# E9 - There Are Various Reasons Behind It (It's Full of Elma)

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU05315/there-are-various-reasons-behind-it-its-full-of-elma)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It all started with a single*<br>*&nbsp;&nbsp;&nbsp;&nbsp;statement from Elma.*<br>**[00:04] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I demand improved working conditions!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I demand improved working conditions
<br>**[00:08] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this out of nowhere?<br>**[00:10] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hungry?<br>**[00:11] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;This company demands too much overtime!<br>**[00:13] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;For one thing, the workload demanded<br>&nbsp;&nbsp;&nbsp;&nbsp;of each individual is excessive!<br>**[00:15] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Elma's demands were justified.*<br>**[00:17] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, we had no other*<br>*&nbsp;&nbsp;&nbsp;&nbsp;choice with our scheduling.*<br>**[00:20] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Plus, our company has already made solid*<br>*&nbsp;&nbsp;&nbsp;&nbsp;improvements since its founding.*<br>**[00:24] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was slow going, but the working*<br>*&nbsp;&nbsp;&nbsp;&nbsp;conditions have improved.*<br>**[00:28] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Our current busyness was just something*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we had to resign ourselves to.*<br>**[00:32] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I explained that to her, but...*<br>**[00:35] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give up and accept it!<br>**[00:37] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fighting for it<br>**[00:39] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm going to seize our freedom!<br>**[00:42] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Surrounded by those of us who had grown*<br>*&nbsp;&nbsp;&nbsp;&nbsp;accustomed to exploitative labor*<br>**[00:45] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and aimlessly lived out our days,*<br>**[00:47] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Elma took a stand all by herself.*<br>**[00:50] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;G'luck.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Work Conditions  Improvement Proposal
<br>**[02:23] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Two days later,*<br>**[02:23] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kobayashi, please look at this!<br>**[02:24] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Elma used the scant few moments*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she had in between work*<br>**[02:27] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to create a proposal for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;improved working conditions.*<br>**[02:30] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was once again astonished*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by the capability of dragons.*<br>**[02:35] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[02:38] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're scoffing at me?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Expand  Personnel
<br>**[02:40] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The expansion of personnel?<br>**[02:42] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:43] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're currently doing mid-career recruitment,<br>&nbsp;&nbsp;&nbsp;&nbsp; but there's not a single applicant.<br>**[02:46] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's that?<br>**[02:48] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The programming language we use<br>&nbsp;&nbsp;&nbsp;&nbsp;at this company is, well...<br>**[02:52] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we hired fresh graduates,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would take time to train them.<br>**[02:55] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't they just learn it quickly?<br>**[02:57] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't assume everyone is just like you.<br>**[02:59] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, redo it,<br>&nbsp;&nbsp;&nbsp;&nbsp;taking that into account.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Redo It, Taking That Into Account
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Next Day
<br>**[03:04] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finished the revisions!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Work Conditions<br>
&nbsp;&nbsp;&nbsp;&nbsp;Improvement Proposal<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ver. 2
<br>**[03:06] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fast!<br>**[03:08] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was surprised by her speed,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but the content really left me shocked.*<br>**[03:12] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The rough spots had been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;completely revised,*<br>**[03:14] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;none of the sections had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;any contradictions,*<br>**[03:16] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the text was organized perfectly.*<br>**[03:19] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great!<br>**[03:21] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[03:22] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Submit it to our department head right away!<br>**[03:24] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[03:27] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a no-go.<br>**[03:29] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He talked to her about the company's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;income and expenditures,*<br>**[03:31] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;things those of us on the floor*<br>*&nbsp;&nbsp;&nbsp;&nbsp;didn't have any dealings with,*<br>**[03:34] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and she couldn't fight back.*<br>**[03:36] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was feeling depressed,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I said this to her:*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Let's give up and get back to work
<br>**[03:41] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Day After That
<br>**[03:45] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I revised it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Work Conditions<br>
&nbsp;&nbsp;&nbsp;&nbsp;Improvement Proposal<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ver. 3
<br>**[03:47] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fast!<br>**[03:49] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We were all overwhelmed by Elma's intensity*<br>**[03:52] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as we began reading through the paperwork.*<br>**[03:55] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then,*<br>**[03:57] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that paperwork had every individual's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;schedule written out in detail,*<br>**[04:00] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;including bathroom breaks, pace slowdowns,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;portion of time away from their desks,*<br>**[04:04] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and even the time spent resting their*<br>*&nbsp;&nbsp;&nbsp;&nbsp;head on their elbow at their desk*<br>**[04:07] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and how many times they*<br>*&nbsp;&nbsp;&nbsp;&nbsp;recrossed their legs,*<br>**[04:09] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;all laid out like a curse in a*<br>*&nbsp;&nbsp;&nbsp;&nbsp;proposal to improve efficiency.*<br>**[04:12] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was completely devoid of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;any concept of privacy,*<br>**[04:15] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it dug so deep into each individual*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamashita<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp; Current Work Analysis (Sample Excerpt)
<br>**[04:17] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that many employees thought it*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would have been more humane*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Time Away From Desk 86%<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Main Activities: Bathroom, Vending Machine Beverage Purchases, One Yawn<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Time Away From Desk 100%<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Main Activities: Slacking, Chatting With Other Employees In The Office Or The Hallway <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Time Away From Desk 38%<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Main Activities: Staring At PC For Several Minutes With Head Resting On Arm, Recrossed His Legs Twice<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Time Away From Desk 16%<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Main Activities: Checking Schedule Chart, Drinking Beverages, Looking At Cell Phone<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Time Away From Desk: 0%<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Main Activities: Programming, Yawning
<br>**[04:20] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to publish nude photos of them*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without their permission.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The above outline is an example from one day.<br>
&nbsp;&nbsp;&nbsp;&nbsp;The main area of improvement for Yamashita is the time he requires<br>
&nbsp;&nbsp;&nbsp;&nbsp;before he's able to focus on work. To improve this, I recommend having<br>
&nbsp;&nbsp;&nbsp;&nbsp;Yamashita follow a set routine before he engages with work. This will allow<br>
&nbsp;&nbsp;&nbsp;&nbsp;him to consciously switch his focus. It would be best to have Yamashita <br>
&nbsp;&nbsp;&nbsp;&nbsp;decide what the best routine would be; for example, drinking a coffee.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Making this a routine would allow him to settle into work everyday without<br>
&nbsp;&nbsp;&nbsp;&nbsp;stress. Such a minor change in his habits should be easy for him to<br>
&nbsp;&nbsp;&nbsp;&nbsp;accomplish. Once he's established a routine, it will shorten the time<br>
&nbsp;&nbsp;&nbsp;&nbsp;Yamashita requires to start work, improving overall efficiency.<br>
&nbsp;&nbsp;&nbsp;&nbsp;(See attached reference sheet.)
<br>**[04:22] Kobyashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How on earth did she get such data?*<br>**[04:25] Kobyashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to her...*<br>**[04:26] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used clairvoyance.<br>**[04:28] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I turned my vision into a<br>&nbsp;&nbsp;&nbsp;&nbsp;thousand screen multi-display.<br>**[04:32] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even her analogies were*<br>*&nbsp;&nbsp;&nbsp;&nbsp;being tainted by work.*<br>**[04:35] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She triumphantly headed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to submit her proposal.*<br>**[04:38] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Setting the shocking content aside,*<br>**[04:40] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it was amply convincing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to serve in negotiations.*<br>**[04:44] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe Premium Fridays could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be more than just a dream.*<br>**[04:48] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[04:50] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't relax if I haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;worked at least eight hours.<br>**[04:55] Takiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kobayashi-san...<br>**[04:57] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, we only enjoyed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that hope for a short time.*<br>**[05:02] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All three of us were surprised when we*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were summoned by the executive director.*<br>**[05:06] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He wasn't firing us, was he?*<br>**[05:09] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We all headed to his office with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;anxiety and annoyance in our hearts.*<br>**[05:16] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in.<br>**[05:17] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.<br>**[05:21] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you've been very kind to Shouta.<br>**[05:25] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To Shouta <3<br>
&nbsp;&nbsp;&nbsp;&nbsp;Welcome home!<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll be home after I hit the store, <br>
&nbsp;&nbsp;&nbsp;&nbsp;so wait for me!<br>
&nbsp;&nbsp;&nbsp;&nbsp;From Mama
<br>**[05:27] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shouta-kun's father...*<br>**[05:29] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is a mage, right?*<br>**[05:32] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have a look at the<br>&nbsp;&nbsp;&nbsp;&nbsp;improvement proposal?<br>**[05:34] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's very well drawn up,<br>**[05:37] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Joui Elma-kun.<br>**[05:39] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or,<br>**[05:41] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;should I call you priestess<br>&nbsp;&nbsp;&nbsp;&nbsp;of the holy seas?<br>**[05:43] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:46] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm currently an employee here,<br>&nbsp;&nbsp;&nbsp;&nbsp; so whichever you prefer.<br>**[05:50] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you summon us?<br>**[05:52] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goddess that Shouta summoned...<br>**[05:55] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since she's friends with all of you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to meet you in person.<br>**[05:59] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's bad for your son's education, isn't she?<br>**[06:02] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That pervert,<br>**[06:03] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather, former goddess.<br>**[06:06] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a family rule to take personal<br>&nbsp;&nbsp;&nbsp;&nbsp;responsibility for whatever you summon.<br>**[06:10] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I believe that woman will be good<br>&nbsp;&nbsp;&nbsp;&nbsp;for Shouta's education in several ways.<br>**[06:15] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come to me when your son<br>&nbsp;&nbsp;&nbsp;&nbsp;develops some twisted fetish.<br>**[06:20] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then,<br>**[06:23] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;shall we discuss business?<br>**[06:29] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, it didn't work out.<br>**[06:32] Takiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There would be complaints if it did for<br>&nbsp;&nbsp;&nbsp;&nbsp;our department but not the whole company.<br>**[06:36] Takiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was certainly right about that.<br>**[06:38] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we did get him to take the time to look<br>&nbsp;&nbsp;&nbsp;&nbsp;over the improvement proposal, didn't we?<br>**[06:43] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately we've been getting out<br>&nbsp;&nbsp;&nbsp;&nbsp;on time more regularly,<br>**[06:45] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so eventually—<br>**[06:46] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[06:46] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not enough!<br>**[06:48] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must do anything we can to immediately<br>&nbsp;&nbsp;&nbsp;&nbsp;turn this black company white!<br>**[06:51] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[06:53] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were bought off by<br>&nbsp;&nbsp;&nbsp;&nbsp;his luxury chocolates.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That is that,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and this is this
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chocolates are low in sugar
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That is that, and this is this!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chocolates are low in sugar!
<br>**[06:59] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that supposed to mean?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Even after that...
<br>**[07:01] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even after accepting his buy-off,*<br>**[07:03] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Elma wouldn't give up.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Now is the time to come together! We're holding a meeting for all employees  to discuss improvements.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There will be tea and sweet snacks!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Place: Meeting Room Time: 12:30~13:30
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Come Forth, Heroes!  Let Us Fight Together!
<br>**[07:06] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She tried starting a labor union,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seize Victory And Claim Sweet Days Off!  Delicious Food! Reform The Way We Work!
<br>**[07:09] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*creating a space for employee discussion,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seize Victory And Claim Sweet Days Off! Delicious Food! Reform The Way We Work!
<br>**[07:12] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and she continued to appeal*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for better working conditions.*<br>**[07:15] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What surprised me was that Tohru*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was helping her with that.*<br>**[07:20] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it all goes well, that means<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll come home earlier.<br>**[07:20] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us change this company<br>&nbsp;&nbsp;&nbsp;&nbsp;together! Labor is—<br>**[07:24] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why.<br>**[07:25] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't hold us back, Elma.<br>**[07:29] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same to you!<br>**[07:30] Tohru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Rival forces were cooperating*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for mutual benefit.*<br>**[07:33] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It made me think it could work.*<br>**[07:36] Tohru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, our executive*<br>*&nbsp;&nbsp;&nbsp;&nbsp;director was a crafty one!*<br>**[07:38] Tohru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He used both logic and fallacies in the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;right places to parry every claim.*<br>**[07:47] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Why?!<br>**[07:52] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;El—<br>**[07:52] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I won't be able to line up<br>&nbsp;&nbsp;&nbsp;&nbsp;for the station's limited sweets!<br>**[07:57] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your reason for this?<br>**[08:04] Elma**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I miraculously finished work and made*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it in time for the limited sweets!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Time-Limited
<br>**[08:10] (Flashback) Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three, please!<br>**[08:11] (Flashback) Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three of them?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Time-Limited
<br>**[08:12] (Flashback) Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two, please!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Time-Limited
<br>**[08:15] (Flashback) Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two, please!<br>**[08:21] (Flashback) Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, one is fine.<br>**[08:23] (Flashback) Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much!<br>**[08:29] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today I'm spending my day off<br>&nbsp;&nbsp;&nbsp;&nbsp;eating delicious sweets!<br>**[08:34] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[08:35] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[08:37] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?!<br>**[08:39] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to go on a picnic,<br>**[08:41] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we can't go on a long<br>&nbsp;&nbsp;&nbsp;&nbsp;trip without an adult.<br>**[08:45] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Miss Kobayashi?<br>**[08:46] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she did say she had<br>&nbsp;&nbsp;&nbsp;&nbsp;to work on her day off.<br>**[08:50] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Tohru?<br>**[08:52] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;She gave me a letter for you.<br>**[08:54] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see.<br>**[08:56] Tohru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kanna suddenly wanted to go to the mountains*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after watching a survival show.*<br>**[09:01] Tohru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But I have to help out at the maid*<br>*&nbsp;&nbsp;&nbsp;&nbsp;café today, so I can't go with her,*<br>**[09:05] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I'd like to ask you to accompany her.*<br>**[09:09] Tohru**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I do have some faith in you,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so try to live up to it.*<br>**[09:13] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tohru, you have faith in me?<br>**[09:16] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The oddly condescending<br>&nbsp;&nbsp;&nbsp;&nbsp;tone concerns me, though.<br>**[09:19] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:19] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll chaperone you!<br>**[09:21] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[09:22] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to go, Kanna-san!<br>**[09:27] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[09:32] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's set up our tent here.<br>**[09:36] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ran into Shouta on<br>&nbsp;&nbsp;&nbsp;&nbsp;our way to your house,<br>**[09:40] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he said he'd come along.<br>**[09:41] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nice to have him.<br>**[09:43] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you going to do now?<br>**[09:45] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fish!<br>**[09:46] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We rented them.<br>**[09:48] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fishing, huh?<br>**[09:48] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanna-san, what are you fishing for?<br>**[09:49] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;That takes me back.<br>**[09:50] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anacondas.<br>**[09:51] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Long ago,*<br>**[09:52] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I got fished out.*<br>**[10:08] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bored.<br>**[10:09] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fast, Saikawa.<br>**[10:10] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't we fish anything any faster?<br>**[10:12] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to catch them by hand?<br>**[10:14] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that would be good.<br>**[10:16] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try further over there.<br>**[10:17] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's fish there.<br>**[10:19] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[10:24] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;We caught one!<br>**[10:25] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. That's where I would probably go, too.<br>**[10:28] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would go?<br>**[10:33] Three**<br>&nbsp;&nbsp;&nbsp;&nbsp;So good!<br>**[10:35] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;The curry and rice are ready, too.<br>**[10:38] Three**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[10:40] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanna-san, there's curry on your cheek.<br>**[10:42] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chaperoning children is a piece of cake.*<br>**[10:46] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This curry's good.*<br>**[10:48] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for the meal.<br>**[10:51] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saikawa, there's a strange bug.<br>**[10:53] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A poisonous bug!<br>**[10:54] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll relax a bit, too.<br>**[10:54] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spicy.<br>**[11:02] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouta, where are you going?<br>**[11:05] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Investigating.<br>**[11:06] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately I've been researching to see<br>&nbsp;&nbsp;&nbsp;&nbsp;if I can draw mana from the ley lines.<br>**[11:10] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ley lines run especially<br>&nbsp;&nbsp;&nbsp;&nbsp;strongly through the mountains.<br>**[11:13] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds fun.<br>**[11:14] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go, too!<br>**[11:16] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You boys sure love settings like that.<br>**[11:21] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no.<br>**[11:22] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The children! Where did they go?!<br>**[11:25] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;They disappeared the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;I took my eyes off them!<br>**[11:28] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate...!<br>**[11:29] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:30] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't even handle that?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pathetic
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pathetic.
<br>**[11:34] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[11:35] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right, I have my clairvoyance!*<br>**[11:37] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll find them in no time with this!*<br>**[11:43] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Shouta?<br>**[11:45] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone just tried to peek on us from afar.<br>**[11:48] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it was Lucoa.<br>**[11:49] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does that from time to time.<br>**[11:51] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I blocked it.<br>**[11:52] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[11:53] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, you boys.<br>**[11:55] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? I can't sense them...<br>**[11:58] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wrong to rely on you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ridiculous
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ridiculous.
<br>**[12:03] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ridiculous.<br>**[12:07] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone!<br>**[12:10] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, shouldn't we head back soon?<br>**[12:12] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We might not know how to get back anymore.<br>**[12:15] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we're fine.<br>**[12:17] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;We followed the ley lines here,<br>&nbsp;&nbsp;&nbsp;&nbsp; so if we trace them we'll get back.<br>**[12:20] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You boys.<br>**[12:30] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of which,<br>**[12:31] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;we left without saying anything to Elma-san.<br>**[12:34] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should hurry back.<br>**[12:36] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you two hear a loud cry just now?<br>**[12:39] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe there's a bear?<br>**[12:43] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, we're back.<br>**[12:46] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:47] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elma-san's not here.<br>**[12:48] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she get mad and go home<br>&nbsp;&nbsp;&nbsp;&nbsp;because we left on our own?<br>**[12:51] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might have gone to look for us.<br>**[12:53] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[12:55] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, where did they go?<br>**[12:58] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot. Bow before me.<br>**[12:59] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ahh, useless.<br>**[13:00] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worthless.<br>**[13:01] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes, you did your best<br>&nbsp;&nbsp;&nbsp;&nbsp;and it wasn't good enough.<br>**[13:02] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I keep hearing Tohru being mean in my head!*<br>**[13:03] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incompetent fool.<br>**[13:04] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so funny and dumb!<br>**[13:07] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, I'm looking for someone!<br>**[13:10] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you seen any children?<br>**[13:17] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why you...!<br>**[13:18] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to get eaten?<br>**[13:25] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. One thing after another!<br>**[13:29] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could they be?<br>**[13:31] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are—<br>**[13:35] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?!<br>**[13:40] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanna-san, look! That's the<br>&nbsp;&nbsp;&nbsp;&nbsp;one I saw at the river!<br>**[13:42] Shouta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sleep!<br>**[13:46] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady Elma!<br>**[13:53] Three**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're sorry.<br>**[13:54] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was worried, you know!<br>**[13:56] Three**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:57] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady Elma, here.<br>**[14:00] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A flower?<br>**[14:02] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;I picked it for you.<br>**[14:04] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's yours, so please forgive us.<br>**[14:07] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanna-san, what about me?<br>**[14:08] Saikawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what about me?!<br>**[14:18] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweet! I forgive you!<br>**[14:20] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;So easy.<br>**[14:22] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, thank you.<br>**[14:25] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I had been at home.<br>**[14:27] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't worry about it.<br>**[14:29] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flower's nectar was rather yummy, anyway.<br>**[14:32] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flower's nectar, huh?<br>**[14:33] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;I picked it!<br>**[14:35] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? What kind of flower?<br>**[14:35] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Tohru? I won't let you<br>&nbsp;&nbsp;&nbsp;&nbsp;call me pathetic or ridiculous!<br>**[14:37] Kanna**<br>&nbsp;&nbsp;&nbsp;&nbsp;A big one. It had a really good smell, too!<br>**[14:39] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't do that anyway.<br>**[14:40] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[14:41] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, your coffee.<br>**[14:44] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not setting out cake?<br>**[14:45] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get carried away.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oboro Shop
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Candy   Games
<br>**[14:54] Ilulu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gotten hot, huh?<br>**[14:57] Taketo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is summer already.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There Are Various Reasons Behind It (It's Full of Elma)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 9
<br>**[15:24] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally I would never listen to a<br>&nbsp;&nbsp;&nbsp;&nbsp;request from a harmony faction dragon,<br>**[15:29] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I like your choice to rely on power.<br>**[15:32] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll accept in honor<br>&nbsp;&nbsp;&nbsp;&nbsp;of that spirit, this time.<br>**[15:36] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my gratitude.<br>**[15:41] Reporter**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Today we're here with the mobile*<br>*&nbsp;&nbsp;&nbsp;&nbsp;zoo, "Zoo That Goes Anywhere!"*<br>**[15:47] Reporter**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The main attraction is this giraffe!*<br>**[15:50] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[15:53] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you here for?<br>**[15:58] Reporter**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now we'd like to talk to the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;zoo director, Miyamoto-san.*<br>**[16:06] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's unusual for Elma to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ask Tohru to go somewhere.*<br>**[16:10] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently she said, "I've been getting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;rusty lately, so join me for some exercise."*<br>**[16:15] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's even more unusual for Tohru*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to genuinely accept such an invitation.*<br>**[16:20] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe the tension between them*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is finally coming undone?*<br>**[16:24] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her attitude's softened a lot,<br>**[16:26] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm sure this will be the chance they—<br>**[16:28] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naive, Kobayashi.<br>**[16:30] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think the two<br>&nbsp;&nbsp;&nbsp;&nbsp;of us were called here?<br>**[16:32] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[16:42] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tohru!<br>**[16:44] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kobayashi.<br>**[16:45] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;You decide when it's time to stop them.<br>**[17:44] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about getting rusty, you liar?<br>**[17:47] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to settle<br>&nbsp;&nbsp;&nbsp;&nbsp;things after all this time?<br>**[17:52] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I win, will you return<br>&nbsp;&nbsp;&nbsp;&nbsp;to our original world?<br>**[17:55] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still on about that?<br>**[17:57] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are dangerous.<br>**[17:59] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dangerous?<br>**[18:01] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've claimed the hearts of humans.<br>**[18:03] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[18:05] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not making sense!<br>**[18:06] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may talk about harmony<br>**[18:08] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;and guiding mankind,<br>**[18:10] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's only because<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the position she's in.<br>**[18:14] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been used and betrayed.<br>**[18:16] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somewhere in her heart,<br>**[18:18] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;she still distances herself from humans, too.<br>**[18:21] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why she still mistrusts Tohru.<br>**[18:25] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that's the case.<br>**[18:27] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:31] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't thought about<br>&nbsp;&nbsp;&nbsp;&nbsp;doing anything wrong,<br>**[18:33] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I don't plan on doing<br>&nbsp;&nbsp;&nbsp;&nbsp;anything with any humans!<br>**[18:36] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just made a handful of acquaintances!<br>**[18:38] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you can say that while happily<br>&nbsp;&nbsp;&nbsp;&nbsp; working with humans at the maid café!<br>**[18:44] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all those times you told<br>&nbsp;&nbsp;&nbsp;&nbsp;me you couldn't trust humans,<br>**[18:48] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;now you assert the exact opposite!<br>**[18:50] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who made fun of me for<br>&nbsp;&nbsp;&nbsp;&nbsp;being worshiped by humans in our original world!<br>**[18:54] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was—!<br>**[18:56] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it was ridiculous to<br>&nbsp;&nbsp;&nbsp;&nbsp;watch you enjoying yourself<br>**[18:58] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you were just being put on a pedestal<br>**[19:00] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;without actually joining them!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Even watching ants would be better than this.
<br>**[19:06] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now you don't take<br>&nbsp;&nbsp;&nbsp;&nbsp;offerings made to you,<br>**[19:09] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're able to go buy those things yourself!<br>**[19:11] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the food I ate back then was better!<br>**[19:15] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't understand that at all!<br>**[19:21] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was better!<br>**[19:25] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then just hurry up and go<br>&nbsp;&nbsp;&nbsp;&nbsp;back there on your own!<br>**[19:30] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was better because...<br>**[19:32] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were there beside me!<br>**[19:36] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet one day you disappeared!<br>**[19:38] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea how worried<br>&nbsp;&nbsp;&nbsp;&nbsp;I was when I heard you had died?<br>**[19:43] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[19:44] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, when I finally found you,<br>**[19:46] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were cold to me<br>**[19:48] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;while you were friends with humans.<br>**[19:51] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just...<br>**[19:53] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just...<br>**[19:56] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be friends with me like you<br>&nbsp;&nbsp;&nbsp;&nbsp;were back in those days,<br>**[19:59] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;you dummy!<br>**[20:10] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[20:12] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[20:14] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tohru.<br>**[20:15] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, setting that aside...<br>**[20:21] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[20:22] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's settle this.<br>**[20:27] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, then!<br>**[20:28] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brace yourself, Tohru!<br>**[20:30] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my line!<br>**[20:32] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, this is stupid.<br>**[20:34] Fafnir**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going home.<br>**[20:36] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks for coming.<br>**[20:39] Kobayashi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've witnessed several*<br>*&nbsp;&nbsp;&nbsp;&nbsp;battles between dragons,*<br>**[20:44] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I guess I'm rather used to them now.*<br>**[20:57] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This battle*<br>**[20:59] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is reassuring to watch.*<br>**[21:07] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tohru.<br>**[21:10] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[21:12] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I win.<br>**[21:13] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treat me to dinner.<br>**[21:15] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I won.<br>**[21:17] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;You treat me, please.<br>**[21:18] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I did!<br>**[21:20] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did!<br>**[21:23] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll treat you both.<br>**[21:24] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[21:27] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you happy about that?<br>**[21:46] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that's a draw.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode Preview
<br>**[23:21] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kobayashi,<br>**[23:22] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;what are you treating us to?<br>**[23:24] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want eat, Elma?<br>**[23:26] Elma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grade A5 Beef!<br>**[23:28] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch!<br>**[23:29] Kobayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've learned the most useless things!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 10
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kanna's Summer Break (Broadcast In Two Languages!?)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This Week's "Who's Rotten?"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gemini
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You'll get separated from your family or friends and get lost.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lucky Advice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If you wait in front of a crepe shop,<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;you'll be found.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Found by Elma, yeah.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This Week's "Who's Rotten?"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gemini.
<br>