# E867 - The Traitor's Stage (Part Two)

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6GGZP526/the-traitors-stage-part-two)<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came to watch Hado Rokumichi's<br>&nbsp;&nbsp;&nbsp;&nbsp;concert rehearsal...<br>**[00:04] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;at which he was set to perform "ASACA,"<br>&nbsp;&nbsp;&nbsp;&nbsp;a song written seventeen years ago,<br>**[00:10] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;but...<br>**[00:59] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even heaven is watching the<br>&nbsp;&nbsp;&nbsp;&nbsp;labyrinths of the world!<br>**[01:01] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Full throttle reasoning skills<br>&nbsp;&nbsp;&nbsp;&nbsp;penetrate all mysteries!<br>**[01:03] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the shadow of the case happening on the<br>&nbsp;&nbsp;&nbsp;&nbsp;stage lurk Amuro, Okiya, and Vermouth!<br>**[01:07] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always determining the one truth<br>**[01:09] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the body of a child<br>&nbsp;&nbsp;&nbsp;&nbsp;and the mind of an adult,<br>**[01:11] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;his name is Detective Conan!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Traitor's Stage <br>
&nbsp;&nbsp;&nbsp;&nbsp;(Part Two)
<br>**[02:43] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Traitor's Stage, Part Two!"<br>**[02:49] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? The victim wrote the<br>&nbsp;&nbsp;&nbsp;&nbsp;note on the paper himself?<br>**[02:54] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, sir.<br>**[02:55] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to forensics,<br>**[02:57] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the paper came from the notebook<br>&nbsp;&nbsp;&nbsp;&nbsp;the victim used to write lyrics.<br>**[03:01] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The handwriting matched the lyrics written<br>&nbsp;&nbsp;&nbsp;&nbsp;on the other pages of the notebook.<br>**[03:06] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means it's likely the<br>&nbsp;&nbsp;&nbsp;&nbsp;victim felt indebted to someone,<br>**[03:10] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that became their reason to kill him.<br>**[03:13] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any ideas?<br>**[03:15] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about indebted, but he<br>&nbsp;&nbsp;&nbsp;&nbsp;may have had an inferiority complex.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Enjo Kanae (40) <br>
&nbsp;&nbsp;&nbsp;&nbsp;Hado's Manager
<br>**[03:19] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hado often said he had <br>
&nbsp;&nbsp;&nbsp;&nbsp;to work hard to keep up<br>**[03:23] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;with other handsome musicians <br>
&nbsp;&nbsp;&nbsp;&nbsp;since he had an off-putting face.<br>**[03:27] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:28] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told him not to worry about it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuse Okuyasu (58) <br>
&nbsp;&nbsp;&nbsp;&nbsp;Record Company President
<br>**[03:32] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said the way he seemed difficult <br>
&nbsp;&nbsp;&nbsp;&nbsp;to approach was part of his charm.<br>**[03:36] Sonoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Hado-san<br>&nbsp;&nbsp;&nbsp;&nbsp;changed his image recently.<br>**[03:40] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he seemed softer than before.<br>**[03:43] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changed how?<br>**[03:45] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just his overall impression.<br>**[03:47] Sonoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe his face?<br>**[03:49] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That reminds me, there were<br>&nbsp;&nbsp;&nbsp;&nbsp;rumors Hado got plastic surgery.<br>**[03:53] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although I think that was around the <br>
&nbsp;&nbsp;&nbsp;&nbsp;time he graduated from high school.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kajiya Hirokazu (51) <br>
&nbsp;&nbsp;&nbsp;&nbsp;Magazine Reporter
<br>**[03:58] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you before, that's all nonsense!<br>**[04:01] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't have any money back then.<br>**[04:03] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We worked every day for<br>&nbsp;&nbsp;&nbsp;&nbsp;a shipping company<br>**[04:07] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make enough money<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to be a musician.<br>**[04:11] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Hado dumped you after<br>&nbsp;&nbsp;&nbsp;&nbsp;you worked so hard together,<br>**[04:14] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;and married another woman.<br>**[04:17] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that was sixteen years ago.<br>**[04:20] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the song "ASACA" he was<br>&nbsp;&nbsp;&nbsp;&nbsp;set to announce at this concert<br>**[04:24] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;was composed seventeen years ago.<br>**[04:26] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be some reason he left it<br>**[04:29] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;without lyrics for seventeen years.<br>**[04:31] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, pretty little manager?<br>**[04:35] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's enough.<br>**[04:37] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;President, you must know something, too.<br>**[04:41] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard Hado asked you<br>&nbsp;&nbsp;&nbsp;&nbsp;after his previous concert,<br>**[04:45] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why didn't you say anything<br>&nbsp;&nbsp;&nbsp;&nbsp;for seventeen years?"<br>**[04:49] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after your argument,<br>**[04:51] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hado suddenly announced he'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;releasing his new song "ASACA."<br>**[04:55] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be something going on.<br>**[04:58] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this true?<br>**[05:00] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hado started working with my record<br>&nbsp;&nbsp;&nbsp;&nbsp;company seventeen years ago.<br>**[05:07] Fyse**<br>&nbsp;&nbsp;&nbsp;&nbsp;I jokingly told him the real<br>&nbsp;&nbsp;&nbsp;&nbsp;reason I had him debut with us<br>**[05:10] Fyse**<br>&nbsp;&nbsp;&nbsp;&nbsp;was because I'd fallen in love with Enjo-san,<br>**[05:14] Fyse**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wanted to court her.<br>**[05:17] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he'd quit if that were true.<br>**[05:20] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[05:21] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't sound like a<br>&nbsp;&nbsp;&nbsp;&nbsp;motive to murder Hado-san.<br>**[05:26] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm leaving.<br>**[05:29] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[05:30] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it impossible for anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;to have committed this crime?<br>**[05:35] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't. It's impossible.*<br>**[05:41] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give up, Scotch.*<br>**[06:00] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His right hand was covered in blood,*<br>**[06:05] Amuro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;except for the tip of his thumb*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the back of his hand.*<br>**[06:08] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That means he put his thumb on the trigger*<br>**[06:13] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and shot himself.*<br>**[06:16] Amuro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You're the one who gave him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;your gun and made him do it,*<br>**[06:22] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Akai Shuichi.*<br>**[06:26] Amuro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He would've had plenty of options*<br>*&nbsp;&nbsp;&nbsp;&nbsp;besides killing himself.*<br>**[06:36] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[06:37] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:38] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been glaring at him. What's going on?<br>**[06:42] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[06:43] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't particularly care, but<br>&nbsp;&nbsp;&nbsp;&nbsp;could you solve this soon?<br>**[06:47] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous for me to stay<br>&nbsp;&nbsp;&nbsp;&nbsp;here very long while in disguise.<br>**[06:50] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[06:51] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let go.<br>**[06:53] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to get back to the office and<br>&nbsp;&nbsp;&nbsp;&nbsp;write an article about this case!<br>**[06:57] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to check the<br>&nbsp;&nbsp;&nbsp;&nbsp;contents of your bag first!<br>**[07:01] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys never give up.<br>**[07:02] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to let me go!<br>**[07:05] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[07:09] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch...<br>**[07:11] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the evidence...<br>**[07:14] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll help.<br>**[07:16] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[07:22] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hado-san's driver license.*<br>**[07:25] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He certainly seems unapproachable.*<br>**[07:35] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;After viewing the images on the<br>&nbsp;&nbsp;&nbsp;&nbsp;camera that was in your bag,<br>**[07:39] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like you were secretly taking photos<br>&nbsp;&nbsp;&nbsp;&nbsp;of Hado-san as he entered the concert hall,<br>**[07:42] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he discovered you and tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to take away your camera.<br>**[07:46] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[07:48] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:49] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did he say then?<br>**[07:51] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just said to stop taking pictures.<br>**[07:54] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Inspector...<br>**[07:57] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the band members scheduled<br>&nbsp;&nbsp;&nbsp;&nbsp;to perform with Hado-san<br>**[08:02] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;at tomorrow's concert was just<br>&nbsp;&nbsp;&nbsp;&nbsp;arrested by narcotics agents.<br>**[08:04] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:05] Takagi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For possession of stimulants.<br>**[08:09] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, mister.<br>**[08:12] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, kid?<br>**[08:13] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you find a... on the ground?<br>**[08:17] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Azusa-neechan said she lost one.<br>**[08:21] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Lost...*<br>**[08:23] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...one?*<br>**[08:33] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we didn't find anything<br>&nbsp;&nbsp;&nbsp;&nbsp;like that on the stage.<br>**[08:36] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then was anything missing?<br>**[08:38] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like wire or gloves.<br>**[08:41] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The staff said both of those<br>&nbsp;&nbsp;&nbsp;&nbsp;were missing from the tool box<br>**[08:45] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the edge of the stage.<br>**[08:47] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the staff leave that folding<br>&nbsp;&nbsp;&nbsp;&nbsp;chair next to the tool box?<br>**[08:53] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they kept it farther offstage.<br>**[08:56] Staff A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, leave that stuff where it is.<br>**[08:59] Staff A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently the concert is canceled.<br>**[09:01] Staff B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[09:02] Staff B**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just untied this, and<br>&nbsp;&nbsp;&nbsp;&nbsp;now I have to retie it?<br>**[09:05] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you inspect the folding chair, too?<br>**[09:08] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not for prints yet.<br>**[09:10] Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's taking it back along with<br>&nbsp;&nbsp;&nbsp;&nbsp;the mic stand for further inspection.<br>**[09:15] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[09:16] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you show me the bottom of the seat?<br>**[09:19] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:19] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, just for a second.<br>**[09:21] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:26] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I knew it.*<br>**[09:27] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So that's how it is.*<br>**[09:32] Sonoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This got kind of crazy.<br>**[09:32] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, are you done?<br>**[09:34] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:36] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. Coming through.<br>**[09:38] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. Out of the way, please.<br>**[09:41] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me. Out of the way, please.<br>**[09:44] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move.<br>**[09:45] Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move, please.<br>**[09:48] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right.*<br>**[09:49] Ran**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The suspicious woman who tried to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;kidnap Conan-kun and Ai-chan said...*<br>**[09:55] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Move away from the brunette,*<br>**[09:58] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;*if you don't want to die!*<br>**[10:00] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hurry up!*<br>**[10:02] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Move it, Angel!*<br>**[10:05] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's what she called me.*<br>**[10:08] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;By why would Azusa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;call me by the same name?<br>**[10:19] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You know how the killer<br>&nbsp;&nbsp;&nbsp;&nbsp;lifted the victim's body?<br>**[10:24] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true?<br>**[10:26] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, probably.<br>**[10:27] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;We passed the rope over the spotlight bar<br>**[10:33] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;and tied the other end to Takagi-kun,<br>**[10:37] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is one person really strong<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to lift him out of the chair?<br>**[10:40] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[10:42] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;First you create a loop with the rope hanging<br>**[10:46] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the bar while standing<br>&nbsp;&nbsp;&nbsp;&nbsp;next to the stage.<br>**[10:48] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wrap the bottom loop around<br>&nbsp;&nbsp;&nbsp;&nbsp;the top loop two times.<br>**[10:53] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;While twisting the lower loop,<br>**[10:56] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;pass the section hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;down through the loop.<br>**[11:01] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hook the resulting large loop<br>&nbsp;&nbsp;&nbsp;&nbsp;onto the armrest of the seat<br>**[11:07] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;about two meters below, like this.<br>**[11:09] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, pass the end of the rope<br>**[11:11] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;without the loops under the armrest.<br>**[11:14] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Create the same loops as before<br>&nbsp;&nbsp;&nbsp;&nbsp;and pass the rope through.<br>**[11:16] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hook the large loop and rope<br>**[11:20] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the armrest of a chair<br>&nbsp;&nbsp;&nbsp;&nbsp;about four meters away.<br>**[11:22] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Create a third loop and<br>&nbsp;&nbsp;&nbsp;&nbsp;pass the rope through,<br>**[11:26] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this time, hook the<br>&nbsp;&nbsp;&nbsp;&nbsp;large loop onto a chair<br>**[11:31] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;about eight meters away.<br>**[11:33] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now all you have to do is return<br>&nbsp;&nbsp;&nbsp;&nbsp;to the third set of small loops<br>**[11:37] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;you created and pull on the leftover rope.<br>**[11:42] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sonoko-san, you seem like<br>&nbsp;&nbsp;&nbsp;&nbsp;the weakest person here.<br>**[11:44] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you pull on this?<br>**[11:46] Sonoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Me?<br>**[11:49] Sonoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[11:53] Sonoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt I'll be able to lift him, though.<br>**[12:00] Sonoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? How?<br>**[12:02] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[12:04] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the principle of pulleys, right?<br>**[12:07] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:08] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The small loops created along<br>&nbsp;&nbsp;&nbsp;&nbsp;the rope function as pulleys.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Force
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Force
<br>**[12:12] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each set of loops doubles,<br>&nbsp;&nbsp;&nbsp;&nbsp;quadruples, and octuples<br>**[12:16] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the strength at which the rope pulls.<br>**[12:19] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we're using rope rather than pulleys,<br>**[12:22] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the strength isn't actually<br>&nbsp;&nbsp;&nbsp;&nbsp;octupled due to friction,<br>**[12:24] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you use a light<br>&nbsp;&nbsp;&nbsp;&nbsp;and slippery enough rope,<br>**[12:27] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;even Sonoko-san can lift Detective Takagi.<br>**[12:30] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the culprit used<br>&nbsp;&nbsp;&nbsp;&nbsp;not the strength of several people,<br>**[12:33] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but lifted Hado-san alone.<br>**[12:37] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;known as a shipping knot.<br>**[12:39] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shipping workers use this<br>&nbsp;&nbsp;&nbsp;&nbsp;knot to secure cargo.<br>**[12:44] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the most likely suspect<br>&nbsp;&nbsp;&nbsp;&nbsp;who lifted Hado-san's body<br>**[12:49] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;is his manager who worked<br>&nbsp;&nbsp;&nbsp;&nbsp;for a shipping company<br>**[12:53] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;when she was younger.<br>**[12:54] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:56] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjo Kanae-san, it's you.<br>**[13:01] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see how she lifted him, but how<br>&nbsp;&nbsp;&nbsp;&nbsp;did she tie the rope to the seats?<br>**[13:05] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's simple.<br>**[13:08] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, after lifting the victim,<br>**[13:10] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;she temporarily secured the<br>&nbsp;&nbsp;&nbsp;&nbsp;rope by tying it to a nearby seat.<br>**[13:14] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then she wrapped a wire around the<br>&nbsp;&nbsp;&nbsp;&nbsp;rope leading upwards around here.<br>**[13:19] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the rope coming from the<br>&nbsp;&nbsp;&nbsp;&nbsp;ceiling is secured using the wire,<br>**[13:23] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;the remaining rope can be untied<br>&nbsp;&nbsp;&nbsp;&nbsp;and reattached to the seat,<br>**[13:27] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the wire can be removed.<br>**[13:29] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best part of the shipping knot<br>&nbsp;&nbsp;&nbsp;&nbsp;is that it can be untied easily<br>**[13:33] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;since it doesn't actually create any knots,<br>&nbsp;&nbsp;&nbsp;&nbsp;but if it's done using a brand new rope,<br>**[13:36] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it leaves behind telltale marks.<br>**[13:39] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why after retying<br>&nbsp;&nbsp;&nbsp;&nbsp;the rope to the seat,<br>**[13:43] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;you cut the end using the<br>&nbsp;&nbsp;&nbsp;&nbsp;box cutter in the tool box,<br>**[13:46] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and left it coiled next to the tool<br>&nbsp;&nbsp;&nbsp;&nbsp;box at the edge of the stage, right,<br>**[13:52] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjo-san?<br>**[13:54] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't assume she did it just because<br>**[13:58] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;she used to work for a shipping company.<br>**[14:02] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the size of her feet.<br>**[14:03] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Her feet?<br>**[14:05] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shipping workers coil rope<br>&nbsp;&nbsp;&nbsp;&nbsp;by wrapping it like this.<br>**[14:12] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The inner loop is approximately<br>**[14:14] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;the size of the person's foot,<br>**[14:17] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;since the space between the elbow and the<br>&nbsp;&nbsp;&nbsp;&nbsp;wrist is about the size of their foot.<br>**[14:22] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since the rope found at the crime scene was<br>&nbsp;&nbsp;&nbsp;&nbsp;in loops about the size of Ran-neechan's feet,<br>**[14:27] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;we thought the rope might have been<br>&nbsp;&nbsp;&nbsp;&nbsp;coiled by the smaller manager.<br>**[14:33] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:34] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;So after seventeen years,<br>**[14:37] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;the manager's feelings for<br>&nbsp;&nbsp;&nbsp;&nbsp;Hado turned into hate.<br>**[14:41] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you shouldn't say that.<br>**[14:44] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're still not sure that she did it.<br>**[14:46] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contact lenses.<br>**[14:49] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;As his manager, you must've noticed<br>**[14:52] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hado-san was wearing contact lenses<br>&nbsp;&nbsp;&nbsp;&nbsp;to make his irises look larger.<br>**[14:55] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[14:57] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed after looking at<br>&nbsp;&nbsp;&nbsp;&nbsp;Hado-san's driver license<br>**[14:59] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;and comparing it to the images<br>&nbsp;&nbsp;&nbsp;&nbsp;the magazine reporter took today.<br>**[15:05] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the lenses is stuck to your back.<br>**[15:10] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:15] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is...<br>**[15:17] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mind?<br>**[15:19] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[15:21] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[15:22] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you were lifting his body,<br>**[15:25] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of them fell onto your clothes.<br>**[15:28] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough evidence for me.<br>**[15:30] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can tell us the rest at the station.<br>**[15:31] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a minute. Did you really do it?<br>**[15:34] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;After supporting him for seventeen<br>&nbsp;&nbsp;&nbsp;&nbsp;years, why did you have to kill him?<br>**[15:38] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me.<br>**[15:41] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't answer that question.<br>**[15:44] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, she didn't kill him.<br>**[15:49] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:50] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[15:52] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you think we found<br>&nbsp;&nbsp;&nbsp;&nbsp;the other circle lens?<br>**[15:56] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was under the folding chair<br>&nbsp;&nbsp;&nbsp;&nbsp;left at the edge of the stage.<br>**[16:01] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, that chair had fallen<br>&nbsp;&nbsp;&nbsp;&nbsp;under his feet after he was hanging.<br>**[16:06] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's also the baseball<br>&nbsp;&nbsp;&nbsp;&nbsp;tied to the kite string.<br>**[16:11] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was used to pass the rope over the<br>&nbsp;&nbsp;&nbsp;&nbsp;bar by tying the other end to the rope,<br>**[16:15] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;throwing the ball so that<br>&nbsp;&nbsp;&nbsp;&nbsp;the kite string would pass<br>**[16:19] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;over the bar on the ceiling,<br>&nbsp;&nbsp;&nbsp;&nbsp;and pulling on the string.<br>**[16:24] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean to be rude,<br>**[16:25] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I doubt Enjo-san would have been able to<br>&nbsp;&nbsp;&nbsp;&nbsp;throw the ball high enough to clear the bar.<br>**[16:30] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although Hado-san, known for his strong arm on<br>&nbsp;&nbsp;&nbsp;&nbsp;his high school baseball team, is another story.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry
<br>**[16:35] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's the note found<br>&nbsp;&nbsp;&nbsp;&nbsp;in Hado-san's breast pocket.<br>**[16:39] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know where this is going, don't you?<br>**[16:41] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;He killed himself?<br>**[16:43] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[16:45] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hung himself,<br>**[16:47] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she disguised it to look<br>&nbsp;&nbsp;&nbsp;&nbsp;like a murder after finding him.<br>**[16:51] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you try to hide his suicide?<br>**[16:53] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something must've happened seventeen years ago.<br>**[16:57] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you worried about what<br>&nbsp;&nbsp;&nbsp;&nbsp;we discussed the other day?<br>**[17:01] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[17:03] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seventeen years ago,<br>**[17:05] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was pregnant with Hado's child.<br>**[17:07] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuse-san!<br>**[17:09] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying it was for their unborn child,<br>**[17:12] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;the freshly debuted Hado locked himself<br>&nbsp;&nbsp;&nbsp;&nbsp;in his studio and wrote music.<br>**[17:16] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;He stayed up so many nights<br>&nbsp;&nbsp;&nbsp;&nbsp;in a row, I thought he'd die.<br>**[17:20] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;When she came to stop him, she<br>&nbsp;&nbsp;&nbsp;&nbsp;collapsed in front of the studio<br>**[17:23] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;and miscarried.<br>**[17:26] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the hospital, she asked<br>&nbsp;&nbsp;&nbsp;&nbsp;me not to tell Hado about it.<br>**[17:32] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:33] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since "ASACA" was the song he<br>&nbsp;&nbsp;&nbsp;&nbsp;wrote for that unborn child,<br>**[17:38] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;he held onto it for seventeen years,<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to write the lyrics.<br>**[17:42] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;When he learned what happened,<br>**[17:44] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;he felt responsible and attempted to write<br>&nbsp;&nbsp;&nbsp;&nbsp;lyrics for the child and release the song.<br>**[17:48] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;But unable to write,<br>**[17:50] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;he left the message "sorry"<br>&nbsp;&nbsp;&nbsp;&nbsp;and chose to die instead.<br>**[17:55] Megure**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why was it necessary to<br>&nbsp;&nbsp;&nbsp;&nbsp;make it look like murder?<br>**[17:59] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want his family<br>&nbsp;&nbsp;&nbsp;&nbsp;to know he killed himself<br>**[18:03] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;over his ex's baby.<br>**[18:07] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I took his phone with the<br>&nbsp;&nbsp;&nbsp;&nbsp;message "goodbye" in his outbox<br>**[18:11] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;out of his pocket<br>**[18:15] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and raised him up...<br>**[18:23] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an idiot to make a woman<br>&nbsp;&nbsp;&nbsp;&nbsp;cry even after his death.<br>**[18:28] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't put this in your article!<br>**[18:31] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I followed Hado for years.<br>**[18:35] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I crawled along the ground day<br>&nbsp;&nbsp;&nbsp;&nbsp;after day looking for a story.<br>**[18:38] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now the story I've found is also<br>&nbsp;&nbsp;&nbsp;&nbsp;the biggest scandal in Hado's career.<br>**[18:43] Enjo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. Please don't.<br>**[18:45] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like to think I understood<br>&nbsp;&nbsp;&nbsp;&nbsp;Hado better than anyone.<br>**[18:49] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you didn't ask me not<br>&nbsp;&nbsp;&nbsp;&nbsp;to, I wouldn't write about this.<br>**[18:53] Kajiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such an overly sentimental story<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't suit a rock and roller.<br>**[19:00] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still don't know why the "CA" in "ASACA"...<br>**[19:03] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;was spelled the way it is.<br>**[19:05] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I asked Hado about it before.<br>**[19:09] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since he heard about the pregnancy at<br>&nbsp;&nbsp;&nbsp;&nbsp;a morning café after an all-nighter,<br>**[19:12] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it was a girl, he wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to call her "Asaca,"<br>**[19:14] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;taking the "ca" from "café."<br>**[19:19] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Sounds good to me.<br>**[19:21] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you were good enough friends<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to tell you that story,<br>**[19:25] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you turn on him and<br>&nbsp;&nbsp;&nbsp;&nbsp;push him towards retirement?<br>**[19:29] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know about his<br>**[19:30] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;band member who was just<br>&nbsp;&nbsp;&nbsp;&nbsp;arrested for possession?<br>**[19:34] Fuse**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I don't know anything about that.<br>**[19:38] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already heard about that?<br>**[19:41] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story's already online.<br>**[19:45] Okiya**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm impressed.*<br>**[19:48] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm impressed, Scotch.*<br>**[19:51] Akai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You took my gun while pretending*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be thrown by me.*<br>**[19:55] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't beg for my life,*<br>**[19:58] Akai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but before you shoot me, don't you*<br>*&nbsp;&nbsp;&nbsp;&nbsp;want to hear what I have to say?*<br>**[20:01] Scotch**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't draw your gun to shoot you.*<br>**[20:05] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[20:13] Scotch**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I drew it to do this!*<br>**[20:15] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't.*<br>**[20:19] Akai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's not possible to pull*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the trigger of a revolver*<br>**[20:23] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when someone's holding the cylinder.*<br>**[20:27] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't kill yourself, Scotch.*<br>**[20:30] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're not meant to die here.*<br>**[20:32] Scotch**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?*<br>**[20:34] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm Akai Shuichi, an agent of the FBI.*<br>**[20:38] Akai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Like you, I'm a dog trying*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to sink my teeth into them.*<br>**[20:42] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now let go of the gun and listen to me.*<br>**[20:47] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Helping you escape will be easy.*<br>**[20:51] Scotch**<br>&nbsp;&nbsp;&nbsp;&nbsp;*O-Okay.*<br>**[21:05] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[21:07] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He took my gun so he could destroy this.*<br>**[21:11] Akai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This cellphone that likely contained*<br>*&nbsp;&nbsp;&nbsp;&nbsp;data on his family and friends.*<br>**[21:21] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Traitors will be punished.*<br>**[21:26] Akai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right?*<br>**[21:31] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a strong urge to<br>&nbsp;&nbsp;&nbsp;&nbsp;fold down your turtleneck,<br>**[21:37] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll restrain myself for now.<br>**[21:40] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you...<br>**[21:44] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;another time.<br>**[23:11] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Azusa-san.<br>**[23:14] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[23:15] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not Azusa-san, are you?<br>**[23:20] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that woman...<br>**[23:22] Ran**<br>&nbsp;&nbsp;&nbsp;&nbsp;who called me Angel before, aren't you?<br>**[23:25] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, Ran-chan.<br>**[23:27] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come any closer to our side.<br>**[23:32] Azusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, you're my treasure.<br>**[23:37] Vemouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes,*<br>**[23:38] Vemouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;*one of only two in this world.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode Preview
<br>**[23:46] Ayumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[23:47] Genta**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so awesome!<br>**[23:49] Ichiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I supposed to put these books?<br>**[23:52] Ichiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The store's already packed<br>&nbsp;&nbsp;&nbsp;&nbsp;with books we can't sell.<br>**[23:56] Yujiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding a used book is a once<br>&nbsp;&nbsp;&nbsp;&nbsp;in a lifetime experience.<br>**[23:59] Yujiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday these will pass into the<br>&nbsp;&nbsp;&nbsp;&nbsp;hands of the people looking for them.<br>**[24:03] Ichiro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is this?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Whistling Bookstore
<br>**[24:09] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next episode of Conan is<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Whistling Bookstore!"<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Group Photo
<br>**[24:30] Both**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next Conan's hint!<br>**[24:32] Conan**<br>&nbsp;&nbsp;&nbsp;&nbsp;A group photo!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Don't miss the next episode.
<br>**[24:35] Vermouth**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Angel and the Silver Bullet.<br>**[24:37] Amuro**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're a curious pair.<br>**[24:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>