# 333 - Life, Death, and Shades / All the Answers Can Be Found in the Field

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ4MKDZ6/gintama)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gintama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Slip Arc
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Watch the Slip Arc in a bright room and at a safe distance from your TV!
<br>**[01:34] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it. You'll be mincemeat <br>
&nbsp;&nbsp;&nbsp;&nbsp;if you fall from this high up.<br>**[01:38] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get the wrong idea.<br>**[01:39] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to know if I <br>
&nbsp;&nbsp;&nbsp;&nbsp;still have the wings to fly.<br>**[01:44] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I came here to find out, is all.<br>**[01:49] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life is precious. Don't throw it away.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Life, Death, and Shades
<br>**[01:55] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look who's talking!<br>**[01:57] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You totally wanna lay waste to a life!<br>**[01:59] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're totally trying to kill someone,<br>&nbsp;&nbsp;&nbsp;&nbsp;right? You're an assassin, aren't you?!<br>**[02:02] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get the wrong idea.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just here to hunt boars.<br>**[02:04] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;From how far away are you<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to hunt boars?!<br>**[02:08] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, don't be stupid.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't commit a murder.<br>**[02:11] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna hear that from a suicidal man.<br>**[02:12] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna hear that from an assassin!<br>**[02:13] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna hear that from a<br>&nbsp;&nbsp;&nbsp;&nbsp;man wearing filthy-ass shades.<br>**[02:15] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna hear that from<br>&nbsp;&nbsp;&nbsp;&nbsp;a man wearing lame-ass shades!<br>**[02:17] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your shades are more lame.<br>**[02:18] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, your shades are more lame.<br>**[02:21] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me be honest.<br>**[02:23] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't care less what kind of shades<br>&nbsp;&nbsp;&nbsp;&nbsp;you wear, or when and where you wear them.<br>**[02:26] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're talking about shades now?!<br>**[02:28] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, do you really<br>&nbsp;&nbsp;&nbsp;&nbsp;have it in you to jump?<br>**[02:34] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been doing this every<br>&nbsp;&nbsp;&nbsp;&nbsp;day for the past month.<br>**[02:41] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I want to die,<br>**[02:43] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking about shades smashing into<br>&nbsp;&nbsp;&nbsp;&nbsp;the ground makes my shades tremble.<br>**[02:49] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an assassin, right?<br>**[02:51] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know a way to die that isn't scary<br>&nbsp;&nbsp;&nbsp;&nbsp;or sad and doesn't hurt or break shades?<br>**[02:55] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're basically saying you don't wanna die.<br>**[02:58] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;If nothing else, I want my shades to live on!<br>**[03:01] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you just take them off before you die?<br>**[03:03] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an assassin, you know.<br>**[03:04] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I stop to think about how my<br>&nbsp;&nbsp;&nbsp;&nbsp;victims feel, I couldn't do my—<br>**[03:07] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know!<br>**[03:08] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could just have you kill me!<br>**[03:11] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha—<br>**[03:11] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could send me to heaven in one shot,<br>&nbsp;&nbsp;&nbsp;&nbsp;without letting me feel any pain or fear!<br>**[03:16] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you. Do you have any idea how much<br>&nbsp;&nbsp;&nbsp;&nbsp;money is involved in each of my shots?<br>**[03:20] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't waste my rounds.<br>**[03:22] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be it when I'm killing my targets<br>**[03:23] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;or when I'm making love to women.<br>**[03:26] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;All it takes is one shot.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over in an instant.<br>**[03:29] G**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Done already, CEO?<br>**[03:31] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my creed.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One and Done
<br>**[03:33] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's where my moniker of<br>&nbsp;&nbsp;&nbsp;&nbsp;"One and Done Synshen" comes from.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Synshen
<br>**[03:36] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just mocking you for<br>&nbsp;&nbsp;&nbsp;&nbsp;shooting your load early!<br>**[03:39] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I'll have to kill myself<br>&nbsp;&nbsp;&nbsp;&nbsp;right here and now, then.<br>**[03:41] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, wait.<br>**[03:42] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about this?<br>**[03:43] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You head to the roof of that skyscraper now.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Welcome to Earth!!
<br>**[03:46] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;My target is taking part in<br>&nbsp;&nbsp;&nbsp;&nbsp;a welcoming party there.<br>**[03:49] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really hunting a boar?!<br>**[03:51] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I give the signal, jump off the roof.<br>**[03:55] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you fall into my crosshairs<br>&nbsp;&nbsp;&nbsp;&nbsp;that will be aimed at my target,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Me
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boar
<br>**[03:58] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will pierce you both through with one shot.<br>**[04:00] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should do, right?<br>**[04:01] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you making this too hard for yourself?<br>**[04:04] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the shades are being<br>&nbsp;&nbsp;&nbsp;&nbsp;smashed to bits anyway!<br>**[04:08] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess around here is fine.<br>**[04:10] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I just have to wait for the signal.<br>**[04:13] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;With this, I can finally go to heaven—<br>**[04:14] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it.<br>**[04:16] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be mincemeat if you<br>&nbsp;&nbsp;&nbsp;&nbsp;fall from this high up.<br>**[04:18] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put yourself in the shoes of the lady<br>&nbsp;&nbsp;&nbsp;&nbsp;who runs the cutlet place down there.<br>**[04:21] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, before all that...<br>**[04:25] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life is precious. Don't throw it away.<br>**[04:27] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Really?! Here, too?!*<br>**[04:29] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's an assassin here, too?!*<br>**[04:32] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to die, leave at once.<br>**[04:35] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I do want to die!*<br>**[04:37] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that One and Done Synshen<br>&nbsp;&nbsp;&nbsp;&nbsp;is targeting this building.<br>**[04:41] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Could he be an assassin hired*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by Synshen's enemy to kill him?*<br>**[04:45] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have to go tell him right now, or the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;assassin who's gonna kill me will lose his...*<br>**[04:50] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[04:54] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Synshen is on that rooftop.<br>**[04:58] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must thank you for telling me.<br>**[05:00] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you can just shoot<br>&nbsp;&nbsp;&nbsp;&nbsp;me in the head in return.<br>**[05:05] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I can't do that.<br>**[05:07] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even an assassin has his creed.<br>**[05:09] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only people I kill are<br>&nbsp;&nbsp;&nbsp;&nbsp;scumbags like Synshen.<br>**[05:13] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be it targets or women,<br>**[05:15] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't go after those on<br>&nbsp;&nbsp;&nbsp;&nbsp;the straight and narrow.<br>**[05:17] G**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Done already, CEO?<br>**[05:19] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where my moniker<br>&nbsp;&nbsp;&nbsp;&nbsp;"Quickdraw Synron" comes from.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Quickdraw
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Synron
<br>**[05:22] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your moniker has nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with your creed!<br>**[05:24] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are all assassins too<br>&nbsp;&nbsp;&nbsp;&nbsp;quick to shoot their loads?<br>**[05:26] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about we do this?<br>**[05:27] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;You head back to that building<br>**[05:30] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lure Synshen somewhere I can snipe him<br>**[05:34] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;using a scummy tactic.<br>**[05:36] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do that, I promise to shoot<br>&nbsp;&nbsp;&nbsp;&nbsp;both you scumbags in the head.<br>**[05:41] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This has gotten even more complicated!*<br>**[05:44] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I came here to die!*<br>**[05:46] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Why am I playing accomplice*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in an assassination?!*<br>**[05:50] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Synshen...<br>**[05:52] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;They got me.<br>**[05:54] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run away.<br>**[05:56] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy already has the<br>&nbsp;&nbsp;&nbsp;&nbsp;entire city under its control.<br>**[06:00] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to let you know that<br>&nbsp;&nbsp;&nbsp;&nbsp;your life is in grave danger...<br>**[06:06] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hang in there!<br>**[06:08] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Before I die, could you take me up there?<br>**[06:13] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just wait.<br>**[06:14] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hell yeah! He fell for it!*<br>**[06:17] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get you to a hospital right away.<br>**[06:19] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, forget that. Just take<br>&nbsp;&nbsp;&nbsp;&nbsp;me up there before I die.<br>**[06:23] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You moron! Don't be so quick<br>&nbsp;&nbsp;&nbsp;&nbsp;to say you're gonna die!<br>**[06:26] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why is he so full of passion?!*<br>**[06:28] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you that I'd kill you.<br>**[06:30] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you dare die until then.<br>**[06:31] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's a much nicer guy than I thought!*<br>**[06:34] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait. Aren't you a professional assassin?<br>**[06:37] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you should<br>&nbsp;&nbsp;&nbsp;&nbsp;leave your job unfinished?<br>**[06:39] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think is more important?<br>&nbsp;&nbsp;&nbsp;&nbsp;A job, or a person's life?<br>**[06:42] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And who was it that was taking*<br>*&nbsp;&nbsp;&nbsp;&nbsp;people's lives on the job?*<br>**[06:46] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn those scumbags.<br>**[06:47] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Uh, you're the scumbag.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Don't forget where you stand.*<br>**[06:50] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;First they take my sister, and now<br>&nbsp;&nbsp;&nbsp;&nbsp;they want to take my friend, too?<br>**[06:53] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When did we become friends?!*<br>**[06:56] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[06:58] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a sniper on that rooftop, too?<br>**[07:00] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Synron-san!*<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is as far as I can go!*<br>**[07:02] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean, he's actually a really nice guy!*<br>**[07:05] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be the decoy.<br>**[07:06] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime, you use this<br>&nbsp;&nbsp;&nbsp;&nbsp;to take out that sniper.<br>**[07:09] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asking a half-dead guy to kill someone?*<br>**[07:11] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't tell if he's a nice*<br>*&nbsp;&nbsp;&nbsp;&nbsp;guy or a bad guy anymore!*<br>**[07:14] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't die.<br>**[07:15] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like I said, I came here to die!*<br>**[07:18] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What the hell is going on?!*<br>**[07:20] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I came here to die!*<br>**[07:22] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't care anymore! I'll kill or whatever!*<br>**[07:25] Mad**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I actually try to kill*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Synron, I'm sure he'll kill me.*<br>**[07:30] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's already dead!*<br>**[07:32] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What are you doing?<br>**[07:35] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry, I screwed up.<br>**[07:38] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I panicked and rushed to kill Synshen,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I failed to notice my rounds were gone.<br>**[07:43] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;He took that chance to hit you?<br>**[07:45] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, like I said...<br>**[07:48] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost my rounds.<br>**[07:50] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;That really is one hell of a screw-up!<br>**[07:51] Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't have any rounds, I can't kill you.<br>**[07:55] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need those round ones for that.<br>**[07:57] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no longer fit to be a sniper.<br>**[08:00] G**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Done already, CEO?<br>**[08:01] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were never fit and firing there anyway!<br>**[08:04] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's fine.<br>**[08:06] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I did have the rounds,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have been able to fire.<br>**[08:10] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some scumbag he was.<br>**[08:12] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe he acted like that in front<br>&nbsp;&nbsp;&nbsp;&nbsp;of his enemy in the middle of a hit job.<br>**[08:17] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know why my boss is<br>&nbsp;&nbsp;&nbsp;&nbsp;being targeted by Synshen?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what people call him behind his back:<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"slave trader."<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stuff he peddles includes people<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Synshen's kid sister who was<br>&nbsp;&nbsp;&nbsp;&nbsp;with him when he was an orphan.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only then did he start walking<br>&nbsp;&nbsp;&nbsp;&nbsp;down the path of a scumbag.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So when I saw him do that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized something.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He came here as a brother<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to save his sister.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you tell him something for me?<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't have the rounds<br>&nbsp;&nbsp;&nbsp;&nbsp;to shoot you with anymore,<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I still have enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to unload into scumbags!"<br>**[09:00] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unload those into me, not scumbags!*<br>**[09:04] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm done with this crap!*<br>**[09:05] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm just gonna jump off the roof!*<br>**[09:11] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been 20 years since we were sold off.<br>**[09:14] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our appearances have changed<br>&nbsp;&nbsp;&nbsp;&nbsp;completely since then,<br>**[09:16] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we even cast our names aside,<br>**[09:19] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it seems we both chose to walk down<br>&nbsp;&nbsp;&nbsp;&nbsp;the same path to get our sibling back.<br>**[09:24] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have the rounds<br>&nbsp;&nbsp;&nbsp;&nbsp;to shoot me with anymore?<br>**[09:26] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichiko, you never had any<br>&nbsp;&nbsp;&nbsp;&nbsp;round ones to begin with.<br>**[09:31] Boar**<br>&nbsp;&nbsp;&nbsp;&nbsp;You siblings would've been<br>&nbsp;&nbsp;&nbsp;&nbsp;better off killing each other.<br>**[09:35] Boar**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you two can't settle things<br>&nbsp;&nbsp;&nbsp;&nbsp;yourselves, I can help.<br>**[09:40] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were always like that, Ichiko.<br>**[09:43] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You loved to dress up like<br>&nbsp;&nbsp;&nbsp;&nbsp;a boy and play with us.<br>**[09:49] (Flashback) Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so mean, Ichiro-nii!<br>**[09:51] (Flashback) Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm out of water here!<br>**[09:55] (Flashback) Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I keep telling you...<br>**[09:56] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too quick to shoot your load.<br>**[09:59] (Flashback) Gol2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez! How can I win, then?<br>**[10:02] (Flashback) Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that obvious?<br>**[10:06] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put everything you have into one shot.<br>**[10:11] Boar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he going to shoot me<br>&nbsp;&nbsp;&nbsp;&nbsp;along with his sister?<br>**[10:14] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get ready for my best shot.<br>**[10:18] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I've already fired it.<br>**[10:20] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can kill me, I'd like to see you try!<br>**[10:36] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, in the end...<br>**[10:40] Mad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't die!<br>**[10:49] Gol**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like your wings are still right there.<br>**[10:56] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;In our job, fieldwork is everything.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special Crash Course for  Upper Management Candidates
<br>**[11:00] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in any organization, the skilled<br>&nbsp;&nbsp;&nbsp;&nbsp;employees are the first to leave the field<br>**[11:04] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;and take up leadership roles.<br>**[11:07] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of you master investigators will<br>&nbsp;&nbsp;&nbsp;&nbsp;learn how the nectar of authority tastes.<br>**[11:13] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I didn't promote you just so you could rot.<br>**[11:18] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm basically trying to say is,<br>**[11:20] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how far up the ladder you climb,<br>**[11:23] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;never forget the field where you came from.<br>**[11:25] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pearls of wisdom from the super boss who<br>&nbsp;&nbsp;&nbsp;&nbsp;spends taxpayer money on cabaret clubs.<br>**[11:30] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be like that, Toshi.<br>**[11:32] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't need a crash course.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're drowning in fieldwork every day.<br>**[11:39] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, we're full of idiots who think<br>&nbsp;&nbsp;&nbsp;&nbsp;desk work means sleeping on a desk.<br>**[11:44] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who is he calling master investigators?<br>**[11:47] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;These useless rich kids who landed comfy<br>&nbsp;&nbsp;&nbsp;&nbsp;jobs using their family names and contacts?<br>**[11:51] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toshi! They can hear you!<br>**[11:53] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want them to.<br>**[11:55] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. You're a rich kid from<br>&nbsp;&nbsp;&nbsp;&nbsp;a famous family too, aren't you...<br>**[12:00] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimawarigumi Chief Sasaki-dono?<br>**[12:03] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to worry, Shinsengumi<br>&nbsp;&nbsp;&nbsp;&nbsp;Vice Chief Hijikata-dono.<br>**[12:08] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I become director-general, I'll effect<br>&nbsp;&nbsp;&nbsp;&nbsp;elite reform by the elite for the elite.<br>**[12:14] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For starters, maybe I should<br>&nbsp;&nbsp;&nbsp;&nbsp;fire that napping thorny<br>**[12:16] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the dummy spreading secondhand smoke.<br>**[12:20] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you agree, Nobume-san?<br>**[12:23] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elite reform, my ass! Your subordinate<br>&nbsp;&nbsp;&nbsp;&nbsp;is napping in class, too!<br>**[12:27] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not napping.<br>**[12:29] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm snacking.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese for  Good Kids
<br>**[12:30] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both equally bad!<br>**[12:31] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hate to break it to ya,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not napping, either.<br>**[12:34] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was pretending so people wouldn't figure<br>&nbsp;&nbsp;&nbsp;&nbsp;out during recess that I have no friends.<br>**[12:38] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why the triumphant look?<br>**[12:40] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you two competing over school tropes?<br>**[12:42] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, a guy messing with his phone during<br>&nbsp;&nbsp;&nbsp;&nbsp;a lecture has no right to complain to me.<br>**[12:46] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm merely noting down the important points.<br>**[12:49] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm using nicotine to clear<br>&nbsp;&nbsp;&nbsp;&nbsp;my head so I can pay attention!<br>**[12:52] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap, game over.<br>**[12:54] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you were just playing a mobile game!<br>**[12:57] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep it down, you louts!<br>**[13:00] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beat it to the hallway<br>&nbsp;&nbsp;&nbsp;&nbsp;in under three seconds,<br>**[13:03] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I'll blow your brains out.<br>**[13:05] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;One...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;All the Answers <br>
&nbsp;&nbsp;&nbsp;&nbsp;Can Be Found in the Field
<br>**[13:07] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to two and three?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special Crash Course for  Upper Management Candidates
<br>**[13:11] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, yeah...<br>**[13:14] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have these guys act as guinea pigs,<br>&nbsp;&nbsp;&nbsp;&nbsp;experience a crime scene, and investigate.<br>**[13:19] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a simulation, but I want you<br>&nbsp;&nbsp;&nbsp;&nbsp;all to rack your brains along with them.<br>**[13:22] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if it's a simulation<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever. Bring it on.<br>**[13:25] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, though we'd rather not be compared<br>&nbsp;&nbsp;&nbsp;&nbsp;to these people. Right, Nobume-san?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Records of the Three Kingdoms
<br>**[13:29] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you defeat Cao Cao<br>&nbsp;&nbsp;&nbsp;&nbsp;early, you lose motivation<br>**[13:32] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;and stop caring about uniting China.<br>**[13:34] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cao Cao can be the last boss, then.<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoever defeats Wei first wins.<br>**[13:38] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, he said simulation, but not that kind!<br>**[13:40] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fictional crime scene<br>&nbsp;&nbsp;&nbsp;&nbsp;will be displayed in VR.<br>**[13:43] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Analyze the crime using the clues at<br>&nbsp;&nbsp;&nbsp;&nbsp;the scene and identify the culprit.<br>**[13:52] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is this?<br>**[13:54] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like the real thing!<br>**[13:56] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is HQ, you know. We have<br>&nbsp;&nbsp;&nbsp;&nbsp;all the cutting-edge tech.<br>**[14:00] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we have files on every<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of case imaginable.<br>**[14:03] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;This case, based on a massive amount of<br>&nbsp;&nbsp;&nbsp;&nbsp;data, is no different from the real thing.<br>**[14:09] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the gist of it. A corpse<br>&nbsp;&nbsp;&nbsp;&nbsp;was found on this river bank.<br>**[14:13] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;An old lady living nearby<br>&nbsp;&nbsp;&nbsp;&nbsp;was the first to find it.<br>**[14:16] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;She testified that she was here to do laundry<br>&nbsp;&nbsp;&nbsp;&nbsp;when she saw it drift by from upstream.<br>**[14:26] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of case is this?!<br>**[14:28] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;HQ's case files clearly have<br>&nbsp;&nbsp;&nbsp;&nbsp;folktales from Japan mixed in!<br>**[14:32] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear a similar case happened in the past.<br>**[14:34] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like hell it did! This is Momotaro!<br>**[14:37] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know for sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is Momotaro yet.<br>**[14:40] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, he obviously is.<br>&nbsp;&nbsp;&nbsp;&nbsp;He was even inside a peach.<br>**[14:42] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acting on misconceptions<br>&nbsp;&nbsp;&nbsp;&nbsp;can lead to mistakes.<br>**[14:45] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;The granny was here to do laundry!<br>**[14:47] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops, was the peach already<br>&nbsp;&nbsp;&nbsp;&nbsp;split when it was found?<br>**[14:51] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Granny testified that she pulled it out<br>&nbsp;&nbsp;&nbsp;&nbsp;in this state when it came drifting by.<br>**[14:55] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're actually doing this? We're<br>&nbsp;&nbsp;&nbsp;&nbsp;investigating this stupid case?<br>**[14:58] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's weird.<br>**[14:59] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he came drifting by in this state,<br>&nbsp;&nbsp;&nbsp;&nbsp;Momotaro's body should be wet.<br>**[15:04] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just called him Momotaro.<br>&nbsp;&nbsp;&nbsp;&nbsp;You admitted it is him, right?<br>**[15:06] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, can an old lady really drag a<br>&nbsp;&nbsp;&nbsp;&nbsp;peach with an adult inside all this way?<br>**[15:12] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something off here.<br>**[15:13] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, like an adult being inside a peach!<br>**[15:16] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;The granny probably wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;alone when she found this.<br>**[15:20] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is Gramps's alibi?<br>**[15:21] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cutting grass in the mountains.<br>**[15:22] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an alibi?!<br>**[15:24] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was something that scary?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old Man Possession 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sickle
<br>**[15:26] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops, get us a DNA comparison on<br>&nbsp;&nbsp;&nbsp;&nbsp;Gramps's sickle and Momotaro's blood.<br>**[15:30] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking? That's terrifying!<br>**[15:32] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fatal wound matches the<br>&nbsp;&nbsp;&nbsp;&nbsp;way the peach was split.<br>**[15:35] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, he was killed by the<br>&nbsp;&nbsp;&nbsp;&nbsp;old couple when they split the peach.<br>**[15:40] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell kind of folktale is this?!<br>**[15:42] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't do it on purpose.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was an accident.<br>**[15:45] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's why they fabricated alibis...<br>**[15:47] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're mistaken.<br>**[15:49] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you're the one who is<br>&nbsp;&nbsp;&nbsp;&nbsp;shackled by the story of Momotaro.<br>**[15:53] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you overlooked<br>&nbsp;&nbsp;&nbsp;&nbsp;a vital piece of evidence.<br>**[15:56] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:57] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too fixated on the man inside<br>&nbsp;&nbsp;&nbsp;&nbsp;the peach, the granny's laundry,<br>**[16:00] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Gramps's grass cutting.<br>**[16:02] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hence, you assumed that this tragedy<br>&nbsp;&nbsp;&nbsp;&nbsp;occurred at the start of the Momotaro story.<br>**[16:07] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's a mistake. Why, you ask?<br>**[16:11] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask yourself, why is Momotaro so big when<br>&nbsp;&nbsp;&nbsp;&nbsp;he was only just born from the peach?<br>**[16:16] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're taking issue with that now?!<br>**[16:18] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ignore the "born from a peach"<br>&nbsp;&nbsp;&nbsp;&nbsp;thing and take issue with that?!<br>**[16:21] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why are you shocked?!<br>**[16:23] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going from his filthy clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;and the lack of kibi dango,<br>**[16:27] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can tell that he'd already<br>&nbsp;&nbsp;&nbsp;&nbsp;finished fighting the ogres.<br>**[16:31] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This incident happened<br>&nbsp;&nbsp;&nbsp;&nbsp;after the end of the story.<br>**[16:34] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why was he inside a peach again?<br>**[16:37] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this wound.<br>**[16:39] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's pretty much no sign of blood loss.<br>**[16:42] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This proves that he was already<br>&nbsp;&nbsp;&nbsp;&nbsp;dead when he got the wound.<br>**[16:46] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What that means is...<br>**[16:48] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody killed him and<br>&nbsp;&nbsp;&nbsp;&nbsp;dumped him in the river<br>**[16:51] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to frame that old couple for murder.<br>**[16:54] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is this getting so complicated?!<br>**[16:56] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was all camouflage.<br>**[16:59] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But thanks to that, we can narrow<br>&nbsp;&nbsp;&nbsp;&nbsp;down the list of suspects.<br>**[17:02] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you consider Momotaro's<br>&nbsp;&nbsp;&nbsp;&nbsp;situation after fighting the ogres,<br>**[17:06] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;the true culprit<br>**[17:09] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;can only be one of these three.<br>**[17:12] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is said that Momotaro's party<br>&nbsp;&nbsp;&nbsp;&nbsp;brought back treasure from Onigashima.<br>**[17:17] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're talking about animals<br>&nbsp;&nbsp;&nbsp;&nbsp;and a peach-born monster here.<br>**[17:20] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not hard to picture them<br>&nbsp;&nbsp;&nbsp;&nbsp;fighting over the treasure.<br>**[17:24] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much must you corrupt Momotaro<br>&nbsp;&nbsp;&nbsp;&nbsp;before you're satisfied?<br>**[17:26] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among them, the only one who can place<br>&nbsp;&nbsp;&nbsp;&nbsp;such a cunning trap is the mon—<br>**[17:29] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't the monkey.<br>**[17:32] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shackled by the story of Momotaro,<br>&nbsp;&nbsp;&nbsp;&nbsp;you overlooked something vital.<br>**[17:39] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Monkeys can't use money.<br>**[17:42] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does Captain Obvious<br>&nbsp;&nbsp;&nbsp;&nbsp;have such a smug look?!<br>**[17:44] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their reasoning is getting<br>&nbsp;&nbsp;&nbsp;&nbsp;stupider by the minute!<br>**[17:47] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why do you have a look of shock?!<br>**[17:49] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the real culprit<br>&nbsp;&nbsp;&nbsp;&nbsp;is either the dog or the pheasant.<br>**[17:54] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dogs and pheasants can't use money, either!<br>**[17:56] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong.<br>**[17:58] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of them is the culprit.<br>**[18:01] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so shackled by the Momotaro<br>&nbsp;&nbsp;&nbsp;&nbsp;story that you've gone blind.<br>**[18:05] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? How can you say for sure?<br>**[18:08] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because that'd be a pain.<br>**[18:10] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ultimately wrote it off as a pain!<br>**[18:13] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone would look shocked after that!<br>**[18:16] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, they're all animals either way.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't really question them.<br>**[18:19] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops, I'd like to see the autopsy report.<br>**[18:21] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be another fatal wound somewhere.<br>**[18:24] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to say this, Toshi,<br>**[18:26] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is the only external<br>&nbsp;&nbsp;&nbsp;&nbsp;wound that stands out.<br>**[18:29] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, x-rays did find something<br>&nbsp;&nbsp;&nbsp;&nbsp;strange in his trachea.<br>**[18:35] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something shaped like a dango.<br>**[18:37] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, he totally died choking on kibi dango!<br>**[18:40] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why I can't stand plebs.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not kibi dango.<br>**[18:42] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what the monkey pooped out<br>&nbsp;&nbsp;&nbsp;&nbsp;after eating the kibi dango.<br>**[18:45] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how monkeys throw their own poop?<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it, the monkey was the culprit.<br>**[18:48] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was right. An elite was right.<br>**[18:50] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Praise the elite.<br>**[18:51] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not thinking like an elite now!<br>**[18:52] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stupid? The gramps and gran would<br>&nbsp;&nbsp;&nbsp;&nbsp;obviously be the ones feeding him.<br>**[18:57] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tempted by the treasure, they choked<br>&nbsp;&nbsp;&nbsp;&nbsp;him to death using kibi dango.<br>**[19:01] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old farts really were<br>&nbsp;&nbsp;&nbsp;&nbsp;the culprits. I was right.<br>**[19:03] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Praise mayonnaise.<br>**[19:04] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you paint them in a<br>&nbsp;&nbsp;&nbsp;&nbsp;totally different light before?<br>**[19:06] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The monkey.<br>**[19:07] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gramps and gran.<br>**[19:08] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The monkey.<br>**[19:09] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gramps and gran.<br>**[19:10] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The monkey's gramps and gran.<br>**[19:11] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gramps and gran's monkey.<br>**[19:13] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We agreed it was the monkey just now, right?<br>**[19:15] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. Let's take the middle option<br>&nbsp;&nbsp;&nbsp;&nbsp;and say it was the eunuch monkey.<br>**[19:19] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Middle option of what?<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd the gramps and gran go?<br>**[19:21] Nob**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can be Monkey and Aska's<br>&nbsp;&nbsp;&nbsp;&nbsp;gramps and gran, then.<br>**[19:24] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what happened to Chage?<br>**[19:25] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, let's settle<br>&nbsp;&nbsp;&nbsp;&nbsp;this once and for all.<br>**[19:28] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Director-General, it doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;matter if they're animals.<br>**[19:31] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us question Momotaro's party.<br>**[19:33] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, if you want them...<br>**[19:37] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're in here.<br>**[19:38] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the suspects have been eaten!<br>**[19:40] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, are you saying Momotaro<br>&nbsp;&nbsp;&nbsp;&nbsp;was the perpetrator?<br>**[19:45] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So that's how it is.<br>**[19:49] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were stranded on the<br>&nbsp;&nbsp;&nbsp;&nbsp;way back from Onigashima.<br>**[19:54] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sad fate of his party is proof enough.<br>**[19:58] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead of treasure, they fought to eat<br>&nbsp;&nbsp;&nbsp;&nbsp;each other's kibi dango and bodies.<br>**[20:04] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And almost like divine punishment,<br>**[20:08] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;the last bite, his friend's kibi<br>&nbsp;&nbsp;&nbsp;&nbsp;dango, got caught in his throat.<br>**[20:14] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who killed him was<br>&nbsp;&nbsp;&nbsp;&nbsp;none other than himself.<br>**[20:19] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way... That can't be.<br>**[20:21] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can such a laughable cause of<br>&nbsp;&nbsp;&nbsp;&nbsp;death turn into something so sad?<br>**[20:27] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toshi...<br>**[20:28] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what the field is like.<br>**[20:31] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shoves harsh realities and even<br>&nbsp;&nbsp;&nbsp;&nbsp;harsher truths right into our faces.<br>**[20:37] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we must not avert our eyes.<br>**[20:40] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;As cops, we have the duty to find the<br>&nbsp;&nbsp;&nbsp;&nbsp;truth even if it's shrouded in darkness.<br>**[20:47] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Toshi!<br>**[20:51] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No sneaking bites.
<br>**[20:53] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a bag.<br>**[20:54] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;It likely had kibi dango inside.<br>**[20:57] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably didn't eat a single dango.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No sneaking bites.
<br>**[21:02] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must've given them all to his friends<br>&nbsp;&nbsp;&nbsp;&nbsp;and chewed on his sandals or something.<br>**[21:06] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they went down one after another.<br>**[21:09] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering how he could eat crap like this,<br>**[21:11] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;he must've ended up being the last one alive.<br>**[21:14] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of the story is as you said.<br>**[21:17] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;He chose that path in order to live.<br>**[21:20] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't eat a bag like this<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you have extreme resolve.<br>**[21:25] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must've really wanted to live...<br>**[21:26] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;His friends' share of life, too.<br>**[21:29] Kon**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toshi...<br>**[21:30] Isa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that sappy crap<br>&nbsp;&nbsp;&nbsp;&nbsp;was the kind of reality you saw?<br>**[21:35] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[21:36] Hij**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the truth I believe in,<br>&nbsp;&nbsp;&nbsp;&nbsp;the truth I found at this crime scene!<br>**[21:39] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bzzt.<br>**[21:44] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad. Close, but no cigar.<br>**[21:48] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got the "Momotaro was killed" part right.<br>**[21:51] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this isn't Momotaro.<br>**[21:56] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the boss of Onigashima, who ate<br>&nbsp;&nbsp;&nbsp;&nbsp;the entire Momotaro party alive.<br>**[22:00] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disguised as Momotaro, he came to<br>&nbsp;&nbsp;&nbsp;&nbsp;the mainland to eat more humans...<br>**[22:05] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he died without achieving his goal.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cause of Death
<br>**[22:07] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically,<br>**[22:10] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;the real culprit is a brain tumor. That's it.<br>**[22:15] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The End
<br>**[22:17] Mat**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;3000 Leagues in Search of a Scabbard
<br>**[23:50] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time: "3000 Leagues<br>&nbsp;&nbsp;&nbsp;&nbsp;in Search of a Scabbard."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sure, it's been a while since  we've seen Tetsuko,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;but she has a fair amount of screen  time, like in the live-action movie.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Perhaps because he treated swords  like crap at a smithy,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gintoki's butthole gets attacked by one!
<br>