# E7 - No Two Flowers are the Same

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUKZ1DZ/no-two-flowers-are-the-same)<br>
Translator:<br>
Editor:<br>
Timer:<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please save me. I'm begging you.*<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please save me from this<br>
&nbsp;&nbsp;&nbsp;&nbsp;terrifying darkness. I'm begging you.*<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please save me from...*<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hold up a second!*<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Could you stop it for now?*<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Um, I've got to go save her.*<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh?*<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to go rescue the owner of this voice.*<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hold up.*<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't be so hasty.*<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For one thing, there's no telling<br>
&nbsp;&nbsp;&nbsp;&nbsp;who might be seeking help, you know.*<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's too risky!*<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But—*<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you two...<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess...*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please save me. I'm begging you.*<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please save me from this terrifying darkness.*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm begging you...*<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whose voice is this?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was only audible to me.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Yethma named Blaise is asking for help.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell where she is?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only that it's far off<br>&nbsp;&nbsp;&nbsp;&nbsp;in the distance, that way.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the outskirts of town, huh?<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rossi!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Naut, do you have an idea<br>
&nbsp;&nbsp;&nbsp;&nbsp;where she might be?*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not by a long shot.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess...*<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A Yethma's inner voice can be heard<br>
&nbsp;&nbsp;&nbsp;&nbsp;by someone of her own choosing, right?*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, why can't Naut and I hear it directly?*<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If she's seeking help, shouldn't she be trying<br>
&nbsp;&nbsp;&nbsp;&nbsp;to reach as many people as she can?*<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling out indiscriminately<br>&nbsp;&nbsp;&nbsp;&nbsp;could actually put her in danger.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There could be<br>&nbsp;&nbsp;&nbsp;&nbsp;all kinds of reasons for that.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, the important thing is that...<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a Yethma calling for help right now.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess...*<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Have you tried reaching her yourself?*<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I did try, but I'm not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;if I've reached her or not.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Listen to me...*<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*both of you.*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That wasn't the voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;of someone calling for help.*<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An abstract appeal that doesn't even wait<br>
&nbsp;&nbsp;&nbsp;&nbsp;for a reply, on endless loop.*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's like she's seeking salvation by praying.*<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, isn't that...<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even more reason to rush to her rescue?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if...*<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it turns out to be some kind of trap?*<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Someone could be using<br>
&nbsp;&nbsp;&nbsp;&nbsp;this sound of praying...*<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to lure in another Yethma.*<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's entirely possible.*<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From inside that church?*<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I think so.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't make sense.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it doesn't.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Pig...<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Originally, Yethmas were a race<br>&nbsp;&nbsp;&nbsp;&nbsp;who prayed to the stars.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, we never enter churches.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is that right?*<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yethmas are forbidden from entering<br>&nbsp;&nbsp;&nbsp;&nbsp;any holy venue for prayer.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to be precise.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right.*<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm starting to see it.*<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What could you want at this late hour?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one said she could hear a voice<br>&nbsp;&nbsp;&nbsp;&nbsp;coming from this church.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I started hearing the voice<br>&nbsp;&nbsp;&nbsp;&nbsp;of someone named Blaise...<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;calling for help.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's odd!<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, there's no one here<br>&nbsp;&nbsp;&nbsp;&nbsp;in this church but me.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that true?<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course...<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not as though<br>&nbsp;&nbsp;&nbsp;&nbsp;I've actually patrolled the building.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need convincing...<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you like to check for yourself?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't come in, you know.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry, Jess.*<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise you, I'll make this work.*<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rossi and I should just charge in<br>&nbsp;&nbsp;&nbsp;&nbsp;from the front, right?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They might as well be holding<br>
&nbsp;&nbsp;&nbsp;&nbsp;a young Yethma girl hostage.*<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wouldn't do to make any reckless moves.*<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... have an idea.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh?*<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's not the same man as before.*<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This smell... I've smelled it<br>
&nbsp;&nbsp;&nbsp;&nbsp;in the lab at college.*<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess! A man with an anesthetic<br>
&nbsp;&nbsp;&nbsp;&nbsp;is coming toward you!*<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't kill him.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess...*<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sorry I put you in danger!*<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess...*<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're going to go save Blaise.*<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Let's go.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the voice coming from?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From under the floor.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under the floor?<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This bloody smell!*<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just as I thought...*<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it was the stench of blood!*<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If...*<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess had been captured<br>
&nbsp;&nbsp;&nbsp;&nbsp;by that guy just now...*<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are those?*<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you Blaise?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A Yethma statue.*<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reason her inner voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;only reached Jess was because...*<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*her prayers were meant<br>
&nbsp;&nbsp;&nbsp;&nbsp;for Yethmas as a concept?*<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've come to save you.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're safe now.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's that letter?*<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An indictment of all their misdeeds.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we get back to town, I'm going to toss it<br>&nbsp;&nbsp;&nbsp;&nbsp;into the dynasty's local base.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see.*<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we'd charged in,<br>&nbsp;&nbsp;&nbsp;&nbsp;it might've put Jess in danger.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your warning.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still haven't introduced<br>&nbsp;&nbsp;&nbsp;&nbsp;ourselves, have we?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Naut.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Rossi.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Jess.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nice to meet you.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is...<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Pig.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nice to meet you.*<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, do you have a name?<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I insist that you call me "Pig"!*<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I told her my real name...*<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there'd go my chance<br>
&nbsp;&nbsp;&nbsp;&nbsp;of being called "Pig" by a girl!*<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to serve...<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the gravekeepers of Lyubori, House Esse.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Blaise, a Yethma.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She said "used to serve." Meaning...*<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*this girl is another Yethma<br>
&nbsp;&nbsp;&nbsp;&nbsp;on her way to the royal capital?*<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You can go into more details tomorrow.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can walk on your own?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get going!<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's asleep now.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, she was quite exhausted.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys should get some rest, too.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be walking all day again today.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're awake already?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all that you did last night.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad we were able to find you.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We never would've noticed you...<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from where we were<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you prayed really intently.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not many people could pray<br>&nbsp;&nbsp;&nbsp;&nbsp;with that much fervor for one thing only.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a strong soul.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take care of it.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No Two Flowers are the Same<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all that you did for me.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will never forget<br>&nbsp;&nbsp;&nbsp;&nbsp;how indebted I am to you.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Blaise, are you planning<br>
&nbsp;&nbsp;&nbsp;&nbsp;to go to the royal capital on your own?*<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've thought it over.*<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is there any way we can take Blaise<br>
&nbsp;&nbsp;&nbsp;&nbsp;with us to the royal capital?*<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd also like to ask you to let her come.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having one more person to guard...<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;puts Jess in that much more in danger.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay with that?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm well aware of the risks.*<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know we'd be causing you trouble, but...*<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of course I'll do whatever I can, as well.*<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was worried because it seems<br>
&nbsp;&nbsp;&nbsp;&nbsp;like she was being held captive for a while...*<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on the surface, at least,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Blaise seems to be in good physical condition.*<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unlike Jess, Blaise is reticent<br>
&nbsp;&nbsp;&nbsp;&nbsp;and doesn't betray any sign of what she's feeling.*<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no question that as a race,*<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yethmas are reserved, both in terms<br>
&nbsp;&nbsp;&nbsp;&nbsp;of speaking style and personality.*<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that must be due to their social standing.*<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course they each have<br>
&nbsp;&nbsp;&nbsp;&nbsp;their own personality.*<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And most importantly...*<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd arbitrarily determined that Yethmas<br>
&nbsp;&nbsp;&nbsp;&nbsp;were reserved in terms of breasts, too...*<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but apparently that was a misconception<br>
&nbsp;&nbsp;&nbsp;&nbsp;based on a small sample size.*<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Excuse me...*<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huh?*<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both Miss Blaise and I can hear<br>
&nbsp;&nbsp;&nbsp;&nbsp;everything you're thinking.*<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My bad!*<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I should've been more considerate!*<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I feel terrible!*<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That being said...*<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Blaise doesn't seem to be bothered at all.<br>
&nbsp;&nbsp;&nbsp;&nbsp;She's been like this throughout this journey.*<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a whole boatload<br>
&nbsp;&nbsp;&nbsp;&nbsp;of questions for her, but...*<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*- I don't mind. Really.<br>
&nbsp;&nbsp;&nbsp;&nbsp;- Huh?*<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go on and gaze at the one you like better.*<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No! You've got it wrong!*<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your chabirone, Jess!*<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From here on in, I swear I'll never gaze<br>
&nbsp;&nbsp;&nbsp;&nbsp;at anyone's breasts but yours!*<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think I just came off<br>
&nbsp;&nbsp;&nbsp;&nbsp;sounding like a pervert!*<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please don't give it another thought.*<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After all, here in Mesteria, it stands to reason<br>
&nbsp;&nbsp;&nbsp;&nbsp;that men would prefer the larger ones.*<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And to prove my point, look.*<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That guy...*<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jess, I don't want you<br>
&nbsp;&nbsp;&nbsp;&nbsp;to get the wrong idea!*<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reason one's gaze<br>
&nbsp;&nbsp;&nbsp;&nbsp;turns to the larger ones...*<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is the same reason why people tend to look<br>
&nbsp;&nbsp;&nbsp;&nbsp;at sunflowers in bloom since they're taller!*<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sunflowers, did you say?*<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even among those who turn their gazes<br>
&nbsp;&nbsp;&nbsp;&nbsp;toward the sunflowers,*<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*there are some who actually like<br>
&nbsp;&nbsp;&nbsp;&nbsp;little violets better.*<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Back where I come from, the ones<br>
&nbsp;&nbsp;&nbsp;&nbsp;who preferred violets were the majority.*<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, I'm very glad to hear that.*<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe it's a stretch to call it "the majority"...*<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I'm sure you people can appreciate it!*<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The beauty of the violets<br>
&nbsp;&nbsp;&nbsp;&nbsp;quietly blooming by the side of the road.*<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brother...<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go. Have an apple.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oink?*<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since you said we should have the kind<br>
&nbsp;&nbsp;&nbsp;&nbsp;of relationship that siblings have, Mister Pig.*<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, you mean last night?*<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was just an example, and there's no reason<br>
&nbsp;&nbsp;&nbsp;&nbsp;to address me any differently.*<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you'd rather<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't call you "Brother"?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*N-No!*<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well...*<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess...*<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm actually not that averse to it.*<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Brother!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say "Aah!"<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aah!*<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck are you doing?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, it's not what you think!*<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not a pervert who enjoys being called<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Brother" by a younger, beautiful girl!*<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, sir!*<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you introducing yourself?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You like older sisters,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you, Mister Naut?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have an older sister!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but last night, in your sleep,<br>&nbsp;&nbsp;&nbsp;&nbsp;you were calling out "Big Sis" several times.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you were begging<br>&nbsp;&nbsp;&nbsp;&nbsp;to put your head in her lap, right?<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if it wasn't your older sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;then who were you talking to?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Pure curiosity can be so cruel sometimes.*<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Wh-Who cares who it was?<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as if the woman<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a crush on...<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would coddle me when I called her "Big Sis"<br>&nbsp;&nbsp;&nbsp;&nbsp;and cradled my head in her lap!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That never happened, okay?<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is that you introducing yourself?*<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All right, Jess!*<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's enough of that.*<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Also, since calling me "Brother" seems unhealthy<br>
&nbsp;&nbsp;&nbsp;&nbsp;to me somehow, let's put an end to that, too.*<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure? I'll be happy to try out as many<br>&nbsp;&nbsp;&nbsp;&nbsp;different ways of addressing you as you like...<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please don't be shy about asking me!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, that would be great!*<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, this is...*<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Impaling Stones.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the dark ages, a certain mage...<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;skewered hordes of people on these stones...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's how it got its name.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, apparently, there were<br>&nbsp;&nbsp;&nbsp;&nbsp;strategic implications to that.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One was to make the troops lying in ambush<br>&nbsp;&nbsp;&nbsp;&nbsp;lose their will to fight...<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the other was to utilize the birds<br>&nbsp;&nbsp;&nbsp;&nbsp;milling around the corpses...<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to detect the enemy's<br>&nbsp;&nbsp;&nbsp;&nbsp;movements right away.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even a great mage<br>&nbsp;&nbsp;&nbsp;&nbsp;who was unbeatable in direct combat...<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was afraid of being taken by surprise, I guess.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a place like this, there's no telling<br>&nbsp;&nbsp;&nbsp;&nbsp;where the enemy might be lurking, right?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to say...*<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Naut seems to be way more dependable<br>
&nbsp;&nbsp;&nbsp;&nbsp;than I ever thought.*<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Choosing a route<br>
&nbsp;&nbsp;&nbsp;&nbsp;that's safe from start to finish,*<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the places he picks to rest up,<br>
&nbsp;&nbsp;&nbsp;&nbsp;even the way he secures food for us...*<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's just no other way<br>
&nbsp;&nbsp;&nbsp;&nbsp;to describe it but "spot on."*<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Making Rossi rest early so he can stand guard<br>
&nbsp;&nbsp;&nbsp;&nbsp;during the night... He has all his bases covered.*<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should get some sleep while you can.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He impressed me<br>
&nbsp;&nbsp;&nbsp;&nbsp;during that incident at the church...*<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it's not just his physical ability.*<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His leadership skills<br>
&nbsp;&nbsp;&nbsp;&nbsp;are also a sight to see.*<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess this means my turn is over now.*<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not good!*<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm Jess's chabirone!*<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I still have yet to...*<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not over yet.*<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For someone living<br>
&nbsp;&nbsp;&nbsp;&nbsp;in constant danger of death,*<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she looks so peaceful at rest.*<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna step outside?<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you prepared to die?<br>