# 4 - Paradise Lost

Source: [Crunchyroll](https://www.crunchyroll.com/series/GY8DDD58Y/eden-of-the-east)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Johnny?!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it...<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa... what's wrong?<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna punch you out for sure.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Sir?<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm getting swept up in the crowd*<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My senses are unraveling*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Within this transparent darkness*<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am free and unfree*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't end like this*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I haven't gotten hold of the future<br>
&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting so longingly for*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Escape routes are beckoning me*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I shake my head and start running*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Spin the roulette wheel this instant, that's right*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll bet on the future yet unseen*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Taking a big breath and changing<br>
&nbsp;&nbsp;&nbsp;&nbsp;which way the wind blows*<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A dream almost too elaborate to wake from*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A tomorrow almost too exciting to wait for*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the game isn't over yet*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can give it as many shots as I want*<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Be reborn and head for the future I desire*<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll wave goodbye to yesterday right now*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The victor of repeated self-questioning*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Peered into the distance*<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And beyond the darkness<br>
&nbsp;&nbsp;&nbsp;&nbsp;of an undirected tomorrow*<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Saw a ring of light*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The future about to begin is bound to be fragile*<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know sometimes it'll run empty and snap*<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But when that happens,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll just cut a new deck of cards*<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And grab hold of it*<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you should wear that t-shirt...<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, it's okay.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I kind of get why Seleção<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 2 wanted me to wear it.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Akira linuma?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Chigusa linuma.<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Seijiro linuma's wife.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you have to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;the missile incident yesterday?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Missile incident"?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, *that*! Apparently, I was<br>
&nbsp;&nbsp;&nbsp;&nbsp;supposed to be one of the targets.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you admit you're with the terrorists.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The government has announced<br>&nbsp;&nbsp;&nbsp;&nbsp;that the episode last night<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was their preemptive attack against<br>&nbsp;&nbsp;&nbsp;&nbsp;the terrorists behind Careless Monday.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... why would they say that?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this another part of Mr. Mononobe's request?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any event, you are nothing but<br>&nbsp;&nbsp;&nbsp;&nbsp;a blasphemy against Seijiro linuma.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan is falling from grace<br>&nbsp;&nbsp;&nbsp;&nbsp;at an unheard-of speed,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he stood up to help<br>&nbsp;&nbsp;&nbsp;&nbsp;this country out of its plight.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He died as an honored patriot.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you chose that time to<br>&nbsp;&nbsp;&nbsp;&nbsp;declare yourself his illegitimate son!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll expose the truth about that<br>&nbsp;&nbsp;&nbsp;&nbsp;and all your other crimes,<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so prepare yourself!<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have this DNA tested.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. It looks like I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;go the rest of the way with you.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I have a favor to ask you...<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to look for my mom.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw her on Careless Monday!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure it was at Aomonoyokocho.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was this woman among the people<br>&nbsp;&nbsp;&nbsp;&nbsp;we were evacuating who had a mini Shiba.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think that was my mom.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that mini Shiba is...?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she recognized me,<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's why she panicked<br>&nbsp;&nbsp;&nbsp;&nbsp;and ran away without her dog.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I looked around the shelters<br>&nbsp;&nbsp;&nbsp;&nbsp;for her later, but she wasn't there.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa, did you get your memories back?!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Well, the "Akira Takizawa" part, anyway.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, would you do that for me?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. Okay, I'm counting on you!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops. I almost forgot.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A memento of our time together in New York.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be in touch!<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Takizawa?<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prime Minister linuma's supporters<br>&nbsp;&nbsp;&nbsp;&nbsp;dragged him off somewhere.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to that, it looks like the<br>&nbsp;&nbsp;&nbsp;&nbsp;media hasn't found him, but...<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're sure a big crowd, huh?<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like some of them have been<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;staking out the place since<br>&nbsp;&nbsp;&nbsp;&nbsp;word got out two days ago.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, let's just get out of here.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some fame of your own, after all.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to tell Hirasawa<br>&nbsp;&nbsp;&nbsp;&nbsp;about Takizawa's mother!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hold on. If you're going to use<br>&nbsp;&nbsp;&nbsp;&nbsp;your cell, download Airship first.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an IP phone Itazu made.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, their phones are all being<br>&nbsp;&nbsp;&nbsp;&nbsp;tapped by Public Security,<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they said to use this thing<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever we need to contact them.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tapped?!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the police want<br>&nbsp;&nbsp;&nbsp;&nbsp;to frame Eden of the East itself<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a terrorist group involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in the missile attacks.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go get the car!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. Is this Saki?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see. You were running late,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was worried.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how's Takizawa?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. As things stand, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can't use the Eden System.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to use the old system<br>&nbsp;&nbsp;&nbsp;&nbsp;preserved in our college club room...<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We'll send you a<br>&nbsp;&nbsp;&nbsp;&nbsp;password so you can get into it.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Thanks. I'll call you later.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... next is...<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, hello?<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki?! What's wrong?<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're back already?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, *now*? I can't believe you!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did she say?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's asking us to bring her the mini Shiba.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, you know how early<br>&nbsp;&nbsp;&nbsp;&nbsp;bakers have to get up!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm sorry. Okay, I'll be waiting.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to bring the dog?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, good.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I just tried doing an image search.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ask Public Security to secretly<br>&nbsp;&nbsp;&nbsp;&nbsp;investigate Eden of the East"?!<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not good...<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Mr. Mononobe will<br>&nbsp;&nbsp;&nbsp;&nbsp;probably attack Juiz again, too...<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroha protected me once,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I don't pull off this one on my own,<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to save everyone.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do? If I use Juiz,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone'll know where I am...<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okada...!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, *Takizawa*!<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found you!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'm Akira linuma right now...<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! And what's the deal?!<br>&nbsp;&nbsp;&nbsp;&nbsp;First you're the Air King, then the PM's son?!<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to top it off, you call *us* to the airport, too!<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you up to this time, eh?!<br>&nbsp;&nbsp;&nbsp;&nbsp;It better not be another nudefest!<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, are you one of the 20,000 NEETs?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So does that mean Number 2<br>&nbsp;&nbsp;&nbsp;&nbsp;assembled you guys here?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're up shit creek thanks to you!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One second people were calling us<br>&nbsp;&nbsp;&nbsp;&nbsp;"AKX20000" and showering us with attention,<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then in no time everybody was<br>&nbsp;&nbsp;&nbsp;&nbsp;saying we were "so five minutes ago"!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've been better off just staying a NEET.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You better take responsibility!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I kind of don't think that's my fault...<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it is too your fault!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, would you do me one more favor?<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things had better get interesting again.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, I think they will...<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you gonna make me wait?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The press and the NEETs are<br>&nbsp;&nbsp;&nbsp;&nbsp;on our trail, so hurry it up!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, keep your face hidden.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sent Takizawa the Airship file.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and I'm seeing some activity in his log!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? He's ordering<br>&nbsp;&nbsp;&nbsp;&nbsp;business cards and leasing an office?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, "Request campaign strategy<br>&nbsp;&nbsp;&nbsp;&nbsp;from advertising agency"?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's not all.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's buying up tickets to fundraisers<br>
&nbsp;&nbsp;&nbsp;&nbsp;for the ruling *and* opposition parties,<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he's throwing money at the<br>&nbsp;&nbsp;&nbsp;&nbsp;leading figures in politics and business.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what they call "buying votes."<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now he's preparing for his debut<br>&nbsp;&nbsp;&nbsp;&nbsp;as a second-generation politician, eh?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Takizawa.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I know. Saki contacted us.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then maybe it's safe to assume you<br>&nbsp;&nbsp;&nbsp;&nbsp;know more about my situation than I do.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like yesterday's missiles, for instance?<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. If Number 11 hadn't taken my place,<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be game over by now.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't let this game end yet.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want to secure my Juiz somehow.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. We've already cast<br>&nbsp;&nbsp;&nbsp;&nbsp;our lot in with yours, after all.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'm turning you over to the<br>&nbsp;&nbsp;&nbsp;&nbsp;man closest to the answers you want.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me, Vintage Boy. So you're okay?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itazu! Long time no see!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skip the small talk. I've been<br>&nbsp;&nbsp;&nbsp;&nbsp;investigatin' Number 12's history,<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I knew he'd ordered gasoline and drivers,<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I didn't realize he was havin' 'em<br>&nbsp;&nbsp;&nbsp;&nbsp;drive forever on the expressway.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I ended up lettin' that slick-haired<br>&nbsp;&nbsp;&nbsp;&nbsp;scum Number 1 steal a march on me...<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after checkin' the footage<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of every single camera on the<br>&nbsp;&nbsp;&nbsp;&nbsp;Chuo Expressway, startin' last night,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I confirmed that the trailers, which<br>&nbsp;&nbsp;&nbsp;&nbsp;were just wanderin' around at first,<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;formed a caravan along<br>&nbsp;&nbsp;&nbsp;&nbsp;the up route a few hours ago.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you really are good!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You flatter me, but it's true.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Trailer Number 9 just passed<br>&nbsp;&nbsp;&nbsp;&nbsp;through the exit at Kawasaki-Ukishima.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considerin' the distance and<br>&nbsp;&nbsp;&nbsp;&nbsp;time they've traveled so far,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I reckon they'll fuel up and<br>&nbsp;&nbsp;&nbsp;&nbsp;switch drivers pretty soon.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good bet the Juizes<br>&nbsp;&nbsp;&nbsp;&nbsp;are headin' to Umihotaru next!<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Umihotaru"?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you have it.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? What will you do now?<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try making my way to Umihotaru.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, without Juiz,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just a man with no memory.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're "just a man," what are we?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Public Security coming after us<br>&nbsp;&nbsp;&nbsp;&nbsp;made me realize this all over again:<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're really something.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because even after getting mixed up in all this,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're still out there on<br>&nbsp;&nbsp;&nbsp;&nbsp;your own fighting like hell.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But *this* time, we'll all sink or swim together.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're prepared to share<br>&nbsp;&nbsp;&nbsp;&nbsp;your fate, whatever it is.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll head to Umihotaru now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's meet up there.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure? If you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;get involved any further,<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't be able to go<br>&nbsp;&nbsp;&nbsp;&nbsp;back to your normal lives.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ought to be my line.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's more, NEETs don't<br>
&nbsp;&nbsp;&nbsp;&nbsp;*have* normal everyday lives.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then. Let's meet at Umihotaru.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hiya!<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can uncover your face now.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wh-Who are you?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Total success!<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see that?! Yeah, I'm that good!<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little too late to turn back--<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll never find him now!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suck on that!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, traffic was bad...<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem busy, but you should still<br>&nbsp;&nbsp;&nbsp;&nbsp;show your face at home once in a while.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Here's the dog.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain what happened today when I can.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you worry about us.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she's finally found something<br>&nbsp;&nbsp;&nbsp;&nbsp;she can really devote herself to, eh?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, you work as fast as ever.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, the guy I told you about is on his way,<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so be ready with a nice lukewarm welcome.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, he looks like a madman,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's a good guy at heart.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and give him the goods.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, exactly! That's totally okay.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'll leave it to you.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That lettering on his back saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;'Hey Outside, shoot some more!'<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;might as well have read,<br>&nbsp;&nbsp;&nbsp;&nbsp;'The missiles were launched from abroad.'"<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That linuma-ism we remember from<br>&nbsp;&nbsp;&nbsp;&nbsp;'the rightist PM' is alive and well here," eh?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad! Things are sizzling now.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9 probably thinks he's<br>&nbsp;&nbsp;&nbsp;&nbsp;directing that t-shirt at Outside,<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's not what the world thinks.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break, man!<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were asleep.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to keep playing even<br>&nbsp;&nbsp;&nbsp;&nbsp;though your Juiz was destroyed?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My pride is on the line in this battle.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it ready for you, so get going.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough money for the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;and the address you're going to.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I'll return the favor one day.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah... don't sweat it.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Annie?!<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad you're back!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So your dog's name is "Angelika"?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. A good name, right?<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And? You think I'm the<br>&nbsp;&nbsp;&nbsp;&nbsp;missile terrorist's mother?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a chance.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think about it for a second.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He only lived with his mother in<br>&nbsp;&nbsp;&nbsp;&nbsp;New York until he was five, right?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing more unreliable<br>&nbsp;&nbsp;&nbsp;&nbsp;than childhood memories.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why did you leave your dog<br>&nbsp;&nbsp;&nbsp;&nbsp;behind and run on Careless Monday?<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ran away because they told me to.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It saved my life, but let me tell you,<br>&nbsp;&nbsp;&nbsp;&nbsp;the apartment I lived in was trashed.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever been to New York?<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. On one long vacation.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you stay at the Gramercy?<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a movie theater<br>&nbsp;&nbsp;&nbsp;&nbsp;near there called the Angelika.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the same as your dog's name.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a coincidence?<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, do you have any children?<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose I did, once.<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When was that?<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me that when he was five,<br>&nbsp;&nbsp;&nbsp;&nbsp;his mother abandoned him in Japan.<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She gave him just a little bit of money,<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by the time he looked back from<br>&nbsp;&nbsp;&nbsp;&nbsp;the register of the department store,<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was gone.<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but I'd like to use your restroom...<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch!<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this is her. What a looker...<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy behind her is--?!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, look.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...!<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I think it's her from her younger days.<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now take a look at who's behind her.<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prime Minister linuma?<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm not wrong, huh?<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does this mean?<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically, the thing about Takizawa<br>&nbsp;&nbsp;&nbsp;&nbsp;being linuma's illegitimate son<br>**[24:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;might not be something Juiz<br>&nbsp;&nbsp;&nbsp;&nbsp;cooked up-- it might be true!<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct me if I'm wrong,<br>&nbsp;&nbsp;&nbsp;&nbsp;but wasn't the original plan<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for Public Security to arrest the man<br>&nbsp;&nbsp;&nbsp;&nbsp;who launched the missiles and his cohorts,<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and tie this whole thing up nice and neat?<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[24:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And didn't you set that up<br>&nbsp;&nbsp;&nbsp;&nbsp;with Mr. Ato's little phone?<br>**[24:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, I'm now starting to hear<br>&nbsp;&nbsp;&nbsp;&nbsp;rumors that he really is linuma's son.<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[24:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, thanks to that t-shirt,<br>**[24:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;neighboring countries are<br>&nbsp;&nbsp;&nbsp;&nbsp;beginning to reproach us,<br>**[24:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying the son of a hawkish PM is<br>&nbsp;&nbsp;&nbsp;&nbsp;blustering about that being a foreign attack.<br>**[24:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look into all of those things.<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to worry, Sir.<br>**[25:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mononobe...<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I've put quite a bit of work<br>**[25:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into the 100% inheritance tax bill and<br>&nbsp;&nbsp;&nbsp;&nbsp;the reestablishment of the Home Ministry.<br>**[25:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Sir.<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then perhaps it's time for<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly more extreme measures.<br>**[25:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must be it!<br>**[25:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, hello, this is Mononobe.<br>**[25:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out there's a possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that Mr. Seijiro linuma<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had a lover about twenty years ago.<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you investigate?<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[25:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that something you learned during<br>&nbsp;&nbsp;&nbsp;&nbsp;your recent investigation in New York?<br>**[25:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. So it was Mr. Iinuma himself who<br>&nbsp;&nbsp;&nbsp;&nbsp;kept that hotel room reserved, then.<br>**[26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was empty until *he* came six months ago,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but it was paid for all along.<br>**[26:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. I'll leave it to you.<br>**[26:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, I'd like to place a call to the Regional<br>&nbsp;&nbsp;&nbsp;&nbsp;Tax Bureau's Criminal Investigation Division...<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umihotaru?<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's from Grandfather.<br>**[26:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are the trailer drivers?<br>**[26:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having them take a break in the rest area.<br>**[26:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They did drive nonstop from Yamanashi.<br>**[26:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So did we, you know.<br>**[26:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did Grandfather say?<br>**[26:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That we're taking these measures<br>&nbsp;&nbsp;&nbsp;&nbsp;only to keep the game progressing,<br>**[26:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we're supposed to behave<br>&nbsp;&nbsp;&nbsp;&nbsp;just like we always have:<br>**[26:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;never interfering with any request.<br>**[26:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know that already! After all,<br>&nbsp;&nbsp;&nbsp;&nbsp;we aren't Seleção or Juiz.<br>**[27:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just the kids who shag the baseballs."<br>**[27:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if Number 1 orders<br>&nbsp;&nbsp;&nbsp;&nbsp;another missile attack right now?<br>**[27:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be dead meat!<br>**[27:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna just hide them somewhere on our own?<br>**[27:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't. We'd be violating<br>&nbsp;&nbsp;&nbsp;&nbsp;Grandfather's orders.<br>**[27:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, I doubt Number 1<br>
&nbsp;&nbsp;&nbsp;&nbsp;can launch a missile *here*.<br>**[27:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, isn't that Seleção Number 9?<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right!<br>**[28:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Juiz. Number 9, you seem to be<br>&nbsp;&nbsp;&nbsp;&nbsp;within the system's effective range!<br>**[28:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[28:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'm right next to you. Can't you tell?<br>**[28:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[28:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid I'm not equipped<br>&nbsp;&nbsp;&nbsp;&nbsp;with a sense of touch,<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that's a bit beyond me.<br>**[28:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Sheesh, and I was planning<br>&nbsp;&nbsp;&nbsp;&nbsp;on surprising you, too!<br>**[28:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame.<br>**[28:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[28:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing to apologize for!<br>**[28:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I finally got to meet you.<br>**[28:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9, what brought you here to see me?<br>**[28:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there was a missile attack on<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys, so I came to rescue you.<br>**[28:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't know that, either?<br>**[28:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I didn't. So, how will you<br>&nbsp;&nbsp;&nbsp;&nbsp;protect me from more missiles?<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. I haven't actually<br>&nbsp;&nbsp;&nbsp;&nbsp;thought through any strategies.<br>**[29:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Number 1 just asked<br>&nbsp;&nbsp;&nbsp;&nbsp;for his trailer to be moved!<br>**[29:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this time, he plans to steal just his own Juiz?<br>**[29:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, would you make it so I can<br>
&nbsp;&nbsp;&nbsp;&nbsp;drive a trailer? Like in *The Matrix*!<br>**[29:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon?<br>**[29:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9, you're already<br>&nbsp;&nbsp;&nbsp;&nbsp;licensed to drive all vehicle classes,<br>**[29:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from Heavy down to Motorcycle.<br>**[29:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I am?!<br>**[29:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true!<br>**[29:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Juiz, I just had a great idea.<br>**[29:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now Number 9 is doing it?<br>**[29:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not in his activity log.<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean he's driving it himself?<br>**[29:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it-- to keep from getting blown up,<br>**[29:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he just has to stick with Number 1's trailer!<br>**[30:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my Number 9!<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we tell Grandfather about this?<br>**[30:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... that's a violation of the rules, too.<br>**[30:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's something he's<br>&nbsp;&nbsp;&nbsp;&nbsp;doing without Juiz's help.<br>**[30:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the other Seleção have no way of knowing--<br>**[30:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that goes for Grandfather, too.<br>**[30:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good point.<br>**[30:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! He says he's driving Juiz!<br>**[30:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. It looks like that Number 1<br>&nbsp;&nbsp;&nbsp;&nbsp;guy is headed into town...<br>**[30:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you guys right now?<br>**[30:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in the tunnel.<br>**[30:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real? I am, too!<br>**[30:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So are you driving through the<br>&nbsp;&nbsp;&nbsp;&nbsp;tunnel right next to ours, then?<br>**[30:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell him we'll contact him again<br>&nbsp;&nbsp;&nbsp;&nbsp;after we U-turn at Umihotaru.<br>**[31:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard him.<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hijacking Juiz, eh? He never changes.<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 3?<br>**[31:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sweets for Saizo"?<br>**[31:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Saizo"... as in Saizo Ato?<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had Yuki, I could send him<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay a visit in advance...<br>**[31:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, I'd like you to pass on a<br>&nbsp;&nbsp;&nbsp;&nbsp;message to this sweets parlor.<br>**[31:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm not Japanese anymore.<br>**[32:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two going to pack it in<br>&nbsp;&nbsp;&nbsp;&nbsp;anytime soon? I want to close up shop.<br>**[32:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[32:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two more mango lassis, please.<br>**[32:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great, it sounds like you've<br>&nbsp;&nbsp;&nbsp;&nbsp;brought me some unwanted guests.<br>**[32:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way will the tab for<br>&nbsp;&nbsp;&nbsp;&nbsp;your drinks be worth this.<br>**[32:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Right. Yep, I was just<br>&nbsp;&nbsp;&nbsp;&nbsp;lookin' at the same entry.<br>**[32:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the detail log, he's in Tokyo,<br>**[32:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but doesn't Number 3 live in Fukuoka?<br>**[32:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the problem, Kasuga?<br>**[32:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, I think Public Security<br>&nbsp;&nbsp;&nbsp;&nbsp;may have had us all along.<br>**[32:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until a few years ago,<br>&nbsp;&nbsp;&nbsp;&nbsp;this room was the stronghold<br>**[33:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for a group of extremist students called<br>&nbsp;&nbsp;&nbsp;&nbsp;the "Eastern Federation of Revolutionaries."<br>**[33:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting that together<br>&nbsp;&nbsp;&nbsp;&nbsp;with our current situation...<br>**[33:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a cinch to frame Eden of<br>&nbsp;&nbsp;&nbsp;&nbsp;the East as a terrorist organization.<br>**[33:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wanted for trespassing<br>**[33:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and aiding and abetting subversive activities!<br>**[33:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come out of there right now!<br>**[33:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Underpants?<br>**[33:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Underpa--<br>**[33:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a hiding place ready<br>&nbsp;&nbsp;&nbsp;&nbsp;for just this sort of occasion.<br>**[33:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way.<br>**[33:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks pretty cramped for two people.<br>**[33:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[34:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kasuga, did you dig this tunnel?<br>**[34:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a magic trick!<br>**[34:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, actually, during the<br>&nbsp;&nbsp;&nbsp;&nbsp;All-Campus Joint Struggle Committee era,<br>**[34:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Eastern Federation of Revolutionaries<br>&nbsp;&nbsp;&nbsp;&nbsp;dug this tunnel on sect orders,<br>**[34:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;aiming far to the east in an effort<br>&nbsp;&nbsp;&nbsp;&nbsp;to join the Narita Airport protests.<br>**[34:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. To think some tunnel built<br>&nbsp;&nbsp;&nbsp;&nbsp;for baby boomers to play militant in<br>**[34:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is savin' my ass...<br>**[35:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're using the legacy of<br>&nbsp;&nbsp;&nbsp;&nbsp;that despicable generation<br>**[35:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to outwit our enemies.<br>**[35:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting a big kick out of this!<br>**[35:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I dunno if we had to go<br>&nbsp;&nbsp;&nbsp;&nbsp;actively acceptin' this inheritance...<br>**[35:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Glad to see you back, Takizawa!<br>**[35:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takky!<br>**[35:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, long time no see.<br>**[35:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How've you been, Mittan?<br>**[35:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not "Mittan."<br>**[35:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys haven't changed a bit.<br>**[35:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll jump right into it:<br>&nbsp;&nbsp;&nbsp;&nbsp;that driver's taking a break.<br>**[35:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Hirasawa, you snag Trailer 1 and drive it.<br>**[35:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, even on the off chance more<br>&nbsp;&nbsp;&nbsp;&nbsp;missiles get launched, Trailer 1 is safe.<br>**[35:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey! I can't drive Heavy-class vehicles!<br>**[35:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed it, so you'll be fine!<br>**[36:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about this...<br>**[36:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just remembered:<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a Heavy-class license.<br>**[36:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[36:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Woo-hoo! Hang on tight!<br>**[36:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go! You be sure to keep up!<br>**[36:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where are we going, anyway?!<br>**[36:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[36:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look out front,<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't make it obvious.<br>**[36:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a window in the<br>&nbsp;&nbsp;&nbsp;&nbsp;storage closet by the bathroom.<br>**[36:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can escape that way.<br>**[36:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now if you'll excuse me, I'm going first.<br>**[37:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, I'll hold them off here. You go after her.<br>**[38:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Takizawa really is Seijiro linuma's son,<br>**[38:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he might be able to turn<br>&nbsp;&nbsp;&nbsp;&nbsp;this whole thing around.<br>**[38:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you do whatever you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to do to get the truth from her.<br>**[38:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But--!<br>**[38:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Osugi!<br>**[38:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Saki!<br>**[38:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Osugi.<br>**[38:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry, gentlemen,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're closed for the night!<br>**[38:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like tomorrow's summons<br>&nbsp;&nbsp;&nbsp;&nbsp;will turn pretty interesting.<br>**[38:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Mononobe, I'm getting close to<br>&nbsp;&nbsp;&nbsp;&nbsp;a checkmate even without my phone.<br>**[39:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Regional Tax Bureau?!<br>**[39:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;2G, we've got problems!<br>**[39:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tax inspectors are storming us!<br>**[39:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad, you bastard.<br>**[39:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're okay.<br>**[39:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Have you figured out the connection<br>&nbsp;&nbsp;&nbsp;&nbsp;between Number 3 and Mr. Outside?<br>**[39:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. But lookin' at Number 3's log,<br>**[39:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she placed an order with a sweets<br>&nbsp;&nbsp;&nbsp;&nbsp;parlor in Shinbashi called "Odafuji"...<br>**[39:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and Number 1 just put in a request to<br>&nbsp;&nbsp;&nbsp;&nbsp;send a message along with the sweets.<br>**[39:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And get a load of the message...<br>**[39:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Takizawa has his hands full right now.<br>**[40:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go. Send me the detail log.<br>**[40:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold it! It's too dangerous to go alone!<br>**[40:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anythin' could happen!<br>**[40:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If something does, I'll leave the rest to you.<br>**[40:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know Eden will be safe in your hands.<br>**[40:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't even joke about that, ya dipshit!<br>**[40:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be nice to Micchon, okay?<br>**[40:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was mad when you hung up on her earlier.<br>**[40:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, please!<br>**[40:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but I borrowed this without asking.<br>**[40:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This photo is of you and<br>&nbsp;&nbsp;&nbsp;&nbsp;Prime Minister linuma, isn't it?<br>**[40:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And... you're pregnant in it.<br>**[41:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't that child Takizawa?<br>**[41:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa's past is<br>&nbsp;&nbsp;&nbsp;&nbsp;disappearing even as we speak.<br>**[41:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if he found out about his past with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it would really help him.<br>**[41:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the public ends up<br>&nbsp;&nbsp;&nbsp;&nbsp;reviling him as a terrorist,<br>**[41:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if he's really Prime Minister linuma's son,<br>**[41:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he might be able to do<br>&nbsp;&nbsp;&nbsp;&nbsp;something about this situation.<br>**[41:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me.<br>**[41:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're his mother, aren't you?<br>**[41:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This picture really takes me back.<br>**[42:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's what I believe:<br>&nbsp;&nbsp;&nbsp;&nbsp;money's the great equalizer.<br>**[42:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have it, age and status mean nothing.<br>**[42:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it coarsely, I'm the type of person<br>&nbsp;&nbsp;&nbsp;&nbsp;who thinks money is everything.<br>**[42:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if I were to tell my son<br>&nbsp;&nbsp;&nbsp;&nbsp;anything, it would be that.<br>**[42:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what does he think now about<br>&nbsp;&nbsp;&nbsp;&nbsp;being given 500 yen and abandoned?<br>**[42:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does he feel about money?<br>**[42:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a long story, but Takizawa<br>&nbsp;&nbsp;&nbsp;&nbsp;was put in a position<br>**[42:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where he could use ten billion<br>&nbsp;&nbsp;&nbsp;&nbsp;yen however he wanted.<br>**[42:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he never spent a single yen on himself.<br>**[42:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of person he is.<br>**[42:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[42:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not my son, then.<br>**[43:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manage the rest of this on your own.<br>**[43:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki!<br>**[43:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't Aya Takizawa's mother?<br>**[43:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she was his mother.<br>**[43:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, she said she'd given him 500 yen...<br>**[44:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should just call Takizawa, right?<br>**[44:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And say, "I found your mother."<br>**[44:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"She really was your mother."<br>**[44:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you hesitating, then?<br>**[44:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if I tell him that... if I tell him...<br>**[44:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I don't think he'll ever<br>&nbsp;&nbsp;&nbsp;&nbsp;come back to me again!<br>**[45:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki...<br>**[45:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You can't give up!<br>**[45:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go see Takizawa. We'll go<br>&nbsp;&nbsp;&nbsp;&nbsp;see him, and talk to him in person.<br>**[45:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he's waiting for<br>&nbsp;&nbsp;&nbsp;&nbsp;you to come to him, Saki.<br>**[45:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for causing you trouble.<br>**[45:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sit.<br>**[45:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First you disappear from the airport,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you come back in a trailer truck.<br>**[45:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, I'm told it's the same trailer<br>**[45:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the government launched<br>&nbsp;&nbsp;&nbsp;&nbsp;an attack on last night.<br>**[46:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the meaning of this?<br>**[46:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see, without that truck,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't salvage this situation,<br>**[46:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that's why I brought it with me...<br>**[46:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess it's an inconvenience, huh?<br>**[46:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very bold. As a terrorist, you're first-rate.<br>**[46:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a terrorist!<br>**[46:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what are you?<br>**[46:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to explain, but to<br>&nbsp;&nbsp;&nbsp;&nbsp;make a long story short,<br>**[46:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm one of the people chosen<br>&nbsp;&nbsp;&nbsp;&nbsp;to make this country better...<br>**[46:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All terrorists say that.<br>**[46:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well, but you see...<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man. How should I phrase this?<br>**[46:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested in hearing<br>&nbsp;&nbsp;&nbsp;&nbsp;any more about that.<br>**[46:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of arguing<br>&nbsp;&nbsp;&nbsp;&nbsp;about your position right now.<br>**[46:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I want clarified, right here<br>&nbsp;&nbsp;&nbsp;&nbsp;and now, is what you're after.<br>**[47:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to know why<br>**[47:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you appeared here calling<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself linuma's illegitimate son.<br>**[47:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it money? Or is this one of<br>&nbsp;&nbsp;&nbsp;&nbsp;the terrorist acts you thought up?<br>**[47:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not! I never intended<br>&nbsp;&nbsp;&nbsp;&nbsp;to become linuma's son...<br>**[47:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't really put it very well,<br>**[47:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I just wanted to become<br>&nbsp;&nbsp;&nbsp;&nbsp;king of this country<br>**[47:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd be someone who could support<br>&nbsp;&nbsp;&nbsp;&nbsp;people who are having a rough time.<br>**[47:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then somewhere along the way<br>&nbsp;&nbsp;&nbsp;&nbsp;that got turned into "prime minister"...<br>**[47:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand what you're saying to me?<br>**[47:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. And I know it sounds crazy, too.<br>**[47:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's true.<br>**[47:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd honestly rather not<br>&nbsp;&nbsp;&nbsp;&nbsp;become king if I can avoid it.<br>**[47:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I do, I'm sure people will dump<br>&nbsp;&nbsp;&nbsp;&nbsp;all the responsibility on me,<br>**[47:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone will complain about me.<br>**[48:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I probably won't be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;stick it out unless I erase my memories.<br>**[48:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my request was accepted, and that<br>&nbsp;&nbsp;&nbsp;&nbsp;must mean there's something I can do.<br>**[48:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your request to become king was "accepted"...?<br>**[48:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My husband retired from politics and<br>&nbsp;&nbsp;&nbsp;&nbsp;went back to being a private citizen.<br>**[48:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was finally about to spend<br>&nbsp;&nbsp;&nbsp;&nbsp;the remainder of his life carefree,<br>**[48:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then he became Prime Minister<br>&nbsp;&nbsp;&nbsp;&nbsp;again at the urging of his supporters.<br>**[48:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the end, he passed away<br>&nbsp;&nbsp;&nbsp;&nbsp;before he was able to do anything.<br>**[48:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you achieve the status of "Iinuma's son,"<br>**[48:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your path won't be easy.<br>**[48:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have even less power than a terrorist.<br>**[48:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But if nothing else, I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;quit until I punch out the man<br>**[48:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who dumped everything into my lap.<br>**[49:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Mononobe? But how<br>&nbsp;&nbsp;&nbsp;&nbsp;did he know to look here?<br>**[49:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mr. Mononobe"...? Hey, did he<br>&nbsp;&nbsp;&nbsp;&nbsp;come here to see me, by any chance?<br>**[49:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, he did say he'd come to see you...<br>**[49:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't know what to think anymore.<br>**[49:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[49:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Use the study.<br>**[49:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I'm to be summoned before<br>&nbsp;&nbsp;&nbsp;&nbsp;the Diet as an unsworn witness tomorrow.<br>**[50:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have temporarily harbored you here<br>**[50:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in light of the possibility that<br>&nbsp;&nbsp;&nbsp;&nbsp;you were my husband's son,<br>**[50:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but ultimately, I will have<br>&nbsp;&nbsp;&nbsp;&nbsp;to report you as a terrorist.<br>**[50:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. That's fine with me.<br>**[50:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's been a full thirty years<br>&nbsp;&nbsp;&nbsp;&nbsp;since anyone's seen him...<br>**[51:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hand it to you:<br>&nbsp;&nbsp;&nbsp;&nbsp;you even got Juiz to like you.<br>**[51:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, you just kept<br>&nbsp;&nbsp;&nbsp;&nbsp;making out-of-nowhere requests<br>**[51:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that surpassed mine,<br>&nbsp;&nbsp;&nbsp;&nbsp;and neatly turned the tables.<br>**[51:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've completely trounced me in this game.<br>**[51:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came here to tell me that?<br>**[51:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. And to ask you for a favor.<br>**[51:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be willing to<br>&nbsp;&nbsp;&nbsp;&nbsp;withdraw from the game?<br>**[51:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've wanted to change this country<br>&nbsp;&nbsp;&nbsp;&nbsp;since before I became a bureaucrat.<br>**[51:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the reality was that far too<br>&nbsp;&nbsp;&nbsp;&nbsp;many problems had accumulated,<br>**[51:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and becoming a bureaucrat wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to solve them by honest means.<br>**[51:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, time was too precious to waste<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting for the government to collapse.<br>**[51:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was when I got this phone.<br>**[52:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, are you... Mr. Saizo Ato?<br>**[52:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[52:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kazuomi Hirasawa, a friend of Number 9's.<br>**[52:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here to ask you something, if I may.<br>**[53:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir...<br>**[53:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone gave you ten billion yen<br>&nbsp;&nbsp;&nbsp;&nbsp;and told you to improve this country,<br>**[53:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how would you use that money?<br>**[53:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you use that question to select the<br>&nbsp;&nbsp;&nbsp;&nbsp;Seleção from among your passengers?<br>**[53:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I going to do about that Toshiko?<br>**[53:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? What do you want?<br>**[53:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you don't intend to stop the game,<br>**[53:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter what kind of requests are made...<br>**[53:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what exactly is the name of the game here?<br>**[54:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Ato asked me how I<br>&nbsp;&nbsp;&nbsp;&nbsp;would spend ten billion yen,<br>**[54:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told him the first thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that this country ought to do<br>**[54:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was go on a diet, on a nationwide scale.<br>**[54:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A government-led redistribution<br>&nbsp;&nbsp;&nbsp;&nbsp;of useful human resources<br>**[54:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where the only priority is<br>&nbsp;&nbsp;&nbsp;&nbsp;the effective functioning<br>**[54:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of those sectors with global currency.<br>**[54:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said we had to make Japan<br>&nbsp;&nbsp;&nbsp;&nbsp;small and light on its feet like that.<br>**[54:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To get it done fast, I had to<br>&nbsp;&nbsp;&nbsp;&nbsp;temporarily emasculate the government.<br>**[54:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's what those missiles were for...!<br>**[54:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite. But really, it needn't have been missiles.<br>**[54:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything that put a lot of pressure on<br>&nbsp;&nbsp;&nbsp;&nbsp;the nation would have done for a start.<br>**[54:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because after that, the magic cell<br>&nbsp;&nbsp;&nbsp;&nbsp;phone would no longer be necessary;<br>**[54:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could take my time getting the rest<br>&nbsp;&nbsp;&nbsp;&nbsp;done by working my connections.<br>**[54:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So everything I did was...<br>**[55:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got you and Yuki to help<br>&nbsp;&nbsp;&nbsp;&nbsp;me with the dirty work.<br>**[55:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am grateful, you know.<br>**[55:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that was the plan, you should<br>&nbsp;&nbsp;&nbsp;&nbsp;have just told me in the first place.<br>**[55:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done a bunch of stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;because they say we'll get killed<br>**[55:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we don't make an effort to win,<br>**[55:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I'd been able to<br>&nbsp;&nbsp;&nbsp;&nbsp;team up with other Seleção,<br>**[55:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe we could've come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with even better ideas.<br>**[55:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just one problem there: I hate losing.<br>**[55:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you should be<br>&nbsp;&nbsp;&nbsp;&nbsp;Prime Minister, Mr. Mononobe.<br>**[55:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're way better for the part than I am!<br>**[55:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll open the gate right now.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, nobody's looking.<br>**[55:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Takizawa?<br>**[55:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He still hasn't come out of the mansion.<br>**[55:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, did you find his mom?<br>**[55:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. There's something I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell him about that directly...<br>**[56:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll happily bow out of the game<br>&nbsp;&nbsp;&nbsp;&nbsp;if you'll be the Prime Minister.<br>**[56:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll even support you.<br>**[56:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid I'll pass on the<br>&nbsp;&nbsp;&nbsp;&nbsp;"prime minister" and "king" stuff.<br>**[56:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Japanese citizenry is a pack<br>&nbsp;&nbsp;&nbsp;&nbsp;of a hundred million egoists.<br>**[56:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that painfully well, don't you?<br>**[56:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess...<br>**[56:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this day and age, the Prime<br>&nbsp;&nbsp;&nbsp;&nbsp;Minister is just a sacrificial lamb.<br>**[56:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say he's an outlet<br>&nbsp;&nbsp;&nbsp;&nbsp;for the stress of Japan's citizens,<br>**[56:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who gained their freedom and became unfree.<br>**[56:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, even Seijiro linuma died<br>&nbsp;&nbsp;&nbsp;&nbsp;without managing to help anything.<br>**[56:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you mean to make this<br>&nbsp;&nbsp;&nbsp;&nbsp;country light on its feet, then?<br>**[56:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, I'll steal the citizens'<br>&nbsp;&nbsp;&nbsp;&nbsp;freedom without their noticing.<br>**[56:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, they're an irresponsible lot<br>&nbsp;&nbsp;&nbsp;&nbsp;who can't decide anything for themselves,<br>**[57:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they still hate having to go<br>&nbsp;&nbsp;&nbsp;&nbsp;along with what other people want.<br>**[57:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So my plan is to reestablish the Home Ministry<br>**[57:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and change Japan from there.<br>**[57:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the "Home Ministry"?<br>**[57:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't even know that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you wanted to be Prime Minister?<br>**[57:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[57:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Takizawa?<br>**[57:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki?<br>**[57:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, I couldn't contact you before.<br>**[57:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. So, about your mother...<br>**[57:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it go?<br>**[57:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found her. That woman you told<br>&nbsp;&nbsp;&nbsp;&nbsp;me about really was your mother.<br>**[57:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's operating a bar in Mishuku.<br>**[57:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[57:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Her name is Aya Iwashita,<br>**[58:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and apparently she was linuma's lover<br>&nbsp;&nbsp;&nbsp;&nbsp;while he was still a Diet member.<br>**[58:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember when you told me<br>**[58:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the rent on that hotel room in<br>&nbsp;&nbsp;&nbsp;&nbsp;New York had been paid all along?<br>**[58:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[58:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Aya was living there twenty years ago.<br>**[58:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we saw a picture of<br>&nbsp;&nbsp;&nbsp;&nbsp;her and Prime Minister linuma<br>**[58:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was taken while she<br>&nbsp;&nbsp;&nbsp;&nbsp;was pregnant in New York.<br>**[58:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you really are his son, Takizawa.<br>**[59:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what happened...<br>**[59:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's why I had<br>&nbsp;&nbsp;&nbsp;&nbsp;memories of New York, too.<br>**[59:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, where are you right now?<br>**[59:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In front of the mansion.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm with Micchon and the others.<br>**[59:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you now, Saki.<br>**[59:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa...<br>**[59:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel better now, knowing I've<br>&nbsp;&nbsp;&nbsp;&nbsp;got a past just like anyone else.<br>**[59:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now I've kind of got a feel<br>&nbsp;&nbsp;&nbsp;&nbsp;for what my mother is like.<br>**[59:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Saki.<br>**[59:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you've managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get back your past.<br>**[59:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how does it feel to become<br>&nbsp;&nbsp;&nbsp;&nbsp;the Prime Minister's son?<br>**[59:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew, Mr. Mononobe?<br>**[1:00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, it doesn't feel real, somehow.<br>**[1:00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get back to business, shall we?<br>**[1:00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll match the remaining balance on<br>&nbsp;&nbsp;&nbsp;&nbsp;your phone in cash as getaway money.<br>**[1:00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, you won't have<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about the Supporter.<br>**[1:00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm willing to clear your<br>&nbsp;&nbsp;&nbsp;&nbsp;compatriots of suspicion as well.<br>**[1:00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given those terms, would you agree to<br>&nbsp;&nbsp;&nbsp;&nbsp;disappear? You can go anywhere you like.<br>**[1:00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That might not be so bad.<br>**[1:00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have one question.<br>**[1:00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These "citizens" you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about-- what are they, to you?<br>**[1:00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foolish question.<br>**[1:00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "citizens" are nothing more than a<br>&nbsp;&nbsp;&nbsp;&nbsp;collection of parts forming the nation.<br>**[1:00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not anything to have personal emotions about.<br>**[1:00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But each one is an individual *person*<br>
&nbsp;&nbsp;&nbsp;&nbsp;who wants to be somebody, right?<br>**[1:00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a nuisance.<br>**[1:01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not even possible for *all*<br>
&nbsp;&nbsp;&nbsp;&nbsp;of them to become "somebody."<br>**[1:01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True, but I think respecting<br>&nbsp;&nbsp;&nbsp;&nbsp;the individual a little more<br>**[1:01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would give you more energy to work with.<br>**[1:01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if nobody had told me I was<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the people chosen to save Japan,<br>**[1:01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt I could've accomplished this much.<br>**[1:01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think your way of doing things<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't got quite enough love.<br>**[1:01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean you're<br>&nbsp;&nbsp;&nbsp;&nbsp;turning down my proposal?<br>**[1:01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is that, but I'm also thinking of<br>&nbsp;&nbsp;&nbsp;&nbsp;making a formal demand of this country,<br>**[1:01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a terrorist.<br>**[1:01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first I thought I'd become king<br>&nbsp;&nbsp;&nbsp;&nbsp;and do something for people,<br>**[1:01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it doesn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;there's even time for that...<br>**[1:01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll act as the me who's "nobody,"<br>&nbsp;&nbsp;&nbsp;&nbsp;just like at the White House.<br>**[1:01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, this is Juiz.<br>**[1:02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, I'd like to get all of Japan's<br>&nbsp;&nbsp;&nbsp;&nbsp;citizens on the phone right away.<br>**[1:02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that something you can do?<br>**[1:02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe the communications<br>&nbsp;&nbsp;&nbsp;&nbsp;fee would be immense.<br>**[1:02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible your balance will<br>&nbsp;&nbsp;&nbsp;&nbsp;reach zero before you're finished...<br>**[1:02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all right with you?<br>**[1:02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, that's no good...<br>**[1:02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to leave at least a<br>&nbsp;&nbsp;&nbsp;&nbsp;hundred million in the account.<br>**[1:02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, it's a tall order.<br>**[1:02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[1:02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, let's use *that*!<br>**[1:02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me one thing.<br>**[1:02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you asked Takizawa<br>&nbsp;&nbsp;&nbsp;&nbsp;how he'd spend ten billion yen,<br>**[1:02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what did he say?<br>**[1:02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never asked that boy that question.<br>**[1:02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I have one of your newspapers?<br>**[1:03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[1:03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to pay me.<br>**[1:03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people who only want one copy<br>&nbsp;&nbsp;&nbsp;&nbsp;are the ones who really want to read it.<br>**[1:03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still one of your wares, isn't it?<br>**[1:03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, I'll get money from the people<br>**[1:03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who subscribe to the paper<br>&nbsp;&nbsp;&nbsp;&nbsp;even though they never read it.<br>**[1:03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, those are the ones<br>&nbsp;&nbsp;&nbsp;&nbsp;who always try to avoid paying...<br>**[1:03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very true.<br>**[1:03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, boy,<br>**[1:03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why are you delivering<br>&nbsp;&nbsp;&nbsp;&nbsp;papers in this day and age?<br>**[1:03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm practicing receiving money.<br>**[1:03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are funny. Even a five-year-old<br>&nbsp;&nbsp;&nbsp;&nbsp;kid knows how to pay money,<br>**[1:03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but sometimes even adults<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know how to receive it.<br>**[1:03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because using money is a nicer feeling<br>**[1:03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than bowing down to someone to receive it...<br>**[1:04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People tend to claim that the<br>&nbsp;&nbsp;&nbsp;&nbsp;consumer has the most power,<br>**[1:04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying "the customer is king,"<br>**[1:04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but really, that's just how<br>
&nbsp;&nbsp;&nbsp;&nbsp;the *seller* feels, right?<br>**[1:04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True...<br>**[1:04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we all became buyers,<br>**[1:04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who'd provide the services?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the question, huh?<br>**[1:04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, I think it's probably<br>&nbsp;&nbsp;&nbsp;&nbsp;healthier for a society to think<br>**[1:04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that receiving money is<br>&nbsp;&nbsp;&nbsp;&nbsp;more fun than paying it.<br>**[1:04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the reason you chose him as a Seleção?<br>**[1:04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... you were more interested in<br>&nbsp;&nbsp;&nbsp;&nbsp;how he came to that conclusion!<br>**[1:04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like our opinions<br>&nbsp;&nbsp;&nbsp;&nbsp;never did mesh in the end.<br>**[1:04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? To me it seems like we're<br>&nbsp;&nbsp;&nbsp;&nbsp;looking in the same direction.<br>**[1:04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you like.<br>**[1:05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[1:05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-M-Master, it's a direct call from Juiz!<br>**[1:05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[1:05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm calling at Number 9's request.<br>**[1:05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vintage Boy's?<br>**[1:05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. He'd like to borrow the<br>&nbsp;&nbsp;&nbsp;&nbsp;Airship phone you created<br>**[1:05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to connect all the cell phones<br>&nbsp;&nbsp;&nbsp;&nbsp;in Japan to Eden of the East.<br>**[1:05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck is he up to this time?!<br>**[1:06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Takky.<br>**[1:06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here he is, Master!<br>**[1:07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, everyone.<br>**[1:07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the man behind Careless Monday<br>&nbsp;&nbsp;&nbsp;&nbsp;and the other terrorist attacks:<br>**[1:07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akira Takizawa, a.k.a. the Air King.<br>**[1:07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bang!<br>**[1:07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came home as Prime Minister<br>&nbsp;&nbsp;&nbsp;&nbsp;Iinuma's son yesterday<br>**[1:07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to capture your attention,<br>**[1:07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in actuality, I have no relation<br>&nbsp;&nbsp;&nbsp;&nbsp;to our late Prime Minister.<br>**[1:07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I do anything else, I'd like<br>&nbsp;&nbsp;&nbsp;&nbsp;to offer my heartfelt apologies<br>**[1:07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for all the trouble I caused<br>&nbsp;&nbsp;&nbsp;&nbsp;his family and friends.<br>**[1:07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takky, what are you doing?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wasting all of Saki's hard work!<br>**[1:07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, to get down to business...<br>**[1:07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody listen up, because I'm about<br>&nbsp;&nbsp;&nbsp;&nbsp;to announce a new terrorist attack.<br>**[1:07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm planning to once again assemble<br>&nbsp;&nbsp;&nbsp;&nbsp;a giant crowd of young people<br>**[1:07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave here for Paradise with them.<br>**[1:08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, I'm anticipating far more than<br>&nbsp;&nbsp;&nbsp;&nbsp;the mere 20,000 from six months ago.<br>**[1:08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What this means is that Japan will<br>&nbsp;&nbsp;&nbsp;&nbsp;lose the workforce vital to its future!<br>**[1:08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to avoid that, your only<br>&nbsp;&nbsp;&nbsp;&nbsp;choice is to meet my demands.<br>**[1:08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of you becoming<br>&nbsp;&nbsp;&nbsp;&nbsp;the Pied Piper of Hamelin again?<br>**[1:08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only one way to do that!<br>**[1:08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want all you old guys who take<br>&nbsp;&nbsp;&nbsp;&nbsp;it for granted you're the winners<br>**[1:08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to resolve to give up everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you've so eagerly hoarded<br>**[1:08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and set out for a new Paradise with us.<br>**[1:08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my demand.<br>**[1:08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't meet it, then soon our<br>&nbsp;&nbsp;&nbsp;&nbsp;world's existing values will be lost,<br>**[1:08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the paradise you<br>&nbsp;&nbsp;&nbsp;&nbsp;envisioned will be lost as well.<br>**[1:08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My previous missile attacks were<br>&nbsp;&nbsp;&nbsp;&nbsp;just exercises to prepare for today.<br>**[1:09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ignore my demand, something even<br>&nbsp;&nbsp;&nbsp;&nbsp;more fearsome will befall this country.<br>**[1:09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you do what I've said, even a little,<br>**[1:09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure great things lie in store!<br>**[1:09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, for right now, I'll be sending you<br>&nbsp;&nbsp;&nbsp;&nbsp;each one yen in electronic funds.<br>**[1:09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my parting gift to you,<br>**[1:09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as a promissory note proving<br>
&nbsp;&nbsp;&nbsp;&nbsp;that what I've said *will* come true.<br>**[1:09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, send one yen each to all the<br>&nbsp;&nbsp;&nbsp;&nbsp;cell phones we're connected to for me.<br>**[1:09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accepted. I sincerely pray you shall<br>&nbsp;&nbsp;&nbsp;&nbsp;continue to be a king full of love<br>**[1:09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who gives fear and hope to all his citizens.<br>**[1:10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, to all you NEETs<br>&nbsp;&nbsp;&nbsp;&nbsp;holding sit-ins in your homes!<br>**[1:10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your turn now.<br>**[1:10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gather in the promised land,<br>&nbsp;&nbsp;&nbsp;&nbsp;Eden of the East, using the Airship!<br>**[1:10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be waiting.<br>**[1:10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he playing at?<br>**[1:10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how witty you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;reason won't get people to do anything.<br>**[1:10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once, we worked like hell to<br>&nbsp;&nbsp;&nbsp;&nbsp;do something for this country.<br>**[1:10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now people call it a<br>&nbsp;&nbsp;&nbsp;&nbsp;"blemish on our history," a "mistake."<br>**[1:10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, at the time we were novices<br>&nbsp;&nbsp;&nbsp;&nbsp;who didn't know left from right.<br>**[1:11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everything we built up was wrong,<br>&nbsp;&nbsp;&nbsp;&nbsp;then what would have been right?<br>**[1:11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, just when we thought<br>&nbsp;&nbsp;&nbsp;&nbsp;we'd finally achieved something,<br>**[1:11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world's rules all changed on us.<br>**[1:11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;New ideas arose and became dominant<br>**[1:11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before our country gained more depth.<br>**[1:11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's harsh to tell the elderly to accept that,<br>**[1:11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he wants us to transfer<br>&nbsp;&nbsp;&nbsp;&nbsp;our authority to them<br>**[1:11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and try giving them responsibility, eh?<br>**[1:11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is that the only reason<br>&nbsp;&nbsp;&nbsp;&nbsp;Ryoma Sakamoto and Jiro Shirasu,<br>**[1:11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;both so beloved by the Japanese,<br>**[1:11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;escaped with their finery unsullied<br>**[1:11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because they chose to play their cards<br>&nbsp;&nbsp;&nbsp;&nbsp;in ways that kept their noses clean.<br>**[1:11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the true saviors of this<br>&nbsp;&nbsp;&nbsp;&nbsp;country are history's losers:<br>**[1:12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the nameless masses who<br>&nbsp;&nbsp;&nbsp;&nbsp;toiled steadily every day<br>**[1:12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and left this world tainted<br>&nbsp;&nbsp;&nbsp;&nbsp;by crushing losses as a result.<br>**[1:12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a time when unconscious hatred<br>&nbsp;&nbsp;&nbsp;&nbsp;of that truth is often tolerated,<br>**[1:12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9 has decided to go out on a<br>&nbsp;&nbsp;&nbsp;&nbsp;limb for them and become a scapegoat...<br>**[1:12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fascinating.<br>**[1:12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll close the curtain on<br>&nbsp;&nbsp;&nbsp;&nbsp;this game for the time being.<br>**[1:12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The winner has been decided!<br>**[1:12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did that phone call really<br>&nbsp;&nbsp;&nbsp;&nbsp;go out to everyone in Japan?<br>**[1:12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I think so.<br>**[1:12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I caused you trouble.<br>**[1:12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll flee as a terrorist.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave the witness summons to you.<br>**[1:12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Go, then.<br>**[1:13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and take this.<br>**[1:13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe I need to look at it now.<br>**[1:13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He reminds me a bit of Mr. Iinuma, in a way.<br>**[1:13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[1:13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. If that's what you think, I don't mind...<br>**[1:13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your methods are as drastic as ever.<br>**[1:13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the people of Japan<br>&nbsp;&nbsp;&nbsp;&nbsp;are astonishingly cynical.<br>**[1:13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be wise not to expect to get<br>&nbsp;&nbsp;&nbsp;&nbsp;what you want from them so easily.<br>**[1:13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a sad way of thinking.<br>**[1:13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's reality.<br>**[1:14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Mononobe!<br>**[1:14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good day, Seleção. This is Mr. Outside.<br>**[1:14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize this is sudden, but I've decided<br>**[1:14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to end our current game as of this phone call.<br>**[1:14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm satisfied with your actions overall.<br>**[1:14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, I have decided<br>&nbsp;&nbsp;&nbsp;&nbsp;to declare you all victors.<br>**[1:14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I count on you to continue to be people<br>&nbsp;&nbsp;&nbsp;&nbsp;who steer Japan in a better direction.<br>**[1:14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, I've always done that.<br>**[1:14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally, as a token of my<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks for your participation,<br>**[1:14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I offer you the greatest of gifts.<br>**[1:14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I very much want you to have it.<br>**[1:14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something I've had<br>&nbsp;&nbsp;&nbsp;&nbsp;prepared from the beginning,<br>**[1:14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as an exclusive bonus for the Seleção.<br>**[1:15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Noblesse oblige.<br>**[1:15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sincerely pray you shall continue<br>&nbsp;&nbsp;&nbsp;&nbsp;to be this country's latent saviors.<br>**[1:15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Latent"?<br>**[1:15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, beautiful, why're<br>&nbsp;&nbsp;&nbsp;&nbsp;you shaking? Are you hungry?<br>**[1:15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to lick on my lollipop?<br>**[1:15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! Wait, who am I, again?!<br>**[1:16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Saizo.<br>**[1:16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care.<br>**[1:16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What present did you give them?<br>**[1:16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I delivered the cell phones,<br>&nbsp;&nbsp;&nbsp;&nbsp;I planted a little something in here.<br>**[1:16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now they'll be completely<br>&nbsp;&nbsp;&nbsp;&nbsp;released from the game.<br>**[1:16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[1:16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much do you have to manipulate<br>&nbsp;&nbsp;&nbsp;&nbsp;people's lives before you're satisfied?!<br>**[1:16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[1:16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so far gone I'd lose to the likes of you!<br>**[1:17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takky!<br>**[1:17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa!<br>**[1:17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Takizawa?<br>**[1:18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, I was told I could find<br>&nbsp;&nbsp;&nbsp;&nbsp;a man named Takizawa here...<br>**[1:18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Mononobe!<br>**[1:18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you? You're in my way, you know.<br>**[1:18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't even remember me,<br>&nbsp;&nbsp;&nbsp;&nbsp;after using me like you did?!<br>**[1:18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[1:18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So did I get away without hearing that noise<br>**[1:18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I'd erased my memories before?<br>**[1:18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, Takky, what are you going to do<br>**[1:19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now that you've said *that* to all of Japan?<br>**[1:19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, I'm sure it'll all work out fine!<br>**[1:19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know your message will get through to them.<br>**[1:19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Saki.<br>**[1:19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[1:19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Mom was listening, too...<br>**[1:19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding! Man, what a mom...<br>**[1:19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much crazy stuff has she pulled?<br>**[1:19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, so you're not even the PM's bastard kid?!<br>**[1:19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess not.<br>**[1:19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess that's okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's less trouble for Chigusa.<br>**[1:20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's nice, but Takky,<br>&nbsp;&nbsp;&nbsp;&nbsp;this means you're just a terrorist!<br>**[1:20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems to me you're in trouble now.<br>**[1:20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's right! I bet the whole<br>&nbsp;&nbsp;&nbsp;&nbsp;country's freaking out!<br>**[1:20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good point...<br>**[1:20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, anyway, I'm going.<br>**[1:20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going where? Do you understand<br>&nbsp;&nbsp;&nbsp;&nbsp;how Saki felt coming here?!<br>**[1:20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa... I...<br>**[1:20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[1:20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I remembered one last<br>&nbsp;&nbsp;&nbsp;&nbsp;thing I really have to do.<br>**[1:20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I've finished that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back to you for sure.<br>**[1:20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see you.<br>**[1:20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell Hirasawa and Itazu and Kasuga thanks, too!<br>**[1:21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better come back. You promised me.<br>**[1:21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'll come back for sure.<br>**[1:22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So far, that's the last we've seen of Takizawa.*<br>**[1:22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Apparently, after his terrorist threat,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Seleção game ended,*<br>**[1:22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and his request to become king was canceled.*<br>**[1:22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So he's still a man shrouded in mystery...*<br>**[1:22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But there were more than a few people*<br>**[1:22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who'd be happy to see him crowned king anyway.*<br>**[1:22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Take Chigusa.*<br>**[1:22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Takizawa and the Prime Minister<br>
&nbsp;&nbsp;&nbsp;&nbsp;weren't related by blood,*<br>**[1:22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the course of her short<br>
&nbsp;&nbsp;&nbsp;&nbsp;yet intense involvement with him,*<br>**[1:22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she sensed the same fire in his blood<br>
&nbsp;&nbsp;&nbsp;&nbsp;that had burned in her husband's.*<br>**[1:22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And Aya, who'd tacitly<br>
&nbsp;&nbsp;&nbsp;&nbsp;admitted Takizawa was her son,*<br>**[1:22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*has disappeared again,<br>
&nbsp;&nbsp;&nbsp;&nbsp;along with the mini Shiba.*<br>**[1:23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think she must have circumstances<br>
&nbsp;&nbsp;&nbsp;&nbsp;she can't tell anyone about,*<br>**[1:23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and she intends to keep the secrets<br>
&nbsp;&nbsp;&nbsp;&nbsp;of Takizawa's birth for life.*<br>**[1:23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The NEETs that gathered at Takizawa's call*<br>**[1:23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*joined the AKX20000 in the mall,<br>
&nbsp;&nbsp;&nbsp;&nbsp;which is practically a holy land by now,*<br>**[1:23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and have started up a communal life<br>
&nbsp;&nbsp;&nbsp;&nbsp;operating a daily flea market.*<br>**[1:23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unfortunately, Takizawa never came,*<br>**[1:23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but even though they're furious at the Air King,*<br>**[1:23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*at the same time, they're eagerly<br>
&nbsp;&nbsp;&nbsp;&nbsp;waiting for his Second Coming.*<br>**[1:23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And as for the old guys who<br>
&nbsp;&nbsp;&nbsp;&nbsp;were given that ultimatum...*<br>**[1:23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At first some companies came for the NEETs,<br>
&nbsp;&nbsp;&nbsp;&nbsp;obeying Takizawa's demand,*<br>**[1:23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and announced that they'd be taking<br>
&nbsp;&nbsp;&nbsp;&nbsp;a fresh look at their hiring systems--*<br>**[1:24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but that didn't last long.*<br>**[1:24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even so, most of the NEETs<br>
&nbsp;&nbsp;&nbsp;&nbsp;installed themselves in Toyosu,*<br>**[1:24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*made it their "Paradise,"*<br>**[1:24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*started up new economic activities,*<br>**[1:24:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and are helping Japan recover little by little.*<br>**[1:24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And if you're wondering<br>
&nbsp;&nbsp;&nbsp;&nbsp;what happened to us, well,*<br>**[1:24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the public reaction to us was too much,*<br>**[1:24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so Eden as a company closed<br>
&nbsp;&nbsp;&nbsp;&nbsp;its doors for the time being.*<br>**[1:24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since then, at Hirasawa and Itazu's suggestion,*<br>**[1:24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we've relocated to Toyosu and begun<br>
&nbsp;&nbsp;&nbsp;&nbsp;pursuing a communal life with them*<br>**[1:24:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in order to create a more user-friendly system.*<br>**[1:24:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's been six months since that day...*<br>**[1:24:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As far as I can tell, Japan doesn't<br>
&nbsp;&nbsp;&nbsp;&nbsp;seem to have changed that much.*<br>**[1:24:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But someplace we can't see it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;some change must be underway.*<br>**[1:25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I believe that.*<br>**[1:25:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I know Takizawa must be dashing<br>
&nbsp;&nbsp;&nbsp;&nbsp;around this city alone right now,*<br>**[1:25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing the same thing.*<br>**[1:25:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Carrying the burden of everyone's<br>
&nbsp;&nbsp;&nbsp;&nbsp;hopes on his shoulders...*<br>**[1:25:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I dreamed that with a soft clap of my hands*<br>**[1:25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All of my mysteries were solved*<br>**[1:25:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Reality doesn't go so smoothly*<br>**[1:26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know that all too well--<br>
&nbsp;&nbsp;&nbsp;&nbsp;the whole world knows it*<br>**[1:26:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I dared to surrender myself<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the windy morning*<br>**[1:26:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you laughed and said "attagirl"*<br>**[1:26:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your breath gave me wings*<br>**[1:26:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I said I couldn't believe so easily<br>
&nbsp;&nbsp;&nbsp;&nbsp;that tomorrow would come*<br>**[1:26:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the sun would follow after the rain*<br>**[1:26:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As I lowered my lashes*<br>**[1:26:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was making more rainclouds*<br>**[1:26:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yet...*<br>**[1:26:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You said let's call tomorrow to us,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we'll have sun followed by more sun*<br>**[1:26:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your face in profile<br>
&nbsp;&nbsp;&nbsp;&nbsp;dispelled the clouds with ease*<br>**[1:26:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The future is so dazzling it entrances me*<br>**[1:27:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ah, the world will change*<br>**[1:27:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I peered intently for so long*<br>**[1:27:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wanting to know what color the world you see is*<br>**[1:27:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can believe now*<br>**[1:27:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the me that you believed in,<br>
&nbsp;&nbsp;&nbsp;&nbsp;even in the dark of night*<br>**[1:28:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So that should these days of<br>
&nbsp;&nbsp;&nbsp;&nbsp;chasing after you come to an end*<br>**[1:28:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can keep holding your invisible hand*<br>**[1:28:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Carrying your light within*<br>**[1:28:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A new morning comes,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the world continues on today*<br>**[1:28:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The two of us peeked beyond tomorrow*<br>**[1:28:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Before I knew it, our smiles started looking alike*<br>**[1:28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Somewhere in this town, a miracle's happening*<br>**[1:28:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next to me, your face in profile is just grinning*<br>**[1:28:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we've joined these hands<br>
&nbsp;&nbsp;&nbsp;&nbsp;more certain than magic*<br>**[1:28:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I said I couldn't believe so easily<br>
&nbsp;&nbsp;&nbsp;&nbsp;that tomorrow would come*<br>**[1:29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the sun would follow after the rain*<br>**[1:29:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As I lowered my lashes*<br>**[1:29:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was making more rainclouds*<br>**[1:29:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Goodbye to that*<br>**[1:29:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You said let's call tomorrow to us,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we'll have sun followed by more sun*<br>**[1:29:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your face in profile<br>
&nbsp;&nbsp;&nbsp;&nbsp;dispelled the clouds with ease*<br>**[1:29:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The future is so dazzling it entrances me*<br>**[1:29:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ah, the world will change*<br>**[1:29:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm certain it can change*<br>**[1:30:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir.<br>**[1:30:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone gave you ten billion yen<br>&nbsp;&nbsp;&nbsp;&nbsp;and told you to improve this country,<br>**[1:30:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how would you use that money?<br>**[1:30:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still doing that?<br>**[1:30:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally found you, Mr. Outside!<br>**[1:30:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[1:30:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?! Don't you dare go senile on me!<br>**[1:30:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said if I won,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd automatically get to see you.<br>**[1:31:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least keep your promises!<br>**[1:31:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, now I feel better! All right,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's say that makes things even.<br>**[1:31:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So! I've got a lot of favors to ask you, old man.<br>**[1:31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, could you turn right<br>&nbsp;&nbsp;&nbsp;&nbsp;at the next intersection?<br>**[1:31:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still have a hell of a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;more work we gotta do.<br>**[1:31:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time for fake senility, got it?!<br>**[1:31:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the story of Takizawa and me...<br>
&nbsp;&nbsp;&nbsp;&nbsp;The story of just eleven days.*<br>