# 9 - Lycorsi Radiata Herb (Be Struck Off Herb)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the cop too?<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It'll be perfect,<br>&nbsp;&nbsp;&nbsp;&nbsp;since you're not known around here.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't be careless.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take pictures afterward to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep the police on their toes.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*, this is Elsa.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does it look?<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same as yesterday.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one officer in front of the door.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Take a rifle and go all out on them.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget the pictures.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cluster Amaryllis"<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Police Chief...<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should consider what's wiser,<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;working with the government<br>&nbsp;&nbsp;&nbsp;&nbsp;or working with terrorists.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hear any complaints, you'll be next.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a lot to do too, you see...<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was very easy--<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get the pictures?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still some film left.<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've used it all.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have it developed when<br>&nbsp;&nbsp;&nbsp;&nbsp;we get back to the agency.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright, let's get going.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Zweihundert, zwanzig, drei...*<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Euro?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Oiro.'<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You read the German 'eu' as 'oi.'<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you read 23 from the first digit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so it's '*drei und zwanzig.*'<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should really study the numbers.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;5.56 is '*fuenf komma fuenf sechs*.'<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;7.62 is '*sieben komma sechs zwei.*'<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any part you don't understand?<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Adults and children are the same,*<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when there are 10 people together,<br>
&nbsp;&nbsp;&nbsp;&nbsp;not all 10 get along.*<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The same is true for we conditioned girls.*<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Elsa lives in her room alone,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and rarely talks to us.*<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've never tried talking to her myself...*<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk to Elsa, don't you?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. Just whatever topic is at hand.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... not really good<br>&nbsp;&nbsp;&nbsp;&nbsp;at starting conversations...<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate her too...<br>&nbsp;&nbsp;&nbsp;&nbsp;all she does is stick to Lauro.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only she were as adorable as you...<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk to her, even though you hate her?<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. How do I put it?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be easy to avoid people I hate,<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe it's in my nature?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, while we're on the subject,<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;both you and Claes used<br>&nbsp;&nbsp;&nbsp;&nbsp;to be scary like that.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So *you* helped us change?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not that conceited.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It all depends on<br>&nbsp;&nbsp;&nbsp;&nbsp;the Handler and the conditioning...<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Handler?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're fine with Claes but not with Elsa?<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes is pretty unsociable too.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know how,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's just different...<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used to be afraid of me, Triela?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's today's cake, Ricotta Tarts.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They came out good.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you as always, Claes-*sama*!<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds creepy.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Giuse, you're training too?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's Angelica coming along?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm mostly back to normal!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't overexert yourself.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still a better shot than you.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I get better?<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any special secrets to it.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get better with constant practice.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Giuse.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were chasing<br>&nbsp;&nbsp;&nbsp;&nbsp;the R.F. in Tuscany?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Already took care of it.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the local police are hiding 'em,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's a bit left to do.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. You're free this week, right?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like your help, if that's okay.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you the details tonight.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, see you later!<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to work with Elsa?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Possibly.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's there?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we might talk...<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the police were<br>&nbsp;&nbsp;&nbsp;&nbsp;sheltering the terrorists there.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed a cop a couple<br>&nbsp;&nbsp;&nbsp;&nbsp;days ago as an example,<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the police chief refused to yield.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, he threatened to announce<br>&nbsp;&nbsp;&nbsp;&nbsp;the existence of the agency.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The section chief finally<br>&nbsp;&nbsp;&nbsp;&nbsp;authorized his assassination.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police chief, huh? Do you have a plan?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I got things ready before coming here.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The area around the police HQ<br>&nbsp;&nbsp;&nbsp;&nbsp;is perfect for sniping.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With two shooters, it should be a cinch.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sniping attack, huh?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Is Henrietta a bad sharpshooter?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she's decent enough.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she might try to show off<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of me or the others.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we'll do it.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do want to make Henrietta more confident.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Giuse.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you always worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about the cyborgs like that?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the rumors are true?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What rumors?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -All kinds.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Half of them are probably true.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen how you treat her...<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really can't stand messed-up guys like you.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then don't invite them drinking.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I invite 'em *because* I hate 'em.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By approaching them and having<br>&nbsp;&nbsp;&nbsp;&nbsp;heart-to-heart talks like this,<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can learn what makes 'em tick.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way I can tell what I like<br>&nbsp;&nbsp;&nbsp;&nbsp;and don't like about them.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I can tell, you seem<br>&nbsp;&nbsp;&nbsp;&nbsp;like a pretty good guy, Giuse.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As Kennedy once said, "Let us<br>&nbsp;&nbsp;&nbsp;&nbsp;not be blind to our differences."<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to talk about.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we might be working together soon...<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, I'll warn you now.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you get in Lauro-*san*'s way...<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll make you pay!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you get along with everyone?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's more important to you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Handler or the other cyborgs?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san* is the most important to me.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing else matters.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to use all of my<br>
&nbsp;&nbsp;&nbsp;&nbsp;time for Lauro-*san*'s sake.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I polish his rifle while I think about him...<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...despite not knowing<br>&nbsp;&nbsp;&nbsp;&nbsp;how long we have to live.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of you have love!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not...<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I like<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san* a lot too, you know!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's nothing left<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk about. Leave.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Lauro.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize you put importance<br>&nbsp;&nbsp;&nbsp;&nbsp;on being sociable.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, thank you. I'm glad<br>&nbsp;&nbsp;&nbsp;&nbsp;I invited you drinking after all.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;a little cold toward Elsa?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't confuse cyborgs for colleagues.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll never see me infatuated<br>&nbsp;&nbsp;&nbsp;&nbsp;with those things like you are.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I try not to think about it too hard.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cyborgs are definitely great.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They even hold your guns for you.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give them the order<br>
&nbsp;&nbsp;&nbsp;&nbsp;and they'll even buy you a *panini*.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no need to go *that* far.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, if it weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;for the kids of Section 2,<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have a job.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't mind my rambling...<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just keep doing things your own way.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Lauro.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you join the agency?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pay is good.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna need a tidy sum soon.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cyborgs have it tough, but so do we...<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we don't have Handlers<br>&nbsp;&nbsp;&nbsp;&nbsp;to take care of us.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ain't that the truth?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ready, Giuse?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sent the bulky equipment ahead.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're smarter than I thought.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your first time in Siena?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When our job is over tomorrow,<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's take a look around<br>&nbsp;&nbsp;&nbsp;&nbsp;town on our way back.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little excursion should be all right.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try my best on this next job!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. You do that.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we kill the police chief<br>&nbsp;&nbsp;&nbsp;&nbsp;directly in front of his office...<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it'd send a big message to<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of the provincial police.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you manage to<br>&nbsp;&nbsp;&nbsp;&nbsp;get such a good location?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have all sorts of connections,<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;plus museums and the like are<br>&nbsp;&nbsp;&nbsp;&nbsp;basically under government control.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do with the Hecate?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Set it up next to your SIG for now.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd prefer not to use it if possible.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Elsa acting today?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just seems a little eager.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They often miss when they're like that.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa has never failed before.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what "conditioning" is for.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your good nature is<br>&nbsp;&nbsp;&nbsp;&nbsp;disturbing, you know that?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here come the chief's cars.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target should be in the second one.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot after he exits the<br>&nbsp;&nbsp;&nbsp;&nbsp;car and climbs the steps.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time it carefully.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Elsa! Pay attention!<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Right!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! The safety is still on!<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse, switch with Elsa.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems likely to miss today.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, I'm fine!<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Alright.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Elsa.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry! He's stepping out of the car!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright. Good work.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get out of here.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa! Get moving!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Useless.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fever"<br>