# Movie

# 0 - Movie

Source: [Crunchyroll](https://www.crunchyroll.com/series/G6QW9J2Z6/dakaichi--im-being-harassed-by-the-sexiest-man-of-the-year-)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:40] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomo-kun! Look, look!<br>**[00:41] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it adorable?<br>**[00:44] Tomo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[00:47] Tomo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really adorable.<br>**[00:51] Tomo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy it if you want it.<br>**[00:53] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks so much!<br>**[00:55] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you say "thanks" in Spanish, again?<br>**[00:59] Tomo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[01:00] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gracias.<br>**[01:02] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! Gracias!<br>**[01:23] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! So this is Puente Nuevo, huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Puente Nuevo
<br>**[01:29] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So big! So cool!<br>**[01:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like a scene out of a movie.<br>**[01:33] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps a grand epic...<br>**[01:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, stop that!<br>**[01:37] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't come here for sightseeing!<br>**[01:40] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I, Saijo Takato, have a purpose here.*<br>**[01:46] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will become a Spaniard!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One Month Earlier
<br>**[01:59] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about dinner together tonight?<br>**[02:01] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c'mon.<br>**[02:03] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a great place.<br>**[02:05] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? My job?<br>**[02:07] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about that!<br>**[02:08] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll finish up lickety-split!<br>**[02:11] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[02:15] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must not have enough work to do<br>**[02:17] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're making private calls<br>&nbsp;&nbsp;&nbsp;&nbsp;during work hours.<br>**[02:20] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Usaka-san!<br>**[02:21] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oki. I want ten proposals<br>&nbsp;&nbsp;&nbsp;&nbsp;by the end of the day.<br>**[02:24] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[02:25] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do it "lickety-split," right?<br>**[02:27] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy to have<br>&nbsp;&nbsp;&nbsp;&nbsp;such a competent worker.<br>**[02:29] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[02:34] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then...<br>**[02:36] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call those two.<br>**[02:40] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[02:41] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[02:43] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing? It's the middle of the day!<br>**[02:47] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Are you listening?<br>**[02:49] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chunta!<br>**[02:50] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[02:51] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting to enjoy you in the daytime<br>&nbsp;&nbsp;&nbsp;&nbsp;is the greatest of indulgences!<br>**[02:54] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk about me like I'm a can of beer!<br>**[02:58] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[02:59] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtains... shut the curtains!<br>**[03:02] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's too bright!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taguchi-san
<br>**[03:10] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I-Is he going to pick up?*<br>**[03:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, he wouldn't dare.*<br>**[03:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not in the middle of—*<br>**[03:19] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taguchi-san! Good to talk to you.<br>**[03:20] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The bastard picked up!*<br>**[03:21] Taguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Azumaya-kun, are you free?*<br>**[03:24] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, totally.<br>**[03:25] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are not! You're not free at—*<br>**[03:30] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hush. He'll hear you.<br>**[03:34] Taguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's going on?*<br>**[03:35] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[03:36] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it about that thing we discussed?<br>**[03:38] Taguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. They got in touch, and...*<br>**[03:42] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Right.<br>**[03:44] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I can't wait!<br>**[03:48] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Right.<br>**[03:52] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:54] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! Count on it!<br>**[03:59] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san, sounds like<br>&nbsp;&nbsp;&nbsp;&nbsp;that job is about to start!<br>**[04:02] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think it would be about that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I couldn't help but pick up.<br>**[04:06] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we'll be together for<br>&nbsp;&nbsp;&nbsp;&nbsp;work and pleasure, too!<br>**[04:13] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:15] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san?<br>**[04:19] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a grip already, you horny angel!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Conference Room 3
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;In use
<br>**[04:24] (Flashback) Takato/Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Blood Wedding*?<br>**[04:26] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! *Blood Wedding*.<br>**[04:28] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the title of the project<br>&nbsp;&nbsp;&nbsp;&nbsp;you're both going to star in.<br>**[04:31] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azumaya-kun, your grandfather is Spanish,<br>**[04:34] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you know it, right?<br>**[04:35] (Flashback) Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's the first in a trilogy by<br>&nbsp;&nbsp;&nbsp;&nbsp;Spanish playwright García Lorca.<br>**[04:40] Taguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia Lorca?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Garcia<br>
&nbsp;&nbsp;&nbsp;&nbsp;Lorca?
<br>**[04:40] (Flashback) Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe it's set in a<br>&nbsp;&nbsp;&nbsp;&nbsp;farming village in Andalusia.<br>**[04:45] (Flashback) Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will we star in it together?<br>**[04:47] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:48] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It normally revolves around the bride,<br>&nbsp;&nbsp;&nbsp;&nbsp;her groom, and her former lover,<br>**[04:52] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the family drama<br>&nbsp;&nbsp;&nbsp;&nbsp;revolving around all three.<br>**[04:56] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the focus in this script will be<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Blood Wedding
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Moon
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Concepts
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Groom
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;engaged
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Bride
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;former lover
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Leonardo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;child
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;child
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;child
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Mother of the Groom
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Father of the Bride
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;cousins
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;married
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Leonardo's Wife
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Leonardo's Mother-in-Law
<br>**[04:59] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the rivalry between the groom<br>&nbsp;&nbsp;&nbsp;&nbsp;and the former lover.<br>**[05:03] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be playing those two men<br>**[05:06] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as death and the moon,<br>&nbsp;&nbsp;&nbsp;&nbsp;which allude to the tragedy of the tale.<br>**[05:11] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saijo-kun. You're playing<br>&nbsp;&nbsp;&nbsp;&nbsp;the bride's former lover, Leonardo,<br>**[05:15] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as death.<br>**[05:17] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azumaya-kun, you're playing<br>&nbsp;&nbsp;&nbsp;&nbsp;the groom as well as the moon.<br>**[05:21] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see you kill each other.<br>**[05:24] (Flashback) Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see!<br>**[05:26] (Flashback) Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ends the night after the wedding, when<br>&nbsp;&nbsp;&nbsp;&nbsp;the bride runs off with her former lover,<br>**[05:30] (Flashback) Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;who ends up in a duel with<br>&nbsp;&nbsp;&nbsp;&nbsp;the groom, who pursues them.<br>**[05:32] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two men kill each other,<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving the bride behind.<br>**[05:38] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What those Latin writers come up with!<br>**[05:40] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect to see Usaka-san<br>**[05:42] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;going for a straightforward,<br>&nbsp;&nbsp;&nbsp;&nbsp;old-timey soap opera like this.<br>**[05:47] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oki. Drop in on the location<br>**[05:49] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the upcoming production of *Love <br>
&nbsp;&nbsp;&nbsp;&nbsp;in the Murder House ~ You're Not Alone*.<br>**[05:53] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! N-No way!<br>**[05:55] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That drama shoots in an actual<br>&nbsp;&nbsp;&nbsp;&nbsp;murder house, right?<br>**[05:57] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the torrid atmosphere of the stage,<br>**[05:58] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be killed!<br>**[06:00] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the sexiest man of the year and<br>&nbsp;&nbsp;&nbsp;&nbsp;runner-up in agony and torment<br>**[06:04] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;tearing each other down<br>&nbsp;&nbsp;&nbsp;&nbsp;in the throes of their passion...<br>**[06:09] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the world would love to see<br>&nbsp;&nbsp;&nbsp;&nbsp;something so straightforward.<br>**[06:14] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:16] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you cast us together.<br>**[06:18] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want a duel between the sexiest men.<br>**[06:23] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that it, General Producer Usaka?<br>**[06:26] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're as mercenary as ever<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to your product.<br>**[06:29] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a problem?<br>**[06:30] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm happy to play along.<br>**[06:32] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shoots have been way<br>&nbsp;&nbsp;&nbsp;&nbsp;too harmonious lately.<br>**[06:35] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to show off.<br>**[06:37] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect it to be a good competition,<br>**[06:39] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Azumaya-kun has<br>&nbsp;&nbsp;&nbsp;&nbsp;the advantage, I'm afraid.<br>**[06:42] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:43] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean by that?<br>**[06:50] (Flashback) Taguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see!<br>**[06:52] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[06:54] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it your best, Takato.<br>**[07:03] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Flamenco!*<br>**[07:06] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's right! I forgot that man*<br>*&nbsp;&nbsp;&nbsp;&nbsp;makes such ridiculous demands...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scheming GP
<br>**[07:11] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it your best.<br>**[07:12] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've made up my mind!*<br>**[07:13] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna drink all the special*<br>*&nbsp;&nbsp;&nbsp;&nbsp;booze he keeps behind his bar!*<br>**[07:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All of it!*<br>**[07:20] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san.<br>**[07:21] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your zapateado and braceo are perfect.<br>**[07:25] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mastered the sevillanas<br>&nbsp;&nbsp;&nbsp;&nbsp;in just three days, too.<br>**[07:28] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you could do it!<br>**[07:30] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy I get to flamenco<br>&nbsp;&nbsp;&nbsp;&nbsp;dance with you!<br>**[07:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shut up! You've done this before!*<br>**[07:36] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Quit sparkling at me!*<br>**[07:38] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem rather confident.<br>**[07:40] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I'll surpass<br>&nbsp;&nbsp;&nbsp;&nbsp;your dancing soon enough.<br>**[07:43] Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I only know what my<br>&nbsp;&nbsp;&nbsp;&nbsp;grandfather taught me long ago.<br>**[07:47] Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think your braceo<br>&nbsp;&nbsp;&nbsp;&nbsp;is more beautiful than mine.<br>**[07:52] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Beautiful?*<br>**[07:53] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, very beautiful!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Squeeze<br>
&nbsp;&nbsp;&nbsp;&nbsp;Squeeze<br>
&nbsp;&nbsp;&nbsp;&nbsp;Squeeze
<br>**[07:57] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how many times do I have to tell you<br>&nbsp;&nbsp;&nbsp;&nbsp;that your "beautiful" little ass<br>**[08:01] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is too restrained and prissy<br>&nbsp;&nbsp;&nbsp;&nbsp;to be entertaining?<br>**[08:03] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Señor Takato.<br>**[08:05] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's the 43rd...<br>**[08:07] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd appreciate less sexual<br>&nbsp;&nbsp;&nbsp;&nbsp;harassment, Señora Tokiko.<br>**[08:10] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep mouthing off like that<br>**[08:11] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll toss you into boiling olive oil<br>&nbsp;&nbsp;&nbsp;&nbsp;and make ajillo out of you!<br>**[08:12] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm quite fond of Takato's ass, myself!<br>**[08:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[08:16] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is *Blood Wedding* set again? Well?<br>**[08:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Andalusia in southern Spain.<br>**[08:21] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's the most noteworthy<br>&nbsp;&nbsp;&nbsp;&nbsp;feature of Andalusian dancing?!<br>**[08:25] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;The focus on emotion.<br>**[08:27] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[08:28] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emotions! Feelings!<br>**[08:29] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unrestrained passions!<br>**[08:31] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not something you can<br>&nbsp;&nbsp;&nbsp;&nbsp;reason your way around!<br>**[08:34] Tokiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking is secondary!<br>**[08:40] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Takato-san, I could—<br>**[08:43] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up next, right? Get to it.<br>**[08:48] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[09:28] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At this rate...*<br>**[09:30] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please live with me forever.<br>**[09:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We won't be able to live together at all.*<br>**[09:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His talent will completely leave me behind.*<br>**[09:50] Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look at you so busy.<br>**[09:52] Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-kun, how's it go—<br>**[09:53] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fantastic.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stress
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stress
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stress
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stress
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stress
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stress
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stress
<br>**[09:54] Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I get it.<br>**[09:58] Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's a pretty tough script.<br>**[10:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasaki-san. Could you make me<br>&nbsp;&nbsp;&nbsp;&nbsp;some time in my schedule?<br>**[10:07] Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can move things around<br>&nbsp;&nbsp;&nbsp;&nbsp;to get you ten days.<br>**[10:10] Sasaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about...<br>**[10:13] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just perfect.<br>**[10:14] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll prove that I, Saijo Takato,<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't reached my limit yet.<br>**[10:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chunta. Don't worry.*<br>**[10:24] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let you walk on alone without me!*<br>**[10:29] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're leaving Japan for a while?<br>**[10:31] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;When are you leaving?<br>**[10:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow.<br>**[10:33] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Um...<br>**[10:34] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ask anything more.<br>**[10:36] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just do what you need to do.<br>**[10:39] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to do what I need to do, too.<br>**[10:41] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you need to do? Takato-san?<br>**[10:44] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san!<br>**[10:58] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're breaking up, Chunta.<br>**[11:03] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the end.<br>**[11:06] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you, Azumaya.<br>**[11:33] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've been in Spain for three days.*<br>**[11:36] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been walking around town,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;watching the people*<br>**[11:39] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Any time I've found a tablao,*<br>**[11:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've watched their flamenco show.*<br>**[11:48] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The food is good.*<br>**[11:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The art is amusing.*<br>**[11:54] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hola!<br>**[11:56] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The people are open and friendly.*<br>**[11:59] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sangria.<br>**[12:00] Waiter**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vale! Sangria!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;They seem weirdly happy <br>
&nbsp;&nbsp;&nbsp;&nbsp;when I order sangria.
<br>**[12:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Spanish bar culture is awesome!*<br>**[12:10] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the sun is intense during the day...*<br>**[12:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he shares blood with these people?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;°Spanish people are tall and muscular
<br>**[12:25] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see where he got that obnoxious body...<br>**[12:32] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, Tomo-kun!<br>**[12:33] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's look at that one!<br>**[12:35] Tomo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist!<br>**[12:37] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[12:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A guitar shop?*<br>**[12:44] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, it's a promotion.*<br>**[12:47] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm in luck. The tablaos*<br>*&nbsp;&nbsp;&nbsp;&nbsp;aren't open at this hour.*<br>**[12:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe I'll watch.*<br>**[13:03] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Very technical zapateado.*<br>**[13:05] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He gets so much sound out of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;such effortless movements.*<br>**[13:10] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, it's not just technique...*<br>**[13:15] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even though it's a cheerful song*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and a lively dance,*<br>**[13:18] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there's a faint sense of sorrow in it...*<br>**[13:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Amazing.*<br>**[13:23] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's somehow more entrancing than*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the tablao shows I've been watching.*<br>**[13:26] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I really am lucky.*<br>**[13:39] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more!<br>**[13:40] Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more, please!<br>**[13:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought he meant me!*<br>**[13:55] Miki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cool!<br>**[13:57] Tomo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man... wish he'd take me.<br>**[14:08] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's so much to flamenco!*<br>**[14:14] Lucas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hola!<br>**[14:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A charming Spanish boy!*<br>**[14:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hola.<br>**[14:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to shake?<br>**[14:21] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, shake.<br>**[14:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Spanish children are friendly, too!*<br>**[14:25] Lucas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gracias! Chao!<br>**[14:27] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chao!<br>**[14:29] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kids are so charming wherever you go.<br>**[14:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gone.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Totally gone.
<br>**[14:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ring's gone!<br>**[14:37] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're kidding! H-He swiped it?<br>**[14:39] Lucas**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hola!<br>**[14:40] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You little...!<br>**[14:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's gone! No way!<br>**[14:44] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, he can't have gotten far.*<br>**[14:46] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got to get it back!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stop!
<br>**[14:52] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have what you're looking for.<br>**[14:56] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Let go, old man!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I was just messing with the foreigner!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Well, in that case...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll mess with you
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;in a way that ensures
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;you'll never get a girlfriend.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? No way!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If you don't want that,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;apologize to the man, okay?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry!
<br>**[15:27] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said "perdon." That means "I'm sorry."<br>**[15:29] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't deserve it, but<br>&nbsp;&nbsp;&nbsp;&nbsp;will you let him off the hook?<br>**[15:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You old perv!
<br>**[15:38] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[15:40] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[15:41] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha...<br>**[15:43] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Japanese, then?<br>**[15:45] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a sweetheart here in Spain?<br>**[15:48] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:48] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, well...<br>**[15:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the man who was dancing<br>&nbsp;&nbsp;&nbsp;&nbsp;at the guitar store earlier, right?<br>**[15:55] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you got me.<br>**[15:58] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd left this little one there for repairs<br>&nbsp;&nbsp;&nbsp;&nbsp;and came to pick it up,<br>**[16:01] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they dragged me<br>&nbsp;&nbsp;&nbsp;&nbsp;into running a promotion.<br>**[16:03] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I'm far too old to<br>&nbsp;&nbsp;&nbsp;&nbsp;bring in any customers, though.<br>**[16:08] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He looks awesome, even up close.*<br>**[16:11] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's an aura about him.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's almost picturesque.*<br>**[16:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you were wonderful.<br>**[16:16] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And he reminds me of someone...*<br>**[16:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was entranced.<br>**[16:19] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[16:20] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;The feeling's mutual, then.<br>**[16:24] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeing someone so beautiful<br>&nbsp;&nbsp;&nbsp;&nbsp;watching me so fervently<br>**[16:29] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;definitely heightened my passions.<br>**[16:33] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[16:34] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to make your beloved angry.<br>**[16:37] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take my leave<br>&nbsp;&nbsp;&nbsp;&nbsp;before I really seduce you.<br>**[16:40] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adios!<br>**[16:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[16:43] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I thank you for the ring?<br>**[16:46] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank me?<br>**[16:47] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me your name, then.<br>**[16:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Saijo Takato.<br>**[16:53] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Celestino. Call me Celes.<br>**[16:56] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I run a bar in a town called Mijas.<br>**[16:59] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come by for a drink if you're<br>&nbsp;&nbsp;&nbsp;&nbsp;ever in the area, Takato.<br>**[17:05] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was under his spell the whole time.<br>**[17:08] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm glad I got the ring back.<br>**[17:13] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A text? From Chunta?*<br>**[17:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It must be evening in Japan right now.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chunta
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sasaki-san
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Narumiya-kun
<br>**[17:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he done with wo—*<br>**[17:21] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celes-san!<br>**[17:23] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you heading back to Mijas right now?<br>**[17:26] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am.<br>**[17:27] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left the bar in the hands of my grandson.<br>**[17:30] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you take me with you?<br>**[17:44] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to ask you for this<br>&nbsp;&nbsp;&nbsp;&nbsp;when we've only just met.<br>**[17:49] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[17:50] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having a hottie like you ask me for a favor<br>**[17:53] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;means I've still got it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I have Chunta.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If you want him back, come to the bar Mi Colina
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I have Chunta.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If you want him back, to come<br>
&nbsp;&nbsp;&nbsp;&nbsp; to the bar Mi Colina in Mijas
<br>**[18:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's he doing in Spain?*<br>**[18:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chunta...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;TV-J
<br>**[18:13] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later!<br>**[18:17] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ayagi-san!<br>**[18:21] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now?! Oh, it's you...<br>**[18:23] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you sighing? Something up?<br>**[18:26] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[18:28] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is for me!<br>**[18:30] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was supposed to have<br>&nbsp;&nbsp;&nbsp;&nbsp;a photo shoot with Junta-san,<br>**[18:33] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he had a sudden schedule<br>&nbsp;&nbsp;&nbsp;&nbsp;change and couldn't meet me!<br>**[18:37] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Him, too?<br>**[18:39] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saijo-san did the same.<br>**[18:40] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's lonely without them, huh?<br>**[18:46] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really.<br>**[18:51] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[18:53] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a cup ramen and cheer up!<br>**[18:57] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why cup ramen?<br>**[18:59] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a whole bunch,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm sharing the spoils!<br>**[19:06] Ayagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of them, huh?<br>**[19:09] Narumiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I miss them!<br>**[19:16] Worker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usaka-san!<br>**[19:18] Worker 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;General producer! Please!<br>**[19:21] Worker 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me use my paid leave!<br>**[19:22] Worker 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, too!<br>**[19:23] Worker 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me visit my parents!<br>**[19:25] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oki. What happened here?<br>**[19:26] Worker 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too!<br>**[19:27] Worker 6**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna go home!<br>**[19:27] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usaka-san, there's a god among us! A god!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;40 Minutes Earlier
<br>**[19:30] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usa! It's me, your beloved!<br>**[19:35] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey, Usa! You here?<br>**[19:35] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a weird arrival.<br>**[19:39] (Flashback) Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oki?<br>**[19:40] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's Arisu!<br>**[19:43] (Flashback) Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice? Like "In Wonderland"?<br>**[19:45] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stupid! Arisu Kiyotaka! The songwriter!<br>**[19:48] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's super famous!<br>**[19:49] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's won awards for writing movie songs!<br>**[19:50] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's super famous!<br>**[19:51] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's turbo world class!<br>**[19:53] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Usa?<br>**[19:55] (Flashback) Mei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usa?<br>**[19:56] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usaka Kazuomi.<br>**[19:58] (Flashback) Mei**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, Usaka-san.<br>**[20:01] (Flashback) Mei**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's at a business meeting...<br>**[20:02] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so Usa's not here?<br>**[20:05] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll wait in his seat.<br>**[20:07] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A reward.<br>**[20:09] (Flashback) Mei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you!<br>**[20:11] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's his seat?<br>**[20:12] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here! Come on! Help yourself!<br>**[20:16] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A reward.<br>**[20:20] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A... A...<br>**[20:22] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at that.<br>**[20:24] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so tidy it almost feels like a threat.<br>**[20:27] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just fine, then.<br>**[20:29] (Flashback) Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I go...<br>**[20:30] (Flashback) Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a diamond in the rough...<br>**[20:34] (Flashback) Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or a lion in the rough.<br>**[20:36] (Flashback) Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisu!<br>**[20:39] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That mountain where I chased rabbits...*<br>**[20:43] (Flashback) Worker 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's singing?<br>**[20:44] (Flashback) Worker 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... "Furusato"?!<br>**[20:46] (Flashback) Worker**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's just singing "Furusato"?<br>**[20:47] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That river where I fished for minnows...*<br>**[20:48] (Flashback) Worker 4**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why "Furusato"?<br>**[20:50] (Flashback) Worker 5**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... oh, I've never heard<br>&nbsp;&nbsp;&nbsp;&nbsp;such a powerful rendition...<br>**[20:56] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My dreams still take me there...*<br>**[21:04] Arisu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That old home of mine*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I could never forget...*<br>**[21:14] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's inspired a bit of mass hysteria.<br>**[21:18] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's awesome! Arisu is awesome!<br>**[21:21] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takagi. Hand me that cup ramen.<br>**[21:24] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do?<br>**[21:25] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exorcise the demon.<br>**[21:28] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;His face could use some toppings.<br>**[21:31] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[21:32] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't hurt this treasure of the<br>&nbsp;&nbsp;&nbsp;&nbsp;music world! I beg of you!<br>**[21:35] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, Usaka-san, you never<br>&nbsp;&nbsp;&nbsp;&nbsp;told us you knew Arisu Kiyotaka!<br>**[21:39] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, since you know him,<br>**[21:40] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;could you ask him to compose <br>
&nbsp;&nbsp;&nbsp;&nbsp;for *Blood Wedding*?<br>**[21:44] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;this man charges for work?<br>**[21:47] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw. Yeah, I guess it's a lot...<br>**[21:55] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I'll do it.<br>**[21:57] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it for whatever you offer...<br>**[22:00] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usa.<br>**[22:01] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Awesome!<br>**[22:03] Oki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usaka-san, let's ask him!<br>**[22:05] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, cup ramen.<br>**[22:07] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I have this?<br>**[22:08] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chopsticks, if you like.<br>**[22:10] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[22:11] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A reward.<br>**[22:12] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thanks.<br>**[22:14] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to shake off pursuers,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I never had time to eat.<br>**[22:18] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've only had 20 pieces of candy all day.<br>**[22:21] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's eat—<br>**[22:23] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we talk for a minute?<br>**[22:31] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So good!<br>**[22:33] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My partner now is so picky<br>&nbsp;&nbsp;&nbsp;&nbsp;about nutrition and crap.<br>**[22:39] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though we ate this stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;all the time when we were students.<br>**[22:46] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brings you to Japan?<br>**[22:49] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All kinds of things.<br>**[22:53] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to narrow it down,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say I missed Japanese cooking.<br>**[22:58] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done.<br>**[22:59] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why come to me again?<br>**[23:03] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I missed the smell of your smoke.<br>**[23:07] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I said that?<br>**[23:11] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand.<br>**[23:14] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hate him.*<br>**[23:16] (Flashback) Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisu-senpai...<br>**[23:20] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since the moment I met him...*<br>**[23:25] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten that you violated me?<br>**[23:30] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To this very moment, I still do.*<br>**[23:33] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And whenever I'm with him,*<br>**[23:36] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I despise myself.*<br>**[23:44] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is it?<br>**[23:46] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep glaring murder at me like that,<br>**[23:49] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to reawaken<br>&nbsp;&nbsp;&nbsp;&nbsp;that masochistic side.<br>**[23:53] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to cause an incident<br>&nbsp;&nbsp;&nbsp;&nbsp;at work for my charming kohai,<br>**[23:56] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so maybe I'll leave now.<br>**[23:57] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the cup ra—<br>**[24:09] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A reward.<br>**[24:11] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where I'm at right now.<br>**[24:14] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know if you want my music.<br>**[24:17] Arisu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said before, I'll accept<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever you offer.<br>**[24:23] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sun Fang. Matthew Lutwidge.<br>**[24:31] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[24:33] Usaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get his services on the cheap.<br>**[24:38] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. We're here.<br>**[24:41] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Mijas.<br>**[24:44] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that bar there is your destination,<br>**[24:47] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi Colina.<br>**[24:49] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it?<br>**[24:50] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. Thank you, Celes-san.<br>**[24:54] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done enough for now.<br>**[24:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous in there.<br>**[24:57] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dangerous?<br>**[24:58] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a villain in there.<br>**[25:01] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awful!<br>**[25:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chunta... I'm coming to save you!*<br>**[25:24] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here, you awful kidnapper!<br>**[25:26] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Release Chunta right—<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The sangria here
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;really is the best!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;More, please!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ahaha, thanks.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Junta!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'd like more, too!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Me, too!
<br>**[25:41] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[25:42] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san! Welcome!<br>**[25:45] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world are you doing?<br>**[25:47] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm running the shop.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Right.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Here are your beer and olives.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Junta, sorry to leave you in charge.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thanks for helping.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Grandpa!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What are you doing with Takato?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;So you two know each other?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh, Celes!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You brought one back with you?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Honestly.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You pursue anyone you think <br>
&nbsp;&nbsp;&nbsp;&nbsp;is hot, male or female?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You playboy!
<br>**[26:18] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to introduce you...<br>**[26:20] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my grandfather.<br>**[26:21] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandson.<br>**[26:23] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is my bar.<br>**[26:25] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;For... real?<br>**[26:29] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He looks awesome, even up close.*<br>**[26:32] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's an aura about him.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's almost picturesque.*<br>**[26:36] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And he reminds me of someone...*<br>**[26:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a minute!<br>**[26:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you weren't kidnapped after all?!<br>**[26:45] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You jerk! You faked that text!<br>**[26:47] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You tricked me again, you wicked angel!<br>**[26:49] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kidnapped? Text?<br>**[26:51] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[26:52] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't pretend you don't know!<br>**[26:54] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You even sent an image!<br>**[26:59] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's from when I was cleaning<br>&nbsp;&nbsp;&nbsp;&nbsp;the storehouse this morning...<br>**[27:02] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dust was seriously intense!<br>**[27:06] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who could have taken that picture?<br>**[27:09] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it wasn't you?<br>**[27:11] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I won't be fooled!<br>**[27:12] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who besides you could have done it?!<br>**[27:15] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, that's who, niña!<br>**[27:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who's this brute?!<br>**[27:22] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antonio. My childhood friend.<br>**[27:25] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's always had very distinct features.<br>**[27:27] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been wanting to meet you, Takato Saijo.<br>**[27:31] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've fallen right for my trap.<br>**[27:33] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You speak great Japanese.<br>**[27:36] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why did you set this "trap"?<br>**[27:38] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you ask?<br>**[27:41] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;To sink my teeth into the throat<br>**[27:44] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the thief who seduced away<br>&nbsp;&nbsp;&nbsp;&nbsp;my beloved angel!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hisssss
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fine. I get it.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I was joking, Junta.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yes.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm also joking, Antonio.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thud
<br>**[27:58] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta! No matter how I professed<br>&nbsp;&nbsp;&nbsp;&nbsp;my love to you, you never relented!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Here's a new one.
<br>**[28:03] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You prefer that pasty little porcelain doll<br>&nbsp;&nbsp;&nbsp;&nbsp;to my burly body of passion?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;He never changes.
<br>**[28:09] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, niña...<br>**[28:11] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Niña"?<br>**[28:12] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means "little girl."<br>**[28:14] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who're you calling<br>&nbsp;&nbsp;&nbsp;&nbsp;a little girl, brute-face?!<br>**[28:16] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must know how deep<br>&nbsp;&nbsp;&nbsp;&nbsp;your love for Junta runs...<br>**[28:21] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My* love is hot enough to put out the sun!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Roar!!
<br>**[28:25] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't give my Junta, my angel,<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone who loves him any less!<br>**[28:29] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Niña! Show me your heart<br>&nbsp;&nbsp;&nbsp;&nbsp;through your flamenco!<br>**[28:32] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Battle me for Junta's heart!<br>**[28:34] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you can't just decide that...<br>**[28:37] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Junta, say so—<br>**[28:38] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san.<br>**[28:40] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to dance for me now?<br>**[28:42] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy!<br>**[28:43] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so excited!<br>**[28:44] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so turned on!<br>**[28:45] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put the wings, the bill, and the boner away!<br>**[28:48] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's this all about?<br>**[28:50] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just a porcelain doll,<br>&nbsp;&nbsp;&nbsp;&nbsp;all beauty and no fire?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sway
<br>**[28:56] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta. Seriously, choose me.<br>**[28:59] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd swim the butterfly<br>&nbsp;&nbsp;&nbsp;&nbsp;through magma for you—<br>**[29:03] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on.<br>**[29:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said you're on.<br>**[29:07] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your face will look even more brutish<br>&nbsp;&nbsp;&nbsp;&nbsp;after a night of crying.<br>**[29:13] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll dance a bulería, then.<br>**[29:15] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoever excites the customers more wins.<br>**[29:18] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celes-san, may we use the courtyard?<br>**[29:22] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[29:23] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to play the guitar?<br>**[29:26] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sí.<br>**[29:34] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll show them all.*<br>**[29:36] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feel free to go first.<br>**[29:38] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I went first, I'd surely demoralize you.<br>**[29:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Beauty, beauty, beauty...*<br>**[29:44] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;All ready, Takato?<br>**[29:47] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proceed.<br>**[29:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I get it.*<br>**[29:53] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm a jack of all trades, master of none.*<br>**[29:56] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But don't underestimate me.*<br>**[29:58] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'll use my talent to learn*<br>*&nbsp;&nbsp;&nbsp;&nbsp;whatever I need to.*<br>**[30:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why I came to this country!*<br>**[30:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yet...*<br>**[30:07] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why do I have to fight over him?!*<br>**[30:11] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Show my heart?*<br>**[30:13] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I care about him in my own way.*<br>**[30:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*More than I like to admit.*<br>**[30:20] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So why... why does he have to be here?!*<br>**[30:26] Audience**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antonio! Antonio!<br>**[30:30] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Steppa<br>
&nbsp;&nbsp;&nbsp;&nbsp;steppa<br>
&nbsp;&nbsp;&nbsp;&nbsp;steppa<br>
&nbsp;&nbsp;&nbsp;&nbsp;step
<br>**[30:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His zapateado was like an earthquake,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Whoosh
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Whoosh
<br>**[30:34] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and his braceo like a sonic boom!*<br>**[30:37] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see that?<br>**[30:39] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;The roiling passion of the man known<br>&nbsp;&nbsp;&nbsp;&nbsp;as the Wild Bull of Andalusia!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You did well, too!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Haven't seen a flamenco
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;that beautiful in a while.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And you're much more attractive, too!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamato nadeshiko!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Akihabara!
<br>**[30:57] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get too down.<br>**[30:59] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You danced surprisingly well.<br>**[31:02] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd never believe you were a total beginner.<br>**[31:06] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you really were<br>&nbsp;&nbsp;&nbsp;&nbsp;an emotionless porcelain doll...<br>**[31:11] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;niña.<br>**[31:14] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Junta!<br>**[31:16] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our fight is settled.<br>**[31:18] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you have to choose.<br>**[31:20] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antonio.<br>**[31:22] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how the match turned out,<br>**[31:24] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was never picking anyone but Takato-san.<br>**[31:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chunta. Your left hand.<br>**[31:36] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[31:44] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san?<br>**[31:45] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a competition. I lost.<br>**[31:49] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking this back for now.<br>**[31:51] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey—<br>**[31:52] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Wild Bull.<br>**[31:58] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hold it for now.<br>**[32:00] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;How sporting of you.<br>**[32:16] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry we have to share a room.<br>**[32:23] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some.<br>**[32:24] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sangria?<br>**[32:25] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandfather made it himself.<br>**[32:27] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our bar's specialty.<br>**[32:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's delicious.<br>**[32:35] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antonio's a professional.<br>**[32:37] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a bailaor good enough to dance solo<br>&nbsp;&nbsp;&nbsp;&nbsp;in big cities like Granada and Seville.<br>**[32:44] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought so.<br>**[32:46] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;His skill, his expression...<br>&nbsp;&nbsp;&nbsp;&nbsp;He couldn't be an amateur.<br>**[32:50] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's intense.<br>**[32:52] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the same when I told him about you.<br>**[32:55] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You have a sweetheart?<br>**[32:59] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! It can't be!<br>**[33:00] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be, Junta!<br>**[33:02] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, Antonio.<br>**[33:04] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!<br>**[33:06] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me to this unworthy fiend!<br>**[33:08] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll beat him to a pulp!<br>**[33:12] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been like that since we were children.<br>**[33:14] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wears his heart on his sleeve.<br>**[33:16] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to envy that about him.<br>**[33:20] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I love the way you dance, Takato-san.<br>**[33:24] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;It suits who you are.<br>**[33:26] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's precise, earnest, and very beautiful.<br>**[33:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beautiful...<br>**[33:34] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[33:35] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't changed since the day I met you.<br>**[33:38] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not okay. I have to change.<br>**[33:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I don't...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If I don't...
<br>**[33:42] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, this makes me so happy.<br>**[33:45] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe we ran<br>&nbsp;&nbsp;&nbsp;&nbsp;into each other here in Spain.<br>**[33:49] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to show you around!<br>**[33:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ran into each other"?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I can't walk around with you.
<br>**[33:54] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't walk around with you.*<br>**[33:58] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you.<br>**[34:00] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You arranged this somehow.<br>**[34:04] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[34:06] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could only think of one reason<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd leave Japan like that,<br>**[34:09] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;and one place that you'd go.<br>**[34:12] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked into a few things, and<br>&nbsp;&nbsp;&nbsp;&nbsp;thought maybe we could meet up.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Reservation Complete
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Reservation Info<br>
&nbsp;&nbsp;&nbsp;&nbsp; Tokyo (Narita) Terminal 2<br>
&nbsp;&nbsp;&nbsp;&nbsp; Spain (Madrid) Terminal 45
<br>**[34:18] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I didn't expect us<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet up in this way.<br>**[34:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Figures. You stalker angel.<br>**[34:27] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[34:28] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to do what I need to do.<br>**[34:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should do what you need to do, too.<br>**[34:34] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said.<br>**[34:35] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[34:36] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I was thinking I could help you.<br>**[34:40] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk down to me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That's not good enough!
<br>**[34:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's not good enough!*<br>**[34:44] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can work it out on my own!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I can't afford to be a drag on you!
<br>**[34:47] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't afford to be a drag on you!*<br>**[34:51] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;This again, huh?<br>**[34:53] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing everything by yourself again?<br>**[34:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. It's my business.<br>**[34:59] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind. Let me out.<br>**[35:03] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll spend tonight in a bar somewhere.<br>**[35:07] (Flashback) Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you, Azumaya.<br>**[35:10] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go!<br>**[35:12] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chunta?<br>**[35:14] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... well...<br>**[35:16] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Right.<br>**[35:19] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course...<br>**[35:21] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know anything about it.<br>**[35:23] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to make me tie you down?<br>**[35:28] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tie me down? What do you mean?<br>**[35:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not funny coming from y—<br>**[35:34] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I too kind?<br>**[35:36] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chun—<br>**[35:37] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I not go far enough?<br>**[35:39] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember?<br>**[35:41] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I once told you I'd never let you get away.<br>**[35:50] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put me down!<br>**[35:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're acting weird...<br>**[35:53] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're always weird.<br>**[35:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I told you—<br>**[35:59] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you—<br>**[36:02] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I doing?<br>**[36:04] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question...<br>**[36:06] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a look at me and guess.<br>**[36:09] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What the...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What<br>
&nbsp;&nbsp;&nbsp;&nbsp; the
<br>**[36:11] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, tell me.<br>**[36:13] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san, what am I going to do to you?<br>**[36:16] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Why?
<br>**[36:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why?*<br>**[36:18] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liar.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;His <br>
&nbsp;&nbsp;&nbsp;&nbsp;face
<br>**[36:20] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His face...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I feel <br>
&nbsp;&nbsp;&nbsp;&nbsp;like
<br>**[36:21] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like...<br>**[36:23] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to let him have me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I have to let <br>
&nbsp;&nbsp;&nbsp;&nbsp;him have me
<br>**[36:25] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you know.<br>**[36:27] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're gonna have me again.<br>**[36:30] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what I'm going to do to you.<br>**[36:33] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;How I'm going to make you feel.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;But at<br>
&nbsp;&nbsp;&nbsp;&nbsp; this rate...
<br>**[36:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But at this rate...*<br>**[36:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on.<br>**[36:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Untie me already!<br>**[36:45] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hush.<br>**[36:46] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't scream, or my grandfather will hear.<br>**[36:51] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Takato-san...<br>**[36:53] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make it so you can't be<br>&nbsp;&nbsp;&nbsp;&nbsp;away from me for a moment.<br>**[36:58] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to train your body<br>&nbsp;&nbsp;&nbsp;&nbsp;to need me that much.<br>**[37:06] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know your body loves to feel good,<br>**[37:10] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it should be simple.<br>**[37:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off already... Chunta...<br>**[37:21] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't escape.<br>**[37:29] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san. Did you come again?<br>**[37:32] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe this whole time...<br>**[37:36] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you're trying to drain me dry again.<br>**[37:43] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already did so much to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're still pleading for me?<br>**[37:47] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you love me that much?<br>**[37:49] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleading for not just my body, but me?<br>**[37:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[37:57] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let me... go...<br>**[38:02] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you do this on purpose?<br>**[38:08] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're spurring me on.<br>**[38:11] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No—<br>**[38:12] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You spurred me on.<br>**[38:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it—<br>**[38:18] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't stop.<br>**[38:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[38:21] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[38:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[38:23] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[38:24] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[38:26] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[38:27] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... more...<br>**[38:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me out... Chunta...<br>**[38:37] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[39:18] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san, are you awake?<br>**[39:21] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made breakfast.<br>**[39:32] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your colors are lovely this morning.<br>**[39:36] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just wonderful.<br>**[39:39] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then...<br>**[39:43] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;What colors will the young people show?<br>**[39:46] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[39:48] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing at my house, niña?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Menacing
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Menacing
<br>**[39:50] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's with that expression?<br>**[39:53] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crying 'cause you lost to me, huh?<br>**[39:55] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a sweet little niña!<br>**[39:59] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teach me the flamenco.<br>**[40:03] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;And let me stay with you.<br>**[40:05] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why should I?!<br>**[40:07] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of the nearby hotels have room.<br>**[40:10] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we've been through a competition.<br>**[40:11] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;So yesterday's enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;is tomorrow's friend, is that it?<br>**[40:16] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go home!<br>**[40:17] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That hurts!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Be quiet!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stop yelling in the store!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your face is enough of a distraction
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;as it is!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;M-Mom...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh! Oh, oh!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Would you happen to be
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;the one who fought with my fool of a son?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Japanese boy?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You really are a beautiful boy!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh, but look!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Those dark circles under your eyes.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Antonio!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Forget the shop, and get him some ice!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Why should—
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A real man doesn't ask why!
<br>**[40:57] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, niña.<br>**[41:04] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat. It's fresh.<br>**[41:07] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you were a professional bailaor.<br>**[41:09] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I normally live in Seville.<br>**[41:12] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I heard Junta was back, I stopped<br>&nbsp;&nbsp;&nbsp;&nbsp;back at home to help out with the shop.<br>**[41:16] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you even know where I live?<br>**[41:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked Celes-san when I left Mi Colina.<br>**[41:24] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what?<br>**[41:25] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got mad because you lost to me<br>**[41:27] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;and took it out on Junta?<br>**[41:29] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[41:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe.<br>**[41:33] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pathetic.<br>**[41:34] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. I know I'm pathetic.<br>**[41:37] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm trying to change.<br>**[41:39] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[41:40] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what?<br>**[41:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here to protect our future together!<br>**[41:47] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did he have to come after me?<br>**[41:49] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot...<br>**[41:50] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd he come after you?<br>**[41:53] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bragging now?<br>&nbsp;&nbsp;&nbsp;&nbsp;About your happy lovers' life?<br>**[41:55] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just get out.<br>**[41:57] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not bragging!<br>**[41:59] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying I don't want to be a drag on him.<br>**[42:01] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *are* bragging! Get out now!<br>**[42:03] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not!<br>**[42:05] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[42:07] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an actor, right?<br>**[42:09] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're doing the Lorca play with Junta?<br>**[42:12] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that it?<br>**[42:13] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He...<br>**[42:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has infinite potential.<br>**[42:20] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's going to keep growing.<br>**[42:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But all his new opportunities<br>&nbsp;&nbsp;&nbsp;&nbsp;will lead to new burdens, too.<br>**[42:26] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to be in a place where I can<br>&nbsp;&nbsp;&nbsp;&nbsp;help him bear those burdens.<br>**[42:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't end up being another burden for him!<br>**[42:36] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's ridiculous!<br>**[42:38] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be stagnant right now.<br>**[42:40] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made up my mind...<br>**[42:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll live with you forever.*<br>**[42:45] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So don't look so afraid.*<br>**[42:48] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit...<br>**[42:52] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;So did you tell Junta you<br>&nbsp;&nbsp;&nbsp;&nbsp;were doing this for him?<br>**[42:57] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I obviously couldn't tell him that.<br>**[43:00] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing this because I need to.<br>**[43:04] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;There we are!<br>**[43:05] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He's supposed to know<br>&nbsp;&nbsp;&nbsp;&nbsp;even though I don't tell him."<br>**[43:07] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the problem with Japanese men!<br>**[43:09] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Read the air"? Read the air,<br>&nbsp;&nbsp;&nbsp;&nbsp;you people say!<br>**[43:12] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relying on that is why you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;suck at communication!<br>**[43:15] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Air should be sucked into your lungs!<br>**[43:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I wasn't telling him to "read the air."<br>**[43:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I told him why I was<br>&nbsp;&nbsp;&nbsp;&nbsp;going, it'd be like...<br>**[43:24] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was asking him to share<br>&nbsp;&nbsp;&nbsp;&nbsp;the responsibility.<br>**[43:27] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be a burden!<br>**[43:28] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what?<br>**[43:30] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Junta asked you<br>&nbsp;&nbsp;&nbsp;&nbsp;to share his responsibility,<br>**[43:33] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you turn him down, niña?<br>**[43:35] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you think of him as a burden?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tee-hee-hee-hee-hee
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't turn <br>
&nbsp;&nbsp;&nbsp;&nbsp;him down
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't see him <br>
&nbsp;&nbsp;&nbsp;&nbsp;as a burden
<br>**[43:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop looking at me like that!<br>&nbsp;&nbsp;&nbsp;&nbsp;It ticks me off!<br>**[43:45] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit. What's your problem?<br>**[43:47] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take his side all the time!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're biased!<br>**[43:50] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Course I'm biased!<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta is my beloved angel!<br>**[43:53] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're just a thief!<br>**[43:57] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you even like about him so much?<br>**[44:00] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;His face! His body! He's awesome!<br>**[44:03] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want him to hold me! Don't make me say it!<br>**[44:06] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though he has held me before,<br>&nbsp;&nbsp;&nbsp;&nbsp;as a matter of fact.<br>**[44:10] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's a new expression for you.<br>**[44:13] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was when we were kids, though.<br>**[44:16] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to be kind of a string bean.<br>&nbsp;&nbsp;&nbsp;&nbsp;I was weak and bullied a lot.<br>**[44:21] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom tried to fix me<br>&nbsp;&nbsp;&nbsp;&nbsp;by sending me to Celes-san,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Say hello!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Go on now!
<br>**[44:25] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;who taught flamenco<br>&nbsp;&nbsp;&nbsp;&nbsp;to the neighborhood kids.<br>**[44:28] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hated it at first, but the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw Celes-san dance,<br>**[44:32] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt my heart race.<br>**[44:34] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[44:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw him in Ronda, so I understand that.<br>**[44:37] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? He's my first love.<br>**[44:41] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked my tail off trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to get Celes-san to praise me.<br>**[44:46] (Flashback) Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you're holding<br>&nbsp;&nbsp;&nbsp;&nbsp;a big ball in your arms...<br>**[44:49] (Flashback) Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, very good.<br>**[44:52] (Flashback) Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wonderful, Antonio.<br>**[44:55] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Days of hard work hoping for<br>&nbsp;&nbsp;&nbsp;&nbsp;sweet words from my beloved...<br>**[45:01] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next thing I knew, I had a body more<br>&nbsp;&nbsp;&nbsp;&nbsp;brawny and sexy than anyone else my age.<br>**[45:07] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then I saw it...<br>**[45:10] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the courtyard where he taught us children<br>&nbsp;&nbsp;&nbsp;&nbsp;the lively sevillanas and caracoles,<br>**[45:15] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;he danced a siguiriya<br>&nbsp;&nbsp;&nbsp;&nbsp;for his wife, Yachiyo-san.<br>**[45:22] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was so heart-rendingly passionate...<br>**[45:25] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, it was hot!<br>**[45:30] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was a kid, but I realized...<br>**[45:32] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only dance like that<br>&nbsp;&nbsp;&nbsp;&nbsp;for the person you love.<br>**[45:36] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt my first heartbreak then.<br>**[45:38] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[45:39] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;It also awakened my sexuality.<br>**[45:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't need to hear that part.<br>**[45:45] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;But unwilling to give up on love,<br>**[45:47] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, so innocent and now very athletic,<br>**[45:50] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;proceeded to peek into Celes-san's<br>&nbsp;&nbsp;&nbsp;&nbsp;window on the second floor.<br>**[45:54] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you thinking?!<br>**[45:56] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just then...<br>**[46:01] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta, who'd come to his grandparents'<br>&nbsp;&nbsp;&nbsp;&nbsp;house for summer break...<br>**[46:05] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's there?<br>**[46:08] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[46:13] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't... hurt?<br>**[46:16] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hands?<br>**[46:23] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurts...<br>**[46:26] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celes-san came rushing down<br>&nbsp;&nbsp;&nbsp;&nbsp;and took Junta to a hospital.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Help!!
<br>**[46:32] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems Junta had broken his arm<br>&nbsp;&nbsp;&nbsp;&nbsp;when he caught me.<br>**[46:39] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[46:40] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;And thanks.<br>**[46:43] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you speak Japanese?<br>**[46:45] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celes-san taught me.<br>**[46:47] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all I know.<br>**[46:49] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you got a lump.<br>**[46:51] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi madre hit me.<br>**[46:54] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pastries from our shop.<br>**[46:55] (Flashback) Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, ensaïmadas.<br>**[46:57] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you like best?<br>&nbsp;&nbsp;&nbsp;&nbsp;Chocolate, butter cream, or almond paste?<br>**[47:02] (Flashback) Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like them all.<br>**[47:03] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recommend this one, then.<br>**[47:05] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Butter cream.<br>**[47:12] (Flashback) Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you doing up there?<br>**[47:16] (Flashback) Junya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You like my abuelito?<br>**[47:20] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's awesome!<br>**[47:21] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's handsome and stylish,<br>**[47:24] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he's great at flamenco, and he's nice,<br>**[47:26] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he compliments me, <br>
&nbsp;&nbsp;&nbsp;&nbsp;and he compliments me *a lot*!<br>**[47:29] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he smells nice,<br>&nbsp;&nbsp;&nbsp;&nbsp;and he makes my heart race!<br>**[47:33] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not the one who makes *his* heart race,<br>**[47:36] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he didn't do that super-hot dance for me,<br>**[47:39] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;and he only likes Yachiyo,<br>**[47:41] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I know that!<br>**[47:43] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;He makes you sad enough to cry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you still like him?<br>**[47:46] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! That a problem?!<br>**[47:49] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. That's amazing.<br>**[47:52] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing?<br>**[47:53] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's amazing.<br>**[47:57] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;That seems nice.<br>**[47:59] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kinds of things can you see?<br>**[48:01] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does this world look like to you?<br>**[48:07] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said, with these eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;as clear as glass beads...<br>**[48:11] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I see him after so long, and<br>&nbsp;&nbsp;&nbsp;&nbsp;he says he found someone special.<br>**[48:15] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought "Wow, he finally found it."<br>**[48:19] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never even considering me.<br>**[48:21] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saijo Takato.<br>**[48:23] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean a lot more to him than you realize.<br>**[48:29] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Glass beads?*<br>**[48:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What in the world?*<br>**[48:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've never seen him look that way.*<br>**[48:36] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you stay and give you lessons,<br>&nbsp;&nbsp;&nbsp;&nbsp;but only for today.<br>**[48:39] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a busy man, y'know?<br>**[48:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Wild Bull.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chunta.
<br>**[48:43] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Chunta.*<br>**[48:45] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need thanks from a thief like you.<br>**[48:47] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are you looking at?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What are you looking at?
<br>**[48:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been this stiff in a long time.<br>**[48:59] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must have a lot of lactic acid built up.<br>**[49:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did stay up all night...<br>**[49:04] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You suck! What, you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're dancing the waltz?<br>**[49:06] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you a noblewoman?<br>**[49:08] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't slam the tacones down!<br>**[49:10] (Flashback) Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, do it better!<br>**[49:14] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That damned wild bull...<br>**[49:16] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;He worked me to the bone.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Heading out
<br>**[49:27] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't come back.<br>**[49:31] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get pastries at Muuu Mu yesterday?<br>**[49:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celes-san...<br>**[49:38] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back.<br>**[49:39] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mind being a sounding board<br>&nbsp;&nbsp;&nbsp;&nbsp;for an old man for a while?<br>**[49:45] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love the patio culture here in Spain.<br>**[49:49] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;A product of human ingenuity,<br>&nbsp;&nbsp;&nbsp;&nbsp;living in a place with so much sun.<br>**[49:53] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;These beautiful little ones<br>&nbsp;&nbsp;&nbsp;&nbsp;create an oasis in our home.<br>**[49:58] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's wonderful.<br>**[49:59] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you like best?<br>**[50:01] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one?<br>**[50:03] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... um...<br>**[50:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like this one.<br>**[50:08] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big leaves. Substantial. Bright green.<br>**[50:13] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So much growth left.<br>**[50:17] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta always says he likes them all.<br>**[50:21] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;He always has.<br>**[50:23] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I like them all" means they're<br>&nbsp;&nbsp;&nbsp;&nbsp;all the same, don't you think?<br>**[50:28] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen to him in the past?<br>**[50:33] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing like that.<br>**[50:35] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;My daughter and her husband<br>&nbsp;&nbsp;&nbsp;&nbsp;started a business in Japan,<br>**[50:38] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they were busy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he wanted for nothing.<br>**[50:42] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no family turmoil.<br>**[50:44] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really stood out, too.<br>**[50:46] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he was always in a crowd growing up.<br>**[50:50] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to say something, I feel<br>&nbsp;&nbsp;&nbsp;&nbsp;like he was rather empty inside.<br>**[50:56] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in his blood, I guess.<br>**[50:58] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the same way.<br>**[51:00] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blood?<br>**[51:02] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an area of Granada<br>&nbsp;&nbsp;&nbsp;&nbsp;founded by a nomadic people.<br>**[51:07] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was born there.<br>**[51:09] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nomadic?<br>**[51:12] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a place on top of a hill<br>&nbsp;&nbsp;&nbsp;&nbsp;with beautiful views.<br>**[51:15] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people there have big, strong feelings.<br>**[51:18] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;They cry, they rage, they laugh, they love.<br>**[51:21] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've lived their lives casting<br>&nbsp;&nbsp;&nbsp;&nbsp;distinct shadows into the ground below.<br>**[51:25] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone except for me.<br>**[51:27] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, lemon water.<br>**[51:29] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[51:31] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a seat.<br>**[51:33] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never felt rooted in my homeland.<br>**[51:37] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never had cause to complain or felt<br>&nbsp;&nbsp;&nbsp;&nbsp;troubled by the complications of the time.<br>**[51:42] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just had this vague feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;of floating above everything<br>**[51:45] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;and left the town searching for it,<br>**[51:47] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;dancing flamenco in the streets<br>&nbsp;&nbsp;&nbsp;&nbsp;and at tablaos to make money.<br>**[51:52] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I didn't make enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd seduce some well-to-do housewife.<br>**[51:57] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? I'm as handsome as<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta, don't you think?<br>**[52:01] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[52:02] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say yes?!<br>**[52:04] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a good kid!<br>**[52:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I didn't mean... that he's handsome or...<br>**[52:09] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, I don't think that!<br>**[52:11] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand why Junta was so drawn to you.<br>**[52:15] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your physique may be<br>&nbsp;&nbsp;&nbsp;&nbsp;more delicate than ours,<br>**[52:18] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're stronger in your core.<br>**[52:21] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yachiyo, my wife, was the same way.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I love your dancing!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I love you!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Please!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Let me draw you!
<br>**[52:32] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the moment we met,<br>&nbsp;&nbsp;&nbsp;&nbsp;she wouldn't leave me alone.<br>**[52:35] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seemed to turn up<br>&nbsp;&nbsp;&nbsp;&nbsp;wherever I was working.<br>**[52:39] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It creeped me out a little, really.<br>**[52:43] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So he gets his stalker tendencies*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from his grandmother?*<br>**[52:47] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I dismissed her as a rich<br>&nbsp;&nbsp;&nbsp;&nbsp;tourist looking for a little fun, but...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Celes, give Yachiyo the time of day already.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Heh heh heh.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You jest.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I don't have time to give <br>
&nbsp;&nbsp;&nbsp;&nbsp;to some flighty tourist.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Well...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;She doesn't seem very flighty <br>
&nbsp;&nbsp;&nbsp;&nbsp;to me, you know?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There you are!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And speak of the devil.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good evening, Yachiyo!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good evening!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your Spanish has improved.
<br>**[53:18] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could she stand there so earnestly?<br>**[53:21] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even without a home to return to...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You filth!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, darling!
<br>**[53:28] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how hard I stamped<br>&nbsp;&nbsp;&nbsp;&nbsp;and trampled on the earth...<br>**[53:33] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt completely blank,<br>&nbsp;&nbsp;&nbsp;&nbsp;like I didn't really exist.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Found you!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh, your face! Were you in a fight?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You look handsome even with a bruise!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hey.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What do you look at in life?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;What do I... look at?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yeah.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hee hee hee...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Let me show you!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's my masterpiece!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ta-daa!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The title is
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"You, Who Set My Heart Ablaze."
<br>**[54:07] Ceres**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way that Yachiyo saw me<br>&nbsp;&nbsp;&nbsp;&nbsp;was so full of color and life.<br>**[54:13] Ceres**<br>&nbsp;&nbsp;&nbsp;&nbsp;She looked at me, a man untethered,<br>**[54:15] Ceres**<br>&nbsp;&nbsp;&nbsp;&nbsp;and smiled, saying she'd never<br>&nbsp;&nbsp;&nbsp;&nbsp;seen a face like mine before.<br>**[54:19] Ceres**<br>&nbsp;&nbsp;&nbsp;&nbsp;We left Granada and moved<br>&nbsp;&nbsp;&nbsp;&nbsp;to this town of white buildings.<br>**[54:23] Ceres**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place, which I built with my wife,<br>**[54:25] Ceres**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the hill whose summit I finally reached.<br>**[54:30] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could have seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Yachiyo-san's picture of you.<br>**[54:35] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's here.<br>**[54:37] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;This?<br>**[54:39] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was some child's drawing.<br>**[54:42] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not nice.<br>**[54:44] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to say it's Picasso-esque,<br>**[54:46] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it really is terrible.<br>**[54:49] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's actually not bad...<br>**[54:51] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta's at the observation deck<br>&nbsp;&nbsp;&nbsp;&nbsp;near the church.<br>**[54:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll head out there.<br>**[54:57] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give him all I've got.<br>**[54:59] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[55:01] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and could you give him that?<br>**[55:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;An orange?<br>**[55:07] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;And go up to that hill.<br>**[55:10] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you'll see what you came for.<br>**[55:21] Junta**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I was a kid, I watched a diorama*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of a train go around and around*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;When I was a kid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I watched a diorama of a train
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;go around and around
<br>**[55:26] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and thought, "Oh, this is my world."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;and thought,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Oh, this is my world."
<br>**[55:31] Junta**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A peaceful world that's just*<br>*&nbsp;&nbsp;&nbsp;&nbsp;always turning to the right.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A peaceful world
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;that's just <br>
&nbsp;&nbsp;&nbsp;&nbsp;always turning
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;to the right
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;While everyone
<br>**[55:38] Junta**<br>*&nbsp;&nbsp;&nbsp;&nbsp;While everyone around me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is so subject to their emotions...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;around me is so subject
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;to their emotions
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Culture Festival
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Why am I so
<br>**[55:45] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why am I so unflappable?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;unflappable?
<br>**[55:50] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azumaya-senpai.<br>**[55:52] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-If you don't hate me,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you go out with me?<br>**[55:56] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I don't hate her?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;If I don't hate her...
<br>**[55:58] (Flashback) Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing. Let's go out.<br>**[56:01] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No way!<br>**[56:04] (Flashback) Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy... so happy...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;She's crying
<br>**[56:06] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's crying.*<br>**[56:10] Junta**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's like there's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an acrylic plate between us.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's like
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;there's an acrylic plate
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;between us
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yeah.
<br>**[56:16] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah. The world isn't the diorama.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The world isn't a diorama.
<br>**[56:24] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The diorama is me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The diorama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;is me
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm like that train
<br>**[56:29] Junta**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm like that train, going*<br>*&nbsp;&nbsp;&nbsp;&nbsp;around and around in circles.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;going around <br>
&nbsp;&nbsp;&nbsp;&nbsp;and around
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;in circles
<br>**[56:34] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just breathing and nothing more.*<br>**[56:53] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're eating that stuff again?<br>**[56:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stupid angel.<br>**[56:59] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[57:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's really something.<br>**[57:04] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It said so in the guidebook,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you really can see Africa, huh?<br>**[57:10] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san...<br>**[57:13] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[57:13] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go for a drive.<br>**[57:16] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Sacromonte Hill in Granada.<br>**[57:23] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just breathing and nothing more.*<br>**[57:26] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what I thought.*<br>**[57:46] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Until I met this person...*<br>**[57:49] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This one person.*<br>**[58:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you how I feel about you, Chunta.<br>**[58:26] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is Sacromonte?<br>**[58:29] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the tablao Celes-san mentioned is...<br>**[58:33] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;There?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We're booked up today.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Are you Celestino's grandson?!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's been a while, Belinda-san.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You've become just as handsome as him!
<br>**[58:58] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lorca?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And who's that?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh, he's...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A pleasure to meet you.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm Saijo Takato.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Will you please show me
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;how you dance?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Come on.
<br>**[59:16] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san...<br>**[59:17] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You speak Spanish?<br>**[59:18] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basic etiquette.<br>**[59:20] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had Celes-san teach me<br>&nbsp;&nbsp;&nbsp;&nbsp;a few phrases like that.<br>**[59:23] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, I'll truly master<br>&nbsp;&nbsp;&nbsp;&nbsp;the language of this country.<br>**[59:39] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important.<br>**[59:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I get from watching them.<br>**[59:43] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;To these people, flamenco is something<br>&nbsp;&nbsp;&nbsp;&nbsp;important to them, rooted in their hearts.<br>**[59:48] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why it's so amazing<br>&nbsp;&nbsp;&nbsp;&nbsp;to see it live and raw like this.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;All right.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm going to dance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;the sevillanas with the groom tonight.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Here we go!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The star is on!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maria.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Your orange blossom.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Where is that love of mine?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oh, there he is!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Don't leave your bride waiting!
<br>**[1:00:19] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Play along, playboy!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Grandma wants to dance
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;with the man she chooses for her groom.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Though it'll end with a passionate kiss!
<br>**[1:00:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're pretty excited.<br>**[1:00:33] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[1:00:34] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lady seems to think I'm her groom.<br>**[1:00:37] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my orders, so I'm gonna go do it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shall we dance?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I can tell from your eyes <br>
&nbsp;&nbsp;&nbsp;&nbsp;that you've cheated!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Who's stolen your heart now?!
<br>**[1:00:56] sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Is it you?!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You floozy, seducing my groom!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You fight me, now!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll make you regret your loose morals!
<br>**[1:01:06] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure, but I feel*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like I'm being chewed out.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Grrrrr
<br>**[1:01:11] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;She thinks you're the groom's side piece<br>&nbsp;&nbsp;&nbsp;&nbsp; and wants to challenge you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It's a duel!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Let the bloodshed begin!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cat fight!
<br>**[1:01:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[1:01:28] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san?<br>**[1:01:29] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those shoes...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll do it.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'll show you something, you vixen!
<br>**[1:01:37] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san, are you going to<br>&nbsp;&nbsp;&nbsp;&nbsp;dance for me again?!<br>**[1:01:43] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'll dance only for you.<br>**[1:01:47] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your eyes open.<br>**[1:01:50] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taka...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Give us a good show,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;pretty boy.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Asians can't handle it!
<br>**[1:01:58] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hate doing things imperfectly.*<br>**[1:02:02] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've flawlessly followed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the track laid out for me.*<br>**[1:02:05] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Saijo Takato, actor." That's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;what I've chosen to be.*<br>**[1:02:10] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've taken pride in that version of me.*<br>**[1:02:14] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[1:02:26] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The version of me I'm going to show you now*<br>**[1:02:27] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is just Saijo Takato, without a script.*<br>**[1:02:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The man who cares for you.*<br>**[1:02:57] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My passion moves me before I can think.*<br>**[1:02:59] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like I'm drowning, helplessly.*<br>**[1:03:02] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The more that I feel,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the more I lose control.*<br>**[1:03:06] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's frustrating. I hate it!*<br>**[1:03:11] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Chunta...*<br>**[1:03:14] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't help but feel this much for you!*<br>**[1:03:34] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guapo!<br>**[1:03:35] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bonito!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Take it, bride.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I have no interest <br>
&nbsp;&nbsp;&nbsp;&nbsp;in other people's property.
<br>**[1:04:05] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you watch?<br>**[1:04:08] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are... going to drive me mad.<br>**[1:04:14] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel the same way.<br>**[1:05:33] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandfather took me<br>&nbsp;&nbsp;&nbsp;&nbsp;to this hill many times.<br>**[1:05:38] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scenery was just beautiful.<br>**[1:05:41] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't feel anything.<br>**[1:05:45] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried to figure out why<br>**[1:05:48] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;and tried to experience lots of things,<br>**[1:05:50] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that never changed.<br>**[1:05:52] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might have tried harder<br>&nbsp;&nbsp;&nbsp;&nbsp;if I'd had a reason to,<br>**[1:05:57] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I didn't really.<br>**[1:06:00] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I eventually gave up,<br>**[1:06:02] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;deciding maybe my heart just<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't meant to be part of the world.<br>**[1:06:08] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I was wrong.<br>**[1:06:11] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had one, too...<br>**[1:06:13] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that could stir my heart.<br>**[1:06:18] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who could teach me, in an instant,<br>**[1:06:21] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;how brilliant this world is...<br>**[1:06:27] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that falling in love<br>&nbsp;&nbsp;&nbsp;&nbsp;can make you this weak.<br>**[1:06:38] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm afraid to lose him.*<br>**[1:06:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you scared?<br>**[1:06:53] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared.<br>**[1:06:56] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[1:07:00] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the day you said you wanted to break up,<br>**[1:07:02] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;my whole world was in chaos.<br>**[1:07:05] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never say that again.<br>**[1:07:06] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san, may I hold you?<br>**[1:07:09] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I kiss you?<br>**[1:07:13] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I stay with you?<br>**[1:07:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chunta.<br>**[1:07:21] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;For us to be together<br>&nbsp;&nbsp;&nbsp;&nbsp;for the rest of our lives,<br>**[1:07:23] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can't be together all the time.<br>**[1:07:27] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I will always come back to you,<br>**[1:07:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you come back to me, too.<br>**[1:07:33] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've become weak, too.<br>**[1:07:36] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've become weak.*<br>**[1:07:38] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you. I love you, Takato-san.<br>**[1:07:42] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I know that's...*<br>**[1:07:44] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you.<br>**[1:07:46] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you, too.<br>**[1:07:55] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's a necessary weakness*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to feel such warmth.*<br>**[1:08:10] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back. How did it go?<br>**[1:08:11] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw some incredible dancing, sir.<br>**[1:08:15] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for recommending it.<br>**[1:08:16] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[1:08:20] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem a bit sexier than before.<br>**[1:08:23] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be time to compete<br>&nbsp;&nbsp;&nbsp;&nbsp;with my grandson over such beauty—<br>**[1:08:28] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abuelito.<br>**[1:08:30] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one likes a possessive man, Junta.<br>**[1:08:35] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not sure, but is he being intimidated?*<br>**[1:08:40] Yachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back!<br>**[1:08:41] Yachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Celes!<br>**[1:08:43] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abuelita! Abuelito's hitting on—<br>**[1:08:46] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, Yachiyo! Welcome home!<br>**[1:08:48] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've missed you so!<br>**[1:08:49] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's that?<br>**[1:08:49] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's my grandmother.<br>**[1:08:51] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[1:08:52] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, she's ali—<br>**[1:08:56] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er...<br>**[1:08:57] Takato**<br>*&nbsp;&nbsp;&nbsp;&nbsp;From how he talked,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I totally thought she was dead!*<br>**[1:09:00] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Darling mi tesoro! How was your trip?<br>**[1:09:03] Yachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, calling me "tesoro"!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My treasure
<br>**[1:09:05] Yachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're my treasure, too, Celes!<br>**[1:09:10] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi teso...<br>**[1:09:12] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... treasure?<br>**[1:09:18] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Busted, huh?<br>**[1:09:24] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so embarrassing!<br>&nbsp;&nbsp;&nbsp;&nbsp;You had that engraved?<br>**[1:09:26] Hachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Junta's home?<br>**[1:09:26] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so cute when you're<br>&nbsp;&nbsp;&nbsp;&nbsp;blushing, Takato-san!<br>**[1:09:29] Hachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's the other boy?<br>**[1:09:29] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're turning me on!<br>**[1:09:31] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being turned on!<br>**[1:09:32] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;You eternally horny angel!<br>**[1:09:33] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the treasure Junta found.<br>**[1:09:36] Hachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Rematch
<br>**[1:09:44] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[1:09:55] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;That clam broth is so satisfying.<br>**[1:09:57] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato, does Junta make paella<br>&nbsp;&nbsp;&nbsp;&nbsp;for you in Japan as well?<br>**[1:10:02] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, he does make it a lot.<br>**[1:10:05] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Paella is a man's dish.<br>**[1:10:09] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;He makes it for his beloved wife and family.<br>**[1:10:14] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;That grandson of mine? I see.<br>**[1:10:18] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad I taught him, then.<br>**[1:11:11] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you to Málaga Airport, then.<br>**[1:11:13] Yachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back anytime, Takato-kun.<br>**[1:11:16] Yachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send you the painting I did<br>&nbsp;&nbsp;&nbsp;&nbsp;after I color it in!<br>**[1:11:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure! I can't wait!<br>**[1:11:22] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks a lot.<br>**[1:11:25] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[1:11:26] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takato-san, I want to wear my ring again!<br>**[1:11:30] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antonio said he returned it to you.<br>**[1:11:33] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Give it back<br>
&nbsp;&nbsp;&nbsp;&nbsp;Give it back<br>
&nbsp;&nbsp;&nbsp;&nbsp;Give it back
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Give it back<br>
&nbsp;&nbsp;&nbsp;&nbsp;Give it back<br>
&nbsp;&nbsp;&nbsp;&nbsp;Give it back
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Asking for it
<br>**[1:11:35] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have it?<br>**[1:11:37] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I messed up a little...<br>**[1:11:39] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Messed up?<br>**[1:11:41] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll put it on you! Give me your hand!<br>**[1:11:43] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[1:11:48] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[1:11:49] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our ensaïmada.<br>**[1:11:52] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat it at the airport!<br>**[1:11:53] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks a lot.<br>**[1:11:55] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever get tired of<br>&nbsp;&nbsp;&nbsp;&nbsp;the niña's weak little body,<br>**[1:11:57] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can always come back to me, Junta.<br>**[1:12:00] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you rest on my big, sexy chest!<br>**[1:12:03] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antonio.<br>**[1:12:05] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks a lot.<br>**[1:12:07] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been my best friend,<br>&nbsp;&nbsp;&nbsp;&nbsp;now and back then.<br>**[1:12:13] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ju...<br>**[1:12:14] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Junta!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Crack
<br>**[1:12:16] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[1:12:17] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? I still haven't given up on Junta, niña!<br>**[1:12:21] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Better channel that energy<br>&nbsp;&nbsp;&nbsp;&nbsp;into fixing your face, Wild Bull!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Menacing
<br>**[1:12:30] Takato/Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later.<br>**[1:12:32] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Junta.<br>**[1:12:33] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while since I asked.<br>**[1:12:36] Celes**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which flower do you like best?<br>**[1:12:38] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop calling me niña, Wild Bull!<br>**[1:12:40] Antonio**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a niña, so I call you a niña!<br>**[1:12:41] Yachiyo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Effort! Friendship! Victory!<br>**[1:12:44] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orange blossoms.<br>**[1:13:29] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This world where I can love you...*<br>**[1:13:36] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's so painful, so joyous...*<br>**[1:13:39] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and so beautiful.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;After the Return
<br>**[1:18:08] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Takato-san, thank you so much!<br>**[1:18:11] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had it without rice before!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cooking for Dummies  Paella
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;paella first-time making
<br>**[1:18:19] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, right.<br>**[1:18:20] Junta**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's eat!<br>**[1:18:24] Takato**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't cook!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The End
<br>