# E4 - Hold That Machete Tight!
Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYP5M4EDY/hold-that-machete-tight)
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)
***SIGN*** Film
**[00:18] M**
The shape's so hazy,
**[00:20] M**
and the shadows end up looking
totally flat and different...
**[00:25] A**
I ended up drawing a pond up top,
even though there's no water source.
**[00:27] M**
How does the smoke flow
from an explosion, anyway?
**[00:32] A**
*This is gonna be hard to adjust.*
**[00:35] A**
* Maybe a bunch of roots would imply*
* capillary action in a way that—*
**[00:39] M**
I'm getting nowhere, and it's
making my brain boil!
**[00:49] A**
You've gotten really good
at handling a machete.
**[00:52] M**
I wanted a real one, but they
said it was too dangerous.
**[00:55] M**
I have no idea how this smoke is moving...
**[00:59] A**
Smoke can be pretty
complicated in motion.
**[01:02] ---**
There's nothing wrong with
using live action references,
**[01:04] ---**
but check out the kind of
stuff our forebears did.
**[01:10] M**
I guess it can change pretty suddenly,
without much transition, too.
**[01:18] M**
This has a lot of impact.
**[01:20] M**
And this one is just shaking the screen?
**[01:22] A**
You can learn a lot from studying
what our predecessors did!
**[01:25] M**
There's something about the pace here...
**[01:28] K**
Both of you, in the PC room, now!
**[01:32] A**
Hey, there's color, and it's composited!
**[01:34] K**
Is that really all you have to say?
**[01:36] M**
This feels totally different
from just flipping pages.
**[01:39] M**
Since there's no option for previews,
**[01:41] M**
only getting to see it once it's
finished makes a stronger impression.
**[01:43] M**
The extra time until it's ready gives
you a more objective view on it...
**[01:46] M**
You get that, "So that's how
it turned out!" feeling,
**[01:47] M**
like after you fire some sculpted clay.
**[01:49] M**
You imagine how it'll turn
out while you work on it,
**[01:50] M**
but once it's finished, it's hard
to make any corrections.
**[01:52] M**
It makes you think about where
you could do a better job!
**[01:55] M**
Since the screen's big
with good picture quality,
**[01:57] M**
you get a better idea of how it turns out.
**[01:59] M**
It's still kind of rough...
**[02:00] A**
Adding sound effects and music
will give it a new vibe, too!
**[02:03] A**
Gotta say, I can't wait to
see the finished product!
**[02:07] K**
Do you realize whose job that is?!
**[02:10] K**
You'd like to see all the finished cuts, yes?
**[02:13] K**
Because we only have a month
left until our deadline.
**[02:15] A**
Hang on... is that all we've
got for finished animation?
**[02:19] K**
Exactly.
**[02:21] K**
Mizusaki, what cut were
you working on last week?
**[02:25] M**
Number four...
**[02:26] K**
What about this week?
**[02:29] M**
Number... four.
**[02:31] K**
After an entire month,
we only have four cuts done?!
**[02:34] K**
This pace is too slow! Try to consider
that we have to finish the entire thing!
**[02:38] K**
Here we have two typical cuts.
**[02:40] K**
And here are our four!
**[02:43] K**
Each one has enough art for 36 cuts.
**[02:46] M**
You said I could make the
acting realistic, Kanamori!
**[02:50] K**
Only when there's leeway to do so,
**[02:52] K**
in the context of finishing
the whole product!
**[02:53] K**
At this rate, we have no chance of
finishing before the budget committee review!
**[02:57] K**
You'd need to draw 24 hours a day for
the next month, starting today.
**[03:01] M**
That impossible! Thirty all-nighters in a row?!
**[03:04] K**
In that case, we'll shorten it to 48 hours
a day over the course of 15 days.
**[03:08] M**
All you did was halve one of those
numbers and double the other!
**[03:12] A**
That ought to give us another ten seconds.
**[03:15] K**
What kind of magic did you use to do that?
**[03:17] A**
I added a pure background to the cut.
**[03:19] A**
Then throw in a little camerawork to jazz it up.
**[03:22] A**
We don't have to animate every single scene.
**[03:25] K**
Good! More like that!
**[03:26] A**
Yes, ma'am!
***SIGN*** Episode 4 Hold That Machete Tight!
***SIGN*** Keep
***SIGN*** Your
***SIGN*** Hands
***SIGN*** Off
***SIGN*** Keep Your Hands Off Eizouken!
***SIGN*** Keep Your Hands Off Eizouken!
**[04:59] A**
We will now begin shooting with our
self-propelled tripod-mounted camera!
**[05:02] A**
Now, where's our subject?
**[05:04] M**
Asakusa! That car!
**[05:05] A**
Rotating camera platform!
**[05:07] A**
We can get away with just rotating the
cel for the camera with top down shots!
**[05:10] A**
Wait, maybe we could rotate
the rest instead...
**[05:12] M**
Asakusa, hurry!
**[05:13] A**
Get rid of anything that hasn't been painted
**[05:15] A**
in an otherwise a pure background shot!
**[05:17] A**
Got it!
**[05:18] A**
If it's a close up of a rotating wheel,
**[05:20] A**
we only need three frames to reuse over and over!
**[05:22] M**
I'm not a fan of these highlight-only
backgrounds, though.
**[05:24] A**
Then we can zoom in and add the sky!
**[05:26] M**
But wouldn't that be a waste,
since we drew the bottom?
**[05:29] A**
We could cycle three frames for the ground,
**[05:31] A**
and fade them into the horizon!
**[05:32] A**
How's that?!
**[05:33] A**
Plus a side-scrolling cut!
**[05:35] M**
It's the same background repeating, huh?
**[05:37] A**
That one *is* pretty infuriating...
**[05:39] A**
Okay, let's take a cool pose, and stretch
it out to fill a bunch of time!
**[05:43] A**
Pan! Pan! Pan!
**[05:45] M**
Too close!
**[05:46] A**
Since it's hand-drawn, we just rescan the art.
**[05:48] M**
These are still roughs!
There's not enough detail.
**[05:50] M**
The lines...
**[05:51] A**
So we throw in a light source!
**[05:55] A**
We can add additional cuts to focus
on the parts with a lot of movement!
**[05:59] A**
Tight focus, horizontal pan!
**[06:00] A**
Make the background slightly
off-set from the character!
**[06:02] M**
This is like cheating.
**[06:03] A**
Aw, shut it!
**[06:04] M**
It's not holding up with this zoom,
so I'm gonna add an additional frame.
**[06:07] A**
That looks more natural!
**[06:08] M**
I don't really like these kind of loops!
**[06:11] M**
I'd rather draw a unique fluttering animation.
**[06:13] A**
Too fancy!
**[06:13] M**
If it's gonna hold on the shot
for so long, then one more frame!
**[06:15] A**
That made a difference!
**[06:17] A**
You take the classics and then add a
little variation to keep things fresh!
**[06:21] A**
Just like the menu at a popular cafeteria!
**[06:23] A**
Let's shoot the sky!
**[06:26] A**
Everybody loves a blue sky with clouds.
**[06:28] A**
Movies set in summer are bound to
have a shot with clouds scrolling by.
**[06:31] A**
If a character is framed against the sky,
it makes the backgrounds simple.
**[06:34] A**
There are lots of panels in
manga with white backgrounds.
**[06:37] A**
It makes you wonder why the backgrounds
bother being so detailed in anime!
**[06:41] A**
Manga is monochrome! Is there
really any need for color?
**[06:44] M**
But it's pretty!
**[06:46] A**
We can change the level of exposure
to simulate a real camera.
**[06:48] A**
That's how it works for
the human eye, after all.
**[06:50] A**
Even if there are no animation cels involved,
**[06:52] A**
we can't just show a purely static shot!
**[06:54] A**
That said...
**[06:55] A**
If we overdo it, the story
is going to fall apart,
**[06:59] A**
considering we've already
got a storyboard.
**[07:00] K**
It makes a good impression, though.
**[07:03] A**
Th-The thing is, even if it
looks good, without a story—
**[07:05] K**
I'm trying to say that it's *already* cool.
**[07:08] K**
Even in black and white.
**[07:10] A**
You're not about to lay some kinda
weird stuff on us, are you?
**[07:13] M**
It would be a lot easier
without a story, though.
**[07:17] M**
You think we can pull that off somehow?
**[07:19] K**
Let's drop the narrative
and have Asakusa figure out
**[07:22] K**
a way to re-contextualize it all.
**[07:23] A**
Whoa, hold on—
**[07:24] K**
We do not have enough time for
additional color, sound, or photography.
**[07:29] M**
Wait, you mean actually going monochrome?!
**[07:31] K**
It should be fine.
**[07:32] K**
We'll make it stylized, and present it
like a preview for the finished product.
**[07:35] K**
Manga is monochrome too, but it's still
a full-fledged entertainment product.
**[07:38] A**
But the story...
**[07:42] K**
The story won't matter if we can't finish it!
**[07:45] K**
Listen. As long as we can deliver on
this presentation, we'll have funding.
**[07:49] K**
Then, by all means, make whatever
you want, however you want.
**[07:53] K**
We're going into this
budget review committee...
**[07:57] K**
And our plan is to bluff.
**[08:34] M**
It's hard to get the right
line quality with a scan...
**[08:37] K**
You're the one who wanted
to do this with paper.
**[08:41] K**
Getting the lines to look nice and
finishing the coloring takes time.
**[08:45] K**
We're not going to be able to finish this anime
**[08:47] K**
with just what you have on paper.
***SIGN*** Film
**[08:50] M**
Automated inbetweening?!
**[08:51] K**
Right. We generate the art between
key frames automatically,
**[08:55] K**
which should save us on the
time needed to color them.
**[08:57] K**
That'll let you focus more
on the general animation.
***SIGN*** Finished In-Betweens
***SIGN*** Finished Keyframes
**[09:02] M**
Hang on! I said I wanted to do this all by hand!
**[09:05] K**
Why are you so dead set on that, anyway?
**[09:07] K**
We're already using digital
colors and photography.
**[09:09] M**
Those are different!
**[09:11] M**
And it'll be hard to use this
method for the whole thing!
***SIGN*** Finished In-Betweens
**[09:14] M**
There's no guarantee it'll work...
**[09:16] M**
Besides, a lot of simple cuts are coming up!
**[09:17] M**
I bet we make a ton of progress really fast!
***SIGN*** Finished In-Betweens
***SIGN*** Finished Keyframes
**[09:19] K**
I've heard those kinds of
optimistic proclamations before,
**[09:24] K**
and I've come to realize that
there's no basis for them.
***SIGN*** TASK
***SIGN*** MIZUSAKI
***SIGN*** KEYFRAMES
***SIGN*** IN-BETWEENS
**[09:26] K**
The numbers aren't going up,
***SIGN*** TUESDAY
***SIGN*** WEDNESDAY
***SIGN*** THURSDAY
***SIGN*** FRIDAY
***SIGN*** SATURDAY
***SIGN*** SUNDAY
***SIGN*** MONDAY
***SIGN*** TUESDAY
***SIGN*** WEDNESDAY
**[09:28] K**
and based on that, we have to
assume it won't be done in time.
***SIGN*** THURSDAY
***SIGN*** FRIDAY
***SIGN*** SATURDAY
***SIGN*** SUNDAY
***SIGN*** MONDAY
***SIGN*** TUESDAY
***SIGN*** WEDNESDAY
***SIGN*** THURSDAY
***SIGN*** FRIDAY
***SIGN*** SATURDAY
***SIGN*** SUNDAY
***SIGN*** MONDAY
***SIGN*** TUESDAY
***SIGN*** WEDNESDAY
***SIGN*** THURSDAY
***SIGN*** FRIDAY
***SIGN*** SATURDAY
***SIGN*** SUNDAY
***SIGN*** MONDAY TUESDAY WEDNESDAY THURSDAY
**[09:31] K**
It's already clear that this won't
work if it's 100% hand-drawn.
***SIGN*** Finished In-Betweens
**[09:34] K**
So we need to go with the methods
that will actually let us finish.
**[09:37] K**
The audience won't be particular about
whether it's analog or digital anyway.
**[09:41] M**
There are people who will be able to tell!
**[09:42] K**
The alternative is you finding
a way to work 48 hours a day.
**[09:47] M**
Look, I'm doing this by hand! Okay?!
***SIGN*** Finished In-Betweens
***SIGN*** Finished Keyframes
**[09:51] A**
I think it'd be good for the
cuts where we need clean art
**[09:54] A**
with simple proportion changes.
**[09:55] A**
The way the lines stay clean even
when you zoom in is pretty handy.
***SIGN*** Finished In-Betweens
**[09:59] K**
But if we can't use digital at all,
we won't be able to finish.
**[10:03] K**
Is it all right if I ask the art club
for help with the backgrounds?
**[10:07] K**
I want you to be able to back
Mizusaki up as soon as possible.
**[10:11] A**
I couldn't possibly start bossing
around the folks in the art club...
**[10:17] K**
Then we'll use solid white or
black shots for backgrounds.
**[10:21] K**
And the remainder of our cuts will
be panning, static lip sync shots.
**[10:24] M**
Using lip sync shots when there isn't
any dialog?! That misses the whole point!
**[10:28] K**
Then it'll have to be a static picture story.
**[10:30] M**
We can't do that! No way!
**[10:33] K**
Would you rather screen the
line art we have right now?
**[10:36] K**
I'm going to talk to the art club.
***SIGN*** Hold That Machete Tight!
**[11:16] K**
The art club was no help.
**[11:18] K**
They've got their hands full preparing
for the budget review committee,
**[11:22] K**
and apparently don't feel anime backgrounds
**[11:23] K**
are a sufficient outlet for
their artistic ambitions.
**[11:26] K**
That being the case...
**[11:28] K**
Moving forward, it'll be
stills and keyframes only—
**[11:30] M**
I'll test out the automatic
in-betweening program!
**[11:33] M**
In exchange, can I still do the cuts
that I want to focus on by hand?
**[11:37] K**
That should be fine, as long as
you pull back some on other cuts,
**[11:41] K**
and are willing to split the
work with Asakusa occasionally.
**[11:43] M**
Okay! Then I'll put my focus where
it's needed, and get get to work!
**[11:46] K**
Let's head to the PC room, and I can
give you the basic breakdown.
**[11:50] K**
I've already set everything up,
and know how it's done.
***SIGN*** P
C
R
O
O
M
**[11:54] A**
Awesome!
**[11:56] K**
What do you think, Mizusaki?
**[11:58] M**
Yeah, this should work with a few adjustments.
**[12:00] M**
It's better than I thought!
**[12:03] A**
This is gonna work!
**[12:05] A**
The lines are clean and flow smoothly,
**[12:06] A**
so we can even up the frame count!
**[12:08] K**
Please head back to the club room and
get to work on the backgrounds, Asakusa.
**[12:11] A**
But I wanted to see more...
***SIGN*** Film
***SIGN*** Place card here
***SIGN*** Place card here
**[12:59] K**
Asakusa?
**[13:01] K**
Were you sleeping down there?
**[13:03] A**
Yeah. I was pretending to be a pro.
**[13:05] K**
And professional animators
sleep under their desks?
**[13:08] A**
Yeah. What time is it?
**[13:11] K**
It's 3:5.. wait, no, it's 4:00 AM now.
**[13:15] K**
Good morning.
**[13:16] A**
Yeah, something about 4:00 AM says,
"It's morning now," huh?
**[13:19] K**
So, were you able to finish?
**[13:22] A**
I'd say it's less about finishing
or completing the project,
**[13:25] A**
and more the outcome of passion
crashing against compromise and resignation.
**[13:28] K**
Where's Mizusaki?
**[13:30] A**
The last cut is a pretty beefy one...
**[13:33] K**
I suppose we'll have to
use line art for that one.
**[13:37] A**
No time to color it, huh?
**[13:39] A**
I gotta say, there's something
humiliating about having to toss out the story
**[13:43] A**
in favor of doing something
more like a preview!
**[13:46] K**
Given the situation we were in,
what was the alternative?
**[13:49] K**
And even then, we ended up having to stay
**[13:50] K**
at school overnight the
day before the screening.
**[13:53] K**
The night watch is going to
be making the rounds soon.
**[13:56] A**
That's bad, Kanamori!
**[13:58] A**
Then again, considering we never left,
**[14:00] A**
it's not like we snuck in,
so we won't be arrested.
**[14:02] K**
You realize being on campus
outside of designated hours is
**[14:05] K**
still trespassing, right?
**[14:06] A**
It is?!
**[14:09] K**
It looks like Mizusaki's finished.
**[14:18] A**
That sure is morning.
**[14:25] A**
Let's finish this thing and clear on out.
**[14:34] M**
Sorry I'm late!
**[14:36] F**
Oh, good morning.
**[14:42] K**
I got approval for our overnight stay.
**[14:44] A**
You could've said something!
**[14:46] K**
You never asked.
**[14:48] M**
That's our Kanamori!
**[14:50] K**
Moving on, during the presentation,
**[14:52] K**
I want you two to stay quiet
and avoid anything dangerous.
**[14:55] M**
Dangerous?
**[14:56] K**
We're up against the student council,
**[14:58] K**
who are apparently dangerous enough that,
"Keep your hands off the student council!"
**[15:01] K**
is common advice.
**[15:03] Carbs Guy 1**
We at the carbohydrates revolution group,
with the amoeba we have created...
***SIGN*** Club Activities Budget Review Committee
**[15:06] Crowd**
Go home! Beat it!
**[15:07] CG 1**
h-have found a way to make the miso soup
from the cafeteria taste more mild!
**[15:09] Crowd**
How long is this gonna be?!
**[15:11] Crowd**
Who gives a damn?!
**[15:12] Crowd**
I like the rich flavor, dumbass!
**[15:15] Crowd**
Get lost!
**[15:16] CG 1**
The carbohydrates revolution
**[15:18] CG 1**
seeks to have ramen and rice
added to the cafeteria's menu,
**[15:21] CG 1**
and eliminate the parties responsible
for charging exorbitant prices
**[15:24] CG 1**
for double orders at our school's cafeteria!
**[15:26] Crowd**
Double carbs?!
**[15:27] Crowd**
Ramen with rice is a crime against nature!
**[15:28] Carbs Guy 2**
This will all be made possible
by our electromagnetic amoeba!
**[15:33] Crowd**
Get off the stage!
**[15:34] Crowd**
Other people have
presentations to make!
***SIGN*** SECURITY CLUB
**[15:35] Dotonbori**
Okay, that'll do.
**[15:36] Dotonbori**
There's inconsistency in your vision,
your agenda is ambiguous,
**[15:40] Dotonbori**
there's no scientific basis for
your claims about that amoeba,
**[15:42] Dotonbori**
and ramen with rice is not a socially
approved dietary combo.
**[15:46] Dotonbori**
Therefore, the carbohydrates revolution's
budget request is denied.
***SIGN*** DENIED
**[15:54] A**
This is one intense committee!
**[15:55] PA**
Next up is the film research association.
**[15:58] A**
Calm down, people!
**[16:00] A**
We've done all we can to prepare.
**[16:02] A**
Let's hold our heads high...
**[16:03] M**
Come on, Asakusa.
**[16:06] K**
We are the film research association.
**[16:08] DTB**
One second, please.
**[16:10] DTB**
Before your presentation,
***SIGN*** SECURITY CLUB
**[16:11] DTB**
there are questions about the
film research association's activities.
**[16:14] DTB**
Or rather, antics you've gotten up to.
**[16:17] DTB**
We've received reports that
you've smashed through steel walls,
**[16:22] DTB**
and torn down iron pipe railings.
**[16:24] DTB**
You do realize that you're damaging
property that was provided to you
**[16:28] DTB**
by the school, right?
**[16:29] DTB**
Isn't that a major problem?
**[16:31] K**
I fail to see the problem.
**[16:33] DTB**
Huh?
***SIGN*** SECURITY CLUB
**[16:35] DTB**
Well, there's more than that!
**[16:36] DTB**
The anime club has made complaints
**[16:38] DTB**
that your film club was chased through
their screening, disrupting it,
**[16:43] DTB**
with non-school personnel being
on the premises as a result.
**[16:47] DTB**
What do you have to say about that?
**[16:49] K**
I don't believe it's a problem.
**[16:51] DTB**
Well, it's a huge one!
***SIGN*** SECURITY CLUB
**[16:53] DTB**
There are even rumors the eizouken
has been keeping a wild raccoon dog!
**[16:59] Sakaki**
Why don't you think it's a problem?
**[17:01] K**
Why?
**[17:02] K**
Are you curious about what I think about it?
**[17:05] Sakaki**
We're making the call on whether
you get a budget here.
**[17:08] Sakaki**
As it stands, the eizouken is
basically a public enemy.
**[17:12] Sakaki**
And depending on how this goes,
you might even get shut down.
**[17:16] K**
Our club room was damaged
because it was in disrepair.
**[17:19] K**
The school has admitted that already,
**[17:21] K**
and if there is an issue with
the outsiders on school grounds,
**[17:25] K**
that would be a matter to
bring up with the school
**[17:27] K**
as a lack of security, wouldn't it?
**[17:29] K**
Meaning the problems you've stated
are the school's responsibility.
**[17:32] K**
Which would be downright scandalous.
**[17:34] K**
Would the faculty like to
discuss these scandals?
**[17:37] DTB**
No! Let's not talk about any
school scandals at this meeting!
**[17:40] Sakaki**
You don't have much of a poker face, huh?
**[17:41] DTB**
By my authority as
student council president,
***SIGN*** SECURITY CLUB
**[17:43] DTB**
the eizouken's activities
are hereby suspended!
**[17:45] K**
Your authority?
**[17:46] K**
Does the student council wield their
authority like a blunt weapon, now?
***SIGN*** SECURITY CLUB
**[17:52] Sakaki**
Y'know, your little bluff might
have scared the teachers,
**[17:56] Sakaki**
but do you really think it's
enough to get us to back down?
**[18:01] A**
Aw, cram it!
**[18:05] A**
You bunch, thinking you can get high and mighty
**[18:08] A**
just 'cause you've got us over a barrel!
**[18:10] A**
Well, we ain't exactly the kinda folks
who're gonna bow to bums like you!
**[18:14] A**
We come up on this stage like clowns
'cause you decided to put on a show,
**[18:18] A**
and now you wanna rake us over the coals?!
**[18:20] A**
Say what now? All kindsa problems?!
**[18:22] A**
Blast it, all you've done is run your
mouths about a buncha hokum, ya nimrods!
**[18:27] A**
You think we were running
from those goons
**[18:29] A**
or wrecking ourselves in that
crummy old club building for fun?!
**[18:32] A**
But we did it all, cuz that's
what it took to make anime!
**[18:35] A**
We took our lumps to get this
anime made, ya ignoramuses!
**[18:38] A**
The proof's in the pudding! Don't run
yer mouth until you've tasted it!
**[18:41] A**
Got it?!
**[18:45] DTB**
Say what now?
**[18:47] Sakaki**
"Don't complain about how it's done.
Look at the finished product first."
**[18:50] DTB**
I suppose you can run your video, in that case.
**[18:55] Sakaki**
You realize you just gave them the
okay to announce their project?
***SIGN*** Hold That Machete Tight!
***SIGN*** Film
***SIGN*** Film
**[22:20] Crowd**
Holy crap...
**[22:22] Crowd**
That wasn't in 3D, right?
**[22:23] Crowd**
Y'know how in 4D theaters,
they blow wind at you?
**[22:25] Sakaki**
Huh... they were actually
working on something.
**[22:25] Crowd**
I wanna see more.
**[22:28] K**
What do you two think?
**[22:29] A**
Aw, come on.
**[22:30] M**
You're seriously asking that, Kanamori?
**[22:33] M**
It was hard to pick the tank out
with the two-tone coloring.
**[22:36] M**
We should've added some gray.
**[22:37] A**
The transitions during the
fall didn't look too good.
**[22:39] M**
And the dust clouds look really flat
unless you add textures to them all.
**[22:42] Sakaki**
They got something done even without a budget.
**[22:42] A**
The rough parts look more
obvious on a big screen.
**[22:44] M**
Just shows you must do the job right,
no matter how small it seems.
**[22:47] K**
One of the frames in the loops
was missing a shadow.
**[22:49] K**
That made it look a bit choppy.
**[22:50] A**
Some stuff only becomes obvious
when you see the final product.
**[22:52] A**
Like how almost all the cuts
are with a wide angle lens.
**[22:54] M**
We should bring a PC into the club
room so we can do regular checks!
**[22:57] K**
I'll take it under advisement.
**[22:58] A**
Anyway, we've gotta move on from here.
The editing is pretty rough.
**[23:00] A**
You've gotta be thorough, or it wrecks the thing.
**[23:02] Sakaki**
What do you think they'll come
up with if they get a budget?
**[23:06] K**
Wouldn't the tank shoot her down?
**[23:08] A**
Don't be stupid! Those flight
suits are really fast!
**[23:11] K**
We should probably go over what
we've got so far and redo the plan.
**[23:13] A**
All right! Onto the next phase!
**[23:16] A**
Our goal is to put everything
we want into this thing!
**[23:19] M**
Yeah, definitely!
**[23:21] A**
I dunno how we got this far, but it's
getting even more interesting!
***SIGN*** Club Activity Budget Request Form
***SIGN*** Club Name:
***SIGN*** Film Study Association (Eizouken)
***SIGN*** Goals:
***SIGN*** Study of film, production of animation
***SIGN*** APPROVED
***SIGN*** Wa-ha-ha
***SIGN*** Illustration by: Masakazu Ishiguro