# 3 - King of Eden

Source: [Crunchyroll](https://www.crunchyroll.com/series/GY8DDD58Y/eden-of-the-east)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, thanks for believing in me.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stay forever in that place I traveled with you.<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, is that Grand Central Station?<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna get off here? This ain’t the Sheraton.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the famous Grand Central Station, right?<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, fifty-five bucks.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But I just asked if this<br>&nbsp;&nbsp;&nbsp;&nbsp;was Grand Central Station...<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Why is he getting out of the car?!<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the fuck is this?!<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, two, three, four, five, six...<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, missy, I don't know what you're thinking!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you bring this crap into my car?!<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way... Why?!<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a gun... Somebody call the police!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my God...<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What? What?!<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! This is really bad!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way... What's with this?!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My passport and Takizawa's<br>&nbsp;&nbsp;&nbsp;&nbsp;cell phone are both in that cab!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa...<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this time, I swear I'll find you.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki!<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Three days after the missiles<br>
&nbsp;&nbsp;&nbsp;&nbsp;rained down all over Japan,*<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the police finished questioning me*<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I went back to my<br>
&nbsp;&nbsp;&nbsp;&nbsp;sister's house for the time being.*<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Juiz. You have one message.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, thanks for believing in me.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stay forever in that place I traveled with you.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Until the uproar over the incident died down,*<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I basically hid out at home.*<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All I thought about then was what<br>
&nbsp;&nbsp;&nbsp;&nbsp;might have happened to Takizawa.*<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But apparently Juiz had erased all<br>
&nbsp;&nbsp;&nbsp;&nbsp;record that he'd ever been arrested,*<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and he abruptly disappeared from our world.*<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Become king of this country"?<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still, in the cell phone cameras of<br>
&nbsp;&nbsp;&nbsp;&nbsp;the people on that roof if nowhere else,*<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*he definitely existed.*<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As the savior who saved<br>
&nbsp;&nbsp;&nbsp;&nbsp;Japan from the missiles...*<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Based on all the images<br>
&nbsp;&nbsp;&nbsp;&nbsp;published online afterward,*<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the mass media reported that Takizawa<br>
&nbsp;&nbsp;&nbsp;&nbsp;was key to the terror investigation,*<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and they searched everywhere for him.*<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meanwhile, as the source<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the Takizawa footage,*<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the Eden site was flooded<br>
&nbsp;&nbsp;&nbsp;&nbsp;with hits from all over the world,*<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Eden of the East<br>
&nbsp;&nbsp;&nbsp;&nbsp;became a sensation overnight.*<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Likewise, the image of<br>
&nbsp;&nbsp;&nbsp;&nbsp;Takizawa intercepting the missiles*<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*became a symbol of revolution,*<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*combining with the logo of the<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Air King," which means "flying ace,"*<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to draw overwhelming support.*<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After the missiles, this country<br>
&nbsp;&nbsp;&nbsp;&nbsp;reached a giant turning point.*<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once again, there were<br>
&nbsp;&nbsp;&nbsp;&nbsp;miraculously no casualties,*<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but the domestic situation still became unstable,*<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and stocks took a nosedive.*<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The entire administration resigned after<br>
&nbsp;&nbsp;&nbsp;&nbsp;failing to stop another "Careless Monday."*<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Online, people likened it to<br>
&nbsp;&nbsp;&nbsp;&nbsp;Prime Minister Eda's crazy outburst,*<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mockingly calling it "the Uncle Dissolution."*<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This all had a considerable<br>
&nbsp;&nbsp;&nbsp;&nbsp;negative effect on the world economy,*<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but the U.S. still stayed out of it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;maintaining its noninvolvement policy.*<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our global standing plummeted;*<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*other nations satirized us as<br>
&nbsp;&nbsp;&nbsp;&nbsp;"the country that attempted suicide."*<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The missiles never hit,*<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but the truth is, Japan took<br>
&nbsp;&nbsp;&nbsp;&nbsp;more damage than if they had.*<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still, for the youth who knew nothing<br>
&nbsp;&nbsp;&nbsp;&nbsp;of Japan's economic boom or the bubble,*<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*this was their first time<br>
&nbsp;&nbsp;&nbsp;&nbsp;seeing the problems they faced*<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*talked about all over the world.*<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So even though they were nervous,*<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the uncertainty about their nation's<br>
&nbsp;&nbsp;&nbsp;&nbsp;future was actually refreshing in a way.*<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one ever said it in so<br>
&nbsp;&nbsp;&nbsp;&nbsp;many words, but after that day,*<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*our vague sense of despair<br>
&nbsp;&nbsp;&nbsp;&nbsp;changed to a sort of hopefulness.*<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hi, guys!<br>
&nbsp;&nbsp;&nbsp;&nbsp;--*And in these times of unprecedented crisis,*<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Welcome to Eden of the East, Osugi!<br>
&nbsp;&nbsp;&nbsp;&nbsp;--*And in these times of unprecedented crisis,*<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Well, look who's here! Long time no see!<br>
&nbsp;&nbsp;&nbsp;&nbsp;--*Eden of the East took the<br>
&nbsp;&nbsp;&nbsp;&nbsp;plunge and went into business.*<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ended up helping, too,<br>
&nbsp;&nbsp;&nbsp;&nbsp;though I can't really do much.*<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, check out Osugi's business card!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sales Division 3," it says!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--"Three" doesn't mean "third-best," you know!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let me see.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You become an upstanding<br>&nbsp;&nbsp;&nbsp;&nbsp;working man too, okay, Kasuga?!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already a more upstanding<br>&nbsp;&nbsp;&nbsp;&nbsp;worker than you are.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really desperate.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night!<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--*It was about six months later*<br>
&nbsp;&nbsp;&nbsp;&nbsp;--Night!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that things started happening.*<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was summertime.*<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, you just added<br>&nbsp;&nbsp;&nbsp;&nbsp;Washington to your trip in May,<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now I hear you've<br>&nbsp;&nbsp;&nbsp;&nbsp;bought another ticket there.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirasawa, you knew?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you feel like you can belong here?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's... not it...<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being a dolt!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sis?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirasawa's worried about Takky too, you know.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't told you this, but he<br>&nbsp;&nbsp;&nbsp;&nbsp;had Underpants rig something<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that all the logs received on Takky's phone<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;get automatically forwarded to Eden's server.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other Seleção are still playing the game,<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Japan will be in big trouble if<br>&nbsp;&nbsp;&nbsp;&nbsp;more missiles come or something, right?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sis, it's too early to...<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it about time you told her?<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real reason you got Eden<br>&nbsp;&nbsp;&nbsp;&nbsp;started was to save Takky.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We owe him big, after all.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the way I figure it,<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this time we NEETs have to save<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa and change this country.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirasawa...<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that we're actually NEETs anymore.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! So the new Prime Minister's<br>&nbsp;&nbsp;&nbsp;&nbsp;collapsed already?!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding!<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't the name on Takky's passport<br>&nbsp;&nbsp;&nbsp;&nbsp;change from "Takizawa" to "Iinuma"?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe Juiz is trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;make him Prime Minister!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Leak existence of illegitimate child"?<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that means Takky is linuma's son?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it means she's trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;make him the new PM's successor!<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changing his passport was part of the setup.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is crazy.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought Takizawa was being a<br>
&nbsp;&nbsp;&nbsp;&nbsp;little *too* creative with his requests<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he erased his memories again,<br>
&nbsp;&nbsp;&nbsp;&nbsp;said, "I'll be king of Japan," and *left*,<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Juiz has her own issues if she<br>&nbsp;&nbsp;&nbsp;&nbsp;interprets that as "make him PM"!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... But hold on a sec.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The passport was changed<br>&nbsp;&nbsp;&nbsp;&nbsp;right after he disappeared,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so does that mean Juiz<br>&nbsp;&nbsp;&nbsp;&nbsp;anticipated six months ago<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Seijiro linuma would be elected,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that he'd collapse from overwork?<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Juiz's power really does reach<br>&nbsp;&nbsp;&nbsp;&nbsp;right to the heart of the government...<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never underestimate Saizo Ato, huh?<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew saving Takizawa wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be easy, but this confirms it.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;New York?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never went to New York with Takizawa.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From his message about the<br>&nbsp;&nbsp;&nbsp;&nbsp;place where you two traveled,<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems like D.C. is the only foreign possibility.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if...<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? Do you have an idea?<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Two days later, I'd taken off for New York.*<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I believed that "the place we traveled together"*<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was a message that only I would understand...*<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did things turn out this way?!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki? Why didn't you call sooner?!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had us all worried!<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Lots of stuff happened...<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things took a sudden turn for<br>&nbsp;&nbsp;&nbsp;&nbsp;the worse during your flight.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prime Minister linuma passed away,<br>&nbsp;&nbsp;&nbsp;&nbsp;and in response to Takizawa's log,<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 6 and Number 11<br>&nbsp;&nbsp;&nbsp;&nbsp;have headed for New York.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, Number 6 made<br>&nbsp;&nbsp;&nbsp;&nbsp;a request to rig your luggage.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look in your bags first thing!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that was...<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying something's already happened?!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were handguns in my carryon.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of that, I lost my passport<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Noblesse phone...<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Why didn't you check<br>&nbsp;&nbsp;&nbsp;&nbsp;the Noblesse phone right away?!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I was thinking about something...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm sorry to kick you while you're down,<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Seleção Number 2 sent copies of<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa's passport to all the networks,<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;proclaiming him the illegitimate son.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the whole town is talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about how linuma's illegitimate son<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is wanted for questioning<br>&nbsp;&nbsp;&nbsp;&nbsp;in the missile investigation.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the movement in Takizawa's log<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has gotten the Seleção game<br>&nbsp;&nbsp;&nbsp;&nbsp;restarted in earnest.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In just twelve hours?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From Number 11's logs, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;she's the one you met in Roppongi,<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Number 6 is unidentified.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's asked Juiz for Takky's location<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of times and been denied,<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I think he'll probably try<br>&nbsp;&nbsp;&nbsp;&nbsp;to make contact with you, Saki.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, he might already be tailing you.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did Number 6 know about Saki?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think because the media was<br>&nbsp;&nbsp;&nbsp;&nbsp;following her around for a while.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And maybe because she took<br>&nbsp;&nbsp;&nbsp;&nbsp;the Noblesse phone overseas?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes sense...<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, the fact that we don't know what<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 6 wants just makes him creepier.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, you need to adapt<br>&nbsp;&nbsp;&nbsp;&nbsp;to unforeseen circumstances here<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and evacuate to the<br>&nbsp;&nbsp;&nbsp;&nbsp;consulate general right now.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! But--<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've heard that linuma's supporters are<br>&nbsp;&nbsp;&nbsp;&nbsp;flying to New York to look for Takizawa.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to give up on him for now.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't find him now,<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll be pilloried by the press when<br>&nbsp;&nbsp;&nbsp;&nbsp;he doesn't even remember anything!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's already shouldered<br>&nbsp;&nbsp;&nbsp;&nbsp;so many problems for us...<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we can't expose you to any more danger.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't even get a hotel room<br>&nbsp;&nbsp;&nbsp;&nbsp;without your passport, you know!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go straight to the consulate.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't get there on your own,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll dig up an escort for you.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirasawa...<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one thing I really want to check.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that message means<br>&nbsp;&nbsp;&nbsp;&nbsp;the place I think it means,<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to find him<br>&nbsp;&nbsp;&nbsp;&nbsp;just ahead of the other Seleção.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So would you wait just a little bit longer?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Saki...<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The consulate general closes at four o'clock.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Hirasawa.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. But you be sure you get<br>&nbsp;&nbsp;&nbsp;&nbsp;to the consulate before four!<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it?<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Thanks, Hirasawa.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch it, lady!<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why isn't he here?<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hero is supposed to show up<br>&nbsp;&nbsp;&nbsp;&nbsp;when the heroine is in trouble!<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should have gone with her after all.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point in regretting that now.<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think Saki would've gone alone anyway.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good point. Let's have faith that<br>&nbsp;&nbsp;&nbsp;&nbsp;her hard work will pay off, okay?<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, it was Saki's secret plans<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that brought them together in the first place!<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True enough.<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got your voicemail! Saki is missing?!<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Kasuga!<br>&nbsp;&nbsp;&nbsp;&nbsp;--I-It wasn't me!<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figure he'll just bitch about it<br>&nbsp;&nbsp;&nbsp;&nbsp;later if we don't tell him now.<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this about, Hirasawa?!<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did this happen?!<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A simple group of NEETs, turned into<br>&nbsp;&nbsp;&nbsp;&nbsp;"children of the times" overnight!<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I a great producer or what?<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like a fun job.<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how exactly do you make money off of it?<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't care less about<br>&nbsp;&nbsp;&nbsp;&nbsp;the money. More importantly...<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like Public Security<br>&nbsp;&nbsp;&nbsp;&nbsp;has an eye on them.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you know anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about that, Mr. Mononobe?<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, beats me.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really.<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it looks like you're still<br>&nbsp;&nbsp;&nbsp;&nbsp;playing your cards as craftily as ever.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially for someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who won't join the game.<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why did *you* suddenly join in?<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were never interested before.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9 inspired me.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, if I don't get a move on,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Supporter will erase me, right?<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the record, I'm not the Supporter.<br>**[24:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Supporter really exists,<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't you say he's Number 12?<br>**[24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow I can't quite bring myself to trust you.<br>**[24:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you manipulating Number 6?<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't done anything this time.<br>**[24:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making that man go after Number 9<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't be of any benefit to me.<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not like I care at this point.<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you've been "massaging"<br>&nbsp;&nbsp;&nbsp;&nbsp;the law with your politician friends,<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've* found a way to win the game.<br>**[24:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How very interesting.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it have anything to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with how you leaked the identity<br>**[24:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Prime Minister's kid to the media?<br>**[24:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my little secret.<br>**[25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I suppose we have<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing else to talk about.<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And next up is...<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember Takizawa saying "Ground Zero"...<br>**[26:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if I have to ride that thing?<br>**[26:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Safe...<br>**[27:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whatcha doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;--I-I-I'm so sorry!<br>**[27:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that your gun?<br>**[27:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I get it! Someone made you carry it, right?<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes bad guys make<br>&nbsp;&nbsp;&nbsp;&nbsp;tourists run guns for them.<br>**[27:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see it.<br>**[27:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[28:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! Nobody saw us.<br>**[28:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around.<br>**[28:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa, wait!<br>**[28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Takizawa"? My name is linuma...<br>**[28:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Mr. Iinuma... The truth is,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking for someone.<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get separated?<br>**[28:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Er, yes, but I just found him...<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I lost all our things:<br>&nbsp;&nbsp;&nbsp;&nbsp;his precious cell phone, the luggage...<br>**[28:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that really sucks. Do you<br>&nbsp;&nbsp;&nbsp;&nbsp;want me to help you look, then?<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you lose them?<br>**[29:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left them in a yellow cab.<br>**[29:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. But if you just forgot them<br>&nbsp;&nbsp;&nbsp;&nbsp;in a cab, there might be hope.<br>**[29:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a receipt?<br>**[29:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[29:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in luck!<br>**[29:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now everybody's finally following the script...<br>**[29:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it about time we called her?<br>**[29:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still time, so hold your horses.<br>**[29:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[29:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kasuga, I'm gonna call it a day, all right?<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we just decided to do the<br>&nbsp;&nbsp;&nbsp;&nbsp;system administration in shifts!<br>**[30:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Bon Festival; everybody's on vacation.<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus you guys are here, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;So I figure maybe it's okay.<br>**[30:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you saying?!<br>**[30:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine, Kasuga!<br>**[30:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good night, everybody. Get some rest.<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Good night!<br>&nbsp;&nbsp;&nbsp;&nbsp;--See you!<br>**[30:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kasuga's got it good, being treated like an exec<br>**[30:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because he happened to<br>&nbsp;&nbsp;&nbsp;&nbsp;go to Mr. Hirasawa's school...<br>**[30:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kasuga...<br>**[30:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're older than me, so I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;mind that they don't call me "Mr."<br>**[30:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they come in late, they don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want to work the night shift,<br>**[30:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they want raises... they don't get<br>&nbsp;&nbsp;&nbsp;&nbsp;what it means to be working adults!<br>**[30:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, maybe they<br>&nbsp;&nbsp;&nbsp;&nbsp;only think of this as a paradise.<br>**[30:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, how about we send them back to college?<br>**[30:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[31:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I know you're the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who suffers the most.<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old guys who take it for<br>&nbsp;&nbsp;&nbsp;&nbsp;granted they're the winners<br>**[31:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;should be our greatest enemies,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now I understand how they feel...<br>**[31:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because you've become a<br>&nbsp;&nbsp;&nbsp;&nbsp;full-fledged member of society, too!<br>**[31:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with all the freakin' donuts?<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you lose your NEET spirit<br>&nbsp;&nbsp;&nbsp;&nbsp;the second you go into business,<br>**[31:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll end up just like all those<br>&nbsp;&nbsp;&nbsp;&nbsp;"normal" lamebrains before you know it!<br>**[31:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Master Underpants!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hiya, Kasuga. How're you doin'?<br>**[31:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Micchon!<br>**[31:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[31:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I powered up Eden's search engine for ya.<br>**[31:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sweet little piece of work can<br>&nbsp;&nbsp;&nbsp;&nbsp;pull up data we couldn't find before:<br>**[31:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the pre- "Akira linuma"  image<br>&nbsp;&nbsp;&nbsp;&nbsp;data that's gotta be lyin' around<br>**[31:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on terminals in public facilities<br>&nbsp;&nbsp;&nbsp;&nbsp;and private businesses!<br>**[32:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First we gotta find out Vintage Boy's past.<br>**[32:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we do that, we can stop<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone thinkin' he's the PM's kid!<br>**[32:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sir!<br>**[32:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, did I interrupt your job?<br>**[32:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was on my way to a<br>&nbsp;&nbsp;&nbsp;&nbsp;coworker's wedding reception.<br>**[32:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coworker?<br>**[32:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, you'll find your bags.<br>**[32:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[32:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found the guy you<br>&nbsp;&nbsp;&nbsp;&nbsp;were looking for, didn't you?<br>**[32:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "Takizawa" guy.<br>**[33:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[33:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is he an old boyfriend or something?<br>**[33:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No!<br>**[33:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wasn't my boyfriend or anything...<br>**[33:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six months ago, he disappeared all of a sudden.<br>**[33:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I finally found out that he was in New York...<br>**[33:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he doesn't remember me at all.<br>**[33:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that's harsh.<br>**[33:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, tell me about it...<br>**[33:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found out who your driver was.<br>**[34:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's him!<br>**[34:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes, he looks scary.<br>**[34:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you stay just like this for me?<br>**[34:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi!<br>**[34:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know if anybody happened to<br>&nbsp;&nbsp;&nbsp;&nbsp;leave a cell phone in your cab today?<br>**[34:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know nothin' about that.<br>**[34:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is, I'm a cop. From Japan.<br>**[34:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cop?<br>**[34:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you recognize that girl, Sir?<br>**[34:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may not look it, but she's a skilled terrorist!<br>**[34:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a terrorist?<br>**[35:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I finally nabbed her,<br>**[35:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now I can't find the<br>&nbsp;&nbsp;&nbsp;&nbsp;bomb she planted in her cab.<br>**[35:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get me? B-O-M-B, *bomb*!<br>**[35:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bomb?<br>**[35:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently it's disguised as a cell phone.<br>**[35:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have a big problem on<br>&nbsp;&nbsp;&nbsp;&nbsp;my hands if I don't find it!<br>**[35:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you don't know anything?<br>**[35:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kaboom*, you know?<br>**[35:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh...<br>**[35:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I've got the wrong place.<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll keep asking around.<br>**[35:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, good luck!<br>**[35:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey, wait up, wait up, wait up!<br>**[35:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this what you're lookin' for?<br>**[35:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thank God we found it in time!<br>**[35:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a close call...<br>**[35:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your cooperation, Sir!<br>**[35:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back!<br>**[36:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He looked scary...<br>**[36:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, he was actually pretty nice.<br>**[36:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go. Oh, and I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;you should take a cab back home.<br>**[36:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just in case.<br>**[36:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[36:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something else?<br>**[36:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, remember how I told you I'd<br>&nbsp;&nbsp;&nbsp;&nbsp;found the person I was looking for?<br>**[36:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I meant you!<br>**[36:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that, some new<br>&nbsp;&nbsp;&nbsp;&nbsp;pickup line? Well, I'm floored...<br>**[36:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[36:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for you<br>&nbsp;&nbsp;&nbsp;&nbsp;for six months straight.<br>**[37:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna come home with me?<br>**[37:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[37:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stressing out like that isn't going<br>&nbsp;&nbsp;&nbsp;&nbsp;to help anything, you know.<br>**[37:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's almost time...<br>**[37:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's an email from Saki!<br>**[37:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I found Takizawa."<br>**[37:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thanks to him, I got the passport<br>&nbsp;&nbsp;&nbsp;&nbsp;and cell phone back, too."<br>**[37:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tough call who came<br>&nbsp;&nbsp;&nbsp;&nbsp;to whose rescue here, huh?<br>**[37:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How* did she find him, though?<br>**[37:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love brought them together, obviously!<br>**[38:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What else?<br>&nbsp;&nbsp;&nbsp;&nbsp;-- "We're going to his apartment for now."  That's all.<br>**[38:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this is so exciting! Don't you think?!<br>**[38:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone call Saki and tell<br>&nbsp;&nbsp;&nbsp;&nbsp;her to use good judgment!<br>**[38:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Saki, you can't do that!<br>**[38:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive out your evil thoughts, Osugi!<br>**[38:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a life we can never have!<br>**[38:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kasuga, tumblin' in a sea of evil thoughts<br>**[38:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the default state of NEET youth!<br>**[38:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As his junior, it's your duty to<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhat-fondly watch over him.<br>**[38:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Micchon?<br>**[38:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think so.<br>**[39:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, this is Juiz.<br>**[39:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get her safely away this morning?<br>**[39:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I distracted the police by<br>&nbsp;&nbsp;&nbsp;&nbsp;causing a minor car accident nearby.<br>**[39:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd hoped to use a more elegant method, but...<br>**[39:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[39:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know we can't do much outside<br>&nbsp;&nbsp;&nbsp;&nbsp;the system's effective range.<br>**[39:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very kind. Is there<br>&nbsp;&nbsp;&nbsp;&nbsp;anything else you'd like?<br>**[39:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I think that'll do for now, thank you.<br>**[39:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[39:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[39:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that we haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;done the usual in a while...<br>**[39:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true, I haven't cut off<br>&nbsp;&nbsp;&nbsp;&nbsp;a single johnny since then.<br>**[39:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I... done something wrong?<br>**[40:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. I just have other<br>&nbsp;&nbsp;&nbsp;&nbsp;business to attend to right now.<br>**[40:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I ask what?<br>**[40:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 1 here, Daiju Mononobe,<br>**[40:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the four-eyed jerk with the<br>&nbsp;&nbsp;&nbsp;&nbsp;slicked-back hair who hit me.<br>**[40:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After he quit his job as a bureaucrat,<br>**[40:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he got an executive post at Ato & Company.<br>**[40:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He tried to make himself the new<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Outside, but he screwed up,<br>**[40:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we don't know what he's been doin' since.<br>**[40:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we don't know who Number 2 is.<br>**[40:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's made a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;"criminal prankster" -type requests,<br>**[40:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's cleverly kept his identity hidden.<br>**[40:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 6 is sneakin' around New York right now.<br>**[40:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know who he is either,<br>&nbsp;&nbsp;&nbsp;&nbsp;but judgin' from his logs,<br>**[40:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he seems like a film producer or something.<br>**[40:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's highly likely that Seleção<br>&nbsp;&nbsp;&nbsp;&nbsp;Numbers 1, 2, and 6 here<br>**[40:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are a threat to Vintage Boy.<br>**[41:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see Number 10, Ryo Yuki,<br>**[41:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has moved from the<br>&nbsp;&nbsp;&nbsp;&nbsp;"danger" list to the "dropout" one.<br>**[41:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, ever since the missile incident,<br>**[41:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's been makin' various<br>&nbsp;&nbsp;&nbsp;&nbsp;"Number 9 assassination" requests<br>**[41:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bein' denied every time,<br>**[41:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but three days ago, his icon finally went dark.<br>**[41:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds like what happened with Number 4.<br>**[41:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I don't know yet<br>&nbsp;&nbsp;&nbsp;&nbsp;whether he's alive or dead,<br>**[41:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but considerin' that he had<br>&nbsp;&nbsp;&nbsp;&nbsp;money left, just like Number 4,<br>**[41:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe someone decided<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd lost his value as a Seleção.<br>**[41:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bigger surprise is Number 5, Hajime Hiura.<br>**[41:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy's got no money left,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's actually still alive!<br>**[41:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I went to see him, he wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;runnin' the hospital anymore.<br>**[41:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And guess why? He'd lost<br>&nbsp;&nbsp;&nbsp;&nbsp;all his recent memories!<br>**[41:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't even really get<br>&nbsp;&nbsp;&nbsp;&nbsp;that he owned a big hospital.<br>**[41:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed pretty shocked<br>&nbsp;&nbsp;&nbsp;&nbsp;when I told him my story,<br>**[42:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he grasped things quicker<br>&nbsp;&nbsp;&nbsp;&nbsp;than I would've thought.<br>**[42:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was like when he found<br>&nbsp;&nbsp;&nbsp;&nbsp;out he'd built the hospital,<br>**[42:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he finally accepted things.<br>**[42:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess his beliefs give him<br>&nbsp;&nbsp;&nbsp;&nbsp;that positive attitude.<br>**[42:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why wasn't he killed by<br>&nbsp;&nbsp;&nbsp;&nbsp;the Supporter, do you think?<br>**[42:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he used up all of his money and<br>&nbsp;&nbsp;&nbsp;&nbsp;survived, does that mean he won?<br>**[42:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if someone wins, the other<br>&nbsp;&nbsp;&nbsp;&nbsp;Seleção get eliminated, right?<br>**[42:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So isn't this weird?<br>**[42:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe when Mr. Outside said "eliminated,"<br>**[42:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he meant he'd snuff out their<br>
&nbsp;&nbsp;&nbsp;&nbsp;*memories*, not their actual lives?<br>**[42:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he also said that Seleção who<br>&nbsp;&nbsp;&nbsp;&nbsp;broke the rules would die, right?<br>**[42:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True, but what if No. 12 is actually<br>
&nbsp;&nbsp;&nbsp;&nbsp;both Mr. Outside *and* the Supporter?<br>**[42:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd take serious time and effort<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep tabs on the other Seleção,<br>**[42:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;make 'em play by the rules,<br>&nbsp;&nbsp;&nbsp;&nbsp;and distribute the penalties by himself.<br>**[43:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz helped him, right?<br>**[43:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't find any trace of that in the logs.<br>**[43:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the one who organized the game,<br>**[43:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so he could be outside the rules, right?<br>**[43:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why would he leave a<br>&nbsp;&nbsp;&nbsp;&nbsp;record of transportin' Juiz?<br>**[43:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My take is, old Saizo Ato is nuts,<br>**[43:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's been runnin' a pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;consistent game so far.<br>**[43:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So maybe he just made up the "Supporter" rule<br>**[43:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to force everybody into<br>&nbsp;&nbsp;&nbsp;&nbsp;playin' his life-or-death game?<br>**[43:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the others mistaking<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa for the Supporter<br>**[43:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is just a case in point?<br>**[43:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a wishful-thinkin' scenario, I'll admit.<br>**[43:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it'd be good news for Takky.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been using up his balance.<br>**[43:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't theorize ahead of the facts.<br>**[43:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's right. Let's not look<br>&nbsp;&nbsp;&nbsp;&nbsp;through rose-colored glasses here.<br>**[43:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[44:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, so I'm Number 9 in this "Seleção" group,<br>**[44:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm wanted for questioning<br>&nbsp;&nbsp;&nbsp;&nbsp;in that big Japanese missile case.<br>**[44:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like *The Man Who Stole the Sun*!<br>**[44:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's all true, I swear!<br>**[44:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. It's not like I don't believe you.<br>**[44:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[44:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my place.<br>**[44:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't this...?<br>**[44:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Air King!<br>**[44:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi!<br>**[44:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[44:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People call you "Air King"?<br>**[45:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup. People I've never even met<br>&nbsp;&nbsp;&nbsp;&nbsp;walk up to me on the street.<br>**[45:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I figured I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;dismiss your story out of hand.<br>**[45:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, I do remember that<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have my memories.<br>**[45:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, I guess I'm not just a<br>&nbsp;&nbsp;&nbsp;&nbsp;lookalike-- I'm the real thing.<br>**[45:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're in room 801 of the Gramercy, got it?<br>**[45:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make them take a shower,<br>&nbsp;&nbsp;&nbsp;&nbsp;using any means necessary.<br>**[45:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then do just like I told you--<br>**[45:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but I don't understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the point of your request at all.<br>**[45:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, the great movies throughout the ages<br>**[45:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have always had couples on the run<br>&nbsp;&nbsp;&nbsp;&nbsp;taking showers wherever they end up!<br>**[45:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the classic pattern!<br>**[45:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may,<br>**[45:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not even the Seleção system<br>&nbsp;&nbsp;&nbsp;&nbsp;can control the human will.<br>**[45:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're now outside the<br>&nbsp;&nbsp;&nbsp;&nbsp;effective range in any case,<br>**[45:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so these things are not so simple.<br>**[45:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hold on a second! I know for a fact<br>**[46:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're supplying Number 9 with<br>&nbsp;&nbsp;&nbsp;&nbsp;cash from a bank account you made!<br>**[46:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's totally breaking the rules.<br>&nbsp;&nbsp;&nbsp;&nbsp;So bend them a little for me, too!<br>**[46:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a part of Number 9's<br>&nbsp;&nbsp;&nbsp;&nbsp;request to become king,<br>**[46:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and thus is not against the rules.<br>**[46:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, I get it. Make me a king too, then!<br>**[46:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid the process of becoming<br>&nbsp;&nbsp;&nbsp;&nbsp;king is different for each Seleção.<br>**[46:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait while I confirm whether<br>&nbsp;&nbsp;&nbsp;&nbsp;it is possible to make you king at all.<br>**[46:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's with that attitude?!<br>**[46:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you don't want me to?<br>**[46:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fricking hell! Just shut up<br>&nbsp;&nbsp;&nbsp;&nbsp;and do what I told you to before!<br>**[46:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accepted.<br>**[46:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I pray you shall be a savior<br>&nbsp;&nbsp;&nbsp;&nbsp;who watches his mouth a little better.<br>**[46:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit, she's getting cheekier every day...<br>**[47:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you paying for this room, Mr. Iinuma?<br>**[47:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... Oh, you can just call me<br>&nbsp;&nbsp;&nbsp;&nbsp;"Takizawa" if you want.<br>**[47:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. So, what's happened since<br>&nbsp;&nbsp;&nbsp;&nbsp;you noticed your memory loss?<br>**[47:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police up and released me all of a sudden,<br>**[47:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they gave me cards and a<br>&nbsp;&nbsp;&nbsp;&nbsp;passport in Akira linuma's name,<br>**[47:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and these.<br>**[47:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I got a phone call<br>**[47:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying to come to the theater<br>
&nbsp;&nbsp;&nbsp;&nbsp;where I first saw *Dumbo*.<br>**[47:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, I found the theater by myself,<br>**[47:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've been waiting here for my mom to come.<br>**[47:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your mom?<br>**[47:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People usually watch *Dumbo*<br>
&nbsp;&nbsp;&nbsp;&nbsp;with their moms, right?<br>**[47:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I figured that call must've been from Mom.<br>**[47:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you said I haven't seen<br>&nbsp;&nbsp;&nbsp;&nbsp;my mom since I was five, right?<br>**[47:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I guess that "concierge"<br>&nbsp;&nbsp;&nbsp;&nbsp;got this room for me, then?<br>**[47:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't remember<br>&nbsp;&nbsp;&nbsp;&nbsp;anything like that in your log.<br>**[48:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[48:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's too dangerous to come back to Japan now.<br>**[48:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of you hide out in the U.S. until the<br>&nbsp;&nbsp;&nbsp;&nbsp;dust settles. We'll back you up from here.<br>**[48:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait for us to call."<br>**[48:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do they mean?<br>**[48:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your king request keeps moving forward,<br>**[48:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll end up going back not just<br>&nbsp;&nbsp;&nbsp;&nbsp;as the illegitimate son of the PM,<br>**[48:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as the prime suspect<br>&nbsp;&nbsp;&nbsp;&nbsp;in the missile terrorism, too.<br>**[48:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you think maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;I could cancel that order?<br>**[48:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try asking.<br>**[48:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[48:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, this is Juiz!<br>**[48:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hello?<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's been so long!<br>**[48:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard from you<br>**[48:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since I called the police station<br>&nbsp;&nbsp;&nbsp;&nbsp;while I was having you released!<br>**[48:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that was you! I totally<br>&nbsp;&nbsp;&nbsp;&nbsp;thought you were my mom.<br>**[48:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're contacting me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I take it everything is going well?<br>**[48:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a relief!<br>**[49:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess. Um, about that...<br>**[49:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't suppose I could cancel<br>&nbsp;&nbsp;&nbsp;&nbsp;that request to become king?<br>**[49:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[49:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I thought you'd make a splendid king...<br>**[49:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a wee bit disappointed.<br>**[49:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it that big a deal?<br>**[49:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is technically possible to cancel,<br>**[49:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you do so, all matters<br>&nbsp;&nbsp;&nbsp;&nbsp;will be left as they are right now.<br>**[49:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all right?<br>**[49:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see. Well, that's no good...<br>**[49:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still think you should do it.<br>**[49:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let me think it over.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>**[49:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. Noblesse oblige.<br>**[49:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray you shall continue to be a<br>&nbsp;&nbsp;&nbsp;&nbsp;splendid prince-- or rather, a savior.<br>**[49:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[49:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, I thought maybe I might as<br>&nbsp;&nbsp;&nbsp;&nbsp;well go the distance at this point.<br>**[49:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Maybe"...?<br>**[50:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose it's only natural<br>&nbsp;&nbsp;&nbsp;&nbsp;that Mrs. Iinuma feels this way...<br>**[50:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 6's requests are as strange as ever.<br>**[50:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Number 9 realizes?<br>**[50:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have to eat cup ramen!<br>**[50:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys forget the whole NEET spirit<br>&nbsp;&nbsp;&nbsp;&nbsp;the second I take my eyes off you.<br>**[50:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Says the man who could only<br>&nbsp;&nbsp;&nbsp;&nbsp;live for two years as a shut-in<br>**[50:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because his parents gave him an allowance!<br>**[50:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what true NEET-ism is all about, duh.<br>**[51:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty soon it won't be so easy<br>&nbsp;&nbsp;&nbsp;&nbsp;to make it as a NEET anymore<br>**[51:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because your parents are well-off.<br>**[51:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like that change in the<br>&nbsp;&nbsp;&nbsp;&nbsp;tax laws is close to going through.<br>**[51:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the one that's supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to make the death tax 100%?<br>**[51:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gettin' hit with the fallout<br>**[51:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the country's value goin'<br>&nbsp;&nbsp;&nbsp;&nbsp;down after the missile incident.<br>**[51:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But can such a crazy bill really pass easily?<br>**[51:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only the young people<br>&nbsp;&nbsp;&nbsp;&nbsp;who aren't taking it seriously.<br>**[51:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lots of people are fooled,<br>**[51:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since at first glance it seems like<br>&nbsp;&nbsp;&nbsp;&nbsp;they're getting rid of vested rights,<br>**[51:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the older generation's already<br>&nbsp;&nbsp;&nbsp;&nbsp;started spending their savings.<br>**[51:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. My old man's doing his best<br>&nbsp;&nbsp;&nbsp;&nbsp;to make sure he doesn't leave me any.<br>**[51:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its supporters are saying<br>**[51:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll increase consumption and<br>&nbsp;&nbsp;&nbsp;&nbsp;speed the economy's recovery,<br>**[51:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but ultimately they just want<br>&nbsp;&nbsp;&nbsp;&nbsp;to put the screws on the NEETs.<br>**[51:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazuomi's dad is playing right into their hands.<br>**[51:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that just going to burden<br>&nbsp;&nbsp;&nbsp;&nbsp;the taxpayers in the end, anyway?!<br>**[52:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, they've got no love!<br>**[52:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kasuga, your phone never hung up.<br>**[52:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That doesn't make sense.<br>**[52:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ending the call.<br>**[52:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 6 made a move!<br>**[52:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man!<br>**[52:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, hot! Why did this thing turn itself on?<br>**[52:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[52:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9?<br>**[52:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[52:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really don't remember me, then.<br>**[52:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[52:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, are you<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shower right now?<br>**[53:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Where did *that* come from?<br>**[53:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just tell me.<br>**[53:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... not at the moment...<br>**[53:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then check your cell phone right now.<br>**[53:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was that?<br>**[53:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me.<br>**[53:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock on...<br>**[53:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the subdued explosions that<br>&nbsp;&nbsp;&nbsp;&nbsp;actually seem the most real, huh?<br>**[53:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is right up there with Spielberg's *Munich*!<br>**[53:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they doing there?!<br>**[53:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing?!<br>**[53:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, the great movies throughout--<br>**[53:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not one great film has ever ended<br>**[53:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a shot of the leads getting<br>&nbsp;&nbsp;&nbsp;&nbsp;blown up in the bathroom.<br>**[54:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was my original touch.<br>**[54:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, I'll forgive you this<br>&nbsp;&nbsp;&nbsp;&nbsp;one time. Just tail them.<br>**[54:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not accepted. You are outside<br>&nbsp;&nbsp;&nbsp;&nbsp;of the effective range,<br>**[54:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I cannot pursue them in a timely manner.<br>**[54:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[54:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we're both fine.<br>**[54:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really get what happened, but<br>&nbsp;&nbsp;&nbsp;&nbsp;someone warned him about the bomb.<br>**[54:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Who?<br>**[54:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know...<br>**[54:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, we'll think up a way<br>&nbsp;&nbsp;&nbsp;&nbsp;to wire you money by tomorrow.<br>**[54:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use it to get out of New York.<br>**[54:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[54:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First things first: do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;someplace to hide today?<br>**[54:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll try going where Takizawa works for now.<br>**[54:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says he has a key.<br>**[55:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the theater where I first saw *Dumbo*.<br>**[55:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed you made it<br>&nbsp;&nbsp;&nbsp;&nbsp;here on just that one clue!<br>**[55:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well...<br>**[55:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this. Sometimes they turn<br>&nbsp;&nbsp;&nbsp;&nbsp;the AC up too high in here.<br>**[55:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>**[55:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in trouble if someone finds us,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll keep watch in the lobby.<br>**[55:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holler if you need anything.<br>**[55:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[55:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to leave again?<br>**[55:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think I was in Brooklyn today?<br>**[56:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got no memories, yet I<br>&nbsp;&nbsp;&nbsp;&nbsp;have this weird "movie recall."<br>**[56:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said so too, right?<br>**[56:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's probably why I<br>&nbsp;&nbsp;&nbsp;&nbsp;managed to find this place.<br>**[56:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was just one movie I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;remember no matter how hard I tried.<br>**[56:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A couple is temporarily separated, see.<br>**[56:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they'd photographed themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;right in the middle of 9/11<br>**[56:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with Ground Zero in the background.<br>**[56:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The picture becomes the clue<br>&nbsp;&nbsp;&nbsp;&nbsp;that brings them back together.<br>**[56:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted so bad to remember<br>&nbsp;&nbsp;&nbsp;&nbsp;the title of that movie,<br>**[56:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to Ground Zero every day.<br>**[56:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it turns out that wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;a scene in a movie, after all.<br>**[57:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're actually hacking<br>&nbsp;&nbsp;&nbsp;&nbsp;into people's local networks.<br>**[57:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you get in trouble for peeping<br>&nbsp;&nbsp;&nbsp;&nbsp;into business and school records?<br>**[57:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little late to be sayin' that!<br>**[57:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We gotta go at this all-out,<br>**[57:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and find everything down<br>&nbsp;&nbsp;&nbsp;&nbsp;to his graduation photos!<br>**[57:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found something!<br>**[57:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I know why we couldn't find anything!<br>**[57:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That damn Juiz!<br>**[57:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever she sees pre- "Akira linuma"<br>&nbsp;&nbsp;&nbsp;&nbsp;data on the net about him,<br>**[57:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she changes it to Akira linuma!<br>**[57:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Micchon! What's in Number 9's detail log?<br>**[57:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing like that...<br>**[57:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gone?!<br>**[57:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So while she erases Akira Takizawa's history,<br>**[57:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she also erases the names in his detail log?<br>**[58:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, so data's been disappearing<br>&nbsp;&nbsp;&nbsp;&nbsp;without us knowing it all this time?!<br>**[58:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, chill out. I planned for this kind of thing.<br>**[58:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I set things up so the phone<br>&nbsp;&nbsp;&nbsp;&nbsp;activity's transferred to my PC too,<br>**[58:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it gets instantly saved there!<br>**[58:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why we call you the master!<br>**[58:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it, you'll make me blush.<br>**[58:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! A protection system<br>&nbsp;&nbsp;&nbsp;&nbsp;with attack capabilities?!<br>**[58:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever seen anything like this, Micchon?!<br>**[58:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nuh-uh...<br>**[58:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Micchon, try scrolling<br>&nbsp;&nbsp;&nbsp;&nbsp;back down Takky's detail log.<br>**[58:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look here.<br>**[58:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hack into Eden of the East and<br>&nbsp;&nbsp;&nbsp;&nbsp;use the image search system"...<br>**[58:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Underpants, Juiz is using the<br>&nbsp;&nbsp;&nbsp;&nbsp;Eden System to her own advantage<br>**[58:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because *you* beefed up the search engine!<br>**[58:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! That bitch!<br>**[58:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, Akira linuma will<br>&nbsp;&nbsp;&nbsp;&nbsp;supplant Akira Takizawa completely.<br>**[59:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is called a "rovin' bug."<br>**[59:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a way to remotely control cell phones<br>**[59:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and listen to the surroundin' conversation.<br>**[59:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear FBI types use 'em all the time.<br>**[59:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is a Seleção behind this?<br>**[59:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No idea.<br>**[59:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Micchon? Anything left?<br>**[59:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Number 1's log says,<br>**[59:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ask the MPD's Public Security division<br>**[59:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to secretly investigate Eden of the East."<br>**[59:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[59:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what does he want with Eden?<br>**[1:00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa?!<br>**[1:00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[1:00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think I'd left?<br>**[1:00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had this poster hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;up in your theater, too.<br>**[1:00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess this is the formative imagery<br>&nbsp;&nbsp;&nbsp;&nbsp;for my memories about movies.<br>**[1:00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what now?<br>**[1:00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it'll still be a bit before the<br>&nbsp;&nbsp;&nbsp;&nbsp;money comes in from your friends.<br>**[1:00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have enough cash for the Chinatown bus, but...<br>**[1:01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to take a little stroll<br>&nbsp;&nbsp;&nbsp;&nbsp;around New York, then?<br>**[1:01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[1:01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the feeling I lived in<br>&nbsp;&nbsp;&nbsp;&nbsp;this neighborhood as a kid.<br>**[1:01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm curious about that room...<br>**[1:01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to find proof.<br>**[1:01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before my past disappears.<br>**[1:01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, back then you<br>&nbsp;&nbsp;&nbsp;&nbsp;said there was no "gold ring," right?<br>**[1:01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that was...<br>**[1:01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Juiz.<br>**[1:01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, no-obli.<br>**[1:01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to start something<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting. Wanna hear about it?<br>**[1:01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By all means!<br>**[1:01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The son of that hawkish PM<br>&nbsp;&nbsp;&nbsp;&nbsp;is the missile terrorist."<br>**[1:01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough to cause a big stir, right?<br>**[1:01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that alone can't save this country.<br>**[1:01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To save Japan, we just gotta<br>&nbsp;&nbsp;&nbsp;&nbsp;make victims of all its citizens<br>**[1:01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and give the whole nation an<br>&nbsp;&nbsp;&nbsp;&nbsp;excuse to bitch at other countries.<br>**[1:02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get me, Juiz?<br>**[1:02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I get you, 2G.<br>**[1:02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These days, the victim has<br>&nbsp;&nbsp;&nbsp;&nbsp;all the power, am I right?<br>**[1:02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We live in an age where all you<br>&nbsp;&nbsp;&nbsp;&nbsp;gotta do is spill coffee in your lap<br>**[1:02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can sue for damages.<br>**[1:02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we'll buy us a victim ticket and<br>&nbsp;&nbsp;&nbsp;&nbsp;get on that last train to popularity.<br>**[1:02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a shame to waste the NEETs' sit-in.<br>**[1:02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a nice, painless destruction.<br>**[1:02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magnificent, 2G. I'm getting chills!<br>**[1:02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, right? The PM's son will<br>&nbsp;&nbsp;&nbsp;&nbsp;return to Japan in an Air King t-shirt.<br>**[1:02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of Asia will totally blow a gasket<br>**[1:02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because they'll be afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;of us turning militaristic.<br>**[1:02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if he's shot by a foreigner<br>&nbsp;&nbsp;&nbsp;&nbsp;right after he gets home,<br>**[1:02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be a done deal.<br>**[1:02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, 2G. I pray you'll always<br>&nbsp;&nbsp;&nbsp;&nbsp;be a cutting-edge savior.<br>**[1:02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, how shall we<br>&nbsp;&nbsp;&nbsp;&nbsp;get him to wear the t-shirt?<br>**[1:03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that must be the<br>&nbsp;&nbsp;&nbsp;&nbsp;"gold ring" you were talking about!<br>**[1:03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did a bunch of research afterward,<br>**[1:03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and found out that Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;merry-go-rounds don't have them.<br>**[1:03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, most of the U.S.<br>&nbsp;&nbsp;&nbsp;&nbsp;ones don't anymore, either,<br>**[1:03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they did up until the late 80s.<br>**[1:03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you grab that ring, you can<br>&nbsp;&nbsp;&nbsp;&nbsp;ride the merry-go-round again.<br>**[1:04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it...<br>**[1:04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if I was here as a kid,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd probably know about that.<br>**[1:04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't get it?<br>**[1:04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, it's over already?<br>**[1:04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take another spin.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll watch you from over there.<br>**[1:04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you...?!<br>**[1:04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[1:04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she had me doing nothing but watching<br>&nbsp;&nbsp;&nbsp;&nbsp;movies all by myself back then...<br>**[1:04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was really happy when she took me<br>&nbsp;&nbsp;&nbsp;&nbsp;to the park instead of the movie theater.<br>**[1:04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I reached for that ring with everything I had,<br>**[1:04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that I'd never have to<br>&nbsp;&nbsp;&nbsp;&nbsp;get off the merry-go-round.<br>**[1:05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then when I caught it, I shouted,<br>&nbsp;&nbsp;&nbsp;&nbsp;"I did it, Mom!" and waved to her...<br>**[1:05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I remember my mom<br>&nbsp;&nbsp;&nbsp;&nbsp;was watching me from here.<br>**[1:05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she hated movies, so the only one<br>
&nbsp;&nbsp;&nbsp;&nbsp;she watched with me was *Dumbo*.<br>**[1:05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takizawa, you're going to get wet!<br>**[1:05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, I want to keep watching you from here.<br>**[1:05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target sighted. He's in front of the carousel.<br>**[1:05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally found you! Damn you,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting friendly all by yourselves...<br>**[1:06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this...?<br>**[1:06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remembered stuff from my life<br>&nbsp;&nbsp;&nbsp;&nbsp;in New York, thanks to you.<br>**[1:06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[1:06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and get in!<br>**[1:07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the one who called me yesterday, too?<br>**[1:07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Prime Minister linuma's<br>&nbsp;&nbsp;&nbsp;&nbsp;wife sent me to fetch you<br>**[1:07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the utmost secrecy.<br>**[1:07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[1:07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Seleção aren't the only ones<br>&nbsp;&nbsp;&nbsp;&nbsp;displeased about your "king" request.<br>**[1:07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both her husband's good name<br>&nbsp;&nbsp;&nbsp;&nbsp;and her own pride have been sullied,<br>**[1:07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she hates you passionately for that.<br>**[1:07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why take Takizawa to her?<br>**[1:07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mrs. Iinuma wishes to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;your intentions in person.<br>**[1:07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'd like to see what sort of king you make.<br>**[1:07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now? I erased the new search engine, but...<br>**[1:08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's shut the Eden of the East system down.<br>**[1:08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should buy us a little time.<br>**[1:08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[1:08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much longer will that get us?<br>**[1:08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should have about 48 hours.<br>**[1:08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess this proves how brilliant our system is.<br>**[1:08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirasawa, at this point,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Eden of the East system<br>**[1:08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is essential public infrastructure,<br>**[1:08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not just something for the 20,000<br>&nbsp;&nbsp;&nbsp;&nbsp;idle intelligentsia living in Toyosu!<br>**[1:08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no choice. Micchon!<br>**[1:08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I switched over to wireless LAN.<br>**[1:09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Eden of the East.<br>**[1:09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirasawa...<br>**[1:09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kasuga, I'm sure you'll get a flood<br>&nbsp;&nbsp;&nbsp;&nbsp;of complaints about the downtime,<br>**[1:09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's just a temporary measure.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let it get to you.<br>**[1:09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Hirasawa poured his blood and<br>&nbsp;&nbsp;&nbsp;&nbsp;sweat and snot into Eden of the East!<br>**[1:09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could've left the "snot" part out!<br>**[1:09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazuomi, we can't support Saki and<br>&nbsp;&nbsp;&nbsp;&nbsp;Takky this way. What should we do?<br>**[1:09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a proposal!<br>**[1:09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given that we're under police surveillance here,<br>**[1:09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why not relocate our headquarters entirely?<br>**[1:09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relocate it *where*?<br>**[1:09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, I secured our college club<br>&nbsp;&nbsp;&nbsp;&nbsp;room for just such an occasion!<br>**[1:09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the old Eden system is still there, after all!<br>**[1:09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That settles it. It's the perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;place to help Vintage Boy from.<br>**[1:10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it would seem.<br>**[1:10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got an email from Saki.<br>**[1:10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We're heading for the airport.<br>**[1:10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the sudden notice,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Takizawa is coming back to Japan."<br>**[1:10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck?!<br>**[1:10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid this is as far as you come.<br>**[1:10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what does this mean?<br>**[1:10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 1 is launching a missile...<br>**[1:10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz? Tell me what's going on at<br>&nbsp;&nbsp;&nbsp;&nbsp;the place in Number 1's detail log.<br>**[1:11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, launch the other two missiles for me.<br>**[1:11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accepted. Noblesse oblige.<br>**[1:11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray you shall be an unbeatable<br>&nbsp;&nbsp;&nbsp;&nbsp;"raze and rebuild" savior.<br>**[1:12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My number's gone dark, too!<br>**[1:12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Juiz? Juiz!<br>**[1:12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Mr. Mononobe find Juiz<br>&nbsp;&nbsp;&nbsp;&nbsp;and destroy her with that missile?<br>**[1:12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my request has already been<br>&nbsp;&nbsp;&nbsp;&nbsp;half accepted too, Mr. Mononobe.<br>**[1:12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ideal isn't the way this nation wants to be.<br>**[1:12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki! Weren't you eliminated by the Supporter?!<br>**[1:12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I "eliminated" myself by<br>&nbsp;&nbsp;&nbsp;&nbsp;breaking my Noblesse phone,<br>**[1:12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could get my revenge.<br>**[1:13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, there's something urgent<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to do for me.<br>**[1:13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What might that be?<br>**[1:13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you move the third trailer<br>&nbsp;&nbsp;&nbsp;&nbsp;in the convoy to the front?<br>**[1:13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, of course!<br>**[1:13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then please do.<br>**[1:13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accepted! Noblesse oblige.<br>**[1:13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray you shall still be my<br>&nbsp;&nbsp;&nbsp;&nbsp;splendid savior tomorrow.<br>**[1:13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, Juiz...<br>**[1:14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Juiz, you were far and away the<br>&nbsp;&nbsp;&nbsp;&nbsp;most brilliant assistant I ever had.<br>**[1:14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9! I can't be your<br>&nbsp;&nbsp;&nbsp;&nbsp;guardian angel anymore.<br>**[1:14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 1 is wrapping up the game.<br>**[1:14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've placed my bet on you.<br>**[1:14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your promise, won't you?<br>**[1:14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Promise?<br>**[1:14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray you shall be a king who<br>&nbsp;&nbsp;&nbsp;&nbsp;likes to lend a helping hand.<br>**[1:14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Go.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>**[1:14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go do something to help him!<br>**[1:15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroha...<br>**[1:15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saki, I'm going home to Japan.<br>**[1:15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[1:15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ato is such trouble.<br>**[1:15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the public finds out about *it*,<br>**[1:15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the political fuss will be the least of our worries.<br>**[1:15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one reason we need to<br>&nbsp;&nbsp;&nbsp;&nbsp;sacrifice Mr. Iinuma's son, Sir.<br>**[1:15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're the man who<br>&nbsp;&nbsp;&nbsp;&nbsp;stopped the sixty missiles.<br>**[1:15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm confident you'll bring the<br>&nbsp;&nbsp;&nbsp;&nbsp;situation under control nicely.<br>**[1:15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the 65 years since the war,<br>**[1:15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we've let other countries<br>&nbsp;&nbsp;&nbsp;&nbsp;do our decision-making.<br>**[1:15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear to break us free from<br>&nbsp;&nbsp;&nbsp;&nbsp;this culture of dependence.<br>**[1:16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have an outstanding<br>&nbsp;&nbsp;&nbsp;&nbsp;ability to gather information<br>**[1:16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and intimate knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;of the bureaucratic machine.<br>**[1:16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see the old Home Ministry<br>&nbsp;&nbsp;&nbsp;&nbsp;rising to power again before my eyes.<br>**[1:16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll even say "Uncle" again if need be.<br>**[1:16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Break through the writhing darkness*<br>**[1:16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And strike the stagnation within it*<br>**[1:17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Calculations, conservatism, arbitrary rules*<br>**[1:17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Warped facts, expectations-- delete it all*<br>**[1:17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Track down what's nipping<br>
&nbsp;&nbsp;&nbsp;&nbsp;our proper future in the bud*<br>**[1:17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll take your hand and set<br>
&nbsp;&nbsp;&nbsp;&nbsp;out for a bright tomorrow*<br>**[1:17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bringing the shadows along, too*<br>**[1:17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I'm sure even the cold, dark rain*<br>**[1:17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Means salvation to someone*<br>**[1:17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we bring parallel lines<br>
&nbsp;&nbsp;&nbsp;&nbsp;together, they'll form a circle*<br>**[1:17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Change it all to light*<br>**[1:17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In this world audibly veering off course*<br>**[1:18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The swarm of SOS calls drains me*<br>**[1:18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Reality and the future<br>
&nbsp;&nbsp;&nbsp;&nbsp;are too close to see in focus*<br>**[1:18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We can still reach out our<br>
&nbsp;&nbsp;&nbsp;&nbsp;hands in search of the answer*<br>**[1:18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I listen closely among the<br>
&nbsp;&nbsp;&nbsp;&nbsp;buds of our proper future*<br>**[1:18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And wait, praying to the<br>
&nbsp;&nbsp;&nbsp;&nbsp;yet-unseen world for light*<br>**[1:18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While privately feeling a little unease*<br>**[1:18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure even if one day I get tired<br>
&nbsp;&nbsp;&nbsp;&nbsp;and want to just wipe out everything*<br>**[1:18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your voice will call me back from the edge*<br>**[1:19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There, take a good look:*<br>**[1:19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A little change in the wind<br>
&nbsp;&nbsp;&nbsp;&nbsp;blows all the clouds away*<br>**[1:19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I may falter, but I can make my<br>
&nbsp;&nbsp;&nbsp;&nbsp;way to where the arrows point*<br>**[1:20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To the tomorrow they point out*<br>**[1:20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure that beyond this<br>
&nbsp;&nbsp;&nbsp;&nbsp;twisted world lies a tiny light*<br>**[1:20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if it's not a paradise<br>
&nbsp;&nbsp;&nbsp;&nbsp;where all dreams come true*<br>**[1:20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're here*<br>**[1:20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The wind is gently nudging me forward<br>
&nbsp;&nbsp;&nbsp;&nbsp;(The self I was before today<br>
&nbsp;&nbsp;&nbsp;&nbsp;is nudging me forward)*<br>**[1:20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, if you've joined up<br>
&nbsp;&nbsp;&nbsp;&nbsp;the ends of the parallel lines*<br>**[1:20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They'll form a circle of light*<br>