considered an attack.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, if you were to eat me<br>&nbsp;&nbsp;&nbsp;&nbsp;for my sake, while thinking of me...<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be<br>&nbsp;&nbsp;&nbsp;&nbsp;the preparation for the meal.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be inexperienced,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I leave myself in your care, Suicide-Master.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have courage that an inexperienced<br>&nbsp;&nbsp;&nbsp;&nbsp;individual would never have.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, it's too much of a waste<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to remain human.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do my best to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;your expectations, my master.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because you're going to be my minion<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't mean you have to speak<br>&nbsp;&nbsp;&nbsp;&nbsp;that way, Princess Acerola.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will abolish slavery as of Tropicalesque.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He would be my final slave.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I see.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what should I call you?<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call me Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;just like you always have.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That is, if both of us survive this.*<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as you are my minion,<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to become a vampire<br>&nbsp;&nbsp;&nbsp;&nbsp;who I can be proud of.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your speech has reverted back<br>&nbsp;&nbsp;&nbsp;&nbsp;to that of elegance.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to the prestigious laugh<br>&nbsp;&nbsp;&nbsp;&nbsp;that I taught you?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's right.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not nervous at all.<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no, I'm not nervous.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I possess your... Er, I have my faith in you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trust? Come on now, don't make me laugh<br>&nbsp;&nbsp;&nbsp;&nbsp;in a serious scene like this.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's a virtue to believe in people,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not a human.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a monster.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am trying to become that same monster.<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to become like you.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you, a cool, tough,<br>&nbsp;&nbsp;&nbsp;&nbsp;and kind but beautiful vampire.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll be able to.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Acerola.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your name, Kiss-shot.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat all the people who die for you<br>&nbsp;&nbsp;&nbsp;&nbsp;as if you were kissing them.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you gain eternal life<br>&nbsp;&nbsp;&nbsp;&nbsp;and live for a long time,<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;perhaps you may someday meet<br>&nbsp;&nbsp;&nbsp;&nbsp;a praiseworthy prince.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I adore it, Suicide-master.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the best.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am very happy.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will keep trying hard so that I may be worthy<br>&nbsp;&nbsp;&nbsp;&nbsp;of you and this name you have given me.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Be diligent.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, speaking of diligence,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is my final lesson.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you are really happy,<br>&nbsp;&nbsp;&nbsp;&nbsp;laugh like this.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bon appétit.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't anything special.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I kill and eat. I kill and love.*<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Eating and loving meant the same thing.*<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so, the noble girl<br>
&nbsp;&nbsp;&nbsp;&nbsp;who was once called Laura,*<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the princess who was once<br>
&nbsp;&nbsp;&nbsp;&nbsp;called the Beautiful Princess,*<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*became a vampire by the name of<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot Acerola-orion Heart-under-blade.*<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just as planned, she became<br>
&nbsp;&nbsp;&nbsp;&nbsp;a monster who ate humans.*<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And here I am, still alive.*<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And in the end, I never figured out<br>
&nbsp;&nbsp;&nbsp;&nbsp;what the attachment I felt for her was.*<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whether it was friendship,<br>
&nbsp;&nbsp;&nbsp;&nbsp;affection, or simply lust.*<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But because it wasn't appetite,*<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*or perhaps even if it wasn't because of that,<br>
&nbsp;&nbsp;&nbsp;&nbsp;things went well so it doesn't matter.*<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a delicious affair, too.*<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In any case, this is a story<br>
&nbsp;&nbsp;&nbsp;&nbsp;from roughly 600 years ago.*<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no longer a way<br>
&nbsp;&nbsp;&nbsp;&nbsp;to uncover the truth.*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've only heard rumors<br>
&nbsp;&nbsp;&nbsp;&nbsp;of what she's been doing afterwards.*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But as I predicted,<br>
&nbsp;&nbsp;&nbsp;&nbsp;she became a magnificent vampire.*<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The iron-blooded, hot-blooded,<br>
&nbsp;&nbsp;&nbsp;&nbsp;cold-blooded vampire,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kiss-shot Acerola-orion<br>
&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade.*<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With golden hair and golden eyes,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Apparition Killer and King of Apparitions.*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You've surely heard of her<br>
&nbsp;&nbsp;&nbsp;&nbsp;at least once, right?*<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I've recently heard a rumor<br>
&nbsp;&nbsp;&nbsp;&nbsp;that Kiss-shot had finally been defeated*<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*by vampire-slaying specialists<br>
&nbsp;&nbsp;&nbsp;&nbsp;in an island country to the Far East.*<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But oh no, I think that's a sham<br>
&nbsp;&nbsp;&nbsp;&nbsp;that definitely lacks credibility.*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't believe in such a rumor.*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not worried about her in the least,*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but how about I go out and see her<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the first time in 600 years?*<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're both great women.*<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure we have tough and cool fairy tales<br>
&nbsp;&nbsp;&nbsp;&nbsp;that we've piled up for the telling.*<br>

# E10 - SHINOBUMONOGATARI Shinobu Mustard Part One

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U2JQZ4/shinobumonogatari-shinobu-mustard-part-one)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IN FRONT OF NAOETSU HIGH SCHOOL<br>**[00:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kie Harimaze is a first-year*<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who just entered Naoetsu<br>
&nbsp;&nbsp;&nbsp;&nbsp;Private High School this spring.*<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She was part of the girls' basketball team,*<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and of course she immensely<br>
&nbsp;&nbsp;&nbsp;&nbsp;regretted both decisions.*<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She regretted entering Naoetsu High, a college<br>
&nbsp;&nbsp;&nbsp;&nbsp;prep school with high academic deviation value,*<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and joining the girls' basketball team,*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that was unbelievably Spartan for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a sports club of a college prep school.*<br>**[00:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BASKETBALL TEAM SCHEDULE<br>
&nbsp;&nbsp;&nbsp;&nbsp;JUNE<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A sports team that practices rigorously<br>
&nbsp;&nbsp;&nbsp;&nbsp;even though we're not that strong.*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the worst.*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I just want some thug<br>
&nbsp;&nbsp;&nbsp;&nbsp;to come assault me.*<br>**[00:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SOLIDARITY TOO STRONG WITHIN THE TEAM<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please assault me.*<br>**[00:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CLASSMATES GRADUALLY ALIENATING ME<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please hurt me.*<br>**[00:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GRADES GOING DOWNHILL<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please turn my life upside down.*<br>**[00:56] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I WANT TO START OVER<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That would be a reason<br>
&nbsp;&nbsp;&nbsp;&nbsp;for me to quit the team,*<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I'm sure they'll exempt me<br>
&nbsp;&nbsp;&nbsp;&nbsp;from the final exams too.*<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In either case, a thug who would conveniently<br>
&nbsp;&nbsp;&nbsp;&nbsp;strike her head with a club would not appear*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for Kie Harimaze<br>
&nbsp;&nbsp;&nbsp;&nbsp;on the road back home from school.*<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how many times she wished.*<br>**[01:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I WANT TO QUIT<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how many days<br>
&nbsp;&nbsp;&nbsp;&nbsp;she kept wishing.*<br>**[01:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I WANT TO QUIT<br>**[01:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HELP ME<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ugh, it doesn't have to be<br>
&nbsp;&nbsp;&nbsp;&nbsp;a thug anymore.*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't care what it is<br>
&nbsp;&nbsp;&nbsp;&nbsp;as long as it sets me free.*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It doesn't have to be reality.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It can be a fantasy.*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For instance...*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right, for instance, even if<br>
&nbsp;&nbsp;&nbsp;&nbsp;it's a monstrous apparition.*<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really feel this<br>&nbsp;&nbsp;&nbsp;&nbsp;when I arrived in this country.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the greeting "time to eat" is a phrase<br>&nbsp;&nbsp;&nbsp;&nbsp;that really isn't to my liking.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And "thanks for the meal"<br>&nbsp;&nbsp;&nbsp;&nbsp;is rather silly, too.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Deathtopia Virtuoso Suicide-Master.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death.<br>**[02:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI EPISODE ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD, PART ONE<br>**[02:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MONSTER SEASON BROADCAST NUMBER ONE<br>**[02:28] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IZUKO GAEN<br>
&nbsp;&nbsp;&nbsp;&nbsp;= THE BIG SISTER WHO KNOWS EVERYTHING<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, what do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;about this patient?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mummy?<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a mummy, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;A human one, at that.<br>**[02:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HUMAN x VAMPIRE x COLLEGE STUDENT / 3<br>&nbsp;&nbsp;&nbsp;&nbsp;= KOYOMI ARARAGI, AGE 19<br>&nbsp;&nbsp;&nbsp;&nbsp;= ME (PROTAGONIST)<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, this isn't a dead human,<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's alive.<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, even in this condition.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her heart is pumping,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she's breathing.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vital signals are sickeningly normal.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think I'm lying,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can confirm for yourself.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, if you'll excuse me.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kie Harimaze is the name of that mummy.<br>**[03:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU PRIVATE HIGH SCHOOL FIRST-YEAR, CLASS 3<br>
&nbsp;&nbsp;&nbsp;&nbsp;MEMBER OF GIRLS' BASKETBALL TEAM<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a student at Naoetsu High<br>&nbsp;&nbsp;&nbsp;&nbsp;where you attended, Koyomin.<br>**[03:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TWO SMALL<br>**[03:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HOLES<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was she assaulted by a vampire?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems so.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On her way home after team practice,<br>&nbsp;&nbsp;&nbsp;&nbsp;she happened to encounter one.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means she underwent<br>&nbsp;&nbsp;&nbsp;&nbsp;vampirization?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should treat it<br>&nbsp;&nbsp;&nbsp;&nbsp;as a failed vampirization.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It happens often. Successes like you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, is less common.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The failure, in this case,<br>
&nbsp;&nbsp;&nbsp;&nbsp;can even feel like a blessing in disguise.*<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There must be a means to save this girl.*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Save," huh?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I'm here to save this girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;Harimaze.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Koyomin, I hardly leave my home.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would trouble me if you feel trustworthiness<br>&nbsp;&nbsp;&nbsp;&nbsp;because I'm leaving my house from the get-go.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I explain that,<br>&nbsp;&nbsp;&nbsp;&nbsp;we should move locations.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move? To where?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a round of visits.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll introduce you to the next patient.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Aburi Honno.<br>**[04:28] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU PRIVATE HIGH SCHOOL<br>
&nbsp;&nbsp;&nbsp;&nbsp;STUDENT I.D. CARD<br>
&nbsp;&nbsp;&nbsp;&nbsp;ABURI HONNO<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's also a student at Naoetsu High.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pedestrian discovered a mummified Harimaze<br>&nbsp;&nbsp;&nbsp;&nbsp;lying on the street two days ago.<br>**[04:36] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TWO DAYS AGO<br>
&nbsp;&nbsp;&nbsp;&nbsp;YESTERDAY<br>
&nbsp;&nbsp;&nbsp;&nbsp;TODAY<br>**[04:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TWO DAYS AGO - KIE HARIMAZE AS A MUMMY FOUND<br>
&nbsp;&nbsp;&nbsp;&nbsp;YESTERDAY<br>
&nbsp;&nbsp;&nbsp;&nbsp;TODAY<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And last night, a mummified Honno was found<br>&nbsp;&nbsp;&nbsp;&nbsp;lying on her futon at home by her mother.<br>**[04:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TWO DAYS AGO - KIE HARIMAZE AS A MUMMY FOUND<br>
&nbsp;&nbsp;&nbsp;&nbsp;YESTERDAY - ABURI HONNO AS A MUMMY FOUND<br>
&nbsp;&nbsp;&nbsp;&nbsp;TODAY<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One person a day?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite a rapid pace.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not necessarily one person a day.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be a lot more, and we simply haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;found an immense number of mummies.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Ms. Gaen?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you perhaps being suspicious<br>&nbsp;&nbsp;&nbsp;&nbsp;of Shinobu?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, I didn't even<br>&nbsp;&nbsp;&nbsp;&nbsp;start thinking about that.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want you to help me out<br>&nbsp;&nbsp;&nbsp;&nbsp;because you know the area really well.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nice to help out girls every so often<br>&nbsp;&nbsp;&nbsp;&nbsp;who have nothing to do with you.<br>**[05:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BIRD SNAIL CAT DEVIL CRAB MONKEY BEE SNAKE<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, this makes me<br>&nbsp;&nbsp;&nbsp;&nbsp;want to rely on you, Koyomin.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The trustworthy Koyomin.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am currently taking measures to<br>&nbsp;&nbsp;&nbsp;&nbsp;bring Yoduru back here.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Ms. Kagenui?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Yoduru, no matter how much she hurries,<br>&nbsp;&nbsp;&nbsp;&nbsp;will take several days to arrive in this town.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those several days can directly affect<br>&nbsp;&nbsp;&nbsp;&nbsp;the number of victims.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen, is it all right<br>&nbsp;&nbsp;&nbsp;&nbsp;not to inform Ononoki?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl is on a different mission<br>&nbsp;&nbsp;&nbsp;&nbsp;right now as well.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A job that is kept secret<br>&nbsp;&nbsp;&nbsp;&nbsp;from you, Koyomin.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you assist me in resolving<br>&nbsp;&nbsp;&nbsp;&nbsp;this apparition phenomenon, Koyomin,<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear that for roughly four years,<br>&nbsp;&nbsp;&nbsp;&nbsp;until you graduate from college,<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not appear before you<br>&nbsp;&nbsp;&nbsp;&nbsp;or contact you.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please lead a bright, fun life on campus<br>&nbsp;&nbsp;&nbsp;&nbsp;free of apparitions and specialists.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's right. It's good<br>
&nbsp;&nbsp;&nbsp;&nbsp;to save strangers every so often.*<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll help you in areas that<br>&nbsp;&nbsp;&nbsp;&nbsp;won't affect my academics negatively.<br>**[06:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;INCOMING CALL<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have unfortunate news, Koyomin.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A third victim has been found.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And of course, it's a female student<br>&nbsp;&nbsp;&nbsp;&nbsp;from Naoetsu High.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl also looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;a failed vampirization.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, look out!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry, Ms. Gaen.<br>&nbsp;&nbsp;&nbsp;&nbsp;I acted on impulse.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was a job well done, Koyomin.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl's name seems to be<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoumi Kuchimoto.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A first year at Naoetsu High.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Ms. Gaen?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean "well done"?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Kuchimoto<br>&nbsp;&nbsp;&nbsp;&nbsp;attacked you to scratch you,<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems she dropped the flash cards<br>&nbsp;&nbsp;&nbsp;&nbsp;that she was holding in her hands.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, the writing tool that supposedly wrote<br>&nbsp;&nbsp;&nbsp;&nbsp;the message was on the floor right next to it.<br>**[08:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ENTER PASSCODE<br>**[08:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLOCK FAILED<br>**[08:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLOCK FAILED<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"B777Q," huh?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This dying message...<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I feel I should call it<br>&nbsp;&nbsp;&nbsp;&nbsp;a living message...<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might have a means<br>&nbsp;&nbsp;&nbsp;&nbsp;for decrypting it.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me hold onto these<br>&nbsp;&nbsp;&nbsp;&nbsp;flash cards for a bit.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist that much, I don't mind.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A living message? Sounds good.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling a dying message<br>&nbsp;&nbsp;&nbsp;&nbsp;a "living message" is something new.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll handle stuff on this end.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;with that strap, Ms. Gaen?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt that those<br>&nbsp;&nbsp;&nbsp;&nbsp;are Kyoumi Kuchimoto's initials.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, if that was all, then this<br>&nbsp;&nbsp;&nbsp;&nbsp;is a commonplace accessory that's cute.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when the victim Aburi Honno<br>&nbsp;&nbsp;&nbsp;&nbsp;had a similar strap attached to her smartphone...<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't that change things a bit?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it was Aburi Honno,<br>&nbsp;&nbsp;&nbsp;&nbsp;the initials were "H" and "A".<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it had the same font.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, perhaps if there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a common trait among the victims<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;other than female students<br>&nbsp;&nbsp;&nbsp;&nbsp;of Naoetsu High...<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Determining the missing link might also lead us<br>&nbsp;&nbsp;&nbsp;&nbsp;to determining who this mysterious vampire is.<br>**[09:48] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAGARINAOSE UNIVERSITY<br>**[09:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DECRYPTION CLASS<br>**[09:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NO LECTURE<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Meniko.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Araragi.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hola!<br>**[10:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MENIKO HAMUKAI<br>**[10:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MENIKO HAMUKAI<br>
&nbsp;&nbsp;&nbsp;&nbsp;= IN THE MATH DEPARTMENT<br>**[10:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MENIKO HAMUKAI<br>
&nbsp;&nbsp;&nbsp;&nbsp;= IN THE MATH DEPARTMENT<br>
&nbsp;&nbsp;&nbsp;&nbsp;= NEW FRIEND I MADE IN COLLEGE<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no lecture today.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what are you doing here?<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I was scheduled<br>&nbsp;&nbsp;&nbsp;&nbsp;to spend my time here, I guess?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I want you to look at.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. If it's you making the request,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look at anything.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about these flash cards.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"B777Q," huh?<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flash cards? How nostalgic.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's also something<br>&nbsp;&nbsp;&nbsp;&nbsp;written on the back.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? The back?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. I don't get it.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I don't get it.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi, who's smarter than me,<br>&nbsp;&nbsp;&nbsp;&nbsp;can't decrypt something this simple.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you able to decrypt the code?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had an inconvenience on my end,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd like some good news.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My college classmate planning to major<br>&nbsp;&nbsp;&nbsp;&nbsp;in cryptology solved it in ten seconds.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B777Q.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Splitting it apart, you get a B, a Q,<br>&nbsp;&nbsp;&nbsp;&nbsp;and three sevens sandwiched in between.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what are the common characteristics<br>&nbsp;&nbsp;&nbsp;&nbsp;for the letters B and Q?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, basically...<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B and Q are completely different<br>&nbsp;&nbsp;&nbsp;&nbsp;when you write them in uppercase.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, when you write B and Q<br>&nbsp;&nbsp;&nbsp;&nbsp;in lowercase, you end up with b and q.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the same shape<br>&nbsp;&nbsp;&nbsp;&nbsp;just flipped upside down.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And speaking of the same shape, there's a pair<br>&nbsp;&nbsp;&nbsp;&nbsp;with the same shape in Arabic numerals too.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's 6 and 9.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as you can see, 6 and 9 have<br>&nbsp;&nbsp;&nbsp;&nbsp;the same shapes as b and q as well.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So substitution upon substitution<br>&nbsp;&nbsp;&nbsp;&nbsp;turns B777Q into its equivalent, 67779.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That friend is a college student<br>&nbsp;&nbsp;&nbsp;&nbsp;in the mathematics department like me,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she has a habit of wanting<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to perform prime factorization<br>&nbsp;&nbsp;&nbsp;&nbsp;when she sees a group of numbers like this.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a nasty habit.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but there was no need<br>&nbsp;&nbsp;&nbsp;&nbsp;for prime factorization.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's clearer than day that 67779<br>&nbsp;&nbsp;&nbsp;&nbsp;can be separated into three prime numbers.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, 67, 7, and 79.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's next?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we return the Arabic numerals back<br>&nbsp;&nbsp;&nbsp;&nbsp;into the alphabet for an orthodox decryption.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, S, D, and V?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So 67 is the nineteenth<br>&nbsp;&nbsp;&nbsp;&nbsp;prime number when you start with two.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Likewise, 7 is the fourth prime number.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And 79 is the twenty-second<br>&nbsp;&nbsp;&nbsp;&nbsp;prime number.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The nineteenth letter in the alphabet<br>&nbsp;&nbsp;&nbsp;&nbsp;starting with A is S.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fourth letter is D,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the twenty-second letter is V.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So 67, 7, 79 equals S, D, V.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we still don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what "S, D, V" symbolizes.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm sure you noticed it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flash card in question also had<br>&nbsp;&nbsp;&nbsp;&nbsp;something written on the back.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the same handwriting as the front side,<br>&nbsp;&nbsp;&nbsp;&nbsp;"231" was written there.<br>**[13:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NOT PRIME NUMBERS<br>**[13:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NOT PRIME NUMBERS<br>
&nbsp;&nbsp;&nbsp;&nbsp;SIMPLY<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The order.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you take the three letters<br>&nbsp;&nbsp;&nbsp;&nbsp;you gain from the decryption,<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you rearrange it in the order<br>&nbsp;&nbsp;&nbsp;&nbsp;of 2-3-1? So an anagram?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, S/D/V turns into D/V/S.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an abbreviation,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're actually initials, Koyomin.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, for instance...<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Deathtopia Virtuoso Suicide-Master."<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Initials for a name like that.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Koyomin.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I'll be able to navigate<br>&nbsp;&nbsp;&nbsp;&nbsp;in the right direction.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like, it was a good thing I reached out<br>&nbsp;&nbsp;&nbsp;&nbsp;to you beforehand, Koyomin.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is coincidence in a way.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So from the straps, I felt there was<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;another commonality with the victims<br>&nbsp;&nbsp;&nbsp;&nbsp;other than attending the same school.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was digging through the privacy<br>&nbsp;&nbsp;&nbsp;&nbsp;of high school girls.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, I uncovered a surprising fact.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All three of them were doing the same<br>&nbsp;&nbsp;&nbsp;&nbsp;extracurricular activity.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girls' basketball team.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's an organization that makes<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen, who fears nothing*<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*even when she specializes<br>
&nbsp;&nbsp;&nbsp;&nbsp;in every apparition monster,*<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*feel the shadow of her older sister,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the one being she feels inferior to.*<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Naoetsu High School<br>
&nbsp;&nbsp;&nbsp;&nbsp;girls' basketball team.*<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tooe Gaen.*<br>**[15:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TOOE GAEN<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the name of Ms. Gaen's older sister,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the big sis of Big Sis.*<br>**[15:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GAEN FAMILY<br>
&nbsp;&nbsp;&nbsp;&nbsp;IZUKO               TOOE<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the name of the daughter of the big sis<br>
&nbsp;&nbsp;&nbsp;&nbsp;of Big Sis is Suruga Kanbaru.*<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's now a third-year<br>
&nbsp;&nbsp;&nbsp;&nbsp;at Naoetsu High,*<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the former captain<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the girls' basketball team.*<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to send someone in, then.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means it's better if I did it, right?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I shouldn't associate myself<br>&nbsp;&nbsp;&nbsp;&nbsp;with Suruga anymore.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, Suruga currently<br>&nbsp;&nbsp;&nbsp;&nbsp;has lost her left arm.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wait, she regained it.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it's been a while since Kanbaru<br>&nbsp;&nbsp;&nbsp;&nbsp;has retired from the girls' basketball team,<br>**[15:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU RETIRES - FAN CLUB SHOCKED<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's sketchy on whether or not<br>&nbsp;&nbsp;&nbsp;&nbsp;she has any current information.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have to ask you to.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I'd like the list<br>&nbsp;&nbsp;&nbsp;&nbsp;of every team member.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, let me share what I found out<br>&nbsp;&nbsp;&nbsp;&nbsp;from rummaging through their belongings.<br>**[16:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HISTORY<br>
&nbsp;&nbsp;&nbsp;&nbsp;GEOGRAPHY<br>**[16:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A SHACK NEAR THE SCHOOL COMMUTE PATH<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After an inspection of the scene,<br>&nbsp;&nbsp;&nbsp;&nbsp;this girl, who is the third mummy,<br>**[16:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SECURITY CAMERA IN OPERATION 24H<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seems to have been the victim<br>&nbsp;&nbsp;&nbsp;&nbsp;in the early hours yesterday.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yesterday? Then, well...<br>**[16:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ORDER OF DISCOVERY<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was the third person to be found,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Kuchimoto was the second victim?<br>**[16:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ORDER OF CRIME<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. That's how things were.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To organize, Kie Harimaze, a first-year<br>&nbsp;&nbsp;&nbsp;&nbsp;at Naoetsu High, was assaulted two nights ago.<br>**[16:30] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TWO NIGHTS AGO<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And before dawn broke, the vampire assaulted<br>&nbsp;&nbsp;&nbsp;&nbsp;another Naoetsu first-year, Kyoumi Kuchimoto.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unknown whether they dragged her<br>&nbsp;&nbsp;&nbsp;&nbsp;into the shack then drank her blood,<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or they drank her blood<br>&nbsp;&nbsp;&nbsp;&nbsp;then carried the mummy into the shack.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in either case,<br>&nbsp;&nbsp;&nbsp;&nbsp;the evil deed happened during the night.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a vampire, they rested during the day<br>&nbsp;&nbsp;&nbsp;&nbsp;when the sun rose, and when night fell again,<br>**[16:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LAST NIGHT<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they then bit into Aburi Honno, a Naoetsu<br>&nbsp;&nbsp;&nbsp;&nbsp;second-year who was in her room at home.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, there may be<br>&nbsp;&nbsp;&nbsp;&nbsp;other victims as well,<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I won't limit things<br>&nbsp;&nbsp;&nbsp;&nbsp;to female Naoetsu students.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep an eye out<br>&nbsp;&nbsp;&nbsp;&nbsp;for withered mummies all over town.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it be better to seek assistance<br>&nbsp;&nbsp;&nbsp;&nbsp;from Hachikuji?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I don't know about that.<br>**[17:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAME<br>
&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HACHIKUJI<br>
&nbsp;&nbsp;&nbsp;&nbsp;GOD<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though she's a god,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nowadays, she's clearly<br>&nbsp;&nbsp;&nbsp;&nbsp;on the side of apparitions.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, in any case, I'll set things up<br>&nbsp;&nbsp;&nbsp;&nbsp;so that I can see Kanbaru after this.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'll go quickly clean her room<br>&nbsp;&nbsp;&nbsp;&nbsp;while I'm at it.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an awful "while I’m at it."<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry my niece<br>&nbsp;&nbsp;&nbsp;&nbsp;causes you so much trouble.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*B777Q equals D/V/S.*<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, if this was a code that the victim<br>
&nbsp;&nbsp;&nbsp;&nbsp;suddenly left behind right before mummification,*<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it does feel a bit too complex.*<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wouldn't it be better to deduce that this<br>
&nbsp;&nbsp;&nbsp;&nbsp;is a signature from the perpetrating vampire?*<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A signature.*<br>**[18:04] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SIGNATURE<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A criminal declaration.*<br>**[18:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CRIMINAL DECLARATION<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A war declaration.*<br>**[18:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WAR DECLARATION<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Self-expression.*<br>**[18:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SELF-EXPRESSION<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't care what it is, but if that's the case,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it matches the theory of using initials.*<br>**[18:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SURUGA KANBARU<br>
&nbsp;&nbsp;&nbsp;&nbsp;= MY UNDERCLASSMAN<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me introduce you, Araragi-senpai.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Higasa, who was my teammate<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was on the basketball team.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had taken over as captain after I retired.<br>**[18:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEIU HIGASA<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you, Araragi-senpai.<br>**[18:35] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEIU HIGASA<br>**[18:35] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU'S FRIEND<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Seiu Higasa.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard many rumors about you.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet you heard<br>&nbsp;&nbsp;&nbsp;&nbsp;all the terrible ones, right?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, here's some tea, Araragi-senpai.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't slip anything fishy in there,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can relax as you drink.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That annotation isn't necessary.<br>**[19:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IS SHE<br>
&nbsp;&nbsp;&nbsp;&nbsp;A MERRY<br>
&nbsp;&nbsp;&nbsp;&nbsp;DRINKER?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nothing less from Kanbaru's friend.<br>
&nbsp;&nbsp;&nbsp;&nbsp;She's quite frank.*<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, I totally get anxious<br>&nbsp;&nbsp;&nbsp;&nbsp;around strangers.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike the rude 'Ruga.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I feel like you're someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who I've known for a long time.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just doesn't feel like we just met.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, what kind of rumors<br>&nbsp;&nbsp;&nbsp;&nbsp;are going around?<br>**[19:27] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NO PRESENCE / NO FRIENDS <br>
&nbsp;&nbsp;&nbsp;&nbsp; FAILING EVERY CLASS BESIDES MATH <br>
&nbsp;&nbsp;&nbsp;&nbsp;SLIGHT REFUSAL TO ATTEND SCHOOL / YET CLASS VICE-PRESIDENT<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the only delinquent student<br>
&nbsp;&nbsp;&nbsp;&nbsp;to graduate from Naoetsu High School.<br>**[19:31] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI KOYOMI<br>
&nbsp;&nbsp;&nbsp;&nbsp;NICE MEETIN' YA<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, as I've heard the rumors,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trembling right now.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I want to brag to my friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;so can I have your cellphone number?<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Guess she kept it on even after retiring.*<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, about the girls' basketball team.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, right. I have some information<br>&nbsp;&nbsp;&nbsp;&nbsp;prepared right here.<br>**[19:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU HIGH SCHOOL GIRLS' BASKETBALL TEAM<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Nobody has said "put your hands up!"<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything like that, Higasa.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Well, Araragi-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;this goes without saying,<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is personal information<br>&nbsp;&nbsp;&nbsp;&nbsp;for one hundred high school girls.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just name, address,<br>&nbsp;&nbsp;&nbsp;&nbsp;and contact information.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their height, weight, bust-waist-hip measurements,<br>&nbsp;&nbsp;&nbsp;&nbsp;and even whether they have a partner or not.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only is it far from trivial,<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to hand these records over to Araragi-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;who's infamous for being a hentai...<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Infamous for being a hentai?<br>**[20:35] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI-SENPAI<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I said Araragi-hentai<br>&nbsp;&nbsp;&nbsp;&nbsp;who's renowned as a senpai.<br>**[20:37] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI-HENTAI<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, I risk getting persecuted to lend you<br>&nbsp;&nbsp;&nbsp;&nbsp;this top-secret roster because I have hopes<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you'll break down the current state<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Naoetsu High girls' basketball team.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The current state of the girls' basketball team?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Higasa, to ask Araragi-hentai that much...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me. I'll help you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're in trouble.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girls' b-ball became terrible<br>&nbsp;&nbsp;&nbsp;&nbsp;after we retired.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The team atmosphere is the worst.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean they got weaker,<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after the golden era players<br>&nbsp;&nbsp;&nbsp;&nbsp;like Kanbaru and Higasa retired?<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like they've gotten weaker.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, that would've been<br>&nbsp;&nbsp;&nbsp;&nbsp;better for them.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they have<br>&nbsp;&nbsp;&nbsp;&nbsp;the worst atmosphere now.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means they're no longer a bright, fun,<br>&nbsp;&nbsp;&nbsp;&nbsp;girls' basketball team filled with solidarity.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The solidarity is gone.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they're only left<br>&nbsp;&nbsp;&nbsp;&nbsp;with collective responsibility.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the 100 members on the roster,<br>&nbsp;&nbsp;&nbsp;&nbsp;five have gone missing.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut in<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, for some reason<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mere future<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a feeling that...<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have any hopes or expectations<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lived long enough<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fed up with déjà vu<br>&nbsp;&nbsp;&nbsp;&nbsp;and the run-of-the-mill<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no signs of wonderful occasions<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the cause and effect<br>&nbsp;&nbsp;&nbsp;&nbsp;of accumulated experiences<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conventional myths and boring evolution<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I need stimulation<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got tired of it<br>&nbsp;&nbsp;&nbsp;&nbsp;I got used to it<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding<br>&nbsp;&nbsp;&nbsp;&nbsp;Guidance that gets adjusted<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compliance that increases<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be shoved under the rug<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sucked it all<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, this and all of it<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all taste the same<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E11 - SHINOBUMONOGATARI Shinobu Mustard Part Two

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G0DUN21JK/shinobumonogatari-shinobu-mustard-part-two)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OF THE 100 MEMBERS ON THE ROSTER,<br>**[00:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIVE HAVE GONE MISSING.<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Surprisingly, I had already known<br>
&nbsp;&nbsp;&nbsp;&nbsp;three of the five names.*<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kie Harimaze.*<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aburi Honno.*<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kyoumi Kuchimoto.*<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The problem was the fact that<br>
&nbsp;&nbsp;&nbsp;&nbsp;there were apparently*<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*two more female students missing<br>
&nbsp;&nbsp;&nbsp;&nbsp;in addition to them.*<br>**[00:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIVE FEMALE STUDENTS GONE MISSING<br>
&nbsp;&nbsp;&nbsp;&nbsp;AT NAOETSU HIGH SCHOOL<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If there are five students<br>
&nbsp;&nbsp;&nbsp;&nbsp;who have "gone missing,"*<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that's already more than enough<br>
&nbsp;&nbsp;&nbsp;&nbsp;to call it a major incident.*<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And among all that, the trouble<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the girls' basketball team*<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is a bit foreign in nature for me*<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*because it was not trouble that stems<br>
&nbsp;&nbsp;&nbsp;&nbsp;from class and exam fortitude,*<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it was trouble that stems<br>
&nbsp;&nbsp;&nbsp;&nbsp;from training and teamwork.*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Ruga will likely deny this, but to be blunt,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Naoetsu High Girls' B-ball team<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the extracurricular activity of Suruga Kanbaru,<br>&nbsp;&nbsp;&nbsp;&nbsp;by Suruga Kanbaru, and for Suruga Kanbaru.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem was that after you retired<br>&nbsp;&nbsp;&nbsp;&nbsp;from injuring your left arm,<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that framework was completely<br>&nbsp;&nbsp;&nbsp;&nbsp;inherited by the team.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I was captain, I tried every trick in the book<br>&nbsp;&nbsp;&nbsp;&nbsp;to somehow make things work well.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as soon as I retired in April,<br>&nbsp;&nbsp;&nbsp;&nbsp;it immediately all fell apart.<br>**[01:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TOO LOFTY A GOAL<br>
&nbsp;&nbsp;&nbsp;&nbsp;RIGOROUS TRAINING<br>**[01:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNAVOIDABLE PEER PRESSURE...<br>
&nbsp;&nbsp;&nbsp;&nbsp;NOT SOLIDARITY BUT COLLECTIVE RESPONSIBILITY<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sports isn't something<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to suffer over to play.<br>**[01:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SPORTS PLAYER KANBARU<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if it's that painful,<br>&nbsp;&nbsp;&nbsp;&nbsp;I just think you should just quit.<br>**[01:23] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GENIUS SPORTS PLAYER KANBARU<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some have already quit, of course.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, they didn't turn in<br>&nbsp;&nbsp;&nbsp;&nbsp;a letter of resignation.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They quit because<br>&nbsp;&nbsp;&nbsp;&nbsp;they got injured during practice.<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had to do something about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;so the third-year alumni gathered around<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had a discussion,<br>&nbsp;&nbsp;&nbsp;&nbsp;saying it wasn't this, it wasn't that.<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't like we took one measure or another<br>&nbsp;&nbsp;&nbsp;&nbsp;to solve it, but instead, it seems to have backfired.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in the past few days, team members<br>&nbsp;&nbsp;&nbsp;&nbsp;stopped coming to school one after another.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the surface, it looks like there are no issues<br>&nbsp;&nbsp;&nbsp;&nbsp;whatsoever, which makes it even more terrible.<br>**[01:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIGHTING SPIRIT<br>
&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU GIRLS' B-BALL<br>
&nbsp;&nbsp;&nbsp;&nbsp;WILL HEAD TO NATIONALS AGAIN,<br>
&nbsp;&nbsp;&nbsp;&nbsp;LET'S WIN THE CHAMPIONSHIP<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once things settled down, and for those who felt<br>&nbsp;&nbsp;&nbsp;&nbsp;agony got a strange sense of satisfaction,<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sometimes enter a state of euphoria,<br>&nbsp;&nbsp;&nbsp;&nbsp;which paralyzes them.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When everyone criticized the girls<br>&nbsp;&nbsp;&nbsp;&nbsp;who thoughtlessly made complaints,<br>**[02:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DON'T PLAY HOOKY<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;ARE YOU RUNNING AWAY BY YOURSELF?<br>**[02:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GIRLS' B-BALL<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they seemed to have a strange sense of fun<br>&nbsp;&nbsp;&nbsp;&nbsp;making those criticisms.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard for us to change this structure<br>&nbsp;&nbsp;&nbsp;&nbsp;from our end as well, Araragi-senpai.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because that structure<br>&nbsp;&nbsp;&nbsp;&nbsp;is what our generation created.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what they're doing is basically<br>&nbsp;&nbsp;&nbsp;&nbsp;the same thing as what we were doing.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. The only difference<br>&nbsp;&nbsp;&nbsp;&nbsp;is how they feel about it.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Maybe we were in the wrong after all.<br>**[02:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EFFORT<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like how coaches who experienced corporal<br>&nbsp;&nbsp;&nbsp;&nbsp;punishment and pecking orders gone too far,<br>**[02:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PERSEVERANCE<br>**[02:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;RESULTS<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't change their opinions,<br>&nbsp;&nbsp;&nbsp;&nbsp;and would say,<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It may not be suitable for current times,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was good in its own way."<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, from the day I joined to the day I retired,<br>&nbsp;&nbsp;&nbsp;&nbsp;every day should have been fun, I think?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The school tells us to keep quiet about this,<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when we were getting<br>&nbsp;&nbsp;&nbsp;&nbsp;rather desperate from the whole thing,<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's when Araragi-hentai<br>&nbsp;&nbsp;&nbsp;&nbsp;approached us.<br>**[03:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HENTAI<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt this was a blessing from heaven.<br>**[03:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT'S TRUE THAT THE TIMING WAS GOOD.<br>**[03:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE OTHER TWO MISSING...<br>**[03:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I MUST FIGURE OUT THEIR WHEREABOUTS—<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, Higasa.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;someone unsociable like me<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be able to get involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in a delicate affair between girls.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you could lend me that roster,<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise that I will do everything I can<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that at least from hereon, none of your<br>&nbsp;&nbsp;&nbsp;&nbsp;underclassmen will go missing anymore.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough for me<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to say that.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Araragi-senpai...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a girlfriend?<br>**[03:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MONSTER SEASON BROADCAST NUMBER TWO<br>**[03:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI EPISODE ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD, PART TWO<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shadows in the hearts of the girls' basketball<br>&nbsp;&nbsp;&nbsp;&nbsp;team members carrying depressing emotions like,<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why do I have to sacrifice academics<br>&nbsp;&nbsp;&nbsp;&nbsp;to devote myself to rigorous practice<br>**[04:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DEPRESSION<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the upperclassman I admire is no longer here?"<br>&nbsp;&nbsp;&nbsp;&nbsp;That may have attracted a vampire.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That theory definitely<br>&nbsp;&nbsp;&nbsp;&nbsp;has persuasive power.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying apparitions have reasons<br>&nbsp;&nbsp;&nbsp;&nbsp;suitable for them?<br>**[04:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAME: IT'S SURUGA KANBARU!<br>
&nbsp;&nbsp;&nbsp;&nbsp;CLASS: I'M GLAD I MADE IT TO THE 3RD YEAR<br>
&nbsp;&nbsp;&nbsp;&nbsp;POSITION: SMALL FORWARD<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that niece of mine didn't really get faster<br>&nbsp;&nbsp;&nbsp;&nbsp;at running from positive reasons, either.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right.*<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The superstar wasn't born a superstar.*<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*More like, she was a girl<br>
&nbsp;&nbsp;&nbsp;&nbsp;who had to become a superstar.*<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because she made a wish to a monkey.*<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after being released from the monkey,<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not like she'll be released<br>&nbsp;&nbsp;&nbsp;&nbsp;from the distress of puberty.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, getting annoyed by your kohai<br>&nbsp;&nbsp;&nbsp;&nbsp;is the fate of a senpai.<br>**[04:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KOHAI ONE<br>**[04:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KOHAI TWO<br>**[04:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KOHAI THREE<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to make Koyomin's easily made promise<br>&nbsp;&nbsp;&nbsp;&nbsp;come true, you have to put some spirit into this.<br>**[05:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;VICTIMS: THREE PEOPLE<br>
&nbsp;&nbsp;&nbsp;&nbsp;MISSING: 2 PEOPLE<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, let's prioritize looking for the other two<br>&nbsp;&nbsp;&nbsp;&nbsp;team members who've gone missing.<br>**[05:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PROFILE CARD<br>
&nbsp;&nbsp;&nbsp;&nbsp;NAME: MISAGO KANGU<br>
&nbsp;&nbsp;&nbsp;&nbsp;CLASS: 2-4<br>
&nbsp;&nbsp;&nbsp;&nbsp;POSITION: CURRENTLY ON THE RUN<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misago Kangu,<br>**[05:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PROFILE CARD<br>
&nbsp;&nbsp;&nbsp;&nbsp;NAME: SOWA KISEKI<br>
&nbsp;&nbsp;&nbsp;&nbsp;CLASS: 2-7<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Sowa Kiseki.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Ms. Gaen.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was more like an afterthought.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But can that living message that we thought<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuchimoto wrote on her flash cards<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;be a signature left by the vampire?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's very much possible.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, similar signatures were not found<br>&nbsp;&nbsp;&nbsp;&nbsp;from the belongings of Kie Harimaze here<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or Aburi Honno in the next room over.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This naturally goes for<br>&nbsp;&nbsp;&nbsp;&nbsp;the living message as well,<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if the "B777Q" written on<br>&nbsp;&nbsp;&nbsp;&nbsp;that flash card was a signature,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then there should be a code<br>&nbsp;&nbsp;&nbsp;&nbsp;left behind near all the mummies.<br>**[05:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;NO CODE<br>**[05:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ABURI HONNO<br>
&nbsp;&nbsp;&nbsp;&nbsp;NO CODE<br>**[05:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KYOUMI KUCHIMOTO<br>
&nbsp;&nbsp;&nbsp;&nbsp;CODE FOUND<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the case of Kuchimoto,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was inside an abandoned shack,<br>**[05:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KYOUMI KUCHIMOTO<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the vampire could take their time<br>&nbsp;&nbsp;&nbsp;&nbsp;to work without worrying about other people?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did run some handwriting analysis.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I couldn't come to a definitive result.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't seem like<br>&nbsp;&nbsp;&nbsp;&nbsp;the two handwritings matched,<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if it was written in a hurry<br>&nbsp;&nbsp;&nbsp;&nbsp;while being assaulted by the vampire,<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's only natural to be in disarray.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the hunter,<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it makes it easy if the vampire is highly<br>&nbsp;&nbsp;&nbsp;&nbsp;self-assertive because they become easy to find.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That said, as the commander, I would like<br>&nbsp;&nbsp;&nbsp;&nbsp;to input tonight's commands for Koyomin.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay. What is it?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is something that<br>&nbsp;&nbsp;&nbsp;&nbsp;only you can do, Koyomin.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to suppress Shinobu<br>&nbsp;&nbsp;&nbsp;&nbsp;for the night.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're hiding something from me,<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on now. What are you saying<br>&nbsp;&nbsp;&nbsp;&nbsp;out of the blue, Shinobu?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to doubt me like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;our relationship of codependence is over.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like hell it's over. We're in deep.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I'm tied to your shadows firmly,<br>&nbsp;&nbsp;&nbsp;&nbsp;like I was nailed down onto it.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on now.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go, Shinobu. I got you<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of your favorite donuts, you see?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some Golden Chocolate, okay?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you're highly suspicious, my master.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that wheedling catty voice.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're trying to trick me so suddenly.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's quite sharp. Like a fang.*<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it, Ms. Gaen really<br>
&nbsp;&nbsp;&nbsp;&nbsp;is asking for the impossible.*<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hiding something from Shinobu is harder<br>
&nbsp;&nbsp;&nbsp;&nbsp;than hiding something from my parents.*<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because we are alter egos,<br>
&nbsp;&nbsp;&nbsp;&nbsp;inseverable even if you cut us apart.*<br>**[07:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU OSHINO<br>
&nbsp;&nbsp;&nbsp;&nbsp;= FORMER IRON-BLOODED, HOT-BLOODED,<br>
&nbsp;&nbsp;&nbsp;&nbsp;COLD-BLOODED VAMPIRE.<br>
&nbsp;&nbsp;&nbsp;&nbsp;= MERE SHADOW OF A VAMPIRE<br>
&nbsp;&nbsp;&nbsp;&nbsp;= MY FATE-SHARING COMPANION<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on now. See, here's some<br>&nbsp;&nbsp;&nbsp;&nbsp;limited-time flavors from Mister Donuts.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you can't dodge the question<br>&nbsp;&nbsp;&nbsp;&nbsp;by saying things like that.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's half Pon de Ring,<br>&nbsp;&nbsp;&nbsp;&nbsp;and half Old Fashioned?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this dream of a donut?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive!<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's 10:00 PM right now,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so about seven more hours till sunrise.*<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can I even keep going for that long?*<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Shinobu.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to ask you<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since we had that<br>&nbsp;&nbsp;&nbsp;&nbsp;memorable spring break.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had feelings that lasted as long as a year<br>&nbsp;&nbsp;&nbsp;&nbsp;and a half, why didn't you ask me sooner?<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back during that spring break,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you sucked my blood<br>&nbsp;&nbsp;&nbsp;&nbsp;and I became an immortal vampire, right?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember, right?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were on the verge of extermination.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Dying in this way is just like me.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not bad."<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said with a nihilistic grin,<br>&nbsp;&nbsp;&nbsp;&nbsp;as I offered my own neck.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to your memory skills?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you use it all up<br>&nbsp;&nbsp;&nbsp;&nbsp;with those college entrance studies?<br>**[08:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ACTUALLY, I WAS IN TEARS<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my vampirization had failed back then,<br>&nbsp;&nbsp;&nbsp;&nbsp;what would have happened?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of meaning does failed vampirization<br>&nbsp;&nbsp;&nbsp;&nbsp;have for the vampire to begin with?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose the time has finally come<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to talk about that.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have matured, my master.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, you're immortal,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't really mature!<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say a joke then refute it yourself.<br>**[09:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ARARAGI FAMILY GRAVE<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm no longer immortal, either.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting with the conclusion.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had failed back then<br>&nbsp;&nbsp;&nbsp;&nbsp;to become my minion, my slave,<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would have become a zombie<br>&nbsp;&nbsp;&nbsp;&nbsp;with no ability to think.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't you remember?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that time we saw the horde of living corpses<br>&nbsp;&nbsp;&nbsp;&nbsp;in an alternate timeline.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh right, there was that.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see. I hadn't connected that<br>
&nbsp;&nbsp;&nbsp;&nbsp;with the mummies from the current case.*<br>**[09:40] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PAST<br>**[09:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PRESENT<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But now that she mentioned it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'd already seen previous cases.*<br>**[09:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PAST<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If those were examples of failures,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and a mound of them at that...*<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It means in that timeline, the "Shinobu Oshino<br>
&nbsp;&nbsp;&nbsp;&nbsp;from a different route" was reckless,*<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*with no objective nor motive.*<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can the vampire we're dealing with now<br>
&nbsp;&nbsp;&nbsp;&nbsp;be acting recklessly as well?*<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though, I don't know enough vampires<br>
&nbsp;&nbsp;&nbsp;&nbsp;to think about different patterns.*<br>**[10:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GRADUATION<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's just like the number of friends<br>
&nbsp;&nbsp;&nbsp;&nbsp;I had in high school.*<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can count them all on one hand.*<br>**[10:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEISHIRO SHISHIRUI<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They were all somehow tied to Shinobu.*<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, wait.*<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait, wait, wait, wait.*<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right. This is also definitely<br>
&nbsp;&nbsp;&nbsp;&nbsp;an oversight. No doubt about it.*<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's tied with Shinobu,<br>
&nbsp;&nbsp;&nbsp;&nbsp;even if there isn't an immediate connection...*<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm aware of the existence<br>
&nbsp;&nbsp;&nbsp;&nbsp;of one other vampire.*<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vampire who turned you<br>&nbsp;&nbsp;&nbsp;&nbsp;into a vampire...<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original source vampire for me.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard much about them.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose the time has finally come<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to talk about that.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who created me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the one who gave me a name.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time to talk about her.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not the whole story,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but I get the gist of it.*<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is why Ms. Gaen ordered me<br>
&nbsp;&nbsp;&nbsp;&nbsp;to keep Shinobu suppressed for tonight.*<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you intimidated?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's only natural. As you can see,<br>&nbsp;&nbsp;&nbsp;&nbsp;it makes me tremble as well.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I myself had forgotten<br>&nbsp;&nbsp;&nbsp;&nbsp;that I used to be human<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the incidents that happened<br>&nbsp;&nbsp;&nbsp;&nbsp;with you last year.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;for close to 600 years now.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A truly reckless way of life.<br>&nbsp;&nbsp;&nbsp;&nbsp;She is the true vampire.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though she must be long since<br>&nbsp;&nbsp;&nbsp;&nbsp;crumbled into dust by now.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shinobu.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said reckless way of life,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what kind of life was it specifically?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[12:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;APPARITION<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to me, a foul eater who eats anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;apparition or whatever it may be,<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was a gourmet vampire.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she decides the menu,<br>**[12:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PRINCESS ACEROLA<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she will not put anything else in her mouth.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how stubborn she was.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And back in the day,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master decided to suck my blood<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was still human.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;she almost starved to death.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I kind of let her<br>&nbsp;&nbsp;&nbsp;&nbsp;suck my blood out of pity.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Dying in this way is just like me.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not bad."<br>**[12:35] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nihilistically...<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying the same thing I did.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't fight blood.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why so suddenly, after all this time,<br>&nbsp;&nbsp;&nbsp;&nbsp;am I talking about Suicide-Master?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming! Just one second!<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here, Devil Boy.<br>**[13:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;YOTSUGI ONONOKI<br>**[13:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;= DOLL APPARITION<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, if it isn't Ononoki.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came at a really good time.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, don't be modest.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come sit on my lap.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lap is your booster seat.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, before you say disgusting stuff,<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should retort at Doll Girl's skit where she<br>&nbsp;&nbsp;&nbsp;&nbsp;knocked on the door yet appeared outside the window.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make yourself at home, Noble Ononoki.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobility?<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunately, I'm not bored enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to relax on Devil Boy's lap.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ms. Gaen mentioned it, too.*<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That Ononoki was currently<br>
&nbsp;&nbsp;&nbsp;&nbsp;working on a different case.*<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If so, what's the reason?*<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I need a reason to come over?<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fwip.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had stepped out for work,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when I finally came home,<br>&nbsp;&nbsp;&nbsp;&nbsp;that idiot Tsukihi was in the room.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's studying or something.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it seems I am unwanted<br>&nbsp;&nbsp;&nbsp;&nbsp;over here as well.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So since I'm not bored, I'll just excuse myself<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can continue on with your discussion.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>**[14:16] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FORTUNE<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go. A souvenir.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a fortune from North Shirahebi Shrine,<br>&nbsp;&nbsp;&nbsp;&nbsp;where the lost girl is the god.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fair Fortune. I can't really tell<br>
&nbsp;&nbsp;&nbsp;&nbsp;if this is good or bad.*<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you were working but you were<br>&nbsp;&nbsp;&nbsp;&nbsp;goofing off at Lost Girl's place?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've invited me, too.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't like I was playing.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though a rookie, Big Sister Mayoi is still<br>&nbsp;&nbsp;&nbsp;&nbsp;the lost child that governs over this town.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In terms of working, I have<br>&nbsp;&nbsp;&nbsp;&nbsp;to set things straight with her or I'll pay for it.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ononoki.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until Tsukihi vacates her room,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can relax and hang out here.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The booster seat and the child is heading out<br>&nbsp;&nbsp;&nbsp;&nbsp;on a midnight cruise right now.<br>**[15:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ONE IN WAITING<br>
&nbsp;&nbsp;&nbsp;&nbsp;YOU SHOULD BE THE ONE TO SEEK THAT PERSON OUT<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how embarrassing.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have finally caught sight<br>&nbsp;&nbsp;&nbsp;&nbsp;of how I am secretly training.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What part of this is secret?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was like you weren't sitting under<br>&nbsp;&nbsp;&nbsp;&nbsp;a waterfall, but basking in the limelight.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh dear. A breathtakingly beautiful woman<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't someone like this.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It isn't?*<br>**[15:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HACHIKUJI<br>**[15:48] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HACHIKUJI<br>
&nbsp;&nbsp;&nbsp;&nbsp;= GIRL LOST BY A SNAIL<br>**[15:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HACHIKUJI<br>
&nbsp;&nbsp;&nbsp;&nbsp;= GIRL LOST BY A SNAIL<br>
&nbsp;&nbsp;&nbsp;&nbsp;= CURRENT GOD<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, long time no see, Mr. Aplysia.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It indeed has been a while,<br>&nbsp;&nbsp;&nbsp;&nbsp;but my name is Araragi.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, I flubbed it.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was on purpose.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fwubbed it!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't on purpose?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Debbulf I yrros.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she says it backwards,<br>&nbsp;&nbsp;&nbsp;&nbsp;it wasn't on purpose?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to see you as well,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ms. Samurai.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's a samurai? You and your anagrams<br>
&nbsp;&nbsp;&nbsp;&nbsp;turned a ninja into a samurai.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Shinobu.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I have to do this, too?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, I flubbed it.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was on purpose.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fwubbed it!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't on purpose?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fluids robbery.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not intentional<br>&nbsp;&nbsp;&nbsp;&nbsp;even with an anagram!?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather. Ms. Anagra.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting pulled in.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This downward slope will never end<br>&nbsp;&nbsp;&nbsp;&nbsp;if you keep connecting new ways to flub things.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather, rather, Mr. Araragi.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I called you over all the way to the mountain peak<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of the night for none other than...<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting to introduce you to a young girl.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? It seems you have somewhat<br>&nbsp;&nbsp;&nbsp;&nbsp;of a circumstance here.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she introduced you to a young girl<br>&nbsp;&nbsp;&nbsp;&nbsp;with no circumstances,<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'd be one seriously dangerous person.<br>**[16:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE YOUNG GIRL WHO WANTED TO KEEP RIDING<br>
&nbsp;&nbsp;&nbsp;&nbsp;ON MY SHOULDERS AFTER I WAS DONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;MOUNTAIN-CLIMBING GAVE ME AN ELBOW<br>
&nbsp;&nbsp;&nbsp;&nbsp;TO THE CROWN OF MY HEAD.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be precise, I want to introduce<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Shinobu, not Mr. Araragi.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you were the one who was<br>&nbsp;&nbsp;&nbsp;&nbsp;the seriously dangerous person, Shinobu.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't sound so proud while still having<br>&nbsp;&nbsp;&nbsp;&nbsp;a young girl on your shoulders.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't shrug. I'll cling onto you.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Lost Girl. There's a young girl<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to introduce me to?<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Over here.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Suicide-Master?<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How you have changed so much.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, Shinobu. What are you talking...<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out! Be careful, Shinobu!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me say that the young girl mummy<br>&nbsp;&nbsp;&nbsp;&nbsp;was naked to begin with.<br>**[18:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THAT WAS NOT SOMETHING<br>
&nbsp;&nbsp;&nbsp;&nbsp;I WAS GOING TO QUESTION, PER SE.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it wasn't a mummy<br>&nbsp;&nbsp;&nbsp;&nbsp;to begin with, either.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world happened?<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, God. What exactly is going on<br>&nbsp;&nbsp;&nbsp;&nbsp;in this town right now?<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu, what kind of condition<br>&nbsp;&nbsp;&nbsp;&nbsp;is that mummy in?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the naked young girl.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm astonished that Suicide-Master, the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who created you and named you, was a young girl.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that condition...<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it similar to a zombie<br>&nbsp;&nbsp;&nbsp;&nbsp;when you fail to become a vampire?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negative. If anything, this is cryptobiosis.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a living corpse,<br>&nbsp;&nbsp;&nbsp;&nbsp;but more like in critical condition...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you called for us,<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't you, Lost Girl?<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. For a guest from overseas to die abroad<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a terrible thing to wake up to as the ruler.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why, to learn about<br>&nbsp;&nbsp;&nbsp;&nbsp;the truth behind this,<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want Mr. Araragi to procure some medicine<br>&nbsp;&nbsp;&nbsp;&nbsp;for this individual to recover.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Medicine? What kind?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And procure? From where?<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't exist in this world.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it does in the afterlife,<br>&nbsp;&nbsp;&nbsp;&nbsp;as you are aware.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Afterlife?<br>**[19:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KEEP OUT<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say "as you are aware" but<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not aware of anything like that.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be aware of it, Mr. Araragi.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you just traveled there<br>&nbsp;&nbsp;&nbsp;&nbsp;the other day.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Hell.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Blood Pond Hell.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, brother. I have no choice.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I have to go there.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To my second homeland...<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Hell.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Shinobu, please do the honors.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[20:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DEMON SWORD "KOKORO WATARI"<br>
&nbsp;&nbsp;&nbsp;&nbsp;THE POWER THAT KILLS APPARITIONS<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have long since waited for a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to slay your rude self like this.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you disgrace me<br>&nbsp;&nbsp;&nbsp;&nbsp;by making me sit in a booster seat.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I thought you were happy about that!<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you telling me it was agonizing<br>&nbsp;&nbsp;&nbsp;&nbsp;at this point in time?<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's with that chuckle?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't you laughing like you usually do?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge is a delicious soup<br>&nbsp;&nbsp;&nbsp;&nbsp;especially when it is served cold.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally thought our relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;was so close that soup wouldn't get cold!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a taste of 400 years worth of<br>&nbsp;&nbsp;&nbsp;&nbsp;continued swordsmanship training.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Life Death Style<br>&nbsp;&nbsp;&nbsp;&nbsp;has seven ultimate techniques.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Technique One,<br>&nbsp;&nbsp;&nbsp;&nbsp;Indescribable Subtle Beauty.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Technique Two,<br>&nbsp;&nbsp;&nbsp;&nbsp;Beauties of Nature.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Technique Three,<br>&nbsp;&nbsp;&nbsp;&nbsp;Hundred Flower Bloom.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Technique Four,<br>&nbsp;&nbsp;&nbsp;&nbsp;Natural Beauty of Spring.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Technique Five,<br>&nbsp;&nbsp;&nbsp;&nbsp;Impermanence of Things.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Technique Six,<br>&nbsp;&nbsp;&nbsp;&nbsp;Crowning Beauty with Glory.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Technique Seven,<br>&nbsp;&nbsp;&nbsp;&nbsp;Utter Shambles.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the final ultimate technique<br>&nbsp;&nbsp;&nbsp;&nbsp;of Life Death Style<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where all seven ultimate techniques<br>&nbsp;&nbsp;&nbsp;&nbsp;are unleashed at once.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torn to Pieces!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut in<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, for some reason<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mere future<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a feeling that...<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have any hopes or expectations<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lived long enough<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fed up with déjà vu<br>&nbsp;&nbsp;&nbsp;&nbsp;and the run-of-the-mill<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no signs of wonderful occasions<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the cause and effect<br>&nbsp;&nbsp;&nbsp;&nbsp;of accumulated experiences<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conventional myths and boring evolution<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I need stimulation<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got tired of it<br>&nbsp;&nbsp;&nbsp;&nbsp;I got used to it<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding<br>&nbsp;&nbsp;&nbsp;&nbsp;Guidance that gets adjusted<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compliance that increases<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be shoved under the rug<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sucked it all<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, this and all of it<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all taste the same<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was supposed to fall down to Hell,<br>&nbsp;&nbsp;&nbsp;&nbsp;but instead I rose up to Heaven by mistake?<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh geez. My goodness.<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So those who are watching really are<br>&nbsp;&nbsp;&nbsp;&nbsp;watching my day-to-day behavior.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precisely.<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are not as evil of a human<br>&nbsp;&nbsp;&nbsp;&nbsp;as you may think you are.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me for being<br>&nbsp;&nbsp;&nbsp;&nbsp;in such a guise, Lord Araragi.<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Beautiful Princess?<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct. There are people<br>&nbsp;&nbsp;&nbsp;&nbsp;who call me by that name.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But please, here in Heaven,<br>&nbsp;&nbsp;&nbsp;&nbsp;call me Princess Acerola.<br>

# E12 - SHINOBUMONOGATARI Shinobu Mustard Part Three

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GEVUZ72N7/shinobumonogatari-shinobu-mustard-part-three)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EVEN BACK THEN,<br>**[00:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT WAS A CONVERSATION<br>
&nbsp;&nbsp;&nbsp;&nbsp;WITH A CURTAIN BETWEEN US<br>**[00:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ALMOST COMMITTED SUICIDE<br>**[00:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;JUST LIKE THE CITIZENS<br>
&nbsp;&nbsp;&nbsp;&nbsp;OF THE KINGDOM SHE RUINED<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's very much convincing as they say.<br>**[00:15] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BEAUTIFUL PRINCESS = PRINCESS ACEROLA<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Beautiful Princess.<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Acerola being<br>&nbsp;&nbsp;&nbsp;&nbsp;an inhabitant of Heaven.<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I possibly<br>&nbsp;&nbsp;&nbsp;&nbsp;make a complaint about that?<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not good.*<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My speech pattern<br>
&nbsp;&nbsp;&nbsp;&nbsp;is already starting to go awry.*<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's just like her to do so.*<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I was told that not only is she*<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*an inhabitant of Heaven but the Queen of Heaven,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'd still be convinced.*<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The fact that Princess Acerola<br>
&nbsp;&nbsp;&nbsp;&nbsp;is here isn't surprising at all.*<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's surprising is the fact that<br>
&nbsp;&nbsp;&nbsp;&nbsp;Koyomi Araragi is here.*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is because I have<br>&nbsp;&nbsp;&nbsp;&nbsp;invited you here, Lord Araragi.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like how I was separated<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from my vampirism<br>&nbsp;&nbsp;&nbsp;&nbsp;and sent down to Hell for several months,<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Princess Acerola turned into Kiss-shot<br>&nbsp;&nbsp;&nbsp;&nbsp;Acerola-orion Heart-under-blade 600 years ago,<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the beautiful soul that "died" then separated<br>&nbsp;&nbsp;&nbsp;&nbsp;from her body and ascended to Heaven?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you call me up to Heaven,<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Acerola?<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to get water, I mean blood, from<br>&nbsp;&nbsp;&nbsp;&nbsp;the Blood Pond Hell and take it back with me.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, do not be so indifferent.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take some time to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;this ignorant one company, Lord Araragi.<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This location is an imitation of my homeland.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By my homeland, I mean the first<br>&nbsp;&nbsp;&nbsp;&nbsp;of multiple countries that I ruined.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beauty destroying a country is a concept<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can't firmly grasp.<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't it have been a country that would fall<br>&nbsp;&nbsp;&nbsp;&nbsp;to ruin someday, even if you weren't there?<br>**[01:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ALL THAT IS FAIR WILL INEVITABLY FADE<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that is fair will inevitably fade.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how beautiful,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will fall to ruin someday.<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you want to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Araragi?<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, as I have gained eternity<br>&nbsp;&nbsp;&nbsp;&nbsp;by having Suicide-Master drink my blood,<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can say that I am all too avaricious.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I regretted my survival.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have died<br>&nbsp;&nbsp;&nbsp;&nbsp;before I met Suicide-Master.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of that, I made Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;shoulder a heavy, heavy burden.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This princess doesn't regret<br>
&nbsp;&nbsp;&nbsp;&nbsp;that her blood got sucked,*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but she regrets<br>
&nbsp;&nbsp;&nbsp;&nbsp;that she allowed it to happen.*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, I feel I am interfering<br>&nbsp;&nbsp;&nbsp;&nbsp;with things,<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I could not help but pull you up<br>&nbsp;&nbsp;&nbsp;&nbsp;as you were willing to fall to Hell for her.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not something<br>&nbsp;&nbsp;&nbsp;&nbsp;you should be worried about, right?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampires are destined<br>&nbsp;&nbsp;&nbsp;&nbsp;to drink others' blood.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can say this because I myself<br>&nbsp;&nbsp;&nbsp;&nbsp;have become a vampire.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But vampires drinking blood is different<br>&nbsp;&nbsp;&nbsp;&nbsp;from Mr. Lion or Ms. Bear assaulting humans.<br>**[03:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MR. LION?<br>
&nbsp;&nbsp;&nbsp;&nbsp;MS. BEAR?<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe speaking of vampires<br>&nbsp;&nbsp;&nbsp;&nbsp;who feed on humans<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on relative terms to carnivorous animals<br>&nbsp;&nbsp;&nbsp;&nbsp;is unreasonable, after all.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if that point<br>&nbsp;&nbsp;&nbsp;&nbsp;turns out to be the same...<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that I have changed<br>&nbsp;&nbsp;&nbsp;&nbsp;the ecosystem of an endangered species.<br>**[03:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;VAMPIRE<br>
&nbsp;&nbsp;&nbsp;&nbsp;HUMAN<br>
&nbsp;&nbsp;&nbsp;&nbsp;CARNIVORES<br>
&nbsp;&nbsp;&nbsp;&nbsp;HERBIVORES<br>
&nbsp;&nbsp;&nbsp;&nbsp;PLANTS<br>
&nbsp;&nbsp;&nbsp;&nbsp;BACTERIA<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be a heavier sin, perhaps.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be a bit too late already.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In terms of protecting<br>&nbsp;&nbsp;&nbsp;&nbsp;an endangered species,<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to save Suicide-Master.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you pulled me up to save<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Suicide-Master... I mean, Lady Suicide-Master?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I actually do not think<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are that evil of a person.<br>**[04:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT SEEMS HONESTY IS A VIRTUE, TOO<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, so is there a Blood Pond Hell<br>&nbsp;&nbsp;&nbsp;&nbsp;up here in Heaven as well?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it closer and easier to gather from?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heaven does not have a Blood Pond Hell.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It exists just as much as a place for myself<br>&nbsp;&nbsp;&nbsp;&nbsp;and Lord Araragi does not exist in this realm.<br>**[04:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;STOP<br>
&nbsp;&nbsp;&nbsp;&nbsp;DO NOT ENTER<br>
&nbsp;&nbsp;&nbsp;&nbsp;NO ARARAGI'S ALLOWED<br>**[04:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE JUST SAID SOMETHING TERRIBLE<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can this be a warning that<br>&nbsp;&nbsp;&nbsp;&nbsp;what we're doing is completely missing the mark?<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I were to scoop up<br>&nbsp;&nbsp;&nbsp;&nbsp;a glassful of medicine from Blood Pond Hell,<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will it not be a remedy<br>&nbsp;&nbsp;&nbsp;&nbsp;that will revive Lady Suicide-Master?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, that is not what I mean.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will not drink it.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will not accept it.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a gourmet.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a competent, top-tier epicure,<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she will not ingest menu items<br>&nbsp;&nbsp;&nbsp;&nbsp;that will not satisfy her.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will not eat.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The advice I can give you is that<br>&nbsp;&nbsp;&nbsp;&nbsp;if there is a sweet remedy for Suicide-Master,<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is not a soda fountain stocked<br>&nbsp;&nbsp;&nbsp;&nbsp;with various types of blood,<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but blood extracted from<br>&nbsp;&nbsp;&nbsp;&nbsp;one certain chosen individual instead.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For instance...<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like blood from yours truly.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please close your eyes.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, of course...<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I cannot kiss you<br>&nbsp;&nbsp;&nbsp;&nbsp;while wearing a mask.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I meant when I asked you<br>&nbsp;&nbsp;&nbsp;&nbsp;to close your eyes.<br>**[06:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD<br>**[06:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MONSTER SEASON BROADCAST NUMBER THREE<br>**[06:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI EPISODE ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD, PART THREE<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You, you, you, you!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're back to life!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Ara-Arara...<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Araragi!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, because you were showing<br>&nbsp;&nbsp;&nbsp;&nbsp;no signs of resuscitation,<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they wondered if they accidentally<br>&nbsp;&nbsp;&nbsp;&nbsp;killed their partner or friend.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been suffering from a guilty conscience<br>&nbsp;&nbsp;&nbsp;&nbsp;up until just now.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was bored, bored, bored, bored, bored,<br>&nbsp;&nbsp;&nbsp;&nbsp;bored, bored and didn't know what to do.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They contacted me in my boredom.<br>**[07:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CAN IT BE MS. GAEN IS ANGRY?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not angry. I am hurt, though.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you could trust me<br>&nbsp;&nbsp;&nbsp;&nbsp;just a little bit more.<br>**[07:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DEMON SWORD "YUME-WATARI"<br>
&nbsp;&nbsp;&nbsp;&nbsp;MATCHES THE BLADE WHICH KILLS APPARITIONS,<br>
&nbsp;&nbsp;&nbsp;&nbsp;A BLADE OF REVIVAL<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Koyomin?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister here<br>&nbsp;&nbsp;&nbsp;&nbsp;is waiting for words of apology.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ready to forgive you already,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's hurry up and make up, and feel refreshed.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was not a kiss,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but actually a mouth-to-mouth.*<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of all things, the princess entrusted me<br>
&nbsp;&nbsp;&nbsp;&nbsp;through a mouth-to-mouth.*<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The perfect remedy.*<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A medicine to use in place<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the Blood Pond Hell soup.*<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The parting gift that the Beautiful Princess<br>
&nbsp;&nbsp;&nbsp;&nbsp;entrusted me with was saliva.*<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not blood, but saliva.*<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You... finally have become<br>&nbsp;&nbsp;&nbsp;&nbsp;this indiscriminate.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like when you hydrate<br>&nbsp;&nbsp;&nbsp;&nbsp;some dried wakame seaweed.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is marvelous.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we can't do the same thing<br>&nbsp;&nbsp;&nbsp;&nbsp;to the high school girls' mummies.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because this "resuscitation" itself<br>&nbsp;&nbsp;&nbsp;&nbsp;is vampirization.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it was Suicide-Master after all.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that she's hardly recognizable<br>&nbsp;&nbsp;&nbsp;&nbsp;still hasn't changed.<br>**[09:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DID THE TREATMENT FAIL?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it'll take some time for the moisture<br>&nbsp;&nbsp;&nbsp;&nbsp;to reach the capillaries, especially in the brain.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though at this rate,<br>&nbsp;&nbsp;&nbsp;&nbsp;it shouldn't take a whole day.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a good idea for the circumstances<br>&nbsp;&nbsp;&nbsp;&nbsp;on Koyomin's side.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"It shouldn't take a whole day."*<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words, it'll take until<br>
&nbsp;&nbsp;&nbsp;&nbsp;sometime tomorrow evening.*<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, that vampire...<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The prime suspect that I've been searching for,<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before she awakens, I'd like you<br>&nbsp;&nbsp;&nbsp;&nbsp;to get a grasp on my side of things.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the point where you can't go back.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean by suspect?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my old buddy.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here, we all need to stick together<br>&nbsp;&nbsp;&nbsp;&nbsp;and engage in spirited discussion.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. All of us.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including the sleeping vampire,<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First off, a report.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fourth mummy has been found.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mummy of a high school girl.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A fourth mummy.*<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the time of the crime can be narrowed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from the conditions it was found,*<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then would that mean<br>
&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master has a valid alibi?*<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The fact that she was sheltered<br>
&nbsp;&nbsp;&nbsp;&nbsp;in this divine precinct*<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*basically means that the divine precinct<br>
&nbsp;&nbsp;&nbsp;&nbsp;was keeping an eye on her.*<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fourth victim, the fourth mummy,<br>&nbsp;&nbsp;&nbsp;&nbsp;is Misago Kangu.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It goes without saying she's a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Naoetsu High Girls' Basketball Team,<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and one of the two girls<br>&nbsp;&nbsp;&nbsp;&nbsp;who had "gone missing."<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where was she found?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the bottom of a reservoir.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had weights attached to her<br>&nbsp;&nbsp;&nbsp;&nbsp;and had been sunk to the bottom.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we searched the premise for<br>&nbsp;&nbsp;&nbsp;&nbsp;the probability of an unfound victim being high,<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would basically be impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;to find anything in such a location.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A horrible location.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I can even sense malicious intent.*<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I feel dismal, dwarven,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and rather typical human behavior.*<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we should assume that<br>&nbsp;&nbsp;&nbsp;&nbsp;the other missing team member<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has also been<br>&nbsp;&nbsp;&nbsp;&nbsp;secretly mummified somewhere?<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the least, there are few elements<br>&nbsp;&nbsp;&nbsp;&nbsp;that allow us to think optimistically.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like the fifth person<br>&nbsp;&nbsp;&nbsp;&nbsp;could be the last one, either.<br>**[11:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;1. KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;2. ABURI HONNO<br>
&nbsp;&nbsp;&nbsp;&nbsp;3. KYOUMI KUCHIMOTO<br>
&nbsp;&nbsp;&nbsp;&nbsp;4. MISAGO KANGU<br>
&nbsp;&nbsp;&nbsp;&nbsp;5. SOWA KISEKI<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The fifth person, Sowa Kiseki.*<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure she's being searched<br>
&nbsp;&nbsp;&nbsp;&nbsp;in earnest by now.*<br>**[11:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEARCHING IN EARNEST<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were me, I'd bury her in the dirt.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would make it harder to find.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say that because the condition when I rescued<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Suicide-Master was basically like that.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master was buried in dirt?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More like in a mountain than in dirt.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll hear about the connection<br>&nbsp;&nbsp;&nbsp;&nbsp;between Hachikuji and Suicide-Master later.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I need to tell you<br>&nbsp;&nbsp;&nbsp;&nbsp;first, Koyomin.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A code.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a code left behind.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Does it have to do<br>
&nbsp;&nbsp;&nbsp;&nbsp;with prime numbers again?*<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;even knows what a prime number is.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know, either.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a matter of fact, I didn't suspect<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master as much as I claimed.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it is a fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;after such a code was found,<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was the unavoidable prime suspect.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then for the other suspects, what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of vampires did you have in mind?<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll avoid going into specifics,<br>**[13:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SUICIDE-MASTER<br>
&nbsp;&nbsp;&nbsp;&nbsp;BEEN A WHILE, DO YOU REMEMBER ME?<br>
&nbsp;&nbsp;&nbsp;&nbsp;IT'S ME! I AM THE VAMPIRE OF PREPARED DEATH,<br>
&nbsp;&nbsp;&nbsp;&nbsp;INEVITABLE DEATH, AND CERTAIN DEATH!<br>
&nbsp;&nbsp;&nbsp;&nbsp;DID YOU FORGET?<br>
&nbsp;&nbsp;&nbsp;&nbsp;I LEFT A SIMPLE CODE, BUT DID YOU SOLVE IT YET?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can assume there's a vampire out there<br>&nbsp;&nbsp;&nbsp;&nbsp;who wants to place the blame on Suicide-Master.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they can fake the famous<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master as the assumed culprit,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can safely continue<br>&nbsp;&nbsp;&nbsp;&nbsp;with their vampiric activity.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there even is such a vampire out there<br>&nbsp;&nbsp;&nbsp;&nbsp;who would think that.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They turned Suicide-Master herself<br>
&nbsp;&nbsp;&nbsp;&nbsp;into a mummy to do that?*<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then, if "B777Q" was a signature,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that signature was a fake one?*<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it was a living message, that is.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a vampire faces a high school girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;and introduces themselves like<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I am the vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death,<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master."<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if the victim took it in hook, line, and sinker...<br>&nbsp;&nbsp;&nbsp;&nbsp;The likelihood she leaves that name behind is high.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, Suicide-Master, unlike Shinobu, is not<br>&nbsp;&nbsp;&nbsp;&nbsp;a vampire who's been acknowledged to be harmless.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if she was innocent of this crime,<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she's still a target for extermination<br>&nbsp;&nbsp;&nbsp;&nbsp;to specialists.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm a moderate,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd never do such a thing.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's something I shouldn't forget.*<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ms. Gaen has called Ms. Kagenui over.*<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The only human weapon in the industry who<br>
&nbsp;&nbsp;&nbsp;&nbsp;can punch an immortal apparition to death.*<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really want to think about that.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under what condition<br>&nbsp;&nbsp;&nbsp;&nbsp;was this code found?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said that Kangu's mummy was sunken<br>&nbsp;&nbsp;&nbsp;&nbsp;to the bottom of a reservoir.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A message was left behind on a tool<br>&nbsp;&nbsp;&nbsp;&nbsp;that high school girls use on a regular basis.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her smartphone.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the number<br>&nbsp;&nbsp;&nbsp;&nbsp;that was on the screen.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I deduced that this may perhaps<br>&nbsp;&nbsp;&nbsp;&nbsp;be a message.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That it's a code.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand, Ms. Gaen.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you wait for the answer<br>&nbsp;&nbsp;&nbsp;&nbsp;until tomorrow morning?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave this part up to you.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know everything,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not too good with codes.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, more than the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;a code was left behind,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fact that it was left behind<br>&nbsp;&nbsp;&nbsp;&nbsp;on a cellphone is a stronger element.<br>**[15:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CALL / SOCIAL MEDIA / PHOTOS / CHAT<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This means that unlike the previous victims,<br>&nbsp;&nbsp;&nbsp;&nbsp;the phone was unlocked.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, the victim's personal information<br>&nbsp;&nbsp;&nbsp;&nbsp;has been leaked in its entirety to me.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, next up.<br>&nbsp;&nbsp;&nbsp;&nbsp;What we've been waiting for.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's listen to Hachikuji's story.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was forbidden from saying anything<br>&nbsp;&nbsp;&nbsp;&nbsp;so I had delayed<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the explanation of such matters<br>&nbsp;&nbsp;&nbsp;&nbsp;to Mr. Araragi and company.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I will ditch the right to remain silent,<br>&nbsp;&nbsp;&nbsp;&nbsp;and use my right to spread the word.<br>**[15:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAIMAI MAYOITEI<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was one week ago from now.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed an apparition passing through<br>&nbsp;&nbsp;&nbsp;&nbsp;a barrier that protects the town.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the visiting apparition at the time<br>&nbsp;&nbsp;&nbsp;&nbsp;was none other than<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Deathtopia Virtuoso Suicide-Master.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me a "can't you flub<br>&nbsp;&nbsp;&nbsp;&nbsp;at least a little bit" look.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think I'd say,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sorry, I didn't flub," or something?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I wasn't caught off guard by appearances,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I didn't sense anything menacing.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because Ms. Suicide-Master showed some<br>&nbsp;&nbsp;&nbsp;&nbsp;thoughtfulness when landing on these grounds<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and took the time to avoid me.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, because she took the time<br>&nbsp;&nbsp;&nbsp;&nbsp;to avoid me, she screwed up the landing,<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was blown apart into smithereens.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It seems I have died yet again."<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what she said.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a pet phrase?<br>&nbsp;&nbsp;&nbsp;&nbsp;A signature phrase?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And once she revived,<br>&nbsp;&nbsp;&nbsp;&nbsp;she told me the reason for her visit.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said, "I came to visit Kiss-shot Acerola-orion<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade who was once my friend."<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't seem like she was telling a lie.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than anything, I couldn't help<br>&nbsp;&nbsp;&nbsp;&nbsp;but give directions once asked.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of god I am.<br>**[17:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAYOI HACHIKUJI / GOD<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my job to guide the lost.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't touch upon Ms. Shinobu's<br>&nbsp;&nbsp;&nbsp;&nbsp;current condition and sent her off.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I had assumed that she had<br>&nbsp;&nbsp;&nbsp;&nbsp;a heartwarming reunion afterwards.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a week later, that is, today...<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or is it yesterday already?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found the mummified visitor,<br>&nbsp;&nbsp;&nbsp;&nbsp;mercilessly buried in this mountain.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's within<br>&nbsp;&nbsp;&nbsp;&nbsp;the bounds of expectation.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including the reason for the visit.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However the bit about<br>&nbsp;&nbsp;&nbsp;&nbsp;breaking through the barrier is getting to me.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How to put it...<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think she was the type<br>&nbsp;&nbsp;&nbsp;&nbsp;who would come in head-on like that.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a vampire, so she could have turned<br>&nbsp;&nbsp;&nbsp;&nbsp;her body to mist or dive into shadows.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are countless ways to go about it.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, according to Shinobu,<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a flashy, showy entrance<br>&nbsp;&nbsp;&nbsp;&nbsp;is what makes her Suicide-Master.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard rumors saying as such, too.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the reason she was able<br>&nbsp;&nbsp;&nbsp;&nbsp;to get through the barrier...<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means, it must be because<br>
&nbsp;&nbsp;&nbsp;&nbsp;she's a powerful vampire.*<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whether it be a barrier<br>
&nbsp;&nbsp;&nbsp;&nbsp;or the demon realm,*<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it shouldn't be impossible for her<br>
&nbsp;&nbsp;&nbsp;&nbsp;to get through by brute force.*<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll know once we interrogate her.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, we'll have to ask the person<br>&nbsp;&nbsp;&nbsp;&nbsp;in question.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wondering a bit myself now.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, there's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;she can be the culprit.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because right now,<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she can't eat<br>&nbsp;&nbsp;&nbsp;&nbsp;any other food than myself.<br>**[18:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT'S NOT THAT SHE EATS ONLY DELICIOUS FOOD<br>**[18:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE CAN'T EAT ANYTHING<br>
&nbsp;&nbsp;&nbsp;&nbsp;OTHER THAN DELICIOUS FOOD.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My memories of those days<br>
&nbsp;&nbsp;&nbsp;&nbsp;are already hazy.*<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Suicide-Master had become<br>
&nbsp;&nbsp;&nbsp;&nbsp;weaker and weaker before my eyes.*<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her original form was older than my perfect form.<br>
&nbsp;&nbsp;&nbsp;&nbsp;A bold, captivating, mature woman.*<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the looks of it, she's regressed<br>&nbsp;&nbsp;&nbsp;&nbsp;even further than before.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only understandable.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you have a taste<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Beautiful Princess's blood,<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the blood of anyone else<br>&nbsp;&nbsp;&nbsp;&nbsp;would be thinner than water.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master assaulting high school girls<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around town...<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine her<br>&nbsp;&nbsp;&nbsp;&nbsp;doing such a gluttonous act.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's a statement<br>&nbsp;&nbsp;&nbsp;&nbsp;worth taking into consideration.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That comment from Shinobu has coincidentally<br>
&nbsp;&nbsp;&nbsp;&nbsp;opened up one new possibility.*<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The one who creator her,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the one who named her...*<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The vampire of prepared death,<br>
&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death.*<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why now, after all this time,<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the first time in 600 years,*<br>**[19:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HISTORY CORNER<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is she visiting the iron-blooded,<br>
&nbsp;&nbsp;&nbsp;&nbsp;hot-blooded, cold-blooded vampire?*<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Starving, weakened,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and reverted to a young girl.*<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She reverted back to<br>
&nbsp;&nbsp;&nbsp;&nbsp;as young as she could become.*<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Perhaps she came here<br>
&nbsp;&nbsp;&nbsp;&nbsp;to eat her "former buddy,"*<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*which is the one thing<br>
&nbsp;&nbsp;&nbsp;&nbsp;she could stomach?*<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that the sun is up, Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be fully revived and awake<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until nighttime as I had predicted.<br>&nbsp;&nbsp;&nbsp;&nbsp;Until then...<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in charge of Kangu's living message.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister will first analyze the cellphone<br>&nbsp;&nbsp;&nbsp;&nbsp;that the code was recorded on.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll peek into the shadows of<br>&nbsp;&nbsp;&nbsp;&nbsp;a high school girl's extracurricular activities.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bit late, but I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do a patrol around town.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the god of lost children<br>&nbsp;&nbsp;&nbsp;&nbsp;and the god of strolls, after all.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will assist in this investigation<br>&nbsp;&nbsp;&nbsp;&nbsp;from a god's point of view.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll also be asleep during the day,<br>&nbsp;&nbsp;&nbsp;&nbsp;but once night falls I will assist as well.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be better if I was around when<br>&nbsp;&nbsp;&nbsp;&nbsp;you hear the story from Suicide-Master.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, you can even put me<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of the interrogation.<br>**[21:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;REPOSITIONING PEOPLE TO WHERE THEY STARTED<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead of heading home,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just go straight to college instead.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we meet up somewhere?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's meet up at Naoetsu General Hospital.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll introduce you to Misago Kangu,<br>&nbsp;&nbsp;&nbsp;&nbsp;the fourth mummy.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that we have a fourth victim found,<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm definitely reaching my limits<br>&nbsp;&nbsp;&nbsp;&nbsp;for information control and analysis.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The case has gotten complicated, but no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;what the truth is, we have to end it tonight.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or it will be a big riot<br>&nbsp;&nbsp;&nbsp;&nbsp;where everything turns upside down.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the reason to hurry for a solution isn't<br>
&nbsp;&nbsp;&nbsp;&nbsp;just because people will make a big deal of it.*<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's also the sense of justice<br>
&nbsp;&nbsp;&nbsp;&nbsp;to not have any more victims.*<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that's not all, either.*<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If tomorrow morning comes and this series<br>
&nbsp;&nbsp;&nbsp;&nbsp;of incidents have not been resolved,*<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ms. Kagenui will arrive in time.*<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut in<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, for some reason<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mere future<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a feeling that...<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have any hopes or expectations<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lived long enough<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fed up with déjà vu<br>&nbsp;&nbsp;&nbsp;&nbsp;and the run-of-the-mill<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no signs of wonderful occasions<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the cause and effect<br>&nbsp;&nbsp;&nbsp;&nbsp;of accumulated experiences<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conventional myths and boring evolution<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I need stimulation<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got tired of it<br>&nbsp;&nbsp;&nbsp;&nbsp;I got used to it<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding<br>&nbsp;&nbsp;&nbsp;&nbsp;Guidance that gets adjusted<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compliance that increases<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be shoved under the rug<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sucked it all<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, this and all of it<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all taste the same<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E13 - SHINOBUMONOGATARI Shinobu Mustard Part Four

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G7PU47ZMP/shinobumonogatari-shinobu-mustard-part-four)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shinobu.<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not having<br>&nbsp;&nbsp;&nbsp;&nbsp;any strange thoughts, are you?<br>**[00:18] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DEATHTOPIA VIRTUOSO SUICIDE-MASTER<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, being eaten by Suicide-Master.<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;such ridiculous things, are you?<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering what you<br>&nbsp;&nbsp;&nbsp;&nbsp;were going to say. You scared me.<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have such thoughts<br>&nbsp;&nbsp;&nbsp;&nbsp;until this moment.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who's having strange thoughts.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say that Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't the serial vampire for this incident.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And let's say she successfully<br>&nbsp;&nbsp;&nbsp;&nbsp;regains consciousness tonight.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, will she be<br>&nbsp;&nbsp;&nbsp;&nbsp;exterminated by a specialist?<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really want to,<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can steer the conversation to have<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master considered as harmless.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it. She didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;turn into a vampire like me.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the real thing.<br>&nbsp;&nbsp;&nbsp;&nbsp;She was born a vampire.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An acknowledgment<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're harmless<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing but an insult<br>&nbsp;&nbsp;&nbsp;&nbsp;to a true vampire.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, speaking of things I really want,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's something else.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My master.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something else you want to talk about?<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's when we question Suicide-Master.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to act tough in front of an old buddy<br>&nbsp;&nbsp;&nbsp;&nbsp;who I haven't seen in 600 years.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So just for tonight,<br>&nbsp;&nbsp;&nbsp;&nbsp;can we say that I'm not your slave,<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but instead change the setting<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you're my slave?<br>**[02:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MONSTER SEASON BROADCAST NUMBER FOUR<br>**[02:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI EPISODE ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD, PART FOUR<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanbaru. I'm sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but can you be my slave for a bit?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And lend me your house for the night.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got it.*<br>**[02:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SURUGA KANBARU<br>**[02:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SECURED THE SECOND SLAVE<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oikura? Can you be my slave tonight,<br>&nbsp;&nbsp;&nbsp;&nbsp;and make me some handmade food?<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't assume you'll survive the night.*<br>**[03:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SODACHI OIKURA<br>**[03:04] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FAILED TO SECURE THE THIRD SLAVE<br>**[03:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;INTERNATIONAL LANGUAGE STUDIES<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hola! Araragi, you're early.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so serious.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being told I'm early by someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who got to her seat before me...<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hola.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you for help<br>&nbsp;&nbsp;&nbsp;&nbsp;with code decryption again?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cellphone, huh?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, this is the code that was recorded<br>&nbsp;&nbsp;&nbsp;&nbsp;on a cellphone?<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowadays, a cellphone<br>&nbsp;&nbsp;&nbsp;&nbsp;is like a part of your brain.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, true.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm not sure if there's<br>&nbsp;&nbsp;&nbsp;&nbsp;any meaning behind that.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's just numbers this time around.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of decryption, I decrypted it.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Already?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like the one from yesterday.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the alphabet again.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alphabet?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then "D/V/S" again?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. This time,<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was "F/C."<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"F/C"?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If "F/C" are also initials, the question is whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not a member of the girls' basketball team<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has those exact same initials.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason the message was left on a cellphone<br>&nbsp;&nbsp;&nbsp;&nbsp;may have been hinting at something of that nature.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, they had matching straps<br>&nbsp;&nbsp;&nbsp;&nbsp;with their initials.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think, they did.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Kangu was using<br>&nbsp;&nbsp;&nbsp;&nbsp;the strap as well.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since her name is Misago Kangu,<br>&nbsp;&nbsp;&nbsp;&nbsp;her initials are K.M.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But hold on a second there,<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the vampire<br>&nbsp;&nbsp;&nbsp;&nbsp;we're searching for...<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can it be that she's lurking<br>&nbsp;&nbsp;&nbsp;&nbsp;in the girls' basketball team?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may have been trying to write down<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the name of a friend who sprung<br>&nbsp;&nbsp;&nbsp;&nbsp;into mind as her consciousness faded.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This may be camouflage designed<br>&nbsp;&nbsp;&nbsp;&nbsp;to make us think that way.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's even a chance that this was camouflage<br>&nbsp;&nbsp;&nbsp;&nbsp;created by Suicide-Master.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. A vampire being one of the team members<br>&nbsp;&nbsp;&nbsp;&nbsp;is way too unexpected to be the truth.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember<br>&nbsp;&nbsp;&nbsp;&nbsp;denying that possibility, either.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, for now we have to go<br>&nbsp;&nbsp;&nbsp;&nbsp;after every possibility.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use a wave of humans<br>&nbsp;&nbsp;&nbsp;&nbsp;to steamroll through it all.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone to have the initials<br>&nbsp;&nbsp;&nbsp;&nbsp;"F.C." sounds a bit rare.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even among the one hundred girls'<br>&nbsp;&nbsp;&nbsp;&nbsp;basketball team members,<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we should be able to pare it down<br>&nbsp;&nbsp;&nbsp;&nbsp;to a few of them.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just for reference,<br>&nbsp;&nbsp;&nbsp;&nbsp;can you tell me something, Koyomin?<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was this code deciphered?<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this code wasn't a mathematical puzzle,<br>&nbsp;&nbsp;&nbsp;&nbsp;nor did it involve prime numbers.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say it was in the sciences, but it wasn't math,<br>&nbsp;&nbsp;&nbsp;&nbsp;and still in the science field.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The natural science.<br>**[05:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CELSIUS<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was Celsius and Fahrenheit.<br>**[05:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FAHRENHEIT<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so that's why it's F and C?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how does 820, 280, 610, and 160<br>&nbsp;&nbsp;&nbsp;&nbsp;turn into Celsius and Fahrenheit?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For both Celsius and Fahrenheit, you have that symbol<br>&nbsp;&nbsp;&nbsp;&nbsp;that represents "degrees" diagonally above it.<br>**[06:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FAHRENHEIT (°F) = CELSIUS (°C) x 1.8 + 32<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, in the same place<br>&nbsp;&nbsp;&nbsp;&nbsp;where you write multipliers.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you interpret that degree symbol as 0...<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the last digit<br>&nbsp;&nbsp;&nbsp;&nbsp;of each number in the code...<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, the 0 in 820, the 0 in 280,<br>&nbsp;&nbsp;&nbsp;&nbsp;the 0 in 610, and the 0 in 160<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be deduced as symbols, not numbers.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, 820, 280, 610, and 160 turn into<br>&nbsp;&nbsp;&nbsp;&nbsp;82°, 28°, 61°, and 16°, you see!<br>**[06:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NAOETSU<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. The high and low temperatures.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why "F/C"<br>&nbsp;&nbsp;&nbsp;&nbsp;is the decrypted phrase for that code.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. I guess you wouldn't say<br>&nbsp;&nbsp;&nbsp;&nbsp;"phrase" for initials.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I see now.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised they came up<br>&nbsp;&nbsp;&nbsp;&nbsp;with something like this.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Checking the high and low<br>&nbsp;&nbsp;&nbsp;&nbsp;temperatures each day<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;may be natural for someone<br>&nbsp;&nbsp;&nbsp;&nbsp;on an athletics team.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not something you think of<br>&nbsp;&nbsp;&nbsp;&nbsp;as your consciousness is fading.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, I was just complimenting<br>&nbsp;&nbsp;&nbsp;&nbsp;your classmate, Koyomin.<br>**[07:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;REASON<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, how many high school girls<br>&nbsp;&nbsp;&nbsp;&nbsp;with the initials "F.C."<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were there on the girls' basketball team?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero. There weren’t any.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Ms. Gaen. You don't seem to be<br>&nbsp;&nbsp;&nbsp;&nbsp;in that great of a mood right now.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was there yet another piece<br>&nbsp;&nbsp;&nbsp;&nbsp;of inconvenient news while I was gone?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, it's just that your worries<br>&nbsp;&nbsp;&nbsp;&nbsp;actually came true, Koyomin.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have peeked inside<br>&nbsp;&nbsp;&nbsp;&nbsp;a high school girl's cellphone.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite all the effort, I didn't have results<br>&nbsp;&nbsp;&nbsp;&nbsp;to show, so I was about to lose heart.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kanbaru used to have short hair<br>
&nbsp;&nbsp;&nbsp;&nbsp;when she was on the active roster.*<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They all can't have similar hairdos because<br>
&nbsp;&nbsp;&nbsp;&nbsp;they were trying to look like Kanbaru,*<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and not just because<br>
&nbsp;&nbsp;&nbsp;&nbsp;they were on an athletic team.*<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They all looked alike?*<br>**[08:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MISAGO KANGU<br>**[08:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KYOUMI KUCHIMOTO<br>**[08:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ABURI HONNO<br>**[08:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh. After seeing such<br>&nbsp;&nbsp;&nbsp;&nbsp;a mucky set of relationships,<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not scared of vampires at all.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, there is the fact that the girls'<br>&nbsp;&nbsp;&nbsp;&nbsp;basketball team is a bit special.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As an adult, I really don't want to think<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is the general case.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a curious extracurricular activity.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was like they were bullying themselves.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. I stepped into<br>&nbsp;&nbsp;&nbsp;&nbsp;a high school girls' colony without resolve,<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kagenui will show up while I have<br>&nbsp;&nbsp;&nbsp;&nbsp;my feet stuck in a murky bottomless pit.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about that, but Ms. Gaen...<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like she doesn't listen at all<br>&nbsp;&nbsp;&nbsp;&nbsp;to what you have to say, right?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just it.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we explain the situation,<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she might come up with the logic that<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no need to exterminate Suicide-Master.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Suicide-Master reversed her age to a very young girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;we could acknowledge her as harmless.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In reality, Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't break the barrier by brute force.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She perhaps was so weakened<br>&nbsp;&nbsp;&nbsp;&nbsp;that the barrier didn't react to her presence.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even in such a state, she should be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to suck the blood of high school girls, at the least.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So just by being in this town, there's no change<br>&nbsp;&nbsp;&nbsp;&nbsp;that Suicide-Master is the prime suspect.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the reason she was mummified can be seen<br>&nbsp;&nbsp;&nbsp;&nbsp;not as the result of an assault by someone,<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as a result of her weakening reaching its limit,<br>&nbsp;&nbsp;&nbsp;&nbsp;so she put herself into anhydrobiosis.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's an anhydrobiotic,<br>&nbsp;&nbsp;&nbsp;&nbsp;hibernating, napping vampire.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, she was trying to return to Hachikuji,<br>&nbsp;&nbsp;&nbsp;&nbsp;the immigrations officer, and collapsed midway.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though this is only one possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;in the round-robin.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In reality, the strongest theory is that she lost against<br>&nbsp;&nbsp;&nbsp;&nbsp;her own hunger and assaulted high school girls.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for now, we use the assumption<br>&nbsp;&nbsp;&nbsp;&nbsp;of innocent until proven guilty.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, when it comes to Kagenui,<br>&nbsp;&nbsp;&nbsp;&nbsp;the same idea doesn't stand.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that?<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say that because, just between you and me,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a bit of a relationship.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between the questionable Suicide-master<br>&nbsp;&nbsp;&nbsp;&nbsp;and the problematic Kagenui.<br>**[10:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;QUESTIONABLE<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Questionable...<br>**[10:19] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PROBLEMATIC<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and problematic.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if Suicide-Master didn't commit<br>&nbsp;&nbsp;&nbsp;&nbsp;the crime this time around.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That relationship may not be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop Kagenui.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Standing up for justice is the only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that's stopping that unorthodox onmyouji.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this time around, she might mobilize<br>&nbsp;&nbsp;&nbsp;&nbsp;out of a personal grudge.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Personal grudge?<br>&nbsp;&nbsp;&nbsp;&nbsp;That clump of righteousness?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I err in the measures I take here, I will be forced<br>&nbsp;&nbsp;&nbsp;&nbsp;to excommunicate another one of my juniors.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I just hate that.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just by being Ms. Kagenui's<br>
&nbsp;&nbsp;&nbsp;&nbsp;personal grudge,*<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it felt like something that outsiders<br>
&nbsp;&nbsp;&nbsp;&nbsp;should not step into.*<br>**[10:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;GETTING BACK ON TOPIC<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, getting back on topic.*<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody with those initials<br>
&nbsp;&nbsp;&nbsp;&nbsp;were on the roster.*<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe this isn't initials,<br>&nbsp;&nbsp;&nbsp;&nbsp;but an abbreviation for English words?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abbreviation? So English words<br>&nbsp;&nbsp;&nbsp;&nbsp;other than that of a person's names?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It probably doesn't stand for FranChise...<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So maybe something like Football Club?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fan Club!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something like that in the past.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it's not that long ago.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was an unofficial fan club<br>&nbsp;&nbsp;&nbsp;&nbsp;for the superstar Suruga Kanbaru.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a different group<br>
&nbsp;&nbsp;&nbsp;&nbsp;than the girls' basketball team.*<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And just now, when I thought about how the mummies<br>
&nbsp;&nbsp;&nbsp;&nbsp;all have basically the same hairstyle,*<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was reminded of it.*<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's see. If I recall correctly,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that fan club...*<br>**[11:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LET OUR SCREAMING SOULS REACH<br>
&nbsp;&nbsp;&nbsp;&nbsp;KANBARU FOR LIFE<br>
&nbsp;&nbsp;&nbsp;&nbsp;(SURUGA KANBARU FC, KANBARU SŒUR"<br>
&nbsp;&nbsp;&nbsp;&nbsp;ONLY SURUGA WINS<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Kanbaru Sœur"<br>
&nbsp;&nbsp;&nbsp;&nbsp;was the name, I think?*<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that? Is that similar<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Kaede Rukawa Groupies?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There might not be much of a correlation,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now that I've thought about it, I can't help it.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though she wasn't a member of that fan club,<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my little sister was pretty close<br>&nbsp;&nbsp;&nbsp;&nbsp;to that group, so I can poke around a bit.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little sister?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My little sister.<br>&nbsp;&nbsp;&nbsp;&nbsp;Parenthetically, the bigger one.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you mean Karen.<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. Do as you see fit.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just keep at cellphone analysis here<br>&nbsp;&nbsp;&nbsp;&nbsp;at the hospital with just sheer willpower.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll wait for reports from the search parties<br>&nbsp;&nbsp;&nbsp;&nbsp;and prepare for tonight.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go see Karen and Kanbaru<br>&nbsp;&nbsp;&nbsp;&nbsp;to ask a few things.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I have free time after that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go play with Oikura for a while.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The childhood friend aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning your little sister and Suruga...<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have to wait for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to come home from high school.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin, you should go home<br>&nbsp;&nbsp;&nbsp;&nbsp;at some point to take a nap, okay?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even vampiric bodies that don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;all-nighters are hardships have their limits.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Karen.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, there's something I'd like to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;about Kanbaru's fan club.<br>**[13:04] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KAREN ARARAGI<br>
&nbsp;&nbsp;&nbsp;&nbsp;= MY YOUNGER SISTER (OLDER OF THE TWO)<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too straight to the point.<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't even taken off my shoes yet.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say "Welcome home" at least.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main topic never starts with "by the way."<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to the preface?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's up?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanbaru-sensei's fan club?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard anything lately,<br>&nbsp;&nbsp;&nbsp;&nbsp;like how it's starting up again recently?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't think there's anything like that.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanbaru-sensei, the person in question,<br>&nbsp;&nbsp;&nbsp;&nbsp;has already retired.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fans easily fall in and out of love.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So it wasn't as easy as I thought.*<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, whether the perp is in the girls'<br>
&nbsp;&nbsp;&nbsp;&nbsp;basketball team or the fan club...*<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It doesn't make a difference<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the fact that*<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there's a chance a vampire is nonchalantly<br>
&nbsp;&nbsp;&nbsp;&nbsp;attending Naoetsu High School.*<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Karen, you're a high school girl now<br>&nbsp;&nbsp;&nbsp;&nbsp;as well, right?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this all of a sudden?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it, now that you're in high school?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are things going well with your new friends?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno what kind of school life<br>&nbsp;&nbsp;&nbsp;&nbsp;would depict things as "going well,"<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my new world is fun.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could go to school<br>&nbsp;&nbsp;&nbsp;&nbsp;on the weekends, too.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask one more thing, Karen?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Fire Sisters that you and Tsukihi<br>&nbsp;&nbsp;&nbsp;&nbsp;were active in<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;broke up as soon as you graduated, right?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to it afterwards?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean what happened?<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you already.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi is doing it by herself. She's doing<br>&nbsp;&nbsp;&nbsp;&nbsp;her best as Moonfire or something like that.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What I wanted to ask was,<br>
&nbsp;&nbsp;&nbsp;&nbsp;just like the girls' basketball team,*<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*what happened after Karen,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the central figure and core, had left.*<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What kind of change did the Tsuganoki<br>
&nbsp;&nbsp;&nbsp;&nbsp;2nd Middle School community undergo?*<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was there a turf war for the position of Tsukihi's<br>
&nbsp;&nbsp;&nbsp;&nbsp;next partner, or a battle between factions?*<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think our strategist Tsukihi<br>&nbsp;&nbsp;&nbsp;&nbsp;was doing really well regarding that.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukihi, for better or for worse,<br>&nbsp;&nbsp;&nbsp;&nbsp;thinks she is special.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She thinks nobody else can do things<br>&nbsp;&nbsp;&nbsp;&nbsp;like she does, myself included.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My youngest sister's self-consciousness, and how<br>
&nbsp;&nbsp;&nbsp;&nbsp;it is so excessive, makes me worry quite a bit.*<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that's my opinion.*<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kanbaru, typical of superstars made from effort,<br>
&nbsp;&nbsp;&nbsp;&nbsp;has very low self-esteem,*<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"If I can do it, anyone can do it<br>
&nbsp;&nbsp;&nbsp;&nbsp;with enough effort,"*<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is something<br>
&nbsp;&nbsp;&nbsp;&nbsp;that she tends to believe in.*<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though we know that Kanbaru<br>
&nbsp;&nbsp;&nbsp;&nbsp;is not in the wrong,*<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the current climate of the girls' basketball team<br>
&nbsp;&nbsp;&nbsp;&nbsp;has been created by such a faith in effort.*<br>**[15:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TRANSPORTING AN ANCIENT VAMPIRE<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hachikuji. Did your daytime stroll<br>&nbsp;&nbsp;&nbsp;&nbsp;have any results?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you searched for it but couldn't find it,<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that means that the fifth mummy<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't been created yet, I think?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know about that.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have just become a god,<br>&nbsp;&nbsp;&nbsp;&nbsp;so if my eyes<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had reached every corner<br>&nbsp;&nbsp;&nbsp;&nbsp;of this town without any hitches,<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an incident like this would have<br>&nbsp;&nbsp;&nbsp;&nbsp;never happened in the first place.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I regret allowing Ms. Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;through without any security checks.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, of course.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, hello?<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi is driving right now.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... Yes...<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I see. I understand.<br>&nbsp;&nbsp;&nbsp;&nbsp;I will tell him that.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, was there a new development?<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not development, but rather regression.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll leave the initials "F.C." aside.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They finished the steamrolling investigation.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it seems everyone's safety<br>&nbsp;&nbsp;&nbsp;&nbsp;has been confirmed.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something amazing.<br>&nbsp;&nbsp;&nbsp;&nbsp;We finally got some good news coming in.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What part of this joyous news is regression?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that they're safe<br>&nbsp;&nbsp;&nbsp;&nbsp;also means they are innocent.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result of the investigation,<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we made it clear that none of the basketball team<br>&nbsp;&nbsp;&nbsp;&nbsp;members are vampires.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're back to square one.*<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Here's the keys to the house.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can use anything as you wish.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to hold a pajama party<br>&nbsp;&nbsp;&nbsp;&nbsp;at Higasa's house tonight.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's calling it a pajama party,*<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in reality it seems the girls' basketball team<br>
&nbsp;&nbsp;&nbsp;&nbsp;alumni are gathering*<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to brainstorm about the current state<br>
&nbsp;&nbsp;&nbsp;&nbsp;of their underclassmen.*<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Kanbaru.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one more favor<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to ask of you.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to make you wait.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's begin.<br>**[18:03] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHOW MUST GO ON<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did a full lap and put up a barrier<br>&nbsp;&nbsp;&nbsp;&nbsp;around the entire mansion.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we end up in a battle situation<br>&nbsp;&nbsp;&nbsp;&nbsp;by chance, we'll be all right.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to avoid that chance at all costs.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Ms. Gaen.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with that large bottle?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a specialist after all.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wine would be better for a vampire,<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I thought I'd stick with Japanese style and<br>&nbsp;&nbsp;&nbsp;&nbsp;provide sake as an offering for an oni devil.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But really. I didn't think I'd visit the Kanbaru house<br>&nbsp;&nbsp;&nbsp;&nbsp;that rejected my dearest big sister like this.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wheel of fate spins round and round.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Lady Shinobu.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you mean me, my master?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, my servant. What is it?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Patching things<br>&nbsp;&nbsp;&nbsp;&nbsp;just for the time being won't...<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well. So hey, Lady Shinobu, my master.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something that I can inquire of you?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't thought too deeply<br>&nbsp;&nbsp;&nbsp;&nbsp;about this until now.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what does it feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;to live for 600 years?<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if I'm allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to speak about myself...<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like there was quite a bit of transition<br>&nbsp;&nbsp;&nbsp;&nbsp;looking back just at the past year.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speak normally. I have no idea<br>&nbsp;&nbsp;&nbsp;&nbsp;what you're talking about.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you live, your opinions change,<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your feelings change, you notice your mistakes,<br>&nbsp;&nbsp;&nbsp;&nbsp;you learn what is right, and all that.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't need friends, because if I make friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;my strength as a human decreases."<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when I was saying that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I really believed that to be true.<br>**[19:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NO LECTURE<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be able to make friends<br>&nbsp;&nbsp;&nbsp;&nbsp;normally at college<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was something<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've never believed back then.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you speak normally,<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have no idea what you're talking about.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've severed one past after another<br>&nbsp;&nbsp;&nbsp;&nbsp;if I couldn't remember it.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the first place, apparitions are unchanging<br>&nbsp;&nbsp;&nbsp;&nbsp;and universal before they are immortal.<br>**[20:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNCHANGING<br>
&nbsp;&nbsp;&nbsp;&nbsp;(fuhen)<br>**[20:12] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNIVERSAL<br>
&nbsp;&nbsp;&nbsp;&nbsp;(fuhen)<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't continually change<br>&nbsp;&nbsp;&nbsp;&nbsp;like humans do.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I'll ask again what I asked you<br>&nbsp;&nbsp;&nbsp;&nbsp;back during that spring break.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu, to you...<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are humans to you?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinobu Oshino, before she became<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shinobu Oshino...*<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When she was Kiss-shot Acerola-orion<br>
&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade and still a vampire,*<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she immediately answered this question.*<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She immediately answered<br>
&nbsp;&nbsp;&nbsp;&nbsp;the question as "Food."*<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One who devours.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One who slurps. One who crawls!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that the holy sun has gone down,<br>&nbsp;&nbsp;&nbsp;&nbsp;rip open that coffin and revive!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stew flesh with blood,<br>&nbsp;&nbsp;&nbsp;&nbsp;and stir with bones!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come together with the night...<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master!<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I have died yet again.<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of us have aged, haven't we?<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The two young girls have been reunited<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the first time in 600 years.*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut in<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, for some reason<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mere future<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a feeling that...<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have any hopes or expectations<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lived long enough<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fed up with déjà vu<br>&nbsp;&nbsp;&nbsp;&nbsp;and the run-of-the-mill<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no signs of wonderful occasions<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the cause and effect<br>&nbsp;&nbsp;&nbsp;&nbsp;of accumulated experiences<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conventional myths and boring evolution<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I need stimulation<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got tired of it<br>&nbsp;&nbsp;&nbsp;&nbsp;I got used to it<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding<br>&nbsp;&nbsp;&nbsp;&nbsp;Guidance that gets adjusted<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compliance that increases<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be shoved under the rug<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sucked it all<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, this and all of it<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all taste the same<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[24:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[24:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E14 - SHINOBUMONOGATARI Shinobu Mustard Part Five

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G4VUWKEQM/shinobumonogatari-shinobu-mustard-part-five)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should leave Hachikuji<br>&nbsp;&nbsp;&nbsp;&nbsp;here to be the witness.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We humans should step away for a bit.<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, leave it to me!<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have two pieces of bad news.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be brief.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, the last girls' basketball<br>&nbsp;&nbsp;&nbsp;&nbsp;team member who's missing...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sowa Kiseki's belongings<br>&nbsp;&nbsp;&nbsp;&nbsp;have been found.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just her belongings?<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Not just her cellphone<br>&nbsp;&nbsp;&nbsp;&nbsp;and school bag,<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her school uniform, team uniform,<br>&nbsp;&nbsp;&nbsp;&nbsp;and basketball shoes.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was found<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Naoetsu High gymnasium<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;inside the girls' locker room.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From a locker? Isn't it normal to find<br>&nbsp;&nbsp;&nbsp;&nbsp;the school and team uniforms there?<br>**[01:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL UNIFORM<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it was school or team uniforms.<br>**[01:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OR<br>**[01:14] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;TEAM UNIFORM<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it's the school and team uniform,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's quite strange.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AND<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Kiseki leave school naked<br>&nbsp;&nbsp;&nbsp;&nbsp;when she went missing?<br>**[01:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;LIVE - IN FRONT OF NAOETSU HIGH SCHOOL<br>
&nbsp;&nbsp;&nbsp;&nbsp;EXHIBITIONIST HIGH SCHOOL GIRL<br>
&nbsp;&nbsp;&nbsp;&nbsp;ON HER WAY HOME<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she hadn't mummified,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would create a huge commotion.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A huge commotion indeed.*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can scratch the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;of an extra school or team uniform.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as bad as this room,<br>&nbsp;&nbsp;&nbsp;&nbsp;but everything was packed into one big mess.<br>**[01:34] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;BEAUTIFUL BOY X DETECTIVE<br>
&nbsp;&nbsp;&nbsp;&nbsp;GLASSES X TEACHER<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like the things that were getting<br>&nbsp;&nbsp;&nbsp;&nbsp;in the way were randomly shoved in.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Sowa Kiseki's mummy<br>&nbsp;&nbsp;&nbsp;&nbsp;had been found first...<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she had her belongings<br>&nbsp;&nbsp;&nbsp;&nbsp;stripped down to this extent,<br>**[01:47] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL UNIFORM<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've been pretty difficult<br>&nbsp;&nbsp;&nbsp;&nbsp;to identify the individual.<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, that equals the difficulty<br>&nbsp;&nbsp;&nbsp;&nbsp;of the case being resolved.<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's strange.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why just Kiseki?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why such a shoddy cover-up?<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not shoddy. It's malicious.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cellphone had been<br>&nbsp;&nbsp;&nbsp;&nbsp;turned off, of course.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were shoved in pretty roughly,<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was great care taken as well.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;a vampire had stepped into school<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is too dangerous for the girls'<br>&nbsp;&nbsp;&nbsp;&nbsp;basketball team members.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, when I inferred the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why only Kiseki got this cover-up,<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I end up at quite<br>&nbsp;&nbsp;&nbsp;&nbsp;a horrible conclusion, Koyomin.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This means the investigative intel, that we're<br>&nbsp;&nbsp;&nbsp;&nbsp;identifying individuals from the mummy's belongings,<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been disclosed to the perp.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's highly likely that our investigative intel<br>&nbsp;&nbsp;&nbsp;&nbsp;is being leaked to the vampire side.<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't just bad news.*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was the worst news.*<br>**[03:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI<br>**[03:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD<br>**[03:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MONSTER SEASON BROADCAST NUMBER FIVE<br>**[03:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI EPISODE ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD, PART FIVE<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We took the DNA from<br>&nbsp;&nbsp;&nbsp;&nbsp;the four mummies we found so far,<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and did a rudimentary analysis.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll start with the conclusion.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All four were mummies who had<br>&nbsp;&nbsp;&nbsp;&nbsp;their blood sucked out by the same vampire.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were minions, if we're allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to call them that, of the same vampire.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is that the vampire's genes<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were almost identical to Suicide-Master's genes<br>&nbsp;&nbsp;&nbsp;&nbsp;that I obtained last night.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So no matter what that young girl says,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm forced to apprehend her.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say that Suicide-Master,<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an anorexic vampire,<br>&nbsp;&nbsp;&nbsp;&nbsp;succumbed to hunger,<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and grabbed high school girls<br>&nbsp;&nbsp;&nbsp;&nbsp;indiscriminately.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that vampire could turn<br>&nbsp;&nbsp;&nbsp;&nbsp;the mummified girls back to normal,<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would that vampire be exempt<br>&nbsp;&nbsp;&nbsp;&nbsp;from judgment in this case?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically, Suicide-Master<br>&nbsp;&nbsp;&nbsp;&nbsp;has been on a diet for 600 years.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you break a fasting diet,<br>&nbsp;&nbsp;&nbsp;&nbsp;you tend to rebound at great momentum.<br>**[04:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;OVEREAT AND OVERDRINK<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You overeat and overdrink.<br>**[05:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DRINK LIKE A FISH AND EAT LIKE A HORSE<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You drink like a fish and eat like a horse.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't rush things like that, Koyomin.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also have grounds to negate the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that the perp is Suicide-Master.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ancient vampire<br>&nbsp;&nbsp;&nbsp;&nbsp;who has lived for 1,000 years,<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sneaking into a girls' locker room and secretly<br>&nbsp;&nbsp;&nbsp;&nbsp;fiddling with one of the lockers. That's an absurd tale.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how probable is that, exactly?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's exactly like as you say.*<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reason why Suicide-Master herself<br>
&nbsp;&nbsp;&nbsp;&nbsp;was mummified*<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*can't be explained<br>
&nbsp;&nbsp;&nbsp;&nbsp;with that theory, either.*<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For now, we just have<br>
&nbsp;&nbsp;&nbsp;&nbsp;a much tenser situation.*<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It doesn't change the fact that our only<br>
&nbsp;&nbsp;&nbsp;&nbsp;choice is to hear it from the horse's mouth.*<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master wants to speak with you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you come meet her?<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death,<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deathtopia Virtuoso Suicide-Master.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come closer.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nice to meet you. I'm Koyomi Araragi.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so formal.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you to come here because<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to give you my thanks.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's not all,<br>&nbsp;&nbsp;&nbsp;&nbsp;but first and foremost, gratitude.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Gratitude, you say?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are several reasons. First...<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I have died yet again.<br>&nbsp;&nbsp;&nbsp;&nbsp;And you have revived me.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And more than that,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have revived my once minion,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss-shot Acerola-orion Heart-under-blade.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For these reasons...<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I give you my thanks.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I basically told her everything.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, she's denying the suspicion<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's the serial vampire.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I said minion, I had Princess Acerola,<br>&nbsp;&nbsp;&nbsp;&nbsp;rather Kiss-shot,<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;branch out soon after,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she had gone independent.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's rather tacky to come out<br>&nbsp;&nbsp;&nbsp;&nbsp;pretending to be her guardian.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I heard the rumors that<br>&nbsp;&nbsp;&nbsp;&nbsp;she was exterminated in this country,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I couldn't keep myself in retirement.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to make sure she was all right.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I hear it's not exactly "all right."<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if she's alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's already great fortune.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, I'm glad I got to see her.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking I was dead?<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were dead.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now that I've confirmed<br>&nbsp;&nbsp;&nbsp;&nbsp;that Kiss-shot is all right,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to hurry back to my hideout.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I hear something fishy's<br>&nbsp;&nbsp;&nbsp;&nbsp;going on lately.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'd like to seek some counsel.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're friends, right?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you help me get out of this country?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be blunt, I'm happy<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Beautiful Princess<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had an interesting turn of events<br>&nbsp;&nbsp;&nbsp;&nbsp;and somehow found the ideal prince.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, while I have the chance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to see just how well this prince performs.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So can you help me out on this one?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu's family is my family,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd be willing to, of course.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before that,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's something I want to clarify.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something<br>&nbsp;&nbsp;&nbsp;&nbsp;that needs to be clarified.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master, how did you become a mummy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and why were you buried in the ground?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, an existence as great as you.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had nothing to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with burying myself in the ground.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone buried me.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone...<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the reason I was mummified?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that, I have a slightly simpler answer.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after living a thousand years,<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was the first time that I had died<br>&nbsp;&nbsp;&nbsp;&nbsp;in such a fashion, as far as I can remember.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do you mean?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cause of death...<br>&nbsp;&nbsp;&nbsp;&nbsp;What was the cause of death?<br>**[08:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CAUSE OF DEATH<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Food poisoning.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Food poisoning?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I ate something strange.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, in Japanese...<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You call those foodstuffs<br>&nbsp;&nbsp;&nbsp;&nbsp;"high school girls," I think?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was... Right, a week ago?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came all the way to this town.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was intending on verifying the safety<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the legend I had created, Kiss-shot<br>&nbsp;&nbsp;&nbsp;&nbsp;Acerola-orion Heart-under-blade.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But upon arrival, my own safety was in question.<br>&nbsp;&nbsp;&nbsp;&nbsp;I truly found that hilarious.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I failed the landing and was pulverized.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I have died yet again.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The barrier protecting this town...<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I was blown to smithereens<br>&nbsp;&nbsp;&nbsp;&nbsp;because of that barrier, okay?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was self-destruction<br>&nbsp;&nbsp;&nbsp;&nbsp;due to a failed landing.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The barrier set up by that god over there<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't something that aggressive.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a barrier of path obstruction<br>&nbsp;&nbsp;&nbsp;&nbsp;that quietly gets you lost.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem was that its wicked nature<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't work at all on me.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't enter this country by breaking through<br>&nbsp;&nbsp;&nbsp;&nbsp;a strong barrier that had amazing power.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I lacked such amazing power,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to enter this country with ease.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was shocked to find I've been weakened<br>&nbsp;&nbsp;&nbsp;&nbsp;to this extent, if I may say.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I unscrupulously repeated death,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd been cornered to a point<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where I couldn't even maintain<br>&nbsp;&nbsp;&nbsp;&nbsp;the appearance of my complete form.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I have regressed<br>&nbsp;&nbsp;&nbsp;&nbsp;to a younger form.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to go visit in this state,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't get to rekindle an old friendship.<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead, I would only make her worry.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had some pride as someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who has lived a thousand years.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had pride as the one who created her,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the one who named her.<br>**[10:52] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IN OTHER WORDS,<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I wanted to show off.<br>**[10:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I WANTED TO SHOW OFF.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want a friend I was seeing for the first time<br>&nbsp;&nbsp;&nbsp;&nbsp;in 600 years to be disappointed.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want her to think,<br>&nbsp;&nbsp;&nbsp;&nbsp;"She's changed."<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want her to think,<br>&nbsp;&nbsp;&nbsp;&nbsp;"She's the same as ever" either.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted her to have was,<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now that's my old friend."<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted her to think that.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I couldn't return<br>&nbsp;&nbsp;&nbsp;&nbsp;to my complete form,<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought at least I should<br>&nbsp;&nbsp;&nbsp;&nbsp;dress up superficially.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why...<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I reached out for local foodstuffs.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I descended from the mountain<br>&nbsp;&nbsp;&nbsp;&nbsp;that a god dwells in,<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and set my eyes on a high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;walking alone in the streets at night.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be frank, anyone would've been fine.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why this is divine punishment.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I did something along the lines<br>&nbsp;&nbsp;&nbsp;&nbsp;of picking and choosing,<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that foodstuffs would be considered<br>&nbsp;&nbsp;&nbsp;&nbsp;equal to the Beautiful Princess.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in any case, in hindsight<br>&nbsp;&nbsp;&nbsp;&nbsp;I lack the respect towards foodstuffs.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This country has "Time to eat" and<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thanks for the meal" as table manners, right?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never really understood that.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Appreciation for your foodstuffs?<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that? I don't get it.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eating, to begin with, is supposed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;an act that toys with lives in the best way.<br>**[12:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;IT'S ENTERTAINMENT<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's entertainment.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that's why for me,<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;eating wasn't to live.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eating was to love.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have mouthed<br>&nbsp;&nbsp;&nbsp;&nbsp;"Time to eat" at that moment.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When in Rome, do as the Romans do.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I should have done.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, I lacked principle<br>&nbsp;&nbsp;&nbsp;&nbsp;and bit into a high school girl.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I incurred divine punishment.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The result was food poisoning.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was struck by the poison<br>&nbsp;&nbsp;&nbsp;&nbsp;from a high school girl.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it seems I have died yet again.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What does this mean?*<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to that story, right after<br>
&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master preyed upon the girl,*<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she withered and became bone dry<br>
&nbsp;&nbsp;&nbsp;&nbsp;like how we saw her.*<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The victims are four,<br>
&nbsp;&nbsp;&nbsp;&nbsp;not five, high school girls.*<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But if she had been mummified at the very<br>
&nbsp;&nbsp;&nbsp;&nbsp;beginning, the serialization is impossible.*<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we were going to base everything<br>&nbsp;&nbsp;&nbsp;&nbsp;on mummification being a failed vampirization,<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the possibility of mummification from a failed<br>&nbsp;&nbsp;&nbsp;&nbsp;bloodsucking should've also been considered.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew about that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but such cases are so rare.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see. I understand<br>
&nbsp;&nbsp;&nbsp;&nbsp;how she became a mummy.*<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Suicide-Master got food poisoning*<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and mummification<br>
&nbsp;&nbsp;&nbsp;&nbsp;was an emergency anhydrobiosis.*<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As for the mystery of who buried her<br>
&nbsp;&nbsp;&nbsp;&nbsp;into the mountain...*<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's completely unsolved.*<br>**[13:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FAILED A VAMPIRIZATION<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Failed a vampirization,<br>&nbsp;&nbsp;&nbsp;&nbsp;and a high school girl became a mummy.<br>**[14:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FAILED A BLOODSUCKING<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Failed a bloodsucking,<br>&nbsp;&nbsp;&nbsp;&nbsp;and a vampire became a mummy.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there was one more pattern<br>&nbsp;&nbsp;&nbsp;&nbsp;added to the fray...<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a high school girl<br>&nbsp;&nbsp;&nbsp;&nbsp;with a successful vampirization.<br>**[14:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A HIGH SCHOOL GIRL<br>
&nbsp;&nbsp;&nbsp;&nbsp;WITH A SUCCESSFUL VAMPIRIZATION<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally understand the reason why the series<br>&nbsp;&nbsp;&nbsp;&nbsp;of incidents were inconsistent and mismatching.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was more than one individual<br>&nbsp;&nbsp;&nbsp;&nbsp;doing the bloodsucking.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vampire role<br>&nbsp;&nbsp;&nbsp;&nbsp;swapped in the middle.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Swapped?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A gourmet vampire targeting a series*<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of Japanese minors lacked etiquette<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the point that it was extremely unnatural.*<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But if it was a high school girl targeting<br>
&nbsp;&nbsp;&nbsp;&nbsp;a high school girl, that actually makes sense.*<br>**[14:40] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NO.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No.*<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not a high school girl<br>
&nbsp;&nbsp;&nbsp;&nbsp;after a high school girl.*<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It makes even more sense*<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*if a girls' basketball team player was<br>
&nbsp;&nbsp;&nbsp;&nbsp;targeting a girls' basketball team player.*<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can think of countless reasons for motive.*<br>**[14:50] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PEER PRESSURE<br>
&nbsp;&nbsp;&nbsp;&nbsp;DRAGGING EACH OTHER DOWN<br>
&nbsp;&nbsp;&nbsp;&nbsp;SPARTAN<br>
&nbsp;&nbsp;&nbsp;&nbsp;MISUNDERSTANDING WITH FRIENDS<br>
&nbsp;&nbsp;&nbsp;&nbsp;ACADEMIC SKILLS DOWN<br>
&nbsp;&nbsp;&nbsp;&nbsp;DISCORD<br>
&nbsp;&nbsp;&nbsp;&nbsp;COLLECTIVE RESPONSIBILITY<br>
&nbsp;&nbsp;&nbsp;&nbsp;STRESS<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't notice that*<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there was one girls' basketball team player<br>
&nbsp;&nbsp;&nbsp;&nbsp;who was not under surveillance*<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*until we arrived at this point.*<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's something seriously wrong with me.*<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sowa Kiseki.*<br>**[15:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SOWA KISEKI<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sowa Kiseki.*<br>**[15:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SECOND YEAR, CLASS 7<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I believe she was a second-year.*<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's say the investigation intel<br>
&nbsp;&nbsp;&nbsp;&nbsp;on our end was leaking.*<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kiseki found out that Ms. Gaen's team<br>
&nbsp;&nbsp;&nbsp;&nbsp;was looking for her mummy,*<br>**[15:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KISEKI<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and stuffed her personal belongings<br>
&nbsp;&nbsp;&nbsp;&nbsp;in her locker to confuse the investigators.*<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The two living messages Meniko<br>
&nbsp;&nbsp;&nbsp;&nbsp;deciphered for me, and the signature too.*<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When Suicide-Master drank Kiseki's blood,*<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she likely introduced herself<br>
&nbsp;&nbsp;&nbsp;&nbsp;as Deathtopia Virtuoso Suicide-Master.*<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means, Kiseki had ascertained the name<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the vampire who assaulted her.*<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And, from how her mummy was buried<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the mountains and thus hidden,*<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she planned for her own activity as a vampire<br>
&nbsp;&nbsp;&nbsp;&nbsp;to be Suicide-Master's doing.*<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like how a human would,*<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kyoumi Kuchimoto, who left<br>
&nbsp;&nbsp;&nbsp;&nbsp;a dying message on the flash cards,*<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*didn't notice that the vampire<br>
&nbsp;&nbsp;&nbsp;&nbsp;who assaulted her was once her teammate,*<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and might've fell for the fake<br>
&nbsp;&nbsp;&nbsp;&nbsp;to leave behind the message B777Q.*<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or perhaps the message itself was a fake<br>
&nbsp;&nbsp;&nbsp;&nbsp;that Kiseki set for the investigators.*<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At the least, "F/C" was definitely as such.*<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kiseki found out that the girls' basketball<br>
&nbsp;&nbsp;&nbsp;&nbsp;team members were under suspicion,*<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and wanted the investigator's eye<br>
&nbsp;&nbsp;&nbsp;&nbsp;to be looking at a completely different direction.*<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that was Suruga Kanbaru's fan club.*<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In any case, when you think*<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*this is because she freshly turned<br>
&nbsp;&nbsp;&nbsp;&nbsp;into a vampire, the reason begins to make sense.*<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Destroying evidence, fabricating an alibi.*<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Concoction. Obfuscation.*<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A vampire filled with the human touch.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Committing a very human crime.*<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By unwinding all the tangled parts,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we see it was basically a problem with order.*<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words, this is what happened.*<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The order that the mummies<br>
&nbsp;&nbsp;&nbsp;&nbsp;have been found is...*<br>**[16:56] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST MUMMY - KIE HARIMAZE<br>**[16:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST MUMMY - KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SECOND MUMMY - ABURI HONNO<br>**[16:58] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST MUMMY - KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SECOND MUMMY - ABURI HONNO<br>
&nbsp;&nbsp;&nbsp;&nbsp;THIRD MUMMY - KYOUMI KUCHIMOTO<br>**[16:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST MUMMY - KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SECOND MUMMY - ABURI HONNO<br>
&nbsp;&nbsp;&nbsp;&nbsp;THIRD MUMMY - KYOUMI KUCHIMOTO<br>
&nbsp;&nbsp;&nbsp;&nbsp;(YOUNG GIRL MUMMY - DVS)<br>**[17:00] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST MUMMY - KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SECOND MUMMY - ABURI HONNO<br>
&nbsp;&nbsp;&nbsp;&nbsp;THIRD MUMMY - KYOUMI KUCHIMOTO<br>
&nbsp;&nbsp;&nbsp;&nbsp;(YOUNG GIRL MUMMY - DVS)<br>
&nbsp;&nbsp;&nbsp;&nbsp;FOURTH MUMMY - MISAGO KANGU<br>**[17:01] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST MUMMY - KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SECOND MUMMY - ABURI HONNO<br>
&nbsp;&nbsp;&nbsp;&nbsp;THIRD MUMMY - KYOUMI KUCHIMOTO<br>
&nbsp;&nbsp;&nbsp;&nbsp;(YOUNG GIRL MUMMY - DVS)<br>
&nbsp;&nbsp;&nbsp;&nbsp;FOURTH MUMMY - MISAGO KANGU<br>
&nbsp;&nbsp;&nbsp;&nbsp;FIFTH MUMMY (TEMP) - SOWA KISEKI<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the chronology of the actual times<br>
&nbsp;&nbsp;&nbsp;&nbsp;when they fell victim was...*<br>**[17:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ZEROTH VICTIM - SOWA KISEKI<br>
&nbsp;&nbsp;&nbsp;&nbsp;(VAMPIRE: DVS)<br>**[17:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;0.5TH VICTIM - DVS<br>
&nbsp;&nbsp;&nbsp;&nbsp;(FOOD POISONING, SELF-DESTRUCTION)<br>**[17:07] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FIRST VICTIM - KIE HARIMAZE<br>
&nbsp;&nbsp;&nbsp;&nbsp;(VAMPIRE: KISEKI)<br>**[17:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SECOND VICTIM - KYOUMI KUCHIMOTO<br>
&nbsp;&nbsp;&nbsp;&nbsp;(VAMPIRE: KISEKI)<br>**[17:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THIRD VICTIM - ABURI HONNO<br>
&nbsp;&nbsp;&nbsp;&nbsp;(VAMPIRE: KISEKI)<br>**[17:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FOURTH VICTIM - MISAGO KANGU<br>
&nbsp;&nbsp;&nbsp;&nbsp;(VAMPIRE: KISEKI)<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the truth about the serial<br>
&nbsp;&nbsp;&nbsp;&nbsp;bloodsucking that had occurred*<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from three nights ago to last night.*<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How clever.<br>&nbsp;&nbsp;&nbsp;&nbsp;So many little thoughts you have.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both that high school girl and all of you.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furthermore, I see that Suicide-Master<br>
&nbsp;&nbsp;&nbsp;&nbsp;was not the serial vampire.*<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But at the least, she was the root cause<br>
&nbsp;&nbsp;&nbsp;&nbsp;of it all according to her confession.*<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She had been responsible<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the very first bloodsucking.*<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kiseki, who was the victim in the very beginning,<br>
&nbsp;&nbsp;&nbsp;&nbsp;then turned to be the main perpetrator.*<br>**[17:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SOWA KISEKI<br>
&nbsp;&nbsp;&nbsp;&nbsp;VICTIM<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The situation is that the victim<br>
&nbsp;&nbsp;&nbsp;&nbsp;switched over to become the perpetrator.*<br>**[17:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SOWA KISEKI<br>
&nbsp;&nbsp;&nbsp;&nbsp;PERPETRATOR<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's getting confusing<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to figure out who is bad here.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll go after next, Koyomin?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be, of course, the girls' basketball<br>&nbsp;&nbsp;&nbsp;&nbsp;team members that she's had conflict with, yes?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if we can get there before she does...<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sheesh.<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister is going to curse me to death.<br>**[18:11] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;CURSE<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, this is another arbitrary decision.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiseki might not necessarily know the gathering<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Suruga Kanbaru and Seiu Higasa regime.<br>**[18:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE CURRENT CLUB ACTIVITIES<br>**[18:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THE GOLDEN ERA WHICH<br>
&nbsp;&nbsp;&nbsp;&nbsp;COULD ALSO HAVE STARTED IT ALL<br>**[18:24] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;FALLING PREY TO APPEARANCES<br>**[18:25] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAIN DISH<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even if she did, she may be limiting<br>&nbsp;&nbsp;&nbsp;&nbsp;the targets to only the current team members.<br>**[18:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;POSSIBILITY OF SURUGA KANBARU<br>
&nbsp;&nbsp;&nbsp;&nbsp;BEING THE NEXT TARGET<br>**[18:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;STILL JUST A POSSIBILITY<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm slightly uneasy about leaving Hachikuji<br>&nbsp;&nbsp;&nbsp;&nbsp;alone with Suicide-Master.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will it be all right?<br>**[18:36] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNEASY<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That barrier I put up is close to a cage.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have a god and a devil<br>&nbsp;&nbsp;&nbsp;&nbsp;enjoy a fun talk.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll leave aside the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;for a vampire, bloodsucking is not evil.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a vampire, creating a minion<br>&nbsp;&nbsp;&nbsp;&nbsp;is not evil either, after all.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in this particular case,<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiseki is clearly using her vampirization<br>&nbsp;&nbsp;&nbsp;&nbsp;to make personal, subjective moves.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's acting as something positive for the victim<br>&nbsp;&nbsp;&nbsp;&nbsp;in question, would that mean it's not evil?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To add on top of that, Suicide-Master has failed both<br>&nbsp;&nbsp;&nbsp;&nbsp;in bloodsucking Kiseki and in making her a minion.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could call it an attempt thereof.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attempt? I don't know about that.<br>**[19:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;VAMPIRIZATION<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought she succeeded in vampirization?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She failed at making her a minion.<br>**[19:26] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MAKING A MINION<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would a faithful slave bury the mummy<br>&nbsp;&nbsp;&nbsp;&nbsp;of her master in the mountains?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She wouldn't.*<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're going to believe the statement<br>&nbsp;&nbsp;&nbsp;&nbsp;of Suicide-Master...<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was nothing more than a source of nutrients<br>&nbsp;&nbsp;&nbsp;&nbsp;to dress up for a reunion.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How she turned the girl into a vampire<br>&nbsp;&nbsp;&nbsp;&nbsp;unintentionally means that<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she did fail in the vampirization as well.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all a failure.*<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that said, what we thought was a failure<br>
&nbsp;&nbsp;&nbsp;&nbsp;turned out to be a success.*<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can vaguely imagine that there<br>&nbsp;&nbsp;&nbsp;&nbsp;might be room for the high school girls<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who became "mummies that failed vampirization"<br>&nbsp;&nbsp;&nbsp;&nbsp;to revert to being human again.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if Suicide-Master didn't plan for it to happen,<br>&nbsp;&nbsp;&nbsp;&nbsp;the successful case of Kiseki...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think? Will she be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to return to being human?<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First off, it's about whether or not<br>&nbsp;&nbsp;&nbsp;&nbsp;she has feelings of wanting to be turned back.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A blonde, blue-eyed high school girl.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She sure went delinquent.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think this is what she'd look like.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get close to Suruga, so I'll just<br>&nbsp;&nbsp;&nbsp;&nbsp;borrow your car right now, Koyomin,<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and approach things from a different angle.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to infiltrate<br>&nbsp;&nbsp;&nbsp;&nbsp;a pajama party of high school girls<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a first-year college student<br>&nbsp;&nbsp;&nbsp;&nbsp;with good sense.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sounds like it'll be<br>
&nbsp;&nbsp;&nbsp;&nbsp;a hard-core but cool mission.*<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Araragi-senpai!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. Araragi-senpai?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. It's Araragi-senpai!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai?<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the Araragi-senpai?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, it's the Araragi-senpai!<br>&nbsp;&nbsp;&nbsp;&nbsp;What other Araragi-senpai is out there!?<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanekawa-senpai's friend!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senjyogahara-senpai's boyfriend!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oikura-senpai's childhood friend!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And above all, Kanbaru's master!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only delinquent student to graduate<br>&nbsp;&nbsp;&nbsp;&nbsp;from Naoetsu High, Araragi-senpai!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi! Come on, Araragi!<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Araragi!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanbaru, don't be taking the lead.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's with that pajama you're wearing?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, Araragi-senpai?<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think someone like you<br>**[21:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ALWAYS (joji)<br>
&nbsp;&nbsp;&nbsp;&nbsp;LOVE AFFAIRS (joji)<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't know about the pajamas that always<br>&nbsp;&nbsp;&nbsp;&nbsp;stay out of the way of love affairs, the negligee?<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know any underclassmen like you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Araragi-senpai.<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mentioned that there was something urgent<br>&nbsp;&nbsp;&nbsp;&nbsp;that you had to talk to us about,<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we made an exception for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to barge into this gathering of girls.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even you, Araragi-senpai,<br>&nbsp;&nbsp;&nbsp;&nbsp;have to abide by our dress code.<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dress code?<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pajamas, of course.<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, this is a pajama party.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I would feel bad about borrowing<br>&nbsp;&nbsp;&nbsp;&nbsp;your father or brother's pajamas<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without properly introducing myself.<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Araragi-senpai, Higasa<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't have a father or brother.<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;HUH?<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, we only have women's pajamas<br>&nbsp;&nbsp;&nbsp;&nbsp;right now in our household.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't worry!<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, the girls' basketball team<br>&nbsp;&nbsp;&nbsp;&nbsp;alumni group pride themselves on their height!<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, yeah. So what?*<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So what, because you do?*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut in<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, for some reason<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mere future<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a feeling that...<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have any hopes or expectations<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lived long enough<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fed up with déjà vu<br>&nbsp;&nbsp;&nbsp;&nbsp;and the run-of-the-mill<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no signs of wonderful occasions<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the cause and effect<br>&nbsp;&nbsp;&nbsp;&nbsp;of accumulated experiences<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conventional myths and boring evolution<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I need stimulation<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got tired of it<br>&nbsp;&nbsp;&nbsp;&nbsp;I got used to it<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding<br>&nbsp;&nbsp;&nbsp;&nbsp;Guidance that gets adjusted<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compliance that increases<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be shoved under the rug<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sucked it all<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, this and all of it<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all taste the same<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[24:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[24:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>

# E15 - SHINOBUMONOGATARI Shinobu Mustard Part Six

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G14UVQW4E/shinobumonogatari-shinobu-mustard-part-six)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SELF-INTRODUCTION TIME<br>**[00:13] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEIU HIGASA<br>
&nbsp;&nbsp;&nbsp;&nbsp;BORN MAY 3<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 18<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEIGHT 165CM<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seiu Higasa. Position, small forward.<br>&nbsp;&nbsp;&nbsp;&nbsp;Favorite play, steal.<br>**[00:20] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MITONO SHOUNOU<br>
&nbsp;&nbsp;&nbsp;&nbsp;BORN APRIL 9<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 18<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEIGHT 170CM<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitono Shounou. Position, point guard.<br>&nbsp;&nbsp;&nbsp;&nbsp;Favorite play, double-team.<br>**[00:29] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;REIKA MAYOKO<br>
&nbsp;&nbsp;&nbsp;&nbsp;BORN DECEMBER 1<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 17<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEIGHT 169CM<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reika Mayoko. Position, shooting guard.<br>&nbsp;&nbsp;&nbsp;&nbsp;Favorite play, run-and-gun.<br>**[00:36] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;NIKAWA UMIKAWA<br>
&nbsp;&nbsp;&nbsp;&nbsp;BORN DECEMBER 18<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 17<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEIGHT 164CM<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nikawa Umikawa. Position, power forward.<br>&nbsp;&nbsp;&nbsp;&nbsp;Favorite play, alley-oop.<br>**[00:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SILVIA SEVERE<br>
&nbsp;&nbsp;&nbsp;&nbsp;BORN SEPTEMBER 19<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 17<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEIGHT 185CM<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silvia Severe. Position, center.<br>&nbsp;&nbsp;&nbsp;&nbsp;Favorite play, block.<br>**[00:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SEIKO OHKI<br>
&nbsp;&nbsp;&nbsp;&nbsp;BORN AUGUST 1<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 17<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEIGHT 180CM<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seiko Ohki. Position, reserve and sixth man.<br>&nbsp;&nbsp;&nbsp;&nbsp;Favorite play, cheering.<br>**[00:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ALUMNI VERSUS SENPAI<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suruga Kanbaru. Araragi-senpai's sex slave.<br>&nbsp;&nbsp;&nbsp;&nbsp;Favorite play,<br>**[00:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SURUGA KANBARU<br>
&nbsp;&nbsp;&nbsp;&nbsp;BORN MAY 9<br>
&nbsp;&nbsp;&nbsp;&nbsp;AGE 18<br>
&nbsp;&nbsp;&nbsp;&nbsp;HEIGHT 160CM<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;neglect!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the five members<br>&nbsp;&nbsp;&nbsp;&nbsp;who are currently missing...<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something in common<br>&nbsp;&nbsp;&nbsp;&nbsp;among these five?<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't have anything in common.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think they've been<br>&nbsp;&nbsp;&nbsp;&nbsp;in a game together, either.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So it's hard to round the five of them<br>
&nbsp;&nbsp;&nbsp;&nbsp;together as a team.*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then, what if it was just four?*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A common point for four of them?*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Cellphone?*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh no. Perhaps that means, maybe...*<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not about finding<br>
&nbsp;&nbsp;&nbsp;&nbsp;a common point among the five.*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not assuming that they're allies.*<br>**[01:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Q5: FIND ONE THAT IS DIFFERENT<br>
&nbsp;&nbsp;&nbsp;&nbsp;FROM THE OTHERS<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What if this was a Japanese class problem where<br>
&nbsp;&nbsp;&nbsp;&nbsp;you find the odd one out of the five listed?*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Errata. Spot the difference.*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or, something like a college student participating<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a high school girls' pajama party like this.*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Out of place. The difference.*<br>**[01:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;Q5: FIND ONE THAT IS DIFFERENT<br>
&nbsp;&nbsp;&nbsp;&nbsp;FROM THE OTHERS<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, I see. That's what it means.*<br>**[02:06] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"LEND ME YOUR HOUSE FOR THE NIGHT."<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remembered the favor I asked<br>
&nbsp;&nbsp;&nbsp;&nbsp;of Kanbaru,*<br>**[02:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A CELL PHONE, HUH?"<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the conversation I had<br>
&nbsp;&nbsp;&nbsp;&nbsp;with Meniko.*<br>**[02:10] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THOSE WHO GAZE INTO THE ABYSS<br>
&nbsp;&nbsp;&nbsp;&nbsp;ARE BEING GAZED BACK BY THE ABYSS AS WELL.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So that's how our investigation intel<br>
&nbsp;&nbsp;&nbsp;&nbsp;got leaked out.*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that's the case,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the place where I need to be*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*isn't here.*<br>**[03:17] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD<br>**[03:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MONSTER SEASON BROADCAST NUMBER SIX<br>**[03:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHINOBUMONOGATARI EPISODE ONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHINOBU MUSTARD, PART SIX<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not over there. Over here.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Been a while, high school girl.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you're doing well,<br>&nbsp;&nbsp;&nbsp;&nbsp;which puts me in good spirits.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you seem to be doing well, too.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I gave you a proper burial?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I have died yet again.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I ingested your blood.<br>&nbsp;&nbsp;&nbsp;&nbsp;No, your poison.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make it sound like it's my fault.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You died on your own, didn't you?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I merely buried you.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just buried me.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all things, you then used my name<br>&nbsp;&nbsp;&nbsp;&nbsp;to do whatever you please.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though it was to throw<br>&nbsp;&nbsp;&nbsp;&nbsp;the investigation off,<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do feel bad about<br>&nbsp;&nbsp;&nbsp;&nbsp;using your name without asking.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But back when I buried you in that mountain,<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't bury you with any particular ill will.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did you bury me<br>&nbsp;&nbsp;&nbsp;&nbsp;on that particular mountain, then?<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to bury you,<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it would be repose for your soul<br>&nbsp;&nbsp;&nbsp;&nbsp;if you were buried close to the shrine.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, I had the one who found my corpse<br>&nbsp;&nbsp;&nbsp;&nbsp;step away for a bit.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So do you have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk to me about, Suicide-Master?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hardcore, cool bloodline of mine has been<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around for a dumb reason like revenge.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you wanted? Is that why<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted to become a vampire?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you wanted me to eat you?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I didn't tell the people chasing you<br>&nbsp;&nbsp;&nbsp;&nbsp;about that part yet.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of covering for you.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said that I sucked your blood because<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to show off to an old friend.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case...<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was simply asking for directions,<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you suddenly groveled and pleaded<br>&nbsp;&nbsp;&nbsp;&nbsp;with me, "Please make me a vampire."<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't tell them about that.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was unexpected<br>&nbsp;&nbsp;&nbsp;&nbsp;that I turned into a mummy instead.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are things that are unexpected,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you live for a thousand years.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So is someone like me uncommon?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An idiot who requests to become a vampire<br>&nbsp;&nbsp;&nbsp;&nbsp;by their own will.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. There was one 600 years ago.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was reminded of that, and maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;that's why I was getting a bit sentimental?<br>**[06:08] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WOUND<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sentimental?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The former minion of the previously<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart-under-blade seems to be thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;and brooding over the meal issue.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you ask me,<br>&nbsp;&nbsp;&nbsp;&nbsp;the main focal point is missing.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's only seeing eating and being eaten<br>&nbsp;&nbsp;&nbsp;&nbsp;as assaulter and victim.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His assumptions are leaving out the case<br>&nbsp;&nbsp;&nbsp;&nbsp;where the eaten are wishing to be eaten.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An animal that wishes<br>&nbsp;&nbsp;&nbsp;&nbsp;to be eaten by their own will.<br>**[06:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'M THE ONLY ONE.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't think there'd be such a being.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not possible.<br>**[06:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;WE ARE THE ONLY ONES.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if there were such beings,<br>&nbsp;&nbsp;&nbsp;&nbsp;a creature who's volunteering to be eaten?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, there was a creature like that.<br>&nbsp;&nbsp;&nbsp;&nbsp;A human of that nature 600 years ago.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A princess who wished so.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She tried to become a vampire<br>&nbsp;&nbsp;&nbsp;&nbsp;with a sublime idea<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that a hardcore, cool person<br>&nbsp;&nbsp;&nbsp;&nbsp;like myself could not understand.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And unlike you, it was most productive.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowadays, she's forgotten all about<br>&nbsp;&nbsp;&nbsp;&nbsp;her sublime idea, and she's lost everything.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess she managed to accomplish it all.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes me feel relieved<br>&nbsp;&nbsp;&nbsp;&nbsp;from the bottom of my gut.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what about you?<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used your immense power<br>&nbsp;&nbsp;&nbsp;&nbsp;to greedily devour humans.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel accomplished now?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;a sense of accomplishment at all.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more like I feel a void.<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge is simply fruitless.<br>**[07:39] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EMPTY, FROM THE BOTTOM OF MY GUT<br>**[07:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;PARCHED, LIKE I WAS MUMMIFIED<br>**[07:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;EVEN THEN, I CAN'T AFFORD TO STOP.<br>**[07:45] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;THAT'S RIGHT.<br>**[07:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;I HAVEN'T ACCOMPLISHED IT TO BEGIN WITH.<br>**[07:48] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;AND FOR THAT PURPOSE—<br>**[07:49] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;SHE CAME HERE, DODGING COUNTLESS EYES.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. In that aspect,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a letdown.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A disappointment.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought vampires<br>&nbsp;&nbsp;&nbsp;&nbsp;were something better.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the first place, isn't it the pits that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're weak against the sun?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. It's not something<br>&nbsp;&nbsp;&nbsp;&nbsp;tremendously great.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get captured like this<br>&nbsp;&nbsp;&nbsp;&nbsp;as if it's time to pay the piper.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get me too disappointed.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where I want you to appeal to me<br>&nbsp;&nbsp;&nbsp;&nbsp;about all the good things of being a vampire.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;is not disappointment but despair.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I have a good deal<br>&nbsp;&nbsp;&nbsp;&nbsp;for such a desperate being like you.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing good about vampires,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I got something good for you.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something good? A beautified story?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampires don't get beautified stories.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, this is a business deal.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me hear it.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This tasty deal or whatever.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can eat me.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wish to return to being human,<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you gulp down my blood, the blood<br>&nbsp;&nbsp;&nbsp;&nbsp;of the one who sucked your blood,<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can still return to being human.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I even mention anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about wanting to return to being human?<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did say this wasn't a good thing to be,<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I also didn't say that<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a terrible thing to be.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it was the worst.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a play on words.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try finding faults in my Japanese.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't recall saying that<br>&nbsp;&nbsp;&nbsp;&nbsp;humans were the best, either.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or that high school girls were the best.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think that way,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then not only should you drink my blood,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you should chow down and eat all of me.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crunch down to the flesh and bones.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, the incomplete vampire that you are<br>&nbsp;&nbsp;&nbsp;&nbsp;will become a master-slaying vampire,<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and gain more power<br>&nbsp;&nbsp;&nbsp;&nbsp;than you currently possess.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In either case, it's not a loss for you.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to return to being human,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can return to being human.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to become a more powerful,<br>&nbsp;&nbsp;&nbsp;&nbsp;more fearsome vampire,<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can become a more powerful,<br>&nbsp;&nbsp;&nbsp;&nbsp;more fearsome vampire.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, what will it be?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's in it for you for this good deal?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this tasty story,<br>&nbsp;&nbsp;&nbsp;&nbsp;this business deal...<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vampire of prepared death,<br>&nbsp;&nbsp;&nbsp;&nbsp;inevitable death, and certain death...<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to die for someone like me?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not. The basics of a business deal<br>&nbsp;&nbsp;&nbsp;&nbsp;is to serve both ends.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you don't drink or eat me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die anyway.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to starve to death.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll die from anorexia.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that terribly uncool?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I would like you to kill me.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time for sure, I want you to kill me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to kill me properly.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a suicidal wish?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cause of death for 80 or 90 percent<br>&nbsp;&nbsp;&nbsp;&nbsp;of vampires is suicide, right?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. They all commit suicide.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want you to kill me<br>&nbsp;&nbsp;&nbsp;&nbsp;before I feel like committing suicide.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you want me to aid and abet your suicide...<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you're wishing for euthanasia?<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A death with dignity.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the death<br>&nbsp;&nbsp;&nbsp;&nbsp;fit for a proud one such as myself.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A revered, merciless death.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it me?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you choose me?<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who needs to choose.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I phrased it like two choices,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you don't have to suck nor eat.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I've been weakened, there are only<br>&nbsp;&nbsp;&nbsp;&nbsp;a limited number of beings who can kill me.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in no particular hurry.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not hurrying to my death.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just no longer have anymore regrets.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because an old friend<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is thoughtlessly and lightheartedly having fun,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I witnessed it with my own eyes.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing I regret anymore.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll kill you.<br>&nbsp;&nbsp;&nbsp;&nbsp;And then we'll call it even.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, someone who has killed herself...<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, myself, will kill you.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please die filled with pride.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please die a revered, merciless death.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks so much.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was worth pleading with you.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell me your name?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to know the name of the vampire<br>&nbsp;&nbsp;&nbsp;&nbsp;who will be killing my great self.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I can.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name, the name of the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who will kill you, is...<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kie Harimaze.<br>**[12:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kie Harimaze.*<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not Sowa Kiseki.*<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's Harimaze, who was<br>
&nbsp;&nbsp;&nbsp;&nbsp;believed to be the first victim.*<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a body swap.*<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mummified humans were bone dry,*<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and their features and appearances<br>
&nbsp;&nbsp;&nbsp;&nbsp;were consistent.*<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can go so far as to say that<br>
&nbsp;&nbsp;&nbsp;&nbsp;every mummy is unable to be identified.*<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yet, how we determined that mummy<br>
&nbsp;&nbsp;&nbsp;&nbsp;as Harimaze was from her belongings.*<br>**[13:05] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"KIE HARIMAZE IS THE NAME OF THAT MUMMY."<br>**[13:09] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ON HER WAY HOME AFTER TEAM PRACTICE,<br>
&nbsp;&nbsp;&nbsp;&nbsp;SHE HAPPENED TO ENCOUNTER ONE."<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Conversely, if you put your uniform<br>
&nbsp;&nbsp;&nbsp;&nbsp;on the mummy,*<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*gave it your bag, and have it<br>
&nbsp;&nbsp;&nbsp;&nbsp;hold onto your phone,*<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wouldn't you be able to make people believe<br>
&nbsp;&nbsp;&nbsp;&nbsp;that the mummy was you?*<br>**[13:21] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*if we're going to be fair,<br>
&nbsp;&nbsp;&nbsp;&nbsp;which mummy will get swapped out?*<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Every mummy had an equal opportunity.*<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What becomes the key point here is the code<br>
&nbsp;&nbsp;&nbsp;&nbsp;that Meniko deciphered for me.*<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a diversionary tactic that knew<br>
&nbsp;&nbsp;&nbsp;&nbsp;about Ms. Gaen and the investigators.*<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means, at that point, the internal goings-on<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the investigation had already been leaked.*<br>**[13:42] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;APPARITION SPECIALIST<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How did the serial vampire ascertain<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ms. Gaen and her group's existence?*<br>**[13:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"CAN I ASK YOU FOR HELP<br>
&nbsp;&nbsp;&nbsp;&nbsp;WITH CODE DECRYPTION AGAIN?"<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I came upon that method after my conversation<br>
&nbsp;&nbsp;&nbsp;&nbsp;with Meniko, which gave me a hint.*<br>**[13:53] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"HMM, HMM, HMM?<br>
&nbsp;&nbsp;&nbsp;&nbsp;A CELLPHONE, HUH?"<br>**[13:55] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"SO, THIS IS THE CODE THAT WAS RECORDED<br>
&nbsp;&nbsp;&nbsp;&nbsp;ON A CELLPHONE?"<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We talked about how the cellphone<br>
&nbsp;&nbsp;&nbsp;&nbsp;was a part of your brain now.*<br>**[13:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;"NOWADAYS, A CELLPHONE<br>
&nbsp;&nbsp;&nbsp;&nbsp;IS LIKE A PART OF YOUR BRAIN."<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you took that cellphone along with<br>
&nbsp;&nbsp;&nbsp;&nbsp;the uniform and the school bag,*<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and dressed up the mummy<br>
&nbsp;&nbsp;&nbsp;&nbsp;that the perp created...*<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means...*<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can also attach eyes, ears, and the brain<br>
&nbsp;&nbsp;&nbsp;&nbsp;onto the mummy, so to say?*<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If anything, it's like a surveillance camera<br>
&nbsp;&nbsp;&nbsp;&nbsp;and a wire tap.*<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if the phone is locked,<br>
&nbsp;&nbsp;&nbsp;&nbsp;it keeps operating in the background.*<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There are tons of apps that do that.*<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And this is where it gets important.*<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is impossible unless you had already set up<br>
&nbsp;&nbsp;&nbsp;&nbsp;the app at the point of finding the first mummy.*<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You had to set it up in the cellphone<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the suspected*<br>**[14:32] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;3 DAYS AGO - 2 DAYS AGO - 1 DAY AGO - TODAY<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kie Harimaze mummy in order for that mummy<br>
&nbsp;&nbsp;&nbsp;&nbsp;to become believable that it was her.*<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you didn't, you couldn't leave a code<br>
&nbsp;&nbsp;&nbsp;&nbsp;with Kyoumi Kuchimoto's mummy,*<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as she was the second one attacked.*<br>**[14:41] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE<br>**[14:43] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;MUMMY OF SOMEONE<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And of further importance, cellphones must be<br>
&nbsp;&nbsp;&nbsp;&nbsp;recharged periodically or the battery will run out.*<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means, the facts that I chose<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Kanbaru residence to revive Suicide-Master,*<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU. I'M SORRY,<br>
&nbsp;&nbsp;&nbsp;&nbsp;BUT CAN YOU BE MY SLAVE FOR A BIT?<br>**[14:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU. I'M SORRY,<br>
&nbsp;&nbsp;&nbsp;&nbsp;BUT CAN YOU BE MY SLAVE FOR A BIT?<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND LEND ME YOUR HOUSE FOR THE NIGHT.<br>**[14:54] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU. I'M SORRY,<br>
&nbsp;&nbsp;&nbsp;&nbsp;BUT CAN YOU BE MY SLAVE FOR A BIT?<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND LEND ME YOUR HOUSE FOR THE NIGHT.<br>
&nbsp;&nbsp;&nbsp;&nbsp;GOT IT.<br>**[14:56] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU. I'M SORRY,<br>
&nbsp;&nbsp;&nbsp;&nbsp;BUT CAN YOU BE MY SLAVE FOR A BIT?<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND LEND ME YOUR HOUSE FOR THE NIGHT.<br>
&nbsp;&nbsp;&nbsp;&nbsp;GOT IT.<br>
&nbsp;&nbsp;&nbsp;&nbsp;HERE'S THE KEYS TO THE HOUSE.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that I had Kanbaru step outside for precisely<br>
&nbsp;&nbsp;&nbsp;&nbsp;that reason, are facts the perp is unaware of.*<br>**[14:57] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU. I'M SORRY,<br>
&nbsp;&nbsp;&nbsp;&nbsp;BUT CAN YOU BE MY SLAVE FOR A BIT?<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND LEND ME YOUR HOUSE FOR THE NIGHT.<br>
&nbsp;&nbsp;&nbsp;&nbsp;GOT IT.<br>
&nbsp;&nbsp;&nbsp;&nbsp;HERE'S THE KEYS TO THE HOUSE.<br>
&nbsp;&nbsp;&nbsp;&nbsp;YOU CAN USE ANYTHING AS YOU WISH.<br>**[14:59] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KANBARU. I'M SORRY,<br>
&nbsp;&nbsp;&nbsp;&nbsp;BUT CAN YOU BE MY SLAVE FOR A BIT?<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND LEND ME YOUR HOUSE FOR THE NIGHT.<br>
&nbsp;&nbsp;&nbsp;&nbsp;GOT IT.<br>
&nbsp;&nbsp;&nbsp;&nbsp;HERE'S THE KEYS TO THE HOUSE.<br>
&nbsp;&nbsp;&nbsp;&nbsp;YOU CAN USE ANYTHING AS YOU WISH.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I DECIDED TO HOLD A PAJAMA PARTY<br>
&nbsp;&nbsp;&nbsp;&nbsp;AT HIGASA'S HOUSE TONIGHT.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She wouldn't target the alumni<br>
&nbsp;&nbsp;&nbsp;&nbsp;gathering at Higasa's house.*<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She would quite naturally<br>
&nbsp;&nbsp;&nbsp;&nbsp;target the Kanbaru house.*<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pervert?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. You must be Araragi-senpai.<br>**[15:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;KIE HARIMAZE—<br>
&nbsp;&nbsp;&nbsp;&nbsp;AND THEN A PERVERT.<br>**[15:22] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;ONE WHO PERVERSED<br>
&nbsp;&nbsp;&nbsp;&nbsp;FROM HUMAN TO DEVIL.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you, Araragi-senpai.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time we're chatting like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've heard much rumors about you.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So are you saving people<br>&nbsp;&nbsp;&nbsp;&nbsp;like you always do?<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, there are no humans<br>&nbsp;&nbsp;&nbsp;&nbsp;at all here.<br>**[15:44] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;INCLUDING YOU.<br>**[15:46] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;DO YOU HAVE THE CAPABILITIES<br>
&nbsp;&nbsp;&nbsp;&nbsp;TO STOP ME?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Harimaze.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like how you understand my circumstances,<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand yours just a little bit.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even then,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is going a bit too far.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I'm going too far.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that I've quit too much.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because I couldn't quit the team,<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't mean that I had to give up on living.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can still make it in time.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's revert all the people you assaulted,<br>&nbsp;&nbsp;&nbsp;&nbsp;and revert yourself as well.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave me alone.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who knows about the others?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they want to become human again?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe things are easier for them<br>&nbsp;&nbsp;&nbsp;&nbsp;in their current state.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe what I did<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't assaulting, but saving?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're completely dried up.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't even tell if they're alive or dead.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't tell if you're alive or dead,<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't that how every high school student is?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you're completely parched<br>&nbsp;&nbsp;&nbsp;&nbsp;on the inside.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you forget those feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;once you became a college student?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think we're being bubbly<br>&nbsp;&nbsp;&nbsp;&nbsp;and enjoying adolescence?<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we look like high school girls<br>&nbsp;&nbsp;&nbsp;&nbsp;with no worries whatsoever, Araragi-senpai?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blueness of adolescence<br>&nbsp;&nbsp;&nbsp;&nbsp;is deeper than you think.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dark blue,<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to the darkness.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a self in winter who has<br>&nbsp;&nbsp;&nbsp;&nbsp;long since forgotten adolescence,<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this debate makes me feel awkward.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't a banter of this nature<br>&nbsp;&nbsp;&nbsp;&nbsp;what you call adolescence? Hilarious.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't make up your mind fast enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;so this is how things end up.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's eat, or be eaten.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to eat,<br>&nbsp;&nbsp;&nbsp;&nbsp;or do you want to be eaten?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or...<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you want to eat your master,<br>&nbsp;&nbsp;&nbsp;&nbsp;or do you want to eat the protagonist?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rich or scant,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of adolescence already.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have chosen the red darkness.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was in the wrong.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, let me make even more mistakes.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Kie Harimaze!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Born on April 14th, age 16.<br>&nbsp;&nbsp;&nbsp;&nbsp;Height, 170 cm. Position, reserve.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My favorite play is a fake!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time for sure,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will eat the protagonist!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while, Araragi.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks a bunch for stalling for time.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those pigtails look good on you, yeah?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is going too far, Ms. Kagenui.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't I teach you before, Araragi?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no such thing as going too far<br>&nbsp;&nbsp;&nbsp;&nbsp;against an immortal apparition.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right, Suicide-Master?<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Even from the eyes of a monster like me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you go way too far, Kagenui.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing isn't a vampire that you need<br>&nbsp;&nbsp;&nbsp;&nbsp;to personally deal with. It's a fledgling.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not a vampire that's worth<br>&nbsp;&nbsp;&nbsp;&nbsp;dealing with for me? A fledgling?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That describes your current self<br>&nbsp;&nbsp;&nbsp;&nbsp;more than her, no?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, it was like<br>&nbsp;&nbsp;&nbsp;&nbsp;you were the young girl.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things really don't go well.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that my current self<br>&nbsp;&nbsp;&nbsp;&nbsp;is a far cry from one of your targets.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems so.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I literally flew down here from<br>&nbsp;&nbsp;&nbsp;&nbsp;the North Pole, but what a bunch of trouble.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I have to let you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;off the hook for today.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How lucky.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I can't tell who was luckier<br>&nbsp;&nbsp;&nbsp;&nbsp;between you and me.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems I have lived yet again.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Araragi.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to the high school girl after that?<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was her name... Harimaya?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who in the world is Harimaya?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're talking about Harimaze,<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd totally thought that she was<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be slaughtered by Ms. Kagenui.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I was told she had to grant<br>&nbsp;&nbsp;&nbsp;&nbsp;a special pardon so that the four girls<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sent to the hospital<br>&nbsp;&nbsp;&nbsp;&nbsp;could be reverted to normal.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it was more adult circumstances<br>&nbsp;&nbsp;&nbsp;&nbsp;than juvenile law that was applied here.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we didn't revert that girl to a human,<br>&nbsp;&nbsp;&nbsp;&nbsp;the other four will stay mummies forever.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you became a vampire, didn't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill your "parent" to return to being human?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back during the spring break<br>&nbsp;&nbsp;&nbsp;&nbsp;where I was the concerned party,<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that definitely was the case.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But steady progress has been made<br>&nbsp;&nbsp;&nbsp;&nbsp;on that end, too.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to the naked young girl?<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide-Master ultimately got exiled.<br>&nbsp;&nbsp;&nbsp;&nbsp;They settled for deportation.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their farewell was rather simple.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess the vampiric feelings, or rather<br>&nbsp;&nbsp;&nbsp;&nbsp;vampiric time, isn't something I understand well.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's likely not the final farewell<br>&nbsp;&nbsp;&nbsp;&nbsp;of this lifetime,<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm sure we'll see her again.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why are you quiet?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Do you know something?*<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come to think, I felt like Shinobu knew something<br>
&nbsp;&nbsp;&nbsp;&nbsp;but was keeping it a secret from me.*<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what she'd been hiding was apparent<br>&nbsp;&nbsp;&nbsp;&nbsp;in a comment she made after the fact.<br>**[21:51] OS**<br>&nbsp;&nbsp;&nbsp;&nbsp;A QUESTION FROM A YEAR AND A HALF AGO<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was a belated reply to my question of,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"What are humans to you?"*<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Monsters, right?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koyomin.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, did the oral promise<br>&nbsp;&nbsp;&nbsp;&nbsp;with Ms. Gaen take place?<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that was<br>&nbsp;&nbsp;&nbsp;&nbsp;the starting point in the first place.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it had taken effect for now.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lies, deception, fakes...<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a human's human side<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to get involved like this,<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the establishment of a Rumor Division<br>&nbsp;&nbsp;&nbsp;&nbsp;is imperative after all.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that time has come.<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you can say the same for Harimaze,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fact that it's allowed is ultimately...<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I'm still very much a child.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my goodness. The time<br>&nbsp;&nbsp;&nbsp;&nbsp;for my next lecture is approaching.<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, see you again<br>&nbsp;&nbsp;&nbsp;&nbsp;in the near future.<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I have anything I want from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll contact you.<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the template for when<br>&nbsp;&nbsp;&nbsp;&nbsp;you're not going to contact me?<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got something cute there.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Koyomin, are you now a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the girls' basketball team?<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm already past<br>&nbsp;&nbsp;&nbsp;&nbsp;the point of no return.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Kanbaru and Higasa's assistance,<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll gladly help out with the plan<br>&nbsp;&nbsp;&nbsp;&nbsp;to do something about the present situation.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;where you're still a child, Araragi?<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ms. Kagenui, you don't ever hesitate?*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What she had done was an unforgivable crime,<br>
&nbsp;&nbsp;&nbsp;&nbsp;whether it be for human law or for devil law.*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But still, I couldn't help but think<br>
&nbsp;&nbsp;&nbsp;&nbsp;of Kie Harimaze's circumstances.*<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I do think about it, and I do hesitate.*<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't hesitate because I'm an adult.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That unique reply, which I can't think of as<br>
&nbsp;&nbsp;&nbsp;&nbsp;the representative for the majority opinion,*<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was serene and lacked all hesitation.*<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I get it.*<br>**[24:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that's what it means to be an adult,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'm nothing more than a child.*<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am a child younger than a young girl.*<br>**[24:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the vampires<br>
&nbsp;&nbsp;&nbsp;&nbsp;who were put on probation...*<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if I become immortal,<br>
&nbsp;&nbsp;&nbsp;&nbsp;even if I go to Hell,*<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if I graduate from high school,<br>&nbsp;&nbsp;&nbsp;&nbsp;and even if I become a college student,<br>**[24:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koyomi Araragi is, to this day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the middle of a moratorium.*<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubled human child<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>&nbsp;&nbsp;&nbsp;&nbsp;For the inhumane<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim timelessly<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're alive<br>**[24:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A past that you looked away from too<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boring future too<br>**[24:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling<br>**[24:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the times and places<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>**[24:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNHAPPY?<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNLUCKY?<br>**[24:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BE HAPPY!<br>**[24:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[25:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut in<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, for some reason<br>**[25:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mere future<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a feeling that...<br>**[25:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have any hopes or expectations<br>**[25:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lived long enough<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fed up with déjà vu<br>&nbsp;&nbsp;&nbsp;&nbsp;and the run-of-the-mill<br>**[25:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no signs of wonderful occasions<br>**[25:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad<br>**[25:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the cause and effect<br>&nbsp;&nbsp;&nbsp;&nbsp;of accumulated experiences<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conventional myths and boring evolution<br>**[25:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I need stimulation<br>**[25:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got tired of it<br>&nbsp;&nbsp;&nbsp;&nbsp;I got used to it<br>**[25:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding<br>&nbsp;&nbsp;&nbsp;&nbsp;Guidance that gets adjusted<br>**[25:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compliance that increases<br>**[25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be shoved under the rug<br>**[25:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sucked it all<br>**[25:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That, this and all of it<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all taste the same<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;UNDEAD<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dead yet<br>**[25:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chain of you and you<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be alive is to keep changing<br>**[25:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be satisfied<br>&nbsp;&nbsp;&nbsp;&nbsp;With unhappiness<br>**[25:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a coward if you don't try to be happy<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world and this world are<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange, strange fantasy<br>**[25:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will a demon appear next or will a snake?<br>**[25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story finally begins after meeting<br>**[25:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a human or monster?<br>**[26:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Returning to the subject at hand<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace, peace<br>