# E16 - That sky, This Sky

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6X0JQ3KY/that-sky-this-sky)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[01:58] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scenery's pretty invigorating, isn't it?<br>**[02:02] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yunosagi's over there.<br>**[02:05] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I'll be able to take<br>&nbsp;&nbsp;&nbsp;&nbsp;some great pictures here.<br>**[02:09] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[02:11] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Isami speaking.<br>**[02:13] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hey...<br>**[02:19] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've just opened up,<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yunosagi Cirrus<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they've already got<br>&nbsp;&nbsp;&nbsp;&nbsp;so many customers, eh?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Episode 16<br>
&nbsp;&nbsp;&nbsp;&nbsp;That Sky, This Sky<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuya<br>**[02:28] Guy2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've now heard everyone's opinions.<br>**[02:32] Guy2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any other thoughts?<br>**[02:34] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'd like to hear<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what the younger generation expects<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from a hot spring inn.<br>**[02:41] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:43] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was the one who said<br>&nbsp;&nbsp;&nbsp;&nbsp;we only had to sit here and do nothing?<br>**[02:46] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give us your honest opinions please.<br>**[02:48] Woman2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[02:51] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[02:52] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it ought to be<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;full of food you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;eat yet be cheap as well.<br>**[02:59] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such as?<br>**[03:00] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cheap all-you-can-eat<br>&nbsp;&nbsp;&nbsp;&nbsp;buffet that serves meat<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and cake from morning to evening!<br>**[03:06] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and maybe a luxurious coach,<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is comfortable enough to sleep in,<br>&nbsp;&nbsp;&nbsp;&nbsp;that drops you off at Yunosagi!<br>**[03:11] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-oh, I think an indoor pool that uses<br>&nbsp;&nbsp;&nbsp;&nbsp;water from the hot spring would be nice.<br>**[03:16] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup! A pool is an absolute necessity!<br>**[03:18] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be guests<br>&nbsp;&nbsp;&nbsp;&nbsp;that want to swim at all hours.<br>**[03:22] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, I bet!<br>**[03:24] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be awesome if the coaches<br>&nbsp;&nbsp;&nbsp;&nbsp;served cake on board too!<br>**[03:29] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, everything's prepared!<br>**[03:31] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let's present this<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Madam Manger, young master!<br>**[03:36] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master!<br>**[03:37] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[03:39] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's the inn supposed to run<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when its own young master<br>&nbsp;&nbsp;&nbsp;&nbsp;lacks self-confidence?<br>**[03:42] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;An important factor in giving a convincing presentation<br>**[03:45] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that the presenter themselves are motivated!<br>**[03:48] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[03:50] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she'll understand<br>&nbsp;&nbsp;&nbsp;&nbsp;how much we respect<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kissuiso after she hears our plans.<br>**[03:56] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now come on. Let's go!<br>**[03:59] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[04:02] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, this inn is really great!<br>**[04:05] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, you think so?<br>**[04:09] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomoe?<br>**[04:15] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kissuiso will only need to invest<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a tenth of the production cost.<br>**[04:22] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah! It'll work like magic-<br>**[04:25] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The benefits gained from the advertising will be huge.<br>**[04:27] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The masses of people who watch the movie<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will all want to stay at this inn at least once,<br>**[04:32] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as a consequence,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll all visit Yunosagi.<br>**[04:35] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, none of this is guaranteed.<br>**[04:38] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;But from my experience, I-<br>**[04:40] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please allow me to speak with<br>&nbsp;&nbsp;&nbsp;&nbsp;the young master in private.<br>**[04:44] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:45] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mind if I join the conversation?<br>**[04:48] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'd like Takako to join our conversation.<br>**[04:52] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that okay?<br>**[04:57] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, I get it.<br>**[05:00] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave you to have this<br>&nbsp;&nbsp;&nbsp;&nbsp;conversation in private.<br>**[05:04] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Uhh...<br>**[05:05] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you got planned, Nakochi?<br>**[05:08] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to the beach<br>&nbsp;&nbsp;&nbsp;&nbsp;with my brothers.<br>**[05:10] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Ohana?<br>**[05:11] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be working here<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole summer.<br>**[05:14] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Then let's go to<br>&nbsp;&nbsp;&nbsp;&nbsp;the beach together!<br>**[05:17] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The beach is great!<br>**[05:18] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'd love to meet your brothers!<br>**[05:23] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, goodness! You've got to hear this!<br>**[05:26] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a movie! A movie!<br>**[05:28] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[05:29] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you get it?<br>**[05:32] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're filming a movie at Kissuiso!<br>**[05:35] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[05:37] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, gosh, what should I do?<br>**[05:39] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to go home and tell my family!<br>**[05:41] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[05:42] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what part<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be playing.<br>**[05:50] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;A movie?<br>**[05:51] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. At Kissuiso.<br>**[05:53] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[06:08] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[06:09] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand, right?<br>**[06:11] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just our problem.<br>**[06:14] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, the whole of Yunosagi<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will gradually become<br>&nbsp;&nbsp;&nbsp;&nbsp;poorer and poorer.<br>**[06:19] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was shocked when<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takako asked whether we wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to be filmed or not, but-<br>**[06:24] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no objections.<br>**[06:25] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:26] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll allow you free reign to do<br>&nbsp;&nbsp;&nbsp;&nbsp;what you want this time.<br>**[06:29] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:34] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, due to a strongly-worded<br>&nbsp;&nbsp;&nbsp;&nbsp;request from the director,<br>**[06:38] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're thinking about offering you roles in the film,<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if they're big ones.<br>**[06:42] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to hold a small audition<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when the director comes.<br>**[06:48] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so excited!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like it's going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be an amazing summer!<br>**[06:52] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[06:53] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to play a great female spy who's<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an ex-Olympic high diver!<br>**[06:59] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bang!<br>**[07:00] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Minchi, what kind of role do you want?<br>**[07:02] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want-<br>**[07:03] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chef.<br>**[07:07] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're acting in a movie!<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can be whatever you want!<br>**[07:11] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;A female police officer, a cabin attendant, a nurse-<br>**[07:13] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you a perverted old man?<br>**[07:17] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;As expected from Minchi...<br>**[07:20] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[07:24] Bean**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you've left the young master<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of the<br>&nbsp;&nbsp;&nbsp;&nbsp;investment for the movie.<br>**[07:29] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's correct.<br>**[07:30] Bean**<br>&nbsp;&nbsp;&nbsp;&nbsp;A movie... how wonderful.<br>**[07:34] Bean**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mariko Kaga from *Withered <br>
&nbsp;&nbsp;&nbsp;&nbsp;Flower* was very cute.<br>**[07:38] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so you still aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;withered, are you, Denroku?<br>**[07:42] Bean**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet, I'm afraid.<br>**[07:46] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you because you're<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dedicated enough to relocate to the<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;countryside in order to write.<br>**[07:52] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to write 40 pages<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take up 10 minutes of the film?<br>**[07:55] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please write us a scene that shows<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the real warmth of this area.<br>**[08:01] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;When do I get the chance to talk to<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the director and the<br>&nbsp;&nbsp;&nbsp;&nbsp;main writer about this?<br>**[08:05] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I'll give you an outline<br>&nbsp;&nbsp;&nbsp;&nbsp;of the basic setting and plot.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, do you mind writing something<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a springboard for discussion?<br>**[08:12] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll then take that and<br>&nbsp;&nbsp;&nbsp;&nbsp;talk to the director about it.<br>**[08:16] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[08:17] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[08:19] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard that there's this event<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;called a "Bonbori Festival"<br>&nbsp;&nbsp;&nbsp;&nbsp;that takes place around here.<br>**[08:23] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about getting a<br>&nbsp;&nbsp;&nbsp;&nbsp;description of that? Okay?<br>**[08:27] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Jiromaru, the young master<br>&nbsp;&nbsp;&nbsp;&nbsp;specifically requested that they<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;include your writing in the film<br>&nbsp;&nbsp;&nbsp;&nbsp;as a condition of the investment.<br>**[08:33] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[08:36] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best!<br>**[08:42] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll be checking the<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;actual operational portions of the inn.<br>**[08:46] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I need you all to<br>&nbsp;&nbsp;&nbsp;&nbsp;do is brush up everything.<br>**[08:51] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;This... is a pool?<br>**[08:53] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that it used to be one.<br>**[08:55] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:56] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically, you want us to clean this, right?<br>**[08:59] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pool must be used in the film as well.<br>**[09:02] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's another condition imposed by<br>&nbsp;&nbsp;&nbsp;&nbsp;the young master for the investment.<br>**[09:05] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have anything to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;young master?<br>**[09:09] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place is scheduled to be<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an important stage<br>&nbsp;&nbsp;&nbsp;&nbsp;for the upcoming film,<br>**[09:14] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please ensure<br>&nbsp;&nbsp;&nbsp;&nbsp;that it's left sparkling.<br>**[09:16] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why the pool in particular?<br>**[09:19] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, Ohana?<br>**[09:22] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a summer film!<br>**[09:23] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Summer means the pool!<br>**[09:25] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pool means summer!<br>**[09:27] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And... I wasn't wrong.<br>**[10:04] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, please take care of it.<br>**[10:10] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Party... Party...<br>**[10:12] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Addicted to parties!<br>**[10:17] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master!<br>**[10:19] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even know how to<br>&nbsp;&nbsp;&nbsp;&nbsp;begin to thank you.<br>**[10:23] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've given me such a<br>&nbsp;&nbsp;&nbsp;&nbsp;great chance-<br>**[10:25] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who work hard<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be granted an opportunity as a reward.<br>**[10:30] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it.<br>**[10:32] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[10:33] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've both worked<br>&nbsp;&nbsp;&nbsp;&nbsp;so hard up until now.<br>**[10:36] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:37] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a hard life.<br>**[10:39] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking back, there were times<br>&nbsp;&nbsp;&nbsp;&nbsp;we struggled shamelessly...<br>**[10:41] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Helplessly flailing around...<br>**[10:43] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[10:44] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's all over now.<br>**[10:46] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This small yet absolute<br>&nbsp;&nbsp;&nbsp;&nbsp;flame in our hearts<br>**[10:49] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;tells us that what we've been<br>&nbsp;&nbsp;&nbsp;&nbsp;doing hasn't been in vain.<br>**[10:53] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[10:55] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you.<br>**[10:58] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we're also going to be taking half of the<br>**[11:01] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;manuscript fee and the royalties as payment<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the room you've been staying in for free.<br>**[11:04] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep that in mind.<br>**[11:06] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[11:12] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll give you a call<br>&nbsp;&nbsp;&nbsp;&nbsp;sometime during the week,<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and drop by again with the director.<br>**[11:17] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Director Matsumura will be visiting?!<br>**[11:19] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;His first work, *Wet Button*, was incredible!<br>**[11:22] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;His second-<br>**[11:22] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we'll also be bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;the two leads for the movie.<br>**[11:25] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd like to see the inn<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it takes place in as soon as they can.<br>**[11:28] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[11:29] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to sign the<br>&nbsp;&nbsp;&nbsp;&nbsp;contract then as well.<br>**[11:31] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be waiting.<br>**[11:38] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be waiting!<br>**[12:15] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madam Manager will be here shortly.<br>**[12:17] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please come in-<br>**[12:18] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll wait here.<br>**[12:21] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[12:21] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I be of assistance in her place?<br>**[12:28] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, come this way.<br>**[12:33] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to lend you a hand<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this brilliant idea of yours.<br>**[12:38] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;The film will be a bigger success<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you make the entirety of Yunosagi its stage.<br>**[12:42] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since business is pretty bad these days,<br>**[12:45] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can split the cost of the investment<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;between all of the inns.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't that help Kissuiso?<br>**[12:49] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, exactly!<br>**[12:50] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[12:51] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to worry.<br>**[12:54] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate your offer to help,<br>**[12:58] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the location of the filming<br>&nbsp;&nbsp;&nbsp;&nbsp;will be limited solely to Kissuiso.<br>**[13:01] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't plan on changing that.<br>**[13:04] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then why are we paying<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to advertise Kissuiso?<br>**[13:09] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I've been saying<br>&nbsp;&nbsp;&nbsp;&nbsp;that you don't need to pay.<br>**[13:12] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:24] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ohana, you've got to concentrate!<br>**[13:28] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder when he turned<br>&nbsp;&nbsp;&nbsp;&nbsp;into such a fine young master.<br>**[13:33] Woman2**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's amazing how he's planned to<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do everything on his own.<br>**[13:37] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, Kissuiso is responsible<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for whatever happens.<br>**[13:54] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear he firmly rejected<br>&nbsp;&nbsp;&nbsp;&nbsp;the offer from the other inns.<br>**[13:58] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[13:59] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The young master sure has changed.<br>**[14:02] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like he's more confident in himself now.<br>**[14:05] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess men really do change<br>&nbsp;&nbsp;&nbsp;&nbsp;after doing something big.<br>**[14:09] Ren**<br>&nbsp;&nbsp;&nbsp;&nbsp;A movie, eh... That's a giant bet.<br>**[14:12] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what role are<br>&nbsp;&nbsp;&nbsp;&nbsp;you playing, Mr. Ren?<br>**[14:16] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ren is in it too?!<br>**[14:18] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The director wants people working<br>&nbsp;&nbsp;&nbsp;&nbsp;at the inn to be in the movie.<br>**[14:22] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[14:23] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean...<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Maybe.<br>**[14:26] Ren**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your hands have stopped moving, Tohru.<br>**[14:28] Tohru**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry!<br>**[14:30] Tomoe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, guess I had better<br>&nbsp;&nbsp;&nbsp;&nbsp;head back to work.<br>**[14:37] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to peel the white radish.<br>**[14:39] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that Tomoe mentioned it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Tohru's also excited...<br>**[14:42] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is everyone so hyped?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a chef going to<br>&nbsp;&nbsp;&nbsp;&nbsp;do in a movie anyway?<br>**[14:49] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I get the feeling that<br>&nbsp;&nbsp;&nbsp;&nbsp;Tohru would look good on screen...<br>**[14:54] Minko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops.<br>**[14:56] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[14:57] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[14:58] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[15:02] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Awesome!<br>**[15:05] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a crane!<br>**[15:06] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, a movie's gotta have a crane!<br>**[15:12] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Ms. Suehiro, the<br>&nbsp;&nbsp;&nbsp;&nbsp;lead actress of the film.<br>**[15:15] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming.<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming.<br>**[15:17] Suehiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to working with you all.<br>**[15:17] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actresses are so different from<br>&nbsp;&nbsp;&nbsp;&nbsp;ordinary people, aren't they, Nakochi?<br>**[15:25] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;That day, they started<br>&nbsp;&nbsp;&nbsp;&nbsp;doing the test shoots...<br>**[15:39] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm so nervous!<br>**[15:42] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down, Ohana!<br>**[15:44] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've brought some cold tea.<br>**[15:47] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thank you. Please come in.<br>**[16:09] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so good!<br>**[16:10] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[16:13] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a wonderful inn.<br>**[16:15] Woman**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like it here.<br>**[16:17] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'd like to make a<br>&nbsp;&nbsp;&nbsp;&nbsp;personal visit here sometime.<br>**[16:21] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your kind words.<br>**[16:23] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite an old building.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's hard to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep everything down.<br>**[16:28] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it was already 60 years old when<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was passed down to me.<br>**[16:34] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, 60 years?!<br>**[16:36] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;After such a long time,<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seams come apart<br>&nbsp;&nbsp;&nbsp;&nbsp;in places that can't be seen.<br>**[16:41] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please excuse me.<br>**[16:43] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Madam Manager!<br>**[16:46] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Suehiro, I was wondering<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you could give us an autograph<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which we could use to<br>&nbsp;&nbsp;&nbsp;&nbsp;decorate the hallway.<br>**[16:51] Sue**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[16:58] Sui**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was surprised to hear that Madam Manager<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;agreed to the filming in the first place!<br>**[17:02] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I heard she gave her consent right away.<br>**[17:05] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she really wanted a role in the movie.<br>**[17:07] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe!<br>**[17:15] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to take the main<br>&nbsp;&nbsp;&nbsp;&nbsp;character's place for now?!<br>**[17:18] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just for the camera test.<br>**[17:20] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[17:22] Isami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main character's running late.<br>**[17:25] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think of it as an additional benefit!<br>**[17:27] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can walk arm-in-arm<br>&nbsp;&nbsp;&nbsp;&nbsp;with Ms. Suehiro.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A just married couple!<br>**[17:31] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that's incredible!<br>**[17:33] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show us what you've got, young master!<br>**[17:35] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:41] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:44] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takako, I'm ready.<br>**[17:46] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:48] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, get a little closer!<br>**[17:51] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;The director insisted on someone<br>&nbsp;&nbsp;&nbsp;&nbsp;more muscular for the role.<br>**[17:52] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;There! Perfect!<br>**[17:55] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very nice!<br>**[17:55] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[18:04] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, stop playing around!<br>**[18:09] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minchi! Hurry up!<br>**[18:25] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so tired!<br>**[18:27] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take a short break...<br>**[18:31] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:32] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take a break, Minchi!<br>**[18:41] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so tired...<br>**[18:42] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too, but we've gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;this place pretty clean.<br>**[18:46] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's a lot better than it was before.<br>**[18:48] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've only got a bit more to do.<br>**[18:49] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, only a-<br>**[18:54] Ohana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What?!<br>**[18:56] Nako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minchi!<br>**[19:00] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very thankful to you, Takako.<br>**[19:03] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a movie.<br>**[19:05] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I definitely wouldn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;been able to do this myself.<br>**[19:32] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom!<br>**[19:34] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom?<br>**[19:36] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom!<br>**[19:37] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom!<br>**[19:52] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember when we went<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the presentation for the<br>&nbsp;&nbsp;&nbsp;&nbsp;movie the Film Club made?<br>**[19:57] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:58] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;During college, the fall<br>&nbsp;&nbsp;&nbsp;&nbsp;when you were a freshman.<br>**[20:02] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, not really.<br>**[20:04] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[20:06] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember it?<br>**[20:09] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that perverted film<br>&nbsp;&nbsp;&nbsp;&nbsp;that only consisted of<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;clips of a middle school<br>&nbsp;&nbsp;&nbsp;&nbsp;girl in a school swimsuit.<br>**[20:14] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this day and age,<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that director would be<br>&nbsp;&nbsp;&nbsp;&nbsp;sent straight to jail.<br>**[20:19] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was my first piece of work as a writer.<br>**[20:21] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:23] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;First and last, though.<br>**[20:26] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were originally going to make a<br>&nbsp;&nbsp;&nbsp;&nbsp;longer version of it at the Film Club,<br>**[20:30] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the guy who was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to direct it quit.<br>**[20:34] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That made all the other<br>&nbsp;&nbsp;&nbsp;&nbsp;members lose interest too.<br>**[20:37] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:38] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, so I decided to film it myself.<br>**[20:42] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I put it...<br>**[20:43] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something I experienced in my youth...<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My identity...<br>**[20:49] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are those girls doing their job?<br>**[20:52] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sister is definitely more suited<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to running Kissuiso than I am.<br>**[20:57] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:58] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both my mother and I thought that.<br>**[21:02] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shijima...<br>**[21:07] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't called me<br>&nbsp;&nbsp;&nbsp;&nbsp;by that name since college!<br>**[21:11] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[21:16] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get some tea.<br>**[21:20] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your sister's name is Satsuki, right?<br>**[21:24] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's really quick-minded.<br>**[21:26] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She always talks in a precise, clipped style.<br>**[21:30] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she's got charisma.<br>**[21:33] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was really popular at school...<br>**[21:36] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She looked so bright in my eyes.<br>**[21:38] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beautiful, intelligent...<br>**[21:40] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was as though she was<br>&nbsp;&nbsp;&nbsp;&nbsp;living in a different world.<br>**[21:43] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A creature completely<br>&nbsp;&nbsp;&nbsp;&nbsp;unrelated to me.<br>**[23:39] Satsuki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't agree to that, did you?<br>**[23:41] Renji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say something so rash.<br>**[23:43] Jiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm finished! The<br>&nbsp;&nbsp;&nbsp;&nbsp;manuscript is complete!<br>**[23:44] Takako**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't be finished like this!<br>&nbsp;&nbsp;&nbsp;&nbsp;You hear me?!<br>**[23:47] Enishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall return!<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Episode 17<br>
&nbsp;&nbsp;&nbsp;&nbsp;Pool on the Hill<br>