# E94 - When Riding A Train, Make Sure You Grab The Straps With Both Hands

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G65VEXXK6/when-riding-a-train-make-sure-you-grab-the-straps-with-both-hands)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Focus In]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[00:06] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Something's not right.<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ceiling I usually see when I wake up isn't here today.<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I just see the word, "ceiling" up there.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Background Odd Jobs<br>
&nbsp;&nbsp;&nbsp;&nbsp;Japanese-style room]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Pillar]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[00:16] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Huh? What?<br>**[00:20] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[00:21] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all white! I'm not colored in.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, this whole world is all white.<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell's going on?<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? What is this? What the hell?<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey Kagura, this is terrible!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[00:33] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes, this room too?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Footsteps]
<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kagura!<br>**[00:38] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wake up!! Kagura!!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[00:42] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? Why are you making so much noise in the morning?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong with you, Gin-chan? Your face is all white.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you in the Sankai Juku?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[00:52] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now why on earth would I be in the Sankai Juku dance troupe?<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, not everyone will get that joke.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look around. It's not just me.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, your room, and everything else is all white, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>**[01:03] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, you're right.<br>**[01:05] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[01:07] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I wanna know.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>**[01:10] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I feel so disjointed.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[01:14] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. It's just not smooth.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when I talk, my mouth doesn't move either.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this weird nametag thing keeps popping up.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[01:22] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this number floating in the air?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[01:26] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. All I know is that something terrifying is happening.<br>**[01:30] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[01:31] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Shinpachi is here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[01:34] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[01:35] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinpachi, this is terrible. We're not colored in!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>**[01:38] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually Shinpachi, you're all white too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[01:41] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura, Gintoki]
<br>**[01:43] Kagura  Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[01:44] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know?<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then tell us, Shinpachi.<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck is going on?<br>**[01:48] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is this happening?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[01:52] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all that guy's fault.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura, Gintoki]
<br>**[01:55] Kagura  Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[01:56] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is "line photography."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[01:58] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Line photography?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>**[01:59] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:02] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usually, a television animation production starts out with a storyboard.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:05] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In-between animation is interspersed throughout.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:09] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Color is added and then the background.<br>**[02:10] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the process it goes through before photography.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:14] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there's color in those.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:15] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are archives.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During this process, there may be times when they have to do<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the voice-overs before the animation is completed.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:23] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have no choice but to photograph the line drawings from the original pictures.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what we call line photography.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The voice actors who do voice-overs are familiar with this, right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:31] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Kibayashi? That means this week's GinTama hasn't been completed yet?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: Kibayashi is from the manga, MMR (Magazine Mystery Reportage).]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:35] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're telling me it'll be all white till the end?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:37] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We have three people working on this week's storyboard.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only one behind schedule is the guy working on this introduction part.<br>**[02:45] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Phew, thank goodness.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't sure what I'd do if we stayed like this till the end.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[02:50] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kagura. When did you change?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[02:52] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's a retake of the wrong costume.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>**[02:55] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Gin-chan, you look different, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[02:58] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[02:59] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The animation director has yet to correct the key animations.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>**[03:02] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look weird!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[03:04] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit, what's happening here?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man, what the heck is this? We've turned into very simple drawings.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[03:10] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, looks like even the key animation isn't done on time and all we have are the rough drafts.<br>**[03:14] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't tell who's who anymore.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Kagura]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>**[03:17] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit. Who's responsible for this?<br>**[03:20] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's the one who lost the schedule so the storyboard was late?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell the director and have him fired.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell was it?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Shinpachi]
<br>**[03:27] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the director himself!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Gintoki]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Taizo Hasegawa (38 years old), also known as Madao has finally found a new job.]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[If he can lead a steady life with this job, then there's something he's decided to do...]
<br>**[05:19] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[05:21] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's me.<br>**[05:23] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How unusual for you to call me.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[05:28] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not especially...<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't call you unless something bad has happened?<br>**[05:34] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my, do you have to talk to me like that?<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you calling to pick a fight with me?<br>**[05:39] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you eating well?<br>**[05:42] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just eat fast food boxed lunches, you know.<br>**[05:44] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, cut that out. I'm not a kid, you know.<br>**[05:47] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. You're a full-fledged adult. That's why you need to eat properly.<br>**[05:53] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What happened?<br>**[05:55] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:56] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something good happened, right?<br>**[05:58] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing special...it's just that, I...<br>**[06:05] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;...found a job.<br>**[06:06] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Congratulations!<br>**[06:09] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing that spectacular, but at least it's a stable job.<br>**[06:13] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's wonderful.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This calls for a celebration.<br>**[06:19] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that. It's not like this is my first job or anything.<br>**[06:23] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. Let me treat you.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't do anything for you when you were down-and-out.<br>**[06:32] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hatsu... Um...<br>**[06:35] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I start this job and my life becomes stable, can you and I...start over...?<br>**[06:44] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hatsu-san.<br>**[06:47] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you enjoying the night view?<br>**[06:49] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... I'm sorry, I'll call you later.<br>**[06:51] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey, wait-<br>**[07:05] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A man?<br>**[07:08] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure it was a man's voice.<br>**[07:11] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as she heard his voice, she hung up.<br>**[07:15] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? Is that guy more important than me?<br>**[07:19] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's adultery. Adultery!<br>**[07:22] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adultery? But weren't you two divorced a long time ago?<br>**[07:26] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be disrespectful! We've just been separated.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember putting my seal on any divorce papers.<br>**[07:33] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to investigate an extramarital affair?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really not interested since I know you and all.<br>**[07:37] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay you well.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no longer just a freelancer, you know.<br>**[07:41] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No longer just a freelancer?<br>**[07:44] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're working for some loser ol' man that you hit it off with at some bar, right?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure he's reliable?<br>**[07:49] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be rude.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True, it may not be a top-notch firm,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's rare these days to find a company that lets me wear sunglasses to work.<br>**[07:57] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure all their workers don't wear sunglasses and sell white powder?<br>**[08:03] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you know? They also sell something called "chaka."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: Chaka is gangster slang for "gun."]
<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not sure what that is.<br>**[08:09] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you should quit.<br>**[08:11] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who wears sunglasses can't be bad. They're just shy.<br>**[08:17] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shy guys don't wear such embarrassingly short pants.<br>**[08:21] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. Hatsu bought me this suit when I first got a job.<br>**[08:28] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humph. If you keep thinking about your woman,<br>**[08:31] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll fail at your new job again and screw up any chance of getting back together with her.<br>**[08:36] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave that part of your life to me and you just focus on not getting fired, okay?<br>**[08:43] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Thanks.<br>**[08:46] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin-san, I'm gonna do it.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, I'm gonna find happiness for sure.<br>**[08:53] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't screw it up now.<br>**[08:59] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:41] Woman A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pervert!<br>**[09:42] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no. This is...<br>**[09:43] Woman B**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Kinniku Buster! Kinniku Buster!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: Kinnikuman's trademark attack and one of 48 killer moves. From Ultimate Muscle.]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Edo Police]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Interview room 1]
<br>**[09:57] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you bring me a rope?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A strong one that won't break even if a person hangs from it.<br>**[10:03] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they were all sold out. But instead...<br>**[10:07] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Here take this.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The investigation report on your wife.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and check it with your own eyes.<br>**[10:15] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she guilty or not?<br>**[10:17] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something good is bound to happen if you're alive.<br>**[10:19] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she guilty or not?<br>**[10:21] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow is another day.<br>**[10:23] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you, is she guilty or not?<br>**[10:25] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey? Did you get a haircut?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: Spoof of Cozy Tomita, who impersonates Tamori.]
<br>**[10:27] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill me! Just kill me!<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I'm alive, I'm just destined to dance a bloody rondo all my life.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to keep climbing a tortuous spiral staircase.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just end it all for me.<br>**[10:41] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you guys suspect me of performing lewd sex acts.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't blame you.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, my own wife walked out on me!<br>**[10:51] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The train almost hit us and before I knew it, I was doing the Kinniku Buster move.<br>**[10:54] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you wouldn't believe that anyway, right?<br>**[10:57] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Total strangers like you guys would never believe<br>**[11:00] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm innocent or that it was an accident, right?<br>**[11:04] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot!<br>**[11:08] Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing?<br>**[11:11] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Total strangers? If I thought that way, I wouldn't be here.<br>**[11:18] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I thought of you as a total stranger,<br>**[11:19] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I wouldn't give a damn which slammer you're in...<br>**[11:21] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or if you're dead!<br>**[11:24] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I thought of you as a total stranger...<br>**[11:27] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then I wouldn't borrow or lend you this!<br>**[11:30] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally suspect me!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's confirmed now.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[The Pervert]
<br>**[11:33] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like that, okay?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can differentiate between fiction and reality.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm innocent!<br>**[11:39] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, I know.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe you. I believe you. Believe!<br>**[11:42] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really. You really believe me, right?<br>**[11:45] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;God, enough already. He said he believes you, didn't he? Man, you're gross.<br>**[11:50] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the face of trust.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's looking at me like I'm trash.<br>**[11:55] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong. Girls this age are sensitive to stuff like that.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't get too close, Kagura. He's dangerous.<br>**[12:03] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasegawa-san, is the investigation still going on?<br>**[12:08] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, today's the seventh day.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although I feel more like I'm being threatened than investigated...<br>**[12:14] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been denying the allegations, but my mind and body are at its limit.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I don't think I can take anymore.<br>**[12:21] Policeman**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You did it, didn't you?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Kinniku Buster!<br>**[12:24] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that Hatsu, my last sanctuary, has been destroyed,<br>**[12:28] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't care what happens anymore.<br>**[12:32] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there anything we can do?<br>**[12:35] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For starters, stop spitting on me.<br>**[12:38] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, a strong rope.<br>**[12:39] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasegawa-san!<br>**[12:42] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired... Sorry, but can you all leave now?<br>**[13:08] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Hasegawa-san, right?<br>**[13:12] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I'd like to talk to you about.<br>**[13:15] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[13:19] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Haga, the prosecutor in the court of law where you will be tried in two days.<br>**[13:26] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words Hasegawa-san, I am your enemy.<br>**[13:32] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prosecutor Haga.<br>**[13:33] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The remarkable prosecutor who has convicted many criminals in examinations.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An elite in the magistrate's office.<br>**[13:41] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Madao of the past may have been able to deal with him, but now that he's...<br>**[13:44] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;degraded himself into a sex offender he won't be able to compete with him at all.<br>**[13:48] Shinpachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true, Kagura.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasegawa-san may not have money or luck,<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's got more guts than anyone I know.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a man, it's all about heart.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, he didn't commit any lewd acts.<br>**[13:58] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Face reality, Shinpachi.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't have money, you're going to end up unpopular like Gin-chan.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides right now, that Madao...<br>**[14:06] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;...doesn't even seem to have any guts.<br>**[14:10] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's become a real Madao now.<br>**[14:14] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[14:16] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's exactly what you see...divorce papers for you and Hatsu-san.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have been going out with Hatsu-san with the intention of marrying her.<br>**[14:24] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:25] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no right to complain.<br>**[14:28] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear you've been separated and practically divorced.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to officially put an end to it right here.<br>**[14:36] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please put your seal on this?<br>**[14:38] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta be kidding me.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should I take orders from an outsider like you?<br>**[14:43] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no longer related to Hatsu-san either.<br>**[14:46] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or were you planning on reconciling with her?<br>**[14:49] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you, being in a place like this, really make her happy?<br>**[14:54] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I already told you. I am your enemy.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In two days, I can help decide if you are guilty or not.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you understand what I mean.<br>**[15:07] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you put your seal on this, I promise that you will be proven innocent.<br>**[15:11] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you don't...<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's see...<br>**[15:17] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasegawa-san, when you left the Department of Immigration Control,<br>**[15:21] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand the Bakufu ordered you to commit seppuku,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: Seppuku is a form of Japanese ritual suicide by disembowelment.]
<br>**[15:23] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;but instead you chose to run away.<br>**[15:26] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said shut up, you freakin' space flounder!<br>**[15:29] Boss**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commit seppuku.<br>**[15:30] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[15:33] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will happen if I mention this during the questioning?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, most likely your head will roll.<br>**[15:41] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give it some serious thought, Hasegawa-san.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in either case, Hatsu-san is mine.<br>**[15:49] Haga**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, what awaits you is the life of a loser.<br>**[16:00] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the Odd Jobs?<br>**[16:05] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is...<br>**[16:06] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then you must be Gin-san.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, your hair really is silver.<br>**[16:13] Hatsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for always taking care of Taizo Hasegawa.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Taizo's wife...Hatsu...<br>**[16:33] End Of Part Ahasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[16:34] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I always like this?<br>**[16:37] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I try to grab happiness, it runs away...<br>**[16:40] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;...at full speed.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right...<br>**[16:47] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Heidi. Heidi lives inside of me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: Refers to the TV animation version of Heidi.]
<br>**[16:52] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flowers of happiness are about to bloom,<br>**[16:55] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but an impatient Heidi picks them,<br>**[16:57] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;even though they're only buds.<br>**[16:59] Peter Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heidi! It's too early. They haven't blossomed yet.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: He looks like Peter from the TV animation version of Heidi.]
<br>**[17:02] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried to stop Heidi many times. But she would never listen to<br>**[17:07] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;what Peter says.<br>**[17:10] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way to put an end to her acts of violence<br>**[17:12] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to throw myself and her into the ravine of the Alps.<br>**[17:16] Heidi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peter! No! I don't want to leave the mountains!<br>**[17:19] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must die!<br>**[17:23] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all I've been thinking about the last few days.<br>**[17:27] Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a visitor.<br>**[17:36] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, did you bring me a rope?<br>**[17:44] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He offered me a deal. That bastard prosecutor who's going out with Hatsu.<br>**[17:51] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me to put my seal on the divorce papers.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: In Japan, an official seal, used like a signature, is stamped on divorce papers.]
<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't, he will make sure my head gets cut off at the trial.<br>**[17:58] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm planning on putting my seal on it.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I'm doing is dragging Hatsu down by not being able to let go<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and hanging on to this one piece of paper.<br>**[18:07] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to stand in Hatsu's way<br>**[18:09] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;if she's trying to leave her hopeless husband and start a new life.<br>**[18:13] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I don't wanna die.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and laugh.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna sell off my wife so I can save my precious life.<br>**[18:24] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[18:25] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your wife came to see me.<br>**[18:27] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't get in touch with you so she came to see me.<br>**[18:31] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wanted to wish you good luck on your new job.<br>**[18:34] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she asked me to give you this.<br>**[18:36] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is...<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't know...that I've been arrested?<br>**[18:43] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. But I haven't told her anything.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's all I wanted to say. See ya.<br>**[18:51] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, and about that rope.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bring it next time I come.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of getting you a rope so you can hang yourself.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[19:01] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's a rope to pull you out of hell, then I'll bring you as many as you want.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just remember that.<br>**[19:21] Heidi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peter!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peter, you want me to stamp it?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you can't do it. I'll do it for you.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't wanna die, right?<br>**[19:30] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heidi!<br>**[19:34] Heidi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, just like that, you keep living your life as a doggone loser.<br>**[19:37] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop, Heidi!<br>**[19:40] Heidi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's perfect for you.<br>**[19:42] Heidi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Joseph!!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: Hasegawa is dressed up as Joseph from the TV animation version of Heidi.]
<br>**[19:45] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I may be a doggone loser...<br>**[19:50] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But!<br>**[19:51] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I'm a worthless mutt...<br>**[19:56] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the mutt who goes to see Rubens' painting before I die!!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[From the story "A Dog of Flanders"; a novel and anime about the boy Nello and his dog Patrasche. Nello and Patrasche freeze to death as they go to see Rubens' painting.]
<br>**[20:00] Heidi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just remember, I'll keep coming back!<br>**[20:10] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta fight.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all over if a man loses his fangs.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I'm just a good-for-nothing mutt,<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as I've got fangs, I'll keep fighting till the end.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be a dandy man who won't be defeated...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Note: A MAkenai DAndy na Otoko or a Madao.]
<br>**[20:24] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;a Madao!<br>**[20:28] Magistrate**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will now start the trial for the Oedo Line Kinniku Buster molestation case.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The defendant, Taizo Hasegawa, please raise your head.<br>**[20:41] Magistrate**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must swear on this document<br>**[20:44] Magistrate**<br>&nbsp;&nbsp;&nbsp;&nbsp;that any testimony you give here is true.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you break this promise,<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will be subject to punishment regardless of the outcome of this trial.<br>**[20:57] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haga, if you want to cut my head off, then go right ahead.<br>**[21:01] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I refuse to hand over Hatsu to a man who uses dirty tricks like you.<br>**[21:06] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if my head gets chopped off, I'll bite your throat with just my head.<br>**[21:12] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hatsu...I will protect Hatsu!<br>**[21:16] Magistrate**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a second.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is representing the defendant? Where is he?<br>**[21:21] Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...he's not here yet.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps something happened on his way here.<br>**[21:27] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. I'm late.<br>**[21:30] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attorney Shimoyama, who was supposed to be here, was arrested on molestation charges,<br>**[21:34] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm his replacement.<br>**[21:42] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the attorney, Sakata.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you.<br>**[21:47] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin-san?!<br>**[21:51] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here? Do I sit here?<br>**[21:53] Inspector**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your shoes off. Your shoes.<br>**[21:56] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[21:58] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're gonna help me fight?<br>**[22:01] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and me together?<br>**[22:04] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But can an amateur defend me?<br>**[22:06] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So shall we start, Mr. Prosecutor?<br>**[22:10] Hasegawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're up against that Prosecutor Haga, you know.<br>**[22:13] Magistrate**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will now start the trial.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[To be continued]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;At 7:25 on February 21st, the defendant Taizo Hasegawa,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;forcefully grabbed the hand of the victim, Ms. A,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;on the platform at Kabukicho station and dragged her down into the railway.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;He is suspected of performing a Kinniku Buster in front of everyone.
<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is clearly an act of molestation and assault.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And depending on the circumstance, it may even be considered attempted murder.<br>**[24:13] Gintoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Objection!<br>**[24:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that the defendant performed a Kinniku Buster on the victim.<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However it is questionable as to whether he did this with the intent to molest.<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And therefore, I plead that the defendant is not guilty.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;["Men, Be A Madao"]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[Attorney Sakata vs. Prosecutor Haga. The battle has begun.]
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;[And will Hasegawa be able to win against the Heidi living inside him?]
<br>