# Season 4

# 38 - The Lone Swordsman and the Famous Detective

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;This <br>
&nbsp;&nbsp;&nbsp;&nbsp;is<br>
&nbsp;&nbsp;&nbsp;&nbsp; the<br>
&nbsp;&nbsp;&nbsp;&nbsp; story
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;of <br>
&nbsp;&nbsp;&nbsp;&nbsp;one <br>
&nbsp;&nbsp;&nbsp;&nbsp;man's<br>
&nbsp;&nbsp;&nbsp;&nbsp; struggles
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;and <br>
&nbsp;&nbsp;&nbsp;&nbsp;his <br>
&nbsp;&nbsp;&nbsp;&nbsp;growth<br>
&nbsp;&nbsp;&nbsp;&nbsp;—
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;and<br>
&nbsp;&nbsp;&nbsp;&nbsp; of<br>
&nbsp;&nbsp;&nbsp;&nbsp; parenting
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Military Cliques<br>
&nbsp;&nbsp;&nbsp;&nbsp;Keep Dying<br>
&nbsp;&nbsp;&nbsp;&nbsp;Breaking News:<br>
&nbsp;&nbsp;&nbsp;&nbsp;Diet Launches<br>
&nbsp;&nbsp;&nbsp;&nbsp;Investigation<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Truth Behind<br>
&nbsp;&nbsp;&nbsp;&nbsp;The Blood-Stained<br>
&nbsp;&nbsp;&nbsp;&nbsp;Peace Treaty
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Purges Killings<br>
&nbsp;&nbsp;&nbsp;&nbsp;Result in<br>
&nbsp;&nbsp;&nbsp;&nbsp;Political Maneuvering
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Divine Punishment<br>
&nbsp;&nbsp;&nbsp;&nbsp;in Modern Times<br>
&nbsp;&nbsp;&nbsp;&nbsp;Are War Hawks<br>
&nbsp;&nbsp;&nbsp;&nbsp;in Decline?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gen'ichiro
<br>**[00:37] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's me.*<br>**[00:38] Fukuchi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Are you prepared to join*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the military police?*<br>**[00:41] Fukuchi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We're the only ones who can*<br>*&nbsp;&nbsp;&nbsp;&nbsp;make use of your powers.*<br>**[00:44] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get over here.*<br>**[00:45] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, I work alone.<br>**[02:22] Woman A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, God...<br>**[02:23] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they jump?<br>**[02:24] Man C**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, apparently it was a murder.<br>**[02:27] Man C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoved out a window.<br>**[02:40] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in.<br>**[02:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My condolences.<br>**[02:46] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a good man.<br>**[02:48] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming, Fukuzawa-san.<br>**[02:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what are these documents?<br>**[02:55] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm organizing.<br>**[02:57] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[02:58] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspect that the murderer was intent on<br>&nbsp;&nbsp;&nbsp;&nbsp;either stealing or destroying these documents.<br>**[03:06] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to confirm that,<br>**[03:08] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm arranging all the documents<br>&nbsp;&nbsp;&nbsp;&nbsp;according to any potential patterns.<br>**[03:12] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;This entire room is a catalog for<br>&nbsp;&nbsp;&nbsp;&nbsp;determining the attacker's motivations.<br>**[03:20] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm told that he was pushed<br>&nbsp;&nbsp;&nbsp;&nbsp;out of this window.<br>**[03:23] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;The president took me in as a<br>&nbsp;&nbsp;&nbsp;&nbsp;secretary. I'm indebted to him.<br>**[03:28] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Solving the nature of the crime would<br>&nbsp;&nbsp;&nbsp;&nbsp;be the best farewell gift I can offer.<br>**[03:34] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, fortunately, the assassin<br>&nbsp;&nbsp;&nbsp;&nbsp;has already been captured.<br>**[03:39] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;After murdering the president, he was<br>&nbsp;&nbsp;&nbsp;&nbsp;apprehended by guards on the first floor,<br>**[03:43] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is now being held next door.<br>**[03:45] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:46] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ten fingerprints recovered from the back of<br>&nbsp;&nbsp;&nbsp;&nbsp;the president's clothes apparently matched his.<br>**[03:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still next door?<br>**[03:54] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to have given up.<br>**[03:56] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's very quiet.<br>**[03:58] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to see the assassin.<br>**[04:01] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be my guest.<br>**[04:02] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;But please don't touch the documents.<br>**[04:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's quite an accomplished assassin.*<br>**[04:29] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Reddish hair and dual pistols.*<br>**[04:32] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which means he must be the child*<br>*&nbsp;&nbsp;&nbsp;&nbsp;assassin so famous in the underground.*<br>**[04:37] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But, if this boy truly is Oda Sakunosuke,*<br>**[04:40] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;how could he be captured*<br>*&nbsp;&nbsp;&nbsp;&nbsp;by mere security guards?*<br>**[04:43] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, that man is<br>&nbsp;&nbsp;&nbsp;&nbsp;maintaining his silence.<br>**[04:47] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;The municipal police should<br>&nbsp;&nbsp;&nbsp;&nbsp;be taking him soon.<br>**[04:50] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for you—<br>**[04:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;*Episode 38*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Lone   Swordsman   and the   Famous   Detective
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&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[04:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's damn windy today, huh?<br>**[05:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, anyway...<br>**[05:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any chance we can<br>&nbsp;&nbsp;&nbsp;&nbsp;relocate this company?<br>**[05:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hills are a pain and the<br>&nbsp;&nbsp;&nbsp;&nbsp;directions are so complicated.<br>**[05:10] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?<br>**[05:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I'm getting hungry.<br>**[05:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;D'you have any food?<br>**[05:14] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me?<br>**[05:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go again, looking<br>&nbsp;&nbsp;&nbsp;&nbsp;down on me like some kid.<br>**[05:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, never mind the food.<br>**[05:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just give me the permit.<br>**[05:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, have you lost it<br>&nbsp;&nbsp;&nbsp;&nbsp;in all these documents?<br>**[05:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[05:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the secretary! You'd better find it!<br>**[05:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have the slightest interest<br>&nbsp;&nbsp;&nbsp;&nbsp;in the fingerprints in this room.<br>**[05:34] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is your problem?<br>**[05:36] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of the circumstances,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the president's office.<br>**[05:40] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you're authorized,<br>&nbsp;&nbsp;&nbsp;&nbsp;you may not be here.<br>**[05:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm authorized, though.<br>**[05:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here for an interview today.<br>**[05:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The president did say he would be<br>&nbsp;&nbsp;&nbsp;&nbsp;interviewing an administration trainee...<br>**[05:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I just came here for the working permit<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm supposed to get at the interview.<br>**[05:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I have that, I can get some<br>&nbsp;&nbsp;&nbsp;&nbsp;funding from the government.<br>**[06:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mind if I move this useless paper?<br>**[06:02] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may not!<br>**[06:03] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;The very arrangements of these documents<br>**[06:05] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a catalog for determining<br>&nbsp;&nbsp;&nbsp;&nbsp;the attacker's motivations.<br>**[06:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, that's such a blatant lie.<br>**[06:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it.<br>**[06:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll find it myself.<br>**[06:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be done in an instant.<br>**[06:17] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy.<br>**[06:18] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a mountain of documents here.<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you plan to find yours?<br>**[06:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old man can speak!<br>**[06:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike all your loose papers, mine's got a<br>&nbsp;&nbsp;&nbsp;&nbsp;heavy stamp and it's printed on thick paper.<br>**[06:30] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[06:32] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[06:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found it.<br>**[06:47] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you...<br>**[06:49] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I have to check every sheet<br>&nbsp;&nbsp;&nbsp;&nbsp;and arrange it all over.<br>**[06:53] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I still have to report on the<br>&nbsp;&nbsp;&nbsp;&nbsp;missing documents within 48 hours.<br>**[06:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why bother?<br>**[06:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all here.<br>**[07:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No documents have been stolen,<br>**[07:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the assassin didn't kill the president.<br>**[07:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, you're the murderer anyway,<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you, secretary?<br>**[07:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You arranging documents to keep people away<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you can come up with an alibi.<br>**[07:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it's suspicious<br>&nbsp;&nbsp;&nbsp;&nbsp;if there were fingerprints<br>**[07:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the president's clothes but<br>&nbsp;&nbsp;&nbsp;&nbsp;nowhere else in the room.<br>**[07:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The obviously guilty secretary<br>**[07:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the obviously innocent<br>&nbsp;&nbsp;&nbsp;&nbsp;assassin are right here...<br>**[07:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're just standing there.<br>**[07:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, mister, you're slacking on the job.<br>**[07:38] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-san...<br>**[07:40] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please kick that kid out of here.<br>**[07:42] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have him making even<br>&nbsp;&nbsp;&nbsp;&nbsp;more of a mess in here!<br>**[07:47] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The assassin's fingerprints were found<br>&nbsp;&nbsp;&nbsp;&nbsp;on the back of the victim's clothes.<br>**[07:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;From when he shoved him.<br>**[07:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way even the best assassin<br>**[07:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;could get close to the president<br>&nbsp;&nbsp;&nbsp;&nbsp;without being noticed.<br>**[08:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The door is right in view of the desk.<br>**[08:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, if the president resisted before<br>&nbsp;&nbsp;&nbsp;&nbsp;he was forced out the window,<br>**[08:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fingerprints would have indicated<br>&nbsp;&nbsp;&nbsp;&nbsp;him being thrown out, not pushed out.<br>**[08:14] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may have happened to<br>&nbsp;&nbsp;&nbsp;&nbsp;be looking out the window.<br>**[08:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;On such a windy day?<br>**[08:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the window open? By himself?<br>**[08:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's right.*<br>**[08:25] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which means it must have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;been someone close to him.*<br>**[08:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was someone close to him,<br>&nbsp;&nbsp;&nbsp;&nbsp; yet the assassin's fingerprints turned up.<br>**[08:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So those prints were faked.<br>**[08:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard it's easy to fake fingerprints.<br>**[08:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just need to make molds of the<br>&nbsp;&nbsp;&nbsp;&nbsp;fingers using putty or something.<br>**[08:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weren't you a police officer or<br>&nbsp;&nbsp;&nbsp;&nbsp;something before, mister secretary?<br>**[08:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mentioned the 48 hour<br>&nbsp;&nbsp;&nbsp;&nbsp;investigation law earlier.<br>**[08:46] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ridiculous!<br>**[08:47] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would I have taken<br>&nbsp;&nbsp;&nbsp;&nbsp;the assassin's prints?!<br>**[08:50] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-san!<br>**[08:51] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just get this brat out of here!<br>**[08:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were able to get the assassin's<br>&nbsp;&nbsp;&nbsp;&nbsp;prints because you hired him.<br>**[08:57] Secretary**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[08:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since *you* hired him, you could <br>
&nbsp;&nbsp;&nbsp;&nbsp;easily entrap a top-tier assassin.<br>**[09:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even get security guards to catch him.<br>**[09:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think the assassin over there<br>&nbsp;&nbsp;&nbsp;&nbsp;even knew he was being entrapped.<br>**[09:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he'd talk if he<br>&nbsp;&nbsp;&nbsp;&nbsp;found out he's been fooled.<br>**[09:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you try asking him?<br>**[09:19] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of fighting you.<br>**[09:21] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't add more crimes to your guilt.<br>**[09:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can get off with a lesser<br>&nbsp;&nbsp;&nbsp;&nbsp;plea if you stop now.<br>**[09:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[10:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[10:07] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no forgiveness in this world.<br>**[10:10] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only revenge.<br>**[10:13] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[10:18] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call an ambulance!<br>**[10:19] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And contact the municipal police!<br>**[10:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think we need to call the ambulance.<br>**[10:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The secretary's dead anyway.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[10:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, could I get another red bean soup?<br>**[10:36] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you eat the rice cake?<br>**[10:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not sweet.<br>**[10:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you realize the<br>&nbsp;&nbsp;&nbsp;&nbsp;secretary was the murderer?<br>**[10:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the beginning.<br>**[10:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was wearing a coat, right?<br>**[10:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who wears a coat when<br>&nbsp;&nbsp;&nbsp;&nbsp;they're sorting documents?<br>**[10:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your sleeves would get in the way.<br>**[10:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was concealing tools for faking<br>&nbsp;&nbsp;&nbsp;&nbsp;the assassin's fingerprints.<br>**[10:59] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy...<br>**[11:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Edogawa Rampo.<br>**[11:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember that.<br>**[11:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about school?<br>**[11:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was at a police academy,<br>&nbsp;&nbsp;&nbsp;&nbsp;living in the dorms.<br>**[11:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had an argument<br>&nbsp;&nbsp;&nbsp;&nbsp; with the dorm supervisor,<br>**[11:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I exposed all of their<br>&nbsp;&nbsp;&nbsp;&nbsp;past affairs and I got kicked out.<br>**[11:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since then, I've been bouncing<br>&nbsp;&nbsp;&nbsp;&nbsp;around from place to place.<br>**[11:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was a live-in worker at a garrison,<br>**[11:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;until I got thrown out for blabbing<br>&nbsp;&nbsp;&nbsp;&nbsp;about the head chief's corruption.<br>**[11:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your parents?<br>**[11:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dead.<br>**[11:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In an accident.<br>**[11:33] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I came out to Yokohama.<br>**[11:37] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you full now?<br>**[11:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks.<br>**[11:40] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[11:42] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done today.<br>**[11:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it?<br>**[11:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're talking to a fourteen-year-old boy<br>&nbsp;&nbsp;&nbsp;&nbsp;who's lost his parents, his job and his future.<br>**[11:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all you've got?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa <br>
&nbsp;&nbsp;&nbsp;&nbsp;Yukichi
<br>**[11:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[12:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My contact information.<br>**[12:02] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Security police.<br>**[12:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm basically a bodyguard.<br>**[12:06] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contact me if you're ever in trouble.<br>**[12:09] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help you free of charge,<br>&nbsp;&nbsp;&nbsp;&nbsp;the first time or so.<br>**[12:24] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy.<br>**[12:30] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[12:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Help me, mister bodyguard.*<br>**[12:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have work or a place to stay.<br>**[12:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die.<br>**[12:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm headed to work.<br>**[12:46] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>**[12:47] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A client is looking for manpower.<br>**[12:50] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll broker a deal for you.<br>**[12:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that work?<br>**[12:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[13:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A theater?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekai Gekijou
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekai Gekijou
<br>**[13:03] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manager has been<br>&nbsp;&nbsp;&nbsp;&nbsp;lamenting a staff shortage.<br>**[13:07] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can finish my job here,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she'd be open to hiring you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The  Day  Is a  Dream
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The  Night  Is Real
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>**[13:14] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What job?<br>**[13:16] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have some time until opening.<br>**[13:18] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check the scene for me.<br>**[13:21] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have some idea who the<br>&nbsp;&nbsp;&nbsp;&nbsp;threats might be coming from?<br>**[13:25] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police will do the investigating.<br>**[13:27] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your job is to arrest the<br>&nbsp;&nbsp;&nbsp;&nbsp;attacker when it happens.<br>**[13:32] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you at least tell<br>&nbsp;&nbsp;&nbsp;&nbsp;me what the threat is?<br>**[13:35] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[13:37] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;We received this several days ago.<br>**[13:40] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The angels shall bring true<br>&nbsp;&nbsp;&nbsp;&nbsp;death upon the performers. V."<br>**[13:46] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;V?<br>**[13:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The performers, huh?<br>**[13:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So is it the actors who<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to be killed?<br>**[13:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to see what happens.<br>**[13:56] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this child?<br>**[13:58] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's looking for work.<br>**[14:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you needed more people.<br>**[14:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hoping you can interview him<br>&nbsp;&nbsp;&nbsp;&nbsp;once this situation is resolved.<br>**[14:09] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please send me a resume, then.<br>**[14:11] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll evaluate him along<br>&nbsp;&nbsp;&nbsp;&nbsp;with the other candidates.<br>**[14:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are other people who signed up?<br>**[14:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no chance I'm getting hired, then.<br>**[14:19] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you I'll evaluate you.<br>**[14:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[14:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This hag's already decided<br>&nbsp;&nbsp;&nbsp;&nbsp;she's not hiring me.<br>**[14:25] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hag?!<br>**[14:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could have just been honest with me.<br>**[14:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't grown-ups ever say<br>&nbsp;&nbsp;&nbsp;&nbsp;what they're really thinking?<br>**[14:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same thing with how you're<br>&nbsp;&nbsp;&nbsp;&nbsp;dealing with this guy.<br>**[14:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you aren't introducing<br>&nbsp;&nbsp;&nbsp;&nbsp;him to the municipal police<br>**[14:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because you want him to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep an eye on the police.<br>**[14:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And have the police keep an eye on him.<br>**[14:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you don't trust anyone—<br>**[14:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough.<br>**[14:47] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what your intentions are.<br>**[14:50] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm simply going to do my<br>&nbsp;&nbsp;&nbsp;&nbsp;best to prevent the crime.<br>**[14:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to speak with the staff.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all right?<br>**[14:59] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you wish.<br>**[15:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grown-ups are so quick to anger.<br>**[15:09] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not surprised you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;last long on any job.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Day Is a Dream<br>
&nbsp;&nbsp;&nbsp;&nbsp;The Night Is Real 
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Murakami <br>
&nbsp;&nbsp;&nbsp;&nbsp;Tokio-sama
<br>**[15:14] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you speak to me<br>&nbsp;&nbsp;&nbsp;&nbsp; right before the show?<br>**[15:17] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what an actor is<br>&nbsp;&nbsp;&nbsp;&nbsp;going through prior to a show?<br>**[15:21] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;We dive into another world.<br>**[15:23] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;As though we are different people.<br>**[15:32] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've trained for nearly a year for this.<br>**[15:35] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they mess with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll be the dead ones.<br>**[15:38] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll respect your work.<br>**[15:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you are the ones who<br>&nbsp;&nbsp;&nbsp;&nbsp;may end up murdered.<br>**[15:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you ever end up on your<br>&nbsp;&nbsp;&nbsp;&nbsp;own during the performance?<br>**[15:47] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:48] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're defenseless when we're up there.<br>**[15:51] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm on my own for minutes.<br>**[15:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where?<br>**[15:55] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the stage.<br>**[15:57] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the lead actor, believe it or not.<br>**[16:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[16:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the lead actor?<br>**[16:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Murakami... Tokio?<br>**[16:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never heard of you.<br>**[16:05] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that brat?<br>**[16:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's this play about?<br>**[16:10] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've received the script, haven't you?<br>**[16:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That script's boring.<br>**[16:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave up after the first page.<br>**[16:16] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy...<br>**[16:18] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:21] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think it's boring, it must be boring.<br>**[16:28] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's for the audience<br>&nbsp;&nbsp;&nbsp;&nbsp;to decide, after all.<br>**[16:41] Woman C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you met Murakami?<br>**[16:43] Woman C**<br>&nbsp;&nbsp;&nbsp;&nbsp;This play's practically a one-man show.<br>**[16:47] Woman C**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been meeting a lot with the<br>&nbsp;&nbsp;&nbsp;&nbsp;stagewright, Kurahashi-san.<br>**[16:51] Man D**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one actually thinks there's<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be a murder.<br>**[16:55] Man D**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if someone's going to get hit,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd probably be Murakami-kun.<br>**[16:58] Man D**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got a lot of women<br>&nbsp;&nbsp;&nbsp;&nbsp;chasing after him, too.<br>**[17:01] Man D**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only have a minor role.<br>**[17:03] Man D**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not even worth threatening.<br>**[17:06] Man D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll become a taxi driver or<br>&nbsp;&nbsp;&nbsp;&nbsp;something once this performance is over.<br>**[17:13] Women E**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what that is?<br>**[17:14] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[17:15] Women E**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an affair.<br>**[17:17] Women E**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tiny association.<br>**[17:18] Women E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they slept with a newcomer.<br>**[17:20] Women E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or they broke up and quit the group.<br>**[17:24] Women E**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure there's a person<br>&nbsp;&nbsp;&nbsp;&nbsp;or two they want to kill.<br>**[17:33] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have potato chips!<br>**[17:35] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the chocolates I missed out on!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Behind <br>
&nbsp;&nbsp;&nbsp;&nbsp;the <br>
&nbsp;&nbsp;&nbsp;&nbsp;Serial<br>
&nbsp;&nbsp;&nbsp;&nbsp; Murders<br>
&nbsp;&nbsp;&nbsp;&nbsp; of <br>
&nbsp;&nbsp;&nbsp;&nbsp;Military <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cliques
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 300 0 300
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Diet launches<br>
&nbsp;&nbsp;&nbsp;&nbsp; investigation
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Faceless<br>
&nbsp;&nbsp;&nbsp;&nbsp; Assassin <br>
&nbsp;&nbsp;&nbsp;&nbsp;Punishes<br>
&nbsp;&nbsp;&nbsp;&nbsp;War Hawks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 200 0 200 370 0 370
<br>**[17:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting hungry, mister.<br>**[17:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, mister, are you listening?<br>**[17:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starving.<br>**[17:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm not getting that job.<br>**[17:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever.<br>**[17:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's going to die soon and<br>&nbsp;&nbsp;&nbsp;&nbsp; this theater's going to get shut down.<br>**[17:59] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let the murder happen.<br>**[18:02] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I was called here.<br>**[18:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither the theater nor the municipal<br>&nbsp;&nbsp;&nbsp;&nbsp;police are taking the threat seriously.<br>**[18:09] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of the motivation<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the threat...<br>**[18:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a threat.<br>**[18:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a threat. It's a warning.<br>**[18:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A threat always offers two options.<br>**[18:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do ABC, or I will do XYZ."<br>**[18:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a threat.<br>**[18:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, all we have is a warning<br>&nbsp;&nbsp;&nbsp;&nbsp;saying "we're going to kill a performer."<br>**[18:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's not a threat so<br>&nbsp;&nbsp;&nbsp;&nbsp;much as a declaration.<br>**[18:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attacker hasn't made any<br>&nbsp;&nbsp;&nbsp;&nbsp;demands of the theater to begin with.<br>**[18:38] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you realize that?<br>**[18:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I heard what the letter said.<br>**[18:46] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you realize the<br>&nbsp;&nbsp;&nbsp;&nbsp;secretary was the murderer?<br>**[18:49] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the beginning.<br>**[18:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This boy must see truth.*<br>**[18:57] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you say anything, if you knew?<br>**[19:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think you'd misinterpreted<br>&nbsp;&nbsp;&nbsp;&nbsp;the warning as a threat.<br>**[19:06] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you believe everyone else<br>&nbsp;&nbsp;&nbsp;&nbsp; notices all the things you notice?<br>**[19:15] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No documents have been stolen,<br>**[19:17] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the assassin didn't kill the president.<br>**[19:22] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you aren't introducing<br>&nbsp;&nbsp;&nbsp;&nbsp;him to the municipal police<br>**[19:25] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because you want him to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep an eye on the police.<br>**[19:28] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This boy doesn't understand that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;nobody else knows anything.*<br>**[19:35] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's convinced that everyone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;else already knows the truth*<br>**[19:39] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and is simply hiding the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fact that they know.*<br>**[19:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, what can you gather of me,<br>&nbsp;&nbsp;&nbsp;&nbsp; from what you see?<br>**[19:48] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you have nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp; to stay tonight.<br>**[19:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't.<br>**[19:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can stay the night at my place.<br>**[19:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your place?<br>**[19:56] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:57] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, tell me.<br>**[19:59] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me anything you notice about me.<br>**[20:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grown-ups sure do love their quid pro quos.<br>**[20:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've only just met you,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there isn't much I can tell...<br>**[20:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in your early thirties.<br>**[20:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a bodyguard.<br>**[20:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A master of martial arts.<br>**[20:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Single.<br>**[20:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No coworkers.<br>**[20:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right-handed.<br>**[20:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You chose a seat by the<br>&nbsp;&nbsp;&nbsp;&nbsp;wall at the restaurant,<br>**[20:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you must be a swordsman, as well.<br>**[20:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that the reason you don't<br>&nbsp;&nbsp;&nbsp;&nbsp; use your katana for work anymore<br>**[20:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because you're ashamed of your last job.<br>**[20:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a job that involves swordplay<br>&nbsp;&nbsp;&nbsp;&nbsp;and that you'd be ashamed of?<br>**[20:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, there was some buzz<br>&nbsp;&nbsp;&nbsp;&nbsp;about an incident a few years ago...<br>**[20:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pro-war bureaucrats and overseas<br>&nbsp;&nbsp;&nbsp;&nbsp;military cliques were found dead<br>**[20:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;one after another during the<br>&nbsp;&nbsp;&nbsp;&nbsp;peace treaty debates.<br>**[20:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you were grimacing a bit as you looked<br>&nbsp;&nbsp;&nbsp;&nbsp;at the newspaper headline in the shop earlier.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Faceless<br>
&nbsp;&nbsp;&nbsp;&nbsp; Assassin <br>
&nbsp;&nbsp;&nbsp;&nbsp;Punishes<br>
&nbsp;&nbsp;&nbsp;&nbsp;War Hawks
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 200 0 200 370 0 370
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Diet launches<br>
&nbsp;&nbsp;&nbsp;&nbsp; investigation
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Behind <br>
&nbsp;&nbsp;&nbsp;&nbsp;the <br>
&nbsp;&nbsp;&nbsp;&nbsp;Serial<br>
&nbsp;&nbsp;&nbsp;&nbsp; Murders<br>
&nbsp;&nbsp;&nbsp;&nbsp; of <br>
&nbsp;&nbsp;&nbsp;&nbsp;Military <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cliques
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 300 0 300
<br>**[20:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you—<br>**[20:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silence!<br>**[21:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[21:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[21:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[21:14] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This boy's the real deal.*<br>**[21:20] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, help me with this job.<br>**[21:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we manage to do well,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll introduce you to more work.<br>**[21:28] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[21:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[21:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll help.<br>**[21:35] Announcement**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The doors will now open.*<br>**[21:37] Announcement**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please make your way to the theater.*<br>**[21:53] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What the hell am I doing?*<br>**[21:56] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I already decided that I'd work alone.*<br>**[22:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 39
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Day Is a Dream, The Night Is Real
<br>

# 39 - The Day Is a Dream, The Night Is Real

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It has begun
<br>**[00:01] Actress A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has begun.<br>**[00:05] Actress A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We angels—<br>**[00:08] Actress A**<br>&nbsp;&nbsp;&nbsp;&nbsp;we wingless, fallen angels—<br>&nbsp;&nbsp;&nbsp;&nbsp; are about to be killed off, one by one,<br>**[00:17] Actress A**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the true angels in heaven.<br>**[00:22] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;How foolish.<br>**[00:23] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the executor were an angel,<br>&nbsp;&nbsp;&nbsp;&nbsp;they would have no trouble killing us.<br>**[00:28] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd need only play their trumpets.<br>**[00:30] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;They would have no reason<br>&nbsp;&nbsp;&nbsp;&nbsp; to resort to physical means.<br>**[00:33] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a serial murder meant<br>&nbsp;&nbsp;&nbsp;&nbsp;to look like an angel's bidding,<br>**[00:37] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;carried out by someone here.<br>**[00:40] (Flashback) Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The angels shall bring true<br>&nbsp;&nbsp;&nbsp;&nbsp;death upon the performers. V."<br>**[00:45] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;V?<br>**[00:47] Actor A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that not foolish in itself?<br>**[00:50] Actor A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no reason to kill one another.<br>**[00:53] Actor A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What good would it do us to kill our own kind?<br>**[00:58] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Leader?<br>**[01:00] Actress C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leader!<br>**[01:01] Actor A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leader!<br>**[01:03] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leader!<br>**[01:08] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the punishment given to us<br>&nbsp;&nbsp;&nbsp;&nbsp;fallen angels for adoring humanity?<br>**[01:15] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angels have been sent from<br>&nbsp;&nbsp;&nbsp;&nbsp;the heavens to purge us.<br>**[01:20] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are called "Gifted."<br>**[01:25] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Gifted"?<br>**[01:27] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Gifted"?<br>**[01:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. What's a Gifted?<br>**[01:28] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are humans. We are of the earth,<br>**[01:30] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just watch, and it'll make sense.<br>**[01:33] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;having rejected being angels<br>&nbsp;&nbsp;&nbsp;&nbsp;and choosing to become human.<br>**[01:36] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who is he?*<br>**[01:37] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;We dream, we love, and seek fulfillment<br>&nbsp;&nbsp;&nbsp;&nbsp;possible only because we are finite.<br>**[01:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, can I ask something?<br>**[01:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people here are paying<br>&nbsp;&nbsp;&nbsp;&nbsp;to watch this, right?<br>**[01:43] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we do not regret that decision.<br>**[01:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why doesn't anyone get upset at<br>&nbsp;&nbsp;&nbsp;&nbsp; being forced to sit through a show<br>**[01:46] Actress A**<br>&nbsp;&nbsp;&nbsp;&nbsp;To choose one's own way of being<br>&nbsp;&nbsp;&nbsp;&nbsp; is the truest form of the soul.<br>**[01:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;with such an obvious ending?<br>**[01:49] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[01:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the murderer, isn't he?<br>**[01:51] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[01:52] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;And angels and humans are of<br>&nbsp;&nbsp;&nbsp;&nbsp;entirely different dimensions.<br>**[01:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can tell in the first five minutes.<br>**[01:54] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angels cannot have the fulfillment<br>&nbsp;&nbsp;&nbsp;&nbsp;which is the realm of humanity,<br>**[01:56] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[01:57] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;and humans are incapable of<br>&nbsp;&nbsp;&nbsp;&nbsp;the supremacy of angels.<br>**[01:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[02:00] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who control humans from the<br>&nbsp;&nbsp;&nbsp;&nbsp;outside and those who enjoy fulfillment<br>**[02:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is everyone watching this<br>&nbsp;&nbsp;&nbsp;&nbsp;play without complaining?<br>**[02:04] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the inside are like an author and their<br>&nbsp;&nbsp;&nbsp;&nbsp; characters: never shall they intertwine.<br>**[02:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really upsets me.<br>**[02:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it.<br>**[02:07] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet...<br>**[02:08] Actress A**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet?<br>**[02:09] Actress B**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet?<br>**[02:10] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are those who, despite being human, have<br>&nbsp;&nbsp;&nbsp;&nbsp;some fragment of angels' forbidden supremacy.<br>**[02:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;else gets that I don't.<br>**[02:14] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, oh, that is truly the cursed<br>&nbsp;&nbsp;&nbsp;&nbsp;soul that we call Gifted.<br>**[02:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it.<br>**[02:17] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of us can possibly be<br>&nbsp;&nbsp;&nbsp;&nbsp;as sinful as the Gifted.<br>**[02:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared.<br>**[02:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like the world is filled with monsters,<br>**[02:19] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The accursed Gifted snuff us out<br>&nbsp;&nbsp;&nbsp;&nbsp;one by one like prey for the hunt.<br>**[02:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;monsters that only I don't understand.<br>**[02:22] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must find these Gifted.<br>**[02:24] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, perhaps we must first hire a detective?<br>**[02:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all alone,<br>**[02:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;living in a world of monsters.<br>**[02:33] Announcement**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There will now be a fifteen*<br>*&nbsp;&nbsp;&nbsp;&nbsp;minute intermission.*<br>**[02:36] Announcement**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The second act will resume at 6:20.*<br>**[02:42] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come.<br>**[02:45] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you the answer you're looking for.<br>**[02:50] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have your parents said<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about your talents?<br>**[02:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talents?<br>**[02:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I had talent.<br>**[02:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't be so hard to find work.<br>**[03:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:01] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a special talent.<br>**[03:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were right.<br>**[03:07] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to carry a sword on my waist.<br>**[03:10] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was known as the Master of Swords,<br>&nbsp;&nbsp;&nbsp;&nbsp;even within the government's ranks.<br>**[03:17] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sword would bring peace to the nation.<br>**[03:20] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or so I sincerely believed.<br>**[03:22] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I killed.<br>**[03:24] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assassination was far too easy.<br>**[03:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only became fearful when I noticed<br>**[03:30] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I was waiting eagerly<br>&nbsp;&nbsp;&nbsp;&nbsp;for the next assassination.<br>**[03:33] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could no longer tell whether I was murdering<br>&nbsp;&nbsp;&nbsp;&nbsp;for my country or for the moment of the kill.<br>**[03:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I decided<br>&nbsp;&nbsp;&nbsp;&nbsp; I'd never wield a sword again.<br>**[03:46] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one else has ever learned<br>&nbsp;&nbsp;&nbsp;&nbsp;of my past occupation.<br>**[03:51] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guessed the murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;in the play earlier.<br>**[03:56] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspect you are the only one who<br>&nbsp;&nbsp;&nbsp;&nbsp;could have gleaned the answer so quickly.<br>**[04:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have known if I hadn't<br>&nbsp;&nbsp;&nbsp;&nbsp;read the script, either.<br>**[04:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever thought that the<br>&nbsp;&nbsp;&nbsp;&nbsp;people around you are all fools?<br>**[04:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That they're all clueless idiots?<br>**[04:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:17] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, and remember this.<br>**[04:19] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are special.<br>**[04:21] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other people *are* all fools.<br>**[04:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including me.<br>**[04:26] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you're alone is because<br>&nbsp;&nbsp;&nbsp;&nbsp;you have a special talent.<br>**[04:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Special?<br>**[04:32] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But abilities need to be controlled.<br>**[04:36] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to pretend not<br>&nbsp;&nbsp;&nbsp;&nbsp;to notice your own talent<br>**[04:39] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the same as my past self,<br>&nbsp;&nbsp;&nbsp;&nbsp;swinging a sword in pursuit of blood.<br>**[04:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the only one who's special?<br>**[04:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could that even happen?<br>**[04:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at all the people in this city.<br>**[04:55] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[04:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[04:57] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're Gifted.<br>**[05:03] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're special because you're Gifted.<br>**[05:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gifted?<br>**[05:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ability is one that allows you to<br>&nbsp;&nbsp;&nbsp;&nbsp;determine the truth at a single glance.<br>**[05:14] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are numerous people<br>&nbsp;&nbsp;&nbsp;&nbsp;with special gifts in this world.<br>**[05:20] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because of your special ability that<br>&nbsp;&nbsp;&nbsp;&nbsp;the people around you look like monsters.<br>**[05:26] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must control your ability.<br>**[05:30] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you how.<br>**[05:32] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the help of a certain individual,<br>**[05:35] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll become able to produce<br>&nbsp;&nbsp;&nbsp;&nbsp;your special ability on command.<br>**[05:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain individual?<br>**[05:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[05:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Glasses?<br>**[05:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;These were handed down<br>&nbsp;&nbsp;&nbsp;&nbsp; by a noble man from Kyoto.<br>**[05:51] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you wear them,<br>&nbsp;&nbsp;&nbsp;&nbsp;your ability will be activated,<br>**[05:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the truth will come to you instantly.<br>**[05:58] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, when you aren't wearing them,<br>**[05:59] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will no longer be bothered<br>&nbsp;&nbsp;&nbsp;&nbsp;by the foolishness of others.<br>**[06:03] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give them to you.<br>**[06:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;These just look like a really<br>&nbsp;&nbsp;&nbsp;&nbsp;cheap pair of glasses.<br>**[06:10] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Correct.*<br>**[06:12] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They're a leftover I was forced*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to buy at a trinket shop.*<br>**[06:16] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[06:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see a difference.<br>**[06:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, use those glasses to<br>&nbsp;&nbsp;&nbsp;&nbsp;control your special ability.<br>**[06:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Control my special ability?<br>**[06:31] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[06:32] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut open the truth with your special ability<br>**[06:35] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and banish evil from the darkness<br>&nbsp;&nbsp;&nbsp;&nbsp; in which it lurks, Gifted detective!<br>**[06:40] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;From today on, you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;world's best detective.<br>**[06:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best detective?<br>**[06:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't everything clear to you now?<br>**[06:48] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world isn't terrifying at all.<br>**[06:51] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one is a monster.<br>**[06:53] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're simply far more<br>&nbsp;&nbsp;&nbsp;&nbsp;foolish than you are.<br>**[06:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[06:58] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one bears any ill will towards you.<br>**[07:01] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're stupid idiots.<br>**[07:03] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mere children who don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know how to see the world.<br>**[07:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Children?<br>**[07:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's just a stupid idiot?<br>**[07:09] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;They actually don't know anything?<br>**[07:14] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[07:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[07:17] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edogawa Rampo!<br>**[07:20] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The glasses have already accepted you.<br>**[07:22] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that's left is for<br>&nbsp;&nbsp;&nbsp;&nbsp;you to open your mind.<br>**[07:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open my mind?<br>**[07:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This creepy world...<br>**[07:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That time, that time, that time,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that time...<br>**[07:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that suffering wasn't because<br>&nbsp;&nbsp;&nbsp;&nbsp;there's something wrong with me,<br>**[07:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but because there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;wrong with the people around me?<br>**[07:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what it means?<br>**[07:51] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are all clueless children.<br>**[07:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would a baby who can't even hold<br>&nbsp;&nbsp;&nbsp;&nbsp;its head up ever despise another?<br>**[07:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's right...*<br>**[08:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one ever despised me.<br>**[08:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see!<br>**[08:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all babies!<br>**[08:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world isn't creepy at all!<br>**[08:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just all stupid little idiots!<br>**[08:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to protect all these silly children!<br>**[08:35] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Rampo...<br>**[08:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I have to do.<br>**[08:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You head back to your seat, mister.<br>**[08:41] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still might be able to stop the murder.<br>**[08:43] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer will follow through with<br>&nbsp;&nbsp;&nbsp;&nbsp;their threat and commit the attack.<br>**[08:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have to take advantage of that fact.<br>**[08:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[08:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already see everything.<br>**[08:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy's goals,<br>&nbsp;&nbsp;&nbsp;&nbsp; their plans, everything.<br>**[08:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want you to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;an eye on the audience.<br>**[09:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[09:07] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But be careful.<br>**[09:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry!<br>**[09:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I'm the world's best detective,<br>&nbsp;&nbsp;&nbsp;&nbsp;on a mission to protect the world's fools!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 39
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Day Is a Dream, The Night Is Real
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 450 0 450 80 0 80<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>**[10:51] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive us, haloed angel of war,<br>**[10:54] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;or show yourself in the human realm!<br>**[10:58] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not fear death!<br>**[11:00] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you must cast judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;first pierce my chest.<br>**[11:05] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you want.<br>**[11:07] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to watch as my<br>&nbsp;&nbsp;&nbsp;&nbsp;friends spite one another<br>**[11:10] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the foulness common<br>&nbsp;&nbsp;&nbsp;&nbsp;to humanity, don't you?<br>**[11:12] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall expose you!<br>**[11:14] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;And your sin!<br>**[11:29] Audience Woman A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[11:31] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This doesn't happen in the script.*<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's he...?<br>**[11:39] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Real blood.*<br>**[11:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call an ambulance!<br>**[11:42] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inform the police at the<br>&nbsp;&nbsp;&nbsp;&nbsp;door and close the theater.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[11:46] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he dead?*<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[11:48] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But where's the weapon?*<br>**[11:51] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No weapon...*<br>**[11:53] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[11:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A murder by an angel?<br>**[11:57] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!<br>**[11:59] Woman B**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[12:02] Woman B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takio!<br>**[12:04] Man D**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's actually dead!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[12:05] Man E**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a murder!<br>**[12:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay in your seats!<br>**[12:10] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you flee, you could become<br>&nbsp;&nbsp;&nbsp;&nbsp;a suspect in the murder.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takio! Takio!<br>**[12:18] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I want you to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;an eye on the audience.<br>**[12:22] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So the one who flees is the culprit.*<br>**[12:33] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where has Rampo gone?*<br>**[12:36] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, a member of the<br>&nbsp;&nbsp;&nbsp;&nbsp;audience has disappeared.<br>**[12:39] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:40] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me.<br>**[12:43] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, hello, sir.<br>**[12:46] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your work.<br>**[12:47] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I overheard that someone<br>&nbsp;&nbsp;&nbsp;&nbsp;fled from the audience.<br>**[12:49] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:50] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure we handled the lockdown<br>&nbsp;&nbsp;&nbsp;&nbsp;of the theater competently,<br>**[12:54] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;but someone has vanished.<br>**[12:55] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does this person look like<br>&nbsp;&nbsp;&nbsp;&nbsp;and which seat were they in?<br>**[12:58] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was in the front row.<br>**[13:00] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light-brown suit and a round hat.<br>**[13:02] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dignified-looking, middle-aged man,<br>&nbsp;&nbsp;&nbsp;&nbsp;holding a wooden cane.<br>**[13:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's that man.*<br>**[13:10] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did that man leave his seat?<br>**[13:12] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have confirmation that he was there<br>&nbsp;&nbsp;&nbsp;&nbsp;when the performance began, but...<br>**[13:17] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to search the building.<br>**[13:20] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, sir!<br>**[13:22] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is my fault.*<br>**[13:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I instigated this.*<br>**[13:25] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Rampo's just a boy. He doesn't*<br>*&nbsp;&nbsp;&nbsp;&nbsp;know how to protect himself.*<br>**[13:30] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He may be a brilliant detective,*<br>**[13:33] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but if the murderer attacks him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in a frenzy, he doesn't stand a chance.*<br>**[13:39] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He can't activate his ability on his own.*<br>**[13:42] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I need to become his*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shield and fend off evil,*<br>**[13:45] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so he's safe to engage in his reasoning.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A <br>
&nbsp;&nbsp;&nbsp;&nbsp;detective<br>
&nbsp;&nbsp;&nbsp;&nbsp; must<br>
&nbsp;&nbsp;&nbsp;&nbsp; be<br>
&nbsp;&nbsp;&nbsp;&nbsp; armed
<br>**[13:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A detective must be armed.*<br>**[13:58] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-san.<br>**[14:03] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but please make it quick.<br>**[14:05] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a message from Rampo-kun.<br>**[14:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[14:09] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun said there were two murderers.<br>**[14:14] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This crime is comprised of<br>&nbsp;&nbsp;&nbsp;&nbsp;two different kinds of acts.<br>**[14:17] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could think of it like<br>&nbsp;&nbsp;&nbsp;&nbsp;a shrimp and a sea bream.<br>**[14:20] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could be satisfied with the shrimp,<br>&nbsp;&nbsp;&nbsp;&nbsp; which is easy to catch.<br>**[14:24] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp's pretty tasty.<br>**[14:26] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you want to catch the sea bream,<br>**[14:28] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;well, you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to use the shrimp.<br>**[14:33] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's so convoluted.*<br>**[14:35] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Rampo?<br>**[14:37] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dunno.<br>**[14:38] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;He could be anywhere.<br>**[14:42] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Murakami was the one who was<br>&nbsp;&nbsp;&nbsp;&nbsp;murdered, so why talk to me?<br>**[14:45] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because Rampo-kun told me the<br>&nbsp;&nbsp;&nbsp;&nbsp; truth about part of the case.<br>**[14:50] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-san, who is that kid?<br>**[14:54] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no doubt that he's<br>&nbsp;&nbsp;&nbsp;&nbsp;an excellent detective,<br>**[14:57] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is he really Gifted,<br>&nbsp;&nbsp;&nbsp;&nbsp;the way he says he is?<br>**[15:03] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[15:05] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the only one who<br>&nbsp;&nbsp;&nbsp;&nbsp;sees the whole picture.<br>**[15:08] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm going to solve the whole thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;so get your butt to the seats," he said.<br>**[15:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the deus ex machina, here to solve<br>&nbsp;&nbsp;&nbsp;&nbsp; the case at the very end of this play!<br>**[15:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically, I'm Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;and a brilliant detective.<br>**[15:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, let's get to the chapter<br>&nbsp;&nbsp;&nbsp;&nbsp;where it's all solved.<br>**[15:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was listening to the murmuring earlier.<br>**[15:41] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like a lot of you<br>&nbsp;&nbsp;&nbsp;&nbsp;think the angel killed him.<br>**[15:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so you know, angels...<br>**[15:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;do exist.<br>**[15:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, the audience, are the angels.<br>**[15:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This murder and this play<br>&nbsp;&nbsp;&nbsp;&nbsp;are deeply connected.<br>**[16:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This play is about a turning of tides.<br>**[16:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tables turn between<br>&nbsp;&nbsp;&nbsp;&nbsp;the angels and humans,<br>**[16:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the executors become the executed.<br>**[16:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an empty seat there.<br>**[16:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The municipal police think the gentleman who<br>&nbsp;&nbsp;&nbsp;&nbsp;vanished from that seat is the culprit.<br>**[16:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is a story about a reversal.<br>**[16:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power dynamic shifts,<br>**[16:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the victim and attacker swap seats.<br>**[16:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, he isn't the attacker.<br>**[16:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the victim.<br>**[16:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the victim was here all along.<br>**[16:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the turning of the tide.<br>**[16:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And thus the attacker has become the victim.<br>**[16:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, policemen, it's your turn.<br>**[16:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's just unconscious.<br>**[16:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be in such a hurry.<br>**[16:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, here's the elephant in the room.<br>**[17:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that man and why did<br>&nbsp;&nbsp;&nbsp;&nbsp;he have to be abducted?<br>**[17:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could obviously ask the attacker.<br>**[17:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was never a murder to begin with.<br>**[17:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, show yourself, fallen one!<br>**[17:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[17:31] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you realize?<br>**[17:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the beginning.<br>**[17:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I first met you in the green room,<br>**[17:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you looked pale and you were<br>&nbsp;&nbsp;&nbsp;&nbsp;chugging a ton of water.<br>**[17:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was because you'd just drawn blood.<br>**[17:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to throw off the security police,<br>&nbsp;&nbsp;&nbsp;&nbsp;the municipal police, and the forensic experts,<br>**[17:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you had to use your own fresh blood.<br>**[17:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To fake your own pulse, you used the<br>&nbsp;&nbsp;&nbsp;&nbsp;silicon rubber stuff you use in plays.<br>**[17:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You needed the stagewright's<br>&nbsp;&nbsp;&nbsp;&nbsp;cooperation to pull off this play.<br>**[18:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's an accomplice, isn't he?<br>**[18:03] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[18:04] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stagewright and I planned it together.<br>**[18:07] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that an impossible Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;would show up as a detective...<br>**[18:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just any detective. The *best* detective.<br>**[18:15] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am...<br>**[18:17] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an actor.<br>**[18:20] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I become something I'm not and<br>&nbsp;&nbsp;&nbsp;&nbsp; build a life that doesn't exist,<br>**[18:25] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;all to carry out my job of<br>&nbsp;&nbsp;&nbsp;&nbsp;exposing what humanity truly is.<br>**[18:29] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something unavoidable when<br>&nbsp;&nbsp;&nbsp;&nbsp;you're trying to dramatize a way of life.<br>**[18:33] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is death.<br>**[18:35] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ultimate task was to play a real death.<br>**[18:40] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;To me, that is what it means to<br>&nbsp;&nbsp;&nbsp;&nbsp;reach the pinnacle of acting.<br>**[18:44] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the first ever actor to play death.<br>**[18:47] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted the audience here to see that.<br>**[18:54] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no regrets.<br>**[18:56] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how I live my life.<br>**[19:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you're amazing.<br>**[19:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not something anyone can do.<br>**[19:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of which...<br>**[19:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at all the faces in the audience.<br>**[19:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone here has two things in common.<br>**[19:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is that they came<br>&nbsp;&nbsp;&nbsp;&nbsp;specifically to see your play.<br>**[19:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other is that they've witnessed<br>&nbsp;&nbsp;&nbsp;&nbsp;a person's death up close.<br>**[19:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really sure, but does forcing<br>&nbsp;&nbsp;&nbsp;&nbsp;the audience make such a face...<br>**[19:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;really count as the pinnacle of acting?<br>**[19:46] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[19:49] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was doing all this acting for myself.<br>**[20:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo.<br>**[20:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;These glasses are awesome, mister!<br>**[20:10] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that...<br>**[20:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;With these glasses and my special ability,<br>&nbsp;&nbsp;&nbsp;&nbsp; I'm going to be unstoppable!<br>**[20:17] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, sirs!<br>**[20:21] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since I saw you, security policeman,<br>**[20:24] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was convinced that you<br>&nbsp;&nbsp;&nbsp;&nbsp;would solve the case.<br>**[20:27] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never would have thought you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;have such a secret weapon.<br>**[20:31] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that...<br>**[20:33] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe we must have you explain the<br>&nbsp;&nbsp;&nbsp;&nbsp;resolution of the case at our station.<br>**[20:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, but can I have that in my permit?<br>**[20:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's all thanks to my special<br>&nbsp;&nbsp;&nbsp;&nbsp;abilities that we solved the case!"<br>**[20:46] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[20:48] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Gifted?!<br>**[20:49] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like in the play?<br>**[20:51] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing!<br>**[20:52] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our young detective is Gifted?!<br>**[20:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[20:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gifted crime-solver.<br>**[20:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brilliant detective Edogawa Rampo,<br>&nbsp;&nbsp;&nbsp;&nbsp; at your service!<br>**[21:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it.<br>**[21:02] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, I'll handle the police hearing.<br>**[21:06] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo is exhausted from his detective work.<br>**[21:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I'm totally fine.<br>**[21:11] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You simply inferred the truth<br>&nbsp;&nbsp;&nbsp;&nbsp;through observation and deduction.<br>**[21:16] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never used any special ability.<br>**[21:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[21:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who said I'm Gifted.<br>**[21:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you...<br>**[21:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, do you seriously think<br>**[21:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have instantly seen through<br>&nbsp;&nbsp;&nbsp;&nbsp;the case if I wasn't Gifted?<br>**[21:30] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think so!<br>**[21:33] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the police are going to suck up to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;now's the time to do it!<br>**[21:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ability to solve crimes instantly<br>**[21:41] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a godly power that<br>&nbsp;&nbsp;&nbsp;&nbsp;can threaten the police's jobs.<br>**[21:44] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir!<br>**[21:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to ride in the police car!<br>**[21:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like this is going to take you a while,<br>&nbsp;&nbsp;&nbsp;&nbsp; so I'll see you there, mister.<br>**[21:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[21:56] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to discuss the cleanup<br>&nbsp;&nbsp;&nbsp;&nbsp;tasks with Egawa-san.<br>**[21:59] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see you there.<br>**[22:01] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Officer, please take care of Rampo.<br>**[22:04] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood!<br>**[22:05] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[22:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-san!<br>**[22:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya later!<br>**[22:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-san, huh?<br>**[22:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a moment?<br>**[22:29] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-san.<br>**[22:31] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I ask you something?<br>**[22:33] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was the man that was<br>&nbsp;&nbsp;&nbsp;&nbsp;unconscious for a while?<br>**[22:37] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm told that the gentleman is<br>&nbsp;&nbsp;&nbsp;&nbsp;the other aim of this project.<br>**[22:42] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were *told?*<br>**[22:44] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I planned this project with<br>&nbsp;&nbsp;&nbsp;&nbsp;the stagewright, Kurahashi.<br>**[22:48] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he seemed to have plans of his own.<br>**[22:52] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gentleman in the suit<br>&nbsp;&nbsp;&nbsp;&nbsp;rarely appears in public.<br>**[22:55] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, capturing him<br>&nbsp;&nbsp;&nbsp;&nbsp;was one of the objectives.<br>**[22:59] Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-sensei!<br>**[23:01] Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has the victim been here the whole time?<br>**[23:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[23:05] Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stagewright's been<br>&nbsp;&nbsp;&nbsp;&nbsp;murdered in his room!<br>**[23:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[23:09] Murakami**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[23:11] Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;There doesn't seem to be any<br>&nbsp;&nbsp;&nbsp;&nbsp;sign of a struggle at the scene.<br>**[23:14] Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been impaled from<br>&nbsp;&nbsp;&nbsp;&nbsp;behind in his own, locked room.<br>**[23:22] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;A murder in a closed room?<br>**[23:25] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on?<br>**[23:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, officer, are we there yet?<br>**[23:33] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 40
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Secrets  of the  Founding  of the  Detective  Agency
<br>**[23:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hm.<br>

# 40 - The Secret Founding of the Detective Agency

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The <br>
&nbsp;&nbsp;&nbsp;&nbsp;angels
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;shall <br>
&nbsp;&nbsp;&nbsp;&nbsp;bring
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;true death<br>
&nbsp;&nbsp;&nbsp;&nbsp; upon the <br>
&nbsp;&nbsp;&nbsp;&nbsp;performers.<br>
&nbsp;&nbsp;&nbsp;&nbsp; — V
<br>**[00:03] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is Kanagawa Traffic Police Unit 205.*<br>**[00:06] Man A**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Arrest made at scene. Middle-aged male;*<br>*&nbsp;&nbsp;&nbsp;&nbsp;requesting identity check.*<br>**[00:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Officer, are we there yet?<br>**[00:14] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost.<br>**[00:17] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was impressive, though.<br>**[00:20] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're literally a little detective.<br>**[00:22] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and the bodyguard would<br>&nbsp;&nbsp;&nbsp;&nbsp;make an excellent detective duo.<br>**[00:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that guy has any<br>&nbsp;&nbsp;&nbsp;&nbsp;interest in working with me, though.<br>**[00:31] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that so?<br>**[00:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That guy's afraid of strangers.<br>**[00:36] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've only just met him,<br>&nbsp;&nbsp;&nbsp;&nbsp;yet you know him so well.<br>**[00:40] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You truly are gifted.<br>**[00:42] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the ability to see<br>&nbsp;&nbsp;&nbsp;&nbsp;through the truth, don't you?<br>**[00:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though...<br>**[00:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't actually believe that, do you?<br>**[00:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you said I've only just met him.<br>**[00:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means you just checked<br>&nbsp;&nbsp;&nbsp;&nbsp;in with headquarters<br>**[01:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and found out that I only met Fukuzawa-san<br>&nbsp;&nbsp;&nbsp;&nbsp;after the president's assassination.<br>**[01:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted to test my ability.<br>**[01:09] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive.<br>**[01:11] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shucks, I really underestimated you.<br>**[01:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate that you're still doubting me.<br>**[01:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want me to prove that I'm Gifted?<br>**[01:20] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an honor!<br>**[01:22] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get a front-row seat to a<br>&nbsp;&nbsp;&nbsp;&nbsp;Gifted detective at work.<br>**[01:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This car isn't headed to<br>&nbsp;&nbsp;&nbsp;&nbsp;the police station, is it?<br>**[01:31] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have told you sooner.<br>**[01:33] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[01:35] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I received a dispatch just before we left.<br>**[01:37] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's been an incident,<br>**[01:39] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they want me to take the<br>&nbsp;&nbsp;&nbsp;&nbsp;expert detective there.<br>**[01:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[01:44] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't think you needed to use your<br>&nbsp;&nbsp;&nbsp;&nbsp;special ability to figure that out.<br>**[01:48] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police station is<br>&nbsp;&nbsp;&nbsp;&nbsp;towards the train station.<br>**[01:51] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't take much to realize<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going the wrong way.<br>**[01:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do this, then.<br>**[01:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can ask me anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about the last incident.<br>**[01:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't answer your question, you win.<br>**[02:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you run out of questions, I win.<br>**[02:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that?<br>**[02:06] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Makes sense.<br>**[02:08] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here's a question<br>&nbsp;&nbsp;&nbsp;&nbsp; I'm sure is on everyone's mind:<br>**[02:12] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the gentleman in the<br>&nbsp;&nbsp;&nbsp;&nbsp;suit who was arrested on stage?<br>**[02:16] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you think he was<br>&nbsp;&nbsp;&nbsp;&nbsp;captured and taken there?<br>**[02:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rug.<br>**[02:22] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rug?<br>**[02:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember the high-pile rugs in the hall?<br>**[02:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of them was missing<br>&nbsp;&nbsp;&nbsp;&nbsp;after the whole panic.<br>**[02:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, there was a faint odor<br>&nbsp;&nbsp;&nbsp;&nbsp; where the rug was.<br>**[02:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like...<br>**[02:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That weird-smelling stuff they use<br>&nbsp;&nbsp;&nbsp;&nbsp;to make paint and plastics and stuff.<br>**[02:42] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Organic solvent?<br>**[02:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! That's it!<br>**[02:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I caught a whiff of the same smell<br>&nbsp;&nbsp;&nbsp;&nbsp;from that gentleman in the suit.<br>**[02:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the attacker must have wrapped<br>&nbsp;&nbsp;&nbsp;&nbsp;him up in the rug and taken him there.<br>**[02:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attacker used the organic<br>&nbsp;&nbsp;&nbsp;&nbsp;solvent to knock him out first.<br>**[03:00] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was certainly a lot of commotion,<br>&nbsp;&nbsp;&nbsp;&nbsp; with actors and municipal police at the scene.<br>**[03:05] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man moving a rug around might not<br>&nbsp;&nbsp;&nbsp;&nbsp;have drawn that much attention.<br>**[03:12] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, we're certain that it was<br>&nbsp;&nbsp;&nbsp;&nbsp;the accomplice, the stagewright,<br>**[03:15] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;who moved the man. Correct?<br>**[03:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't the stagewright.<br>**[03:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he was probably murdered<br>&nbsp;&nbsp;&nbsp;&nbsp;before the performance.<br>**[03:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else besides me is thoroughly<br>&nbsp;&nbsp;&nbsp;&nbsp;stupid and foolish and worthy of compassion.<br>**[03:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I wish I could have saved him,<br>**[03:33] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there isn't much I can do for someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who's been dead since before the case.<br>**[03:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they do all that just<br>&nbsp;&nbsp;&nbsp;&nbsp;to abduct one person, though?<br>**[03:42] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;An abduction?<br>**[03:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole project was a elaborate trap set up<br>&nbsp;&nbsp;&nbsp;&nbsp; just to abduct the gentleman in the suit.<br>**[03:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stagewright and the main star,<br>&nbsp;&nbsp;&nbsp;&nbsp;Murakami-san, were just pawns to that end.<br>**[03:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[04:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now do you believe I'm Gifted?<br>**[04:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So come on...<br>**[04:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just tell me where this car's going already.<br>**[04:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Mister So-Called Officer,<br>&nbsp;&nbsp;&nbsp;&nbsp;who smells of organic solvent?<br>**[05:49] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't you get in touch with them?<br>**[05:51] Officer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still don't have confirmation that<br>&nbsp;&nbsp;&nbsp;&nbsp; they arrived at the station yet.<br>**[05:54] Officer B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nor can we connect to the<br>&nbsp;&nbsp;&nbsp;&nbsp;police radio in the vehicle.<br>**[05:58] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The stagewright was murdered.*<br>**[06:05] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Judging from what Rampo told*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Egawa Joshi, this case isn't over yet.*<br>**[06:12] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This crime is comprised of<br>&nbsp;&nbsp;&nbsp;&nbsp;two different kinds of acts.<br>**[06:16] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could think of it like<br>&nbsp;&nbsp;&nbsp;&nbsp;a shrimp and a sea bream.<br>**[06:19] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The real perpetrator is still on the loose.*<br>**[06:21] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could be satisfied with the shrimp,<br>&nbsp;&nbsp;&nbsp;&nbsp; which is easy to catch.<br>**[06:25] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He must be talking about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the actor, Murakami.*<br>**[06:28] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you want to catch the sea bream,<br>**[06:30] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;well, you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to use the shrimp.<br>**[06:34] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So the true perpetrator is plotting an even*<br>*&nbsp;&nbsp;&nbsp;&nbsp;larger crime using the actor, Murakami,*<br>**[06:37] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the stagewright, Kurahashi.*<br>**[06:41] Fukuzawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Rampo is intent on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;exposing that perpetrator.*<br>**[06:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the name of the officer who<br>&nbsp;&nbsp;&nbsp;&nbsp;went to the station with Rampo?<br>**[06:47] Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senior Officer Mitamura.<br>**[06:49] Detective**<br>&nbsp;&nbsp;&nbsp;&nbsp;His phone's been switched off, as well.<br>**[06:55] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's happened to Rampo?*<br>**[07:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Where is Rampo?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa <br>
&nbsp;&nbsp;&nbsp;&nbsp;Yukichi
<br>**[07:23] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya later!<br>**[07:31] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must be when...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The perpetrator<br>
&nbsp;&nbsp;&nbsp;&nbsp; is Mitamura
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Find the cane
<br>**[07:36] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable... Truly unbelievable!<br>**[07:39] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think we didn't have such an<br>&nbsp;&nbsp;&nbsp;&nbsp;exceptional Gifted on our research list...<br>**[07:47] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Officially, this place is an office<br>&nbsp;&nbsp;&nbsp;&nbsp;for a shipbuilding firm.<br>**[07:50] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what you'd call a shell company.<br>**[07:56] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, have a seat.<br>**[07:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gun, huh?<br>**[07:59] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[08:02] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of using it...<br>**[08:04] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you do as I say.<br>**[08:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the cane!<br>**[08:31] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A concealed weapon.<br>**[08:43] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[08:45] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That gentleman!<br>**[08:59] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Have you changed your mind?*<br>**[09:01] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a request.<br>**[09:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[09:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are we?<br>**[09:09] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, it's one of<br>&nbsp;&nbsp;&nbsp;&nbsp;our convenient outposts.<br>**[09:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our"?<br>**[09:15] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean the<br>&nbsp;&nbsp;&nbsp;&nbsp;municipal police, of course.<br>**[09:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four career soldiers with guns on guard.<br>**[09:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[09:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are five.<br>**[09:28] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magnificent!<br>**[09:30] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you know?<br>**[09:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because that's my special ability.<br>**[09:34] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't have the slightest<br>&nbsp;&nbsp;&nbsp;&nbsp;intention of harming you, though.<br>**[09:39] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those men were prepared to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;an eye on the original target—<br>**[09:46] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;the gentleman you<br>&nbsp;&nbsp;&nbsp;&nbsp;revealed on the stage.<br>**[09:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the gentleman got away.<br>**[09:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why did you bring me here?<br>**[09:57] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plot at the theater<br>&nbsp;&nbsp;&nbsp;&nbsp;was pretty elaborate.<br>**[10:01] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The brass is furious that their<br>&nbsp;&nbsp;&nbsp;&nbsp;investment's been ruined.<br>**[10:05] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're insisting that I catch the<br>&nbsp;&nbsp;&nbsp;&nbsp;guy who messed everything up.<br>**[10:10] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make him explain how he<br>&nbsp;&nbsp;&nbsp;&nbsp;saw through the scheme.<br>**[10:12] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where he got the information.<br>**[10:16] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, we'll be forced to follow our<br>&nbsp;&nbsp;&nbsp;&nbsp;orders to hurt you, though we disagree.<br>**[10:23] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't want that, would you?<br>**[10:25] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I have a proposal for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Gifted Detective...<br>**[10:30] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to work with us?<br>**[10:34] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a vision.<br>**[10:36] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;To rid this country of evil people.<br>**[10:41] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;An excellent Gifted such as yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;would be more than welcome.<br>**[10:46] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[10:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry,<br>**[10:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got bored of your long rambling.<br>**[10:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't listening at all.<br>**[11:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you like your cell?<br>**[11:03] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad.<br>**[11:05] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's air conditioning.<br>**[11:08] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told them I was bored,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they gave me this.<br>**[11:10] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they're telling me to repent.<br>**[11:13] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here with a question.<br>**[11:16] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this.<br>**[11:19] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a memory device employed<br>&nbsp;&nbsp;&nbsp;&nbsp;by a certain government agency.<br>**[11:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a device used by those<br>&nbsp;&nbsp;&nbsp;&nbsp;under witness protection<br>**[11:26] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;to communicate with the protection agency.<br>**[11:29] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only high-priority people being targeted<br>&nbsp;&nbsp;&nbsp;&nbsp;by criminal organizations would have one.<br>**[11:34] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such people all have one thing in common:<br>**[11:38] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all Gifted.<br>**[11:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure someone as capable as you would<br>&nbsp;&nbsp;&nbsp;&nbsp;have taken external clients, as well.<br>**[11:47] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you accepted any requests<br>&nbsp;&nbsp;&nbsp;&nbsp;to capture a Gifted recently?<br>**[11:51] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't talk about my clients.<br>**[11:53] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't have to have been a client.<br>**[11:55] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard anything recently<br>&nbsp;&nbsp;&nbsp;&nbsp;about capturing a Gifted alive?<br>**[12:02] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The request may have come from<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who calls themselves V.<br>**[12:09] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to talk about them.<br>**[12:13] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what their objective is?<br>**[12:16] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[12:17] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a "great cause."<br>**[12:19] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing for money, killing out of spite...<br>**[12:22] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those causes make sense to me.<br>**[12:25] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to them, the killing itself is the great cause.<br>**[12:28] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to get involved<br>&nbsp;&nbsp;&nbsp;&nbsp;with those types.<br>**[12:31] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the killing itself is the great cause,<br>&nbsp;&nbsp;&nbsp;&nbsp; it doesn't matter who you kill.<br>**[12:39] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where you ultimately end up.<br>**[12:56] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not ordering you to fight them.<br>**[12:59] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;An acquaintance of mine<br>&nbsp;&nbsp;&nbsp;&nbsp;has been abducted by them.<br>**[13:03] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where they might be holding him?<br>**[13:06] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no reason to tell you.<br>**[13:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're absolutely right.<br>**[13:11] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you do tell me,<br>**[13:13] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll testify that you fired in self-defense<br>&nbsp;&nbsp;&nbsp;&nbsp;and killed him by accident.<br>**[13:21] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll let you out immediately.<br>**[13:33] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised.<br>**[13:35] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't look like the kind of person<br>&nbsp;&nbsp;&nbsp;&nbsp;who would sell out on justice like that.<br>**[13:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't think I was, either.*<br>**[13:44] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always worked as a killer on my own.<br>**[13:49] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never wanted any<br>&nbsp;&nbsp;&nbsp;&nbsp;coworkers or superiors.<br>**[13:53] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if a skilled martial<br>&nbsp;&nbsp;&nbsp;&nbsp;artist such as yourself<br>**[13:57] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;would go against your principles<br>&nbsp;&nbsp;&nbsp;&nbsp;just to save your subordinate...<br>**[14:00] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's lucky to have you.<br>**[14:02] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I envy him a little.<br>**[14:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[14:07] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He isn't a subordinate.*<br>**[14:09] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard about several buildings<br>&nbsp;&nbsp;&nbsp;&nbsp;they use for their dealings.<br>**[14:15] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we have an agreement?<br>**[14:17] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could escape at any point if I wanted to.<br>**[14:21] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reward you're promising<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't quite worth it.<br>**[14:24] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the food at this facility is awful.<br>**[14:28] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you happen to have some sway here,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you mind talking to them?<br>**[14:33] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any requests?<br>**[14:39] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry rice.<br>**[14:45] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up, great detective.<br>**[14:48] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our organization is formidable and flawless.<br>**[14:51] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it would be far more rewarding than<br>&nbsp;&nbsp;&nbsp;&nbsp;teaming up with that bodyguard.<br>**[14:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moo.<br>**[14:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't pay attention to things<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no interest in.<br>**[15:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just sounds like cattle mooing to me.<br>**[15:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moo!<br>**[15:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moo!<br>**[15:09] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're extremely fortunate that<br>&nbsp;&nbsp;&nbsp;&nbsp; I'm the one you're negotiating with.<br>**[15:13] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone else might have started sawing you<br>&nbsp;&nbsp;&nbsp;&nbsp;apart from your nails upward by now.<br>**[15:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's mooing again.<br>**[15:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moo!<br>**[15:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moo!<br>**[15:22] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we need to use this to<br>&nbsp;&nbsp;&nbsp;&nbsp;move the conversation forward.<br>**[15:27] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can use your gift to see<br>&nbsp;&nbsp;&nbsp;&nbsp;through the truth. So what?<br>**[15:31] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too feeble to stop a single bullet.<br>**[15:35] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only gave you my time for the<br>&nbsp;&nbsp;&nbsp;&nbsp;sake of our grand objective.<br>**[15:40] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll wipe out all the Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;rotting this country's foundations.<br>**[15:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[15:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;V is an organization of Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;brought together to drive out Gifted.<br>**[15:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wait, gimme a sec.<br>**[15:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;By my predictions,<br>**[16:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have three seconds.<br>**[16:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two.<br>**[16:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;One.<br>**[16:13] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took out one of the guards outside.<br>**[16:16] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many more are there?<br>**[16:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four.<br>**[16:37] Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more.<br>**[16:48] Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freaks!<br>**[17:06] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[17:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[17:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that went better than I expected.<br>**[17:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although you arrived just in time,<br>&nbsp;&nbsp;&nbsp;&nbsp; just as I calculated.<br>**[17:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you!<br>**[17:29] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with your damn calculations!<br>**[17:30] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I got here, I saw a<br>&nbsp;&nbsp;&nbsp;&nbsp;gun pointed at your face.<br>**[17:35] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was only because I knew you would come!<br>**[17:38] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Showing off your abilities is fine.<br>**[17:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And using your intellect to<br>&nbsp;&nbsp;&nbsp;&nbsp;face powerful enemies is good.<br>**[17:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But stop wagering your own<br>&nbsp;&nbsp;&nbsp;&nbsp;life on your gambles!<br>**[17:53] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still a child.<br>**[18:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:34] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Officer Mitamura was<br>&nbsp;&nbsp;&nbsp;&nbsp;murdered while in custody.<br>**[18:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been silenced.<br>**[18:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the plot continues.<br>**[18:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who is the perpetrator<br>&nbsp;&nbsp;&nbsp;&nbsp;of the last incident, V?<br>**[18:51] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not "V."<br>**[18:54] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Five.<br>**[19:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[19:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking, the cityscape looks<br>&nbsp;&nbsp;&nbsp;&nbsp;different somehow, compared to yesterday.<br>**[19:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think?<br>**[19:15] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you understand now.<br>**[19:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I'm Gifted?<br>**[19:21] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that.<br>**[19:23] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand what's important.<br>**[19:32] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry...<br>**[19:38] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;So spicy!<br>**[19:39] Odasaku**<br>&nbsp;&nbsp;&nbsp;&nbsp;But so good.<br>**[21:18] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this it?<br>**[21:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should be.<br>**[21:33] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to Bankoudou.<br>**[21:39] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[21:40] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cane I lost a while back.<br>**[21:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to hear about you,<br>**[21:47] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I took the liberty of coming<br>&nbsp;&nbsp;&nbsp;&nbsp;to discuss your proposal.<br>**[21:52] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so formal about it.<br>**[21:54] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a seat.<br>**[21:55] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir.<br>**[21:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way...<br>**[22:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never noticed at the time,<br>&nbsp;&nbsp;&nbsp;&nbsp;but is this man really so...<br>**[22:05] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe you one, boy.<br>**[22:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[22:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw through the trap from<br>&nbsp;&nbsp;&nbsp;&nbsp;the beginning of the play,<br>**[22:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you let capture you anyway.<br>**[22:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You flushed out the enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;so that we would catch them.<br>**[22:21] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though the sea bream seems<br>&nbsp;&nbsp;&nbsp;&nbsp;to have gotten away.<br>**[22:24] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have come with a request.<br>**[22:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I'm sure you're aware,<br>**[22:29] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edogawa Rampo here is building a reputation<br>&nbsp;&nbsp;&nbsp;&nbsp;for himself as a Gifted detective,<br>**[22:33] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's taboo for a Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;to promote themselves publicly.<br>**[22:39] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I would like your help.<br>**[22:43] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gifted Business Permit. I see.<br>**[22:46] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you intend to start a business.<br>**[22:50] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[22:52] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to obtain a permit<br>**[22:54] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Gifted Special Operations Division,<br>&nbsp;&nbsp;&nbsp;&nbsp;I require your vast knowledge in that area.<br>**[23:00] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Natsume Soseki, sir.<br>**[23:04] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't be an easy path,<br>**[23:08] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think you can make it happen.<br>**[23:13] Soseki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone can, it will be you two.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;For Fukuzawa and Rampo
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;this was when it all began.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 40
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Secret <br>
&nbsp;&nbsp;&nbsp;&nbsp;Founding of<br>
&nbsp;&nbsp;&nbsp;&nbsp; the Detective<br>
&nbsp;&nbsp;&nbsp;&nbsp; Agency
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 130 0 130 240 0 240<br>
&nbsp;&nbsp;&nbsp;&nbsp;
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thus, we return to the present.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 41
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Perfect Murder and Murderer (Part 1)
<br>

# 41 - A Perfect Murder and Murderer (Part 1)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Death
<br>**[00:01] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death: a convulsion.<br>**[00:04] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Murder: an idol of the powerless.<br>**[00:10] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the angel of murder.<br>**[00:12] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The king of crime.<br>**[00:14] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest in peace!<br>**[02:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen.<br>**[02:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get you out of here.<br>**[02:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening to me, Kunikida?<br>**[02:13] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mind me, Rampo-san.<br>**[02:16] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only right for a<br>&nbsp;&nbsp;&nbsp;&nbsp;suspect to be detained.<br>**[02:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're suspected of murder.<br>**[02:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl set off the<br>&nbsp;&nbsp;&nbsp;&nbsp;grenades with her own hands.<br>**[02:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your claim.<br>**[02:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are no witnesses, and all<br>&nbsp;&nbsp;&nbsp;&nbsp;evidence was destroyed by the enemy.<br>**[02:33] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;They even went to the trouble<br>**[02:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;of making sure the grenades matched<br>&nbsp;&nbsp;&nbsp;&nbsp;the model used by the Agency.<br>**[02:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been framed.<br>**[02:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Part of an operation by the Rats.<br>**[02:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or rather, a way to harass us<br>&nbsp;&nbsp;&nbsp;&nbsp;that happened to be convenient.<br>**[02:46] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[02:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you accept the charge out of guilt?<br>**[02:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about your inner conflict.<br>**[02:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm making sure you're found innocent.<br>**[02:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Rats must have someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;specializes in destroying evidence.<br>**[03:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll capture him.<br>**[03:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let anyone object.<br>**[03:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the Agency or the boss.<br>**[03:09] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-san...<br>**[03:10] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why go to such lengths?<br>**[03:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'd seen through demon Fyodor's trap,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Perfect Murder<br>
&nbsp;&nbsp;&nbsp;&nbsp;and Murderer (Part 1)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 41
<br>**[03:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the girl wouldn't have died.<br>**[03:26] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yasei Jidai<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>**[03:27] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challenging.<br>**[03:30] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything that torments the grand intellect<br>&nbsp;&nbsp;&nbsp;&nbsp;of one such as myself, Poe, is to be feared.<br>**[03:36] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I shall be the first to solve<br>&nbsp;&nbsp;&nbsp;&nbsp;this mystery of the far east!<br>**[03:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poe-kun!<br>**[03:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a coincidence.<br>**[03:55] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Rampo-kun?<br>**[03:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatcha doing here?<br>**[03:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[04:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Waiting for someone?<br>**[04:02] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;He figured me out!<br>**[04:04] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won something in an auction.<br>**[04:07] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to retrieve it.<br>**[04:08] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what brings you here, Rampo-kun?<br>**[04:11] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also...<br>**[04:13] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you dressed like that?<br>**[04:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally, someone notices it.<br>**[04:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went against the boss's orders<br>&nbsp;&nbsp;&nbsp;&nbsp;in the cannibalism incident.<br>**[04:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had me work as the mascot<br>&nbsp;&nbsp;&nbsp;&nbsp;of the company, so I ran away.<br>**[04:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, good seeing you here!<br>**[04:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a hand!<br>**[04:32] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Rampo-kun!<br>**[04:33] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supposed to be meeting someone!<br>**[04:36] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Karl bit me!<br>**[04:39] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:41] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this enemy "evidence destroyer" will<br>&nbsp;&nbsp;&nbsp;&nbsp;be showing up at this observation deck.<br>**[04:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yup.*<br>**[04:48] Poe**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then wouldn't it be better*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if you helped me spot them?*<br>**[04:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He knows who I am.<br>**[04:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The evidence destroyer is Fyodor's<br>&nbsp;&nbsp;&nbsp;&nbsp;ally and right-hand man.<br>**[04:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An expert in information manipulation.*<br>**[05:00] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have prior arrangements...*<br>**[05:03] Poe**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But I have a hard time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;saying no to Rampo-kun.*<br>**[05:06] Rampo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The only info we have on the evidence*<br>*&nbsp;&nbsp;&nbsp;&nbsp;destroyer is the photo I gave you.*<br>**[05:12] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;He looks like he wouldn't have many friends.<br>**[05:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not one to talk.<br>**[05:18] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though...<br>**[05:19] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What made you suspect he will show up here?<br>**[05:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A Gifted that we captured fessed up.*<br>**[05:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then again...*<br>**[05:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed like a skeevy little grunt.<br>**[05:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It might have been bogus.*<br>**[05:34] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time's passed.<br>**[05:36] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't shown up.<br>**[05:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bored.<br>**[05:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poe-kun, say something funny.<br>**[05:42] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a tall order!<br>**[05:44] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how about I tell you about the<br>&nbsp;&nbsp;&nbsp;&nbsp;mystery I've been working on?<br>**[05:50] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The talk of the town is...<br>**[05:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[05:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery?!<br>**[05:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather play with the<br>&nbsp;&nbsp;&nbsp;&nbsp;kids in the neighborhood.<br>**[05:57] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, no.*<br>**[05:58] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;This author has in fact been murdered.<br>**[06:01] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the exact same way he<br>&nbsp;&nbsp;&nbsp;&nbsp;described in his novel, in fact.<br>**[06:07] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first three chapters of the<br>&nbsp;&nbsp;&nbsp;&nbsp;novel were published in a magazine.<br>**[06:11] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;He died right after the manuscript<br>&nbsp;&nbsp;&nbsp;&nbsp;for the fourth and final chapter,<br>**[06:15] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;the resolution, was finished.<br>**[06:18] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, after the crime, the murderer stole<br>&nbsp;&nbsp;&nbsp;&nbsp;the fourth chapter from the scene.<br>**[06:23] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[06:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the truth and trick behind the<br>&nbsp;&nbsp;&nbsp;&nbsp;murder was written in the fourth chapter.<br>**[06:31] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victim was a mystery novelist<br>&nbsp;&nbsp;&nbsp;&nbsp; using the pen name "Kindaichi."<br>**[06:34] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a well-known, talented author,<br>&nbsp;&nbsp;&nbsp;&nbsp;so his death set the public astir.<br>**[06:38] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The entire industry pored over<br>&nbsp;&nbsp;&nbsp;&nbsp; the first three chapters,<br>**[06:41] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;but alas, they all failed<br>&nbsp;&nbsp;&nbsp;&nbsp; to solve the mystery.<br>**[06:43] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working on it myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's quite the—<br>**[06:47] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun?!<br>**[06:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have anything better to do, huh?<br>**[06:50] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weren't you supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;wait on another floor?<br>**[06:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pissed that he hasn't shown up,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came up with a way to blow off steam.<br>**[06:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to guess who murdered<br>&nbsp;&nbsp;&nbsp;&nbsp;the author right here.<br>**[07:00] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stop it!<br>**[07:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll know who did it by<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow, either way.<br>**[07:04] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow?<br>**[07:05] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[07:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer had two motives:<br>&nbsp;&nbsp;&nbsp;&nbsp;revenge and money.<br>**[07:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer was told what<br>&nbsp;&nbsp;&nbsp;&nbsp;happens in the fourth chapter,<br>**[07:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;which means they were pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;close to the victim.<br>**[07:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what triggered his murderous intent.<br>**[07:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did he kill him right after<br>&nbsp;&nbsp;&nbsp;&nbsp;he finished writing the manuscript?<br>**[07:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he'd been waiting for him to.<br>**[07:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more public interest<br>&nbsp;&nbsp;&nbsp;&nbsp;there is in the murder,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Killing of Kindaichi
<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chapter Four<br>**[07:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the more valuable the manuscript becomes.<br>**[07:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he was planning on selling it.<br>**[07:32] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wasn't necessarily<br>&nbsp;&nbsp;&nbsp;&nbsp;going to sell it, was he?<br>**[07:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course he would.<br>**[07:35] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, he already has.<br>**[07:37] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;To whom?<br>**[07:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You.<br>**[07:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your excellent assistant told me.<br>**[07:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous and a hassle to bring a small<br>&nbsp;&nbsp;&nbsp;&nbsp;animal to a crowded area on a weekend.<br>**[07:46] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to bring him here<br>&nbsp;&nbsp;&nbsp;&nbsp;anyway for your rendezvous.<br>**[07:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you don't know each other.<br>**[07:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, you mentioned an auction.<br>**[07:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best place to sell the controversial<br>&nbsp;&nbsp;&nbsp;&nbsp;fourth chapter would be an underground auction.<br>**[07:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want me to continue?<br>**[08:04] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to solve the crime myself!<br>**[08:07] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the police bought the manuscript,<br>&nbsp;&nbsp;&nbsp;&nbsp; the truth would come out in the news.<br>**[08:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a proper piece of evidence.<br>**[08:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it to the police, and they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;give you a letter of appreciation.<br>**[08:16] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'll do!<br>**[08:17] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only spent 20 million on it, after all.<br>**[08:22] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that face?<br>**[08:24] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master Architect is the<br>&nbsp;&nbsp;&nbsp;&nbsp;third-highest rank in the Guild.<br>**[08:27] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have forgotten I paid<br>&nbsp;&nbsp;&nbsp;&nbsp;such an amount by tomorrow.<br>**[08:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you mental?!<br>**[08:32] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got to see your rare exasperated face,<br>&nbsp;&nbsp;&nbsp;&nbsp; so it was well worth the money!<br>**[08:36] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I shall have to finish the transaction.<br>**[08:39] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was told it would be given to me by<br>&nbsp;&nbsp;&nbsp;&nbsp;someone with a bright red envelope.<br>**[08:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a bright red envelope over there.<br>**[08:47] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did that get there?<br>**[09:06] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man's face just now...<br>**[09:10] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the evidence destroyer!<br>**[09:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, damn.<br>**[09:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turns out this is a good mystery.<br>**[09:21] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dead on impact.<br>**[09:23] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could this be a suicide?<br>**[09:25] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or was he silenced by the Rats?<br>**[09:32] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Municipal Police!<br>**[09:33] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch the body!<br>**[09:35] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? It's you two.<br>**[09:38] Officer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun?<br>**[09:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minoura-san!<br>**[09:42] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go!<br>**[09:44] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get off me!<br>**[09:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the best!<br>**[09:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I win!<br>**[09:49] Officer**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Please help Minoura-san!<br>**[09:53] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did Rampo-kun suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;become so excited?<br>**[09:56] Officer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[09:56] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the police arrived so quickly.<br>**[09:59] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police arrived just as<br>&nbsp;&nbsp;&nbsp;&nbsp;we rushed to the ground.<br>**[10:03] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[10:04] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the perpetrator called them.<br>**[10:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ahead of time.<br>**[10:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To have the municipal police close the area,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I wouldn't touch the body.<br>**[10:13] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it wasn't a suicide, but something<br>&nbsp;&nbsp;&nbsp;&nbsp;the Rats did to silence him?<br>**[10:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither.<br>**[10:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this.<br>**[10:21] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victim's shoe.<br>**[10:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came off as he was falling.<br>**[10:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had it on when we<br>&nbsp;&nbsp;&nbsp;&nbsp;saw him through the window.<br>**[10:29] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made that observation<br>&nbsp;&nbsp;&nbsp;&nbsp;in that split second?<br>**[10:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by how worn the sole is,<br>&nbsp;&nbsp;&nbsp;&nbsp; he must have been wearing it for quite a while.<br>**[10:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't have come off so easily.<br>**[10:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did it come off mid-air?<br>**[10:41] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see!<br>**[10:42] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, explain.<br>**[10:44] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;This shoe wasn't one that the victim<br>&nbsp;&nbsp;&nbsp;&nbsp;had been wearing for a long time.<br>**[10:48] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was forced to put it on<br>&nbsp;&nbsp;&nbsp;&nbsp;just prior to being pushed.<br>**[10:51] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because Rampo-kun already knows<br>&nbsp;&nbsp;&nbsp;&nbsp;what the footprint looks like.<br>**[10:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to their hideout<br>&nbsp;&nbsp;&nbsp;&nbsp;in the abandoned mines<br>**[10:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;to look for leads on the evidence destroyer.<br>**[11:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Needless to say, I took note of all<br>&nbsp;&nbsp;&nbsp;&nbsp;of the footprints on the ground.<br>**[11:04] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about this shoe?<br>**[11:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw it, too, of course.<br>**[11:07] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that face was a forgery<br>&nbsp;&nbsp;&nbsp;&nbsp;connected to a fishing line?<br>**[11:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[11:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;They smashed the victim's face in<br>&nbsp;&nbsp;&nbsp;&nbsp;and put on a mask used in films,<br>**[11:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;then they attached the<br>&nbsp;&nbsp;&nbsp;&nbsp;fishing line to the mask<br>**[11:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and adjusted its length so it<br>&nbsp;&nbsp;&nbsp;&nbsp;would get caught on his way down.<br>**[11:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once he hit the ground,<br>**[11:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you wouldn't know his face had<br>&nbsp;&nbsp;&nbsp;&nbsp;been smashed in ahead of time.<br>**[11:37] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[11:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The evidence destroyer himself shoved<br>&nbsp;&nbsp;&nbsp;&nbsp;the victim down to cover his tracks.<br>**[11:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[11:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need to use this to determine<br>&nbsp;&nbsp;&nbsp;&nbsp;his whereabouts, and it's over.<br>**[11:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is he, a freak?*<br>**[11:50] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I went to the auction to fund my escape*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and throw the Detective Agency off.*<br>**[11:56] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He blew my elegant scheme with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the wear on a single shoe!*<br>**[11:58] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just forging that face was a ton of work.*<br>**[12:02] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This situation...*<br>**[12:06] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is exactly as I planned!*<br>**[12:15] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behold!<br>**[12:18] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the demon of the north<br>&nbsp;&nbsp;&nbsp;&nbsp;feared my special ability.<br>**[12:21] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Know defeat, detective!<br>**[12:23] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your insights are inadequate!<br>**[12:25] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Special Ability: The Perfect Crime!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Perfect Crime
<br>**[12:47] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's finally time!<br>**[12:49] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for the Super Deduction ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to instantly reveal the truth of the matter!<br>**[12:53] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that detective's fan or something?<br>**[12:55] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am his rival!<br>**[13:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know...<br>**[13:13] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[13:19] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't figure it out at all.<br>**[13:24] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silly detectives!<br>**[13:26] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wretched hyenas! You'll never catch me.<br>**[13:31] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 73 0 73 240 0 240<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;<br>
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<br>**[13:31] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;For my special ability is the ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to erase the evidence of any crime.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special <br>
&nbsp;&nbsp;&nbsp;&nbsp;Ability: <br>
&nbsp;&nbsp;&nbsp;&nbsp;The<br>
&nbsp;&nbsp;&nbsp;&nbsp; Perfect<br>
&nbsp;&nbsp;&nbsp;&nbsp; Crime
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;O<br>
&nbsp;&nbsp;&nbsp;&nbsp;g<br>
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&nbsp;&nbsp;&nbsp;&nbsp;o
<br>**[13:36] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gates of Heaven are closed,<br>&nbsp;&nbsp;&nbsp;&nbsp;never to be opened again.<br>**[13:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the ultimate detective killer!<br>**[13:44] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;His coworker's innocence<br>&nbsp;&nbsp;&nbsp;&nbsp;will never be proven.<br>**[13:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;And...<br>**[13:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll never be able to speak of why<br>&nbsp;&nbsp;&nbsp;&nbsp;Fyodor let me capture him.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Two months ago
<br>**[14:23] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Greetings, Mushitaro-san.<br>**[14:26] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who are you?<br>**[14:28] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the man who is going to free you.<br>**[14:31] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A crime organization locked you up<br>**[14:34] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make money off your fantastic ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to erase all evidence of a crime.<br>**[14:41] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until today.<br>**[14:43] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cost for your freedom is rather modest.<br>**[14:46] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like you to cooperate<br>&nbsp;&nbsp;&nbsp;&nbsp;with our operation, just once.<br>**[14:50] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between a tyrant and a demon,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather make a pact with the demon.<br>**[14:53] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how I am.<br>**[14:56] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll accept your offer,<br>**[14:59] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have a few conditions.<br>**[15:02] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, I will never appear in public.<br>**[15:06] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm only going to use my special ability.<br>**[15:09] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second, prepare a desk for my work.<br>**[15:12] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even better if you can supply books<br>&nbsp;&nbsp;&nbsp;&nbsp;on mysticism and ancient alchemy.<br>**[15:16] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third, my meals will be served<br>&nbsp;&nbsp;&nbsp;&nbsp;on silver or porcelain dishware.<br>**[15:20] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, my clothes are always to be starched.<br>**[15:23] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine.<br>**[15:24] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything else?<br>**[15:26] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[15:27] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the most important condition.<br>**[15:29] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the operation, I'll need to flee<br>&nbsp;&nbsp;&nbsp;&nbsp;overseas to evade the organization,<br>**[15:35] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that must happen a<br>&nbsp;&nbsp;&nbsp;&nbsp;week after the operation.<br>**[15:38] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A week after?<br>**[15:40] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have that arranged the day after.<br>**[15:42] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I have left unfinished.<br>**[15:45] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;A promise of death and crime...<br>**[15:47] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a man who, a week after,<br>**[15:53] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to kill.<br>**[16:08] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun hasn't said a single thing<br>&nbsp;&nbsp;&nbsp;&nbsp;since he started staring at the body.<br>**[16:13] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[16:14] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'd normally be laughing out loud<br>&nbsp;&nbsp;&nbsp;&nbsp; and pointing out the murderer.<br>**[16:18] Poe**<br>*&nbsp;&nbsp;&nbsp;&nbsp;His ability as a detective is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the very backbone of his soul.*<br>**[16:23] Poe**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To have that broken...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;He may never walk again.*<br>**[16:30] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun, don't be so hard on yourself—<br>**[16:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to give up!<br>**[16:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm going back to the office.<br>**[16:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can deal with this mess.<br>**[16:40] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun...<br>**[16:44] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My victory is set in stone.*<br>**[16:47] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The photo of me that the Agency has is from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;before I changed my face in the organization,*<br>**[16:51] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*which means that they'll never recognize me.*<br>**[16:55] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Killing is as easy for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;me as bending a finger.*<br>**[16:59] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even when I killed him the other day...*<br>**[17:04] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushi-kun, you know...<br>**[17:06] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to write the ultimate mystery.<br>**[17:22] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kneel before me, detectives!<br>**[17:24] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the king of crime!<br>**[17:26] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;None can force me to repent<br>&nbsp;&nbsp;&nbsp;&nbsp;or admit to my crimes!<br>**[17:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there. Got a minute?<br>**[17:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The detective!*<br>**[17:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why is he here?*<br>**[17:37] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he on to me?*<br>**[17:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Impossible.*<br>**[17:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where the taxi stop is?<br>**[17:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taxi?<br>**[17:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to take the<br>&nbsp;&nbsp;&nbsp;&nbsp;taxi back to the office,<br>**[17:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the main street's been blocked off<br>&nbsp;&nbsp;&nbsp;&nbsp;by the police because of the incident.<br>**[17:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd find a<br>&nbsp;&nbsp;&nbsp;&nbsp;taxi on this back street,<br>**[17:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're the only person<br>&nbsp;&nbsp;&nbsp;&nbsp;around that I can ask.<br>**[17:57] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hasn't he realized who I am?*<br>**[18:01] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's true, the main road's closed.*<br>**[18:03] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the only place to find a taxi.*<br>**[18:06] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What a comical situation.*<br>**[18:08] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The detective, on his way home*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after giving up on a case,*<br>**[18:10] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*strikes up a conversation with the perpetrator!*<br>**[18:14] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I can't think of any nearby taxi stops.<br>**[18:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I'll just wait here, then.<br>**[18:19] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're waiting here?!*<br>**[18:21] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm meeting my ride here!*<br>**[18:24] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's going to end up seeing my vehicle!*<br>**[18:27] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A perfect crime must not leave*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a single loose thread.*<br>**[18:32] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a station five minutes from here.<br>**[18:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll draw you a map.<br>**[18:35] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[18:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna walk!<br>**[18:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's do this. There's a bus station<br>&nbsp;&nbsp;&nbsp;&nbsp;nearby that'll take you to the station.<br>**[18:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that, and—<br>**[18:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No buses! No trains! Too much work!<br>**[18:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I don't know how to take trains.<br>**[18:49] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are you, a grade school kid?!*<br>**[18:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know!<br>**[18:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to have to walk,<br>&nbsp;&nbsp;&nbsp;&nbsp;so can you give me a piggyback ride?<br>**[18:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no request to make<br>&nbsp;&nbsp;&nbsp;&nbsp;of another human being!<br>**[18:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made the newbie at the<br>&nbsp;&nbsp;&nbsp;&nbsp;office do it a few times.<br>**[19:01] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Have I gotten involved with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;someone I shouldn't have?*<br>**[19:16] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've arrived, Mushitaro-sama.<br>**[19:18] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's already here.*<br>**[19:21] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I have business with this man.<br>**[19:24] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me, um...<br>**[19:27] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo.<br>**[19:28] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Rampo-kun, I wish you luck.<br>**[19:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's seen my car.*<br>**[19:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, whatever.*<br>**[19:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It shouldn't be a problem—*<br>**[19:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver! To the Detective Agency!<br>**[19:46] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Wh-Wh...<br>**[19:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You good?<br>**[19:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?!<br>**[19:49] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This vehicle is here for me!<br>**[19:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hot, huh?<br>**[19:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn on the AC, please.<br>**[19:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening?<br>**[19:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a good idea.<br>**[19:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay you back if you let me<br>&nbsp;&nbsp;&nbsp;&nbsp; take the car with you.<br>**[20:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could hook you up with work<br>&nbsp;&nbsp;&nbsp;&nbsp; if you ever need it, for example.<br>**[20:03] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No!*<br>**[20:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great. Thanks.<br>**[20:08] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do you want me to do?!*<br>**[20:10] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not like I want him here, either!*<br>**[20:11] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Alas...*<br>**[20:12] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't let this lucky detective*<br>*&nbsp;&nbsp;&nbsp;&nbsp;get any closer to the truth*<br>**[20:15] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;than he already has*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just by stumbling across me!*<br>**[20:18] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take him to the station.<br>**[20:20] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have him take a taxi from there.<br>**[20:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[20:27] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, what do you do there?<br>**[20:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a detective.<br>**[20:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a gruesome situation.<br>**[20:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a foreign world as<br>&nbsp;&nbsp;&nbsp;&nbsp;far as I'm concerned.<br>**[20:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have just one lead on the murderer.<br>**[20:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He swapped shoes with the victim, so his<br>&nbsp;&nbsp;&nbsp;&nbsp;shoes are too small for him right now.<br>**[20:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know why this case is so hard.<br>**[20:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer is Gifted, with an<br>&nbsp;&nbsp;&nbsp;&nbsp;ability of the reality-altering sort.<br>**[20:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's already figured out that much?!*<br>**[20:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability as a detective<br>&nbsp;&nbsp;&nbsp;&nbsp;boils down to technique.<br>**[21:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it isn't a power,<br>**[21:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't stand a chance against a<br>&nbsp;&nbsp;&nbsp;&nbsp;reality-altering special ability.<br>**[21:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Exactly.*<br>**[21:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, I managed to<br>&nbsp;&nbsp;&nbsp;&nbsp;figure it out this time.<br>**[21:10] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No!*<br>**[21:11] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Impossible!*<br>**[21:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you interested?<br>**[21:14] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would make for some<br>&nbsp;&nbsp;&nbsp;&nbsp;great entertainment.<br>**[21:17] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think I'd get to hear how a<br>&nbsp;&nbsp;&nbsp;&nbsp;detective I just met solved a crime...<br>**[21:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll tell you just this once,<br>&nbsp;&nbsp;&nbsp;&nbsp; as thanks for the ride.<br>**[21:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bright red envelope is the key.<br>**[21:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The evidence destroyer wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;me to believe he was dead.<br>**[21:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when he took notice<br>&nbsp;&nbsp;&nbsp;&nbsp;of my friend, Poe-kun.<br>**[21:35] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poe arranged to buy the manuscript and,<br>**[21:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the instant we took it, the evidence<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyer pushed a double off the building.<br>**[21:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All for the purpose of<br>&nbsp;&nbsp;&nbsp;&nbsp;showcasing that one moment.<br>**[21:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where did the perpetrator get<br>&nbsp;&nbsp;&nbsp;&nbsp;the envelope and the manuscript?<br>**[21:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer's simple.<br>**[21:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He killed and stole it...<br>**[22:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the author himself.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Perfect Murder<br>
&nbsp;&nbsp;&nbsp;&nbsp; and Murderer (Part 2)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 42
<br>

# 42 - A Perfect Murder and Murderer (Part 2)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;The<br>**[00:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bright red envelope is the key.<br>**[00:01] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;"bright<br>
&nbsp;&nbsp;&nbsp;&nbsp;red<br>
&nbsp;&nbsp;&nbsp;&nbsp;envelope" is <br>
&nbsp;&nbsp;&nbsp;&nbsp;the <br>
&nbsp;&nbsp;&nbsp;&nbsp;key.<br>**[00:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where did the perpetrator get<br>&nbsp;&nbsp;&nbsp;&nbsp;the envelope and the manuscript?<br>**[00:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer's simple.<br>**[00:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He killed and stole it...<br>**[00:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the author himself.<br>**[01:48] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, rival. What are you doing?<br>**[01:51] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speed reading the manuscript.<br>**[01:53] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;There might be something in<br>&nbsp;&nbsp;&nbsp;&nbsp;here that could help Rampo-kun.<br>**[01:57] Officer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minoura-san, what exactly is this<br>&nbsp;&nbsp;&nbsp;&nbsp;case of the mystery writer murder<br>**[02:01] Officer**<br>&nbsp;&nbsp;&nbsp;&nbsp;that everyone's talking about?<br>**[02:03] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you don't know?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Zuikaro
<br>**[02:05] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The body was discovered<br>&nbsp;&nbsp;&nbsp;&nbsp;by the manager of the inn.<br>**[02:15] Owner**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[02:21] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doll was carrying human ears.<br>**[02:26] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The author was an exceptionally<br>&nbsp;&nbsp;&nbsp;&nbsp;talented detective novel writer.<br>**[02:28] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was found murdered at the inn where<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd been staying long-term to work.<br>**[02:42] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The biggest mystery of this case is<br>&nbsp;&nbsp;&nbsp;&nbsp;that the conditions around the murder<br>**[02:45] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;resembled the murder depicted in the novel.<br>**[02:48] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the gist of the infamous<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing of Kindaichi.<br>**[02:50] Officer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gross...<br>**[02:52] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought that I might find out<br>**[02:55] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;who'd stolen the manuscript if<br>&nbsp;&nbsp;&nbsp;&nbsp;I read the last chapter, but...<br>**[03:00] Poe**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The murderer was an old acquaintance of the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;victim's, motivated by years of pent-up anger.*<br>**[03:05] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's exactly as Rampo-kun had deduced.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It was at that moment, when my colleague uttered those words,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I became certain that a perfect murder does indeed exist.<br>
&nbsp;&nbsp;&nbsp;&nbsp;End
<br>**[03:09] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;The word "End" on the last page is smudged.<br>**[03:13] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these water droplets?<br>**[03:16] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, looking at it more carefully,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not handwritten. It's a copy.<br>**[03:22] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:27] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;CAW CAW CAW CAW
<br>**[03:34] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Beep
<br>**[03:38] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my cell phone.<br>**[03:40] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why were you so surprised, then?<br>**[03:42] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't receive calls very often.<br>**[03:46] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?!<br>**[03:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The evidence destroyer and the<br>&nbsp;&nbsp;&nbsp;&nbsp;murderer are the same person?<br>**[03:51] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think that's a stretch?<br>**[03:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manuscript could have been obtained<br>&nbsp;&nbsp;&nbsp;&nbsp;by someone other than the murderer.<br>**[03:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have evidence.<br>**[04:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This manuscript.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;End<br>**[04:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does he have the manuscript?!<br>**[04:07] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you recognize it, huh?<br>**[04:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was folded up like this and hidden away,<br>**[04:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the gift shop on the second<br>&nbsp;&nbsp;&nbsp;&nbsp;floor of the observation deck.<br>**[04:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I checked inside the envelope<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as I got it.<br>**[04:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for some reason, just the<br>&nbsp;&nbsp;&nbsp;&nbsp;last page was a photocopy.<br>**[04:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it so they could keep the original?<br>**[04:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, in that case, they would<br>&nbsp;&nbsp;&nbsp;&nbsp;have copied all the pages.<br>**[04:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I realized...<br>**[04:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they printed it out in a hurry,<br>&nbsp;&nbsp;&nbsp;&nbsp;right before it was handed off.<br>**[04:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I checked a stationery shop nearby.<br>**[04:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just as I expected,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was the same paper.<br>**[04:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the attacker was in a hurry<br>&nbsp;&nbsp;&nbsp;&nbsp;to swap out the original with the copy.<br>**[04:45] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[04:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the content was an issue,<br>&nbsp;&nbsp;&nbsp;&nbsp;they could have just thrown out that page.<br>**[04:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't do that because there was a<br>&nbsp;&nbsp;&nbsp;&nbsp;specific reason to hand over all the pages.<br>**[04:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case, the last page of the<br>&nbsp;&nbsp;&nbsp;&nbsp;manuscript wouldn't have been thrown out.<br>**[05:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they couldn't risk being searched,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they hid it somewhere.<br>**[05:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so you found the hidden manuscript?<br>**[05:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as I found it, I became certain the<br>&nbsp;&nbsp;&nbsp;&nbsp;the same person was behind both incidents.<br>**[05:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way...<br>**[05:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your name?<br>**[05:16] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oguri Mushitaro.<br>**[05:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[05:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I have all the information I need.<br>**[05:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one behind both of the incidents,<br>**[05:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oguri Mushitaro-kun.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 42<br>
&nbsp;&nbsp;&nbsp;&nbsp;A Perfect Murder<br>
&nbsp;&nbsp;&nbsp;&nbsp;and Murderer (Part 2)
<br>**[05:35] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[05:36] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are three types of cargo that I hate:<br>**[05:38] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cargo that talks too much.<br>**[05:40] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cargo that brings trouble.<br>**[05:42] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;And cargo that doesn't pay.<br>**[05:45] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything to say for yourself?<br>**[05:46] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing to say.<br>**[05:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He does, though.<br>**[05:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put the gun away, getaway driver.<br>**[05:52] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give the detectives any excuses.<br>**[05:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no direct evidence that<br>&nbsp;&nbsp;&nbsp;&nbsp;will lead to our impeachment.<br>**[05:57] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's never stood a chance to begin with.<br>**[05:59] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you threaten him<br>&nbsp;&nbsp;&nbsp;&nbsp;in plain sight, that is.<br>**[06:02] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has no use for excuses when<br>&nbsp;&nbsp;&nbsp;&nbsp; he's got a gun pointed at his head.<br>**[06:04] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of the car.<br>**[06:06] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to get my seat dirty.<br>**[06:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guns are fascinating, aren't they?<br>**[06:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason, the moment you<br>&nbsp;&nbsp;&nbsp;&nbsp;have one, you turn into an idiot.<br>**[06:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but this situation was<br>&nbsp;&nbsp;&nbsp;&nbsp;what I was going for all along.<br>**[06:18] Cop A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop the gun!<br>**[06:20] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun!<br>**[06:22] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kept a call going with Poe-kun's phone.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;E. Poe
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Disconnect
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Talk
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mute
<br>**[06:30] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such an anticlimactic end to<br>&nbsp;&nbsp;&nbsp;&nbsp;the criminals of the century.<br>**[06:34] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll put you two in the same cell.<br>**[06:35] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hold a review session or something.<br>**[06:36] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try.<br>**[06:38] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am an official diplomat, and this<br>&nbsp;&nbsp;&nbsp;&nbsp;car has foreign service plates.<br>**[06:43] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have immunity from criminal law here.<br>**[06:46] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't arrest us.<br>**[06:49] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, an ongoing murder attempt should<br>&nbsp;&nbsp;&nbsp;&nbsp;strip you of your privileges as a diplomat.<br>**[06:55] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not loaded.<br>**[06:57] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can invoke what you lot call<br>&nbsp;&nbsp;&nbsp;&nbsp;an impossibility defense.<br>**[06:59] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was also granted the right<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry this pistol.<br>**[07:02] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no illegality in my using it.<br>**[07:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the gun was an empty threat.<br>**[07:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fyodor taught you that trick.<br>**[07:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to go.<br>**[07:14] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[07:15] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long, Rampo-kun.<br>**[07:17] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say hi to your coworker in prison for me.<br>**[07:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's foreign text showing on the phone.*<br>**[07:46] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This phone is...*<br>**[07:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mushitaro-kun, you win.*<br>**[07:51] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've known all along:<br>&nbsp;&nbsp;&nbsp;&nbsp;ordinary people can't defeat Gifted.<br>**[07:56] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nevertheless, I'll defeat you...<br>**[07:59] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;because my coworkers think I'm invincible.<br>**[08:06] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Impossible...*<br>**[08:07] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A special ability!*<br>**[08:12] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was certain he wasn't a Gifted...*<br>**[08:17] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So dark...*<br>**[08:18] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What just happened?*<br>**[08:20] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't see anything.*<br>**[08:22] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't breathe!*<br>**[08:24] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Something's choking me!*<br>**[08:27] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No...*<br>**[08:28] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's...*<br>**[08:30] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you kill me?!<br>**[08:32] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yokomizo?!<br>**[08:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What the hell is going on?*<br>**[08:37] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the inn...*<br>**[08:39] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*where Yokomizo was murdered.*<br>**[08:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But how?*<br>**[08:44] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, first...*<br>**[08:46] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I despise you!<br>**[08:47] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I despise you so!<br>**[08:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[08:52] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't it, Yokomizo!<br>**[08:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[09:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't reality.<br>**[09:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reality looks like this.<br>**[09:07] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:09] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the doing of the Guild's Gifted.<br>**[09:11] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're inside Poe's novel.<br>**[09:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[09:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sent out a message instructing him<br>&nbsp;&nbsp;&nbsp;&nbsp;to reproduce the scene of the murder.<br>**[09:21] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:22] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what that text was.<br>**[09:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This isn't it, Yokomizo," you said.<br>**[09:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be well-acquainted<br>&nbsp;&nbsp;&nbsp;&nbsp;with the victim.<br>**[09:32] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think you've caught<br>&nbsp;&nbsp;&nbsp;&nbsp;me with such a measly trap?<br>**[09:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I said before, what you need is evidence.<br>**[09:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;All your suspicions and<br>&nbsp;&nbsp;&nbsp;&nbsp;deductions mean nothing.<br>**[09:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've made a critical mistake.<br>**[09:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mistake?<br>**[09:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yup.<br>**[09:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked up his profile.<br>**[09:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Gifted author's special ability<br>**[09:52] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;is one which allows him to drag one<br>&nbsp;&nbsp;&nbsp;&nbsp;into his own mystery scenario.<br>**[09:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't get out until<br>&nbsp;&nbsp;&nbsp;&nbsp;the mystery is solved.<br>**[09:59] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this mystery is the scene<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Killing of Kindaichi.<br>**[10:02] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, if I declare the facts,<br>**[10:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can immediately return to<br>&nbsp;&nbsp;&nbsp;&nbsp;my car in the real world.<br>**[10:08] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I can't be<br>&nbsp;&nbsp;&nbsp;&nbsp;captured in this space.<br>**[10:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[10:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you won't leave.<br>**[10:17] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you finish hearing me speak,<br>**[10:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll turn yourself in.<br>**[10:26] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;The<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Killing<br>
&nbsp;&nbsp;&nbsp;&nbsp;of<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kindaichi"<br>**[10:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Killing of Kindaichi doesn't work<br>**[10:27] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't<br>
&nbsp;&nbsp;&nbsp;&nbsp;work<br>
&nbsp;&nbsp;&nbsp;&nbsp;if<br>
&nbsp;&nbsp;&nbsp;&nbsp;the<br>
&nbsp;&nbsp;&nbsp;&nbsp;author<br>**[10:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the author reveals the gimmick<br>&nbsp;&nbsp;&nbsp;&nbsp;to anyone other than the murderer.<br>**[10:29] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;reveals<br>
&nbsp;&nbsp;&nbsp;&nbsp;the<br>
&nbsp;&nbsp;&nbsp;&nbsp;gimmick<br>
&nbsp;&nbsp;&nbsp;&nbsp;to<br>
&nbsp;&nbsp;&nbsp;&nbsp;anyone<br>**[10:30] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;other<br>
&nbsp;&nbsp;&nbsp;&nbsp;than<br>
&nbsp;&nbsp;&nbsp;&nbsp;the<br>
&nbsp;&nbsp;&nbsp;&nbsp;murderer.<br>**[10:33] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;had to have been unique.<br>**[10:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why, at one point, I'd deduced<br>&nbsp;&nbsp;&nbsp;&nbsp;that the motive was a personal grudge.<br>**[10:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is worse.<br>**[10:44] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To leave your escape as an afterthought to<br>&nbsp;&nbsp;&nbsp;&nbsp;the murder is practically self-destruction.<br>**[10:49] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only two motivations one could<br>&nbsp;&nbsp;&nbsp;&nbsp;have for driving a person to self-destruction.<br>**[10:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Insanity and duty.<br>**[10:56] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your pick, Yokomizo.<br>**[10:58] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stabbing, poisoning, strangling or beating.<br>**[11:02] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you want it done?<br>**[11:04] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have to say stabbing.<br>**[11:06] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poisoning would require the reader<br>&nbsp;&nbsp;&nbsp;&nbsp;to have a knowledge of chemistry.<br>**[11:10] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't be fair.<br>**[11:11] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You filthy hack.<br>**[11:14] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's talking about your new novel.<br>**[11:17] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking about how I'm killing you.<br>**[11:19] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Sheesh.<br>**[11:20] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but seriously, give me some murder ideas.<br>**[11:24] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to make<br>&nbsp;&nbsp;&nbsp;&nbsp;my deadline this month.<br>**[11:26] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go again.<br>**[11:28] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery novels are just insider games that<br>&nbsp;&nbsp;&nbsp;&nbsp;happen to be bound by external rules.<br>**[11:33] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dying messages, gimmicks, enclosed spaces...<br>**[11:36] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're completely detached from reality.<br>**[11:38] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want puzzles, go solve some<br>&nbsp;&nbsp;&nbsp;&nbsp;math equations or something.<br>**[11:41] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your distaste for mystery novels hasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;changed since we were in school.<br>**[11:46] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault I hate them.<br>**[11:49] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get what you're saying, though.<br>**[11:51] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meta-mysteries, anti-mysteries...<br>**[11:54] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how unique a mystery<br>&nbsp;&nbsp;&nbsp;&nbsp;you put out into the world,<br>**[11:57] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the next moment, it's just shoved<br>&nbsp;&nbsp;&nbsp;&nbsp;into one category or another.<br>**[12:01] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ultimate mystery can't exist.<br>**[12:06] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. Anyway.<br>**[12:08] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long time since<br>&nbsp;&nbsp;&nbsp;&nbsp; I've gotten to talk shop with you.<br>**[12:11] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't help but spill the beans.<br>**[12:13] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always change the subject<br>&nbsp;&nbsp;&nbsp;&nbsp;at the end of a debate.<br>**[12:17] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder you've never had<br>&nbsp;&nbsp;&nbsp;&nbsp;friends, even at school.<br>**[12:24] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have friends, either.<br>**[12:27] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[12:29] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed him.<br>**[12:31] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I choked him to death with these hands.<br>**[12:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;With bloodlust and madness.<br>**[12:37] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, now what?<br>**[12:39] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The suspect has confessed to his crime.<br>**[12:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing you can...<br>**[12:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never killed him.<br>**[12:46] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the final chapter, the motive was<br>&nbsp;&nbsp;&nbsp;&nbsp;described to be a personal grudge.<br>**[12:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't make sense, does it?<br>**[12:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were the one who'd killed him,<br>**[12:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;not only would you have copied the<br>&nbsp;&nbsp;&nbsp;&nbsp;plot gimmick, but the motive, as well.<br>**[12:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too perfect.<br>**[13:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would practically be a script.<br>**[13:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "Killing of Kindaichi" was a comedy that<br>&nbsp;&nbsp;&nbsp;&nbsp;he both wrote and starred in himself.<br>**[13:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, he killed himself.<br>**[13:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a stupid way it turned out to be.<br>**[13:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it was highly effective.<br>**[13:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even people who don't read mystery novels<br>**[13:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;became obsessed with the case<br>&nbsp;&nbsp;&nbsp;&nbsp;and worked to solve it.<br>**[13:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ultimate, uncategorizable,<br>&nbsp;&nbsp;&nbsp;&nbsp;one-of-a-kind mystery.<br>**[13:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what this is.<br>**[13:27] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A mystery that leaks into the real world"<br>**[13:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mystery that leaks into the real world.<br>**[13:33] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate having regrets.<br>**[13:36] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I've always done things my way.<br>**[13:39] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So far, I'm satisfied with my life.<br>**[13:42] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now I find that I'm on limited time.<br>**[13:47] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your stomach really that messed up?<br>**[13:50] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a malignant tumor in my gut.<br>**[13:52] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a year at best, I was told.<br>**[13:55] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that, I'm going to complete<br>&nbsp;&nbsp;&nbsp;&nbsp;the ultimate mystery novel.<br>**[13:59] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already finished my preparations.<br>**[14:01] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All except the key piece.<br>**[14:04] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what key is that?<br>**[14:07] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murderer.<br>**[14:10] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would all be for nothing if it gets out<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'd done this myself prematurely.<br>**[14:13] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To avoid that, I need a real-life murderer<br>&nbsp;&nbsp;&nbsp;&nbsp;who has actual motives and intent.<br>**[14:21] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to be that person.<br>**[14:33] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo!<br>**[14:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You nailed it, detective!<br>**[14:37] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am indeed the role of<br>&nbsp;&nbsp;&nbsp;&nbsp;the unhinged murderer!<br>**[14:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I agreed!<br>**[14:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd get to kill the man I despised!<br>**[14:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of that, I get the money<br>&nbsp;&nbsp;&nbsp;&nbsp;for selling the manuscript.<br>**[14:52] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would I ever refuse?!<br>**[14:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed him!<br>**[14:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why did you hide this<br>&nbsp;&nbsp;&nbsp;&nbsp;page of the manuscript?<br>**[15:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of the words are smudged,<br>&nbsp;&nbsp;&nbsp;&nbsp; including the word "End."<br>**[15:05] [SONG] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;End<br>**[15:06] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must have occurred after<br>&nbsp;&nbsp;&nbsp;&nbsp;the manuscript was completed.<br>**[15:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who made the smudges, and when?<br>**[15:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stain happened during<br>&nbsp;&nbsp;&nbsp;&nbsp;the crime or right after.<br>**[15:16] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smudges marked the page in the<br>&nbsp;&nbsp;&nbsp;&nbsp;reverse order in which it was completed.<br>**[15:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, it was with the<br>&nbsp;&nbsp;&nbsp;&nbsp;final page placed on top.<br>**[15:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you think of it that way,<br>&nbsp;&nbsp;&nbsp;&nbsp;everything makes sense.<br>**[15:25] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop.<br>**[15:27] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The source of water at the scene of the crime,<br>**[15:31] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the reason the attacker frantically tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to replace the original with a copy...<br>**[15:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you put it all together,<br>&nbsp;&nbsp;&nbsp;&nbsp;there can only be one explanation.<br>**[15:47] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you... Mushi-kun...<br>**[15:51] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;For taking this on...<br>**[15:55] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You truly... are my only...<br>**[16:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tears.<br>**[16:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The perpetrator was crying<br>&nbsp;&nbsp;&nbsp;&nbsp;as he strangled the victim.<br>**[16:12] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if it wasn't motivated<br>&nbsp;&nbsp;&nbsp;&nbsp;by a personal grudge,<br>**[16:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the assumptions about the<br>&nbsp;&nbsp;&nbsp;&nbsp;gimmick get turned over.<br>**[16:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the victim was an accomplice to the crime,<br>**[16:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the very act of solving<br>&nbsp;&nbsp;&nbsp;&nbsp;the crime is pointless.<br>**[16:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't even a mystery,<br>&nbsp;&nbsp;&nbsp;&nbsp;let alone the ultimate one.<br>**[16:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You realized as much just before<br>&nbsp;&nbsp;&nbsp;&nbsp;you delivered the manuscript.<br>**[16:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you replaced it with a photocopy.<br>**[16:33] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To fulfill your friend's final wish.<br>**[16:37] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no proof.<br>**[16:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[16:40] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forensics could have determined<br>&nbsp;&nbsp;&nbsp;&nbsp;that they were tears,<br>**[16:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they couldn't determine whose they were.<br>**[16:46] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, it's enough to publicize the<br>&nbsp;&nbsp;&nbsp;&nbsp;truth behind this manuscript.<br>**[16:52] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It might have been a suicide.<br>&nbsp;&nbsp;&nbsp;&nbsp;It might have been a farce."<br>**[16:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It might be pointless to try to solve it."<br>**[16:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon the readers start to think that way,<br>**[17:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the value of taking on<br>&nbsp;&nbsp;&nbsp;&nbsp;the challenge plummets,<br>**[17:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your friend's final wish will be muddied.<br>**[17:09] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency was<br>&nbsp;&nbsp;&nbsp;&nbsp;once defeated by Fyodor.<br>**[17:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't be defeated again.<br>**[17:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you hurt anyone in the Agency.<br>**[17:17] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is this?*<br>**[17:18] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that end, I memorized and assimilated...<br>**[17:22] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the demon himself!<br>**[17:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't turn yourself in,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go public with that hypothesis.<br>**[17:28] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't detective work.<br>**[17:30] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a demonic mind control<br>&nbsp;&nbsp;&nbsp;&nbsp;invading your mind.<br>**[17:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My new weapon for killing Detective killers!<br>**[17:47] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[17:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't allow that.<br>**[17:53] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't make it public.<br>**[17:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I despise Yokomizo.<br>**[17:59] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not possible that I don't.<br>**[18:04] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll turn myself in.<br>**[18:10] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:11] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:12] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[18:15] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have evidence that grenades<br>**[18:17] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the type used by the Detective Agency<br>&nbsp;&nbsp;&nbsp;&nbsp;were stolen in transport.<br>**[18:21] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes it likely that they were<br>&nbsp;&nbsp;&nbsp;&nbsp;used in the murder of the girl.<br>**[18:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He released his special ability.<br>**[18:27] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunikida will be released.<br>**[18:29] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun.<br>**[18:31] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the dummy corpse...<br>**[18:34] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't any biological activity<br>&nbsp;&nbsp;&nbsp;&nbsp;detected in the wound on his face.<br>**[18:37] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[18:38] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just threw a corpse that Fyodor gave him.<br>**[18:42] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt he's ever killed anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;other than the mystery novelist.<br>**[18:47] Poe**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun?<br>**[18:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to bother throwing it out.<br>**[18:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have it.<br>**[18:57] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[18:59] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;An employee ID?<br>**[19:01] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That company is a front for an<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-government organization.<br>**[19:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gifted Special Ops Division<br>&nbsp;&nbsp;&nbsp;&nbsp;agent working undercover there<br>**[19:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;is about to have their cover blown.<br>**[19:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go help them.<br>**[19:13] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you asking me?<br>**[19:15] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That agent is also in charge<br>&nbsp;&nbsp;&nbsp;&nbsp;of hiring at the Division.<br>**[19:20] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't care less what<br>&nbsp;&nbsp;&nbsp;&nbsp;happens to the agent,<br>**[19:24] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if they learn about your powerful ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll be obliged to hire you.<br>**[19:29] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go show them what you can do.<br>**[19:31] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-kun...<br>**[19:33] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you...<br>**[19:34] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promised, didn't I?<br>**[19:36] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I'd help you find work<br>&nbsp;&nbsp;&nbsp;&nbsp;if you ever needed it.<br>**[19:41] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushi-kun, I bet you'd laugh at me<br>**[19:45] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;for trying to master mystery novels,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it means sacrificing myself.<br>**[19:50] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when you start going down that path,<br>**[19:53] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you realize there really is nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;whose value is immutable.<br>**[19:57] Minoura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where'd my lighter go?<br>**[19:59] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, it's up to you to choose.<br>**[20:02] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Choose what you consider<br>&nbsp;&nbsp;&nbsp;&nbsp;valuable in your life.<br>**[20:06] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, the greatest luxury<br>&nbsp;&nbsp;&nbsp;&nbsp;afforded to a human being<br>**[20:10] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the right to make the<br>&nbsp;&nbsp;&nbsp;&nbsp;world itself their choice.<br>**[20:23] Cop A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...<br>**[20:25] Cop A**<br>&nbsp;&nbsp;&nbsp;&nbsp;An accident?<br>**[20:31] Cop A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it an accident?<br>**[20:32] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a murder.<br>**[20:34] Cop A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's the victim?<br>**[20:35] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You.<br>**[20:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A gun just appeared out of thin air!*<br>**[20:49] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then...<br>**[20:50] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quiz time!<br>**[20:56] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who might I be?<br>**[21:00] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[21:01] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name's Nikolai, you say?<br>**[21:03] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[21:06] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next question!<br>**[21:08] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I here?<br>**[21:11] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hint: Cleanup duty.<br>**[21:14] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops, I gave away the answer!<br>**[21:16] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cleanup duty?<br>**[21:17] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[21:19] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;My duty is to get rid of those<br>&nbsp;&nbsp;&nbsp;&nbsp;who know of our next project.<br>**[21:24] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;A quiz is no fun if someone gives<br>&nbsp;&nbsp;&nbsp;&nbsp;away the answer, after all.<br>**[21:30] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our"?<br>**[21:32] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're with Fyodor!<br>**[21:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed!<br>**[21:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are the Decay of the Angels!<br>**[21:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terrorists lurking in this land!<br>**[21:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The five angels, here to tell<br>&nbsp;&nbsp;&nbsp;&nbsp;of the end of the gods' world!<br>**[21:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Rampo-kun!*<br>**[21:49] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Listen up!*<br>**[21:50] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency is about*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to get a huge job offer!*<br>**[21:52] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't accept it!*<br>**[21:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you do, it'll be the end of the Agency!*<br>**[21:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You hear me?*<br>**[21:57] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't you dare accept—*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tragic Sunday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 43
<br>

# 43 - Tragic Sunday

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Since the cannibalism incident...
<br>**[00:00] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;In recognition of the Armed Detective Agency's<br>&nbsp;&nbsp;&nbsp;&nbsp; considerable contributions<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;One month has passed.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Futsuma Shikyu Award Ceremony
<br>**[00:07] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the safety of the city and people of<br>&nbsp;&nbsp;&nbsp;&nbsp;Yokohama during the White Whale Incident,<br>**[00:12] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;we award the Futsuma Shikyu Award.<br>**[00:20] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Agency is the pride of our nation.<br>**[00:24] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has a private company ever been<br>&nbsp;&nbsp;&nbsp;&nbsp;awarded the Shikyu Award?<br>**[00:28] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easy to see why.<br>**[00:30] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;They captured Pushkin and Fyodor after<br>&nbsp;&nbsp;&nbsp;&nbsp;the European authorities failed to do so.<br>**[00:35] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumor has it that the<br>&nbsp;&nbsp;&nbsp;&nbsp; Detective Agency's been tapped<br>**[00:38] Man B**<br>&nbsp;&nbsp;&nbsp;&nbsp;as special advisers to the<br>&nbsp;&nbsp;&nbsp;&nbsp;municipal police combat squad.<br>**[00:41] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, the Special Investigation<br>&nbsp;&nbsp;&nbsp;&nbsp;Department has fresh mud on its face.<br>**[00:45] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have no reason to be ashamed.<br>**[00:47] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how capable the<br>&nbsp;&nbsp;&nbsp;&nbsp;Armed Detective Agency is.<br>**[00:51] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, hello, Assistant Senior Attorney.<br>**[00:54] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unofficial,<br>**[00:55] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was the Detective Agency that<br>&nbsp;&nbsp;&nbsp;&nbsp;prevented the crash of the whale airship.<br>**[01:00] Man A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impressive.<br>**[01:02] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that, soon enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Armed Detective Agency<br>**[01:04] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be carrying the weight of<br>&nbsp;&nbsp;&nbsp;&nbsp;this nation's center of power.<br>**[02:44] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to stop attacking head-on.<br>**[02:47] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[02:48] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let your power control you.<br>**[02:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's when you're drowning in the<br>&nbsp;&nbsp;&nbsp;&nbsp;tiger's power that you always lose.<br>**[02:54] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it bluntly: the tiger is strong,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're weak.<br>**[03:02] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for work.<br>**[03:03] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[03:05] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A murder society?<br>**[03:07] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:08] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an urgent request from the government.<br>**[03:10] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, here's a photo of the victim.<br>**[03:13] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terrible.<br>**[03:15] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victim was a young diet member.<br>**[03:17] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, the victim had the<br>&nbsp;&nbsp;&nbsp;&nbsp;skin of his upper body torn off<br>**[03:21] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was forced to wear it inside out.<br>**[03:22] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got some interesting taste, doesn't he?<br>**[03:25] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been four such incidents in the<br>&nbsp;&nbsp;&nbsp;&nbsp;past week, perpetrated by the same culprit.<br>**[03:29] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vice commander of the Coast Guard.<br>**[03:31] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killed by a powerful corrosive<br>&nbsp;&nbsp;&nbsp;&nbsp; being poured on his head.<br>**[03:34] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ministry of Defense External Defense,<br>&nbsp;&nbsp;&nbsp;&nbsp;Department Chief Secretary<br>**[03:37] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Injected with high density<br>&nbsp;&nbsp;&nbsp;&nbsp;air using an air compressor,<br>**[03:41] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;leading to expulsion of all blood<br>&nbsp;&nbsp;&nbsp;&nbsp;from his pores and subsequent death.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;kill me
<br>**[03:44] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lastly, a top military envoy.<br>**[03:47] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;An intensely pain-inducing plant from<br>&nbsp;&nbsp;&nbsp;&nbsp; South America, known as the suicide weed,<br>**[03:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;was implanted in his armpit.<br>&nbsp;&nbsp;&nbsp;&nbsp;He was then locked in a room.<br>**[03:53] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;He slammed his own head against the wall,<br>&nbsp;&nbsp;&nbsp;&nbsp;causing cerebral contusion and death.<br>**[03:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha...<br>**[03:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Decay of Angels.<br>**[04:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a message from the murderer.<br>**[04:01] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Decay of Angels?<br>**[04:04] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Decay of Angels...<br>**[04:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;refers to the five signs that angels, at the<br>&nbsp;&nbsp;&nbsp;&nbsp;pinnacle of the sixth path of existence,<br>**[04:09] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;exhibit before their death.<br>**[04:12] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;President.<br>**[04:13] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robe becomes stained with grime and oils.<br>**[04:17] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The crown wilts and rots.<br>**[04:20] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The body becomes dirty and odorous.<br>**[04:24] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweat pours out of the armpits.<br>**[04:28] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is a serial murder making<br>&nbsp;&nbsp;&nbsp;&nbsp; a deliberate display of brutality?<br>**[04:32] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second.<br>**[04:33] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have only been four murders.<br>**[04:35] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the five omens,<br>&nbsp;&nbsp;&nbsp;&nbsp;dissatisfaction and apathy remain.<br>**[04:38] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, there's going to be one more murder.<br>**[04:40] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will not.<br>**[04:42] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will stop it before it happens.<br>**[04:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will all commit to putting<br>&nbsp;&nbsp;&nbsp;&nbsp;an end to this villain's scheme.<br>**[04:48] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I disagree.<br>**[04:51] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo. Your reason?<br>**[04:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My friend gave me a warning.<br>**[04:54] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency is about<br>&nbsp;&nbsp;&nbsp;&nbsp; to get a huge job offer!<br>**[04:57] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't accept it!<br>**[04:58] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do, it'll be the end of the Agency!<br>**[05:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm turning down this job.<br>**[05:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you seen the<br>&nbsp;&nbsp;&nbsp;&nbsp;Futsuma Shikyu Award in my office?<br>**[05:09] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the honor of the century for<br>&nbsp;&nbsp;&nbsp;&nbsp;those of us who protect people.<br>**[05:13] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're telling me to take the<br>&nbsp;&nbsp;&nbsp;&nbsp;job because we got a bow?<br>**[05:15] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[05:17] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is just a piece of wood.<br>**[05:20] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awards and accolades are<br>&nbsp;&nbsp;&nbsp;&nbsp;no more than set dressing.<br>**[05:24] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we were honorless<br>&nbsp;&nbsp;&nbsp;&nbsp;thieves in a basement,<br>**[05:27] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;we would risk our lives to stop this murder.<br>**[05:31] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do what you want, then.<br>**[05:33] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-san!<br>**[05:34] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't stop him, Kunikida.<br>**[05:36] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Agency will pursue the murderer.<br>**[05:38] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Rampo will pursue the facts<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the Agency's coming demise.<br>**[05:43] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dual investigation.<br>**[05:44] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo knows full-well that's<br>&nbsp;&nbsp;&nbsp;&nbsp;the most optimal solution.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 43
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tragic Sunday
<br>**[05:50] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apathy and dissatisfaction<br>&nbsp;&nbsp;&nbsp;&nbsp;with one's position...<br>**[05:58] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[05:59] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is Sakaguchi of the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Special Operations Division.*<br>**[06:01] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have been unable to contact Dazai-kun.<br>**[06:04] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you happen to know his whereabouts?<br>**[06:06] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No.*<br>**[06:07] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then please convey a message to the Agency<br>&nbsp;&nbsp;&nbsp;&nbsp;staff regarding the serial murder victims:<br>**[06:13] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is evidence that the victims'<br>&nbsp;&nbsp;&nbsp;&nbsp;bodyguard rosters and itineraries<br>**[06:16] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;were tampered with and<br>&nbsp;&nbsp;&nbsp;&nbsp; modified by government figures.<br>**[06:21] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It may be that the Decay of Angels is the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;alternate identity of a government body.*<br>**[06:27] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please be careful.*<br>**[06:30] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there.<br>**[06:32] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're from the Department of Justice.<br>**[06:34] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate your hard work.<br>**[06:36] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a newcomer at the<br>&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency, aren't you?<br>**[06:38] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's the investigation coming?<br>**[06:41] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going through the entire list<br>&nbsp;&nbsp;&nbsp;&nbsp; of dangerous Gifted, but nothing yet.<br>**[06:45] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who were you on the phone with?<br>**[06:47] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that was...<br>**[06:49] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's evidence they were tampered<br>&nbsp;&nbsp;&nbsp;&nbsp;with by government figures.<br>**[06:56] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I was just asked to<br>&nbsp;&nbsp;&nbsp;&nbsp;run a few more errands.<br>**[06:59] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind me.<br>**[07:01] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brings you here, sir?<br>**[07:03] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I just happened to spot you as I was<br>&nbsp;&nbsp;&nbsp;&nbsp;enjoying coffee at the shop over there.<br>**[07:09] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can use my tiger's sense of smell.*<br>**[07:15] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't smell coffee.*<br>**[07:18] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[07:19] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing at all!<br>**[07:21] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I have to go feed the<br>&nbsp;&nbsp;&nbsp;&nbsp;boss's chameleon and stuff.<br>**[07:24] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me!<br>**[07:28] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine.<br>**[07:30] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Armed Detective Agency's<br>&nbsp;&nbsp;&nbsp;&nbsp;doom today is already decided.<br>**[07:42] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which horse came in first?<br>**[07:46] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I see. He's blind.*<br>**[07:49] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number Nine.<br>**[07:50] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[07:52] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won, didn't you?<br>**[07:53] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, can you tell?<br>**[07:55] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:56] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your sweat, body temperature,<br>&nbsp;&nbsp;&nbsp;&nbsp;the sound of your muscles...<br>**[07:59] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more that I can see,<br>&nbsp;&nbsp;&nbsp;&nbsp;now that I've lost my sight.<br>**[08:03] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can even predict your fate tomorrow.<br>**[08:07] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't have a tomorrow,<br>**[08:09] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;former Port Mafia Executive, Dazai Osamu.<br>**[08:12] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;138 counts of aggravated murder.<br>**[08:15] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;312 counts of intimidation.<br>**[08:17] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;A total of 625 charges, including fraud<br>&nbsp;&nbsp;&nbsp;&nbsp;and more, for which I'm arresting you.<br>**[08:21] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, the Hunting Dogs have arrested<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the members of the Agency.<br>**[08:25] Agent A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[08:26] Agent B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally.<br>**[08:27] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheltering the murderer of 35.<br>**[08:29] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Association with the Mafia.<br>**[08:31] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The female doctor is suspected<br>&nbsp;&nbsp;&nbsp;&nbsp;of murdering a patient<br>**[08:33] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;during her time as a combat medic.<br>**[08:35] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall expose them for these crimes<br>&nbsp;&nbsp;&nbsp;&nbsp;and dismantle the Detective Agency.<br>**[08:38] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the moment our<br>&nbsp;&nbsp;&nbsp;&nbsp;organization has waited for.<br>**[08:46] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonan-sensei.<br>**[08:48] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gathered the documents.<br>**[08:51] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orders sent to Fukuzawa for the assassination<br>**[08:53] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;of pro-war individuals at the end of the war.<br>**[08:56] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Armed Detective Agency won't<br>&nbsp;&nbsp;&nbsp;&nbsp;survive the publication of this information.<br>**[09:00] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the list of targets for assassination?<br>**[09:02] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Top <br>
&nbsp;&nbsp;&nbsp;&nbsp;Secret
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<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Key Figures
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<br>**[09:10] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Father...*<br>**[09:11] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can finally avenge you.*<br>**[09:15] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must thank the providers<br>&nbsp;&nbsp;&nbsp;&nbsp;of this information.<br>**[09:18] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, it's still unclear how they<br>&nbsp;&nbsp;&nbsp;&nbsp;managed to get it.<br>**[09:23] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ought to meet with them in person.<br>**[09:25] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already arranged for an interview.<br>**[09:28] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[09:29] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;When?<br>**[09:30] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now.<br>**[09:39] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all you've done for<br>&nbsp;&nbsp;&nbsp;&nbsp;me these past six months, sir.<br>**[09:43] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then, quiz time!<br>**[09:44] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't I kill you just now?<br>**[09:49] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is: because you're going to hate<br>**[09:51] Secretary (Nikolai)**<br>&nbsp;&nbsp;&nbsp;&nbsp;going back to your own<br>&nbsp;&nbsp;&nbsp;&nbsp;station before you die!<br>**[09:56] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got me.<br>**[09:58] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I was being tracked,<br>**[10:00] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I guess hiding in a crowd was<br>&nbsp;&nbsp;&nbsp;&nbsp; no use against the Hunting Dogs.<br>**[10:04] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to take me out<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the whole crowd.<br>**[10:07] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hear your rage.<br>**[10:09] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon it'll turn into fear of your punishment.<br>**[10:13] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait for that moment.<br>**[10:15] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to get along great.<br>**[10:18] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just tell me one thing:<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you come arrest me now?<br>**[10:23] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fingerprints, recordings, photos...<br>**[10:26] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;All manner of evidence suddenly reemerged,<br>**[10:30] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;as though a switch had just been thrown.<br>**[10:37] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was about my special<br>&nbsp;&nbsp;&nbsp;&nbsp;ability from the beginning.<br>**[10:40] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted to reverse a perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;murder and restore guilt.<br>**[10:46] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you lured me in.<br>**[10:49] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Huy!*<br>**[10:50] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's upsy-daisy!*<br>**[10:52] Nikolai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So, Armed Detective Agency, I'm going*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to give you four pieces of information.*<br>**[10:57] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*First!*<br>**[10:59] Nikolai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I restrained government*<br>*&nbsp;&nbsp;&nbsp;&nbsp;bigwigs with fun machines.*<br>**[11:02] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the chainsaw human disassembly show!*<br>**[11:05] Nikolai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As soon as the time comes,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he'll be cut clean into two!*<br>**[11:08] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dissatisfaction and apathy.<br>**[11:09] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Second!*<br>**[11:11] Nikolai**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If someone who isn't a member*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the Detective Agency comes in,*<br>**[11:13] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the chainsaw will activate automatically.*<br>**[11:16] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Third!*<br>**[11:17] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The chainsaw will activate at exactly 6 PM.*<br>**[11:20] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And fourth...*<br>**[11:24] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dammit!*<br>**[11:25] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just realized there isn't a fourth!*<br>**[11:27] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, no!*<br>**[11:29] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You!*<br>**[11:30] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Any ideas?*<br>**[11:31] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crap, this is an on-air oopsie!*<br>**[11:33] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Stop the camera!*<br>**[11:34] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The camera!*<br>**[11:37] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirty more minutes.<br>**[11:39] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[11:41] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful.<br>**[11:43] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given he's demanding that an<br>&nbsp;&nbsp;&nbsp;&nbsp; Agency member enters first,<br>**[11:46] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd be crazy not to suspect a trap.<br>**[11:49] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do you have any idea what they're after?*<br>**[11:53] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got this.<br>**[11:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm standing in front of the clue right now.<br>**[12:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I smell blood.<br>**[12:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief Taneda!<br>**[12:11] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa's detective kid...<br>**[12:17] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what Decay of Angels is after.<br>**[12:23] (Flashback) Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll take at least ten minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;for all of us to arrive.<br>**[12:27] (Flashback) Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are to go in first and<br>&nbsp;&nbsp;&nbsp;&nbsp; stop the timer device.<br>**[12:32] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It might be dangerous to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;charge in from the front.*<br>**[12:35] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think I'll have to use the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;underground escape route.*<br>**[12:46] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're even more nimble<br>&nbsp;&nbsp;&nbsp;&nbsp;than you're rumored to be,<br>**[12:50] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tiger boy.<br>**[12:52] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Nikolai!<br>**[12:55] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okies, it's quiz time!<br>**[12:57] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is my special ability?<br>**[13:00] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The hand he has in his cape*<br>*&nbsp;&nbsp;&nbsp;&nbsp;shows up elsewhere in space.*<br>**[13:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A matter teleportation ability?<br>**[13:06] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo!<br>**[13:08] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;My special ability lets me connect my cape<br>&nbsp;&nbsp;&nbsp;&nbsp;with a point somewhere else in space.<br>**[13:12] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a range of roughly 30 meters.<br>**[13:15] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So, even if I hide, he'll still shoot me.*<br>**[13:17] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine!<br>**[13:18] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yipes.<br>**[13:23] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tiger fangs!<br>**[13:24] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're mine!<br>**[13:31] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went and dropped a utility<br>&nbsp;&nbsp;&nbsp;&nbsp;pole from the surface.<br>**[13:37] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Decay of Angels is a criminal<br>&nbsp;&nbsp;&nbsp;&nbsp;organization comprised of five people.<br>**[13:42] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jester Nikolai.<br>**[13:43] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Demon Fyodor.<br>**[13:45] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And three more special rank,<br>&nbsp;&nbsp;&nbsp;&nbsp;dangerous Gifted.<br>**[13:49] (Flashback) Mitamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll wipe out all the Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;rotting this country's foundations.<br>**[13:54] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:56] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;V is an organization of Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;brought together to drive out Gifted.<br>**[14:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*V as in *five*.*<br>**[14:03] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The five death omens of an angel!*<br>**[14:06] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one of them has the ability to exchange<br>&nbsp;&nbsp;&nbsp;&nbsp;information that the others want.<br>**[14:12] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's who wounded me.<br>**[14:14] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then...<br>**[14:15] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They stole information.<br>**[14:17] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here.<br>**[14:20] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned what their goal is.<br>**[14:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to contact the<br>&nbsp;&nbsp;&nbsp;&nbsp;Special Operations Division.<br>**[14:26] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need a doctor.<br>**[14:26] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me!<br>**[14:28] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've used my memories to<br>&nbsp;&nbsp;&nbsp;&nbsp;steal a page from a book.<br>**[14:32] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A page?<br>**[14:34] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;A blank novel that makes anything<br>&nbsp;&nbsp;&nbsp;&nbsp;written in it become reality.<br>**[14:38] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a page from that book,<br>&nbsp;&nbsp;&nbsp;&nbsp;torn out to use for research.<br>**[14:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His special ability is strong.*<br>**[14:49] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I'll just go ahead and restrain you.<br>**[14:57] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not just powerful in combat.*<br>**[14:59] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This ability could be used for raids,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;burglary, eavesdropping, abduction...*<br>**[15:03] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He could do anything.*<br>**[15:05] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's the one who killed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the government officials!*<br>**[15:10] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[15:12] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you kill people?<br>**[15:13] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so horribly?<br>**[15:17] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four I killed asked<br>&nbsp;&nbsp;&nbsp;&nbsp;me that same question.<br>**[15:21] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I have two answers.<br>**[15:24] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first one: because it's fun!<br>**[15:29] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's so damn fun<br>&nbsp;&nbsp;&nbsp;&nbsp;and gets me so excited!<br>**[15:33] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like a plausible answer, doesn't it?<br>**[15:36] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're killed by a monster<br>&nbsp;&nbsp;&nbsp;&nbsp;without a speck of humanity.<br>**[15:39] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an injustice,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's easy to understand.<br>**[15:40] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can die with a sense of closure.<br>**[15:43] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you aren't a monster's victim<br>&nbsp;&nbsp;&nbsp;&nbsp; when I murder you.<br>**[15:46] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'll tell you the second, real reason.<br>**[15:51] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm perfectly sane.<br>**[15:54] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand how evil killing is and<br>&nbsp;&nbsp;&nbsp;&nbsp; feel as much guilt as anyone.<br>**[16:00] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like birds?<br>**[16:03] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love them.<br>**[16:05] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They fly, unbound whatsoever<br>&nbsp;&nbsp;&nbsp;&nbsp;by gravity. Total freedom.<br>**[16:09] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my wish.<br>**[16:11] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I joined Decay of Angels.<br>**[16:14] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;The page stolen by Decay of Angels<br>**[16:18] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;has the same power as the book itself.<br>**[16:22] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's a rule to using the book.<br>**[16:25] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's written in it must have the<br>&nbsp;&nbsp;&nbsp;&nbsp;causal consistency of a novel.<br>**[16:31] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason, a narrative-like<br>&nbsp;&nbsp;&nbsp;&nbsp;logical consistency<br>**[16:34] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;is required for it to be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to overwrite reality.<br>**[16:38] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must have been how it was created,<br>&nbsp;&nbsp;&nbsp;&nbsp;by whomever it was that had such an ability.<br>**[16:42] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I suppose, since you can't just write<br>**[16:46] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One day, humanity was doomed" and expect<br>&nbsp;&nbsp;&nbsp;&nbsp;it to come true, it's a good rule.<br>**[16:50] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief Taneda!<br>**[16:52] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abandon the mission and run.<br>**[16:55] Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;They intend to use the Agency<br>&nbsp;&nbsp;&nbsp;&nbsp;as the catalyst of doom.<br>**[17:00] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The freedom of a bird?<br>**[17:02] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you kill for?<br>**[17:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it at all!<br>**[17:06] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you don't.<br>**[17:07] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, Fyodor-kun was<br>&nbsp;&nbsp;&nbsp;&nbsp;the only one who did.<br>**[17:11] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next question!<br>**[17:14] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did I start lying in what I just said?<br>**[17:19] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I fool you?<br>**[17:21] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't lend your ear to a jester!<br>**[17:24] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be able to sleep at night.<br>**[17:26] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now...<br>**[17:27] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have your leg back.<br>**[17:30] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My leg's stuck in the ground!*<br>**[17:32] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't get it out!*<br>**[17:33] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;And thus ends the show.<br>**[17:35] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you'll visit again.<br>**[17:40] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[17:45] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time?<br>**[17:47] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five more minutes.<br>**[17:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Military police...<br>**[17:51] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone besides the Detective Agency<br>&nbsp;&nbsp;&nbsp;&nbsp;enters, the hostages die.<br>**[17:55] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenji, stop the military police.<br>**[17:57] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[17:58] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of you, follow me.<br>**[18:04] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, sir.<br>**[18:05] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost time to say<br>&nbsp;&nbsp;&nbsp;&nbsp;bye-bye to your lower half.<br>**[18:08] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you feel?<br>**[18:09] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[18:11] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;In recognition of your strong sense<br>&nbsp;&nbsp;&nbsp;&nbsp;of justice, I'll let you free!<br>**[18:16] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use this to call for help.<br>**[18:19] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lousy scum...<br>**[18:21] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The justice system will destroy you all!<br>**[18:26] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I envy you.<br>**[18:29] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Birds born in a cage don't<br>&nbsp;&nbsp;&nbsp;&nbsp;realize they're prisoners.<br>**[18:33] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The prison is here.<br>**[18:35] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your skull.<br>**[18:37] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't escape.<br>**[18:41] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not from this warm, moist hell.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Not from this warm,  moist hell," he says.
<br>**[18:49] Squad Member A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Headquarters, sniper team here.<br>**[18:51] Squad Member A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Targets sighted through the window.<br>**[18:53] Squad Member A**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the targets' faces<br>&nbsp;&nbsp;&nbsp;&nbsp;are obscured by white hoods.<br>**[18:57] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The white hoods are the Decay of Angels.<br>**[19:00] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait for our signal to fire.<br>**[19:01] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rescue squad, your status?<br>**[19:03] Rescue Squad Member**<br>&nbsp;&nbsp;&nbsp;&nbsp;An unidentified Gifted flipped<br>&nbsp;&nbsp;&nbsp;&nbsp;our armored vehicle over!<br>**[19:07] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:09] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[19:10] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell intel to pull up<br>&nbsp;&nbsp;&nbsp;&nbsp;the Gifted immediately!<br>**[19:16] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant, your thoughts?<br>**[19:18] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hostages are all general<br>&nbsp;&nbsp;&nbsp;&nbsp;manager-level dignitaries.<br>**[19:22] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be true...<br>**[19:25] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Decay of Angels<br>&nbsp;&nbsp;&nbsp;&nbsp;are government agents.<br>**[19:29] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, it would be dangerous<br>&nbsp;&nbsp;&nbsp;&nbsp;to collaborate with other agencies.<br>**[19:34] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Demand that they finish<br>&nbsp;&nbsp;&nbsp;&nbsp;determining the subject<br>**[19:36] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the hostages' secret meeting faster.<br>**[19:38] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir.<br>**[19:40] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Government traitors...<br>**[19:43] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which arm are Decay of Angels from?<br>**[19:47] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hostages are beyond this door.<br>**[19:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we throw in this sonic grenade.<br>**[19:53] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simultaneously, we use Demon Snow<br>**[19:55] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;to decapitate all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;perpetrators from behind.<br>**[19:57] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;A frontal special ability fight<br>&nbsp;&nbsp;&nbsp;&nbsp;would lead to the hostages' deaths.<br>**[20:02] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no other way.<br>**[20:06] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[20:07] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Press the start button.<br>**[20:09] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't!<br>**[20:10] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a few more minutes until six!<br>**[20:12] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we're right on time.<br>**[20:15] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also...<br>**[20:16] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, take off your hoods.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Take off your hoods,"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;said the young man.
<br>**[20:23] Squad Member A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Targets are removing their hoods!<br>**[20:24] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll see the perpetrators' faces!<br>**[20:26] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't miss them!<br>**[20:32] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dive!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Under the white hoods
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;were their faces...
<br>**[20:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?<br>**[20:53] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the hostage room.<br>**[20:56] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible...<br>**[20:57] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't opened the door.<br>**[20:59] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the start button?<br>**[21:00] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pressing it?<br>**[21:02] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[21:05] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the murderer.<br>**[21:07] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you tied up?<br>**[21:09] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my escape.<br>**[21:11] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the biological brainwashing<br>&nbsp;&nbsp;&nbsp;&nbsp;that we call morality.<br>**[21:14] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hear me!<br>**[21:15] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;My scream of free will!<br>**[21:22] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me!<br>**[21:23] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me, please!<br>**[21:25] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Tonan!<br>**[21:26] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Call for help!<br>**[21:27] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The perpetrator's identity!<br>**[21:32] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know who the perpetrator is.<br>**[21:35] Squad Member A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The hostages are being cut in half!*<br>**[21:37] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have permission to fire!<br>**[21:38] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain!<br>**[21:39] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've learned that the subject of the meeting<br>**[21:41] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the publication of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency's criminal acts.<br>**[21:55] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kunikida, get out of there!*<br>**[21:57] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apathy and dissatisfaction<br>&nbsp;&nbsp;&nbsp;&nbsp;with one's own station...<br>**[22:00] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about the Detective Agency!<br>**[22:02] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Decay of Angels...<br>**[22:04] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the Armed Detective Agency!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 44
<br>

# 44 - Dogs Hunt Dogs

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thus, I am certain.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The murderer was...
<br>**[00:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A security camera?*<br>**[00:10] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It wasn't here until a few seconds ago.*<br>**[00:11] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Reality manipulation.*<br>**[00:21] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Without a doubt.*<br>**[00:23] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The power of the page.*<br>**[00:25] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which means...*<br>**[00:27] Rampo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The camera's footage must show*<br>*&nbsp;&nbsp;&nbsp;&nbsp;me committing the murderer.*<br>**[00:33] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a warning, suspect!<br>**[00:34] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop your weapon and surrender!<br>**[00:37] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;I repeat!<br>**[00:38] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know who the perpetrator is.<br>**[00:41] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Decay of Angels...<br>**[00:43] Tonan**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the Armed Detective Agency!<br>**[00:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Snipers, Tanizaki!<br>**[00:52] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide us using your ability.<br>**[00:54] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're running!<br>**[00:57] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sniper team has lost the targets.<br>**[00:59] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an illusion ability.<br>**[01:00] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't hide their body heat, though.<br>**[01:03] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units, deploy thermal goggles.<br>**[01:05] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, bullets will not work on the Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;with altered healing and physical strength.<br>**[01:09] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Infiltration squad, equip gas grenades.<br>**[01:12] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the risk of our<br>&nbsp;&nbsp;&nbsp;&nbsp;communications being intercepted?<br>**[01:15] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Military encryption devices<br>&nbsp;&nbsp;&nbsp;&nbsp;have been issued.<br>**[01:17] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[01:17] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;A band of murderers disguised as good men...<br>**[01:21] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time of your reckoning has come.<br>**[01:23] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunikida-san!<br>**[01:24] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[01:26] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those snipers must be from the military<br>&nbsp;&nbsp;&nbsp;&nbsp;police's counterterrorism team,<br>**[01:29] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;which means they must have<br>&nbsp;&nbsp;&nbsp;&nbsp;us surrounded by now.<br>**[01:32] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's surrender.<br>**[01:34] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're innocent.<br>**[01:35] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's no use.*<br>**[01:37] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-san! You're safe!<br>**[01:39] Rampo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Chief Taneda has received treatment*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for his bleeding. He's on the run.*<br>**[01:42] Rampo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He may testify on our behalf*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if he regains consciousness,*<br>**[01:47] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I don't have much hope that he will.*<br>**[01:49] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[01:50] Rampo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is the work of the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;reality-altering book.*<br>**[01:54] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief said the book may have been<br>&nbsp;&nbsp;&nbsp;&nbsp;made by Gifted, but I doubt that.<br>**[01:58] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from an even higher<br>&nbsp;&nbsp;&nbsp;&nbsp; power than any Gifted.<br>**[02:02] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Case in point, Mushitaro-kun's<br>&nbsp;&nbsp;&nbsp;&nbsp;reality-altering ability<br>**[02:05] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't able to overwrite people's memories.<br>**[02:08] Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's happening this time.<br>**[02:12] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I definitely have memories of us abducting<br>&nbsp;&nbsp;&nbsp;&nbsp;the hostages and killing them.<br>**[02:21] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, then, if we're caught...<br>**[02:23] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The government has Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;who can read memories.<br>**[02:26] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they investigate us,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll no doubt be sentenced to death.<br>**[02:28] Military Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[02:31] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-san!<br>**[02:40] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[02:42] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not Rampo-san, too...<br>**[02:44] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Rampo-san said about the<br>&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency's demise...<br>**[02:47] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it, isn't it?<br>**[04:20] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Squad A.<br>**[04:21] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've arrived at the target location.<br>**[04:24] Infiltration Squad B**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Squad B.<br>**[04:25] Infiltration Squad B**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've arrived at our point.<br>**[04:27] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Understood.*<br>**[04:28] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Begin!*<br>**[04:35] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knockout gas!<br>**[04:38] Infiltration Squad B**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Gas deployed.*<br>**[04:39] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll lose consciousness a little<br>&nbsp;&nbsp;&nbsp;&nbsp;over ten seconds after inhaling the gas.<br>**[04:42] Captain**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Confirm the targets' heartbeats*<br>*&nbsp;&nbsp;&nbsp;&nbsp;using your heartbeat sensors.*<br>**[04:47] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Headquarters!<br>**[04:48] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;One target's heartbeat is weakened.<br>**[04:50] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other four cannot be confirmed.<br>**[04:53] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[04:54] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're going in.*<br>**[05:00] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Headquarters...<br>**[05:01] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all dead.<br>**[05:03] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit!*<br>**[05:04] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide.<br>**[05:05] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Resuscitate the one with<br>&nbsp;&nbsp;&nbsp;&nbsp;a weak pulse. Quickly!<br>**[05:08] Captain**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I want them to spill the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;details of the crime.*<br>**[05:11] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*C-Captain!*<br>**[05:12] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?*<br>**[05:15] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[05:16] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!<br>**[05:17] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gas should have knocked them all out.<br>**[05:19] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they bleed themselves on purpose<br>&nbsp;&nbsp;&nbsp;&nbsp; to lower their blood pressure<br>**[05:21] Infiltration Squad C**<br>&nbsp;&nbsp;&nbsp;&nbsp;and slow their absorption of the gas?<br>**[05:23] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know?<br>**[05:25] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are still alive for a<br>&nbsp;&nbsp;&nbsp;&nbsp;while after their hearts stop.<br>**[05:28] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;For about two minutes.<br>**[05:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for Detective Agency members,<br>&nbsp;&nbsp;&nbsp;&nbsp; a near-death wound is no wound at all.<br>**[05:32] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Special Ability: Thou Shalt Not Die!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thou Shalt Not Die
<br>**[05:42] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Infiltration team, what's going on?!<br>**[05:44] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Respond!<br>**[05:46] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sounds of infiltration team activity.<br>**[05:48] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems they've all been taken down.<br>**[05:53] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think they'd die just<br>&nbsp;&nbsp;&nbsp;&nbsp;to avoid inhaling gas...<br>**[05:57] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;They couldn't have done it without<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing about our plan of attack.<br>**[06:01] Infiltration Squad A**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how?<br>**[06:02] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything I've seen once,<br>&nbsp;&nbsp;&nbsp;&nbsp; I can reproduce with my notebook.<br>**[06:06] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we've used your encryption devices<br>&nbsp;&nbsp;&nbsp;&nbsp;several times in our joint operations.<br>**[06:13] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use that to call for help.<br>**[06:14] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;With prompt treatment, you'll survive.<br>**[06:19] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;All teams, remove your masks.<br>**[06:22] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given that they're eavesdropping<br>&nbsp;&nbsp;&nbsp;&nbsp;on our communications,<br>**[06:24] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to act on your own discretion.<br>**[06:26] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, where to?<br>**[06:27] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to the frontlines, too.<br>**[06:29] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't allow any more<br>&nbsp;&nbsp;&nbsp;&nbsp;innocent lives to be lost.<br>**[06:32] Radar Operator**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain!<br>**[06:34] Radar Operator**<br>&nbsp;&nbsp;&nbsp;&nbsp;A large warhead is<br>&nbsp;&nbsp;&nbsp;&nbsp;headed in our direction.<br>**[06:36] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[06:37] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy is targeting us directly?!<br>**[07:01] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, this aircraft's great for shoulder pain.<br>**[07:12] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At ease, men.<br>**[07:14] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's your commander?<br>**[07:15] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raise your hands and get on your knees!<br>**[07:17] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you with the Detective Agency?<br>**[07:19] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone colliding with the ground at that<br>&nbsp;&nbsp;&nbsp;&nbsp;speed ought to have been incinerated!<br>**[07:24] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No kidding.<br>**[07:25] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a horrible ride.<br>**[07:27] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't even scratch my own ass.<br>**[07:29] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it.<br>**[07:31] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you...<br>**[07:33] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, did you miscalculate<br>&nbsp;&nbsp;&nbsp;&nbsp;your descent trajectory again?<br>**[07:37] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I fired...<br>**[07:40] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jouno!<br>**[07:41] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were already here.<br>**[07:43] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many times do I have to tell you?<br>**[07:46] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't give our troops<br>&nbsp;&nbsp;&nbsp;&nbsp;a heart attack for no reason.<br>**[07:51] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a ballistic pod<br>&nbsp;&nbsp;&nbsp;&nbsp;for long-range insertion?<br>**[07:54] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means he's the legendary...<br>**[07:57] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;All men, lower your weapons.<br>**[08:00] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;These men are here to back us up.<br>**[08:02] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're from the Military Police's<br>&nbsp;&nbsp;&nbsp;&nbsp; most powerful force,<br>**[08:05] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Hunting Dogs.<br>**[08:07] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The others are here, too.<br>**[08:24] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's open.<br>**[08:25] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! It won't open!<br>**[08:27] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blood!<br>**[08:28] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me blood!<br>**[08:29] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me the guilty's blood<br>&nbsp;&nbsp;&nbsp;&nbsp;and pleas for mercy!<br>**[08:33] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up, or I'll chop off your limbs<br>&nbsp;&nbsp;&nbsp;&nbsp;and use them for my amusement!<br>**[08:35] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our gremlin is angry.<br>**[08:37] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not funny, Captain.<br>**[08:38] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open up!<br>**[08:39] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the vice captain goes on<br>&nbsp;&nbsp;&nbsp;&nbsp;a rampage, we're all dead.<br>**[08:43] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and open it, dammit!<br>**[08:54] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lucky this time, my servants.<br>**[08:57] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;One second more, and I would have chopped up<br>**[09:00] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;your arms and legs<br>&nbsp;&nbsp;&nbsp;&nbsp;for my bonsai projects.<br>**[09:03] Military Police D; E**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a little girl?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Little Girl?
<br>**[09:05] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're as rabid as ever today, Teruko-kun.<br>**[09:08] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you today.<br>**[09:10] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okies, captain!<br>**[09:11] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teruko's going to put her life on<br>&nbsp;&nbsp;&nbsp;&nbsp;the line to be your loyal dog.<br>**[09:16] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're *the* Hunting Dogs?<br>**[09:18] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[09:19] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The elite five-member team comprised of the<br>&nbsp;&nbsp;&nbsp;&nbsp; best of all the forces throughout the country.<br>**[09:23] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The special suppression squad A-Team.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 34 0 l 34 240 l 0 240
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 34 0 l 34 240 l 0 240
<br>**[09:28] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The squad's leader and living<br>&nbsp;&nbsp;&nbsp;&nbsp;legend: Fukuchi Ouchi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuku-<br>
&nbsp;&nbsp;&nbsp;&nbsp;chi<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ouchi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ability:<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mirror<br>
&nbsp;&nbsp;&nbsp;&nbsp;Lion
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 70 0 l 70 250 l 0 250
<br>**[09:34] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blind king, who can<br>&nbsp;&nbsp;&nbsp;&nbsp;comprehend any situation<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jouno <br>
&nbsp;&nbsp;&nbsp;&nbsp;Saigiku
<br>**[09:36] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;with his superhuman senses: Jouno Saigiku.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special<br>
&nbsp;&nbsp;&nbsp;&nbsp; Ability:<br>
&nbsp;&nbsp;&nbsp;&nbsp; Priceless<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tears
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 70 0 l 70 250 l 0 250
<br>**[09:40] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most capable combatant in<br>&nbsp;&nbsp;&nbsp;&nbsp;the squad: Suehiro Tetchou.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suehiro<br>
&nbsp;&nbsp;&nbsp;&nbsp;Tetchou
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special <br>
&nbsp;&nbsp;&nbsp;&nbsp;Ability: <br>
&nbsp;&nbsp;&nbsp;&nbsp;Plum <br>
&nbsp;&nbsp;&nbsp;&nbsp;Blossoms<br>
&nbsp;&nbsp;&nbsp;&nbsp; in the <br>
&nbsp;&nbsp;&nbsp;&nbsp;Snow
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 70 0 l 70 250 l 0 250
<br>**[09:45] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feared by her allies and feared<br>&nbsp;&nbsp;&nbsp;&nbsp;even more by her enemies,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Okura <br>
&nbsp;&nbsp;&nbsp;&nbsp;Teruko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special <br>
&nbsp;&nbsp;&nbsp;&nbsp;Ability: <br>
&nbsp;&nbsp;&nbsp;&nbsp;Gasp <br>
&nbsp;&nbsp;&nbsp;&nbsp;of the<br>
&nbsp;&nbsp;&nbsp;&nbsp; Soul
<br>**[09:47] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;the queen of bloody thorns:<br>&nbsp;&nbsp;&nbsp;&nbsp;Okura Teruko.<br>**[09:51] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are only four here.<br>**[09:54] Lieutenant**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the fifth?<br>**[09:55] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one knows the fifth.<br>**[09:58] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's infiltrating another organization.<br>**[10:00] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the commander on-site, correct?<br>**[10:03] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[10:04] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an honor to meet you, Fukuchi-dono.<br>**[10:07] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave the rest to us.<br>**[10:08] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps have some tea.<br>**[10:10] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such vicious criminals betraying human morals<br>**[10:13] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be shredded by the<br>&nbsp;&nbsp;&nbsp;&nbsp;fangs of the Hunting Dogs.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 44
<br>**[10:19] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks.<br>**[10:21] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do.<br>**[10:28] Military Police E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hands up, Fukuzawa.<br>**[10:29] Military Police E**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're arresting you.<br>**[10:31] Military Police E**<br>&nbsp;&nbsp;&nbsp;&nbsp;You enemy of the state!<br>**[10:33] Military Police E**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the end of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Armed Detective Agency.<br>**[10:40] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have we gained some distance on them?<br>**[10:45] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My phone isn't working.<br>**[10:46] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Radio jamming.<br>**[10:48] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll stop us physically next.<br>**[10:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surveillance satellites, search dogs,<br>&nbsp;&nbsp;&nbsp;&nbsp;roadblocks, military drones...<br>**[10:55] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing the five of us can<br>&nbsp;&nbsp;&nbsp;&nbsp;do with our special abilities.<br>**[10:58] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, the sheer numbers and<br>&nbsp;&nbsp;&nbsp;&nbsp;firepower of organized militaries<br>**[11:02] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;are unbeatable in the modern world.<br>**[11:05] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[11:06] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't be stuck here!<br>**[11:08] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naomi might be getting<br>&nbsp;&nbsp;&nbsp;&nbsp;treated like a criminal!<br>**[11:11] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Criminal... huh?<br>**[11:18] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, it's the ten-year orchard.<br>**[11:22] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was in the village,<br>&nbsp;&nbsp;&nbsp;&nbsp;an orchard we spent ten years raising<br>**[11:26] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;got wiped out overnight in a storm.<br>**[11:30] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;We hadn't even harvested once.<br>**[11:33] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's awful.<br>**[11:35] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think we did?<br>**[11:37] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were dumbfounded,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then we laughed for a while,<br>**[11:41] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we planted new seedlings.<br>**[11:44] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;To rebuild ten years.<br>**[11:48] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;A storm has done really bad<br>&nbsp;&nbsp;&nbsp;&nbsp;things to the Detective Agency,<br>**[11:52] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's okay.<br>**[11:54] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, a calamitous storm and<br>&nbsp;&nbsp;&nbsp;&nbsp;a blessed rain are the same thing.<br>**[11:59] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's live, everyone.<br>**[12:01] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get through the storm.<br>**[12:03] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't get to choose not to live<br>&nbsp;&nbsp;&nbsp;&nbsp;on the spinning rock we call Earth.<br>**[12:11] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenji's right.<br>**[12:14] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's weather the storm and<br>&nbsp;&nbsp;&nbsp;&nbsp;rebuild the Detective Agency.<br>**[12:17] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that end, we need to<br>&nbsp;&nbsp;&nbsp;&nbsp;come out of this alive.<br>**[12:23] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;The longer we wait, the better<br>&nbsp;&nbsp;&nbsp;&nbsp;equipped and staffed they'll be,<br>**[12:26] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the wider their search radius.<br>**[12:28] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;From my experience, their search radius will<br>&nbsp;&nbsp;&nbsp;&nbsp;grow by roughly 50 kilometers per hour.<br>**[12:33] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean we have to escape at a<br>&nbsp;&nbsp;&nbsp;&nbsp;rate of at least 50 kilometers per hour?<br>**[12:37] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[12:38] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means we need a vehicle.<br>**[12:40] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have two options.<br>**[12:42] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;First is the arterial road to the south.<br>**[12:44] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;They may commandeer a vehicle<br>&nbsp;&nbsp;&nbsp;&nbsp;there to make their escape.<br>**[12:47] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second is the station to the north.<br>**[12:49] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could hide among the<br>&nbsp;&nbsp;&nbsp;&nbsp;crowds and escape by train.<br>**[12:52] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This squad is exemplary.<br>**[12:54] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could be screwing around base while<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of you close the case.<br>**[12:59] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't appreciate your<br>&nbsp;&nbsp;&nbsp;&nbsp;vulgar figure of speech.<br>**[13:01] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;North or south, train or car.<br>**[13:04] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A choice between life and death.<br>**[13:06] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, which course will those<br>&nbsp;&nbsp;&nbsp;&nbsp;pathetic, starving dogs choose?<br>**[13:11] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're taking a car.<br>**[13:12] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a car and not the train?<br>**[13:14] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they catch up to us on the train,<br>**[13:18] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;it could get derailed and<br>&nbsp;&nbsp;&nbsp;&nbsp;cause a grave accident.<br>**[13:21] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Many lives would be lost.<br>**[13:23] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be unacceptable.<br>**[13:24] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, we're taking a car.<br>**[13:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[13:31] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good, Kunikida.<br>**[13:40] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, which way shall we go?<br>&nbsp;&nbsp;&nbsp;&nbsp;The trains or the roads?<br>**[13:45] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both.<br>**[13:46] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll face the enemy's ambush<br>&nbsp;&nbsp;&nbsp;&nbsp;head-on and crush them.<br>**[13:49] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how we do things.<br>**[13:51] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[13:52] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teruko-kun and I will head<br>&nbsp;&nbsp;&nbsp;&nbsp;to the trains to the north.<br>**[13:55] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jouno and Tetchou will head<br>&nbsp;&nbsp;&nbsp;&nbsp;to the roads to the south.<br>**[13:57] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not lose them!<br>**[13:59] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuchi-dono, the enemy has<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed our vehicles.<br>**[14:02] Captain**<br>&nbsp;&nbsp;&nbsp;&nbsp;We only have a car that we can<br>&nbsp;&nbsp;&nbsp;&nbsp;use for transportation.<br>**[14:05] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem.<br>**[14:07] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fail, and you will be punished.<br>**[14:10] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was the punishment, again?<br>**[14:13] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er... we haven't messed up<br>&nbsp;&nbsp;&nbsp;&nbsp;since we were formed. I forget.<br>**[14:17] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[14:34] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, may I help you?<br>**[14:36] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have vehicle theft insurance?<br>**[14:38] Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do. Why?<br>**[14:40] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:41] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations.<br>**[14:43] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting a brand new car.<br>**[14:54] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here.<br>**[14:56] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tetchou-san, why did you cut down all<br>&nbsp;&nbsp;&nbsp;&nbsp;the trees instead of avoiding them?<br>**[15:02] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fastest route to the destination<br>&nbsp;&nbsp;&nbsp;&nbsp;is the straight line.<br>**[15:05] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only an idiot would think like that.<br>**[15:07] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a meal before<br>&nbsp;&nbsp;&nbsp;&nbsp;we engage the enemy.<br>**[15:09] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have you know that, of everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;in our squad, I hate you the most.<br>**[15:14] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hate? Why?<br>**[15:15] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because your soul is entirely<br>&nbsp;&nbsp;&nbsp;&nbsp;lacking in artistry!<br>**[15:18] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll put shichimi spice on strawberries<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you think similar colors pair well!<br>**[15:24] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;And sugar on rice!<br>**[15:26] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soup base on youkans!<br>**[15:28] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you're eating boiled<br>&nbsp;&nbsp;&nbsp;&nbsp;eggs with the shell!<br>**[15:30] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you'd just die!<br>**[15:31] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're completely useless<br>&nbsp;&nbsp;&nbsp;&nbsp;until we meet the enemy.<br>**[15:34] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up and don't say anything.<br>**[15:37] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, your pulse and breath are annoying.<br>**[15:39] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do your best to stop.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Not<br>
&nbsp;&nbsp;&nbsp;&nbsp; breath-<br>
&nbsp;&nbsp;&nbsp;&nbsp;ing.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 34 0 l 34 240 l 0 240
<br>**[15:48] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[15:49] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Distance, 500.<br>**[15:50] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four to five people on board.<br>**[15:53] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driving westward.<br>**[15:58] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just a little more...*<br>**[16:03] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what happened to the others.<br>**[16:07] Military Police F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beware of traps set by the suspects.<br>**[16:09] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Military police!<br>**[16:11] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've come to help with the hostages.<br>**[16:13] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[16:14] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[16:15] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me!<br>**[16:17] Military Police F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Headquarters, we've discovered<br>&nbsp;&nbsp;&nbsp;&nbsp;a remaining suspect.<br>**[16:21] Military Police F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Requesting permission to fire.<br>**[16:25] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do now?<br>**[16:27] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll hide out and gather information.<br>**[16:29] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can find someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who will provide shelter<br>**[16:32] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Detective Agency fugitives, that is.<br>**[16:34] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know of a hideout where<br>&nbsp;&nbsp;&nbsp;&nbsp;we can be safe for sure,<br>**[16:39] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;although I'd loathe being there.<br>**[16:40] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[16:41] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's that?<br>**[16:42] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm interested.<br>**[16:45] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell us.<br>**[16:49] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're missing someone.<br>**[16:51] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the girl in the kimono?<br>**[16:53] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[16:56] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He stopped Kenji's brute force!*<br>**[17:00] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asshole!<br>**[17:00] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light Snow!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Light Snow
<br>**[17:08] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunikida-san! Run for it!<br>**[17:13] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive.<br>**[17:15] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You erased the car and<br>&nbsp;&nbsp;&nbsp;&nbsp;messed up my sense of location<br>**[17:18] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;before pulling me out along with you.<br>**[17:20] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;But illusions won't work on me.<br>**[17:23] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I let you catch me on purpose.<br>**[17:25] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll finish you off first.<br>**[17:28] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I kill these two?<br>**[17:30] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:31] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make yourself at least a little bit useful,<br>**[17:33] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;since you're the best swordsman<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Hunting Dogs.<br>**[17:35] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare yourselves.<br>**[17:47] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not leaving anyone behind!<br>**[17:48] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in the name of my ideals!<br>**[17:51] Military Police F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare to fire!<br>**[17:53] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[18:14] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka-chan!<br>**[18:15] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[18:16] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only knocked them unconscious.<br>**[18:20] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been framed by an enemy.<br>**[18:22] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency's been<br>&nbsp;&nbsp;&nbsp;&nbsp;labeled a criminal organization.<br>**[18:24] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We all escaped the building.<br>**[18:26] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come.<br>**[18:27] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are we going?<br>**[18:28] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to get out of here, too.<br>**[18:30] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no getting out now.<br>**[18:32] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're stuck here.<br>**[18:34] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenji!<br>**[18:36] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time to slow down!<br>**[18:38] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grab on!<br>**[18:46] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[18:47] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;This couldn't get any worse.<br>**[18:49] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the Hunting Dogs, the most<br>&nbsp;&nbsp;&nbsp;&nbsp;formidable squad in the Military Police.<br>**[18:52] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their bodies have been<br>&nbsp;&nbsp;&nbsp;&nbsp; augmented by Gifted experts.<br>**[18:55] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have several times the physical<br>&nbsp;&nbsp;&nbsp;&nbsp;capabilities of the average person.<br>**[18:59] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next time they catch us,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll destroy the car, and we'll be done.<br>**[19:03] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were more useless than<br>&nbsp;&nbsp;&nbsp;&nbsp;ever today, Tetchou-san.<br>**[19:07] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you considered finding a new job?<br>**[19:09] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, I'm all warmed up now.<br>**[19:12] Jouno**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Ooh, he's a bit pissed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about getting run over.*<br>**[19:15] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some evil goes unpunished.<br>**[19:18] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some good goes unrewarded.<br>**[19:20] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without my blade, one cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;wish for all things to be just.<br>**[19:30] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plum Blossoms in the Snow!<br>**[19:50] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just happened to us?<br>**[19:52] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came back to save your comrade,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you all went down.<br>**[19:57] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the way life is, usually.<br>**[20:01] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[20:07] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no escape from my sword.<br>**[20:10] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I still can't comprehend his attack.*<br>**[20:13] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to do something.*<br>**[20:14] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doppo Poet!<br>**[20:16] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stun Gren—<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ideals
<br>**[20:22] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I saw it!*<br>**[20:23] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The moment he drew his sword...*<br>**[20:25] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His saber grew far longer than his scabbard,*<br>**[20:29] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and it turned.*<br>**[20:35] Kunikida**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The blade's long enough*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to catch a fleeing car.*<br>**[20:40] Kunikida**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's no way we can*<br>*&nbsp;&nbsp;&nbsp;&nbsp;escape from that blade.*<br>**[20:43] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's on another level.*<br>**[20:45] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hunting Dogs...*<br>**[20:47] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're certainly capable.*<br>**[20:48] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then, Tetchou-san...<br>**[20:50] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, decapitate the doctor, please.<br>**[20:55] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't have her healing her buddies.<br>**[20:57] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, she's an angel of death.<br>**[21:00] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's better off without her.<br>**[21:03] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Don't kill her!<br>**[21:05] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. We'll surrender.<br>**[21:07] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have an interesting pulse,<br>&nbsp;&nbsp;&nbsp;&nbsp;idealist Kunikida-san.<br>**[21:12] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're relieved right now, aren't you?<br>**[21:16] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[21:17] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read up on you.<br>**[21:19] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ideals are as lofty and<br>&nbsp;&nbsp;&nbsp;&nbsp;large as a hot-air balloon,<br>**[21:23] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;but a hot-air balloon inevitably runs<br>&nbsp;&nbsp;&nbsp;&nbsp;out of fuel and returns to the ground.<br>**[21:29] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've lived in fear of that day.<br>**[21:32] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop.<br>**[21:33] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy for you, Kunikida-san.<br>**[21:35] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting tomorrow, you are free!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Deploy
<br>**[21:43] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deploy gravity manipulation.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;gravity<br>
&nbsp;&nbsp;&nbsp;&nbsp;manipulation
<br>**[21:51] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hypersonic countermeasures!<br>**[21:53] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I didn't hear gunfire.<br>**[21:58] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've fucked up, Detective Agency!<br>**[22:03] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to save your asses,<br>&nbsp;&nbsp;&nbsp;&nbsp;on the boss's orders.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 45
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You, A Child of Sin;<br>
&nbsp;&nbsp;&nbsp;&nbsp; I, A Child of Sin
<br>

# 45 - You, A Child of Sin; I, A Child of Sin

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deploy gravity manipulation.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Deploy
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;gravity<br>
&nbsp;&nbsp;&nbsp;&nbsp;manipulation
<br>**[00:07] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hypersonic countermeasures!<br>**[00:10] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I didn't hear gunfire.<br>**[00:14] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've fucked up, Detective Agency!<br>**[00:18] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to save your asses,<br>&nbsp;&nbsp;&nbsp;&nbsp;on the boss's orders.<br>**[00:23] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go. Time for a gunfight!<br>**[00:26] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gravity manipulation!<br>**[00:35] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grab on!<br>**[00:41] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible...<br>**[00:43] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he a Detective Agency accomplice?<br>**[02:19] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think we'd be saved by the Port Mafia...<br>**[02:22] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saved?<br>**[02:23] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot.<br>**[02:25] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your boss made a deal with my boss.<br>**[02:28] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;The price for your rescue is a transfer<br>&nbsp;&nbsp;&nbsp;&nbsp;of one Agency member to the Mafia.<br>**[02:32] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've always got room for Gifted<br>&nbsp;&nbsp;&nbsp;&nbsp;criminals with useful abilities.<br>**[02:36] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;The president did?<br>**[02:37] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... well...<br>**[02:39] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would all have been arrested,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Yosano-san would have been killed.<br>**[02:43] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[02:45] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ideals alone can't save lives.<br>**[02:48] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to be practical.<br>**[02:51] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think he hit his head or something?<br>**[02:53] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's because his<br>&nbsp;&nbsp;&nbsp;&nbsp;core got chopped up.<br>**[02:55] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;His core?<br>**[02:56] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you mean his notebook.<br>**[02:59] (Flashback) Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have an interesting pulse,<br>&nbsp;&nbsp;&nbsp;&nbsp;idealist Kunikida-san.<br>**[03:02] (Flashback) Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're relieved right now, aren't you?<br>**[03:06] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is he right?*<br>**[03:08] Kunikida**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If my colleagues die,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my ideals die with them.*<br>**[03:11] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Am I waiting for that day?*<br>**[03:19] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get back here.<br>**[03:25] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dude, are you serious?<br>**[03:30] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[03:30] Chuuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard's going to slash up the rotors!<br>**[03:35] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanizaki.<br>**[03:39] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Expose the actual murderer! And don't fail!<br>**[03:42] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evil, begone.<br>**[03:45] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[03:47] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plum Blossoms in the Snow!<br>**[03:52] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fool.<br>**[03:54] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't die falling from this height.<br>**[03:56] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll extend my sword again<br>&nbsp;&nbsp;&nbsp;&nbsp;and chase the chopper.<br>**[03:58] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the fool here.<br>**[04:00] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't allow anyone to mess up my schedule!<br>**[04:03] (Flashback) Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ideals are as lofty and<br>&nbsp;&nbsp;&nbsp;&nbsp;large as a hot-air balloon,<br>**[04:07] (Flashback) Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;but a hot-air balloon inevitably runs<br>&nbsp;&nbsp;&nbsp;&nbsp;out of fuel and returns to the ground.<br>**[04:11] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kunikida Doppo.<br>**[04:14] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ideals will not fail.<br>**[04:15] Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will fuel them with my life so<br>&nbsp;&nbsp;&nbsp;&nbsp;they will fly on for eternity!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hand<br>
&nbsp;&nbsp;&nbsp;&nbsp; Grenade
<br>**[04:29] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunikida-san!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 45<br>
&nbsp;&nbsp;&nbsp;&nbsp;You, A Child of Sin;<br>
&nbsp;&nbsp;&nbsp;&nbsp; I, A Child of Sin
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Two days later
<br>**[04:54] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka-chan, are you okay?<br>**[04:57] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little tired.<br>**[04:59] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you are.<br>**[05:00] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been sitting here for<br>&nbsp;&nbsp;&nbsp;&nbsp; two days without drinking.<br>**[05:03] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go look for food and water.<br>**[05:06] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if it's true...<br>**[05:07] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the inspectors speaking.<br>**[05:11] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said the president was arrested<br>**[05:13] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kunikida-san blew<br>&nbsp;&nbsp;&nbsp;&nbsp;himself up during his escape.<br>**[05:16] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may not have survived.<br>**[05:20] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it come to this?<br>**[05:24] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Survival is our priority right now.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;no Akiko
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa Yukichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kuniki
<br>**[05:28] Female caster**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What a terrible incident.*<br>**[05:30] Female caster**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A government-sanctioned detective agency*<br>*&nbsp;&nbsp;&nbsp;&nbsp;turning out to be a terrorist organization...*<br>**[05:34] Commentator**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's unbelievable, but there is video*<br>*&nbsp;&nbsp;&nbsp;&nbsp;evidence of the crime and many witnesses.*<br>**[05:40] Commentator**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's likely that the crimes they've solved in*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the past were in fact their own doing.*<br>**[05:47] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide your face.<br>**[05:49] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we need to secure<br>&nbsp;&nbsp;&nbsp;&nbsp;funds to make our escape.<br>**[05:52] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'll escape by train.<br>**[05:54] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Escape... And then?<br>**[05:57] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[05:58] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Decay of Angels...<br>**[06:00] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ones behind all this... have<br>&nbsp;&nbsp;&nbsp;&nbsp;an impeccable, far-reaching plan.<br>**[06:04] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't even have a full picture of<br>&nbsp;&nbsp;&nbsp;&nbsp;their plot, let alone any evidence.<br>**[06:09] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's right.*<br>**[06:10] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If this was really the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Decay of Angels' doing,*<br>**[06:13] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then Fyodor must be involved.*<br>**[06:16] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's no way the two of us could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;take down that monster alone.*<br>**[06:21] (Flashback) Kunikida**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tiger is strong,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're weak.<br>**[06:24] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Agency has saved me time after time,*<br>**[06:28] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but I can't help the Agency.*<br>**[06:31] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're giving up already?<br>**[06:40] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[06:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right.*<br>**[06:47] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What would Dazai-san do in this situation?*<br>**[06:53] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There is...*<br>**[06:54] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There's just one lead proving*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the Agency's innocence.*<br>**[06:58] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Detective Agency is about<br>
&nbsp;&nbsp;&nbsp;&nbsp; to get a huge job offer!*<br>**[07:00] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't accept it!*<br>**[07:03] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oguri Mushitaro?<br>**[07:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:05] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He gave Rampo-san a warning<br>&nbsp;&nbsp;&nbsp;&nbsp;just before the incident.<br>**[07:08] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He knew about the plan.<br>**[07:11] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must know who the<br>&nbsp;&nbsp;&nbsp;&nbsp; true murderers are, too.<br>**[07:14] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe even how to restore the<br>&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency to the way it was.<br>**[07:17] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's missing right now, though.<br>**[07:20] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do we find him?<br>**[07:22] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's always a way.<br>**[07:25] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[07:28] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Francis' Eyes of God?<br>**[07:33] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this safe, though?<br>**[07:34] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was our enemy before.<br>**[07:36] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He might sell us out to the Military Police.<br>**[07:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's agreed to hear us out.<br>**[07:44] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dazai-san was able to get him to<br>&nbsp;&nbsp;&nbsp;&nbsp;cooperate during the cannibalism.<br>**[07:49] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to try to do the same.<br>**[07:58] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I smell blood.<br>**[08:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[08:06] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you...<br>**[08:08] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all right.<br>**[08:10] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, hurry...<br>**[08:11] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help Francis.<br>**[08:13] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care of her.<br>**[08:21] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to have lost your religion<br>&nbsp;&nbsp;&nbsp;&nbsp;quite spectacularly, priest.<br>**[08:25] Nathaniel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death to my target,<br>&nbsp;&nbsp;&nbsp;&nbsp;for my beloved princess...<br>**[08:29] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Margaret.<br>**[08:31] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;How touching that you<br>&nbsp;&nbsp;&nbsp;&nbsp;would try to rescue her,<br>**[08:35] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;even as you've lost everything.<br>**[08:36] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you see, the disrespect<br>&nbsp;&nbsp;&nbsp;&nbsp;of forgetting my face...<br>**[08:40] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;is punishable by death!<br>**[08:42] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Physical boost: 50,000 dollars!<br>**[09:03] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;He got away.<br>**[09:05] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's strong.*<br>**[09:07] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I see why he was the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;leader of The Guild.*<br>**[09:10] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But why was an assassin here now?*<br>**[09:19] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is life in the Port Mafia hideout?<br>**[09:24] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ought to conceal you from the<br>&nbsp;&nbsp;&nbsp;&nbsp; Hunting Dogs for at least a week.<br>**[09:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mori-sensei...<br>**[09:30] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know if Kunikida<br>&nbsp;&nbsp;&nbsp;&nbsp;survived the explosion?<br>**[09:33] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, all I was able to find<br>&nbsp;&nbsp;&nbsp;&nbsp;out was where Dazai-kun has gone.<br>**[09:40] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dazai-kun was already arrested by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Hunting Dogs prior to the hostage situation.<br>**[09:45] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Military Police transferred<br>&nbsp;&nbsp;&nbsp;&nbsp; him to the Ministry of Justice,<br>**[09:47] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;then to Public Security.<br>**[09:49] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;His subsequent whereabouts are unknown.<br>**[09:57] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency is innocent, you say?<br>**[09:59] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear.<br>**[10:00] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the footage on TV of the<br>&nbsp;&nbsp;&nbsp;&nbsp; hostages being murdered, then?<br>**[10:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were framed.<br>**[10:05] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Decay of Angels are the masterminds.<br>**[10:08] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fyodor is a co-conspirator.<br>**[10:20] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if, hypothetically,<br>&nbsp;&nbsp;&nbsp;&nbsp;you speak the truth...<br>**[10:24] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency is doomed.<br>**[10:26] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defeating Fyodor is impossible.<br>**[10:30] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's currently held in a European<br>&nbsp;&nbsp;&nbsp;&nbsp;detention center called Mersault.<br>**[10:37] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mersault's very existence<br>&nbsp;&nbsp;&nbsp;&nbsp;is a national secret.<br>**[10:40] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its location is known only by high-level<br>&nbsp;&nbsp;&nbsp;&nbsp;European government officials.<br>**[10:44] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Needless to say, access is impossible.<br>**[10:46] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, it's the safest<br>&nbsp;&nbsp;&nbsp;&nbsp;hideout in the world.<br>**[10:50] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now...<br>**[10:51] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a little annoying if the<br>&nbsp;&nbsp;&nbsp;&nbsp;Agency were to use the Eyes of God.<br>**[10:56] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ought to eliminate its owner,<br>&nbsp;&nbsp;&nbsp;&nbsp; just in case.<br>**[11:01] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if he's imprisoned, he shouldn't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to give orders to the outside, either.<br>**[11:05] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kind of thing is his specialty.<br>**[11:09] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it's impossible to beat him.<br>**[11:14] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like a game of chess where<br>&nbsp;&nbsp;&nbsp;&nbsp;only he can move the pieces.<br>**[11:19] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing we can do.<br>**[11:22] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spell Bullet!<br>**[11:25] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He must have left his blood behind*<br>*&nbsp;&nbsp;&nbsp;&nbsp;when the fountain pen hit it.*<br>**[11:29] Francis**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to boost*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my strength in time.*<br>**[11:31] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm dead.*<br>**[11:40] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now the Eyes of God is useless.<br>**[11:43] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've devised a perfect plan.<br>**[11:47] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But perfection is boring, isn't it?<br>**[11:55] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new prisoner?<br>**[12:04] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I activated the sprinkler<br>&nbsp;&nbsp;&nbsp;&nbsp;system to dilute the blood.<br>**[12:08] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka-chan.<br>**[12:09] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did this?<br>**[12:11] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you know about the blood?<br>**[12:14] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was under the stairwell when a<br>&nbsp;&nbsp;&nbsp;&nbsp;warning showed up on the display.<br>**[12:19] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've stopped your assassination attempt,<br>&nbsp;&nbsp;&nbsp;&nbsp; mister demon.<br>**[12:25] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well played.<br>**[12:28] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;You let yourself be captured<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to save the Agency.<br>**[12:31] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way I can see through your<br>&nbsp;&nbsp;&nbsp;&nbsp;schemes is by sitting here with you.<br>**[12:36] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm blessed to have a chess<br>&nbsp;&nbsp;&nbsp;&nbsp;partner in a place like this.<br>**[12:44] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief Taneda is expected to<br>&nbsp;&nbsp;&nbsp;&nbsp;awaken in the next 40 hours.<br>**[12:48] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the procedure is successful, that is.<br>**[12:51] Murakoso**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it...<br>**[12:53] Murakoso**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did the chief go after<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy on his own?<br>**[12:56] Murakoso**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wouldn't have happened<br>&nbsp;&nbsp;&nbsp;&nbsp;if he'd had us protecting him.<br>**[12:59] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the criminal's condition.<br>**[13:02] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;That we would meet each other alone.<br>**[13:04] Murakoso**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could we fall for that?!<br>**[13:07] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was for the information.<br>**[13:09] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief's Gift allows him to learn the<br>&nbsp;&nbsp;&nbsp;&nbsp; details of any abilities activated nearby.<br>**[13:14] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was confident, having previously<br>&nbsp;&nbsp;&nbsp;&nbsp; stopped violent Gifted using his ability.<br>**[13:19] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alas...<br>**[13:21] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The criminal was one step ahead.<br>**[13:26] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please watch over the chief.<br>**[13:28] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give directions on-site.<br>**[13:30] Aoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't it be best if you<br>&nbsp;&nbsp;&nbsp;&nbsp;stay until he awakens?<br>**[13:33] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[13:34] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was never on very good<br>&nbsp;&nbsp;&nbsp;&nbsp;terms with the chief.<br>**[13:38] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief quantifies human lives.<br>**[13:41] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sacrifice one to save a hundred.<br>**[13:46] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't stand that.<br>**[13:49] (Flashback) Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you discover the<br>&nbsp;&nbsp;&nbsp;&nbsp; Decay of Angels, kill them.<br>**[13:52] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what of legal justice?<br>**[13:54] (Flashback) Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ango...<br>**[13:56] (Flashback) Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the mission of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Special Operations Division?<br>**[13:58] (Flashback) Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peace.<br>**[14:00] (Flashback) Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is to bless the masses with an<br>&nbsp;&nbsp;&nbsp;&nbsp; ignorant, peaceful existence.<br>**[14:05] (Flashback) Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with the law when<br>&nbsp;&nbsp;&nbsp;&nbsp;peace is on the line.<br>**[14:08] (Flashback) Taneda**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will let even good men die for it.<br>**[14:14] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was oblivious.<br>**[14:17] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the chief said he'd have good<br>&nbsp;&nbsp;&nbsp;&nbsp;men die for the sake of peace,<br>**[14:20] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;he meant even himself.<br>**[14:24] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll report on the case's closure<br>&nbsp;&nbsp;&nbsp;&nbsp;when the chief awakens.<br>**[14:28] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will kill the murderer myself.<br>**[14:32] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for happy group life counseling!<br>**[14:36] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Fyodor, will be your host.<br>**[14:39] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, stop right there! Hold up!<br>**[14:42] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[14:43] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, what?<br>**[14:44] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, what what?<br>**[14:47] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counseling...<br>**[14:49] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your<br>&nbsp;&nbsp;&nbsp;&nbsp; prompt understanding.<br>**[14:51] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our high intelligence allows us<br>&nbsp;&nbsp;&nbsp;&nbsp; to read each other's minds.<br>**[14:56] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, because of that, we aren't able<br>&nbsp;&nbsp;&nbsp;&nbsp;to provide counseling to others.<br>**[15:01] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless they have our level<br>&nbsp;&nbsp;&nbsp;&nbsp;of intelligence, that is.<br>**[15:05] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'd like to take this opportunity<br>&nbsp;&nbsp;&nbsp;&nbsp; to discuss our troubles with one another.<br>**[15:10] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, then. You go first.<br>**[15:12] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[15:13] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;My subordinates are always waiting for<br>&nbsp;&nbsp;&nbsp;&nbsp;my instructions. They lack initiative.<br>**[15:17] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;How might I get them to become<br>&nbsp;&nbsp;&nbsp;&nbsp;more autonomous and effective?<br>**[15:20] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just sit around all day.<br>**[15:23] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of them will realize things have to change<br>&nbsp;&nbsp;&nbsp;&nbsp;and take it upon themselves to act.<br>**[15:27] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[15:29] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, my turn.<br>**[15:31] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.<br>**[15:32] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The waitress at the cafe won't<br>&nbsp;&nbsp;&nbsp;&nbsp;respond to my advances.<br>**[15:36] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[15:38] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make her lose her job and trick<br>&nbsp;&nbsp;&nbsp;&nbsp;her family into disowning her.<br>**[15:42] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ought to convince her to turn to you.<br>**[15:45] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;lololololol
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;lololololol
<br>**[15:51] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's both ask a question at the same time.<br>**[15:54] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing.<br>**[15:56] Dazai + Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me how you contact the outside world.<br>**[16:01] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured as much.<br>**[16:03] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[16:04] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whichever of us learns the other's<br>&nbsp;&nbsp;&nbsp;&nbsp;method of communication first<br>**[16:07] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be able to ask our associates to<br>&nbsp;&nbsp;&nbsp;&nbsp;terminate the other's ability to communicate.<br>**[16:11] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words...<br>**[16:13] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Victory.<br>**[16:15] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't see through my<br>&nbsp;&nbsp;&nbsp;&nbsp;method of communication.<br>**[16:18] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I will.<br>**[16:20] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm here.<br>**[16:22] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed...<br>**[16:24] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the evidence you'd need to prove your<br>&nbsp;&nbsp;&nbsp;&nbsp;innocence lies with this mushy taro man.<br>**[16:30] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Mushitaro.<br>**[16:32] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vehicle transporting<br>&nbsp;&nbsp;&nbsp;&nbsp;him was found on the road.<br>**[16:36] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that was found was an<br>&nbsp;&nbsp;&nbsp;&nbsp;officer who was shot dead.<br>**[16:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushitaro-san's blood was not there.<br>**[16:42] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy must have abducted him.<br>**[16:44] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you need the Eyes of God to find him.<br>**[16:50] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't mind.<br>**[16:51] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, it would come at a price, of course.<br>**[16:53] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your price?<br>**[16:54] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;bring Margaret back.<br>**[16:58] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Margaret...<br>**[16:59] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your employee?<br>**[17:01] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's currently in a coma.<br>**[17:04] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have the Agency's doctor woman revive her.<br>**[17:07] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yosano-san?<br>**[17:09] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Margaret is the one person<br>&nbsp;&nbsp;&nbsp;&nbsp;who can kill Nathaniel.<br>**[17:14] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw the attack earlier.<br>**[17:16] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nathaniel has become the Rats' pawn,<br>**[17:19] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he still remembers her.<br>**[17:22] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;His desire to save her has compelled<br>&nbsp;&nbsp;&nbsp;&nbsp;him to commit incomprehensible acts.<br>**[17:27] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take advantage of that.<br>**[17:29] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But wasn't it because she risked her life<br>**[17:32] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect Nathaniel that<br>&nbsp;&nbsp;&nbsp;&nbsp;she was critically wounded?<br>**[17:36] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[17:37] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to make two people, who tried<br>&nbsp;&nbsp;&nbsp;&nbsp; to save each other, kill each other?<br>**[17:41] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with that?<br>**[17:43] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd forgotten...<br>**[17:44] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the man who tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to crash the Moby Dick<br>**[17:47] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;into the city and take hundreds<br>&nbsp;&nbsp;&nbsp;&nbsp;of thousands of lives.<br>**[17:50] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again, your point?<br>**[17:51] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have chosen the wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;person to do business with.<br>**[17:55] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[17:57] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like the president would<br>&nbsp;&nbsp;&nbsp;&nbsp;admonish me for making such a deal.<br>**[18:01] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have our negotiations failed?<br>**[18:02] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[18:04] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's something I want<br>&nbsp;&nbsp;&nbsp;&nbsp;to show you before you leave.<br>**[18:12] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to introduce her.<br>**[18:13] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Margaret.<br>**[18:19] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[18:22] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is awful.<br>**[18:23] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the Guild's bankruptcy,<br>**[18:25] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was seen by several abhorrent doctors<br>&nbsp;&nbsp;&nbsp;&nbsp;and her symptoms worsened.<br>**[18:31] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;She only agreed to take on<br>&nbsp;&nbsp;&nbsp;&nbsp;the Guild's dangerous duties<br>**[18:35] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have resources to rebuild her family.<br>**[18:38] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, that's a vain dream.<br>**[18:41] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she could speak now,<br>**[18:45] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would ask for her life support<br>&nbsp;&nbsp;&nbsp;&nbsp;to be terminated immediately,<br>**[18:47] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the money being used for her treatment<br>&nbsp;&nbsp;&nbsp;&nbsp;sent to her motherland instead.<br>**[19:02] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[19:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take your deal.<br>**[19:08] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really sure about this?<br>**[19:11] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hopeless.<br>**[19:12] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I see someone suffering,<br>**[19:15] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see my younger self.<br>**[19:20] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't leave them.<br>**[19:36] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's a philosophy<br>&nbsp;&nbsp;&nbsp;&nbsp; that works well for you.<br>**[19:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[19:42] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hope Yosano-san and the others are safe.*<br>**[19:45] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that bullshit.<br>**[19:47] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't help us prove<br>&nbsp;&nbsp;&nbsp;&nbsp;the Agency's innocence?<br>**[19:51] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is correct.<br>**[19:52] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The agreement with Fukuzawa-dono<br>**[19:54] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;was that we would only help the Agency<br>**[19:56] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for transferring one<br>&nbsp;&nbsp;&nbsp;&nbsp;of its members to the Mafia.<br>**[20:00] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transfer a member of the Agency?<br>**[20:02] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you're funny?<br>**[20:04] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you really want is for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to join the Mafia, don't you?<br>**[20:09] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. What of it?<br>**[20:11] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-dono understood that when<br>&nbsp;&nbsp;&nbsp;&nbsp;he made the agreement with me.<br>**[20:14] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The president would never agree to that.<br>**[20:19] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I accept your request in regards to<br>&nbsp;&nbsp;&nbsp;&nbsp;protecting the Detective Agency employees.<br>**[20:23] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though combating the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;will be quite the daring endeavor,<br>**[20:27] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;even for the Port Mafia.<br>**[20:29] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are your demands?*<br>**[20:30] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The transfer of an Agency<br>&nbsp;&nbsp;&nbsp;&nbsp;member to the Port Mafia.<br>**[20:35] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's not an easy price to pay.*<br>**[20:39] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have one condition.*<br>**[20:41] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't request Yosano-kun.<br>**[20:43] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She would never be able to tolerate<br>&nbsp;&nbsp;&nbsp;&nbsp;being your assistant again.<br>**[20:48] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong.<br>**[20:50] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa-dono said he would<br>&nbsp;&nbsp;&nbsp;&nbsp;be willing to give you up.<br>**[20:58] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, pardon the interruption.<br>**[21:02] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This radio was at the entrance.<br>**[21:05] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, how're you doing, old sport?*<br>**[21:07] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't have time. I'll make it quick.*<br>**[21:10] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I sent the lycanthrope boy your way.*<br>**[21:13] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lycanthrope...<br>**[21:14] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Atsushi-kun!<br>**[21:16] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's alive!<br>**[21:17] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the reason for his appearance?<br>**[21:19] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;A transaction.<br>**[21:20] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use the healing ability for me.<br>**[21:23] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;In exchange, I'll provide information that<br>&nbsp;&nbsp;&nbsp;&nbsp; will lead to the Agency's restoration.<br>**[21:26] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll meet in twenty minutes.*<br>**[21:28] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At Goban Street.*<br>**[21:30] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Information that'll lead to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Agency's restoration!<br>**[21:33] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we have some hope.<br>**[21:34] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odd.<br>**[21:36] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did he discover this hideout?<br>**[21:39] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must have used his<br>&nbsp;&nbsp;&nbsp;&nbsp;Eyes of God or whatever, right?<br>**[21:42] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the thing.<br>**[21:44] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he was able to discover this hideout,<br>**[21:46] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;he might as well have done business<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Military Police instead.<br>**[21:50] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have been more profitable to<br>&nbsp;&nbsp;&nbsp;&nbsp;do the formidable Hunting Dogs a favor,<br>**[21:53] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;as opposed to the weakened Detective Agency.<br>**[21:56] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Francis I know always sides with<br>&nbsp;&nbsp;&nbsp;&nbsp;the stronger, more bullish side.<br>**[22:03] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This transaction may be a trap.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 46
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Dream of Butterflies
<br>

# 46 - A Dream of Butterflies

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[00:00] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thou Shalt Not Die<br>**[00:05] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;A transaction.<br>**[00:06] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use the healing ability for me.<br>**[00:09] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;In exchange, I'll provide information that<br>&nbsp;&nbsp;&nbsp;&nbsp; will lead to the Agency's restoration.<br>**[00:13] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll meet in twenty minutes.*<br>**[00:14] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At Goban Street.*<br>**[00:16] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Information that'll lead to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Agency's restoration!<br>**[00:19] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we have some hope.<br>**[00:20] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odd.<br>**[00:22] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did he discover this hideout?<br>**[00:25] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must have used his<br>&nbsp;&nbsp;&nbsp;&nbsp;Eyes of God or whatever, right?<br>**[00:28] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the thing.<br>**[00:30] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he was able to discover this hideout,<br>**[00:32] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;he might as well have done business<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Military Police instead.<br>**[00:35] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have been more profitable to<br>&nbsp;&nbsp;&nbsp;&nbsp;do the formidable Hunting Dogs a favor,<br>**[00:39] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;as opposed to the weakened Detective Agency.<br>**[00:42] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Francis I know always sides with<br>&nbsp;&nbsp;&nbsp;&nbsp;the stronger, more bullish side.<br>**[00:48] Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;This transaction may be a trap.<br>**[02:30] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yosano-san, where are you going?<br>**[02:33] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;To complete the transaction?<br>**[02:36] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be a trap.<br>**[02:38] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[02:41] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that reluctant<br>&nbsp;&nbsp;&nbsp;&nbsp;to join the Port Mafia?<br>**[02:49] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that bullshit!<br>**[02:50] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't help us prove<br>&nbsp;&nbsp;&nbsp;&nbsp;the Agency's innocence?<br>**[02:54] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is correct.<br>**[02:55] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The agreement with Fukuzawa-dono<br>**[02:57] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;was that we would only help the Agency<br>**[03:00] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for transferring one<br>&nbsp;&nbsp;&nbsp;&nbsp;of its members to the Mafia.<br>**[03:04] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transfer a member of the Agency?<br>**[03:06] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you're funny?<br>**[03:07] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you really want is for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to join the Mafia, don't you?<br>**[03:13] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll join the Mafia.<br>**[03:16] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability, Light Snow,<br>&nbsp;&nbsp;&nbsp;&nbsp;ought to be useful to them.<br>**[03:21] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please, tell me why.<br>**[03:23] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened between<br>&nbsp;&nbsp;&nbsp;&nbsp;you and the Mafia boss?<br>**[03:27] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it have something to<br>&nbsp;&nbsp;&nbsp;&nbsp;do with the "angel of death"<br>**[03:31] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Hunting Dogs were talking about?<br>**[03:36] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I shouldn't trouble you any more.<br>**[03:40] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[03:41] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you as we walk.<br>**[03:46] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long time ago, the boss and Mori-sensei<br>**[03:49] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;were close allies in the<br>&nbsp;&nbsp;&nbsp;&nbsp;tripartite framework.<br>**[03:52] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, though, they're enemies.<br>**[03:54] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think that is?<br>**[03:56] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 46
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Dream of Butterflies
<br>**[04:05] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because of me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fourteen years ago<br>
&nbsp;&nbsp;&nbsp;&nbsp;Near the end of the great war
<br>**[04:13] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;An island, Tokoyamijima, appeared<br>&nbsp;&nbsp;&nbsp;&nbsp;out of nowhere in the Pacific.<br>**[04:16] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;An unclaimed island where<br>&nbsp;&nbsp;&nbsp;&nbsp; it was only ever night,<br>**[04:21] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;it became the main battleground<br>&nbsp;&nbsp;&nbsp;&nbsp;towards the end of the great war.<br>**[04:24] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Electromagnetic waves from the aurora<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed electronic equipment,<br>**[04:28] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;resulting in pre-modern<br>&nbsp;&nbsp;&nbsp;&nbsp;close-quarters combat.<br>**[04:42] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just lie there, you lousy soldiers!<br>**[04:45] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Special ability: Thou Shalt Not Die.<br>**[04:47] (Flashback) Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thou Shalt Not Die<br>**[05:01] (Flashback) Guy A**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't hurt!<br>**[05:02] (Flashback) Guy B**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see!<br>**[05:03] (Flashback) Guy B**<br>&nbsp;&nbsp;&nbsp;&nbsp;My eyes are working!<br>**[05:05] (Flashback) Guy C**<br>&nbsp;&nbsp;&nbsp;&nbsp;My leg...<br>**[05:06] (Flashback) Guy C**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my leg!<br>**[05:07] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get hurt because you're weak.<br>**[05:09] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get back to the damn front!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;National  Guard  Infantry  Unit 356
<br>**[05:12] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 290 0 290<br>**[05:12] [SONG] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sponsored<br>&nbsp;&nbsp;&nbsp;&nbsp;Student<br>&nbsp;&nbsp;&nbsp;&nbsp; Medic<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;Yosano Akiko<br>&nbsp;&nbsp;&nbsp;&nbsp;(11 years old)<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;National  Guard  Infantry  Unit 356
<br>**[05:17] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 290 0 290<br>**[05:17] [SONG] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unit Chief<br>&nbsp;&nbsp;&nbsp;&nbsp;Medic Adjutant<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mori Ougai  (26 years old)
<br>**[05:23] (Flashback) Guy D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing! It's a miracle.<br>**[05:25] (Flashback) Guy E**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are our god!<br>**[05:27] (Flashback) Guy F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our savior!<br>**[05:28] (Flashback) Guy G**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us use your likeness as our emblem!<br>**[05:30] (Flashback) Guy H**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Let us worship you!<br>**[05:33] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go away!<br>**[05:33] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Piss off!<br>**[05:36] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that enamored with my Yosano-kun?<br>**[05:40] (Flashback) Guy A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ch-Chief Mori...<br>**[05:42] (Flashback) Guy A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would never...<br>**[05:44] (Flashback) Guy B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shit... He's gonna kill us!<br>**[05:46] (Flashback) Guy C**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's going to pickle our organs.<br>**[05:48] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Your" Yosano-kun?<br>**[05:50] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when was I yours, Mori-sensei?<br>**[05:54] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bite your ears off.<br>**[05:56] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm your superior, am I not?<br>**[05:58] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the right to correct your<br>&nbsp;&nbsp;&nbsp;&nbsp;attitude and language, too.<br>**[06:02] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about military policy.<br>**[06:05] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was working at a candy<br>&nbsp;&nbsp;&nbsp;&nbsp;shop until last week,<br>**[06:08] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you dragged me out<br>&nbsp;&nbsp;&nbsp;&nbsp;here against my will.<br>**[06:18] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's so strong willed...<br>**[06:19] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like!<br>**[06:28] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reading a novel?<br>&nbsp;&nbsp;&nbsp;&nbsp;Right after you nearly died?<br>**[06:32] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a novel.<br>**[06:34] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a poetry collection.<br>**[06:37] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable.<br>**[06:38] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not telling you to<br>&nbsp;&nbsp;&nbsp;&nbsp;thank me with tears of joy,<br>**[06:41] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't you have any intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of hurrying back to the front,<br>**[06:45] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;now that you're all better?<br>**[06:47] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thank you, for sure.<br>**[06:49] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want you to have this.<br>**[06:54] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;My butterfly.<br>**[06:58] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No.*<br>**[07:00] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's...*<br>**[07:01] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Metal?*<br>**[07:03] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, angel.<br>**[07:07] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Angel?!<br>**[07:13] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you do that just now?<br>**[07:16] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that your special ability?<br>**[07:19] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not much of an ability.<br>**[07:21] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not going to change<br>&nbsp;&nbsp;&nbsp;&nbsp;the world, like yours can.<br>**[07:25] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? Change the world?<br>**[07:26] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're joking.<br>**[07:29] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some things you notice<br>&nbsp;&nbsp;&nbsp;&nbsp;because you're just a private.<br>**[07:32] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Special Ability Doctrine.<br>**[07:35] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;The great powers of Europe<br>&nbsp;&nbsp;&nbsp;&nbsp;that started the Gifted wars<br>**[07:38] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;are changing the very concept of war.<br>**[07:40] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we are to prevail, we must prove this<br>&nbsp;&nbsp;&nbsp;&nbsp;to the military brass as fast as possible.<br>**[07:47] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Chief Mori<br>&nbsp;&nbsp;&nbsp;&nbsp;brought you into the unit.<br>**[07:53] (Flashback) Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right, Chief Mori?<br>**[07:57] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you've read my<br>&nbsp;&nbsp;&nbsp;&nbsp;Immortal Regiment paper.<br>**[08:02] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[08:04] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was certain that was a<br>&nbsp;&nbsp;&nbsp;&nbsp;classified military document.<br>**[08:07] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Military brass? Immortal?<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you talking about?<br>**[08:10] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just came here to save people's lives!<br>**[08:13] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Yosano.<br>**[08:15] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are more patients waiting.<br>**[08:18] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elise-chan, the next chart, please.<br>**[08:22] (Flashback) Elise**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, master.<br>**[08:28] (Flashback) Soldier B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit...<br>**[08:29] (Flashback) Soldier B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those assholes have set up camp so close.<br>**[08:32] (Flashback) Soldier B**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't think we're a threat.<br>**[08:34] (Flashback) Soldier C**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to admit it, but we aren't.<br>**[08:36] (Flashback) Soldier C**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't even have weapons<br>&nbsp;&nbsp;&nbsp;&nbsp;that can reach that far.<br>**[08:39] (Flashback) Soldier D**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're way outgunned and outnumbered.<br>**[08:43] (Flashback) Soldier D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless something changes...<br>**[08:45] (Flashback) Soldier A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take them down!<br>**[08:46] (Flashback) Soldier A**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have an angel on our side.<br>**[08:49] (Flashback) Soldier C**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[08:58] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[09:00] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[09:27] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my right arm.<br>**[09:29] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you feeling all right?<br>**[09:38] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look pretty exhausted yourself.<br>**[09:40] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I do.<br>**[09:42] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I treated 80 people all at once.<br>**[09:45] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;The worst one had half his body blown off.<br>**[09:49] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could heal his wounds with my ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I couldn't heal his mind.<br>**[09:54] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't even say his name.<br>**[09:57] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about everyone else?<br>**[09:58] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who didn't die<br>&nbsp;&nbsp;&nbsp;&nbsp;went back to the front.<br>**[10:01] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're lacking men.<br>**[10:06] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Angel," my ass.<br>**[10:08] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm basically healing them<br>&nbsp;&nbsp;&nbsp;&nbsp;just for them to die again.<br>**[10:12] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong.<br>**[10:19] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[10:20] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm keeping count.<br>**[10:23] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the number of times you've saved my life.<br>**[10:26] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today makes the fifth time.<br>**[10:28] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happen to like tallying with<br>&nbsp;&nbsp;&nbsp;&nbsp;the character for "true."<br>**[10:32] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I count something<br>&nbsp;&nbsp;&nbsp;&nbsp;and I finish writing "true,"<br>**[10:36] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the sense that something <br>
&nbsp;&nbsp;&nbsp;&nbsp;*just* was created in the world.<br>**[10:40] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your justness.<br>**[10:42] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for you,<br>**[10:44] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never have had a chance to<br>&nbsp;&nbsp;&nbsp;&nbsp;meet my parents and brother again.<br>**[10:48] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you're here.<br>**[10:54] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[10:56] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I...<br>**[10:59] (Flashback) Senior Officer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, private first-class!<br>**[11:01] (Flashback) Senior Officer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The front is in a dire situation.<br>**[11:03] (Flashback) Senior Officer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all better, so get back out there!<br>**[11:05] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[11:12] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as if to laugh in the face of our efforts,<br>&nbsp;&nbsp;&nbsp;&nbsp; the situation continued to worsen.<br>**[11:20] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was treating soldiers<br>&nbsp;&nbsp;&nbsp;&nbsp;once every three days.<br>**[11:24] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then once every day.<br>**[11:26] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon, three times a day.<br>**[11:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was no longer correct<br>&nbsp;&nbsp;&nbsp;&nbsp;to even call it a war.<br>**[11:34] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just standing there,<br>&nbsp;&nbsp;&nbsp;&nbsp;being brutalized.<br>**[11:37] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A normal unit would have given<br>&nbsp;&nbsp;&nbsp;&nbsp;up and retreated long ago,<br>**[11:42] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that never happened.<br>**[11:45] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I was there.<br>**[11:48] (Flashback) Soldier F**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hurts... It hurts...<br>**[11:50] (Flashback) Soldier G**<br>&nbsp;&nbsp;&nbsp;&nbsp;My leg... My leg!<br>**[11:53] (Flashback) Soldier H**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't fight anymore...<br>**[11:54] (Flashback) Soldier H**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me...<br>**[11:55] (Flashback) Soldier I**<br>&nbsp;&nbsp;&nbsp;&nbsp;No more...<br>**[11:56] (Flashback) Soldier I**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to go to the front anymore...<br>**[11:59] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a fracture of the right radius.<br>**[12:03] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treatment.<br>**[12:04] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad... Mom...<br>**[12:07] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be home soon...<br>**[12:12] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to fix them.<br>**[12:14] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to abandon his wounds?<br>**[12:16] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. That's right.<br>**[12:18] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let him fall back and get<br>&nbsp;&nbsp;&nbsp;&nbsp;treatment on his own!<br>**[12:22] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[12:24] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to free him from the battlefield.<br>**[12:29] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a conundrum.<br>**[12:31] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm obliged to give you orders,<br>**[12:35] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have a hard time saying<br>&nbsp;&nbsp;&nbsp;&nbsp;no to a girl's wishes...<br>**[12:38] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yours, though.<br>**[12:40] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it.<br>**[12:43] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know of the samurai, don't you?<br>**[12:46] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;They failed to understand war by<br>&nbsp;&nbsp;&nbsp;&nbsp;gun and cannon, and perished.<br>**[12:52] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the war after, the nation that recognized<br>&nbsp;&nbsp;&nbsp;&nbsp; tanks as beasts that could ravage<br>**[12:56] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;enemy territory, not as simple turrets,<br>&nbsp;&nbsp;&nbsp;&nbsp; massacred the enemy.<br>**[13:02] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;In naval battles, the nation<br>&nbsp;&nbsp;&nbsp;&nbsp;that failed to realize<br>**[13:05] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;that planes would be the masters<br>&nbsp;&nbsp;&nbsp;&nbsp;of the sea was the one to fall.<br>**[13:08] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, special abilities are changing war.<br>**[13:12] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your role is to make the<br>&nbsp;&nbsp;&nbsp;&nbsp;military understand change.<br>**[13:16] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it.<br>**[13:17] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or else the nation will fall.<br>**[13:19] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refuse!<br>**[13:20] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to save the<br>&nbsp;&nbsp;&nbsp;&nbsp;lives in front of me!<br>**[13:27] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[13:34] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[13:35] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's dying.<br>**[13:37] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fix him.<br>**[13:44] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one could leave the battlefield.<br>**[13:49] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The soldier who drew a picture of me,<br>**[13:52] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;the soldier who pat my head,<br>&nbsp;&nbsp;&nbsp;&nbsp;saying I reminded him of his sister,<br>**[13:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;the soldier who made me delicious coffee...<br>**[13:58] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all died.<br>**[14:00] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for me, they could<br>&nbsp;&nbsp;&nbsp;&nbsp;have left with mere injuries.<br>**[14:06] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the word "annihilation"?<br>**[14:09] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's used when half of a<br>&nbsp;&nbsp;&nbsp;&nbsp;unit is incapacitated.<br>**[14:13] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not when half of the unit is *dead*.<br>**[14:16] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, if half of an army is hurt,<br>&nbsp;&nbsp;&nbsp;&nbsp; it retreats and the battle ends.<br>**[14:22] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as long as I was there,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was no retreat.<br>**[14:25] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they couldn't lose.<br>**[14:28] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;To lose is a human right,<br>**[14:30] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I took that from them.<br>**[14:34] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deprived of the ability to lose,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's only one place a military can go.<br>**[14:39] (Flashback) Soldier F**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop him!<br>**[14:40] (Flashback) Soldier G**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take his dagger!<br>**[14:41] (Flashback) Soldier H**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's going to die<br>&nbsp;&nbsp;&nbsp;&nbsp;because of that bitch!<br>**[14:43] (Flashback) Soldier H**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a war!<br>**[14:46] (Flashback) Soldier H**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go, asshole!<br>**[14:47] (Flashback) Soldier H**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go! Let me go!<br>**[14:51] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It happened on the day a soldier<br>&nbsp;&nbsp;&nbsp;&nbsp;I was close to tried to kill me.<br>**[15:04] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hair ornament's missing.<br>**[15:07] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must have dropped it somewhere.<br>**[15:10] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't lose it after he gave it to me.<br>**[15:13] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to find it.<br>**[15:16] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yosano-san,<br>**[15:18] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to ask you to deliver a message.<br>**[15:21] (Flashback) Yosano (young)**<br>&nbsp;&nbsp;&nbsp;&nbsp;That voice...<br>**[15:23] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promised I'd endure...<br>**[15:25] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your ability, the justness<br>&nbsp;&nbsp;&nbsp;&nbsp;of it, has taught me...<br>**[15:30] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone has their limits.<br>**[15:34] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how I called you an angel?<br>**[15:38] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're more than that.<br>**[15:41] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've descended on the battlefield<br>**[15:43] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;as an angel of death.<br>**[15:46] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell my family that I said goodbye.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You are too just
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You are too just
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You are too just
<br>**[16:43] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;My memory after that<br>&nbsp;&nbsp;&nbsp;&nbsp;point is honestly vague.<br>**[16:48] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I've heard,<br>**[16:49] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was arrested for setting explosives<br>&nbsp;&nbsp;&nbsp;&nbsp;to try to blow up the carrier.<br>**[16:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after the war, I was kept<br>&nbsp;&nbsp;&nbsp;&nbsp;in isolation in a facility.<br>**[16:59] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I imagine I would have left,<br>&nbsp;&nbsp;&nbsp;&nbsp; even if the door was open.<br>**[17:04] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it was the Agency that rescued you?<br>**[17:09] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only that were the case.<br>**[17:12] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the worst person imaginable who did.<br>**[17:16] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was three years after the war ended.<br>**[17:29] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally found you.<br>**[17:36] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need your ability again.<br>**[17:49] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would drag her back into hell again?!<br>**[17:52] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you playing the part<br>&nbsp;&nbsp;&nbsp;&nbsp;of a devil, Mori-sensei?!<br>**[17:55] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is the very pillar of the<br>&nbsp;&nbsp;&nbsp;&nbsp;tripartite framework, of the city's peace.<br>**[18:00] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;An immortal army, led by Yosano-kun,<br>**[18:03] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;is best suited to defeating<br>&nbsp;&nbsp;&nbsp;&nbsp;the formidable Port Mafia boss!<br>**[18:09] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Best suited," my ass!<br>**[18:11] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your reasoning lacks humanity!<br>**[18:14] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humanity?!<br>**[18:16] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;War is a game in which the first to<br>&nbsp;&nbsp;&nbsp;&nbsp;take humanity into account loses!<br>**[18:20] (Flashback) Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then our alliance ends today!<br>**[18:24] (Flashback) Mori**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, it's your life that ends today!<br>**[18:34] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, nasty.<br>**[18:36] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grown-up fights are always so pompous.<br>**[18:40] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this?<br>**[18:42] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm freeing you while the boss is fighting.<br>**[18:45] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the plan.<br>**[18:47] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me back.<br>**[18:50] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me back.<br>**[18:51] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't go outside.<br>**[18:54] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[18:55] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;My special ability makes<br>&nbsp;&nbsp;&nbsp;&nbsp;it too easy to save lives.<br>**[19:00] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I make the lives of everyone<br>&nbsp;&nbsp;&nbsp;&nbsp; around me seem cheap.<br>**[19:04] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be allowed to live.<br>**[19:09] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so stupid.<br>**[19:11] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't give a crap.<br>**[19:14] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you give up using<br>&nbsp;&nbsp;&nbsp;&nbsp;your special ability, then?<br>**[19:17] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could do that...<br>**[19:19] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying you can't?<br>**[19:21] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[19:22] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you have a crazy healing ability?<br>**[19:25] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because everyone tried to use your ability?<br>**[19:30] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[19:31] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;My superhuman deduction is the<br>&nbsp;&nbsp;&nbsp;&nbsp;best special ability in the world.<br>**[19:34] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No other ability matters.<br>**[19:37] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;With me on your side,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can solve all your problems!<br>**[19:41] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you doubt my abilities,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can prove it to you.<br>**[19:57] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[19:59] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[20:01] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never told anyone about this!<br>**[20:04] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found it on an old carrier.<br>**[20:07] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?<br>**[20:08] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know everything.<br>**[20:10] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try asking me a question.<br>**[20:12] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll answer anything..<br>**[20:15] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then... What should I do now?<br>**[20:20] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people I cared about died because of me.<br>**[20:23] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how it's always going to be.<br>**[20:26] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will always be people who want<br>&nbsp;&nbsp;&nbsp;&nbsp;to use my ability against my will.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You are too just
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You are too just
<br>**[20:32] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there really anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;I can be allowed to live?<br>**[20:36] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is.<br>**[20:40] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just one place in the<br>&nbsp;&nbsp;&nbsp;&nbsp;world that doesn't need you.<br>**[20:46] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Join the Armed Detective Agency.<br>**[20:49] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't want your special ability.<br>**[20:52] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want that kindness of yours.<br>**[20:54] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't want anyone to die, did you?<br>**[20:57] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you're in so much pain.<br>**[21:00] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to invite you because<br>&nbsp;&nbsp;&nbsp;&nbsp;you have such kindness.<br>**[21:04] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about your ability.<br>**[21:06] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your kindness that means something.<br>**[21:21] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yosano-san, what's wrong?<br>**[21:26] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[21:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[21:30] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The transaction takes place<br>&nbsp;&nbsp;&nbsp;&nbsp; through the door.<br>**[21:35] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saving the Agency, no matter what.<br>**[21:39] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just one place in the<br>&nbsp;&nbsp;&nbsp;&nbsp;world that doesn't need you.<br>**[21:50] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Agency is the one place in the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;world where I can be allowed to live.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 47
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;In Lament of <br>
&nbsp;&nbsp;&nbsp;&nbsp;My Wingless Body
<br>

# 47 - In Lament of My Wingless Body

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Unbeknownst to all...
<br>**[00:07] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The transaction supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to happen just up ahead.<br>**[00:10] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to hurry,<br>&nbsp;&nbsp;&nbsp;&nbsp; before the Port Mafia notice.<br>**[00:13] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit, you old geezer, why?<br>**[00:16] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kill the freaking detectives.<br>**[00:18] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They got here ahead of us.*<br>**[00:20] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember what the boss said?<br>**[00:22] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Francis might be with the military police,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't go near their business.<br>**[00:26] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet they ignored the boss's orders<br>&nbsp;&nbsp;&nbsp;&nbsp;and went off on their own.<br>**[00:29] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're disrespecting the boss!<br>**[00:32] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you can't let go of your<br>&nbsp;&nbsp;&nbsp;&nbsp;old gangster habits, Tachihara.<br>**[00:35] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Port Mafia's actions are not determined<br>&nbsp;&nbsp;&nbsp;&nbsp;by whether or not there is disrespect,<br>**[00:39] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by whether they are<br>&nbsp;&nbsp;&nbsp;&nbsp;faithful to the boss's wishes.<br>**[00:43] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let anyone hurt the Agency.<br>**[00:46] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Protect them with your life.<br>**[00:48] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the order we were given.<br>**[00:51] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the boss knew they were<br>&nbsp;&nbsp;&nbsp;&nbsp;about to engage in dangerous business.<br>**[00:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mori-sensei knew that?*<br>**[00:57] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you have it, detectives.<br>**[01:02] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Mori-sensei sure is<br>&nbsp;&nbsp;&nbsp;&nbsp;a worrywart, isn't he?<br>**[01:06] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't need to worry.<br>**[01:08] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your deal with Francis isn't a trap.<br>**[01:11] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[01:11] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you so sure?<br>**[01:12] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Atsushi believes him.<br>**[01:15] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Atsushi fought with him<br>&nbsp;&nbsp;&nbsp;&nbsp;previously on the Moby Dick.<br>**[01:26] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you've bared your soul to someone<br>&nbsp;&nbsp;&nbsp;&nbsp;by trading mortal blows with them,<br>**[01:30] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;they won't be fooled by your lies.<br>**[01:33] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost at the transaction site.<br>**[01:35] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[01:36] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[01:38] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We finally have hope of saving the Agency,<br>**[01:41] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's not all.<br>**[01:43] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Agency shows its real strength when<br>&nbsp;&nbsp;&nbsp;&nbsp;it's together, not when it's spread out.<br>**[01:47] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[01:51] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to meet the others.<br>**[01:57] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;The car's here!<br>**[01:59] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been waiting for you! Atsushi-san!<br>**[02:06] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenji!<br>**[02:07] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[02:11] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Targets surrounded!<br>**[02:12] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now capturing the suspects!<br>**[02:15] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit...*<br>**[02:16] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I hope this isn't what I think...*<br>**[02:18] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenji-kun!<br>**[02:24] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What the hell?*<br>**[02:25] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An enemy ability?*<br>**[02:27] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The ornamentation on that saber...*<br>**[02:29] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hunting Dogs!<br>**[02:30] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, run!<br>**[02:31] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The transaction was a trap!<br>**[02:33] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Francis has sided with the enemy!<br>**[02:35] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[04:09] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Francis-sama, may I ask you something?<br>**[04:12] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[04:14] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the 78 strategy proposals I wrote,<br>**[04:18] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;74 involved selling the Agency members'<br>&nbsp;&nbsp;&nbsp;&nbsp;location to the government.<br>**[04:22] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a good opportunity to make up<br>&nbsp;&nbsp;&nbsp;&nbsp;for having crashed the Moby Dick.<br>**[04:29] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you make a deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with the military police?<br>**[04:33] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Louisa-kun...<br>**[04:35] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember the time when<br>&nbsp;&nbsp;&nbsp;&nbsp; we were reunited on the streets?<br>**[04:39] Louisa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never forget.<br>**[04:41] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, neither.<br>**[04:43] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything I ate tasted like sand.<br>**[04:47] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even breathing was laborious.<br>**[04:50] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despair takes away a person's<br>&nbsp;&nbsp;&nbsp;&nbsp;ability to get back up on their feet.<br>**[04:53] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the several months, until you came along,<br>**[04:55] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hadn't even thought of<br>&nbsp;&nbsp;&nbsp;&nbsp;rebuilding the organization.<br>**[04:59] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Agency got back up within an hour,<br>**[05:03] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now they're fighting for their lives.<br>**[05:07] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always side with the winners.<br>**[05:10] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, in this fight, the Agency will win.<br>**[05:17] Francis**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, I will side with the Agency.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 47
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;In Lament of My <br>
&nbsp;&nbsp;&nbsp;&nbsp;Wingless Body
<br>**[05:28] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit, they're all over the place.<br>**[05:30] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squad A, Squad B, advance.<br>**[05:33] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squad C, deploy thermal scopes.<br>**[05:35] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let the one with the<br>&nbsp;&nbsp;&nbsp;&nbsp;illusion ability escape!<br>**[05:37] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenji!<br>**[05:39] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all right.<br>**[05:41] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is nothing.<br>**[05:45] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A raincoat?*<br>**[05:47] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not even raining.*<br>**[05:50] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Something feels off.*<br>**[06:03] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kenji!<br>**[06:09] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get the sword out!<br>**[06:11] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move!<br>**[06:23] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone!<br>**[06:25] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're escaping into a secret<br>&nbsp;&nbsp;&nbsp;&nbsp; Port Mafia escape route.<br>**[06:28] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come.<br>**[06:30] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[06:36] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;The squads on the ground have<br>&nbsp;&nbsp;&nbsp;&nbsp;requested that we move out.<br>**[06:42] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna?<br>**[06:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see!<br>**[06:56] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll fix him.<br>**[06:58] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you.<br>**[07:00] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a trap.<br>**[07:02] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears so.<br>**[07:07] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But something still seems off.*<br>**[07:11] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yosano-san...<br>**[07:13] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[07:14] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've saved me.<br>**[07:19] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Port Mafia's armed<br>&nbsp;&nbsp;&nbsp;&nbsp;forces are returning fire,<br>**[07:22] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but their defenses are falling apart.<br>**[07:25] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the five Hunting Dogs come,<br>&nbsp;&nbsp;&nbsp;&nbsp;this escape route will be destroyed, as well.<br>**[07:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[07:31] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspect one of them is already here.<br>**[07:33] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That saber...<br>**[07:35] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It belonged to the Hunting Dogs.<br>**[07:37] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm told that the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;have superhuman physical prowess<br>**[07:40] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as exceptionally<br>&nbsp;&nbsp;&nbsp;&nbsp;powerful special abilities.<br>**[07:44] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each of them has the military power<br>&nbsp;&nbsp;&nbsp;&nbsp; of a thousand special forces soldiers.<br>**[07:49] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A thousand?!<br>**[07:50] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're freaks!<br>**[07:52] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there are five of them?!<br>**[07:59] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tanizaki, Kenji...<br>**[08:01] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to talk.<br>**[08:04] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's split up and run.<br>**[08:06] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't!<br>**[08:07] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to stick together!<br>**[08:09] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[08:10] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, only one of<br>&nbsp;&nbsp;&nbsp;&nbsp; the Hunting Dogs after us.<br>**[08:13] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we split up, two of us will be saved.<br>**[08:17] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mori-sensei mentioned a hideout for us<br>&nbsp;&nbsp;&nbsp;&nbsp;and a designated vehicle for reaching it.<br>**[08:24] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have they been prepared for us?<br>**[08:26] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have.<br>**[08:27] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[08:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make me a promise:<br>**[08:31] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;whoever survives will put their<br>&nbsp;&nbsp;&nbsp;&nbsp;lives on the line to rebuild the Agency.<br>**[08:38] Tanizaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[08:40] Kenji**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it.<br>**[08:47] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're about to enter a complex maze.<br>**[08:50] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use this map to reach your escape vehicles.<br>**[09:08] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop.<br>**[09:13] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[09:14] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear fighting.<br>**[09:15] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lots of gunshots and combat boots.<br>**[09:18] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And familiar footsteps from underground.<br>**[09:23] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't there a secret Port Mafia<br>&nbsp;&nbsp;&nbsp;&nbsp; passage in this area?<br>**[09:38] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Atsushi!<br>**[09:39] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka!<br>**[09:40] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yosano-san!<br>**[09:43] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Special Ability: Thou Shalt Not Die.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thou Shalt Not Die
<br>**[09:52] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Francis betrayed us?<br>**[09:54] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The transaction was a trap.<br>**[09:56] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you two were both<br>&nbsp;&nbsp;&nbsp;&nbsp;blown up with the car.<br>**[10:00] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impossible.<br>**[10:02] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Francis is arrogant, but he<br>&nbsp;&nbsp;&nbsp;&nbsp;looks after his employees.<br>**[10:05] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if he was going to frame the Agency,<br>**[10:07] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;he would only do it after<br>&nbsp;&nbsp;&nbsp;&nbsp;Margaret-san's treatment.<br>**[10:10] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Good point.*<br>**[10:12] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So how did the military police find out*<br>*&nbsp;&nbsp;&nbsp;&nbsp;where the transaction was taking place?*<br>**[10:17] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get out of here first.<br>**[10:19] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driver, please...<br>**[10:23] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ambush!<br>**[10:24] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get out!<br>**[10:27] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's him.<br>**[10:36] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Atsushi.<br>**[10:37] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll deal with him.<br>**[10:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[10:40] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The three of us together might<br>&nbsp;&nbsp;&nbsp;&nbsp;stand a chance of winning.<br>**[10:43] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Winning isn't important.<br>**[10:45] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's important is protecting Margaret.<br>**[10:48] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's already been treated.<br>**[10:49] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deliver her to Francis before the<br>&nbsp;&nbsp;&nbsp;&nbsp;military police close the roads.<br>**[10:53] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our only hope for reviving<br>&nbsp;&nbsp;&nbsp;&nbsp;the Armed Detective Agency.<br>**[10:58] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drive.<br>**[11:00] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[11:02] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not good at dying.<br>**[11:07] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be safe.<br>**[11:12] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then...<br>**[11:14] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;First off, may I get a look at your face?<br>**[11:28] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ability, the justness of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;has taught me...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You are too just
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You are too just
<br>**[11:48] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay back, you dumb shits!<br>**[11:50] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freaking hell, it's tough.<br>**[11:51] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you lot here?<br>**[11:53] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss's orders are absolute.<br>**[12:01] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Old man, look out!<br>**[12:05] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life of evil is little<br>&nbsp;&nbsp;&nbsp;&nbsp;more than a clown show.<br>**[12:09] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus I have no intention of making<br>&nbsp;&nbsp;&nbsp;&nbsp;way for your pretense of justice.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Falling Camellia
<br>**[12:15] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Special ability: Falling Camellia.<br>**[12:29] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[12:30] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The escape boat is in the<br>&nbsp;&nbsp;&nbsp;&nbsp;underground drain ahead.<br>**[12:41] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go!<br>**[12:44] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't hold him off for long.<br>**[12:46] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[12:48] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go!<br>**[12:51] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going!<br>**[12:53] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let his efforts go to waste!<br>**[13:03] Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;May my soul forever be with the Port Mafia.<br>**[13:28] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The character for "true"...*<br>**[13:42] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only the Port Mafia can<br>&nbsp;&nbsp;&nbsp;&nbsp;unlock this blast door.<br>**[13:46] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure.<br>**[13:47] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[13:49] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to know about that Gifted.<br>**[13:52] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Hunting Dogs are military veterans.*<br>**[13:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that ability to manipulate metal...*<br>**[13:59] (Flashback) Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, she's an angel of death.<br>**[14:01] (Flashback) Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's better off without her.<br>**[14:04] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If that man is a Hunting Dog,*<br>**[14:06] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it would make sense that they know*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about the name "angel of death."*<br>**[14:12] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[14:15] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That man was most certainly dead.*<br>**[14:19] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I tried so many times to bring him back.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I know better than anyone.*<br>**[14:28] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should do it.<br>**[14:29] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the enemy uses a<br>&nbsp;&nbsp;&nbsp;&nbsp;special ability to open the door,<br>**[14:32] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;this proximity bomb will<br>&nbsp;&nbsp;&nbsp;&nbsp;blow their heads off.<br>**[14:35] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even a Hunting Dog would be dead instantly.<br>**[14:38] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've checked the waterway bulkheads, as well.<br>**[14:42] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're safe here.<br>**[14:47] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two escape by boat.<br>**[14:50] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stay here.<br>**[14:51] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[14:53] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man is only trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to get revenge on me.<br>**[14:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let any more lives<br>&nbsp;&nbsp;&nbsp;&nbsp;be lost because of me.<br>**[14:59] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you dissing us?<br>**[15:02] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We wouldn't be in the Port Mafia<br>&nbsp;&nbsp;&nbsp;&nbsp; if we were such wimps.<br>**[15:07] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a badass older brother.<br>**[15:11] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hated being compared to him.<br>**[15:14] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I turned to crime so that I could<br>&nbsp;&nbsp;&nbsp;&nbsp;go in the opposite direction.<br>**[15:16] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But fighting and doing bad shit never<br>&nbsp;&nbsp;&nbsp;&nbsp;relieved me of this indescribable agony.<br>**[15:23] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, one day...<br>**[15:26] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was caught breaking into a safe<br>&nbsp;&nbsp;&nbsp;&nbsp; owned by some serious crooks.<br>**[15:30] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;They told me they'd spare my life,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd have to be a grunt for them.<br>**[15:36] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work was fun, as strange as that is to say.<br>**[15:40] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was fighting as part<br>&nbsp;&nbsp;&nbsp;&nbsp;of a powerful organization,<br>**[15:43] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was neither my brother nor his<br>&nbsp;&nbsp;&nbsp;&nbsp;opposite, but someone else entirely.<br>**[15:50] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The orders made me who I am.<br>**[15:52] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if my orders kill me today,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have no regrets.<br>**[15:57] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara...<br>**[16:00] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Gin?<br>**[16:01] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did my story move you?<br>**[16:06] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[16:12] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[16:13] Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't control the sword!<br>**[16:28] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible...<br>**[16:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The door wasn't opened and<br>&nbsp;&nbsp;&nbsp;&nbsp;the bomb never went off.<br>**[16:31] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;How...?<br>**[16:41] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You finally became someone when<br>&nbsp;&nbsp;&nbsp;&nbsp;you joined the organization...<br>**[16:46] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you.<br>**[16:49] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[16:50] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wretched ghost of the past...<br>**[16:53] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Yosano Akiko, will wreck you!<br>**[16:58] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the fifth member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Hunting Dogs?<br>**[17:01] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That came out of nowhere.<br>**[17:05] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is no.<br>**[17:08] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't find anything about him,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how hard I tried.<br>**[17:11] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fifth member of the Hunting Dogs...<br>**[17:15] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master of metals and<br>&nbsp;&nbsp;&nbsp;&nbsp; executioner of the shadows...<br>**[17:18] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man who has an old, fateful connection<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Armed Detective Agency.<br>**[17:23] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many of the Agency<br>&nbsp;&nbsp;&nbsp;&nbsp;members will survive against him?<br>**[17:45] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Did he stop the bullets?*<br>**[17:47] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;His ability to control metals is way*<br>*&nbsp;&nbsp;&nbsp;&nbsp;more powerful than it used to be.*<br>**[17:51] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Whether it's a gun or a sword,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;all weapons are his to control.*<br>**[17:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have no way of attacking him.*<br>**[18:20] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's a good day.<br>**[18:23] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;The president and Rampo-san both<br>&nbsp;&nbsp;&nbsp;&nbsp;forgave me despite knowing my sins.<br>**[18:28] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the one who couldn't forgive myself.<br>**[18:31] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;But today, you came to take revenge on me.<br>**[18:35] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I'm no longer lonely!<br>**[18:51] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't work!<br>**[18:58] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't stop an explosion<br>&nbsp;&nbsp;&nbsp;&nbsp;with your ability, can you?<br>**[19:03] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll save the Agency and<br>&nbsp;&nbsp;&nbsp;&nbsp;accept my punishment!<br>**[19:17] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...<br>**[19:18] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a bomb!<br>**[19:23] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;A metal mannequin?<br>**[19:26] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the enemy never even here?<br>**[19:28] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No...*<br>**[19:29] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He couldn't have fought the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;way he did without seeing me.*<br>**[19:33] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So the enemy's been watching*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from close by the whole time.*<br>**[19:37] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hold on...*<br>**[19:38] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I remember this mannequin.*<br>**[19:44] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the one I saw earlier.*<br>**[20:05] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[20:11] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hunting Dogs!<br>**[20:14] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Suddenly, I understand*<br>**[20:16] Yosano**<br>*&nbsp;&nbsp;&nbsp;&nbsp;how they were able to follow me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so accurately through the maze*<br>**[20:19] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of this underground Port Mafia passage.*<br>**[20:22] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And how the enemy passed through the door.*<br>**[20:26] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And why the bomb was a fake.*<br>**[20:29] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's only one possible answer.*<br>**[20:38] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a former medic who knew<br>&nbsp;&nbsp;&nbsp;&nbsp;numerous military secrets,<br>**[20:42] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mori Ougai was a dangerous man.<br>**[20:45] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never would have expected that the<br>&nbsp;&nbsp;&nbsp;&nbsp;undercover agent we sent to watch him<br>**[20:49] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;would prove so useful.<br>**[20:53] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to work as a grunt for<br>&nbsp;&nbsp;&nbsp;&nbsp;some serious crooks, you said?<br>**[20:57] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Port Mafia.<br>**[21:03] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[21:06] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the fifth Hunting Dog.<br>**[21:09] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Undercover agent Tachihara Michizou.<br>**[21:13] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the soldier you killed fourteen<br>&nbsp;&nbsp;&nbsp;&nbsp;years ago was my older brother.<br>**[21:21] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother...<br>**[21:24] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for you,<br>**[21:26] (Flashback) Soldier**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never have had a chance to<br>&nbsp;&nbsp;&nbsp;&nbsp;meet my parents and brother again.<br>**[21:30] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because Sakaguchi, the previous agent, left,<br>**[21:34] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;the military police decided to send<br>&nbsp;&nbsp;&nbsp;&nbsp;another agent into the Port Mafia.<br>**[21:37] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I asked for it specifically.<br>**[21:40] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure I could get close<br>&nbsp;&nbsp;&nbsp;&nbsp;to you if I was in the Mafia.<br>**[21:45] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge for your brother.<br>**[21:49] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[21:51] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is truly a good day.<br>**[21:55] Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you wish.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 47
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jailbreak
<br>

# 48 - Jailbreak

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Dear Yokomizo-dono
<br>**[00:00] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dear Yokomizo-dono,*<br>**[00:04] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How is it in the afterlife?*<br>**[00:06] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Knowing you, I suspect*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you're looking for ways*<br>**[00:11] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to manipulate divine powers*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into allowing you an escape.*<br>**[00:14] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I bet you're jealous of my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;lavish lifestyle right now.*<br>**[00:19] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No, I'm not lying.*<br>**[00:21] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The meals are extravagant and exquisite.*<br>**[00:23] Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meal time!<br>**[00:28] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[00:30] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And even the Celtic god Ruad Rofhessa*<br>**[00:32] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;would envy the freedom afforded*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to me during my reading times.*<br>**[00:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, guard.<br>**[00:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish to read books on occultism.<br>**[00:40] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me to the library.<br>**[00:41] Guard**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't allowed to leave.<br>**[00:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least lend me a book, then.<br>**[00:47] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the rinse cycle does not occur<br>&nbsp;&nbsp;&nbsp;&nbsp;during the washing process, see page 8.<br>**[00:52] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I get to read books that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I rarely do otherwise.*<br>**[00:57] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I never even think about the fact*<br>**[01:00] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that you no longer exist in this world.*<br>**[01:20] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, Yokomizo...*<br>**[01:22] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unlike the fool that you are,*<br>**[01:22] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Infiltration successful.<br>**[01:24] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[01:24] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I am able to maintain my composure*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and grace during this crisis.*<br>**[01:25] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[01:26] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think so.<br>**[01:28] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sech stempel schrecken<br>&nbsp;&nbsp;&nbsp;&nbsp;geht durch mein gebein!<br>**[01:36] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... We're the Armed Detective Agency.<br>**[01:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here to help you.<br>**[03:16] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency's been framed<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Decay of Angels.<br>**[03:20] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were captured by the enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to warn us about their trap.<br>**[03:25] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used the Eyes of God to find you<br>&nbsp;&nbsp;&nbsp;&nbsp;here so that we can get you out.<br>**[03:31] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka-chan, have you dealt<br>&nbsp;&nbsp;&nbsp;&nbsp;with the guards outside?<br>**[03:34] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Demon Snow knocked them out.<br>**[03:38] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushitaro-san, let's escape together.<br>**[03:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refuse.<br>**[03:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just want me for my knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp; of the Decay of Angels, don't you?<br>**[03:47] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I have no need for you lot.<br>**[03:50] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[03:51] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you want to leave?<br>**[03:53] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm used to being locked up.<br>**[03:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, there's nothing for me<br>&nbsp;&nbsp;&nbsp;&nbsp; in the outside world anymore.<br>**[04:01] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I leave, he's not...<br>**[04:06] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manuscript.<br>**[04:08] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-san told me that you wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to resist that word.<br>**[04:13] (Flashback) Rampo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's enough to publicize the<br>&nbsp;&nbsp;&nbsp;&nbsp;truth behind this manuscript.<br>**[04:18] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a threat?<br>**[04:20] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've become a true criminal<br>&nbsp;&nbsp;&nbsp;&nbsp;organization now, haven't you?<br>**[04:25] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be.<br>**[04:27] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll become anything, if it's to<br>&nbsp;&nbsp;&nbsp;&nbsp;save the Armed Detective Agency.<br>**[04:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're aware that what you're doing<br>&nbsp;&nbsp;&nbsp;&nbsp;right now is tantamount to bank robbery.<br>**[04:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're inside a government bank.<br>**[04:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breaking in, by itself, is a serious crime.<br>**[04:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, whatever.<br>**[04:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do as you say.<br>**[04:53] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will?!<br>**[04:54] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[04:58] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The escape route is this way.<br>**[05:01] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The manuscript?!*<br>**[05:06] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That was the last remnant of Yokomizo's life,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that he entrusted me with.*<br>**[05:11] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How dare they use it against me!*<br>**[05:14] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wretched bastards!*<br>**[05:17] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I ought to let the guards take them.*<br>**[05:21] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To that end, I need to make*<br>*&nbsp;&nbsp;&nbsp;&nbsp;us as noticeable as we can.*<br>**[05:25] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;My tummy hurts!<br>**[05:27] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[05:28] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all!<br>**[05:29] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be a goner!<br>**[05:33] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[05:36] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know of an acupuncture point<br>&nbsp;&nbsp;&nbsp;&nbsp;that works on stomach pain.<br>**[05:38] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;All it takes is a good jab three<br>&nbsp;&nbsp;&nbsp;&nbsp;centimeters above the hipbone.<br>**[05:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm all good!<br>**[05:44] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It works so well, you feel better<br>&nbsp;&nbsp;&nbsp;&nbsp;before you even get jabbed!<br>**[05:47] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[05:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You brat!*<br>**[05:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm not done yet.*<br>**[05:51] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad!<br>**[05:53] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This hallway is aligned with<br>&nbsp;&nbsp;&nbsp;&nbsp;the Kabbalistic Taurus!<br>**[05:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not tread this evil path,<br>&nbsp;&nbsp;&nbsp;&nbsp; you foolish normies!<br>**[05:59] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know an acupuncture point<br>&nbsp;&nbsp;&nbsp;&nbsp;that works on Kabbala.<br>**[06:01] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The alignment's all better!<br>**[06:03] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a powerful acupuncture point.<br>**[06:05] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[06:07] Guard A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, this is Group C.<br>**[06:10] Guard A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:10] Guard A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:11] Guard A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[06:12] Guard A**<br>&nbsp;&nbsp;&nbsp;&nbsp;On our way.<br>**[06:15] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[06:16] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guards are leaving.<br>**[06:21] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...<br>**[06:22] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Please, no, detective.<br>**[06:24] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manager, sir...<br>**[06:27] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a wanted man<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding in this building.<br>**[06:30] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please cease operations and<br>&nbsp;&nbsp;&nbsp;&nbsp;grant us security authority.<br>**[06:36] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The bank has been surrounded.*<br>**[06:38] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[06:39] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've assessed the<br>&nbsp;&nbsp;&nbsp;&nbsp; targets' special abilities.<br>**[06:42] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're hunting them down with all our might.<br>**[06:45] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the problem?<br>**[06:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Special Operations<br>&nbsp;&nbsp;&nbsp;&nbsp;Division has us surrounded.<br>**[06:49] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's him!<br>**[06:52] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit...<br>**[06:53] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ohh, shit.<br>**[06:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is *he* here?<br>**[06:56] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[06:58] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakaguchi Ango.<br>**[07:00] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that man catches us, we're all done for.<br>**[07:06] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you aware of an organization<br>&nbsp;&nbsp;&nbsp;&nbsp;called The Seventh Agency?<br>**[07:09] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;They specialize in cleaning up<br>&nbsp;&nbsp;&nbsp;&nbsp;crime and engaging in cover-ups.<br>**[07:13] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard of it.<br>**[07:15] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Fyodor rescued you from confinement<br>**[07:18] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and demanded cooperation during<br>&nbsp;&nbsp;&nbsp;&nbsp;the Cannibalism in return.<br>**[07:22] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakaguchi Ango is the leader<br>&nbsp;&nbsp;&nbsp;&nbsp;of that crime organization.<br>**[07:27] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impossible!<br>**[07:28] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ango-san works for the government!<br>**[07:30] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you still not understand?<br>**[07:32] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The government created<br>&nbsp;&nbsp;&nbsp;&nbsp;a crime organization!<br>**[07:36] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Seventh Agency is the<br>&nbsp;&nbsp;&nbsp;&nbsp;government's shadow.<br>**[07:39] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cover-ups of political crimes, using illegal<br>&nbsp;&nbsp;&nbsp;&nbsp;tactics, removing damaging rumors...<br>**[07:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the one who was given documents<br>**[07:45] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;on all these things,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could delete the evidence.<br>**[07:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt that if we're captured,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be held until the day I die,<br>**[07:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you two will be erased.<br>**[07:56] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, this trap will be brutal.<br>**[07:59] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The team within the<br>&nbsp;&nbsp;&nbsp;&nbsp;Special Operations Division<br>**[08:01] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;focuses on dealing with Gifted.<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the Port Mafia fears them.<br>**[08:04] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're found, they'll bombard us with poison gas<br>&nbsp;&nbsp;&nbsp;&nbsp; and explosives and that will be checkmate.<br>**[08:08] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we just need to avoid being found.<br>**[08:13] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think I am?<br>**[08:20] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Walk with pride!<br>**[08:26] Guard C**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[08:27] Guard B**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing.<br>**[08:29] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressed?<br>**[08:30] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we walk around with stolen goods and use<br>&nbsp;&nbsp;&nbsp;&nbsp;my special ability to erase evidence of crime,<br>**[08:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;we vanish from any kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of surveillance video.<br>**[08:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[08:40] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No wonder Rampo-san struggled*<br>*&nbsp;&nbsp;&nbsp;&nbsp;against this ability.*<br>**[08:45] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka-chan, hide!<br>**[08:57] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is in this area.<br>**[09:00] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are Gifted who can<br>&nbsp;&nbsp;&nbsp;&nbsp;dismantle walls and ceilings.<br>**[09:04] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secure the perimeter with caution.<br>**[09:08] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Ango-san.<br>**[09:09] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?<br>**[09:10] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability is perfect!<br>**[09:13] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad.<br>**[09:14] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hallway ahead is a<br>&nbsp;&nbsp;&nbsp;&nbsp;dead end filled with vaults.<br>**[09:18] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nowhere to run.<br>**[09:20] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we hide in a vault?<br>**[09:22] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too dangerous.<br>**[09:23] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd be trapped like rats.<br>**[09:28] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're coming!<br>**[09:30] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no time.*<br>**[09:31] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If they find us, we're doomed.*<br>**[09:33] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What do we do?!*<br>**[09:36] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like you're trapped in a room.<br>**[09:39] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trap without an exit.<br>**[09:41] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like a locked room.<br>**[09:44] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd make for an entertaining mystery<br>&nbsp;&nbsp;&nbsp;&nbsp;if the criminal vanished from here.<br>**[09:49] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you agree, Mushi-kun?<br>**[10:00] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 48
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Jailbreak
<br>**[10:03] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>**[10:11] Military Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target acquired!<br>**[10:13] Military Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's escaping into a vault!<br>**[10:16] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neutralize the enemy!<br>**[10:18] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gifted Combat Squad, advance!<br>**[10:22] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosives planted.<br>**[10:24] Military Police B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breach charges set.<br>**[10:26] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Detonate!<br>**[10:32] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breach!<br>**[10:36] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Command, there's no one here.<br>**[10:39] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target has vanished.<br>**[10:42] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[10:50] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no sign that they've dug<br>&nbsp;&nbsp;&nbsp;&nbsp;through the walls or ground.<br>**[10:53] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't even a sign that<br>&nbsp;&nbsp;&nbsp;&nbsp;they've used special abilities.<br>**[10:58] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've vanished without a trace.<br>**[11:03] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;See that, Special Operations?!<br>**[11:06] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[11:08] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was nothing.<br>**[11:09] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the classic vanishing act.<br>**[11:12] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What they saw was the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;Demon Snow closed the vault door.<br>**[11:16] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were, in fact, hiding in an<br>&nbsp;&nbsp;&nbsp;&nbsp;open vault closer to the exit.<br>**[11:20] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, in the moment of the attack,<br>**[11:22] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka-chan released<br>&nbsp;&nbsp;&nbsp;&nbsp;Demon Snow and we escaped.<br>**[11:25] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's psychological trickery,<br>&nbsp;&nbsp;&nbsp;&nbsp; taking advantage of the expectation<br>**[11:28] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we wouldn't be hiding in an open vault.<br>**[11:32] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smarter you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more likely you are to fall for it.<br>**[11:34] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed that you came up with<br>&nbsp;&nbsp;&nbsp;&nbsp;that idea under so much pressure.<br>**[11:37] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I didn't come up with it.<br>**[11:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone taught me it a long time ago.<br>**[11:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did?<br>**[11:49] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide in the room next door?!<br>**[11:51] (Flashback) Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would that even count as a trick?<br>**[11:57] (Flashback) Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't figure it out, though,<br>&nbsp;&nbsp;&nbsp;&nbsp; could you, Mushi-kun?<br>**[12:02] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;We debated thousands<br>
&nbsp;&nbsp;&nbsp;&nbsp; upon thousands of times<br>**[12:03] Mushitaro**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We debated thousands upon*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thousands of times.*<br>**[12:04] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seeped into the very fiber of my being.<br>**[12:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It seeped into the very fiber of my being.*<br>**[12:09] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yokomizo...*<br>**[12:10] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Were you always there?*<br>**[12:14] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I always meet you in a closed room?<br>**[12:19] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life seems exciting and fun<br>&nbsp;&nbsp;&nbsp;&nbsp;around you these days.<br>**[12:23] Yokomizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better for your well-being than writing<br>&nbsp;&nbsp;&nbsp;&nbsp;those dull letters, I'd say.<br>**[12:29] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, you sell-out.<br>**[12:33] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushitaro-san?<br>**[12:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, we just need to steal a car and run.<br>**[12:38] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we erase the evidence of<br>&nbsp;&nbsp;&nbsp;&nbsp;having stolen a car using my ability.<br>**[12:43] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, the city security camera footage<br>&nbsp;&nbsp;&nbsp;&nbsp;and stolen car police documents vanish.<br>**[12:50] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure are something else.<br>**[12:52] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sewer line will take us to a<br>&nbsp;&nbsp;&nbsp;&nbsp;parking lot away from the guards.<br>**[12:57] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll handle it.<br>**[13:03] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go in first and check—<br>**[13:09] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[13:14] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A dummy grenade!*<br>**[13:18] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unacceptable.<br>**[13:20] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have you thinking you<br>&nbsp;&nbsp;&nbsp;&nbsp;can deceive me that easily.<br>**[13:24] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!<br>**[13:24] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you find us here?<br>**[13:25] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ango-san, please, listen.<br>**[13:28] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency is innocent.<br>**[13:31] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real enemy is elsewhere.<br>**[13:33] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I trust you to understand.<br>**[13:36] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Believe me!<br>**[13:38] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[13:40] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[13:43] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;My special ability allows me to extract<br>&nbsp;&nbsp;&nbsp;&nbsp;memories residing in objects.<br>**[13:51] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used this to determine your escape route.<br>**[13:55] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used this ability to learn<br>&nbsp;&nbsp;&nbsp;&nbsp;everything about the crime scene.<br>**[13:58] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, I can be certain the<br>&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency is guilty.<br>**[14:02] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;You also stabbed Chief Taneda!<br>**[14:05] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rampo-san said the government has<br>&nbsp;&nbsp;&nbsp;&nbsp;a Gifted who can read memories.<br>**[14:13] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He also said that if we're captured,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're bound to be executed.<br>**[14:18] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would honestly beg a secret government<br>&nbsp;&nbsp;&nbsp;&nbsp;organization to just believe you?<br>**[14:22] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Agency's jokes have never<br>&nbsp;&nbsp;&nbsp;&nbsp;been funny, to the very end.<br>**[14:25] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I underestimated the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Special Operations Division.*<br>**[14:49] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commander, where are the targets?<br>**[14:51] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;They got away.<br>**[14:53] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;They escaped through the manhole.<br>**[14:54] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're using the tiger's<br>&nbsp;&nbsp;&nbsp;&nbsp;special ability to head west.<br>**[14:59] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secure the area!<br>**[15:01] Military Police A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[15:04] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will convince Fyodor<br>&nbsp;&nbsp;&nbsp;&nbsp;that we are enemies.<br>**[15:09] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe me that the<br>&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency is innocent?<br>**[15:13] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw a message from Dazai-kun<br>&nbsp;&nbsp;&nbsp;&nbsp;in Francis' office, correct?<br>**[15:20] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the one who sent that message.<br>**[15:23] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:24] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, then...<br>**[15:26] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dazai-kun and I have been<br>&nbsp;&nbsp;&nbsp;&nbsp;cooperating since the beginning.<br>**[15:30] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Dazai-kun's messenger<br>&nbsp;&nbsp;&nbsp;&nbsp;while he is confined.<br>**[15:33] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how is Dazai-san communicating<br>&nbsp;&nbsp;&nbsp;&nbsp;with the outside?<br>**[15:37] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prisoners at the Mersault detention center<br>**[15:40] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;are implanted with a vital sign monitor<br>&nbsp;&nbsp;&nbsp;&nbsp; in order to prevent escape.<br>**[15:43] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dazai-kun encodes his<br>&nbsp;&nbsp;&nbsp;&nbsp;messages in his heart rate,<br>**[15:48] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;which I then use my government<br>&nbsp;&nbsp;&nbsp;&nbsp;access to retrieve and decode.<br>**[15:53] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's controlling his own heart rate?<br>**[15:56] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a very Dazai-kun party trick.<br>**[15:58] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one would suspect a thing.<br>**[16:00] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe you.<br>**[16:02] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an enemy.<br>**[16:04] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was the point of that charade, anyway?<br>**[16:07] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no telling where Fyodor has eyes.<br>**[16:10] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;With my ability to read memories,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can pursue any escapee.<br>**[16:17] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to just lose you,<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy would be suspicious.<br>**[16:20] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy?<br>**[16:22] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cunning Seventh Agency<br>&nbsp;&nbsp;&nbsp;&nbsp;is afraid of the enemy?<br>**[16:26] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the thing, Mushitaro-san.<br>**[16:29] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's true that you've been told<br>&nbsp;&nbsp;&nbsp;&nbsp; I'm with the Seventh Agency.<br>**[16:34] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I have?<br>**[16:35] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simple.<br>**[16:37] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not with the Seventh Agency.<br>**[16:41] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:42] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fyodor lied.<br>**[16:44] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;To keep you away from me.<br>**[16:48] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how afraid he is of<br>&nbsp;&nbsp;&nbsp;&nbsp;us talking to each other.<br>**[16:54] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's continue this<br>&nbsp;&nbsp;&nbsp;&nbsp; conversation where it's safe.<br>**[16:58] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?!<br>**[17:00] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with you?!<br>**[17:01] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean you're *wanted?!*<br>**[17:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow...<br>**[17:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this place really safe?<br>**[17:07] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only those she invites can enter.<br>**[17:10] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the safest place on earth.<br>**[17:12] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Lucy-chan. Why are<br>&nbsp;&nbsp;&nbsp;&nbsp;you even with Ango-san?<br>**[17:17] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's...<br>**[17:18] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not for any particular reason.<br>**[17:19] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm protecting her.<br>**[17:21] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[17:21] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;She barged into the<br>&nbsp;&nbsp;&nbsp;&nbsp;investigation headquarters.<br>**[17:25] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Atsushi-kun's not evil. There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;he's a murderer," she said, maniacally.<br>**[17:31] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[17:32] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell him!<br>**[17:34] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that's kind of you.<br>**[17:36] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Lucy-chan.<br>**[17:39] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that. Tell me, Sakaguchi Ango...<br>**[17:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was once captured by an organization that<br>&nbsp;&nbsp;&nbsp;&nbsp;forced me to help cover up their crimes.<br>**[17:48] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That evil organization was<br>&nbsp;&nbsp;&nbsp;&nbsp;called the Seventh Agency.<br>**[17:53] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you truly not with that organization?<br>**[17:57] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not.<br>**[17:59] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever made use of their services?<br>**[18:07] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have.<br>**[18:13] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I have no reason to cooperate with you.<br>**[18:17] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;But only once.<br>**[18:23] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four years ago.<br>**[18:24] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;To make sure Dazai-kun could<br>&nbsp;&nbsp;&nbsp;&nbsp;live outside the Port Mafia.<br>**[18:27] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I erased his past crimes.<br>**[18:33] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you dirty your hands just that once?<br>**[18:47] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;A desperate attempt to make<br>&nbsp;&nbsp;&nbsp;&nbsp; amends for a friend long gone.<br>**[18:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a friend long gone, huh?<br>**[19:01] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushitaro-san, you're correct.<br>**[19:04] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Seventh Agency is evil.<br>**[19:06] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their scope, their members,<br>&nbsp;&nbsp;&nbsp;&nbsp;their hierarchy...<br>**[19:09] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is unknown.<br>**[19:11] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I had to go through<br>&nbsp;&nbsp;&nbsp;&nbsp;four levels of middlemen<br>**[19:13] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;to work with that government<br>&nbsp;&nbsp;&nbsp;&nbsp;crime organization.<br>**[19:17] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[19:18] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why you work independently.<br>**[19:22] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:24] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[19:26] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;This man suspects there's a<br>&nbsp;&nbsp;&nbsp;&nbsp;spy inside the government.<br>**[19:32] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't trust anyone.<br>**[19:34] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the only one who can<br>&nbsp;&nbsp;&nbsp;&nbsp;avenge Chief Taneda.<br>**[19:39] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that end, I need to hear what you know.<br>**[19:43] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The knowledge that Fyodor tried<br>&nbsp;&nbsp;&nbsp;&nbsp;so hard to hide from me.<br>**[19:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ask on his behalf, as well.<br>**[19:48] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you have no reason to tell us.<br>**[19:52] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[19:56] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do I start?<br>**[19:59] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, just so you know, in five<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes you'll be regretting it.<br>**[20:03] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything you ask, all of my answers<br>&nbsp;&nbsp;&nbsp;&nbsp;will absolutely ruin your day.<br>**[20:08] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most important question first, then.<br>**[20:11] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the Decay of Angels?<br>**[20:15] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The terrorist organization, Decay of Angels,<br>&nbsp;&nbsp;&nbsp;&nbsp; is comprised of five members.<br>**[20:20] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The demonic Fyodor and jester Nikolai,<br>**[20:23] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as two more extremely<br>&nbsp;&nbsp;&nbsp;&nbsp;talented Gifted.<br>**[20:25] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one founder who manages them.<br>**[20:30] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone *above* Fyodor?<br>**[20:32] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what their ultimate goal is.<br>**[20:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I do know what their current plan is,<br>&nbsp;&nbsp;&nbsp;&nbsp; just one step ahead of it.<br>**[20:40] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The erasure of the state.<br>**[20:41] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erasure?<br>**[20:43] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not an overturning?<br>**[20:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's absurd!<br>**[20:47] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could never pull it off!<br>**[20:49] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have the page.<br>**[20:52] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's only one page.<br>**[20:54] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They used it when they framed the Agency.<br>**[20:57] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can use it just once more.<br>**[21:01] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[21:02] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still the other side.<br>**[21:03] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[21:05] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The page is activated<br>&nbsp;&nbsp;&nbsp;&nbsp;the moment it's written upon,<br>**[21:10] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the page is blank on both sides.<br>**[21:15] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, they're keeping<br>&nbsp;&nbsp;&nbsp;&nbsp;the other side ready,<br>**[21:18] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they have the power<br>&nbsp;&nbsp;&nbsp;&nbsp;to recreate that tragedy.<br>**[21:23] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't they use it right away, then?<br>**[21:26] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the page to be activated, it needs to<br>&nbsp;&nbsp;&nbsp;&nbsp;have a narrative-like causal consistency.<br>**[21:34] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct?<br>**[21:35] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[21:36] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because of that rule, a grand conspiracy<br>&nbsp;&nbsp;&nbsp;&nbsp;necessarily requires a lot of text.<br>**[21:42] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they'll only write the<br>&nbsp;&nbsp;&nbsp;&nbsp;important details onto the page,<br>**[21:46] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;and will deal with the<br>&nbsp;&nbsp;&nbsp;&nbsp;trivial details themselves.<br>**[21:50] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the current phase of their plan.<br>**[21:51] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, they'll engage in global terrorism.<br>**[21:54] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, as the final phase of their plan,<br>&nbsp;&nbsp;&nbsp;&nbsp; they'll use the last page.<br>**[21:59] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the state will be erased. Is that it?<br>**[22:04] Mushitaro**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other side of the page will be written<br>&nbsp;&nbsp;&nbsp;&nbsp;on the night of the next full moon.<br>**[22:15] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten days from now.<br>**[22:18] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit.<br>**[22:20] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I feel like garbage,<br>&nbsp;&nbsp;&nbsp;&nbsp;having heard that.<br>**[22:29] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will escort you and relay<br>&nbsp;&nbsp;&nbsp;&nbsp;this information to Dazai-kun.<br>**[22:42] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, will you be all right?<br>**[22:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[22:47] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it, Kyouka-chan!<br>**[22:49] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:50] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's gotten into you?<br>**[22:53] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten days until the other side<br>&nbsp;&nbsp;&nbsp;&nbsp;of the page is written.<br>**[22:56] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, they can't<br>&nbsp;&nbsp;&nbsp;&nbsp;write anything until then.<br>**[22:59] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[23:00] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll take at least ten days<br>&nbsp;&nbsp;&nbsp;&nbsp;to prepare the final step.<br>**[23:06] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency's been made criminals<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the page's reality-altering effect.<br>**[23:10] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't undo that...<br>**[23:13] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or so I thought.<br>**[23:15] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not true.<br>**[23:17] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take the page back and write<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Agency is innocent.<br>**[23:21] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll fix everything.<br>**[23:22] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We track down the Decay of Angels<br>&nbsp;&nbsp;&nbsp;&nbsp;within ten days and defeat them,<br>**[23:26] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and take the page back.<br>**[23:28] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it.<br>**[23:29] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all we need to do.<br>**[23:31] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it, Kyouka-chan!<br>**[23:35] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still hope.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 49
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bungo Hound Dogs
<br>

# 49 - Bungo Hound Dogs

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:17] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better take this off for today.<br>**[00:24] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You peon! What are you looking at?!<br>**[00:27] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you!<br>**[00:29] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tachihara-kun.<br>**[00:30] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice seeing you here.<br>**[00:31] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teruko-san managed to<br>&nbsp;&nbsp;&nbsp;&nbsp;get Gilette to confess.<br>**[00:35] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Jack Gilette of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Seventeen Worldly Evils?!<br>**[00:40] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought he would be a chew toy<br>&nbsp;&nbsp;&nbsp;&nbsp;that would never fall apart!<br>**[00:45] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He broke in only half a year!<br>**[00:48] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sympathize.<br>**[00:49] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Gilette.<br>**[00:52] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, Tachihara-kun, thank you for your<br>&nbsp;&nbsp;&nbsp;&nbsp;hard work on the infiltration mission.<br>**[00:57] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, here's your new assignment.<br>**[01:00] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deal with that problem.<br>**[01:02] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carry me!<br>**[01:03] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I demand a piggyback ride!<br>**[01:05] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll start by summarizing the<br>&nbsp;&nbsp;&nbsp;&nbsp;status of my investigation.<br>**[01:08] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wee.<br>**[01:09] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Following the hostage crisis four days ago,<br>**[01:11] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;we've determined that the infamous<br>&nbsp;&nbsp;&nbsp;&nbsp;Decay of Angels was, in fact,<br>**[01:15] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Armed Detective Agency.<br>**[01:17] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are their goals?<br>**[01:20] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any intel?<br>**[01:21] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last sighting was the<br>&nbsp;&nbsp;&nbsp;&nbsp;bank break-in two days ago.<br>**[01:26] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think they'd raid a bank...<br>**[01:28] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despicable.<br>**[01:30] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;No training in the middle of a meeting!<br>**[01:34] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a perfect weight.<br>**[01:36] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why haven't we had any further sightings?<br>**[01:39] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must have already<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten what they wanted.<br>**[01:41] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The things a criminal on the run<br>&nbsp;&nbsp;&nbsp;&nbsp;would want more than anything.<br>**[01:45] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A base and a command post.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bungo Hound <br>
&nbsp;&nbsp;&nbsp;&nbsp;Dogs
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 49
<br>**[01:50] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;The goal of our mission is to prevent any<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorist attacks prior to the other side<br>**[01:53] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the page being filled in,<br>&nbsp;&nbsp;&nbsp;&nbsp;in addition to the recovery of said page.<br>**[01:56] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, as wanted criminals,<br>&nbsp;&nbsp;&nbsp;&nbsp; the Detective Agency can't act in plain sight.<br>**[02:01] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where her special ability comes in.<br>**[02:04] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;By placing the two of you to Anne's Room,<br>&nbsp;&nbsp;&nbsp;&nbsp; created by her ability,<br>**[02:08] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will be able to infiltrate undetected.<br>**[02:10] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will be the heart of our operation.<br>**[02:14] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard him.<br>**[02:15] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, tiger kitty?<br>**[02:17] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ear's telling me it wants<br>&nbsp;&nbsp;&nbsp;&nbsp;to hear you say thanks.<br>**[02:21] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[02:23] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you apologizing?<br>**[02:25] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For getting you mixed up in this.<br>**[02:27] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cooperating with us right<br>&nbsp;&nbsp;&nbsp;&nbsp;now is a serious crime.<br>**[02:31] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think we can ever repay you enough.<br>**[02:34] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[02:36] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one repaying an impossibly<br>&nbsp;&nbsp;&nbsp;&nbsp;huge debt right now, aren't I?<br>**[02:40] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:41] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:45] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing! Nothing!<br>**[02:47] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that!<br>**[02:48] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget that! I'm begging you!<br>**[02:49] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[02:54] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, here we go.<br>**[03:08] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the airport bus stop.<br>**[03:20] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let anyone in until I say so.<br>**[03:23] Guard A; Guard B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[03:30] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I trust that you're ready, Fukuzawa.<br>**[03:33] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tyrant
<br>**[03:38] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would our reunion be anything<br>&nbsp;&nbsp;&nbsp;&nbsp;other than a drinking contest?<br>**[03:41] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't changed, Gen'ichiro.<br>**[03:46] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[03:47] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't gotten married?<br>**[03:50] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm busy with work.<br>**[03:52] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stuck-up loner.<br>**[03:54] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never would have thought you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;be the president, though.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tyrant
<br>**[04:00] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now that you are...<br>**[04:03] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have responsibilities.<br>**[04:06] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make your men surrender to the police.<br>**[04:09] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, the case will fall under<br>&nbsp;&nbsp;&nbsp;&nbsp;the jurisdiction of the prosecution,<br>**[04:12] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they will no longer be<br>&nbsp;&nbsp;&nbsp;&nbsp;targeted by the Hunting Dogs.<br>**[04:14] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because, so long as they are targeting you,<br>&nbsp;&nbsp;&nbsp;&nbsp;they will never relent trying to tear you apart.<br>**[04:19] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate the concern, but...<br>**[04:22] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bah.<br>**[04:24] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose I might enjoy duking it<br>&nbsp;&nbsp;&nbsp;&nbsp;out with you again like old times.<br>**[04:37] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you stop?<br>**[04:39] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't fooling me, Fukuzawa.<br>**[04:42] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were going to make me cut your<br>&nbsp;&nbsp;&nbsp;&nbsp;handcuffs and then swipe my sword.<br>**[04:48] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got me.<br>**[04:50] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukuzawa, let's make a deal.<br>**[04:53] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to know what's<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to your Kunikida.<br>**[04:57] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunikida fell out of a helicopter<br>&nbsp;&nbsp;&nbsp;&nbsp;and blew himself up.<br>**[05:00] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know where he's gone.<br>**[05:05] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need that.<br>**[05:08] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kunikida is alive.<br>**[05:10] Fukuzawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he were dead,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would definitely have sensed it.<br>**[05:20] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shit.<br>**[05:22] Fukuchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lone wolf sure has changed.<br>**[05:26] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you are the greatest.<br>**[05:29] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[05:31] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of the day, your strength is<br>&nbsp;&nbsp;&nbsp;&nbsp;the "I can beat up a ton of boars" kind,<br>**[05:37] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the Hunting Dogs' job is<br>&nbsp;&nbsp;&nbsp;&nbsp;investigating and arresting.<br>**[05:41] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[05:42] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I am the greatest hunting dog.<br>**[05:45] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;You?<br>**[05:48] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to kill you *so* badly.<br>**[05:50] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your order?<br>**[05:51] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caffè latte.<br>**[05:53] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soy sauce latte.<br>**[05:54] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good—<br>**[05:56] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soy sauce?<br>**[05:57] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll have what I'm having.<br>**[05:59] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make a bet.<br>**[06:00] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoever of us finds the Detective Agency's<br>&nbsp;&nbsp;&nbsp;&nbsp;whereabouts first wins.<br>**[06:04] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on.<br>**[06:07] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are the two of you with the police?<br>**[06:10] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:11] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're investigating a case right now.<br>**[06:14] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of which, the heinous<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorist organization,<br>**[06:18] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Armed Detective Agency,<br>&nbsp;&nbsp;&nbsp;&nbsp;was right above this shop. Was it not?<br>**[06:22] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:23] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw them here on occasion.<br>**[06:26] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all so terrifying.<br>**[06:29] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[06:31] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a waitress here, is she not?<br>**[06:34] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:34] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's off work today.<br>**[06:37] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you need something from her?<br>**[06:39] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to our information,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's very close with the Detective Agency.<br>**[06:45] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;We suspect she's aiding their escape.<br>**[06:48] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wouldn't get very far,<br>&nbsp;&nbsp;&nbsp;&nbsp;depending on a low-level worker.<br>**[06:54] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fantastic.<br>**[06:55] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I admire people who can make good coffee.<br>**[06:59] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost want you to come work<br>&nbsp;&nbsp;&nbsp;&nbsp;at the commercial facility I own.<br>**[07:03] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one problem.<br>**[07:05] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a dirty liar.<br>**[07:09] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liar?<br>**[07:10] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell from the sound of your breathing.<br>**[07:13] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just said the Agency wouldn't get far,<br>&nbsp;&nbsp;&nbsp;&nbsp; depending on a low-level worker.<br>**[07:18] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that was a lie.<br>**[07:20] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know of her special ability.<br>**[07:23] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're talking about.<br>**[07:26] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand you buy half a year's<br>&nbsp;&nbsp;&nbsp;&nbsp;worth of beans at a time.<br>**[07:30] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite that, this coffee<br>&nbsp;&nbsp;&nbsp;&nbsp; has such a fresh scent.<br>**[07:34] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is that?<br>**[07:36] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you stock your<br>&nbsp;&nbsp;&nbsp;&nbsp;inventory in her room.<br>**[07:39] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time can be slowed in a<br>&nbsp;&nbsp;&nbsp;&nbsp;special ability space.<br>**[07:42] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can keep a large quantity<br>&nbsp;&nbsp;&nbsp;&nbsp; of beans fresh that way.<br>**[07:47] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I continue?<br>**[07:49] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just said Lucy-san has<br>&nbsp;&nbsp;&nbsp;&nbsp;taken today off.<br>**[07:53] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is also a lie.<br>**[07:55] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's taken an indefinite break.<br>**[07:58] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't know if she can come back.<br>**[08:00] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet, you let her go.<br>**[08:03] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you understood<br>**[08:06] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's the only one who can<br>&nbsp;&nbsp;&nbsp;&nbsp;save the Detective Agency.<br>**[08:09] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, here's the problem.<br>**[08:12] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an accessory to an act of terrorism.<br>**[08:15] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, on top of that, you refuse<br>&nbsp;&nbsp;&nbsp;&nbsp;to give up her location,<br>**[08:18] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll never make coffee again.<br>**[08:22] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[08:23] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow, ow...<br>**[08:24] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for?!<br>**[08:26] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a bad habit of tormenting people<br>&nbsp;&nbsp;&nbsp;&nbsp;and taking pleasure in seeing them squirm.<br>**[08:31] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss...<br>**[08:33] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it wrong to want to repay<br>&nbsp;&nbsp;&nbsp;&nbsp;someone you're dearly indebted to?<br>**[08:39] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise you, that if you<br>&nbsp;&nbsp;&nbsp;&nbsp;tell us where she is now,<br>**[08:42] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;she will not be questioned for any crimes.<br>**[08:45] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have the authority to make that so,<br>**[08:48] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a world in which a girl's<br>&nbsp;&nbsp;&nbsp;&nbsp; honest intentions are rewarded<br>**[08:51] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;is one that we ought to protect.<br>**[08:54] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't just Lucy-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;that I want to be saved.<br>**[08:59] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency.<br>**[09:01] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise they'll be given a fair trial.<br>**[09:05] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[09:07] Jouno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this would happen.<br>**[09:10] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise on my sword that, if our promise<br>&nbsp;&nbsp;&nbsp;&nbsp;is broken, I will cut open my gut.<br>**[09:18] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[09:20] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucy-chan said that she won't regret<br>&nbsp;&nbsp;&nbsp;&nbsp;ruining the remainder of her life.<br>**[09:27] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please save her future.<br>**[09:33] Tetchou**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall.<br>**[09:36] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gone to the Sky Casino.<br>**[09:42] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a ridiculous construction.<br>**[09:45] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most people believe that the civilian<br>&nbsp;&nbsp;&nbsp;&nbsp;entertainment facility is just a front,<br>**[09:49] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that it was really built by the winners<br>&nbsp;&nbsp;&nbsp;&nbsp;of the war for surveillance and intimidation.<br>**[09:52] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be both a physical<br>&nbsp;&nbsp;&nbsp;&nbsp;and political catastrophe<br>**[09:55] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;if this place were to be attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;by terrorists or something.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sky Casino <br>
&nbsp;&nbsp;&nbsp;&nbsp;General<br>
&nbsp;&nbsp;&nbsp;&nbsp; Manager<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sigma
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 70 0 70 200 0 200
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;(Real  name  unknown)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 55 0 55 200 0 200
<br>**[10:06] Employee A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manager, we have a problem.<br>**[10:09] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terrorists?<br>**[10:11] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[10:12] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are terrorists in this facility.<br>**[10:15] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have proof.<br>**[10:16] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof?<br>**[10:18] Security A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, look.<br>**[10:20] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one of the terrorists.<br>**[10:23] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She used her pocket dimension<br>&nbsp;&nbsp;&nbsp;&nbsp;ability to bring them all in here.<br>**[10:26] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then send a search team<br>&nbsp;&nbsp;&nbsp;&nbsp;to scour the facility.<br>**[10:28] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use.<br>**[10:30] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can hide with them<br>&nbsp;&nbsp;&nbsp;&nbsp;in the pocket dimension.<br>**[10:32] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do, then?<br>**[10:34] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We close the casino.<br>**[10:36] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Refused.<br>**[10:37] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:38] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bastard!<br>**[10:39] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea how serious this is?<br>**[10:42] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I do.<br>**[10:47] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are directed resonance guns.<br>**[10:50] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were made to combat Gifted.<br>**[10:53] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sound waves affect the brain,<br>**[10:55] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;causing loss of consciousness within<br>&nbsp;&nbsp;&nbsp;&nbsp;one second and death within ten.<br>**[10:59] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna try it out?<br>**[11:02] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dare defy the government?<br>**[11:04] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The government?<br>**[11:06] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under international law, this casino is<br>&nbsp;&nbsp;&nbsp;&nbsp; outside the jurisdiction of any country's police.<br>**[11:11] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's effectively an independent nation.<br>**[11:12] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, I am the law.<br>**[11:15] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to spend your<br>&nbsp;&nbsp;&nbsp;&nbsp;money here and leave, good.<br>**[11:17] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise...<br>**[11:18] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get lost!<br>**[11:20] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you!<br>**[11:22] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just tell me to get lost?!<br>**[11:26] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, shit.<br>**[11:29] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[11:31] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This area is secured.<br>**[11:33] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What the...?!<br>**[11:35] Security B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's blown up the landing zone!<br>**[11:38] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[11:41] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's getting out of this casino now!<br>**[11:45] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to split up<br>&nbsp;&nbsp;&nbsp;&nbsp;and search the casino!<br>**[11:48] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You figure out what the<br>&nbsp;&nbsp;&nbsp;&nbsp;Agency's next move is.<br>**[11:51] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[11:54] Security C**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explosion?!<br>**[11:56] Security D**<br>&nbsp;&nbsp;&nbsp;&nbsp;By terrorists?<br>**[11:57] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay calm.<br>**[12:00] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our top priority is to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;our clients from panicking.<br>**[12:03] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell them it's an electrical failure and<br>&nbsp;&nbsp;&nbsp;&nbsp; escort them to their hotel rooms.<br>**[12:07] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Client A4098, Lazarus, is unstable.<br>**[12:10] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assign security to him in particular.<br>**[12:12] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Client E2988 has a<br>&nbsp;&nbsp;&nbsp;&nbsp;chronic heart condition.<br>**[12:15] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure the medical staff visit him.<br>**[12:17] Security C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[12:18] Security C**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard he memorizes all of his clients'<br>&nbsp;&nbsp;&nbsp;&nbsp;names and characteristics instantly.<br>**[12:22] Security D**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder they say he was<br>&nbsp;&nbsp;&nbsp;&nbsp;born to manage a casino.<br>**[12:27] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a mild incident will<br>&nbsp;&nbsp;&nbsp;&nbsp;be forgotten by next week.<br>**[12:31] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you understand, deal with it!<br>**[12:35] Security**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[12:45] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;This couldn't have gone any worse.<br>**[12:47] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have kicked the Hunting Dogs out.<br>**[12:49] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must be the ones behind the explosion,<br>**[12:52] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;which means they're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;investigate the casino thoroughly.<br>**[12:55] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they find out what<br>&nbsp;&nbsp;&nbsp;&nbsp;this casino really is...<br>**[13:01] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to kill them.<br>**[13:04] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;No evidence on this floor, either.<br>**[13:10] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[13:14] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A coin?<br>**[13:21] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency!<br>**[13:24] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;That room is their hideout!<br>**[13:32] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't sense anyone here.<br>**[13:34] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must have noticed me coming<br>&nbsp;&nbsp;&nbsp;&nbsp;and escaped to the pocket dimension.<br>**[13:41] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The carpet has been cut.<br>**[13:44] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something under the floor.<br>**[13:50] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A safe?<br>**[13:54] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Metal manipulation.<br>**[14:09] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currency from around the world.<br>**[14:12] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;All in coins.<br>**[14:14] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How?!<br>**[14:16] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;How have the Hunting Dogs found it?<br>**[14:19] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible...<br>**[14:20] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he just manage to stumble into<br>&nbsp;&nbsp;&nbsp;&nbsp;that particular unassuming room?<br>**[14:24] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stay calm.<br>**[14:26] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their communication devices and weapons<br>**[14:28] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;were confiscated along with<br>&nbsp;&nbsp;&nbsp;&nbsp;those of the other customers.<br>**[14:32] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, if I kill them now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can protect the secret.<br>**[14:37] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sigma-san.<br>**[14:39] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you a word of advice,<br>&nbsp;&nbsp;&nbsp;&nbsp; as a colleague.<br>**[14:42] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're found out by the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp; in the middle of the mission...<br>**[14:45] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abandon everything and run.<br>**[14:48] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't stand a chance.<br>**[14:52] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abandon everything?<br>**[14:53] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The casino?<br>**[14:55] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Odd...<br>**[14:57] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these coins hollow?<br>**[15:00] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No...*<br>**[15:01] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's something inside.*<br>**[15:03] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Some kind of impurity*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the metal structure.*<br>**[15:05] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[15:17] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over.<br>**[15:19] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't have evaded instant<br>&nbsp;&nbsp;&nbsp;&nbsp;death at that distance.<br>**[15:22] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;A high-precision explosive<br>&nbsp;&nbsp;&nbsp;&nbsp;disguised as a coin.<br>**[15:25] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the savage weapon at the<br>&nbsp;&nbsp;&nbsp;&nbsp;center of the Decay of Angels'<br>**[15:28] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;next worldwide terrorist attack.<br>**[15:31] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that they've seen it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't send them home alive.<br>**[15:36] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was close.*<br>**[15:38] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[15:39] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to stop the shrapnel<br>&nbsp;&nbsp;&nbsp;&nbsp;with my special ability,<br>**[15:42] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the blast knocked me down.<br>**[15:44] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, are all the coins<br>&nbsp;&nbsp;&nbsp;&nbsp;in this safe bombs?<br>**[15:48] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't finish him!<br>**[15:49] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now what?!<br>**[15:51] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[15:53] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have my last resort,<br>**[15:55] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it'll cause severe damage to the casino.<br>**[16:01] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't stand a chance.<br>**[16:04] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be true.<br>**[16:06] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the superhuman organization<br>&nbsp;&nbsp;&nbsp;&nbsp;that is the Decay of Angels,<br>**[16:10] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one with the least combat ability.<br>**[16:13] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outside the casino, I'm nothing.<br>**[16:17] (Flashback) Security C**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[16:18] (Flashback) Security C**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard he memorizes all of his clients'<br>&nbsp;&nbsp;&nbsp;&nbsp;names and characteristics instantly.<br>**[16:22] (Flashback) Security D**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder they say he was<br>&nbsp;&nbsp;&nbsp;&nbsp;born to manage a casino.<br>**[16:27] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's got it wrong.<br>**[16:29] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no talent.<br>**[16:32] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to sacrifice sleep to memorize<br>**[16:34] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;the clients' profiles and<br>&nbsp;&nbsp;&nbsp;&nbsp;study the casino like crazy.<br>**[16:38] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to lose the casino.<br>**[16:42] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, I...<br>**[16:47] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[16:49] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;An unmanned aircraft?!<br>**[16:57] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's too big.*<br>**[16:59] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't stop it with my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;metal manipulation ability!*<br>**[17:02] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand back.<br>**[17:04] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weakling.<br>**[17:25] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tried to challenge me in a sumo match.<br>**[17:27] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silly airplane.<br>**[17:29] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[17:33] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious.<br>**[17:35] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you done enough?!<br>**[17:38] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara!<br>**[17:56] Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[17:57] Customer B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another explosion?<br>**[18:02] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:04] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coin bombs.<br>**[18:06] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an exhilarating display of evil.<br>**[18:08] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The customers take the<br>&nbsp;&nbsp;&nbsp;&nbsp;coins out of the casino.<br>**[18:12] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, once they've been<br>&nbsp;&nbsp;&nbsp;&nbsp; traded around the world,<br>**[18:15] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll all be triggered at the same time.<br>**[18:17] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;This casino itself is a terrorist.<br>**[18:21] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why that manager was<br>&nbsp;&nbsp;&nbsp;&nbsp;in such a hurry to kick us out.<br>**[18:27] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where the trigger<br>&nbsp;&nbsp;&nbsp;&nbsp;signal is transmitted from.<br>**[18:31] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A signal from such a high altitude<br>&nbsp;&nbsp;&nbsp;&nbsp;would reach across the world.<br>**[18:35] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[18:36] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We take the central communication room<br>**[18:38] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and expose the casino's<br>&nbsp;&nbsp;&nbsp;&nbsp;plans to the entire world.<br>**[18:48] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you lot that desperate to dance with me?<br>**[18:54] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear fighting.<br>**[18:56] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hunting Dogs are on the move.<br>**[18:59] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is the Decay of Angels' next plan.<br>**[19:03] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;A global act of terrorism, targeting<br>&nbsp;&nbsp;&nbsp;&nbsp;all humanity indiscriminately.<br>**[19:06] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;But their true goal is the<br>&nbsp;&nbsp;&nbsp;&nbsp;panic that will ensue.<br>**[19:10] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currency, the basis of a<br>&nbsp;&nbsp;&nbsp;&nbsp;state's trust, will kill people.<br>**[19:15] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind a great depression,<br>&nbsp;&nbsp;&nbsp;&nbsp;it could trigger the next world war.<br>**[19:20] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the worldwide terrorism that<br>&nbsp;&nbsp;&nbsp;&nbsp; the Decay of Angels will perform<br>**[19:23] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;before they fill in the other side of the page.<br>**[19:25] (Flashback) Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;That much is certain.<br>**[19:28] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the first step in stopping<br>&nbsp;&nbsp;&nbsp;&nbsp;this terrorist attack,<br>**[19:30] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;discover the coin bombs<br>**[19:33] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and take control of the comms room.<br>**[19:36] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By working with the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop a terrorist attack,<br>**[19:40] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll prove that we aren't terrorists.<br>**[19:43] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we capture Sigma,<br>&nbsp;&nbsp;&nbsp;&nbsp;who knows where the page is,<br>**[19:46] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a member of the Decay of Angels.<br>**[19:48] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Dazai-san's plan.<br>**[19:52] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Hunting Dogs' combat power...<br>**[19:55] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what it means to<br>&nbsp;&nbsp;&nbsp;&nbsp;be in a different league.<br>**[19:58] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;But us nothings have our<br>&nbsp;&nbsp;&nbsp;&nbsp;own way of fighting!<br>**[20:06] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you choose Sigma<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect the casino?<br>**[20:09] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[20:11] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really going to play dumb?<br>**[20:13] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I discovered something interesting<br>&nbsp;&nbsp;&nbsp;&nbsp;when I looked up this Sigma man.<br>**[20:19] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;His life began when he was arrested<br>&nbsp;&nbsp;&nbsp;&nbsp;by European police three years ago.<br>**[20:25] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has no past.<br>**[20:28] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's like a novel that starts<br>&nbsp;&nbsp;&nbsp;&nbsp;halfway through the story.<br>**[20:33] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I learned was his special ability.<br>**[20:36] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ability to trade, with anyone he touches,<br>&nbsp;&nbsp;&nbsp;&nbsp;the information each person wants most.<br>**[20:41] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;He used that ability to steal the<br>&nbsp;&nbsp;&nbsp;&nbsp;location of the page from Chief Taneda,<br>**[20:46] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you only needed him for that instant.<br>**[20:50] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did you leave him<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of the casino?<br>**[20:53] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think?<br>**[20:55] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think he's even a<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorist to begin with.<br>**[21:00] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's said that the Sky Casino was<br>&nbsp;&nbsp;&nbsp;&nbsp;built following a secret meeting<br>**[21:03] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the victors of the war thirteen years ago,<br>**[21:06] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;but no intelligence organization<br>&nbsp;&nbsp;&nbsp;&nbsp;had information about it.<br>**[21:10] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I realized: the Sky Casino<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't built thirteen years ago.<br>**[21:17] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was built eight days ago.<br>**[21:19] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;It emerged instantaneously, having been written<br>&nbsp;&nbsp;&nbsp;&nbsp;about on the page eight days ago,<br>**[21:23] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;along with thirteen years' worth of history.<br>**[21:27] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go back to my first question.<br>**[21:29] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you assign Sigma to the casino?<br>**[21:32] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he's the most powerful of all.<br>**[21:35] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Powerful?<br>**[21:36] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think is the<br>&nbsp;&nbsp;&nbsp;&nbsp;strongest in the world?<br>**[21:40] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gifted?<br>**[21:41] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Political leaders?<br>**[21:43] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[21:45] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most powerful man is the<br>&nbsp;&nbsp;&nbsp;&nbsp;man who has nothing else.<br>**[21:51] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sigma doesn't have a past.<br>**[21:55] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has amnesia.<br>**[22:01] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but guns don't work on me.<br>**[22:05] Security G**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fall back!<br>**[22:06] Security G**<br>&nbsp;&nbsp;&nbsp;&nbsp;Retreat for now!<br>**[22:10] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teruko-san!<br>**[22:12] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[22:14] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara...<br>**[22:16] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The heroes of justice are gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;go save the world wounded.<br>**[22:21] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think this makes for<br>&nbsp;&nbsp;&nbsp;&nbsp;quite the exhilarating picture?<br>**[22:24] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's the injury from when*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she stopped the plane.*<br>**[22:28] Female Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that noise?<br>**[22:30] Male Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security guards are on the ground.<br>**[22:31] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit...<br>**[22:33] Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[22:35] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to worry.<br>**[22:37] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm with the police.<br>**[22:39] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're currently investigating<br>&nbsp;&nbsp;&nbsp;&nbsp;some terrorists.<br>**[22:40] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;This floor is safe.<br>**[22:43] Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[22:44] Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad to hear.<br>**[22:47] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[22:51] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara!<br>**[22:54] Husband**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we don't have to pay for our losses!<br>**[22:56] Wife**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey, wait!<br>**[22:59] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Attack!*<br>**[23:00] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I repeat: attack these two on sight.*<br>**[23:04] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You won't be accused of any crime.*<br>**[23:06] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your gambling losses will be erased.*<br>**[23:09] Sigma**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You'll earn ten thousand dollars*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for any injury inflicted on them.*<br>**[23:11] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One million dollars if you kill them.*<br>**[23:18] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unsure of who he was,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sigma looked for a place to be.<br>**[23:22] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place was the casino.<br>**[23:25] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why he'll torch the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;with hellish tenacity to protect the casino.<br>**[23:33] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most terrifying thing of all...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode: 50
<br>**[23:36] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a mediocre man who is desperate.<br>

# 50 - SKYFALL

Source: [Crunchyroll](https://www.crunchyroll.com/series/GR5VXQ8PR/bungo-stray-dogs)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An empty castle<br>
&nbsp;&nbsp;&nbsp;&nbsp;ruled by willful neglect
<br>**[00:02] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attack on sight.<br>**[00:04] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I repeat: attack these two on sight.<br>**[00:06] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your gambling losses will be erased.<br>**[00:09] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll earn ten thousand dollars<br>&nbsp;&nbsp;&nbsp;&nbsp;for any injury inflicted on them.<br>**[00:11] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;One million dollars if you kill them.<br>**[00:15] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You assholes must *really* want to die.<br>**[00:20] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, no.*<br>**[01:53] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara.<br>**[01:54] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[01:55] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We, police, must never hurt<br>&nbsp;&nbsp;&nbsp;&nbsp;civilians, no matter what.<br>**[01:59] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we will achieve our objectives.<br>**[02:01] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[02:14] Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Ey, old lady.<br>**[02:15] Old Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[02:17] Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did two people pass through here?<br>**[02:18] Old Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:20] Customer B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[02:22] Customer B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look at this.<br>**[02:25] Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;They went to the lower deck!<br>**[02:27] Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[02:28] Customer A**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're downstairs!<br>**[02:30] Customer B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let our friends know downstairs.<br>**[02:31] Customer C; D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[02:34] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy's downstairs!<br>**[02:36] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bounty's mine!<br>**[02:46] Security A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, old woman?<br>**[02:47] Security A**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't allowed here.<br>**[02:49] Old Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really?<br>**[02:52] Old Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we getting simmered<br>&nbsp;&nbsp;&nbsp;&nbsp;flounder for dinner tonight?<br>**[02:55] Security A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing all the way down here?<br>**[02:57] Old Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what was it again...?<br>**[03:00] Old Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I remember!<br>**[03:03] Old Lady**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember now!<br>**[03:11] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to beat the shit out<br>&nbsp;&nbsp;&nbsp;&nbsp;of you wretched criminals.<br>**[03:14] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[03:17] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I get out, now?<br>**[03:21] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ought to come to the<br>&nbsp;&nbsp;&nbsp;&nbsp; next company party like that.<br>**[03:24] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, no!<br>**[03:29] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability allows me to control age.<br>**[03:33] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I'll ask before you<br>&nbsp;&nbsp;&nbsp;&nbsp;become hard of hearing.<br>**[03:36] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do I take control of the<br>&nbsp;&nbsp;&nbsp;&nbsp;central control terminal ahead?<br>**[03:41] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I won't kill you.<br>**[03:44] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stop right around when<br>&nbsp;&nbsp;&nbsp;&nbsp;you start severe joint pains.<br>**[03:48] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's the most feared ability*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in the Hunting Dogs.*<br>**[03:52] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even the toughest of men can stand being*<br>*&nbsp;&nbsp;&nbsp;&nbsp;tortured after being made elderly or infant.*<br>**[04:01] Security B**<br>&nbsp;&nbsp;&nbsp;&nbsp;The terminal has to be reset with a key.<br>**[04:07] Security B**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manager has the only one.<br>**[04:11] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[04:14] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;There'll be more security here soon.<br>**[04:16] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be your job to stop them.<br>**[04:19] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>**[04:22] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take the king's head.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 50
<br>**[04:25] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sigma's powerful because he has no memories?<br>**[04:28] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;That waitress at the shop would<br>&nbsp;&nbsp;&nbsp;&nbsp;be the strongest ever, then.<br>**[04:31] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;She always forgets my orders.<br>**[04:34] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how committed Sigma is,<br>**[04:37] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Hunting Dogs are in a<br>&nbsp;&nbsp;&nbsp;&nbsp;totally different league.<br>**[04:40] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;League?<br>**[04:42] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;that are in a separate league.<br>**[04:45] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even you and I are in a far<br>&nbsp;&nbsp;&nbsp;&nbsp;lower league than Sigma.<br>**[04:50] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorrowful music runs through Sigma's veins.<br>**[04:54] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;His alienation is absolute.<br>**[04:57] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sky Casino is the only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that shares that with him.<br>**[05:01] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't afford to lose it.<br>**[05:04] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[05:05] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[05:06] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sigma was born three years ago when<br>&nbsp;&nbsp;&nbsp;&nbsp;he was written into the book.<br>**[05:11] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like that, out of nothing.<br>**[05:14] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible.<br>**[05:15] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can such a thing really be called human?<br>**[05:21] (Flashback) Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you not like a home?<br>**[05:24] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He gave himself a name.<br>**[05:27] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sigma."<br>**[05:29] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;He finally has just one place<br>&nbsp;&nbsp;&nbsp;&nbsp;to call home: the Sky Casino.<br>**[05:35] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good day, mister manager.<br>**[05:38] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready to surrender?<br>**[05:42] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not.<br>**[05:44] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never could be.<br>**[05:45] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't expect me to give you much time.<br>**[05:48] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to destroy that communication<br>&nbsp;&nbsp;&nbsp;&nbsp;device and save the world, after all.<br>**[05:54] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;This device is a mere terminal.<br>**[05:57] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The trigger signal cannot be stopped<br>&nbsp;&nbsp;&nbsp;&nbsp; without this key to override it.<br>**[06:02] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought so.<br>**[06:04] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then.<br>**[06:06] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get me wrong.<br>**[06:07] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you the key.<br>**[06:11] Sigma**<br>*&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I wanted to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just run away in tears.*<br>**[06:16] Sigma**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But if I don't stop the Hunting Dogs,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the casino will be ruined.*<br>**[06:20] Sigma**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The enemy is the strongest*<br>*&nbsp;&nbsp;&nbsp;&nbsp;special force in the country.*<br>**[06:23] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And I'm just an ordinary man.*<br>**[06:26] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[06:31] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open fire!<br>**[06:33] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will prevail!*<br>**[06:43] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyouka-chan!<br>**[06:45] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear fighting from the lower decks.<br>**[06:47] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting.<br>**[06:48] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be the Hunting Dogs.<br>**[06:50] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They've gotten here a lot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;sooner than I expected.*<br>**[06:52] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We need to join the fight soon,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or Dazai-san's plan will be ruined.*<br>**[06:59] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ought to be able make it to the<br>&nbsp;&nbsp;&nbsp;&nbsp;bottom floor using your claws.<br>**[07:04] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, please.<br>**[07:06] Kyouka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave this to me.<br>**[07:14] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!<br>**[07:15] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's deflecting them with her bare hands?!<br>**[07:17] Sigma**<br>*&nbsp;&nbsp;&nbsp;&nbsp;No, not even the Hunting Dogs could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hold up against this for long.*<br>**[07:27] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[07:28] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Cooking knives?!*<br>**[07:30] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She must have stolen them from the kitchen!*<br>**[07:33] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not done yet!<br>**[07:34] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can start up another turret!<br>**[07:38] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it.<br>**[07:40] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never had a chance to begin with.<br>**[07:43] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[07:45] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I'm not much of a man.<br>**[07:49] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;But all is according to plan!<br>**[07:53] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A directed resonance gun!*<br>**[08:00] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt you can lift a finger.<br>**[08:02] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;The acoustic waves are entering through your<br>&nbsp;&nbsp;&nbsp;&nbsp; ears and creating bubbles inside your brain.<br>**[08:07] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this one's been modified<br>&nbsp;&nbsp;&nbsp;&nbsp;to be five time as powerful.<br>**[08:10] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;See that, Hunting Dog?<br>**[08:12] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;This...<br>**[08:13] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;All this is the power of my determination!<br>**[08:19] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!<br>**[08:21] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you stand?!<br>**[08:23] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;This output level would wear down<br>&nbsp;&nbsp;&nbsp;&nbsp;even a Hunting Dog's brain!<br>**[08:27] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power of your determination, you say?<br>**[08:30] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let me ask...<br>**[08:32] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think you're the only one<br>**[08:38] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has determination?!<br>**[08:41] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The injury in her ear...*<br>**[08:43] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It can't be...*<br>**[08:44] Sigma**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Did she destroy her own ear canal to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;stop the sound from infiltrating her?!*<br>**[08:50] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a story for you.<br>**[08:53] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hunting Dogs' superhuman physical prowess<br>**[08:56] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the result of surgery carried out<br>&nbsp;&nbsp;&nbsp;&nbsp;by doctors with special abilities.<br>**[08:59] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the inhuman nature of the<br>&nbsp;&nbsp;&nbsp;&nbsp;surgeries made them such that,<br>**[09:02] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we miss even one of the monthly follow-up<br>&nbsp;&nbsp;&nbsp;&nbsp;surgeries, our flesh rots and we die.<br>**[09:07] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you go so far?<br>**[09:10] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are the manifestation<br>&nbsp;&nbsp;&nbsp;&nbsp;of this country's order.<br>**[09:13] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without order, those who thrive through<br>&nbsp;&nbsp;&nbsp;&nbsp;violence would conquer the people.<br>**[09:18] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will *not* tolerate such a vile world.<br>**[09:21] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;employ maximum violence.<br>**[09:25] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;As slaves of society, we will not spare<br>&nbsp;&nbsp;&nbsp;&nbsp;even our own selves from order's flame!<br>**[09:34] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your final warning.<br>**[09:36] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surrender.<br>**[09:38] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refuse.<br>**[09:39] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no wall that even a mediocre man<br>&nbsp;&nbsp;&nbsp;&nbsp;can't overcome, with enough desperation.<br>**[09:43] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[09:44] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The desperation of a mediocre<br>&nbsp;&nbsp;&nbsp;&nbsp;man is indeed terrifying.<br>**[09:47] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what is there beyond that?<br>**[09:50] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you not understand?<br>**[09:52] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beyond the wall that a mediocre<br>&nbsp;&nbsp;&nbsp;&nbsp;man overcomes with desperation<br>**[09:55] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a battle against a genius<br>&nbsp;&nbsp;&nbsp;&nbsp;who is equally desperate.<br>**[09:59] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A battle where desperation<br>&nbsp;&nbsp;&nbsp;&nbsp; holds no relative value.<br>**[10:03] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to our world.<br>**[10:10] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand it well.<br>**[10:12] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't stand a chance.<br>**[10:15] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both the casino and I are doomed.<br>**[10:17] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I will save at least one!<br>**[10:21] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What?!*<br>**[10:23] Teruko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Is he going to die with me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to protect the casino?!*<br>**[10:34] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't getting away!<br>**[10:35] Teruko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Where does this man get*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so much strength from?*<br>**[10:39] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't catch him alive.*<br>**[11:00] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful.<br>**[11:04] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're at the casino's foundation,<br>&nbsp;&nbsp;&nbsp;&nbsp;above the power box.<br>**[11:08] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you fall again, you're done.<br>**[11:10] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're with the Detective Agency.<br>**[11:13] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you save me?<br>**[11:14] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why else?<br>**[11:17] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way we can save the<br>&nbsp;&nbsp;&nbsp;&nbsp;Agency is to obtain the page.<br>**[11:21] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you know where it is.<br>**[11:24] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I did, do you<br>&nbsp;&nbsp;&nbsp;&nbsp;think I would tell you?<br>**[11:27] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sakaguchi Ango
<br>**[11:30] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Using my ability, I can read*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the page's location from your mind.*<br>**[11:35] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the man from Special Ops!*<br>**[11:38] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I've already taken measures<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect against your ability.<br>**[11:41] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Then we'll simply have to hurt*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you until you want to talk.*<br>**[11:46] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're the man who stabbed Chief Taneda.*<br>**[11:48] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have no intention*<br>**[11:50] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;of showing mercy.<br>**[11:53] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't intend to stab him.<br>**[11:55] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only wanted to threaten him.<br>**[11:59] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask whatever you want.<br>**[12:01] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do this anymore.<br>**[12:03] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, I never even<br>&nbsp;&nbsp;&nbsp;&nbsp;found my reason for being.<br>**[12:11] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Atsushi-kun, this is the final mission.*<br>**[12:14] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please deliver Sigma to the surface.*<br>**[12:16] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[12:22] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[12:23] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Here?*<br>**[12:25] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this the moment you choose, Fyodor?*<br>**[12:34] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Atsushi-kun, be careful!*<br>**[12:37] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He's going to kill you to save his own!*<br>**[12:41] Nathaniel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guilty.<br>**[12:53] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sigma-san! Be strong!<br>**[12:55] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[12:57] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a feeling it would end like this.<br>**[13:03] Nathaniel**<br>&nbsp;&nbsp;&nbsp;&nbsp;Atone for your sins.<br>**[13:18] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go. You'll die, too.<br>**[13:21] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[13:23] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never knew your reason for being?<br>**[13:26] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are words that can never<br>&nbsp;&nbsp;&nbsp;&nbsp;be a person's last! It's wrong!<br>**[13:34] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a kind man.<br>**[13:38] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's fine.<br>**[13:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[13:40] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done all I can as an ordinary man.<br>**[13:51] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Lucy-san, please look down.*<br>**[13:54] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:55] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now!*<br>**[13:58] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's him!<br>**[13:59] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Please throw him a rope or*<br>*&nbsp;&nbsp;&nbsp;&nbsp;something he can grab onto.*<br>**[14:02] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything.<br>**[14:04] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[14:05] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I have a way, though.<br>**[14:09] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better gather my<br>&nbsp;&nbsp;&nbsp;&nbsp;bones if I fall, though.<br>**[14:12] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Atsushi!<br>**[14:17] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transport!<br>**[14:25] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, ow...<br>**[14:29] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we made it.<br>**[14:31] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[14:32] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saved me—<br>**[14:33] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[14:39] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did he get in here?<br>**[14:42] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A thin string of blood.*<br>**[14:44] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He must have tied this to me so*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he would be transported with us.*<br>**[14:49] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is bad.*<br>**[14:51] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's over.<br>**[14:52] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to my kingdom.<br>**[15:01] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you're in this room,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't hurt Anne.<br>**[15:14] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I finally captured him!<br>**[15:17] Lucy**<br>&nbsp;&nbsp;&nbsp;&nbsp;We win!<br>**[15:18] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No. We've lost.*<br>**[15:21] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We've let Sigma die.*<br>**[15:23] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We no longer have a way to locate the page.*<br>**[15:27] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Worse...*<br>**[15:28] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The Hunting Dogs have seen*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you work to save Sigma.*<br>**[15:33] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They will perceive that as the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Agency cooperating with fellow terrorists.*<br>**[15:38] Ango**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid this was all*<br>*&nbsp;&nbsp;&nbsp;&nbsp;according to Fyodor's plan.*<br>**[15:43] Ango**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've lost.<br>**[15:47] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're unbelievable.<br>**[15:49] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't done anything.<br>**[15:52] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I simply sat here and prayed.<br>**[15:55] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prayers alway reaches God.<br>**[15:58] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even the coin bombs were a decoy.<br>**[16:01] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a means to draw the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Detective Agency to the casino.<br>**[16:06] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[16:10] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more beautiful that way, is it not?<br>**[16:14] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotta gain information on the terrorists.<br>**[16:19] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[16:27] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I will share the truth of the case with you,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in hopes that you are a sensible person.*<br>**[16:32] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency!<br>**[16:33] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The masterminds behind the terrorist attacks*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are the five Gifteds, the Decay of the Angels.*<br>**[16:38] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They've stolen a device known as*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"the page" that amends reality.*<br>**[16:42] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They've smeared the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency with their crime, and—*<br>**[16:45] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you've been spreading<br>&nbsp;&nbsp;&nbsp;&nbsp;a web of conspiracies yourself.<br>**[16:50] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But God prefers perfection and harmony.<br>**[16:54] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, in accordance with God's will,<br>&nbsp;&nbsp;&nbsp;&nbsp;I added a particular line to the page.<br>**[17:03] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tachihara, have you found anything?*<br>**[17:05] Atsushi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And as the final stage of their plan,*<br>**[17:08] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;they intend to write the demise*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the state onto the page.*<br>**[17:12] Atsushi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That is the full story of the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;worldwide terrorism attack, and...*<br>**[17:14] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tachihara, what's the matter?*<br>**[17:16] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Nothing.<br>**[17:18] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just more false information meant<br>&nbsp;&nbsp;&nbsp;&nbsp;to throw off the investigation.<br>**[17:23] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;A modification to ensure they don't believe<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Detective Agency's innocence?<br>**[17:27] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:27] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;All law enforcement and investigative<br>&nbsp;&nbsp;&nbsp;&nbsp;bodies that happen upon evidence<br>**[17:32] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Detective Agency's entrapment<br>&nbsp;&nbsp;&nbsp;&nbsp;will dismiss it without consideration.<br>**[17:38] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I wrote in the page.<br>**[17:41] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, the plot to get the Hunting Dogs<br>&nbsp;&nbsp;&nbsp;&nbsp; on your side was futile to begin with.<br>**[17:48] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Infiltrate the Port Mafia again?!<br>**[17:51] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yep.*<br>**[17:52] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've gotten in touch with the surface.*<br>**[17:55] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency has thoroughly<br>&nbsp;&nbsp;&nbsp;&nbsp;crossed a line with the coin bombs.<br>**[17:59] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no longer a state's criminal matter.<br>**[18:03] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole world's going to be on their ass.<br>**[18:06] Teruko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Which means we have to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the ones to catch them.*<br>**[18:10] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tachihara, infiltrate the Mafia once more*<br>**[18:13] Teruko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and find out where the last two*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Detective Agency members have run off to.*<br>**[18:21] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are you reluctant?*<br>**[18:23] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[18:24] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that, these days, I get strangely<br>&nbsp;&nbsp;&nbsp;&nbsp;annoyed dealing with the Mafia.<br>**[18:30] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You?<br>**[18:32] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're practically born to do undercover<br>&nbsp;&nbsp;&nbsp;&nbsp;investigations, with your special ability.<br>**[18:37] Teruko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did it when you eliminated the Mafia<br>&nbsp;&nbsp;&nbsp;&nbsp;members who were aiding the Detective Agency.<br>**[18:45] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[18:51] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara. You made it.<br>**[18:54] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you were stabbed in the gut.<br>**[18:56] (Flashback) Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't as bad as I thought.<br>**[18:59] (Flashback) Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same as us, then.<br>**[19:01] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:02] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite my spectacular bloodshed,<br>&nbsp;&nbsp;&nbsp;&nbsp;the wounds were rather shallow.<br>**[19:06] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was as though the attack was an act.<br>**[19:11] (Flashback) Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point if we're both alive<br>&nbsp;&nbsp;&nbsp;&nbsp;because we were going easy on each other?<br>**[19:16] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You bastard!<br>**[19:20] (Flashback) Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, old man...<br>**[19:22] (Flashback) Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'm cut out for the Port Mafia?<br>**[19:38] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know anything about God, do you?<br>**[19:43] Fyodor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm listening.<br>**[19:45] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfection and harmony?<br>**[19:47] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;God cares more about your<br>&nbsp;&nbsp;&nbsp;&nbsp;pores than he does that.<br>**[19:52] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's famous for his<br>&nbsp;&nbsp;&nbsp;&nbsp;coincidences and absurdism.<br>**[19:55] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen it countless times.<br>**[19:58] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how masterfully you devise<br>&nbsp;&nbsp;&nbsp;&nbsp;your schemes, where we are is here.<br>**[20:05] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;A prison at the ends of the earth.<br>**[20:07] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones that run the world are,<br>&nbsp;&nbsp;&nbsp;&nbsp;in fact, the ones who howl,<br>**[20:12] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;run, and shed blood in incidental storms.<br>**[20:16] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I are powerless in the<br>&nbsp;&nbsp;&nbsp;&nbsp;face of their intense spirits.<br>**[20:23] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what that means?<br>**[20:26] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara, you are mafia among mafia.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tachihara,
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;you are mafia among mafia.
<br>**[20:32] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your rashness, your hotheadedness,<br>&nbsp;&nbsp;&nbsp;&nbsp;your reckless valor...<br>**[20:37] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a model for the<br>&nbsp;&nbsp;&nbsp;&nbsp;rest of the Port Mafia.<br>**[20:42] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why am I feeling this way?*<br>**[20:45] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I infiltrated the Port Mafia to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;take revenge for my brother...*<br>**[20:50] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;No...
<br>**[20:51] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's an excuse.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That's an excuse.
<br>**[20:53] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wanted to become someone...*<br>**[20:57] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Someone who was neither my brilliant*<br>*&nbsp;&nbsp;&nbsp;&nbsp;brother or his opposite.*<br>**[21:00] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's why I spared the doctor...*<br>**[21:16] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara.<br>**[21:22] (Flashback) Yosano**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about your brother.<br>**[21:27] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The freaking Detective Agency...*<br>**[21:29] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Vicious terrorists...*<br>**[21:32] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What the hell is wrong with these people?*<br>**[21:35] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency will not relent.<br>**[21:38] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it'll prove the organization's innocence,<br>&nbsp;&nbsp;&nbsp;&nbsp; they'll abandon their lives.<br>**[21:43] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guilty verdict would not stand against<br>&nbsp;&nbsp;&nbsp;&nbsp;them when they forfeit their lives.<br>**[21:47] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have only an innocent verdict or death.<br>**[21:50] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world is already<br>&nbsp;&nbsp;&nbsp;&nbsp;convinced of their guilt.<br>**[21:53] (Flashback) Ougai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not so.<br>**[21:57] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At the very least,*<br>**[21:59] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the boss has believed the Detective Agency*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be innocent from the beginning.*<br>**[22:02] Tachihara**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine he'd ever trust the Detective*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Agency on gut feeling or out of sympathy.*<br>**[22:08] (Flashback) Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you guys...<br>**[22:10] (Flashback) Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think of the Detective Agency?<br>**[22:12] (Flashback) Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think they're actually terrorists?<br>**[22:16] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hurt your head<br>&nbsp;&nbsp;&nbsp;&nbsp;or something, Tachihara?<br>**[22:19] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth about the Port Mafia<br>&nbsp;&nbsp;&nbsp;&nbsp;ought to be obvious to anyone.<br>**[22:24] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Gin?<br>**[22:25] (Flashback) Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[22:26] (Flashback) Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't even worth considering.<br>**[22:29] (Flashback) Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Detective Agency aren't terrorists.<br>**[22:31] (Flashback) Gin**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's preposterous.<br>**[22:33] (Flashback) Hirotsu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachihara, if you're Port Mafia,<br>&nbsp;&nbsp;&nbsp;&nbsp;it ought to be obvious to you, too.<br>**[22:40] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of course.*<br>**[22:42] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer is crystal clear.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fyodor: "All law enforcement and investigative bodies
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;that happen upon evidence of the Detective Agency's
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;entrapment will dismiss it without consideration."
<br>**[22:47] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell am I doing?<br>**[22:51] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way the Armed Detective<br>&nbsp;&nbsp;&nbsp;&nbsp;Agency are terrorists.<br>**[22:54] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The government's got the wrong people!<br>**[22:57] Tachihara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to persuade the government!<br>**[23:02] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're correct.<br>**[23:03] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humans are sinful and foolish.<br>**[23:07] Dazai**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they aren't quite<br>&nbsp;&nbsp;&nbsp;&nbsp;as boring as you think.<br>**[23:23] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's the point where it ends.*<br>**[23:27] Sigma**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's that?*<br>**[23:33] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;A'ight, time for some resurrection magic!<br>**[23:37] Nikolai**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so fun!<br>