# Full Metal Panic! The Second Raid

It’s tough enough to keep your grades up without having to take off at a moment’s notice to save the world. Just ask Sousuke Sagara, undercover high school student and member of the mercenary group Mithril. He’s about to uncover a conspiracy that threatens to destroy the peace in Tokyo.

# Season 1

# 1 - The End of Day by Day

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An unknown frontier*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the map painted by my heart*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I open the door, the path goes on*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm kicking up dust as I <br>
&nbsp;&nbsp;&nbsp;&nbsp;start running to your town*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along a route where earth and sky meet*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding the rushing southern wind*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Slicing through the wind dyed blue by the sky*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm rushing out with my whole heart*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shooting past the midday moon*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a world different <br>
&nbsp;&nbsp;&nbsp;&nbsp;from what we've known before*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will keep on running through to the end*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However far*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the breakdown of ceasefire<br>&nbsp;&nbsp;&nbsp;&nbsp;negotiations yesterday it's a melee here in Taboli City,<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the army of the Republic of<br>&nbsp;&nbsp;&nbsp;&nbsp;Balic, anti-government guerrillas,<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a number of armed militias from various<br>&nbsp;&nbsp;&nbsp;&nbsp;factions all engaged in fierce armed conflict.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Numerous assaults and acts of<br>&nbsp;&nbsp;&nbsp;&nbsp;cruelty have been witnessed,<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;causing the atmosphere inside<br>&nbsp;&nbsp;&nbsp;&nbsp;the city to be extremely tense.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, in a medical facility<br>&nbsp;&nbsp;&nbsp;&nbsp;just outside the city,<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about 100 refugees...<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been stranded...<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Al. Test the data links.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ADM, on. PCL, contact.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Opening from 403 to 412.<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencing TAC transfer.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Ending Day By Day"<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check the secondaries too.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news from the observation team.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we're running<br>&nbsp;&nbsp;&nbsp;&nbsp;late for the party.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just fine by me. The<br>&nbsp;&nbsp;&nbsp;&nbsp;hero always arrives late.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to help you if<br>&nbsp;&nbsp;&nbsp;&nbsp;something goes wrong for you.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh man, that's cold.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Colonel Maress,<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the only people here are sick or<br>&nbsp;&nbsp;&nbsp;&nbsp;elderly, or else women and children.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have even a little human<br>&nbsp;&nbsp;&nbsp;&nbsp;compassion, please let us go.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gebo 4 to all units.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've arrived at Point Echo.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Activating ECS. Now in stealth mode.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Opening cargo bay hatches.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I'm begging you.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do something like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;God will never forgive...<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, roger.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You all heard that, right? Are you ready?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't give a damn.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Least of all about the <br>
&nbsp;&nbsp;&nbsp;&nbsp;god *your* lot believe in.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Colonel Maress...<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 6. I'm *okay* to go!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7. Ready to drop.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 6. I'm in firing position.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get this party started!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defend the perimeter!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Red 1 is... Red 1 is...<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Radio and sensors are down!<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? Are they jamming us?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AS spotted! Gunner, fire at will!<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close formation! There<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't very many of them.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Colonel Maress, who in<br>&nbsp;&nbsp;&nbsp;&nbsp;the world are those guys?<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They couldn't possibly be the<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-government forces...<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're Mithril.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mithril?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard of them before.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard rumors that<br>&nbsp;&nbsp;&nbsp;&nbsp;there's an elusive mercenary<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;force not aligned with any government.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have weaponry ten years in<br>&nbsp;&nbsp;&nbsp;&nbsp;advance of the rest of the world<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and extraordinary personnel.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently they interfere<br>&nbsp;&nbsp;&nbsp;&nbsp;in international conflicts,<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;acting like they're some<br>&nbsp;&nbsp;&nbsp;&nbsp;sort of peacekeepers.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I never thought *I'd* ever see them...<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why would people like<br>&nbsp;&nbsp;&nbsp;&nbsp;them help the refugees?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you saw those AS units, didn't you?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even the Americans have<br>&nbsp;&nbsp;&nbsp;&nbsp;that kind of machinery yet.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to be them. Mithril has come!<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suggest we call in reinforcements, Colonel.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely. Throw everything<br>&nbsp;&nbsp;&nbsp;&nbsp;we've got at them.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let those mercenaries leave here alive.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or those heretic refugees, either!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mike 13 destroyed.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All hostile targets neutralized.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master mode 6.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay on alert with active sensors.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to Uruz 6, Uruz 7.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defend the perimeter around the camp.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secure a landing area for the choppers.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7, roger.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, roger.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Gebo 4.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm descending on the landing area.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better do a good job protecting my ass.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh! Sorry, I don't go for guys' asses.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hurry and load up.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take the wounded on first!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All men, help out!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Women and children,<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;gather in one place and stay where you<br>&nbsp;&nbsp;&nbsp;&nbsp;are until you receive further notice!<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But man, they're nothing but<br>&nbsp;&nbsp;&nbsp;&nbsp;old men, old ladies, and kids.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did the enemy bother to attack them?<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what ethnic conflicts are like.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, but in this case,<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are probably some<br>&nbsp;&nbsp;&nbsp;&nbsp;more complicated issues.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Politics?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Economics too.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably use actions that go<br>&nbsp;&nbsp;&nbsp;&nbsp;against international peace treaties<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to give the major countries a<br>&nbsp;&nbsp;&nbsp;&nbsp;suitable amount of provocation,<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then look at the results<br>&nbsp;&nbsp;&nbsp;&nbsp;to decide who to approach<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for backroom deals in the rights to<br>&nbsp;&nbsp;&nbsp;&nbsp;their mineral resources or whatever.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our involvement is a part of all that, too.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely disgusting, isn't it?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it was worth coming here.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tiwaz 12, what's your situation?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Tiwaz 12.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two combined-arms companies<br>&nbsp;&nbsp;&nbsp;&nbsp;approaching from the northwest.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Near coordinates 36A, 87A.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;12 AS units, 12 MBTs, and a lot more.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you've still got time<br>&nbsp;&nbsp;&nbsp;&nbsp;before they reach you, but...<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Triple A!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've taken a hit fired from the<br>&nbsp;&nbsp;&nbsp;&nbsp;hill 10 km southwest of here.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The engine and pressure gauge are damaged.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unable to restart. I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;in for a crash landing.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tiwaz 12, are you okay?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tiwaz 12, respond!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still alive, somehow...<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send you the data on<br>&nbsp;&nbsp;&nbsp;&nbsp;the Triple A immediately.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll destroy this unit<br>&nbsp;&nbsp;&nbsp;&nbsp;and run over your way.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An anti-ECS missile?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody ever told me these guys<br>&nbsp;&nbsp;&nbsp;&nbsp;had such advanced equipment.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, this is bad. Our choppers<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to get shot down.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, we can't take off now.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as we reach 150 feet,<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a missile will take us down and<br>&nbsp;&nbsp;&nbsp;&nbsp;the refugees along with us!<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But enemy troops are coming.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How good are you at NOE flight?<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll give you an escort.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow along alternate route two, and...<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going, Sousuke?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take down the anti-air missiles.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the rendezvous?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find a way to handle it.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll argue about it later.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll guide the choppers<br>&nbsp;&nbsp;&nbsp;&nbsp;to coordinates 34B, 99A.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time to spare.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this keeps up, we'll all<br>&nbsp;&nbsp;&nbsp;&nbsp;be surrounded and killed.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Report from the anti-air missile squad.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've shot down an enemy chopper.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. Keep holding them down.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we keep them pinned down on land,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll be able to crush<br>&nbsp;&nbsp;&nbsp;&nbsp;them with our main troops.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relay the coordinates to the artillery!<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm closing in fast on the enemy's<br>&nbsp;&nbsp;&nbsp;&nbsp;antiaircraft installation.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five more minutes.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 2.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving away from camp. Distance<br>&nbsp;&nbsp;&nbsp;&nbsp;from destination is...<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was just a greeting.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't hurry, the enemy's going to<br>&nbsp;&nbsp;&nbsp;&nbsp;rain down artillery fire on those choppers.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it's just a matter of<br>&nbsp;&nbsp;&nbsp;&nbsp;time before we're surrounded, huh?<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even something as powerful as our M9s<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be able to handle two companies.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that. If we fight here...<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemy AS units spotted.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two units. Bearing 048. Distance 15.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! They really are here!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units, stop. We're being<br>&nbsp;&nbsp;&nbsp;&nbsp;targeted by enemy AS units.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, watch 4:00.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our altitude is...<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go any higher.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Missile warning.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two RF missiles detected, locked on Gebo 4.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Activate ECM!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put the blip enhancer on max!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking enemy fire. This is getting bad.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things over there?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost done. All that's left is...<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see them!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One anti-air installment neutralized.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Escape through the hole<br>&nbsp;&nbsp;&nbsp;&nbsp;in their anti-air net.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All Gebo units, did you hear that?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're pulling out of the<br>&nbsp;&nbsp;&nbsp;&nbsp;battle area immediately.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Uruz 2 and Uruz 6, hurry up<br>&nbsp;&nbsp;&nbsp;&nbsp;and dock for the transport choppers.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about rendezvousing with Uruz 7?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible in the current situation.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gebo 7 is too badly damaged.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's not enough fuel or time left.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, this hole in the anti-air<br>&nbsp;&nbsp;&nbsp;&nbsp;net will last a few minutes, tops.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about me, go ahead and pull out.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get out on foot.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm currently heading to<br>&nbsp;&nbsp;&nbsp;&nbsp;the alternate escape route.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can handle it, right?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have homework I need to hand in tomorrow,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can't die here.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Let's meet at the Danaan.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard that, right?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units, pull out!<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We always end up mooning<br>&nbsp;&nbsp;&nbsp;&nbsp;them and then running away.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How uncool.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gold 2 to all units.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy AS is heading south<br>&nbsp;&nbsp;&nbsp;&nbsp;down Revolution Street alone.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Set up a blockade at Point 03-21.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blue 1, acknowledged.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blue 1 to all Blue Team units.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Form two lines and await further orders.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have permission to fire at will.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inputting designated coordinates.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, good. Don't let that white<br>&nbsp;&nbsp;&nbsp;&nbsp;AS escape, under any circumstances!<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencing to open fire.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shot cannon ammunition remaining: 0.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Missile warning. Bearing 128.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning. MBT.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just happened?<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Success. Due to the Lambda Driver...<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Save the talk for later. Damage report.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Class B damage to the right shoulder.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Malfunction in the stabilizers.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Critical errors in the targeting system.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 to Uruz 2.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to enemy presence,<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've abandoned the alternate escape route.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've only taken minor damage,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm getting surrounded.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have much ammo left, either.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, do you copy?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7. Please res-<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Tuatha de Danaan.<br>&nbsp;&nbsp;&nbsp;&nbsp;Teletha Testerossa speaking.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7, do you read me?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain...<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the transport helicopters<br>&nbsp;&nbsp;&nbsp;&nbsp;on standby over the sea,<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Load SUBLARS into MVLS 8, 10, 12, 14, and 16.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;under a communications blackout.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Input coordinates. Commence setting altitude.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please follow my directions to escape.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I must apologize.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were more enemy troops<br>&nbsp;&nbsp;&nbsp;&nbsp;than I had expected.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point I do not have an escape route.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? I don't think that's quite true...<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've transmitted the data to you.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please move to the position marked.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I would be going right into the enemy...<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, just hurry up!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Over and out.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depth, 100. 8 knots. We've<br>&nbsp;&nbsp;&nbsp;&nbsp;reached the target location.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Activate the EMFC in active mode.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn 180 degrees and stand by.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aye, ma'am.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Activate the EMFC.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Steer to port. Set course to 127.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;EMFC activated, active mode.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Steering to port. Course set to 127.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please brace for impact.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Mardukas, maximum speed on my signal.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aye, Captain.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemy AS is heading from<br>&nbsp;&nbsp;&nbsp;&nbsp;Anton Street to Rutpo Bridge.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's like a trapped rat.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's payback time for destroying<br>&nbsp;&nbsp;&nbsp;&nbsp;my precious weapons.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 to TDDHQ.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ETA to designated location, 2 minutes.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're playing cat-and-mouse with me.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning. 1 AS, 1 IFV, dead ahead. Distance 5.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chain gun ammunition remaining: 0.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Designated location reached.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the 3rd Combined Armored Company.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silver Team and Copper Team,<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Green Team and Yellow Team,<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;formation complete!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the 8th Combined Armored Company.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gold Team and Platinum Team,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blue Team and Purple Team,<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;formation complete!<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sniping team, in position.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All troops are in position.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are large enemy forces<br>&nbsp;&nbsp;&nbsp;&nbsp;on both sides of me.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No ammo left.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Escape is impossible.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recommend abandoning this unit and<br>&nbsp;&nbsp;&nbsp;&nbsp;activating the self-destruct mechanism.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejected.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to get<br>&nbsp;&nbsp;&nbsp;&nbsp;my school credits then.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attention Arm Slave Operator.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attention Arm Slave Operator.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have you completely surrounded.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have nowhere to escape!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emergency blow!<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aye, ma'am. Emergency Blow.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open the hatch and surrender!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Main Ballast Tank Blow. Uptrim 5 degrees.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you to the count of ten!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten! Nine!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight! Seven!<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six! Five!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four! Three!<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two! One!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Arbalest has been recovered.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give them a little<br>&nbsp;&nbsp;&nbsp;&nbsp;"reward" on our way out.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launch all SUBLARS!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Launch all SUBLARS!<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launching all SUBLARS. Aye!<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maintain battle speed. Crash dive!<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aye, ma'am. Crash dive!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An amphibious submarine?!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is that even possible?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who in the hell are those guys?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ii kuni tsukurou."<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ii kuni tsukurou."<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Muromachi shogunate...<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Kamakura! The Kamakura!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a junior high school question!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you expect to pass the<br>&nbsp;&nbsp;&nbsp;&nbsp;class like that, Sousuke?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bad at Japanese history.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention Classics and<br>&nbsp;&nbsp;&nbsp;&nbsp;Modern Literature, too.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And stop doing your homework after a mission!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean come on, you do something<br>&nbsp;&nbsp;&nbsp;&nbsp;straight out of a slick Bond movie,<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you just go right back to the boring<br>&nbsp;&nbsp;&nbsp;&nbsp;nitty-gritty of life? It's sad to see!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No can do. I'd fail the class.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Homework is something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can just slap together!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurz.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you say, but you've<br>&nbsp;&nbsp;&nbsp;&nbsp;barely written any of your reports!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you mean this week's, right?<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And last week's too.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The logistics unit keeps bugging me about it.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try putting yourself in<br>&nbsp;&nbsp;&nbsp;&nbsp;my shoes a little bit.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah... It must be rough<br>&nbsp;&nbsp;&nbsp;&nbsp;for "Big Sis" Mao, too...<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all your fault, you know! *Yours!*<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That tickles...<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"794 A.D.: Capital transferred to Heiankyo."<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've just passed 15 degrees north latitude.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No ships have been detected following<br>&nbsp;&nbsp;&nbsp;&nbsp;us within a 30 mile radius.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Set alert level to Yellow 3.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now hand command over<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Executive Officer.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Setting alert level to Yellow 3.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking over command.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Sagara?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, please sit down.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only came to eat dinner.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Homework?<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it difficult?<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am. At least to me...<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't I teach you?<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! I could never ask you to do such a thing!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you would say something like that.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it does look very difficult.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. It is part<br>&nbsp;&nbsp;&nbsp;&nbsp;of my mission, after all.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mission...<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Important!" "Memorize this<br>&nbsp;&nbsp;&nbsp;&nbsp;or die!" "Court-Martial!!"<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much for<br>&nbsp;&nbsp;&nbsp;&nbsp;what you did for me today.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saved my life.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. It was part<br>&nbsp;&nbsp;&nbsp;&nbsp;of my mission, after all.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's late*!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that idiot thinking, being out of<br>&nbsp;&nbsp;&nbsp;&nbsp;reach for two days straight all of a sudden?!<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still got the notes I lent him!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't do my homework!<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down, Kana-*chan*. I'm <br>
&nbsp;&nbsp;&nbsp;&nbsp;sure Sagara has his reasons.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should give him a warm welcome back.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like this every single freakin' time!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sagara.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke! Give me back my notes!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Chidori. I forgot to bring them.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgot? *Again*?!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let's go back and get them, right<br>&nbsp;&nbsp;&nbsp;&nbsp;now! They're in your apartment, right?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impossible.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I left them in a submarine<br>&nbsp;&nbsp;&nbsp;&nbsp;two thousand kilometers away...<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kaname Chidori"<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Merida Island Conference Room"<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the anti-air missile used by<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;government forces to shoot down Tiwaz 12.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is an improved version of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Patriot, loaded with a powerful ECCS.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This means that under the<br>&nbsp;&nbsp;&nbsp;&nbsp;appropriate conditions,<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our ECS will lose its<br>&nbsp;&nbsp;&nbsp;&nbsp;effectiveness against them.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of right now, only a limited number of<br>&nbsp;&nbsp;&nbsp;&nbsp;advanced countries have this kind of missile.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Balic Government Army had them.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are we to interpret this,<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Commander Kalinin?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can only assume that a<br>&nbsp;&nbsp;&nbsp;&nbsp;very powerful organization<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;independently supplied<br>&nbsp;&nbsp;&nbsp;&nbsp;them with the missiles.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impressive technology and<br>&nbsp;&nbsp;&nbsp;&nbsp;a large amount of funds, then.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, there is a possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that they prepared this equipment<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in anticipation of our<br>&nbsp;&nbsp;&nbsp;&nbsp;intervention in this matter.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they have intelligence sources, too?<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we can't be sure that this is unrelated<br>&nbsp;&nbsp;&nbsp;&nbsp;to the seajacking incident, either.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I doubt the enemy is in a<br>&nbsp;&nbsp;&nbsp;&nbsp;position to freely detect all of our movements, but...<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're dangerous.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must be more cautious<br>&nbsp;&nbsp;&nbsp;&nbsp;in future operations.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise...<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, we will all die.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure you're still looking*<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Straight ahead to tomorrow*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you always have*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the sunflowers*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That bloomed on that windy hill*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how far apart we are*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pray that my singing will reach you*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On nights when the tears never seem to stop*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to be the moon*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That shines through your window*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I believe we will meet again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Daily life in Tokyo was <br>
&nbsp;&nbsp;&nbsp;&nbsp;no different than usual.*<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I didn't yet know that in the <br>
&nbsp;&nbsp;&nbsp;&nbsp;shadows of that ephemeral peace,*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the wheels of a vast conspiracy <br>
&nbsp;&nbsp;&nbsp;&nbsp;had started to move.*<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "The Situation <br>
&nbsp;&nbsp;&nbsp;&nbsp;Beneath the Surface."*<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dangerous people gather, drawn <br>
&nbsp;&nbsp;&nbsp;&nbsp;by the smell of gunpowder.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 2 - The Scene Below the Water

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokoro egakidasu*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*chizujou no michinaru frontier*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tobira hiraitara*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*michi wa tsuzuiteiru yo*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hokori makiagete kimi no machi e*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sora to daichi ga kasanaru ruuto de*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hashiru minamikaze ni notte*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoku somaru kaze wo kitte*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokorogoto kakedashiteirun da*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mahiru no tsuki wo oikoshite*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kinou to wa chigau sekai e*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dokomademo hashirinuketeku*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw!<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's morning!<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Situation Beneath the Surface"<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw!<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wake up!<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw!<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kana-*chan*, you'll be late!<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw!<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's morning!<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw!<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wake up!<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oww...<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Merida Island"<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continuing on, take a look at this.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is from a certain operation<br>&nbsp;&nbsp;&nbsp;&nbsp;which Sergeant Sagara took part in.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an AS unit which we've<br>&nbsp;&nbsp;&nbsp;&nbsp;fought with previously.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Code name: Venom.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I want you to pay particular<br>&nbsp;&nbsp;&nbsp;&nbsp;attention to is this...<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it emits this light,<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some sort of power renders all attacks<br>&nbsp;&nbsp;&nbsp;&nbsp;against it virtually useless.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A device called the Lambda<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver is involved in this.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably almost the same as<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's installed on board<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant Sagara's Arbalest.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Commander!<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Sergeant Weber?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the Lambda Driver?<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will have the captain explain that for you.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because this is a classified matter,<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have not given you a<br>&nbsp;&nbsp;&nbsp;&nbsp;clear explanation before.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I would like to do so now.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lambda Driver is a device also known as<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a "Hidden-String Repulsion<br>&nbsp;&nbsp;&nbsp;&nbsp;Field Generation System."<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, in other words...<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In plain terms,<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is a device which transforms the user's<br>&nbsp;&nbsp;&nbsp;&nbsp;mental image directly into physical power.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, it can deflect<br>&nbsp;&nbsp;&nbsp;&nbsp;a bullet or destroy a target.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck is that?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that I'm joking?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I have a question!<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sergeant Major Mao?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's that versatile and powerful,<br>&nbsp;&nbsp;&nbsp;&nbsp;how come Sousuke hardly ever uses it?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never really seen Sousuke use it.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, that very thing<br>&nbsp;&nbsp;&nbsp;&nbsp;is one of the main factors<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which causes the effectiveness<br>&nbsp;&nbsp;&nbsp;&nbsp;of this device to be unstable.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It reflects the user's will,<br>&nbsp;&nbsp;&nbsp;&nbsp;exactly as I mentioned before,<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;however, using its power<br>&nbsp;&nbsp;&nbsp;&nbsp;requires tremendous focus.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a kind of device which will<br>&nbsp;&nbsp;&nbsp;&nbsp;only activate in extreme situations,<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;such as when life is at stake.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if things don't get to that<br>&nbsp;&nbsp;&nbsp;&nbsp;level, it ends in a misfire?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemies I fought before seemed<br>&nbsp;&nbsp;&nbsp;&nbsp;to have complete control of it.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can they do something like that?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot say for certain,<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they probably either<br>&nbsp;&nbsp;&nbsp;&nbsp;had extreme training,<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or are using some kind of drug to<br>&nbsp;&nbsp;&nbsp;&nbsp;artificially induce that kind of mental state.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Corporal Yang?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are there any other machines besides the<br>&nbsp;&nbsp;&nbsp;&nbsp;Arbalest which have the Lambda Driver?<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would like to further research and<br>&nbsp;&nbsp;&nbsp;&nbsp;develop new technologies within Mithril as well,<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the reality is, due to various<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstances, there are no plans for it.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, in other words, you're saying that<br>&nbsp;&nbsp;&nbsp;&nbsp;only Sergeant Sagara can fight them?<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not necessarily.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if we do fight them<br>&nbsp;&nbsp;&nbsp;&nbsp;without Lambda Drivers,<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we should expect a large<br>&nbsp;&nbsp;&nbsp;&nbsp;number of casualties.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No talking without permission.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are currently investigating methods<br>&nbsp;&nbsp;&nbsp;&nbsp;of countering the Lambda Driver.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we receive a report,<br>&nbsp;&nbsp;&nbsp;&nbsp;you will be informed.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all. Dismissed.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, what is it?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have received this report from<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant Sagara about Wraith.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. I suppose I'll look over it.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bodyguard mission, huh?*<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now that we don't even know <br>
&nbsp;&nbsp;&nbsp;&nbsp;who is targeting Miss Kaname,*<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we might not be prepared enough*<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*with only Mr. Sagara and Wraith <br>
&nbsp;&nbsp;&nbsp;&nbsp;protecting a Whispered like her...*<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But there are only so <br>
&nbsp;&nbsp;&nbsp;&nbsp;many people we can spare.*<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still, that doesn't mean we can let the enemy*<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*have any more of the knowledge of Black <br>
&nbsp;&nbsp;&nbsp;&nbsp;Technology that the Whispered possess.*<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whispered...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If only Miss Kaname and I <br>
&nbsp;&nbsp;&nbsp;&nbsp;couldn't hear that voice...*<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if we could have lived <br>
&nbsp;&nbsp;&nbsp;&nbsp;our lives as normal girls...*<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Kana-*chan*!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good morning.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, take a look at this!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found this fun website yesterday!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My test data...<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked three hard days on that...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what happened?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say there's something on the roof?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's huge!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geh!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kana-*chan*!<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Chidori! Take a look at this radar.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we have good air def...<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn it off, right now!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for? That hurt, you know.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do Not Use"  "Jindai High<br>&nbsp;&nbsp;&nbsp;&nbsp;School Student Council"<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just never makes any progress!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, Sagara realizes<br>&nbsp;&nbsp;&nbsp;&nbsp;what he did was wrong...<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sagara.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Kazama?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to bother you at a time like this,<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but could you take a look at this?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Totally Crush-Worthy High School Girls Forum:<br>&nbsp;&nbsp;&nbsp;&nbsp; The 100 Day War of the Teacher on Night Watch"<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's some forum.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those pictures have been up since last night.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how they took them, but...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no. This is bad.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like revealing her to the enemy.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should find the culprit<br>&nbsp;&nbsp;&nbsp;&nbsp;fast and stop him...<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Sagara!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It... It's nothing. Don't worry about it.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Kazama?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you should tell the victim.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it would hurt her.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the normal reaction.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we have to somehow do it<br>&nbsp;&nbsp;&nbsp;&nbsp;without her finding out that...<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you two been<br>&nbsp;&nbsp;&nbsp;&nbsp;whispering about over here?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-N-N-Nothing at all!<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carry on enjoying your usual high<br>&nbsp;&nbsp;&nbsp;&nbsp;school life to your heart's content!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was blatantly awkward...<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hong Kong"<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sis, how is Sensei doing?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's stabilized a little.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The medicine seems to have started working.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've run out of bandages.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to go buy some later.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will go.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I will wipe down Sensei's body.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how much longer<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei is going to live.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Sis...<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That we could see Sensei again.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a job.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate that man.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bear with it.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is up with him?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Chidori.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the CD you said you<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to check out before.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck are you doing, Sousuke?!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, no problem.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a *big* problem!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Chidori. About that<br>&nbsp;&nbsp;&nbsp;&nbsp;report the other day...<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't struggle!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there's a *big* problem!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're dead set on following me in there?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that not possible?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why the hell should I have to have you<br>&nbsp;&nbsp;&nbsp;&nbsp;wait for me in front of the toilet stall?<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no problem with that, is there?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are plenty of problems with that!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at least let me conduct a thorough<br>&nbsp;&nbsp;&nbsp;&nbsp;inspection of the stall before and after you...<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pervert!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kana-*chan*, calm down!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this! And this! And<br>&nbsp;&nbsp;&nbsp;&nbsp;this! And this! And this!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this! And this!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Girls Locker Room"<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sagara's acting a little<br>&nbsp;&nbsp;&nbsp;&nbsp;strange today, isn't he?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stand it when he<br>&nbsp;&nbsp;&nbsp;&nbsp;hangs all over me like that.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's kind of similar, don't you think?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way Sagara's been.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like how he used to act when<br>&nbsp;&nbsp;&nbsp;&nbsp;he first got here, isn't it?<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do you think you're doing?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that! What the<br>&nbsp;&nbsp;&nbsp;&nbsp;heck are you doing in here?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An investigation.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of *what*?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it right no...<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay still!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's up there.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what do you mean?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez! Don't break it!<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! My computer!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud! Why does it<br>&nbsp;&nbsp;&nbsp;&nbsp;always have to end up like this?!<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's the equipment<br>&nbsp;&nbsp;&nbsp;&nbsp;they left behind, huh?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be Mithril.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not necessar-<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head south.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those footprints are from M9 models.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely three of them.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no solid proof of that.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like they paradropped in,<br>&nbsp;&nbsp;&nbsp;&nbsp;then destroyed all hostile targets,<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and avoided the anti-air<br>&nbsp;&nbsp;&nbsp;&nbsp;artillery as they pulled out.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps they changed their rendezvous point?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of them separated from its troop.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It headed for...<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely the anti-air formation, I guess.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot confirm that from here.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It deflected a direct hit from a tank.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;without a Lambda Driver.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would hesitate to draw that<br>&nbsp;&nbsp;&nbsp;&nbsp;conclusion from this evidence alone.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt about<br>&nbsp;&nbsp;&nbsp;&nbsp;it. It's that white AS.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Color is easy to change.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now the white AS breaks through<br>&nbsp;&nbsp;&nbsp;&nbsp;the defense and runs away!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at him run!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no! Here comes enemy fire!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you think, commentator Dazz?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my! He threw down his<br>&nbsp;&nbsp;&nbsp;&nbsp;weapon! Is he out of ammo?<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just as he reaches the bridge,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a pincer attack waiting for him!<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's in trouble now!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Can you believe it? He turns<br>&nbsp;&nbsp;&nbsp;&nbsp;toward the river and dives!<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose it went something like that.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll go meet the client now.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you never let this happen again!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I make myself clear?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it go?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Sousuke. What<br>&nbsp;&nbsp;&nbsp;&nbsp;is wrong with you today?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how I look at it, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;acting a little too strange.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! It's nothing.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all in your mind.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, if you don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell me, then fine.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Chidori!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... Actually...<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just say you're not going to pay?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your so-called "high-tech" weaponry<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't even one bit useful!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't owe you anything for it!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now get outta here.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't your mommy ever tell you?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you ever meet a scary man,<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;protect your wallet and<br>&nbsp;&nbsp;&nbsp;&nbsp;your ass no matter what."<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to say?<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't really mean anything.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill them.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ave Maria...<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sneak photography, I think.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suggested to Sagara that we find the<br>&nbsp;&nbsp;&nbsp;&nbsp;culprit before you realized what was going on,<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I kinda just couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;stand to watch anymore...<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unforgivable*!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoever did this will receive God's<br>&nbsp;&nbsp;&nbsp;&nbsp;wrath! God's wrath, I tell you!<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, we haven't found the cul-<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't found him?!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but I do have a clue.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look at this.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A device used for sneaking pictures.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found it in the locker room ceiling.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that "investigation" you were doing...<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to find this.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already pinpointed its frequency.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So all we need to do is trace<br>&nbsp;&nbsp;&nbsp;&nbsp;it, and we'll have the culprit.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke, you're so smart!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get started.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fast!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bearing 0-9-0. Distance, 5 meters.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you mean...<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the classroom next door.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, charge!<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're the one.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop your weapon!<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down on the ground with<br>&nbsp;&nbsp;&nbsp;&nbsp;your arms and legs spr-<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you an idiot? Think about using<br>&nbsp;&nbsp;&nbsp;&nbsp;some moderation once in a while!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this was the most effective<br>&nbsp;&nbsp;&nbsp;&nbsp;method of charging into the other-<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't mean you had to<br>&nbsp;&nbsp;&nbsp;&nbsp;blow a hole in the school wall!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit got away...<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going after him!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ave Maria...<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all dead?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the hell are we supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;collect the rest of the money now?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But didn't you order us to...<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that bullshit!<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy always says not to blame<br>&nbsp;&nbsp;&nbsp;&nbsp;other people, doesn't she?<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?! Hello?! Can you hear me?!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh dear... he's dead. Another person died!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what is this world coming to?<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's filled with cruel deaths!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sad. So very sad.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How stupid.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come any closer!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come any closer! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Take a look at *this* first!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No*!<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you come any closer,<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll distribute this embarrassing<br>&nbsp;&nbsp;&nbsp;&nbsp;picture throughout the whole world!<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How evil and senseless!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you're in a position<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk about senselessness, though.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got that? You got that? Now scram!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, he's the lowest kind of man, isn't he?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my revenge, got it?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forget how I lost to you<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Student Council elections!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were in the elections?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway!<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to spread this all over<br>&nbsp;&nbsp;&nbsp;&nbsp;the world, and ruin your reputation!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shall know my hatred and agony!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems more like plain undue resentment to me.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being so foolish. Calm down.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to come any closer, didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;I? I'll press the button, I swear!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. I will shoot him down.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Do it!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait, don't!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll push it! I swear I'll push it!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we have to do is make sure he<br>&nbsp;&nbsp;&nbsp;&nbsp;can't transmit that picture, correct?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that makes it simple!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No*!<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, was it this mouth that said those things?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Was it?<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mustn't say such things.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you a spanking!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no fun.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're leaving. Start preparations.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, I just remembered.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard your Sensei got<br>&nbsp;&nbsp;&nbsp;&nbsp;turned into fish food.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My condolences.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Schlafe mein prinzchen, schlafe ein...<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi. It's been a while.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rare to get a call from you.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that you two had<br>&nbsp;&nbsp;&nbsp;&nbsp;picked up your Sensei.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;News reaches you quickly, doesn't it?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Personally, I would like you two<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep a low profile, if possible.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a warning?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I intend it to be one.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. We don't plan<br>&nbsp;&nbsp;&nbsp;&nbsp;on causing any trouble.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I trust you?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me! I'm sorry! Let me go!<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then tell me the truth!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were your real intentions<br>&nbsp;&nbsp;&nbsp;&nbsp;in following Chidori around?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like I just told you!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you insist on feigning innocence?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll ask your body!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll start with a finger.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one should it be?<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right, that's enough.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you stopping me?<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it obvious? He's just<br>&nbsp;&nbsp;&nbsp;&nbsp;a normal high school kid.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was someone peeping into<br>&nbsp;&nbsp;&nbsp;&nbsp;my apartment this morning.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that you, too?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bastard!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything about that!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only pictures I took were in school!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the truth, honest!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a very good actor.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that won't fool...<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough already.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I wasn't through questioning him...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was plenty.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what in the world<br>&nbsp;&nbsp;&nbsp;&nbsp;that was this morning.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, this radar is really powerful!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, now I have to buy another cell phone.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, I gotta take a dump.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kitto kimi wa kyou no hi mo*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Massugu ashita wo miteru*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kaze ga fuku ano oka ni saita*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*himawari no you ni*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Donna ni tooku hanareteite mo*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono utagoe ga kimi ni todoku you ni*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Namida ga zutto tomaranai yoru*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no mado wo terasu tsuki ni naritai*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mata kanarazu aeru to*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou omou kara*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An enemy whose actions <br>
&nbsp;&nbsp;&nbsp;&nbsp;seem somehow suspicious.*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An isolated underground battlefield.*<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And my lack of trust in the machine <br>
&nbsp;&nbsp;&nbsp;&nbsp;I should look upon as my own.*<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But even still, it wasn't <br>
&nbsp;&nbsp;&nbsp;&nbsp;a difficult mission.*<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "The Labyrinth and the Dragon."*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A deep, complex spider web <br>
&nbsp;&nbsp;&nbsp;&nbsp;entangles us further and further.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 3 - Labyrinth and the Dragon

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An unknown frontier*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the map painted by my heart*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I open the door, the path goes on*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm kicking up dust as I <br>
&nbsp;&nbsp;&nbsp;&nbsp;start running to your town*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along a route where earth and sky meet*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding the rushing southern wind*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Slicing through the wind dyed blue by the sky*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm rushing out with my whole heart*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shooting past the midday moon*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a world different <br>
&nbsp;&nbsp;&nbsp;&nbsp;from what we've known before*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will keep on running through to the end*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However far*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fell for it, Kumodoshin<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever you call yourself.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I've got you trapped like a rat!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;do against this many people?<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, Lord Kumodoshin!<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silence, impudent wench!<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard...<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill him, men!<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill him!<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We interrupt your regularly<br>&nbsp;&nbsp;&nbsp;&nbsp;scheduled program...<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to bring you a special news bulletin...<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, that was the best part!<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The news can wait a measly three minutes!<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At 1:00 PM Japan time,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a large explosion<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was Detarame Dacchanbaru's<br>&nbsp;&nbsp;&nbsp;&nbsp;ultimate scene!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the assembly hall in Nanking where the<br>&nbsp;&nbsp;&nbsp;&nbsp;North-South peace conference was being held.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this appears to be very important news.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number of casualties is unknown.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you say that?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, a group calling themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Lost 500,000 Men"...<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is "The Amazing Kumodoshin"!<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a super-rare period drama that was only<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;broadcast for three months back in Showa 56!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just found out.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already being reported on.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost a miracle that<br>&nbsp;&nbsp;&nbsp;&nbsp;it's even being re-run!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Code 3.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some fans who want this on DVD...<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll head there immediately via Route B2.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Sousuke, are you listening?<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some urgent business has just come up.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What urgent business?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll return the day after tomorrow.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Where are you going?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a math quiz tomorrow, you know!<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be sure to go straight home if you can.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... Sousuke!<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the announcement<br>&nbsp;&nbsp;&nbsp;&nbsp;by the local police,<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He left. Jeez...<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the armed group which abducted<br>&nbsp;&nbsp;&nbsp;&nbsp;the North China Diplomatic Corps<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is equipped with at least five AS units,<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is currently engaged in a<br>&nbsp;&nbsp;&nbsp;&nbsp;battle inside the city of Nanking.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Labyrinth and the Dragon"<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it. Keep firing away...<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fireworks should be big,<br>&nbsp;&nbsp;&nbsp;&nbsp;and asses should be small.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Asses," sir?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't really mean anything.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Halt! Otherwise..."<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Otherwise,"<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"this will happen!"<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gates has broken through!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's no mere racer; his moves are pure *art*!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The machines are rounding the final corner!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The audience is going wild!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will he make it? Can he make it?<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Nanking Grand Prix is<br>&nbsp;&nbsp;&nbsp;&nbsp;now in its final stretch!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous, sir, so please wear a helmet.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate 'em.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They make me go bald.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ceasefire summit between<br>&nbsp;&nbsp;&nbsp;&nbsp;North and South China<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was attacked by an armed terrorist group.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven hours ago<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in Nanking, a city in the<br>&nbsp;&nbsp;&nbsp;&nbsp;Yangtze River basin...<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for being late.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three AS units attacked the assembly hall,<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they abducted five individuals<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who were part of or associated with<br>&nbsp;&nbsp;&nbsp;&nbsp;the North China Diplomatic Corps.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The members of this armed<br>&nbsp;&nbsp;&nbsp;&nbsp;group put up fierce resistance<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as they escaped via an overland route,<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they are currently holding their position<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the depths of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Cross-Yangtze River Tunnel.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are calling themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Lost 500,000 Men,"<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the existence of such a terrorist<br>&nbsp;&nbsp;&nbsp;&nbsp;organization has not yet been confirmed.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We already have them surrounded, and...<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you in accord with<br>&nbsp;&nbsp;&nbsp;&nbsp;everything I've said so far?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Please continue.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the location the<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorist group is holding.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Cross-Yangtze River Tunnel in Nanking.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It spans four kilometers.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can safely be considered the largest<br>&nbsp;&nbsp;&nbsp;&nbsp;man-made structure in the region.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where we will conduct<br>&nbsp;&nbsp;&nbsp;&nbsp;our rescue operation.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure is big.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And complex.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This tunnel was constructed using the<br>&nbsp;&nbsp;&nbsp;&nbsp;previous generation of technology,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and its specifications were modified<br>&nbsp;&nbsp;&nbsp;&nbsp;several times due to the civil war.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of this, there are numerous<br>&nbsp;&nbsp;&nbsp;&nbsp;shafts and inclined passages,<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;giving it an extremely complicated structure.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tunnel in name only. It<br>&nbsp;&nbsp;&nbsp;&nbsp;seems more like a dungeon to me.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly. You could say<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a kind of labyrinth.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the exception of<br>&nbsp;&nbsp;&nbsp;&nbsp;some of the work shafts,<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;everything is wide enough for an<br>&nbsp;&nbsp;&nbsp;&nbsp;AS to execute tactical operations.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six enemy AS Savages are probably<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting in ambush in several locations.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are most likely traps as well.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Local forces do not have sufficient<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment to handle this.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Piece of cake. We've got M9s.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope it'll be that easy.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we will have three infantry squads<br>&nbsp;&nbsp;&nbsp;&nbsp;infiltrate the location from these points.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the route has been secured,<br>&nbsp;&nbsp;&nbsp;&nbsp;three AS units will move in.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The AS team will consist<br>&nbsp;&nbsp;&nbsp;&nbsp;of Mao, Weber, and Sagara.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest will be under the command<br>&nbsp;&nbsp;&nbsp;&nbsp;of their respective squads.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given the nature of the location,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the use of high-caliber artillery and<br>&nbsp;&nbsp;&nbsp;&nbsp;ammunition, guided missiles, and sniping<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are all completely infeasible.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must be careful about<br>&nbsp;&nbsp;&nbsp;&nbsp;our communications, too.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have been given a list of all confirmed<br>&nbsp;&nbsp;&nbsp;&nbsp;information regarding enemy equipment, etc.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all tentative.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you stop giving us these<br>&nbsp;&nbsp;&nbsp;&nbsp;handouts and just send us the data?<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we confirm the specific location<br>&nbsp;&nbsp;&nbsp;&nbsp;where the hostages are being held,<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will provide you with timetables<br>&nbsp;&nbsp;&nbsp;&nbsp;and details on the routes.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memorize the arrangement<br>&nbsp;&nbsp;&nbsp;&nbsp;and lengths of the shafts.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I mean thoroughly.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these figures don't<br>&nbsp;&nbsp;&nbsp;&nbsp;even agree with each other!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It even says here that this<br>&nbsp;&nbsp;&nbsp;&nbsp;description isn't accurate.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean this one's a lie too?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just like the Cretans' paradox.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the paradox that's created when a<br>&nbsp;&nbsp;&nbsp;&nbsp;Cretan says, "All Cretans are liars."<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible to prove it true or false.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Save the lecture on Epimenides for later.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving on, Intelligence<br>&nbsp;&nbsp;&nbsp;&nbsp;has dispatched an engineer<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet you on site in order to<br>&nbsp;&nbsp;&nbsp;&nbsp;secure communication in the tunnels.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Captain Vincent Bruno.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will probably give you an explanation<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding the use of the transmitters<br>&nbsp;&nbsp;&nbsp;&nbsp;prior to the operation.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes sir.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That concludes my briefing.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, if you please.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering the international<br>&nbsp;&nbsp;&nbsp;&nbsp;attention on this incident,<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This operation is considerably<br>&nbsp;&nbsp;&nbsp;&nbsp;more delicate than<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one in the Khanka Autonomous Region.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the area of operation<br>&nbsp;&nbsp;&nbsp;&nbsp;is located inland,<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will be unable to provide<br>&nbsp;&nbsp;&nbsp;&nbsp;you with rapid support.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a similar situation described<br>&nbsp;&nbsp;&nbsp;&nbsp;in my report "Theoretical Exercises,"<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was distributed on<br>&nbsp;&nbsp;&nbsp;&nbsp;the 28th of last month,<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please read it again carefully.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, you are all both<br>&nbsp;&nbsp;&nbsp;&nbsp;highly-skilled and well-equipped.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Complete this assignment<br>&nbsp;&nbsp;&nbsp;&nbsp;in your usual manner,<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I am sure you will be back<br>&nbsp;&nbsp;&nbsp;&nbsp;in time for lunch tomorrow.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all. Any questions?<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then please make preparations in accordance<br>&nbsp;&nbsp;&nbsp;&nbsp;with the prescribed procedure.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you luck.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dismissed.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Bruno.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will be above Nanking shortly.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please fasten your seatbelt.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All preparations complete.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, the specs for the VRL-108 have<br>&nbsp;&nbsp;&nbsp;&nbsp;not been proven in this environment.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Commander.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not change these settings.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask Sachs about anything else.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Commander,<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like permission to<br>&nbsp;&nbsp;&nbsp;&nbsp;use an M9 for this mission.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Denied.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me why I absolutely must<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Arbalest for this mission.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, give me a reason why you shouldn't.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its performance meets our standards.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you look at it objectively, you<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't have any complaints.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, about the report I submitted to you...<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About Wraith?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please consider it.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot believe that a bodyguard<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Intelligence Division<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is adequately protecting<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori in my absence.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as if Wraith's...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just an observer?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are the Tactical Division.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our jurisdiction is entirely<br>&nbsp;&nbsp;&nbsp;&nbsp;different from Intelligence.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, sir...<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have our own battle to fight.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus on the operation ahead of you.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the captain speaking.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship will be surfacing<br>&nbsp;&nbsp;&nbsp;&nbsp;momentarily off the shore of Tontai.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please begin your final<br>&nbsp;&nbsp;&nbsp;&nbsp;preparations to deploy.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost to the rendezvous<br>&nbsp;&nbsp;&nbsp;&nbsp;point with the engineer.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A divided China, huh?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remind me, how many years has<br>&nbsp;&nbsp;&nbsp;&nbsp;it been since the civil war,<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when it got divided into North and South?<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight years.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's been almost five years<br>&nbsp;&nbsp;&nbsp;&nbsp;since the armistice agreement.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The negotiations that<br>&nbsp;&nbsp;&nbsp;&nbsp;began in Nanking yesterday<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were meant to extend that agreement.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, at least watch the news.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why they were attacked...<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about lousy security.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't the security that was<br>&nbsp;&nbsp;&nbsp;&nbsp;abnormal, it was the attackers.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got that right.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, but the<br>&nbsp;&nbsp;&nbsp;&nbsp;Cross-Yangtze River Tunnel<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a neutral zone between<br>&nbsp;&nbsp;&nbsp;&nbsp;North and South China.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a politically sensitive area.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the topics to be<br>&nbsp;&nbsp;&nbsp;&nbsp;discussed at that meeting<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the conflict over the<br>&nbsp;&nbsp;&nbsp;&nbsp;management of the tunnel.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes for a very<br>&nbsp;&nbsp;&nbsp;&nbsp;complicated situation, I see.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. That's probably why we were called.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moderates from both governments,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the doves in America<br>&nbsp;&nbsp;&nbsp;&nbsp;and Russia who are backing them,<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;must have unofficially<br>&nbsp;&nbsp;&nbsp;&nbsp;asked Mithril to stand by.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, if anything should<br>&nbsp;&nbsp;&nbsp;&nbsp;happen to those hostages,<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would completely disrupt the negotiations<br>&nbsp;&nbsp;&nbsp;&nbsp;to extend the armistice agreement.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With it being five years<br>&nbsp;&nbsp;&nbsp;&nbsp;since the civil war ended,<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and with both sides finally stabilizing,<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that happening now<br>&nbsp;&nbsp;&nbsp;&nbsp;would cause a lot of problems.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simple, isn't it?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's quite simple.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we fail in our operation,<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a danger that civil<br>&nbsp;&nbsp;&nbsp;&nbsp;war will break out again.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly right.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why didn't you just tell<br>&nbsp;&nbsp;&nbsp;&nbsp;me that in the beginning?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was getting tired of waiting for you.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Captain Vincent Bruno, from Intelligence.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Sergeant Major Melissa Mao.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the equipment?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here. I'll turn it over to you now.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I'm sure you know,<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;normal methods of communication are<br>&nbsp;&nbsp;&nbsp;&nbsp;almost useless within a tunnel.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will need to set relay devices<br>&nbsp;&nbsp;&nbsp;&nbsp;in appropriate locations.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the range?<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without obstructions, 500 meters.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in that maze, 200 meters<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to be about the limit.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assume you've supplied<br>&nbsp;&nbsp;&nbsp;&nbsp;enough relay devices.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will we be able to relay back to the Danaan?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'll assume responsibility<br>&nbsp;&nbsp;&nbsp;&nbsp;for that relay.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please leave it to me.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. We're counting on you.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This is Star 1. The path is clear."<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now proceeding to Point 4..."<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Abort! Abort!"<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's an enemy trap!  Call the<br>&nbsp;&nbsp;&nbsp;&nbsp;engineering unit immedi..."<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Dammit! They're shooting at me!"<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's hopeless! We can't handle<br>&nbsp;&nbsp;&nbsp;&nbsp;them!  At this rate..."<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All units: Abort mission!  Abort mission!"<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Abort? But..."<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Have all units fall back!"<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The 'specialists' are  going<br>&nbsp;&nbsp;&nbsp;&nbsp;to be handling this one."<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Understood? Fall back!<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave this up to 'them.'"<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to all units.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some idiots started the party without us.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's show them who's playing<br>&nbsp;&nbsp;&nbsp;&nbsp;the lead here! Got it?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7. Descent successful.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in the labyrinth.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently heading fast toward Point 02-02.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming AS. 11 o'clock. Distance, 3.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get this done.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has begun.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 2.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Descent successful.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've destroyed one Savage.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now proceeding to Point 01-14.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 6. Descent successful.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have...<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...disabled an approaching Savage.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to finish it off.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Team Ruby. We've passed Point 03-07.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No enemies spotted. No casualties.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now proceeding to Point 03-08, as planned.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, this static is horrible.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scary...<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've neutralized a second enemy AS.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now heading to Point 02-08.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to the large number of obstacles,<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the communication line is malfunctioning.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 to Ogma 1.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Communication is bad.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible to improve it?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Ogma 1. This should be enough.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no need for improvement.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if something unexpected should happen...<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I will adjust things appropriately.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over and out.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two 20mm class sentry guns detected.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Activate ECS, Stealth Mode.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 2. I just passed Point 02-15.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now head over to cover Ruby and Topaz.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 6. Traps found at Point 03-18.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unable to circumvent.<br>&nbsp;&nbsp;&nbsp;&nbsp;Heading to 02-18 instead.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7. Passed Point<br>&nbsp;&nbsp;&nbsp;&nbsp;02-09, proceeding to Point 02-10.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The neutralization of enemy AS<br>&nbsp;&nbsp;&nbsp;&nbsp;units is progressing nicely.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are also surrounding the control room.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think this is going too smoothly?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that's not enough of a<br>&nbsp;&nbsp;&nbsp;&nbsp;reason for us to slacken our attack.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right...<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proceed as planned.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaboom! Another one gone.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, here he comes.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite a beauty, just like the rumors said.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it wasn't, this wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be a profitable investment.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops, almost forgot.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yu Fang, get ready!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already am.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yu Lan, how are you doing over there?<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not scared, are you?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Sorry, sorry, you can't<br>&nbsp;&nbsp;&nbsp;&nbsp;talk right now, can you?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't do it on purpose, honest!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My younger sister does not feel fear.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose not.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Team Topaz.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in front of the treasure chest.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Preparations complete.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Team Ruby.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in position as<br>&nbsp;&nbsp;&nbsp;&nbsp;well. Ready when you are.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is strange. It's too quiet.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there aren't any traps<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything like that.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to Ruby and Topaz.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get ready to go in. On the count of three...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two...<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One...<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clear.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clear.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or rather, there are only the<br>&nbsp;&nbsp;&nbsp;&nbsp;hostages here. No sign of the enemy.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any traps?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems perfectly safe, but still...<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait there. I'm coming over.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;get out of your machine?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should be fine now.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've configured my AS to<br>&nbsp;&nbsp;&nbsp;&nbsp;automatically attack any AS units<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that do not respond to my IFF.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Topaz, you patrol the perimeter.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Topaz, understood.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's about time.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take it personally, okay?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mike 2 destroyed. Switching to search mode.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is weird, though...<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is?<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not putting up enough of a fight.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just old Savage models,<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you could say that's all<br>&nbsp;&nbsp;&nbsp;&nbsp;there is to them, but...<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agreed. Compared to the complicated maneuvers<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those AS units pulled off<br>&nbsp;&nbsp;&nbsp;&nbsp;during the abduction,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the techniques used by these Savages<br>&nbsp;&nbsp;&nbsp;&nbsp;we destroyed were way too simple.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You thought so too, Sousuke?<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't spotted<br>&nbsp;&nbsp;&nbsp;&nbsp;any enemy artillery?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. Something stinks.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we've seen what there is to<br>&nbsp;&nbsp;&nbsp;&nbsp;see, let's get out of here, fast.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go. You'll be all right now, miss.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a chemical weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;trap or anything like that...<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the air conditioning<br>&nbsp;&nbsp;&nbsp;&nbsp;is still working...<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this really is weird!<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What's wrong?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't anybody inside the<br>&nbsp;&nbsp;&nbsp;&nbsp;enemy AS unit I destroyed.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's empty!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it controlled remotely or something?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the hell is going on...<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, I don't copy...<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Repeat!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on with Kurz?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is happening?<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The communication line is bad,<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm not getting any response...<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, please wait. I might be able to...<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotten through!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 to HQ.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you read me? Uruz 7 to HQ!<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is HQ. What is your situation?<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The worst possible scenario has happened.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems we've managed to walk into a trap.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Venom.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure you're still looking*<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Straight ahead to tomorrow*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you always have*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the sunflowers*<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That bloomed on that windy hill*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how far apart we are*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pray that my singing will reach you*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On nights when the tears never seem to stop*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to be the moon*<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That shines through your window*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I believe we will meet again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A double, no, triple trap lying in wait.*<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Venom. Shadow. Numerous venomous <br>
&nbsp;&nbsp;&nbsp;&nbsp;fangs awaken from their slumber.*<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're cut off from escape, and the one <br>
&nbsp;&nbsp;&nbsp;&nbsp;shooting at us is a ghost from the past.*<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Daylight."*<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A dangerous ad-lib begins in the darkness,*<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so that we can live to <br>
&nbsp;&nbsp;&nbsp;&nbsp;see the daylight again.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 4 - Daylight

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokoro egakidasu*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*chizujou no michinaru frontier*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tobira hiraitara*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*michi wa tsuzuiteiru yo*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hokori makiagete kimi no machi e*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sora to daichi ga kasanaru ruuto de*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hashiru minamikaze ni notte*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoku somaru kaze wo kitte*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokorogoto kakedashiteirun da*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mahiru no tsuki wo oikoshite*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kinou to wa chigau sekai e*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dokomademo hashirinuketeku*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. Something stinks.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we've seen what there is to<br>&nbsp;&nbsp;&nbsp;&nbsp;see, let's get out of here, fast.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go. You'll be all right now, miss.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't anybody inside the<br>&nbsp;&nbsp;&nbsp;&nbsp;enemy AS unit I destroyed.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's empty!<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it controlled remotely or something?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on...<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems we've managed to walk into a trap.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daylight"<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said it's a trap...<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring up the ADM data.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Captain.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're spread out all over the place.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units are engaged in battle<br>&nbsp;&nbsp;&nbsp;&nbsp;and unable to properly report.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because of the difficulty of<br>&nbsp;&nbsp;&nbsp;&nbsp;communication within the tunnel,<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their data is being disrupted as well.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, Melissa and the others will...<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you please not struggle?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A child?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you try to fight, it will only hurt more.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not enough room!<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it *him*?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it couldn't be.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's...<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's dead.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay still, now!<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or the bullets will miss!<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez!<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not him.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it is equipped with a Lambda Driver.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my sideburns had been<br>&nbsp;&nbsp;&nbsp;&nbsp;just a little bit shorter,<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've been a goner!<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any changes in the enemy's response?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negative. They're in<br>&nbsp;&nbsp;&nbsp;&nbsp;confusion, just as planned.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Continue monitoring<br>&nbsp;&nbsp;&nbsp;&nbsp;and interference.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll kill every last one of them!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 to all units.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am currently engaging an enemy AS at 02-11.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy unit is a Venom type.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will proceed to draw him to 01-12.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are there any units that can come<br>&nbsp;&nbsp;&nbsp;&nbsp;in from the east and sandwich him?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is HQ to Uruz 7.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your coordinates are incorrect.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please confirm.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current position is 02-11. Hurry and...<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me your accurate coordinates, Uruz 7!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7 to HQ. Do you read me?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am now going to try proceeding to 01-12...<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you read me, Uruz 7?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 6. I am currently<br>&nbsp;&nbsp;&nbsp;&nbsp;engaging an enemy AS.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a combat-configured Shadow type.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try to divert him<br>&nbsp;&nbsp;&nbsp;&nbsp;somehow and crush him at 03-15.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, can you confirm Uruz 7 at 02-16?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negative! What the hell is going on?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are going exactly as planned.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you guys recover now, it<br>&nbsp;&nbsp;&nbsp;&nbsp;will be bad for my business.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a complaint from their boss.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Ogma 1.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Bruno, the local data<br>&nbsp;&nbsp;&nbsp;&nbsp;link is completely disrupted.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain this!<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe it is due to the complex<br>&nbsp;&nbsp;&nbsp;&nbsp;structure of the tunnel, Captain.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leakage and fires are producing<br>&nbsp;&nbsp;&nbsp;&nbsp;unexpected amounts of static...<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make improving it your top priority.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot trust the ADM data.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am changing the battle control method.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To manual?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, with pencil and voice.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to grasp the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;as quickly as possible.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or they'll all be killed.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, didn't I?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll only hurt more.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is this? It's exactly as if...*<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she's devoid of everything, except...*<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*complete despair.*<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mao!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got away.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we go after her?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Our first priority is to get out of here.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to guide the hostages out,<br>&nbsp;&nbsp;&nbsp;&nbsp;and make sure they're frisked.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell was that girl?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A "sleeping terrorist."<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was hiding among the hostages.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for what purpose?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she only wanted to kill us,<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she could've already done it easily<br>&nbsp;&nbsp;&nbsp;&nbsp;with a couple of one-pound bombs.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she wasn't just trying to kill us?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They might have been testing us out.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels just like we're<br>&nbsp;&nbsp;&nbsp;&nbsp;caught in a spider web.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the bodies?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't carry them. We'll leave them here.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to all units.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Ruby has suffered<br>&nbsp;&nbsp;&nbsp;&nbsp;casualties in an enemy attack.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three fatalities.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 and Team Topaz will now proceed<br>&nbsp;&nbsp;&nbsp;&nbsp;to move the hostages to 02-16.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Connecting FCS to BK540.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three fatalities?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transmitting to protocol...<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Performing cryptanalysis...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, I'll be the fourth fatality!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 6!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm currently engaging three units at 02-16.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to direct me out of<br>&nbsp;&nbsp;&nbsp;&nbsp;here before they get ahead of me!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HQ to Uruz 6.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep going and move to 03-16.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There shouldn't be any enemies there.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where I came from!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. Then proceed to 01-14.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. I'm counting on you, seriously!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to HQ.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current position is 02-15.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to lead the hostages toward 03-14.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There shouldn't be any enemies there, right?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But be cautious. There are currently...<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shit!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get back!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to HQ.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy is always one step ahead of us.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's difficult to escort.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have the hostages<br>&nbsp;&nbsp;&nbsp;&nbsp;escape with Team Topaz.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me the desired coordinates.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, did the enemies come<br>&nbsp;&nbsp;&nbsp;&nbsp;from the direction of 03-15?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. Slowly fall back<br>&nbsp;&nbsp;&nbsp;&nbsp;in the opposite direction.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, roger.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's not right. It doesn't make sense.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Topaz has just taken an ambush<br>&nbsp;&nbsp;&nbsp;&nbsp;attack! One lightly wounded!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7. 02-11 is full<br>&nbsp;&nbsp;&nbsp;&nbsp;of traps. Detouring around.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy is reading every move we make.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's impossible for the enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;to intercept our communications!<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an AS behind us,<br>&nbsp;&nbsp;&nbsp;&nbsp;too, so we can't move.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Request support!<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Technologically speaking, yes.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you read me? I need new directions!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7. Now proceeding to 03-12.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, how?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard that, right?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 gave up on leading the hostages.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say they'll slowly fall back.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and...<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 reported he's moving to 03-12.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7, huh?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That machine's name is "Arbalest," right?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just surrender yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;to me like a good boy!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I messed around with them a<br>&nbsp;&nbsp;&nbsp;&nbsp;little, just like you asked.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now what do I do with them?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can kill them all, if necessary.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave 'em alone.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, how<br>&nbsp;&nbsp;&nbsp;&nbsp;were those Mithril guys?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing special.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are tolerably skilled,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think they're too soft.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many did you kill?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just three men.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was one stubborn woman,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we were interrupted.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, can I go home now?<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This blood that splattered<br>&nbsp;&nbsp;&nbsp;&nbsp;on me is disgusting.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to take a shower.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just let the enemy pass me.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current position is 03-12.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now proceed to assist Uruz 2.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cancel that.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been spotted by the enemy.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is strange, though. It's just as if...<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 6.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another enemy ambush?<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I can take much more...<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 9 to HQ.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy is blocking our escape route too!<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this keeps up, we're all going to die!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on here?!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't waste your time!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's useless trying to run!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We put a lot of effort into making sure<br>&nbsp;&nbsp;&nbsp;&nbsp;everything was prepared for this day!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt about it.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Information is being leaked.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impossible!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, what are we going to do?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can't direct them, they won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to fight effectively.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this case, we must completely<br>&nbsp;&nbsp;&nbsp;&nbsp;abandon our method of control.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abandon?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't appear to mean that we're<br>&nbsp;&nbsp;&nbsp;&nbsp;simply going to leave everything up to them.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We will turn the tables on the enemy.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember the conversation during<br>&nbsp;&nbsp;&nbsp;&nbsp;the briefing, Lieutenant Commander?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everyone remembers it...<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will be a gamble.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Where are we supposed to go?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HQ ordered us to go right, but...<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HQ to all units.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am issuing top priority orders.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does everyone remember Tony's<br>&nbsp;&nbsp;&nbsp;&nbsp;joke during the briefing?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tony?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I said to "save the lecture for later."<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to use that method now.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lecture? You mean...<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just like the Cretans' paradox.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the paradox that's created when<br>&nbsp;&nbsp;&nbsp;&nbsp;a Cretan says "All Cretans are liars."<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what he's talking about?<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they talking about?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever. I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;need to worry about it.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hear their entire conversation,<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they can't do a thing.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, tell Uruz 9<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to move carefully to the<br>&nbsp;&nbsp;&nbsp;&nbsp;left at that T intersection.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move right, and hurry. Got it?<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 9, roger.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're moving. Please stand.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! That's the wrong...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. This is the right way.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have Uruz 2 withdraw to 01-12,<br>&nbsp;&nbsp;&nbsp;&nbsp;to lure out the enemy.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, advance to 01-10.<br>&nbsp;&nbsp;&nbsp;&nbsp;Shake off all enemies.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, roger!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have Uruz 6 stand by in that spot and<br>&nbsp;&nbsp;&nbsp;&nbsp;hold off as many enemies as possible.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, evacuate that area immediately.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do whatever you can to escape the enemy.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, roger!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell Uruz 9 to go further down that tunnel.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 9, pull back!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry! Move those feet!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger! Uruz 2, proceeding to 03-12.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, stay in position and avoid the enemy.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Create a diversion, and lure the enemy..."<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 9, advance toward 03.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7, double back and avoid Route 2.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then proceed to Point 04-05.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7, roger.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, the enemy's target is...<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The Arbalest.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yu Fang?<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm a little busy right now...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you going to let<br>&nbsp;&nbsp;&nbsp;&nbsp;the small fry give you trouble?<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time to go get<br>&nbsp;&nbsp;&nbsp;&nbsp;what we came here for!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clean things up and get your<br>&nbsp;&nbsp;&nbsp;&nbsp;butt over here already!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is 103. I'm standing<br>&nbsp;&nbsp;&nbsp;&nbsp;by at the given point.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When is the enemy coming?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure these are the right coordinates?<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here. No one's coming. What's going on?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop your whining.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys just do as you're ordered.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're reading every one of their moves.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just stay calm and wait<br>&nbsp;&nbsp;&nbsp;&nbsp;there for your prey to come!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, from there, escape to the northeast.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have permission to<br>&nbsp;&nbsp;&nbsp;&nbsp;engage the enemy at will.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, roger.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, hold your position.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are forbidden to move,<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;especially towards 04-05!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something ain't right.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, roger.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 9, have you reached<br>&nbsp;&nbsp;&nbsp;&nbsp;the designated location?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes no sense.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. There should be stairs leading...<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They couldn't be trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to outwit us, could they?<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;shaft in front of you. Do *not* climb <br>
&nbsp;&nbsp;&nbsp;&nbsp;them. Proceed straight ahead.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By giving completely opposite orders?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 9, roger.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible. No one could possibly...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's wrong.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, good, good!<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting close!<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing in front of me is one<br>&nbsp;&nbsp;&nbsp;&nbsp;Arbalest on the verge of overheating!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to chase it down, surround<br>&nbsp;&nbsp;&nbsp;&nbsp;it, and crush it under my heel!<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have him trapped like a rat!<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where we finish it!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Where's the Arbalest?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our prey is caught in the net!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive, isn't it? It's just like magic!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;HQ to all units.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up. The story about<br>&nbsp;&nbsp;&nbsp;&nbsp;the Cretans is over.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire at will. Eradicate the enemy!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! No way! No way!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was the rat?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Our bullets aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;even putting a dent in it!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the Lambda Driver?<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke, can you take him?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weak! Weak! You're so frickin' weak!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? You still can't use it?!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand it either!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't operate the way I want it to!<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You thought you had me outwitted,<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't you? But not quite!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But man, you really disappoint me.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's all it can do,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not even worth taking.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just kill you all off right here!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shit. I'll have to take that back.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Click.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not upset about this one little bit!<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not upset about this! Remember that!<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cease hostilities! All units, evacuate!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I repeat, evacuate!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosion detected at 04-05.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Large-scale flooding is occurring.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most communications are down.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot contact our teams.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be okay. M9s were designed<br>&nbsp;&nbsp;&nbsp;&nbsp;to operate both on land and in water.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flooding falls within our predictions.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 8. HQ, do you read me?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in Bruno's room right<br>&nbsp;&nbsp;&nbsp;&nbsp;now, but we were too late.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's gone.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was probably him.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we made it out somehow.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you alive, Kurz?<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Afraid so.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, so there's a traitor in Mithril?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Remember the guy who brought<br>&nbsp;&nbsp;&nbsp;&nbsp;us the transmitters this morning?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy from Intelligence, Bruno.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like it was him.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy? Dammit.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got into some pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;hot water because of him.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to pay that bastard back<br>&nbsp;&nbsp;&nbsp;&nbsp;good for everything he did to us.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to HQ.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone in the AS team is safe.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will now proceed to the rendezvous point.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness. I will<br>&nbsp;&nbsp;&nbsp;&nbsp;send over a helicopter.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saved our lives, Tessa.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm grateful, Captain.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Please stay<br>&nbsp;&nbsp;&nbsp;&nbsp;alert until the very end.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Useless piece of junk.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, we failed<br>&nbsp;&nbsp;&nbsp;&nbsp;to capture the Arbalest.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we accomplished was ruining a tunnel.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the armistice agreement too.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really do hate that man.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never know what he's thinking.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be okay.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just do as Sensei told us.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have to be patient until then.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sis...<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's cold here.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Let's go home.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kitto kimi wa kyou no hi mo*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Massugu ashita wo miteru*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kaze ga fuku ano oka ni saita*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*himawari no you ni*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Donna ni tooku hanareteite mo*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono utagoe ga kimi ni todoku you ni*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Namida ga zutto tomaranai yoru*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no mado wo terasu tsuki ni naritai*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mata kanarazu aeru to*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou omou kara*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The traitor had hidden himself <br>
&nbsp;&nbsp;&nbsp;&nbsp;within a powerful mafia.*<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The wind off of the Mediterranean, <br>
&nbsp;&nbsp;&nbsp;&nbsp;an unspoken rule,*<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*an unexpected riotous scene, <br>
&nbsp;&nbsp;&nbsp;&nbsp;and a jet-black assailant.*<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Beautiful Sicily."*<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if you try running <br>
&nbsp;&nbsp;&nbsp;&nbsp;to the ends of the Earth,*<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will chase you down.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 5 - Beautiful Sicily

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An unknown frontier*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the map painted by my heart*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I open the door, the path goes on*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm kicking up dust as I <br>
&nbsp;&nbsp;&nbsp;&nbsp;start running to your town*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along a route where earth and sky meet*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding the rushing southern wind*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Slicing through the wind dyed blue by the sky*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm rushing out with my whole heart*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shooting past the midday moon*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a world different <br>
&nbsp;&nbsp;&nbsp;&nbsp;from what we've known before*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will keep on running through to the end*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However far*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke!<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That hurt, you know.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whose car do you think you're taking apart?<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unknown.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the precise reason why I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;investigating this suspicious vehicle.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspicious vehicle?<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A car bomb.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When loaded with hidden plastic explosives,<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a vehicle can be turned<br>&nbsp;&nbsp;&nbsp;&nbsp;into a frightening weapon.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1983, in the Middle East,<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorists used a truck to carry out a<br>&nbsp;&nbsp;&nbsp;&nbsp;kamikaze attack on a US Marine base...<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one really hurt.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Ms. Kagurazaka's new car!<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just saw her all happy,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting ready to wash it!<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a problem. I won't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to reassemble it very quickly.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then don't take it apart in the first place!<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 7.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;2 and 6?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. I will head<br>&nbsp;&nbsp;&nbsp;&nbsp;to the site via route 10.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something important has<br>&nbsp;&nbsp;&nbsp;&nbsp;come up. I'm leaving early.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again?<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what are you going to<br>&nbsp;&nbsp;&nbsp;&nbsp;do about cleaning this up?<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we have midterm tests starting tomorrow.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that, right? Hey, wait, Sousuke!<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Avoid walking outside<br>&nbsp;&nbsp;&nbsp;&nbsp;alone if at all possible.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's gone...<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Merida Island"<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For those reasons, the<br>&nbsp;&nbsp;&nbsp;&nbsp;tracking and monitoring<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Special Conference Room"<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of every individual squad<br>&nbsp;&nbsp;&nbsp;&nbsp;member's past, character,<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and financial situation<br>&nbsp;&nbsp;&nbsp;&nbsp;is physically impossible.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regarding Vincent Bruno's act of treachery,<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Beautiful Sicily"<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;considering the fact that he was<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;assigned to us in the Intelligence Division,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we do not deny that we were responsible.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, please understand<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there is a limit to how much even<br>&nbsp;&nbsp;&nbsp;&nbsp;the Intelligence Division can do.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After spending 30 minutes reviewing<br>&nbsp;&nbsp;&nbsp;&nbsp;the report, that's your conclusion?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That joke isn't funny.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;General Amit,<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't there anything you'd like<br>&nbsp;&nbsp;&nbsp;&nbsp;to add as head of Intelligence?<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a structural problem.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as Mithril is a mercenary squad,<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how much we pay our personnel,<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there will always be those who will<br>&nbsp;&nbsp;&nbsp;&nbsp;betray us for even more money.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;forgotten the past incident<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when terrorists were allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to infiltrate the TDD-1.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A capable commanding officer should notice<br>&nbsp;&nbsp;&nbsp;&nbsp;if a subordinate is behaving oddly.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think this is the responsibility of<br>&nbsp;&nbsp;&nbsp;&nbsp;the personnel in charge of the scene.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't running a check on squad<br>&nbsp;&nbsp;&nbsp;&nbsp;members the job of Intelligence?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is irrelevant for you to comment on<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability of the commanding officer.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they are clean at the hiring stage,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we cannot be responsible for them<br>&nbsp;&nbsp;&nbsp;&nbsp;after they are assigned, Admiral Voda.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a lot of other work to take care of.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, there is Kaname Chidori,<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose custody has been entrusted<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Tactical Division.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would just stop your<br>&nbsp;&nbsp;&nbsp;&nbsp;"wait and see" attitude,<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and simply hand custody of her<br>&nbsp;&nbsp;&nbsp;&nbsp;over to the Intelligence Division<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would save us a considerable<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of labor.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that the handling of Kaname Chidori<br>&nbsp;&nbsp;&nbsp;&nbsp;requires the greatest consideration.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you are the same as her,<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that explains why you're extremely<br>&nbsp;&nbsp;&nbsp;&nbsp;cautious about handling the Whispered,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;correct, Captain Testarossa?<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems the discussion has come to an end.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Mallory, could we<br>&nbsp;&nbsp;&nbsp;&nbsp;please have your opinion?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The structural problem<br>&nbsp;&nbsp;&nbsp;&nbsp;which Mr. Amit pointed out<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had been anticipated since the very<br>&nbsp;&nbsp;&nbsp;&nbsp;beginning of Mithril's foundation.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike a regular military,<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we at Mithril have no cornerstone<br>&nbsp;&nbsp;&nbsp;&nbsp;such as race, religion, or nation,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we must believe in the philosophy<br>&nbsp;&nbsp;&nbsp;&nbsp;of preventing international disputes,<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which some might have objections to.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had thought that all of you were fighting<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the full understanding<br>&nbsp;&nbsp;&nbsp;&nbsp;that these risks were present.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I wrong?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, let us end the argument<br>&nbsp;&nbsp;&nbsp;&nbsp;over who is to blame for this problem.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, we suggest you<br>&nbsp;&nbsp;&nbsp;&nbsp;consider countermeasures.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each of you, reconsider all of the current<br>&nbsp;&nbsp;&nbsp;&nbsp;procedures and propose countermeasures.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all. Now then, good day.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It happens every time.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Tactical Division demands<br>&nbsp;&nbsp;&nbsp;&nbsp;more accurate information,<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Intelligence Division fires<br>&nbsp;&nbsp;&nbsp;&nbsp;back that they're doing their best.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same kind of thing probably happens<br>&nbsp;&nbsp;&nbsp;&nbsp;in every kind of organization.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't think your<br>&nbsp;&nbsp;&nbsp;&nbsp;current position suits you.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, the Research Division<br>&nbsp;&nbsp;&nbsp;&nbsp;has important work too.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it about time...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've said this many times:<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not leave here!<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get your stubbornness from your father.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He used to give me a hard time too.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Uncle. But everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;here is important to me.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only your brother were here,<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would probably lift half of the<br>&nbsp;&nbsp;&nbsp;&nbsp;responsibilities off your shoulders.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder where that Leonard<br>&nbsp;&nbsp;&nbsp;&nbsp;is now, and what he's doing?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, about<br>&nbsp;&nbsp;&nbsp;&nbsp;that traitor Vincent Bruno.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in progress... Very far away...<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Well, Vincent?"<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are you doing all right here?"<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes, thank you.  I'm doing very well."<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You've helped me many times in my work."<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now it is my turn to help you."<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We Sicilians never forget."<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I trust you."<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If Amalgam catches me, they will kill me.<br>&nbsp;&nbsp;&nbsp;&nbsp;lf Mithril finds me, they will arrest me."<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Don't worry."<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There's a party at my house tonight;"<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"trustworthy people are coming."<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Relax, and enjoy yourself."<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"La bella Sicilia." The beautiful island.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like heaven.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you seem to go for Asian women.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Especially dark-haired<br>&nbsp;&nbsp;&nbsp;&nbsp;beauties like you.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an American, aren't you?<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you can tell?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lived in Baltimore for two years,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could tell right away.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem different from the men here.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More "sophisticated," I guess you could say.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a sweet tongue. I<br>&nbsp;&nbsp;&nbsp;&nbsp;wonder where you picked it up.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've forgotten.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had lots of different<br>&nbsp;&nbsp;&nbsp;&nbsp;experiences here and there.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kinds of experiences?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I<br>&nbsp;&nbsp;&nbsp;&nbsp;never asked you your name.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to know?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure do.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't know, I won't be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;call out your name when we're doing it.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my name?<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you want to know anything else?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure do. Of course I do.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every little thing about you.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be sure to...<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;teach you good!<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for everything in Nanking!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Melissa Mao.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am assigned to Mithril's Tactical Division,<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tuatha de Danaan landing squad, SRT!<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My rank is Sergeant Major!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My call sign is Uruz 2!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not to mention...<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a woman who's itching<br>&nbsp;&nbsp;&nbsp;&nbsp;to pull the trigger,<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because her comrades just<br>&nbsp;&nbsp;&nbsp;&nbsp;got killed because of you!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it, Big Sis.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a dangerous scene.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was feeling pretty uneasy<br>&nbsp;&nbsp;&nbsp;&nbsp;there behind the curtains.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought all I asked you for was a gun.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you peeping for?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some welcome that is.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here I was trying to be a knight<br>&nbsp;&nbsp;&nbsp;&nbsp;protecting you from the shadows.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I can understand how you feel, though.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have to be patient at the moment.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You actually say some respectable<br>&nbsp;&nbsp;&nbsp;&nbsp;things once in a while.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just pretend to be a<br>&nbsp;&nbsp;&nbsp;&nbsp;joker. This is the real me.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's because of<br>&nbsp;&nbsp;&nbsp;&nbsp;the moon here in Sicily.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like even a love<br>&nbsp;&nbsp;&nbsp;&nbsp;that's always hidden<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could be revealed before<br>&nbsp;&nbsp;&nbsp;&nbsp;the goddess of the night.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hecate, the goddess of the night,<br>&nbsp;&nbsp;&nbsp;&nbsp;is also the goddess of revenge.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That elegant name fits<br>&nbsp;&nbsp;&nbsp;&nbsp;you so perfectly tonight.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you please think about where we are?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place is crawling with<br>&nbsp;&nbsp;&nbsp;&nbsp;scary guys, all around us.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's the sad reality.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get to work.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the route to the car?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem. I knocked them all out.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just past these bushes.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about knocking them all out?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to know <br>
&nbsp;&nbsp;&nbsp;&nbsp;about something like *that*?<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our backs are up against a wall now.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And on top of that, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;the only weapon we've got.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit, if I just had a rifle.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that it's come down to this, we<br>&nbsp;&nbsp;&nbsp;&nbsp;should kill this guy before we die!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get desperate, Uruz 2.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Escape through the hole I just made.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have tests today?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the escape route has changed.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to deliver that<br>&nbsp;&nbsp;&nbsp;&nbsp;message, and provide back-up.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changed?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The helicopter will...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain later!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The helicopter will pick us up directly.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll lead you to the rendezvous point.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, that's a strange<br>&nbsp;&nbsp;&nbsp;&nbsp;bathing suit you have on.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wrong! This is for social use!<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're here!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;5, 6, 7, 8, 9...<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirteen cars?<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't this thing go any faster?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible. I'm afraid it's an old<br>&nbsp;&nbsp;&nbsp;&nbsp;car, so it doesn't have much power.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're gonna shoot! Get down!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, they're bulletproof. Figures.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we should kill him<br>&nbsp;&nbsp;&nbsp;&nbsp;and dump him after all.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm beginning to think<br>&nbsp;&nbsp;&nbsp;&nbsp;that's a good idea, too.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we lightening the car?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. If we don't, they're<br>&nbsp;&nbsp;&nbsp;&nbsp;going to catch up with us.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, just that man won't be enough.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are weapons in the back<br>&nbsp;&nbsp;&nbsp;&nbsp;seat, so throw those away, too.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weapons?!<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've told us sooner, idiot!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't tell you?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you didn't. Jeez...<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? What's all the noise--?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem happy.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just your imagination.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's continue the party!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys ready?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any time.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anywhere!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rock and roll*!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has turned into one hell of a parade!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be disturbing the good citizens.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurz, cover me!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing!<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder which one of us is the disturbance?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're turning!<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've said that sooner, you idiot!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, tell me soon--<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That hurt!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time you face front, I'll kill you!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay!<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're getting out of the village!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! I'm gonna give 'em one big shot!<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our plans have been upset.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are your orders, Mr. Gates?<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is perfect!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They saved us the trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;of bringing him out.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show our thanks by silencing all of them.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I can't tonight, I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of tests.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Yeah. Yeah, I'm doing my best.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm, so-so, I guess.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, when can I see you again?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kana-*chan*!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, really? Yeah, I want to go.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you study for the tests?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm, kind of. What about you?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I'm in a position to<br>&nbsp;&nbsp;&nbsp;&nbsp;be worried about others, but...<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed Sagara didn't come again today.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will he be all right not taking the tests?<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really. I wonder if that idiot<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't mind failing his classes.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you tried calling him on his cell phone?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might actually come if you pressure him.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No use even bothering.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can never get in touch<br>&nbsp;&nbsp;&nbsp;&nbsp;with him at times like this.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know where he is or what he's doing.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even reach his voice mail.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's *such* a pain. He should try <br>
&nbsp;&nbsp;&nbsp;&nbsp;putting himself in my shoes.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm over here trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;contact him all the time.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got through.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then...<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Sousuke?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori? What's wrong?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The static is horrible. Where are you?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Canicattì.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can cutting... What?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, the tests have<br>&nbsp;&nbsp;&nbsp;&nbsp;already started, you know!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you forget?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember, but something important<br>&nbsp;&nbsp;&nbsp;&nbsp;came up. It was unavoidable.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that excuse.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even lent you my Classics notes.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then there's that thing<br>&nbsp;&nbsp;&nbsp;&nbsp;about Ms. Kagurazaka's car.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a really hard time<br>&nbsp;&nbsp;&nbsp;&nbsp;calming her down, you know.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about that.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sorry" isn't going to cut it.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea how mentally<br>&nbsp;&nbsp;&nbsp;&nbsp;drained you make me feel?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No you don't! You don't mean that at all!<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you listening to me?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm listening! I'm listening!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going straight through!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing, just something on my end.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm driving right now.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four more!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Did you say you're driving? A car?<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's dangerous.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's against traffic laws to<br>&nbsp;&nbsp;&nbsp;&nbsp;use a cell phone while driving.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in the first place, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;only a high school student!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just stop the car somewhere.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do that.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I stop I won't be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;take the make-up tests either!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, that pretty woman...<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, your grades are in serious danger.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're always out of school.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a mission. I have no choice.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can't explain that<br>&nbsp;&nbsp;&nbsp;&nbsp;to the teacher, you know?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you fail, you won't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to move on to the next grade!<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it, you're right!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'll you do if you have to repeat a grade?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll end up graduating before you!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be a problem!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a problem for me too.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't hear you! Please repeat!<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more left!<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! A woman's panties should be white--!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Is someone there?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it! Now what<br>&nbsp;&nbsp;&nbsp;&nbsp;was it you were just saying?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just forget it. You're<br>&nbsp;&nbsp;&nbsp;&nbsp;in your own world anyway.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the surroundings are...<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are noisy.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Sousuke...<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I get the feeling that<br>&nbsp;&nbsp;&nbsp;&nbsp;you never listen to me seriously.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a misunderstanding, Chidori!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about that...<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear! I'm always serious!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking to you right now...<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was that?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on! Hello? Hello?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;XO! Immediately...<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori, everything is under control now.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was it you wanted to talk about?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just forget it.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori?<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, get back to school<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as you can.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I...<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Sousuke?<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AS at 8:00!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not doing so good either.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Floor it, Sousuke!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Savages?<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the Mafia has those things these days?<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never heard anything about that!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what are those, illusions?!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you ask *them*!<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Sousuke, speed it up!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those things can run over 100 kph!<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already making her go as fast<br>&nbsp;&nbsp;&nbsp;&nbsp;as she can. This is all she's got.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're gonna shoot!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The engine!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An M9?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one of ours, right?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's he assigned?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't know.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they came to get us.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You failed?!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir. Three Savages were destroyed.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But all operators were killed,<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you do not... have to worry... about<br>&nbsp;&nbsp;&nbsp;&nbsp;information about us... leaking out!<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Bruno taken away from us,<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't mean a thing!<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stealing of the Arbalest!<br>&nbsp;&nbsp;&nbsp;&nbsp;Finishing off Bruno!<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You failed your mission twice in a row!<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I can't afford<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep failing anymore.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to score some points somewhere.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like it's time<br>&nbsp;&nbsp;&nbsp;&nbsp;for us to say goodbye.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After taking *that*?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, after taking *that*.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can tell us, can't you?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who in the world was in that black M9?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of you are authorized to know.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even me, the commanding<br>&nbsp;&nbsp;&nbsp;&nbsp;officer in the field?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will find out soon enough.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you return to base, hurry<br>&nbsp;&nbsp;&nbsp;&nbsp;up with the report. That is all.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This pisses me off, dammit!<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that old geezer always,<br>&nbsp;&nbsp;&nbsp;&nbsp;always, always like that?<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't agree more. Right, Sousuke?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Studying for midterms?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't afford to fail any more classes.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your grades are that bad,<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you think you should've<br>&nbsp;&nbsp;&nbsp;&nbsp;stayed in Japan and studied?<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaname's worried too, right?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This work is important, too.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would've happened if I hadn't come?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would've been able to handle it somehow.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Big Sis?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, to be honest, I did<br>&nbsp;&nbsp;&nbsp;&nbsp;have some backup plans.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, but it is true that you saved us.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, I am a little<br>&nbsp;&nbsp;&nbsp;&nbsp;worried. In other words...<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About if I'll be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;move to the next grade?<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, about your entire situation right now.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're guarding Kaname, participating<br>&nbsp;&nbsp;&nbsp;&nbsp;in missions like this,<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and operating the Arbalest on top of that.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that too much of a burden for you?<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I thought you'd be okay<br>&nbsp;&nbsp;&nbsp;&nbsp;if it was just for a short time,<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you handled the work without<br>&nbsp;&nbsp;&nbsp;&nbsp;any problems. But lately...<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't made any mistakes.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not yet.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's a limit to how much you can do,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how short on personnel we are.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason why you have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be the only one guarding Kaname.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do *you* think?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your plans for the future!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow orders. That's all.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always like that!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking about your plans <br>
&nbsp;&nbsp;&nbsp;&nbsp;for your life, your *future!*<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still just 17 years old, you know?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you ever think just a<br>&nbsp;&nbsp;&nbsp;&nbsp;little bit about the future?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you running away from everything<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using your "mission" and<br>&nbsp;&nbsp;&nbsp;&nbsp;"orders" as an excuse?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running away? *Me*?<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life must be a lot easier when all you<br>&nbsp;&nbsp;&nbsp;&nbsp;do is follow what other people say, huh?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with you getting into<br>&nbsp;&nbsp;&nbsp;&nbsp;his business like that, Big Sis?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not. It's just something I've<br>&nbsp;&nbsp;&nbsp;&nbsp;been thinking about for a while.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, don't strain yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;with your studies.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got into the school<br>&nbsp;&nbsp;&nbsp;&nbsp;using fake documents anyway,<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's no reason you<br>&nbsp;&nbsp;&nbsp;&nbsp;have to graduate, you know?<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The future...<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure you're still looking*<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Straight ahead to tomorrow*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you always have*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the sunflowers*<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That bloomed on that windy hill*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how far apart we are*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pray that my singing will reach you*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On nights when the tears never seem to stop*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to be the moon*<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That shines through your window*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I believe we will meet again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Quiet times have returned.*<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The days go by. The seasons change.*<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Drenched in a peace I had never known before,*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I dozed off in the silence.*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Edge of Heaven."*<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dark clouds gather near without a sound.*<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 6 - Edge of Heaven

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokoro egakidasu*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*chizujou no michinaru frontier*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tobira hiraitara*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*michi wa tsuzuiteiru yo*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hokori makiagete kimi no machi e*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sora to daichi ga kasanaru ruuto de*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hashiru minamikaze ni notte*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoku somaru kaze wo kitte*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokorogoto kakedashiteirun da*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mahiru no tsuki wo oikoshite*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kinou to wa chigau sekai e*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dokomademo hashirinuketeku*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Edge of Heaven"<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ancient Greece. Mediterranean Sea.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wei, Wu, Shu.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unification under the Jin...<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Southern and Northern dynasties.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sou"<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I told him he's going to <br>
&nbsp;&nbsp;&nbsp;&nbsp;end up repeating a grade!*<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I'm late...<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sagara! You finally decided <br>
&nbsp;&nbsp;&nbsp;&nbsp;to come take the tests *now*?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't afford to have such a<br>&nbsp;&nbsp;&nbsp;&nbsp;nonchalant attitude, you know!<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My apologies. Due to<br>&nbsp;&nbsp;&nbsp;&nbsp;various circumstances...<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough! Just take your seat, now!<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sydney"<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vincent Bruno.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the operation at the Cross-Yangtze<br>&nbsp;&nbsp;&nbsp;&nbsp;River Tunnel a few days ago,<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you leaked information and<br>&nbsp;&nbsp;&nbsp;&nbsp;disrupted operational maneuvers.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that correct?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer the question!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're talking about.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not worry. This will be the end of it.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could break every one of his<br>&nbsp;&nbsp;&nbsp;&nbsp;fingers and it wouldn't be enough.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Please, stop!<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand, I'll tell you anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you want! So please forgive me!<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who leaked information to the outside<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding the Cross-Yangtze<br>&nbsp;&nbsp;&nbsp;&nbsp;Tunnel operation was you, right?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, that's right! It was me!<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who asked you to do it?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lie!<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! It's the truth! I really<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know their names!<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they were from... umm...<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amalgam, yeah, Amalgam!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amalgam?<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I don't know any more<br>&nbsp;&nbsp;&nbsp;&nbsp;than that. It's the truth!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought they were probably from<br>&nbsp;&nbsp;&nbsp;&nbsp;the Soviet KGB or something.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't take it too seriously!<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They paid me $200,000 in advance.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're talking $200,000 here! There<br>&nbsp;&nbsp;&nbsp;&nbsp;was no reason for me to refuse!<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I...<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Amalgam."<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An alloy of mercury with another metal, huh?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think it's insinuating something?<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean, considering the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that "Mithril" is a fictional metal?<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't like that way of doing things.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The interrogation?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't deny it's unpleasant,<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there was no threat to his life.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is certainly true, but still...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it had been me, I would<br>&nbsp;&nbsp;&nbsp;&nbsp;have cut his fingers off.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The admiral is on the phone right<br>&nbsp;&nbsp;&nbsp;&nbsp;now, but you may go in, Captain.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Jackson, you don't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be formal and call me "Captain."<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I can't call you "young lady"<br>&nbsp;&nbsp;&nbsp;&nbsp;like I used to when you were here.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll clean up our own mess.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, we'll keep a<br>&nbsp;&nbsp;&nbsp;&nbsp;record of the interrogation.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should discuss that problem<br>&nbsp;&nbsp;&nbsp;&nbsp;again at another time.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have guests. I have to go.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for coming. Would you<br>&nbsp;&nbsp;&nbsp;&nbsp;like something to drink?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I will have water.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Commander?<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have the same.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on now, that's so bland.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That call just now was from<br>&nbsp;&nbsp;&nbsp;&nbsp;the head of Intelligence.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Intelligence demanding<br>&nbsp;&nbsp;&nbsp;&nbsp;that we hand over Bruno?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refused, of course.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems they can't stand the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;we abducted Bruno without permission.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, did you see the<br>&nbsp;&nbsp;&nbsp;&nbsp;interrogation on the way here?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to continue being<br>&nbsp;&nbsp;&nbsp;&nbsp;the captain of the fleet,<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to witness things like<br>&nbsp;&nbsp;&nbsp;&nbsp;that, and learn something from them.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the kind of path you are on.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think too hard about it.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll understand in time.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bruno has begun giving his statement.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did he say?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Amalgam." It seems to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the name of an organization.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amalgam?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard of it before?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, however...<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If some kind of organization<br>&nbsp;&nbsp;&nbsp;&nbsp;we've been unaware of<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was behind the incident<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Perio Islands,<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this incident in Nanking,<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would probably be necessary to revise<br>&nbsp;&nbsp;&nbsp;&nbsp;and adjust many of our present policies.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, Kaname Chidori.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl Intelligence<br>&nbsp;&nbsp;&nbsp;&nbsp;mentioned the other day.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In light of the "Whispered" incident,<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is no longer in the stage where she<br>&nbsp;&nbsp;&nbsp;&nbsp;needs to be treated as "a matter of concern."<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's the problem of Wraith too.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our current way of handling things<br>&nbsp;&nbsp;&nbsp;&nbsp;is clearly way too inefficient.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are quite right, however...<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Sergeant Sagara?<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has the ARX-7 to deal with too.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is important work.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think this is the perfect opportunity.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any objections?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Jindai Tokyo Municipal High School"<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you apologize to Ms. Kagurazaka?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I promised I would<br>&nbsp;&nbsp;&nbsp;&nbsp;reassemble her car on Sunday.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you pass your classes, it'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be all over if you get expelled<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of multiple acts of<br>&nbsp;&nbsp;&nbsp;&nbsp;misconduct or something, you know!<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No doubt about that.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't act like it's somebody else's problem!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Sagara, where did you go when<br>&nbsp;&nbsp;&nbsp;&nbsp;we were in the middle of tests?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something important came up.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it go all right? It sounded<br>&nbsp;&nbsp;&nbsp;&nbsp;like it was pretty rough...<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sagara, have you been letting<br>&nbsp;&nbsp;&nbsp;&nbsp;your hair grow lately?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you're right.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it strange?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really...<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But do you usually go to a hair salon?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a hair salon?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A barber.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I always cut my hair myself.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I can see that.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! I just thought of something.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we take Sagara to a beauty salon?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll give him a complete image change!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beauty salon? Not a barber?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! If Sagara got more style-conscious<br>&nbsp;&nbsp;&nbsp;&nbsp;like a normal high school student,<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he might look pretty handsome!<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm not so sure...<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in the first place, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;no way he'd agree to...<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's go.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where normal high school<br>&nbsp;&nbsp;&nbsp;&nbsp;students get their hair cut, correct?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haircut, please.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way, please.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's strange seeing Sagara actually<br>&nbsp;&nbsp;&nbsp;&nbsp;caring about his appearance.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking about your plans <br>
&nbsp;&nbsp;&nbsp;&nbsp;for your life, your *future*!<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still just 17 years old, you know?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you ever think just a<br>&nbsp;&nbsp;&nbsp;&nbsp;little bit about the future?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm going to start the shampooing.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind. Please continue.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look! This magazine has Dakitsuba in it!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, you're right.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you itch anywhere?<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm completely vulnerable.*<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, don't worry about it.*<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is ordinary soap. He's <br>
&nbsp;&nbsp;&nbsp;&nbsp;an ordinary salon employee.*<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I always mess up at this point.*<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a towel.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Towel. Towel. Towel. Towel. Towel.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Towel. Towel. Towel. Towel. Towel.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm going to start the cut.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He put the cloth on me so that the<br>&nbsp;&nbsp;&nbsp;&nbsp;cut hair won't stick to my clothes,<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to restrict the movement of my arms.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And these are just ordinary,<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ordinary, ordinary, ordinary sciss...<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it again?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sousuke!*<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, it'll be a<br>&nbsp;&nbsp;&nbsp;&nbsp;good turning point for him.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is my fault.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who asked<br>&nbsp;&nbsp;&nbsp;&nbsp;me to take you, you know!<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you freak out like that?<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got kicked out of the salon,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they even treated *me <br>
&nbsp;&nbsp;&nbsp;&nbsp;*like a crazy delinquent!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it is just too dangerous<br>&nbsp;&nbsp;&nbsp;&nbsp;to be that vulnerable<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of a complete<br>&nbsp;&nbsp;&nbsp;&nbsp;stranger holding a blade.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then don't say you're<br>&nbsp;&nbsp;&nbsp;&nbsp;going to the beauty salon!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me you<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't think from the start<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you'd react that way<br>&nbsp;&nbsp;&nbsp;&nbsp;to getting a haircut?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One wrong move and a completely innocent<br>&nbsp;&nbsp;&nbsp;&nbsp;employee would have been seriously hurt!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you stop thinking everyone's<br>&nbsp;&nbsp;&nbsp;&nbsp;an assassin or an enemy once in a while!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot do that. There are<br>&nbsp;&nbsp;&nbsp;&nbsp;enemies. That is a fact.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't be surprising if<br>&nbsp;&nbsp;&nbsp;&nbsp;they attacked you at any time.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My top priority here is to<br>&nbsp;&nbsp;&nbsp;&nbsp;protect you from the enemy.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been six months since I've come here,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my instincts are often off.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been able to adapt to this<br>&nbsp;&nbsp;&nbsp;&nbsp;place, and that is another fact.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I do is cause problems for everyone.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, that means you too.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's been six months already?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't made any progress<br>&nbsp;&nbsp;&nbsp;&nbsp;at all, that's for sure.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right...<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen...<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you come to my place?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll finish cutting your hair for you.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's just...<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you worried even about me?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not at all. You're different.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, sir! What kind of cut would you like?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it too tight?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no problem.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, here we go!<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any experience cutting hair?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I've played around with Kyoko's hair,<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I guess this will be my<br>&nbsp;&nbsp;&nbsp;&nbsp;first time actually cutting.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be all right.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is better than cutting<br>&nbsp;&nbsp;&nbsp;&nbsp;it yourself, isn't it?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't cut off my ears.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try my best not to.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, listen...<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You skipped the tests because<br>&nbsp;&nbsp;&nbsp;&nbsp;of your work, right?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you fight again?<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a problem?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't hurt, right?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only light wounds. Not a problem.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Sousuke,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't someone been looking<br>&nbsp;&nbsp;&nbsp;&nbsp;around really restlessly lately?<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, Sousuke.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you have. You were doing it again today.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's your imagination.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're probably being cautious<br>&nbsp;&nbsp;&nbsp;&nbsp;because of all the fuss<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about that stalker the other day, but...<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or am I being targeted again?<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you ask that?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No particular reason...<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, a lot has happened up until now.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. It's not an enemy.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is another person<br>&nbsp;&nbsp;&nbsp;&nbsp;assigned to you as a backup.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it someone I know? Like Kurz?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. There's no way you'd know this person.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, even I don't know him.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His true identity is unknown.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never shows himself. That's the agreement.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if he wouldn't come to<br>&nbsp;&nbsp;&nbsp;&nbsp;help me, even if I were attacked.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Sousuke...<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I can't trust anyone <br>
&nbsp;&nbsp;&nbsp;&nbsp;else, I do trust *you*.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you look to the right a little more?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that way, the other way.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I think I'm getting the hang of this.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, done!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, now I'm going to rinse!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's going on? You're not<br>&nbsp;&nbsp;&nbsp;&nbsp;scheduled to sortie today...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, stop it...<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with this, using your<br>&nbsp;&nbsp;&nbsp;&nbsp;feminine charms all of a sudden...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'll be there later.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whaa? My little kitties skipped town?<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the hell kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;problem did they have with me?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they *are* under <br>
&nbsp;&nbsp;&nbsp;&nbsp;age, I never slacked off!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made sure they were satisfied!<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know about that,<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;however, they have stolen one<br>&nbsp;&nbsp;&nbsp;&nbsp;Codarl M, and are on the run!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What did you say?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on! It's no use talking to you!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put them on the line!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes sir! I'll switch you over.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hear me, right, you<br>&nbsp;&nbsp;&nbsp;&nbsp;naughty little Lolitas?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what do you think you're doing?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you want something?<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you think you're going off<br>&nbsp;&nbsp;&nbsp;&nbsp;to play with that expensive toy?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it matter?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, we are going to do as we please.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who ordered you to do this?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not taking that thing with you<br>&nbsp;&nbsp;&nbsp;&nbsp;to go say "hello" to Mithril, are you?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course we are.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To kill them, for Sensei.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Pow*!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry it's just leftovers from yesterday.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm grateful.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha'ff wrong?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Nothing...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, it seems like you're always<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around with scary weapons...<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any that are gentler, and safer?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see,<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was kind of thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;about carrying one around.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's a good mind-set.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep tear gas, handcuffs, a flashlight,<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a disposable stun gun close at hand.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As usual, I have no idea<br>&nbsp;&nbsp;&nbsp;&nbsp;where you keep that stuff.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't even this pretty dangerous?<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person won't die, will he?<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tens of thousands of volts of<br>&nbsp;&nbsp;&nbsp;&nbsp;electricity flow through the wires,<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but only for a moment.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A normal man won't die from it.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's a normal man, right?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about a woman, or a child?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori,<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot afford to have<br>&nbsp;&nbsp;&nbsp;&nbsp;mercy in such a situation.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only someone third-rate would lick<br>&nbsp;&nbsp;&nbsp;&nbsp;his lips in front of the prey.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, no creature<br>&nbsp;&nbsp;&nbsp;&nbsp;could survive like that.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very grateful for everything today.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, if there's an opportunity,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will cut your hair.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely not!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have to surprise Kyoko tomorrow.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't forget to return<br>&nbsp;&nbsp;&nbsp;&nbsp;that notebook, okay?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. I couldn't be more<br>&nbsp;&nbsp;&nbsp;&nbsp;thankful for everything.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you forget it like you did before,<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to go get it back yourself!<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I absolutely will<br>&nbsp;&nbsp;&nbsp;&nbsp;not forget it this time.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I should be going.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. See you later.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe next time I'll pick out<br>&nbsp;&nbsp;&nbsp;&nbsp;some clothes for him, too.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I can't trust anyone <br>
&nbsp;&nbsp;&nbsp;&nbsp;else, I do trust *you*.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kitto kimi wa kyou no hi mo*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Massugu ashita wo miteru*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kaze ga fuku ano oka ni saita*<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*himawari no you ni*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Donna ni tooku hanareteite mo*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono utagoe ga kimi ni todoku you ni*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Namida ga zutto tomaranai yoru*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no mado wo terasu tsuki ni naritai*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mata kanarazu aeru to*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou omou kara*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't consider myself to have run away.*<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And it wasn't that I abandoned her, either.*<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An ominous order.*<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A bitter exchange of words with a ghost.*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Left Behind."*<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unable to dispute the solid pronouncement,*<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*only helplessness is left in my heart.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 7 - Left Behind

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An unknown frontier*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the map painted by my heart*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I open the door, the path goes on*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm kicking up dust as I <br>
&nbsp;&nbsp;&nbsp;&nbsp;start running to your town*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along a route where earth and sky meet*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding the rushing southern wind*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Slicing through the wind dyed blue by the sky*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm rushing out with my whole heart*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shooting past the midday moon*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a world different <br>
&nbsp;&nbsp;&nbsp;&nbsp;from what we've known before*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will keep on running through to the end*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However far*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Left Behind"<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wraith's taking over... the entire mission?<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out here, Wraith! Talk to me!<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you're close by!<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about answering me?<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Sergeant Sousuke Sagara.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am assigned to Mithril's Tactical Division,<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the West Pacific Fleet "Tuatha de Danaan."<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under orders to guard a certain person,<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was dispatched to Tokyo as of April 20.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is possible this person is being<br>&nbsp;&nbsp;&nbsp;&nbsp;targeted for the following reasons.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First! This individual is a special<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of person called a "Whispered."<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second! "Whispered" have<br>&nbsp;&nbsp;&nbsp;&nbsp;previously unknown knowledge,<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;particularly relating to the military.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you insane?<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of agent blurts<br>&nbsp;&nbsp;&nbsp;&nbsp;out top-secret information<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the entire neighborhood<br>&nbsp;&nbsp;&nbsp;&nbsp;at the top of his voice?<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are clearly sabotaging the operation!<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only did it because *you* ignored me.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible for you not to understand how<br>&nbsp;&nbsp;&nbsp;&nbsp;dangerous it is for us to be talking like this.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7, what you are doing is...<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your mission to guard Kaname<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori, or to observe her?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no obligation to answer that.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could stand here all night<br>&nbsp;&nbsp;&nbsp;&nbsp;yelling out everything I know.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already been dismissed from my post.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to threaten me, Uruz 7?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will report this officially<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Tactical Division.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do whatever you want.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you will answer my question.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mission is to guard her, of course.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't trust you.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your choice.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the mission given to me<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to prevent Kaname Chidori from falling<br>&nbsp;&nbsp;&nbsp;&nbsp;into the hands of another organization.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing more, nothing less.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you ever save her?<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been surrounded by<br>&nbsp;&nbsp;&nbsp;&nbsp;a gang of delinquents.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been abducted by a band of thugs.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been in danger numerous times.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those were all the acts<br>&nbsp;&nbsp;&nbsp;&nbsp;of insignificant hoodlums.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was not enough of<br>&nbsp;&nbsp;&nbsp;&nbsp;a reason for me to act.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how do you explain the A21 incident?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even then, you didn't try to save her.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about that? Answer me!<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My intent was to give the enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;rope and see what they'd do,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but things got out of my control.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I broke into a cold sweat<br>&nbsp;&nbsp;&nbsp;&nbsp;during that hostage exchange,<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my decision not to interfere<br>&nbsp;&nbsp;&nbsp;&nbsp;proved to be correct.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm told those terrorists had no idea how<br>&nbsp;&nbsp;&nbsp;&nbsp;special or important she was, isn't that right?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, they were essentially<br>&nbsp;&nbsp;&nbsp;&nbsp;the same as a bunch of street hoodlums.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's nothing but sophistry.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it whatever you want.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, the knowledge she<br>&nbsp;&nbsp;&nbsp;&nbsp;possesses was not brought out.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the one thing that needs<br>&nbsp;&nbsp;&nbsp;&nbsp;to be protected in the first place.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the enemy doesn't get close<br>&nbsp;&nbsp;&nbsp;&nbsp;to her in order to obtain her knowledge,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no particular need for me to act.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So your true nature shows.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if she died, everything would be lost.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, at the very minimum, I will<br>&nbsp;&nbsp;&nbsp;&nbsp;protect her life so that doesn't happen.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe you.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really expect you<br>&nbsp;&nbsp;&nbsp;&nbsp;to believe me, anyway.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So go ahead and worry yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;to death about it for all I care.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This operation was originally supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to have been taken over by Intelligence<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after the Khanka Airport incident.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then Tactical interfered,<br>&nbsp;&nbsp;&nbsp;&nbsp;and made us let you stay.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tactical made the point that you<br>&nbsp;&nbsp;&nbsp;&nbsp;would be effective as a decoy,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to me, you are nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;more than an annoyance.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no idea how many times<br>&nbsp;&nbsp;&nbsp;&nbsp;I've wanted to kill you off<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make it look like an accident.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still not too late. Go ahead and try.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a joke.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think I could finish you<br>&nbsp;&nbsp;&nbsp;&nbsp;off without getting hurt myself.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And actually, you have provided<br>&nbsp;&nbsp;&nbsp;&nbsp;me with some amusement.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just aiming a rifle at you from a distance<br>&nbsp;&nbsp;&nbsp;&nbsp;is enough to make you extremely nervous.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have excellent instincts as a soldier,<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but those instincts have caused you<br>&nbsp;&nbsp;&nbsp;&nbsp;to fail numerous times, correct?<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That disturbance at the barber<br>&nbsp;&nbsp;&nbsp;&nbsp;shop today was quite entertaining.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard...<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so angry. It's in the past now.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any event, the fun is over as of today.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should return to base and go<br>&nbsp;&nbsp;&nbsp;&nbsp;back to your original mission.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are both pros.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think we should<br>&nbsp;&nbsp;&nbsp;&nbsp;end this silly argument?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot. What about Chidori's safety?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is no longer any of your concern.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were sent official orders<br>&nbsp;&nbsp;&nbsp;&nbsp;to withdraw, correct?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surely you don't intend<br>&nbsp;&nbsp;&nbsp;&nbsp;to disobey orders, do you?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not forget that your life<br>&nbsp;&nbsp;&nbsp;&nbsp;here was provided by Mithril.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were never a high school<br>&nbsp;&nbsp;&nbsp;&nbsp;student or anything of the sort.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are just a mercenary,<br>&nbsp;&nbsp;&nbsp;&nbsp;a professional killer.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your family registration and school<br>&nbsp;&nbsp;&nbsp;&nbsp;registration are fake, part of a disguise.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you even thinking to begin with?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You constantly have to leave her<br>&nbsp;&nbsp;&nbsp;&nbsp;to go on other missions, don't you?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How effective can you possibly be as a<br>&nbsp;&nbsp;&nbsp;&nbsp;decoy when you can't be with her full-time?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you honestly think you<br>&nbsp;&nbsp;&nbsp;&nbsp;can protect her like that?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Tell me.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Can't you answer?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is it that you don't want to answer?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, either way it doesn't matter.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of whether or not<br>&nbsp;&nbsp;&nbsp;&nbsp;you have a gripe against me,<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the end, you still have to<br>&nbsp;&nbsp;&nbsp;&nbsp;entrust her to me and leave Tokyo.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The point is, nothing has changed, Uruz 7.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your absence simply means I've lost a decoy,<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I will have to spend more time<br>&nbsp;&nbsp;&nbsp;&nbsp;than before guarding her myself.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, you criticize me,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do you seriously believe someone<br>&nbsp;&nbsp;&nbsp;&nbsp;like you could possibly protect her?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In these past six months,<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you haven't been able to adapt<br>&nbsp;&nbsp;&nbsp;&nbsp;to Japanese society at all.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your presence is putting her<br>&nbsp;&nbsp;&nbsp;&nbsp;in danger unnecessarily.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to say this,<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as a bodyguard, you<br>&nbsp;&nbsp;&nbsp;&nbsp;are lower than third rate.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, to her, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but a harmful influence.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, you'd probably<br>&nbsp;&nbsp;&nbsp;&nbsp;endanger the people around her too.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no right to talk to me like that!<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pissed off because I hit<br>&nbsp;&nbsp;&nbsp;&nbsp;the nail right on the head?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, this little game<br>&nbsp;&nbsp;&nbsp;&nbsp;of house is over, Uruz 7.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obey your orders and return to base.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw! It's morning!<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw! Wake up!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caw! Kana-*chan*, you'll be...<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Kyoko!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good morning!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem happy today, Kana-*chan*!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Did something good happen?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was there something?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if it's even<br>&nbsp;&nbsp;&nbsp;&nbsp;worth mentioning, though?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're acting weird.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, Sagara was being his<br>&nbsp;&nbsp;&nbsp;&nbsp;usual self yesterday, wasn't he?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really. He never makes any progress, does he?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me want to put a remote-controlled<br>&nbsp;&nbsp;&nbsp;&nbsp;electric shock device<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in his brain or something.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And every time he messes up:<br>&nbsp;&nbsp;&nbsp;&nbsp;Bzzt! Bzzt! It'll zap him!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That might actually have some effect.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you think, Kyoko?<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not a dog, you know.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, speaking of which,<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened after that?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? We... We went home. Why?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I wonder what he's<br>&nbsp;&nbsp;&nbsp;&nbsp;going to do about a haircut.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. He'll probably<br>&nbsp;&nbsp;&nbsp;&nbsp;just cut it himself.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it'll get all bushy again.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to make sure our <br>
&nbsp;&nbsp;&nbsp;&nbsp;stories match up later.*<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But someone seems really<br>&nbsp;&nbsp;&nbsp;&nbsp;cheerful today for some reason.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, Kana-*chan*!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? That's just your imagination.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, something seems suspicious here!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, nothing happened, honestly.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, did you see<br>&nbsp;&nbsp;&nbsp;&nbsp;Kumodoushin the other day?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah, but...<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was it?<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm, to be honest, I didn't really like it.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why not?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No real reason.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The action scene with the octopus<br>&nbsp;&nbsp;&nbsp;&nbsp;samurai was good, though.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that part!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those weird tentacles came out of<br>&nbsp;&nbsp;&nbsp;&nbsp;his back! That was the best part!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. And then...<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it's *really* amazing!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know about it either, but<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like it has a continuation.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning Kazama.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Miss Chidori.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Sousuke?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dunno. I haven't seen him yet today.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess he hasn't come yet. That's good.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good morning.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close! I just made it!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what he's doing?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rise!<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bow!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, sir.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your seat!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'm going to take attendance.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Igarashi.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ishihara.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isomura.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uozumi.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uchida.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oumi.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ogata.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Letter of Resignation from School To<br>&nbsp;&nbsp;&nbsp;&nbsp;the Principal of Jindai High School:<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to personal matters, I will be<br>&nbsp;&nbsp;&nbsp;&nbsp;resigning  from school. Class 2-4 Sousuke Sagara"<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chidori, Kaname"<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chidori, Kaname"<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kana"<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, he's not answering?<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. He seems to have it turned on, though.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what's wrong?<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows. What in the<br>&nbsp;&nbsp;&nbsp;&nbsp;world is that idiot doing?<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Missed calls:   Chidori, Kaname"<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orders...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ka-na-*chan*!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all over for me!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did that badly?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I did horrible on the Math<br>&nbsp;&nbsp;&nbsp;&nbsp;II test we were handed back today.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there. It's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;your whole life depends on it.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you do, Kana-*chan*?<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? I did... so-so, I guess.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You traitor.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it,<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you got the top scores in the last science<br>&nbsp;&nbsp;&nbsp;&nbsp;and math final exams too, didn't you?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it was just a fluke, just a fluke.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if it's because of<br>&nbsp;&nbsp;&nbsp;&nbsp;my abilities as a Whispered?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Do you know some sort of trick to it?<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-Not really.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Hey, how do you study?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or could you be cheating?<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well anyway, whatever it is,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care, just tell me!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a secret.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are not authorized to know that.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Sagara didn't come after all.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if that idiot is *trying* to fail.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's already in big trouble.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why don't you try<br>&nbsp;&nbsp;&nbsp;&nbsp;calling him one more time?<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might answer this time.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, he's been out of touch<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of times before.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not something to get worried<br>&nbsp;&nbsp;&nbsp;&nbsp;about every single time!<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you say so, I guess that's okay.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. That's right.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, the tests are over,<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so why don't we go have<br>&nbsp;&nbsp;&nbsp;&nbsp;some fun while we can?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll invite everyone, and<br>&nbsp;&nbsp;&nbsp;&nbsp;sing karaoke and stuff!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that sounds good.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll do what we haven't done in a<br>&nbsp;&nbsp;&nbsp;&nbsp;while: a ten-hour karaoke marathon!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? That again?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? It was fun, wasn't it?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm, well, that's true, but...<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were all exhausted the next day.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Singing and singing until<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't even move anymore!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a sense of accomplishment!<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a feeling of exhaustion!<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, it's decided!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going to do a<br>&nbsp;&nbsp;&nbsp;&nbsp;ten hour karaoke marathon!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you absolutely must participate, Kyoko!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, so who should we invite?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiori and Maya and Miss<br>&nbsp;&nbsp;&nbsp;&nbsp;Ren and Mizuki and...<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... was that?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kana-*chan*?<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kana-*chan*?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey, come on!<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kana-*chan*...<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's okay, it's okay. It's okay, it's okay.*<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number you have dialed cannot be reached,<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;due to being out of the service<br>&nbsp;&nbsp;&nbsp;&nbsp;area, or the power being off.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number you have dialed<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot be reached...<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Kyoko. I'm going home.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't just let you go when<br>&nbsp;&nbsp;&nbsp;&nbsp;you're acting like this!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said it's okay!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it's begun!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally!<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's start right off by introducing<br>&nbsp;&nbsp;&nbsp;&nbsp;the guest of the week!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone meet the An Doughnuts!<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, we're the An Doughnuts.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The totally creepy but cute An Doughnuts.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it, whaddya mean by creepy-cute?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, we're kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;creepy-cute, you know?<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say? Take this!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-dah!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that! Take that!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. It's nothing.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. It's nothing.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. It's noth...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? This is Chidori.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who are you?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a6\i1}"Unknown Caller"*<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number you have dialed...<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How...<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I contact him?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah! The communicator!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mithril uses a satellite <br>
&nbsp;&nbsp;&nbsp;&nbsp;circuit that incorporates*<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a spectrum diffusion modulation process*<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and a unique quantum code.*<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thanks to the time I spent <br>
&nbsp;&nbsp;&nbsp;&nbsp;on the Tuatha de Danaan,*<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know the details of the method <br>
&nbsp;&nbsp;&nbsp;&nbsp;and the general frequency band.*<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure I can do this!*<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke, are you there?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Classics Kaname Chidori"<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My notebook...<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was this doing lying there?<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way...<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure you're still looking*<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Straight ahead to tomorrow*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you always have*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the sunflowers*<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That bloomed on that windy hill*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how far apart we are*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pray that my singing will reach you*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On nights when the tears never seem to stop*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to be the moon*<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That shines through your window*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I believe we will meet again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Violent frustration. Disputes and tears.*<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Pure hatred rises within me for the <br>
&nbsp;&nbsp;&nbsp;&nbsp;machine that tore me apart from her.*<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Little do I know that it will <br>
&nbsp;&nbsp;&nbsp;&nbsp;become a curse on myself.*<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Jungle Groove"*<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Black and white flashes <br>
&nbsp;&nbsp;&nbsp;&nbsp;pierce through the jungle.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 8 - Jungle Groove

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokoro egakidasu*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*chizujou no michinaru frontier*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tobira hiraitara*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*michi wa tsuzuiteiru yo*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hokori makiagete kimi no machi e*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sora to daichi ga kasanaru ruuto de*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hashiru minamikaze ni notte*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoku somaru kaze wo kitte*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokorogoto kakedashiteirun da*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mahiru no tsuki wo oikoshite*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kinou to wa chigau sekai e*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dokomademo hashirinuketeku*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Merida Island"<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Argos 4, this is Merida final controller.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your heading looks good.<br>&nbsp;&nbsp;&nbsp;&nbsp;On course. On glide path.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Argos 4. I have visual on the runway.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Argos 4, you have permission to land.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Jungle Groove"<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Lieutenant, please sign here.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I have your luggage<br>&nbsp;&nbsp;&nbsp;&nbsp;sent directly to your room?<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. Please do.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, Sergeant Sagara has arrived.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please send him in.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant Sousuke Sagara has<br>&nbsp;&nbsp;&nbsp;&nbsp;returned to normal duties.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work. At ease.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Captain.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say goodbye to Miss<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaname before you left?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, ma'am.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have something you<br>&nbsp;&nbsp;&nbsp;&nbsp;would like to say to me.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, ma'am. Nothing.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling you back from Tokyo<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was a decision made by both<br>&nbsp;&nbsp;&nbsp;&nbsp;Tactical Headquarters and myself.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because preparations have<br>&nbsp;&nbsp;&nbsp;&nbsp;already been completed<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have an Intelligence agent permanently<br>&nbsp;&nbsp;&nbsp;&nbsp;stationed around Miss Kaname.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about document file 05B-D113?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My report.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have explained repeatedly that<br>&nbsp;&nbsp;&nbsp;&nbsp;Intelligence has not been guarding her sufficiently.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is strictly your own impression.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you question my report?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said no such thing. It was one<br>&nbsp;&nbsp;&nbsp;&nbsp;of many materials used to decide...<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am suitable to guard her.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or at least that's what I thought, Captain.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you do not understand<br>&nbsp;&nbsp;&nbsp;&nbsp;your own place, Sergeant.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have other duties on which<br>&nbsp;&nbsp;&nbsp;&nbsp;you should focus, do you not?<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what duties would those be?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Arbalest.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are to give your undivided<br>&nbsp;&nbsp;&nbsp;&nbsp;attention to operating that machine.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During that hijacking incident,<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Arbalest ended up being optimized<br>&nbsp;&nbsp;&nbsp;&nbsp;for the first person to get into it.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The developer has died, so we are<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to change that setting.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Through trial and error, the<br>&nbsp;&nbsp;&nbsp;&nbsp;only thing we discovered<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was that the Arbalest's Lambda Driver<br>&nbsp;&nbsp;&nbsp;&nbsp;will not activate for anyone except you.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amalgam or whoever they are has utilized<br>&nbsp;&nbsp;&nbsp;&nbsp;the same type of machine numerous times.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the same in Nanking the other day.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only ones who can counter a<br>&nbsp;&nbsp;&nbsp;&nbsp;machine equipped with a Lambda Driver<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you and the Arbalest.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are to leave the guarding of<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kaname up to Intelligence,<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and devote yourself to mastering<br>&nbsp;&nbsp;&nbsp;&nbsp;the use of that machine.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying I have no choice?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please understand, Mr. Sagara.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that an order?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what it takes to satisfy you,<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you an order or do anything else,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if that means taking<br>&nbsp;&nbsp;&nbsp;&nbsp;you away from Miss Kaname.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have it so easy, don't you?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you can distract yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;by holding a grudge against me.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I have to consider the<br>&nbsp;&nbsp;&nbsp;&nbsp;safety of my subordinates!<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how powerful<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy is, don't you?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Melissa might die next time!<br>&nbsp;&nbsp;&nbsp;&nbsp;And so might Mr. Weber!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea what it's like for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to be sitting in the captain's chair?!<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you looking at?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she the only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;running through your head?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you thought about my<br>&nbsp;&nbsp;&nbsp;&nbsp;feelings even a little bit?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You disgust me!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always pretend to be obedient and kind,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're actually cruel and<br>&nbsp;&nbsp;&nbsp;&nbsp;self-centered, aren't you?!<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, you're lying to yourself!<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you just come right out and say it?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I want to be with her!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get in the way!"<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have been so much easier<br>&nbsp;&nbsp;&nbsp;&nbsp;if you had just said that.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, First Lieutenant<br>&nbsp;&nbsp;&nbsp;&nbsp;Clouseau is here to see you.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please have him wait for a moment.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will call him in shortly.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate you, Mr. Sagara.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate that you're always<br>&nbsp;&nbsp;&nbsp;&nbsp;quick to apologize, too.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm truly sorry.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing more to speak to you about.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dismissed.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was that officer just now?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant Sagara, a member of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Special Response Team.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting. You can<br>&nbsp;&nbsp;&nbsp;&nbsp;go in now, First Lieutenant.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Lieutenant Belfangan Clouseau,<br>&nbsp;&nbsp;&nbsp;&nbsp;reporting for duty as of today.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to the West Pacific<br>&nbsp;&nbsp;&nbsp;&nbsp;Fleet, First Lieutenant.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At ease.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am familiar with your<br>&nbsp;&nbsp;&nbsp;&nbsp;military fame, Captain.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am honored to meet you.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you met your new subordinates?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have not talked with them yet.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead of introductions, there<br>&nbsp;&nbsp;&nbsp;&nbsp;is something I want to test.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something you want to test?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be a little rough, though.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you made her cry, then?<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed!<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You actually might have some<br>&nbsp;&nbsp;&nbsp;&nbsp;talent as a gigolo, you know?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a gigolo?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it. But anyway...<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to say, man.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly seem to be enjoying yourself.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup, pretty much.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The captain's assertion was correct.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's certainly no reason for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to be compelled to guard Chidori.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think in terms of putting<br>&nbsp;&nbsp;&nbsp;&nbsp;the right person in the right post,<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the measures Mithril has taken concerning<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori up until now probably are odd.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess it was absurd to begin with.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Logically, it makes sense, but...<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, never mind.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the problem? If you<br>&nbsp;&nbsp;&nbsp;&nbsp;got a complaint, I'll listen.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, tell me.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spit it out! You'll feel a lot better.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen him before.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water, please.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot. Order some alcohol.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want alcohol. I'll have water.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever...<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, excuse me, First Lieutenant.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really hate to come off<br>&nbsp;&nbsp;&nbsp;&nbsp;like a tight-ass, but...<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could you move to another seat?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's that?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These three seats are humbly reserved for<br>&nbsp;&nbsp;&nbsp;&nbsp;us in the SRT, the Special Response Team.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're sitting in one of them.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that one of the regulations?<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guys at the base just<br>&nbsp;&nbsp;&nbsp;&nbsp;decided it on their own.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But yeah, I guess you could<br>&nbsp;&nbsp;&nbsp;&nbsp;call those seats reserved, kid.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what you mean.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the seat our dead superior<br>&nbsp;&nbsp;&nbsp;&nbsp;officer used to sit at.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but we don't want your ass sitting<br>&nbsp;&nbsp;&nbsp;&nbsp;there when we've never even seen you before.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were the name and call sign<br>&nbsp;&nbsp;&nbsp;&nbsp;of your dead superior officer?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 1, Gail McAllen.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I don't need to change seats.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man was a coward.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm... Coward?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just say "coward"?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. He was incompetent.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure come on strong, don't you?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that? He called<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant McAllen "incompetent."<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, he sure was...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurz!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your endurance stinks, Sergeant.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frickin' asshole...<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fired up now!<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurz!<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave him alone. It's<br>&nbsp;&nbsp;&nbsp;&nbsp;just a light concussion.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised he could stand up<br>&nbsp;&nbsp;&nbsp;&nbsp;after taking that punch, but...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging from that sergeant<br>&nbsp;&nbsp;&nbsp;&nbsp;and the dead lieutenant,<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like the entire SRT<br>&nbsp;&nbsp;&nbsp;&nbsp;here is a bunch of dolts.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm disappointed.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you want to say something.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Lieutenant, I apologize<br>&nbsp;&nbsp;&nbsp;&nbsp;for my comrade's rudeness.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd like you to take back your<br>&nbsp;&nbsp;&nbsp;&nbsp;insult toward Lieutenant McAllen.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I say no?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to get into a fist fight with<br>&nbsp;&nbsp;&nbsp;&nbsp;a superior officer like this dolt here?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't, can you?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You appear to be a serious man.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can't do anything without an order.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a way, you're a kind of coward.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you need an excuse to vindicate yourself?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how about this, Sergeant?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to try a little game?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to defend McAllen's<br>&nbsp;&nbsp;&nbsp;&nbsp;honor, don't you?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just feeling bored, myself.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me. And that's an order.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want? Did<br>&nbsp;&nbsp;&nbsp;&nbsp;you come to laugh at me?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to deliver replacement machines.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M types.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came all the way here just for that?<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to discuss with you.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about those sisters.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an idea of what<br>&nbsp;&nbsp;&nbsp;&nbsp;those girls intend to do.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to stop them, if possible.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up and watch.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's how it is.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will go along with your style.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Splendid.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to punish<br>&nbsp;&nbsp;&nbsp;&nbsp;those mischievous kittens good.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've seen her?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can kill her. Any time.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then wait for the order.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Sensei okay?<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. For a little while.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sensei.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are about to begin.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A game?*<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He calls this a game?*<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That machine is the same one as then...<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A unit identical to the M9 type.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a D series experimental machine.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The specs are not significantly different<br>&nbsp;&nbsp;&nbsp;&nbsp;from those of the current E series.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, I haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;properly introduced myself yet, have I?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just transferred from<br>&nbsp;&nbsp;&nbsp;&nbsp;the Mediterranean Sea Fleet.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Lieutenant Belfangan Clouseau.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of today, I've been assigned to<br>&nbsp;&nbsp;&nbsp;&nbsp;the West Pacific Ocean Fleet's SRT.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My call sign is Uruz 1.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I'm your team leader.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no need to hold back.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use that AS to prove to me that<br>&nbsp;&nbsp;&nbsp;&nbsp;my predecessor wasn't incompetent.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bastard...*<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your power is the same as mine. And...<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...your techniques aren't bad, either.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's strong.*<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like I thought, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;a second-rate operator.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your fighting method has skill,<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it isn't art.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand the difference?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess playing around like<br>&nbsp;&nbsp;&nbsp;&nbsp;this won't show me anything.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got the opportunity. Why<br>&nbsp;&nbsp;&nbsp;&nbsp;don't we have a serious fight?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha 1 has started its monomolecular cutter.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he serious?*<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't admire this kind of method.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is First Lieutenant<br>&nbsp;&nbsp;&nbsp;&nbsp;Clouseau, correct?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He makes strange propositions.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the one who gave permission.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if we don't do this,<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he probably won't be able to draw out<br>&nbsp;&nbsp;&nbsp;&nbsp;the Arbalest's fundamental power.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it is not of any use in battle.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being able to depend on it to<br>&nbsp;&nbsp;&nbsp;&nbsp;activate reliably when needed:<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that* is the very life of a weapon system.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying the Arbalest is defective?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am. I do not like<br>&nbsp;&nbsp;&nbsp;&nbsp;that machine at all.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant Sagara probably feels the same way.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the problem.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugly. Butt-ugly.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're awkward and overbearing and<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have one shred of flexibility.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up, Sergeant.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try drawing out every bit<br>&nbsp;&nbsp;&nbsp;&nbsp;of power that machine has.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood? Every last bit of it!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every bit of it?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lambda Driver?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Sergeant!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it...<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It...<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're just a pet dog after all, huh?<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it's over.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lambda Driver did not activate.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see that.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you were going to get revenge on this guy<br>&nbsp;&nbsp;&nbsp;&nbsp;and he beat you easy, huh? How pathetic.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither one of you got punished.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like the whole thing was just a farce.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what it was, huh?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're finally awake, huh?<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant Sagara.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand why you were beaten?<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The difference in our skill.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wrong.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a more basic reason.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something fatal that you can't bury<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how much skill you have.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand what you mean.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You detest the Arbalest.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could tell as soon as we fought.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your step, your arm movement,<br>&nbsp;&nbsp;&nbsp;&nbsp;every one of your attacks...<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all had doubt in them.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had impatience.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't have any heart.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind about the Lambda Driver,<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this problem runs even deeper.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Lieutenant. The attack<br>&nbsp;&nbsp;&nbsp;&nbsp;you used to bring me down...<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I used a Lambda<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver to pull it off?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to say this, but it doesn't take a<br>&nbsp;&nbsp;&nbsp;&nbsp;Lambda Driver to beat you and the Arbalest.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a technique that combines what the<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese would call "toshi" and "sunkei."<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The M9 is capable of that much<br>&nbsp;&nbsp;&nbsp;&nbsp;potential, depending on the operator.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up, Sergeant.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weapon we use, the<br>&nbsp;&nbsp;&nbsp;&nbsp;AS, isn't just a machine.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an extension of the<br>&nbsp;&nbsp;&nbsp;&nbsp;trained soldier's body!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The heart of the operator<br>&nbsp;&nbsp;&nbsp;&nbsp;is reflected in the machine.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a high-level battle, that small<br>&nbsp;&nbsp;&nbsp;&nbsp;difference determines whether you win or lose.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Realize that a man who can't<br>&nbsp;&nbsp;&nbsp;&nbsp;even trust his own body<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has no hope of beating the enemies<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll be up against from now on.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you plan on just sitting there?<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to the hangar and give your signature.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect a report too.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting tomorrow, I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to thoroughly re-train you.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weber, you too.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new guy's one nasty bastard.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's strong.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He completely defeated me.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was you, wasn't it?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been, what, a year and a half?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, it's been 5 days.<br>&nbsp;&nbsp;&nbsp;&nbsp;We saw each other in Sicily.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was this his room?<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It was Lieutenant McAllen's room.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he suffer?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said it was instantaneous.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that Sagara guy...<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's exactly like I used to be.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's trying to act tough,<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;blindly trying to force himself<br>&nbsp;&nbsp;&nbsp;&nbsp;to fit into a certain frame.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though if he wanted to, he<br>&nbsp;&nbsp;&nbsp;&nbsp;could make that frame bigger.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can he learn to do that?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if he stays like<br>&nbsp;&nbsp;&nbsp;&nbsp;this, he'll probably die.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, he could turn into a real loser.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Loser?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking about the guys<br>&nbsp;&nbsp;&nbsp;&nbsp;we're fighting all the time.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Malice builds up slowly.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, you lie to yourself.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you resent the people around you.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And last, you begin to<br>&nbsp;&nbsp;&nbsp;&nbsp;scorn the entire world.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It all happens gradually.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a very slow change, like<br>&nbsp;&nbsp;&nbsp;&nbsp;the hour hand on a clock.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what makes it so frightening.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm beat. I'm going to bed.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Melissa.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell anyone that the<br>&nbsp;&nbsp;&nbsp;&nbsp;lieutenant and I were war buddies.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want them to think they<br>&nbsp;&nbsp;&nbsp;&nbsp;have to tip-toe around me.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodnight, Ben.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain. May I have a word?<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A D Standby order from Tactical Headquarters.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An AS unit is causing<br>&nbsp;&nbsp;&nbsp;&nbsp;large-scale destruction.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are currently carrying<br>&nbsp;&nbsp;&nbsp;&nbsp;out the response procedure.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the location?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Hong Kong.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kitto kimi wa kyou no hi mo*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Massugu ashita wo miteru*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kaze ga fuku ano oka ni saita*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*himawari no you ni*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Donna ni tooku hanareteite mo*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono utagoe ga kimi ni todoku you ni*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Namida ga zutto tomaranai yoru*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no mado wo terasu tsuki ni naritai*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mata kanarazu aeru to*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou omou kara*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Left behind in Tokyo, Chidori <br>
&nbsp;&nbsp;&nbsp;&nbsp;had begun a lonely battle.*<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Loneliness and doubt.*<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The gaze of an invisible watcher <br>
&nbsp;&nbsp;&nbsp;&nbsp;causes her fear to grow.*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She can't trust anyone anymore.*<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Her Problem."*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One war ends, like tears <br>
&nbsp;&nbsp;&nbsp;&nbsp;disappearing in the rain...*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 9 - Her Problem

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An unknown frontier*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the map painted by my heart*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I open the door, the path goes on*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm kicking up dust as I <br>
&nbsp;&nbsp;&nbsp;&nbsp;start running to your town*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along a route where earth and sky meet*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding the rushing southern wind*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Slicing through the wind dyed blue by the sky*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm rushing out with my whole heart*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shooting past the midday moon*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a world different <br>
&nbsp;&nbsp;&nbsp;&nbsp;from what we've known before*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will keep on running through to the end*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However far*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"News regarding the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;in Hong Kong is..."<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Her Problem"<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Kana-*chan*?<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you, Kyoko.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kana-*chan*?<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you feeling sick?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want me to go with<br>&nbsp;&nbsp;&nbsp;&nbsp;you to the nurse's office?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm fine.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaname Chidori from class 2-4.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please come to the faculty room.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To repeat...<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like Sagara sent this to my office.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, try not to be shocked<br>&nbsp;&nbsp;&nbsp;&nbsp;when you hear this, okay?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Chidori, are you okay?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your face looks pale.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, what was in the envelope?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A withdrawal notice.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, he's been absent a lot lately,<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I never thought he would withdraw<br>&nbsp;&nbsp;&nbsp;&nbsp;all of a sudden without discussing it.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get him on the phone, either.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't know what to do.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, Miss Chidori...<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea what's going on here?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two fighting again or something?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't hear anything<br>&nbsp;&nbsp;&nbsp;&nbsp;from him by tomorrow,<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to give this to the<br>&nbsp;&nbsp;&nbsp;&nbsp;principal for acceptance.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, he'll be withdrawn?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Calm down.*<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's not here anymore.*<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know what happened,*<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but even if someone comes after <br>
&nbsp;&nbsp;&nbsp;&nbsp;you, he's not going to save you.*<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no doubt I'm being watched.*<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to think of a counter-plan.*<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't get Ms. Kagurazaka or Kyoko and <br>
&nbsp;&nbsp;&nbsp;&nbsp;the others involved no matter what.*<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Pull yourself together, Kaname!*<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're not some princess in the top of <br>
&nbsp;&nbsp;&nbsp;&nbsp;a tower who can't do anything but sigh.*<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*First, I need information.*<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to figure out exactly <br>
&nbsp;&nbsp;&nbsp;&nbsp;what's going on around me!*<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm just imagining things after all.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bugging - Spy Photos"<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our staff of specialists<br>&nbsp;&nbsp;&nbsp;&nbsp;will eliminate your worries!"<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you alone?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to go get<br>&nbsp;&nbsp;&nbsp;&nbsp;something good to eat?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be my treat.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not hungry.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, don't say that.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't we go for drinks or something?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a good place.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, I'm in the middle<br>&nbsp;&nbsp;&nbsp;&nbsp;of something right now.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister, would you like<br>&nbsp;&nbsp;&nbsp;&nbsp;to go to a hotel with me?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's hurry up and<br>&nbsp;&nbsp;&nbsp;&nbsp;go in, Mizuki. It's raining.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a minute.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go in.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, Mizuki. I'm gonna hustle!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which room do you want?<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room 202.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But there are better rooms.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it looks small.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm leaving.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding! Sorry, sorry, that room's fine.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mizuki.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a minute!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me explain the situation!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind taking a bath later, do you?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on! Listen to me!<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so cute, Mizuki.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, the smell of a high school girl!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder which one of us is<br>&nbsp;&nbsp;&nbsp;&nbsp;the victim in this situation.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure these are fine.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll go with this one.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to go!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is it.*<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can see the entire area from up there.*<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If there is someone,*<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure he's there...*<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There he is!*<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move. I have a weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;pointed right at you.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put your hands up and turn around.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You noticed the transmitter?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have some business with me, right?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I came.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so you went into a hotel like<br>&nbsp;&nbsp;&nbsp;&nbsp;that with a guy you've never met?<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I underestimated you a bit.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have a gun, right?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it out slowly and toss it at your feet.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am from Mithril.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't attack you.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say! I can't trust you.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get carried away.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might not be able to kill you,<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I *can* stop that smart-ass mouth of yours.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something worse you<br>&nbsp;&nbsp;&nbsp;&nbsp;should be worried about.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These past few days, I've sensed<br>&nbsp;&nbsp;&nbsp;&nbsp;someone else pursuing you...<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to throw down your<br>&nbsp;&nbsp;&nbsp;&nbsp;gun, didn't I? Damn asshole!<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaname Chidori, correct?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm alive.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will it work correctly? Will it hit?*<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Could this be a trap?*<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Does she know I'm up here?*<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Does she have some sort of trick <br>
&nbsp;&nbsp;&nbsp;&nbsp;up her sleeve or something?*<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Am I going to be killed? <br>
&nbsp;&nbsp;&nbsp;&nbsp;Should I beg for my life?*<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's a pro.*<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't win. There's no way I can win.*<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori, you cannot afford to<br>&nbsp;&nbsp;&nbsp;&nbsp;have mercy in such a situation.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no way. There's just no way.*<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only someone third-rate would lick<br>&nbsp;&nbsp;&nbsp;&nbsp;his lips in front of the prey.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like you've won.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think there are two kinds<br>&nbsp;&nbsp;&nbsp;&nbsp;of women in this world.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those that look good in the<br>&nbsp;&nbsp;&nbsp;&nbsp;rain, and those that don't.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are most definitely the first kind.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone would think the same<br>&nbsp;&nbsp;&nbsp;&nbsp;thing if they saw you right now.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that some sort of sarcasm?<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm offended.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was intended to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the ultimate compliment.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the same as you.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to save you.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I wish I could say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's not actually it.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idly watching how your fight turned<br>&nbsp;&nbsp;&nbsp;&nbsp;out, or lending you a hand-<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;either would have been fine with me.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although the results may have<br>&nbsp;&nbsp;&nbsp;&nbsp;been the same either way.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you talk pisses me off.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you incapable of<br>&nbsp;&nbsp;&nbsp;&nbsp;giving a straight answer?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think very highly of being <br>
&nbsp;&nbsp;&nbsp;&nbsp;*too* straightforward, either.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that might just be your allure.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That hair...<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you're Tessa's...<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up, Yu Lan.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're already awake, aren't you?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Silver. You were watching?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no match for her.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should give up.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have ignored the<br>&nbsp;&nbsp;&nbsp;&nbsp;organization's intentions,<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will come to your defense for it.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to reason with your sister,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who's running wild in Hong Kong.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think we will obey?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge is so empty.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something Sensei wanted.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I'm still alive,<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will keep trying to kill her.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this is goodbye, Yu Lan.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the one who's going<br>&nbsp;&nbsp;&nbsp;&nbsp;to die, Leonard Testarossa!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's useless.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are your orders, sir?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Response A-1. And be certain of it.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Response A-1 complete.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The designated threat has<br>&nbsp;&nbsp;&nbsp;&nbsp;been completely silenced.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Stand by.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plan 1211, Alastor.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you could say it's the<br>&nbsp;&nbsp;&nbsp;&nbsp;world's smallest Arm Slave.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you already know by this point,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it is difficult to make<br>&nbsp;&nbsp;&nbsp;&nbsp;an AS which is autonomous.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miniaturizing the power source,<br>&nbsp;&nbsp;&nbsp;&nbsp;control system and other components<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;took quite a bit of work as well.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just happened was my<br>&nbsp;&nbsp;&nbsp;&nbsp;real purpose for being here.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ended up showing you something unpleasant.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I don't understand what's going on. But...<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no reason to kill her.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't the one who wanted this result.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was she herself.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I haven't killed as many<br>&nbsp;&nbsp;&nbsp;&nbsp;people as your boyfriend has.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy...<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been fighting in wars<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since he was a kid!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had no other choice!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And besides, his enemies were all bad people.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he helps people who aren't involved,<br>&nbsp;&nbsp;&nbsp;&nbsp;and people who are weaker than him!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he doesn't enjoy that<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of thing at all!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, he's nothing like this!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't do things like this!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seriously believe<br>&nbsp;&nbsp;&nbsp;&nbsp;that logic, do you?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The essence of our actions is the same.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet I'm the only one you criticize.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very much on his side, aren't you?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You love him.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No I don't.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, really!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at me.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Stand by.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do that for?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a wake-up kiss, I suppose.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I've fallen in love with you.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I hate you. I'm gonna puke!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I like about you.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem fragile, but you're ferocious.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem vulgar, but you're noble.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're slippery, like water.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had better retreat before<br>&nbsp;&nbsp;&nbsp;&nbsp;you try to kill me.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had business with him.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave him here.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have a reason to listen to that request?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you do.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll forgive what you did to me.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So leave him.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop him.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one thing before I say goodbye.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really did fall in love with you,<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I want you to believe that.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well then, I'll see you again sometime.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you move? Are you hurt?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy injected me with something.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like me to help you?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No thank you. Even I have pride.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This failure, this pitiful state I'm in...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've been better off dead.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke...<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't you here?<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turned out like this<br>&nbsp;&nbsp;&nbsp;&nbsp;because you weren't here.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate this.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be right next to me...<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say "It's not a problem."<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke...<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you would've been<br>&nbsp;&nbsp;&nbsp;&nbsp;better off dead, right?<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about putting up a<br>&nbsp;&nbsp;&nbsp;&nbsp;little more resistance?<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, and forever.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure you're still looking*<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Straight ahead to tomorrow*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you always have*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the sunflowers*<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That bloomed on that windy hill*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how far apart we are*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pray that my singing will reach you*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On nights when the tears never seem to stop*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to be the moon*<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That shines through your window*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I believe we will meet again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why do I fight? I don't know.*<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My heart is withering, and <br>
&nbsp;&nbsp;&nbsp;&nbsp;my strength is disappearing.*<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I had a new mission ahead of me,*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I couldn't see anything anymore.*<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Hong Kong in Two."*<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the scene is a city burning with chaos.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 10 - Hong Kong in Two

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokoro egakidasu*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*chizujou no michinaru frontier*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tobira hiraitara*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*michi wa tsuzuiteiru yo*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hokori makiagete kimi no machi e*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sora to daichi ga kasanaru ruuto de*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hashiru minamikaze ni notte*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoku somaru kaze wo kitte*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokorogoto kakedashiteirun da*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mahiru no tsuki wo oikoshite*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kinou to wa chigau sekai e*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dokomademo hashirinuketeku*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O God, who has wondrously created<br>&nbsp;&nbsp;&nbsp;&nbsp;the boundless expanse of blue sea,<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please protect these comrades<br>&nbsp;&nbsp;&nbsp;&nbsp;as they journey on the sea.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O Lord, who formed even the surging waves<br>&nbsp;&nbsp;&nbsp;&nbsp;and raging winds according to Your great will,<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please protect these comrades<br>&nbsp;&nbsp;&nbsp;&nbsp;as they journey on the sea.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O Spirit, who calms the<br>&nbsp;&nbsp;&nbsp;&nbsp;chaotic, bottomless depths<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and envelops us in Your loving protection,<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please protect these comrades<br>&nbsp;&nbsp;&nbsp;&nbsp;as they journey on the sea.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O God, source of blessed power, please<br>&nbsp;&nbsp;&nbsp;&nbsp;protect them even in times of danger,<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and please guide them safely<br>&nbsp;&nbsp;&nbsp;&nbsp;to the harbor which they seek.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, we will now be heading<br>&nbsp;&nbsp;&nbsp;&nbsp;directly to the zone of operation.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Board ship!<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hong Kong in Two"<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These brain waves in the 30-50<br>&nbsp;&nbsp;&nbsp;&nbsp;Hz range are called gamma waves.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently a Lambda Driver is capable<br>&nbsp;&nbsp;&nbsp;&nbsp;of generating a repulsive force field<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only when the strength of these<br>&nbsp;&nbsp;&nbsp;&nbsp;waves exceeds a certain set level.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, research up to this point indicates<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that it is difficult for an individual to<br>&nbsp;&nbsp;&nbsp;&nbsp;generate powerful gamma waves intentionally,<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention continuously.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a method for producing<br>&nbsp;&nbsp;&nbsp;&nbsp;a similar response artificially<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by administering a drug called Type Ti970,<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which can only by synthesized at a limited<br>&nbsp;&nbsp;&nbsp;&nbsp;number of chemical plants. However...<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words?<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means using a Lambda Driver for a long<br>&nbsp;&nbsp;&nbsp;&nbsp;period of time is probably impossible.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excluding exceptions like<br>&nbsp;&nbsp;&nbsp;&nbsp;the Behemoth, of course.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be so, but...<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the enemy uses one, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing we can do about it.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost like, why even bother<br>&nbsp;&nbsp;&nbsp;&nbsp;with this conversation anyway?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do have the Arbalest, though.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if it fails to activate<br>&nbsp;&nbsp;&nbsp;&nbsp;again like in Nanking...<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Al.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check. Identity confirmed<br>&nbsp;&nbsp;&nbsp;&nbsp;as Sergeant Sagara.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sergeant?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you?<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The results of the check performed<br>&nbsp;&nbsp;&nbsp;&nbsp;today at 1730 hours were satisfactory.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The individual responsible for performing<br>&nbsp;&nbsp;&nbsp;&nbsp;the check was First Lieutenant Sachs.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maintenance record<br>&nbsp;&nbsp;&nbsp;&nbsp;number is 051021-01B-F-001.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to view this record?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would like to perform a second check,<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is necessary to change<br>&nbsp;&nbsp;&nbsp;&nbsp;the current settings.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;End training mode, connect to an<br>&nbsp;&nbsp;&nbsp;&nbsp;external power source, then...<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only woke you up on a whim.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Training message.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please explain the meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;of the word "whim."<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try deducing it on your own.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Complete.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I show you the<br>&nbsp;&nbsp;&nbsp;&nbsp;results of my deductions?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The meaning of "whim":<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely match:<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A concept similar to "discretion" or "doubt."<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second possible match: A concept similar<br>&nbsp;&nbsp;&nbsp;&nbsp;to "enthusiasm" or "diligence."<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third possible match: A concept<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to "disorder" or "erratic."<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fourth possible match: A<br>&nbsp;&nbsp;&nbsp;&nbsp;concept similar to "play."<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what "play" is?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative. Is that the concept of a "whim"?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's close to "play" and "erratic."<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Thank you for your cooperation.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who taught you what "play" is?<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senior staff member Bani Morauta, Sergeant.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The engineer who made you?<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your lousy father, huh?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Training message.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the meaning of "lousy"?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop saying "Training<br>&nbsp;&nbsp;&nbsp;&nbsp;message" every single time.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means a weapons system that doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;function properly at arbitrary times.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ARX system is incomplete.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You admit it?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you are part of the cause.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ARX system includes you as a part of it.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not complete without your cooperation.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me your problem.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do, I may be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;give you some sort of advice.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Advice? From you?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any problem.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not think that is true.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My intuition.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intuition?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who taught you the word "intuition"?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then tell your "intuition" to<br>&nbsp;&nbsp;&nbsp;&nbsp;stop making absurd accusations.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your order is nonsense.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intuition" cannot be<br>&nbsp;&nbsp;&nbsp;&nbsp;controlled or persuaded.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It comes from deep within the soul.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who's saying nonsense.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop kidding around with me!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke, are you there?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lieutenant commander is<br>&nbsp;&nbsp;&nbsp;&nbsp;calling us. It's a mission.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mission...<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe you already know this,<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but an AS of unknown affiliation<br>&nbsp;&nbsp;&nbsp;&nbsp;has appeared in Hong Kong.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This unit, working alone, has<br>&nbsp;&nbsp;&nbsp;&nbsp;repeatedly caused destruction,<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is believed to still be in<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding somewhere in the city.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The armies of both North and<br>&nbsp;&nbsp;&nbsp;&nbsp;South China have taken damage.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From this coupled with the incident<br>&nbsp;&nbsp;&nbsp;&nbsp;in Nanking the other day,<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;both countries are in a critically tense<br>&nbsp;&nbsp;&nbsp;&nbsp;situation, as you can see on this map.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, the agreement between<br>&nbsp;&nbsp;&nbsp;&nbsp;them could be dissolved at any moment,<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turning the divided Hong<br>&nbsp;&nbsp;&nbsp;&nbsp;Kong into a battleground.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is impossible to tell what the political<br>&nbsp;&nbsp;&nbsp;&nbsp;outcome of this situation will be.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Lieutenant Clouseau<br>&nbsp;&nbsp;&nbsp;&nbsp;will take it from here.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there it is, huh?<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was taken 26 hours ago,<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;near Yau Ma Tei on the Kowloon peninsula.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We believe it is most likely the same<br>&nbsp;&nbsp;&nbsp;&nbsp;machine which we fought in Helmajistan.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It destroyed one of the South<br>&nbsp;&nbsp;&nbsp;&nbsp;China Army's armored vehicles,<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then used a smoke bomb and disappeared.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since then, it's appeared then disappeared<br>&nbsp;&nbsp;&nbsp;&nbsp;in various places in Hong Kong and Kowloon,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;continuing to destroy anything in its path.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close to 10 AS units have been destroyed,<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there have been numerous casualties.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both the Northern and Southern<br>&nbsp;&nbsp;&nbsp;&nbsp;Armies are unable to destroy it,<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can't tell where it is, and they can't<br>&nbsp;&nbsp;&nbsp;&nbsp;find any trends in its movements, either.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering what we've seen in the past,<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this machine is probably equipped with<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability to become invisible as well.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that terrorist after?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unknown.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one has claimed responsibility.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to guess, I'd say the objective is<br>&nbsp;&nbsp;&nbsp;&nbsp;probably to reignite the Chinese civil war<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or to destroy Hong Kong's economy.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this could be a challenge meant for us.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, no matter what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of machine it is,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can't run at full capacity<br>&nbsp;&nbsp;&nbsp;&nbsp;for 24 hours alone.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After a fight, the ammunition<br>&nbsp;&nbsp;&nbsp;&nbsp;needs to be replenished,<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;simple maintenance needs to be done,<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the operator must<br>&nbsp;&nbsp;&nbsp;&nbsp;need at least some rest.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we need to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;out where he's hiding,<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then we will dispatch a single M9<br>&nbsp;&nbsp;&nbsp;&nbsp;platoon to surround him undetected,<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;launch a surprise attack,<br>&nbsp;&nbsp;&nbsp;&nbsp;and finally subdue him.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To do that, I'll need all of<br>&nbsp;&nbsp;&nbsp;&nbsp;you to run reconnaissance.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reconnaissance?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will be a joint mission between us and<br>&nbsp;&nbsp;&nbsp;&nbsp;the Intelligence Division's Hong Kong branch.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They will provide the necessary know-how,<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you are to use it to<br>&nbsp;&nbsp;&nbsp;&nbsp;locate the enemy's hideout.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll surface while it's still night,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll leave by helicopter.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fly to Hong Kong one step<br>&nbsp;&nbsp;&nbsp;&nbsp;ahead of everyone else.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke, too?<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about having Sousuke<br>&nbsp;&nbsp;&nbsp;&nbsp;stand by with the Arbalest?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plan is to not use the<br>&nbsp;&nbsp;&nbsp;&nbsp;Arbalest for this mission.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's unreliable!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hong Kong Special Ward: Mid-Level"<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I look at it from up here, it<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't seem much different from before.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been here before?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few times, before it was<br>&nbsp;&nbsp;&nbsp;&nbsp;returned to the mainland.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relatives on my mother's side<br>&nbsp;&nbsp;&nbsp;&nbsp;used to live close to here.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I came to Mithril,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I freeloaded off of them<br>&nbsp;&nbsp;&nbsp;&nbsp;for about two months.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just loafing around.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Loafing around, huh?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was after I got booted from the Marines.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't feel like working,<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I didn't want to go back to<br>&nbsp;&nbsp;&nbsp;&nbsp;my parents in New York either.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dad was always pestering me.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn Air Force bastard...<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your father was a military man?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dingbat bomber pilot.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's retired and running<br>&nbsp;&nbsp;&nbsp;&nbsp;a company now, though.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's always been a tightwad and<br>&nbsp;&nbsp;&nbsp;&nbsp;a coward, but he acts all cocky,<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and on top of that, he's<br>&nbsp;&nbsp;&nbsp;&nbsp;always plotting something.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plotting?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I graduated high school<br>&nbsp;&nbsp;&nbsp;&nbsp;and was looking for a real job,<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he pulled a bunch of strings to try to<br>&nbsp;&nbsp;&nbsp;&nbsp;get me married to some rich Harvard guy.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It pissed me off, of course.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So to get back at him,<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right on the day of the wedding,<br>&nbsp;&nbsp;&nbsp;&nbsp;I went and joined the Marines!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man...<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I snuck out of the chapel alone<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and went to a recruiting<br>&nbsp;&nbsp;&nbsp;&nbsp;office four blocks away,<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still in my wedding dress.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The corporal on duty got this wide-eyed<br>&nbsp;&nbsp;&nbsp;&nbsp;look on his face, and asked me,<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are you serious?"<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said "Of course!"<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone there tried to<br>&nbsp;&nbsp;&nbsp;&nbsp;convince me not to do it.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said, "Listen, Miss Bride,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you should reconsider."<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm sure your parents would be sad."<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I told them, "My dad<br>&nbsp;&nbsp;&nbsp;&nbsp;is in the Air Force."<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When they heard that, they all said at once,<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Then that makes things simple.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please sign these documents."<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think about a woman like that?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the best! So cool! Right, Woo?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, seriously! The best!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best, huh?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that time really was the best...<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moment I made my decision,<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it felt like the whole world opened<br>&nbsp;&nbsp;&nbsp;&nbsp;up, without any boundaries.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It felt like I could do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything, and go anywhere.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anywhere?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, a lot has happened since then.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've experienced horrible<br>&nbsp;&nbsp;&nbsp;&nbsp;frustration and disappointment.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think I really did<br>&nbsp;&nbsp;&nbsp;&nbsp;the right thing then.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotten to like myself<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot more than before.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's my story.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, coming to this city triggered<br>&nbsp;&nbsp;&nbsp;&nbsp;some memories, that's all.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think about it too much.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Phew, sorry to keep you waiting.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hunter, from the Hong Kong branch<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Intelligence Division.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This goes without saying,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but both the Northern and Southern<br>&nbsp;&nbsp;&nbsp;&nbsp;armies have become downright nervous.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must act secretly, and avoid provoking<br>&nbsp;&nbsp;&nbsp;&nbsp;either party as much as possible.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of the strict security,<br>&nbsp;&nbsp;&nbsp;&nbsp;both armies have almost completely<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;suspended any movement<br>&nbsp;&nbsp;&nbsp;&nbsp;in either North or South.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The harbor is closed, and<br>&nbsp;&nbsp;&nbsp;&nbsp;most flights are cancelled.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of that, stock prices and<br>&nbsp;&nbsp;&nbsp;&nbsp;the exchange rate have plummeted.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There don't seem to be many<br>&nbsp;&nbsp;&nbsp;&nbsp;ways out of this situation.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what about the AS causing this mess?<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still can't get a fix<br>&nbsp;&nbsp;&nbsp;&nbsp;on its location at all.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It last appeared at 1015 hours,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in Shau Kei Wan in Hong Hong.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're positive it's hiding somewhere<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Hong Kong area, right?<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't confirm it, but our<br>&nbsp;&nbsp;&nbsp;&nbsp;analysts and AI think so.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so does my intuition gained<br>&nbsp;&nbsp;&nbsp;&nbsp;by long years of experience!<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went ahead and pinpointed<br>&nbsp;&nbsp;&nbsp;&nbsp;possible locations.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it?<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excluding the suburbs and small islands,<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll search all other areas from<br>&nbsp;&nbsp;&nbsp;&nbsp;the sky with our helicopters.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think anti-ECS sensors will<br>&nbsp;&nbsp;&nbsp;&nbsp;be usable within an urban area,<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we'll have to go street by street.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, there's no need to search<br>&nbsp;&nbsp;&nbsp;&nbsp;areas with a lot of doves or crows.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why birds?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems birds can see AS units.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably because the ECS can't<br>&nbsp;&nbsp;&nbsp;&nbsp;hide an AS in the UV spectrum.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crows are particularly noisy.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And dogs, too.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're sensitive to the smell<br>&nbsp;&nbsp;&nbsp;&nbsp;of the ozone from the ECS.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything else?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's all.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have anything else to add?<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, this seems like it might work out.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forty-nine locations in Hong Kong,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and 78 locations in Kowloon.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we divide the search between us and<br>&nbsp;&nbsp;&nbsp;&nbsp;them, it could get done in one day.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If conditions are favorable, that is.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man...<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hunter Cleaning Co., Ltd."<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That old guy seems to do a really<br>&nbsp;&nbsp;&nbsp;&nbsp;wide variety of business.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, it's time to get moving.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place is under martial<br>&nbsp;&nbsp;&nbsp;&nbsp;law, so be careful.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if the army or police<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;look like they're going to detain<br>&nbsp;&nbsp;&nbsp;&nbsp;us at one of their checkpoints?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be a lot of troops where Hunter<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't have any influence, right?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can run away, then run away.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're not allowed to open fire.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The army guys haven't done anything wrong.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you get caught,<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll probably face a tough interrogation<br>&nbsp;&nbsp;&nbsp;&nbsp;until Hunter pulls some strings,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but keep your mouth shut,<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you're tortured. That is all.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that's harsh...<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, you'd better think about<br>&nbsp;&nbsp;&nbsp;&nbsp;what actions to take if you sight the enemy.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not tolerate you getting<br>&nbsp;&nbsp;&nbsp;&nbsp;killed without contacting me<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or getting my permission.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a shock...<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen Central like this before.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I wonder if they'll let<br>&nbsp;&nbsp;&nbsp;&nbsp;us pass through without a fuss.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Hunter's contacts are good...<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Stop!"<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mao, it's up to you.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Understood. Open the window."<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We're from Hunter Cleaning Co., Ltd.  I<br>&nbsp;&nbsp;&nbsp;&nbsp;believe you've been informed about us."<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What are you carrying in the back?"<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"As you can see, cleaning<br>&nbsp;&nbsp;&nbsp;&nbsp;tools.  ls there a problem?"<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No... Okay."<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He said we can pass!"<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable. This tunnel was<br>&nbsp;&nbsp;&nbsp;&nbsp;always jammed with traffic.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who knew what Hong Kong<br>&nbsp;&nbsp;&nbsp;&nbsp;was like before would be shocked.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just try to imagine.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if Tokyo ended up like this?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like if Shinjuku and<br>&nbsp;&nbsp;&nbsp;&nbsp;Ginza were divided into two,<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and right on the brink<br>&nbsp;&nbsp;&nbsp;&nbsp;of war with each other.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The streets where fashionable kids<br>&nbsp;&nbsp;&nbsp;&nbsp;used to shop and eat ice cream<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are now filled with armored<br>&nbsp;&nbsp;&nbsp;&nbsp;vehicles and AS units.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bayside, which used to<br>&nbsp;&nbsp;&nbsp;&nbsp;be perfect for a nice walk,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is dominated by gigantic<br>&nbsp;&nbsp;&nbsp;&nbsp;pillboxes and bunkers.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Hong Kong... It's abnormal!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's insane.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a surprise.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Southern Army's letting<br>&nbsp;&nbsp;&nbsp;&nbsp;us pass easily, too.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like Hunter's some sort of big shot.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost there.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do if we hit<br>&nbsp;&nbsp;&nbsp;&nbsp;the jackpot right off the bat?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't do anything. There's always...<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sagara, calm down!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're confused and having delusions!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sagara!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey! Stop screwing around!"<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where in the hell were you<br>&nbsp;&nbsp;&nbsp;&nbsp;looking?!  Get out of here!"<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me handle this. You keep your mouth shut!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough! Just don't do anything!<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm sorry, it was the driver's..."<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Quiet!"<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Get out of the car, now!"<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wait, listen! You've got it all wrong!"<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The driver had something in his eye!"<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He couldn't help that, right?"<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke!<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Confirm the damage!<br>&nbsp;&nbsp;&nbsp;&nbsp;Get me a report, fast!"<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There's one over here, too!"<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Someone bring a stretcher!"<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This area is now blocked off!<br>&nbsp;&nbsp;&nbsp;&nbsp;Contact headquarters immediately!"<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't the time for them to have to<br>&nbsp;&nbsp;&nbsp;&nbsp;deal with us, so they're letting us slide.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running a red light...<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're beyond redemption.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you thinking about her or something?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about her now!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't do that,<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;get out of the car right now!<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand your situation.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not *that* nice of a "big sister."<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna die a victim of your problems.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the state you're in, I'd<br>&nbsp;&nbsp;&nbsp;&nbsp;be a lot safer by myself!<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke?<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do this anymore.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue the mission.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kitto kimi wa kyou no hi mo*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Massugu ashita wo miteru*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kaze ga fuku ano oka ni saita*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*himawari no you ni*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Donna ni tooku hanareteite mo*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono utagoe ga kimi ni todoku you ni*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Namida ga zutto tomaranai yoru*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no mado wo terasu tsuki ni naritai*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mata kanarazu aeru to*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou omou kara*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Abandoning the mission.*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Having lost sight of everything,*<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp; *I was wandering the streets of Hong Kong.*<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't have any place to go,*<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*or even the skill to take <br>
&nbsp;&nbsp;&nbsp;&nbsp;refuge in depravity.*<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "His Problem."*<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Despite my hardened heart,*<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the situation is getting even more tense.*<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 11 - His Problem

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An unknown frontier*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the map painted by my heart*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I open the door, the path goes on*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm kicking up dust as I<br>
&nbsp;&nbsp;&nbsp;&nbsp;start running to your town*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along a route where earth and sky meet*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding the rushing southern wind*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Slicing through the wind<br>
&nbsp;&nbsp;&nbsp;&nbsp;dyed blue by the sky*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm rushing out with my whole heart*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shooting past the midday moon*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a world different<br>
&nbsp;&nbsp;&nbsp;&nbsp;from what we've known before*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will keep on running through to the end*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However far*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balance.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will be arriving at the base shortly.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's important is balance.<br>&nbsp;&nbsp;&nbsp;&nbsp;For both people and countries.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leaning too far to one side is a no-no!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A big no-no!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you lose your balance...<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...something like *that* happens.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most important thing is<br>&nbsp;&nbsp;&nbsp;&nbsp;to maintain balance on both sides.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of our business, as well.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;North and South China, sir?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, it's almost time<br>&nbsp;&nbsp;&nbsp;&nbsp;for our little meeting with Yollan.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yollan?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know? How lame.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talkin' about Yu Lan!<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you intend to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;the corpse after you've retrieved it?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The body of a pretty young girl, huh?<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure there are plenty<br>&nbsp;&nbsp;&nbsp;&nbsp;of ways it can be put to use.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"His Problem"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, you want somethin'?"<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not a local, are you?<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you Korean? Japanese?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a homeland.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well if you don't have any business here,<br>&nbsp;&nbsp;&nbsp;&nbsp;get lost. I'm busy right now.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you evacuating?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hurry up, Dear!"<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shut up!"<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have this.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in the middle of something.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ready yet?"<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'll be right there!"<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please let me buy this, sir.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares about that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Just go ahead and take it!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should get the hell out of here, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you wanna die!<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That might be a good idea.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hunter Cleaning Co., Ltd."<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 9 to All.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are now going to investigate Point 28.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do not receive any contact<br>&nbsp;&nbsp;&nbsp;&nbsp;from us within 15 minutes,<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tighten the search perimeter.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, roger.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wangfu HQ, roger. Be careful out there.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Corporal Yang?<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. It's just I haven't heard any<br>&nbsp;&nbsp;&nbsp;&nbsp;response from Sergeant Sagara in a while.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think there might be trouble?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear something<br>&nbsp;&nbsp;&nbsp;&nbsp;from the sergeant major?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we've got our own work<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about. Let's go, Woo.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing here.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That leaves twelve more points.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must've been a worker here, huh?<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably. Looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;he's been dead maybe two days.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must've been their hideout, huh?<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know that for sure.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, even if it was, I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll be coming back here again.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, look at the guy's chest.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"To the son of Bdakshon's Tiger.<br>&nbsp;&nbsp;&nbsp;&nbsp;Meet Hamidra at Tsim Sha Tsui."<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what that means, Corporal?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a clue.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tactical Division Headquarters, <br>
&nbsp;&nbsp;&nbsp;&nbsp;Command Center"<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tactical Division Headquarters, <br>
&nbsp;&nbsp;&nbsp;&nbsp;Command Center"<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still unable to report to us<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tactical Division Headquarters, <br>
&nbsp;&nbsp;&nbsp;&nbsp;Command Center"<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Venom has been spotted, Teletha?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, approximately 60% of<br>&nbsp;&nbsp;&nbsp;&nbsp;the search points have been eliminated.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait just a little longer,<br>&nbsp;&nbsp;&nbsp;&nbsp;Admiral Voda.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how is the plan to stall<br>&nbsp;&nbsp;&nbsp;&nbsp;the heads of both governments going?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're already stalling them quite a bit.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once people suspect each other,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they don't let go of<br>&nbsp;&nbsp;&nbsp;&nbsp;those suspicions very easily.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, that applies<br>&nbsp;&nbsp;&nbsp;&nbsp;even more in a situation like this,<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where they've already been holding<br>&nbsp;&nbsp;&nbsp;&nbsp;a grudge against each other for years.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, we will continue<br>&nbsp;&nbsp;&nbsp;&nbsp;to try to negotiate with them.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't expect much.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have only about<br>&nbsp;&nbsp;&nbsp;&nbsp;three hours left at best.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three hours?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope to hear some good news<br>&nbsp;&nbsp;&nbsp;&nbsp;from you before then.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, Uruz 2 is on line G1.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Put her through.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes, ma'am.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2 to TDD HQ.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have received a report<br>&nbsp;&nbsp;&nbsp;&nbsp;from Corporal Yang that he discovered<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a suspicious corpse and a message.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The body of a middle-aged man who had<br>&nbsp;&nbsp;&nbsp;&nbsp;been shot to death, as well as a message,<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were discovered at Search Point 28.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The message states:<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"To the son of Bdakshon's Tiger.<br>&nbsp;&nbsp;&nbsp;&nbsp;Meet Hamidra at Tsim Sha Tsui."<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, according to Intelligence,<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there have been two other<br>&nbsp;&nbsp;&nbsp;&nbsp;reports of the same message,<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and three reports that it is printed in the<br>&nbsp;&nbsp;&nbsp;&nbsp;classified ad section of local newspapers.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything else?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, ma'am.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Continue with the mission.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. End of communication.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what it could possibly mean...<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of Bdakshon,<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Commander Kalinin has<br>&nbsp;&nbsp;&nbsp;&nbsp;a strong connection to that area.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call the lieutenant commander.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then run a cryptanalysis<br>&nbsp;&nbsp;&nbsp;&nbsp;on the message.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what it means.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it's meant<br>&nbsp;&nbsp;&nbsp;&nbsp;as a disruption or diversion.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know anything about it?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bdakshon's Tiger"<br>&nbsp;&nbsp;&nbsp;&nbsp;is the nickname of Majid,<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a legendary guerilla<br>&nbsp;&nbsp;&nbsp;&nbsp;commander in Helmajistan.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Helmajistan?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've fought him numerous times.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Soviet Union sent numerous assassins<br>&nbsp;&nbsp;&nbsp;&nbsp;to his land in order to eliminate him,<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they all failed.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of those assassins was even<br>&nbsp;&nbsp;&nbsp;&nbsp;a child less than eight years old.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A child?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Majid was known for his compassion.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that child was captured,<br>&nbsp;&nbsp;&nbsp;&nbsp;he took the child in as his own,<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and gave him a new name.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That name was...<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kashim.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kashim...<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kashim, Kashim!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sounded too friendly calling me that!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You son of a bitch!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Sagara...<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, we need to<br>&nbsp;&nbsp;&nbsp;&nbsp;inform Sergeant Sagara.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please connect me to Uruz 2.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;TDD HQ to Uruz 2.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please put Uruz 7 on the line.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Uruz 2. Umm...<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Uruz 7... isn't here.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Come on, have some fun<br>&nbsp;&nbsp;&nbsp;&nbsp;with me for a little while!"<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You think I have time for that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hurry up and evacuate."<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Aww, don't be such a drag!"<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are you an idiot?<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stay here, you'll die."<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, it's time. Let's go."<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"See ya! Go to hell, you stinkin' bitch!"<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What did you say!?"<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Right back at you!<br>&nbsp;&nbsp;&nbsp;&nbsp;Die, you frickin' bastards!"<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hmph!"<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Oh!"<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, what are you doing?"<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ooh! Yeah, can't make it through<br>&nbsp;&nbsp;&nbsp;&nbsp;without some booze, right?"<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hmm?"<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Huh?"<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You don't understand what I'm saying?"<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you a foreigner?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a strange way of answering.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you have money?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, how about it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you free right now?<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then would you like to<br>&nbsp;&nbsp;&nbsp;&nbsp;have a little fun with me?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, how about it?!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to do it after all,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you, you letch!<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The room's close by.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke abandoned the mission?<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious, Speck?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I heard he got into a traffic accident,<br>&nbsp;&nbsp;&nbsp;&nbsp;then just wandered off somewhere.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Him*, wandering off?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard anything, First Lieutenant?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, enough to get the general picture.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not enough to judge by.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Commander Kalinin<br>&nbsp;&nbsp;&nbsp;&nbsp;thinks the same way.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case,<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can't plan on having Sagara<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Arbalest as part of our forces.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how good a mercenary he is,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's still just seventeen.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's just a kid after all.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's got nothing to do with it!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still can't believe it.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the least, Sagara was never the kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of guy who would do something like this.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I think.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her... Yeah, Kaname Chidori.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasn't he seemed like<br>&nbsp;&nbsp;&nbsp;&nbsp;a really different person<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since he started<br>&nbsp;&nbsp;&nbsp;&nbsp;his mission to guard her?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, now that you mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you're right...<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Roger?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what Sagara's really like.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I do know that a person's true nature<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't change that easily.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hawk is a hawk right<br>&nbsp;&nbsp;&nbsp;&nbsp;until the day it dies.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hawk stays a hawk, huh?<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you want yours with water?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or on the rocks?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you think's better.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay. On the rocks, then.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you're a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;like this guy I know.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guy I was going out with<br>&nbsp;&nbsp;&nbsp;&nbsp;until just a little while ago.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was such a drag.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He acted like such a big shot<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of me,<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but around other people,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd be totally hopeless.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd be so spineless.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It pissed me off just watching him.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And well, he looked<br>&nbsp;&nbsp;&nbsp;&nbsp;a little bit like you.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't scowl so much though.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, smile for me a little bit.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'd look a lot better than<br>&nbsp;&nbsp;&nbsp;&nbsp;you do with that glum look on your face.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how to smile.<br>&nbsp;&nbsp;&nbsp;&nbsp;All I know is how to fight.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta be kidding me!<br>&nbsp;&nbsp;&nbsp;&nbsp;What would a cleaning man fight?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was too much!<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the way you said it with a straight face<br>&nbsp;&nbsp;&nbsp;&nbsp;just made it that much more hilarious!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Did I hurt your feelings a little?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, were you actually serious?<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a joke.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, fighting cleaning man,<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what were you doing in a place like that?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Working.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alone?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I had comrades with me.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they doing now?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably still working.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you skipped out on them, huh?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's not necessarily a bad thing.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to bad stuff and tough stuff,<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's best to just run away<br>&nbsp;&nbsp;&nbsp;&nbsp;as fast as you can.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world,<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the ones who take life seriously<br>&nbsp;&nbsp;&nbsp;&nbsp;who end up looking the fools.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you're with me,<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can bear anything.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's someone else<br>&nbsp;&nbsp;&nbsp;&nbsp;who'll do your work even if you skip out,<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why not just shove it on him?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a burden!<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, what, do you regret<br>&nbsp;&nbsp;&nbsp;&nbsp;skipping out on them?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, I can no longer<br>&nbsp;&nbsp;&nbsp;&nbsp;return to my comrades.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you did was run out on work.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're making too big a deal of it.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just apologize to them later<br>&nbsp;&nbsp;&nbsp;&nbsp;and it'll be fine.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already lost everyone's trust.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so bad about that?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They might say they're your comrades,<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you never know when<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll stab you in the back.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point in putting<br>&nbsp;&nbsp;&nbsp;&nbsp;your trust in people so easily.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I can't trust anyone else,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I do trust *you*.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when it comes<br>&nbsp;&nbsp;&nbsp;&nbsp;to human relationships,<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should just lean on others<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as you can,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and get as much as you can out of them.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, once the relationship's not<br>&nbsp;&nbsp;&nbsp;&nbsp;useful anymore, just toss it.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what it's all about.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you haven't touched<br>&nbsp;&nbsp;&nbsp;&nbsp;your drink one bit.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had alcohol before.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it would distract me.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let's save the drinking<br>&nbsp;&nbsp;&nbsp;&nbsp;for later and do it, okay?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget all the bad stuff.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when you start remembering again,<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll do it again, and have some drinks.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll give you a good time.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sousuke!<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll make you feel good.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sousuke!<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This isn't your first time, is it?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sousuke.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll be gentle with you.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sousuke.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey... Hey...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sousuke! Sousuke!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I changed my mind.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not doing it.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you? You drag!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been a big help.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it right there.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You forgot something!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now get out of my sight,<br>&nbsp;&nbsp;&nbsp;&nbsp;you piece of trash.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready, Teletha? Launch all M9s.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wherever the Venom shows up next,<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;swoop in with all you've got<br>&nbsp;&nbsp;&nbsp;&nbsp;and take it down.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, you are forbidden<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the Arbalest.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not want to expose<br>&nbsp;&nbsp;&nbsp;&nbsp;that machine to any danger.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a moment, Admiral.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My subordinates have not yet finalized<br>&nbsp;&nbsp;&nbsp;&nbsp;their countermeasures against the Venom.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I deploy them now,<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of casualties there will be.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me at least two more hours...<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Lord Mallory agrees as well.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tensions in both the Northern and<br>&nbsp;&nbsp;&nbsp;&nbsp;Southern Armies are at the breaking point.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that,<br>&nbsp;&nbsp;&nbsp;&nbsp;every time the Venom appears,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it causes large numbers<br>&nbsp;&nbsp;&nbsp;&nbsp;of dead and wounded.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot permit any more casualties.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many more people are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to allow to die while you wait?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard that the Venom's weakness<br>&nbsp;&nbsp;&nbsp;&nbsp;is its short maximum operation time.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will have to strike<br>&nbsp;&nbsp;&nbsp;&nbsp;using that to our advantage.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have faith in your subordinates.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what they have been<br>&nbsp;&nbsp;&nbsp;&nbsp;made into a top elite troop for.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this hard for you, Teletha?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I told you. This is what<br>&nbsp;&nbsp;&nbsp;&nbsp;the path you are on is like.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet you chose not to step off of it.<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I wrong?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is just as you say.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then execute your mission quickly,<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Testarossa.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rise to periscope depth.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flood the underwater launch hatches.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aye, ma'am.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forward one third. Uptrim five degrees.<br>&nbsp;&nbsp;&nbsp;&nbsp;Rise to periscope depth.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The search has been called off?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return to the helicopter immediately,<br>&nbsp;&nbsp;&nbsp;&nbsp;and board your M9.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rendezvous with Clouseau and his team<br>&nbsp;&nbsp;&nbsp;&nbsp;at point Echo at 0430 hours.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will receive your next orders there.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 2, roger.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all. End of communication.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Begin flooding underwater launch hatches.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Begin flooding underwater<br>&nbsp;&nbsp;&nbsp;&nbsp;launch hatches. Aye.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, we are out of time?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Leave the rest up<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Tactical Division.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, goodbye.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have reached periscope depth.<br>&nbsp;&nbsp;&nbsp;&nbsp;Trim is level.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop engines.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop engines, aye.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hatch flooding complete.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open the hatches.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open hatches, aye.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launch preparations complete, Captain.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launch all units.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aye, ma'am. Launch all units.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 1, roger.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units, you have permission<br>&nbsp;&nbsp;&nbsp;&nbsp;to launch at will.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 3, roger.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 5, roger.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 8, roger.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 6, roger.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can people actually drink this?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"To the son of Bdakshon's Tiger.<br>&nbsp;&nbsp;&nbsp;&nbsp;Meet Hamidra at Tsim Sha Tsui."<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure you're still looking*<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Straight ahead to tomorrow*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you always have*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the sunflowers*<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That bloomed on that windy hill*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how far apart we are*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pray that my singing will reach you*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On nights when the tears never seem to stop*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to be the moon*<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That shines through your window*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I believe we will meet again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Time is almost up.*<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A voice from the underworld echoes<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the heart of the deserted city.*<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A flawless obituary prepared<br>
&nbsp;&nbsp;&nbsp;&nbsp;by a mastermind behind the scenes.*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who is calling me?*<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Burning Hong Kong."*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A dead man laughs at me<br>
&nbsp;&nbsp;&nbsp;&nbsp;from the darkness,*<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*beckoning me to my desolate past.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 12 - Burning Hong Kong

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokoro egakidasu*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*chizujou no michinaru frontier*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tobira hiraitara*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*michi wa tsuzuiteiru yo*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hokori makiagete kimi no machi e*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sora to daichi ga kasanaru ruuto de*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hashiru minamikaze ni notte*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoku somaru kaze wo kitte*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kokorogoto kakedashiteirun da*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mahiru no tsuki wo oikoshite*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kinou to wa chigau sekai e*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dokomademo hashirinuketeku*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano kaze no you ni*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To repeat:<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a press conference just held, the<br>&nbsp;&nbsp;&nbsp;&nbsp;Beijing government has announced<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if there are no signs<br>&nbsp;&nbsp;&nbsp;&nbsp;of a resolution by 6:00,<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation will inevitably<br>&nbsp;&nbsp;&nbsp;&nbsp;develop into a serious crisis.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In response, Secretary-General<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang of South China,<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;also known as the Democratic<br>&nbsp;&nbsp;&nbsp;&nbsp;Federation of China,<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;questioned if there was some connection<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the terrorist acts committed<br>&nbsp;&nbsp;&nbsp;&nbsp;by the unidentified AS...<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Burning Hong Kong"<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have until 6:00 AM, which<br>&nbsp;&nbsp;&nbsp;&nbsp;means we have 90 minutes left.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lf we fail, that's it.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hong Kong will become a sea of flames.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I doubt it will stop there.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You kept her face pretty?<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently you're soft on women.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you found Yu Fang yet?<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the preparations<br>&nbsp;&nbsp;&nbsp;&nbsp;are complete. Just watch.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sis, this is Yu Lan!<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surrounded by all these scary men!<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Let me go!<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, I've been caught!<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me, Big Sis!<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! Ow!<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna die!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No more! Not there!<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a situation neither the<br>&nbsp;&nbsp;&nbsp;&nbsp;North nor the South should want.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that,<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's absolutely no consistency<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Venom's destruction.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's most likely the work of<br>&nbsp;&nbsp;&nbsp;&nbsp;someone operating independently.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who in the world would make the<br>&nbsp;&nbsp;&nbsp;&nbsp;North and South fight each other,<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and for what purpose?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;President Hunter, you have a guest.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has been anxious to<br>&nbsp;&nbsp;&nbsp;&nbsp;see you. It seems urgent.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn her away.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even you should understand what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of crisis I'm facing right now.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Get out of my way!<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey you, you shouldn't be here!<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you to let me see him!<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Helmajistani?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, don't know anyone like that.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a lot of Arabs live in<br>&nbsp;&nbsp;&nbsp;&nbsp;that building over there.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're Kashim, huh?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You reek of alcohol, you worthless brat.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to ruin the<br>&nbsp;&nbsp;&nbsp;&nbsp;reputation of "Bdakshon's Tiger"?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if I even care. State your business.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Chinese girl asked me to give this to you.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it and get lost.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five possible sniping positions.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke Sagara, correct?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a taxi waiting at the<br>&nbsp;&nbsp;&nbsp;&nbsp;north exit of the park. Get in it.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who asked you to do this?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this have some connection<br>&nbsp;&nbsp;&nbsp;&nbsp;to the incidents occurring here?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;State your name.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you do if I told you?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke Sagara.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to the second floor of<br>&nbsp;&nbsp;&nbsp;&nbsp;the building behind you.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He* is waiting for you in the back room there.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is "he"?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suggest you try to remember<br>&nbsp;&nbsp;&nbsp;&nbsp;what this place is called.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kowloon?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo!<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What has it been, three months?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad to see you, Kashim.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ga-Gauron!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem so completely shocked.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really that strange<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm still alive?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then... You should've...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Died*, is that it?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure hope you haven't forgotten, now.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Codarl was equipped with<br>&nbsp;&nbsp;&nbsp;&nbsp;a Lambda Driver, you know.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can even protect the operator<br>&nbsp;&nbsp;&nbsp;&nbsp;when the unit self-destructs.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I still ended up like this anyway.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now. Just look at the<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of condition I'm in.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's pointless to be hasty.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it you're after?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now. I just wanted to chat with you.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop playing with me!<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm serious.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, my time is running out.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I had the Codarl go berserk through the<br>&nbsp;&nbsp;&nbsp;&nbsp;city, to lure you and that white AS here.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I scattered messages<br>&nbsp;&nbsp;&nbsp;&nbsp;to you all over the city.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Majid was a tactician who<br>&nbsp;&nbsp;&nbsp;&nbsp;once made a name for himself<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a guerilla leader in Helmajistan.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His nickname was "Bdakshon's Tiger."<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then there's the assassin<br>&nbsp;&nbsp;&nbsp;&nbsp;he gave a name to: Kashim.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, "The son of<br>&nbsp;&nbsp;&nbsp;&nbsp;Bdakshon's Tiger" is you.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamidra is a former electrician<br>&nbsp;&nbsp;&nbsp;&nbsp;and a comrade of yours.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew that if I sent out a message<br>&nbsp;&nbsp;&nbsp;&nbsp;to "Meet Hamidra at Tsim Sha Tsui,"<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd track down a Helmajistani electrician.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a message that would get through<br>&nbsp;&nbsp;&nbsp;&nbsp;to no one else in the world but you.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I thought you would bring a<br>&nbsp;&nbsp;&nbsp;&nbsp;bunch of your friends with you.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you come by yourself?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's none of your business!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you've finally started<br>&nbsp;&nbsp;&nbsp;&nbsp;to feel uncomfortable, huh?<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Mithril, I mean.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being in a military unit that has<br>&nbsp;&nbsp;&nbsp;&nbsp;pretensions of being an ally of Justice<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is enough to frustrate anybody.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially a man like you.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you through with your speech?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then tell me about the<br>&nbsp;&nbsp;&nbsp;&nbsp;organization behind you.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your work is still that important to you?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine then. I'll tell you.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amalgam.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the name of the<br>&nbsp;&nbsp;&nbsp;&nbsp;organization I was working for.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its goals are the research and<br>&nbsp;&nbsp;&nbsp;&nbsp;development of the latest weapons,<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the testing of them in actual combat.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They would even create<br>&nbsp;&nbsp;&nbsp;&nbsp;regional conflicts to do so.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A large number of Amalgam sympathizers<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have permeated the hard-line<br>&nbsp;&nbsp;&nbsp;&nbsp;factions of every nation.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of guys in both the East<br>&nbsp;&nbsp;&nbsp;&nbsp;and West who want to create a Cold War,<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and maintain a demand for munitions.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that organization involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in the turmoil here, too?<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this is my own handiwork.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet those Amalgam guys are going<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy trying to find us right about now.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Venom!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yu Fang?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is time for me to go.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Take care.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Sensei.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long time ago, I raised a set<br>&nbsp;&nbsp;&nbsp;&nbsp;of twins named Yu Fang and Yu Lan.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were a lot like you.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even now they're still as loyal as dogs.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The turmoil here happened because<br>&nbsp;&nbsp;&nbsp;&nbsp;I ordered them to cause it.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But tonight, Yu Fang is probably<br>&nbsp;&nbsp;&nbsp;&nbsp;going to die fighting Mithril.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if they don't get her, she'll just<br>&nbsp;&nbsp;&nbsp;&nbsp;get killed by Amalgam's Task Force.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Task Force?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're a terrifying bunch.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The commander of that task<br>&nbsp;&nbsp;&nbsp;&nbsp;force is incredibly skilled,<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but one hell of a nutcase.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your friends probably don't<br>&nbsp;&nbsp;&nbsp;&nbsp;stand a chance against him.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moment they run into<br>&nbsp;&nbsp;&nbsp;&nbsp;him, they'll all be killed.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's appeared! She's in Jordan!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Time to hunt<br>&nbsp;&nbsp;&nbsp;&nbsp;the little kitty down!<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said "Amalgam," right?<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are there any Whispered in that organization?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. He is becoming one of the key members.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they have a Whispered, then<br>&nbsp;&nbsp;&nbsp;&nbsp;why are they targeting Chidori?<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They shouldn't need her anymore, right?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's not complete.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently there are<br>&nbsp;&nbsp;&nbsp;&nbsp;differences in the knowledge<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that each individual Whispered has.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;has extensive knowledge<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the theory behind<br>&nbsp;&nbsp;&nbsp;&nbsp;Lambda Driver technology,<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's also someone who only has<br>&nbsp;&nbsp;&nbsp;&nbsp;knowledge of submarine technology.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why every time a<br>&nbsp;&nbsp;&nbsp;&nbsp;new Whispered is found,<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's necessary to determine which<br>&nbsp;&nbsp;&nbsp;&nbsp;field that one is strong in.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what those tests that we ran<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on that girl in the Khanka<br>&nbsp;&nbsp;&nbsp;&nbsp;Autonomous Region were for.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the results showed that<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaname Chidori is a Whispered.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all I've heard, though.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Amalgam's base?!<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are their key figures?<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme a break already. I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;getting sick of this subject.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's boring, and it's not<br>&nbsp;&nbsp;&nbsp;&nbsp;even the main issue here.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now, does it look like I care if I die?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me. Please.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please," huh? Are you really<br>&nbsp;&nbsp;&nbsp;&nbsp;the same Kashim I knew?<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you doing when I<br>&nbsp;&nbsp;&nbsp;&nbsp;first met you five years ago?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, I was an instructor<br>&nbsp;&nbsp;&nbsp;&nbsp;at a mercenary camp.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were a guerilla fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;against the Soviets.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We weren't allies, but we<br>&nbsp;&nbsp;&nbsp;&nbsp;weren't really enemies either.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still remember it *very* well.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a really good look<br>&nbsp;&nbsp;&nbsp;&nbsp;in your eyes back then.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eyes that didn't either<br>&nbsp;&nbsp;&nbsp;&nbsp;reject or affirm life.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eyes without any worries,<br>&nbsp;&nbsp;&nbsp;&nbsp;doubts, or suffering.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, eyes like those of a saint.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone would probably<br>&nbsp;&nbsp;&nbsp;&nbsp;say they were beautiful.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, there was<br>&nbsp;&nbsp;&nbsp;&nbsp;consistency, no contradiction.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we met again in Khanka, your eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;were still as beautiful as I remembered.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The eyes of someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;has no human weakness.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it would've been pretty nice<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I could've killed you<br>&nbsp;&nbsp;&nbsp;&nbsp;the way you were then.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that...<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with that face?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Venom spotted! It's in the Jordan area.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Equip the ARX-7 with a<br>&nbsp;&nbsp;&nbsp;&nbsp;rapid-deployment booster.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supply it with a Boxer shot cannon,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and put it on standby in the elevator.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, the use of the Arbalest<br>&nbsp;&nbsp;&nbsp;&nbsp;is supposed to be prohibited.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can use it as a decoy.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to reduce the danger<br>&nbsp;&nbsp;&nbsp;&nbsp;they are in as much as I can.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And besides, Sagara still hasn't...<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry to say this, Captain,<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the only conclusion I can come to is<br>&nbsp;&nbsp;&nbsp;&nbsp;that Sagara has abandoned his mission.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relying on that AS and that<br>&nbsp;&nbsp;&nbsp;&nbsp;man is an obvious mistake.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot say that for certain.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not some school club activity!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am well aware of that!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to lecture me *now* of all times?<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, this time I simply<br>&nbsp;&nbsp;&nbsp;&nbsp;refuse to stand by and watch!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are allowing your personal<br>&nbsp;&nbsp;&nbsp;&nbsp;feelings to interfere,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are even trying to twist an<br>&nbsp;&nbsp;&nbsp;&nbsp;order from the highest level!<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will become of the organization<br>&nbsp;&nbsp;&nbsp;&nbsp;and its regulations?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that,<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are giving preferential treatment to<br>&nbsp;&nbsp;&nbsp;&nbsp;an officer who has abandoned his duty.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is outrageous!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then tell me,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was it who forced a ridiculous amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of heavy responsibility upon that officer?<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh...<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was *us*! If you think <br>
&nbsp;&nbsp;&nbsp;&nbsp;otherwise, then tell me!<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six months ago at that airport,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was it who risked his own life in order<br>&nbsp;&nbsp;&nbsp;&nbsp;to provide us with valuable information?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four months ago, who was it who faced<br>&nbsp;&nbsp;&nbsp;&nbsp;an absurdly powerful enemy machine<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without any preparation and defeated it?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep in the mountains of Helmajistan,<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was it who recaptured a nuclear<br>&nbsp;&nbsp;&nbsp;&nbsp;warhead that was being smuggled<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even while his comrades were<br>&nbsp;&nbsp;&nbsp;&nbsp;being killed one by one?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three months ago, who was it who<br>&nbsp;&nbsp;&nbsp;&nbsp;gave his all to protect this ship?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, who was it?<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was Sergeant Sagara.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet you're still going to blame him?<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to just brand him a coward?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really want me to, I'll admit it.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love him.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those personal feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;are irrelevant right now.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am positive he will return and do his job.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will not abandon us.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how hopeless he may seem right now,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sure he will pull himself<br>&nbsp;&nbsp;&nbsp;&nbsp;together again and come back to us.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't change a person's basic nature.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he will come back, because<br>&nbsp;&nbsp;&nbsp;&nbsp;he is strong and kind!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strong and kind?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, do you think that<br>&nbsp;&nbsp;&nbsp;&nbsp;is enough to convince me?<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not about that, is it?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you doubt is my judgment.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commander Richard Mardukas.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you believe in me? Or do you not?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to believe<br>&nbsp;&nbsp;&nbsp;&nbsp;in me, Teletha Testarossa,<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has protected this ship to this day?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, make your decision.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've grown strong, haven't you?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aye, ma'am!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Equip the ARX-7 with a<br>&nbsp;&nbsp;&nbsp;&nbsp;rapid deployment booster<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Boxer shot cannon,<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have it stand by in the elevator!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Equip the ARX-7 with a<br>&nbsp;&nbsp;&nbsp;&nbsp;rapid deployment booster<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Boxer shot cannon,<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have it stand by in the elevator. Aye.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want everyone to make it back safely!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says...<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The communication line<br>&nbsp;&nbsp;&nbsp;&nbsp;just opened on its own.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did someone let us hear that on purpose?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I never would've expected Tessa to<br>&nbsp;&nbsp;&nbsp;&nbsp;argue so forcefully with the XO like that.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wants everyone to<br>&nbsp;&nbsp;&nbsp;&nbsp;make it back safely, huh?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, guys?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I intend to do, of course.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't make our princess sad, now can we?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think she'd be so worried about us...<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm honestly moved!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like her.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a good officer.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have until 0600 hours.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you call yourselves pros,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd better live up to that.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't make mistakes. You<br>&nbsp;&nbsp;&nbsp;&nbsp;don't make mistakes, either.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's going to get everything<br>&nbsp;&nbsp;&nbsp;&nbsp;wrapped up nice and tight.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got that?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a horrible look you've got on your face.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you worried? Or maybe torn?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to the "saint" I knew?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm disappointed.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're full of internal conflict now.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not even worth killing.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same as me. So why are<br>&nbsp;&nbsp;&nbsp;&nbsp;you trying to be a normal guy now?<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make me want to puke.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you to shut up!<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm telling *you*.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since you met those guys<br>&nbsp;&nbsp;&nbsp;&nbsp;at Mithril and at that school,<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've become worthless.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotten pulled in by those<br>&nbsp;&nbsp;&nbsp;&nbsp;worthless scum and become a bore.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just told you a little while ago<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were frustrated, right?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's their fault. Their<br>&nbsp;&nbsp;&nbsp;&nbsp;so-called "humanism."<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The assassin-saint Kashim I<br>&nbsp;&nbsp;&nbsp;&nbsp;knew would never fit in there.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being suckered by them.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen. The weak are parasites of the strong.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They dazzle you with words like<br>&nbsp;&nbsp;&nbsp;&nbsp;"kind friend" and "trust,"<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then they suck your strength<br>&nbsp;&nbsp;&nbsp;&nbsp;until there's nothing left.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me your *true* feelings.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really enjoy being<br>&nbsp;&nbsp;&nbsp;&nbsp;with a bunch of weaklings?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, answer me.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you if you really enjoy<br>&nbsp;&nbsp;&nbsp;&nbsp;being with a bunch of weaklings.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you to shut the hell up!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you don't even have the drive to kill me?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die soon.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I plan on bringing others down with me.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ordered Yu Fang to go berserk in Hong Kong<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the whole city is a sea of flames.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I ordered Yu Lan to get rid<br>&nbsp;&nbsp;&nbsp;&nbsp;of the biggest cancer of all...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one that caused your downfall.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cancer?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The woman, Kashim.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you heard yet?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard every single word of it.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her body was mangled, still<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing her cute school uniform.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard she was pretty tough though,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she didn't beg for her life.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her last words were "I'm sorry."<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder who they were meant for?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It brings tears to my eyes!<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're lying!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to show you a picture of her body<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could see the despair on your face,<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think I'm going to resist.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Cause you know what,<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the damage is written all<br>&nbsp;&nbsp;&nbsp;&nbsp;over your face, Kashim!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My woman in Tokyo!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already too late!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, poor Kaname-*chan*!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was such a nice girl, too!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gauron!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, I killed her.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hate me. Go on, hate me, Kashim!<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kitto kimi wa kyou no hi mo*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Massugu ashita wo miteru*<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kaze ga fuku ano oka ni saita*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*himawari no you ni*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Donna ni tooku hanareteite mo*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono utagoe ga kimi ni todoku you ni*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Namida ga zutto tomaranai yoru*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no mado wo terasu tsuki ni naritai*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mata kanarazu aeru to*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou omou kara*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode"<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Gauron.*<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My old enemy was the only one <br>
&nbsp;&nbsp;&nbsp;&nbsp;who saw completely through me.*<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The devil beckons, and the final <br>
&nbsp;&nbsp;&nbsp;&nbsp;calculated curse surfaces.*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time, the final episode: <br>
&nbsp;&nbsp;&nbsp;&nbsp;"The Continuing Day by Day"*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only one thing can crush despair:*<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That single fierce blow.*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 13 - The Continuing Day by Day

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRDK9DE1Y/full-metal-panic-the-second-raid)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An unknown frontier*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On the map painted by my heart*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I open the door, the path goes on*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm kicking up dust as I <br>
&nbsp;&nbsp;&nbsp;&nbsp;start running to your town*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Along a route where earth and sky meet*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding the rushing southern wind*<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Slicing through the wind dyed blue by the sky*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm rushing out with my whole heart*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shooting past the midday moon*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a world different <br>
&nbsp;&nbsp;&nbsp;&nbsp;from what we've known before*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will keep on running through to the end*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However far*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like that wind*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori is...<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dead.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sousuke. Sorry, but we followed you.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mao and the others are<br>&nbsp;&nbsp;&nbsp;&nbsp;in combat with the Venom,<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without even having any<br>&nbsp;&nbsp;&nbsp;&nbsp;decent countermeasures.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just relayed our coordinates<br>&nbsp;&nbsp;&nbsp;&nbsp;to the de Danaan.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are going to be deploying the<br>&nbsp;&nbsp;&nbsp;&nbsp;Arbalest to this location immediately.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, go!<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You of all people should know we<br>&nbsp;&nbsp;&nbsp;&nbsp;have no chance of winning like this!<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's dead.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's his curse.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I let Chidori die. He made me kill him.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's left for me now?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaname is?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never had a future to begin with.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can all go ahead and kill<br>&nbsp;&nbsp;&nbsp;&nbsp;each other for all I care.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and die for all I care.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humans are nothing but chunks of meat.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you seriously think that?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sound just like those terrorists!<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand that?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you aren't one of us anymore.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Corporal!<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A soldier who's lost his soul<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing but a killer.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot leave him behind here.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't understand a thing.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yes I do.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hideous.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was useless to send this thing.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even use it anyway.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't *want* to, either.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Just stay there and rust away.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you think you're going?<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you, where do<br>&nbsp;&nbsp;&nbsp;&nbsp;you think you're going?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that "Huh?"!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chido... ri?<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ri" isn't right, either!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're... alive?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wha" isn't right, either!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went through a hell of<br>&nbsp;&nbsp;&nbsp;&nbsp;a time just to get here!<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up until just a second ago,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was ready and willing to jump<br>&nbsp;&nbsp;&nbsp;&nbsp;into your arms all dramatic-like,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what's this all about?<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You're... alive?"<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's* what you have to say?<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *so* pissed me off! You <br>
&nbsp;&nbsp;&nbsp;&nbsp;completely ruined the moment!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what are you going to do about it?<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you going to take<br>&nbsp;&nbsp;&nbsp;&nbsp;responsibility for this? Huh?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait Chidori, I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;understand what you're...<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut it!<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it hurt? It does, doesn't it?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the pain in my heart!<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And *this*...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the pain in my body!<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And...<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the pain in my soul!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a monster.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just say something?<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What in the world is going on?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even need to ask?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come to bring you back with me!<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost died, then I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;about a lot of things,<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I decided to come out and tell you!<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, umm...<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You what?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I was saying...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... Umm...<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I'm the class rep!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess determination fades<br>&nbsp;&nbsp;&nbsp;&nbsp;after a day goes by...<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did you want to say?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just forget it!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard from this old guy named Hunter!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mao and the others are fighting, right?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then what are you doing *here*?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I...<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't operate that machine anymore.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that...<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even deserted you...<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you can't find your strength?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;throwing everything away?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't know!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got worn out, right?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you couldn't tell anyone, right?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your work ethic is really strong<br>&nbsp;&nbsp;&nbsp;&nbsp;and your will is weak, so...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It got to the point you just couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;do anything anymore, right?<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? No, I...<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worthless man.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coward.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good for nothing. Weakling.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're strong. Incredibly kind.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're useless, but you<br>&nbsp;&nbsp;&nbsp;&nbsp;manage to get things done.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, that's the kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of guy I thought you were.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The weak are parasites of the strong.*<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do you really enjoy being <br>
&nbsp;&nbsp;&nbsp;&nbsp;with a bunch of weaklings?*<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a worthless man?<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, aren't you?<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Chidori, I...<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha-What...<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's in danger, right?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what about your class credits?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get moving, right now!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get this over with!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perth 1 to Uruz 1.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fall back three blocks to the<br>&nbsp;&nbsp;&nbsp;&nbsp;south. Lure him there somehow.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy must be tired too.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as we can hold out, we'll win this.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's *if* we can hold out.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't cause me...<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;any trouble...<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 1 to Perth 1.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Perth 1. What is it?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Venoms sighted...<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five of them.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We finally meet again, my little Yu Fang.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going berserk in an unplanned area<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you feel like it...<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When causing a war, you<br>&nbsp;&nbsp;&nbsp;&nbsp;have to stick to the plan.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a no-no!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *really* don't appreciate <br>
&nbsp;&nbsp;&nbsp;&nbsp;your doing things like this!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm glad I did it.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that Amalgam caused the civil<br>&nbsp;&nbsp;&nbsp;&nbsp;war that destroyed our hometown.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can get our revenge on you,<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then my sister and I will<br>&nbsp;&nbsp;&nbsp;&nbsp;have achieved our goal.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your sister, huh?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, that's right!<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a special guest!<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for you to meet her!<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's your little sister!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought her here especially for you!<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she doesn't seem to be<br>&nbsp;&nbsp;&nbsp;&nbsp;doing too well, does she?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Yu Lan! I wonder what's wrong?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ewer since I got cawt by the<br>&nbsp;&nbsp;&nbsp;&nbsp;stwong, sexy Mister Gates,<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been so depwessed."<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But I'm so happy! I got<br>&nbsp;&nbsp;&nbsp;&nbsp;to see my big shister!"<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see. I'm so happy for you.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey Big Shis, stop fighting!<br>&nbsp;&nbsp;&nbsp;&nbsp;No good comes out of war!"<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And besides, I'm so in<br>&nbsp;&nbsp;&nbsp;&nbsp;wuv with Mister Gates!"<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops, sorry, looks like it broke.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're such an amateur!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Off you go, now!<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ahh, that felt good.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, you over there.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a soldier from Mithril, right?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I originally didn't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;business with you today, but...<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, I guess it's<br>&nbsp;&nbsp;&nbsp;&nbsp;just not your lucky day.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ben! Run!<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away! You won't make it in time!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, my poor little sheep, have<br>&nbsp;&nbsp;&nbsp;&nbsp;you finished saying your prayers?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, have a nice day!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who fired? Was that you, Weber?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, it wasn't me.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it looks like *he* has finally <br>
&nbsp;&nbsp;&nbsp;&nbsp;decided to grace us with his presence.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just in time, too!<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this just a little too perfect, now?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would seem so.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 to all units.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave the rest to me.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Arbalest?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just activated, didn't it?<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative. The Lambda Driver<br>&nbsp;&nbsp;&nbsp;&nbsp;is confirmed activated.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes it works, sometimes it doesn't.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a haphazard piece of equipment.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think so as well.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like you're better<br>&nbsp;&nbsp;&nbsp;&nbsp;at making jokes than I am.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And wry comments, too.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perth 1 to Uruz 7. Are you<br>&nbsp;&nbsp;&nbsp;&nbsp;back to yourself now?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmative.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then do as you wish.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five Venom machines.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, I would probably be<br>&nbsp;&nbsp;&nbsp;&nbsp;running away right about now.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we can defeat them, Sergeant.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! Let's go!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll start off with the first machine...<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spread out!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You piece of shit!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! That's impossible!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two down!<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning: enemy approaching.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Useless piece of junk!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes three.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't steal my line!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four down!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad!<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away! Stay away! Stay away! Stay away!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill the operator! Don't move!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ben!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on here?<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought Mithril's Lambda<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver was unstable!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how can it be so strong?!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bastard... Who in the hell are you?!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? If you want to know, I'll tell you.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't care less about Mithril.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am from Jindai Tokyo Municipal<br>&nbsp;&nbsp;&nbsp;&nbsp;High School Class 2-4.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, I have a hostage here, you know.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My student number is 41.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in charge of the<br>&nbsp;&nbsp;&nbsp;&nbsp;garbage and the umbrellas.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Sousuke Sagara!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they were just a little too short.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did tell you to believe in<br>&nbsp;&nbsp;&nbsp;&nbsp;your own strength, but still...<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was overkill, Sergeant.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My apologies, First Lieutenant.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All hostile targets destroyed.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant, I have a question.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The battle we just fought had a<br>&nbsp;&nbsp;&nbsp;&nbsp;startling outcome in all respects.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, could you<br>&nbsp;&nbsp;&nbsp;&nbsp;please explain the reason?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem got worked out a bit.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's how it works.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A problem of yours?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, *our* problem.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unable to comprehend your response.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to think about, partner.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 to all units.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All Venoms have been destroyed.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now return to the Tuatha de Danaan...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correction.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uruz 7 will now be proceeding<br>&nbsp;&nbsp;&nbsp;&nbsp;to his next mission.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will leave the Arbalest here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Retrieve it whenever you wish.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you do not hurry, it will<br>&nbsp;&nbsp;&nbsp;&nbsp;be confiscated by the local army.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is your next mission?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is waiting. That is<br>&nbsp;&nbsp;&nbsp;&nbsp;all. End of communication.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Sergeant!<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to disobey orders again?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it. What's this all about?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it must be *that*, right?<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess it's okay.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turned out in a way no one had predicted.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot ignore that machine's potential.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. She is lending them help.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Helping that soldier, and that work of art.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness...<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It managed to end without Hong<br>&nbsp;&nbsp;&nbsp;&nbsp;Kong turning into a sea of flames.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Sagara and Chidori?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they went back to Tokyo.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's disobeying orders.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I suppose you're guilty of the<br>&nbsp;&nbsp;&nbsp;&nbsp;same crime for bringing her here.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's up to the brass to decide.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Merida Island"<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never would have expected you to<br>&nbsp;&nbsp;&nbsp;&nbsp;defy us in such a threatening manner.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have never felt so angry<br>&nbsp;&nbsp;&nbsp;&nbsp;in my life, Sergeant.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;General Amit, he is the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;capable of operating the Arbalest.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silence, Captain.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As Chief of Intelligence,<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is my opinion this man's<br>&nbsp;&nbsp;&nbsp;&nbsp;request is out of the question.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;General, sir.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am only suggesting a change<br>&nbsp;&nbsp;&nbsp;&nbsp;in the terms of the contract.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is not to your liking,<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will simply pay the penalty fee for<br>&nbsp;&nbsp;&nbsp;&nbsp;breaking the contract, and leave this unit.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you say such a thing, Sergeant?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think that after<br>&nbsp;&nbsp;&nbsp;&nbsp;turning me into an enemy,<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be able to live however you please?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I shall ask you something.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I am not fully prepared for<br>&nbsp;&nbsp;&nbsp;&nbsp;what you are implying, General, sir?<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen carefully, General.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not recall going so far<br>&nbsp;&nbsp;&nbsp;&nbsp;as to sell my soul to Mithril.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will stick to my own way<br>&nbsp;&nbsp;&nbsp;&nbsp;of doing things, that's all.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will continue to pilot the Arbalest.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will also continue to attend<br>&nbsp;&nbsp;&nbsp;&nbsp;that school, just like I had been.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may even cut my pay in half if you wish.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any complaints about that?<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch your mouth, Sergeant!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant? I'm just a mercenary.<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're saying<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone without any permanent<br>&nbsp;&nbsp;&nbsp;&nbsp;ties to any one unit?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Save that kind of line for your pet dogs.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why you...<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lord Mallory?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've lost, General.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An SRT member with highly valuable skills<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is offering to work for<br>&nbsp;&nbsp;&nbsp;&nbsp;half of his current pay.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing for you to be angry about.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you agree, gentlemen?<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I suppose so.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I couldn't say so publicly.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does anyone have any other opinions?<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there you have it, Captain Testarossa.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be difficult to handle all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;subordinates you have, with their strong personalities.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, my subordinates are the best.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Sergeant...<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your name is Sousuke Sagara, correct?<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be sure to remember your name.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This concludes this discussion.<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, gentlemen. Take care.<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was breaking out in a cold sweat, Sergeant.<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't add to my stress.<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir. My apologies.<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you satisfied?<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look more like a man, now.<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll treat you to something later.<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't told you, have I?<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am?<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about what I said back then.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm the one who should be apologizing.<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's okay.<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot my position.<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I behaved like a spoiled child.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're still friends, right?<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friends?<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you acknowledge me as a friend,<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you forgive me for<br>&nbsp;&nbsp;&nbsp;&nbsp;speaking somewhat bluntly?<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tessa, I'm sorry for everything.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are an incredible girl.<br>**[24:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To me, you are not just a superior officer.<br>**[24:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you're more<br>&nbsp;&nbsp;&nbsp;&nbsp;important to me than that.<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If... If something ever happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll definitely help you.<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please remember that...<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-M-M-My apologies! That was<br>&nbsp;&nbsp;&nbsp;&nbsp;too b-b-blunt after all!<br>**[24:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's how I truly feel! S-S-So long then!<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tessa"...<br>**[24:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tessa"?!<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He called me "Tessa"! Oh no, what do I do?<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said I'm "important" to<br>&nbsp;&nbsp;&nbsp;&nbsp;him. Oh my gosh! Oh my gosh!<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Jindai Tokyo Municipal High School"<br>**[24:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously...<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep doing things like this,<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even I won't be able to cover for you.<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am! I am very grateful.<br>**[25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good thing I kept it in my desk.<br>**[25:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is that recent incident<br>&nbsp;&nbsp;&nbsp;&nbsp;with my car, too...<br>**[25:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at this rate...<br>**[25:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What's going on?<br>**[25:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't move!<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a laser sight targeted on you.<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[25:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world are you talking about?<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what the hell are you doing Sousuke?<br>**[25:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down, Chidori! There's a laser sight...<br>**[25:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Faculty Room"<br>**[25:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serves you right.<br>**[25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one on surveillance<br>&nbsp;&nbsp;&nbsp;&nbsp;out here under the cold sky.<br>**[25:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can at least provide<br>&nbsp;&nbsp;&nbsp;&nbsp;me with a little amusement.<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to be winter soon...<br>**[25:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you have to cause trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;the moment you get back here?!<br>**[25:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even take my and the<br>&nbsp;&nbsp;&nbsp;&nbsp;teacher's support seriously?<br>**[25:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I...<br>**[25:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No excuses!<br>**[25:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seriously haven't made<br>&nbsp;&nbsp;&nbsp;&nbsp;any progress whatsoever!<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always, always, always, always...<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always, always, always, always...<br>**[25:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always, always, always...<br>**[25:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So things are...<br>**[26:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;back to the way they always were, right?<br>**[26:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chidori?<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you just run away<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave me here like that...<br>**[26:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you thinking?<br>**[26:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will never forgive you for that.<br>**[26:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sorry" isn't going to cut it.<br>**[26:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You jerk. You jerk. You jerk.<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was scared!<br>**[26:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was so scared!<br>**[26:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ever do anything like that again!<br>**[26:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You jerk!<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I will absolutely never forgive you.<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[27:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kana-*chan* and Sagara.<br>**[27:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the two of you doing here?<br>**[27:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To-To-Tokiwa? Oh, we weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;really doing anything.<br>**[27:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, is Kana-*chan* crying?<br>**[27:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Sousuke, he...<br>**[27:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sagara! You yelled something about a bomb<br>**[27:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and got rough with Kana-*chan <br>
&nbsp;&nbsp;&nbsp;&nbsp;*again, didn't you?<br>**[27:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? No, I...<br>**[27:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not very manly to make excuses!<br>**[27:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scumbag!<br>**[27:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Yeah!<br>**[27:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So lame!<br>**[27:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong, I just...<br>**[27:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just *what*?<br>**[27:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess it's better this way.<br>**[27:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind. No problem.<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that supposed to mean?<br>**[27:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it!<br>**[27:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hurry up and apologize!<br>**[27:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[27:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poor Kana-*chan*!<br>**[28:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure you're still looking*<br>**[28:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Straight ahead to tomorrow*<br>**[28:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like you always have*<br>**[28:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just like the sunflowers*<br>**[28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That bloomed on that windy hill*<br>**[28:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how far apart we are*<br>**[28:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I pray that my singing will reach you*<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On nights when the tears never seem to stop*<br>**[28:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to be the moon*<br>**[29:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That shines through your window*<br>**[29:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I believe we will meet again*<br>**[29:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter what*<br>**[29:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just remembered something...<br>**[29:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I saw you in Hong Kong, you<br>&nbsp;&nbsp;&nbsp;&nbsp;started to tell me something, right?<br>**[29:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was it?<br>**[29:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that?<br>**[30:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was nothing.<br>**[30:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Continuing Day by Day"<br>**[30:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>