# Gunslinger Girl

The Social Welfare Agency saves the lives of terminal patients using cybernetic implants. Then it teaches them to kill. After surviving the slaughter of her family, young Henrietta awakens to her new life at the Agency with a rebuilt body and no memory. Teamed with Jose, who is responsible for turning her into the perfect assassin, Henrietta’s been given a second chance—but at what cost?

# Season 1

# 1 - Fratello (Siblings)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's my sister...*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As we're always together,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we're known as "fratello."*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fratello.*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Brother and sister.*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*People joke about it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but what are you going to do?*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's pretty much the truth.*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Brother and Sister"<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we're capturing the man who witnessed<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the R.F.'s weapon smuggling...<br>&nbsp;&nbsp;&nbsp;&nbsp;[R.F.: Republican Faction]<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take it we'll need to storm their hideouts?<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hirscher-Triela fratello<br>&nbsp;&nbsp;&nbsp;&nbsp;has the southern hideout.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Leave it to us.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Jean-Rico team will<br>&nbsp;&nbsp;&nbsp;&nbsp;require support, though.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll cover the building's perimeter<br>&nbsp;&nbsp;&nbsp;&nbsp;with members of Section 2.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we'll need one<br>&nbsp;&nbsp;&nbsp;&nbsp;more fratello to take them on.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean-*san*, this is Hirscher.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We now have control of the R.F.'s hideout,<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the key witness is nowhere to be seen.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may have been<br>&nbsp;&nbsp;&nbsp;&nbsp;moved to your end already.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make certain of it.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right. I'll try asking some of<br>&nbsp;&nbsp;&nbsp;&nbsp;--What's going on?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--those still alive.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Can you hear me?! Hey!<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can Giuse pull this off?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, are you sure they're<br>&nbsp;&nbsp;&nbsp;&nbsp;ready for group operations?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Jean.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm adding Giuse and Henrietta<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Jean-Rico team.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got that, Jean?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Message from the Triela-Hirscher team.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we're the favorite to win.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure the key witness is with them.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen. If you can't<br>&nbsp;&nbsp;&nbsp;&nbsp;locate him, then let them go.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do anything.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ferro, is the entrance clear?<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfonso and I have the front.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amadeo and Giorgio have the back.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he does get away,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be through that window.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wait for my orders.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Understood.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, focus on the shadows behind the blinds.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The southern hideout has been attacked.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would seem someone's looking for him.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that means...<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they may come here, too.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it was a young<br>&nbsp;&nbsp;&nbsp;&nbsp;girl that showed up there.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A girl?<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;there have been rumors recently<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about an organization<br>&nbsp;&nbsp;&nbsp;&nbsp;that uses girls as assassins...<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Louie, who is it?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man in a suit, and...<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And... a girl.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't open it.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send them away for ya.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Louie! Stop!<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. I'm sorry to disturb you like this.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whadya want?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a reporter for *Libero Italia.*<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a reporter want here?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard Mr. Scallo of<br>&nbsp;&nbsp;&nbsp;&nbsp;Costelo Company was here.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping to get an interview with him...<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not here. You got the wrong address.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm certain that this was the building...<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, he ain't here!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You deaf or somethin'?!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your guy ain't here!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get lost before I start getting violent...<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?! Louie!<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse...<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you planning to visit<br>&nbsp;&nbsp;&nbsp;&nbsp;every hospital in Italy?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really...<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already decided.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it really have to be children?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what the agency says.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The physical modification<br>&nbsp;&nbsp;&nbsp;&nbsp;and brainwashing procedures<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;apparently work better the younger they are.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Social Welfare Agency, was it?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The government's created<br>&nbsp;&nbsp;&nbsp;&nbsp;quite the organization.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think it would actively<br>&nbsp;&nbsp;&nbsp;&nbsp;aid seriously injured people...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dr. Masi, we came because we heard<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have a badly injured girl here.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we do. She desperately needs your help.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She survived that family massacre last week.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was assaulted for an entire night<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the bodies of her<br>&nbsp;&nbsp;&nbsp;&nbsp;family lying beside her.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wants to take her own life.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will you name her?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, then?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she's grown accustomed to the place,<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll move her in with Rico.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's awake.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're awake.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you thirsty?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Giuse.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up already?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't sleep?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you told me<br>&nbsp;&nbsp;&nbsp;&nbsp;to become proficient quickly.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't use the sight during practice.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shoot in the general area of the target.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From short range, you can<br>&nbsp;&nbsp;&nbsp;&nbsp;lodge a bullet in someone.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do so, and you can keep<br>&nbsp;&nbsp;&nbsp;&nbsp;your target from moving.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Your grenade!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've done it.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ferro, mission failed.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring us some back up.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. We're on our way.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, why did you go berserk?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never did before...<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your arm's been hit.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ferro, search for the witness.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging from their reaction,<br>&nbsp;&nbsp;&nbsp;&nbsp;he must be hiding inside the building.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfonso, Amadeo, go to the roof<br>&nbsp;&nbsp;&nbsp;&nbsp;and work your way down.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giorgio, watch the perimeter.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go home.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't shoot!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to increase her<br>&nbsp;&nbsp;&nbsp;&nbsp;level of conditioning.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your hunting dog needs a collar.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg to disagree.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too much conditioning<br>&nbsp;&nbsp;&nbsp;&nbsp;will shorten her life span.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'll simply prepare<br>&nbsp;&nbsp;&nbsp;&nbsp;a new patient once she's used up.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too emotionally attached to a tool.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, Jean.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may have a few issues, but<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta's an excellent assassin.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a shame to simply dispose of her.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, we got who we wanted.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this from a broader perspective.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse, each Handler is<br>&nbsp;&nbsp;&nbsp;&nbsp;responsible for his cyborg.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think Henrietta will<br>&nbsp;&nbsp;&nbsp;&nbsp;work at the minimum level,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then give it a try.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But major mistakes are inexcusable.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make certain she understands this.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Henrietta was very quiet when<br>
&nbsp;&nbsp;&nbsp;&nbsp;I first brought her to the agency.*<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not that I blame her... she was<br>
&nbsp;&nbsp;&nbsp;&nbsp;the victim of a serial murderer.*<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Her entire family was<br>
&nbsp;&nbsp;&nbsp;&nbsp;slaughtered... only she survived.*<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I first saw her at <br>
&nbsp;&nbsp;&nbsp;&nbsp;the national hospital,*<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*both her mind and body were ragged.*<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I chose her as my partner.*<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did I want to do something nice?*<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or did I pity her?*<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whatever the case, I just wanted to help her.*<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico tells me you went out of control.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... snapped...<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela, what should I do?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! Let's have a drink in Claes' room!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A drink?<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some magic cake and tea will cheer you up!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you wanted to make him proud of you?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I guess...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Triela, isn't that all we *can* do?<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, if I were him,<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd resent being that devoted to.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*...<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your arm starting to hurt?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to help you.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have the doctor take a look<br>&nbsp;&nbsp;&nbsp;&nbsp;at you as soon as we get home.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Astronomical Observation"<br>

# 2 - Orione (Orion)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move until I've<br>&nbsp;&nbsp;&nbsp;&nbsp;determined the key witness is there.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Giuse-*san*.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't locate him, we leave quietly.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Astronomical Observation"<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. I'm sorry to disturb you like this.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whadya want?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a reporter for *Libero Italia*.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a reporter want here?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard Mr. Scallo of<br>&nbsp;&nbsp;&nbsp;&nbsp;Costelo Company was here.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping to get an interview with him...<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not here. You got the wrong address.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm certain that this was the building...<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, he ain't here!<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You deaf or somethin'?!<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your guy ain't here!<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get lost before I start getting violent...<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?! Louie!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Your grenade!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare to return home.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've done it.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ferro, mission failed.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring us some back up.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. We're on our way.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, why did you go berserk?<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never did before...<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your arm's been hit.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your arm starting to hurt?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to help you.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have the doctor take a look<br>&nbsp;&nbsp;&nbsp;&nbsp;at you as soon as we get home.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Officially, the Social Welfare Agency*<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is a government-sponsored<br>
&nbsp;&nbsp;&nbsp;&nbsp;life-saving corporation.*<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;**But it's actually a special<br>
&nbsp;&nbsp;&nbsp;&nbsp;organization**<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that gives dying patients cybernetic <br>
&nbsp;&nbsp;&nbsp;&nbsp;implants, "conditions" them,**<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and handles the government's dirty work.*<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor, how is Henrietta?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bullet only shaved off some<br>&nbsp;&nbsp;&nbsp;&nbsp;skin and artificial muscle tissue.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't need to replace her arm.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good to hear.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't misunderstand me.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll still need surgery<br>&nbsp;&nbsp;&nbsp;&nbsp;every time she's injured.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The conditioning takes<br>&nbsp;&nbsp;&nbsp;&nbsp;a heavy toll on their bodies.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this keeps happening,<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could grow dependent on it<br>&nbsp;&nbsp;&nbsp;&nbsp;or suffer from memory dysfunction.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The implants are repaired easily enough,<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but their impact on the brain<br>&nbsp;&nbsp;&nbsp;&nbsp;and living tissue is substantial.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth happened today, anyway?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're saying she ignored<br>&nbsp;&nbsp;&nbsp;&nbsp;orders and went out of control.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She keeps count of the<br>&nbsp;&nbsp;&nbsp;&nbsp;bodies she creates for me...<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like a lost cause to me.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Giuse, I know you're fond of this girl,<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but shouldn't you increase<br>&nbsp;&nbsp;&nbsp;&nbsp;her level of conditioning?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treating a cyborg assassin as a normal girl<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will only result in unhappiness.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Children brought to the<br>
&nbsp;&nbsp;&nbsp;&nbsp;agency undergo "conditioning"*<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in addition to physical modification.*<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fortunately for her, her past memories were <br>
&nbsp;&nbsp;&nbsp;&nbsp;erased as a result of the conditioning.*<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The location and reason go here. That's it.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now just sign here.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright...<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--A permit slip?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Yes.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you taking her?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowhere special...<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all?<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *pomodoro* here is superb.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only must you study<br>&nbsp;&nbsp;&nbsp;&nbsp;and train for your work,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you must also learn how to act<br>&nbsp;&nbsp;&nbsp;&nbsp;properly in the outside world.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When drinking tea, hold the<br>&nbsp;&nbsp;&nbsp;&nbsp;saucer and make no sounds.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta!<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go of him! Go sit down!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cancel the *grappa*. Bring out our dessert.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I do something wrong?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just continue our meal.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I started making an<br>
&nbsp;&nbsp;&nbsp;&nbsp;effort to talk with her more.*<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen. To do a job,<br>&nbsp;&nbsp;&nbsp;&nbsp;you must learn many things.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All successful jobs are comprised<br>&nbsp;&nbsp;&nbsp;&nbsp;of smaller, simpler tasks.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll write you notes to study each day.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure the muzzle<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't stick out over the wall,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;stay as low as possible, and if<br>&nbsp;&nbsp;&nbsp;&nbsp;your rifle doesn't have a bipod,<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then be sure to hold<br>&nbsp;&nbsp;&nbsp;&nbsp;the barrel with your hand.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For distances up to 600 meters,<br>&nbsp;&nbsp;&nbsp;&nbsp;aim for the head;<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at longer distances,<br>&nbsp;&nbsp;&nbsp;&nbsp;aim for the center of the body.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look up.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See that faint speck of<br>&nbsp;&nbsp;&nbsp;&nbsp;light next to that cloud?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What shines in the sky?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows, maybe it's a fairy.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it an airplane?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good answer.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People sometimes mistook<br>&nbsp;&nbsp;&nbsp;&nbsp;it for a plane during wars.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if it were night right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;what would you think then?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A star?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's the planet Venus,<br>&nbsp;&nbsp;&nbsp;&nbsp;inside Earth's orbit.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure not to look at the sun.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it'd be impossible to shoot<br>&nbsp;&nbsp;&nbsp;&nbsp;a Venusian in the head with this.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know everything, don't you?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we awake?<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No baths until the skin<br>&nbsp;&nbsp;&nbsp;&nbsp;on your right arm takes hold.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter? Did you have a bad dream?<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really sure...<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tears just came out...<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico tells me you went out of control.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... snapped...<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela, what should I do?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! Let's have a drink in Claes' room!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A drink?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some magic cake and tea will cheer you up!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you wanted to make him proud of you?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I guess...<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Triela, isn't that all we can do?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, if I were him, I'd<br>&nbsp;&nbsp;&nbsp;&nbsp;resent being that devoted to.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's still okay.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Have fun while you're still young!"<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who said that?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, are you there?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's your arm?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It still feels a little heavy, but it's fine.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then will you come to<br>&nbsp;&nbsp;&nbsp;&nbsp;the roof of the main building?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cold, so put this on.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I really accept this?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be on the roof.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come over here.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a telescope?<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't she a beauty?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to show you the stars sometime,<br>&nbsp;&nbsp;&nbsp;&nbsp;but not with a rifle scope.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time<br>&nbsp;&nbsp;&nbsp;&nbsp;I've ever seen the stars.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brought this on?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the perfect night for stargazing.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your reward for today's job.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not angry<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about today?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want me to be?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come over here. You can see Orion clearly.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orion the Hunter was mistakenly<br>&nbsp;&nbsp;&nbsp;&nbsp;shot to death by his love, Artemis.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grief-stricken goddess had<br>&nbsp;&nbsp;&nbsp;&nbsp;him added to the constellations<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she could see him whenever<br>&nbsp;&nbsp;&nbsp;&nbsp;she flew into the night sky.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a sad story...<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know everything, don't you?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure do.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Young Boy"<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 3 - Ragazzo (Boy)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell have you been doing?!<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always make me take care of her!<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of it too, you know!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*- -Because of my sickness,<br>
&nbsp;&nbsp;&nbsp;&nbsp;*--I'm tired from work.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*- -my constantly-fighting parents<br>
&nbsp;&nbsp;&nbsp;&nbsp;*--What'll she do if you don't go with her?<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*followed my doctor's recommendation<br>
&nbsp;&nbsp;&nbsp;&nbsp;and signed 17 documents.*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had never left my hospital room even once,*<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on my birthday<br>
&nbsp;&nbsp;&nbsp;&nbsp;two years ago, I got this body*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that lets me move about freely.*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Rico.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's sunny out; let's do our laundry.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I really like my life at the agency.*<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone's really nice,<br>
&nbsp;&nbsp;&nbsp;&nbsp;as long as I do what I'm told.*<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And, for example...*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The quiet morning air,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the smell of the detergent,*<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the sky and the clouds and the sun...*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And my own body...*<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had none of these things <br>
&nbsp;&nbsp;&nbsp;&nbsp;in my hospital bed.*<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Young Boy"<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, what's our schedule today?<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard we're training at<br>&nbsp;&nbsp;&nbsp;&nbsp;the outdoor shooting range.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela, you seem really happy.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gotta be better than<br>
&nbsp;&nbsp;&nbsp;&nbsp;Hirscher-*sensei*'s lectures.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Triela, page 36. Begin from Shylock's line."<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's so much I don't know...<br>&nbsp;&nbsp;&nbsp;&nbsp;so I like book study, too.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. You like everything, don't you?<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, do you have any favorite classes?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about music?<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You practice the violin, don't you?<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't take it up because you wanted to?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Giuse-*san* suggested it.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was really mad at me, so I--<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he's forcing you to play<br>&nbsp;&nbsp;&nbsp;&nbsp;even though you don't want to?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not exactly...<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san* really adores you.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think?<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Horrible.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, be more flexible with your body.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, 10-second bursts.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arms higher.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Line the front and rear sights up.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirscher, you're not<br>&nbsp;&nbsp;&nbsp;&nbsp;going to instruct Triela?<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does better alone.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about a pathetic brother.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to help Angelica?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her implants aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;functioning well, so I let her rest.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might be unusable for a while.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is our next job?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently some big shot politician inquired<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about some "personal business" recently.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Personal, huh?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want our girls doing anything weird.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though telling them to<br>&nbsp;&nbsp;&nbsp;&nbsp;kill bad guys and attack<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the R.F.'s hideouts is easy enough.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the kind of work<br>&nbsp;&nbsp;&nbsp;&nbsp;Special Ops Section 1 is for?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just it.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy's a supporter of us<br>&nbsp;&nbsp;&nbsp;&nbsp;Cybernetics Section 2 people.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unusually nice people require extra caution.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trip during the real thing and you're dead.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir...<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe next time we'll install<br>&nbsp;&nbsp;&nbsp;&nbsp;empty cartridge containers.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. Bye.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The date has been decided.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Training's cancelled.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean, explain the plan.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is Congressman<br>&nbsp;&nbsp;&nbsp;&nbsp;Mascart of the Radical Party.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our mission will take<br>&nbsp;&nbsp;&nbsp;&nbsp;place one week from today,<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while he's staying at the Villa Gadd Hotel.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before each Parliament session,<br>&nbsp;&nbsp;&nbsp;&nbsp;he and his secretary<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;hole up in this hotel<br>&nbsp;&nbsp;&nbsp;&nbsp;to scour over documents.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His room is ♪2 on the 3rd floor.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've anonymously booked<br>&nbsp;&nbsp;&nbsp;&nbsp;all other rooms on that floor.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody will come up during the operation.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The details are all in here. Any questions?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean, is this that senator's job?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm told he and Mr. Mascart oppose each other<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in regards to the amendment<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Conrad Act.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunately, he's<br>&nbsp;&nbsp;&nbsp;&nbsp;extremely critical of terrorism,<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can make it look like a terrorist act.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirscher and Marco will use our<br>&nbsp;&nbsp;&nbsp;&nbsp;members to make preparations.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Ferro. We almost<br>&nbsp;&nbsp;&nbsp;&nbsp;seem like criminals here.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not seem. We are.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't your God say, "Love thy neighbor?"<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no guarantee they'll love us back.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got no romance at all...<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nihad, teach her what real love is.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the plan, Rico.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is staying in that hotel there.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After we've successfully assassinated him,<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll find hair and footprints<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Republican Faction.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, we're just surveying the site.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll check the inside later;<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;go check the back entrance for now.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I help you?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This area is for employees only.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... I'm...<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, were you looking for<br>&nbsp;&nbsp;&nbsp;&nbsp;a place to play your instrument?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a musical instrument, right?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can play here if you<br>&nbsp;&nbsp;&nbsp;&nbsp;like! Play me a song!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't...<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... Because I'm not good at it...<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're still an apprentice?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like me!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name's Emilio. What's yours?<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico...<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange. Isn't that a boy's name?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But that's okay.<br>
&nbsp;&nbsp;&nbsp;&nbsp;--*This boy talks really nice.*<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Rico suits you well!<br>
&nbsp;&nbsp;&nbsp;&nbsp;--*Are all boys like that?*<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I work at this hotel.<br>
&nbsp;&nbsp;&nbsp;&nbsp;--*I'm not sure what to say...*<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My old man lost his business<br>&nbsp;&nbsp;&nbsp;&nbsp;and does nothing but drink,<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have to make it on my own.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does your dad do for a living?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably with<br>&nbsp;&nbsp;&nbsp;&nbsp;the city's waterworks bureau...<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably? You don't live together?<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been on my own for a couple years now.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you live in a school dormitory then?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, something like that...<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it lonely without your mom or dad?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm fine.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's taking a long time.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't do anything by herself.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then I told Daniele-*san* to his face!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told him I'm poor now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but someday I'll make it big<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then laugh at them all!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he was like--<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emilio.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should get back to work now.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... need to go, too...<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you'll get in trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;if you don't go back.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Rico!<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll always be around here,<br>&nbsp;&nbsp;&nbsp;&nbsp;so play for me next time!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bye.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emilio! Quit your slackin'!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daniele-*san*! You'll never believe it!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Believe what?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just now, I met this girl!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A girl?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! She was so cute!<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seemed French, and had blonde hair...<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she was carrying<br>&nbsp;&nbsp;&nbsp;&nbsp;an Amati instrument case!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love at first sight, huh?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take my advice, forget about her.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's French, blonde, and had an Amati.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'd never associate<br>&nbsp;&nbsp;&nbsp;&nbsp;with the son of a drunkard.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you run into someone?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone sees you during a job,<br>&nbsp;&nbsp;&nbsp;&nbsp;you must kill them.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Henrietta.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is learning to play an instrument hard?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you ask?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I went to check out the area today...<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met this boy named Emilio.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a hotel porter...<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he mistook my case for a violin case.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He asked me to play for him sometime.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still only play etudes;<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you can get good fast.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it would probably<br>&nbsp;&nbsp;&nbsp;&nbsp;be hard to see him again...<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's true.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, maybe he likes you!<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know much about that sort of thing,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd be so happy if<br>&nbsp;&nbsp;&nbsp;&nbsp;someone ever did like me.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, want to try my violin?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your turn!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There. Now relax your right hand.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that a lovely sound?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lobby here.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The congressman just checked in.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bodyguards?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As expected, it's just him and his secretary.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Is the bug working?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Loud and clear.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he's about to take a shower.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, we'll time it for when he does.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta and Triela will remain on standby.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want them standing out.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room service.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return at once.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sending the clean-up team now.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean! An employee just came up!<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't let him get outside!<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico! Do you read me, Rico?!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And isn't that our uniform?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's see... What do I say<br>
&nbsp;&nbsp;&nbsp;&nbsp;at a time like this, again?*<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico...<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What was it...*<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right...<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Every time I wake up in the morning,*<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there's one thing that really worries me:*<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If my body is really still there.*<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's so wonderful knowing<br>
&nbsp;&nbsp;&nbsp;&nbsp;that my body still works.*<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Social Welfare Agency, <br>
&nbsp;&nbsp;&nbsp;&nbsp;I really like my life here.*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Doll"<br>

# 4 - Bambola (Doll)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up, before he leaves!<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna ask him, don't you?<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... But...<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Henrietta?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Um... Um...<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Tell me.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Christmas is coming up soon...<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um...<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would a drive be all right?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just being with me is enough...<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go back to your room.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night, Giuse-*san*.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night, Henrietta.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he would be with me for Christmas.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? What did I tell you?<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you were right! Thanks!<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Doll"<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giacomotti, yes?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relax. I just want to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;about your organization.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela! I just wanted him to talk!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I determined that you were in danger.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't have to do that, though!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, no shooting without my permission!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you increase<br>&nbsp;&nbsp;&nbsp;&nbsp;my level of conditioning?!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put him in the car.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's right, you know.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refuse to give her excessive conditioning.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you won't increase her conditioning,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it's your responsibility<br>&nbsp;&nbsp;&nbsp;&nbsp;to train her right.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I'm no one to talk.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems we both got stuck<br>&nbsp;&nbsp;&nbsp;&nbsp;with a job we're not good at.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do to get along with Triela?<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A serious German like you<br>&nbsp;&nbsp;&nbsp;&nbsp;can't help overdoing things.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's smart, so she's<br>&nbsp;&nbsp;&nbsp;&nbsp;sensitive to male desires.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dopey, Grumpy, Sneezy, Sleepy, Happy...<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Bashful!<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You almost have all seven!<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last one is Doc, right?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I had some too.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask your nice "brother."<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost Christmas.<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd buy them all for you.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, just having him with me is enough.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do Hirscher-*san*'s presents <br>
&nbsp;&nbsp;&nbsp;&nbsp;not make you happy?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't care what I like;<br>&nbsp;&nbsp;&nbsp;&nbsp;he always gets me the same thing.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe he thinks giving me<br>&nbsp;&nbsp;&nbsp;&nbsp;presents makes him my guardian.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be other things to do, though.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't look well. Are you okay?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been having my period since yesterday.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's totally irregular. My stomach hurts...<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we can't take<br>&nbsp;&nbsp;&nbsp;&nbsp;over-the-counter medicine...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I've told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's starting to hurt worse.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is what it feels like<br>&nbsp;&nbsp;&nbsp;&nbsp;to be alive, so I'll endure it.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the spirit.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They took out my uterus, so I<br>&nbsp;&nbsp;&nbsp;&nbsp;wish I could trade places with you.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right. I'm sorry.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela, Hirscher-*san* wants you.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, where did you get that?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Jean-*san* scolded me, that's all.<br>
&nbsp;&nbsp;&nbsp;&nbsp;--You need to wipe it off.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said to wait in the Section 1 office.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Henrietta is Giuse's sister,*<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rico is Jean's tool,*<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*which makes me...*<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What does he want me to be?*<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It'd be easier if he gave me<br>
&nbsp;&nbsp;&nbsp;&nbsp;full conditioning to decide.*<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check it out. There's a princess<br>&nbsp;&nbsp;&nbsp;&nbsp;from Section 2 by the door.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's waiting for a prince.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know Section 1 had any...<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in Section 1.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Giacomotti talk?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to today?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The airport.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're searching for a retired Mafia boss.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're searching for a man named Mario Bossi.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wandered around Europe after<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving the Mafia several years ago,<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but word has it he's back in Naples.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we killing this Mario once we find him?<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We're taking him back<br>&nbsp;&nbsp;&nbsp;&nbsp;to the agency for protection.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Protection?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need insider information<br>&nbsp;&nbsp;&nbsp;&nbsp;to prosecute his organization's Don.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to have Mario<br>&nbsp;&nbsp;&nbsp;&nbsp;testify under an escape clause.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, the Mafia wants<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep that from happening.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words...<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...he'll be knocked off if<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't do something?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precisely. We're to<br>&nbsp;&nbsp;&nbsp;&nbsp;protect him until the trial.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't Section 1 do this instead of us?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mario and I are old associates.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know several places in<br>&nbsp;&nbsp;&nbsp;&nbsp;town he might stop by.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With any luck, we'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;back in time for Christmas.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such wishful thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;usually doesn't come true.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela, is something the matter?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've seemed a little pale since yesterday.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember me? Mario from Vesuvio.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirscher!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to see you again, Mario.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you go to the D.A.?<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Mafia hitmen and dirty cops<br>&nbsp;&nbsp;&nbsp;&nbsp;are looking everywhere for you.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go to your trial.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still have something to do in town.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I have to take<br>&nbsp;&nbsp;&nbsp;&nbsp;you back to the agency.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got one cold heart.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Hirscher.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I stuck with this girl?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you've heard about our cyborgs.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't bother trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;run away attached to her.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so she's one of them...<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to go in too?!<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll watch the door. Nobody will come in.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you want me to piss my pants here.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let your guard down.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry it up.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't rush me.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone at the agency<br>&nbsp;&nbsp;&nbsp;&nbsp;has a stick up their ass.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you learn about<br>&nbsp;&nbsp;&nbsp;&nbsp;the agency from Hirscher?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't seem like the type<br>&nbsp;&nbsp;&nbsp;&nbsp;to have friends in the Mafia.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long time ago, a rookie<br>&nbsp;&nbsp;&nbsp;&nbsp;Europol investigator<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;caught a Mafia boss in Amsterdam.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Europol?<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their black market tobacco<br>&nbsp;&nbsp;&nbsp;&nbsp;business wasn't making enough<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they were exporting<br>&nbsp;&nbsp;&nbsp;&nbsp;kid-- lambs through Amsterdam.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That investigator was Hirscher.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Around that time, I seriously<br>&nbsp;&nbsp;&nbsp;&nbsp;considered leaving the Mafia.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He let me escape in return for insider info.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The organization's been after me ever since,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Hirscher was fired when they found out.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he got picked up by the agency.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two corresponded even after he joined?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a short while.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a give-and-take thing.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he tell you anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about me before I came?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you get along with Hirscher?<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because we're siblings<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't mean we're close.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mario?!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Triela?!<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get him!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, little girl.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We really appreciate you coming<br>&nbsp;&nbsp;&nbsp;&nbsp;back to Naples on your own.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm long through playing with you guys.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can talk all you want later.<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss is waiting.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"See Naples and die."<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An old saying.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Means to save dying for until after<br>&nbsp;&nbsp;&nbsp;&nbsp;you've seen this beautiful port town.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you can die in peace.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna take me away, you best hurry.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A really dangerous person<br>&nbsp;&nbsp;&nbsp;&nbsp;is about to show up.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hit?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like handcuffs, don't you?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, I won't hesitate to shoot.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking mighty pale.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Period cramps.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone had me run all over the place.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You alright?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's actually pretty bad...<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me...<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you come all the way to Naples for?<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To see my daughter.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your daughter?<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to leave the<br>&nbsp;&nbsp;&nbsp;&nbsp;Mafia when she was born.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suddenly despised everything I had done.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've sent her a Christmas present every year,<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've never seen her<br>&nbsp;&nbsp;&nbsp;&nbsp;since I changed my ways.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I promised to deliver her<br>&nbsp;&nbsp;&nbsp;&nbsp;present in person this year.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A kid needs a father, I guess...<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell Hirscher that you got away.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where your own parents are?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I know is that they<br>&nbsp;&nbsp;&nbsp;&nbsp;found me in Amsterdam.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listening to your story, I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've been a lamb myself.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't possibly ask for your forgiveness...<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's to say it was your fault?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just treat your daughter nicely.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you get along with Hirscher.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't hate him specifically, you know.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I do hate is all you selfish adults!<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mario got away?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No big deal. It was just<br>&nbsp;&nbsp;&nbsp;&nbsp;a favor for Section 1.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still time until our flight.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do some shopping first.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I think about it, I've only<br>&nbsp;&nbsp;&nbsp;&nbsp;ever given you boring clothes.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps a cute dress or shoes...<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like the way it feels<br>&nbsp;&nbsp;&nbsp;&nbsp;when I tighten my tie.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I like the sound of my<br>&nbsp;&nbsp;&nbsp;&nbsp;leather boots clicking on the streets.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never know what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of present to get you...<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just figured that all<br>&nbsp;&nbsp;&nbsp;&nbsp;kids like teddy bears...<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you'd like something<br>&nbsp;&nbsp;&nbsp;&nbsp;else, just name it.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, get me a teddy bear<br>&nbsp;&nbsp;&nbsp;&nbsp;for Christmas like always.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'm naming them<br>&nbsp;&nbsp;&nbsp;&nbsp;all after the Seven Dwarfs...<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's pretty!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, welcome back!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel any better?<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not yet.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess it's alright to<br>&nbsp;&nbsp;&nbsp;&nbsp;have one day like this a year...<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just talking to myself.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Incidentally, on Christmas Day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I received two presents.*<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One from Hirscher, and one from Mario Bossi.*<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so the Seven Dwarfs<br>
&nbsp;&nbsp;&nbsp;&nbsp;wound up as the Eight Dwarfs.*<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I should've asked for <br>
&nbsp;&nbsp;&nbsp;&nbsp;something else after all.*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Promise"<br>

# 5 - Promessa (Promise)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to see you again, Captain Ravalo.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean...<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want with a retired man?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need instructors at my<br>&nbsp;&nbsp;&nbsp;&nbsp;new place of employment.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard "things" after you left the unit.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems you're involved<br>&nbsp;&nbsp;&nbsp;&nbsp;with some shady organization.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be just the organization for you.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge at all costs, huh?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't you like to<br>&nbsp;&nbsp;&nbsp;&nbsp;return to the military police?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That job was your life.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could help you go back.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's one of them?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, if you choose her to be.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Will you choose her?<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wears glasses.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem. We can correct that as well.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll hand her over in top combatant form.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk as if you can do anything...<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. If it means you'll help us.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you choose her?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's as good as any.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your first job as her Handler<br>&nbsp;&nbsp;&nbsp;&nbsp;is to give her a name.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? Give her a girl's name?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it doesn't need to be a girl's name.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to name her whatever you like.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose that would<br>&nbsp;&nbsp;&nbsp;&nbsp;make the job more impersonal.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Promise"<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's how you see it.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Promise"<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About time you hit it.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come back until you<br>&nbsp;&nbsp;&nbsp;&nbsp;can always hit it from 20 yards.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going back.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep shooting, Claes.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Ravalo.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen Claes at all today...<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, not since I told her to keep practicing<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the range yesterday.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen her since.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't even give me a final report.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It takes time to grow accustomed to implants.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Much like how you did with your bad leg.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each girl is different.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Learning to move about should<br>&nbsp;&nbsp;&nbsp;&nbsp;come before firearms training.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musical instruments or<br>&nbsp;&nbsp;&nbsp;&nbsp;dictation may be effective.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wasn't in my job description.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check the shooting range.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet you she's still there.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would she--<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you ordered her to.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes...<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ravalo-*san*...<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I still can't hit it every time...<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot!<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't get better by<br>&nbsp;&nbsp;&nbsp;&nbsp;shooting for an entire night!<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fleda...<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fleda Claes Johansson...<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ravalo-*san*...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Claes?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you sneak out of your room?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean-*san* told me to see you.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did? He didn't tell me.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, come in.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly have a lot.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--A lot of what?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Books.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah. Not all of my things have arrived yet.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There'll be much more.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filling the bookcases'll be exhausting.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help you put the books away.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mind your own business.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may not look it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but people in our profession<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;read quite a lot.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uneducated riffraff don't make good soldiers.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of books do you read?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's see...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm reading<br>&nbsp;&nbsp;&nbsp;&nbsp;about how to grow vegetables.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll come in handy for<br>&nbsp;&nbsp;&nbsp;&nbsp;when vegetable aliens attack.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of books do you read?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They gave me several textbooks.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll read too, if that's<br>&nbsp;&nbsp;&nbsp;&nbsp;what makes a good soldier.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No firearms practice for awhile.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going out tomorrow morning.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this okay? It's not a holiday...<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Seems this is work, too.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put the bait on. Now gently<br>&nbsp;&nbsp;&nbsp;&nbsp;cast the line underhanded-like.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cast it...<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you sit and wait.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bored?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was always bored whenever<br>&nbsp;&nbsp;&nbsp;&nbsp;I went fishing with my old man.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know the joy of idly passing time.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not bored.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking that even<br>&nbsp;&nbsp;&nbsp;&nbsp;though I'm in this situation<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still experience this.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you because of work.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I don't care about you.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only care about<br>&nbsp;&nbsp;&nbsp;&nbsp;returning to the military police.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask about your leg?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An accidental pistol<br>&nbsp;&nbsp;&nbsp;&nbsp;discharge during my MP days.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three years at the agency<br>&nbsp;&nbsp;&nbsp;&nbsp;and they'll help me go back.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was Jean's promise to me.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll serve<br>&nbsp;&nbsp;&nbsp;&nbsp;as your legs until then.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off. Weren't you listening?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! You've got a bite! Pull it in!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We visited many other lakes after that...*<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Lombardy, Veneto, Piemonte...*<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At the agency, we were always silent*<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and true to our roles as teacher and student,*<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but for some reason,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we always talked at the lakes.*<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was our unspoken rule.*<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright, there goes<br>&nbsp;&nbsp;&nbsp;&nbsp;the last train for the night.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna do a little<br>&nbsp;&nbsp;&nbsp;&nbsp;on-the-job training today,<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't take them out<br>&nbsp;&nbsp;&nbsp;&nbsp;except in self-defense.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't handle these subway punks,<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can forget the real thing.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfonso, Claes has fired.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Keep the police off our backs.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Roger.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ravalo-*san*...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfonso, bring the garbage truck around.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fool...<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing when to shoot is more important<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than how well you can shoot!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late once you're in knife range!<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Don't hesitate to shoot next time.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes, sir.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your girl needs to learn some consistency.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Easier said than done.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you suggesting I<br>&nbsp;&nbsp;&nbsp;&nbsp;increase her conditioning?<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I meant.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you wanna die?!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ravalo! Stop it!<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's she doing here if<br>&nbsp;&nbsp;&nbsp;&nbsp;she can't even use a gun?!<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you assume it wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;jam because it's a modern gun?!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?! That attitude will be the end of us--<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ravalo-*san*! Behind you!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta! Stop it!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not at fault, Captain.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would seem Giuse isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;fully devoted to her training.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is their brainwashing tablature.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I now see it stands to be improved.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to redo their brainwashing?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san* will likely disagree,<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but both probably need<br>&nbsp;&nbsp;&nbsp;&nbsp;several pages rewritten.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it'll shorten their life spans!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just comes with the territory.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it doesn't concern you.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the agency lays the groundwork,<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will be back in the military police.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take some time off while she's recovering.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse...<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Ravalo-*san*. It was all my fault...<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to have<br>&nbsp;&nbsp;&nbsp;&nbsp;her brainwashing redone?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Resistance is to be expected.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't know how to keep her<br>&nbsp;&nbsp;&nbsp;&nbsp;from attacking both friend and foe.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fighting violence with<br>&nbsp;&nbsp;&nbsp;&nbsp;violence is all I've ever known.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Good soldiers read."<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. Err, I mean--<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell Jean I was complaining.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the MP captain?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't know what to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with all his free time.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might be at his breaking point now.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably for the best,<br>&nbsp;&nbsp;&nbsp;&nbsp;considering the business we're in.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to force him to continue.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ravalo-*san*!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while, Claes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you check out today?<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to get out a day early!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for you!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that you're quitting the agency.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta told me when she came to visit...<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've made up with her?<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it...<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. All I want<br>&nbsp;&nbsp;&nbsp;&nbsp;is to spend my time idly<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until you get officially released tomorrow.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some things for you.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is my room key.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, you can<br>&nbsp;&nbsp;&nbsp;&nbsp;take my books as you see fit.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are your old glasses.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you keep these?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried turning you into someone stronger,<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but lately, I feel uneasy<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever I look at you.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One must think clearly<br>&nbsp;&nbsp;&nbsp;&nbsp;before pulling a trigger.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of what the agency orders,<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you mustn't use your<br>&nbsp;&nbsp;&nbsp;&nbsp;abilities outside of work.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to be the gentle<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes whenever you put those on.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a changeable order...<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a warmhearted promise.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberto Dandini.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It's you!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we quietly looked into your proposal.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we're game.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one has followed me<br>&nbsp;&nbsp;&nbsp;&nbsp;for the last four days.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like absolute secrecy on your end, too.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're over-cautious.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it's all taken care of.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What's your story?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today? Now?!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Got it.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ravalo-*san*'s taking a long time.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean-*san*.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Ravalo...<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is dead.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was in a hit-and-run two days ago in Rome.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He died instantly.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean-*san*! You can't tell her like that!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You be quiet.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Claes...! Say something! Claes!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Take her.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, this girl is no longer of use.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A once-established<br>&nbsp;&nbsp;&nbsp;&nbsp;Handler is not easily replaced.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a proposal.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is one thing we've been wanting.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Claes would be kind enough to assist us...<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Preparations complete.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye! I'll be back soon!<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... Have fun...<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't participate in<br>
&nbsp;&nbsp;&nbsp;&nbsp;operations like everyone else.*<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't even step outside the agency.*<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To the best of my knowledge,<br>
&nbsp;&nbsp;&nbsp;&nbsp;this is the only way I've ever lived.*<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Change clothes, you can<br>&nbsp;&nbsp;&nbsp;&nbsp;put the book down there.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes, are you ready?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to test your shoulder joints,<br>&nbsp;&nbsp;&nbsp;&nbsp;so pull as hard as you can.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's begin.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's her muscle output?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abdominal and back muscles<br>&nbsp;&nbsp;&nbsp;&nbsp;still not at maximum.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes, I said pull as hard as you can!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harder! Harder!<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harder! Harder! Harder!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right shoulder dislocation<br>&nbsp;&nbsp;&nbsp;&nbsp;near maximum level.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes, take a break.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll give you painkillers in a moment.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Send her out for repairs.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right away.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compare next week's<br>&nbsp;&nbsp;&nbsp;&nbsp;muscle model with today's data.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As I do this each day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;something often comes to mind.*<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have time?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we doing?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to plant a vegetable garden...<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean-*san* actually gave me<br>
&nbsp;&nbsp;&nbsp;&nbsp;permission when I asked him.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a vegetable garden?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suddenly wanted to, for some reason.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it lonely?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always stay home alone, you know?<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would die of loneliness<br>
&nbsp;&nbsp;&nbsp;&nbsp;if I didn't have Giuse-*san*.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happy little girl.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decide if I'm lonely or not.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Cooking food, drawing pictures,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and playing music is all fun,*<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I have as many books to read as I want.*<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But most of all, I know the joy<br>
&nbsp;&nbsp;&nbsp;&nbsp;of idly spending my time.*<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think my father or someone<br>
&nbsp;&nbsp;&nbsp;&nbsp;taught me it long ago.*<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just get that feeling.*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reward"<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 6 - Gelato (Frozen)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reward"<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A toy?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't call it that.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been known to<br>&nbsp;&nbsp;&nbsp;&nbsp;explode and kill people.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this one's too weak. It's not like them.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The timer and everything<br>&nbsp;&nbsp;&nbsp;&nbsp;else seem amateur-like.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be surprised if it even detonates.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying this was a diversion?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This wasn't the real objective?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Nope.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the planned assault<br>&nbsp;&nbsp;&nbsp;&nbsp;on the national museum?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've come across bits<br>&nbsp;&nbsp;&nbsp;&nbsp;and pieces of intelligence.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fleeting information like that<br>&nbsp;&nbsp;&nbsp;&nbsp;that tickles the analysts' instincts.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The militant factionists<br>&nbsp;&nbsp;&nbsp;&nbsp;are just raring to go.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. But your people don't believe that.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What got me riled up was<br>&nbsp;&nbsp;&nbsp;&nbsp;the amateur subway bomb.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just too much.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're incapable of making their own bombs.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their pathetic excuse for a<br>&nbsp;&nbsp;&nbsp;&nbsp;bomb wasn't meant as a feint,<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to provoke the professionals' pride.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd make a good mystery writer.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No injuries were reported,<br>&nbsp;&nbsp;&nbsp;&nbsp;and officials aren't even certain<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a terrorist group's bomb.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a terrorist group's bomb.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We knew from the start that<br>&nbsp;&nbsp;&nbsp;&nbsp;they couldn't make bombs.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean about how they<br>&nbsp;&nbsp;&nbsp;&nbsp;thought they could lure us out.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sure underestimated us.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll get no help from us.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Why should we?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man back there is Enrico Perdini.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's an ultra-left terrorist<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Republican Faction,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and responsible for last year's<br>&nbsp;&nbsp;&nbsp;&nbsp;bombing at Republic Square<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and four other incidents.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Henrietta? Hear anything?<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Complicated politics.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's criticizing the southern<br>&nbsp;&nbsp;&nbsp;&nbsp;plant's development work.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No more of the northern plant's tax funds<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;must go into the southern plant."<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If this plan succeeds,<br>&nbsp;&nbsp;&nbsp;&nbsp;the government will rethink its ways."<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changing his stripes to get funds...<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was originally an anarchist.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He changed his thinking?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he'll work under any flag<br>&nbsp;&nbsp;&nbsp;&nbsp;to get funds for his movement.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The R.F.'s Lombardian Plains<br>&nbsp;&nbsp;&nbsp;&nbsp;Freedom Movement is supported<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by northern capitalists<br>&nbsp;&nbsp;&nbsp;&nbsp;who have followed the flow<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of European right-turners and anti-globalism.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Much different than ultra-left<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorists who rob banks for funds.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright. Let's persuade them<br>&nbsp;&nbsp;&nbsp;&nbsp;from the proper direction.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've lost sight of the goal.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we make them relearn<br>&nbsp;&nbsp;&nbsp;&nbsp;the meaning of a just cause,<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll *have* to...<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I'll get the committee moving.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure it gets<br>&nbsp;&nbsp;&nbsp;&nbsp;delivered by 2:00 tonight.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that time comes, give them a<br>&nbsp;&nbsp;&nbsp;&nbsp;lesson they'll never forget, Henrietta.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enzo.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay for us to stop watching Enrico?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, we have a team on him.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll capture him once<br>&nbsp;&nbsp;&nbsp;&nbsp;they've met the bomb makers.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until then, prepare for the<br>&nbsp;&nbsp;&nbsp;&nbsp;assault at the branch office.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, will one<br>&nbsp;&nbsp;&nbsp;&nbsp;fratello really be enough?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to capture the bomb makers alive.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That *will* make things tougher.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call HQ and try getting<br>&nbsp;&nbsp;&nbsp;&nbsp;a few fratellos before tonight.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Giuse. The Rome<br>&nbsp;&nbsp;&nbsp;&nbsp;branch is short of hands right now.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the macho guys have left for the museum.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's Enrico's plan?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To blow something up, of course.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll go to any lengths to get what he wants.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look so disappointed.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse doesn't think you're unreliable.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you and the backup from HQ<br>&nbsp;&nbsp;&nbsp;&nbsp;take care of things smoothly,<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll give you a reward.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? Perfume?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose I buy her too much...<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the things I get her<br>&nbsp;&nbsp;&nbsp;&nbsp;are sort of like her salary.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, kids *are* most<br>
&nbsp;&nbsp;&nbsp;&nbsp;adorable at around this age...<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can understand buying her stuff.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My own daughter's old<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to go partying at night.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She rarely comes by the house anymore.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tommaso.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've brought support from headquarters.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where they print<br>&nbsp;&nbsp;&nbsp;&nbsp;the government newspaper.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no place for children.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's alright, Pietro.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the one I mentioned.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been informed.<br>&nbsp;&nbsp;&nbsp;&nbsp;Take her inside immediately.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Getting outside help<br>&nbsp;&nbsp;&nbsp;&nbsp;means you gotta take their attitude.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm used to it.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, just relax until evening.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you need anything?<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, spare ammo for Henrietta, and an FN57.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean? Pattern B.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? Right.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. Bye.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He gave them the slip.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. How did you know?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our people caught up with him.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're on his trail now.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He got off the subway.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which station?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cavour, B Line.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright. I'll follow him.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, that's one stop before the museum.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's his real target?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No idea...<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, it won't matter after tonight.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll contact our guys there.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The backup...<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The backup is already here, isn't it?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I called for Rico and Triela.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've planned for multiple contingencies.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be a while until<br>&nbsp;&nbsp;&nbsp;&nbsp;we find where they're hiding.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a nap while you decide<br>&nbsp;&nbsp;&nbsp;&nbsp;what you want for your reward.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually,<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already know what I want.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not headed for the museum.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's going in the opposite direction,<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around Rome.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's his target?!<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enrico's back.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enrico, why are you still in Rome?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd much rather make the deal in Ostia.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Franca. I wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;scope out the location first.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rome is in the lap of this so-called agency.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous to stay here.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some guys followed me this afternoon,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I shook 'em off.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably have their<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;hands full right now with<br>&nbsp;&nbsp;&nbsp;&nbsp;the ruckus at the museum.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I want to do it tomorrow.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deliver it by the appointed time tonight.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bomb arrangements are set.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we really need their help?<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Franca and Franco's bombs are<br>&nbsp;&nbsp;&nbsp;&nbsp;absolutely impossible to dismantle!<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a lost cause.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no cure for a fool.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an order from above, so we'll help him.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd prefer to have people<br>&nbsp;&nbsp;&nbsp;&nbsp;like him gone, though.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are they planting it?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That question gives me<br>&nbsp;&nbsp;&nbsp;&nbsp;second thoughts about this.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Should* we hand it over?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. If they really are serious,<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then maybe we should give 'em a fake.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get ready to go.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time, but the bomb<br>&nbsp;&nbsp;&nbsp;&nbsp;makers haven't shown up.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remain on standby.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they really gonna show?!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll come.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enrico-*san*.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's wrong.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no traffic beyond the bridge.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe there was an accident?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too hard to tell from here.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accident reported.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The national police has<br>&nbsp;&nbsp;&nbsp;&nbsp;diverted traffic on this block<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of a three-car pileup.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simone.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The opposite bank seems odd.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hear police sirens.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go check it out.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enzo.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's started.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not gonna show tonight.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grill that Enrico bastard!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Camouflage for a public security raid?<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut the lights! Stay out of the windows!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lights out on the 3rd floor<br>&nbsp;&nbsp;&nbsp;&nbsp;of the southern building.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enrico must be in there. Can you see him?<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not from this position.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirscher, how about you?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having Triela climb<br>&nbsp;&nbsp;&nbsp;&nbsp;up from the west side.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. I'll send Henrietta<br>&nbsp;&nbsp;&nbsp;&nbsp;in so we can surround him.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't shoot!<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please help...<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were scary people<br>&nbsp;&nbsp;&nbsp;&nbsp;downstairs with guns...<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then...<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd this kid get inside?<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect timing. We can use her as a hostage.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry! Come here!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up before the guys with guns come!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now be a good little--<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Officers!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen on that holm?<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was an arrest last night.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's off-limits now.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Spain Square had a narrow escape...<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure a simple<br>&nbsp;&nbsp;&nbsp;&nbsp;ice cream is all you want?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially during the middle of winter?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure. There's a meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;behind ice cream in Spain Square.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad your ice cream is okay!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *are* in Spain Square, after all!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl had Pupa perfume on.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pupa perfume and an Amati violin...<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must be the daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;of a well-to-do family.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure am glad that Enrico<br>&nbsp;&nbsp;&nbsp;&nbsp;idiot got arrested.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's girls like her that we<br>&nbsp;&nbsp;&nbsp;&nbsp;Republican Factionists are out to protect.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Protection"<br>

# 7 - Protezione (Protection)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Protection"<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me...<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Oh...<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I help you?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is the entrance to the Uffizi Gallery?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you go right through there...<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *Neptune Fountain* by Ammannati.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ammannati?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It certainly is a marvelous sculpture.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, all Ammannati did<br>&nbsp;&nbsp;&nbsp;&nbsp;was waste lots of marble.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Jean-Louis Bataille.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a French cosmetics salesman.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo Adani.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, well, do finances...<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you on a trip?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I brought my sister<br>&nbsp;&nbsp;&nbsp;&nbsp;Florence along on my business trip.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought she might like Firenze.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Florence?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was one of your parents born here?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm told my mother was.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you know?<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Florence' comes from the name 'Firenze.'<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the name 'Jean' originates<br>&nbsp;&nbsp;&nbsp;&nbsp;from 'John the Baptist.'<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's Firenze's guardian saint.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you come to Firenze on business, too?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No,<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm on vacation.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've worked much too<br>&nbsp;&nbsp;&nbsp;&nbsp;hard, as far as Italians go,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I leisurely made my way here from Milan.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That statue is known as<br>
&nbsp;&nbsp;&nbsp;&nbsp;*The Rape of the Sabine Women*.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three people were carved<br>&nbsp;&nbsp;&nbsp;&nbsp;out of one block of marble.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to legend,<br>&nbsp;&nbsp;&nbsp;&nbsp;when Rome was first founded,<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only rowdy men lived there...<br>&nbsp;&nbsp;&nbsp;&nbsp;there weren't enough brides.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they invited people from<br>&nbsp;&nbsp;&nbsp;&nbsp;the next town over to a festival<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and stole their women.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They stole them?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess girls just didn't like them...<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly are knowledgeable.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really...<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wouldn't mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;could you show us around Firenze?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but if you stay with me too long...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'd be delighted to.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you used to study art?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I was once<br>&nbsp;&nbsp;&nbsp;&nbsp;an art student here in Firenze.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you grew bored of this gallery?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not at all.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did indeed visit on many occasions,<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my mood changed my<br>&nbsp;&nbsp;&nbsp;&nbsp;impression of it each time.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be boring one<br>&nbsp;&nbsp;&nbsp;&nbsp;time and fresh another.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Florence, are you bored?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the difficult things,<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I get goose bumps whenever<br>&nbsp;&nbsp;&nbsp;&nbsp;I look at statues or paintings.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're quite a receptive girl.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must get ecstatic when you<br>&nbsp;&nbsp;&nbsp;&nbsp;hear the names Botticelli or Lippi.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lippi?<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know who Botticelli is.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;His first instructor was Filippo Lippi.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's getting crowded.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it *is* the Uffizi Gallery.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are those<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;two tourists?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could be from the Social Welfare Agency.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean that order to<br>&nbsp;&nbsp;&nbsp;&nbsp;watch out for little girls?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're worried about little girls,<br>&nbsp;&nbsp;&nbsp;&nbsp;forget walking around outside.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got near her earlier...<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she seemed to be hiding<br>&nbsp;&nbsp;&nbsp;&nbsp;something in her coat.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably just<br>&nbsp;&nbsp;&nbsp;&nbsp;a stuffed animal or something.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of her hands were pure white.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she were an assassin,<br>&nbsp;&nbsp;&nbsp;&nbsp;she would have trained quite a bit.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we wait for her to be alone tonight?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't take too long.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell the guys outside to get her<br>&nbsp;&nbsp;&nbsp;&nbsp;when she goes somewhere empty.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Cristiano-*san*.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an art gallery, Guglielmo!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to insult Italy's treasures?!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I was just--<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell them no gunfire in<br>&nbsp;&nbsp;&nbsp;&nbsp;any galleries or churches.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo-*san*.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just remembered something,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need to make a phone call.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you watch Florence in the meantime?<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take your time.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll meet you at the exit.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Florence,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you stay with Filippo-*san*, now.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's full of art museums and churches!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's an order from Cristiano-*san*.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright. Don't forget.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where the hell in Firenze<br>&nbsp;&nbsp;&nbsp;&nbsp;are we supposed to attack?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop the phone.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Alright...<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you assassins for Bigliazzi?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you from the R.F.?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No funny business.<br>&nbsp;&nbsp;&nbsp;&nbsp;Having your neck snapped really hurts.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't dare...<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police have rules...<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just kill people...<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can kill you for two reasons.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One: I'm not a police officer.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two: I hate assassins and terrorists.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used to study art, right?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you become an artist?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two reasons.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One: I had no artistic talent.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two: I had to carry on my father's work<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I had mathematical<br>&nbsp;&nbsp;&nbsp;&nbsp;talent for some reason.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you like paintings so much,<br>&nbsp;&nbsp;&nbsp;&nbsp;why not become an artist now?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The older you get, the fewer<br>&nbsp;&nbsp;&nbsp;&nbsp;the possibilities that remain.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't now...<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want to be when you grow up?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I want to be?<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mull it over as much as you want.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still full of possibilities.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother's a nice person.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll let you experience all sorts<br>&nbsp;&nbsp;&nbsp;&nbsp;of things while you're still young.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my brother *is* nice.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready to talk?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask again.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you with?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-The Republican Faction...<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you following Filippo?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To eliminate him and recover<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Bigliazzi's private ledger...<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, that wasn't so bad.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ministry of Tourism, Firenze Office.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean from HQ Section 2.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm currently in the Uffizi.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a man in an<br>&nbsp;&nbsp;&nbsp;&nbsp;off-limits bathroom, take him.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will likely be one more incident,<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so prepare a car and keep the police busy.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I kept you waiting.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Florence,<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;did you behave yourself?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to next?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little exhausted.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we rest somewhere quiet?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good idea. In that case...<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're dealing with the R.F.<br>&nbsp;&nbsp;&nbsp;&nbsp;Exterminate them all.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These back alleys are really nice.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo Adani?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the ledger inside that case?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hand it over quietly and<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Bigliazzi will overlook this.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back with us to Milan.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise...<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...some innocent people will pay.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo-*san*.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo! Run!<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico! Come on!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who in the world are you?!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll skip the lengthy explanation,<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're with an intelligence agency.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take it you're Mr. Bigliazzi's accountant?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you knew?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ledger you took proves<br>&nbsp;&nbsp;&nbsp;&nbsp;that he's giving funds to the R.F.?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything else?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason they're so<br>&nbsp;&nbsp;&nbsp;&nbsp;eager to get rid of you.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard them discussing<br>&nbsp;&nbsp;&nbsp;&nbsp;their latest terrorist plot.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably don't want word to leak out...<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can tell me all about it later.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you betray your employer?<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean to boast, but I've<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;never even snuck onto a train<br>&nbsp;&nbsp;&nbsp;&nbsp;or gotten a parking ticket.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I quit my art and became an<br>&nbsp;&nbsp;&nbsp;&nbsp;accountant like my father wanted...<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I learned of his continued<br>&nbsp;&nbsp;&nbsp;&nbsp;tax evasion for 20 years<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and his funding of terrorist groups.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want any part of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I ran off with the ledger.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew Bigliazzi was in<br>&nbsp;&nbsp;&nbsp;&nbsp;cahoots with the police,<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if I was going to be assassinated,<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to see Firenze one last time...<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean-*san*.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Multiple footsteps are coming this way.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo, I assume you're<br>&nbsp;&nbsp;&nbsp;&nbsp;a conscription dodger?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Military service is the duty of all citizens;<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was with the border patrol for 13 months!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you know how to use this.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See him?!<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse, where are you?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On standby in the branch office car.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on our way to the<br>&nbsp;&nbsp;&nbsp;&nbsp;Grazie Bridge; let's meet up there.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, you and Filippo cut through the<br>&nbsp;&nbsp;&nbsp;&nbsp;courtyard and make for the Arno River.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grazie Bridge will be on your left.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grab my hand.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Florence...<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was what you said at the Uffizi a lie, too?<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not good at lying,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so Jean-*san* does it for me.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they come.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Step on it.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let 'em get away!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Cristiano-*san* will kill us!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! I know!<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't want tourists involved.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's lure them to a deserted area.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*, can I shoot now?<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait just a little longer.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you...<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I now?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright, go ahead.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there. We'll get<br>&nbsp;&nbsp;&nbsp;&nbsp;you to a doctor soon.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was prepared for this.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm satisfied being able to die<br>&nbsp;&nbsp;&nbsp;&nbsp;in a city as beautiful as this.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was even able to say<br>&nbsp;&nbsp;&nbsp;&nbsp;farewell to Botticelli and Lippi.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired of living.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Filippo-*san*...<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't stop you if you<br>&nbsp;&nbsp;&nbsp;&nbsp;want to die that badly,<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think it would be a waste.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Botticelli and Lippi would be happier<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you drew paintings in this world.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And besides, Firenze<br>&nbsp;&nbsp;&nbsp;&nbsp;is such a beautiful city...<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. That it is...<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fairy Tale"<br>

# 8 - Il Principe del regno della pasta (The Prince of the Kingdom of Pasta)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright then, Henrietta.<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any trouble sleeping,<br>&nbsp;&nbsp;&nbsp;&nbsp;nausea, or slight fevers?<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Dr. Bianchi.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be honest. This is for your own sake.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the truth! I've been just fine lately!<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So are you confident you<br>&nbsp;&nbsp;&nbsp;&nbsp;can listen to your Handler<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and control your emotions?<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try my best.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta-*chan* is as adorable as ever.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeing a girl that innocent<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me want to win one over.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd take the girls before<br>&nbsp;&nbsp;&nbsp;&nbsp;you Italian men could.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then I'd make a ballet<br>&nbsp;&nbsp;&nbsp;&nbsp;company out of them.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a good idea.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amadeo, I have an even more creative plan.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that, Giorgio-*kun*?<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A soccer team.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's perfect!<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you Italian men?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now. Stop playing<br>&nbsp;&nbsp;&nbsp;&nbsp;around with my Henrietta.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*, we're just kidding.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rough people like us can't<br>&nbsp;&nbsp;&nbsp;&nbsp;possibly handle such a delicate girl.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fairy Tale"<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alrighty then.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done with her; could you<br>&nbsp;&nbsp;&nbsp;&nbsp;bring Angelica in 10 minutes?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask again now that<br>&nbsp;&nbsp;&nbsp;&nbsp;the scary lady is gone...<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really all right?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't keep me from working.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've only killed four people this month,<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but last month I killed ten!<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's probably more than Triela!<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're lying about being all right?<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I don't say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if I'll be useable...<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always report to someone, right?<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She really is delicate...<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please--<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta,<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;control your emotions.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you can do that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't need to worry anymore.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright...<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I could make her into a ballerina...<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Olga...<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up next.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I win.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Angelica. Have a seat.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember me?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bianchi...<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what my ID says.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem well lately.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I made it!<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww! My Etta-*chan* already left?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't bother asking, Priscilla.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*! Lend me Etta sometime!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found this great boutique!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many people do you<br>&nbsp;&nbsp;&nbsp;&nbsp;recognize in those pictures?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 6, Number 9,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 13,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Number 20...<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor, how many have I forgotten?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I lost any important people?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a little test.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember this story?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Once upon a time,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a kingdom of pasta.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this kingdom there lived<br>&nbsp;&nbsp;&nbsp;&nbsp;a prince who loved pasta,<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he ate pasta everyday."<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sure brings back memories.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor, can I start working again soon?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not the one who decides that. Ask Marco.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse, are you satisfied now<br>&nbsp;&nbsp;&nbsp;&nbsp;that you know what she's thinking?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I let you watch Henrietta's<br>&nbsp;&nbsp;&nbsp;&nbsp;interview because you asked,<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what you need is<br>&nbsp;&nbsp;&nbsp;&nbsp;not knowledge, but faith.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conversely, the reason I<br>&nbsp;&nbsp;&nbsp;&nbsp;forced you to come here<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to renew your former<br>&nbsp;&nbsp;&nbsp;&nbsp;interest in Angelica.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to your old enthusiasm?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bianchi,<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should know<br>&nbsp;&nbsp;&nbsp;&nbsp;how I wound up like this--<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we went through it together!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked hard to teach<br>&nbsp;&nbsp;&nbsp;&nbsp;her all sorts of things,<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the cyborg engineers--<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the conditioning doctors<br>&nbsp;&nbsp;&nbsp;&nbsp;came and made her forget it all!<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you can rationalize it to<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself because you're a doctor,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but would you say the same<br>&nbsp;&nbsp;&nbsp;&nbsp;thing if you were a Handler?!<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand how painful it is.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're studying the<br>&nbsp;&nbsp;&nbsp;&nbsp;implants and conditioning.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their current side effects<br>&nbsp;&nbsp;&nbsp;&nbsp;may be reversible someday.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica might not make it in time,<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but abandoning her would be horrible.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco-*san*.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They finally released me today!<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we can be together again!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I got this book from<br>&nbsp;&nbsp;&nbsp;&nbsp;the counseling doctor...<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When do I start work--<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your unsteadiness would only be a handicap!<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too soon for work.<br>&nbsp;&nbsp;&nbsp;&nbsp;Go change clothes and run laps!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the girls at the Social<br>&nbsp;&nbsp;&nbsp;&nbsp;Welfare Agency are far from happiness,<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but nor are they especially unhappy.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long ago, there was another<br>&nbsp;&nbsp;&nbsp;&nbsp;unfortunate girl known as Angelina.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pero...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her own parents tried to kill her.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shortly before her father's<br>&nbsp;&nbsp;&nbsp;&nbsp;factory went under,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he took out a large<br>&nbsp;&nbsp;&nbsp;&nbsp;insurance policy on his daughter.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Around that time, I was--<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you were dismissed<br>&nbsp;&nbsp;&nbsp;&nbsp;because your eyesight grew bad?<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't it a workplace injury?<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not going blind was enough for me!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if my eyesight is bad... Patrizia,<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see your eyes and lips perfectly.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have quite an<br>&nbsp;&nbsp;&nbsp;&nbsp;impressive history, Marco Toni.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're hired.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, do you like children?<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I love them!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the new organization attached to?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The State Department?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bianchi recommended you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he not tell you anything?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just that the rules said he couldn't talk.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would seem the rules are being upheld.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, allow me to explain your job.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy...<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pero...<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the hospital of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Social Welfare Agency.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went on an errand with Pero<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then this car came at me...<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and then I couldn't move.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used magic to make you all better.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Daddy?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Pero?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your parents had to do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they're somewhere else.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Pero's with them, of course.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you giving me a shot?<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't like shots?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No kids do.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, I'll tell you a story<br>&nbsp;&nbsp;&nbsp;&nbsp;so you won't notice it.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like pasta?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll tell you the 'Prince<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Pasta Kingdom' story.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once upon a time,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a kingdom of pasta.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this kingdom there lived<br>&nbsp;&nbsp;&nbsp;&nbsp;a prince who loved pasta,<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he ate pasta everyday.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was only one<br>&nbsp;&nbsp;&nbsp;&nbsp;fork in the whole kingdom,<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the prince always had to eat pasta alone.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even really delicious pasta<br>&nbsp;&nbsp;&nbsp;&nbsp;has no flavor if you eat it alone.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hurts after all...<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I should've figured.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue...<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pasta story...<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you more when<br>&nbsp;&nbsp;&nbsp;&nbsp;you get your next shot.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now be a good little girl.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The nearly-dead Angelina was<br>&nbsp;&nbsp;&nbsp;&nbsp;reborn as a cybernetic test subject.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I named the brand-new cyborg 'Angelica.'<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her parents were absolute scum,<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I felt they were<br>&nbsp;&nbsp;&nbsp;&nbsp;correct to call her an angel.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's the cutey, Marco-*san*?<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she your daughter?!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop talking like that, you perverts!<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the cyborg.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so she's the one?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the missionary of love, Amadeo.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to meetcha--<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the fallen angel of love, Priscilla!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, Section 2 consisted of<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica and less than 10 members.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We never got any real work,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we had lots of spare time.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is she?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost *too* good.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Cybernetic implants are incredible.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does she ever ask about her family?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On occasion.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when the Pasta<br>&nbsp;&nbsp;&nbsp;&nbsp;Prince story comes out...<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...once she hears that,<br>&nbsp;&nbsp;&nbsp;&nbsp;she quickly forgets 'em.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I just make it up as I go along.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? That was *your* story?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it was from one of<br>&nbsp;&nbsp;&nbsp;&nbsp;Patrizia's children's books...<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you told her about this job?<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I'll tell her next week.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welfare work?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you<br>&nbsp;&nbsp;&nbsp;&nbsp;were with the military police?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember that man, Bianchi?<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He got me in.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of work do you do?<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do I put it... I take care of children.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great. Now we can<br>&nbsp;&nbsp;&nbsp;&nbsp;see each other all the time.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the perfect job for you!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I saw Angelica, she<br>&nbsp;&nbsp;&nbsp;&nbsp;pestered me about the rest of the story.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I was completely out of ideas,<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had some idle members<br>&nbsp;&nbsp;&nbsp;&nbsp;help think up the pasta tale.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't all fairy tales have a princess?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A princess kidnapped<br>&nbsp;&nbsp;&nbsp;&nbsp;by a dragon or something...<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dragon, huh?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems kind of ordinary...<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not pros, and it<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't need to be complex.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fairy tales you still remember<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are former public security elites<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Russian spies doing?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as an adult<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the harm? There's<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing to do anyway.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are simple and have memorable scenes.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wish they'd get her back in combat shape<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dragon that kidnapped the princess<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seems evil at first,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and give us some work.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he just wanted a friend,<br>&nbsp;&nbsp;&nbsp;&nbsp;like the prince. How's that?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds good!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As per Giorgio's hopes, Angelica's<br>&nbsp;&nbsp;&nbsp;&nbsp;implants were successfully replaced.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the time Prince Pasta met Princess Pizza,<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section 2 had finally become<br>&nbsp;&nbsp;&nbsp;&nbsp;strong enough to take on terrorists.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is the prince's name 'Pasta'?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only the prince of Pasta<br>&nbsp;&nbsp;&nbsp;&nbsp;Kingdom can eat pasta.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one fork that gets passed down,<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so only one person can be named 'Pasta.'<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just when I thought you rarely see me,<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never expected you were<br>&nbsp;&nbsp;&nbsp;&nbsp;writing a fairy tale for a little girl.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you writing?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds interesting,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I want to take notes.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Marco. Can't you tell me where you work?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. The 'Social Welfare Agency.'<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your average government group.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so...<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Legs a little farther apart.<br>&nbsp;&nbsp;&nbsp;&nbsp;Stick your arms out gently.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch the trigger<br>&nbsp;&nbsp;&nbsp;&nbsp;until you're about to shoot.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright. Take a shot.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be surprised by the sound or recoil.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! I wouldn't have thought<br>&nbsp;&nbsp;&nbsp;&nbsp;that was a little girl's first try!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cybernetic implants really are amazing.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here to waste time again?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the suspicious sunglasses?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me some credit.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just did hand-to-hand combat training.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You train too, Priscilla-*chan*?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* in charge of intellectual work,<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I'm going to be in this organization,<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should toughen myself up.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strength brings possibilities.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Possibilities?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Possibilities that can<br>&nbsp;&nbsp;&nbsp;&nbsp;be used for good or bad things.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to help you like how<br>&nbsp;&nbsp;&nbsp;&nbsp;the prince saved Princess Pizza.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But from the looks of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should be protecting me.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Was it scary shooting a gun?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I had to do it, so I was fine.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conditioning sure is scary.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's *your* problem?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do nothing but baby-sit!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? The pay is good,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we get to be with girls.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just here for the<br>&nbsp;&nbsp;&nbsp;&nbsp;chicks? Marine trash!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are all army officers this stupid?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Do you love murder that much?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Why, you...<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That eager to fight, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about childish!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to fire the both of you,<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the agency doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;dismiss people that easily.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make you suffer instead.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the next 3 months,<br>&nbsp;&nbsp;&nbsp;&nbsp;participate in the army's operations.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to exert yourselves<br>&nbsp;&nbsp;&nbsp;&nbsp;that badly, then go do it there.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes, sir!<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Yes, sir!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tested the possibilities<br>
&nbsp;&nbsp;&nbsp;&nbsp;that Priscilla-*chan* talked about.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I was wrong?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. You did great.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ironically, this incident spurred<br>&nbsp;&nbsp;&nbsp;&nbsp;on the use of cybernetic implants,<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and soon Section 2 was given<br>&nbsp;&nbsp;&nbsp;&nbsp;a chance for real combat.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then we learned of the side effects<br>&nbsp;&nbsp;&nbsp;&nbsp;of cybernetic transformation.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're so pretty!<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amadeo-*san*! Giorgio-*san*!<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're finally back?<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those were the three months from Hell.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You brought it on yourself.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, I know.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica, here you go.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, apologize.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about before.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought you two would break up...<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dr. Bianchi, what was his real job?<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...against the rules to tell me?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said the same thing.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While still smelling of gunpowder...<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want Marco to be a normal person...<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...so I broke up with him.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever happened to that story?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Prince Pasta and Princess Pizza one?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main story was finished.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They even made a side story!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor, could you tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;what kind of story it was?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's alright with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to make it into a book!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I no longer tell her the story.*<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't want to think that everything<br>
&nbsp;&nbsp;&nbsp;&nbsp;I did for her back then was in vain.*<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She no longer remembers the story.*<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more lap and we'll call it a day.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir...<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cluster Amaryllis"<br>

# 9 - Lycorsi Radiata Herb (Be Struck Off Herb)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the cop too?<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It'll be perfect,<br>&nbsp;&nbsp;&nbsp;&nbsp;since you're not known around here.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't be careless.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take pictures afterward to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep the police on their toes.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*, this is Elsa.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does it look?<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same as yesterday.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one officer in front of the door.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Take a rifle and go all out on them.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget the pictures.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cluster Amaryllis"<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Police Chief...<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should consider what's wiser,<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;working with the government<br>&nbsp;&nbsp;&nbsp;&nbsp;or working with terrorists.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hear any complaints, you'll be next.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a lot to do too, you see...<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was very easy--<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get the pictures?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still some film left.<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've used it all.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have it developed when<br>&nbsp;&nbsp;&nbsp;&nbsp;we get back to the agency.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright, let's get going.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Zweihundert, zwanzig, drei...*<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Euro?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Oiro.'<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You read the German 'eu' as 'oi.'<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you read 23 from the first digit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so it's '*drei und zwanzig.*'<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should really study the numbers.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;5.56 is '*fuenf komma fuenf sechs*.'<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;7.62 is '*sieben komma sechs zwei.*'<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any part you don't understand?<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Adults and children are the same,*<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when there are 10 people together,<br>
&nbsp;&nbsp;&nbsp;&nbsp;not all 10 get along.*<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The same is true for we conditioned girls.*<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Elsa lives in her room alone,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and rarely talks to us.*<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've never tried talking to her myself...*<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk to Elsa, don't you?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. Just whatever topic is at hand.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... not really good<br>&nbsp;&nbsp;&nbsp;&nbsp;at starting conversations...<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate her too...<br>&nbsp;&nbsp;&nbsp;&nbsp;all she does is stick to Lauro.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only she were as adorable as you...<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk to her, even though you hate her?<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. How do I put it?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be easy to avoid people I hate,<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe it's in my nature?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, while we're on the subject,<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;both you and Claes used<br>&nbsp;&nbsp;&nbsp;&nbsp;to be scary like that.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So *you* helped us change?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not that conceited.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It all depends on<br>&nbsp;&nbsp;&nbsp;&nbsp;the Handler and the conditioning...<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Handler?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're fine with Claes but not with Elsa?<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes is pretty unsociable too.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know how,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's just different...<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used to be afraid of me, Triela?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's today's cake, Ricotta Tarts.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They came out good.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you as always, Claes-*sama*!<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds creepy.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Giuse, you're training too?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's Angelica coming along?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm mostly back to normal!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't overexert yourself.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still a better shot than you.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I get better?<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any special secrets to it.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get better with constant practice.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Giuse.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were chasing<br>&nbsp;&nbsp;&nbsp;&nbsp;the R.F. in Tuscany?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Already took care of it.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the local police are hiding 'em,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's a bit left to do.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. You're free this week, right?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like your help, if that's okay.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you the details tonight.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, see you later!<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to work with Elsa?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Possibly.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's there?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we might talk...<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the police were<br>&nbsp;&nbsp;&nbsp;&nbsp;sheltering the terrorists there.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed a cop a couple<br>&nbsp;&nbsp;&nbsp;&nbsp;days ago as an example,<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the police chief refused to yield.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, he threatened to announce<br>&nbsp;&nbsp;&nbsp;&nbsp;the existence of the agency.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The section chief finally<br>&nbsp;&nbsp;&nbsp;&nbsp;authorized his assassination.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police chief, huh? Do you have a plan?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I got things ready before coming here.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The area around the police HQ<br>&nbsp;&nbsp;&nbsp;&nbsp;is perfect for sniping.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With two shooters, it should be a cinch.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sniping attack, huh?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Is Henrietta a bad sharpshooter?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she's decent enough.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she might try to show off<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of me or the others.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we'll do it.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do want to make Henrietta more confident.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Giuse.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you always worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about the cyborgs like that?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the rumors are true?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What rumors?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -All kinds.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Half of them are probably true.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen how you treat her...<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really can't stand messed-up guys like you.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then don't invite them drinking.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I invite 'em *because* I hate 'em.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By approaching them and having<br>&nbsp;&nbsp;&nbsp;&nbsp;heart-to-heart talks like this,<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can learn what makes 'em tick.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way I can tell what I like<br>&nbsp;&nbsp;&nbsp;&nbsp;and don't like about them.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I can tell, you seem<br>&nbsp;&nbsp;&nbsp;&nbsp;like a pretty good guy, Giuse.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As Kennedy once said, "Let us<br>&nbsp;&nbsp;&nbsp;&nbsp;not be blind to our differences."<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to talk about.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we might be working together soon...<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, I'll warn you now.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you get in Lauro-*san*'s way...<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll make you pay!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you get along with everyone?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's more important to you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Handler or the other cyborgs?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san* is the most important to me.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing else matters.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to use all of my<br>
&nbsp;&nbsp;&nbsp;&nbsp;time for Lauro-*san*'s sake.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I polish his rifle while I think about him...<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...despite not knowing<br>&nbsp;&nbsp;&nbsp;&nbsp;how long we have to live.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of you have love!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not...<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I like<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san* a lot too, you know!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's nothing left<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk about. Leave.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Lauro.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize you put importance<br>&nbsp;&nbsp;&nbsp;&nbsp;on being sociable.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, thank you. I'm glad<br>&nbsp;&nbsp;&nbsp;&nbsp;I invited you drinking after all.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;a little cold toward Elsa?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't confuse cyborgs for colleagues.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll never see me infatuated<br>&nbsp;&nbsp;&nbsp;&nbsp;with those things like you are.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I try not to think about it too hard.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cyborgs are definitely great.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They even hold your guns for you.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give them the order<br>
&nbsp;&nbsp;&nbsp;&nbsp;and they'll even buy you a *panini*.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no need to go *that* far.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, if it weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;for the kids of Section 2,<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have a job.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't mind my rambling...<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just keep doing things your own way.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Lauro.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you join the agency?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pay is good.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna need a tidy sum soon.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cyborgs have it tough, but so do we...<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we don't have Handlers<br>&nbsp;&nbsp;&nbsp;&nbsp;to take care of us.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ain't that the truth?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ready, Giuse?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sent the bulky equipment ahead.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're smarter than I thought.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your first time in Siena?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When our job is over tomorrow,<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's take a look around<br>&nbsp;&nbsp;&nbsp;&nbsp;town on our way back.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little excursion should be all right.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try my best on this next job!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. You do that.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we kill the police chief<br>&nbsp;&nbsp;&nbsp;&nbsp;directly in front of his office...<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it'd send a big message to<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of the provincial police.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you manage to<br>&nbsp;&nbsp;&nbsp;&nbsp;get such a good location?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have all sorts of connections,<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;plus museums and the like are<br>&nbsp;&nbsp;&nbsp;&nbsp;basically under government control.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do with the Hecate?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Set it up next to your SIG for now.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd prefer not to use it if possible.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Elsa acting today?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just seems a little eager.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They often miss when they're like that.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa has never failed before.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what "conditioning" is for.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your good nature is<br>&nbsp;&nbsp;&nbsp;&nbsp;disturbing, you know that?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here come the chief's cars.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target should be in the second one.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot after he exits the<br>&nbsp;&nbsp;&nbsp;&nbsp;car and climbs the steps.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time it carefully.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Elsa! Pay attention!<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Right!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! The safety is still on!<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse, switch with Elsa.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems likely to miss today.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, I'm fine!<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Alright.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Elsa.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry! He's stepping out of the car!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright. Good work.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get out of here.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa! Get moving!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Useless.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fever"<br>

# 10 - Amare (To Love)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta...<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I see too?<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It leaves in five minutes.<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll arrive at Sicily Island in the morning.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Giuse-*san*?<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you suddenly invite me on a trip?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't had a break in a while.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone needs the occasional change of pace.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I've<br>&nbsp;&nbsp;&nbsp;&nbsp;ever taken a sudden vacation.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief probably felt it<br>&nbsp;&nbsp;&nbsp;&nbsp;was in our best interest.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa was murdered.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa was...<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her body was discovered yesterday morning.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She and Lauro were<br>&nbsp;&nbsp;&nbsp;&nbsp;attacked while they were out.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't caught the killers yet,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's just a matter of time.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What about Lauro-*san*?<br>
&nbsp;&nbsp;&nbsp;&nbsp;--He was murdered too.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta...<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's with Lauro-*san*,<br>
&nbsp;&nbsp;&nbsp;&nbsp;then she won't be lonely.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Elsa's body was discovered<br>
&nbsp;&nbsp;&nbsp;&nbsp;early yesterday morning.*<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fever"<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is horrible, Inspector.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were most likely murdered late at night.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their wallet and purse are untouched...<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victims are a trading company<br>&nbsp;&nbsp;&nbsp;&nbsp;man and his daughter from Rome.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you suppose the killers dropped this gun?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't see German-made<br>&nbsp;&nbsp;&nbsp;&nbsp;automatic handguns every day.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inspector Baracchi.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People from the Italian<br>&nbsp;&nbsp;&nbsp;&nbsp;Intelligence Office are here.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intelligence Office?<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be one thorny case...<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you in charge here?<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Baracchi of the city police.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What suddenly brings<br>&nbsp;&nbsp;&nbsp;&nbsp;the Intelligence Office here?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As this incident may be<br>&nbsp;&nbsp;&nbsp;&nbsp;connected to another case,<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we've been placed in charge.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the necessary documents are right here.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all yours.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inspector, doesn't it seem strange<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Intelligence Office<br>&nbsp;&nbsp;&nbsp;&nbsp;to suddenly show up?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They actually *want* to<br>
&nbsp;&nbsp;&nbsp;&nbsp;take care of all the hassle.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet, something does seem odd...<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're too organized to be<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Intelligence Office,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and too eager about their work.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let sleeping dogs lie.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she one of ours?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's definitely Elsa.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They both had their brains blown out.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did it? Was this fratello on assignment?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The log said they went<br>&nbsp;&nbsp;&nbsp;&nbsp;out for personal reasons.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't determine<br>&nbsp;&nbsp;&nbsp;&nbsp;who's responsible at this time.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they were attacked because<br>&nbsp;&nbsp;&nbsp;&nbsp;they were from the agency,<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it could've been<br>&nbsp;&nbsp;&nbsp;&nbsp;the R.F. or the southern Mafia.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or another government agency.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find the killers at once.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the media?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ferro's taken care of it.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This incident won't be reported.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you've finished your report,<br>&nbsp;&nbsp;&nbsp;&nbsp;remove the bodies.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going back to report to the director.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You asked for me?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard about<br>&nbsp;&nbsp;&nbsp;&nbsp;this morning's incident?<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that a puppet from Section 2<br>&nbsp;&nbsp;&nbsp;&nbsp;was attacked or something...<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One member was also killed.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They still haven't found who did it.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what they get for playing house.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to investigate this incident.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a good chance to<br>&nbsp;&nbsp;&nbsp;&nbsp;put pressure on Section 2.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section 1 is going to<br>&nbsp;&nbsp;&nbsp;&nbsp;conduct its own investigation.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what exactly should I do?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The issue is if cyborgs have<br>&nbsp;&nbsp;&nbsp;&nbsp;any real use in the future or not.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can determine that they're useless,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can advise the higher-ups.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I'd like *all* of Section 2 gone.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you're investigating,<br>&nbsp;&nbsp;&nbsp;&nbsp;go see what these cyborgs are like.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Yes, sir.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Alright.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section 1 wants to investigate?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I understand.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll assist.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they're here.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pietro Fermi and Elenora Gabrielli<br>&nbsp;&nbsp;&nbsp;&nbsp;from Section 1.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to meet you.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been informed.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's she?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, my cyborg.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico? But she's a girl...<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each cyborg is named by her Handler.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're free to give them boys' names too.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's her last name?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't have one.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has Section 2 come up with any suspects?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's currently under investigation,<br>&nbsp;&nbsp;&nbsp;&nbsp;but killing people is our job.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have enemies everywhere.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really need to use cyborgs, though?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can kill with guns or<br>&nbsp;&nbsp;&nbsp;&nbsp;even dictionaries if necessary.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They *would* hit someone<br>
&nbsp;&nbsp;&nbsp;&nbsp;with a dictionary if ordered to.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't Section 2 known for<br>&nbsp;&nbsp;&nbsp;&nbsp;having a sturdy dictionary?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but the cyborgs are fussy<br>&nbsp;&nbsp;&nbsp;&nbsp;and their eyes are their weak spots.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If their brains are hit, they *will* die.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that sort of thing is rare.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone who's ever<br>&nbsp;&nbsp;&nbsp;&nbsp;attacked a fratello has died.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fratello? Ah, like brother and sister.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, these girls attack<br>&nbsp;&nbsp;&nbsp;&nbsp;based on their own judgment?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strong as they are, these puppets<br>&nbsp;&nbsp;&nbsp;&nbsp;can still be shot in the eye, right?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each Handler is free to train<br>&nbsp;&nbsp;&nbsp;&nbsp;his cyborg as he sees fit,<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're all given conditioning<br>&nbsp;&nbsp;&nbsp;&nbsp;to ensure they'll do their jobs.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Particularly, they're made to sensitively<br>&nbsp;&nbsp;&nbsp;&nbsp;react to any harm to their masters.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they're not just puppets...<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did anything out of the ordinary<br>&nbsp;&nbsp;&nbsp;&nbsp;happen during their recent jobs?<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no such reports.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then how was their teamwork?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No real problems.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, put the gun away.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fermi, it's nice to be curious,<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you'd be dead now if<br>&nbsp;&nbsp;&nbsp;&nbsp;you weren't with the agency.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now you know more about the cyborgs.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Elsa died without protecting her master.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa fired two rounds back.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are the bullets?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're searching the entire area.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they hit the killers,<br>&nbsp;&nbsp;&nbsp;&nbsp;there may be blood stains.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then Triela got another<br>&nbsp;&nbsp;&nbsp;&nbsp;teddy bear, making nine total.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was up until morning deciding its name!<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want teddy bears too?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Your praise is more than enough for me.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you should be greedier.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really have worked hard.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your reward.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I open it?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly are gentle.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to iron<br>&nbsp;&nbsp;&nbsp;&nbsp;the wrapping paper and keep it.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A camera!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you can keep lots of<br>&nbsp;&nbsp;&nbsp;&nbsp;daily records and happy memories.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take good care of it!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll hold on to your gun for today.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show them around the Cyborg Ward.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the Cyborg Ward like a dormitory?<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, I've been wondering...<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you sad that Elsa was murdered?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter to me.<br>&nbsp;&nbsp;&nbsp;&nbsp;She wasn't my friend.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she was one of you!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Elsa's room.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing in here...<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most of us share rooms,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Elsa lived by herself.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are all your rooms this dreary?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta and Triela add lots of stuff.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think their Handlers give them things...<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but I'm not really sure.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did anyone else know her?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela's in her room right now.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela...<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, is your job done already?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we come in?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who might you be?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Books and stuffed animals.<br>
&nbsp;&nbsp;&nbsp;&nbsp;It's almost like my niece's room.*<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Fermi-*san<br>
&nbsp;&nbsp;&nbsp;&nbsp;*and Gabrielli-*san* from Section 1.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They want to ask about Elsa.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I leave it up to you.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was Elsa like?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was totally in love with Lauro.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most of the girls here are like that.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including you?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be silly.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though there is some affection for him.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conditioning?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conditioning and love are similar.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even I know how far my own feelings go.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So feelings of love<br>&nbsp;&nbsp;&nbsp;&nbsp;sometime sprout from loyalty?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how Elsa was.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you feel about Elsa's death?<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She *was* a loner...<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And from the way she acted,<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was probably happy to die for Lauro...<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I'm glad we could talk.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time you come,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least bring some flowers.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was the Section 1 investigator?<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was quite a capable man.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the report on the bullets<br>&nbsp;&nbsp;&nbsp;&nbsp;that killed Lauro and Elsa.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If true, it's a serious matter.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Section 1's Draghi won't keep it quiet.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may pose a problem<br>&nbsp;&nbsp;&nbsp;&nbsp;to our cybernetic testing.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't we do something?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we hide the ballistics info<br>&nbsp;&nbsp;&nbsp;&nbsp;and blame it on a malfunction,<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they may stop pressuring us.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be acceptable-- <br>
&nbsp;&nbsp;&nbsp;&nbsp;it *was* our mistake.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa De Sica fought and died for her master.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And give Giuse some time off.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want him away from here until<br>&nbsp;&nbsp;&nbsp;&nbsp;this Elsa business cools down.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're as easy on him as ever.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys like him need to be<br>&nbsp;&nbsp;&nbsp;&nbsp;protected by those around them.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's too innocent, so the<br>&nbsp;&nbsp;&nbsp;&nbsp;truth could really hurt him.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean...<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are cyborgs that easily brought down?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accident or no accident,<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa was shot through the eye.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro was also shot once in the head.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were good at their job.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Republican Faction was responsible?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without a doubt.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blood stains from two known<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorists were found in the park.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're known for attacking<br>&nbsp;&nbsp;&nbsp;&nbsp;people associated with public safety.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the cyborgs are still incomplete...<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My boss will probably be satisfied with this.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unknown where they got the information,<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the terrorists ambushed<br>&nbsp;&nbsp;&nbsp;&nbsp;them in the park that night.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elsa died protecting Lauro.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assume we'll improve their eyes next.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happy to die for her master...<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Rico.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be happy to <br>
&nbsp;&nbsp;&nbsp;&nbsp;die protecting Jean-*san*?<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really want to die. But...<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cyborgs are there for the Handlers.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural for<br>&nbsp;&nbsp;&nbsp;&nbsp;them to die in their place.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Jean-*san* says so, then he must be right.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Sicily? Why'd they go there?!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I know?<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They suddenly left on<br>&nbsp;&nbsp;&nbsp;&nbsp;vacation after getting back.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and just so you know,<br>&nbsp;&nbsp;&nbsp;&nbsp;this phone might be bugged.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not doing anything bad.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fermi-*san*, did you finish<br>
&nbsp;&nbsp;&nbsp;&nbsp;your report to the boss?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he consent?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have a little more to check.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look outside.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's beautiful!<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Sicily Island.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tender Emotions"<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 11 - Febbre Alta (High Fever)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Elenora.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we take the car onto Sicily Island?<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me check...<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. There's a ferry that<br>&nbsp;&nbsp;&nbsp;&nbsp;leaves from Reggio di Calabria.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your diligence lets me cut corners.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, this is the road<br>&nbsp;&nbsp;&nbsp;&nbsp;the ancient Romans used<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to attack Greek cities in Sicily.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now. Don't tell me you have<br>&nbsp;&nbsp;&nbsp;&nbsp;my underwear color in there too.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tender Emotions"<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be staying at a hotel by the port.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll come immediately if anything happens.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worry too much, Ferro.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard what happened to Elsa.<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to be extra careful.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure nothing happens to Giuse-*san*.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a nice house.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's off-season right now,<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I used to spend<br>&nbsp;&nbsp;&nbsp;&nbsp;summers here with my family.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your family?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including Jean-*san*?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, him too.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I'm spending time with you.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Step out onto the terrace.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's come again when the season changes.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sicily in the summer is the best.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll bring me back again?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As often as you like.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me your case and the SIG on your belt.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now...<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! I absolutely need these to protect you!<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here as a reporter<br>&nbsp;&nbsp;&nbsp;&nbsp;on vacation and his niece.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A normal girl mustn't carry such things.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A normal girl...<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme a break.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no place for work.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Living here day after day, you<br>&nbsp;&nbsp;&nbsp;&nbsp;think it's the center of the world."<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you quit and become a tour guide?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cyborgs normally protect us,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now we protect them.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How ironic.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time for idle talk.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't be careless for one moment.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't they from Section 2?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did we have to hide?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best to avoid any trouble if possible.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they're not home?<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, don't shoot.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're from the Social Welfare Agency.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pietro Fermi and Elenora Gabrielli<br>&nbsp;&nbsp;&nbsp;&nbsp;from Section 1.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela told us about you.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section 1, huh?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, reporter.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on vacation. What do you want?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm handling this incident for our section.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came all this way.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May we come in?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. Come in.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there are no weapons<br>&nbsp;&nbsp;&nbsp;&nbsp;allowed in this house.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take them for you.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on vacation. We don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want the smell of gun oil here.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gonna take away my 'You-Know-What' next?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave your dirty mouth at the door as well.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't the Elsa case closed?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then all that's left is to wait<br>&nbsp;&nbsp;&nbsp;&nbsp;for the terrorists to be caught.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Officially, yes...<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But something just doesn't feel right.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our boss doesn't know we're here.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fermi-*san*, he didn't order us here?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told him my grandma in Naples fell ill.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's half business, half personal.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you follow us?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Triela said to see you to learn<br>&nbsp;&nbsp;&nbsp;&nbsp;more about fratello relationships.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta,<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could you go make us some dinner?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does housework too?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. She seems to practice in her dorm room,<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I wouldn't expect anything tasty.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elenora.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I'll go supervise.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take it you condition<br>&nbsp;&nbsp;&nbsp;&nbsp;her to respect you, too?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cyborgs need conditioning to be usable.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta's no exception.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't increase her<br>&nbsp;&nbsp;&nbsp;&nbsp;conditioning to make her loyal,<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor do I force her affection for me.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that any different?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because it's not as much<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't make it acceptable.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree with that.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know we're using her for our own sakes.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize that.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you planning to make?<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... Tomato soup pasta...<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's add some things.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't cook without recipes...<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had cooking notes somewhere...<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we are!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomato soup with tuna for the pasta,<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then some marinated seafood<br>
&nbsp;&nbsp;&nbsp;&nbsp;with vegetable *caponata*.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that sound?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing! It's a magical notebook!<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have a bad memory.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without this, I'd be fired<br>&nbsp;&nbsp;&nbsp;&nbsp;from the agency in a second.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen. All successful jobs are--<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;comprised of smaller, simpler tasks.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where did you hear that?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't seem to remember.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, let's go shopping!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like him, don't you?<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of feeling is it?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you aware that those feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;may be the agency's doing?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy right now, so I don't mind.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I *have* to do what the agency orders.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I do for Giuse-*san* I *want* to do.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really in love.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in love with Fermi-*san*, aren't you?<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because a man and a woman work together<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't mean they're in love.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're tall and pretty like a model,<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you really suit him!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A tougher woman would suit him better.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You girls are vulnerable<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're not concentrating...<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Where's your handbag?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll get him!<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Wait!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There he is!<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give that back!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How did you...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me back<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my purse!<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right! Get lost!<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stop...<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop right there!<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taormina Police! Return that girl's things!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What things?! Just do<br>&nbsp;&nbsp;&nbsp;&nbsp;something about this brat!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, let him go.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now give it back!<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playing dumb, huh?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to let you go<br>&nbsp;&nbsp;&nbsp;&nbsp;if you gave it back,<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe I should perform<br>&nbsp;&nbsp;&nbsp;&nbsp;a more thorough search.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stink of marijuana.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that really that important?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera Giuse-*san* gave me was inside it.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gabrielli-*san*, was that notebook actually--<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The magical notebook.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just now, you were the toughest woman ever!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just now, you were the scariest girl ever.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not suspicious of Elsa's death?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does something make you suspicious?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me,<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems a little too convenient.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you think it was a conspiracy?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trained man and a cyborg are murdered,<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then they suddenly know who did it.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As enhanced as the cyborgs'<br>&nbsp;&nbsp;&nbsp;&nbsp;abilities and senses are,<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're useless if they're not concentrating.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they *were* ambushed in the park at night.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Jean said they're sensitive<br>&nbsp;&nbsp;&nbsp;&nbsp;to danger their masters may be in.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I met Rico yesterday,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was practically an Aegis Shield.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She reacted, but not in time,<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she probably did act as Lauro's shield.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like it.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you all so quick to say<br>&nbsp;&nbsp;&nbsp;&nbsp;the cyborg protected her master?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While it may be the truth,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's just not right.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of cyborgs disgusted me at first.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over half of their bodies<br>&nbsp;&nbsp;&nbsp;&nbsp;are carbon frames, fibers,<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and artificial muscle.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the end, they're<br>&nbsp;&nbsp;&nbsp;&nbsp;regular adolescent girls.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Girls who can't cook worth a crap.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying it's *ok* if<br>
&nbsp;&nbsp;&nbsp;&nbsp;Henrietta dies protecting you?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They really enjoyed the food!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did work hard to make it.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Henrietta.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't run off like that anymore.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Girls can't always be violent.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Gabrielli-*san*...<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're trying to make me<br>&nbsp;&nbsp;&nbsp;&nbsp;into a girl too, aren't you?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you really are--<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we came here,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san* took my gun away.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said normal girls don't carry them.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know he's right, but...<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...*am* I a normal girl?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really strong, and can<br>&nbsp;&nbsp;&nbsp;&nbsp;kill people with my bare hands.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bleed red blood, but<br>&nbsp;&nbsp;&nbsp;&nbsp;the pain goes away fast.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a cyborg, so I *can't* be useful<br>
&nbsp;&nbsp;&nbsp;&nbsp;to Giuse-*san* as a normal girl...<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true!<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He thinks the world of you.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wants you to smile.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gabrielli-*san*...<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know why Elsa died.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go get the others...<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And bring me my gun...<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me my gun.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. Explain first.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fermi-*san*, Elsa loved Lauro-*san*, right?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the impression I get.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*, was Lauro-*san* nice to Elsa?<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he never paid her much<br>&nbsp;&nbsp;&nbsp;&nbsp;attention outside of work.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. This is probably how it really happened.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you loved someone with all of your heart<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but realized they would<br>&nbsp;&nbsp;&nbsp;&nbsp;never feel the same way...<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were me...<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I would kill that person...<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and then...<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...do this.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I wouldn't shoot.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd never kill myself.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so wonderfully nice to me.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no idea how serious she was...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about a scare...<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew how Elsa died<br>&nbsp;&nbsp;&nbsp;&nbsp;from the start, didn't you?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why when I went to give her the gun--<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that was the secret<br>&nbsp;&nbsp;&nbsp;&nbsp;behind those two bullets...<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's even worse than dying for her master.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to report this?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be stupid.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section 2 would've<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed the evidence by now.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'd leave it as a simple theory.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the way Henrietta acted earlier...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an unconscious threat.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda like saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'll shoot you if you won't love me."<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seemed so innocent just this afternoon...<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why she's hard to deal with.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. I found one thing in Elsa's room.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A photo of Lauro.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So all she ever got from him<br>&nbsp;&nbsp;&nbsp;&nbsp;was her name and his picture...<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that affection must've<br>&nbsp;&nbsp;&nbsp;&nbsp;been hard to deal with.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ordinary guy probably<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't handle it.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;someone they can respect.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the very least you need to do...<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what do you want out here?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lauro-*san*, do you remember this park?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You named me here. 'Elsa De Sica.'<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I can't believe you remember that...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important. I would never forget it.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never forget the<br>&nbsp;&nbsp;&nbsp;&nbsp;treasure you gave me.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You done?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. We have an early start tomorrow.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gave me my name here.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long, Henrietta!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, where do you want to go first?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sicily is full of places to see.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll leave right away.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget your camera.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't!<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Symbiosis"<br>

# 12 - Simbiosi (Symbiosis)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do? What if Giuse-*san* is mad?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear you put on a big act in Sicily.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I overdid it a little?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you make sure?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could, I wouldn't be worried...<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he seemed normal to me...<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good!<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, Triela, enter.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Symbiosis"<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work, Henrietta.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep it up.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up, Angelica and Rico, enter.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you alright?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a problem.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop the exercise.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can walk by myself.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Marco-*san*. I'm fine now.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not walking like that, you're not.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have Ferro take you to the hospital.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir...<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it was too soon; <br>
&nbsp;&nbsp;&nbsp;&nbsp;she *did* just get out of the hospital.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be more<br>&nbsp;&nbsp;&nbsp;&nbsp;perceptive of her condition.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She *asked* to participate in the exercise.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back to the training.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Elsa's incident, then<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica's bad condition--<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you seem to have many setbacks.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're within calculated limits.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trial runs are just one step--<br>&nbsp;&nbsp;&nbsp;&nbsp;they still hold much promise.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you tell us what you really think?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps Section 2 has its limits,<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which are now becoming apparent?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg to differ.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the whole, its duties<br>&nbsp;&nbsp;&nbsp;&nbsp;are being handled smoothly.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give them some more time.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lorenzo, how is it?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not going as we planned.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, these *are* human beings.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll need real results soon,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't cover for you forever.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I know.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to radical<br>&nbsp;&nbsp;&nbsp;&nbsp;elements within the R.F.,<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they plan to abduct the daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;of a powerful senator.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you certain of this?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The information came from<br>&nbsp;&nbsp;&nbsp;&nbsp;their accountant, Filippo Adani.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fact.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunately, the target,<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caterina Sanctis, is close<br>&nbsp;&nbsp;&nbsp;&nbsp;in age to Section 2's girls.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll let a cyborg be kidnapped,<br>&nbsp;&nbsp;&nbsp;&nbsp;locate the terrorists' hideout,<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then take it down.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cyborg decoy? Isn't that risky?<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I don't know about this...<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section 2's very existence is in jeopardy!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section 2 *has* been<br>
&nbsp;&nbsp;&nbsp;&nbsp;receiving a lot of criticism.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to take some risks.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll use Claes as the decoy.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say the next job will be a big one.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Hirscher-*san* said<br>
&nbsp;&nbsp;&nbsp;&nbsp;it's going to be dangerous.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Claes, aren't you scared to be a decoy?<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grain of wheat thing?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm just following orders.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about wheat?<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a fallen wheat grain survives,<br>&nbsp;&nbsp;&nbsp;&nbsp;it stays the same.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if it dies, a lot grows from it.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that nothing will happen<br>&nbsp;&nbsp;&nbsp;&nbsp;without someone's sacrifice.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco-*san*.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me help with the operation, too!<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't training. Failure isn't an option.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try my very best!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll think it over.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir...<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean, the car is heading toward central Rome.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The transmitter's working.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The car is heading north from downtown Rome.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any problems preparing to follow them?<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've placed Section 2 members<br>&nbsp;&nbsp;&nbsp;&nbsp;at key points in the vicinity.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We placed a tracking<br>&nbsp;&nbsp;&nbsp;&nbsp;device in one of Claes' teeth,<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we lost the signal when<br>&nbsp;&nbsp;&nbsp;&nbsp;they entered some mountains.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The senator received the first call at home.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They want to trade for<br>&nbsp;&nbsp;&nbsp;&nbsp;some incarcerated terrorists.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they still don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;who Claes really is...<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they do realize she's a fake...<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes has almost no combat experience.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't hurt anyone as she is.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That worries me...<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a good friend in the military police.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll need backup.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice doing business with you.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I talk with her for a moment?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's just for a moment.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Studying in a place like this?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's a picture book about plants.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to love picture books!<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vegetation in the north is<br>&nbsp;&nbsp;&nbsp;&nbsp;different than in the south, right?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Conifers are more<br>&nbsp;&nbsp;&nbsp;&nbsp;common at higher latitudes.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not worried?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine. Reading somehow makes me calm.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I've always liked<br>&nbsp;&nbsp;&nbsp;&nbsp;books since I was little.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides... I'm not a grain of wheat.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Well, bye.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're letting the hostage see their faces.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. They must not plan to return her alive.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a bunch of fools.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope that girl teaches them a lesson...<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That grain of wheat...<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. Let's get out of here.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief Lorenzo!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police received an anonymous call.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're at a northern villa.<br>&nbsp;&nbsp;&nbsp;&nbsp;At least 20 terrorists.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's even info about the villa's layout...<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we trust this information?<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The terrorists could've<br>&nbsp;&nbsp;&nbsp;&nbsp;leaked it to throw the police off.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposedly, the caller was a young woman.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A woman?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way to find out more.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our only option is to survey<br>&nbsp;&nbsp;&nbsp;&nbsp;the area, but that'd take time.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This operation will end in<br>&nbsp;&nbsp;&nbsp;&nbsp;failure if we take too long.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recognize the risk. Let's crush them!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll approach from<br>&nbsp;&nbsp;&nbsp;&nbsp;the mountains behind the villa.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After touchdown, Giuse,<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta, Jean, and Rico<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will enter from the front as a feint,<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we'll enter from the terrace area.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We only have one shot at this.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck...<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright. Understood.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The army's analysis team has located Claes.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like things worked out fine.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the real show has yet to begin.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We *must* destroy the terrorists on our own.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's okay. Just calm down.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up here!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in position. How about you?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've just landed on the roof.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. We'll charge inside<br>&nbsp;&nbsp;&nbsp;&nbsp;in exactly three minutes.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Synchronize your watch.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five, four, three, two, one... set.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico, you cover us.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go, Henrietta.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the... Is it the cops?!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the guards are dead! We're being raided!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica?!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange! Come back!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Triela?!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange ran off by herself!<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dead no matter what you do.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange?!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes! Are you ok?!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange's been hurt!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco-*san*...<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell were you thinking?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to drag everyone down!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco! That's enough!<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica, are you alright?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you seem well!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you get better<br>&nbsp;&nbsp;&nbsp;&nbsp;and come back to the dorms soon!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the truth.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going to die!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to die not knowing anything!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Marco-*san* is going to<br>
&nbsp;&nbsp;&nbsp;&nbsp;keep treating me coldly,<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'd rather die now!<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to die, then die!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have saved you!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I couldn't see behind<br>
&nbsp;&nbsp;&nbsp;&nbsp;Claes' glasses well enough*<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to tell if she was angry or crying...*<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Angelica's words,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"We're all going to die,"*<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*never stopped ringing in her ears.*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shooting Stars"<br>

# 13 - Stellacadente (Falling Star)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYZX14J96/gunslinger-girl)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know you had such a sweet tooth.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hasn't seemed very sweet lately,<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I wind up adding lots of sugar.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! From now on, I'll call you 'Sweetie'!<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Triela!<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just teasing you!<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the truth.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going to die!<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to die not knowing anything!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Marco-*san* is going to<br>
&nbsp;&nbsp;&nbsp;&nbsp;keep treating me coldly,<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'd rather die now!<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to die, then die!<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have saved you!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shooting Stars"<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you find someone to supervise?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* suggested we watch the meteor<br>
&nbsp;&nbsp;&nbsp;&nbsp;shower from the training grounds.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said the lights from Rome<br>&nbsp;&nbsp;&nbsp;&nbsp;would make it hard to see...<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! I have to go!<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So is everything set?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! It's all set!<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already asked Giuse-*san* about it.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, look at this.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See the double star?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Rigel, known as<br>&nbsp;&nbsp;&nbsp;&nbsp;the 'Left Leg of the Giant.'<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san*.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will Angelica be in the<br>&nbsp;&nbsp;&nbsp;&nbsp;hospital for a while again?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's worried about her.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you visit her tomorrow?<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be the lights from Rome...<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably can't see as many<br>&nbsp;&nbsp;&nbsp;&nbsp;stars from here as you used to.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be at the training grounds tomorrow,<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we'll see the meteor shower really well!<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Henrietta...<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Some urgent work came up...<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... can't go tomorrow...<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay!<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can probably ask someone else.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, I told you.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But everything was set until yesterday...<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not watching the meteor shower now?<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to see a few from the roof...<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow I'll find someone<br>&nbsp;&nbsp;&nbsp;&nbsp;else to supervise us.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We *have* been looking forward to it...<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that great?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Triela will figure something out.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;**How I wanted to watch<br>
&nbsp;&nbsp;&nbsp;&nbsp;the shooting stars**<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*with Giuse-san...**<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the truth.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going to die!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to die not knowing anything!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Marco-*san* is going<br>
&nbsp;&nbsp;&nbsp;&nbsp;to keep treating me coldly,<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'd rather die now!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The things I do for Henrietta...<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You spoil her too much.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She thinks you can fix anything.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well. I'll have to meet her expectations.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she visiting Ange?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Angelica<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;going to die?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt she has long to live.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cyborg's life span is limited.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question is how to<br>&nbsp;&nbsp;&nbsp;&nbsp;best utilize that time.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. You still have a long while.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What beautiful flowers...<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you feel?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My body feels heavy.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to concentrate<br>&nbsp;&nbsp;&nbsp;&nbsp;and I feel light-headed...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But other than that, I'm fine!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I'll be back to<br>&nbsp;&nbsp;&nbsp;&nbsp;work after a little while!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you get well soon!<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the chief's dog. I saw him earlier.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange...<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? Are you okay?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pero?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Ange...<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name...<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the dog I used to have...<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ange?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pero!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta? When did you get here?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What beautiful flowers!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Marco-*san*? Is he not here?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he's not here yet.<br>&nbsp;&nbsp;&nbsp;&nbsp;He must be busy with work.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hospitals aren't so bad.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lots of people come to see you everyday...<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone just came... Who was it again?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica...<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about what I said...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I should apologize.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *did* save me and all...<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I had been strong like you...<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not that strong.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like pain, and I'm afraid to die...<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I probably draw pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;and read books everyday<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I don't want to<br>&nbsp;&nbsp;&nbsp;&nbsp;feel that I'm wasting my life...<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to have any regrets...<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, can you stay up tonight?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a meteor shower tonight.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can probably see it from this window.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can, listen to this<br>&nbsp;&nbsp;&nbsp;&nbsp;song while you watch. Okay?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirscher-*san*.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Triela.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to supervise us while<br>&nbsp;&nbsp;&nbsp;&nbsp;we watch the meteor shower tonight.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giuse-*san* can't because he's busy.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but we're swamped today.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We gotta translate EU public<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;safety documents into Italian<br>&nbsp;&nbsp;&nbsp;&nbsp;by tomorrow morning.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll help you until it's time.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can translate both French and German.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco-*san*.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I visited Ange this morning,<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she suddenly remembered her old dog.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The engineers will be<br>&nbsp;&nbsp;&nbsp;&nbsp;delighted to come collect data.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Where is her dog now?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we search for it?<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco-*san*!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something else?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please go see Ange!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctors have taken<br>&nbsp;&nbsp;&nbsp;&nbsp;all possible precautions.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should anything happen, they'll contact me.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing I can do for her now.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to do anything.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just be with her.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henrietta...<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you afraid of dying?<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not afraid to die fighting for Giuse-*san*.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't resent being<br>&nbsp;&nbsp;&nbsp;&nbsp;given a mechanical body, a gun,<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a short life?<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If by some chance you<br>&nbsp;&nbsp;&nbsp;&nbsp;pity or feel sorry for us,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're mistaken.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This may be the conditioning,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't mind.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so... I don't mind.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm certain Ange feels the same way!<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco-*san*!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I wake you?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's alright.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try really hard next time.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay as you were.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see anything.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's not time yet?<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be soon. Keep watching.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be better if this<br>&nbsp;&nbsp;&nbsp;&nbsp;were farther away from Rome,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we *do* have good eyesight.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw one!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Really? Where?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--It was right over there!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Another one!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Triela! I saw another one!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright, Rico. Calm down.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've never seen one before!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you came, Marco-*san*.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a meteor shower tonight.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claes said I might be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to see it from this window...<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watching it alone wouldn't be much fun...<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so quiet...<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world gets more and more complicated,<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's so much to think about...<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good to empty your mind<br>&nbsp;&nbsp;&nbsp;&nbsp;like this every once in a while.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish Ange could watch too.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if she's watching<br>&nbsp;&nbsp;&nbsp;&nbsp;while listening to the "Ninth"...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Beethoven's "Ninth"?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's definitely the perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;symphony for a night like tonight.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the one that goes...<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...like that?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Freude, schîner Gîtterfunken,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tochter aus Elysium*...<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like that!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wir betreten feuertrunken,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Himmlische, dein Heiligtum!*<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Deine Zauber binden wieder,*<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was die Mode streng geteilt...*<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw one!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you, now?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So beautiful...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marco-*san*.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pasta story...<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me the pasta story...<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. Just a minute.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Once upon a time,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a kingdom of pasta.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this kingdom there lived<br>&nbsp;&nbsp;&nbsp;&nbsp;a prince who loved pasta,<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he ate pasta everyday."<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Alfonso?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little girls who kill terrorists<br>&nbsp;&nbsp;&nbsp;&nbsp;and speak three languages<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are now singing Beethoven<br>&nbsp;&nbsp;&nbsp;&nbsp;in this bitter cold.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame that they have to be cyborgs.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Prince Pasta said to<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Pizza, 'This dragon is...'"<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angelica?<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you asleep? Angelica?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>