# E12 - Two Worlds, Two Justices

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U299M3/two-worlds-two-justices)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(This is incomplete since the names are blank on the source file. Feel free to edit them in. Dialogue is left as is.)<br>
**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zelada!<br>**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Lady Exedilica.<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an honor to see you again.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You!<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Sir Matoba, you seem to be doing well...<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zelada!<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How terrifying.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So perhaps... excuse me.<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tilarna!<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zelada, you piece of shit!<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you! I'll kill you!<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's certainly concerning.<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you should take a nap instead.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You caught a suspect in the gun smuggling case?<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We're just about to get<br>
&nbsp;&nbsp;&nbsp;&nbsp;more information, but...<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eugene Bolai. A Semanian immigrant.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of those Lahge guys.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was using the company's equipment<br>&nbsp;&nbsp;&nbsp;&nbsp;to make that steel stuff little by little.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The history's been deleted, but...<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't investors?<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. We're the cops.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. Yeah, bring him in.<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, where the hell are Matoba and Exedilica?<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady Exedilica,<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how are you feeling?<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terrible.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not because of your magic.<br>
&nbsp;&nbsp;&nbsp;&nbsp;But because of your face.<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your voice is so beautiful.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it sounds a little barbaric<br>
&nbsp;&nbsp;&nbsp;&nbsp;speaking the words of the doreany.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately I've taken a liking to their language.<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has lots of insults.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd prefer not to hear<br>
&nbsp;&nbsp;&nbsp;&nbsp;such words coming from you.<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die, Zelada, you disgusting old geezer.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get on your knees, press that smirking<br>&nbsp;&nbsp;&nbsp;&nbsp;face of yours against the ground,<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and piss yourself while you beg for forgiveness.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How very sad.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I've always said, nothing good comes<br>&nbsp;&nbsp;&nbsp;&nbsp;of spending too much time on Earth.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Kei? Tell me now, so I can<br>&nbsp;&nbsp;&nbsp;&nbsp;send you to hell where you belong!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sir Matoba?<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I hope he's all right.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that FBI agent doesn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;the type to ask questions delicately.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man named Chan?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you planning with him?<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same thing I was planning with Sir Roth.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our interests are aligned, you see.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any ideals.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to live life on easy street.<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why you teamed up with Zelada?<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a lot more cunning than he looks, you know.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking risks is what business is all about.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our original plan had been for<br>&nbsp;&nbsp;&nbsp;&nbsp;Coal Mozeleemay to win the election.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's incompetent and easy to control.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Kahns and Tourte died<br>&nbsp;&nbsp;&nbsp;&nbsp;to accidents during the election,<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coal would be the next mayor.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was important to Zelada<br>&nbsp;&nbsp;&nbsp;&nbsp;that Semanians use Earth weapons<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry to the assassinations.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that you'll all hate each other.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Semanians and the doreany.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the vaifaht steel gun?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mrs. Mozeleemay wanted Semanian support badly.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She would look after any craftsman from<br>&nbsp;&nbsp;&nbsp;&nbsp;the other world who wanted to come here,<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even giving them work.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Craftsmen? The Lahge...<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The complexity of this device astounded me.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who'd believe it could be a gun?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's truly magic.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laugh.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, two, three.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can't fire it unless it's a gun.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what killed Coal.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was Ethan who decided<br>&nbsp;&nbsp;&nbsp;&nbsp;that without talking to us.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ethan?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The assassin you slew.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a marine who went missing<br>&nbsp;&nbsp;&nbsp;&nbsp;eight years ago in the Semani world.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And somehow he came back,<br>&nbsp;&nbsp;&nbsp;&nbsp;with knowledge of magic and swordsmanship.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ethan Dole.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man with potential... for a doreany.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it you who trained him?<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terrible with a sword.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've figured it out, haven't you?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have recognized that style.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Leeze...<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leeze.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the Mirvor, that word means "Master."<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means... which means...?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady Exedilica.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time to tell you how I feel.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fear for the future of our world,<br>&nbsp;&nbsp;&nbsp;&nbsp;for Leto Semani.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you turned to terrorism?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll say it as many times as I have to.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Semanians and the doreany<br>&nbsp;&nbsp;&nbsp;&nbsp;must hate each other.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, it will be impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect our lands from their civilization.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Civilization?<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must know the tragedy<br>&nbsp;&nbsp;&nbsp;&nbsp;that's taking place in your homeland.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earth... Doreany weapons, doreany tools,<br>&nbsp;&nbsp;&nbsp;&nbsp;disgusting "pornography"... everywhere.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even things like this...<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disgusting noise like this...<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Semanian people are gladly accepting it all.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir Elbaji was a skilled warrior<br>&nbsp;&nbsp;&nbsp;&nbsp;and highly intelligent man,<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he spent too much time among<br>&nbsp;&nbsp;&nbsp;&nbsp;the wickedness of the doreany.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Men such as him will soon<br>&nbsp;&nbsp;&nbsp;&nbsp;be found everywhere in our world.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Decadence."<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the only word to<br>&nbsp;&nbsp;&nbsp;&nbsp;describe doreany civilization.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have done evil. I have killed innocents.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I have never given in to decadence.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear to you, not even once.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's get to the point, Detective Matoba.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to talk business with you.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I do for you?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the photo.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scandal photo that Randall took.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to be the only one who has it.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have anyone else having it.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want my password.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to delete that stupid<br>&nbsp;&nbsp;&nbsp;&nbsp;picture from my account?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hacking the account of a city<br>&nbsp;&nbsp;&nbsp;&nbsp;police officer isn't an easy thing to do.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, Marla is taking<br>&nbsp;&nbsp;&nbsp;&nbsp;the lead in the mayoral lead.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has the sympathy votes.<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll win at this rate.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marla was your client, right?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're going to blackmail her?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're very greedy, you see.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't have you or Randall<br>&nbsp;&nbsp;&nbsp;&nbsp;owning a copy of that photo.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can torture me, but if I can<br>&nbsp;&nbsp;&nbsp;&nbsp;last the four days until the election,<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have a problem.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you follow.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like that Marla woman is one nasty bitch.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't say.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care who the next mayor is,<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as they and I can be friends.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, tell me the password, and I'll free you.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I'll pay you for your trouble too.<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifty thousand dollars.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to be a part of this too.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pass is seven characters.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get it wrong.<br>&nbsp;&nbsp;&nbsp;&nbsp;The first letter is F. Then U.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then C. Then K.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you fucking with me?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm totally serious. That's the problem.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears we're at an impasse<br>&nbsp;&nbsp;&nbsp;&nbsp;in negotiations then, Detective Matoba.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This never was a negotiation!<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll free me if I tell you<br>&nbsp;&nbsp;&nbsp;&nbsp;the password? And pay me?<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell would be<br>&nbsp;&nbsp;&nbsp;&nbsp;dumb enough to believe that?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you. It's F-U--<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oww...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me! Now get up!<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mess with me!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wake up--<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guy's head isn't like a soccer ball... oww.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Randall... I'm sorry.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Decadence.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing that can preserve our home<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from this devouring decadence is hatred.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hatred to the point where you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;even want to look upon a doreany tool.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the only way to survive, I believe.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady Exedilica, don't tell me you<br>&nbsp;&nbsp;&nbsp;&nbsp;intend to accept this decadence?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Down that path lies depravity.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depravity. Depravity, you said?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. The introduction of doreany culture--<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zelada, what you call "depravity"<br>&nbsp;&nbsp;&nbsp;&nbsp;is just fear of change!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense!<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true. You're a coward.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All your talk about the evil you've done<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just hides the fact that you're afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;of the chaos of the world.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not fear it.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday I'll find something<br>&nbsp;&nbsp;&nbsp;&nbsp;that shines within the filth.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at reality.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you say is--<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reality, you said.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let me tell you this: the gate is open!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it won't be closing.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to change.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no choice but to do<br>&nbsp;&nbsp;&nbsp;&nbsp;the best we can under that situation!<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm disappointed, Lady Exedilica.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill me then, if you must.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But remember this well:<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't change the mind of a single girl.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you can't do that,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's impossible for you to achieve<br>&nbsp;&nbsp;&nbsp;&nbsp;the great things you hope for.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well then.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Lady Exedilica.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you are protected<br>&nbsp;&nbsp;&nbsp;&nbsp;by the grace of Kizenya.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Sir Matoba.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's tearing a path through my puppets...<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kei!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zelada!<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zelada, looks like you're a shitty dancer.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disaster!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My servants are being<br>&nbsp;&nbsp;&nbsp;&nbsp;defeated one after another.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. The dead you control<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot possibly stop Kei Matoba!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it seems.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what to do then?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kei will be here soon.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give up and surrender.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems my last servant has fallen.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was afraid because I wasn't sure<br>&nbsp;&nbsp;&nbsp;&nbsp;whether to have you or Sir Matoba die first.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would Sir Matoba say when<br>&nbsp;&nbsp;&nbsp;&nbsp;he gets here and finds your corpse?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or what would you say if Sir Matoba<br>&nbsp;&nbsp;&nbsp;&nbsp;were to perish in front of you?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a difficult choice to make.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You scum.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made my choice.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish to see Sir Matoba's despair.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so...<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady Exedilica...<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arms of steel. Protection of the war god!<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scales of lead. Transmutation of hell.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to learn to give up.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you at all.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're certainly hanging in there.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So perhaps...<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zelada!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're here early, Sir Matoba.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in dire peril!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so...<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kei, above you!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kei!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll use the sprinklers.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we see him, attack at the same time I do.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry... I can't stand up.<br>&nbsp;&nbsp;&nbsp;&nbsp;My strength hasn't returned.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you assail my poor<br>&nbsp;&nbsp;&nbsp;&nbsp;old ears with such noise?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought my eardrums would burst.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall send you to hell with<br>&nbsp;&nbsp;&nbsp;&nbsp;all the suffering I can muster!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't learned.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very clever. However...<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't aim at me from here!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kizenya, forgive me.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable... unbelievable...<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuck.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna have nightmares of that.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rick, I pulled it off.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you move?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have this back.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I was talking to the sword.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't be able to send backup for a while.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All these riots and stuff.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the cars are out on calls.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said to wait 30 minutes.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city's done for.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Randall?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't save him.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of Randall...<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do with this photo?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you asking me?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I give this to HQ,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll probably be made public,<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Mrs. Mozeleemay is done for.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tourte will win in a landslide.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you want to delete it?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's legally and ethically wrong,<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can play dumb.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I don't care what we do.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gods of Kizenya would not forgive that.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lightning of judgment...<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, it should be my decision,<br>&nbsp;&nbsp;&nbsp;&nbsp;not the gods', right?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think so.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that photo...<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn it in. It's important evidence.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even if the town's a mess now,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter who the mayor is,<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's still a good town.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... because there's lots<br>&nbsp;&nbsp;&nbsp;&nbsp;of good people here.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe so.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you're here.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace returned to the city.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the people who'd been screaming<br>&nbsp;&nbsp;&nbsp;&nbsp;and yelling just seemed to disappear.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before, I would've looked down<br>&nbsp;&nbsp;&nbsp;&nbsp;on them as barbarians.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now things are different.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're afraid, worried, and confused.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like us,<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're people.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Knights always taught me<br>&nbsp;&nbsp;&nbsp;&nbsp;to wipe out evil wherever I found it.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But...<br>&nbsp;&nbsp;&nbsp;&nbsp;--And I swear to...<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now I've started to learn<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which evils can be defeated<br>&nbsp;&nbsp;&nbsp;&nbsp;and which can be forgiven.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that make me weaker?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if it's also made me a little smarter,<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's a small price to pay.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father, please don't be sad.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm staying in this town.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this town where so many weak,<br>&nbsp;&nbsp;&nbsp;&nbsp;foolish, and greedy people live.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I love them. And I'm going to stay<br>&nbsp;&nbsp;&nbsp;&nbsp;here and find a path with them.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please send my best wishes<br>&nbsp;&nbsp;&nbsp;&nbsp;to my mother and Shajinna.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May the light of Kizenya shine upon you...<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get going.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant Exedilica.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to talk...<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have some time?<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He apologized for before.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He feels really bad about it, I think.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you do?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have him spin three times in a circle and bark.<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you'll be even.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait--<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spin three times in a circle and bark.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, two, three, bark.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Tilarna.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earthlings aren't so bad, are they?<br>