# E12 - Shibahama UFO Wars!

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRME71JGY/shibahama-ufo-wars)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is nothing like the demo!<br>**[00:02] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure it's the right file?<br>**[00:05] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, the length fits perfectly.<br>**[00:07] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the title is right, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure this is it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dance Scene demo                      (4 weeks ago)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Background Music TAKE 1                                                     (2 weeks ago)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;M1~12 A Hot Spring in Space.mp3    (2 weeks ago)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memo.txt                                      (2 weeks ago)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;UFO Wars Sound Menu.pdf     (6 weeks ago)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;To.Film Study Association
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I suddenly got this vision of a hot springs sitting
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;amidst the cosmos, and put this together thinking
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;it could fit all the scenes. What do you think?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;(2 weeks ago)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Memo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;From.Part Shouji
<br>**[00:13] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What the heck?<br>**[00:15] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never noticed...<br>**[00:18] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is from two weeks ago.<br>**[00:20] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you check it?<br>**[00:25] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hot spring amidst the cosmos, huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A piece with a calm, sensible tone
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stillness
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For use on c001-012, even-handed and<br>
&nbsp;&nbsp;&nbsp;&nbsp; steady sounding, with sparse arrangement
<br>**[00:25] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 167 96 l 167 116 276 116 274 97<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sign • Premonition
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For use on c025-033, arrangement is<br>
&nbsp;&nbsp;&nbsp;&nbsp; gradually starting to become more lively
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tension
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For use with c050-070, brings to mind<br>
&nbsp;&nbsp;&nbsp;&nbsp; tensely played string instruments
<br>**[00:25] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 178 150 l 178 169 265 170 264 148<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Intensifying
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For use with c090-126, Steadily starts to<br>
&nbsp;&nbsp;&nbsp;&nbsp; intensify, coming on more strongly, and thrillingly.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Understanding
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For use on c135-c163. On the sparse side<br>
&nbsp;&nbsp;&nbsp;&nbsp; re: arrangement, with a gentle, intimate sound
<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 173 203 l 172 219 270 221 270 204<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Battle Pattern 1
<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 282 202 l 282 221 420 222 418 202<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama comes under attack. Lots of<br>
&nbsp;&nbsp;&nbsp;&nbsp; low tones.
<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 170 228 l 170 246 273 246 272 227<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Battle Pattern 2
<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 282 227 l 282 246 421 245 421 227<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;UFO VS Steam Tanks. Starting to sound<br>
&nbsp;&nbsp;&nbsp;&nbsp; more heated
<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 170 252 l 170 271 272 271 271 252<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Battle Pattern 3
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fast-paced, the most exciting piece
<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 171 275 l 195 292 272 293 266 273<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dance Scene
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Music like you'd hear at an elegant ball
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A bright, fun-sounding piece
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Title
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Summary
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Demo
<br>**[00:30] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;The track itself isn't a bad one, but...<br>**[00:33] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't fit the story at all!<br>**[00:35] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kinda the opposite. It's got a sad vibe.<br>**[00:39] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which isn't fun at all!<br>**[00:41] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't use this!<br>**[00:43] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything else?!<br>**[00:44] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the only track that was sent?<br>**[00:46] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is.<br>**[00:47] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if the idea was to compose it<br>&nbsp;&nbsp;&nbsp;&nbsp;using traditional film scoring.<br>**[00:50] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't match the visuals at all!<br>**[00:52] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! Let's call them!<br>**[00:53] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno, I really doubt a<br>&nbsp;&nbsp;&nbsp;&nbsp;rewrite would be ready in time.<br>**[00:58] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any other music we can use?<br>**[00:59] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we can't use this in the dance scene!<br>**[01:02] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was done to fit the demo,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it won't work with anything else!<br>**[01:05] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the demo itself?<br>**[01:07] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, why'd he change it out of the blue?!<br>**[01:10] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the... It's so...!<br>**[01:13] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we can't use this. I understand.<br>**[01:19] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to pass on this music.<br>&nbsp;&nbsp;&nbsp;&nbsp;Look for some free tracks we can—<br>**[01:24] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, there are none!<br>**[01:25] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made sure the animation matched<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact timing and rhythm!<br>**[01:28] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what do we do, then?<br>**[01:31] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've dragged a lot of other people<br>&nbsp;&nbsp;&nbsp;&nbsp;into announcing the day of the sale.<br>**[01:35] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of our advertising and DVD<br>&nbsp;&nbsp;&nbsp;&nbsp;sales are targeted for Comet A.<br>**[01:39] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything has been moving<br>&nbsp;&nbsp;&nbsp;&nbsp;toward that one day.<br>**[01:42] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, having Tsubame Mizusaki at the<br>&nbsp;&nbsp;&nbsp;&nbsp;event selling DVDs was a big part of our draw.<br>**[01:48] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there are a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;people who are going to be<br>**[01:50] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;participating at the special<br>&nbsp;&nbsp;&nbsp;&nbsp;screening in Shibahama, too.<br>**[01:52] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how the short turns out,<br>**[01:54] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;our participation in Comet A<br>&nbsp;&nbsp;&nbsp;&nbsp;is a 1,000% foregone conclusion.<br>**[01:59] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any ideas, Asakusa?<br>**[02:02] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got one hour and 32 minutes before<br>**[02:04] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;our arrangement with the company we<br>&nbsp;&nbsp;&nbsp;&nbsp;have making the DVDs for cheap is broken.<br>**[02:08] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we stretch that out a little?<br>**[02:10] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe get us until the morning?<br>**[02:12] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try negotiating, just in case,<br>&nbsp;&nbsp;&nbsp;&nbsp; but don't get your hopes up.<br>**[02:19] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I need your help with.<br>**[02:22] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Do you think it's possible?<br>**[02:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's an emergency.<br>**[02:29] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[02:31] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, in that case, don't worry about it.<br>**[02:34] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Right.<br>**[02:36] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope we can work together<br>&nbsp;&nbsp;&nbsp;&nbsp;again some time.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could only wait as late as midnight tonight.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any later and the delay fee<br>&nbsp;&nbsp;&nbsp;&nbsp;would nearly double the price.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we're on a tight budget,<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it probably won't be ready,<br>&nbsp;&nbsp;&nbsp;&nbsp; I went ahead and canceled.<br>**[02:53] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't kill them to just wait a little.<br>**[02:56] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in big trouble here!<br>**[02:57] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how it works.<br>**[03:00] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;An overnight job would mean making<br>&nbsp;&nbsp;&nbsp;&nbsp;extra arrangements for their staff...<br>**[03:04] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it'll affect their workload tomorrow.<br>**[03:06] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;This have their own business to worry about.<br>**[03:08] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't gain anything by indulging<br>&nbsp;&nbsp;&nbsp;&nbsp;our trouble for fun, or out of curiosity.<br>**[03:14] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, they're already at a loss,<br>&nbsp;&nbsp;&nbsp;&nbsp; since we canceled so suddenly.<br>**[03:17] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;The school has protected us,<br>**[03:20] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;and taken our side when they've<br>&nbsp;&nbsp;&nbsp;&nbsp;deemed us in need of it,<br>**[03:23] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once we're outside of their jurisdiction,<br>**[03:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that we're "just students"<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't hold water anymore.<br>**[03:29] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being the case,<br>**[03:30] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I now need to come up with a way<br>&nbsp;&nbsp;&nbsp;&nbsp;for us to produce these DVDs.<br>**[03:34] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll figure it out, so don't worry.<br>**[03:36] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime,<br>**[03:37] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need the rest of you to think<br>&nbsp;&nbsp;&nbsp;&nbsp;up a way to finish the short.<br>**[03:41] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... but it's already...<br>**[03:42] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think...<br>**[03:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it! Keep thinking!<br>**[03:47] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's adjust the whole thing to fit this score!<br>**[03:50] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll ditch the dance scene! And make<br>&nbsp;&nbsp;&nbsp;&nbsp; major adjustments to the story!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 12        Shibahama UFO Wars!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keep
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hands
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Off
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keep Your Hands Off Eizouken!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keep Your Hands Off Eizouken!
<br>**[05:26] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to what?! After all<br>&nbsp;&nbsp;&nbsp;&nbsp;this time!? Is that a joke?!<br>**[05:28] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[05:29] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get two seconds to explain.<br>**[05:31] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't... Neck...<br>**[05:33] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[05:35] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Mizusaki.<br>**[05:36] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's actually been kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;bothering me about the finale.<br>**[05:39] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it was a good idea.<br>**[05:40] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can adjust the whole<br>&nbsp;&nbsp;&nbsp;&nbsp;thing to suit this music,<br>**[05:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then, if we make a new finale,<br>**[05:45] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it'll turn out even<br>&nbsp;&nbsp;&nbsp;&nbsp;better than we we have.<br>**[05:47] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adjust to the music?<br>**[05:49] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can release the dance scene as<br>&nbsp;&nbsp;&nbsp;&nbsp;special extra footage somewhere.<br>**[05:55] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Adjust the whole thing."<br>&nbsp;&nbsp;&nbsp;&nbsp;"Change the finale."<br>**[05:57] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way we have time to—<br>**[05:58] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can use the material we already<br>&nbsp;&nbsp;&nbsp;&nbsp;have for everything except the finale!<br>**[06:01] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the finale would only<br>&nbsp;&nbsp;&nbsp;&nbsp;be another two cuts!<br>**[06:03] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... we should be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;finish by... morning, I think.<br>**[06:08] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the final result will something<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd be satisfied with?<br>**[06:12] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed!<br>**[06:13] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, we have a story where two<br>&nbsp;&nbsp;&nbsp;&nbsp;sides with different positions start fighting,<br>**[06:17] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then a pair of prisoners from each side<br>**[06:19] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;realize everything they have in common,<br>**[06:21] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;and how a misunderstanding is<br>&nbsp;&nbsp;&nbsp;&nbsp;what caused the conflict.<br>**[06:24] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There's no real reason to fight."<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to convey that message,<br>**[06:29] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;the duo repair, and then activate<br>&nbsp;&nbsp;&nbsp;&nbsp;a tool that sends a message.<br>**[06:33] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The signal goes out.<br>**[06:34] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sound that reaches everywhere.<br>**[06:36] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;After everyone hears it, they understand<br>&nbsp;&nbsp;&nbsp;&nbsp; the truth in an instant,<br>**[06:41] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone putting down<br>&nbsp;&nbsp;&nbsp;&nbsp;their weapons at once,<br>**[06:43] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;agreeing to respect each<br>&nbsp;&nbsp;&nbsp;&nbsp;other's territory, de-escalate,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Coexistence
<br>**[06:47] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the relationship turns friendly.<br>**[06:50] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then there's a dance party.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Camera continues to gradually pull out, the scene repeating, creating momentum
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dance party with<br>
&nbsp;&nbsp;&nbsp;&nbsp;kappas and<br>
&nbsp;&nbsp;&nbsp;&nbsp; people begins!!
<br>**[06:53] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that'd never happen!<br>**[06:55] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even in times of peace, different sides<br>&nbsp;&nbsp;&nbsp;&nbsp;will jockey for position and benefits!<br>**[06:59] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take any respected individual.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Disrespect      School regulations<br>
&nbsp;&nbsp;&nbsp;&nbsp;Weight loss      Social media<br>
&nbsp;&nbsp;&nbsp;&nbsp;Recycling      Stalking<br>
&nbsp;&nbsp;&nbsp;&nbsp;Generational differences      Poaching (cooking) & Poaching (killing)<br>
&nbsp;&nbsp;&nbsp;&nbsp;Trash      Abusive workplaces<br>
&nbsp;&nbsp;&nbsp;&nbsp;Cryptocurrency      Property<br>
&nbsp;&nbsp;&nbsp;&nbsp;Aging population      Higher taxes<br>
&nbsp;&nbsp;&nbsp;&nbsp;Accidents      Alcohol<br>
&nbsp;&nbsp;&nbsp;&nbsp;Cancel culture      Death from overwork<br>
&nbsp;&nbsp;&nbsp;&nbsp;Violence      Self-sufficiency<br>
&nbsp;&nbsp;&nbsp;&nbsp;Allowances      Bias<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sexual harassment      Power harassment<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Don't rock the boat" thinking      Ransom<br>
&nbsp;&nbsp;&nbsp;&nbsp;Gambling      Unpaid overtime<br>
&nbsp;&nbsp;&nbsp;&nbsp;Death of the pension system      Abuse<br>
&nbsp;&nbsp;&nbsp;&nbsp;Internet trouble      PTA<br>
&nbsp;&nbsp;&nbsp;&nbsp;Inequality      Decay<br>
&nbsp;&nbsp;&nbsp;&nbsp;Costs<br>
&nbsp;&nbsp;&nbsp;&nbsp;Education      Study<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tardiness<br>
&nbsp;&nbsp;&nbsp;&nbsp; Bullying      Talent<br>
&nbsp;&nbsp;&nbsp;&nbsp;Camaraderie      Child rearing<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tests      Moratoriums<br>
&nbsp;&nbsp;&nbsp;&nbsp;Grades      Contagion<br>
&nbsp;&nbsp;&nbsp;&nbsp;Crime      Infidelity<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kidnapping      Corporal punishment
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suicide      Equality<br>
&nbsp;&nbsp;&nbsp;&nbsp;Endurance      The working poor<br>
&nbsp;&nbsp;&nbsp;&nbsp;Complaints      Territory<br>
&nbsp;&nbsp;&nbsp;&nbsp;Dependence      Cram schools<br>
&nbsp;&nbsp;&nbsp;&nbsp;One-click      E-mail<br>
&nbsp;&nbsp;&nbsp;&nbsp;Invasive species      Panic<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mom friends      Gender<br>
&nbsp;&nbsp;&nbsp;&nbsp;Best friends      Effort<br>
&nbsp;&nbsp;&nbsp;&nbsp;Renovation      Extortion<br>
&nbsp;&nbsp;&nbsp;&nbsp;Drugs      Crowded trains<br>
&nbsp;&nbsp;&nbsp;&nbsp;Post-Olympics recession      Landslides<br>
&nbsp;&nbsp;&nbsp;&nbsp;Lack of consideration      Freedom<br>
&nbsp;&nbsp;&nbsp;&nbsp;Shut-ins      Board of education<br>
&nbsp;&nbsp;&nbsp;&nbsp;Monster parents      Over-achievers<br>
&nbsp;&nbsp;&nbsp;&nbsp;Criminal relationships      Social castes<br>
&nbsp;&nbsp;&nbsp;&nbsp;Race      Segregation<br>
&nbsp;&nbsp;&nbsp;&nbsp;Cyber education      Missiles<br>
&nbsp;&nbsp;&nbsp;&nbsp;Controversy      Senior isolation<br>
&nbsp;&nbsp;&nbsp;&nbsp;Infrastructure      Closings<br>
&nbsp;&nbsp;&nbsp;&nbsp;Higher education      Homeless children<br>
&nbsp;&nbsp;&nbsp;&nbsp;Water      Nationality<br>
&nbsp;&nbsp;&nbsp;&nbsp;Criminal recidivism      Conflict<br>
&nbsp;&nbsp;&nbsp;&nbsp;Nukes      Marathons<br>
&nbsp;&nbsp;&nbsp;&nbsp;Student council      Future<br>
&nbsp;&nbsp;&nbsp;&nbsp;Vacant housing      Genetic modification
<br>**[07:01] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once their interests don't align<br>&nbsp;&nbsp;&nbsp;&nbsp;with yours, that opinion changes!<br>**[07:17] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The majority of what's going<br>&nbsp;&nbsp;&nbsp;&nbsp;on in the world isn't peaceful!<br>**[07:23] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no such thing as a perfect 50/50 split!<br>**[07:29] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even when you share the same ideals,<br>**[07:31] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;making certain distinctions<br>&nbsp;&nbsp;&nbsp;&nbsp;can still be hard, true.<br>**[07:34] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what happens?<br>**[07:36] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fighting doesn't stop!<br>**[07:38] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even then, the POW human<br>&nbsp;&nbsp;&nbsp;&nbsp;and POW kappa don't give up!<br>**[07:42] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;They try again!<br>**[07:44] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if what they think is right doesn't work,<br>**[07:46] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;they keep thinking, and keep<br>&nbsp;&nbsp;&nbsp;&nbsp;doing what they believe is right!<br>**[07:51] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, neither of them will<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to back down, now!<br>**[07:54] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they both going to die?<br>**[07:57] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The path they ultimately choose is...<br>**[08:07] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got until morning.<br>**[08:11] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger, dodger, and wilco!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>**[08:53] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to deliver that<br>&nbsp;&nbsp;&nbsp;&nbsp;data you were asking for.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama Shopping District's<br>
&nbsp;&nbsp;&nbsp;&nbsp;Local Celebration Anime!<br>
&nbsp;&nbsp;&nbsp;&nbsp;On Sale at Comet A!
<br>**[09:10] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've arranged for the DVDs.<br>**[09:12] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to be done in the next<br>&nbsp;&nbsp;&nbsp;&nbsp; 43 minutes and 30 seconds.<br>**[09:16] Trio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>**[09:29] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how much are you spending today?<br>**[09:30] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gonna hit a convenience store first.<br>**[09:31] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think the Katou sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;will be there this year?<br>**[09:33] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what sisters are those?<br>**[09:35] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard there's a new anime<br>&nbsp;&nbsp;&nbsp;&nbsp;from Studio Kobanzame.<br>**[09:38] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real?<br>**[09:39] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;They updated their blog out<br>&nbsp;&nbsp;&nbsp;&nbsp;of nowhere this morning.<br>**[09:48] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Good morning.*<br>**[09:50] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As of this moment, Comet A is now open.*<br>**[10:04] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take one of those red ones.<br>**[10:05] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the other red.<br>**[10:06] Vendor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we're out of 100 yen coins...<br>**[10:08] Vendor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that'd be a huge help!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Blast Past Those Borders! Monthly Borders
<br>**[10:10] Borders Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda feels... like we're<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of out of place, here.<br>**[10:14] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long did it take to make this?<br>**[10:16] Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight years.<br>**[10:17] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight...<br>**[10:19] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is! Tsubame Mizusaki!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Traveling to
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Iceland
<br>**[10:21] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cute!<br>**[10:22] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this is it.<br>**[10:22] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her face is so tiny!<br>**[10:22] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[10:23] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;This says it's set in Shibahama.<br>**[10:26] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll be 1,000 yen.<br>**[10:32] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yakisoba omelets.<br>**[10:34] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks muchly.<br>**[10:36] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[10:36] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;There I am.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The cut scene that Tsubame Mizusaki<br>
&nbsp;&nbsp;&nbsp;&nbsp;poured her heart and soul into!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Purchase a DVD and you'll be able<br>
&nbsp;&nbsp;&nbsp;&nbsp;to see the finished version <br>
&nbsp;&nbsp;&nbsp;&nbsp;(with sound) online in the future!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eizouken
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Love
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Large-Scale Farming Machinery<br>
&nbsp;&nbsp;&nbsp;&nbsp; Anime
<br>**[11:17] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[11:21] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't mentally ready for this.<br>**[11:24] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure where I am, or what I'm doing here.<br>**[11:29] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't feel real.<br>**[11:32] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;All these folks, who've lived<br>&nbsp;&nbsp;&nbsp;&nbsp;lives totally different from mine,<br>**[11:34] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are neither friend or foe,<br>**[11:37] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;come here, hand cash over,<br>&nbsp;&nbsp;&nbsp;&nbsp;and walk away with a box, but why?<br>**[11:43] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tired. Wanna go home.<br>**[11:48] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really cute!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eizouken<br>
&nbsp;&nbsp;&nbsp;&nbsp;Anime
<br>**[11:49] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much!<br>**[11:51] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a thoroughfare! Please stay in motion!<br>**[11:56] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hungry for some sincere criticism.<br>**[11:58] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet that's something that'll never go away.<br>**[12:02] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[12:04] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for paper bags.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pictures
<br>**[12:08] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that Tsubame Mizusaki?<br>**[12:10] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems pretty obvious who she is, bag or not.<br>**[12:13] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's fine. It's all stagecraft.<br>**[12:16] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of "The model who makes anime"<br>&nbsp;&nbsp;&nbsp;&nbsp;helps strengthen Mizusaki's identity,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;@kpst_066 I saw something, but I dunno if it's her or not. #TsubameMizusaki  @mooric_07 Whoa, there's someone who kinda looks like Tsubame Mizusaki at Comet A #CometA  @gmzymt I think she's selling something, but Tsubame Mizusaki being at Comet A freaked me out... #CometA  @2000tinachu Oh, that's cool. #CometA  @gmzymt Apparently Tsubame Mizusaki is making an anime while in high school. Impressive. #CometA  @mtbokkuri_t2 Saw Tsubame Mizusaki at Comet A with a paper bag on her head lol #CometA  @a2k801 Huh?! That was actually Tsubame?! I should've shaked her hand.... <- #TsubameMizusaki #CometA  @chelyama wiped out from setting up table #CometA  @ryuusis_1710 hang on!!! tsubame's at comet a!!!! she's got a paper bag and is selling an anime for some group!!! why!?!?!?!?! #CometA  @bujisawa_0827 It's unbelievable that she's a popular amateur model and an animator. I guess God gives some people two gifts. #CometA  @cs_1992_mnm Wow someone at Comet A looks a lot like Tsubame Mizusaki! is what I thought when I passed by, but I guess that's really her. I wonder if she made something. #CometA  @asstnt_ss I'm almost there! I hope the book I wanted is still in stock... #CometA  @kkk375 That was Tsubame Mizusaki selling something, right?! She was super cute #CometA  @yoi_0902 Tsubame made an anime? I should've gone...! #CometA  @minami47uv why the paper bag tho #TsubameMizusaki #CometA
<br>**[12:22] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if we have people speculating on why<br>**[12:23] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would go as far as to hide her identity,<br>**[12:25] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because she's making anime...<br>**[12:26] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will amplify their interest in the project.<br>**[12:29] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a copy.<br>**[12:30] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, too.<br>**[12:32] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get one?<br>**[12:33] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a copy!<br>**[12:34] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I'd like a copy.<br>**[12:34] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;One for me.<br>**[12:35] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much!<br>**[12:36] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll be 1,000 yen.<br>**[12:38] Fan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a big fan!<br>**[12:39] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[12:39] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's 1,000 yen a piece.<br>**[12:40] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take one.<br>**[12:41] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:46] Crowd**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, can I get one?<br>**[12:47] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for coming by!<br>**[12:49] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll be 1,000 yen.<br>**[13:09] PA**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This now concludes Comet A.*<br>**[13:24] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't sat down<br>&nbsp;&nbsp;&nbsp;&nbsp;and watched my own anime.<br>**[13:28] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let's watch *Shibahama UFO Wars* at my house!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama South Building
<br>**[13:37] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning a profit from these kinds of<br>&nbsp;&nbsp;&nbsp;&nbsp;events is a bit of an anachronism,<br>**[13:40] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when you factor in the awareness<br>&nbsp;&nbsp;&nbsp;&nbsp;that this has built for us,<br>**[13:44] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we can call this project a success.<br>**[13:46] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reactions on social<br>&nbsp;&nbsp;&nbsp;&nbsp;media were pretty good, too!<br>**[14:01] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[14:02] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doumeki just recorded some audio from<br>&nbsp;&nbsp;&nbsp;&nbsp;the show floor and then left, huh?<br>**[14:06] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't believe in group activities<br>&nbsp;&nbsp;&nbsp;&nbsp; for their own sake, after all.<br>**[14:09] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's get this party started!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shibahama<br>
&nbsp;&nbsp;&nbsp;&nbsp; Shopping<br>
&nbsp;&nbsp;&nbsp;&nbsp; District
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Film
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Film Study Association
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Look Out<br>
&nbsp;&nbsp;&nbsp;&nbsp;Danger
<br>**[22:04] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was...<br>**[22:05] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agreed. The visuals and sound, both.<br>**[22:09] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda hard to say for sure<br>&nbsp;&nbsp;&nbsp;&nbsp;without Asakusa's input, but...<br>**[22:17] M**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even then, it's pretty easy...<br>**[22:18] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to imagine what she's going to say.<br>**[22:21] K**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got more to do tomorrow,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's head home.<br>**[22:42] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still a lot of room for improvement.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Animation by:     Sumito Owara
<br>