# 3 - The Servants

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYGGXP7EY/chrono-crusade)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's fly in the prettiest sky*<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Towards a definite future, try*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wishes are reflected in your eyes, <br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles overflowing with brilliance*<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Entrust your wings to the current, <br>
&nbsp;&nbsp;&nbsp;&nbsp;right now, without looking back*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle we met <br>
&nbsp;&nbsp;&nbsp;&nbsp;by chance is the pleasure line*<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We made a promise, right?*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's fly to the prettiest sky*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter how often you fall, try*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tomorrow you grab <br>
&nbsp;&nbsp;&nbsp;&nbsp;hold of as you're being hurt*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will never forget you, <br>
&nbsp;&nbsp;&nbsp;&nbsp;telling this gently and strongly*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you finished?<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made a flower ring, wow!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is called the Prophecy of Fatima.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Virgin Mary entrusted<br>&nbsp;&nbsp;&nbsp;&nbsp;three shepherds with three prophecies.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world war will end soon.<br>&nbsp;&nbsp;&nbsp;&nbsp;Two years later, it came to be.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another was that, in twenty years,<br>&nbsp;&nbsp;&nbsp;&nbsp;an even greater war will occur.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the final one has been sealed<br>&nbsp;&nbsp;&nbsp;&nbsp;away as a top secret by the Pope in Rome.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But thanks to various inquiries,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Order has come to a single conclusion.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is "The Servants."<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Namely, the appearance of God's Apostles.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These people must be protected<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Magdalene Order, no matter the cost.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl is an Apostle?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, she's from<br>&nbsp;&nbsp;&nbsp;&nbsp;the village of Fatima, in Portugal.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At a mere twelve years old,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's a soprano singer.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria Hendric...<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She came over from Portugal<br>&nbsp;&nbsp;&nbsp;&nbsp;as a member of an orchestra,<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she was forcefully<br>&nbsp;&nbsp;&nbsp;&nbsp;pulled away, and now she sings like that.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The orchestra she was<br>&nbsp;&nbsp;&nbsp;&nbsp;with has also gone missing.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Minister will look<br>&nbsp;&nbsp;&nbsp;&nbsp;into the orchestra, but...<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lech.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! No, I...<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, look, over there.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man sitting in the first row,<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ricardo Hendric,<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the "king" of hotels,<br>&nbsp;&nbsp;&nbsp;&nbsp;the owner of this theater,<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and on top of that, a devil worshipper.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man...<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Ricardo?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the man beside him.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, do you know him?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably someone I know.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A devil?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there's a contract with<br>&nbsp;&nbsp;&nbsp;&nbsp;a devil in the shadow of his success.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl that is seen as an Apostle of God,<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the devil summoner<br>&nbsp;&nbsp;&nbsp;&nbsp;that took custody of her...<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it kind of an interesting combination?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it, Lerajie?<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She hasn't even reached<br>&nbsp;&nbsp;&nbsp;&nbsp;half of what we can expect of her.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough. Go back to your room.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But...<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go back.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I understand.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, young miss, let's go to your room.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going too!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been two months since we obtained her.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she really the one?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to worry.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are still inconsistencies,<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but definite results are beginning to appear.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will awaken soon.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am aware that time is short.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chrono, a coin.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, all of a sudden?!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not all of a sudden!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no time to be<br>&nbsp;&nbsp;&nbsp;&nbsp;playing around in a casino!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, we *have* come <br>
&nbsp;&nbsp;&nbsp;&nbsp;all this way, so just a little...<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And besides, I don't really get many<br>&nbsp;&nbsp;&nbsp;&nbsp;chances to wear something like this.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you were taken in<br>&nbsp;&nbsp;&nbsp;&nbsp;by this earlier too, right?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, look, look...<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, look, look...<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So come on, please give me a coin.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! The mission comes first!<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to! The slots are calling to me!<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least let me play one more time.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is horrible! Who did such a thing?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosette, can you<br>&nbsp;&nbsp;&nbsp;&nbsp;hear me? Where are you now?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm on Ricardo's private floor.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does it look?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like something happened.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone is bustling about.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, something?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know, but keeping<br>&nbsp;&nbsp;&nbsp;&nbsp;them from spotting me is a pain.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's fine, at least you're inside.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be helped. I'd be too<br>&nbsp;&nbsp;&nbsp;&nbsp;conspicuous if I brought a child.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on your<br>&nbsp;&nbsp;&nbsp;&nbsp;follow-through from up there.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counting on me? Well, you're a child too,<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and* you broke the slot machine.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing at all.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chrono? What's wrong?<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not good!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somewhere...<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I heard a woman's voice.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, have you found Lady Azmaria?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not anywhere.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, quickly,<br>&nbsp;&nbsp;&nbsp;&nbsp;report this to Lord Lerajie.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I surprised you.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not anyone suspicious.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's not very persuasive,<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not after I've come into a place like this.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't tell anyone you met me, please.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, you can relax.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I'm extremely grateful to<br>&nbsp;&nbsp;&nbsp;&nbsp;have met you like this, Azmaria Hendric.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Rosette Christopher,<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Magdalene Order, here to rescue you.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Magdalene...<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, despite how I look, I'm actually a Sister.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's hurry up and run away from here!<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Leave it to me.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, this floor is supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;be off limits, so why are you here?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you please answer me?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guest was just looking<br>&nbsp;&nbsp;&nbsp;&nbsp;for something, and I came with her.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let us leave this to<br>&nbsp;&nbsp;&nbsp;&nbsp;those in charge of the guest rooms.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young miss, please return to your room.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you please, this way.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you to the front desk.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow ow ow ow...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chrono!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chrono?!<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chrono, come on!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to jump. Hold on!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, Chrono, so it's you.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosette, they've come!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stubborn, aren't they?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, Azmaria?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt anywhere?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dear! Hold on!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody! Please call an ambulance! Hurry!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have we...?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those things were just<br>&nbsp;&nbsp;&nbsp;&nbsp;stone statues infused with mystical power.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't matter. This is our fault!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that!<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my fault, all of it, mine.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria?<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This kind of thing...<br>&nbsp;&nbsp;&nbsp;&nbsp;This kind of thing happened,<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of it because of me.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father, Mother, everyone...<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Star of Bethlehem, star on high ♪<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Miracle of love of midnight sign ♪<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Let your luminous light<br>&nbsp;&nbsp;&nbsp;&nbsp;from Heaven enter our hearts ♪<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Star of happiness, star of wonder ♪<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ You see everything from afar ♪<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? My injuries...<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're healing?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're alive!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chrono...<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this power is proof<br>&nbsp;&nbsp;&nbsp;&nbsp;that she is an Apostle, then...<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that means...<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria! Azmaria!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria!<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria!<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is better than we expected.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This we can use.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped, the report comes first.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fun will come after that, Chrono.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me, what are the Apostles?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the matter, Rosette?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to know.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After seeing Azmaria,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is something that I just have--<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About Joshua, right?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it, isn't it?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remington!<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Sister Kate.<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it about time we told her?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just as you think. Joshua is an Apostle.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought so.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Apostles of God...<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, those who have<br>&nbsp;&nbsp;&nbsp;&nbsp;been entrusted with power by God.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;guard her, no matter what.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is Joshua...?<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only God knows<br>&nbsp;&nbsp;&nbsp;&nbsp;in whom the miracles reside.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because of that, Joshua is...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosette!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are likely seven Apostles,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who possess the power of,<br>&nbsp;&nbsp;&nbsp;&nbsp;what we call, the seven virtues.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely, the power within Joshua is hope,<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Azmaria, charity.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A devil can obtain an even greater<br>&nbsp;&nbsp;&nbsp;&nbsp;power by feeding upon the power of God.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same goes for devil worshippers.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they're being targeted.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This power is not only beneficial. Causality...<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it simply, their luck goes bad.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just before the end of the war,<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria lost both of her parents,<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she was shuttled from<br>&nbsp;&nbsp;&nbsp;&nbsp;place to place between relatives.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like there wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;very much happiness in her life.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had this power ever since I was little.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's never been this strong.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like there's a connection<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Prophecy of Fatima, but...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Chrono!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the meaning of you<br>&nbsp;&nbsp;&nbsp;&nbsp;making a guest do the cleaning?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, I asked to be allowed to do it.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing this helps me relax a little.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The orchestra I was in was a very small one,<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so both children and adults<br>&nbsp;&nbsp;&nbsp;&nbsp;had to deal with all kinds of work.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But everyone was happy and kind.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was so fun.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosette, come here and help a little.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, they treat their workers so roughly here.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would like, shall I help too?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;can you get some tea ready for us?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Ricardo?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unknown. He might be<br>&nbsp;&nbsp;&nbsp;&nbsp;preparing for a ceremony.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't done anything in regards<br>&nbsp;&nbsp;&nbsp;&nbsp;to Azmaria for the past three days.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's confident that he<br>&nbsp;&nbsp;&nbsp;&nbsp;can take her back at any time.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He certainly holds us in contempt.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is regrettable that we did not<br>&nbsp;&nbsp;&nbsp;&nbsp;discover the case of the orchestra sooner.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scene was in horrible condition.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that the Apostles hold<br>&nbsp;&nbsp;&nbsp;&nbsp;that much significance for the devils...<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will be difficult news for her.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we must tell her, mustn't we?<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my fault, again... I'm sorry!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for bringing us tea!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's nothing...<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right now. I'm fine.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me for a bit, will you?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosette! What about these?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She took Azmaria away?!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we tried to stop her, but...<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, Rosette, that girl...<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's likely at that<br>&nbsp;&nbsp;&nbsp;&nbsp;place again. I'll go get them later.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and come over here!<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place is similar to<br>&nbsp;&nbsp;&nbsp;&nbsp;the place where I first met Rosette.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was around when she was your age.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosette was an obstinate girl<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who wouldn't show her tears<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of other people either.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She probably sees her old self in you.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In me?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you two?<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make such fretful faces!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's overdoing it, Rosette.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How horrible...<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>&nbsp;&nbsp;&nbsp;&nbsp;lf it bothers you that much,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then why don't you<br>&nbsp;&nbsp;&nbsp;&nbsp;stop complaining, and try fighting back?!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that! And that!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You missed! Too slow, too sl--<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch...<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too slow too, Rosette!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why you, why you!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that! And that!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotcha, gotcha! There!<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this with you<br>&nbsp;&nbsp;&nbsp;&nbsp;being the only one untouched?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no fun to just watch!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you've cheered up.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, you've got a<br>&nbsp;&nbsp;&nbsp;&nbsp;really good look on your face.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you're having fun, have fun,<br>&nbsp;&nbsp;&nbsp;&nbsp;and when you get angry, be angry.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when you want to cry, cry your eyes out.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you've cried, you feel better, right?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that you'll be able to smile again.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you keep your problems<br>&nbsp;&nbsp;&nbsp;&nbsp;to yourself, and force yourself to smile,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the person that it's hardest on is you.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, that's what I get told a lot.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's nasty. You've caught a chill.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were playing around too much!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, your nose is runny.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's bitter!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chrono!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have come for you, young miss.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lerajie!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the preparations<br>&nbsp;&nbsp;&nbsp;&nbsp;are in order. Did you have plenty of fun?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, my gun is...<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, Sinner Chrono.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Viscount Lerajie...<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Locked into a form like this...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you fallen so far that<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot even shed your false form?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait!<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please don't hurt these people.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?! You mustn't!<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria!<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped.<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I always bring unhappiness.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for today.<br>&nbsp;&nbsp;&nbsp;&nbsp;I absolutely will not forget it.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azmaria!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How wonderful. So young,<br>&nbsp;&nbsp;&nbsp;&nbsp;yet so noble in her resignation.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, Chrono?!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the beginning, these people had no choice!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That can't be! You promised!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosette!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because I think I love you*<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That I get hurt and I get bewildered*<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When our cold cheeks met, a heart was born*<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I always want to see you right away*<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I love you so much <br>
&nbsp;&nbsp;&nbsp;&nbsp;I end up not being able to talk*<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How can I see gentleness?*<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hold me more tightly, <br>
&nbsp;&nbsp;&nbsp;&nbsp;I believe in your warm heart*<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Farewell, solitaire, I go to tomorrow*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always my fault<br>
&nbsp;&nbsp;&nbsp;&nbsp;that everyone gets hurt.*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rosette, Chrono,<br>
&nbsp;&nbsp;&nbsp;&nbsp;please, somehow, be well.*<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, I'm completely fine, just fine.*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rosette?!*<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Being hardy is one of Rosette's merits.*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if it's all right to <br>
&nbsp;&nbsp;&nbsp;&nbsp;sum it up by just saying she's hardy?*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right, I'm going to completely <br>
&nbsp;&nbsp;&nbsp;&nbsp;beat up the guy in the pointy hat!*<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go, Sinner Attack!*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You mean me?!*<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next episode, "Sinner."*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm going to break the seal, Chrono.*<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>