# E243 - Draw your life on the canvas we call manga

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR09QGPVR/draw-your-life-on-the-canvas-we-call-manga)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:30] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[01:33] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you stop having every<br>&nbsp;&nbsp;&nbsp;&nbsp;character start off hungry?<br>**[01:37] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same as the other new artists.<br>**[01:43] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hungry hero who saves<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the village from the bad<br>&nbsp;&nbsp;&nbsp;&nbsp;guys because they fed him.<br>**[01:48] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Zuffy from One Park.<br>**[01:52] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that you like One Park.<br>**[01:54] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't make it okay to copy ideas.<br>**[01:57] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't mind so much if you had an<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;original approach to the hungry hero.<br>**[02:02] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's clear that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;borrowing elements<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from many other series.<br>**[02:08] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you drawing manga to<br>&nbsp;&nbsp;&nbsp;&nbsp;express someone's ideas?<br>**[02:13] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you become a manga artist<br>&nbsp;&nbsp;&nbsp;&nbsp;to express your own ideas?<br>**[02:16] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you need to pour<br>&nbsp;&nbsp;&nbsp;&nbsp;your soul into every page.<br>**[02:20] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put your life into your work!<br>**[02:29] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jellybeans Vanguard Honda.<br>**[02:32] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in my fifth year as a Jump editor.<br>**[02:34] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am very worried.<br>**[02:38] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have been assigned to the evil<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which threatens to consume Jump,<br>**[02:42] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gintaman, designated by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Bakufu as a harmful manga.<br>**[02:45] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gintaman has managed to<br>&nbsp;&nbsp;&nbsp;&nbsp;last for eight years,<br>**[02:49] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in reality, it's just<br>&nbsp;&nbsp;&nbsp;&nbsp;the scribblings of a gorilla<br>**[02:54] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;that has the backing of<br>&nbsp;&nbsp;&nbsp;&nbsp;animal rights activists.<br>**[02:58] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at the editors.<br>**[02:59] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first editor, Konishi,<br>**[03:00] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;ended up unable to say<br>&nbsp;&nbsp;&nbsp;&nbsp;anything but "Holy Cow!"<br>**[03:06] Konishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy cow!<br>**[03:10] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second editor, Daito,<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;messed up his Samurai<br>&nbsp;&nbsp;&nbsp;&nbsp;Commando Mission 1549 date,<br>**[03:18] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;so he turned to the world of<br>&nbsp;&nbsp;&nbsp;&nbsp;anime and never looked back.<br>**[03:22] Daito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strategy for survival!<br>**[03:24] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The third editor, elite Nakasaki,<br>**[03:27] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;hurt his back at a party by<br>&nbsp;&nbsp;&nbsp;&nbsp;getting a little too elite.<br>**[03:34] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;After enduring the hell<br>&nbsp;&nbsp;&nbsp;&nbsp;of strict deadlines,<br>**[03:38] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;they all snapped.<br>**[03:39] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are all kept in the<br>&nbsp;&nbsp;&nbsp;&nbsp;gorilla sanctuary now.<br>**[03:44] Konishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy cow!<br>**[03:45] Daito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Let me watch Madoka Magica!<br>**[03:47] Naka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm elite!<br>**[03:49] Naka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not like them!<br>**[03:51] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;My assignment to Gintaman was<br>**[03:53] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;essentially a death sentence.<br>**[03:59] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that Vanguard's<br>&nbsp;&nbsp;&nbsp;&nbsp;been sent to Gintaman.<br>**[04:02] B**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just got married.<br>**[04:03] B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poor guy.<br>**[04:05] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to find a way to save my neck.<br>**[04:09] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means I have to discover a new artist<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can be moved off Gintaman.<br>**[04:15] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've spent days searching<br>&nbsp;&nbsp;&nbsp;&nbsp;for an artist with promise,<br>**[04:19] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the manga they drew<br>&nbsp;&nbsp;&nbsp;&nbsp;was only manga in name.<br>**[04:25] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there anyone out there<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who's willing to pour their own words,<br>**[04:30] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;their own thoughts, their<br>&nbsp;&nbsp;&nbsp;&nbsp;own life into their work?<br>**[04:34] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anyone out there<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to save me from my death,<br>**[04:39] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;to save me from this dark prison?<br>**[04:40] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;...guard-san.<br>**[04:42] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vanguard-san.<br>**[04:43] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vanguard-san!<br>**[04:44] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes.<br>**[04:46] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vanguard-san, someone named<br>&nbsp;&nbsp;&nbsp;&nbsp;N3016 is here to see you.<br>**[04:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, let him in.<br>**[04:52] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:55] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;N3016?<br>**[04:57] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's the guy who drew that<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;juvenile crap for the Treasure award.<br>**[05:02] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is his first visit.<br>**[05:04] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even his pen name is juvenile.<br>**[05:07] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us!<br>**[05:08] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[05:12] C**<br>&nbsp;&nbsp;&nbsp;&nbsp;N3016, get in here!<br>**[05:17] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am prisoner number 3016.<br>**[05:21] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a pleasure to meet you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Draw Your Life on the Canvas We Call Manga
<br>**[05:33] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They brought me a real prisoner?!<br>**[05:37] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead of throwing me into prison,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they brought a prisoner to me!<br>**[05:42] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nobody warned me about this!<br>**[05:45] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got 20 minutes.<br>**[05:47] B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any longer, and you'll be considered<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a fugitive and shot on sight.<br>**[05:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did he bring all these guards with him<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;here to show me his manga?!<br>**[05:55] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it sounds like he did<br>&nbsp;&nbsp;&nbsp;&nbsp;something really bad!<br>**[05:58] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I believe that we<br>&nbsp;&nbsp;&nbsp;&nbsp;spoke on the phone before<br>**[06:04] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was a finalist<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Treasure award.<br>**[06:06] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember my manga<br>**[06:08] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;about a Soul Reaper appearing<br>&nbsp;&nbsp;&nbsp;&nbsp;before a prisoner<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who's about to kill himself?<br>**[06:11] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was nonfiction?!<br>**[06:13] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We chose a complete<br>&nbsp;&nbsp;&nbsp;&nbsp;psycho to be a finalist!<br>**[06:16] N**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I wanted to come see<br>&nbsp;&nbsp;&nbsp;&nbsp;you in person today.<br>**[06:22] C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop the weapon, Shachi!<br>**[06:24] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a pen!<br>**[06:25] C**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pen can be used as a weapon! Drop it now!<br>**[06:28] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I can't do that!<br>**[06:30] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... I'm gonna become a manga artist!<br>**[06:33] C**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll wait three seconds!<br>**[06:34] C**<br>&nbsp;&nbsp;&nbsp;&nbsp;One! Two!<br>**[06:35] C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three!<br>**[06:35] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[06:37] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! What now?!<br>**[06:39] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[06:40] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakata-san!<br>**[06:41] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you so scared of<br>&nbsp;&nbsp;&nbsp;&nbsp;a prisoner in handcuffs?<br>**[06:44] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it.<br>**[06:45] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep an eye on him,<br>**[06:47] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;so scram.<br>**[06:48] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Sakata-san is here,<br>&nbsp;&nbsp;&nbsp;&nbsp;everything will be fine.<br>**[06:51] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'll be having tea at Renoir.<br>**[06:54] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about all the fuss.<br>**[06:56] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What took you so long, Bro?!<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was getting nervous.<br>**[06:59] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another weirdo here.<br>**[07:01] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about the late introduction.<br>**[07:03] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am prisoner number 4264, the artist.<br>**[07:07] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am number 3016, the writer.<br>**[07:11] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Together, we are Mute Ashirogi.<br>**[07:14] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you.<br>**[07:15] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this Bakuman?!<br>**[07:18] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh, so the two of you work together?<br>**[07:21] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;He used to do everything himself.<br>**[07:24] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he was only a finalist, right?<br>**[07:26] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to be in the same<br>&nbsp;&nbsp;&nbsp;&nbsp;prison as him for a short period,<br>**[07:29] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he wanted the opinion of<br>&nbsp;&nbsp;&nbsp;&nbsp;a twenty-year Jump reader.<br>**[07:33] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The art is too dated.<br>**[07:34] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! That's not true!<br>**[07:36] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kids are sensitive to that stuff.<br>**[07:38] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you draw it!<br>**[07:40] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we ended up<br>**[07:45] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;working together.<br>**[07:47] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;A manga duo that met in a prison!<br>**[07:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[07:52] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;These dangerous criminals<br>&nbsp;&nbsp;&nbsp;&nbsp;can't draw shounen manga!<br>**[07:55] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We fixed the issues you<br>&nbsp;&nbsp;&nbsp;&nbsp;mentioned in our phone call,<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so could you take a look?<br>**[08:01] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh shit.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will happen to me if<br>&nbsp;&nbsp;&nbsp;&nbsp;I say something is bad?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Revised Edition Ver 1.12 Mute Ashirogi
<br>**[08:06] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quick! Get this over with and leave!<br>**[08:09] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try to give them advice<br>&nbsp;&nbsp;&nbsp;&nbsp;without antagonizing them...<br>**[08:13] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[08:14] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original manga was a touching story<br>**[08:16] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;about a Soul Reaper appearing before<br>&nbsp;&nbsp;&nbsp;&nbsp;a prisoner about to kill himself<br>**[08:19] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and using death to teach the prisoner about<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the importance of life.<br>**[08:23] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story was too gloomy,<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone had their sleeves ripped off.<br>**[08:29] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was told to draw something<br>&nbsp;&nbsp;&nbsp;&nbsp;that wasn't so dark.<br>**[08:35] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we<br>**[08:36] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;changed things up.<br>**[08:37] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just put shoulder pads<br>&nbsp;&nbsp;&nbsp;&nbsp;on all of the characters!<br>**[08:43] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we changed two of the key characters,<br>**[08:45] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;such as the Soul Reaper and<br>&nbsp;&nbsp;&nbsp;&nbsp;the warden, into girls,<br>**[08:47] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;so now you have two heroines.<br>**[08:49] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The heroines are damn scary!<br>**[08:51] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they have double shoulder pads!<br>**[08:53] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are the shoulder pads the heroines?!<br>**[08:57] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main character was thrown<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a women's prison for<br>&nbsp;&nbsp;&nbsp;&nbsp;some unknown reason,<br>**[09:01] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now he spends his days<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;surrounded by the prison ladies.<br>**[09:05] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;These days, Jump doesn't have<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;any series that make the readers hard.<br>**[09:10] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty sure you've only<br>&nbsp;&nbsp;&nbsp;&nbsp;made their shoulders hard.<br>**[09:14] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So this is a prison harem story?<br>**[09:17] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's new.<br>**[09:18] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[09:19] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it, Bro!<br>**[09:20] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Jump is aimed at grade<br>&nbsp;&nbsp;&nbsp;&nbsp;school and middle school boys,<br>**[09:25] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we don't want them<br>&nbsp;&nbsp;&nbsp;&nbsp;sympathizing with prisoners...<br>**[09:27] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a problem with prisoners?!<br>**[09:29] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all prisoners of society!<br>**[09:33] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm busting my ass drawing manga here!<br>**[09:36] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spend all of the little time I have left<br>**[09:39] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;after slaving away for hours<br>&nbsp;&nbsp;&nbsp;&nbsp;on the chain gang on manga!<br>**[09:42] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down, N3016.<br>**[09:44] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vanguard-san knows that.<br>**[09:48] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we can't create a new<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;romantic comedy if you<br>&nbsp;&nbsp;&nbsp;&nbsp;oppose the prison setting.<br>**[09:51] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you would only have<br>&nbsp;&nbsp;&nbsp;&nbsp;school romantic comedies.<br>**[09:54] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The prison is what makes<br>&nbsp;&nbsp;&nbsp;&nbsp;this manga stand out.<br>**[09:56] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't give that up.<br>**[09:58] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we can add some wardrobe malfunctions<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep the kiddies happy.<br>**[10:02] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! My shoulder pads fell off!<br>**[10:05] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who gives a damn about<br>&nbsp;&nbsp;&nbsp;&nbsp;shoulder pads falling off?!<br>**[10:08] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we'll follow Yabuki's example<br>&nbsp;&nbsp;&nbsp;&nbsp;with the tankoban releases<br>**[10:10] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;by adding detail to the shoulder pads<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and showing how tightly<br>&nbsp;&nbsp;&nbsp;&nbsp;they adhere to the skin.<br>**[10:15] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget that! Get rid of the shoulder pads!<br>**[10:18] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this will never make<br>&nbsp;&nbsp;&nbsp;&nbsp;it to a tankoban release!<br>**[10:20] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you want to do<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a romantic comedy, the art<br>&nbsp;&nbsp;&nbsp;&nbsp;needs a little work...<br>**[10:24] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girls are just a little<br>&nbsp;&nbsp;&nbsp;&nbsp;too beefy, I think.<br>**[10:29] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Bro's art is too animated<br>&nbsp;&nbsp;&nbsp;&nbsp;for a romantic comedy.<br>**[10:34] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say his art is too<br>&nbsp;&nbsp;&nbsp;&nbsp;crappy for a manga artist!<br>**[10:36] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Maybe it's because I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;a fan of the older Jump style.<br>**[10:41] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe a different pen would help?<br>**[10:45] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not that.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shoulder pads are a big problem.<br>**[10:49] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I believe you should<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;completely start over with<br>&nbsp;&nbsp;&nbsp;&nbsp;the female characters.<br>**[10:54] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any concept<br>&nbsp;&nbsp;&nbsp;&nbsp;art for the heroines?<br>**[10:56] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I sure do.<br>**[10:59] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is more like concept<br>&nbsp;&nbsp;&nbsp;&nbsp;art for the shoulder pads!<br>**[11:03] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right Wing 1.<br>**[11:04] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stores a carbon whip that<br>&nbsp;&nbsp;&nbsp;&nbsp;shuts up any noisy kid.<br>**[11:07] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can cow any rowdy prisoner.<br>**[11:09] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Storage?<br>**[11:11] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;These shoulder pads are used for storage?!<br>**[11:13] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right Wing 2.<br>**[11:14] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Armed with an auto-turret that will<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;clear any enemies on your right side.<br>**[11:19] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. It only hits<br>&nbsp;&nbsp;&nbsp;&nbsp;enemies on the right side.<br>**[11:21] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's on her right, so it only<br>&nbsp;&nbsp;&nbsp;&nbsp;works on the right side!<br>**[11:24] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Left Wing 1.<br>**[11:25] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stores an extremely powerful stun gun<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that can instantly knock out an elephant.<br>**[11:29] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now for the Left Wing 2!<br>**[11:31] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hidden?! It was hidden?!<br>**[11:33] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The warden is still a girl.<br>**[11:35] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;She uses this hairbrush<br>&nbsp;&nbsp;&nbsp;&nbsp;to take care of her hair.<br>**[11:37] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we find out she's<br>&nbsp;&nbsp;&nbsp;&nbsp;actually fashion conscious!<br>**[11:39] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course! She's still a girl!<br>**[11:42] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the shoulder pads can be removed.<br>**[11:44] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Metamorphosis?<br>**[11:45] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much time did you spend<br>&nbsp;&nbsp;&nbsp;&nbsp;on the shoulder pads?!<br>**[11:47] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are these shoulder pads<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to resemble the Cloths?!<br>**[11:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;be a romantic comedy?!<br>**[11:52] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since this is a Jump manga, we<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to incorporate battles.<br>**[11:56] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now take the Soul Reaper heroine.<br>**[11:58] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are Zanpakupads?<br>**[12:01] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right Wing.<br>**[12:01] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange blade which grows in parallel<br>&nbsp;&nbsp;&nbsp;&nbsp;to the user's spiritual power.<br>**[12:04] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vital for every Soul Reaper.<br>**[12:06] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Left Wing.<br>**[12:07] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Used for draining spiritual<br>&nbsp;&nbsp;&nbsp;&nbsp;power when you're running low.<br>**[12:09] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys are ripping off everything<br>&nbsp;&nbsp;&nbsp;&nbsp;under the sun with your shoulder pads!<br>**[12:13] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What am I supposed to do...<br>**[12:14] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[12:16] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want me to make my<br>&nbsp;&nbsp;&nbsp;&nbsp;art look worse on purpose?<br>**[12:18] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, artists don't draw<br>&nbsp;&nbsp;&nbsp;&nbsp;this much detail these days.<br>**[12:23] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're copycats, but I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;tell them to remove the<br>**[12:26] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;shoulder pads after they put<br>&nbsp;&nbsp;&nbsp;&nbsp;all that effort into them.<br>**[12:28] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The heroines didn't seem that<br>&nbsp;&nbsp;&nbsp;&nbsp;macho in the initial sketches.<br>**[12:32] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The initial sketches were nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;more than a few scribbles.<br>**[12:35] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't make any judgments off that.<br>**[12:36] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so N3016 did the rough sketch,<br>**[12:40] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;and N4264 did the outlining.<br>**[12:43] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, since the prison<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't allow felt pens.<br>**[12:47] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so that's why the submission for the<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treasure Award was a rough sketch.<br>**[12:50] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at his crappy drawings.<br>**[12:53] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no idea how hard it<br>&nbsp;&nbsp;&nbsp;&nbsp;was for me to correct this.<br>**[12:56] Warden**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're headed to the disciplinary room!<br>**[12:57] Warden**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're headed to the disciplinary room!<br>**[12:57] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, was the pen you used<br>&nbsp;&nbsp;&nbsp;&nbsp;covered in mud or something?!<br>**[13:01] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's embarrassing, so don't<br>&nbsp;&nbsp;&nbsp;&nbsp;compare my art to Bro's!<br>**[13:03] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should switch roles!<br>**[13:07] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the guy with an ugly<br>&nbsp;&nbsp;&nbsp;&nbsp;face can draw some cute art!<br>**[13:10] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's made a ton of progress!<br>**[13:13] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a genius, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;ignore the shoulder pads!<br>**[13:15] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I understand.<br>**[13:17] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let's have the two of you swap roles<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the next submission.<br>**[13:21] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[13:22] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's good now, but I'm<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;interested in seeing what else you can do.<br>**[13:27] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't know how to use a mapping pen<br>**[13:29] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;since I've been a model prisoner!<br>**[13:31] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, you don't have to use a mapping pen.<br>**[13:35] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;N4264 writes the story<br>**[13:37] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;and N3016 draws a rough sketch off that.<br>**[13:41] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you just have to fax it to me.<br>**[13:44] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?! My art can't<br>&nbsp;&nbsp;&nbsp;&nbsp;compare with Bro's!<br>**[13:48] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I guarantee that your art is better.<br>**[13:51] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this might help him<br>&nbsp;&nbsp;&nbsp;&nbsp;realize how hard my job is.<br>**[13:53] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like fun. Let's do it.<br>**[13:55] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you so arrogant?!<br>**[13:58] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one holding back this manga!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shueisha
<br>**[14:01] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much for seeing us today.<br>**[14:04] Shachi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll fax you our next work,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please give us a chance.<br>**[14:06] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm looking forward to seeing it.<br>**[14:10] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;With that art, and a story<br>&nbsp;&nbsp;&nbsp;&nbsp;that lays his own life bare...<br>**[14:16] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are many obstacles<br>&nbsp;&nbsp;&nbsp;&nbsp;ahead, but it's possible that<br>**[14:21] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've found an incredible talent.<br>**[14:32] A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vanguard-san, you have a fax.<br>**[14:35] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gorilla finally finished?<br>**[14:37] C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. It's from someone<br>&nbsp;&nbsp;&nbsp;&nbsp;named Mute Ashirogi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jump Editing Department Mr. Vanguard We finished our first draft. Please have a look.
<br>**[14:41] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? It only took them one day?<br>**[14:43] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;These newbies are so much<br>&nbsp;&nbsp;&nbsp;&nbsp;faster than the gorilla.<br>**[14:48] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. What's the title?<br>**[14:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;God of Death?<br>**[14:52] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they focused on the<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reaper aspect instead of the prison theme.<br>**[14:56] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? There's more below?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Prison of Death
<br>**[14:58] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so it hasn't been finalized.<br>**[15:00] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they were shifting between<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death Prison Death PriDeath
<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the reaper and prison themes.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;PriDeath PriDeath Death PriPri Death
<br>**[15:04] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, I don't like where this is going.<br>**[15:08] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to start<br>&nbsp;&nbsp;&nbsp;&nbsp;mixing and matching words.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death PriPri Death PriPriDeath
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAGE here.
<br>**[15:13] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has nothing to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with reapers or prisons.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ASKA here.
<br>**[15:17] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to the death and pripri?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAGE & ASKA here.
<br>**[15:20] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is this like the intro<br>&nbsp;&nbsp;&nbsp;&nbsp;for a CHAGE & ASKA concert?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ASKA & CHAGE here.
<br>**[15:23] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares about the order?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ASKA & CHAGE & ASKA here.
<br>**[15:25] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't put CHAGE in between two ASKAs!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ASKA & CHAGE & ASKA here.
<br>**[15:28] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Staggering it doesn't help!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAGE DEATH ASKA
<br>**[15:30] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you bringing death<br>&nbsp;&nbsp;&nbsp;&nbsp;back into the title?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAGETH NOTE
<br>**[15:32] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now this is just completely wrong!<br>**[15:35] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this CHAGETH NOTE?<br>**[15:37] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does something bad happen<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you write someone's name in it?<br>**[15:42] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, practice ran late.<br>**[15:45] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shoulders are starved.<br>**[15:46] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoulders are starved? They're huge!<br>**[15:49] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're sticking out of the panel!<br>**[15:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this no longer has<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to do with reapers or prisons.<br>**[15:53] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why did they keep the shoulder pads?<br>**[15:56] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, the moon is creeping me out tonight.<br>**[15:58] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feels like something's going<br>&nbsp;&nbsp;&nbsp;&nbsp;to pop out of the shadows.<br>**[16:00] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, your creepy shoulders<br>&nbsp;&nbsp;&nbsp;&nbsp;are blocking the moon.<br>**[16:04] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And those shoulders limit the space<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he has for everything else!<br>**[16:08] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dog poop.<br>**[16:09] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you using a huge panel<br>&nbsp;&nbsp;&nbsp;&nbsp;for such a pointless scene?!<br>**[16:13] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long is this going to continue?!<br>**[16:16] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is this CHAGETH NOTE?!<br>**[16:18] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;He sounds surprised, but<br>&nbsp;&nbsp;&nbsp;&nbsp;he already knows the name?<br>**[16:22] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a name inside...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ASKA RYO
<br>**[16:22] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! ASKA's name's in there!<br>**[16:24] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who put it there?<br>**[16:25] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;CHAGE?<br>**[16:25] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did CHAGE write that?<br>**[16:27] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;ASKA, Inaba, Shimura, Kaku-san?<br>**[16:29] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are all names of people who get<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the most attention in<br>&nbsp;&nbsp;&nbsp;&nbsp;their respective groups.<br>**[16:32] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That list of names is scaring me! Stop it!<br>**[16:35] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't cause any scandals!<br>**[16:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't supposed to see that!<br>**[16:40] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why are you doing math on here?!<br>**[16:42] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't scribble on a draft!<br>**[16:44] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're shaky on your sevens?!<br>**[16:46] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mute Ashirogi
<br>**[16:47] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't focus on the manga!<br>**[16:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to practice your signature!<br>**[16:52] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody's interested in your signature!<br>**[16:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Ryuko, a God of Death.<br>**[16:56] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kagura, I made fried race so you <br>
&nbsp;&nbsp;&nbsp;&nbsp;can microwave that for dinner.<br>**[16:59] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They drew this important<br>&nbsp;&nbsp;&nbsp;&nbsp;scene on an old note?!<br>**[17:02] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The heroine's face is<br>&nbsp;&nbsp;&nbsp;&nbsp;covered by fried rice!<br>**[17:05] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they've perfected their signature!<br>**[17:07] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mute Ashirogi!<br>**[17:09] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;A God of Death?!<br>**[17:10] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, I want BBQ<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of boiled ham.<br>**[17:13] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still loved it to DEATH.<br>**[17:14] Kagura**<br>&nbsp;&nbsp;&nbsp;&nbsp;-Kagura<br>**[17:15] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't use the manga to reply!<br>**[17:18] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they not care about this draft?!<br>**[17:20] Shin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin-san, Otose-san dropped<br>&nbsp;&nbsp;&nbsp;&nbsp;by for rent today.<br>**[17:24] Shin**<br>&nbsp;&nbsp;&nbsp;&nbsp;-Shinpachi<br>**[17:24] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't turn this manga into a message board!<br>**[17:28] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then I'll make myself scarce.<br>**[17:30] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're in the same room,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can talk to each other directly!<br>**[17:34] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up.<br>**[17:36] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened while those fools<br>&nbsp;&nbsp;&nbsp;&nbsp;were talking to each other?<br>**[17:39] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're back in a prison again!<br>**[17:42] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was my only solution.<br>**[17:44] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could never write someone's name<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this notebook and CHAGE them.<br>**[17:47] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that even mean?<br>**[17:50] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've fallen in love with<br>&nbsp;&nbsp;&nbsp;&nbsp;both Ryuko and Wardena.<br>**[17:54] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That never happened...<br>**[17:56] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to make one<br>&nbsp;&nbsp;&nbsp;&nbsp;happy, I had to CHAGE the<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;other so she would barely remember me.<br>**[18:02] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize to CHAGE!<br>**[18:03] Wardena**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to be happy,<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can CHAGE me.<br>**[18:08] Wardena**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll always ASKA you.<br>**[18:11] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! The shoulder pads pushed her face<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;off the page in this critical scene!<br>**[18:15] Wardena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You better make him happy,<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I'll send you to the disciplinary room!<br>**[18:18] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's talking?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whose shoulder pads are these?<br>**[18:22] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't make one of them<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;forget me to make the other happy.<br>**[18:27] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I need both of them...<br>**[18:32] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both CHAGE & ASKA.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAGEsuke.
<br>**[18:34] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it's kind of a touching story?<br>**[18:37] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was for the best...<br>**[18:39] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could only protect them<br>&nbsp;&nbsp;&nbsp;&nbsp;by making them forget me.<br>**[18:41] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would that land you in prison?!<br>**[18:44] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's your name?<br>**[18:47] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me. I can't even remember now.<br>**[18:50] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a letter for you.<br>**[18:53] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was<br>**[18:55] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the people around the<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;world who should have forgotten about me.<br>**[19:00] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;A love letter that should never<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been able to reach me...<br>**[19:04] Otose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gintoki, I've taken your<br>&nbsp;&nbsp;&nbsp;&nbsp;furniture as collateral.<br>**[19:08] Otose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never come back.<br>**[19:09] Otose**<br>&nbsp;&nbsp;&nbsp;&nbsp;-Otose<br>**[19:15] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know....<br>**[19:17] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;When a story starts off with<br>&nbsp;&nbsp;&nbsp;&nbsp;a hungry main character,<br>**[19:21] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must be great!<br>**[19:23] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now is the time to copy other manga<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and use what you can!<br>**[19:28] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't bother with originality!<br>**[19:31] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't bother using your<br>&nbsp;&nbsp;&nbsp;&nbsp;own life experiences!<br>**[19:33] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who's Vanguard talking to?<br>**[19:36] E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that he committed himself<br>&nbsp;&nbsp;&nbsp;&nbsp;to the gorilla sanctuary.<br>**[19:41] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[19:42] E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because wild gorillas are scarier.<br>**[19:44] Konishi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holy cow!<br>**[19:46] Daito**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Let me watch Utena!<br>**[19:48] Nakazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not like these scum!<br>**[19:50] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jellybeans!<br>**[21:28] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, practice ran late.<br>**[21:32] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shoulders are starved.<br>**[21:33] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, the moon is creeping me out tonight.<br>**[21:35] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feels like something's going<br>&nbsp;&nbsp;&nbsp;&nbsp;to pop out of the shadows.<br>**[21:36] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dog poop.<br>**[21:38] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is this CHAGETH NOTE?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;ASKA RYO
<br>**[21:40] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a name inside...<br>**[21:41] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;ASKA, Inaba, Shimura, Kaku-san?<br>**[21:43] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are all names of people who get<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the most attention in<br>&nbsp;&nbsp;&nbsp;&nbsp;their respective groups.<br>**[21:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't supposed to see that!<br>**[21:47] Honda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mute Ashirogi
<br>**[21:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Ryuko, a God of Death.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kagura, I made fried rice so you can microwave that for dinner.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mute Ashirogi
<br>**[21:51] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, I want BBQ<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of boiled ham.<br>**[21:53] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still loved it to DEATH.<br>**[21:54] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;-Kagura<br>**[21:55] Ryuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin-san, Otose-san dropped<br>&nbsp;&nbsp;&nbsp;&nbsp;by for rent today.<br>**[21:57] Ryuko**<br>&nbsp;&nbsp;&nbsp;&nbsp;-Shinpachi<br>**[21:58] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then I'll make myself scarce.<br>**[22:00] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was my only solution.<br>**[22:02] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could never write someone's name<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this notebook and CHAGE them.<br>**[22:07] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've fallen in love with<br>&nbsp;&nbsp;&nbsp;&nbsp;both Ryuko and Wardena.<br>**[22:10] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to make one happy, I had to CHAGE<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the other so she would barely remember me.<br>**[22:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to be happy,<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can CHAGE me.<br>**[22:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll always ASKA you.<br>**[22:20] Wardena**<br>&nbsp;&nbsp;&nbsp;&nbsp;You better make him happy,<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I'll send you to the disciplinary room!<br>**[22:23] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't make one of them<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;forget me to make the other happy.<br>**[22:27] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I need both of them...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CHAGEsuke.
<br>**[22:30] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both CHAGE & ASKA.<br>**[22:32] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was for the best...<br>**[22:33] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could only protect them<br>&nbsp;&nbsp;&nbsp;&nbsp;by making them forget me.<br>**[22:36] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's your name?<br>**[22:37] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me. I can't even remember now.<br>**[22:40] D**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a letter for you.<br>**[22:41] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was<br>**[22:42] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the people around the<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;world who should have forgotten about me.<br>**[22:45] Chage**<br>&nbsp;&nbsp;&nbsp;&nbsp;A love letter that should never<br>&nbsp;&nbsp;&nbsp;&nbsp;have been able to reach me...<br>**[22:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gintoki, I've taken your<br>&nbsp;&nbsp;&nbsp;&nbsp;furniture as collateral.<br>**[22:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never come back.<br>**[22:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;-Otose<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The End
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>**[22:58] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ever heard the name Thorny?<br>**[23:00] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for nasty kids that prick<br>&nbsp;&nbsp;&nbsp;&nbsp;you if you get too close.<br>**[23:05] Kondo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what we called the<br>&nbsp;&nbsp;&nbsp;&nbsp;bad boys where I come from.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thorny Arc
<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next Episode<br>**[23:12] Okita**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, let him in my first squad.<br>**[23:15] Okita**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send him straight into a<br>&nbsp;&nbsp;&nbsp;&nbsp;battle and straight to his grave.<br>**[23:18] Tetsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[23:19] Isabu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a fan of the Shinsengumi.<br>**[23:22] Toshi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you people...<br>**[23:24] Isabu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain of the Mimawarigumi,<br>&nbsp;&nbsp;&nbsp;&nbsp;Isaburo Sasaki.<br>**[23:28] Toshi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, Thorny's<br>&nbsp;&nbsp;&nbsp;&nbsp;the only mode I play.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Check It Out!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hijikata's past is revealed... And the  Shinsengumi are pitted against the Mimawarigumi!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Thorny arc starts  next week. Check it out!!
<br>