E10 - Against Our Independent World! Source: Crunchyroll Translator: Editor: Timer: QC: (Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.) [00:07] A     Very nice. I can see the     picture forming in my mind. [00:13] M     I know, right? [00:14] A     Can we have them do our music? [00:16] M     I'll ask! [00:18] K     Who exactly is this? [00:20] M     I only know them from online, but... SIGN     Hot! Hot!!! [00:25] A     That's stylish. SIGN    Brought the new track and things got hot!!!      Haven't played here in a while. Still the best.      Crowd was super into it. Thank you!! SIGN    Nice change of pace. SIGN    Live @ Bossa Cafe [00:26] M     They've been releasing tracks through     music sites for a while now, [00:29] M     and have worked on indie     anime and movies before. [00:33] K     Mizusaki, is that tan going to be a problem? [00:37] M     It could've been, [00:38] M     but I haven't been doing any     modeling jobs lately, so no sweat! [00:41] K     Any offers? [00:43] M     Not sure. Haven't been really     keeping up with them. [00:46] A     Three of a kind! [00:48] K     Mizusaki, could you accept the     occasional modeling job from now on? [00:53] K     And watch the tan lines. [00:55] A     What's this all about, Kanamori? [00:57] K     What do you think the eizouken's     number one selling point is? [01:01] A     Refined and carefully-crafted animation! [01:04] K     It's Mizusaki's fame. [01:07] K     Of course, she will be animating     until her hands fall off, too. [01:11] M     They'll fall off? [01:12] K     But the stardom of the model Tsubame Mizusaki [01:16] K     dimming would be like having     one of our wings clipped. [01:20] K     Incidentally, here's a promotional     plan that Mr. Kashima [01:23] K     from the dandan noodle shop just sent over. SIGN    Film SIGN    Voice Acting SIGN    Audition SIGN    The chief judge will be SIGN    THE! SIGN    Tsubame SIGN    Mizusaki [01:27] A     Voice actor auditions? [01:28] M     And I'm the judge?! [01:30] K     Once the idea was proposed     to the chamber of commerce, [01:32] K     they enthusiastically agreed, thinking it'd      be good advertising for the town. [01:37] M     I don't wanna— [01:38] K     You could have the starring role. [01:40] K     Except I know you'd rather not. [01:42] K     Which is why I'm asking for your     help with this instead. [01:45] M     Well, I'll take it over being in the cast. [01:47] K     I'll let them know, then. [01:49] A     And if we're going to secure     music and have auditions, [01:52] A     it'd help to know what the     story was going to be. [01:56] A     A party! [01:57] A     After hearing that music, I was     inspired to make our finale into a dance scene! [02:01] M     It's a party! That seems fun! I love it! [02:05] M     If we're going to be animating to music, [02:07] M     we'll need to get an early demo     of the music for the dance scene! [02:09] K     Why exactly are they partying? [02:12] A     Maybe it's a... [02:13] A     Celebration for a hard-won victory! [02:15] K     "Inspired." "Maybe." [02:18] K     It feels like you're just     submitting scenes you thought up [02:21] K     with no thought to the overall picture. [02:27] K     I don't care what the actual story is,     but it's about time you— [02:31] Sakaki     It's lively in here, as usual. [02:34] Sakaki     Having a little party, Kanamoney? [02:38] A     Kanamoney! [02:40] Dotonbori     Quiet, you! [02:43] K     Did you think of another excuse to fine us? [02:45] Sakaki     It's not about that. [02:47] Sakaki     You've always got your mind on cash, huh? [02:48] K     It's not money that I like,     it's productive activities. [02:52] Sakaki     And the money? [02:53] K     The money helps quantify that productivity. [02:56] Sakaki     Well, there's a little problem with that... [03:02] Sakaki     Turns out, the school isn't thrilled     about you making money on the outside. SIGN    Self-Publishing Exhibition and Sales Event SIGN    An event for the display and sales of manga and other self-published works SIGN    Episode 10 Against Our Independent World! SIGN    Keep SIGN    Your SIGN    Hands SIGN    Off SIGN    Keep Your Hands Off Eizouken! SIGN    Keep Your Hands Off Eizouken! [04:39] A     Wh-What's wrong, Kanamori? [04:41] M     Are we in trouble? [04:43] K     There's so damn much I can poke holes     in here, I can't bring myself to start. [04:50] M     That's bad. Because the     two of us can't exactly... [05:01] Teacher A     Extracurricular activities are     considered a full-fledged part of education. [05:05] Teacher A     The government curriculum details     as much, along with the rules involved. [05:09] K     We're fully willing to consider     any directions you have, [05:11] K     if they actually serve a purpose. [05:12] Teacher A     Well, it's not very educational to use     club activities to earn money, is it? [05:17] K     Isn't the culture festival a means of [05:19] K     securing profits from     outside of the school, too? [05:21] Teacher A     That's... a special exception. [05:23] Teacher A     Look, here... "Athletic,     cultural, or technical pursuits [05:28] Teacher A     in order to exercise intellectual curiosity, [05:30] Teacher A     cultivate a sense of responsibility,     and develop teamwork." [05:32] Teacher A     That's what it says! [05:33] Teacher A     We all saw your film. It was incredible! [05:38] Teacher A     Especially for high school students. [05:40] Teacher A     So we think what you're doing is wonderful. [05:42] Teacher A     But you can't try and profit off of it. [05:45] Teacher A     That makes it something else     than education. Don't you see? [05:48] K     You've been avoiding explaining why,     exactly, turning a profit isn't educational. [05:55] Teacher A     I have not! [05:57] Teacher A     It's just that, working diligently     with your friends on something [06:00] Teacher A     can provide things money can't buy! [06:05] K     I'm starting to wonder if the     government curriculum guidelines [06:07] K     say something about only     fools becoming teachers. [06:11] Dotonbori     How could you say that?! They're all     great people! I mean, they're teachers! [06:15] Sakaki     I think you might have what it     takes to be a teacher, president. [06:19] Dotonbori     Y-You think? [06:23] Sakaki     Let's get to the real issue. [06:25] Sakaki     The bottom line is, a lot of people outside     the school, including parents, [06:29] Sakaki     aren't comfortable with students     getting involved with money. [06:33] Sakaki     And schools don't cope well with pressure. [06:35] Sakaki     Which means they don't feel like     the risk your little operation [06:38] Sakaki     might incur is worth the trouble. [06:41] Teacher A     There are a lot of political     considerations for a school. [06:44] Teacher A     To say nothing about the legal— [06:45] K     What's the point of an educational institution [06:47] K     if it won't stand up for its students? [06:49] K     People who don't understand business [06:51] K     will fall behind those who do,      and be worse off for it. [06:55] K     Spewing out superficial pleasantries     about "dreams" and "hard work," [06:58] K     while turning away from anything     that might cause a headache. [07:01] K     Is that your idea of teaching? [07:03] Teacher B     We just can't have you doing whatever you want. [07:05] Teacher B     The school has to consider its     relationship with the town, too. [07:08] Teacher B     What would you be using this money for, anyway? [07:11] Teacher B     For all your talk about how this is     some high-minded business exercise, [07:15] Teacher B     aren't you just using the school's     name to benefit yourself? [07:20] K     Indeed, I am. [07:22] K     I'll use anything that helps.     Call it a "means to survive." [07:26] Teacher B     You're all still students. [07:28] Teacher B     Aren't there things your club     could only be doing while you're still here? [07:31] Teacher B     We all want you to cherish     the time you have. [07:34] Teacher B     There's no need to rush into adulthood. [07:36] Teacher B     Because once you've grown up, you'll have to— [07:37] K     Too optimistic. [07:39] K     "The effort itself was the reward." [07:41] K     It's an extracurricular cliche, [07:42] K     and people who indulge in it learn     the hard truth when they're adults. [07:46] K     Besides, we didn't ask the chamber     of commerce to fund the production, [07:50] K     we proposed a joint operation with them. [07:53] K     And they decided to accept. [07:56] Teacher B     I think we're done here. [07:58] Teacher B     The point is, you're free     to participate in the event, [08:00] Teacher B     but you can't accept any money earned at it. [08:01] Teacher B     Understood? SIGN    Film SIGN    Voice Acting SIGN    Audition SIGN    The chief judge will be SIGN    THE! SIGN    Tsubame SIGN    Mizusaki SIGN    Looking for actors! SIGN    T     s     u     b     a     m     e     M     i     z     u     s     a     k     i SIGN    Voice Actor Auditions!! SIGN    Voice Actor Auditions!!          Work Dates          How to Apply          Where to Go SIGN    Shiro Hibiki          Advance Tickets Now on Sale! SIGN    Audition SIGN    Voice Acting SIGN    Shibahama SIGN    Anime SIGN    Tsubame     Mizusaki SIGN    Math SIGN    Math SIGN    Audition Submission Audio SIGN    Audition Submission Audio SIGN    Audition Submission Audio SIGN    Yo Shintani SIGN    Fuga Yamashiro SIGN    Kure Seiko SIGN    Kotomi Ota SIGN    Ryuji Sakida SIGN    Atsuki Yamai SIGN    Shin Takishima SIGN    Shuta Kanbe SIGN    Hanako Sato SIGN    Takumi Minami SIGN    Masaaki Yuasa SIGN    Shoko Takahata SIGN    Mizuki Kiyama SIGN    Kentaro Aiba SIGN    Rie Misumi SIGN    Ryoko Tanaka SIGN    Haruno Yoshioka SIGN    Kohei Sakita SIGN    Hiroyuki Saito SIGN    Asami Murakoshi SIGN    Kai Fujisawa SIGN    Toma Kimura SIGN    Ikki Kawamura SIGN    Daichi Nabeta SIGN    Audition Response List SIGN    Role SIGN    Name SIGN    Job Experience SIGN    Unique Talent SIGN    Kanamori SIGN    Mizusaki      Comment SIGN    Yo Shintani Monk     Fuga Yamashiro Lots of free time      Kure Seiko Fortune-Teller      Abel Gongora Illustrator Lots of stamina      Kotomi Ota Restaurant Worker      Ryuji Sakida Freelancer      Joan Chung English Teacher      Atsuki Yamai Freelancer      Rachel Eunji Choi Astronaut Trilingual      Shin Takishima Civil Servant      Shuta Kanbe Video Creator Lots of free time      Hanako Sato Pianist      Takumi Minami Economic Analyst      Batiste Perron Graphic Designer      Masaaki Yuasa Pâtissier Confident in his voice      Shoko Takahata Psychologist      Mizuki Kiyama Bathhouse Clerk      Kentaro Aiba Singer-Songwriter Good at impressions      Eunyoung Choi Hyper Media Creator      Rie Misumi Gourmet      Ryoko Tanaka Pearl Craftsworker      Haruno Yoshioka Sexing Baby Chicks      Kohei Sakita Matagi Hunter Tough      Yang Changjik Exchange student Lots of free time      Hiroyuki Saito Systems Engineer      Asami Murakoshi Former Art School Student      Kai Fujisawa Archaeologist Well-spoken      Toma Kimura Fisherman      Ikki Kawamura Stand Up Comedian, Blogger Lots of free time SIGN    Daichi Nabeta Hot Springs Sommelier      Akane Sakagaki Golf Ball Diver      Rodrigo Makoto Matsumoto Suit Actor Can do stunts      Eri Kinoshita Carrot Farmer      Takumi Matsumoto Radio Personality      Hiroki Koshida Cameraman      Shinnosuke Saito Worked at a Bakery      Satsuki Watanabe Copywriter      Hiroaki Hashimoto Game Music Composer Has stamina      Dorian-Niels Leclair Barista      Kenji Maeba Worked at a Hotel      Yumeno Hoshi Mountaineer      Kohei Shindo Soccer Club Captain Lots of free time      Nick McKergow Pro Gamer Can speak English      Yoshie Ezaki Dental Hygienist      Masamichi Takemura Truck Driver Can do improv      Mari Motohashi Technical Sound Arranger      Kanon Obata Basketball Player Loud Voice      Karin Noguchi Udon Shop Owner      Takashi Mizukami Taxi Driver SIGN    00_Confirmed [09:37] K     How are things proceeding, Asakusa? [09:40] A     Bit by bit. [09:41] K     Ideally, we'd be able to include a lot     references to the real Shibahama... SIGN    Canals SIGN    Sandy Coast/Pine Forest SIGN    Gantry Cranes SIGN    Containers SIGN    Lighthouse SIGN    Waterways SIGN    Bridge SIGN    Other Side of Coast SIGN    Harbor SIGN    Harbor [09:50] K     Very impressive. [09:52] A     You see, Kanamoney, once you're     directing your third production, [09:56] A     you start to understand what the people want. [09:58] K     And where are we with the story, Director? [10:00] A     Got it right here! [10:03] A     An enemy prisoner of war comes     to understand human kindness, [10:07] A     changes sides, and fights     alongside humanity! SIGN    {\move(105,330,105,-20)     }Soldier smiles,     but can't talk [10:24] K     Can I stop you for a second? [10:26] K     What does the enemy look like?      And who are they? [10:31] M     They're in UFOs, so they've     gotta be aliens, right? [10:33] A     P-Probably? [10:34] K     The enemy fortress appears     out of Lake Shibahama, [10:37] K     and has the same kind of design     as the human towers. Why is that? [10:42] A     Actually, why were the UFOs attacking again? [10:45] A     Are they invading the Earth? [10:48] K     Figure it out! [10:49] K     Your directions dictate what     the entire staff is doing! [10:52] K     You can fret your weird head off,      but the clock is ticking! [10:56] K     If the storyboards take too long, that puts [10:57] K     extra pressure on every     other step in the process! [11:00] K     Understand?! [11:01] A     I understand! [11:02] M     Asakusa melted her way into hiding! [11:10] M     That sounds exciting! [11:10] A     Let's go to the Sound Club! [11:13] M     Open sesame! SIGN    Fully Rotated SIGN    Fully Rotated SIGN    Fully Rotated SIGN    Rrrrrumble... [11:37] M     It felt like we were lost in space. [11:39] A     She's asleep. [11:41] D     A kappa?! [11:42] A     No. Human. [11:43] M     You sounded like you were     firing a beam in your sleep. [11:46] A     Like you'd see in a space battle. [11:47] D     There's no sound in a vacuum, y'know. [11:49] M     Wheel, dough. [11:50] A     Well, duh. [11:51] D     Wait, is it Saturday?! [11:53] D     Is today t-tomorrow?! [11:55] M     Today is tomorrow. [11:56] D     Oh, crap! [11:58] M     Tomorrow from yesterday, which was Thursday. [12:01] A     It's still Friday. [12:03] D     Oh, man... so it's not tomorrow yet. [12:08] M     Did you seriously think a whole day     passed while you were asleep? [12:10] D     Well, I've never napped before. [12:13] A     Wait, that was a lifetime first?! [12:15] M     Were you doing something on Saturday? [12:25] A     Good morning, comrades! [12:27] M     Morning! [12:29] D     You're sure you want to come along? [12:31] K     Why exactly are we meeting up on bikes?! [12:34] A     Because we're going sound hunting! [12:36] A     Let's hunt some sounds! [12:41] K     Work on the storyboards! [12:42] K     And figure out who the bad guys are! [12:44] K     Why are you tagging along on a sound hunt?!      That's the audio director's job! [12:48] A     The general director's job is     to keep an eye on everything! [12:50] K     Talk big after you finish     your own damn job. [12:54] D     I would've been fine on     my own, but she insisted. [12:57] A     I mean... [12:58] K     You clearly don't mean anything. [13:00] A     But... [13:01] K     No ifs, ands, or buts. [13:03] A     Still... [13:04] K     No, not still! Moving! [13:06] A     I-I'm just looking for     ideas for the storyboards! [13:08] A     It's a hunt of my own. [13:10] K     What hunt? [13:11] A     Scenario hunting! [13:14] A     I wanted one last idea to put a     bow on the setup for the project. [13:18] D     I don't mind the company,     as long as you help out. [13:21] A     Sounds good! [13:22] K     Why am I here? [13:24] A     Let'sa go! [13:26] K     This had better be productive. SIGN    Turn on Lights [14:06] D     This is the place. [14:07] A     Looks like the remains of a generator... [14:09] A     With English brick bonding. [14:13] M     I can see the school! [14:16] A     I've been curious about     this place for a long time. [14:19] K     And this has something to do     with the Shibahama-UFO Battle? [14:23] A     Probably! [14:26] M     No roof, huh? [14:27] A     The idea is the water comes down and     turns a wheel, which generates power. [14:30] M     That's cool! SIGN    Six SIGN    Five SIGN    Seven SIGN    Four SIGN    Eight SIGN    Three SIGN    Nine SIGN    Two SIGN    Ten SIGN    One SIGN    Eleven SIGN    Twelve [14:35] M     Hey, it's the clock tower     that we're always looking at! [14:38] A     Interesting to catch a glimpse up close. [14:40] D     This is one of the things I'm here for. [14:43] M     It's kinda like a tourist spot... [14:49] A     Oh, wow! It's a pendulum! [14:52] M     I wonder what this place was? [14:53] A     Looks to me an awful lot like an alien     base disguised as a clock tower. [14:58] M     It's so big! And you can     see the back of the clock! [15:01] K     I'd wager the owners or some     politician thought they'd [15:03] K     fix the place up and turn it     into a tourist destination. [15:08] A     This building just gave me an idea! SIGN    Twelve SIGN    Three SIGN    Eleven SIGN    Ten SIGN    Nine SIGN    Eight SIGN    Five [15:11] A     It was once a luxurious home to wealthy tenants! [15:13] A     And inside the clock, high atop it,      a massive treasure is hidden! [15:19] A     Thus... [15:25] A     An alliance of thieves has targeted it! [15:34] A     They face... [15:36] A     The bodyguard hired by the building's owners. [15:39] M     So a security guard, basically. [15:42] A     The last scene is a duel atop the     grass field that grows on the roof... [15:45] K     Stop. Hold it right there. [15:47] M     This is one huge clock! [15:50] A     How about that concept? It'd make     for a great 15-minute short! [15:53] K     Stop talking about other projects.     Focus on finishing the one you're working on. [16:00] K     What now? SIGN    K [16:01] A     There are Ks! [16:03] M     K? What? [16:04] A     You take the "K" from "kinetic     energy" and call it a "K-cannon!" SIGN    K [16:07] A     It's a DEW the Imperial Army     was cooking up in secret... [16:11] A     A Directed-Energy Weapon! [16:14] D     Those are urban legends, right? [16:15] A     But then, it turns out, they're real! [16:18] A     And maybe this is the forgotten     laboratory where it was worked on! [16:22] K     Gonna stop you right there again. [16:23] K     Get back on topic with our current project. [16:25] A     I feel a guiding hand here... [16:27] A     This time, we're working something     we were destined to make! [16:36] A     Essentially... [16:37] A     In our club room, on the     other side of the coast, [16:41] A     the subject for an exposure     test was being stored. [16:44] A     Something was fired from this side... [16:46] A     Which lit something in the eizouken club room [16:49] A     that kicked those fans we have     into gear, to awaken something! [16:54] M     Asakusa's gone crazy! SIGN    K [16:56] A     I just figured out the     connection to my storyboards! [16:59] A     A mecha to fight those UFOs was      developed right where we stand! [17:03] A     Basically, this was the base     for the Shibahama military! [17:06] M     That sounds good to me. [17:08] A     See, Kanamori? This bit of sound     hunting paid fine dividends! [17:12] D     Crap, my target! [17:13] D     Everybody, gimme a hand! SIGN    K [17:16] D     Kanamori, get the fluffy thing from my bag. [17:19] D     Asakusa, set up the tripod! [17:21] A     Roger Wilco! [17:25] K     Is this it? [17:26] D     Mizusaki, your jacket's kinda noisy. [17:28] M     Really? [17:36] D     Almost time. Nobody move a muscle. [18:13] D     Good work, everyone. That went smoothly. [18:17] A     That was nerve-wracking! [18:18] D     I finally got it! [18:21] A     I'm surprised you didn't have it already. SIGN    K [18:23] D     There's an old one in the club's collection, [18:25] D     but the sound has degraded with time. [18:28] D     But even though everything else is     in ruins, this bell still rings out. [18:33] K     It's probably just been forgotten about. [18:36] A     It continues to ring for some reason? [18:42] A     That's magnificent! [18:44] A     All right, [18:45] A     the bell that continues to chime for     some reason has given me a new idea! [18:49] K     That's enough out of you! [19:06] M     I wanna go next! [19:07] Sakaki     Hey, eizouken. [19:10] A     The class president! [19:11] Sakaki     Uh, no. I'm actually the secretary. [19:16] Sakaki     So, did you figure out what to     do about that stuff from before? [19:19] K     The copyrights of works belong     to their individual creators. [19:22] K     We'll enter Comet A as the film club, [19:26] K     and then any sales and collection of     cash will be done on an individual basis. [19:30] Sakaki     Couldn't you just enter a contest? [19:32] K     A contest would be good for our reputation, [19:35] K     but it'd take too long to pay dividends. [19:37] K     An event like this gets us instant     recognition, an influx of income, [19:41] K     and market research, all in one. [19:45] Sakaki     The eizouken's agenda is production     and research, isn't it? [19:49] K     Management is a type of research, too. [19:52] K     The baseball club does that kind of thing. [19:54] K     They keep records of their sales,     organize the data, and then report on it. [19:59] K     It's only natural that popularity [20:01] K     would be the standard by which     club activities are measured. [20:06] Sakaki     You could manage all that inside     the school's jurisdiction. [20:08] K     It wouldn't be anything more     than a simulation, then. [20:11] Sakaki     Well, it's not exactly a model for society. [20:14] Sakaki     Schools are a world unto themselves. [20:16] Sakaki     Step too far outside of that world,     and you won't be protected anymore. [20:20] K     What're you getting at? [20:24] A     Behold! [20:28] A     We're moving beyond simple rotation! [20:31] A     Fans, drills... [20:32] A     propeller skirts, ducted fans, and chainsaws! [20:37] A     It's time we reconsider all     of these spinning machines! [20:40] Sakaki     What is this thing? [20:41] K     Her job. [20:42] Sakaki     This? [20:44] A     This motion is more like a gear. [20:46] M     Like in a clock? [20:52] A     What is this? Wavy grass? [20:54] D     No, it's wavy sound. [20:59] D     You layer it like this, the     same way you would an image. [21:04] A     I can hear it. [21:09] A     You knock it around, layer it,     clip it up, and reattach it... [21:12] Sakaki     What kind of tool is it supposed to be? [21:15] A     I'll think that up. [21:28] A     I've got it! [21:31] A     This equipment is said to be able     to transmit wishes and gratitude [21:33] A     from the surface world to the underwater one! SIGN    A device (ritual tool) that was created by using machine technology      originally designed for milling SIGN    Top is a flat surface SIGN    Cylinder is made from bamboo,      cut into quarters SIGN    Jet     Sometimes depicted as going up      and down SIGN    Range of rotation is     90 degrees, won't turn     all the way at once [21:39] A     And the water responds in kind by     granting the surface world its blessing. SIGN    Wing SIGN    Axel catches water,     causing the paddle to rotate SIGN    How the movement works SIGN    Axel SIGN    Stabilizer SIGN    Teeth will catch if there's      ever reverse rotation.     Lower axles also rotate. SIGN    Flow of water SIGN    Direction of piston movement SIGN    It's pushed in an undulating motion,      so the axle moves upwards SIGN    The paddles move left and right,     like a pendulum, when hit by      the flow of water SIGN    Raised up by water's pull      on the paddle, which is      connected to the axe [21:43] A     This device is what enables     that mutual exchange! SIGN    Output SIGN    Output SIGN    Input [21:45] A     The tradition behind it is eventually forgotten, [21:49] A     but the technology itself evolves     into becoming the basis for [21:51] A     clockwork machinery, and is passed on. [21:53] K     And the bells? [21:54] A     Festival rites. [21:56] A     They purify people of their evil, [21:57] A     and call upon the water for a bountiful harvest. [22:10] M     The chime! [22:59] K     I'm curious... [23:01] K     Does this have anything to     do with our current project? [23:05] M     Did you figure out how to connect this to it? [23:06] D     You're really gonna need     to decide on the villains, [23:08] D     or I won't be able to make     much progress with the sounds. [23:10] K     What about the climax? Have you figured     out the identity of the bad guys? [23:14] A     Not yet... [23:15] K     And what are they after?! I thought you     were gonna put a bow on the concept?! [23:23] Sakaki     I forgot that they're in their own world, too. SIGN    Illustration by: